{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1888\u0026f%5Blevel%5D%5B%5D=File\u0026page=700","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1888\u0026f%5Blevel%5D%5B%5D=File\u0026page=699","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1888\u0026f%5Blevel%5D%5B%5D=File\u0026page=701","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1888\u0026f%5Blevel%5D%5B%5D=File\u0026page=705"},"meta":{"pages":{"current_page":700,"next_page":701,"prev_page":699,"total_pages":705,"limit_value":10,"offset_value":6990,"total_count":7048,"first_page?":false,"last_page?":false}},"data":[{"id":"wvmturhc_repositories_2_resources_5370_c01_c02_c07","type":"File","attributes":{"title":"Wood County Papers","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5370_c01_c02_c07#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5370_c01_c02_c07","ref_ssm":["wvmturhc_repositories_2_resources_5370_c01_c02_c07"],"id":"wvmturhc_repositories_2_resources_5370_c01_c02_c07","ead_ssi":"wvmturhc_repositories_2_resources_5370","_root_":"wvmturhc_repositories_2_resources_5370","_nest_parent_":"wvmturhc_repositories_2_resources_5370_c01_c02","parent_ssi":"wvmturhc_repositories_2_resources_5370_c01_c02","parent_ssim":["wvmturhc_repositories_2_resources_5370","wvmturhc_repositories_2_resources_5370_c01","wvmturhc_repositories_2_resources_5370_c01_c02"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5370","wvmturhc_repositories_2_resources_5370_c01","wvmturhc_repositories_2_resources_5370_c01_c02"],"parent_unittitles_ssm":["Jim Comstock, Newspaper Editor and Collector, Papers","Series 1. Historical Documents","Series 1. Historical Documents -- West Virginia Documents"],"parent_unittitles_tesim":["Jim Comstock, Newspaper Editor and Collector, Papers","Series 1. Historical Documents","Series 1. Historical Documents -- West Virginia Documents"],"text":["Jim Comstock, Newspaper Editor and Collector, Papers","Series 1. Historical Documents","Series 1. Historical Documents -- West Virginia Documents","Wood County Papers","Box 1","Folder 12"],"title_filing_ssi":"Wood County Papers","title_ssm":["Wood County Papers"],"title_tesim":["Wood County Papers"],"unitdate_inclusive_ssm":["1800-1900"],"normalized_date_ssm":["1800/1900"],"normalized_title_ssm":["Wood County Papers"],"component_level_isim":[3],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Jim Comstock, Newspaper Editor and Collector, Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":13,"parent_access_restrict_tesm":["Box 93 cannot be retrieved for use at this time. Please contact the West Virginia \u0026 Regional History Center for more information.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. "],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900],"containers_ssim":["Box 1","Folder 12"],"_nest_path_":"/components#0/components#1/components#6","timestamp":"2026-06-10T07:10:52.276Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5370","ead_ssi":"wvmturhc_repositories_2_resources_5370","_root_":"wvmturhc_repositories_2_resources_5370","_nest_parent_":"wvmturhc_repositories_2_resources_5370","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5370.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198658","title_ssm":["Jim Comstock, Newspaper Editor and Collector, Papers"],"title_tesim":["Jim Comstock, Newspaper Editor and Collector, Papers"],"unitdate_ssm":["1650-1671, 1717-2003, undated","ca. 1850-1995"],"unitdate_bulk_ssim":["ca. 1850-1995"],"unitdate_inclusive_ssm":["1650-1671, 1717-2003, undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2600","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5370"],"text":["A\u0026M 2600","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5370","Jim Comstock, Newspaper Editor and Collector, Papers","Berkeley County (W. Va.)","Fairmont (W. Va.)","Marshall County (W. Va.)","Pennsylvania","United States -- History -- Civil War, 1861-1865","Wheeling (W. Va.)","Banks and banking","General stores","Glass manufacture","Mexican War, 1846-1848","Newspapers.","Political campaigns","Propaganda, Soviet","Whiskey decanters","Box 93 cannot be retrieved for use at this time. Please contact the West Virginia \u0026 Regional History Center for more information.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. ","Lucy Elizabeth Prichard  (October 26, 1876 - July 29, 1964) was born in Cattlettsburg, Kentucky. Daughter of Robert H. and Mary Prichard, she had a brother, Karl, and a sister-in-law, Elizabeth. Lucy taught at Huntington High School from 1899-1913, and taught Latin and Classical Studies at Marshall College (now Marshall University) from 1914-1941. Marshall's Prichard Hall was named in her honor.","Louis Eckert Reed  (born October 1, 1899 in Wirt County, WV; died January 31, 1979 in Elizabeth, WV) served as a sergeant in the US Army during WWI, served as Administrative Assistant to Senator Chapman Revercomb, and worked as a prosecuting attorney in Wirt County, WV. He also wrote for  Atlantic Monthly .","James Franklin \"Jim\" Comstock  was born to Harry Clinton and Myrtle Blanche in Richwood, West Virginia on February 25, 1911. He married Miss Ola Stowers in Huntington, WV, on October 18, 1933; they would have two daughters, Sandra Ferguson and Elaine Nagy, and a son, Jay. In 1934, Comstock received B.A. from Marshall College (now Marshall University). From 1938-1942, he taught at Richwood High School and wrote for the  Clarksburg Telegram . He served in the U.S. Navy from 1944-1946, and upon returning home he founded the  Nicholas County News Leader  (originally  News Letter ) with Bronson D. McClung (1920-2004), a former student of his. On December 25, 1963, the  Nicholas County News Leader  combined with  Nicholas Republican ; in 1984, it became the  Richwood News Leader . Comstock remained an active part of the paper till his death on May 22, 1996.\n \n In 1957, Comstock founded the weekly  West Virginia Hillbilly  with McClung, and became its editor. The paper included feature articles, columns of special interest to West Virginians, book notes, and the \"Comstock Load,\" the editor's own column on the back page. Comstock first tried to sell the  Hillbilly  in 1976. In 1981, he sold it to the South Charleston Publishing Company. On February 25, 1986, he repurchased and began resuscitating the  Hillbilly . In 1992, he sold the  Hillbilly  to Sandy McCauley. In 2001, the  Hillbilly  ceased publication.","Comstock was involved in many endeavors in addition to his newspaper editing and reporting activities. In 1963, he ran unsuccessfully for Congress on the Republican ticket. He wrote, edited, and contributed to various books, including  Pa and Ma and Mr. Kennedy , a 50-volume  West Virginia Heritage Encyclopedia , and a collection of newspaper highlights entitled  Best of Hillbilly . He was also involved in republishing books by West Virginian authors. He campaigned to purchase and preserve author Pearl S. Buck's birthplace at Hillsboro, and he helped save the Cass Scenic Railroad. He also founded the University of Hard Knocks, a lighthearted honorary society that recognizes the accomplishments of people who have succeeded in life without a college degree.","Papers of James (\"Jim\") Franklin Comstock of Richwood, West Virginia, whose position as editor of the  West Virginia Hillbilly  and avocation as collector and advocate of all things West Virginia led to the preservation of much of the state's physical, visual, and textual history. The collection includes materials Comstock collected about West Virginia history as well as his own personal and professional papers.","Materials include: general series of historical documents such as letters, deeds, and county court cases pertaining to a diverse range of subjects (1717, 1754-1988, undated [includes facsimiles]); letters of Lucy Prichard, former instructor at Marshall College (now Marshall University) (1925-1927, undated); clippings and typescripts of Wirt County resident and  Atlantic Monthly  writer Louis Eckert Reed (ca. 1960-1975, undated); account books concerning economic development and commercial activities in the northern part of the state in the 19th and early 20th centuries (1830-1938); printed material about West Virginia schools, businesses, and events as well as non-West Virginia books and pamphlets (1829-1995, undated); Comstock's personal and professional correspondence (1882-1995, undated); a wide variety of photographs, including images of West Virginia cities and towns, among many others (ca. 1850s-1995, undated); microfilmed records of the Civil War and Dunmore's War (undated); glass lantern slides, which include views of scenery and buildings in Wheeling and various other locations in Ohio County, WV (1871-1897, undated); Grand Army of the Republic and U.S. military history scrapbooks (1883-1918); broadsides, including advertisements for a circus in Moundsville (ca. 1827-1960 [includes facsimiles]); and maps and atlases of pre- and post-statehood West Virginia, counties, colonial North America, and other topics (1730-1976, undated [includes facsimiles]).","An addendum of 2013/05 includes additional personal and professional correspondence, publications, newspaper morgue files, photographs, audio-visual material, artifacts, scrapbooks, account books, and maps. For more information on Jim Comstock, see the Historical Note.","Series 1. Historical Documents; 1717, 1754-1988, undated (includes facsimiles); box 1 - box 3, folder 2. \nSeries 2. Lucy Prichard Papers; 1913-1936, undated; box 3, folders 3-8. \nSeries 3. Louis Reed Papers; ca. 1960-1975, undated; boxes 4-5. \nSeries 4. Account Books; 1830-1938; boxes 6-17. \nSeries 5. Printed Material; 1829-1995, undated; boxes 18-25. \nSeries 6. Comstock Correspondence; 1882-1995, undated (bulk 1950-1995); boxes 26-72. \nSeries 7. Photographs; ca. 1850s-1995, undated; boxes 73-81. \nSeries 8. Motion Pictures; undated; box 82. \nSeries 9. Microfilm; undated; box 82. \nSeries 10. Cassette Tapes; undated; box 82. \nSeries 11. Glass Lantern Slides; 1871-1897, undated; boxes 83-85. \nSeries 12. Scrapbooks; 1883-1918; boxes 86-91. \nSeries 13. Broadsides; ca. 1827-1960 (includes facsimiles); box 92. \nSeries 14. Maps; 1730-1976, undated (includes facsimiles); boxes 93-103, and map cabinet 1, drawer 12. \nSeries 15. Newspapers; ca. 1826-1924, 1976; box 104. \nSeries 16. Artifacts; 1952-1976, undated; boxes 105-109. \nSeries 17. Oversize; 1650-1671, 1720-1991, undated (includes facsimiles); boxes 110-118.","Addendum of 2013/05  includes material much like that in the initial acquisition, divided into the following series:","Series 18. Correspondence; 1838-2003, undated (bulk 1950-1995); box 119 - box 133 folder 4, and box 134 folders 1-11.* \nSeries 19. Publications; 1889-2002, undated; box 133, folders 5-6, box 134, folder 12, and boxes 135-136.* \nSeries 20. Subject Files; ca. 1851-1995, undated; boxes 137-146. \nSeries 21. Photographs; ca. 1870s-2003, undated; boxes 147-149.* \nSeries 22. Audio-Visual Material; 1990-1992, undated; box 150. \nSeries 23. Artifacts; undated; box 151, folders 1-2. \nSeries 24. Scrapbooks; ca. 1953-1984; box 151, folder 3 and scrapbook. \nSeries 25. Account Books; 1954-1960s; box 151 ledgers. \nSeries 26. Oversize Material; 1861-1866, 1893-1933, 1950-1998, undated; box 152 - box 156, folder 3, loose folders 1-4, oversize folder 1, and box 157. \nSeries 27. Maps; 1884-1891, 1920, 1957-1987; box 156, folders 4-10. \nSeries 28. Historical Documents; 1839-1909; box 158.","*Please note: boxes 123, 133, and 149 could contain allergens. Masks and gloves will be provided for patrons wishing to use them.","This series includes financial records such as receipts and invoices, legal documents such as deeds and court cases, correspondence, land records, genealogy materials, ephemera, and typescript histories. Box 1 includes three subgroups: the Barnet Cushwa Papers, West Virginia Documents, and Non-West Virginia Documents. Boxes 2a-3 contain material of mixed origin. Additional historical documents can be found in Series 17, Oversize, and in subseries Oversize--Manuscripts.","This subseries includes a collection of materials documenting the activities of Cushwa, a prominent farmer and later the sheriff of Berkeley County in the 1850s. Cushwa's papers reveal his activities as administrator of the Daniel Gehr estate (1839-1843). The Berkeley County documents, including lists of landholdings, orders, taxes, and fee collections, demonstrate his duties as sheriff in the 1850s. See Series 17, Oversize, box 117 for Berkeley County land holdings, sheriff's accounts, and lists of orders, taxes, fees, etc. (1854-1858).","This subseries is comprised of correspondence and other material, principally concerning commercial and development activities in north-central West Virginia. These items are grouped by county; please note that there is overlap between counties.   Highlights include:  items relating to Harman Blennerhassett (box 1, folder 12);  a six-page letter written by William G. Brown answering questions concerning the constitutionality of the movement for West Virginia statehood (June 28, 1862) (box 1, folder 13);  letters and reminiscences focusing on the reunions of the Battle of Philippi (1911-1935) (box 1, folder 14); and  two letters from the abolitionist John Brown (box 1, folder 15)."," Additional West Virginia documents can be found in boxes 2a-2c.","Highlights of this subseries include:  four letters from soldiers in the Mexican War;  seventeen letters from Pennsylvania soldier James M. Weaver, principally to his wife, during his service in the Civil War;  a confidential letter from President James Monroe explaining his policy on fortifying the frontier;  seven Booker T. Washington letters;  two letters from Revolutionary War general Horatio Gates; and  a folder of letters written by famous 19th century figures including Samuel Clemens, Collis P. Huntington, Nathaniel P. Banks, and Newton D. Baker.","This subseries contains correspondence, invoices, deeds, tax documents, court cases, and other material. Most of the items pertain to West Virginia.  Highlights include:  bills and invoices of G.H.A. Kunst and John H. Kunst (1853-1867, 1892-1893);  papers of the Wells family of Sistersville (1806-1885);  a telegram regarding the burning of Harpers Ferry (1861);  a broadside listing members of Company H, 3rd Regiment, Potomac Home Brigade, Maryland Infantry (undated); and  legal documents regarding the manumission of slaves (1820-1828, 1856).","Lucy Prichard taught Latin and Classical Studies at Marshall College from 1914 to 1941. This series includes correspondence, photographs, and printed material. Correspondence includes Karl Prichard's letters (1918) and Lucy Prichard's letters (1925-1927, undated). Lucy's letters are addressed to her mother, Mrs. R.H. Prichard, in Huntington, WV. Many of Lucy's letters relate to her travels and studies in the Peloponnesus peninsula of Greece, the British Isles, Western Europe, and Italy in 1925 and 1927. For more information on Lucy Prichard, see the Historical Note.","This series includes newspaper clippings and typescripts of Wirt County resident and Atlantic Monthly writer Louis Eckert Reed. The newspaper clippings show images of Reed family photos (1960). The typescripts are short stories written by Louis, many likely unpublished. Also included are notes and a draft of  Burning Springs, Virginia: The Civil War's Unsolved Mystery , initially a paper that Reed prepared for the West Virginia Historical Society (see  Burning Springs, West Virginia: the Civil War's Unsolved Mystery , by Louis Reed, self-published in Elizabeth, WV, 1960). This material may have been developed for his later fictional novel,  Burning Springs  (published in Huntington, WV by University Editions/Aegina Press, 1985). For more information on Reed, see the Historical Note. A letter from Louis Reed to Jim Comstock regarding Reed's book  Warning in Appalachia  (1967) can be found in Series 6, Comstock Correspondence, box 62, folder 27. Other letters from Reed may be found elsewhere in Series 6, Correspondence.","This series includes 27 account books, many of which relate to north-central West Virginia businesses. These ledgers document general stores, a Jewish-owned clothing store in Richwood, the activities of an itinerant Methodist minister in the mining villages of north-central West Virginia, grocery stores and meat markets, a glass manufacturer, and other businesses. See Separated Materials note for information on volumes separated to other collections.","Thistle and Cox formed a partnership in Tyler County, [West] Virginia in March of 1835. This is the partnership's first ledger, which spans the years 1835-1837, but reference is made to the transfer of accounts to at least one subsequent ledger. The business appears to have been located near the Ohio River (probably in Sistersville), since customers included Ohio as well as Tyler County citizens. Although the debit side for each customer only lists the term \"merchandise\" for purchases, the ledger reveals the barter nature of much of the rural economy of Tyler County on the credit side. Among items received in trade by Thistle and Cox were chestnuts, hides, bees wax, rags, sand, tobacco, clothes, meats, produce, and various forms of labor. The ledger also frequently lists the occupations or residences of many of the customers. Included were coopers, tanners, blacksmiths, preachers, schoolteachers, and carpenters, scattered from Point Pleasant to Wheeling.","Inventory and Book Accounts. This volume contains a 66-page inventory of goods on hand and their prices in a Tyler County general store in January 1877. The inventory is divided into the following categories: fancy groceries, groceries, men's shoes, ladies' shoes, children's shoes, overshoes, dress goods, wall paper, housewares, and other. Starting on page 71 is a four-page list of the book accounts of the store's customers, presumably on that same date.","The Cordray Carriage Company was a short-lived business in Fairmont, WV. The ledger lists only the customers and the amount they owed T.L. Cordray, the proprietor of the Carriage Company. The ledger does not list the services for which the customers were charged. However, one itemized account invoice on an inserted piece of paper suggests that the Cordray Carriage Company repaired vehicles. For H.O. Amos, from 1907 through 1911, the Company repaired couplings, repaired and painted the body, repaired the interior, raised the body, and tightened and repaired the fenders, for a total charge of $118. The ledger includes more than 400 customers.","A. H. Breckstein was a Jewish merchant who operated a clothing store in the boom town of Richwood, in Nicholas County. Volume 10 is a cash book detailing daily transactions in the store, both sales and expenses, for part of 1910, and consistently for the period 1928 to 1936. There are also monthly accountings of both cash and credit sales as well as expenses. Volume 11 documents sales and purchases of clothing for the period 1926 to 1934. The sales portion of this volume repeats information available in volume 10. Volume 12 is a ledger of accounts payable for the period 1921-1928, showing the firms from which Breckstein purchased his goods. Included are companies in Baltimore, Philadelphia, Pittsburgh, and New York.","J.C. Shock was a Methodist minister assigned to a parish in Pullman, WV in 1910. However, he also appeared to be an itinerant preacher, and his account book lists ministerial services provided for the towns and villages of Duffy, Straight Fork, Falls Mill, Glady, and Kingknob, in the north-central West Virginia counties of Lewis, Ritchie, and Wetzel. The account book documents Shock's ministry, listing the text for sermons preached at various towns as well as the contributions of those towns to his salary. Most of the entries cover the years 1910-1917, at which time his base of operations seems to have shifted permanently to Falls Run and Falls Mill in Braxton County. There are entries for sermons, marriages, and assessments for those towns running to 1938. An additional folder contains miscellaneous documents related to Shock found within the ledger.","In the 1890s, Mrs. Samuel C. Gans operated a general store in Moundsville, which by 1900 was specializing in dry goods. This ledger reflects the volume of business and the timing and means of settling accounts. The early pages (for the 1890s) are more detailed, listing the items purchased from the general store. For the later period, the entries are frequently limited to the terms \"goods\" or \"merchandise.\" The back of the volume also contains some notes and miscellaneous accounts, such as rooms rented.","In 1892, a number of Charleston's German families banded together to form an Evangelical Lutheran Church. Subscriptions for a building fund and other church work began to be collected in October of that year. This ledger documents the subscriptions of the founding members of St. Paul's Evangelical Church. It also provides an accounting of the expenses and building funds contributed by the members, including the purchase of a lot on Court Street in Charleston, the church's construction, and the salary of the minister.","These volumes were written by Albert S. Hayden, Notary Public in and for the county of Marion and the state of West Virginia. He recorded handwritten copies of promissory notes and bills presented at Fairmont, WV banks for redemption, which were protested by the First National Bank of Fairmont's cashier. The ledgers also list the date protested, by whom, and the notices mailed to note signers. Most notes originated in West Virginia, but some originated in Ohio. Volume 16a covers 1870-1873. Volume 16b covers 1875-1876.","Anthony Zidn operated a grocery and dry goods store outside of Fairmont on RFD #2. Zidn was an immigrant from the Middle East (perhaps Armenia, as suggested by the fact he kept his accounts in Persian and had a Christian name). These three ledgers document his business, although most of the information is written in Persian.","The Price Brothers operated a general store in the small village of Amos on the Paw Paw Creek, eleven miles from the town of Fairmont in Marion County. The Price Brothers sold all sorts of groceries to people in the town, as documented by this ledger. In addition, the Polk business directory for 1902-1903 notes that the Price sisters operated a millinery business in Amos. There are loose papers within the ledger, including statements and product advertisements (1905-1907, undated).","At the turn of the century, there were four wholesale meat provisioners in Wheeling. This ledger represents the operations of one of them for the years 1901-1902. The company principally supplied general stores and grocers in eastern Ohio, northern West Virginia, southwestern Pennsylvania, and western Maryland. However, individuals could also buy directly. Entries typically include the name of the purchaser, the town in which the purchaser resides, and the amount of the purchase. For local buyers, the ledger frequently lists the Wheeling address. Since transactions are usually noted only as merchandise, it is impossible to glean what types of meats were being purchased at what costs.","Jacob Hornbrook was born in Tavistock, England, in 1812 and moved with his parents to Wheeling when he was a small child. Jacob's father ran a small [business?] in Wheeling. As a young man, Jacob began a mercantile business buying and selling produce on the flatboats travelling on the Ohio River. He later started a notions store, purchased interest in a steamship line and the First National Bank, and was president and owned stock in the Wheeling Gas Company. These three books, a journal (volume 20; 1847-1874), a ledger (volume 21; 1847-1874), and a cash book (volume 22; 1845-1874), document his business interests, investments, and personal expenses during the last three decades of his life. Although he remained an active investor, Hornbrook retired from his mercantile business in 1855 with an estate valued at more than $30,000. In 1852, he moved to what he called \"Forest Home\" near Wheeling Park, and he served in the West Virginia legislature during the Civil War.","This volume includes a manuscript copy of the act \"To incorporate the Wheeling Gas Company\" issued March 18, 1850; a copy of a related Wheeling city ordinance, issued April 29, 1850; stockholders meeting minutes, April 15, April 25, May 1, May 9, and May 11, 1850; and lists of subscribers, the number of shares of stock, and the amount paid.","George C. Gans was a physician practicing in Marshall County in the decades prior to the Civil War. Although most of his patients resided in the area around Moundsville and Elizabeth, Gans does not appear in either the 1840 or the 1850 U.S. census schedules for Marshall County. The ledger documents his treatment of families in Marshall County for a wide variety of ills, including typhoid fever (1861), cholera (1847), and farm injuries. Gans also routinely attended childbirths. His treatments included blistering, bleeding, venesection, lancing, and operating as well as administering medicine and pills. In return for his services, Gans routinely accepted farm produce, labor on his farm, and other useful items such as shingles. He went on to serve as an assistant surgeon in the Civil War.","This is a ledger of an Elizabeth, PA, glass manufacturer's accounts with his workers. The manufacturer ran some type of company store, and the ledger thus includes debits for cash and merchandise received by the workers and credits for the various types of labor performed, including glass blowing, teasing, cutting, coal mining, blacksmithing, and box making. In addition, the ledger includes the manufacturer's accounts with a boarding house owner for boarding his workers and with a local merchant who supplied the company store. In general, the ledger provides insights into the earnings of mid-19th century artisans as well as the operation of a small, rural glass-making establishment.","This consignment book documents commodity prices and the wide variety of goods received by a Wheeling commission merchant house during the 1830s. It also provides insights into the local industrial development, since the commission merchants routinely received goods on consignment from local manufacturers, such as the German Manufacturing Company (textiles). At the beginning of the book, there is evidence that the firm engaged a peddler to make trips in 1830, and the commission house also conducted auctions during the 1830s.","Moses Chapline was a prominent citizen in Wheeling, at various times an attorney, a general store owner, and in the 1830s, mayor. This daybook documents the daily trade at his store during 1845. Included are entries for purchases of a wide variety of goods as well as entries for store expenses, such as insurance, soap, and transportation. The A. Loring who appears frequently throughout was probably Alonzo Loring, a clerk at the store.","Harry Hood and Company was a retail meat and dairy market in Fairmont, WV. This ledger covers the last few months of 1906 and the first months of 1907. It documents purchases of meat from wholesale producers, such as Armour and Company, and sales of meat to local businesses and individuals in Fairmont. Transactions are typically listed only as \"merchandise,\" making it difficult to glean any information concerning prices or consumption patterns. The ledger is used only for the first 150 of its 500 pages, and the business does not appear in the Polk business directory of 1906-1907, suggesting the possibility that it folded some time in 1907.","This ledger documents a general store in Tyler County, probably near Middlebourne, the county seat. Although fairly routine entries characterize customer purchases, the volume also documents purchases from wholesale merchants, beginning on page 251. Included are such firms as Hubbard and Paull, and Jos. Speidel, both of Wheeling; Ed Roome of Sistersville; and Burgunder Brothers and Company, of Columbus, Ohio. Also, the ledger often lists the occupations of the store's customers. Included are John Gates, an oil rig builder (reflecting the emergence of the local oil business) and a number of customers connected to a local woolen mill.","John Gallaher, Christian Ansbrutz, and Caleb Bleakmor started a general store partnership in 1853. Prior to that date, Gallaher operated a store in Moundsville, which is documented in the first 90 pages of the daybook. The daybook follows the partnership for only six months (until September 1853), but then another Moundsville general store (involving Bleakmor) used the daybook during 1856. In the 1850 census, Bleakmor was listed as a constable, age 49, born in Maryland; and Ansbrutz was listed as a miller, age 47, born in France, worth $23,000. Only Gallaher, a 53-year-old Irishman worth $12,000, was listed as a merchant. From the evidence in the daybook, it appears that the partnership was short-lived.","This series includes ephemera, sheet music, booklets, pamphlets, and correspondence. Additional miscellaneous printed material can be found in Series 17, Oversize.","  Box 18 includes calendars, sheet music, notecards, and printed material related to West Virginia history. The notecards include screen printed notecards from Wolf Creek Printery in Alderson, WV (1976). The history printed material includes a booklet entitled  Wheeling Bicentennial, 1769-1969  (1969?).","  Box 19 includes West Virginia serial publications and magazines, as well as printed material about West Virginia schools and locations. Highlights include three issues of  The Searchlight , a serial about education (two published in Summersville, WV [1895-1896], and one published in Fayetteville, WV [1899]); an issue of  The Mikrophone: Devoted to Religion, Morality, and Temperance  (published in Highland, WV, by D.H. Davis, 1906); Scottish Rite pamphlets (published in Wheeling, 1910-1917); the Richwood High School Class of 1940 reunion program (1960); Craigsville Grade School's first yearbook (1973); and  Mountaineer Spirit , a WVU student magazine featuring an article about Jim Comstock (1968).","  Box 20 includes non-West Virginia serial publications and magazines. Highlights include an issue of  The Religious Magazine, or Spirit of the Foreign Theological Journals and Reviews  (Philadelphia: E. Littell, 1829); and E.D. Cope's  On Vertebrata from the Tertiary and Cretaceous Rocks of the North West Territory  (Montreal: W.F. Brown \u0026 Co., 1891);  Naval Training School -- Indoctrination, Hollywood Florida: Quarterdeck, Class of 3-44, 20 June 1944  (Hollywood, FL: Naval Training School, 1944); and issue no. 18 of  Papers from the Society for the Diffusion of Political Knowledge  (undated).","  Box 21 includes various writings, such as student literary magazines, works of fiction, poetry booklets, and George T. Swain's  The Incomparable Don Chafin  (Charleston, WV: Ace Enterprises, 1962).","  Box 22 includes George T. Swain's  Facts About the Two Armed Marches on Logan  (Charleston, WV: Ace Enterprises, 1962), as well as printed materials for a variety of West Virginia and non-West Virginia businesses and organizations. These include advertisements and booklets regarding the West Virginia glass industry, including Fenton Glass (1966-1976, undated), a Woman's Club of Gassaway booklet (1970), a reprint of the Berkeley Springs Hotel Brochure of 1885 (1988), and the constitution of the First Baptist Church of Richwood, WV (undated). For additional business-related printed material, see also Series 1, Historical Documents, box 2b, folders 11-12.","  Box 23 includes miscellaneous booklets, programs, book plates, articles, clippings, and other material. Highlights include  Rules of Practice in the United States Patent Office  (Washington: U.S. G.P.O., 1892), Elbert Hubbard's  Little Journeys to the Homes of Great Teachers: Erasmus  (East Aurora, Erie County, NY: The Roycrofters, 1908), the Richwood Spud and Splinter Festival Program (1940), and Eugene L. Huddleston's  The World's Greatest Mallets: C \u0026 O H-8 Versus N \u0026 W Class A  (Alderson, WV: Chesapeake \u0026 Ohio Historical Society, 1986).","  Boxes 24 and 25 contain books, including Comstock's autobiography.","This series includes Jim Comstock's personal and professional correspondence. This series contains materials that are diverse in format, including letters, scripts for radio and other media, clippings, postcards, typescripts, articles, financial materials (e.g. bank books and checks), printed material, ephemera, and photographs. Most of the photographic material in this series has been moved to Series 7, Photographs. Some materials were moved to Series 17, Oversize -- see the Series 17 description for details."," Comstock marked much of his correspondence to be filed by the first letter of the correspondent's last name. Some of this organizational scheme has survived; folders containing specific letter and year files are dispersed throughout the series. Other notations that Comstock used include \"LR\" for letters received, \"Sp\" for speech-related correspondence, \"NL\" for  News Leader -related correspondence, and \"HB\" for  West Virginia Hillbilly -related correspondence."," Topics and items of interest include:  \n letters written to Comstock by regional author Jesse Stuart, and by political figures such as Hubert H. Humphrey, Robert C. Byrd, Jennings Randolph, and Barry Goldwater (box 26 and others);  rejection letters from newspapers and magazines to which Comstock submitted material (box 26);  biographical material about Jim Comstock and his family, including a thesis about Comstock by Mary Abel (boxes 26 and 47);  Larry Maynor, journalist for the  Charleston Daily Mail  (box 29);  the sale and ultimate demise of the  West Virginia Hillbilly  (boxes 31 and 72);  the University of Hard Knocks, including a mock-up diploma, resumes, and portrait photograph headshots of potential graduates (boxes 31 and 60);  [Delf] Norona Collection payments (boxes 33 and 46);  Pearl S. Buck (box 33 and others);  Billy Edd Wheeler, West Virginia writer and musician (box 36);  Civilian Conservation Corps (CCC) reunion in 1979 (box 36);  Otto Whittaker, who worked with Comstock on  The Best of the Hillbilly  (boxes 37 and 65);  the  West Virginia Heritage Encyclopedia  (box 40);  Comstock's appearance on John Nebel's WOR radio show in 1960, including postcards and letters regarding the appearance and requests for Comstock's Richwood Kinsey Report as well as  News Leader  or  West Virginia Hillbilly  subscriptions (boxes 41-42);  Comstock's appearance on the Today Show in 1966 (box 42);  Comstock's appearance on Patricia/Patsy McCann's WOR radio show in New York in August 1977, including letters and postcards regarding the appearance and requests to receive the free six-week subscription to the  West Virginia Hillbilly  which Comstock offered on the show (boxes 42-43);  writers, with an emphasis on West Virginia authors, whose work Comstock was interested in collecting (boxes 40, 44, 45, and 62);  writings by Comstock, including short stories, articles, drafts, etc. (boxes 47-49);  Comstock's nomination and campaign for a U.S. House of Representatives seat on the Republican ticket in 1964 (boxes 51 and 56);  the  West Virginia Hillbilly  and  News Leader , including morgue files, old articles, submissions, letters, and other items (boxes 54, 55, 57, 61, 63, and others; for oversize items, see Series 17, Oversize, box 116);  Eck Bozeman (box 57);  Comstock's pocket diaries (box 57);  Comstock's naval service during World War II (box 60);  H.C. Comstock, Jim's father (box 68); and  historical research material, possibly for the  Encyclopedia  (box 72)."," Please note that the above list is not exhaustive.","This series includes print photographs, negatives, cartes de visite, cabinet cards, mounted photos, tintypes, photo postcards, slides, clippings, printed material, correspondence, photo plates, and eight canisters of large format aerial diapositives (photo transparencies). Subjects include furniture; first ladies of West Virginia; historic homes of West Virginia; identified and unidentified individual and group portraits; cities and towns of West Virginia; buildings; scenery; Museum of the Hills in Richwood, WV; glass and glassmaking; and the Greenbrier. Some of the material in this series was transferred from Series 6, Comstock Correspondence -- in cases where the photographic item was attached to correspondence, the correspondence was transferred as well. Please note that some negatives are nitrate; keep these away from heat and handle with care. Additional photographic material can be found in Series 6, Correspondence, boxes 35, 54, 55, and 72. For photos of Fenton Glass products, see Series 5, Printed Material, box 22. Some oversize photos have been separated to the Photographs Collection; most of these have been added to West Virginia History OnView. Additional oversize photos can be found in Series 17, Oversize."," Contents of the eight canisters of large format aerial diapositives (photo transparencies):"," Box 80; Canister label: \"Huntington 1-6000 April 1947\"  Box 80; Canister label: \"Chas. [Charleston?] 1957, Nitro, 1957; St. Albans, 1957, Old Chas., 1948, Airport, Big Scale (?)\"  Box 80; Canister labels: \"Elk River Coal \u0026 Lumber Co., Aerial Map Flown April 1953.\" and \"City of Huntington Scale 1-6000 Apr 28 1947\"  Box 80; Canister label: \"Harmony Near Ripley, [?] ft to 1\" old; Colin Creek Coal Stripping, large scale, 1948; Lake Chaweva, 1948; Armour Park, 1948; C\u0026O Ry [Railway?] Coal River 1948; Bellings Airport, 1947; Kanawha Airport, large and small scale, 12-9-1947; Strip to City Blvd 12-9-1947; City Strip \u0026 Kenna Home; C\u0026CCC Research 1947; Cedar Grove to Montgomery.\"  Box 81; Unlabeled canister.  Box 81; Canister label: \"1949\"  Box 81; Canister label: \"Coal City - Park Beckley, 1947 [?]\" (not usable)  Box 81; Canister label: \"4/20/53 Dick Stata Film, St. Albans - Charleston\" (not usable)","This series contains two rolls of 35 mm black and white motion picture film, and three rolls of 16 mm color motion picture film of a train. Also included is one of the canisters which contained the film. The box which formerly contained the film was labeled \"F.M.C. Movie Scraps.\" Please note that some reels are nitrate; handle with care.","This series contains two reels of microfilm, which were likely the property of Delf Norona before they were acquired by Comstock. The first reel contains West Virginia-related Civil War records; the second contains payroll and public service claims from the West Virginia region in the 1770s."," Reel 1 Contents Notes:  Records of the War Department, Office of the Adjutant General, General Orders, Mountain Department, Army in the Field, May 9 - June 28, 1862.  National Archives and Records Service, General Services Administration, Washington: 1956. 101 total pgs.  March 18 - June 18, 1862 86 total pgs."," Reel 2 Contents Notes:  Payroll for Pittsburgh, 122 leaves; Payroll for Romney, 43 leaves; Public Service Claims Romney and Winchester 1775, 37 leaves; Public Service Claims West Augusta 1775, 49 leaves; Records of Soldiers and Public Service in Dunmore's War, 279 leaves; index, 25 leaves.","This series includes two cassette tapes which were found in an envelope marked \"Larry Maynor Personal.\" The tapes include recordings of children reading stories and an oral history interview with an unidentified subject.","This series contains 75 wood framed glass lantern slides. Most slides are labeled with the subject, and some are dated. Subjects include views of scenery and buildings in Wheeling and various other locations in Ohio County, WV, as well as Brooke County and Marshall County, WV, and Belmont County, Ohio. These images were likely created by Thomas M. Darrah of Belmont County, Ohio. For the two wooden boxes in which the slides were previously stored, please see Series 16, Artifacts, boxes 105 and 106.","This series includes scrapbooks which contain newspaper clippings and ephemera. Subjects include the Grand Army of the Republic (GAR) and U.S. military history with a focus on Civil War history. These scrapbooks may have belonged to Colonel Albert Kern of Dayton, Ohio.","This series includes originals and copies of broadsides and posters. Included are a John Dillinger wanted poster (1934); a Garrett Snuff advertisement (undated); copies of various political notices (originals ca. 1827-1886); Russian broadsides with Cyrillic text, depicting events of the Russian Civil War, USSR propaganda, and other things (ca. 1920-1930); posters for the Marshall County Fair (ca. 1960) and the Moundsville, Powhatan and Clarington Seventh Grand Annual Picnic (1873); advertisements for the Ringling Brothers and Barnum and Bailey Circus at the Moundsville Fairgrounds (undated); Showboat Rhododendron advertisements (undated); and other material.","This series includes original and facsimile maps, atlases, and books about maps. Highlights include pre- and post-Civil War maps of the West Virginia area;  Hardesty's Historical and Geographical Encyclopedia, Illustrated: containing ... special history of the Virginias, maps and histories of Tyler and Wetzel Counties, West Virginia ; maps of America before 1775; copies of [West] Virginia county maps by John Wood from 1820-1821; maps of various West Virginia cities, including, Morgantown, Moundsville, and Wheeling; and various Fry-Jefferson maps (original and copies). A detailed contents list of boxes 93-100b and map cabinet 1, drawer 12 is available. ","\nNote that the date for each map reflects the date of creation of the item, though in the case of copies it may indicate the date of the creation of the original item rather than the date the copy was made. Also, the number of items may indicate different items or different pieces of the same map. ","\n  Not yet located; Item Number 113; County Map of Virginia and West Virginia; 1874","This series includes newspapers from Wheeling, as well as a special bicentennial salute issue of the  West Virginia Hillbilly  (1976). The majority of the newspapers in this collection have been separated to the West Virginia Collection's newspaper holdings. A list of the newspapers originally inventoried for this collection can be found in the control folder."," Most of the West Virginia newspapers have been microfilmed; see Miscellaneous Reel 113 in the Microfilm Room. For a list of the contents of this reel, please see the \"W.Va. Newspapers from Comstock Collection\" three-page packet in the control folder. Additional newspaper pages and clippings can be found throughout Series 6, Comstock Correspondence and Series 17, Oversize, box 117.","This series includes a variety of artifacts and ephemera belonging to or collected by Comstock."," Boxes 105 and 106 include two wooden boxes (undated) which contained glass lantern slides (see Series 11). One box is labeled \"T.M. Darrah.\" Also included are a fountain pen used by Secretary of the Interior Oscar Chapman to sign the contract to begin building the Bureau of Mines' Appalachian Experiment Station in Morgantown, WV, with letters documenting the donation of the pen by Senator Harley M. Kilgore (1952); and a dinner plate showing a photo-like image of a priest with a group of children, from St. Albans, WV (undated)."," Box 107 includes various nametags for Comstock and his wife, from a variety of conventions and meetings (1960-1963, undated); glasses and sunglasses (undated); a sewing needle pack and a mini ruler advertising Jim Comstock for Congress (ca. 1964); a press pass for President Ford's visit to Charleston, WV (1975); and tickets to the Republican National Convention (1976); among other material."," Box 108 contains two figurines and four whiskey decanters. The figurines are a coal miner (made of coal, undated) and \"Morgan's Virginia Rifleman 1776\" (undated). The decanters are \"Old Time Coal Miner\" (1976), \"Coal Miner\" (1975), Robert E. Lee (undated), and Stonewall Jackson on horseback (undated)."," Box 109 contains six whiskey decanters: Abraham Lincoln (undated), Stonewall Jackson (undated), Hill Billy (1969), General Stonewall Jackson (1974), Randolph McCoy (1973), and Devil Anse Hatfield (1973).","This series contains oversize material that may be relevant to other series.","This subseries includes paintings, sketches, prints, photographs, educational posters, architectural drawings, vinyl records, typescripts, transparencies, clippings, manuscripts, and printed material, among other formats. Topics include Pearl Buck's birthplace, West Virginia, the Civil War, Jim Comstock's work, and other topics. More manuscripts are in the Manuscripts subseries, box 118."," Box 110 and box 111, folders 1-2 contain artwork depicting Pearl Buck's birthplace in Hillsboro, West Virginia, including paintings, sketches, a chalk drawing, and a plan for a sign (1965-1966, undated)."," Box 111, folders 3-4 and unfoldered items include two West Virginia-related prints and an unidentified photo (undated); one framed and six unframed prints depicting mining machinery, possibly of Joy Manufacturing Company (undated); an unframed painting of a coal miner (undated); twelve mounted photographs and sketches (most unidentified, undated); and four rolled photographs (1918-1955?)."," Box 112 includes educational posters regarding the Civil War and West Virginia history (undated). The posters include text, images, and photographs. Also includes mounted photographs, most with accompanying text, that have been added to West Virginia History On View. An additional eight posters regarding maps made by or related to North American Indians, likely assembled by Delf Norona, are also included (ca. 1950). For additional maps related to North American Indians/Native Americans, see also Series 14, Maps, box 98, item number 349."," Box 113 includes various West Virginia-related prints, including one of Mount Chantal near Wheeling (undated); prints of Civil War scenes sketched from nature and drawn on stone by J. Nep Roesler, Corporal of Color 47th Regiment of Ohio Volunteers (undated); a copy print of the camps of the 4th Brigade, 1st Division, 8th Army Corps. near Romney (undated); prints made from Civil War engravings (1960); W.R. Leigh bullfighting prints (1950); copies of architectural plans for alterations of Wheeling's Custom House and Post Office (undated); and other items."," Box 114 contains limited edition black and white prints from a series entitled \"Covered Bridges of West Virginia\" by Marj Teague (1977) and three copies of a vinyl record album titled \"The Legend of Clark Kessinger\" (ca. 1965)."," Box 115 includes paintings by John Wellington (undated); oversize photos (undated); an unidentified floor plan (undated); and architectural drawings or blueprints for five properties that were part of the Historic American Buildings Survey (undated). These properties are \"The Old Stone Church\" Presbyterian, Lewisburg, WV; Harewood and the ruins of St. George's Chapel, both near Charles Town, Jefferson County, WV; Traveler's Rest, near Leetown, Jefferson County, WV; and the Lee Barn in Leetown, WV."," Box 116 includes radio scripts (undated; see also Series 6, Comstock Correspondence, box 67); calendars (1984-1991);  Hillbilly  transparencies (undated; see also Series 6, Comstock Correspondence, box 54); various printed images and magazine clippings (1860-1921, undated); \"Our Wacky Weekly\" and newspaper article typescripts, probably written by Comstock (undated; see also Series 6, Comstock Correspondence, box 48, folder 1); and music-related magazines and pamphlets (1959-1966, undated)."," Box 117 includes Berkeley County documents from the Barnet Cushwa Papers (see also Series 1, Historical Documents, box 1, folders 1-5). These include lists of orders, taxes, fees, etc.; sheriff's office accounts; and land holdings (all 1854-1858). Box 117 also includes television scripts (undated); an envelope and survey plat from the Wells Family Papers (1856, undated; see also Series 1, Historical Documents, box 2a, folder 24); Civil War-related prints (1861-1868, 1955); newspaper clippings (1861, 1927-1944, undated; some from Series 6, Comstock Correspondence, box 67, folders 4 and 7); miscellaneous printed material (1817-1863, undated; includes facsimiles); and facsimile broadsides, legal documents, and clippings regarding West Virginia statehood (1861-1863).","This subseries includes oversize manuscripts, most of which pertain to West Virginia. West Virginia materials include pre- and post-statehood indentures, land grants, other legal documents, letters, certificates, and other formats pertaining to Barbour, Berkeley, Fayette, Hampshire, Hardy, Marshall, Ohio, Raleigh, and Tyler Counties. Additional indentures and land grants pertain to England (1650-1671, 1720-1721, 1833), and to Maryland, Virginia, and Texas.","This series includes Jim Comstock's personal and professional correspondence, and is composed of a wide range of formats, including letters, clippings, postcards, typescripts, articles, financial documents, printed material, ephemera, and photographs. Most of the photographic material in this series has been moved to Series 21, Photographs."," Comstock marked much of his correspondence to be filed by the first letter of the correspondent's last name. Some of this organizational scheme has survived; folders containing specific letter and year files can be found in boxes 119-125. Other notations that Comstock used include \"NL\" for  News Leader -related correspondence and \"HB\" for  West Virginia Hillbilly -related correspondence."," Topics and items of interest include:  card from Comstock to recent graduates regarding a gift subscription to the  Hillbilly  (undated) (box 119);  Comstock's work with the Pearl Buck House (box 127);  the University of Hard Knocks (box 128);  photocopies of a scrapbook about ramps and Comstock's ramp-scented ink incident; and  material regarding Comstock's work on the  Hillbilly , the  News Leader , and the  West Virginia Encyclopedia  (boxes 126-127 and other material throughout) (see also Series 20, Subject Files)."," Please note that the above list is not exhaustive and that material on the above topics may also exist in boxes not mentioned."," *Please note: boxes 123  and 133 could contain allergens. Masks and gloves will be provided for patrons wishing to use them.","This series includes books, magazines, newspapers, journals, promotional materials, poetry, and sheet music. Topics include Jim Comstock's work, the state of West Virginia, WVU, Storer College, industry (e.g., coal, railways), and New England baked beans, among other topics.","Please note: box 133 could contain allergens. Masks and gloves will be provided for patrons wishing to use them.","This series includes mostly morgue files of material that Comstock used in connection with his newspapers. Contents are not in alphabetical order. Formats include clippings, typescripts, photographs, print material, and other formats. The  News Leader  morgue materials (boxes 137-138) include items on a variety of subjects, such as covered bridges and the early history of Clay County. The  News Leader  morgue material also includes a folder of autographs of early West Virginia governors and other politicians, such as D.D.T. Farnsworth, John J. Jacobs, and A.B. Fleming. The  Hillbilly  morgue materials (box 139-140) pertain to a wide variety of subjects, most of whom are likely local individuals. The Newspaper Subjects (boxes 141-146) includes material for which the intended newspaper was not specified; topics include specific local individuals, national figures like Abraham Lincoln, steel and other industries, and towns.","This series includes cartes de visite, cabinet cards, mounted photographs, photographic prints, clippings, and other formats. Many subjects are identified. They include portraits and candid photos of individuals, families, politicians, sports figures, West Virginia towns and buildings. Other notable photographs include crime scene and/or accident photographs, including images of a non-commercial plane crash (undated), and photos of Jim Comstock at the West Virginia Senate (1966). Photographs can also be found in Series 18, Correspondence; Series 20, Subject Files; and Series 26, Oversize Material.  Please note: boxes 123, 133, and 149 could contain allergens. Masks and gloves will be provided for patrons wishing to use them.","This series includes magnetic recording tapes, a VHS tape about college financing, and a vinyl record and cassette tape of Billy Crain music.","This series includes a WVLA cloth ribbon, an empty wallet, and a West Virginia Picture Book imprint plate.","This series includes material from two scrapbooks. One set of loose scrapbook pages contains clippings chiefly regarding Comstock's \"Past 80\" parties (ca. 1956). The other scrapbook of newspaper clippings chronicles the history of Richwood's Sacred Heart Hospital during the years of influence of the Pallottine Sisters from 1913-1983 (ca. 1953-1984).","This series includes two account books. One contains stencil orders from various schools as well as other bills (1960s), and the other is an account book for 1954.","This series includes newspapers, magazines, clippings, posters, prints, photographs, artwork, calendars, a genealogy chart, and other material."," Newspapers and magazines in box 152 include the  West Virginia Hillbilly  Bicentennial special edition (1976), newspaper layouts from the  Hillbilly  (1950-1976, undated), and pages from  Harper's Weekly  (1861-1866)."," Prints in boxes 153 and 154 include Civil War scenes by J. Nep Roesler, Corporal of Color 47th Regiment of Ohio Volunteers (undated)."," Photographs (in boxes 153-156 and loose folders) include regular oversize and cirkut (panoramic) photographs on a wide variety of subjects. Boxes 153 and 154 include photographs of unidentified buildings and a group portrait of a Civilian Conservation Corps reunion (1982). Boxes 155 and 156 include photos of Evenwood (1915), group portrait of a conference of National Association of Teachers in Colored Schools (ca. 1932), campaign photographs (ca. 1972), an unidentified group of cars preparing for a parade (undated), and duplicates from the loose folders."," Additional cirkut photos include:  Loose folder 1: a group portrait of the West Virginia Young People's Conference, Greenbrier Military School, Lewisburg, WV (1929), and a group portrait of the Divisional Young People's Congress, Charleston, WV (1929);  Loose folder 2: a group portrait of the Western Virginia Conference Epworth League (1928-1929);  Loose folder 3: photos of an unidentified bridge and factories or plants (1916 and undated) and the Appalachian Electric Power Company Turner Substation (1929);  Loose folder 4: a birds-eye view of Richwood (undated) and a group portrait of Cabin Creek Consolidated Coal Company Safety First Teams (1933)."," Box 156 also includes a genealogy chart and architectural drawings. The genealogy chart (undated) documents the Paull family, which is accompanied by a note: \"Goes with Jefferson [Fry-Jefferson?] Map.\" The architectural drawings (1972-1976, undated) depict buildings from Richwood.\n \n Box 157 includes a book of exhibits from the Virginia vs. West Virginia Supreme Court case in 1914, and a license for John W. Love to practice Law (1925).\n \n Also includes a muster roll for Company I, 2nd Regiment, [West] Virginia Volunteer Cavalry, U.S. Army (1863 February).","This series includes maps of West Virginia locations, such as Greenbrier County and the Monongahela National Forest, as well as maps of other states and a few world maps.","Mostly financial and legal documents from Marion, Monongalia, and Harrison Counties, bulk from 1840s to 1860s.","Separated to A\u0026M collections:","Various autographed items have been moved to A\u0026M 435.","Account book volumes 2, 2a, 3, 3a, 3b, and 3c, daybooks and ledgers from the Sistersville General Store run by Joshua and William Russell, were separated to A\u0026M 3071, Russell, Joshua \u0026 William. Sistersville General Store. Daybooks and Ledgers.","Account book volumes 4, 4a, and 4b, daybooks of John Goshorn, were separated to A\u0026M 2426, Goshorn Family. Papers.","Account book volumes 6-8, law records and accounts of Judge George A. Vincent, as well as Vincent's letters from the Historical Documents series, were separated to A\u0026M 3068, Vincent, George A., Lawyer and Judge. Papers.","Separated to the Printed Ephemera Collection:","Articles, maps, and letters, 1582-1877  (includes selections relating to the South Seas during the colonial period), on 1 reel of microfilm, P13438","Articles, letters, maps, and speeches, 1808-1863  (16 items which are listed on a sheet in the box), 1 reel of microfilm, P13439","Burnett, Nancy S.  Slovenes in Rural Appalachia: An Oral History  (Richwood, W. Va.: News Leader Press, 1994).","Separated to Printed Ephemera (Pamphlets), Periodicals, etc.:","West Virginia Odd Fellow , 1919, Charleston (1 item)","West Virginia State Weekly , 1910-1911, Fairmont (several items)","Exponent , 1917-1918, Moundsville (4 items)","Oros , 1927, Moundsville (1 item)","Pedagogue's Pastime , 1885, Moundsville (3 items)","Princeton Observer , 1950 (1 item)","Searchlight , Summersville (32 items)","West Virginia Farm Journal , 1872, Union (1 item)","Church Calendar , 1917, Wheeling (1 item)","Church News , 1892, Wheeling (1 item)","English Lutheran , 1900, Wheeling (1 item)","Musical Monthly , 1896-1897, Wheeling (6 items)","The Saturday Review , 1912 August 10, Wheeling","State Fair News , 1910, Wheeling (1 item)","William's Courier , undated, Wheeling (1 item)","Valley News Echo , Hagerstown, MD; reprint of an 1861 paper","Haney's Journal , 1869 March-October except July, New York (several items)","Our Southern Home , 1893 November, Hamlet, NC","Books separated to the West Virginia Collection or the WVU Downtown Library stacks:","Donnelly, Shirley.  Yesterday and Today: A Keepsake I, II, and III.  Fayetteville, W. Va.: Fayette County Historical Society, no date.","Keepsake Stories of the Ozarks.  Cassville, Mo.: Litho Printers, 1978.","Norton, Andre.  Catseye . London: Gollancz, 1974.","Deacon, William A.  The Four Jameses . Toronto: Macmillan Co. of Canada, 1974.","Haslip, Joan.  Catherine the Great: A Biography . New York: Putnam, 1977.","Separated to the Maps Collection:","Virginie [Virginia], Maryland en 2 Feuilles par Fry et Jefferson, 1777","Bird's Eye View of the City of Wheeling, West Virginia","Sistersville, West Virginia","Bird's Eye View of Philippi, West Virginia","Elkins, Randolph County, West Virginia","Fairmont and Palatine, West Virginia","Mannington, West Virginia","Morgantown, West Virginia","Clarksburg, West Virginia","Davis, Tucker County, West Virginia","Grafton, West Virginia","Cairo, West Virginia","Cameron, West Virginia","Harrisville, Ritchie County, West Virginia","Moundsville, West Virginia","New Martinsville, West Virginia","Parkersburg, Blennerhasset Island, West Virginia","Pennsboro, West Virginia","Salem, West Virginia","St. Mary's, West Virginia","Wellsburg, West Virginia","Buckhannon, West Virginia","Weston, West Virginia","Bird's Eye View of Keyser, West Virginia","View of Parsons, West Virginia","Aero View of Bluefield, West Virginia","Aero View of Keystone, West Virginia","Aero View of North Fork and Town of Clark, West Virginia","West Virginia Agricultural Society on Wheeling Island","Note: A spreadsheet with more details regarding the separated maps can be found in the control folder.","The majority of the newspapers in this collection have been separated into the West Virginia Collection's newspaper holdings.  Lists of the newspapers originally inventoried for this collection can be found in the control folder. Most of the West Virginia newspapers were microfilmed; see Miscellaneous Reel 113. For a list of the contents of this reel, please see the \"W.Va. Newspapers from Comstock Collection\" three-page packet in the control folder. On the third page is a list of items separated from the Comstock Collection to printed ephemera (pamphlets), periodicals, etc.","Sheet music separated to A\u0026M 723, Sheet Music:","Americans, Together.","Back to West Virginia.","Battle of Port Royal.","Brave Boys Are They.","Canoeing on the Kanawha.","Capt. Linch March.","Cherry.","Cotton Field Dance.","Down in the Lonely Dell.","Dynamite Twist.","Fair West Virginia.","Fire Fly Polka.","Glory Hallelujah.","Going Back to West Virginia.","Home Alone in West Virginia.","I Have Something Sweet to Tell You.","Imagine Me.","In Flanders' Fields.","I Want to Go Back to Michigan Down On the Farm.","J'aime Mon Amour.","Just Before the Battle, Mother.","Kingdom Coming.","La Violette de Carafa.","Love and Devotion.","Memory's Dream.","Men of West Augusta.","Mountain Land West Virginia.","On, On, On, the Boys Came Marching!","Our Grateful Heart Save Singing.","Reminiscing at Cass or the Greenbrier Shay.","Something Tells Me You're the Girl.","Song of a Woman.","Sweet Kitty Wells.","The Ballad of Oakland.","The Battle Cry of Freedom.","The Last Hope.","The Self Service Chain Store.","The Sunny Hours of Childhood.","The Vacant Chair.","The West Virginia Singer.","There's a Little Spark of Love Still Burning.","Tramp! Tramp! Tramp! The Prisoners Hope.","We Are Mountaineers.","West Virginia.","West Virginia! And My Home.","West Virginia University Songs.","What a Lovely Day!","Who Will Care For Mother Now?","Wild and Wonderful West Virginia.","William Tell Overture.","Willie My Brave.","Transferred to A\u0026M 727, Pearl S. Buck, Author. Papers:  Correspondence, manuscripts, articles, photographs and clippings by and about Pearl S. Buck and her birthplace collected by Jim Comstock (1938-1973; 6 in.)","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Papers of James (\"Jim\") Franklin Comstock of Richwood, West Virginia, whose position as editor of the  West Virginia Hillbilly  and avocation as collector and advocate of all things West Virginia led to the preservation of much of the state's physical, visual, and textual history. The collection includes materials Comstock collected about West Virginia history as well as his own personal and professional papers. Materials include: general series of historical documents such as letters, deeds, and county court cases pertaining to a diverse range of subjects (1717, 1754-1988, undated [includes facsimiles]); letters of Lucy Prichard, former instructor at Marshall College (now Marshall University) (1925-1927, undated); clippings and typescripts of Wirt County resident and  Atlantic Monthly  writer Louis Eckert Reed (ca. 1960-1975, undated); account books concerning economic development and commercial activities in the northern part of the state in the 19th and early 20th centuries (1830-1938); printed material about West Virginia schools, businesses, and events as well as non-West Virginia books and pamphlets (1829-1995, undated); Comstock's personal and professional correspondence (1882-1995, undated); a wide variety of photographs, including images of West Virginia cities and towns, among many others (ca. 1850s-1995, undated); microfilmed records of the Civil War and Dunmore's War (undated); glass lantern slides, which include views of scenery and buildings in Wheeling and various other locations in Ohio County, WV (1871-1897, undated); Grand Army of the Republic and U.S. military history scrapbooks (1883-1918); broadsides, including advertisements for a circus in Moundsville (ca. 1827-1960 [includes facsimiles]); and maps and atlases of pre- and post-statehood West Virginia, counties, colonial North America, and other topics (1730-1976, undated [includes facsimiles]). An addendum of 2013/05 includes additional personal and professional correspondence, publications, newspaper morgue files, photographs, audio-visual material, artifacts, scrapbooks, account books, and maps. For more information on Jim Comstock, see the Historical Note.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Bleakmor, Gallaher \u0026 Ansbrutz","First National Bank of Fairmont","Grand Army of the Republic","Harry Hood \u0026 Company","St. Paul's Evangelical Lutheran Church  (Charleston, W. Va.)","Thistle \u0026 Cox","University of Hard Knocks.","Wheeling Gas Company","Comstock, Jim (James Franklin), 1911-1996","Baker, Newton Diehl, 1871-1937","Banks, Nathaniel Prentiss, 1816-1894","Blennerhassett, Harman, 1764-1831","Breckstein, A. H.","Brown, John, 1800-1859","Brown, William G.  (William Gay), 1800-1884","Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Byrd, Robert C.","Chapline, Moses.","Clemens, Samuel Langhorne, 1835-1910","Cushwa, Barnet.","Eagle, Henry F.","Gans, George C.","Gans, Mrs. Samuel C.","Gates, Horatio, 1728-1806","Gehr, Daniel.","Goldwater, Barry M. (Barry Morris), 1909-1998","Hornbrook, Jacob.","Humphrey, Hubert H. (Hubert Horatio), 1911-1978","Huntington, Collis Potter, 1821-1900","Maynor, Larry.","Monroe, James, 1758-1831","Norona, Delf, 1895-1974","Prichard, Lucy, 1876-1964.","Randolph, Jennings, 1902-1998","Reed, Louis","Shock, J.C.","Stuart, Jesse, 1906-1984","Washington, Booker T., 1856-1915","Weaver, James M.","Zidn, Anthony.","English"],"unitid_tesim":["A\u0026M 2600","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5370"],"normalized_title_ssm":["Jim Comstock, Newspaper Editor and Collector, Papers"],"collection_title_tesim":["Jim Comstock, Newspaper Editor and Collector, Papers"],"collection_ssim":["Jim Comstock, Newspaper Editor and Collector, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Berkeley County (W. Va.)","Fairmont (W. Va.)","Marshall County (W. Va.)","Pennsylvania","United States -- History -- Civil War, 1861-1865","Wheeling (W. Va.)"],"geogname_ssim":["Berkeley County (W. Va.)","Fairmont (W. Va.)","Marshall County (W. Va.)","Pennsylvania","United States -- History -- Civil War, 1861-1865","Wheeling (W. Va.)"],"creator_ssm":["Comstock, Jim (James Franklin), 1911-1996"],"creator_ssim":["Comstock, Jim (James Franklin), 1911-1996"],"creator_persname_ssim":["Comstock, Jim (James Franklin), 1911-1996"],"creators_ssim":["Comstock, Jim (James Franklin), 1911-1996"],"places_ssim":["Berkeley County (W. Va.)","Fairmont (W. Va.)","Marshall County (W. Va.)","Pennsylvania","United States -- History -- Civil War, 1861-1865","Wheeling (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Banks and banking","General stores","Glass manufacture","Mexican War, 1846-1848","Newspapers.","Political campaigns","Propaganda, Soviet","Whiskey decanters"],"access_subjects_ssm":["Banks and banking","General stores","Glass manufacture","Mexican War, 1846-1848","Newspapers.","Political campaigns","Propaganda, Soviet","Whiskey decanters"],"has_online_content_ssim":["false"],"extent_ssm":["65.25 Linear Feet Summary: 65 ft. 3 1/4 in. (102 document cases, 5 in. each); (7 document cases, 2 1/2 in. each); (5 record cartons, 15 in. each); (2 record cartons, 17 in. each); (6 large flat storage boxes, 1 1/2 in. each); (2 flat storage boxes, 3 in. each); (8 large flat storage boxes, 3 in. each); (8 flat storage boxes, 3 1/2 in. each); (11 medium flat storage boxes, 3 1/2 in. each); (10 large flat storage boxes, 3 1/2 in. each); (1 large flat storage box, 5 in.); (6 oversize folders, 1 1/4 in. total)"],"extent_tesim":["65.25 Linear Feet Summary: 65 ft. 3 1/4 in. (102 document cases, 5 in. each); (7 document cases, 2 1/2 in. each); (5 record cartons, 15 in. each); (2 record cartons, 17 in. each); (6 large flat storage boxes, 1 1/2 in. each); (2 flat storage boxes, 3 in. each); (8 large flat storage boxes, 3 in. each); (8 flat storage boxes, 3 1/2 in. each); (11 medium flat storage boxes, 3 1/2 in. each); (10 large flat storage boxes, 3 1/2 in. each); (1 large flat storage box, 5 in.); (6 oversize folders, 1 1/4 in. total)"],"date_range_isim":[1650,1651,1652,1653,1654,1655,1656,1657,1658,1659,1660,1661,1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eBox 93 cannot be retrieved for use at this time. Please contact the West Virginia \u0026amp; Regional History Center for more information.\u003c/p\u003e\n","\u003cp\u003eResearchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. \u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Box 93 cannot be retrieved for use at this time. Please contact the West Virginia \u0026 Regional History Center for more information.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. "],"bioghist_html_tesm":["\u003cp\u003e\u003cemph render=\"bold\"\u003eLucy Elizabeth Prichard\u003c/emph\u003e (October 26, 1876 - July 29, 1964) was born in Cattlettsburg, Kentucky. Daughter of Robert H. and Mary Prichard, she had a brother, Karl, and a sister-in-law, Elizabeth. Lucy taught at Huntington High School from 1899-1913, and taught Latin and Classical Studies at Marshall College (now Marshall University) from 1914-1941. Marshall's Prichard Hall was named in her honor.\u003c/p\u003e\n","\u003cp\u003e \u003cemph render=\"bold\"\u003eLouis Eckert Reed\u003c/emph\u003e (born October 1, 1899 in Wirt County, WV; died January 31, 1979 in Elizabeth, WV) served as a sergeant in the US Army during WWI, served as Administrative Assistant to Senator Chapman Revercomb, and worked as a prosecuting attorney in Wirt County, WV. He also wrote for \u003cemph render=\"italic\"\u003eAtlantic Monthly\u003c/emph\u003e.\u003c/p\u003e\n","\u003cp\u003e \u003cemph render=\"bold\"\u003eJames Franklin \"Jim\" Comstock\u003c/emph\u003e was born to Harry Clinton and Myrtle Blanche in Richwood, West Virginia on February 25, 1911. He married Miss Ola Stowers in Huntington, WV, on October 18, 1933; they would have two daughters, Sandra Ferguson and Elaine Nagy, and a son, Jay. In 1934, Comstock received B.A. from Marshall College (now Marshall University). From 1938-1942, he taught at Richwood High School and wrote for the \u003cemph render=\"italic\"\u003eClarksburg Telegram\u003c/emph\u003e. He served in the U.S. Navy from 1944-1946, and upon returning home he founded the \u003cemph render=\"italic\"\u003eNicholas County News Leader\u003c/emph\u003e (originally \u003cemph render=\"italic\"\u003eNews Letter\u003c/emph\u003e) with Bronson D. McClung (1920-2004), a former student of his. On December 25, 1963, the \u003cemph render=\"italic\"\u003eNicholas County News Leader\u003c/emph\u003e combined with \u003cemph render=\"italic\"\u003eNicholas Republican\u003c/emph\u003e; in 1984, it became the \u003cemph render=\"italic\"\u003eRichwood News Leader\u003c/emph\u003e. Comstock remained an active part of the paper till his death on May 22, 1996.\n \n In 1957, Comstock founded the weekly \u003cemph render=\"italic\"\u003eWest Virginia Hillbilly\u003c/emph\u003e with McClung, and became its editor. The paper included feature articles, columns of special interest to West Virginians, book notes, and the \"Comstock Load,\" the editor's own column on the back page. Comstock first tried to sell the \u003cemph render=\"italic\"\u003eHillbilly \u003c/emph\u003ein 1976. In 1981, he sold it to the South Charleston Publishing Company. On February 25, 1986, he repurchased and began resuscitating the \u003cemph render=\"italic\"\u003eHillbilly\u003c/emph\u003e. In 1992, he sold the \u003cemph render=\"italic\"\u003eHillbilly \u003c/emph\u003eto Sandy McCauley. In 2001, the \u003cemph render=\"italic\"\u003eHillbilly \u003c/emph\u003eceased publication.\u003c/p\u003e\n","\u003cp\u003eComstock was involved in many endeavors in addition to his newspaper editing and reporting activities. In 1963, he ran unsuccessfully for Congress on the Republican ticket. He wrote, edited, and contributed to various books, including \u003cemph render=\"italic\"\u003ePa and Ma and Mr. Kennedy\u003c/emph\u003e, a 50-volume \u003cemph render=\"italic\"\u003eWest Virginia Heritage Encyclopedia\u003c/emph\u003e, and a collection of newspaper highlights entitled \u003cemph render=\"italic\"\u003eBest of Hillbilly\u003c/emph\u003e. He was also involved in republishing books by West Virginian authors. He campaigned to purchase and preserve author Pearl S. Buck's birthplace at Hillsboro, and he helped save the Cass Scenic Railroad. He also founded the University of Hard Knocks, a lighthearted honorary society that recognizes the accomplishments of people who have succeeded in life without a college degree.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Lucy Elizabeth Prichard  (October 26, 1876 - July 29, 1964) was born in Cattlettsburg, Kentucky. Daughter of Robert H. and Mary Prichard, she had a brother, Karl, and a sister-in-law, Elizabeth. Lucy taught at Huntington High School from 1899-1913, and taught Latin and Classical Studies at Marshall College (now Marshall University) from 1914-1941. Marshall's Prichard Hall was named in her honor.","Louis Eckert Reed  (born October 1, 1899 in Wirt County, WV; died January 31, 1979 in Elizabeth, WV) served as a sergeant in the US Army during WWI, served as Administrative Assistant to Senator Chapman Revercomb, and worked as a prosecuting attorney in Wirt County, WV. He also wrote for  Atlantic Monthly .","James Franklin \"Jim\" Comstock  was born to Harry Clinton and Myrtle Blanche in Richwood, West Virginia on February 25, 1911. He married Miss Ola Stowers in Huntington, WV, on October 18, 1933; they would have two daughters, Sandra Ferguson and Elaine Nagy, and a son, Jay. In 1934, Comstock received B.A. from Marshall College (now Marshall University). From 1938-1942, he taught at Richwood High School and wrote for the  Clarksburg Telegram . He served in the U.S. Navy from 1944-1946, and upon returning home he founded the  Nicholas County News Leader  (originally  News Letter ) with Bronson D. McClung (1920-2004), a former student of his. On December 25, 1963, the  Nicholas County News Leader  combined with  Nicholas Republican ; in 1984, it became the  Richwood News Leader . Comstock remained an active part of the paper till his death on May 22, 1996.\n \n In 1957, Comstock founded the weekly  West Virginia Hillbilly  with McClung, and became its editor. The paper included feature articles, columns of special interest to West Virginians, book notes, and the \"Comstock Load,\" the editor's own column on the back page. Comstock first tried to sell the  Hillbilly  in 1976. In 1981, he sold it to the South Charleston Publishing Company. On February 25, 1986, he repurchased and began resuscitating the  Hillbilly . In 1992, he sold the  Hillbilly  to Sandy McCauley. In 2001, the  Hillbilly  ceased publication.","Comstock was involved in many endeavors in addition to his newspaper editing and reporting activities. In 1963, he ran unsuccessfully for Congress on the Republican ticket. He wrote, edited, and contributed to various books, including  Pa and Ma and Mr. Kennedy , a 50-volume  West Virginia Heritage Encyclopedia , and a collection of newspaper highlights entitled  Best of Hillbilly . He was also involved in republishing books by West Virginian authors. He campaigned to purchase and preserve author Pearl S. Buck's birthplace at Hillsboro, and he helped save the Cass Scenic Railroad. He also founded the University of Hard Knocks, a lighthearted honorary society that recognizes the accomplishments of people who have succeeded in life without a college degree."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Jim Comstock, Newspaper Editor and Collector, Papers, A\u0026amp;M 2600, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Jim Comstock, Newspaper Editor and Collector, Papers, A\u0026M 2600, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePapers of James (\"Jim\") Franklin Comstock of Richwood, West Virginia, whose position as editor of the \u003cemph render=\"italic\"\u003eWest Virginia Hillbilly\u003c/emph\u003e and avocation as collector and advocate of all things West Virginia led to the preservation of much of the state's physical, visual, and textual history. The collection includes materials Comstock collected about West Virginia history as well as his own personal and professional papers.\u003c/p\u003e\n","\u003cp\u003eMaterials include: general series of historical documents such as letters, deeds, and county court cases pertaining to a diverse range of subjects (1717, 1754-1988, undated [includes facsimiles]); letters of Lucy Prichard, former instructor at Marshall College (now Marshall University) (1925-1927, undated); clippings and typescripts of Wirt County resident and \u003cemph render=\"italic\"\u003eAtlantic Monthly\u003c/emph\u003e writer Louis Eckert Reed (ca. 1960-1975, undated); account books concerning economic development and commercial activities in the northern part of the state in the 19th and early 20th centuries (1830-1938); printed material about West Virginia schools, businesses, and events as well as non-West Virginia books and pamphlets (1829-1995, undated); Comstock's personal and professional correspondence (1882-1995, undated); a wide variety of photographs, including images of West Virginia cities and towns, among many others (ca. 1850s-1995, undated); microfilmed records of the Civil War and Dunmore's War (undated); glass lantern slides, which include views of scenery and buildings in Wheeling and various other locations in Ohio County, WV (1871-1897, undated); Grand Army of the Republic and U.S. military history scrapbooks (1883-1918); broadsides, including advertisements for a circus in Moundsville (ca. 1827-1960 [includes facsimiles]); and maps and atlases of pre- and post-statehood West Virginia, counties, colonial North America, and other topics (1730-1976, undated [includes facsimiles]).\u003c/p\u003e\n","\u003cp\u003eAn addendum of 2013/05 includes additional personal and professional correspondence, publications, newspaper morgue files, photographs, audio-visual material, artifacts, scrapbooks, account books, and maps. For more information on Jim Comstock, see the Historical Note.\u003c/p\u003e\n","\u003cp\u003eSeries 1. Historical Documents; 1717, 1754-1988, undated (includes facsimiles); box 1 - box 3, folder 2.\u003clb\u003e\u003c/lb\u003e\nSeries 2. Lucy Prichard Papers; 1913-1936, undated; box 3, folders 3-8.\u003clb\u003e\u003c/lb\u003e\nSeries 3. Louis Reed Papers; ca. 1960-1975, undated; boxes 4-5.\u003clb\u003e\u003c/lb\u003e\nSeries 4. Account Books; 1830-1938; boxes 6-17.\u003clb\u003e\u003c/lb\u003e\nSeries 5. Printed Material; 1829-1995, undated; boxes 18-25.\u003clb\u003e\u003c/lb\u003e\nSeries 6. Comstock Correspondence; 1882-1995, undated (bulk 1950-1995); boxes 26-72.\u003clb\u003e\u003c/lb\u003e\nSeries 7. Photographs; ca. 1850s-1995, undated; boxes 73-81.\u003clb\u003e\u003c/lb\u003e\nSeries 8. Motion Pictures; undated; box 82.\u003clb\u003e\u003c/lb\u003e\nSeries 9. Microfilm; undated; box 82.\u003clb\u003e\u003c/lb\u003e\nSeries 10. Cassette Tapes; undated; box 82.\u003clb\u003e\u003c/lb\u003e\nSeries 11. Glass Lantern Slides; 1871-1897, undated; boxes 83-85.\u003clb\u003e\u003c/lb\u003e\nSeries 12. Scrapbooks; 1883-1918; boxes 86-91.\u003clb\u003e\u003c/lb\u003e\nSeries 13. Broadsides; ca. 1827-1960 (includes facsimiles); box 92.\u003clb\u003e\u003c/lb\u003e\nSeries 14. Maps; 1730-1976, undated (includes facsimiles); boxes 93-103, and map cabinet 1, drawer 12.\u003clb\u003e\u003c/lb\u003e\nSeries 15. Newspapers; ca. 1826-1924, 1976; box 104.\u003clb\u003e\u003c/lb\u003e\nSeries 16. Artifacts; 1952-1976, undated; boxes 105-109.\u003clb\u003e\u003c/lb\u003e\nSeries 17. Oversize; 1650-1671, 1720-1991, undated (includes facsimiles); boxes 110-118.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eAddendum of 2013/05\u003c/emph\u003e includes material much like that in the initial acquisition, divided into the following series:\u003c/p\u003e\n","\u003cp\u003eSeries 18. Correspondence; 1838-2003, undated (bulk 1950-1995); box 119 - box 133 folder 4, and box 134 folders 1-11.*\u003clb\u003e\u003c/lb\u003e\nSeries 19. Publications; 1889-2002, undated; box 133, folders 5-6, box 134, folder 12, and boxes 135-136.*\u003clb\u003e\u003c/lb\u003e\nSeries 20. Subject Files; ca. 1851-1995, undated; boxes 137-146.\u003clb\u003e\u003c/lb\u003e\nSeries 21. Photographs; ca. 1870s-2003, undated; boxes 147-149.*\u003clb\u003e\u003c/lb\u003e\nSeries 22. Audio-Visual Material; 1990-1992, undated; box 150.\u003clb\u003e\u003c/lb\u003e\nSeries 23. Artifacts; undated; box 151, folders 1-2.\u003clb\u003e\u003c/lb\u003e\nSeries 24. Scrapbooks; ca. 1953-1984; box 151, folder 3 and scrapbook.\u003clb\u003e\u003c/lb\u003e\nSeries 25. Account Books; 1954-1960s; box 151 ledgers.\u003clb\u003e\u003c/lb\u003e\nSeries 26. Oversize Material; 1861-1866, 1893-1933, 1950-1998, undated; box 152 - box 156, folder 3, loose folders 1-4, oversize folder 1, and box 157.\u003clb\u003e\u003c/lb\u003e\nSeries 27. Maps; 1884-1891, 1920, 1957-1987; box 156, folders 4-10.\u003clb\u003e\u003c/lb\u003e\nSeries 28. Historical Documents; 1839-1909; box 158.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003e*Please note: boxes 123, 133, and 149 could contain allergens. Masks and gloves will be provided for patrons wishing to use them.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eThis series includes financial records such as receipts and invoices, legal documents such as deeds and court cases, correspondence, land records, genealogy materials, ephemera, and typescript histories. Box 1 includes three subgroups: the Barnet Cushwa Papers, West Virginia Documents, and Non-West Virginia Documents. Boxes 2a-3 contain material of mixed origin. Additional historical documents can be found in Series 17, Oversize, and in subseries Oversize--Manuscripts.\u003c/p\u003e","\u003cp\u003eThis subseries includes a collection of materials documenting the activities of Cushwa, a prominent farmer and later the sheriff of Berkeley County in the 1850s. Cushwa's papers reveal his activities as administrator of the Daniel Gehr estate (1839-1843). The Berkeley County documents, including lists of landholdings, orders, taxes, and fee collections, demonstrate his duties as sheriff in the 1850s. See Series 17, Oversize, box 117 for Berkeley County land holdings, sheriff's accounts, and lists of orders, taxes, fees, etc. (1854-1858).\u003c/p\u003e","\u003cp\u003eThis subseries is comprised of correspondence and other material, principally concerning commercial and development activities in north-central West Virginia. These items are grouped by county; please note that there is overlap between counties. \u003clb\u003e\u003c/lb\u003e Highlights include: \u003clb\u003e\u003c/lb\u003eitems relating to Harman Blennerhassett (box 1, folder 12); \u003clb\u003e\u003c/lb\u003ea six-page letter written by William G. Brown answering questions concerning the constitutionality of the movement for West Virginia statehood (June 28, 1862) (box 1, folder 13); \u003clb\u003e\u003c/lb\u003eletters and reminiscences focusing on the reunions of the Battle of Philippi (1911-1935) (box 1, folder 14); and \u003clb\u003e\u003c/lb\u003etwo letters from the abolitionist John Brown (box 1, folder 15).\u003c/p\u003e\n","\u003cp\u003e Additional West Virginia documents can be found in boxes 2a-2c.\u003c/p\u003e","\u003cp\u003eHighlights of this subseries include: \u003clb\u003e\u003c/lb\u003efour letters from soldiers in the Mexican War; \u003clb\u003e\u003c/lb\u003eseventeen letters from Pennsylvania soldier James M. Weaver, principally to his wife, during his service in the Civil War; \u003clb\u003e\u003c/lb\u003ea confidential letter from President James Monroe explaining his policy on fortifying the frontier; \u003clb\u003e\u003c/lb\u003eseven Booker T. Washington letters; \u003clb\u003e\u003c/lb\u003etwo letters from Revolutionary War general Horatio Gates; and \u003clb\u003e\u003c/lb\u003ea folder of letters written by famous 19th century figures including Samuel Clemens, Collis P. Huntington, Nathaniel P. Banks, and Newton D. Baker.\u003c/p\u003e","\u003cp\u003eThis subseries contains correspondence, invoices, deeds, tax documents, court cases, and other material. Most of the items pertain to West Virginia. \u003clb\u003e\u003c/lb\u003eHighlights include: \u003clb\u003e\u003c/lb\u003ebills and invoices of G.H.A. Kunst and John H. Kunst (1853-1867, 1892-1893); \u003clb\u003e\u003c/lb\u003epapers of the Wells family of Sistersville (1806-1885); \u003clb\u003e\u003c/lb\u003ea telegram regarding the burning of Harpers Ferry (1861); \u003clb\u003e\u003c/lb\u003ea broadside listing members of Company H, 3rd Regiment, Potomac Home Brigade, Maryland Infantry (undated); and \u003clb\u003e\u003c/lb\u003elegal documents regarding the manumission of slaves (1820-1828, 1856).\u003c/p\u003e","\u003cp\u003eLucy Prichard taught Latin and Classical Studies at Marshall College from 1914 to 1941. This series includes correspondence, photographs, and printed material. Correspondence includes Karl Prichard's letters (1918) and Lucy Prichard's letters (1925-1927, undated). Lucy's letters are addressed to her mother, Mrs. R.H. Prichard, in Huntington, WV. Many of Lucy's letters relate to her travels and studies in the Peloponnesus peninsula of Greece, the British Isles, Western Europe, and Italy in 1925 and 1927. For more information on Lucy Prichard, see the Historical Note.\u003c/p\u003e","\u003cp\u003eThis series includes newspaper clippings and typescripts of Wirt County resident and Atlantic Monthly writer Louis Eckert Reed. The newspaper clippings show images of Reed family photos (1960). The typescripts are short stories written by Louis, many likely unpublished. Also included are notes and a draft of \u003cemph render=\"italic\"\u003eBurning Springs, Virginia: The Civil War's Unsolved Mystery\u003c/emph\u003e, initially a paper that Reed prepared for the West Virginia Historical Society (see \u003cemph render=\"italic\"\u003eBurning Springs, West Virginia: the Civil War's Unsolved Mystery\u003c/emph\u003e, by Louis Reed, self-published in Elizabeth, WV, 1960). This material may have been developed for his later fictional novel, \u003cemph render=\"italic\"\u003eBurning Springs\u003c/emph\u003e (published in Huntington, WV by University Editions/Aegina Press, 1985). For more information on Reed, see the Historical Note. A letter from Louis Reed to Jim Comstock regarding Reed's book \u003cemph render=\"italic\"\u003eWarning in Appalachia\u003c/emph\u003e (1967) can be found in Series 6, Comstock Correspondence, box 62, folder 27. Other letters from Reed may be found elsewhere in Series 6, Correspondence.\u003c/p\u003e","\u003cp\u003eThis series includes 27 account books, many of which relate to north-central West Virginia businesses. These ledgers document general stores, a Jewish-owned clothing store in Richwood, the activities of an itinerant Methodist minister in the mining villages of north-central West Virginia, grocery stores and meat markets, a glass manufacturer, and other businesses. See Separated Materials note for information on volumes separated to other collections.\u003c/p\u003e","\u003cp\u003eThistle and Cox formed a partnership in Tyler County, [West] Virginia in March of 1835. This is the partnership's first ledger, which spans the years 1835-1837, but reference is made to the transfer of accounts to at least one subsequent ledger. The business appears to have been located near the Ohio River (probably in Sistersville), since customers included Ohio as well as Tyler County citizens. Although the debit side for each customer only lists the term \"merchandise\" for purchases, the ledger reveals the barter nature of much of the rural economy of Tyler County on the credit side. Among items received in trade by Thistle and Cox were chestnuts, hides, bees wax, rags, sand, tobacco, clothes, meats, produce, and various forms of labor. The ledger also frequently lists the occupations or residences of many of the customers. Included were coopers, tanners, blacksmiths, preachers, schoolteachers, and carpenters, scattered from Point Pleasant to Wheeling.\u003c/p\u003e","\u003cp\u003eInventory and Book Accounts. This volume contains a 66-page inventory of goods on hand and their prices in a Tyler County general store in January 1877. The inventory is divided into the following categories: fancy groceries, groceries, men's shoes, ladies' shoes, children's shoes, overshoes, dress goods, wall paper, housewares, and other. Starting on page 71 is a four-page list of the book accounts of the store's customers, presumably on that same date.\u003c/p\u003e","\u003cp\u003eThe Cordray Carriage Company was a short-lived business in Fairmont, WV. The ledger lists only the customers and the amount they owed T.L. Cordray, the proprietor of the Carriage Company. The ledger does not list the services for which the customers were charged. However, one itemized account invoice on an inserted piece of paper suggests that the Cordray Carriage Company repaired vehicles. For H.O. Amos, from 1907 through 1911, the Company repaired couplings, repaired and painted the body, repaired the interior, raised the body, and tightened and repaired the fenders, for a total charge of $118. The ledger includes more than 400 customers.\u003c/p\u003e","\u003cp\u003eA. H. Breckstein was a Jewish merchant who operated a clothing store in the boom town of Richwood, in Nicholas County. Volume 10 is a cash book detailing daily transactions in the store, both sales and expenses, for part of 1910, and consistently for the period 1928 to 1936. There are also monthly accountings of both cash and credit sales as well as expenses. Volume 11 documents sales and purchases of clothing for the period 1926 to 1934. The sales portion of this volume repeats information available in volume 10. Volume 12 is a ledger of accounts payable for the period 1921-1928, showing the firms from which Breckstein purchased his goods. Included are companies in Baltimore, Philadelphia, Pittsburgh, and New York.\u003c/p\u003e","\u003cp\u003eJ.C. Shock was a Methodist minister assigned to a parish in Pullman, WV in 1910. However, he also appeared to be an itinerant preacher, and his account book lists ministerial services provided for the towns and villages of Duffy, Straight Fork, Falls Mill, Glady, and Kingknob, in the north-central West Virginia counties of Lewis, Ritchie, and Wetzel. The account book documents Shock's ministry, listing the text for sermons preached at various towns as well as the contributions of those towns to his salary. Most of the entries cover the years 1910-1917, at which time his base of operations seems to have shifted permanently to Falls Run and Falls Mill in Braxton County. There are entries for sermons, marriages, and assessments for those towns running to 1938. An additional folder contains miscellaneous documents related to Shock found within the ledger.\u003c/p\u003e","\u003cp\u003eIn the 1890s, Mrs. Samuel C. Gans operated a general store in Moundsville, which by 1900 was specializing in dry goods. This ledger reflects the volume of business and the timing and means of settling accounts. The early pages (for the 1890s) are more detailed, listing the items purchased from the general store. For the later period, the entries are frequently limited to the terms \"goods\" or \"merchandise.\" The back of the volume also contains some notes and miscellaneous accounts, such as rooms rented.\u003c/p\u003e","\u003cp\u003eIn 1892, a number of Charleston's German families banded together to form an Evangelical Lutheran Church. Subscriptions for a building fund and other church work began to be collected in October of that year. This ledger documents the subscriptions of the founding members of St. Paul's Evangelical Church. It also provides an accounting of the expenses and building funds contributed by the members, including the purchase of a lot on Court Street in Charleston, the church's construction, and the salary of the minister.\u003c/p\u003e","\u003cp\u003eThese volumes were written by Albert S. Hayden, Notary Public in and for the county of Marion and the state of West Virginia. He recorded handwritten copies of promissory notes and bills presented at Fairmont, WV banks for redemption, which were protested by the First National Bank of Fairmont's cashier. The ledgers also list the date protested, by whom, and the notices mailed to note signers. Most notes originated in West Virginia, but some originated in Ohio. Volume 16a covers 1870-1873. Volume 16b covers 1875-1876.\u003c/p\u003e","\u003cp\u003eAnthony Zidn operated a grocery and dry goods store outside of Fairmont on RFD #2. Zidn was an immigrant from the Middle East (perhaps Armenia, as suggested by the fact he kept his accounts in Persian and had a Christian name). These three ledgers document his business, although most of the information is written in Persian.\u003c/p\u003e","\u003cp\u003eThe Price Brothers operated a general store in the small village of Amos on the Paw Paw Creek, eleven miles from the town of Fairmont in Marion County. The Price Brothers sold all sorts of groceries to people in the town, as documented by this ledger. In addition, the Polk business directory for 1902-1903 notes that the Price sisters operated a millinery business in Amos. There are loose papers within the ledger, including statements and product advertisements (1905-1907, undated).\u003c/p\u003e","\u003cp\u003eAt the turn of the century, there were four wholesale meat provisioners in Wheeling. This ledger represents the operations of one of them for the years 1901-1902. The company principally supplied general stores and grocers in eastern Ohio, northern West Virginia, southwestern Pennsylvania, and western Maryland. However, individuals could also buy directly. Entries typically include the name of the purchaser, the town in which the purchaser resides, and the amount of the purchase. For local buyers, the ledger frequently lists the Wheeling address. Since transactions are usually noted only as merchandise, it is impossible to glean what types of meats were being purchased at what costs.\u003c/p\u003e","\u003cp\u003eJacob Hornbrook was born in Tavistock, England, in 1812 and moved with his parents to Wheeling when he was a small child. Jacob's father ran a small [business?] in Wheeling. As a young man, Jacob began a mercantile business buying and selling produce on the flatboats travelling on the Ohio River. He later started a notions store, purchased interest in a steamship line and the First National Bank, and was president and owned stock in the Wheeling Gas Company. These three books, a journal (volume 20; 1847-1874), a ledger (volume 21; 1847-1874), and a cash book (volume 22; 1845-1874), document his business interests, investments, and personal expenses during the last three decades of his life. Although he remained an active investor, Hornbrook retired from his mercantile business in 1855 with an estate valued at more than $30,000. In 1852, he moved to what he called \"Forest Home\" near Wheeling Park, and he served in the West Virginia legislature during the Civil War.\u003c/p\u003e","\u003cp\u003eThis volume includes a manuscript copy of the act \"To incorporate the Wheeling Gas Company\" issued March 18, 1850; a copy of a related Wheeling city ordinance, issued April 29, 1850; stockholders meeting minutes, April 15, April 25, May 1, May 9, and May 11, 1850; and lists of subscribers, the number of shares of stock, and the amount paid.\u003c/p\u003e","\u003cp\u003eGeorge C. Gans was a physician practicing in Marshall County in the decades prior to the Civil War. Although most of his patients resided in the area around Moundsville and Elizabeth, Gans does not appear in either the 1840 or the 1850 U.S. census schedules for Marshall County. The ledger documents his treatment of families in Marshall County for a wide variety of ills, including typhoid fever (1861), cholera (1847), and farm injuries. Gans also routinely attended childbirths. His treatments included blistering, bleeding, venesection, lancing, and operating as well as administering medicine and pills. In return for his services, Gans routinely accepted farm produce, labor on his farm, and other useful items such as shingles. He went on to serve as an assistant surgeon in the Civil War.\u003c/p\u003e","\u003cp\u003eThis is a ledger of an Elizabeth, PA, glass manufacturer's accounts with his workers. The manufacturer ran some type of company store, and the ledger thus includes debits for cash and merchandise received by the workers and credits for the various types of labor performed, including glass blowing, teasing, cutting, coal mining, blacksmithing, and box making. In addition, the ledger includes the manufacturer's accounts with a boarding house owner for boarding his workers and with a local merchant who supplied the company store. In general, the ledger provides insights into the earnings of mid-19th century artisans as well as the operation of a small, rural glass-making establishment.\u003c/p\u003e","\u003cp\u003eThis consignment book documents commodity prices and the wide variety of goods received by a Wheeling commission merchant house during the 1830s. It also provides insights into the local industrial development, since the commission merchants routinely received goods on consignment from local manufacturers, such as the German Manufacturing Company (textiles). At the beginning of the book, there is evidence that the firm engaged a peddler to make trips in 1830, and the commission house also conducted auctions during the 1830s.\u003c/p\u003e","\u003cp\u003eMoses Chapline was a prominent citizen in Wheeling, at various times an attorney, a general store owner, and in the 1830s, mayor. This daybook documents the daily trade at his store during 1845. Included are entries for purchases of a wide variety of goods as well as entries for store expenses, such as insurance, soap, and transportation. The A. Loring who appears frequently throughout was probably Alonzo Loring, a clerk at the store.\u003c/p\u003e","\u003cp\u003eHarry Hood and Company was a retail meat and dairy market in Fairmont, WV. This ledger covers the last few months of 1906 and the first months of 1907. It documents purchases of meat from wholesale producers, such as Armour and Company, and sales of meat to local businesses and individuals in Fairmont. Transactions are typically listed only as \"merchandise,\" making it difficult to glean any information concerning prices or consumption patterns. The ledger is used only for the first 150 of its 500 pages, and the business does not appear in the Polk business directory of 1906-1907, suggesting the possibility that it folded some time in 1907.\u003c/p\u003e","\u003cp\u003eThis ledger documents a general store in Tyler County, probably near Middlebourne, the county seat. Although fairly routine entries characterize customer purchases, the volume also documents purchases from wholesale merchants, beginning on page 251. Included are such firms as Hubbard and Paull, and Jos. Speidel, both of Wheeling; Ed Roome of Sistersville; and Burgunder Brothers and Company, of Columbus, Ohio. Also, the ledger often lists the occupations of the store's customers. Included are John Gates, an oil rig builder (reflecting the emergence of the local oil business) and a number of customers connected to a local woolen mill.\u003c/p\u003e","\u003cp\u003eJohn Gallaher, Christian Ansbrutz, and Caleb Bleakmor started a general store partnership in 1853. Prior to that date, Gallaher operated a store in Moundsville, which is documented in the first 90 pages of the daybook. The daybook follows the partnership for only six months (until September 1853), but then another Moundsville general store (involving Bleakmor) used the daybook during 1856. In the 1850 census, Bleakmor was listed as a constable, age 49, born in Maryland; and Ansbrutz was listed as a miller, age 47, born in France, worth $23,000. Only Gallaher, a 53-year-old Irishman worth $12,000, was listed as a merchant. From the evidence in the daybook, it appears that the partnership was short-lived.\u003c/p\u003e","\u003cp\u003eThis series includes ephemera, sheet music, booklets, pamphlets, and correspondence. Additional miscellaneous printed material can be found in Series 17, Oversize.\u003c/p\u003e\n","\u003cp\u003e  Box 18 includes calendars, sheet music, notecards, and printed material related to West Virginia history. The notecards include screen printed notecards from Wolf Creek Printery in Alderson, WV (1976). The history printed material includes a booklet entitled \u003cemph render=\"italic\"\u003eWheeling Bicentennial, 1769-1969\u003c/emph\u003e (1969?).\u003c/p\u003e\n","\u003cp\u003e  Box 19 includes West Virginia serial publications and magazines, as well as printed material about West Virginia schools and locations. Highlights include three issues of \u003cemph render=\"italic\"\u003eThe Searchlight\u003c/emph\u003e, a serial about education (two published in Summersville, WV [1895-1896], and one published in Fayetteville, WV [1899]); an issue of \u003cemph render=\"italic\"\u003eThe Mikrophone: Devoted to Religion, Morality, and Temperance \u003c/emph\u003e(published in Highland, WV, by D.H. Davis, 1906); Scottish Rite pamphlets (published in Wheeling, 1910-1917); the Richwood High School Class of 1940 reunion program (1960); Craigsville Grade School's first yearbook (1973); and \u003cemph render=\"italic\"\u003eMountaineer Spirit\u003c/emph\u003e, a WVU student magazine featuring an article about Jim Comstock (1968).\u003c/p\u003e\n","\u003cp\u003e  Box 20 includes non-West Virginia serial publications and magazines. Highlights include an issue of \u003cemph render=\"italic\"\u003eThe Religious Magazine, or Spirit of the Foreign Theological Journals and Reviews\u003c/emph\u003e (Philadelphia: E. Littell, 1829); and E.D. Cope's \u003cemph render=\"italic\"\u003eOn Vertebrata from the Tertiary and Cretaceous Rocks of the North West Territory\u003c/emph\u003e (Montreal: W.F. Brown \u0026amp; Co., 1891); \u003cemph render=\"italic\"\u003eNaval Training School -- Indoctrination, Hollywood Florida: Quarterdeck, Class of 3-44, 20 June 1944\u003c/emph\u003e (Hollywood, FL: Naval Training School, 1944); and issue no. 18 of \u003cemph render=\"italic\"\u003ePapers from the Society for the Diffusion of Political Knowledge\u003c/emph\u003e (undated).\u003c/p\u003e\n","\u003cp\u003e  Box 21 includes various writings, such as student literary magazines, works of fiction, poetry booklets, and George T. Swain's \u003cemph render=\"italic\"\u003eThe Incomparable Don Chafin\u003c/emph\u003e (Charleston, WV: Ace Enterprises, 1962).\u003c/p\u003e\n","\u003cp\u003e  Box 22 includes George T. Swain's \u003cemph render=\"italic\"\u003eFacts About the Two Armed Marches on Logan\u003c/emph\u003e (Charleston, WV: Ace Enterprises, 1962), as well as printed materials for a variety of West Virginia and non-West Virginia businesses and organizations. These include advertisements and booklets regarding the West Virginia glass industry, including Fenton Glass (1966-1976, undated), a Woman's Club of Gassaway booklet (1970), a reprint of the Berkeley Springs Hotel Brochure of 1885 (1988), and the constitution of the First Baptist Church of Richwood, WV (undated). For additional business-related printed material, see also Series 1, Historical Documents, box 2b, folders 11-12.\u003c/p\u003e\n","\u003cp\u003e  Box 23 includes miscellaneous booklets, programs, book plates, articles, clippings, and other material. Highlights include \u003cemph render=\"italic\"\u003eRules of Practice in the United States Patent Office\u003c/emph\u003e (Washington: U.S. G.P.O., 1892), Elbert Hubbard's \u003cemph render=\"italic\"\u003eLittle Journeys to the Homes of Great Teachers: Erasmus\u003c/emph\u003e (East Aurora, Erie County, NY: The Roycrofters, 1908), the Richwood Spud and Splinter Festival Program (1940), and Eugene L. Huddleston's \u003cemph render=\"italic\"\u003eThe World's Greatest Mallets: C \u0026amp; O H-8 Versus N \u0026amp; W Class A\u003c/emph\u003e (Alderson, WV: Chesapeake \u0026amp; Ohio Historical Society, 1986).\u003c/p\u003e\n","\u003cp\u003e  Boxes 24 and 25 contain books, including Comstock's autobiography.\u003c/p\u003e","\u003cp\u003eThis series includes Jim Comstock's personal and professional correspondence. This series contains materials that are diverse in format, including letters, scripts for radio and other media, clippings, postcards, typescripts, articles, financial materials (e.g. bank books and checks), printed material, ephemera, and photographs. Most of the photographic material in this series has been moved to Series 7, Photographs. Some materials were moved to Series 17, Oversize -- see the Series 17 description for details.\u003c/p\u003e\n","\u003cp\u003e Comstock marked much of his correspondence to be filed by the first letter of the correspondent's last name. Some of this organizational scheme has survived; folders containing specific letter and year files are dispersed throughout the series. Other notations that Comstock used include \"LR\" for letters received, \"Sp\" for speech-related correspondence, \"NL\" for \u003cemph render=\"italic\"\u003eNews Leader\u003c/emph\u003e-related correspondence, and \"HB\" for \u003cemph render=\"italic\"\u003eWest Virginia Hillbilly\u003c/emph\u003e-related correspondence.\u003c/p\u003e\n","\u003cp\u003e Topics and items of interest include: \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e\n letters written to Comstock by regional author Jesse Stuart, and by political figures such as Hubert H. Humphrey, Robert C. Byrd, Jennings Randolph, and Barry Goldwater (box 26 and others); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003erejection letters from newspapers and magazines to which Comstock submitted material (box 26); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003ebiographical material about Jim Comstock and his family, including a thesis about Comstock by Mary Abel (boxes 26 and 47); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eLarry Maynor, journalist for the \u003cemph render=\"italic\"\u003eCharleston Daily Mail\u003c/emph\u003e (box 29); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003ethe sale and ultimate demise of the \u003cemph render=\"italic\"\u003eWest Virginia Hillbilly\u003c/emph\u003e (boxes 31 and 72); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003ethe University of Hard Knocks, including a mock-up diploma, resumes, and portrait photograph headshots of potential graduates (boxes 31 and 60); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e[Delf] Norona Collection payments (boxes 33 and 46); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003ePearl S. Buck (box 33 and others); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eBilly Edd Wheeler, West Virginia writer and musician (box 36); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eCivilian Conservation Corps (CCC) reunion in 1979 (box 36); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eOtto Whittaker, who worked with Comstock on \u003cemph render=\"italic\"\u003eThe Best of the Hillbilly\u003c/emph\u003e (boxes 37 and 65); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003ethe \u003cemph render=\"italic\"\u003eWest Virginia Heritage Encyclopedia\u003c/emph\u003e (box 40); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eComstock's appearance on John Nebel's WOR radio show in 1960, including postcards and letters regarding the appearance and requests for Comstock's Richwood Kinsey Report as well as \u003cemph render=\"italic\"\u003eNews Leader\u003c/emph\u003e or \u003cemph render=\"italic\"\u003eWest Virginia Hillbilly\u003c/emph\u003e subscriptions (boxes 41-42); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eComstock's appearance on the Today Show in 1966 (box 42); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eComstock's appearance on Patricia/Patsy McCann's WOR radio show in New York in August 1977, including letters and postcards regarding the appearance and requests to receive the free six-week subscription to the \u003cemph render=\"italic\"\u003eWest Virginia Hillbilly\u003c/emph\u003e which Comstock offered on the show (boxes 42-43); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003ewriters, with an emphasis on West Virginia authors, whose work Comstock was interested in collecting (boxes 40, 44, 45, and 62); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003ewritings by Comstock, including short stories, articles, drafts, etc. (boxes 47-49); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eComstock's nomination and campaign for a U.S. House of Representatives seat on the Republican ticket in 1964 (boxes 51 and 56); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003ethe \u003cemph render=\"italic\"\u003eWest Virginia Hillbilly\u003c/emph\u003e and \u003cemph render=\"italic\"\u003eNews Leader\u003c/emph\u003e, including morgue files, old articles, submissions, letters, and other items (boxes 54, 55, 57, 61, 63, and others; for oversize items, see Series 17, Oversize, box 116); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eEck Bozeman (box 57); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eComstock's pocket diaries (box 57); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eComstock's naval service during World War II (box 60); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eH.C. Comstock, Jim's father (box 68); and \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003ehistorical research material, possibly for the \u003cemph render=\"italic\"\u003eEncyclopedia \u003c/emph\u003e(box 72).\u003c/p\u003e\n","\u003cp\u003e Please note that the above list is not exhaustive.\u003c/p\u003e","\u003cp\u003eThis series includes print photographs, negatives, cartes de visite, cabinet cards, mounted photos, tintypes, photo postcards, slides, clippings, printed material, correspondence, photo plates, and eight canisters of large format aerial diapositives (photo transparencies). Subjects include furniture; first ladies of West Virginia; historic homes of West Virginia; identified and unidentified individual and group portraits; cities and towns of West Virginia; buildings; scenery; Museum of the Hills in Richwood, WV; glass and glassmaking; and the Greenbrier. Some of the material in this series was transferred from Series 6, Comstock Correspondence -- in cases where the photographic item was attached to correspondence, the correspondence was transferred as well. Please note that some negatives are nitrate; keep these away from heat and handle with care. Additional photographic material can be found in Series 6, Correspondence, boxes 35, 54, 55, and 72. For photos of Fenton Glass products, see Series 5, Printed Material, box 22. Some oversize photos have been separated to the Photographs Collection; most of these have been added to West Virginia History OnView. Additional oversize photos can be found in Series 17, Oversize.\u003c/p\u003e\n","\u003cp\u003e Contents of the eight canisters of large format aerial diapositives (photo transparencies):\u003c/p\u003e\n","\u003cp\u003e Box 80; Canister label: \"Huntington 1-6000 April 1947\" \u003clb\u003e\u003c/lb\u003eBox 80; Canister label: \"Chas. [Charleston?] 1957, Nitro, 1957; St. Albans, 1957, Old Chas., 1948, Airport, Big Scale (?)\" \u003clb\u003e\u003c/lb\u003eBox 80; Canister labels: \"Elk River Coal \u0026amp; Lumber Co., Aerial Map Flown April 1953.\" and \"City of Huntington Scale 1-6000 Apr 28 1947\" \u003clb\u003e\u003c/lb\u003eBox 80; Canister label: \"Harmony Near Ripley, [?] ft to 1\" old; Colin Creek Coal Stripping, large scale, 1948; Lake Chaweva, 1948; Armour Park, 1948; C\u0026amp;O Ry [Railway?] Coal River 1948; Bellings Airport, 1947; Kanawha Airport, large and small scale, 12-9-1947; Strip to City Blvd 12-9-1947; City Strip \u0026amp; Kenna Home; C\u0026amp;CCC Research 1947; Cedar Grove to Montgomery.\" \u003clb\u003e\u003c/lb\u003eBox 81; Unlabeled canister. \u003clb\u003e\u003c/lb\u003eBox 81; Canister label: \"1949\" \u003clb\u003e\u003c/lb\u003eBox 81; Canister label: \"Coal City - Park Beckley, 1947 [?]\" (not usable) \u003clb\u003e\u003c/lb\u003eBox 81; Canister label: \"4/20/53 Dick Stata Film, St. Albans - Charleston\" (not usable)\u003c/p\u003e","\u003cp\u003eThis series contains two rolls of 35 mm black and white motion picture film, and three rolls of 16 mm color motion picture film of a train. Also included is one of the canisters which contained the film. The box which formerly contained the film was labeled \"F.M.C. Movie Scraps.\" Please note that some reels are nitrate; handle with care.\u003c/p\u003e","\u003cp\u003eThis series contains two reels of microfilm, which were likely the property of Delf Norona before they were acquired by Comstock. The first reel contains West Virginia-related Civil War records; the second contains payroll and public service claims from the West Virginia region in the 1770s.\u003c/p\u003e\n","\u003cp\u003e Reel 1 Contents Notes: \u003clb\u003e\u003c/lb\u003eRecords of the War Department, Office of the Adjutant General, General Orders, Mountain Department, Army in the Field, May 9 - June 28, 1862. \u003clb\u003e\u003c/lb\u003eNational Archives and Records Service, General Services Administration, Washington: 1956. 101 total pgs. \u003clb\u003e\u003c/lb\u003eMarch 18 - June 18, 1862 86 total pgs.\u003c/p\u003e\n","\u003cp\u003e Reel 2 Contents Notes: \u003clb\u003e\u003c/lb\u003ePayroll for Pittsburgh, 122 leaves; Payroll for Romney, 43 leaves; Public Service Claims Romney and Winchester 1775, 37 leaves; Public Service Claims West Augusta 1775, 49 leaves; Records of Soldiers and Public Service in Dunmore's War, 279 leaves; index, 25 leaves.\u003c/p\u003e","\u003cp\u003eThis series includes two cassette tapes which were found in an envelope marked \"Larry Maynor Personal.\" The tapes include recordings of children reading stories and an oral history interview with an unidentified subject.\u003c/p\u003e","\u003cp\u003eThis series contains 75 wood framed glass lantern slides. Most slides are labeled with the subject, and some are dated. Subjects include views of scenery and buildings in Wheeling and various other locations in Ohio County, WV, as well as Brooke County and Marshall County, WV, and Belmont County, Ohio. These images were likely created by Thomas M. Darrah of Belmont County, Ohio. For the two wooden boxes in which the slides were previously stored, please see Series 16, Artifacts, boxes 105 and 106.\u003c/p\u003e","\u003cp\u003eThis series includes scrapbooks which contain newspaper clippings and ephemera. Subjects include the Grand Army of the Republic (GAR) and U.S. military history with a focus on Civil War history. These scrapbooks may have belonged to Colonel Albert Kern of Dayton, Ohio.\u003c/p\u003e","\u003cp\u003eThis series includes originals and copies of broadsides and posters. Included are a John Dillinger wanted poster (1934); a Garrett Snuff advertisement (undated); copies of various political notices (originals ca. 1827-1886); Russian broadsides with Cyrillic text, depicting events of the Russian Civil War, USSR propaganda, and other things (ca. 1920-1930); posters for the Marshall County Fair (ca. 1960) and the Moundsville, Powhatan and Clarington Seventh Grand Annual Picnic (1873); advertisements for the Ringling Brothers and Barnum and Bailey Circus at the Moundsville Fairgrounds (undated); Showboat Rhododendron advertisements (undated); and other material.\u003c/p\u003e","\u003cp\u003eThis series includes original and facsimile maps, atlases, and books about maps. Highlights include pre- and post-Civil War maps of the West Virginia area; \u003cemph render=\"italic\"\u003eHardesty's Historical and Geographical Encyclopedia, Illustrated: containing ... special history of the Virginias, maps and histories of Tyler and Wetzel Counties, West Virginia\u003c/emph\u003e; maps of America before 1775; copies of [West] Virginia county maps by John Wood from 1820-1821; maps of various West Virginia cities, including, Morgantown, Moundsville, and Wheeling; and various Fry-Jefferson maps (original and copies). A detailed contents list of boxes 93-100b and map cabinet 1, drawer 12 is available. \u003c/p\u003e\n","\u003cp\u003e\nNote that the date for each map reflects the date of creation of the item, though in the case of copies it may indicate the date of the creation of the original item rather than the date the copy was made. Also, the number of items may indicate different items or different pieces of the same map. \u003c/p\u003e\n","\u003cp\u003e\n  Not yet located; Item Number 113; County Map of Virginia and West Virginia; 1874\u003c/p\u003e","\u003cp\u003eThis series includes newspapers from Wheeling, as well as a special bicentennial salute issue of the \u003cemph render=\"italic\"\u003eWest Virginia Hillbilly\u003c/emph\u003e (1976). The majority of the newspapers in this collection have been separated to the West Virginia Collection's newspaper holdings. A list of the newspapers originally inventoried for this collection can be found in the control folder.\u003c/p\u003e\n","\u003cp\u003e Most of the West Virginia newspapers have been microfilmed; see Miscellaneous Reel 113 in the Microfilm Room. For a list of the contents of this reel, please see the \"W.Va. Newspapers from Comstock Collection\" three-page packet in the control folder. Additional newspaper pages and clippings can be found throughout Series 6, Comstock Correspondence and Series 17, Oversize, box 117.\u003c/p\u003e","\u003cp\u003eThis series includes a variety of artifacts and ephemera belonging to or collected by Comstock.\u003c/p\u003e\n","\u003cp\u003e Boxes 105 and 106 include two wooden boxes (undated) which contained glass lantern slides (see Series 11). One box is labeled \"T.M. Darrah.\" Also included are a fountain pen used by Secretary of the Interior Oscar Chapman to sign the contract to begin building the Bureau of Mines' Appalachian Experiment Station in Morgantown, WV, with letters documenting the donation of the pen by Senator Harley M. Kilgore (1952); and a dinner plate showing a photo-like image of a priest with a group of children, from St. Albans, WV (undated).\u003c/p\u003e\n","\u003cp\u003e Box 107 includes various nametags for Comstock and his wife, from a variety of conventions and meetings (1960-1963, undated); glasses and sunglasses (undated); a sewing needle pack and a mini ruler advertising Jim Comstock for Congress (ca. 1964); a press pass for President Ford's visit to Charleston, WV (1975); and tickets to the Republican National Convention (1976); among other material.\u003c/p\u003e\n","\u003cp\u003e Box 108 contains two figurines and four whiskey decanters. The figurines are a coal miner (made of coal, undated) and \"Morgan's Virginia Rifleman 1776\" (undated). The decanters are \"Old Time Coal Miner\" (1976), \"Coal Miner\" (1975), Robert E. Lee (undated), and Stonewall Jackson on horseback (undated).\u003c/p\u003e\n","\u003cp\u003e Box 109 contains six whiskey decanters: Abraham Lincoln (undated), Stonewall Jackson (undated), Hill Billy (1969), General Stonewall Jackson (1974), Randolph McCoy (1973), and Devil Anse Hatfield (1973).\u003c/p\u003e","\u003cp\u003eThis series contains oversize material that may be relevant to other series.\u003c/p\u003e","\u003cp\u003eThis subseries includes paintings, sketches, prints, photographs, educational posters, architectural drawings, vinyl records, typescripts, transparencies, clippings, manuscripts, and printed material, among other formats. Topics include Pearl Buck's birthplace, West Virginia, the Civil War, Jim Comstock's work, and other topics. More manuscripts are in the Manuscripts subseries, box 118.\u003c/p\u003e\n","\u003cp\u003e Box 110 and box 111, folders 1-2 contain artwork depicting Pearl Buck's birthplace in Hillsboro, West Virginia, including paintings, sketches, a chalk drawing, and a plan for a sign (1965-1966, undated).\u003c/p\u003e\n","\u003cp\u003e Box 111, folders 3-4 and unfoldered items include two West Virginia-related prints and an unidentified photo (undated); one framed and six unframed prints depicting mining machinery, possibly of Joy Manufacturing Company (undated); an unframed painting of a coal miner (undated); twelve mounted photographs and sketches (most unidentified, undated); and four rolled photographs (1918-1955?).\u003c/p\u003e\n","\u003cp\u003e Box 112 includes educational posters regarding the Civil War and West Virginia history (undated). The posters include text, images, and photographs. Also includes mounted photographs, most with accompanying text, that have been added to West Virginia History On View. An additional eight posters regarding maps made by or related to North American Indians, likely assembled by Delf Norona, are also included (ca. 1950). For additional maps related to North American Indians/Native Americans, see also Series 14, Maps, box 98, item number 349.\u003c/p\u003e\n","\u003cp\u003e Box 113 includes various West Virginia-related prints, including one of Mount Chantal near Wheeling (undated); prints of Civil War scenes sketched from nature and drawn on stone by J. Nep Roesler, Corporal of Color 47th Regiment of Ohio Volunteers (undated); a copy print of the camps of the 4th Brigade, 1st Division, 8th Army Corps. near Romney (undated); prints made from Civil War engravings (1960); W.R. Leigh bullfighting prints (1950); copies of architectural plans for alterations of Wheeling's Custom House and Post Office (undated); and other items.\u003c/p\u003e\n","\u003cp\u003e Box 114 contains limited edition black and white prints from a series entitled \"Covered Bridges of West Virginia\" by Marj Teague (1977) and three copies of a vinyl record album titled \"The Legend of Clark Kessinger\" (ca. 1965).\u003c/p\u003e\n","\u003cp\u003e Box 115 includes paintings by John Wellington (undated); oversize photos (undated); an unidentified floor plan (undated); and architectural drawings or blueprints for five properties that were part of the Historic American Buildings Survey (undated). These properties are \"The Old Stone Church\" Presbyterian, Lewisburg, WV; Harewood and the ruins of St. George's Chapel, both near Charles Town, Jefferson County, WV; Traveler's Rest, near Leetown, Jefferson County, WV; and the Lee Barn in Leetown, WV.\u003c/p\u003e\n","\u003cp\u003e Box 116 includes radio scripts (undated; see also Series 6, Comstock Correspondence, box 67); calendars (1984-1991); \u003cemph render=\"italic\"\u003eHillbilly \u003c/emph\u003etransparencies (undated; see also Series 6, Comstock Correspondence, box 54); various printed images and magazine clippings (1860-1921, undated); \"Our Wacky Weekly\" and newspaper article typescripts, probably written by Comstock (undated; see also Series 6, Comstock Correspondence, box 48, folder 1); and music-related magazines and pamphlets (1959-1966, undated).\u003c/p\u003e\n","\u003cp\u003e Box 117 includes Berkeley County documents from the Barnet Cushwa Papers (see also Series 1, Historical Documents, box 1, folders 1-5). These include lists of orders, taxes, fees, etc.; sheriff's office accounts; and land holdings (all 1854-1858). Box 117 also includes television scripts (undated); an envelope and survey plat from the Wells Family Papers (1856, undated; see also Series 1, Historical Documents, box 2a, folder 24); Civil War-related prints (1861-1868, 1955); newspaper clippings (1861, 1927-1944, undated; some from Series 6, Comstock Correspondence, box 67, folders 4 and 7); miscellaneous printed material (1817-1863, undated; includes facsimiles); and facsimile broadsides, legal documents, and clippings regarding West Virginia statehood (1861-1863).\u003c/p\u003e","\u003cp\u003eThis subseries includes oversize manuscripts, most of which pertain to West Virginia. West Virginia materials include pre- and post-statehood indentures, land grants, other legal documents, letters, certificates, and other formats pertaining to Barbour, Berkeley, Fayette, Hampshire, Hardy, Marshall, Ohio, Raleigh, and Tyler Counties. Additional indentures and land grants pertain to England (1650-1671, 1720-1721, 1833), and to Maryland, Virginia, and Texas.\u003c/p\u003e","\u003cp\u003eThis series includes Jim Comstock's personal and professional correspondence, and is composed of a wide range of formats, including letters, clippings, postcards, typescripts, articles, financial documents, printed material, ephemera, and photographs. Most of the photographic material in this series has been moved to Series 21, Photographs.\u003c/p\u003e\n","\u003cp\u003e Comstock marked much of his correspondence to be filed by the first letter of the correspondent's last name. Some of this organizational scheme has survived; folders containing specific letter and year files can be found in boxes 119-125. Other notations that Comstock used include \"NL\" for \u003cemph render=\"italic\"\u003eNews Leader\u003c/emph\u003e-related correspondence and \"HB\" for \u003cemph render=\"italic\"\u003eWest Virginia Hillbilly\u003c/emph\u003e-related correspondence.\u003c/p\u003e\n","\u003cp\u003e Topics and items of interest include: \u003clb\u003e\u003c/lb\u003ecard from Comstock to recent graduates regarding a gift subscription to the \u003cemph render=\"italic\"\u003eHillbilly \u003c/emph\u003e(undated) (box 119); \u003clb\u003e\u003c/lb\u003eComstock's work with the Pearl Buck House (box 127); \u003clb\u003e\u003c/lb\u003ethe University of Hard Knocks (box 128); \u003clb\u003e\u003c/lb\u003ephotocopies of a scrapbook about ramps and Comstock's ramp-scented ink incident; and \u003clb\u003e\u003c/lb\u003ematerial regarding Comstock's work on the \u003cemph render=\"italic\"\u003eHillbilly\u003c/emph\u003e, the \u003cemph render=\"italic\"\u003eNews Leader\u003c/emph\u003e, and the \u003cemph render=\"italic\"\u003eWest Virginia Encyclopedia\u003c/emph\u003e (boxes 126-127 and other material throughout) (see also Series 20, Subject Files).\u003c/p\u003e\n","\u003cp\u003e Please note that the above list is not exhaustive and that material on the above topics may also exist in boxes not mentioned.\u003c/p\u003e\n","\u003cp\u003e \u003cemph\u003e *Please note: boxes 123  and 133 could contain allergens. Masks and gloves will be provided for patrons wishing to use them.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eThis series includes books, magazines, newspapers, journals, promotional materials, poetry, and sheet music. Topics include Jim Comstock's work, the state of West Virginia, WVU, Storer College, industry (e.g., coal, railways), and New England baked beans, among other topics.\u003c/p\u003e\n","\u003cp\u003e \u003cemph\u003ePlease note: box 133 could contain allergens. Masks and gloves will be provided for patrons wishing to use them.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eThis series includes mostly morgue files of material that Comstock used in connection with his newspapers. Contents are not in alphabetical order. Formats include clippings, typescripts, photographs, print material, and other formats. The \u003cemph render=\"italic\"\u003eNews Leader\u003c/emph\u003e morgue materials (boxes 137-138) include items on a variety of subjects, such as covered bridges and the early history of Clay County. The \u003cemph render=\"italic\"\u003eNews Leader\u003c/emph\u003e morgue material also includes a folder of autographs of early West Virginia governors and other politicians, such as D.D.T. Farnsworth, John J. Jacobs, and A.B. Fleming. The \u003cemph render=\"italic\"\u003eHillbilly \u003c/emph\u003emorgue materials (box 139-140) pertain to a wide variety of subjects, most of whom are likely local individuals. The Newspaper Subjects (boxes 141-146) includes material for which the intended newspaper was not specified; topics include specific local individuals, national figures like Abraham Lincoln, steel and other industries, and towns.\u003c/p\u003e","\u003cp\u003eThis series includes cartes de visite, cabinet cards, mounted photographs, photographic prints, clippings, and other formats. Many subjects are identified. They include portraits and candid photos of individuals, families, politicians, sports figures, West Virginia towns and buildings. Other notable photographs include crime scene and/or accident photographs, including images of a non-commercial plane crash (undated), and photos of Jim Comstock at the West Virginia Senate (1966). Photographs can also be found in Series 18, Correspondence; Series 20, Subject Files; and Series 26, Oversize Material. \u003clb\u003e\u003c/lb\u003e\n\u003cemph\u003ePlease note: boxes 123, 133, and 149 could contain allergens. Masks and gloves will be provided for patrons wishing to use them.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eThis series includes magnetic recording tapes, a VHS tape about college financing, and a vinyl record and cassette tape of Billy Crain music.\u003c/p\u003e","\u003cp\u003eThis series includes a WVLA cloth ribbon, an empty wallet, and a West Virginia Picture Book imprint plate.\u003c/p\u003e","\u003cp\u003eThis series includes material from two scrapbooks. One set of loose scrapbook pages contains clippings chiefly regarding Comstock's \"Past 80\" parties (ca. 1956). The other scrapbook of newspaper clippings chronicles the history of Richwood's Sacred Heart Hospital during the years of influence of the Pallottine Sisters from 1913-1983 (ca. 1953-1984).\u003c/p\u003e","\u003cp\u003eThis series includes two account books. One contains stencil orders from various schools as well as other bills (1960s), and the other is an account book for 1954.\u003c/p\u003e","\u003cp\u003eThis series includes newspapers, magazines, clippings, posters, prints, photographs, artwork, calendars, a genealogy chart, and other material.\u003c/p\u003e\n","\u003cp\u003e Newspapers and magazines in box 152 include the \u003cemph render=\"italic\"\u003eWest Virginia Hillbilly\u003c/emph\u003e Bicentennial special edition (1976), newspaper layouts from the \u003cemph render=\"italic\"\u003eHillbilly \u003c/emph\u003e(1950-1976, undated), and pages from \u003cemph render=\"italic\"\u003eHarper's Weekly\u003c/emph\u003e (1861-1866).\u003c/p\u003e\n","\u003cp\u003e Prints in boxes 153 and 154 include Civil War scenes by J. Nep Roesler, Corporal of Color 47th Regiment of Ohio Volunteers (undated).\u003c/p\u003e\n","\u003cp\u003e Photographs (in boxes 153-156 and loose folders) include regular oversize and cirkut (panoramic) photographs on a wide variety of subjects. Boxes 153 and 154 include photographs of unidentified buildings and a group portrait of a Civilian Conservation Corps reunion (1982). Boxes 155 and 156 include photos of Evenwood (1915), group portrait of a conference of National Association of Teachers in Colored Schools (ca. 1932), campaign photographs (ca. 1972), an unidentified group of cars preparing for a parade (undated), and duplicates from the loose folders.\u003c/p\u003e\n","\u003cp\u003e Additional cirkut photos include: \u003clb\u003e\u003c/lb\u003eLoose folder 1: a group portrait of the West Virginia Young People's Conference, Greenbrier Military School, Lewisburg, WV (1929), and a group portrait of the Divisional Young People's Congress, Charleston, WV (1929); \u003clb\u003e\u003c/lb\u003eLoose folder 2: a group portrait of the Western Virginia Conference Epworth League (1928-1929); \u003clb\u003e\u003c/lb\u003eLoose folder 3: photos of an unidentified bridge and factories or plants (1916 and undated) and the Appalachian Electric Power Company Turner Substation (1929); \u003clb\u003e\u003c/lb\u003eLoose folder 4: a birds-eye view of Richwood (undated) and a group portrait of Cabin Creek Consolidated Coal Company Safety First Teams (1933).\u003c/p\u003e\n","\u003cp\u003e Box 156 also includes a genealogy chart and architectural drawings. The genealogy chart (undated) documents the Paull family, which is accompanied by a note: \"Goes with Jefferson [Fry-Jefferson?] Map.\" The architectural drawings (1972-1976, undated) depict buildings from Richwood.\n \n Box 157 includes a book of exhibits from the Virginia vs. West Virginia Supreme Court case in 1914, and a license for John W. Love to practice Law (1925).\n \n Also includes a muster roll for Company I, 2nd Regiment, [West] Virginia Volunteer Cavalry, U.S. Army (1863 February).\u003c/p\u003e","\u003cp\u003eThis series includes maps of West Virginia locations, such as Greenbrier County and the Monongahela National Forest, as well as maps of other states and a few world maps.\u003c/p\u003e","\u003cp\u003eMostly financial and legal documents from Marion, Monongalia, and Harrison Counties, bulk from 1840s to 1860s.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers of James (\"Jim\") Franklin Comstock of Richwood, West Virginia, whose position as editor of the  West Virginia Hillbilly  and avocation as collector and advocate of all things West Virginia led to the preservation of much of the state's physical, visual, and textual history. The collection includes materials Comstock collected about West Virginia history as well as his own personal and professional papers.","Materials include: general series of historical documents such as letters, deeds, and county court cases pertaining to a diverse range of subjects (1717, 1754-1988, undated [includes facsimiles]); letters of Lucy Prichard, former instructor at Marshall College (now Marshall University) (1925-1927, undated); clippings and typescripts of Wirt County resident and  Atlantic Monthly  writer Louis Eckert Reed (ca. 1960-1975, undated); account books concerning economic development and commercial activities in the northern part of the state in the 19th and early 20th centuries (1830-1938); printed material about West Virginia schools, businesses, and events as well as non-West Virginia books and pamphlets (1829-1995, undated); Comstock's personal and professional correspondence (1882-1995, undated); a wide variety of photographs, including images of West Virginia cities and towns, among many others (ca. 1850s-1995, undated); microfilmed records of the Civil War and Dunmore's War (undated); glass lantern slides, which include views of scenery and buildings in Wheeling and various other locations in Ohio County, WV (1871-1897, undated); Grand Army of the Republic and U.S. military history scrapbooks (1883-1918); broadsides, including advertisements for a circus in Moundsville (ca. 1827-1960 [includes facsimiles]); and maps and atlases of pre- and post-statehood West Virginia, counties, colonial North America, and other topics (1730-1976, undated [includes facsimiles]).","An addendum of 2013/05 includes additional personal and professional correspondence, publications, newspaper morgue files, photographs, audio-visual material, artifacts, scrapbooks, account books, and maps. For more information on Jim Comstock, see the Historical Note.","Series 1. Historical Documents; 1717, 1754-1988, undated (includes facsimiles); box 1 - box 3, folder 2. \nSeries 2. Lucy Prichard Papers; 1913-1936, undated; box 3, folders 3-8. \nSeries 3. Louis Reed Papers; ca. 1960-1975, undated; boxes 4-5. \nSeries 4. Account Books; 1830-1938; boxes 6-17. \nSeries 5. Printed Material; 1829-1995, undated; boxes 18-25. \nSeries 6. Comstock Correspondence; 1882-1995, undated (bulk 1950-1995); boxes 26-72. \nSeries 7. Photographs; ca. 1850s-1995, undated; boxes 73-81. \nSeries 8. Motion Pictures; undated; box 82. \nSeries 9. Microfilm; undated; box 82. \nSeries 10. Cassette Tapes; undated; box 82. \nSeries 11. Glass Lantern Slides; 1871-1897, undated; boxes 83-85. \nSeries 12. Scrapbooks; 1883-1918; boxes 86-91. \nSeries 13. Broadsides; ca. 1827-1960 (includes facsimiles); box 92. \nSeries 14. Maps; 1730-1976, undated (includes facsimiles); boxes 93-103, and map cabinet 1, drawer 12. \nSeries 15. Newspapers; ca. 1826-1924, 1976; box 104. \nSeries 16. Artifacts; 1952-1976, undated; boxes 105-109. \nSeries 17. Oversize; 1650-1671, 1720-1991, undated (includes facsimiles); boxes 110-118.","Addendum of 2013/05  includes material much like that in the initial acquisition, divided into the following series:","Series 18. Correspondence; 1838-2003, undated (bulk 1950-1995); box 119 - box 133 folder 4, and box 134 folders 1-11.* \nSeries 19. Publications; 1889-2002, undated; box 133, folders 5-6, box 134, folder 12, and boxes 135-136.* \nSeries 20. Subject Files; ca. 1851-1995, undated; boxes 137-146. \nSeries 21. Photographs; ca. 1870s-2003, undated; boxes 147-149.* \nSeries 22. Audio-Visual Material; 1990-1992, undated; box 150. \nSeries 23. Artifacts; undated; box 151, folders 1-2. \nSeries 24. Scrapbooks; ca. 1953-1984; box 151, folder 3 and scrapbook. \nSeries 25. Account Books; 1954-1960s; box 151 ledgers. \nSeries 26. Oversize Material; 1861-1866, 1893-1933, 1950-1998, undated; box 152 - box 156, folder 3, loose folders 1-4, oversize folder 1, and box 157. \nSeries 27. Maps; 1884-1891, 1920, 1957-1987; box 156, folders 4-10. \nSeries 28. Historical Documents; 1839-1909; box 158.","*Please note: boxes 123, 133, and 149 could contain allergens. Masks and gloves will be provided for patrons wishing to use them.","This series includes financial records such as receipts and invoices, legal documents such as deeds and court cases, correspondence, land records, genealogy materials, ephemera, and typescript histories. Box 1 includes three subgroups: the Barnet Cushwa Papers, West Virginia Documents, and Non-West Virginia Documents. Boxes 2a-3 contain material of mixed origin. Additional historical documents can be found in Series 17, Oversize, and in subseries Oversize--Manuscripts.","This subseries includes a collection of materials documenting the activities of Cushwa, a prominent farmer and later the sheriff of Berkeley County in the 1850s. Cushwa's papers reveal his activities as administrator of the Daniel Gehr estate (1839-1843). The Berkeley County documents, including lists of landholdings, orders, taxes, and fee collections, demonstrate his duties as sheriff in the 1850s. See Series 17, Oversize, box 117 for Berkeley County land holdings, sheriff's accounts, and lists of orders, taxes, fees, etc. (1854-1858).","This subseries is comprised of correspondence and other material, principally concerning commercial and development activities in north-central West Virginia. These items are grouped by county; please note that there is overlap between counties.   Highlights include:  items relating to Harman Blennerhassett (box 1, folder 12);  a six-page letter written by William G. Brown answering questions concerning the constitutionality of the movement for West Virginia statehood (June 28, 1862) (box 1, folder 13);  letters and reminiscences focusing on the reunions of the Battle of Philippi (1911-1935) (box 1, folder 14); and  two letters from the abolitionist John Brown (box 1, folder 15)."," Additional West Virginia documents can be found in boxes 2a-2c.","Highlights of this subseries include:  four letters from soldiers in the Mexican War;  seventeen letters from Pennsylvania soldier James M. Weaver, principally to his wife, during his service in the Civil War;  a confidential letter from President James Monroe explaining his policy on fortifying the frontier;  seven Booker T. Washington letters;  two letters from Revolutionary War general Horatio Gates; and  a folder of letters written by famous 19th century figures including Samuel Clemens, Collis P. Huntington, Nathaniel P. Banks, and Newton D. Baker.","This subseries contains correspondence, invoices, deeds, tax documents, court cases, and other material. Most of the items pertain to West Virginia.  Highlights include:  bills and invoices of G.H.A. Kunst and John H. Kunst (1853-1867, 1892-1893);  papers of the Wells family of Sistersville (1806-1885);  a telegram regarding the burning of Harpers Ferry (1861);  a broadside listing members of Company H, 3rd Regiment, Potomac Home Brigade, Maryland Infantry (undated); and  legal documents regarding the manumission of slaves (1820-1828, 1856).","Lucy Prichard taught Latin and Classical Studies at Marshall College from 1914 to 1941. This series includes correspondence, photographs, and printed material. Correspondence includes Karl Prichard's letters (1918) and Lucy Prichard's letters (1925-1927, undated). Lucy's letters are addressed to her mother, Mrs. R.H. Prichard, in Huntington, WV. Many of Lucy's letters relate to her travels and studies in the Peloponnesus peninsula of Greece, the British Isles, Western Europe, and Italy in 1925 and 1927. For more information on Lucy Prichard, see the Historical Note.","This series includes newspaper clippings and typescripts of Wirt County resident and Atlantic Monthly writer Louis Eckert Reed. The newspaper clippings show images of Reed family photos (1960). The typescripts are short stories written by Louis, many likely unpublished. Also included are notes and a draft of  Burning Springs, Virginia: The Civil War's Unsolved Mystery , initially a paper that Reed prepared for the West Virginia Historical Society (see  Burning Springs, West Virginia: the Civil War's Unsolved Mystery , by Louis Reed, self-published in Elizabeth, WV, 1960). This material may have been developed for his later fictional novel,  Burning Springs  (published in Huntington, WV by University Editions/Aegina Press, 1985). For more information on Reed, see the Historical Note. A letter from Louis Reed to Jim Comstock regarding Reed's book  Warning in Appalachia  (1967) can be found in Series 6, Comstock Correspondence, box 62, folder 27. Other letters from Reed may be found elsewhere in Series 6, Correspondence.","This series includes 27 account books, many of which relate to north-central West Virginia businesses. These ledgers document general stores, a Jewish-owned clothing store in Richwood, the activities of an itinerant Methodist minister in the mining villages of north-central West Virginia, grocery stores and meat markets, a glass manufacturer, and other businesses. See Separated Materials note for information on volumes separated to other collections.","Thistle and Cox formed a partnership in Tyler County, [West] Virginia in March of 1835. This is the partnership's first ledger, which spans the years 1835-1837, but reference is made to the transfer of accounts to at least one subsequent ledger. The business appears to have been located near the Ohio River (probably in Sistersville), since customers included Ohio as well as Tyler County citizens. Although the debit side for each customer only lists the term \"merchandise\" for purchases, the ledger reveals the barter nature of much of the rural economy of Tyler County on the credit side. Among items received in trade by Thistle and Cox were chestnuts, hides, bees wax, rags, sand, tobacco, clothes, meats, produce, and various forms of labor. The ledger also frequently lists the occupations or residences of many of the customers. Included were coopers, tanners, blacksmiths, preachers, schoolteachers, and carpenters, scattered from Point Pleasant to Wheeling.","Inventory and Book Accounts. This volume contains a 66-page inventory of goods on hand and their prices in a Tyler County general store in January 1877. The inventory is divided into the following categories: fancy groceries, groceries, men's shoes, ladies' shoes, children's shoes, overshoes, dress goods, wall paper, housewares, and other. Starting on page 71 is a four-page list of the book accounts of the store's customers, presumably on that same date.","The Cordray Carriage Company was a short-lived business in Fairmont, WV. The ledger lists only the customers and the amount they owed T.L. Cordray, the proprietor of the Carriage Company. The ledger does not list the services for which the customers were charged. However, one itemized account invoice on an inserted piece of paper suggests that the Cordray Carriage Company repaired vehicles. For H.O. Amos, from 1907 through 1911, the Company repaired couplings, repaired and painted the body, repaired the interior, raised the body, and tightened and repaired the fenders, for a total charge of $118. The ledger includes more than 400 customers.","A. H. Breckstein was a Jewish merchant who operated a clothing store in the boom town of Richwood, in Nicholas County. Volume 10 is a cash book detailing daily transactions in the store, both sales and expenses, for part of 1910, and consistently for the period 1928 to 1936. There are also monthly accountings of both cash and credit sales as well as expenses. Volume 11 documents sales and purchases of clothing for the period 1926 to 1934. The sales portion of this volume repeats information available in volume 10. Volume 12 is a ledger of accounts payable for the period 1921-1928, showing the firms from which Breckstein purchased his goods. Included are companies in Baltimore, Philadelphia, Pittsburgh, and New York.","J.C. Shock was a Methodist minister assigned to a parish in Pullman, WV in 1910. However, he also appeared to be an itinerant preacher, and his account book lists ministerial services provided for the towns and villages of Duffy, Straight Fork, Falls Mill, Glady, and Kingknob, in the north-central West Virginia counties of Lewis, Ritchie, and Wetzel. The account book documents Shock's ministry, listing the text for sermons preached at various towns as well as the contributions of those towns to his salary. Most of the entries cover the years 1910-1917, at which time his base of operations seems to have shifted permanently to Falls Run and Falls Mill in Braxton County. There are entries for sermons, marriages, and assessments for those towns running to 1938. An additional folder contains miscellaneous documents related to Shock found within the ledger.","In the 1890s, Mrs. Samuel C. Gans operated a general store in Moundsville, which by 1900 was specializing in dry goods. This ledger reflects the volume of business and the timing and means of settling accounts. The early pages (for the 1890s) are more detailed, listing the items purchased from the general store. For the later period, the entries are frequently limited to the terms \"goods\" or \"merchandise.\" The back of the volume also contains some notes and miscellaneous accounts, such as rooms rented.","In 1892, a number of Charleston's German families banded together to form an Evangelical Lutheran Church. Subscriptions for a building fund and other church work began to be collected in October of that year. This ledger documents the subscriptions of the founding members of St. Paul's Evangelical Church. It also provides an accounting of the expenses and building funds contributed by the members, including the purchase of a lot on Court Street in Charleston, the church's construction, and the salary of the minister.","These volumes were written by Albert S. Hayden, Notary Public in and for the county of Marion and the state of West Virginia. He recorded handwritten copies of promissory notes and bills presented at Fairmont, WV banks for redemption, which were protested by the First National Bank of Fairmont's cashier. The ledgers also list the date protested, by whom, and the notices mailed to note signers. Most notes originated in West Virginia, but some originated in Ohio. Volume 16a covers 1870-1873. Volume 16b covers 1875-1876.","Anthony Zidn operated a grocery and dry goods store outside of Fairmont on RFD #2. Zidn was an immigrant from the Middle East (perhaps Armenia, as suggested by the fact he kept his accounts in Persian and had a Christian name). These three ledgers document his business, although most of the information is written in Persian.","The Price Brothers operated a general store in the small village of Amos on the Paw Paw Creek, eleven miles from the town of Fairmont in Marion County. The Price Brothers sold all sorts of groceries to people in the town, as documented by this ledger. In addition, the Polk business directory for 1902-1903 notes that the Price sisters operated a millinery business in Amos. There are loose papers within the ledger, including statements and product advertisements (1905-1907, undated).","At the turn of the century, there were four wholesale meat provisioners in Wheeling. This ledger represents the operations of one of them for the years 1901-1902. The company principally supplied general stores and grocers in eastern Ohio, northern West Virginia, southwestern Pennsylvania, and western Maryland. However, individuals could also buy directly. Entries typically include the name of the purchaser, the town in which the purchaser resides, and the amount of the purchase. For local buyers, the ledger frequently lists the Wheeling address. Since transactions are usually noted only as merchandise, it is impossible to glean what types of meats were being purchased at what costs.","Jacob Hornbrook was born in Tavistock, England, in 1812 and moved with his parents to Wheeling when he was a small child. Jacob's father ran a small [business?] in Wheeling. As a young man, Jacob began a mercantile business buying and selling produce on the flatboats travelling on the Ohio River. He later started a notions store, purchased interest in a steamship line and the First National Bank, and was president and owned stock in the Wheeling Gas Company. These three books, a journal (volume 20; 1847-1874), a ledger (volume 21; 1847-1874), and a cash book (volume 22; 1845-1874), document his business interests, investments, and personal expenses during the last three decades of his life. Although he remained an active investor, Hornbrook retired from his mercantile business in 1855 with an estate valued at more than $30,000. In 1852, he moved to what he called \"Forest Home\" near Wheeling Park, and he served in the West Virginia legislature during the Civil War.","This volume includes a manuscript copy of the act \"To incorporate the Wheeling Gas Company\" issued March 18, 1850; a copy of a related Wheeling city ordinance, issued April 29, 1850; stockholders meeting minutes, April 15, April 25, May 1, May 9, and May 11, 1850; and lists of subscribers, the number of shares of stock, and the amount paid.","George C. Gans was a physician practicing in Marshall County in the decades prior to the Civil War. Although most of his patients resided in the area around Moundsville and Elizabeth, Gans does not appear in either the 1840 or the 1850 U.S. census schedules for Marshall County. The ledger documents his treatment of families in Marshall County for a wide variety of ills, including typhoid fever (1861), cholera (1847), and farm injuries. Gans also routinely attended childbirths. His treatments included blistering, bleeding, venesection, lancing, and operating as well as administering medicine and pills. In return for his services, Gans routinely accepted farm produce, labor on his farm, and other useful items such as shingles. He went on to serve as an assistant surgeon in the Civil War.","This is a ledger of an Elizabeth, PA, glass manufacturer's accounts with his workers. The manufacturer ran some type of company store, and the ledger thus includes debits for cash and merchandise received by the workers and credits for the various types of labor performed, including glass blowing, teasing, cutting, coal mining, blacksmithing, and box making. In addition, the ledger includes the manufacturer's accounts with a boarding house owner for boarding his workers and with a local merchant who supplied the company store. In general, the ledger provides insights into the earnings of mid-19th century artisans as well as the operation of a small, rural glass-making establishment.","This consignment book documents commodity prices and the wide variety of goods received by a Wheeling commission merchant house during the 1830s. It also provides insights into the local industrial development, since the commission merchants routinely received goods on consignment from local manufacturers, such as the German Manufacturing Company (textiles). At the beginning of the book, there is evidence that the firm engaged a peddler to make trips in 1830, and the commission house also conducted auctions during the 1830s.","Moses Chapline was a prominent citizen in Wheeling, at various times an attorney, a general store owner, and in the 1830s, mayor. This daybook documents the daily trade at his store during 1845. Included are entries for purchases of a wide variety of goods as well as entries for store expenses, such as insurance, soap, and transportation. The A. Loring who appears frequently throughout was probably Alonzo Loring, a clerk at the store.","Harry Hood and Company was a retail meat and dairy market in Fairmont, WV. This ledger covers the last few months of 1906 and the first months of 1907. It documents purchases of meat from wholesale producers, such as Armour and Company, and sales of meat to local businesses and individuals in Fairmont. Transactions are typically listed only as \"merchandise,\" making it difficult to glean any information concerning prices or consumption patterns. The ledger is used only for the first 150 of its 500 pages, and the business does not appear in the Polk business directory of 1906-1907, suggesting the possibility that it folded some time in 1907.","This ledger documents a general store in Tyler County, probably near Middlebourne, the county seat. Although fairly routine entries characterize customer purchases, the volume also documents purchases from wholesale merchants, beginning on page 251. Included are such firms as Hubbard and Paull, and Jos. Speidel, both of Wheeling; Ed Roome of Sistersville; and Burgunder Brothers and Company, of Columbus, Ohio. Also, the ledger often lists the occupations of the store's customers. Included are John Gates, an oil rig builder (reflecting the emergence of the local oil business) and a number of customers connected to a local woolen mill.","John Gallaher, Christian Ansbrutz, and Caleb Bleakmor started a general store partnership in 1853. Prior to that date, Gallaher operated a store in Moundsville, which is documented in the first 90 pages of the daybook. The daybook follows the partnership for only six months (until September 1853), but then another Moundsville general store (involving Bleakmor) used the daybook during 1856. In the 1850 census, Bleakmor was listed as a constable, age 49, born in Maryland; and Ansbrutz was listed as a miller, age 47, born in France, worth $23,000. Only Gallaher, a 53-year-old Irishman worth $12,000, was listed as a merchant. From the evidence in the daybook, it appears that the partnership was short-lived.","This series includes ephemera, sheet music, booklets, pamphlets, and correspondence. Additional miscellaneous printed material can be found in Series 17, Oversize.","  Box 18 includes calendars, sheet music, notecards, and printed material related to West Virginia history. The notecards include screen printed notecards from Wolf Creek Printery in Alderson, WV (1976). The history printed material includes a booklet entitled  Wheeling Bicentennial, 1769-1969  (1969?).","  Box 19 includes West Virginia serial publications and magazines, as well as printed material about West Virginia schools and locations. Highlights include three issues of  The Searchlight , a serial about education (two published in Summersville, WV [1895-1896], and one published in Fayetteville, WV [1899]); an issue of  The Mikrophone: Devoted to Religion, Morality, and Temperance  (published in Highland, WV, by D.H. Davis, 1906); Scottish Rite pamphlets (published in Wheeling, 1910-1917); the Richwood High School Class of 1940 reunion program (1960); Craigsville Grade School's first yearbook (1973); and  Mountaineer Spirit , a WVU student magazine featuring an article about Jim Comstock (1968).","  Box 20 includes non-West Virginia serial publications and magazines. Highlights include an issue of  The Religious Magazine, or Spirit of the Foreign Theological Journals and Reviews  (Philadelphia: E. Littell, 1829); and E.D. Cope's  On Vertebrata from the Tertiary and Cretaceous Rocks of the North West Territory  (Montreal: W.F. Brown \u0026 Co., 1891);  Naval Training School -- Indoctrination, Hollywood Florida: Quarterdeck, Class of 3-44, 20 June 1944  (Hollywood, FL: Naval Training School, 1944); and issue no. 18 of  Papers from the Society for the Diffusion of Political Knowledge  (undated).","  Box 21 includes various writings, such as student literary magazines, works of fiction, poetry booklets, and George T. Swain's  The Incomparable Don Chafin  (Charleston, WV: Ace Enterprises, 1962).","  Box 22 includes George T. Swain's  Facts About the Two Armed Marches on Logan  (Charleston, WV: Ace Enterprises, 1962), as well as printed materials for a variety of West Virginia and non-West Virginia businesses and organizations. These include advertisements and booklets regarding the West Virginia glass industry, including Fenton Glass (1966-1976, undated), a Woman's Club of Gassaway booklet (1970), a reprint of the Berkeley Springs Hotel Brochure of 1885 (1988), and the constitution of the First Baptist Church of Richwood, WV (undated). For additional business-related printed material, see also Series 1, Historical Documents, box 2b, folders 11-12.","  Box 23 includes miscellaneous booklets, programs, book plates, articles, clippings, and other material. Highlights include  Rules of Practice in the United States Patent Office  (Washington: U.S. G.P.O., 1892), Elbert Hubbard's  Little Journeys to the Homes of Great Teachers: Erasmus  (East Aurora, Erie County, NY: The Roycrofters, 1908), the Richwood Spud and Splinter Festival Program (1940), and Eugene L. Huddleston's  The World's Greatest Mallets: C \u0026 O H-8 Versus N \u0026 W Class A  (Alderson, WV: Chesapeake \u0026 Ohio Historical Society, 1986).","  Boxes 24 and 25 contain books, including Comstock's autobiography.","This series includes Jim Comstock's personal and professional correspondence. This series contains materials that are diverse in format, including letters, scripts for radio and other media, clippings, postcards, typescripts, articles, financial materials (e.g. bank books and checks), printed material, ephemera, and photographs. Most of the photographic material in this series has been moved to Series 7, Photographs. Some materials were moved to Series 17, Oversize -- see the Series 17 description for details."," Comstock marked much of his correspondence to be filed by the first letter of the correspondent's last name. Some of this organizational scheme has survived; folders containing specific letter and year files are dispersed throughout the series. Other notations that Comstock used include \"LR\" for letters received, \"Sp\" for speech-related correspondence, \"NL\" for  News Leader -related correspondence, and \"HB\" for  West Virginia Hillbilly -related correspondence."," Topics and items of interest include:  \n letters written to Comstock by regional author Jesse Stuart, and by political figures such as Hubert H. Humphrey, Robert C. Byrd, Jennings Randolph, and Barry Goldwater (box 26 and others);  rejection letters from newspapers and magazines to which Comstock submitted material (box 26);  biographical material about Jim Comstock and his family, including a thesis about Comstock by Mary Abel (boxes 26 and 47);  Larry Maynor, journalist for the  Charleston Daily Mail  (box 29);  the sale and ultimate demise of the  West Virginia Hillbilly  (boxes 31 and 72);  the University of Hard Knocks, including a mock-up diploma, resumes, and portrait photograph headshots of potential graduates (boxes 31 and 60);  [Delf] Norona Collection payments (boxes 33 and 46);  Pearl S. Buck (box 33 and others);  Billy Edd Wheeler, West Virginia writer and musician (box 36);  Civilian Conservation Corps (CCC) reunion in 1979 (box 36);  Otto Whittaker, who worked with Comstock on  The Best of the Hillbilly  (boxes 37 and 65);  the  West Virginia Heritage Encyclopedia  (box 40);  Comstock's appearance on John Nebel's WOR radio show in 1960, including postcards and letters regarding the appearance and requests for Comstock's Richwood Kinsey Report as well as  News Leader  or  West Virginia Hillbilly  subscriptions (boxes 41-42);  Comstock's appearance on the Today Show in 1966 (box 42);  Comstock's appearance on Patricia/Patsy McCann's WOR radio show in New York in August 1977, including letters and postcards regarding the appearance and requests to receive the free six-week subscription to the  West Virginia Hillbilly  which Comstock offered on the show (boxes 42-43);  writers, with an emphasis on West Virginia authors, whose work Comstock was interested in collecting (boxes 40, 44, 45, and 62);  writings by Comstock, including short stories, articles, drafts, etc. (boxes 47-49);  Comstock's nomination and campaign for a U.S. House of Representatives seat on the Republican ticket in 1964 (boxes 51 and 56);  the  West Virginia Hillbilly  and  News Leader , including morgue files, old articles, submissions, letters, and other items (boxes 54, 55, 57, 61, 63, and others; for oversize items, see Series 17, Oversize, box 116);  Eck Bozeman (box 57);  Comstock's pocket diaries (box 57);  Comstock's naval service during World War II (box 60);  H.C. Comstock, Jim's father (box 68); and  historical research material, possibly for the  Encyclopedia  (box 72)."," Please note that the above list is not exhaustive.","This series includes print photographs, negatives, cartes de visite, cabinet cards, mounted photos, tintypes, photo postcards, slides, clippings, printed material, correspondence, photo plates, and eight canisters of large format aerial diapositives (photo transparencies). Subjects include furniture; first ladies of West Virginia; historic homes of West Virginia; identified and unidentified individual and group portraits; cities and towns of West Virginia; buildings; scenery; Museum of the Hills in Richwood, WV; glass and glassmaking; and the Greenbrier. Some of the material in this series was transferred from Series 6, Comstock Correspondence -- in cases where the photographic item was attached to correspondence, the correspondence was transferred as well. Please note that some negatives are nitrate; keep these away from heat and handle with care. Additional photographic material can be found in Series 6, Correspondence, boxes 35, 54, 55, and 72. For photos of Fenton Glass products, see Series 5, Printed Material, box 22. Some oversize photos have been separated to the Photographs Collection; most of these have been added to West Virginia History OnView. Additional oversize photos can be found in Series 17, Oversize."," Contents of the eight canisters of large format aerial diapositives (photo transparencies):"," Box 80; Canister label: \"Huntington 1-6000 April 1947\"  Box 80; Canister label: \"Chas. [Charleston?] 1957, Nitro, 1957; St. Albans, 1957, Old Chas., 1948, Airport, Big Scale (?)\"  Box 80; Canister labels: \"Elk River Coal \u0026 Lumber Co., Aerial Map Flown April 1953.\" and \"City of Huntington Scale 1-6000 Apr 28 1947\"  Box 80; Canister label: \"Harmony Near Ripley, [?] ft to 1\" old; Colin Creek Coal Stripping, large scale, 1948; Lake Chaweva, 1948; Armour Park, 1948; C\u0026O Ry [Railway?] Coal River 1948; Bellings Airport, 1947; Kanawha Airport, large and small scale, 12-9-1947; Strip to City Blvd 12-9-1947; City Strip \u0026 Kenna Home; C\u0026CCC Research 1947; Cedar Grove to Montgomery.\"  Box 81; Unlabeled canister.  Box 81; Canister label: \"1949\"  Box 81; Canister label: \"Coal City - Park Beckley, 1947 [?]\" (not usable)  Box 81; Canister label: \"4/20/53 Dick Stata Film, St. Albans - Charleston\" (not usable)","This series contains two rolls of 35 mm black and white motion picture film, and three rolls of 16 mm color motion picture film of a train. Also included is one of the canisters which contained the film. The box which formerly contained the film was labeled \"F.M.C. Movie Scraps.\" Please note that some reels are nitrate; handle with care.","This series contains two reels of microfilm, which were likely the property of Delf Norona before they were acquired by Comstock. The first reel contains West Virginia-related Civil War records; the second contains payroll and public service claims from the West Virginia region in the 1770s."," Reel 1 Contents Notes:  Records of the War Department, Office of the Adjutant General, General Orders, Mountain Department, Army in the Field, May 9 - June 28, 1862.  National Archives and Records Service, General Services Administration, Washington: 1956. 101 total pgs.  March 18 - June 18, 1862 86 total pgs."," Reel 2 Contents Notes:  Payroll for Pittsburgh, 122 leaves; Payroll for Romney, 43 leaves; Public Service Claims Romney and Winchester 1775, 37 leaves; Public Service Claims West Augusta 1775, 49 leaves; Records of Soldiers and Public Service in Dunmore's War, 279 leaves; index, 25 leaves.","This series includes two cassette tapes which were found in an envelope marked \"Larry Maynor Personal.\" The tapes include recordings of children reading stories and an oral history interview with an unidentified subject.","This series contains 75 wood framed glass lantern slides. Most slides are labeled with the subject, and some are dated. Subjects include views of scenery and buildings in Wheeling and various other locations in Ohio County, WV, as well as Brooke County and Marshall County, WV, and Belmont County, Ohio. These images were likely created by Thomas M. Darrah of Belmont County, Ohio. For the two wooden boxes in which the slides were previously stored, please see Series 16, Artifacts, boxes 105 and 106.","This series includes scrapbooks which contain newspaper clippings and ephemera. Subjects include the Grand Army of the Republic (GAR) and U.S. military history with a focus on Civil War history. These scrapbooks may have belonged to Colonel Albert Kern of Dayton, Ohio.","This series includes originals and copies of broadsides and posters. Included are a John Dillinger wanted poster (1934); a Garrett Snuff advertisement (undated); copies of various political notices (originals ca. 1827-1886); Russian broadsides with Cyrillic text, depicting events of the Russian Civil War, USSR propaganda, and other things (ca. 1920-1930); posters for the Marshall County Fair (ca. 1960) and the Moundsville, Powhatan and Clarington Seventh Grand Annual Picnic (1873); advertisements for the Ringling Brothers and Barnum and Bailey Circus at the Moundsville Fairgrounds (undated); Showboat Rhododendron advertisements (undated); and other material.","This series includes original and facsimile maps, atlases, and books about maps. Highlights include pre- and post-Civil War maps of the West Virginia area;  Hardesty's Historical and Geographical Encyclopedia, Illustrated: containing ... special history of the Virginias, maps and histories of Tyler and Wetzel Counties, West Virginia ; maps of America before 1775; copies of [West] Virginia county maps by John Wood from 1820-1821; maps of various West Virginia cities, including, Morgantown, Moundsville, and Wheeling; and various Fry-Jefferson maps (original and copies). A detailed contents list of boxes 93-100b and map cabinet 1, drawer 12 is available. ","\nNote that the date for each map reflects the date of creation of the item, though in the case of copies it may indicate the date of the creation of the original item rather than the date the copy was made. Also, the number of items may indicate different items or different pieces of the same map. ","\n  Not yet located; Item Number 113; County Map of Virginia and West Virginia; 1874","This series includes newspapers from Wheeling, as well as a special bicentennial salute issue of the  West Virginia Hillbilly  (1976). The majority of the newspapers in this collection have been separated to the West Virginia Collection's newspaper holdings. A list of the newspapers originally inventoried for this collection can be found in the control folder."," Most of the West Virginia newspapers have been microfilmed; see Miscellaneous Reel 113 in the Microfilm Room. For a list of the contents of this reel, please see the \"W.Va. Newspapers from Comstock Collection\" three-page packet in the control folder. Additional newspaper pages and clippings can be found throughout Series 6, Comstock Correspondence and Series 17, Oversize, box 117.","This series includes a variety of artifacts and ephemera belonging to or collected by Comstock."," Boxes 105 and 106 include two wooden boxes (undated) which contained glass lantern slides (see Series 11). One box is labeled \"T.M. Darrah.\" Also included are a fountain pen used by Secretary of the Interior Oscar Chapman to sign the contract to begin building the Bureau of Mines' Appalachian Experiment Station in Morgantown, WV, with letters documenting the donation of the pen by Senator Harley M. Kilgore (1952); and a dinner plate showing a photo-like image of a priest with a group of children, from St. Albans, WV (undated)."," Box 107 includes various nametags for Comstock and his wife, from a variety of conventions and meetings (1960-1963, undated); glasses and sunglasses (undated); a sewing needle pack and a mini ruler advertising Jim Comstock for Congress (ca. 1964); a press pass for President Ford's visit to Charleston, WV (1975); and tickets to the Republican National Convention (1976); among other material."," Box 108 contains two figurines and four whiskey decanters. The figurines are a coal miner (made of coal, undated) and \"Morgan's Virginia Rifleman 1776\" (undated). The decanters are \"Old Time Coal Miner\" (1976), \"Coal Miner\" (1975), Robert E. Lee (undated), and Stonewall Jackson on horseback (undated)."," Box 109 contains six whiskey decanters: Abraham Lincoln (undated), Stonewall Jackson (undated), Hill Billy (1969), General Stonewall Jackson (1974), Randolph McCoy (1973), and Devil Anse Hatfield (1973).","This series contains oversize material that may be relevant to other series.","This subseries includes paintings, sketches, prints, photographs, educational posters, architectural drawings, vinyl records, typescripts, transparencies, clippings, manuscripts, and printed material, among other formats. Topics include Pearl Buck's birthplace, West Virginia, the Civil War, Jim Comstock's work, and other topics. More manuscripts are in the Manuscripts subseries, box 118."," Box 110 and box 111, folders 1-2 contain artwork depicting Pearl Buck's birthplace in Hillsboro, West Virginia, including paintings, sketches, a chalk drawing, and a plan for a sign (1965-1966, undated)."," Box 111, folders 3-4 and unfoldered items include two West Virginia-related prints and an unidentified photo (undated); one framed and six unframed prints depicting mining machinery, possibly of Joy Manufacturing Company (undated); an unframed painting of a coal miner (undated); twelve mounted photographs and sketches (most unidentified, undated); and four rolled photographs (1918-1955?)."," Box 112 includes educational posters regarding the Civil War and West Virginia history (undated). The posters include text, images, and photographs. Also includes mounted photographs, most with accompanying text, that have been added to West Virginia History On View. An additional eight posters regarding maps made by or related to North American Indians, likely assembled by Delf Norona, are also included (ca. 1950). For additional maps related to North American Indians/Native Americans, see also Series 14, Maps, box 98, item number 349."," Box 113 includes various West Virginia-related prints, including one of Mount Chantal near Wheeling (undated); prints of Civil War scenes sketched from nature and drawn on stone by J. Nep Roesler, Corporal of Color 47th Regiment of Ohio Volunteers (undated); a copy print of the camps of the 4th Brigade, 1st Division, 8th Army Corps. near Romney (undated); prints made from Civil War engravings (1960); W.R. Leigh bullfighting prints (1950); copies of architectural plans for alterations of Wheeling's Custom House and Post Office (undated); and other items."," Box 114 contains limited edition black and white prints from a series entitled \"Covered Bridges of West Virginia\" by Marj Teague (1977) and three copies of a vinyl record album titled \"The Legend of Clark Kessinger\" (ca. 1965)."," Box 115 includes paintings by John Wellington (undated); oversize photos (undated); an unidentified floor plan (undated); and architectural drawings or blueprints for five properties that were part of the Historic American Buildings Survey (undated). These properties are \"The Old Stone Church\" Presbyterian, Lewisburg, WV; Harewood and the ruins of St. George's Chapel, both near Charles Town, Jefferson County, WV; Traveler's Rest, near Leetown, Jefferson County, WV; and the Lee Barn in Leetown, WV."," Box 116 includes radio scripts (undated; see also Series 6, Comstock Correspondence, box 67); calendars (1984-1991);  Hillbilly  transparencies (undated; see also Series 6, Comstock Correspondence, box 54); various printed images and magazine clippings (1860-1921, undated); \"Our Wacky Weekly\" and newspaper article typescripts, probably written by Comstock (undated; see also Series 6, Comstock Correspondence, box 48, folder 1); and music-related magazines and pamphlets (1959-1966, undated)."," Box 117 includes Berkeley County documents from the Barnet Cushwa Papers (see also Series 1, Historical Documents, box 1, folders 1-5). These include lists of orders, taxes, fees, etc.; sheriff's office accounts; and land holdings (all 1854-1858). Box 117 also includes television scripts (undated); an envelope and survey plat from the Wells Family Papers (1856, undated; see also Series 1, Historical Documents, box 2a, folder 24); Civil War-related prints (1861-1868, 1955); newspaper clippings (1861, 1927-1944, undated; some from Series 6, Comstock Correspondence, box 67, folders 4 and 7); miscellaneous printed material (1817-1863, undated; includes facsimiles); and facsimile broadsides, legal documents, and clippings regarding West Virginia statehood (1861-1863).","This subseries includes oversize manuscripts, most of which pertain to West Virginia. West Virginia materials include pre- and post-statehood indentures, land grants, other legal documents, letters, certificates, and other formats pertaining to Barbour, Berkeley, Fayette, Hampshire, Hardy, Marshall, Ohio, Raleigh, and Tyler Counties. Additional indentures and land grants pertain to England (1650-1671, 1720-1721, 1833), and to Maryland, Virginia, and Texas.","This series includes Jim Comstock's personal and professional correspondence, and is composed of a wide range of formats, including letters, clippings, postcards, typescripts, articles, financial documents, printed material, ephemera, and photographs. Most of the photographic material in this series has been moved to Series 21, Photographs."," Comstock marked much of his correspondence to be filed by the first letter of the correspondent's last name. Some of this organizational scheme has survived; folders containing specific letter and year files can be found in boxes 119-125. Other notations that Comstock used include \"NL\" for  News Leader -related correspondence and \"HB\" for  West Virginia Hillbilly -related correspondence."," Topics and items of interest include:  card from Comstock to recent graduates regarding a gift subscription to the  Hillbilly  (undated) (box 119);  Comstock's work with the Pearl Buck House (box 127);  the University of Hard Knocks (box 128);  photocopies of a scrapbook about ramps and Comstock's ramp-scented ink incident; and  material regarding Comstock's work on the  Hillbilly , the  News Leader , and the  West Virginia Encyclopedia  (boxes 126-127 and other material throughout) (see also Series 20, Subject Files)."," Please note that the above list is not exhaustive and that material on the above topics may also exist in boxes not mentioned."," *Please note: boxes 123  and 133 could contain allergens. Masks and gloves will be provided for patrons wishing to use them.","This series includes books, magazines, newspapers, journals, promotional materials, poetry, and sheet music. Topics include Jim Comstock's work, the state of West Virginia, WVU, Storer College, industry (e.g., coal, railways), and New England baked beans, among other topics.","Please note: box 133 could contain allergens. Masks and gloves will be provided for patrons wishing to use them.","This series includes mostly morgue files of material that Comstock used in connection with his newspapers. Contents are not in alphabetical order. Formats include clippings, typescripts, photographs, print material, and other formats. The  News Leader  morgue materials (boxes 137-138) include items on a variety of subjects, such as covered bridges and the early history of Clay County. The  News Leader  morgue material also includes a folder of autographs of early West Virginia governors and other politicians, such as D.D.T. Farnsworth, John J. Jacobs, and A.B. Fleming. The  Hillbilly  morgue materials (box 139-140) pertain to a wide variety of subjects, most of whom are likely local individuals. The Newspaper Subjects (boxes 141-146) includes material for which the intended newspaper was not specified; topics include specific local individuals, national figures like Abraham Lincoln, steel and other industries, and towns.","This series includes cartes de visite, cabinet cards, mounted photographs, photographic prints, clippings, and other formats. Many subjects are identified. They include portraits and candid photos of individuals, families, politicians, sports figures, West Virginia towns and buildings. Other notable photographs include crime scene and/or accident photographs, including images of a non-commercial plane crash (undated), and photos of Jim Comstock at the West Virginia Senate (1966). Photographs can also be found in Series 18, Correspondence; Series 20, Subject Files; and Series 26, Oversize Material.  Please note: boxes 123, 133, and 149 could contain allergens. Masks and gloves will be provided for patrons wishing to use them.","This series includes magnetic recording tapes, a VHS tape about college financing, and a vinyl record and cassette tape of Billy Crain music.","This series includes a WVLA cloth ribbon, an empty wallet, and a West Virginia Picture Book imprint plate.","This series includes material from two scrapbooks. One set of loose scrapbook pages contains clippings chiefly regarding Comstock's \"Past 80\" parties (ca. 1956). The other scrapbook of newspaper clippings chronicles the history of Richwood's Sacred Heart Hospital during the years of influence of the Pallottine Sisters from 1913-1983 (ca. 1953-1984).","This series includes two account books. One contains stencil orders from various schools as well as other bills (1960s), and the other is an account book for 1954.","This series includes newspapers, magazines, clippings, posters, prints, photographs, artwork, calendars, a genealogy chart, and other material."," Newspapers and magazines in box 152 include the  West Virginia Hillbilly  Bicentennial special edition (1976), newspaper layouts from the  Hillbilly  (1950-1976, undated), and pages from  Harper's Weekly  (1861-1866)."," Prints in boxes 153 and 154 include Civil War scenes by J. Nep Roesler, Corporal of Color 47th Regiment of Ohio Volunteers (undated)."," Photographs (in boxes 153-156 and loose folders) include regular oversize and cirkut (panoramic) photographs on a wide variety of subjects. Boxes 153 and 154 include photographs of unidentified buildings and a group portrait of a Civilian Conservation Corps reunion (1982). Boxes 155 and 156 include photos of Evenwood (1915), group portrait of a conference of National Association of Teachers in Colored Schools (ca. 1932), campaign photographs (ca. 1972), an unidentified group of cars preparing for a parade (undated), and duplicates from the loose folders."," Additional cirkut photos include:  Loose folder 1: a group portrait of the West Virginia Young People's Conference, Greenbrier Military School, Lewisburg, WV (1929), and a group portrait of the Divisional Young People's Congress, Charleston, WV (1929);  Loose folder 2: a group portrait of the Western Virginia Conference Epworth League (1928-1929);  Loose folder 3: photos of an unidentified bridge and factories or plants (1916 and undated) and the Appalachian Electric Power Company Turner Substation (1929);  Loose folder 4: a birds-eye view of Richwood (undated) and a group portrait of Cabin Creek Consolidated Coal Company Safety First Teams (1933)."," Box 156 also includes a genealogy chart and architectural drawings. The genealogy chart (undated) documents the Paull family, which is accompanied by a note: \"Goes with Jefferson [Fry-Jefferson?] Map.\" The architectural drawings (1972-1976, undated) depict buildings from Richwood.\n \n Box 157 includes a book of exhibits from the Virginia vs. West Virginia Supreme Court case in 1914, and a license for John W. Love to practice Law (1925).\n \n Also includes a muster roll for Company I, 2nd Regiment, [West] Virginia Volunteer Cavalry, U.S. Army (1863 February).","This series includes maps of West Virginia locations, such as Greenbrier County and the Monongahela National Forest, as well as maps of other states and a few world maps.","Mostly financial and legal documents from Marion, Monongalia, and Harrison Counties, bulk from 1840s to 1860s."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003cemph render=\"bold\"\u003eSeparated to A\u0026amp;M collections:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eVarious autographed items have been moved to A\u0026amp;M 435.\u003c/p\u003e\n","\u003cp\u003eAccount book volumes 2, 2a, 3, 3a, 3b, and 3c, daybooks and ledgers from the Sistersville General Store run by Joshua and William Russell, were separated to A\u0026amp;M 3071, Russell, Joshua \u0026amp; William. Sistersville General Store. Daybooks and Ledgers.\u003c/p\u003e\n","\u003cp\u003eAccount book volumes 4, 4a, and 4b, daybooks of John Goshorn, were separated to A\u0026amp;M 2426, Goshorn Family. Papers.\u003c/p\u003e\n","\u003cp\u003eAccount book volumes 6-8, law records and accounts of Judge George A. Vincent, as well as Vincent's letters from the Historical Documents series, were separated to A\u0026amp;M 3068, Vincent, George A., Lawyer and Judge. Papers.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeparated to the Printed Ephemera Collection:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eArticles, maps, and letters, 1582-1877  (includes selections relating to the South Seas during the colonial period), on 1 reel of microfilm, P13438\u003c/p\u003e\n","\u003cp\u003eArticles, letters, maps, and speeches, 1808-1863  (16 items which are listed on a sheet in the box), 1 reel of microfilm, P13439\u003c/p\u003e\n","\u003cp\u003eBurnett, Nancy S. \u003ctitle render=\"italic\"\u003eSlovenes in Rural Appalachia: An Oral History\u003c/title\u003e (Richwood, W. Va.: News Leader Press, 1994).\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeparated to Printed Ephemera (Pamphlets), Periodicals, etc.:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eWest Virginia Odd Fellow\u003c/title\u003e, 1919, Charleston (1 item)\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eWest Virginia State Weekly\u003c/title\u003e, 1910-1911, Fairmont (several items)\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eExponent\u003c/title\u003e, 1917-1918, Moundsville (4 items)\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eOros\u003c/title\u003e, 1927, Moundsville (1 item)\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003ePedagogue's Pastime\u003c/title\u003e, 1885, Moundsville (3 items)\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003ePrinceton Observer\u003c/title\u003e, 1950 (1 item)\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eSearchlight\u003c/title\u003e, Summersville (32 items)\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eWest Virginia Farm Journal\u003c/title\u003e, 1872, Union (1 item)\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eChurch Calendar\u003c/title\u003e, 1917, Wheeling (1 item)\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eChurch News\u003c/title\u003e, 1892, Wheeling (1 item)\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eEnglish Lutheran\u003c/title\u003e, 1900, Wheeling (1 item)\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eMusical Monthly\u003c/title\u003e, 1896-1897, Wheeling (6 items)\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eThe Saturday Review\u003c/title\u003e, 1912 August 10, Wheeling\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eState Fair News\u003c/title\u003e, 1910, Wheeling (1 item)\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eWilliam's Courier\u003c/title\u003e, undated, Wheeling (1 item)\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eValley News Echo\u003c/title\u003e, Hagerstown, MD; reprint of an 1861 paper\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eHaney's Journal\u003c/title\u003e, 1869 March-October except July, New York (several items)\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eOur Southern Home\u003c/title\u003e, 1893 November, Hamlet, NC\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eBooks separated to the West Virginia Collection or the WVU Downtown Library stacks:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eDonnelly, Shirley. \u003ctitle render=\"italic\"\u003eYesterday and Today: A Keepsake I, II, and III.\u003c/title\u003e Fayetteville, W. Va.: Fayette County Historical Society, no date.\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eKeepsake Stories of the Ozarks.\u003c/title\u003e Cassville, Mo.: Litho Printers, 1978.\u003c/p\u003e\n","\u003cp\u003eNorton, Andre. \u003ctitle render=\"italic\"\u003eCatseye\u003c/title\u003e. London: Gollancz, 1974.\u003c/p\u003e\n","\u003cp\u003eDeacon, William A. \u003ctitle render=\"italic\"\u003eThe Four Jameses\u003c/title\u003e. Toronto: Macmillan Co. of Canada, 1974.\u003c/p\u003e\n","\u003cp\u003eHaslip, Joan. \u003ctitle render=\"italic\"\u003eCatherine the Great: A Biography\u003c/title\u003e. New York: Putnam, 1977.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeparated to the Maps Collection:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eVirginie [Virginia], Maryland en 2 Feuilles par Fry et Jefferson, 1777\u003c/p\u003e\n","\u003cp\u003eBird's Eye View of the City of Wheeling, West Virginia\u003c/p\u003e\n","\u003cp\u003eSistersville, West Virginia\u003c/p\u003e\n","\u003cp\u003eBird's Eye View of Philippi, West Virginia\u003c/p\u003e\n","\u003cp\u003eElkins, Randolph County, West Virginia\u003c/p\u003e\n","\u003cp\u003eFairmont and Palatine, West Virginia\u003c/p\u003e\n","\u003cp\u003eMannington, West Virginia\u003c/p\u003e\n","\u003cp\u003eMorgantown, West Virginia\u003c/p\u003e\n","\u003cp\u003eClarksburg, West Virginia\u003c/p\u003e\n","\u003cp\u003eDavis, Tucker County, West Virginia\u003c/p\u003e\n","\u003cp\u003eGrafton, West Virginia\u003c/p\u003e\n","\u003cp\u003eCairo, West Virginia\u003c/p\u003e\n","\u003cp\u003eCameron, West Virginia\u003c/p\u003e\n","\u003cp\u003eHarrisville, Ritchie County, West Virginia\u003c/p\u003e\n","\u003cp\u003eMoundsville, West Virginia\u003c/p\u003e\n","\u003cp\u003eNew Martinsville, West Virginia\u003c/p\u003e\n","\u003cp\u003eParkersburg, Blennerhasset Island, West Virginia\u003c/p\u003e\n","\u003cp\u003ePennsboro, West Virginia\u003c/p\u003e\n","\u003cp\u003eSalem, West Virginia\u003c/p\u003e\n","\u003cp\u003eSt. Mary's, West Virginia\u003c/p\u003e\n","\u003cp\u003eWellsburg, West Virginia\u003c/p\u003e\n","\u003cp\u003eBuckhannon, West Virginia\u003c/p\u003e\n","\u003cp\u003eWeston, West Virginia\u003c/p\u003e\n","\u003cp\u003eBird's Eye View of Keyser, West Virginia\u003c/p\u003e\n","\u003cp\u003eView of Parsons, West Virginia\u003c/p\u003e\n","\u003cp\u003eAero View of Bluefield, West Virginia\u003c/p\u003e\n","\u003cp\u003eAero View of Keystone, West Virginia\u003c/p\u003e\n","\u003cp\u003eAero View of North Fork and Town of Clark, West Virginia\u003c/p\u003e\n","\u003cp\u003eWest Virginia Agricultural Society on Wheeling Island\u003c/p\u003e\n","\u003cp\u003eNote: A spreadsheet with more details regarding the separated maps can be found in the control folder.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eThe majority of the newspapers in this collection have been separated into the West Virginia Collection's newspaper holdings.\u003c/emph\u003e Lists of the newspapers originally inventoried for this collection can be found in the control folder. Most of the West Virginia newspapers were microfilmed; see Miscellaneous Reel 113. For a list of the contents of this reel, please see the \"W.Va. Newspapers from Comstock Collection\" three-page packet in the control folder. On the third page is a list of items separated from the Comstock Collection to printed ephemera (pamphlets), periodicals, etc.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSheet music separated to A\u0026amp;M 723, Sheet Music:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eAmericans, Together.\u003c/p\u003e\n","\u003cp\u003eBack to West Virginia.\u003c/p\u003e\n","\u003cp\u003eBattle of Port Royal.\u003c/p\u003e\n","\u003cp\u003eBrave Boys Are They.\u003c/p\u003e\n","\u003cp\u003eCanoeing on the Kanawha.\u003c/p\u003e\n","\u003cp\u003eCapt. Linch March.\u003c/p\u003e\n","\u003cp\u003eCherry.\u003c/p\u003e\n","\u003cp\u003eCotton Field Dance.\u003c/p\u003e\n","\u003cp\u003eDown in the Lonely Dell.\u003c/p\u003e\n","\u003cp\u003eDynamite Twist.\u003c/p\u003e\n","\u003cp\u003eFair West Virginia.\u003c/p\u003e\n","\u003cp\u003eFire Fly Polka.\u003c/p\u003e\n","\u003cp\u003eGlory Hallelujah.\u003c/p\u003e\n","\u003cp\u003eGoing Back to West Virginia.\u003c/p\u003e\n","\u003cp\u003eHome Alone in West Virginia.\u003c/p\u003e\n","\u003cp\u003eI Have Something Sweet to Tell You.\u003c/p\u003e\n","\u003cp\u003eImagine Me.\u003c/p\u003e\n","\u003cp\u003eIn Flanders' Fields.\u003c/p\u003e\n","\u003cp\u003eI Want to Go Back to Michigan Down On the Farm.\u003c/p\u003e\n","\u003cp\u003eJ'aime Mon Amour.\u003c/p\u003e\n","\u003cp\u003eJust Before the Battle, Mother.\u003c/p\u003e\n","\u003cp\u003eKingdom Coming.\u003c/p\u003e\n","\u003cp\u003eLa Violette de Carafa.\u003c/p\u003e\n","\u003cp\u003eLove and Devotion.\u003c/p\u003e\n","\u003cp\u003eMemory's Dream.\u003c/p\u003e\n","\u003cp\u003eMen of West Augusta.\u003c/p\u003e\n","\u003cp\u003eMountain Land West Virginia.\u003c/p\u003e\n","\u003cp\u003eOn, On, On, the Boys Came Marching!\u003c/p\u003e\n","\u003cp\u003eOur Grateful Heart Save Singing.\u003c/p\u003e\n","\u003cp\u003eReminiscing at Cass or the Greenbrier Shay.\u003c/p\u003e\n","\u003cp\u003eSomething Tells Me You're the Girl.\u003c/p\u003e\n","\u003cp\u003eSong of a Woman.\u003c/p\u003e\n","\u003cp\u003eSweet Kitty Wells.\u003c/p\u003e\n","\u003cp\u003eThe Ballad of Oakland.\u003c/p\u003e\n","\u003cp\u003eThe Battle Cry of Freedom.\u003c/p\u003e\n","\u003cp\u003eThe Last Hope.\u003c/p\u003e\n","\u003cp\u003eThe Self Service Chain Store.\u003c/p\u003e\n","\u003cp\u003eThe Sunny Hours of Childhood.\u003c/p\u003e\n","\u003cp\u003eThe Vacant Chair.\u003c/p\u003e\n","\u003cp\u003eThe West Virginia Singer.\u003c/p\u003e\n","\u003cp\u003eThere's a Little Spark of Love Still Burning.\u003c/p\u003e\n","\u003cp\u003eTramp! Tramp! Tramp! The Prisoners Hope.\u003c/p\u003e\n","\u003cp\u003eWe Are Mountaineers.\u003c/p\u003e\n","\u003cp\u003eWest Virginia.\u003c/p\u003e\n","\u003cp\u003eWest Virginia! And My Home.\u003c/p\u003e\n","\u003cp\u003eWest Virginia University Songs.\u003c/p\u003e\n","\u003cp\u003eWhat a Lovely Day!\u003c/p\u003e\n","\u003cp\u003eWho Will Care For Mother Now?\u003c/p\u003e\n","\u003cp\u003eWild and Wonderful West Virginia.\u003c/p\u003e\n","\u003cp\u003eWilliam Tell Overture.\u003c/p\u003e\n","\u003cp\u003eWillie My Brave.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eTransferred to A\u0026amp;M 727, Pearl S. Buck, Author. Papers:\u003c/emph\u003e Correspondence, manuscripts, articles, photographs and clippings by and about Pearl S. Buck and her birthplace collected by Jim Comstock (1938-1973; 6 in.)\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to A\u0026M collections:","Various autographed items have been moved to A\u0026M 435.","Account book volumes 2, 2a, 3, 3a, 3b, and 3c, daybooks and ledgers from the Sistersville General Store run by Joshua and William Russell, were separated to A\u0026M 3071, Russell, Joshua \u0026 William. Sistersville General Store. Daybooks and Ledgers.","Account book volumes 4, 4a, and 4b, daybooks of John Goshorn, were separated to A\u0026M 2426, Goshorn Family. Papers.","Account book volumes 6-8, law records and accounts of Judge George A. Vincent, as well as Vincent's letters from the Historical Documents series, were separated to A\u0026M 3068, Vincent, George A., Lawyer and Judge. Papers.","Separated to the Printed Ephemera Collection:","Articles, maps, and letters, 1582-1877  (includes selections relating to the South Seas during the colonial period), on 1 reel of microfilm, P13438","Articles, letters, maps, and speeches, 1808-1863  (16 items which are listed on a sheet in the box), 1 reel of microfilm, P13439","Burnett, Nancy S.  Slovenes in Rural Appalachia: An Oral History  (Richwood, W. Va.: News Leader Press, 1994).","Separated to Printed Ephemera (Pamphlets), Periodicals, etc.:","West Virginia Odd Fellow , 1919, Charleston (1 item)","West Virginia State Weekly , 1910-1911, Fairmont (several items)","Exponent , 1917-1918, Moundsville (4 items)","Oros , 1927, Moundsville (1 item)","Pedagogue's Pastime , 1885, Moundsville (3 items)","Princeton Observer , 1950 (1 item)","Searchlight , Summersville (32 items)","West Virginia Farm Journal , 1872, Union (1 item)","Church Calendar , 1917, Wheeling (1 item)","Church News , 1892, Wheeling (1 item)","English Lutheran , 1900, Wheeling (1 item)","Musical Monthly , 1896-1897, Wheeling (6 items)","The Saturday Review , 1912 August 10, Wheeling","State Fair News , 1910, Wheeling (1 item)","William's Courier , undated, Wheeling (1 item)","Valley News Echo , Hagerstown, MD; reprint of an 1861 paper","Haney's Journal , 1869 March-October except July, New York (several items)","Our Southern Home , 1893 November, Hamlet, NC","Books separated to the West Virginia Collection or the WVU Downtown Library stacks:","Donnelly, Shirley.  Yesterday and Today: A Keepsake I, II, and III.  Fayetteville, W. Va.: Fayette County Historical Society, no date.","Keepsake Stories of the Ozarks.  Cassville, Mo.: Litho Printers, 1978.","Norton, Andre.  Catseye . London: Gollancz, 1974.","Deacon, William A.  The Four Jameses . Toronto: Macmillan Co. of Canada, 1974.","Haslip, Joan.  Catherine the Great: A Biography . New York: Putnam, 1977.","Separated to the Maps Collection:","Virginie [Virginia], Maryland en 2 Feuilles par Fry et Jefferson, 1777","Bird's Eye View of the City of Wheeling, West Virginia","Sistersville, West Virginia","Bird's Eye View of Philippi, West Virginia","Elkins, Randolph County, West Virginia","Fairmont and Palatine, West Virginia","Mannington, West Virginia","Morgantown, West Virginia","Clarksburg, West Virginia","Davis, Tucker County, West Virginia","Grafton, West Virginia","Cairo, West Virginia","Cameron, West Virginia","Harrisville, Ritchie County, West Virginia","Moundsville, West Virginia","New Martinsville, West Virginia","Parkersburg, Blennerhasset Island, West Virginia","Pennsboro, West Virginia","Salem, West Virginia","St. Mary's, West Virginia","Wellsburg, West Virginia","Buckhannon, West Virginia","Weston, West Virginia","Bird's Eye View of Keyser, West Virginia","View of Parsons, West Virginia","Aero View of Bluefield, West Virginia","Aero View of Keystone, West Virginia","Aero View of North Fork and Town of Clark, West Virginia","West Virginia Agricultural Society on Wheeling Island","Note: A spreadsheet with more details regarding the separated maps can be found in the control folder.","The majority of the newspapers in this collection have been separated into the West Virginia Collection's newspaper holdings.  Lists of the newspapers originally inventoried for this collection can be found in the control folder. Most of the West Virginia newspapers were microfilmed; see Miscellaneous Reel 113. For a list of the contents of this reel, please see the \"W.Va. Newspapers from Comstock Collection\" three-page packet in the control folder. On the third page is a list of items separated from the Comstock Collection to printed ephemera (pamphlets), periodicals, etc.","Sheet music separated to A\u0026M 723, Sheet Music:","Americans, Together.","Back to West Virginia.","Battle of Port Royal.","Brave Boys Are They.","Canoeing on the Kanawha.","Capt. Linch March.","Cherry.","Cotton Field Dance.","Down in the Lonely Dell.","Dynamite Twist.","Fair West Virginia.","Fire Fly Polka.","Glory Hallelujah.","Going Back to West Virginia.","Home Alone in West Virginia.","I Have Something Sweet to Tell You.","Imagine Me.","In Flanders' Fields.","I Want to Go Back to Michigan Down On the Farm.","J'aime Mon Amour.","Just Before the Battle, Mother.","Kingdom Coming.","La Violette de Carafa.","Love and Devotion.","Memory's Dream.","Men of West Augusta.","Mountain Land West Virginia.","On, On, On, the Boys Came Marching!","Our Grateful Heart Save Singing.","Reminiscing at Cass or the Greenbrier Shay.","Something Tells Me You're the Girl.","Song of a Woman.","Sweet Kitty Wells.","The Ballad of Oakland.","The Battle Cry of Freedom.","The Last Hope.","The Self Service Chain Store.","The Sunny Hours of Childhood.","The Vacant Chair.","The West Virginia Singer.","There's a Little Spark of Love Still Burning.","Tramp! Tramp! Tramp! The Prisoners Hope.","We Are Mountaineers.","West Virginia.","West Virginia! And My Home.","West Virginia University Songs.","What a Lovely Day!","Who Will Care For Mother Now?","Wild and Wonderful West Virginia.","William Tell Overture.","Willie My Brave.","Transferred to A\u0026M 727, Pearl S. Buck, Author. Papers:  Correspondence, manuscripts, articles, photographs and clippings by and about Pearl S. Buck and her birthplace collected by Jim Comstock (1938-1973; 6 in.)"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_65d6b5a9a55c1158201a2641c226d229\"\u003ePapers of James (\"Jim\") Franklin Comstock of Richwood, West Virginia, whose position as editor of the \u003cemph render=\"italic\"\u003eWest Virginia Hillbilly\u003c/emph\u003e and avocation as collector and advocate of all things West Virginia led to the preservation of much of the state's physical, visual, and textual history. The collection includes materials Comstock collected about West Virginia history as well as his own personal and professional papers. Materials include: general series of historical documents such as letters, deeds, and county court cases pertaining to a diverse range of subjects (1717, 1754-1988, undated [includes facsimiles]); letters of Lucy Prichard, former instructor at Marshall College (now Marshall University) (1925-1927, undated); clippings and typescripts of Wirt County resident and \u003cemph render=\"italic\"\u003eAtlantic Monthly\u003c/emph\u003e writer Louis Eckert Reed (ca. 1960-1975, undated); account books concerning economic development and commercial activities in the northern part of the state in the 19th and early 20th centuries (1830-1938); printed material about West Virginia schools, businesses, and events as well as non-West Virginia books and pamphlets (1829-1995, undated); Comstock's personal and professional correspondence (1882-1995, undated); a wide variety of photographs, including images of West Virginia cities and towns, among many others (ca. 1850s-1995, undated); microfilmed records of the Civil War and Dunmore's War (undated); glass lantern slides, which include views of scenery and buildings in Wheeling and various other locations in Ohio County, WV (1871-1897, undated); Grand Army of the Republic and U.S. military history scrapbooks (1883-1918); broadsides, including advertisements for a circus in Moundsville (ca. 1827-1960 [includes facsimiles]); and maps and atlases of pre- and post-statehood West Virginia, counties, colonial North America, and other topics (1730-1976, undated [includes facsimiles]). An addendum of 2013/05 includes additional personal and professional correspondence, publications, newspaper morgue files, photographs, audio-visual material, artifacts, scrapbooks, account books, and maps. For more information on Jim Comstock, see the Historical Note.\u003c/abstract\u003e"],"abstract_tesim":["Papers of James (\"Jim\") Franklin Comstock of Richwood, West Virginia, whose position as editor of the  West Virginia Hillbilly  and avocation as collector and advocate of all things West Virginia led to the preservation of much of the state's physical, visual, and textual history. The collection includes materials Comstock collected about West Virginia history as well as his own personal and professional papers. Materials include: general series of historical documents such as letters, deeds, and county court cases pertaining to a diverse range of subjects (1717, 1754-1988, undated [includes facsimiles]); letters of Lucy Prichard, former instructor at Marshall College (now Marshall University) (1925-1927, undated); clippings and typescripts of Wirt County resident and  Atlantic Monthly  writer Louis Eckert Reed (ca. 1960-1975, undated); account books concerning economic development and commercial activities in the northern part of the state in the 19th and early 20th centuries (1830-1938); printed material about West Virginia schools, businesses, and events as well as non-West Virginia books and pamphlets (1829-1995, undated); Comstock's personal and professional correspondence (1882-1995, undated); a wide variety of photographs, including images of West Virginia cities and towns, among many others (ca. 1850s-1995, undated); microfilmed records of the Civil War and Dunmore's War (undated); glass lantern slides, which include views of scenery and buildings in Wheeling and various other locations in Ohio County, WV (1871-1897, undated); Grand Army of the Republic and U.S. military history scrapbooks (1883-1918); broadsides, including advertisements for a circus in Moundsville (ca. 1827-1960 [includes facsimiles]); and maps and atlases of pre- and post-statehood West Virginia, counties, colonial North America, and other topics (1730-1976, undated [includes facsimiles]). An addendum of 2013/05 includes additional personal and professional correspondence, publications, newspaper morgue files, photographs, audio-visual material, artifacts, scrapbooks, account books, and maps. For more information on Jim Comstock, see the Historical Note."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_41b33a00fb61928ece3953eb9c83a996\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["Bleakmor, Gallaher \u0026 Ansbrutz","First National Bank of Fairmont","Grand Army of the Republic","Harry Hood \u0026 Company","St. Paul's Evangelical Lutheran Church  (Charleston, W. Va.)","Thistle \u0026 Cox","University of Hard Knocks.","Wheeling Gas Company","Baker, Newton Diehl, 1871-1937","Banks, Nathaniel Prentiss, 1816-1894","Blennerhassett, Harman, 1764-1831","Breckstein, A. H.","Brown, John, 1800-1859","Brown, William G.  (William Gay), 1800-1884","Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Byrd, Robert C.","Chapline, Moses.","Clemens, Samuel Langhorne, 1835-1910","Comstock, Jim (James Franklin), 1911-1996","Cushwa, Barnet.","Eagle, Henry F.","Gans, George C.","Gans, Mrs. Samuel C.","Gates, Horatio, 1728-1806","Gehr, Daniel.","Goldwater, Barry M. (Barry Morris), 1909-1998","Hornbrook, Jacob.","Humphrey, Hubert H. (Hubert Horatio), 1911-1978","Huntington, Collis Potter, 1821-1900","Maynor, Larry.","Monroe, James, 1758-1831","Norona, Delf, 1895-1974","Prichard, Lucy, 1876-1964.","Randolph, Jennings, 1902-1998","Reed, Louis","Shock, J.C.","Stuart, Jesse, 1906-1984","Washington, Booker T., 1856-1915","Weaver, James M.","Zidn, Anthony."],"names_ssim":["West Virginia and Regional History Center","Bleakmor, Gallaher \u0026 Ansbrutz","First National Bank of Fairmont","Grand Army of the Republic","Harry Hood \u0026 Company","St. Paul's Evangelical Lutheran Church  (Charleston, W. Va.)","Thistle \u0026 Cox","University of Hard Knocks.","Wheeling Gas Company","Comstock, Jim (James Franklin), 1911-1996","Baker, Newton Diehl, 1871-1937","Banks, Nathaniel Prentiss, 1816-1894","Blennerhassett, Harman, 1764-1831","Breckstein, A. H.","Brown, John, 1800-1859","Brown, William G.  (William Gay), 1800-1884","Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Byrd, Robert C.","Chapline, Moses.","Clemens, Samuel Langhorne, 1835-1910","Cushwa, Barnet.","Eagle, Henry F.","Gans, George C.","Gans, Mrs. Samuel C.","Gates, Horatio, 1728-1806","Gehr, Daniel.","Goldwater, Barry M. (Barry Morris), 1909-1998","Hornbrook, Jacob.","Humphrey, Hubert H. (Hubert Horatio), 1911-1978","Huntington, Collis Potter, 1821-1900","Maynor, Larry.","Monroe, James, 1758-1831","Norona, Delf, 1895-1974","Prichard, Lucy, 1876-1964.","Randolph, Jennings, 1902-1998","Reed, Louis","Shock, J.C.","Stuart, Jesse, 1906-1984","Washington, Booker T., 1856-1915","Weaver, James M.","Zidn, Anthony."],"corpname_ssim":["West Virginia and Regional History Center","Bleakmor, Gallaher \u0026 Ansbrutz","First National Bank of Fairmont","Grand Army of the Republic","Harry Hood \u0026 Company","St. Paul's Evangelical Lutheran Church  (Charleston, W. Va.)","Thistle \u0026 Cox","University of Hard Knocks.","Wheeling Gas Company"],"persname_ssim":["Comstock, Jim (James Franklin), 1911-1996","Baker, Newton Diehl, 1871-1937","Banks, Nathaniel Prentiss, 1816-1894","Blennerhassett, Harman, 1764-1831","Breckstein, A. H.","Brown, John, 1800-1859","Brown, William G.  (William Gay), 1800-1884","Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Byrd, Robert C.","Chapline, Moses.","Clemens, Samuel Langhorne, 1835-1910","Cushwa, Barnet.","Eagle, Henry F.","Gans, George C.","Gans, Mrs. Samuel C.","Gates, Horatio, 1728-1806","Gehr, Daniel.","Goldwater, Barry M. (Barry Morris), 1909-1998","Hornbrook, Jacob.","Humphrey, Hubert H. (Hubert Horatio), 1911-1978","Huntington, Collis Potter, 1821-1900","Maynor, Larry.","Monroe, James, 1758-1831","Norona, Delf, 1895-1974","Prichard, Lucy, 1876-1964.","Randolph, Jennings, 1902-1998","Reed, Louis","Shock, J.C.","Stuart, Jesse, 1906-1984","Washington, Booker T., 1856-1915","Weaver, James M.","Zidn, Anthony."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":514,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-10T07:10:52.276Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5370_c01_c02_c07"}},{"id":"viu_repositories_3_resources_509_c02_c02","type":"File","attributes":{"title":"Wooden Spools for Wool Yarn","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_509_c02_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_509_c02_c02","ref_ssm":["viu_repositories_3_resources_509_c02_c02"],"id":"viu_repositories_3_resources_509_c02_c02","ead_ssi":"viu_repositories_3_resources_509","_root_":"viu_repositories_3_resources_509","_nest_parent_":"viu_repositories_3_resources_509_c02","parent_ssi":"viu_repositories_3_resources_509_c02","parent_ssim":["viu_repositories_3_resources_509","viu_repositories_3_resources_509_c02"],"parent_ids_ssim":["viu_repositories_3_resources_509","viu_repositories_3_resources_509_c02"],"parent_unittitles_ssm":["Charlottesville Woolen Mills records","Miscellaneous"],"parent_unittitles_tesim":["Charlottesville Woolen Mills records","Miscellaneous"],"text":["Charlottesville Woolen Mills records","Miscellaneous","Wooden Spools for Wool Yarn","box 6"],"title_filing_ssi":"Wooden Spools for Wool Yarn","title_ssm":["Wooden Spools for Wool Yarn"],"title_tesim":["Wooden Spools for Wool Yarn"],"unitdate_bulk_ssim":["1868-1952"],"normalized_title_ssm":["Wooden Spools for Wool Yarn"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Charlottesville Woolen Mills records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":141,"parent_access_restrict_tesm":["The collection is open for research use."],"parent_access_terms_tesm":["\"The library has not investigated the copyright status of these materials, and some or all may be protected by copyright. Users are responsible for making their own determinations about copyright status of these materials.\" ","Please refer to:\nhttp://rightsstatements.org/page/CNE/1.0/?language=en"],"date_range_isim":[1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952],"containers_ssim":["box 6"],"_nest_path_":"/components#1/components#1","timestamp":"2026-05-21T14:33:53.584Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_509","ead_ssi":"viu_repositories_3_resources_509","_root_":"viu_repositories_3_resources_509","_nest_parent_":"viu_repositories_3_resources_509","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_509.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/447","title_filing_ssi":"Charlottesville Woolen Mills records","title_ssm":["Charlottesville Woolen Mills records"],"title_tesim":["Charlottesville Woolen Mills records"],"unitdate_ssm":["1868-1956"],"unitdate_inclusive_ssm":["1868-1956"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["MSS 16353","Archival Resource Key","/repositories/3/resources/509"],"text":["MSS 16353","Archival Resource Key","/repositories/3/resources/509","Charlottesville Woolen Mills records","Industries -- Virginia","Textile industry","Wool fabrics","Textile workers","Supervisors, Industrial","Business records","Ledgers (account books)","Correspondence","Shop signs","Plats (maps)","The collection is open for research use.","This collection is organized into two series: Business records and Miscellaenous materials. \nSeries 1:","Business Records, 1868-1956 (20.63 cubic feet). This series is arranged at the file and item level and chronologically. In order to maintain original order, the titles of each item begin with the names of the individual administrative departments to which they belong.\nBecause they all fall under the category of business records, one series by that name suffices for the purposes of this record.","This series contains 125 business ledgers that have been numbered sequentially, and other paperwork and material that directly related to the business dealings of the Charlottesville Woolen Mills. This includes loose legal documents, correspondence, newspaper clipping, or materials from the ledgers themselves, all part of the greater business records of the Charlottesville Woolen Mills.","Board of Directors and Stockholders:\nLedgers 1-12,\nLoose materials in minute books,\n\"Comparison of yearly earnings\",\nStock sales register, and\nLoose Materials in Stock Ledgers","Executive:\nLedger 13, and\nCorrespondence","Financial:\nLedgers 14-26","Superintendent:\nLedgers 27-71","Sales:\nLedgers 72-75","Labor:\nLedgers 76-118, and\nLoose materials in timebooks","Production:\nLedgers 119-125","Legal and Property:\nAbstract of title: Shadwell Dam, Virginia,\nTrademark patent,\nData re. Sale to C + O RR Co of Shadwell Property, and\nBlueprint of \"property to be acquired from Charlottesville woolen mills near Shadwell, VA\"","Series 2:","Miscellaneous, ~1913-1933 (3.75 cubic feet). This series is arranged first chronoligically according to the dates provided. The materials in this series vary from tools used in the factory to samples used for sales. The date range is a rough estimate based on what dates are provided. Some artifacts have no dates attributed to them and may have been created prior to 1913. The fabric samples dated from 1913 to 1933 are themselves arranged numerically according to their respective pattern numbers. The tin advert sign was made in Philadelphia, PA.","The fabric samples are arranged by numbers that correspond to specific fabric patterns. The numbers are located on the front of the paper covers of each sample.","The fabric samples are arranged by numbers that correspond to specific fabric patterns. The numbers are located on the front of the paper covers of each sample.","The Charlottesville Woolen Mills factory was incorporated in 1868 by H.C. Marchant and was located in the southeastern part of Charlottesville, VA.","From the 1830s until it's seizure by the Confederate governement in 1861, the building operated as a combination wool, cotton, flour and lumber mill, and later also included a blacksmith's shop, corn mill, grist mill, plaster mill, and a store selling dry goods. During this time the land was sold a number of times until 1960, when the company was reorganized as the Charlottesville Manufacturing Company, with John A. Marchant, his son. Henry Clay Marchant, John Wood, H. L. Anderson, T. J. Wertenbaker, and John C. Patterson operating a joint stock company. The textile plant provided wool uniforms for the soldiers of the Confederacy during the Civil War. A second reorganization in 1964 made Henry Clay Marchant the sole owner. Following the destruction of the mill during the Civil War and after the war had ended, the factory was rebuilt, and, on December 18, 1868, Charlottesville Woolen Mills was chartered \"for the manufacture, purchase and sale of woolen, cotton, silk and other fabrics ...\"","The plant went on to provide high quality textiles used by Brooks Brothers clothiers, uniforms for the cadets of West Point, and police officers in New York, Philadelphia, Chicago, and Los Angeles. At one point 90 percent of the country's military schools, including the U.S. Military Academy at West Point, purchased uniforms made here. Coffin makers in Atlanta and Burlington, N.C., also used the soft cloth to line caskets.","Charlottesvills Woolen Mills survived the Great Depression of the 1930s mainly because of its uniform contracts. It experienced its greatest prosperity manufacturing uniforms for soldiers during World War I and II. During the height of World War II a work force of about 400 people was producing 15,000 yards of uniform cloth a month.","In 1959 Charlottesville Woolen Mills was bought by Kent Manufacturing Company, of Philadelphia. The introduction of synthetic fabrics in the late 1950s led to a decrease in demand for wool. In 1962 Kent Manufacturing Company dissolved the Charlottesville Woolen Mills.","Sources:","Maurer, David. \"Woolen Mills wove a tight community.\" The Daily Progress, http://www.dailyprogress.com/lifestyles/woolen-mills-wove-a-tight-community/article_467a3534-5d1b-5f83-abdb-f1a170eb0396.html. 28 Aug. 2011.","Delesline, Nate. \"Historic Woolen Mills under contract for sale.\" The Daily Progress, http://www.dailyprogress.com/news/historic-woolen-mills-under-contract-for-sale/article_7512bd70-b082-11e3-9f64-0017a43b2370.html. 20 March 2014.","Dailty Progress Staff. \"Labor dispute at Woolen Mills leads to worker strike.\" The Daily Progress, http://www.dailyprogress.com/125yearsofprogress/labor-dispute-at-woolen-mills-leads-to-worker-strike/article_49c5dff0-ec7d-11e6-9604-4f40db426882.html. 6 Feb. 2017.","Gianniny, Jr., Allan, Compiler. \"Charlottesville Woolen Mills Chronology.\" Historic Woolen Mills, http://historicwoolenmills.org/chronology.html. Accessed 19 Feb. 2018.","Britton, Rick. \"The Charlottesville Woolen Mills, Clothing a Nation.\" Historic Woolen Mills, http://historicwoolenmills.org/Charlottesville.html. 2006.","Poindexter, Harry Edward. \"A History of the Charlottesville Woolen Mills.\" Thesis (M.A.), University of Virginia, 1955.","Daily Progress Staff. \"City's Oldest Industry is Regaining Health.\" The Daily Progress Charlottesville Bicentennial Edition, vol. 72, no. 89, 1962, p. 58.","Sandbeck, Peter. A History of the Charlottesville Woolen Mills.Nichols Student Papers, University of Virginia School of Architecture, 1975.","Charlottesville Woolen Mills, Charlottesville, VA. \nBusiness records, 1868-1956. Incorporated 1868 by H.C. Marchant; operated until 1962.","This collection is comprised of ledgers, papers, artifacts, a map, and a panoramic photograph. It is divided into two series: Business Records and Miscellaneous. The first series, Business Records contains ledgers and business related paperwork, such as correspondence and legal documetns. The second series, Miscellaneous, contains the remaining artifacts and materials not directly associated with the business dealings of the Charlottesville Woolen Mills.","A list of names located within this collection:\nMr. George R.B. Michie,\nMr. Edward Van Wagenen,\nMr. P.M. Greene,\nMr. John S. White,\nMr. Rigby,\nW. Erskine Buford,\nFred L. Watson,\nArchibald Lammey,\nHenry J. Wilkinson,\nGeorge W. Sommers,\nCharles H. Dickinson, Jr.,\nDonal G. Chester,\nGeorge T. Huff,\nAustin Kilham,\nClark E. Lindsay,\nDr. John R. Morris, Jr.,\nHerbert J. Smith, Jr.,\nDuryee Van Wagenen,\nH.A. Dinwiddie,\nL.T. Hankel,\nJohn H. Robinson","The tin advert sign is in poor condition and should not be handled. The sign is housed in a box with a tray so that lifting the tray with its handles will negate any need for touching the item itself.","\"The library has not investigated the copyright status of these materials, and some or all may be protected by copyright. Users are responsible for making their own determinations about copyright status of these materials.\" ","Please refer to:\nhttp://rightsstatements.org/page/CNE/1.0/?language=en","Albert and Shirley Small Special Collections Library","English"],"unitid_tesim":["MSS 16353","Archival Resource Key","/repositories/3/resources/509"],"normalized_title_ssm":["Charlottesville Woolen Mills records"],"collection_title_tesim":["Charlottesville Woolen Mills records"],"collection_ssim":["Charlottesville Woolen Mills records"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["The tin advert sign is in poor condition and should not be handled. The sign is housed in a box with a tray so that lifting the tray with its handles will negate any need for touching the item itself.","\"The library has not investigated the copyright status of these materials, and some or all may be protected by copyright. Users are responsible for making their own determinations about copyright status of these materials.\" ","Please refer to:\nhttp://rightsstatements.org/page/CNE/1.0/?language=en"],"acqinfo_ssim":["Donated by the American Textile History Museum, 16 May 2017."],"access_subjects_ssim":["Industries -- Virginia","Textile industry","Wool fabrics","Textile workers","Supervisors, Industrial","Business records","Ledgers (account books)","Correspondence","Shop signs","Plats (maps)"],"access_subjects_ssm":["Industries -- Virginia","Textile industry","Wool fabrics","Textile workers","Supervisors, Industrial","Business records","Ledgers (account books)","Correspondence","Shop signs","Plats (maps)"],"has_online_content_ssim":["false"],"extent_ssm":["24.38 Cubic Feet 81 volumes,\n3 cubic foot boxes, \n4 document boxes,\n5 oversized flat boxes,\n4 oversized folders\n1 odd sized artifact box,\n2 artifacts"],"extent_tesim":["24.38 Cubic Feet 81 volumes,\n3 cubic foot boxes, \n4 document boxes,\n5 oversized flat boxes,\n4 oversized folders\n1 odd sized artifact box,\n2 artifacts"],"genreform_ssim":["Business records","Ledgers (account books)","Correspondence","Shop signs","Plats (maps)"],"date_range_isim":[1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into two series: Business records and Miscellaenous materials. \nSeries 1:\u003c/p\u003e\n","\u003cp\u003eBusiness Records, 1868-1956 (20.63 cubic feet). This series is arranged at the file and item level and chronologically. In order to maintain original order, the titles of each item begin with the names of the individual administrative departments to which they belong.\nBecause they all fall under the category of business records, one series by that name suffices for the purposes of this record.\u003c/p\u003e\n","\u003cp\u003eThis series contains 125 business ledgers that have been numbered sequentially, and other paperwork and material that directly related to the business dealings of the Charlottesville Woolen Mills. This includes loose legal documents, correspondence, newspaper clipping, or materials from the ledgers themselves, all part of the greater business records of the Charlottesville Woolen Mills.\u003c/p\u003e\n","\u003cp\u003eBoard of Directors and Stockholders:\nLedgers 1-12,\nLoose materials in minute books,\n\"Comparison of yearly earnings\",\nStock sales register, and\nLoose Materials in Stock Ledgers\u003c/p\u003e\n","\u003cp\u003eExecutive:\nLedger 13, and\nCorrespondence\u003c/p\u003e\n","\u003cp\u003eFinancial:\nLedgers 14-26\u003c/p\u003e\n","\u003cp\u003eSuperintendent:\nLedgers 27-71\u003c/p\u003e\n","\u003cp\u003eSales:\nLedgers 72-75\u003c/p\u003e\n","\u003cp\u003eLabor:\nLedgers 76-118, and\nLoose materials in timebooks\u003c/p\u003e\n","\u003cp\u003eProduction:\nLedgers 119-125\u003c/p\u003e\n","\u003cp\u003eLegal and Property:\nAbstract of title: Shadwell Dam, Virginia,\nTrademark patent,\nData re. Sale to C + O RR Co of Shadwell Property, and\nBlueprint of \"property to be acquired from Charlottesville woolen mills near Shadwell, VA\"\u003c/p\u003e\n","\u003cp\u003eSeries 2:\u003c/p\u003e\n","\u003cp\u003eMiscellaneous, ~1913-1933 (3.75 cubic feet). This series is arranged first chronoligically according to the dates provided. The materials in this series vary from tools used in the factory to samples used for sales. The date range is a rough estimate based on what dates are provided. Some artifacts have no dates attributed to them and may have been created prior to 1913. The fabric samples dated from 1913 to 1933 are themselves arranged numerically according to their respective pattern numbers. The tin advert sign was made in Philadelphia, PA.\u003c/p\u003e","\u003cp\u003eThe fabric samples are arranged by numbers that correspond to specific fabric patterns. The numbers are located on the front of the paper covers of each sample.\u003c/p\u003e","\u003cp\u003eThe fabric samples are arranged by numbers that correspond to specific fabric patterns. The numbers are located on the front of the paper covers of each sample.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["This collection is organized into two series: Business records and Miscellaenous materials. \nSeries 1:","Business Records, 1868-1956 (20.63 cubic feet). This series is arranged at the file and item level and chronologically. In order to maintain original order, the titles of each item begin with the names of the individual administrative departments to which they belong.\nBecause they all fall under the category of business records, one series by that name suffices for the purposes of this record.","This series contains 125 business ledgers that have been numbered sequentially, and other paperwork and material that directly related to the business dealings of the Charlottesville Woolen Mills. This includes loose legal documents, correspondence, newspaper clipping, or materials from the ledgers themselves, all part of the greater business records of the Charlottesville Woolen Mills.","Board of Directors and Stockholders:\nLedgers 1-12,\nLoose materials in minute books,\n\"Comparison of yearly earnings\",\nStock sales register, and\nLoose Materials in Stock Ledgers","Executive:\nLedger 13, and\nCorrespondence","Financial:\nLedgers 14-26","Superintendent:\nLedgers 27-71","Sales:\nLedgers 72-75","Labor:\nLedgers 76-118, and\nLoose materials in timebooks","Production:\nLedgers 119-125","Legal and Property:\nAbstract of title: Shadwell Dam, Virginia,\nTrademark patent,\nData re. Sale to C + O RR Co of Shadwell Property, and\nBlueprint of \"property to be acquired from Charlottesville woolen mills near Shadwell, VA\"","Series 2:","Miscellaneous, ~1913-1933 (3.75 cubic feet). This series is arranged first chronoligically according to the dates provided. The materials in this series vary from tools used in the factory to samples used for sales. The date range is a rough estimate based on what dates are provided. Some artifacts have no dates attributed to them and may have been created prior to 1913. The fabric samples dated from 1913 to 1933 are themselves arranged numerically according to their respective pattern numbers. The tin advert sign was made in Philadelphia, PA.","The fabric samples are arranged by numbers that correspond to specific fabric patterns. The numbers are located on the front of the paper covers of each sample.","The fabric samples are arranged by numbers that correspond to specific fabric patterns. The numbers are located on the front of the paper covers of each sample."],"bioghist_html_tesm":["\u003cp\u003eThe Charlottesville Woolen Mills factory was incorporated in 1868 by H.C. Marchant and was located in the southeastern part of Charlottesville, VA.\u003c/p\u003e\n","\u003cp\u003eFrom the 1830s until it's seizure by the Confederate governement in 1861, the building operated as a combination wool, cotton, flour and lumber mill, and later also included a blacksmith's shop, corn mill, grist mill, plaster mill, and a store selling dry goods. During this time the land was sold a number of times until 1960, when the company was reorganized as the Charlottesville Manufacturing Company, with John A. Marchant, his son. Henry Clay Marchant, John Wood, H. L. Anderson, T. J. Wertenbaker, and John C. Patterson operating a joint stock company. The textile plant provided wool uniforms for the soldiers of the Confederacy during the Civil War. A second reorganization in 1964 made Henry Clay Marchant the sole owner. Following the destruction of the mill during the Civil War and after the war had ended, the factory was rebuilt, and, on December 18, 1868, Charlottesville Woolen Mills was chartered \"for the manufacture, purchase and sale of woolen, cotton, silk and other fabrics ...\"\u003c/p\u003e\n","\u003cp\u003eThe plant went on to provide high quality textiles used by Brooks Brothers clothiers, uniforms for the cadets of West Point, and police officers in New York, Philadelphia, Chicago, and Los Angeles. At one point 90 percent of the country's military schools, including the U.S. Military Academy at West Point, purchased uniforms made here. Coffin makers in Atlanta and Burlington, N.C., also used the soft cloth to line caskets.\u003c/p\u003e\n","\u003cp\u003eCharlottesvills Woolen Mills survived the Great Depression of the 1930s mainly because of its uniform contracts. It experienced its greatest prosperity manufacturing uniforms for soldiers during World War I and II. During the height of World War II a work force of about 400 people was producing 15,000 yards of uniform cloth a month.\u003c/p\u003e\n","\u003cp\u003eIn 1959 Charlottesville Woolen Mills was bought by Kent Manufacturing Company, of Philadelphia. The introduction of synthetic fabrics in the late 1950s led to a decrease in demand for wool. In 1962 Kent Manufacturing Company dissolved the Charlottesville Woolen Mills.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eMaurer, David. \"Woolen Mills wove a tight community.\" The Daily Progress, http://www.dailyprogress.com/lifestyles/woolen-mills-wove-a-tight-community/article_467a3534-5d1b-5f83-abdb-f1a170eb0396.html. 28 Aug. 2011.\u003c/p\u003e\n","\u003cp\u003eDelesline, Nate. \"Historic Woolen Mills under contract for sale.\" The Daily Progress, http://www.dailyprogress.com/news/historic-woolen-mills-under-contract-for-sale/article_7512bd70-b082-11e3-9f64-0017a43b2370.html. 20 March 2014.\u003c/p\u003e\n","\u003cp\u003eDailty Progress Staff. \"Labor dispute at Woolen Mills leads to worker strike.\" The Daily Progress, http://www.dailyprogress.com/125yearsofprogress/labor-dispute-at-woolen-mills-leads-to-worker-strike/article_49c5dff0-ec7d-11e6-9604-4f40db426882.html. 6 Feb. 2017.\u003c/p\u003e\n","\u003cp\u003eGianniny, Jr., Allan, Compiler. \"Charlottesville Woolen Mills Chronology.\" Historic Woolen Mills, http://historicwoolenmills.org/chronology.html. Accessed 19 Feb. 2018.\u003c/p\u003e\n","\u003cp\u003eBritton, Rick. \"The Charlottesville Woolen Mills, Clothing a Nation.\" Historic Woolen Mills, http://historicwoolenmills.org/Charlottesville.html. 2006.\u003c/p\u003e\n","\u003cp\u003ePoindexter, Harry Edward. \"A History of the Charlottesville Woolen Mills.\" Thesis (M.A.), University of Virginia, 1955.\u003c/p\u003e\n","\u003cp\u003eDaily Progress Staff. \"City's Oldest Industry is Regaining Health.\" The Daily Progress Charlottesville Bicentennial Edition, vol. 72, no. 89, 1962, p. 58.\u003c/p\u003e\n","\u003cp\u003eSandbeck, Peter. A History of the Charlottesville Woolen Mills.Nichols Student Papers, University of Virginia School of Architecture, 1975.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["The Charlottesville Woolen Mills factory was incorporated in 1868 by H.C. Marchant and was located in the southeastern part of Charlottesville, VA.","From the 1830s until it's seizure by the Confederate governement in 1861, the building operated as a combination wool, cotton, flour and lumber mill, and later also included a blacksmith's shop, corn mill, grist mill, plaster mill, and a store selling dry goods. During this time the land was sold a number of times until 1960, when the company was reorganized as the Charlottesville Manufacturing Company, with John A. Marchant, his son. Henry Clay Marchant, John Wood, H. L. Anderson, T. J. Wertenbaker, and John C. Patterson operating a joint stock company. The textile plant provided wool uniforms for the soldiers of the Confederacy during the Civil War. A second reorganization in 1964 made Henry Clay Marchant the sole owner. Following the destruction of the mill during the Civil War and after the war had ended, the factory was rebuilt, and, on December 18, 1868, Charlottesville Woolen Mills was chartered \"for the manufacture, purchase and sale of woolen, cotton, silk and other fabrics ...\"","The plant went on to provide high quality textiles used by Brooks Brothers clothiers, uniforms for the cadets of West Point, and police officers in New York, Philadelphia, Chicago, and Los Angeles. At one point 90 percent of the country's military schools, including the U.S. Military Academy at West Point, purchased uniforms made here. Coffin makers in Atlanta and Burlington, N.C., also used the soft cloth to line caskets.","Charlottesvills Woolen Mills survived the Great Depression of the 1930s mainly because of its uniform contracts. It experienced its greatest prosperity manufacturing uniforms for soldiers during World War I and II. During the height of World War II a work force of about 400 people was producing 15,000 yards of uniform cloth a month.","In 1959 Charlottesville Woolen Mills was bought by Kent Manufacturing Company, of Philadelphia. The introduction of synthetic fabrics in the late 1950s led to a decrease in demand for wool. In 1962 Kent Manufacturing Company dissolved the Charlottesville Woolen Mills.","Sources:","Maurer, David. \"Woolen Mills wove a tight community.\" The Daily Progress, http://www.dailyprogress.com/lifestyles/woolen-mills-wove-a-tight-community/article_467a3534-5d1b-5f83-abdb-f1a170eb0396.html. 28 Aug. 2011.","Delesline, Nate. \"Historic Woolen Mills under contract for sale.\" The Daily Progress, http://www.dailyprogress.com/news/historic-woolen-mills-under-contract-for-sale/article_7512bd70-b082-11e3-9f64-0017a43b2370.html. 20 March 2014.","Dailty Progress Staff. \"Labor dispute at Woolen Mills leads to worker strike.\" The Daily Progress, http://www.dailyprogress.com/125yearsofprogress/labor-dispute-at-woolen-mills-leads-to-worker-strike/article_49c5dff0-ec7d-11e6-9604-4f40db426882.html. 6 Feb. 2017.","Gianniny, Jr., Allan, Compiler. \"Charlottesville Woolen Mills Chronology.\" Historic Woolen Mills, http://historicwoolenmills.org/chronology.html. Accessed 19 Feb. 2018.","Britton, Rick. \"The Charlottesville Woolen Mills, Clothing a Nation.\" Historic Woolen Mills, http://historicwoolenmills.org/Charlottesville.html. 2006.","Poindexter, Harry Edward. \"A History of the Charlottesville Woolen Mills.\" Thesis (M.A.), University of Virginia, 1955.","Daily Progress Staff. \"City's Oldest Industry is Regaining Health.\" The Daily Progress Charlottesville Bicentennial Edition, vol. 72, no. 89, 1962, p. 58.","Sandbeck, Peter. A History of the Charlottesville Woolen Mills.Nichols Student Papers, University of Virginia School of Architecture, 1975."],"prefercite_html_tesm":["\u003cp\u003eMSS 16353 Charlottesville Woolen Mills Records, Albert and Shirley Small Special Collections Library, University of Virginia\u003c/p\u003e"],"prefercite_tesim":["MSS 16353 Charlottesville Woolen Mills Records, Albert and Shirley Small Special Collections Library, University of Virginia"],"scopecontent_html_tesm":["\u003cp\u003eCharlottesville Woolen Mills, Charlottesville, VA. \nBusiness records, 1868-1956. Incorporated 1868 by H.C. Marchant; operated until 1962.\u003c/p\u003e\n","\u003cp\u003eThis collection is comprised of ledgers, papers, artifacts, a map, and a panoramic photograph. It is divided into two series: Business Records and Miscellaneous. The first series, Business Records contains ledgers and business related paperwork, such as correspondence and legal documetns. The second series, Miscellaneous, contains the remaining artifacts and materials not directly associated with the business dealings of the Charlottesville Woolen Mills.\u003c/p\u003e\n","\u003cp\u003eA list of names located within this collection:\nMr. George R.B. Michie,\nMr. Edward Van Wagenen,\nMr. P.M. Greene,\nMr. John S. White,\nMr. Rigby,\nW. Erskine Buford,\nFred L. Watson,\nArchibald Lammey,\nHenry J. Wilkinson,\nGeorge W. Sommers,\nCharles H. Dickinson, Jr.,\nDonal G. Chester,\nGeorge T. Huff,\nAustin Kilham,\nClark E. Lindsay,\nDr. John R. Morris, Jr.,\nHerbert J. Smith, Jr.,\nDuryee Van Wagenen,\nH.A. Dinwiddie,\nL.T. Hankel,\nJohn H. Robinson\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Charlottesville Woolen Mills, Charlottesville, VA. \nBusiness records, 1868-1956. Incorporated 1868 by H.C. Marchant; operated until 1962.","This collection is comprised of ledgers, papers, artifacts, a map, and a panoramic photograph. It is divided into two series: Business Records and Miscellaneous. The first series, Business Records contains ledgers and business related paperwork, such as correspondence and legal documetns. The second series, Miscellaneous, contains the remaining artifacts and materials not directly associated with the business dealings of the Charlottesville Woolen Mills.","A list of names located within this collection:\nMr. George R.B. Michie,\nMr. Edward Van Wagenen,\nMr. P.M. Greene,\nMr. John S. White,\nMr. Rigby,\nW. Erskine Buford,\nFred L. Watson,\nArchibald Lammey,\nHenry J. Wilkinson,\nGeorge W. Sommers,\nCharles H. Dickinson, Jr.,\nDonal G. Chester,\nGeorge T. Huff,\nAustin Kilham,\nClark E. Lindsay,\nDr. John R. Morris, Jr.,\nHerbert J. Smith, Jr.,\nDuryee Van Wagenen,\nH.A. Dinwiddie,\nL.T. Hankel,\nJohn H. Robinson"],"userestrict_html_tesm":["\u003cp\u003eThe tin advert sign is in poor condition and should not be handled. The sign is housed in a box with a tray so that lifting the tray with its handles will negate any need for touching the item itself.\u003c/p\u003e","\u003cp\u003e\"The library has not investigated the copyright status of these materials, and some or all may be protected by copyright. Users are responsible for making their own determinations about copyright status of these materials.\" \u003c/p\u003e\n","\u003cp\u003ePlease refer to:\nhttp://rightsstatements.org/page/CNE/1.0/?language=en\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Copyright"],"userestrict_tesim":["The tin advert sign is in poor condition and should not be handled. The sign is housed in a box with a tray so that lifting the tray with its handles will negate any need for touching the item itself.","\"The library has not investigated the copyright status of these materials, and some or all may be protected by copyright. Users are responsible for making their own determinations about copyright status of these materials.\" ","Please refer to:\nhttp://rightsstatements.org/page/CNE/1.0/?language=en"],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":149,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T14:33:53.584Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_509_c02_c02"}},{"id":"vaallhs_repositories_2_resources_25_c02_c06","type":"File","attributes":{"title":"Woodlawn Housekeeping Society","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_25_c02_c06#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eFolder contains 2 documents associated with the Woodlawn Housekeeping Association, the all-female component of the Woodlawn Farmers' Club.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_25_c02_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vaallhs_repositories_2_resources_25_c02_c06","ref_ssm":["vaallhs_repositories_2_resources_25_c02_c06"],"id":"vaallhs_repositories_2_resources_25_c02_c06","ead_ssi":"vaallhs_repositories_2_resources_25","_root_":"vaallhs_repositories_2_resources_25","_nest_parent_":"vaallhs_repositories_2_resources_25_c02","parent_ssi":"vaallhs_repositories_2_resources_25_c02","parent_ssim":["vaallhs_repositories_2_resources_25","vaallhs_repositories_2_resources_25_c02"],"parent_ids_ssim":["vaallhs_repositories_2_resources_25","vaallhs_repositories_2_resources_25_c02"],"parent_unittitles_ssm":["Sherwood Farm Papers (MS100)","Sherwood Farm Papers"],"parent_unittitles_tesim":["Sherwood Farm Papers (MS100)","Sherwood Farm Papers"],"text":["Sherwood Farm Papers (MS100)","Sherwood Farm Papers","Woodlawn Housekeeping Society","Woodlawn Housekeeping Society","English .","box 1","folder 12","Folder contains 2 documents associated with the Woodlawn Housekeeping Association, the all-female component of the Woodlawn Farmers' Club."],"title_filing_ssi":"Woodlawn Housekeeping Society","title_ssm":["Woodlawn Housekeeping Society"],"title_tesim":["Woodlawn Housekeeping Society"],"unitdate_inclusive_ssm":["1876-1891"],"normalized_date_ssm":["1876/1891"],"normalized_title_ssm":["Woodlawn Housekeeping Society"],"component_level_isim":[2],"repository_ssim":["Alexandria Library"],"collection_ssim":["Sherwood Farm Papers (MS100)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":14,"date_range_isim":[1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891],"access_subjects_ssim":["Woodlawn Housekeeping Society"],"access_subjects_ssm":["Woodlawn Housekeeping Society"],"language_ssim":["English ."],"containers_ssim":["box 1","folder 12"],"scopecontent_html_tesm":["\u003cp\u003eFolder contains 2 documents associated with the Woodlawn Housekeeping Association, the all-female component of the Woodlawn Farmers' Club.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Folder contains 2 documents associated with the Woodlawn Housekeeping Association, the all-female component of the Woodlawn Farmers' Club."],"_nest_path_":"/components#1/components#5","timestamp":"2026-05-21T03:58:35.728Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vaallhs_repositories_2_resources_25","ead_ssi":"vaallhs_repositories_2_resources_25","_root_":"vaallhs_repositories_2_resources_25","_nest_parent_":"vaallhs_repositories_2_resources_25","ead_source_url_ssi":"data/oai/ALEX/repositories_2_resources_25.xml","aspace_url_ssi":"https://alexlibraryva.libraryhost.com/repositories/2/resources/25","title_ssm":["Sherwood Farm Papers (MS100)"],"title_tesim":["Sherwood Farm Papers (MS100)"],"unitdate_ssm":[" 1845-1930 "],"unitdate_inclusive_ssm":[" 1845-1930 "],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS100"],"text":["MS100","Sherwood Farm Papers (MS100)","Quakers -- Virginia -- Fairfax County.","Dairy farms -- Virginia -- Fairfax County","Wilkinson family","Woodlawn Farmers' Club","Woodlawn Horse Company","Woodlawn Housekeeping Society","Woodlawn Literary Association","By subject: therein chronologically. Series 1 is the Wilkinson Family Papers; Series 2 is the Sherwood Farm Papers.","The history of Sherwood Farm, which served as an ad hoc Quaker Community Archives, began in 1858, when one hundred acres of land north of the Accotink Turnpike was purchased by Charles Ballinger, a Quaker. He married Maria Gibbs and built a house on the acreage in 1859. Seven years later, he purchased an additional hundred acres of land south of the Accotink Turnpike. This two hundred acre spread comprised Sherwood Farm, which belonged to the Ballinger/Wilkinson families for five generations. Mary Alice Ballinger was born there in 1866. She married Francis H. Wilkinson, also a Quaker, who was a son of Morris R. Wilkinson and Sarah Kirk Wilkinson of Gray's Hill Farm, in 1891.","Location of Originals","The original records of the Woodlawn Housekeeping Association, the Sherwood Hall Sunday School, and the Woodlawn Literary Association are in the Virginia Room of the Fairfax City Regional Library. This manuscript collection contains photocopies of all of the above mentioned records","\"Reminiscences of Sherwood Farm and the Surrounding Area\" by Charles Kirk Wilkinson, Historical Society of Fairfax County Yearbook.","The Woodlawn Agricultural Society Records, 1866-1903, microfilm 00435.","The Woodlawn Housekeeping Association Records, microfilm 00435.","The Wilkinson Family papers consist of Sarah Kirk Wilkinson's day books, a few of her son Francis' school papers, and assorted Wilkinson correspondence. There are also two diaries from Unionville, Pennsylvania, unsigned, which most likely belonged to Quaker relatives. The Sherwood Farm papers include: Woodlawn Farmer's Club correspondence, describing various social activities of the Quaker farmers and their families from the area; Woodlawn Horse Company correspondence, which includes the constitution and by-laws of this anti-horse theft organization; Woodlawn Housekeeping Association correspondence, constitution, by-laws and minutes; records from the Woodlawn Literary Association; Sherwood Hall Sunday School records; and blank Sherwood Farm Dairy Records showing how the milk production was recorded and sold from 1918-1940. There is also a newspaper article from the Sunday Star in 1905, describing Quaker families and history in this area.","Contains a single small diary and a note claiming it is definitely written by Caleb Kirk Wilkinson.","Contains a small diary with minimal writing, along with a note that says it was written by and belonged to Frank Wilkinson.","Contains 5 letters written to Sarah Wilkinson and Frank Wilkinson.","Folder contains miscelaneous documents including a short journal entry, a school book for penmanship, and other lists and such.","Various letters between the Woodlawn Farmers Club including a letter from Vaughn Kester.","Folder holds several photocopies of the Sunday Star newspaper from 1905.","Folder contains several blank identification sheets for horses from the Woodlawn Horse Company, as well as a 1908 booklet of the Constitution and By-Laws of the Woodlawn Horse Company of Fairfax County, VA.","Contains 2 travel guides for the Claiborne-Annapolis Ferry Company, and a map from DC through Northern Virginia from the Alexandria Auto Supply store.","Folder contains a handful of blank record cards from Sherwood Farm.","Folder contains 2 documents associated with the Woodlawn Housekeeping Association, the all-female component of the Woodlawn Farmers' Club.","This is a photocopied bound collection of the minutes of the Woodlawn Housekeeping Association.","This is a bound, photocopied version.","This is a bound, photocopied collection.","This is a bound and photocopied record.","Local History and Special Collections Branch, Alexandria Library","Ballinger Family","Wilkinson family","Wilkinson, Caleb Kirk, 1856-1921","Wilkinson, Francis H. (Frank), 1864-1935","Wilkinson, Sarah H. Kirk, 1824-1910","Kester, Vaughan, 1869-1911","English \n.    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Series 1 is the Wilkinson Family Papers; Series 2 is the Sherwood Farm Papers.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["By subject: therein chronologically. Series 1 is the Wilkinson Family Papers; Series 2 is the Sherwood Farm Papers."],"bioghist_html_tesm":["\u003cp\u003eThe history of Sherwood Farm, which served as an ad hoc Quaker Community Archives, began in 1858, when one hundred acres of land north of the Accotink Turnpike was purchased by Charles Ballinger, a Quaker. He married Maria Gibbs and built a house on the acreage in 1859. Seven years later, he purchased an additional hundred acres of land south of the Accotink Turnpike. This two hundred acre spread comprised Sherwood Farm, which belonged to the Ballinger/Wilkinson families for five generations. Mary Alice Ballinger was born there in 1866. She married Francis H. Wilkinson, also a Quaker, who was a son of Morris R. Wilkinson and Sarah Kirk Wilkinson of Gray's Hill Farm, in 1891.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The history of Sherwood Farm, which served as an ad hoc Quaker Community Archives, began in 1858, when one hundred acres of land north of the Accotink Turnpike was purchased by Charles Ballinger, a Quaker. He married Maria Gibbs and built a house on the acreage in 1859. Seven years later, he purchased an additional hundred acres of land south of the Accotink Turnpike. This two hundred acre spread comprised Sherwood Farm, which belonged to the Ballinger/Wilkinson families for five generations. Mary Alice Ballinger was born there in 1866. She married Francis H. Wilkinson, also a Quaker, who was a son of Morris R. Wilkinson and Sarah Kirk Wilkinson of Gray's Hill Farm, in 1891."],"originalsloc_html_tesm":["\u003cp\u003eLocation of Originals\u003c/p\u003e\n","\u003cp\u003eThe original records of the Woodlawn Housekeeping Association, the Sherwood Hall Sunday School, and the Woodlawn Literary Association are in the Virginia Room of the Fairfax City Regional Library. This manuscript collection contains photocopies of all of the above mentioned records\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Location of Originals","The original records of the Woodlawn Housekeeping Association, the Sherwood Hall Sunday School, and the Woodlawn Literary Association are in the Virginia Room of the Fairfax City Regional Library. This manuscript collection contains photocopies of all of the above mentioned records"],"prefercite_html_tesm":["\u003cp\u003e[Item identification], Sherwood Farm Papers, MS100, Alexandria Library, Local History/Special Collections, Alexandria, Va.\u003c/p\u003e"],"prefercite_tesim":["[Item identification], Sherwood Farm Papers, MS100, Alexandria Library, Local History/Special Collections, Alexandria, Va."],"relatedmaterial_html_tesm":["\u003cp\u003e\"Reminiscences of Sherwood Farm and the Surrounding Area\" by Charles Kirk Wilkinson, Historical Society of Fairfax County Yearbook.\u003c/p\u003e\n","\u003cp\u003eThe Woodlawn Agricultural Society Records, 1866-1903, microfilm 00435.\u003c/p\u003e\n","\u003cp\u003eThe Woodlawn Housekeeping Association Records, microfilm 00435.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["\"Reminiscences of Sherwood Farm and the Surrounding Area\" by Charles Kirk Wilkinson, Historical Society of Fairfax County Yearbook.","The Woodlawn Agricultural Society Records, 1866-1903, microfilm 00435.","The Woodlawn Housekeeping Association Records, microfilm 00435."],"scopecontent_html_tesm":["\u003cp\u003eThe Wilkinson Family papers consist of Sarah Kirk Wilkinson's day books, a few of her son Francis' school papers, and assorted Wilkinson correspondence. There are also two diaries from Unionville, Pennsylvania, unsigned, which most likely belonged to Quaker relatives. The Sherwood Farm papers include: Woodlawn Farmer's Club correspondence, describing various social activities of the Quaker farmers and their families from the area; Woodlawn Horse Company correspondence, which includes the constitution and by-laws of this anti-horse theft organization; Woodlawn Housekeeping Association correspondence, constitution, by-laws and minutes; records from the Woodlawn Literary Association; Sherwood Hall Sunday School records; and blank Sherwood Farm Dairy Records showing how the milk production was recorded and sold from 1918-1940. There is also a newspaper article from the Sunday Star in 1905, describing Quaker families and history in this area.\u003c/p\u003e","\u003cp\u003eContains a single small diary and a note claiming it is definitely written by Caleb Kirk Wilkinson.\u003c/p\u003e","\u003cp\u003eContains a small diary with minimal writing, along with a note that says it was written by and belonged to Frank Wilkinson.\u003c/p\u003e","\u003cp\u003eContains 5 letters written to Sarah Wilkinson and Frank Wilkinson.\u003c/p\u003e","\u003cp\u003eFolder contains miscelaneous documents including a short journal entry, a school book for penmanship, and other lists and such.\u003c/p\u003e","\u003cp\u003eVarious letters between the Woodlawn Farmers Club including a letter from Vaughn Kester.\u003c/p\u003e","\u003cp\u003eFolder holds several photocopies of the Sunday Star newspaper from 1905.\u003c/p\u003e","\u003cp\u003eFolder contains several blank identification sheets for horses from the Woodlawn Horse Company, as well as a 1908 booklet of the Constitution and By-Laws of the Woodlawn Horse Company of Fairfax County, VA.\u003c/p\u003e","\u003cp\u003eContains 2 travel guides for the Claiborne-Annapolis Ferry Company, and a map from DC through Northern Virginia from the Alexandria Auto Supply store.\u003c/p\u003e","\u003cp\u003eFolder contains a handful of blank record cards from Sherwood Farm.\u003c/p\u003e","\u003cp\u003eFolder contains 2 documents associated with the Woodlawn Housekeeping Association, the all-female component of the Woodlawn Farmers' Club.\u003c/p\u003e","\u003cp\u003eThis is a photocopied bound collection of the minutes of the Woodlawn Housekeeping Association.\u003c/p\u003e","\u003cp\u003eThis is a bound, photocopied version.\u003c/p\u003e","\u003cp\u003eThis is a bound, photocopied collection.\u003c/p\u003e","\u003cp\u003eThis is a bound and photocopied record.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Wilkinson Family papers consist of Sarah Kirk Wilkinson's day books, a few of her son Francis' school papers, and assorted Wilkinson correspondence. There are also two diaries from Unionville, Pennsylvania, unsigned, which most likely belonged to Quaker relatives. The Sherwood Farm papers include: Woodlawn Farmer's Club correspondence, describing various social activities of the Quaker farmers and their families from the area; Woodlawn Horse Company correspondence, which includes the constitution and by-laws of this anti-horse theft organization; Woodlawn Housekeeping Association correspondence, constitution, by-laws and minutes; records from the Woodlawn Literary Association; Sherwood Hall Sunday School records; and blank Sherwood Farm Dairy Records showing how the milk production was recorded and sold from 1918-1940. There is also a newspaper article from the Sunday Star in 1905, describing Quaker families and history in this area.","Contains a single small diary and a note claiming it is definitely written by Caleb Kirk Wilkinson.","Contains a small diary with minimal writing, along with a note that says it was written by and belonged to Frank Wilkinson.","Contains 5 letters written to Sarah Wilkinson and Frank Wilkinson.","Folder contains miscelaneous documents including a short journal entry, a school book for penmanship, and other lists and such.","Various letters between the Woodlawn Farmers Club including a letter from Vaughn Kester.","Folder holds several photocopies of the Sunday Star newspaper from 1905.","Folder contains several blank identification sheets for horses from the Woodlawn Horse Company, as well as a 1908 booklet of the Constitution and By-Laws of the Woodlawn Horse Company of Fairfax County, VA.","Contains 2 travel guides for the Claiborne-Annapolis Ferry Company, and a map from DC through Northern Virginia from the Alexandria Auto Supply store.","Folder contains a handful of blank record cards from Sherwood Farm.","Folder contains 2 documents associated with the Woodlawn Housekeeping Association, the all-female component of the Woodlawn Farmers' Club.","This is a photocopied bound collection of the minutes of the Woodlawn Housekeeping Association.","This is a bound, photocopied version.","This is a bound, photocopied collection.","This is a bound and photocopied record."],"names_ssim":["Local History and Special Collections Branch, Alexandria Library","Ballinger Family","Wilkinson family","Wilkinson, Caleb Kirk, 1856-1921","Wilkinson, Francis H. (Frank), 1864-1935","Wilkinson, Sarah H. Kirk, 1824-1910","Kester, Vaughan, 1869-1911"],"corpname_ssim":["Local History and Special Collections Branch, Alexandria Library"],"famname_ssim":["Ballinger Family","Wilkinson family"],"persname_ssim":["Wilkinson, Caleb Kirk, 1856-1921","Wilkinson, Francis H. (Frank), 1864-1935","Wilkinson, Sarah H. Kirk, 1824-1910","Kester, Vaughan, 1869-1911"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":19,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:58:35.728Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_25_c02_c06"}},{"id":"viu_repositories_3_resources_941_c01_c01_c5196","type":"File","attributes":{"title":"Wood, Solomon F.  - DL1730","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_941_c01_c01_c5196#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_941_c01_c01_c5196","ref_ssm":["viu_repositories_3_resources_941_c01_c01_c5196"],"id":"viu_repositories_3_resources_941_c01_c01_c5196","ead_ssi":"viu_repositories_3_resources_941","_root_":"viu_repositories_3_resources_941","_nest_parent_":"viu_repositories_3_resources_941_c01_c01","parent_ssi":"viu_repositories_3_resources_941_c01_c01","parent_ssim":["viu_repositories_3_resources_941","viu_repositories_3_resources_941_c01","viu_repositories_3_resources_941_c01_c01"],"parent_ids_ssim":["viu_repositories_3_resources_941","viu_repositories_3_resources_941_c01","viu_repositories_3_resources_941_c01_c01"],"parent_unittitles_ssm":["John L. Nau III Civil War History Collection","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians","Subseries A: Personal Papers, Service Records, and Artifacts"],"parent_unittitles_tesim":["John L. Nau III Civil War History Collection","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians","Subseries A: Personal Papers, Service Records, and Artifacts"],"text":["John L. Nau III Civil War History Collection","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians","Subseries A: Personal Papers, Service Records, and Artifacts","Wood, Solomon F.  - DL1730","box 122 VLT_PRTCL","folder 7"],"title_filing_ssi":"Wood, Solomon F.  - DL1730","title_ssm":["Wood, Solomon F.  - DL1730"],"title_tesim":["Wood, Solomon F.  - DL1730"],"unitdate_inclusive_ssm":["1863-1901 and undated"],"normalized_date_ssm":["1863/1901"],"normalized_title_ssm":["Wood, Solomon F.  - DL1730"],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["John L. Nau III Civil War History Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":5198,"parent_access_restrict_tesm":["The collection is open for research."],"date_range_isim":[1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901],"containers_ssim":["box 122 VLT_PRTCL","folder 7"],"_nest_path_":"/components#0/components#0/components#5195","timestamp":"2026-05-21T14:31:55.729Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_941","ead_ssi":"viu_repositories_3_resources_941","_root_":"viu_repositories_3_resources_941","_nest_parent_":"viu_repositories_3_resources_941","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_941.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/189095","title_filing_ssi":"Nau, John L. III, Civil War History Collection","title_ssm":["John L. Nau III Civil War History Collection"],"title_tesim":["John L. Nau III Civil War History Collection"],"unitdate_ssm":["1806-1988","1861-1865"],"unitdate_bulk_ssim":["1861-1865"],"unitdate_inclusive_ssm":["1806-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous 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Key","Previous Archival Resource Key","/repositories/3/resources/941"],"text":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource 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Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941","John L. Nau III Civil War History Collection","United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives","letters (correspondence)","Photograph albums","photographs","newspapers","Good.","The collection is open for research.","The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. ","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch","The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. ","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). ","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). ","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following: ","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.","The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online  Civil War Soldiers and Sailors Database  (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's  Confederate and Southern State Currency , vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's  Civil War High Commands  (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. ","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. ","The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. ","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). ","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.","Albert and Shirley Small Special Collections Library","The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"unitid_tesim":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941"],"normalized_title_ssm":["John L. Nau III Civil War History Collection"],"collection_title_tesim":["John L. Nau III Civil War History Collection"],"collection_ssim":["John L. Nau III Civil War History Collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"geogname_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"places_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"acqinfo_ssim":["The John L. Nau III Civil War History Collection was acquired and donated by John L. Nau III. It was accessioned by the Albert and Shirley Small Special Collections Library on September 3, 2019 (2019-0149) and in an additional accession in October 2019 (2019-0231)."],"access_subjects_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"access_subjects_ssm":["letters (correspondence)","Photograph albums","photographs","newspapers"],"has_online_content_ssim":["true"],"physdesc_tesim":["Good."],"extent_ssm":["133 Cubic Feet 255 boxes; 9 framed items"],"extent_tesim":["133 Cubic Feet 255 boxes; 9 framed items"],"genreform_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).\u003c/p\u003e","\u003cp\u003eSeries 1 is arranged in three subseries.\u003c/p\u003e\n","\u003cp\u003eSubseries A: Personal Papers, Service Records, and Artifacts, 1806-1988\u003c/p\u003e\n","\u003cp\u003eThe arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. \u003c/p\u003e\n","\u003cp\u003eThe above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). \u003c/p\u003e\n","\u003cp\u003eSubseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.\u003c/p\u003e\n","\u003cp\u003eSubseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. \u003c/p\u003e","\u003cp\u003eSeries 2 is arranged in the following subseries.\u003c/p\u003e\n","\u003cp\u003eSubseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.\u003c/p\u003e\n","\u003cp\u003eSubseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities\u003c/p\u003e","\u003cp\u003eSeries 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. ","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Petty, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Whitehurst \u0026amp; Co., Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knowles \u0026amp; Hillman, New Bedford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearus, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gooding, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by Handy, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bocardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. W. Barker, Canton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wing's Gallery, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Varriell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. K. Brown, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry M. Wells, Cambridge, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lewis and Kane, Victoria, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003eFrench \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts, and Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Walzl, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co. of New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Bros., Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Pratt, Aurora, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Worms \u0026amp; Co. 383 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Cramer, Carondelet, Missouri\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Williams Gallery; Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Beach, Hastings, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks and Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conaut, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hesler Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallett, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eB. F. Smith and Son, Portland, Maine\u003c/p\u003e","\u003cp\u003eJ. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Beaumont, Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wells and Collins, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. Moses, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Morgan, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. L. Bergstresser, Army of the Potomac\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Jenks, Paterson, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bett's and Prusia, Dansville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stone Bros., Trumansburch, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck's, Elsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. J. Pierce, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003eLe Rue Lemer, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gibbon, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson of New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026amp; New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washburn's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenney, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Benjamin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Watson, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burnite \u0026amp; Weldon, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William C. North, Cleveland, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Th. Gubelman, Puliski, TN\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hermos, Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by W.V. Lane, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Tombarger, Lancaster, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. P. Howe, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cooley \u0026amp; Becket, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. G. Montgomery of Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cushing \u0026amp; King Photographers, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. C. Brown, Norwich, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Marse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Silli, Nice, France\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. E. Mosely, Newburyport\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Burnite \u0026amp; Co., Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. B. Brown's, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Tait, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conant and Johnson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Durgan, Farmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C.H. Freeman, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kilgore's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePublished by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003eBarr \u0026amp; Young, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Marks, Austin, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Rhodes, St. Law Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Munger \u0026amp; Stone, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Cross, Belvidere, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Emery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. McHenry, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. P. Smith, Kankakee City, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.T. Bradshaw \u0026amp; Co., successors to G. Moses, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Braisted, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce, Galena, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. \u0026amp; F. W. Hardy, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slagle, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slee Brothers, Poughkeepsie, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Lewis Wires, Milford\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. Evans, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. B. Jones, Davenport, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. H. Black, Natchez, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of The Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George B. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joseph Ward, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pein \u0026amp; Co., Washington City\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Good \u0026amp; Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacob's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. \u0026amp; J. L. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Layton's, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bachrach \u0026amp; Bro, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cross and Franke, Arlington, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Watson, Raleigh, North Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Julius Brill, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Weiss, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Cadwallader, Toledo, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Jennings, artist, The New \u0026amp; Reliable Gallery, Lancaster, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow and Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thomas and Pearson, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew B. Brady\u003c/p\u003e","\u003cp\u003eWilliam Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. P. H. Capron \u0026amp; Bros. , Springfield, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Giers \u0026amp; Co., Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney and Paradise, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: August Morand, Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Davis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler and King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, El Mira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Guay and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George D. Puffer, Nashua, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Murphy Bros., Alton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Godshaw \u0026amp; Flexner, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moffat and Simpson, Key West, Florida\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. P. Ayer, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William F. Blunt, North Anson, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anson's\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassetts Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gardner, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Meade Brothers, Astor, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alex. Gardner, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Watson's, Raleigh, NC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. Thompson, Norwich, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenny, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mason \u0026amp; Gardner, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Outley's, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bragy Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank E. Stanley, Auburn, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Browne, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs \u0026amp; Company, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask \u0026amp; Lewis\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles K. Bill's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wilder Brothers, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Alex Gardner; Published by Philp \u0026amp; Solomons, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Smith, Utica, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Dunshee's, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Adams, Nashville, Tenn.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. I. Prince, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Nims, Photographer, Fort Edward, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Summerhays\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Filley \u0026amp; Gilbert, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. N. Medernach, Danville, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thompson Gallery, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. G. Fetters, Peru, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: New Orleans Photographic Co.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees of Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.L. Winner, Annapolis, MD\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Photographers, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Conant, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Paige, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Powelson's, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePublished by Vannerson \u0026amp; Jones, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Jewett, Lebanon, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: James S. Earle \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Havens, Jacksonville, FL\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.C. Benjamin, Newark, N. J.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brendann Bros., Baltimore\u003c/p\u003e","\u003cp\u003ePhotographed by Wenderoth \u0026amp; Taylor; Published by McAllister \u0026amp; Bro., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; Smith, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. R. Davis, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003eBrady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. Brown, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredericks and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowers, Lynn, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kin, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Piper \u0026amp; Sanborn, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Ames, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. D. Phillips, 14th Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. K. Marshall, Circleville, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. German, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hawkins \u0026amp; Philpot, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. De Camp, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003eUnknown Photographer; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pratt's Gallery, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schreiber \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Erekson \u0026amp; Bodurtha, Bridgeport, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abraham Fisher, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Wilson, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Birney Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Louis Walzl\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. A. Turner, D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. White, Jacksonport, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Col, Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brooks \u0026amp; Blauvelt, Port Hudson, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Evans and Prince, York, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Clark, Ionia, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. C. Giers, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. R. Bideout \u0026amp; Co., Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eJ. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. B. King, Taunton, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  L. D. Cox, Ludlow, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Davis, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Brainstead, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Tyler \u0026amp; Co., Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George C. White, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McLure, Allen P.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow \u0026amp; Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nollen \u0026amp; Van Grieken, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. L. Jackson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. G. Carleton, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gilbert's, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Curtis, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Campbell \u0026amp; Ecker, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce \u0026amp; Cogswell, Rochelle, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, Lawrence, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kennedy \u0026amp; Schenck, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morell, George Webb\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, South Royalton, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New Yor\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer's, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. L. Eaton, Omaha, Nebraska\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hagaman, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Reimer, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hanford, New London, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Carr, Old Town, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Fassett, Dexter, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kertson \u0026amp; Barker, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball \u0026amp; Sons, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by A. A. Turner; Published by D. Appleton \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Taylor and Seavey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Milton Lapham, Decatur, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, \u0026amp; Co, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. I. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haseltine, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Evans, Norfolk, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M' Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole of Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. F. Ryder, Cleveland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenny, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Tapley, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. E. Gibbs, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lutges, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney and Son, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George E. Collins; Bucksport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quicks, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Porter's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. J. Thompson \u0026amp; Co., Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Stevens, Richmond, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rivers', St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Rockwood, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burwell \u0026amp; Homan, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Magnolia, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith \u0026amp; Wybrant, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Weitfle \u0026amp; Wright, 1st Division, 6th Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles S. Hart, Watertown, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C.H. Smedley \u0026amp; Co., Middletown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. A. Lewis, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Moses \u0026amp; Co., Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. F. Child, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimberly Brothers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel Masury, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, Habana, Paris\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hopkins, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Churchill \u0026amp; Dennison, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster and Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. L. Heath, Norwalk, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck, Ellsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crocket, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Field, Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Greenwald, Newark, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorham and Co, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinton \u0026amp; Cleary's, Montgomery, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. Yung\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Brown, Photographer of the Army of Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Davis, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Butler, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cahill, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George H. Wood, Towanda, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: by H. Glosser, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Turner, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Case, Halifax, Nova Scotia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Balkan Studio, Wartham, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jordan \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. A. Colley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Burgan, Yarmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's Art Palace, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Thurlow, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith, Southbridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Photographers Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knight, Batavia, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bradley \u0026amp; Rulofson, San Francisco, California\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. Loud, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Klauber \u0026amp; Campbell, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler \u0026amp; Smetters, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassett's Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney \u0026amp; Paradise, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony,  New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Brown's, Waldoboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bailey \u0026amp; Silver's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Piper, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Troxell, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wykes \u0026amp; Brown, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lamson, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Wing's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Case and Getchell, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell \u0026amp; Brother, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Paul, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Estabrook's Ferrotypes, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, 363 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Otto Wagner, 385 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Johnson's, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton, and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026amp; Brother, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Williamson's Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. G. Trask, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallet, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sumner \u0026amp; Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lomas, Eastport Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. M. Fassett, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. Sellers, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Aiken, Ware, Massachusetts\u003c/p\u003e","\u003cp\u003eLithograph by Murray \u0026amp; Goodwin, Albany, New York; Published by G. H. Treadwell, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Theodore Harris, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Wearn, Columbia, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keenan, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. R. Phipps, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Frank Browne\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Royan M. Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Quimby of Charleston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Maynard \u0026amp; Willis, Milford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pa.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Daily, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor \u0026amp; Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lupton \u0026amp; Brown, Winchester, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Richardson of Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Holt, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Orcutt's, Cambridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Victor Piard, Jersey City, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Borthers, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hunting's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Frederick, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. L. Averill, Oldtown, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ball \u0026amp; Thomas, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Price, New Philadelphia, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. N. Blanchard, Barre, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. M. Vanaken, Lowville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Goben, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank Winter, Fort Shaw, Montana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. J. Tate, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. F. King\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M. Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis \u0026amp; Cosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hunting's Belfast, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brooks \u0026amp; Blauvelt, Port Hudson, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Platt, Oberlin, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. E. Prall, Knoxville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. Worms \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Roth, Freehold, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Barker, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Knecht, Easton, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Victory Piard, Jersey City, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by G. L. Collins, Paola, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ullary \u0026amp; Perry, Greenville, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Roberts, Cleveland, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. B. Zay, Findlay, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: V. B. Massey, Lancaster, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Kasten, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Aldridge \u0026amp; Merriman, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. R. Rees \u0026amp; Bros., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Pope, Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Klauber, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. J. Jacobs, New Orleans\u003c/p\u003e","\u003cp\u003ePublished by Keystone View Company\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: D. P. Barr, Army Photographer, Vicksburg, Miss.\u003c/p\u003e","\u003cp\u003ePhotographer: French \u0026amp; Co., Vicksburg, Miss.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Barr \u0026amp; Young, Army Photographers, Fort Pickering, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographed and Published by B. W. Kilburn, Littleton, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed and Published by Kilburn Brothers, Littleton, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rollins \u0026amp; Linn\u003c/p\u003e","\u003cp\u003ePublished by Keystone View Company\u003c/p\u003e","\u003cp\u003ePhotographed by Brady \u0026amp; Co., Washington, D.C.; Published by E. \u0026amp; H. T. Anthony \u0026amp; Co.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., Negative by Brady \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. 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F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch"],"odd_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eThe donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. \u003c/p\u003e\n","\u003cp\u003eDonor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).\u003c/p\u003e\n","\u003cp\u003eThese donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eAbout External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eUpon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.\u003c/p\u003e\n","\u003cp\u003ePlease note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). \u003c/p\u003e\n","\u003cp\u003ePlease also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eSuggestions for Using the Donation Listing Spreadsheet\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eMaterials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). \u003c/p\u003e\n","\u003cp\u003ePlease note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.\u003c/p\u003e\n","\u003cp\u003eResearchers can use the spreadsheet to explore the collection in many ways, including the following: \u003c/p\u003e\n","\u003cp\u003e- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).\u003c/p\u003e\n","\u003cp\u003e- To identify photographs of women, Black soldiers, and Native American soldiers.\u003c/p\u003e\n","\u003cp\u003e- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.\u003c/p\u003e\n","\u003cp\u003e- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.\u003c/p\u003e\n","\u003cp\u003e- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAbout External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eTranscript files are titled by donor accession number. (See above note titled Alphanumeric Designations).\u003c/p\u003e\n","\u003cp\u003ePlease be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eAdditional materials relating to Fitzhugh Lee are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eAdditional materials related to William S. Rosecrans are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to States Rights Gist are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003eThis photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional Materials relating to Fitzhugh Lee are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0342.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0371.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThis case contains portraits of the same unknown soldier in both ambrotype and tintype formats.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003ePT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.\u003c/p\u003e","\u003cp\u003eImage was accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eAccessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThis photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003e34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eCarte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Alphanumeric Designations","Important Information about External Documents","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. ","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). ","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). ","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following: ","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs."],"prefercite_html_tesm":["\u003cp\u003eJohn L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["John L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online \u003cemph render=\"italic\"\u003eCivil War Soldiers and Sailors Database\u003c/emph\u003e (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's \u003cemph render=\"italic\"\u003eConfederate and Southern State Currency\u003c/emph\u003e, vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's \u003cemph render=\"italic\"\u003eCivil War High Commands\u003c/emph\u003e (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).\u003c/p\u003e","\u003cp\u003eEfforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. \u003c/p\u003e","\u003cp\u003eFile titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online  Civil War Soldiers and Sailors Database  (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's  Confederate and Southern State Currency , vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's  Civil War High Commands  (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. ","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. "],"scopecontent_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. \u003c/p\u003e\n","\u003cp\u003eThe collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). \u003c/p\u003e","\u003cp\u003eSeries 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).\u003c/p\u003e","\u003cp\u003eSeries 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.\u003c/p\u003e","\u003cp\u003eSeries 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.\u003c/p\u003e","\u003cp\u003eSeries 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.\u003c/p\u003e","\u003cp\u003eSeries 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. ","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). ","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10302,"online_item_count_is":5,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T14:31:55.729Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_941_c01_c01_c5196"}},{"id":"vimtvl_repositories_2_resources_46_c06_c02_c332","type":"File","attributes":{"title":"Woodward, Eliza [Kentucky]","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vimtvl_repositories_2_resources_46_c06_c02_c332#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eArticles, biographical information\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vimtvl_repositories_2_resources_46_c06_c02_c332#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vimtvl_repositories_2_resources_46_c06_c02_c332","ref_ssm":["vimtvl_repositories_2_resources_46_c06_c02_c332"],"id":"vimtvl_repositories_2_resources_46_c06_c02_c332","ead_ssi":"vimtvl_repositories_2_resources_46","_root_":"vimtvl_repositories_2_resources_46","_nest_parent_":"vimtvl_repositories_2_resources_46_c06_c02","parent_ssi":"vimtvl_repositories_2_resources_46_c06_c02","parent_ssim":["vimtvl_repositories_2_resources_46","vimtvl_repositories_2_resources_46_c06","vimtvl_repositories_2_resources_46_c06_c02"],"parent_ids_ssim":["vimtvl_repositories_2_resources_46","vimtvl_repositories_2_resources_46_c06","vimtvl_repositories_2_resources_46_c06_c02"],"parent_unittitles_ssm":["Papers of the Mount Vernon Ladies' Association","Series 6. Vice Regents Files","Sub-Series 6.2. Vice Regents Files - Alphabetical"],"parent_unittitles_tesim":["Papers of the Mount Vernon Ladies' Association","Series 6. Vice Regents Files","Sub-Series 6.2. Vice Regents Files - Alphabetical"],"text":["Papers of the Mount Vernon Ladies' Association","Series 6. Vice Regents Files","Sub-Series 6.2. Vice Regents Files - Alphabetical","Woodward, Eliza [Kentucky]","Woodward, Eliza Brand Macalester, 1811-1897","Woodward, Eliza Brand Macalester, 1811-1897","English .","box 61","folder 10","Mrs. George Washington Woodward","Articles, biographical information"],"title_filing_ssi":"Woodward, Eliza [Kentucky]","title_ssm":["Woodward, Eliza [Kentucky]"],"title_tesim":["Woodward, Eliza [Kentucky]"],"unitdate_inclusive_ssm":["1885-1889 and 1891-1897"],"normalized_date_ssm":["1885/1897"],"normalized_title_ssm":["Woodward, Eliza [Kentucky]"],"component_level_isim":[3],"repository_ssim":["The George Washington Presidential Library at Mount Vernon"],"collection_ssim":["Papers of the Mount Vernon Ladies' Association"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2012,"parent_access_restrict_tesm":["This collection is open to research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. According to the policies of the Mount Vernon Ladies' Association, certain records in the archives may only be available for research 30 years after creation or file date. The library reserves the right to restrict access to items for preservation purposes."],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897],"names_ssim":["Woodward, Eliza Brand Macalester, 1811-1897","Woodward, Eliza Brand Macalester, 1811-1897"],"persname_ssim":["Woodward, Eliza Brand Macalester, 1811-1897"],"language_ssim":["English ."],"containers_ssim":["box 61","folder 10"],"bioghist_html_tesm":["\u003cp\u003eMrs. George Washington Woodward\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Mrs. George Washington Woodward"],"scopecontent_html_tesm":["\u003cp\u003eArticles, biographical information\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Articles, biographical information"],"_nest_path_":"/components#5/components#1/components#331","timestamp":"2026-05-21T05:55:09.076Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vimtvl_repositories_2_resources_46","ead_ssi":"vimtvl_repositories_2_resources_46","_root_":"vimtvl_repositories_2_resources_46","_nest_parent_":"vimtvl_repositories_2_resources_46","ead_source_url_ssi":"data/oai/MV/repositories_2_resources_46.xml","title_ssm":["Papers of the Mount Vernon Ladies' Association"],"title_tesim":["Papers of the Mount Vernon Ladies' Association"],"unitdate_ssm":["1858-2016"],"unitdate_inclusive_ssm":["1858-2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A.MVLA","/repositories/2/resources/46"],"text":["A.MVLA","/repositories/2/resources/46","Papers of the Mount Vernon Ladies' Association","This collection is open to research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. According to the policies of the Mount Vernon Ladies' Association, certain records in the archives may only be available for research 30 years after creation or file date. The library reserves the right to restrict access to items for preservation purposes.","Includes accession (accrual) 2019-A-030. \"Mt. Vernon gingerbread\" recipe. Also includes 2021-A-009 with letters concerning a visit by Major George Scapini and descendant Julian Washington.","Content from this item has been scanned as JPG. Please contact library staff for more details.","Some items in this folder have been scanned as JPG or PDF. Please contact library staff for more details.","Some items in this folder have been scanned as JPG or PDF. Please contact library staff for more details.","Some items from this folder have been scanned as PDF or JPG. Please contact library staff for more details.","Some items in this folder have been scanned as PDF or JPG. Please contact library staff for details.","Some items in this folder have been scanned as PDF or JPG. Please contact library staff for details.","Some items in this folder have been scanned as PDF. Please contact library staff for more details.","Some items in this folder have been scanned as PDF or JPG. Please contact library staff for more details.","Some items from this folder have been scanned as PDF or JPG. Please contact library staff for more details.","Some items from this folder have been scanned as PDF of JPG. Please contact library staff for more details.","Some items in this folder have been scanned as JPG or PDF. Please contact library staff for more details.","Some items in this folder have been scanned in PDF or JPG. Please ask library staff for more details.","Some items in this folder have been scanned as PDF or JPG. Please contact library staff for more details.","Some items in this folder have been scanned as PDF or JPG. Please contact library staff for more details.","An item from this folder has been scanned as a PDF. Please contact library staff for more details.","Some items from this folder have been scanned as PDF or JPG. Please contact library staff for more details.","An item in this folder has been scanned as a PDF. Please contact library staff for more details.","Several items in Mrs. Coolidge's files have been scanned as PDF or JPG. Please contact library staff for more details.","Several items from Mrs. Coolidge's files have been scanned as PDF or JPG. Please contact library staff for more details.","Several items from Mrs. Coolidge's files have been scanned as PDF or JPG. Please contact library staff for more details.","Some items in this folder have been scanned as PDF or JPG. Please contact library staff for details.","Some items in this collection have been scanned as PDF or JPG. Please contact library staff for more details.","Some items in this folder have been scanned as PDF or JPG. Please contact library staff for more details.","Some items in this folder have been digitized as JPG or PDF. Please contact library staff for more details.","Some items in this folder have been scanned as JPG or PDF. Please contact library staff for more details.","Some items in this folder have been scanned as JPG or PDF. Please contact library staff for more details.","Some items in this folder have been scanned as JPG or PDF. Please contact library staff for more details.","Some items in this folder have been scanned as PDF or JPG. Please contact library staff for details.","Some items in this folder have been scanned as PDF or JPG. Please contact library staff for details.","Some items in this folder have been scanned as PDF or JPG. Please contact library staff for more details.","Some items in this folder have been digitized as JPG or PDF. Please contact library staff for more details.","Some items from this folder have been scanned as PDF or JPG. Please contact library staff for more details.","Some items in this folder have been digitized as PDF or JPG. Please contact library staff for more details.","Some items in this folder have been scanned as PDF or JPG. Please contact library staff for more details.","Some items in this folder have been scanned as JPG or PDF. Please contact library staff for more details.","Some items in this folder have been scanned as PDF or JPG. Please contact library staff for more details.","Some items in this folder have been scanned as PDF or JPG. Please contact library staff for more details.","Some items in this folder have been scanned as PDF or JPG. Please contact library staff for more details.","An item from this folder has been scanned as a JPG. Please contact library staff for more details.","Some items from this folder have been scanned as PDF or JPG. Please contact library staff for more details.","Some items in this folder have been scanned as PDF or JPG. Please contact library staff for more details.","Some items from this folder have been scanned as PDF or JPG. Please contact library staff for more details.","Some items in this folder have been scanned as PDF or JPG. Please contact library staff for more details.","Some items from this folder have been scanned as PDF or JPG. Please contact library staff for more details.","Some items in this folder have been scanned as PDF or JPG. Please contact library staff for more details.","Some items in Mrs. Walton's folders have been scanned as JPG or PDF. Please contact library staff for more details.","Some items in Mrs. Walton's folders have been scanned as JPG or PDF. Please contact library staff for more details.","Some items in this folder have been scanned as PDF or JPG. Please contact library staff for details.","copy in Photographs addenda","copy in Series 6.1","The Papers of the MVLA is divided into six series, one of which has been further split into two subseries. The majority of material is organized alphabetically, however each series has an arrangement note to explain unique caveats to the organizational structure. The series and subseries are arranged as follows:","Series 1. Committee Files\nSeries 2. Council Files\nSeries 3. Minutes of the Council, original\nSeries 4. Regent's Files\nSeries 5. Papers of the Vice Regents\nSeries 6. Vice Regents Files","Series 6.1. General","Series 6.2. Alphabetical","Alphabetically by committee and folder title, then chronologically.","Chronologically by Council date, then alphabetically by folder title.","Chronological.","Chronologically by Regent, then alphabetically by folder title.","Alphabetically by Vice Regent, then alphabetically by folder title.","Subseries \n6.1 Vice Regents Files – General \n6.2 Vice Regents Files – Alphabetical","Alphabetically by Vice Regent.","An addition with multiple accession numbers was processed in 2023 following the same series order, and is described in full at the end of the collection. Further additions may be processed separately and will include born digital files.","The Mount Vernon Ladies' Association of the Union was founded in 1853 by Ann Pamela Cunningham. The purpose of the Association was to purchase Mount Vernon, the home of George Washington, in order to restore the property and open the grounds to visitors and admirers who desired to see Washington's house and tomb. Ann Pamela Cunningham became interested in the preservation of Mount Vernon when her mother, traveling down the Potomac River in 1853, saw the house in its neglected and dilapidated state and wrote to her daughter of its condition. Both women thought it shameful to allow the first President's home to fall into ruin. A determined Ann Pamela Cunningham assembled twenty-two women of like mind together to raise money to purchase the property, pay off all debt, and return the gardens and grounds to the condition in which they were left by Washington himself. John Augustine Washington III, George Washington's great-grandnephew and the owner of Mount Vernon at the time, delayed several years in selling the home to the Ladies' Association. He preferred a sale to the State of Virginia or the federal government, both of which declined purchase. In 1858 he finally agreed to sell Mount Vernon to Ann Pamela Cunningham and the MVLA for $200,000. \nThe MVLA is the owner and executive board of Mount Vernon. Membership is made up of one Regent and 20-30 Vice Regents, each from a different state. All MVLA members assemble twice a year in April and October for Council, where they hear motions and reports concerning projects or issues at the estate. The Vice Regents also divide into committees focused on different functions and operations, and rotate members every few years. Today the Mount Vernon Ladies' Association is remembered as the first organization dedicated to historic preservation in the United States, and as innovators in the field of preservation. The Association remains loyal to its original goals, the restoration and care of Mount Vernon, and educating people all over the world about George Washington's life and legacy. Mount Vernon is open to visitors 365 days a year. The estate now consists of not only the Mansion and tomb of Washington, but restored gardens, outbuildings, Pioneer Farm, Gristmill, Distillery, museum and orientation center, the National Library for the Study of George Washington, gift shops, food pavilion, and the Mount Vernon Inn restaurant. \nList of Regents of the MVLA: \n•\tAnn Pamela Cunningham, 1853-1874 resigned 1874, died 1875\n•\tLily Macalester Berghmans Laughton, 1874-1891, died 1891\n•\tJustine Van Rensselaer Townsend, 1891-1909, died 1912\n•\tHarriet Clayton Comegys, 1909-1927, died 1927\n•\tAlice Haliburton King Richards, 1927-1936, died 1936\n•\tHarriet Cole Towner, 1937-1942, died 1942\n•\tMary Vilas Hanks, 1943-1948, died 1959\n•\tHope Hodgman Harkness (formerly Hope H. Powel), 1948-1958, died 1974\n•\tRosamond Harding Randall Beirne, 1958-1968, died 1968\n•\tElizabeth Throckmorton Cooke, 1968-1976, died 1993\n•\tFrances Claiborne Guy, Jr., 1976-1982\n•\tHelen Sharp Anderson, 1982-1986, died 2013\n•\tEugenia Ayer Merrill Seamans, Jr., 1986-1990, died 2010\n•\tMabel Alleyne Livingstone Bishop, 1990-1993, died 2007\n•\tLaura Vaughan Inge Morrissette, 1993-1996\n•\tJane Carew Lee, 1996-1999\n•\tEllen Carroll Walton, 1999-2004\n•\tGay Hart Gaines, 2004-2007\n•\tBoyce Lineberger Ansley, 2007-2010, died 2016\n•\tAnn Haunschild Bookout III, 2010-2013\n•\tBarbara Bourgeois Lucas II, 2013-2016\n•\tSarah Miller Coulson, 2016-","Mrs. John Vanneman Abrahams","Mrs. Richard C. Alexander","Mrs. Richard C. Alexander","Mrs. Richard C. Alexander","Mrs. Richard C. Alexander","Mrs. Richard C. Alexander","Mrs. William Ames","Mrs. Thomas Dunaway Anderson","Mrs. Thomas Dunaway Anderson","Mrs. Thomas Dunaway Anderson","Mrs. Thomas Dunaway Anderson","Mrs. Edward Clifford Anderson","Mrs. Jefferson Randolph Anderson","Mrs. Jefferson Randolph Anderson","Mrs. Alexander Boyd Andrews","Mrs. Shepard Bryan Ansley","Mrs. Shepard Bryan Ansley","Mrs. Andrew W. Armour IV","Mrs. John Karl Aurell","Mrs. James McNair Baker","Mrs. William Balfour","Mrs. Charles Burgess Ball","Mrs. Joseph K. Barnes","Mrs. William Francis Barret","Mrs. Mason Brown Barret","Mrs. William Barry","Mrs. Thomas B. Battle","Mrs. Thomas B. Battle","Mrs. Thomas Francis","Mrs. Thomas Francis Bayard","Mrs. Francis Foulke Beirne","Mrs. John Mirza Bennett","Mrs. Harold Lee Berry","Mrs. Clarence Morton Bishop, Jr.","Mrs. Clarence Morton Bishop, Jr.","Mrs. Clarence Morton Bishop, Jr.","Mrs. Clarence Morton Bishop, Jr.","Mrs. Clifton McCausland Bockstoce","Mrs. Chester Castle Bolton","Mrs. Chester Castle Bolton","Mrs. Chester Castle Bolton","Mrs. Chester Castle Bolton","Mrs. Chester Castle Bolton","Mrs. Chester Castle Bolton","Mrs. Kenyon Castle Bolton","Mrs. William Harold Borthwick","Mrs. David L. Bowlin","Mrs. David Bradford","Mrs. Willard Hall","Mrs. Samuel J. Broadwell","Mrs. Charles Brockett","Mrs. Charles Brockett","Mrs. James Brooks","Mrs. John Carter Brown II","Mrs. Horace Brown","Mrs. Aaron Venable Brown","Mrs. Sam Buchanan","Mrs. Charles Lalor Burdick","Mrs. Charles Lalor Burdick","Mrs. Morris Williams Bush","Mrs. Richard Cabot","Mrs. Samuel Cabot","Mrs. Tyler R. Cain","Mrs. Richard W. Call","Mrs. Robert Campbell","Mrs. George Albert Carpenter","Mrs. George Albert Carpenter","Mrs. George Albert Carpenter","Mrs. George Albert Carpenter","Mrs. Everett B. Carson","Mrs. James Chesnut","Mrs. Frank Anderson Chisholm","Mrs. Robert Goodloe Harper Clarkson","Mrs. Thomas LeRoy Collins","Mrs. Francis Stevens Conover","Mrs. Thomas Turner Cooke","Mrs. Thomas Turner Cooke","Mrs. Thomas Turner Cooke","Mrs. Thomas Turner Cooke","Mrs. Thomas Turner Cooke","Mrs. Thomas Turner Cooke","Mrs. Thomas Turner Cooke","Mrs. Thomas Turner Cooke","Mrs. John Templeman Coolidge","Mrs. John Templeman Coolidge","Mrs. John Templeman Coolidge","Mrs. William Ruffin Cox","Mrs. James F. Crumpacker","Mrs. Beaufort Barnwell Cubbedge","Mrs. Henry Gold Danforth","Mrs. Henry Gold Danforth","Mrs. Henry Gold Danforth","Mrs. Henry Gold Danforth","Mrs. William Lipscomb Davis","Mrs. Lockwood De Forest","Mrs. Lockwood De Forest","Mrs. Thomas Palmer Denham","Mrs. Arthur J. Dewey, Jr.","Mrs. Platt Ketcham Dickinson","Mrs. John Forest Dillon","Mrs. William Hemsley Emory","Mrs. William Joseph Eve","Mrs. J. Hap Fauth","Mrs. Graham Newell Fitch","Mrs. Francis Brinley Fogg","Mrs. Antoine Lentilhon Foster","Mrs. George Russell Freeman","Mrs. Charles Eliot Furness","Mrs. Stanley Noyes Gaines","Mrs. Stanley Noyes Gaines","Mrs. Stanley Noyes Gaines","Mrs. Stanley Noyes Gaines","Mrs. Stewart Gammill III","Mrs. Stewart Gammill III","Mrs. Stewart J. Gilchrist","Mrs. George Robins Goldsborough","Mrs. Samuel Griswold Goodrich","Mrs. Benjamin Brown Graham","Mrs. Horatio Greenough","Mrs. Randolph Hobson Guthrie","Mrs. John Henry Guy","Mrs. John Henry Guy","Mrs. Randall H. Hagner","Mrs. Randall H. Hagner","Mrs. Randall H. Hagner","Mrs. Randall H. Hagner","Mrs. Randall H. Hagner","Mrs. Randall H. Hagner","Mrs. Benjamin Ambler Hagood","Mrs. Walter Newman Haldeman","Mrs. Salma Hale","Mrs. Nathaniel Norris Halsted","Later Mrs. George Lee Schuyler","Mrs. F. Woodson Hancock, Jr.","Mrs. William Vilas Hanks","Mrs. Lucien Mason Hanks","Mrs. Lucien Mason Hanks","Mrs. Lucien Mason Hanks","Mrs. Lucien Mason Hanks","Mrs. Albert Harkness, previously Mrs. Thomas Ives Hare Powel","Mrs. Albert Harkness, previously Mrs. Thomas Ives Hare Powel","Mrs. Albert Harkness, previously Mrs. Thomas Ives Hare Powel","Mrs. Fairfax Harrison","Mrs. Fairfax Harrison","Mrs. Fairfax Harrison","Mrs. Preston Hampton Haskell","Mrs. George Hearst","Mrs. George Hearst","Mrs. Frank X. Henke III","Mrs. Nathaniel Peter Hill","Mrs. Benjamin Dickson Hitz","Mrs. Benjamin Dickson Hitz","Mrs. Benjamin Dickson Hitz","Mrs. Benjamin Dickson Hitz","Mrs. Arthur John Holden","Mrs. Marvin Early Holderness","Mrs. Marvin Early Holderness","Mrs. Marvin Early Holderness","Mrs. Henry Hollenberg","Mrs. Daniel Walker Hollis","Mrs. William Henry Hudson","Mrs. Wilson Price Hunt","later Mrs. Seabrook W. Sydnor","Mrs. Lewis M. Irwin","Mrs. Henry Porter Isham","Mrs. Henry Porter Isham","Mrs. Henry Porter Isham","Mrs. Henry Porter Isham","Mrs. Alexander Jeffrey","Mrs. Robert Ward Johnson","Mrs. Robert Daniel Johnston","Mrs. John Witherspoon Labouisse","Mrs. Thomas Stilwell Branscombe","Mrs. Charles G. Lane","Mrs. John Scott Laughton, previously Mme. Alfred Berghmans","Mrs Robert W. Lawson III","Mrs. John Leary","Mrs. Robert E. Lee IV, previously Mrs. Cotton Rice","Mrs. Robert E. Lee IV, previously Mrs. Cotton Rice","Mrs. Robert E. Lee IV, previously Mrs. Cotton Rice","Mrs. Robert E. Lee IV, previously Mrs. Cotton Rice","Mrs. Levi Zeigler Leiter","Mrs. Henry S. Le Vert","Mrs. Wilmarth Sheldon Lewis","Mrs. Wilmarth Sheldon Lewis","Mrs. Wilmarth Sheldon Lewis","Mrs. Charles Jacob","Mrs. John Cunningham Lobb","Mrs. Earl King Lord","Mrs. Earl King Lord","Mrs. James Fairfax Loughborough","Mrs. James Fairfax Loughborough","Mrs. James Fairfax Loughborough","Mrs. Stanley David Lyle","Mrs. John F. Mars","Later Mrs. Edwin Holland Terrell","Mrs. Thomas Sheldon Maxey","Mrs. J. Craig McIlvain","Mrs. William McWillie","Mrs. William Robert Mercer, Jr.","Mrs. Alexander Mitchell","Mrs. P. William Moore, Jr.","Mrs. Benjamin Allston Moore","Mrs. Hiram Taylor Morrissette","Mrs. Isaac Edward Morse","Mme. Achille Murat","Mrs. Charles Nagel","Mrs. Donald J. Nalty","Mrs. James T. Neal","Mrs. Robert Neill, Jr.","Mrs. Phillip B. Newman III","Mrs. Carl J. Olander, Vice Regent for Kansas 1970-1986, Vice Regent for Colorado 1986-1995","Mrs. Arthur Newton Pack","Mrs. Arthur Newton Pack","Mrs. Arthur Newton Pack","Mrs. Edward Horatio Parker","Later Mrs. John Rutledge Abney","Mrs. Benjamin Franklin Pepper","Mrs. Celsus Price Perrie","Mrs. David A. Pfaelzer","Mrs. Francis Wilkinson Pickens","Mrs. Alex Pirtle, Jr.","Mrs. Henry Norris Platt","Mrs. Henry Norris Platt","Mrs. Henry Norris Platt","Mrs. Henry Norris Platt","Mrs. Henry Norris Platt","Mrs. Horton Pope","Mrs. John Julius Pringle","Mrs. Joshua Henry Rathbone","Mrs. James Gore King Richards","Mrs. Tobias Gibson Richardson","Mrs. Benjamin Sherrod Ricks","Mrs. William Foushee Ritchie","Mrs. Henry Woodward Rogers","Mrs. Henry Woodward Rogers","Mrs. Henry Woodward Rogers","Mrs. Henry Woodward Rogers","Mrs. Philip Schuyler","Mrs. Charles Gordon Scott","Mrs. Douglas Seaman","Mrs. Robert Seamans (Dr. Robert Channing Seamans, Jr.)","Mrs. Robert Seamans (Dr. Robert Channing Seamans, Jr.)","Mrs. Lloyd A. Semple","Mrs. John Reynolds Shelton. Mistakenly written as Harriet Handy Shelton in multiple publications, but Harriet Shelton was John Shelton's first wife who died in 1922. Clara Francis Shelton, his second wife, was the MVLA Vice Regent.","Mrs. Nelson Turner Shields III","Mrs. William Ewen Shipp","Mrs. Henry Hastings Sibley","Mrs. Richard R. Simplot","Mrs. Tom K. Smith, Jr.","Mrs. Frank Garden Strachan","Mrs. Frank Garden Strachan","Mrs. Frank Garden Strachan","Mrs. Frank Garden Strachan","Mrs. Richard H. Streeter","Mrs. John Lawrence Sullivan","Mrs. Lorenzo de Medici Sweat","Mrs. Thomas Seddon Taliaferro, Jr.","Mrs. Russell Story Tarr","Mrs. Nathaniel Thayer III","Mrs. De Courcy Wright Thom","Mrs. Augustine Jaquelin Todd","Mrs. Horace Mann Towner","Mrs. Horace Mann Towner","Mrs. Horace Mann Towner","Mrs. Howard Townsend","Mrs. Alexander C. Troup","Mrs. Verplanck Van Antwerp","Mrs. Horace Van Deventer","Mrs. William Loring Vaughan","Mrs. Benjamin Doolittle Walcott","Mrs. William Richmond Walker","Mrs. James M. Walton","Mrs. James M. Walton","Mrs. James M. Walton","Mrs. Milan Lester Ward","Mrs. Benjamin Streeter Warren","Mrs. Benjamin Streeter Warren","Mrs. Lewis William Washington","Mrs. W. Temple Webber, Jr.","Mrs. Charles D. Weller","Mrs. Stephen K. West","Mrs. Frederick H. West","Mrs. Charles Stetson Wheeler","Mrs. Calhoun W. Wick","Mrs. Alexander Loder Wiener","Mrs. Alexander Loder Wiener","Mrs. Alexander Loder Wiener","Mrs. Alexander Loder Wiener","Mrs. Alexander Loder Wiener","Mrs. Alexander Loder Wiener","Mrs. Erskine Phelps Wilder, Jr.","Mrs. Joseph John Wilder","Mrs. Douglas Williams","Mrs. Williams A. Winder","Mrs. Gordon Woodbury","Mrs. Gordon Woodbury","Mrs. George Washington Woodward","Mrs. David Levy Yulee","A letter from this file is available digitally - DA_000262\n(Letter from Esther S. Fraser to Charles C. Wall concerning wallpaper, August 1, 1934)","Accession number 2015-A-074","1 letter from this folder is available digitally - DA_000202","Letter from the Superintendent to Mrs. Bradford concerning a grey silk needlework","Items from this folder are available digitally - DA_000261\n(Letter from Mary Evarts, Vice Regent for Vermont, to Mrs. John Brown, Vice Regent for Rhode Island, concerning the visit of the Prince of Wales to Mount Vernon and Washington's tomb, March 13, 1920. Also includes a news clipping showing the Prince at the tomb with a guard and Mr. Dodge.)","Digital copies of some items in this folder are available - DA_000201","RL-6497","Gold lettering on cover reads \"Mount Vernon, from the American Bible Society.\"","RP-691, Misc. 4845 and RP-692, Misc. 4846.","RM-949, MS-5501","Includes program for awards dinner.","Small leather book.","Includes news clippings, extracts from letters, and notes. Scrapbook of clippings compiled by Vice Regent Mrs. Sweat, 1850s-1898. RL-474.","RL-474.","Fragile.","RL-1108","2016-A-015","An item in this scrapbook is available digitally - DA_000225\n(1 black and white photograph showing the opening remarks taken during the premiere; MVLA Regent Mrs. Cook, President Ford, and French President d'Estaing are visible in the image, 1976)","Gift of Elizabeth Barry, Vice Regent from Illinois.","Presented to the MVLA. Framed, 14 ¾\" x 17 ¾\"","Signed by the Governor. Framed, 15\" x 20 ¼\".","Commemorative medal – large bronze medal with relief sculpture of Stenton Mansion on the front; reverse reads \"The Garden Club of America Preservation of Historic Gardens and Buildings,\" with engraving that reads \"Mount Vernon Ladies Association, 2010.\" 2006 Medallic Art Co., Dayton, NV","Provenance unknown.","Waterbury Button Co., Conn. (provenance unknown)","Used in publications.","Designs and images include Washington's swords, carriage, coat of arms, tools, Mount Vernon cornerstone, etc.","Notepad given away as a gift bag item for the Grand Opening of the Donald W. Reynolds Museum and Education Center, 2006. Images of the George Washington wax figures and the Savage painting appear on the sides of the notepad.","Provenance unknown.","some unlabeled","This certificate has a fragile wax seal. Please do not place folders on top of this one.","Many of these files, especially from the earlier years of the MVLA, were previously arranged in filing cabinets in the old Mount Vernon Library in the basement of the Ann Pamela Cunningham Administration Building. When possible, the original order of these files and their file names were kept during arrangement and description in this finding aid. All series in this collection are currently open-ended and small accruals will be added from time to time. Series 6 is especially fluid, as single items are often added to a specific Vice Regent's folder (such as an obituary or retirement tribute).","For original minutes dated 1860-1887, please see Box 91, 92, or 100. These minutes were located and added to the collection after initial processing.","These photographs were removed from folders within the collection for preservation purposes. Removal slips have been placed in their exact location within the folder to mark their withdrawal. Folder titles in this section correspond to the files with withdrawn photographs.","These photographs were loose and/or were not part of, or removed from, another folder in the collection.","disassembled scrapbook","Note: These items were removed from folders within the collection because of size and for preservation purposes. Removal slips have been placed in their exact location within the folder to mark their withdrawal. Folder titles in this section correspond to the files with withdrawn items.","(Received from the Curatorial department, 1992)","- Publications of the Mount Vernon Ladies' Association\n- Early Records of the Mount Vernon Ladies' Association\n- Papers of the Superintendent and Resident Director, 1850-1996\n- Bound Volumes of the Superintendent's Letters, Diaries, and Monthly Reports\n- Papers of James Rees","This collection documents the care and management of Mount Vernon through the work of the MVLA. Types of material include correspondence, reports, memos, notes, personal and biographical information, news clippings, meeting agendas, photographs, scrapbooks, and ephemera. Several highlights of the collection include the original minutes of Council meetings, scrapbooks and ledgers created by Vice Regents, and early correspondence with Regents and Vice Regents. While the library's collection \"Early Records of the MVLA\" documents the founding and early years of the organization, the Papers of the MVLA continues where that collection ended and preserves the ongoing story of these women and the fulfillment of their mission. Creators of the collection are largely the board members themselves, along with staff and employees who worked directly with them. Scope notes have been added before the content list of each series to better describe its specific provenance and content. The bulk of the collection dates from the 1950s to the 1990s, however there is a very wide range represented overall, 1858-2016.","This series contains records created and collected by various committees within the MVLA. Correspondence, reports, and meeting agendas make up the majority of material.","Letter (copy) from Esther S. Fraser, Hall Tavern in Cambridge, Massachusetts, to assistant superintendent Charles Cecil Wall, August 1, 1934. Regarding analysis of Mount Vernon's wallpaper.","During the early 1980s, MVLA members agreed the process and procedures of Council needed to be updated. One suggestion made by Resident Director John Castellani was to create a notebook for each Council organized by schedule and activity. This resulted in the organized collection of reports, itineraries, minutes, and event plans for every Council, represented in these files. This practice continues, to some degree, up to the present time.","Original minutes taken for Council meetings, 1887-1994. The earliest versions were handwritten. Later copies were cleaned up and typed for preparation to be printed. Most of the minutes are loose papers in folders, but the years 1912 through 1927 are in bound/book form. Years 1928 through 1936 are in both formats, loose and bound.","A large majority of the Regent's Files contain correspondence to and from the Regent, sometimes organized by subject. Files for more recent Regents often contain event programs or invitations, speeches, clippings, reports, printed material, and other miscellaneous items. Letters to or from VIP guests or dignitaries have been noted when possible.","Includes RM-1024, MS-5652","This series contains records that were donated or transferred to the Library by a Vice Regent or their family members. These papers were often created by individual Vice Regents during the course of their duties as MVLA members, but were not held in files at Mount Vernon. Some folders may contain personal papers. A wide range of material is represented including correspondence, subject research files, reports, articles, printed material, memos, speeches, programs, invitations, memorabilia, and ephemera. Vice Regents often collected papers concerning specific projects or committees on which they worked.","Includes letters concerning Dodge's memoirs and the tree planted by the Prince of Wales.","Includes letters concerning the Anti-Fee Association and the Powel Coach.","Includes clippings on a Mount Vernon replica in New York and a visit to Mount Vernon by a British man.","Includes a Standard Guide map of Washington, D.C., \"Washington Visits to Rhode Island,\" \"George Washington and Rhode Island,\" and \"Autograph Letters and Documents of George Washington Now in Rhode Island Collections.\"","These files were kept by staff members at Mount Vernon, most often by the Secretary to the Board, to document the lives and work of individual Vice Regents. Some items were given directly by the Vice Regents to be placed in their files, while other documents were located or collected by staff and interfiled at a later time. Types of material include mostly correspondence, clippings, obituaries, resumes, tributes and memorials, notes, memos, and ephemera.","Biographical notes dated 1952 and 1954","George Washington Biography Lesson, 1995-2005","Questionnaire for the Records, correspondence 1979-1989, play written for George Washington's birthday","Skit or play performed for a Washington birthday event, written by Captain and Hope Powel Alexander, the Vice Regent for Rhode Island, February 22, 1988.","Correspondence, 1990-1999","Correspondence, 1990-1999, booklet- George Washington in Rhode Island, Words of Washington during the Revolution","Oral history interview by Sandra Robinette","Obituary, 1904; Biographical letter by her daughter; Invitation for subscription to the Peace Dance","Biographical information, Garden Club of America, obituaries for Mr. and Mrs. Anderson","Correspondence, 1967-1979, opening remarks to Mount Vernon film, 1976","Correspondence, 1980-1989, Mount Vernon, The Texas Connection","Correspondence, 1990-1999, The Mount Vernon File, Memorabilia of Washington County's Second County Seat, Questionnaire for the Records","Correspondence 1948-1960, Mount Vernon in Virginia list","Correspondence, 1919-1939","Signed by the Regent, Harriet Comegys.","Biographical note on the service of Anne Page Wilder Anderson in the Mount Vernon Ladies' Association.","Correspondence 1940-1954","Correspondence, photographs","Obituaries, 2016","Correspondence, clippings, biographical and memorial information, Questionnaire for the Records","Correspondence, biographical information","Correspondence (Includes correspondence with U.S. Senator Bob Graham), biographical information","Obituary; descriptions of Florida Vice Regents","Biographical information; diary from 1863; census information; photograph of painting of Mrs. Balfour","Biographical information; Memorial tribute; Letter from the Governor of Virginia concerning a daguerreotype of Mrs. Ball; Copyright certificate for a Mount Vernon publication; Article about Mount Vernon","Obituary; minutes of Council from 1912 announcing her death","\"In Memoriam\" from Council Minutes; genealogy","Correspondence 1938-1955, obituaries, memorial from the minutes","Booklet, biographical information and memorial from minutes","Correspondence; gift annuity agreement; Questionnaire for the Records","Summary of Auction Activities, 1997","Correspondence, 1937-1942","Correspondence and biographical information, 1943-1975; list of gifts to Mount Vernon","Correspondence, biographical and genealogical information, and clippings, resolution to Council on her death, listing of her descendants, Questionnaire","Biographical information, obituaries, and correspondence (Includes letter from Mamie D. Eisenhower), Questionnaire","Correspondence (Includes some poetry and other writings, and a list of \"Association Papers Returned to Mount Vernon\"), Obituary, list of committee assignments, in memoriam, listing of Maine bedroom furniture","Correspondence, 1927-1954","Articles about house tour, obituary, Questionnaire, correspondence, tribute to her","Correspondence 1977-1989, Questionnaire, 1982 GW's 250th birthday calendar done by Oregon school children","Correspondence as Regent (Includes photocopies of letters from President and First Lady Bush), articles","Correspondence (Includes Memorial booklet, 2007; List \"Shingles – For Mrs. Bishop\")","Publications concerning Mount Vernon visit of Queen Elizabeth, 1991","Correspondence and biographical information, Questionnaire","Correspondence and biographical information, Questionnaire, memorial","In memoriam; articles; questionnaire; correspondence","Clippings, biographical information, memorial information; Guide to Mrs. Bolton's Papers (Western Reserve Historical Society)","Clippings, Laminated notebook of news clippings","Congressional newsletters by Mrs. Bolton, Campaign material","Congressional Records, September 1965 and March 1977; Booklet – \"Letters from Africa\"; Newsletters to constituents","Correspondence 1938-1960, Questionnaire, biographical data","Correspondence 1961-1977","Questionnaire, correspondence","Correspondence, email 2004-2005","Correspondence and biographical information","Correspondence, Questionnaire","Correspondence and memorial information, 1925-1942","Letter from the assistant superintendent, James Young, to Mary Bradford, Vice Regent for New Jersey, April 2, 1931. In regards to a grey silk needlework bag reported to have been given by Martha Washington to Mrs. Peale.","Newspaper obituary","Correspondence, 1955-1994; Booklet, \"Annals of Iowa,\" (info on Vice Regents from Iowa), condolence letter","Questionnaire, correspondence, husband's obituary, Annals of Iowa book","Biographical information, magazine article copies","Correspondence, articles","Letter from Mary Evarts, Vice Regent for Vermont, to Anne Brown, Vice Regent for Rhode Island, March 13, 1920. Mentions the visit of the Prince of Wales to Mount Vernon and encloses a clipping with a photograph of the Prince, superintendent Harrison Dodge, and Tomb guard Charles Simms at Washington's Tomb. Evarts also discusses the recent death of Amy Townsend, Vice Regent for New York, and the poor health of Elizabeth Pringle, Vice Regent for South Carolina.","Correspondence","Obituary, wedding announcement","Questionnaire, correspondence, articles","Questionnaire, correspondence, note cards","Correspondence, death announcement","Correspondence, clippings, Questionnaire, death announcement","Correspondence, certificate as Vice Regent","Correspondence 1942-1955","Correspondence, obituaries","Correspondence, Questionnaire","Correspondence 1960-1969, Memorial information and booklet","Letter from Samuel Cabot, son of Nancy Cabot, Vice Regent for Massachusetts, to Hope Harkness, Vice Regent for Rhode Island, June 10, 1969. Gives biographical information about his mother after her passing.","Correspondence, Questionnaire","L.A. Alive Magazine; correspondence; Questionnaire","Articles, Campbell House Museum info","Correspondence, Certificate of appointment as Vice Regent","Correspondence; Article, \"The Regents of Mount Vernon\"; Watercolor of Mount Vernon by Marie Blanke; Bylaws of the MVLA","Correspondence and \"Reminiscences\"","\"Returned Papers\" of Mrs. Carpenter, correspondence and MVLA publications","Resume; correspondence","Prospective form; correspondence; Questionnaire; Organizational Capacity Survey, and biographical information","Biographical information; letter verifying she met Washington","Questionnaire; correspondence","Biographical note","Correspondence and clippings, articles about husband's political campaigns","Clippings, manuscript and paper copy of article on the origin of the MVLA, correspondence","Biographical sketch and personal details, excerpts of state reports and letters","In Memoriam booklet and obituary, 1914; Reference letter from MV Librarian","Correspondence 1946-1953","Correspondence 1954-1959","Correspondence; articles; paper on the traditions of the MVLA","Correspondence (Includes correspondence concerning the preservation of the view of the Potomac and letter from Pat Nixon); Program on commissioning ship Mount Vernon","Correspondence (Includes information on donations and contributions for the Capital Campaign and list of donors from New Jersey)","Correspondence (Includes information on donations and contributions for the Capital Campaign and family history for the Throckmortons)","Correspondence (Includes information on donations and contributions for the Capital Campaign)","Correspondence and memorial information","Correspondence","Correspondence","Correspondence","Note about her death","Prospective form; correspondence; Questionnaire","Correspondence, Questionnaire","Correspondence","Correspondence","Correspondence, includes letter by Governor Colgate Darden of Virginia","Newspaper clippings; manuscript of speech; resignation letter; reminiscences; in memoriam; certificate of her appointment as Vice Regent; biographical piece; correspondence after her resignation","Questionnaire; correspondence; letter of resignation; notes written in tribute to her","Correspondence","Obituaries; tributes; correspondence; Questionnaire","List of MVLA history; correspondence; copy of photograph","Questionnaire; correspondence; tribute on her resignation","Biographical information","Biographical information; memoir written by her husband","Resume; correspondence; in memoriam","Article on the history of Detroit, biographical information","Correspondence; news clippings","Biographical information; article about her life","Obituary or memorial for the first MVLA Vice Regent for Georgia, Philoclea Eve. Typed on December 23, 1952 for her file. Note the appointment date at the top is incorrect. Eve was appointed Vice Regent in 1858.","Correspondence","Correspondence","Correspondence, news clippings, biographical article","Correspondence, biographical information, committee work, research on former Minnesota Vice Regents; prospective Vice Regent form; copy of historical magazine of MN; development information","Biographical information","Biographical information","Correspondence; list of MVLA service","Memo, bio note","Clippings, biographical and memorial information","Correspondence; memorials; Questionnaire; report on outbuildings","Memorial information","Correspondence and memorial information","Correspondence, speeches or remarks, and Questionnaire/biographical information","Correspondence, speeches or remarks, and Questionnaire/biographical information","Correspondence as Regent","Correspondence to Mrs. Gaines as Regent","Biographical information; tributes to her service; correspondence; Questionnaire","Correspondence; letter from Sen. Trent Lott; biographical sketch; notes for talk","Obituary; correspondence; Questionnaire","News clippings","Biography of her husband; research on her as first VR from Connecticut","Biographical information, correspondence","Transcription of letter, 1858","Correspondence, Questionnaire, resume","Questionnaire, correspondence, tributes","Correspondence","Correspondence, Founders Committee minutes, biographical information, memorial service info, Questionnaire","Correspondence, Founders Committee minutes, biographical information, Questionnaire, memorial service info","Correspondence, Founders Committee minutes, biographical information, description of dinner for The Washington Antique Show; description of reception at French Embassy; other special events invitations; obituary","Correspondence and clippings","Correspondence, Donation of Willard scrapbook","Correspondence","Correspondence, Questionnaire","Correspondence and Memorial information","Booklet, \"In Memory of Sarah King Hale\" and biographical information","Obituary, letter to Mr. Townley Esq., and transcription of letter (RM 1206)","Biographical information and transcriptions of letters, correspondence","Correspondence; prospective Vice Regent form","Correspondence and biographical information, Questionnaire, memorial info","Correspondence; certificate of her appointment as Vice Regent","Correspondence","Correspondence","Correspondence and Memorial information","Correspondence","Correspondence, 1940-1949; List of documents acquired at the sale of the Armstrong Collections","Correspondence","Obituary","Correspondence and biographical information","Letters from correspondence file of Hetty Harrison, Vice Regent for Virginia, including letters to and from, date range 1924-1936. Letters mostly concern Mansion furnishings, wallpaper, and similar topics.","Correspondence","Correspondence, article","Correspondence; questionnaire; obituary; memorials","Photocopies of correspondence, Bancroft Library material, University of California at Berkeley","Research file with biographical and legacy information; clippings; List of gifts to Mount Vernon; correspondence; obituaries and tributes","Questionnaire; prospective Vice Regent form; correspondence, includes 2018-A-020","Biography; obituary","Correspondence, 1937-1955; Accession lists, 1949-1951; Descriptions for Mount Vernon slides","Correspondence, 1955-1966; Library reports and accessions","Correspondence, 1966-1970; Library reports and accessions","Correspondence and Memorial information, 1971-1979; clippings","Correspondence; program from commissioning of US Ship Mount Vernon; Questionnaire","Correspondence","Correspondence, Questionnaire","Correspondence and memorial information, 1963-1971; clippings","Correspondence, Questionnaire","Correspondence","Booklet, \"Washington's House\" by Mrs. Hudson; Biographical note, 1980; Correspondence (Connecticut Room), correspondence with Mrs. Hudson's niece Miss Carmalt (RM-1132); photographs (copies) of Susan Hudson and her husband, photograph of a portrait of William Dunlap and note by descendant.","Biographical information","Biographical and Memorial information; \"Notes for Talks on Mount Vernon,\" correspondence","Biographical information; transcript of letter from APC appointing her; obituary","Biographical note on Ella Hutchins Sydnor, the first Vice Regent for Texas, with accompanying transcription and news clipping.","One sheet reference to an MVLA book she is listed in","Correspondence; blueprint of traffic circle from Virginia Electric","Correspondence and clippings (Includes correspondence with Congressmen and Letitia Baldridge, First Lady Jackie Kennedy's secretary, concerning the preservation of the view of the Potomac River or Operation Overview)","Correspondence (Includes correspondence concerning the preservation of the view of the Potomac River or Operation Overview)","Correspondence, 1966-1990; Script to slide presentation on Washington's china","Clipping of poem about Washington by Mrs. Jeffrey","Correspondence (includes two letters by William Taft)","Correspondence (includes two letters by William Taft)","Correspondence, 1938-1939; Letter concerning Miss Jennings from President William H. Taft, 1914; Memorial information; Booklet – \"Seabury Society for the Preservation of the Glebe House\"","Obituary","Correspondence, 1925-1932; Memorial information and booklet, 1934; Biographical information","Letter from Elizabeth Johnston, Vice Regent for Alabama, to her children. Written to be opened upon her death, reflecting on her life. Circa 1934.","Correspondence; memorial info, obituary of her sister, Grace King","Correspondence, 1944-1985; Family history; Memorial information; Questionnaire","Correspondence; list of committees; tribute; obituary","Prayer for Council 2006","Obituaries and news clippings","Correspondence and biographical information, Questionnaire","Correspondence, 1925-1933; Information on Mount Vernon replica; clippings; information from NSDAR about Rainier chapter house; and obituaries","Correspondence, speeches or remarks, and biographical information","Correspondence, speeches or remarks, and biographical information","Correspondence, speeches or remarks, biographical and memorial information","Oral history transcript","Photocopies of letters and obituary","Biography; copy of poem for her by Poe; sketch; poem in tribute; Copy of Mobile Bay magazine, January 2024 issue with article \"Saving Washington's Mount Vernon,\" by Mount Vernon staff member Breck Pappas.","Correspondence, 1942-1951","Correspondence","Correspondence, 1955-1959; Clippings and information on Mr. Wilmarth Lewis; Memorial booklet; CD with content from the Lewis Walpole Library, Yale University; transcript of interview recording of Mrs. Lewis; Two copies of booklet for the exhibition \"Dancing on a sunny plain: The life of Annie Burr Auchincloss Lewis\" by Yale University.","Correspondence","Correspondence; article about proposed sewer project near MV","Correspondence to and from Miss Longfellow; Letters from family concerning Miss Longfellow; Postcards of Longfellow House; Clippings; Paper \"The Shrine of Mount Vernon\"","Letter from Henry Wadsworth Longfellow Dana to the Vice Regent for Connecticut, Annie Burr Jennings, January 31, 1930. Thanks her for the copy she sent of the MVLA Annual Report, speaks of his aunt Alice Longfellow who recently died, and mentions other MVLA matters.","Correspondence (Includes letter from U.S. Senator Arthur Capper)","Correspondence and obituaries","Correspondence, 1932-1941; Pamphlets on Historic Restoration in Arkansas","Correspondence","Correspondence, 1951-1963; Clippings and obituaries; Reminiscences from a trip to the Soviet Union; Information on Historic Preservation work in Arkansas","Correspondence; biography; obituary","Correspondence, biographical information, and retirement tributes","Biographical information","Correspondence, 1896-1954; Clippings; \"Washington's First Defeat\"; Biographical information; certificate of appointment as Vice Regent","Correspondence, speeches or remarks, and biographical information, Questionnaire","List of items from the Early Records Collection, Biography, listing of MV activities","Correspondence, Portrait information (MFA Boston)","Letter from Martha Mercer, Vice Regent for Pennsylvania, to Harrison Dodge, superintendent, undated (October 7). She has received the tree report and thinks he must be very happy with it. The next step is to do the work. Autograph letter signed.","Biographical information; List of items from Early Records Collection","Correspondence, resume, prospective VR form, Questionnaire","Questionnaire, correspondence","Correspondence, speeches or remarks, and biographical information, Questionnaire, letter from Senator Bob Graham, FL","Biographical information, original certificate of appointment signed by Ann Pamela Cunningham","Biographical information","Correspondence","Correspondence, tributes, Questionnaire, customs and practices of the MVLA","Questionnaire, correspondence, measured drawing of walkway to administration building by Dean Norton, 1985, tribute to her service","Correspondence and clippings, Questionnaire","Correspondence and biographical information, Questionnaire","List of items in the Early Records Collection; Biographical information","Questionnaire, correspondence, resignation letter, articles","Correspondence","Correspondence, biographical information","Correspondence, 1980-1990, Clippings, Publication, \"The Ghost Ranch Story\" by Arthur Pack, Questionnaire","Letter to her mother (with letter of provenance, 1937)","Photostats from a Cincinnati Enquirer story about her family (with letter of provenance, 1964)","Correspondence, obituary","Obituary, 1938 (retrieved 2022)","Correspondence, obituary","Correspondence, articles, and other writings, Questionnaire","Biographical information; Clippings; Confederate 100 dollar note with her likeness; Booklet – \"Charleston, S.C. and Mount Vernon\"","Correspondence, obituary, memorial","Correspondence","Correspondence","Correspondence with Charles C. Wall","Memorial information, clippings, and writings","Speeches and presentations","Correspondence","Correspondence, memorial","Clippings and biographical information","Writings on Mount Vernon; Booklets, \"The Mount Vernon Society of Detroit Michigan,\" and \"What Michigan Has Done for Mount Vernon\"","Letter regarding visit of dignitaries to Mount Vernon, 1917; Clipping regarding the visit of First Lady Eleanor Roosevelt","Memoir written one day after the event of the French and British missions visit to Mount Vernon on April 29, 1917. Written by the Vice Regent for Maine (later Regent), Alice Richards.","Memorial booklet printed after the death of MVLA Regent Alice Richards. Gives details and information about her life and work.","Certificate as Vice Regent, clippings","Correspondence, biographical information, events, remarks, articles, photobook","Letter written about her in 1952","Letter from Miss Riggs to Mrs. Towner, undated; Letter informing of the death of Miss Riggs, 1930; List of items in the Early Records Collection","Biographical information and clippings; Thesis \"Anna Cora Mowatt and Her Audience,\" by Imogene McCarthy","Correspondence and biographical information","Correspondence, 1915-1918","Correspondence, 1918-1925","Correspondence, 1926-1931","Correspondence, memorial information","Genealogical information","Obituary, 1910, retrieved 2022","Correspondence, clippings, paper read by her at Colonial Dames meeting","Correspondence; copy of letter from Barbara Bush; Customs and Practice of MVLA, April 1986; questionnaire","Correspondence (Includes letters from President George Bush, Sr., Barbara Bush, Richard Nixon, and Sandra Day O'Connor)","Program with menu, event information, and itinerary for a dinner on Washington's birthday for the benefit of the MVLA.","Personal memoir of her trip to Paris for the bicentennial of the French Revolution and loan of the key to the Bastille, July 1989.","Memorandum by Eugenia Seamans, Regent, to the Vice Regents and staff thanking them for contributing to the success of their commemoration of the bicentennial of George Washington's inauguration.","A thank you letter from President Richard Nixon to Eugenia Seamans, Regent, May 9, 1989. Autograph letter signed.","A thank you letter from President Bush to the Regent for his tour of Mount Vernon with King Hussein. Autograph letter signed.","The First Lady thanks the Regent for coming to tea with the other Vice Regents at the White House. Autograph letter signed.","Correspondence and Memorial information","Correspondence and biographical information, Questionnaire, Tribute","Correspondence and Memorial information","Correspondence and biographical information, Questionnaire","Correspondence","Biographical information; List and photocopies of items from the Early Records Collection","Prospective form, tribute, Questionnaire, correspondence","Questionnaire, correspondence, tribute, articles about Washington","Correspondence, Questionnaire, Garden Committee reports","Correspondence 1970-1979, Garden Committee reports, Articles, committee assignments, letter of resignation","Correspondence, remarks","Correspondence, donations, and biographical information","Correspondence, speeches, Questionnaire, resume","Correspondence, Memorial information, Questionnaire, obituaries","Transcriptions of letters, 1877; Correspondence, 1898-1900; Paper – \"A Chapter in the History of the Mount Vernon Ladies Association,\" 1905; Address – \"The National University and the George Washington Memorial\"","Correspondence and biographical information (Includes letters from Wyoming Senators and Congressmen)","Correspondence, Questionnaire, articles, and Memorial information","Correspondence","Would like him to send information on fire protection at Mount Vernon. Discusses Washington's books with the Boston Athenaeum. Autograph letter signed.","Correspondence and biographical information","Questionnaire, correspondence, obituary","Articles and other writings; Clippings; Memorial information","Correspondence (Includes letters to and from President Franklin Roosevelt), publication about Mount Vernon written by Mrs. Towner","Personal notebooks on Mount Vernon and bookplates","Obituary","Biographical information; Transcriptions of letters","Correspondence","Correspondence (Includes correspondence concerning the 100th Anniversary Committee; Memorial information; Personal inscribed copy of \"Mount Vernon China\"); Questionnaire","Correspondence, appeal, \"Washington Portraits,\" calling cards","Correspondence, 1919-1956, paper detailing Tennessee involvement with Mount Vernon, obituary, Questionnaire","Correspondence (Includes letters on the donation of the Vaughan journal and manuscripts), Questionnaire","Tells her she has been elected as a Vice Regent for the Mount Vernon Ladies' Association. Gives information about being a Vice Regent. Autograph letter signed.","Correspondence","Obituary, 1908; Biographical note","Correspondence and biographical information, Questionnaire","Correspondence and biographical information","Oral history transcript, 2009","Booklet, \"Bit of Mount Vernon History: Taken from the Records of Mount Vernon Ladies' Association, Brought before Council of 1898 by Record Committee and Ordered Printed,\" by Mrs. Ward, 1899; Appeal to Teachers and Students of the Schools of Kansas to donate to Mount Vernon, undated; Obituary","Correspondence","Committee assignments; biography; correspondence; obituary","Journal; certificate of her appointment as Vice Regent, signed by APC; obituary","Correspondence, speech, etc.","Correspondence; prospective VR form; articles","Correspondence, events programs, obituary, Questionnaire","Questionnaire, resume, prospective VR form, correspondence","Correspondence","Correspondence and resume","Questionnaire, memorial information","Correspondence 1964-1970","Correspondence, 1971-1977","Correspondence, 1978-1982; Article \"George Washington, The Man, Creator of Mount Vernon, Farmer, Family Man, Christian, Ecumenist\"","Correspondence, 1983-1993; Memorial information","Correspondence as Corresponding Secretary","Correspondence, committee listings, funeral program, Questionnaire","Biographical note, Letter accepting position as Vice Regent","Letter from Georgia Wilder, Vice Regent for Georgia, to Lily Laughton, Regent, May 27, 1891. Wilder accepts her appointment as Vice Regent for Georgia in the MVLA. Autograph letter signed.","Signed by the Regent, Justine Townsend with note, \"appointed by the previous Regent Mrs. L.L.M. Laughton who was prevented by illness from signing this certificate.\"","Biographical note or obituary about Georgia Page King Smith Wilder, d. 1914, who served as the Vice Regent for Georgia 1891-1914.","Questionnaire, correspondence","Small journal with information on gifts to Mount Vernon, 1891-1896; Certificate as Vice Regent","Correspondence, 1931-1940","Correspondence, 1941-1959; Obituary","Articles, biographical information","Biographical information, mostly about her service as VR","An addition was made in August 2023, containing material given by Vice Regents and the Board Secretary in recent years.","Correspondence and biographical info, letters about Mount Vernon miniature","Correspondence","Biographical info, articles, tribute, correspondence, nomination info","Correspondence and memorial information","Biographical info, article","Correspondence, biographical info, remarks","Correspondence, Questionnaire, bio info","Correspondence, Questionnaire, photographs, bio info, Tribute","Biographical info, nomination info, correspondence","Black and white photograph showing several MVLA members greeting the Governor of Virginia in the New Room of the Mansion during an event, 1953 (2183-F)","Black and white photograph showing the restoration of the outside of the Mansion, circa 1956; Two black and white photos showing work being done to an outbuilding/colonnade, 1955","Two black and white photographs showing horses preparing a field at Mount Vernon, 1939","Black and white photograph postcard of a garden bench, no date","Series of color and black and white photographs showing the construction of Mount Vernon's sanitary sewer system, 1972","Black and white photographs on scrapbook pages taken by Charles Goodwin, February 1911. Caption on one page reads \"Trip to Washington and Mt. Vernon, George Senior with Charles and Spencer Goodwin, Photos by C.A.G. Feb. 1911.\" Photos include images of the exterior of Mount Vernon mansion, outbuildings, and scenic views.","1 black and white photograph of a wall sconce (probably in the Mansion); three identical black and white photos of the entrance door and step to an estate building, no dates","10 black and white photograph prints showing the State Dinner event. President Kennedy, Jackie Kennedy, Mrs. Beirne, and other are seen in the images","Color photograph of the East Lawn with men dressed as Revolutionary War soldiers posed with flags, ca. 1970; Color photograph of a fireplace with a portrait painting of Ann Pamela Cunningham over the hearth, ca. 1971","Black and white photograph of Mrs. Cooke presenting an award to the Honorable John Taylor","One color photograph showing Mrs. Cooke at the White House posed with the French ambassador, President Richard Nixon, Mrs. Anne Armstrong (Counsellor to the President) and Mr. John W. Warner (Administrator, American Revolution Bicentennial Administration), July 10, 1974","1 color photograph of George Washington's coach or carriage, 1971","1 color photograph of Mrs. Pack in the flight deck of a Boeing 727","1 artist's rendition in color of new administrative buildings, 1980s","One color photograph print of a furniture detail from the Mount Vernon in Miniature project; one slide and several lengths of negatives showing the miniature details, 1994.","6 black and white photographs showing restoration work done to the Ice House Vault, 1939 and the Stable Underpinning 1938-1939; 5 black and white photographs showing the cottage at the West Gate including \"View from the gate,\" \"Construction details,\" \"New site before development,\" \"In transit,\" and \"The abandoned site\"","6 black and white photos showing an area of dug-up earth and two cars, 1938","5 photograph prints from Neg. 2903-1, 2903-2, 2903-3, 2904-1, 2904-2 – all views of the Family Kitchen – rear of fireplace and oven, 1950, taken by Robert Fisher; Black and white photograph showing two areas of different texture (labeled A and B) on the wall of the Family Kitchen, ca 1950","4 black and white photograph prints of Neg. 2930-2, 2930-3, 2930-5, 2930-7 relating to the brick foundations of the Greenhouse","1 black and white photograph of the ruined wall of the Greenhouse and slave quarters","1 black and white photograph of the Summer House","Strip of 5 black and white photographs labeled \"Wash House, Stove foundation and flue connection, June 1945\"","2 black and white photographs taped to board with descriptions; shows the fireplace in Washington's Bedroom after the removal of the wood paneling; Black and white photographs taped to two boards with description; shows the North Closet section of Washington's Bedroom during restoration","Black and white photograph of the Well House with a woman inside at the well with a bucket. Reverse side reads Neg. #2260 from a photograph by Fr. B. Johnston circa 1890","1 black and white photograph print on thin paper of a man, possible John Carter Brown, with notation on the reverse, \"J.C.B. June 11, '96, 1:30 p.m., 12 Benevolent St.\" Also, 1 black and white photo print with notation on the reverse, \"Lake Tahoe taken from the California side of the Lake. June 9, 1940.\"","2 black and white photographs of an MVLA sideboard with its measurements on the back","1 black and white photograph of people looking at Mount Vernon's view of the Potomac from the East Lawn, ca. 1965; 1 drawing of the Potomac River by Mount Vernon and the Piscataway Bay, ca. 1965","Black and white photographs with captions from \"Washington's Mount Vernon\"","2 color photographs of an historic oak tree at Mount Vernon; 1 shows a little boy by the tree, the other shows the stump after it had been cut down because of disease, 1983","2 color photographs of an information kiosk at the front entrance of Mount Vernon, 1967","1 black and white photograph of the wreath-laying ceremony at the grave of Ann Pamela Cunningham with Regent Mrs. Cooke, Mr. Wall, and Mrs. Hollis, 1975","4 color Polaroid photographs showing the Gift Shop salesroom, 1979","1 black and white photograph of a fireplace in the Mansion with the \"GW\" script","3 small color photographs of different rooms in the Mansion, 1961","1 black and white photograph of the Mount Vernon Ladies Association members in front of Mount Vernon; 2 small color photographs of the painting \"The West Front\" attributed to Edward Savage; 2 black and white photographs of a bedroom in the Mansion, no date","1 black and white photograph of the Upper Garden with covers over the beds","Color photograph of Mrs. Labouisse and Mrs. Bolton in front of the Mansion, 1953. In a card holder inscribed by Mrs.Powel.","1 black and white photograph of the Small Dining Room in the Mansion, no date","1 color slide labeled \"Page Platt – Natl Col Farm Oct 1978 Admin Bldg. Barn\"","Color print photograph of First Lady Barbara Bush and Mrs. Smith, group Council photographs from 1985-1989, and two photos (one signed to Mrs. Smith) from an event at Mount Vernon, undated.","Series of color Polaroid photographs showing the construction of the Ann Pamela Cunningham Administration Building and complex, 1982","Color photograph of Mrs. Sullivan on the piazza of the Mansion with the Vice Regents from Arizona and Maine, May 1983","Two black and white photographs of a chair with a reproduction chair cushion, 1966","Two black and white photographs of members of the MVLA welcoming guests to the reception in the New Room or Large Dining Room, 1953","Color photographs of Mrs. Sullivan with other MVLA Vice Regents, 1965, 1967; Black and white photographs showing different views of Mount Vernon","1 black and white 8\" x 10\" photograph of a parade event at Mount Vernon, no date","1 black and white proof sheet with photographs of a Ford fire engine; 2 color Polaroid photographs of the Ford fire engine, one with two men; 7 color 8\" x 10\" of Ford Motor Company's visit to Mount Vernon to donate a fire engine, August 1981.","2 color photograph prints showing Vice Regents Emerita at Mount Vernon, c. 2000s","5 black and white photographs of Mrs. Anderson and other MVLA members on the piazza of the Mansion, ca 1940s","2 black and white photographs of Mrs. Beirne with Superintendent Charles Wall and another woman","19 color photographs of an Honorary Dinner for Mrs. Billups in 1961 with other Ladies of the Council (identified on the reverse of several prints) – some are duplicates","1 black and white 8\" x 10\" photograph of Mr. Thomas D. Taylor","1 black and white photograph of the 1970 Council on the lawn in front of the Mansion; 1 black and white photograph of several Ladies with Mount Vernon employees, 1972; 1 color photograph in the original holder showing Mrs. Bolton and Mrs. Labouisse in front of the Mansion","Two Christmas cards with color photographs, one showing Mrs. Bolton, ca. 1980s","2 small color photograph prints of Vice Regent Nancy Call, undated","Two color Polaroids of a framed certificate; 1 black and white photograph of Mrs. Cooke presenting at the Sound and Light show with President Ford and French President D'Estaing; 1 black and white photograph of Mrs. Cooke standing by portraits of George and Martha Washington, ca. 1970s","Formal presentation of the Bicentennial gift of the French Republic to the United States at Mount Vernon - a sound and light production recounting some of the memorable events of the Revolution, from Patrick Henry's speech to the Battle of Yorktown as recollected by General Washington reflecting on the past after his retirement to Mount Vernon. French President d'Estaing presents the gift to President Ford who in turn gifted the production to Mount Vernon accepted by the Mount Vernon Ladies' Association Regent Mrs. Cooke. The program debuted that evening to hundreds of special guests in attendance for the outdoor event.","8\" x 10\" color photograph of Mrs. Cooke with a United States Flag, ca. 1990s","Color photograph print of Mrs. Crumpacker with James Crumpacker and Elizabeth Swindells, undated","1 black and white portrait photograph of Mrs. Cubbedge, 1964","3 color photograph prints showing Mrs. Davis and her family, various dates","1 color photograph print on a Christmas card showing Mrs. Gaines with her husband and grandchildren, 2004","1 black and white photograph of Vice Regent Beatrice Guthrie","1 black and white photograph of Mrs. Haldeman","Color photograph in paper frame/card of the Mount Vernon Ladies Association medal worn by the Ladies","5 color photographs of the US Navy ceremony for the USS Mount Vernon, Mrs. Holden is in attendance, May 13, 1972","1 black and white photograph of the MVLA Board posed in front of the Lansdowne portrait of George Washington, no date; 1 black and white photograph of an aerial view of the Mount Vernon estate, no date; 2 black and white prints on paper showing the small dining room in the Mansion","1 color photograph print with original negative of Mrs. Lee in front of the Mansion; one page with two color photograph prints of Mrs. Lee's family adhered as a Christmas card, 1997","1 black and white 8\" x 10\" photograph of a portrait painting of Mme. Le Vert","Five color postcards of different views of Mount Vernon, c. 1934 MVLA","3 black and white photographs, and 3 sepia tinted photographs of Mrs. Loughborough and different scenes and items at Mount Vernon estate","1 color portrait-style photograph print of Adrienne Mars","6 color photographs of an event at Mount Vernon with a Pipe and Drum band, no date","1 black and white matted photograph captioned \"The Ave. of Oaks planted by our dear Father at Retreat\" no date; 2 identical black and white postcard photographs of Page Randolph Anderson (later Platt) dressed in costume as Martha Washington, 1910; 2 sepia photograph cabinet cards of Page Wilder (later Anderson) dressed in costume as Martha Washington, 1885","1 black and white photograph of Mrs. Seamans","Series of color photographs showing a tree-planting event at Mount Vernon with three Vice Regents and others, ca. 1980s","Color photograph in paper frame/card of the Mount Vernon Ladies Association medal worn by the Ladies","Series of color portrait-style photographs of Mrs. Walton, ca. 2000","One black and white photo of Mrs. West, 6 color photos of her visit to Sulgrave Manor featuring Prime Minister Margaret Thatcher","Black and white portrait photograph of Mrs. Wiener, ca 1960s in original holder","Set of color prints taken from the ceremony at the Arc de Triomphe, Paris. Also includes one print photo of Jim Rees, Lynn Gammill, and Gay Gaines, undated.","Also includes 3 Council photographs, New Room, undated","Architectural drawing – Key to the Upper Garden plantings, 1980 by Dean Norton","1 blueprint titled Sketch Showing Progressive Development of Plan of Green House at Mount Vernon, Virginia, Walter Macomber; 2 architectural drawings concerning the Greenhouse: 1 showing the Elevations of the Proposed Service Greenhouse, October 1950; 1 titled Plan for Greenhouse, Nursery Area, October, 1950","1 blueprint titled Ice House Vault Restoration, 1938; 1 blueprint titled Ice House Vault – Measured Drawing, 1938; Blueprint titled Proposed Restoration of Ice House Vault, Cleverdon, Varney \u0026 Pike Consulting Engineers, 1938","Blueprint titled Heating Tunnel Layout, Drawing 101, 1935 by Geo. A. Weschler, Consulting Engineer; Blueprint titled Section of Tunnel, no date","2 blueprints – 1 titled Power Plant and Shops, Mount Vernon, Virginia, Alterations to End Sections of Building, 1936; 1 titled Power Plant and Shops, Mount Vernon, Virginia, Radiator Locations, 1936","5 blueprints: Sheet A – Stable Explorations, Plan and Sections Showing Extent of Excavated Trenches and Evidence of an Older Stable, 1939; Sheet B – Stable Measurements, 1936; Sheet C – Stable Measurements, Plan of Barn and Mule Stable, 1936; Sheet D – Stable Measurements, Rafter Plan and Details, 1936; Sheet E – Stable Excavations –Trenches D and F","1 architectural drawing titles \"Sketch Showing Hot Water Stove Restoration for Wash House\"","Drawing – Flower Garden detail, Area in front of Greenhouse, 1952; Drawing – Sketch Showing Re-arrangement of Designs in East and West Parterres in Flower Garden, Walter Macomber, no date; Blueprint – Replanting Plan of the Boxwood Parterre, West End of the Flower Garden, 1947; Blueprint – Replanting Plan of the Boxwood Parterre, East End of the Flower Garden, 1947; Grouping of 17 small blueprints – Flower gardens, 1938","Architectural drawings, blueprints – Scale Detail Garden Wall Palisade, 1962; Elevation of a hood for the Director's House, 1963; Office building, no date; Interior Elevation, Main Gate, Mount Vernon, 1964; Blueprint, Elevation of Wall from Stable Yard \u0026 Laundry Yard, Walter M. Macomber, Architect for Restoration, December 12, 1955","Drawing of the bed hangings and curtains for the Lafayette Bedchamber, August 1975, Ethel Pilson Warren Interior Planning","Sketched architectural diagrams showing possible floor plans for the proposed new Administration Building, 1978","1 architectural drawing of the Interior Elevation of the Main Gate (Texas Gate) at Mount Vernon, by Walter M. Macomber, Architect for Restoration, October 22, 1964; 1 architectural drawing of the Grounds Section Facility, no date","Includes Mrs. Sweat's annotations, sketches, and inserts.","Statement to reactivate the Second Continental Light Dragoons in celebration of Washington's 279th birthday.","Award certificate to the MVLA.","Also includes printed list of members and RSVP mailing.","Includes letter from President Bush, news clippings, and bound manuscript copy of the remarks by David McCullough, \"The Ties that Bind: America and France.\"","Includes clippings, printed material, and correspondence.","Compiled engravings, photos, and prints including a cabinet card photograph of Nellie Custis Lewis. Several images from the collection of Vice Regent Annie Jennings of Connecticut","Empty of photographs","A note dated 1937 inside the portfolio by Vice Regent Helen Sargent states that the portfolio belonged to MVLA Regent Alice Richards.","Signed by several Congressmen including Robert Byrd and Thomas Foley. Possible signature of President Bill Clinton. Framed, 10 ¾\" x 15 ¾\"","Belonged to Helen Louise Sargent, Vice Regent for the District of Columbia, undated. Matted but not framed. 13 ½\" x 17 ¼\"","Tributes included are for James Rees, Mount Vernon employees, and Gay Hart Gaines.","Signed list of Rhode Island Vice Regents on the front inside page. The S.S. Teacher's Edition of the Holy Bible. Oxford University Press: London. Book cover reads \"Mount Vernon, Rhode Island Room 1898.\" Several inserts and annotations.","Signed on front inside page \"Pro Deo et Patria! The gift of Amy Townsend, Vice Regent for the State of New York, For the use of Vice Regents of the State of New York. March 29, 1900.\" The Holy Bible, The American Bible Society: New York, 1897. One insert.","Bound volume listing subscriptions or donations to Mount Vernon's fund to rebuild the \"servant's quarters\" destroyed by fire in 1835. The Vice Regent of Kansas, Jennie Ward, reported she raised enough by fundraising in Kansas schools ($1,000) The reconstruction was \"rebuilt along the lines of the old ruin,\" and in what was believed to be the original location.  It was completed in 1891.","Certificate of membership for Justine Van Resselaer Townsend for membership in the Daughters of the Cincinnati. Also signed by Townsend as President of the organization.","Wood panel with painted coat of arms; reverse reads \"A facsimile of a bronze tablet on the monument to Ann Pamela Cunningham in Columbia, S. Carolina, A.J. Robertson, May 1904\"","Objects related to the Dedication of the 16-Sided Barn, September 27, 1996. Includes souvenir satchel pouch with fact sheets and information, American flags on tissue paper, programs, and guest lists","Tabletop decoration used for the Bicentennial of the Inauguration of Washington dinner, 1989.","With bust of Washington, from the North Carolina Museum of History","Includes MVLA seal.","Labeled \"Cyndi Invest.\" and \"Bob's Invest.\" and numbered 1-3. Two are unlabeled but thought to be from the same series. Most likely recorded by Cyndi Lints, Administrative Assistant, and Bob McCarthy, Controller.","With management consultant Edie Seashore","At least one tape may have contributions by management consultant, Edie Seashore.","Meeting with management consultant Edie Seashore.","Time 5:40, produced by Goettler Associates, Inc. Columbus, Ohio","C-SPAN Archives, Tape 1 – 118 min., Tape 2 – 84 min. Copyright restricted","Archives of the Mount Vernon Ladies' Association","Black Women United for Action","Wall, Charles Cecil, 1903-1995","Townsend, Justine Van Rensselaer, 1828-1912","Comegys, Harriet Clayton, 1840-1927","Richards, Alice Haliburton King, 1860-1936","Towner, Harriet C. (Harriet Cole), 1869-1942","Hanks, Mary Esther Vilas, 1873-1959","Harkness, Hope Hodgman Powel, 1889-1974","Beirne, Rosamond Randall, 1894-1969","Cooke, Elizabeth Throckmorton, 1897-1993","Guy, Frances Claiborne, 1921-2016","Anderson, Helen Sharp, 1916-2013","Seamans, Eugenia Merrill, 1922-2010","Bishop, Mabel Livingstone, 1925-2007","Morrissette, Laura Vaughan Inge, 1933-","Lee, Jane Carew, 1931-2019","Walton, Ellen Carroll","Gaines, Gay Hart","Ansley, Boyce Lineberger, 1946-2016","Bookout, Ann Haunschild","Lucas, Barbara Bourgeois","Allison, Margaret Appleton","Berry, Violetta Lansdale, 1883-1971","Bolton, Mary Peters","Brown, Anne Crawford Allen, 1848-1936","Burdick, Alison Ward, 1912-2007","Carpenter, Harriet Isham, 1869-1948","Coolidge, Mary Abigail Parsons, 1878-1964","Cubbedge, Margaret Ellis, 1896-1985","Gammill, Lynn Crosby, 1936-","Hagner, Adlumia Sterrett, 1916-2007","Herbert, Leila","Holderness, Eunice Jackson, 1917-2007","Hollis, Margaret Belser, 1924-2015","Labouisse, Sally (Sarah Cameron), 1903-1985","Fisher, Robert B.","Morse, Frank","Neal, Anne D.","Platt, Page Anderson, 1899-1984","Dodge, Harrison Howell, 1852-1937","Rathbone, Elizabeth Adams, 1837-1923","Richardson, Melody Sawyer","Smith, Gene Smith","Strachan, Rose Forsyth, 1915-2000","Sullivan, Priscilla Manning, 1911-1994","Symmes, Harrison M., 1921-2010","Woodbury, Charlotte, 1873-1966","Todd, Frances Packette, 1901-1987","Tyler, Constance Ellen, 1911-1963","Wiener, Ellanore Brown","Abrahams, Meliora Hambleton","Alexander, Hope Powel, 1925-2019","Ames, Anne Carrington Dwight, 1849-1904","Anderson, Isabel Scott, 1899-1994","Anderson, Anne Page Wilder, 1873-1956","Andrews, Julia Johnston, 1846-1915","Armour, Mary Gooch, 1942-","Aurell, Jane Collins","Baker, Fannie Gilchrist, 1838-1901","Balfour, Emma Harrison Warren, 1818-1887","Ball, Emma R., 1838-1918","Barnes, Mary Fauntleroy, 1824-1912","Barret, Margaretta Mason Brown, 1839-1920","Barret, Rosa Robinson, 1881-1955","Barry, Elizabeth Willard, 1814-1883","Battle, Charlotte Timberlake","Bayard, Elizabeth du Pont, 1880-1975","Bennett, Jamie Armstrong, 1881-1963","Billups, Mary Govan, 1874-1971","Blackburn, Alpha Coles","Bockstoce, Elizabeth Roberts, 1918-1995","Bolton, Frances Payne Bingham, 1885-1977","Borthwick, Maribeth Armstrong","Bowlin, Ruth Price","Bradford, Helen MacKay, 1940-2004","Bradford, Mary Conover","Young , James","Broadwell, Elizabeth Lytle","Brockett, Marcella Powell Gibson","Brooks, Mary Cunningham Randolph, 1816-1882","Evarts, Mary, 1854-1928","Brown, Caroline Hinman Clement","Brown, Cynthia Pillow Saunders, 1810-1892","Buchanan, Frances Rogers","Bush, Margaret Gage","Butler, Sarah Duncan","Cabot, Nancy Graves, 1889-1969","Cain, Talbot deButts, 1941-2013","Call, Nancy Banning","Campbell, Virginia Kyle, 1822-1882","Carson, Dana Porter","Chapin, Betsy (Elizabeth M.)","Chesnut, Mary, 1775-1864","Chisholm, Katherine Crutcher, 1929-2016","Collins, Mary Call Darby, 1911-2009","Comegys, Margaret Douglass, 1816-1888","Conover, Helen Field, 1833-1914","Cox, Katherine Cabell Claiborne, 1854-1925","Crumpacker, Anne Finkbeiner (Elizabeth Anne Finkbeiner)","Danforth, Edwine Evans, 1863-1961","Davis, Florence Stumb","De Forest, Elizabeth Kellam","Denham, Mary Simkins, 1868-1950","Dewey, Ruth Harrington, 1918-2016","Dickinson, Alice London, 1814-1881","Dillon, Anna Price, 1835-1898","Du Pont, Elizabeth N.","Emory, Matilda Bache, 1819-1900","Eve, Philoclea Edgeworth Casey, 1813-1889","Failing, Mary Forbush, 1862-1947","Fauth, Geren Watson","Fitch, Harriet Satterlee","Fogg, Francis B., Mrs., 1800-1872","Foster, Victorine Du Pont, 1849-1934","Freeman, Margaret Walthall","Furness, Anna Ramsey, 1876-1964","Furness, Marion Ramsey, 1853-1935","Gilchrist, Gene Robin","Goldsborough, Eleanor Rogers, 1822-1906","Goodrich, Mary Boott, 1807-1868","Graham, Christine Blair, 1852-1915","Greenough, Louisa Ingersoll, 1813-1891","Guthrie, Beatrice Holden","Hagood, Derrill Maybank","Haldeman, Jane Norton, 1909-1984","Hale, Sarah King, 1798-1865","Halsted, Nancy Marsh, 1817-1891","Schuyler, Mary Morris Hamilton, 1818-1877","McAdoo, Mary Cheston (formerly Mary Hancock)","Hanks, Lorelai Jackson, 1929-2006","Harper, Emily L. (Emily Louisa), 1812-1892","Harrison, Hetty Cary, 1871-1943","Haskell, Mary Rushton, 1903-1971","Hearst, Phoebe Apperson, 1842-1919","Henke, Bonnie Creekmore (Mary Elizabeth)","Hill, Alice Hale, 1840-1908","Hitz, Elizabeth Holliday, 1894-1979","Holden, Polly Bullard, 1906-2004","Hollenberg, Josephine Heiskell Harrison (Deanie), 1915-2011","Hudson, Susan Edwards Johnson, 1825-1913","Hunt, Anne Lucas, 1796-1879","Huntress, Harriet Lane, 1860-1922","Sydnor, Ella Hutchins, 1844-1913","Irwin, Alice Dandridge, 1855-1916","Isham, Elizabeth Totten","Jeffrey, Rosa Vertner, 1828-1894","Jennings, Annie Burr, 1855-1939","Johnson, Sarah Smith, -1862","Johnston, Elizabeth Johnston Evans, 1851-1934","King, Annie Ragan, 1856-1933","Lamont, Elinor Miner, 1901-1972","Lane, Virginia Dawson","Laughton, Lily Macalester Berghmans, 1832-1891","Lawson, Priscilla Plumb","Leary, Eliza Ferry, 1851-1935","Leiter, Mary Theresa, 1844-1913","Le Vert, Octavia Walton, 1810-1877","Lewis, Annie Burr Auchincloss, 1902-1959","Livingood, Lily Foster","Lobb, Mary Montgomery, 1915-2005","Longfellow, Alice M. (Alice Mary), 1850-1928","Dana, Henry Wadsworth Longfellow, 1881-1950","Lord, Bertha Dunlap, 1880-1956","Loughborough, Louise Wright, 1881-1962","Lyle, Margaret Vilas","Mars, Adrienne Bevis","Terrell, Mary Maverick, 1851-1891","Maxey, Mary Frances Campbell","McIlvain, Janet Hattan","McWillie, Catherine Anderson, 1812-1873","Mercer, Martha Dana, 1872-1960","Mitchell, Martha Reed, 1818-1902","Moore, Lisa Rosenberger","Moore, Susan Rutledge, 1906-1987","Morse, Margaretta Wederstrandt, 1816-1893","Murat, Catherine Willis, 1803-1867","Nagel, Anne Shepley","Nalty, Elizabeth Shaw","Neal, Georgianne Davis","Neill, Nancy","Newman, Eleanor Tarrant, 1934-2017","Ogden, Phebe Ann, 1790-1865","Olander, Eileen Maloney","Pack, Phoebe Finley, 1907-2000","Parker, Eleanor Carroll Lyster, 1871-1924","Pendleton, Mary Alicia Key, 1824-1886","Pepper, Rebecca Willing, 1882-1955","Perrie, Alice Johnson","Peterkin, Constance Lee, 1872-1948","Pfaelzer, Marianne Henry","Pickens, Lucy Petaway Holcombe","Pirtle, Mary Hall, 1922-2012","Pope, Nancy Lucas Turner, 1870-1950","Porcher, Virginia Leigh, 1866-1940","Pringle, Elizabeth W. Allston (Elizabeth Waties Allston), 1845-1921","Richardson, Ida Ann Slocomb, 1830-1910","Ricks, Fanny Jones, 1852-1918","Riggs, Janet Shedden, 1815-1871","Ritchie, Anna Cora Mowatt, 1819-1870","Rogers, Frances Dennis","Sargent, Helen Louise","Schuyler, Harriet Lowndes Langdon, 1838-1915","Scott, Caroline Drennen, 1827-1910","Scott, Mary Mason, 1867-1934","Seaman, Eleanor Remick","Nixon, Richard M. (Richard Milhous), 1913-1994","Bush, George, 1924-2018","Bush, Barbara, 1925-2018","Semple, Cynthia Taylor","Shelton, Clara Francis (died 1936)","Shields, Jeanne Otis","Shipp, Margaret Busbee, 1871-1936","Sibley, Sarah Steele, 1823-1869","Simplot, Adelia Garro","Streeter, Lucille Anderson","Sweat, Margaret J.M. (Margaret Jane Mussey), 1823-1908","Taliaferro, Lucy Ramsay, 1871-1953","Tarr, Irene Haley, 1898-1988","Thayer, Pauline Revere, 1862-1934","Thom, Mary Keyser Stewart, 1874-1963","Townsend, Amy Cornell","Troup, Elsie De Cou","Van Antwerp, Jane Yates, 1815-1870","Van Deventer, Mary Finley","Vaughan, Margaret Driggs, 1917-2003","Walcott, Mary Newcomer","Walker, Letitia Morehead, 1823-1908","Ward, Jennie Meeker (Sarah Jane), 1833-1910","Warren, Romayne Latta, 1877-1968","Washington, Ella Bassett, 1834-1898","Webber, Barbara Chase","Weller, Lucy Ireland","West, Ann Wick, 1930-2020","West, Constance F.","Wheeler, Lillian Marsh, 1863-1952","Wick, Ann Dugdale","Wilder, Caryl Casselberry, 1923-2005","Wilder, Georgia King Smith, 1833-1914","Williams, Priscilla de Forest","Winder, Abbie Rice Goodwin, 1829-1906","Woodward, Eliza Brand Macalester, 1811-1897","Yulee, Nancy Wickliffe, 1822-1885","Coulson, Sarah Miller","Mauran, Elizabeth Rollins","Sahin, Andrea Notman","Scott, Ann Cady","Amundsen, Claudia Puig","Grant, Judith Wilson","Holdsworth, Elizabeth Lawson Whitesides","Reeder, Susan Stevens","Sherrill, Jean Armfield","West, Gail Berry, 1942-","Ford, Gerald R., 1913-2006","Giscard d'Estaing, Valéry, 1926-2020","Bush, Laura Welch, 1946-","Meadows, Christine, 1932-2013","Cunningham, Ann Pamela, 1816-1875","Bush, George W. (George Walker), 1946- ","Carter, Rosalynn","Swann, Don, 1889-1954","Pickup, Ernest A. (Ernest Alexander), 1887-1970","English \n.    "],"unitid_tesim":["A.MVLA","/repositories/2/resources/46"],"normalized_title_ssm":["Papers of the Mount Vernon Ladies' Association"],"collection_title_tesim":["Papers of the Mount Vernon Ladies' Association"],"collection_ssim":["Papers of the Mount Vernon Ladies' Association"],"repository_ssm":["The George Washington Presidential Library at Mount Vernon"],"repository_ssim":["The George Washington Presidential Library at Mount Vernon"],"has_online_content_ssim":["false"],"extent_ssm":["72 Linear Feet 99 containers plus 14 oversize items, approx. 72 linear feet"],"extent_tesim":["72 Linear Feet 99 containers plus 14 oversize items, approx. 72 linear feet"],"date_range_isim":[1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. According to the policies of the Mount Vernon Ladies' Association, certain records in the archives may only be available for research 30 years after creation or file date. The library reserves the right to restrict access to items for preservation purposes.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. According to the policies of the Mount Vernon Ladies' Association, certain records in the archives may only be available for research 30 years after creation or file date. The library reserves the right to restrict access to items for preservation purposes."],"accruals_html_tesm":["\u003cp\u003eIncludes accession (accrual) 2019-A-030. \"Mt. Vernon gingerbread\" recipe. Also includes 2021-A-009 with letters concerning a visit by Major George Scapini and descendant Julian Washington.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Includes accession (accrual) 2019-A-030. \"Mt. Vernon gingerbread\" recipe. Also includes 2021-A-009 with letters concerning a visit by Major George Scapini and descendant Julian Washington."],"altformavail_html_tesm":["\u003cp\u003eContent from this item has been scanned as JPG. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eSome items in this folder have been scanned as JPG or PDF. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eSome items in this folder have been scanned as JPG or PDF. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eSome items from this folder have been scanned as PDF or JPG. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eSome items in this folder have been scanned as PDF or JPG. Please contact library staff for details.\u003c/p\u003e","\u003cp\u003eSome items in this folder have been scanned as PDF or JPG. Please contact library staff for details.\u003c/p\u003e","\u003cp\u003eSome items in this folder have been scanned as PDF. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eSome items in this folder have been scanned as PDF or JPG. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eSome items from this folder have been scanned as PDF or JPG. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eSome items from this folder have been scanned as PDF of JPG. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eSome items in this folder have been scanned as JPG or PDF. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eSome items in this folder have been scanned in PDF or JPG. Please ask library staff for more details.\u003c/p\u003e","\u003cp\u003eSome items in this folder have been scanned as PDF or JPG. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eSome items in this folder have been scanned as PDF or JPG. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eAn item from this folder has been scanned as a PDF. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eSome items from this folder have been scanned as PDF or JPG. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eAn item in this folder has been scanned as a PDF. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eSeveral items in Mrs. Coolidge's files have been scanned as PDF or JPG. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eSeveral items from Mrs. Coolidge's files have been scanned as PDF or JPG. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eSeveral items from Mrs. Coolidge's files have been scanned as PDF or JPG. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eSome items in this folder have been scanned as PDF or JPG. Please contact library staff for details.\u003c/p\u003e","\u003cp\u003eSome items in this collection have been scanned as PDF or JPG. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eSome items in this folder have been scanned as PDF or JPG. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eSome items in this folder have been digitized as JPG or PDF. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eSome items in this folder have been scanned as JPG or PDF. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eSome items in this folder have been scanned as JPG or PDF. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eSome items in this folder have been scanned as JPG or PDF. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eSome items in this folder have been scanned as PDF or JPG. Please contact library staff for details.\u003c/p\u003e","\u003cp\u003eSome items in this folder have been scanned as PDF or JPG. Please contact library staff for details.\u003c/p\u003e","\u003cp\u003eSome items in this folder have been scanned as PDF or JPG. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eSome items in this folder have been digitized as JPG or PDF. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eSome items from this folder have been scanned as PDF or JPG. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eSome items in this folder have been digitized as PDF or JPG. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eSome items in this folder have been scanned as PDF or JPG. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eSome items in this folder have been scanned as JPG or PDF. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eSome items in this folder have been scanned as PDF or JPG. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eSome items in this folder have been scanned as PDF or JPG. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eSome items in this folder have been scanned as PDF or JPG. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eAn item from this folder has been scanned as a JPG. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eSome items from this folder have been scanned as PDF or JPG. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eSome items in this folder have been scanned as PDF or JPG. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eSome items from this folder have been scanned as PDF or JPG. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eSome items in this folder have been scanned as PDF or JPG. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eSome items from this folder have been scanned as PDF or JPG. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eSome items in this folder have been scanned as PDF or JPG. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eSome items in Mrs. Walton's folders have been scanned as JPG or PDF. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eSome items in Mrs. Walton's folders have been scanned as JPG or PDF. Please contact library staff for more details.\u003c/p\u003e","\u003cp\u003eSome items in this folder have been scanned as PDF or JPG. 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Please contact library staff for more details.","Some items in this folder have been scanned as JPG or PDF. Please contact library staff for more details.","Some items in this folder have been scanned in PDF or JPG. Please ask library staff for more details.","Some items in this folder have been scanned as PDF or JPG. Please contact library staff for more details.","Some items in this folder have been scanned as PDF or JPG. Please contact library staff for more details.","An item from this folder has been scanned as a PDF. Please contact library staff for more details.","Some items from this folder have been scanned as PDF or JPG. Please contact library staff for more details.","An item in this folder has been scanned as a PDF. Please contact library staff for more details.","Several items in Mrs. Coolidge's files have been scanned as PDF or JPG. Please contact library staff for more details.","Several items from Mrs. Coolidge's files have been scanned as PDF or JPG. Please contact library staff for more details.","Several items from Mrs. Coolidge's files have been scanned as PDF or JPG. Please contact library staff for more details.","Some items in this folder have been scanned as PDF or JPG. Please contact library staff for details.","Some items in this collection have been scanned as PDF or JPG. Please contact library staff for more details.","Some items in this folder have been scanned as PDF or JPG. Please contact library staff for more details.","Some items in this folder have been digitized as JPG or PDF. Please contact library staff for more details.","Some items in this folder have been scanned as JPG or PDF. Please contact library staff for more details.","Some items in this folder have been scanned as JPG or PDF. Please contact library staff for more details.","Some items in this folder have been scanned as JPG or PDF. Please contact library staff for more details.","Some items in this folder have been scanned as PDF or JPG. Please contact library staff for details.","Some items in this folder have been scanned as PDF or JPG. Please contact library staff for details.","Some items in this folder have been scanned as PDF or JPG. Please contact library staff for more details.","Some items in this folder have been digitized as JPG or PDF. Please contact library staff for more details.","Some items from this folder have been scanned as PDF or JPG. Please contact library staff for more details.","Some items in this folder have been digitized as PDF or JPG. Please contact library staff for more details.","Some items in this folder have been scanned as PDF or JPG. Please contact library staff for more details.","Some items in this folder have been scanned as JPG or PDF. Please contact library staff for more details.","Some items in this folder have been scanned as PDF or JPG. Please contact library staff for more details.","Some items in this folder have been scanned as PDF or JPG. Please contact library staff for more details.","Some items in this folder have been scanned as PDF or JPG. Please contact library staff for more details.","An item from this folder has been scanned as a JPG. Please contact library staff for more details.","Some items from this folder have been scanned as PDF or JPG. Please contact library staff for more details.","Some items in this folder have been scanned as PDF or JPG. Please contact library staff for more details.","Some items from this folder have been scanned as PDF or JPG. Please contact library staff for more details.","Some items in this folder have been scanned as PDF or JPG. Please contact library staff for more details.","Some items from this folder have been scanned as PDF or JPG. Please contact library staff for more details.","Some items in this folder have been scanned as PDF or JPG. Please contact library staff for more details.","Some items in Mrs. Walton's folders have been scanned as JPG or PDF. Please contact library staff for more details.","Some items in Mrs. Walton's folders have been scanned as JPG or PDF. Please contact library staff for more details.","Some items in this folder have been scanned as PDF or JPG. Please contact library staff for details.","copy in Photographs addenda","copy in Series 6.1"],"arrangement_html_tesm":["\u003cp\u003eThe Papers of the MVLA is divided into six series, one of which has been further split into two subseries. The majority of material is organized alphabetically, however each series has an arrangement note to explain unique caveats to the organizational structure. The series and subseries are arranged as follows:\u003c/p\u003e\n","\u003cp\u003eSeries 1. Committee Files\nSeries 2. Council Files\nSeries 3. Minutes of the Council, original\nSeries 4. Regent's Files\nSeries 5. Papers of the Vice Regents\nSeries 6. Vice Regents Files\u003c/p\u003e\n","\u003cp\u003eSeries 6.1. General\u003c/p\u003e\n","\u003cp\u003eSeries 6.2. Alphabetical\u003c/p\u003e","\u003cp\u003eAlphabetically by committee and folder title, then chronologically.\u003c/p\u003e","\u003cp\u003eChronologically by Council date, then alphabetically by folder title.\u003c/p\u003e","\u003cp\u003eChronological.\u003c/p\u003e","\u003cp\u003eChronologically by Regent, then alphabetically by folder title.\u003c/p\u003e","\u003cp\u003eAlphabetically by Vice Regent, then alphabetically by folder title.\u003c/p\u003e","\u003cp\u003eSubseries \n6.1 Vice Regents Files – General \n6.2 Vice Regents Files – Alphabetical\u003c/p\u003e","\u003cp\u003eAlphabetically by Vice Regent.\u003c/p\u003e","\u003cp\u003eAn addition with multiple accession numbers was processed in 2023 following the same series order, and is described in full at the end of the collection. Further additions may be processed separately and will include born digital files.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The Papers of the MVLA is divided into six series, one of which has been further split into two subseries. The majority of material is organized alphabetically, however each series has an arrangement note to explain unique caveats to the organizational structure. The series and subseries are arranged as follows:","Series 1. Committee Files\nSeries 2. Council Files\nSeries 3. Minutes of the Council, original\nSeries 4. Regent's Files\nSeries 5. Papers of the Vice Regents\nSeries 6. Vice Regents Files","Series 6.1. General","Series 6.2. Alphabetical","Alphabetically by committee and folder title, then chronologically.","Chronologically by Council date, then alphabetically by folder title.","Chronological.","Chronologically by Regent, then alphabetically by folder title.","Alphabetically by Vice Regent, then alphabetically by folder title.","Subseries \n6.1 Vice Regents Files – General \n6.2 Vice Regents Files – Alphabetical","Alphabetically by Vice Regent.","An addition with multiple accession numbers was processed in 2023 following the same series order, and is described in full at the end of the collection. Further additions may be processed separately and will include born digital files."],"bioghist_html_tesm":["\u003cp\u003eThe Mount Vernon Ladies' Association of the Union was founded in 1853 by Ann Pamela Cunningham. The purpose of the Association was to purchase Mount Vernon, the home of George Washington, in order to restore the property and open the grounds to visitors and admirers who desired to see Washington's house and tomb. Ann Pamela Cunningham became interested in the preservation of Mount Vernon when her mother, traveling down the Potomac River in 1853, saw the house in its neglected and dilapidated state and wrote to her daughter of its condition. Both women thought it shameful to allow the first President's home to fall into ruin. A determined Ann Pamela Cunningham assembled twenty-two women of like mind together to raise money to purchase the property, pay off all debt, and return the gardens and grounds to the condition in which they were left by Washington himself. John Augustine Washington III, George Washington's great-grandnephew and the owner of Mount Vernon at the time, delayed several years in selling the home to the Ladies' Association. He preferred a sale to the State of Virginia or the federal government, both of which declined purchase. In 1858 he finally agreed to sell Mount Vernon to Ann Pamela Cunningham and the MVLA for $200,000. \nThe MVLA is the owner and executive board of Mount Vernon. Membership is made up of one Regent and 20-30 Vice Regents, each from a different state. All MVLA members assemble twice a year in April and October for Council, where they hear motions and reports concerning projects or issues at the estate. The Vice Regents also divide into committees focused on different functions and operations, and rotate members every few years. Today the Mount Vernon Ladies' Association is remembered as the first organization dedicated to historic preservation in the United States, and as innovators in the field of preservation. The Association remains loyal to its original goals, the restoration and care of Mount Vernon, and educating people all over the world about George Washington's life and legacy. Mount Vernon is open to visitors 365 days a year. The estate now consists of not only the Mansion and tomb of Washington, but restored gardens, outbuildings, Pioneer Farm, Gristmill, Distillery, museum and orientation center, the National Library for the Study of George Washington, gift shops, food pavilion, and the Mount Vernon Inn restaurant. \nList of Regents of the MVLA: \n•\tAnn Pamela Cunningham, 1853-1874 resigned 1874, died 1875\n•\tLily Macalester Berghmans Laughton, 1874-1891, died 1891\n•\tJustine Van Rensselaer Townsend, 1891-1909, died 1912\n•\tHarriet Clayton Comegys, 1909-1927, died 1927\n•\tAlice Haliburton King Richards, 1927-1936, died 1936\n•\tHarriet Cole Towner, 1937-1942, died 1942\n•\tMary Vilas Hanks, 1943-1948, died 1959\n•\tHope Hodgman Harkness (formerly Hope H. Powel), 1948-1958, died 1974\n•\tRosamond Harding Randall Beirne, 1958-1968, died 1968\n•\tElizabeth Throckmorton Cooke, 1968-1976, died 1993\n•\tFrances Claiborne Guy, Jr., 1976-1982\n•\tHelen Sharp Anderson, 1982-1986, died 2013\n•\tEugenia Ayer Merrill Seamans, Jr., 1986-1990, died 2010\n•\tMabel Alleyne Livingstone Bishop, 1990-1993, died 2007\n•\tLaura Vaughan Inge Morrissette, 1993-1996\n•\tJane Carew Lee, 1996-1999\n•\tEllen Carroll Walton, 1999-2004\n•\tGay Hart Gaines, 2004-2007\n•\tBoyce Lineberger Ansley, 2007-2010, died 2016\n•\tAnn Haunschild Bookout III, 2010-2013\n•\tBarbara Bourgeois Lucas II, 2013-2016\n•\tSarah Miller Coulson, 2016-\u003c/p\u003e","\u003cp\u003eMrs. John Vanneman Abrahams\u003c/p\u003e","\u003cp\u003eMrs. Richard C. Alexander\u003c/p\u003e","\u003cp\u003eMrs. Richard C. Alexander\u003c/p\u003e","\u003cp\u003eMrs. Richard C. Alexander\u003c/p\u003e","\u003cp\u003eMrs. Richard C. Alexander\u003c/p\u003e","\u003cp\u003eMrs. Richard C. Alexander\u003c/p\u003e","\u003cp\u003eMrs. William Ames\u003c/p\u003e","\u003cp\u003eMrs. Thomas Dunaway Anderson\u003c/p\u003e","\u003cp\u003eMrs. Thomas Dunaway Anderson\u003c/p\u003e","\u003cp\u003eMrs. Thomas Dunaway Anderson\u003c/p\u003e","\u003cp\u003eMrs. Thomas Dunaway Anderson\u003c/p\u003e","\u003cp\u003eMrs. Edward Clifford Anderson\u003c/p\u003e","\u003cp\u003eMrs. Jefferson Randolph Anderson\u003c/p\u003e","\u003cp\u003eMrs. Jefferson Randolph Anderson\u003c/p\u003e","\u003cp\u003eMrs. Alexander Boyd Andrews\u003c/p\u003e","\u003cp\u003eMrs. Shepard Bryan Ansley\u003c/p\u003e","\u003cp\u003eMrs. Shepard Bryan Ansley\u003c/p\u003e","\u003cp\u003eMrs. Andrew W. Armour IV\u003c/p\u003e","\u003cp\u003eMrs. John Karl Aurell\u003c/p\u003e","\u003cp\u003eMrs. James McNair Baker\u003c/p\u003e","\u003cp\u003eMrs. William Balfour\u003c/p\u003e","\u003cp\u003eMrs. Charles Burgess Ball\u003c/p\u003e","\u003cp\u003eMrs. Joseph K. Barnes\u003c/p\u003e","\u003cp\u003eMrs. William Francis Barret\u003c/p\u003e","\u003cp\u003eMrs. Mason Brown Barret\u003c/p\u003e","\u003cp\u003eMrs. William Barry\u003c/p\u003e","\u003cp\u003eMrs. Thomas B. Battle\u003c/p\u003e","\u003cp\u003eMrs. Thomas B. Battle\u003c/p\u003e","\u003cp\u003eMrs. Thomas Francis\u003c/p\u003e","\u003cp\u003eMrs. Thomas Francis Bayard\u003c/p\u003e","\u003cp\u003eMrs. Francis Foulke Beirne\u003c/p\u003e","\u003cp\u003eMrs. John Mirza Bennett\u003c/p\u003e","\u003cp\u003eMrs. Harold Lee Berry\u003c/p\u003e","\u003cp\u003eMrs. Clarence Morton Bishop, Jr.\u003c/p\u003e","\u003cp\u003eMrs. Clarence Morton Bishop, Jr.\u003c/p\u003e","\u003cp\u003eMrs. Clarence Morton Bishop, Jr.\u003c/p\u003e","\u003cp\u003eMrs. Clarence Morton Bishop, Jr.\u003c/p\u003e","\u003cp\u003eMrs. Clifton McCausland Bockstoce\u003c/p\u003e","\u003cp\u003eMrs. Chester Castle Bolton\u003c/p\u003e","\u003cp\u003eMrs. Chester Castle Bolton\u003c/p\u003e","\u003cp\u003eMrs. Chester Castle Bolton\u003c/p\u003e","\u003cp\u003eMrs. Chester Castle Bolton\u003c/p\u003e","\u003cp\u003eMrs. Chester Castle Bolton\u003c/p\u003e","\u003cp\u003eMrs. Chester Castle Bolton\u003c/p\u003e","\u003cp\u003eMrs. Kenyon Castle Bolton\u003c/p\u003e","\u003cp\u003eMrs. William Harold Borthwick\u003c/p\u003e","\u003cp\u003eMrs. David L. Bowlin\u003c/p\u003e","\u003cp\u003eMrs. David Bradford\u003c/p\u003e","\u003cp\u003eMrs. Willard Hall\u003c/p\u003e","\u003cp\u003eMrs. Samuel J. Broadwell\u003c/p\u003e","\u003cp\u003eMrs. Charles Brockett\u003c/p\u003e","\u003cp\u003eMrs. Charles Brockett\u003c/p\u003e","\u003cp\u003eMrs. James Brooks\u003c/p\u003e","\u003cp\u003eMrs. John Carter Brown II\u003c/p\u003e","\u003cp\u003eMrs. Horace Brown\u003c/p\u003e","\u003cp\u003eMrs. Aaron Venable Brown\u003c/p\u003e","\u003cp\u003eMrs. Sam Buchanan\u003c/p\u003e","\u003cp\u003eMrs. Charles Lalor Burdick\u003c/p\u003e","\u003cp\u003eMrs. Charles Lalor Burdick\u003c/p\u003e","\u003cp\u003eMrs. Morris Williams Bush\u003c/p\u003e","\u003cp\u003eMrs. Richard Cabot\u003c/p\u003e","\u003cp\u003eMrs. Samuel Cabot\u003c/p\u003e","\u003cp\u003eMrs. Tyler R. Cain\u003c/p\u003e","\u003cp\u003eMrs. Richard W. Call\u003c/p\u003e","\u003cp\u003eMrs. Robert Campbell\u003c/p\u003e","\u003cp\u003eMrs. George Albert Carpenter\u003c/p\u003e","\u003cp\u003eMrs. George Albert Carpenter\u003c/p\u003e","\u003cp\u003eMrs. George Albert Carpenter\u003c/p\u003e","\u003cp\u003eMrs. George Albert Carpenter\u003c/p\u003e","\u003cp\u003eMrs. Everett B. Carson\u003c/p\u003e","\u003cp\u003eMrs. James Chesnut\u003c/p\u003e","\u003cp\u003eMrs. Frank Anderson Chisholm\u003c/p\u003e","\u003cp\u003eMrs. Robert Goodloe Harper Clarkson\u003c/p\u003e","\u003cp\u003eMrs. Thomas LeRoy Collins\u003c/p\u003e","\u003cp\u003eMrs. Francis Stevens Conover\u003c/p\u003e","\u003cp\u003eMrs. Thomas Turner Cooke\u003c/p\u003e","\u003cp\u003eMrs. Thomas Turner Cooke\u003c/p\u003e","\u003cp\u003eMrs. Thomas Turner Cooke\u003c/p\u003e","\u003cp\u003eMrs. Thomas Turner Cooke\u003c/p\u003e","\u003cp\u003eMrs. Thomas Turner Cooke\u003c/p\u003e","\u003cp\u003eMrs. Thomas Turner Cooke\u003c/p\u003e","\u003cp\u003eMrs. Thomas Turner Cooke\u003c/p\u003e","\u003cp\u003eMrs. Thomas Turner Cooke\u003c/p\u003e","\u003cp\u003eMrs. John Templeman Coolidge\u003c/p\u003e","\u003cp\u003eMrs. John Templeman Coolidge\u003c/p\u003e","\u003cp\u003eMrs. John Templeman Coolidge\u003c/p\u003e","\u003cp\u003eMrs. William Ruffin Cox\u003c/p\u003e","\u003cp\u003eMrs. James F. 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Hap Fauth\u003c/p\u003e","\u003cp\u003eMrs. Graham Newell Fitch\u003c/p\u003e","\u003cp\u003eMrs. Francis Brinley Fogg\u003c/p\u003e","\u003cp\u003eMrs. Antoine Lentilhon Foster\u003c/p\u003e","\u003cp\u003eMrs. George Russell Freeman\u003c/p\u003e","\u003cp\u003eMrs. Charles Eliot Furness\u003c/p\u003e","\u003cp\u003eMrs. Stanley Noyes Gaines\u003c/p\u003e","\u003cp\u003eMrs. Stanley Noyes Gaines\u003c/p\u003e","\u003cp\u003eMrs. Stanley Noyes Gaines\u003c/p\u003e","\u003cp\u003eMrs. Stanley Noyes Gaines\u003c/p\u003e","\u003cp\u003eMrs. Stewart Gammill III\u003c/p\u003e","\u003cp\u003eMrs. Stewart Gammill III\u003c/p\u003e","\u003cp\u003eMrs. Stewart J. Gilchrist\u003c/p\u003e","\u003cp\u003eMrs. George Robins Goldsborough\u003c/p\u003e","\u003cp\u003eMrs. Samuel Griswold Goodrich\u003c/p\u003e","\u003cp\u003eMrs. Benjamin Brown Graham\u003c/p\u003e","\u003cp\u003eMrs. Horatio Greenough\u003c/p\u003e","\u003cp\u003eMrs. Randolph Hobson Guthrie\u003c/p\u003e","\u003cp\u003eMrs. John Henry Guy\u003c/p\u003e","\u003cp\u003eMrs. John Henry Guy\u003c/p\u003e","\u003cp\u003eMrs. Randall H. Hagner\u003c/p\u003e","\u003cp\u003eMrs. Randall H. Hagner\u003c/p\u003e","\u003cp\u003eMrs. Randall H. Hagner\u003c/p\u003e","\u003cp\u003eMrs. Randall H. Hagner\u003c/p\u003e","\u003cp\u003eMrs. Randall H. Hagner\u003c/p\u003e","\u003cp\u003eMrs. Randall H. Hagner\u003c/p\u003e","\u003cp\u003eMrs. Benjamin Ambler Hagood\u003c/p\u003e","\u003cp\u003eMrs. Walter Newman Haldeman\u003c/p\u003e","\u003cp\u003eMrs. Salma Hale\u003c/p\u003e","\u003cp\u003eMrs. Nathaniel Norris Halsted\u003c/p\u003e","\u003cp\u003eLater Mrs. George Lee Schuyler\u003c/p\u003e","\u003cp\u003eMrs. F. Woodson Hancock, Jr.\u003c/p\u003e","\u003cp\u003eMrs. William Vilas Hanks\u003c/p\u003e","\u003cp\u003eMrs. Lucien Mason Hanks\u003c/p\u003e","\u003cp\u003eMrs. Lucien Mason Hanks\u003c/p\u003e","\u003cp\u003eMrs. Lucien Mason Hanks\u003c/p\u003e","\u003cp\u003eMrs. Lucien Mason Hanks\u003c/p\u003e","\u003cp\u003eMrs. Albert Harkness, previously Mrs. Thomas Ives Hare Powel\u003c/p\u003e","\u003cp\u003eMrs. Albert Harkness, previously Mrs. Thomas Ives Hare Powel\u003c/p\u003e","\u003cp\u003eMrs. Albert Harkness, previously Mrs. Thomas Ives Hare Powel\u003c/p\u003e","\u003cp\u003eMrs. Fairfax Harrison\u003c/p\u003e","\u003cp\u003eMrs. Fairfax Harrison\u003c/p\u003e","\u003cp\u003eMrs. Fairfax Harrison\u003c/p\u003e","\u003cp\u003eMrs. Preston Hampton Haskell\u003c/p\u003e","\u003cp\u003eMrs. George Hearst\u003c/p\u003e","\u003cp\u003eMrs. George Hearst\u003c/p\u003e","\u003cp\u003eMrs. Frank X. Henke III\u003c/p\u003e","\u003cp\u003eMrs. Nathaniel Peter Hill\u003c/p\u003e","\u003cp\u003eMrs. Benjamin Dickson Hitz\u003c/p\u003e","\u003cp\u003eMrs. Benjamin Dickson Hitz\u003c/p\u003e","\u003cp\u003eMrs. Benjamin Dickson Hitz\u003c/p\u003e","\u003cp\u003eMrs. Benjamin Dickson Hitz\u003c/p\u003e","\u003cp\u003eMrs. Arthur John Holden\u003c/p\u003e","\u003cp\u003eMrs. Marvin Early Holderness\u003c/p\u003e","\u003cp\u003eMrs. Marvin Early Holderness\u003c/p\u003e","\u003cp\u003eMrs. Marvin Early Holderness\u003c/p\u003e","\u003cp\u003eMrs. Henry Hollenberg\u003c/p\u003e","\u003cp\u003eMrs. Daniel Walker Hollis\u003c/p\u003e","\u003cp\u003eMrs. William Henry Hudson\u003c/p\u003e","\u003cp\u003eMrs. Wilson Price Hunt\u003c/p\u003e","\u003cp\u003elater Mrs. Seabrook W. Sydnor\u003c/p\u003e","\u003cp\u003eMrs. Lewis M. Irwin\u003c/p\u003e","\u003cp\u003eMrs. Henry Porter Isham\u003c/p\u003e","\u003cp\u003eMrs. Henry Porter Isham\u003c/p\u003e","\u003cp\u003eMrs. Henry Porter Isham\u003c/p\u003e","\u003cp\u003eMrs. Henry Porter Isham\u003c/p\u003e","\u003cp\u003eMrs. Alexander Jeffrey\u003c/p\u003e","\u003cp\u003eMrs. Robert Ward Johnson\u003c/p\u003e","\u003cp\u003eMrs. Robert Daniel Johnston\u003c/p\u003e","\u003cp\u003eMrs. John Witherspoon Labouisse\u003c/p\u003e","\u003cp\u003eMrs. Thomas Stilwell Branscombe\u003c/p\u003e","\u003cp\u003eMrs. Charles G. Lane\u003c/p\u003e","\u003cp\u003eMrs. John Scott Laughton, previously Mme. Alfred Berghmans\u003c/p\u003e","\u003cp\u003eMrs Robert W. Lawson III\u003c/p\u003e","\u003cp\u003eMrs. John Leary\u003c/p\u003e","\u003cp\u003eMrs. Robert E. Lee IV, previously Mrs. Cotton Rice\u003c/p\u003e","\u003cp\u003eMrs. Robert E. Lee IV, previously Mrs. Cotton Rice\u003c/p\u003e","\u003cp\u003eMrs. Robert E. Lee IV, previously Mrs. Cotton Rice\u003c/p\u003e","\u003cp\u003eMrs. Robert E. Lee IV, previously Mrs. Cotton Rice\u003c/p\u003e","\u003cp\u003eMrs. Levi Zeigler Leiter\u003c/p\u003e","\u003cp\u003eMrs. Henry S. Le Vert\u003c/p\u003e","\u003cp\u003eMrs. Wilmarth Sheldon Lewis\u003c/p\u003e","\u003cp\u003eMrs. Wilmarth Sheldon Lewis\u003c/p\u003e","\u003cp\u003eMrs. Wilmarth Sheldon Lewis\u003c/p\u003e","\u003cp\u003eMrs. Charles Jacob\u003c/p\u003e","\u003cp\u003eMrs. John Cunningham Lobb\u003c/p\u003e","\u003cp\u003eMrs. Earl King Lord\u003c/p\u003e","\u003cp\u003eMrs. Earl King Lord\u003c/p\u003e","\u003cp\u003eMrs. James Fairfax Loughborough\u003c/p\u003e","\u003cp\u003eMrs. James Fairfax Loughborough\u003c/p\u003e","\u003cp\u003eMrs. James Fairfax Loughborough\u003c/p\u003e","\u003cp\u003eMrs. Stanley David Lyle\u003c/p\u003e","\u003cp\u003eMrs. John F. Mars\u003c/p\u003e","\u003cp\u003eLater Mrs. Edwin Holland Terrell\u003c/p\u003e","\u003cp\u003eMrs. Thomas Sheldon Maxey\u003c/p\u003e","\u003cp\u003eMrs. J. Craig McIlvain\u003c/p\u003e","\u003cp\u003eMrs. William McWillie\u003c/p\u003e","\u003cp\u003eMrs. William Robert Mercer, Jr.\u003c/p\u003e","\u003cp\u003eMrs. Alexander Mitchell\u003c/p\u003e","\u003cp\u003eMrs. P. William Moore, Jr.\u003c/p\u003e","\u003cp\u003eMrs. Benjamin Allston Moore\u003c/p\u003e","\u003cp\u003eMrs. Hiram Taylor Morrissette\u003c/p\u003e","\u003cp\u003eMrs. Isaac Edward Morse\u003c/p\u003e","\u003cp\u003eMme. Achille Murat\u003c/p\u003e","\u003cp\u003eMrs. Charles Nagel\u003c/p\u003e","\u003cp\u003eMrs. Donald J. Nalty\u003c/p\u003e","\u003cp\u003eMrs. James T. Neal\u003c/p\u003e","\u003cp\u003eMrs. Robert Neill, Jr.\u003c/p\u003e","\u003cp\u003eMrs. Phillip B. Newman III\u003c/p\u003e","\u003cp\u003eMrs. Carl J. Olander, Vice Regent for Kansas 1970-1986, Vice Regent for Colorado 1986-1995\u003c/p\u003e","\u003cp\u003eMrs. Arthur Newton Pack\u003c/p\u003e","\u003cp\u003eMrs. Arthur Newton Pack\u003c/p\u003e","\u003cp\u003eMrs. Arthur Newton Pack\u003c/p\u003e","\u003cp\u003eMrs. Edward Horatio Parker\u003c/p\u003e","\u003cp\u003eLater Mrs. John Rutledge Abney\u003c/p\u003e","\u003cp\u003eMrs. Benjamin Franklin Pepper\u003c/p\u003e","\u003cp\u003eMrs. Celsus Price Perrie\u003c/p\u003e","\u003cp\u003eMrs. David A. Pfaelzer\u003c/p\u003e","\u003cp\u003eMrs. Francis Wilkinson Pickens\u003c/p\u003e","\u003cp\u003eMrs. Alex Pirtle, Jr.\u003c/p\u003e","\u003cp\u003eMrs. Henry Norris Platt\u003c/p\u003e","\u003cp\u003eMrs. Henry Norris Platt\u003c/p\u003e","\u003cp\u003eMrs. Henry Norris Platt\u003c/p\u003e","\u003cp\u003eMrs. Henry Norris Platt\u003c/p\u003e","\u003cp\u003eMrs. Henry Norris Platt\u003c/p\u003e","\u003cp\u003eMrs. Horton Pope\u003c/p\u003e","\u003cp\u003eMrs. John Julius Pringle\u003c/p\u003e","\u003cp\u003eMrs. Joshua Henry Rathbone\u003c/p\u003e","\u003cp\u003eMrs. James Gore King Richards\u003c/p\u003e","\u003cp\u003eMrs. Tobias Gibson Richardson\u003c/p\u003e","\u003cp\u003eMrs. Benjamin Sherrod Ricks\u003c/p\u003e","\u003cp\u003eMrs. William Foushee Ritchie\u003c/p\u003e","\u003cp\u003eMrs. Henry Woodward Rogers\u003c/p\u003e","\u003cp\u003eMrs. Henry Woodward Rogers\u003c/p\u003e","\u003cp\u003eMrs. Henry Woodward Rogers\u003c/p\u003e","\u003cp\u003eMrs. Henry Woodward Rogers\u003c/p\u003e","\u003cp\u003eMrs. Philip Schuyler\u003c/p\u003e","\u003cp\u003eMrs. Charles Gordon Scott\u003c/p\u003e","\u003cp\u003eMrs. Douglas Seaman\u003c/p\u003e","\u003cp\u003eMrs. Robert Seamans (Dr. Robert Channing Seamans, Jr.)\u003c/p\u003e","\u003cp\u003eMrs. Robert Seamans (Dr. Robert Channing Seamans, Jr.)\u003c/p\u003e","\u003cp\u003eMrs. Lloyd A. Semple\u003c/p\u003e","\u003cp\u003eMrs. John Reynolds Shelton. Mistakenly written as Harriet Handy Shelton in multiple publications, but Harriet Shelton was John Shelton's first wife who died in 1922. Clara Francis Shelton, his second wife, was the MVLA Vice Regent.\u003c/p\u003e","\u003cp\u003eMrs. Nelson Turner Shields III\u003c/p\u003e","\u003cp\u003eMrs. William Ewen Shipp\u003c/p\u003e","\u003cp\u003eMrs. Henry Hastings Sibley\u003c/p\u003e","\u003cp\u003eMrs. Richard R. Simplot\u003c/p\u003e","\u003cp\u003eMrs. Tom K. Smith, Jr.\u003c/p\u003e","\u003cp\u003eMrs. Frank Garden Strachan\u003c/p\u003e","\u003cp\u003eMrs. Frank Garden Strachan\u003c/p\u003e","\u003cp\u003eMrs. Frank Garden Strachan\u003c/p\u003e","\u003cp\u003eMrs. Frank Garden Strachan\u003c/p\u003e","\u003cp\u003eMrs. Richard H. Streeter\u003c/p\u003e","\u003cp\u003eMrs. John Lawrence Sullivan\u003c/p\u003e","\u003cp\u003eMrs. Lorenzo de Medici Sweat\u003c/p\u003e","\u003cp\u003eMrs. Thomas Seddon Taliaferro, Jr.\u003c/p\u003e","\u003cp\u003eMrs. Russell Story Tarr\u003c/p\u003e","\u003cp\u003eMrs. Nathaniel Thayer III\u003c/p\u003e","\u003cp\u003eMrs. De Courcy Wright Thom\u003c/p\u003e","\u003cp\u003eMrs. Augustine Jaquelin Todd\u003c/p\u003e","\u003cp\u003eMrs. Horace Mann Towner\u003c/p\u003e","\u003cp\u003eMrs. Horace Mann Towner\u003c/p\u003e","\u003cp\u003eMrs. Horace Mann Towner\u003c/p\u003e","\u003cp\u003eMrs. Howard Townsend\u003c/p\u003e","\u003cp\u003eMrs. Alexander C. Troup\u003c/p\u003e","\u003cp\u003eMrs. Verplanck Van Antwerp\u003c/p\u003e","\u003cp\u003eMrs. Horace Van Deventer\u003c/p\u003e","\u003cp\u003eMrs. William Loring Vaughan\u003c/p\u003e","\u003cp\u003eMrs. Benjamin Doolittle Walcott\u003c/p\u003e","\u003cp\u003eMrs. William Richmond Walker\u003c/p\u003e","\u003cp\u003eMrs. James M. Walton\u003c/p\u003e","\u003cp\u003eMrs. James M. Walton\u003c/p\u003e","\u003cp\u003eMrs. James M. Walton\u003c/p\u003e","\u003cp\u003eMrs. Milan Lester Ward\u003c/p\u003e","\u003cp\u003eMrs. Benjamin Streeter Warren\u003c/p\u003e","\u003cp\u003eMrs. Benjamin Streeter Warren\u003c/p\u003e","\u003cp\u003eMrs. Lewis William Washington\u003c/p\u003e","\u003cp\u003eMrs. W. Temple Webber, Jr.\u003c/p\u003e","\u003cp\u003eMrs. Charles D. Weller\u003c/p\u003e","\u003cp\u003eMrs. Stephen K. West\u003c/p\u003e","\u003cp\u003eMrs. Frederick H. West\u003c/p\u003e","\u003cp\u003eMrs. Charles Stetson Wheeler\u003c/p\u003e","\u003cp\u003eMrs. Calhoun W. Wick\u003c/p\u003e","\u003cp\u003eMrs. Alexander Loder Wiener\u003c/p\u003e","\u003cp\u003eMrs. Alexander Loder Wiener\u003c/p\u003e","\u003cp\u003eMrs. Alexander Loder Wiener\u003c/p\u003e","\u003cp\u003eMrs. Alexander Loder Wiener\u003c/p\u003e","\u003cp\u003eMrs. Alexander Loder Wiener\u003c/p\u003e","\u003cp\u003eMrs. Alexander Loder Wiener\u003c/p\u003e","\u003cp\u003eMrs. Erskine Phelps Wilder, Jr.\u003c/p\u003e","\u003cp\u003eMrs. Joseph John Wilder\u003c/p\u003e","\u003cp\u003eMrs. Douglas Williams\u003c/p\u003e","\u003cp\u003eMrs. Williams A. Winder\u003c/p\u003e","\u003cp\u003eMrs. Gordon Woodbury\u003c/p\u003e","\u003cp\u003eMrs. Gordon Woodbury\u003c/p\u003e","\u003cp\u003eMrs. George Washington Woodward\u003c/p\u003e","\u003cp\u003eMrs. David Levy Yulee\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical 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Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["The Mount Vernon Ladies' Association of the Union was founded in 1853 by Ann Pamela Cunningham. The purpose of the Association was to purchase Mount Vernon, the home of George Washington, in order to restore the property and open the grounds to visitors and admirers who desired to see Washington's house and tomb. Ann Pamela Cunningham became interested in the preservation of Mount Vernon when her mother, traveling down the Potomac River in 1853, saw the house in its neglected and dilapidated state and wrote to her daughter of its condition. Both women thought it shameful to allow the first President's home to fall into ruin. A determined Ann Pamela Cunningham assembled twenty-two women of like mind together to raise money to purchase the property, pay off all debt, and return the gardens and grounds to the condition in which they were left by Washington himself. John Augustine Washington III, George Washington's great-grandnephew and the owner of Mount Vernon at the time, delayed several years in selling the home to the Ladies' Association. He preferred a sale to the State of Virginia or the federal government, both of which declined purchase. In 1858 he finally agreed to sell Mount Vernon to Ann Pamela Cunningham and the MVLA for $200,000. \nThe MVLA is the owner and executive board of Mount Vernon. Membership is made up of one Regent and 20-30 Vice Regents, each from a different state. All MVLA members assemble twice a year in April and October for Council, where they hear motions and reports concerning projects or issues at the estate. The Vice Regents also divide into committees focused on different functions and operations, and rotate members every few years. Today the Mount Vernon Ladies' Association is remembered as the first organization dedicated to historic preservation in the United States, and as innovators in the field of preservation. The Association remains loyal to its original goals, the restoration and care of Mount Vernon, and educating people all over the world about George Washington's life and legacy. Mount Vernon is open to visitors 365 days a year. The estate now consists of not only the Mansion and tomb of Washington, but restored gardens, outbuildings, Pioneer Farm, Gristmill, Distillery, museum and orientation center, the National Library for the Study of George Washington, gift shops, food pavilion, and the Mount Vernon Inn restaurant. \nList of Regents of the MVLA: \n•\tAnn Pamela Cunningham, 1853-1874 resigned 1874, died 1875\n•\tLily Macalester Berghmans Laughton, 1874-1891, died 1891\n•\tJustine Van Rensselaer Townsend, 1891-1909, died 1912\n•\tHarriet Clayton Comegys, 1909-1927, died 1927\n•\tAlice Haliburton King Richards, 1927-1936, died 1936\n•\tHarriet Cole Towner, 1937-1942, died 1942\n•\tMary Vilas Hanks, 1943-1948, died 1959\n•\tHope Hodgman Harkness (formerly Hope H. Powel), 1948-1958, died 1974\n•\tRosamond Harding Randall Beirne, 1958-1968, died 1968\n•\tElizabeth Throckmorton Cooke, 1968-1976, died 1993\n•\tFrances Claiborne Guy, Jr., 1976-1982\n•\tHelen Sharp Anderson, 1982-1986, died 2013\n•\tEugenia Ayer Merrill Seamans, Jr., 1986-1990, died 2010\n•\tMabel Alleyne Livingstone Bishop, 1990-1993, died 2007\n•\tLaura Vaughan Inge Morrissette, 1993-1996\n•\tJane Carew Lee, 1996-1999\n•\tEllen Carroll Walton, 1999-2004\n•\tGay Hart Gaines, 2004-2007\n•\tBoyce Lineberger Ansley, 2007-2010, died 2016\n•\tAnn Haunschild Bookout III, 2010-2013\n•\tBarbara Bourgeois Lucas II, 2013-2016\n•\tSarah Miller Coulson, 2016-","Mrs. John Vanneman Abrahams","Mrs. Richard C. Alexander","Mrs. Richard C. Alexander","Mrs. Richard C. Alexander","Mrs. Richard C. Alexander","Mrs. Richard C. Alexander","Mrs. William Ames","Mrs. Thomas Dunaway Anderson","Mrs. Thomas Dunaway Anderson","Mrs. Thomas Dunaway Anderson","Mrs. Thomas Dunaway Anderson","Mrs. Edward Clifford Anderson","Mrs. Jefferson Randolph Anderson","Mrs. Jefferson Randolph Anderson","Mrs. Alexander Boyd Andrews","Mrs. Shepard Bryan Ansley","Mrs. Shepard Bryan Ansley","Mrs. Andrew W. Armour IV","Mrs. John Karl Aurell","Mrs. James McNair Baker","Mrs. William Balfour","Mrs. Charles Burgess Ball","Mrs. Joseph K. Barnes","Mrs. William Francis Barret","Mrs. Mason Brown Barret","Mrs. William Barry","Mrs. Thomas B. Battle","Mrs. Thomas B. Battle","Mrs. Thomas Francis","Mrs. Thomas Francis Bayard","Mrs. Francis Foulke Beirne","Mrs. John Mirza Bennett","Mrs. Harold Lee Berry","Mrs. Clarence Morton Bishop, Jr.","Mrs. Clarence Morton Bishop, Jr.","Mrs. Clarence Morton Bishop, Jr.","Mrs. Clarence Morton Bishop, Jr.","Mrs. Clifton McCausland Bockstoce","Mrs. Chester Castle Bolton","Mrs. Chester Castle Bolton","Mrs. Chester Castle Bolton","Mrs. Chester Castle Bolton","Mrs. Chester Castle Bolton","Mrs. Chester Castle Bolton","Mrs. Kenyon Castle Bolton","Mrs. William Harold Borthwick","Mrs. David L. Bowlin","Mrs. David Bradford","Mrs. Willard Hall","Mrs. Samuel J. Broadwell","Mrs. Charles Brockett","Mrs. Charles Brockett","Mrs. James Brooks","Mrs. John Carter Brown II","Mrs. Horace Brown","Mrs. Aaron Venable Brown","Mrs. Sam Buchanan","Mrs. Charles Lalor Burdick","Mrs. Charles Lalor Burdick","Mrs. Morris Williams Bush","Mrs. Richard Cabot","Mrs. Samuel Cabot","Mrs. Tyler R. Cain","Mrs. Richard W. Call","Mrs. Robert Campbell","Mrs. George Albert Carpenter","Mrs. George Albert Carpenter","Mrs. George Albert Carpenter","Mrs. George Albert Carpenter","Mrs. Everett B. Carson","Mrs. James Chesnut","Mrs. Frank Anderson Chisholm","Mrs. Robert Goodloe Harper Clarkson","Mrs. Thomas LeRoy Collins","Mrs. Francis Stevens Conover","Mrs. Thomas Turner Cooke","Mrs. Thomas Turner Cooke","Mrs. Thomas Turner Cooke","Mrs. Thomas Turner Cooke","Mrs. Thomas Turner Cooke","Mrs. Thomas Turner Cooke","Mrs. Thomas Turner Cooke","Mrs. Thomas Turner Cooke","Mrs. John Templeman Coolidge","Mrs. John Templeman Coolidge","Mrs. John Templeman Coolidge","Mrs. William Ruffin Cox","Mrs. James F. Crumpacker","Mrs. Beaufort Barnwell Cubbedge","Mrs. Henry Gold Danforth","Mrs. Henry Gold Danforth","Mrs. Henry Gold Danforth","Mrs. Henry Gold Danforth","Mrs. William Lipscomb Davis","Mrs. Lockwood De Forest","Mrs. Lockwood De Forest","Mrs. Thomas Palmer Denham","Mrs. Arthur J. Dewey, Jr.","Mrs. Platt Ketcham Dickinson","Mrs. John Forest Dillon","Mrs. William Hemsley Emory","Mrs. William Joseph Eve","Mrs. J. Hap Fauth","Mrs. Graham Newell Fitch","Mrs. Francis Brinley Fogg","Mrs. Antoine Lentilhon Foster","Mrs. George Russell Freeman","Mrs. Charles Eliot Furness","Mrs. Stanley Noyes Gaines","Mrs. Stanley Noyes Gaines","Mrs. Stanley Noyes Gaines","Mrs. Stanley Noyes Gaines","Mrs. Stewart Gammill III","Mrs. Stewart Gammill III","Mrs. Stewart J. Gilchrist","Mrs. George Robins Goldsborough","Mrs. Samuel Griswold Goodrich","Mrs. Benjamin Brown Graham","Mrs. Horatio Greenough","Mrs. Randolph Hobson Guthrie","Mrs. John Henry Guy","Mrs. John Henry Guy","Mrs. Randall H. Hagner","Mrs. Randall H. Hagner","Mrs. Randall H. Hagner","Mrs. Randall H. Hagner","Mrs. Randall H. Hagner","Mrs. Randall H. Hagner","Mrs. Benjamin Ambler Hagood","Mrs. Walter Newman Haldeman","Mrs. Salma Hale","Mrs. Nathaniel Norris Halsted","Later Mrs. George Lee Schuyler","Mrs. F. Woodson Hancock, Jr.","Mrs. William Vilas Hanks","Mrs. Lucien Mason Hanks","Mrs. Lucien Mason Hanks","Mrs. Lucien Mason Hanks","Mrs. Lucien Mason Hanks","Mrs. Albert Harkness, previously Mrs. Thomas Ives Hare Powel","Mrs. Albert Harkness, previously Mrs. Thomas Ives Hare Powel","Mrs. Albert Harkness, previously Mrs. Thomas Ives Hare Powel","Mrs. Fairfax Harrison","Mrs. Fairfax Harrison","Mrs. Fairfax Harrison","Mrs. Preston Hampton Haskell","Mrs. George Hearst","Mrs. George Hearst","Mrs. Frank X. Henke III","Mrs. Nathaniel Peter Hill","Mrs. Benjamin Dickson Hitz","Mrs. Benjamin Dickson Hitz","Mrs. Benjamin Dickson Hitz","Mrs. Benjamin Dickson Hitz","Mrs. Arthur John Holden","Mrs. Marvin Early Holderness","Mrs. Marvin Early Holderness","Mrs. Marvin Early Holderness","Mrs. Henry Hollenberg","Mrs. Daniel Walker Hollis","Mrs. William Henry Hudson","Mrs. Wilson Price Hunt","later Mrs. Seabrook W. Sydnor","Mrs. Lewis M. Irwin","Mrs. Henry Porter Isham","Mrs. Henry Porter Isham","Mrs. Henry Porter Isham","Mrs. Henry Porter Isham","Mrs. Alexander Jeffrey","Mrs. Robert Ward Johnson","Mrs. Robert Daniel Johnston","Mrs. John Witherspoon Labouisse","Mrs. Thomas Stilwell Branscombe","Mrs. Charles G. Lane","Mrs. John Scott Laughton, previously Mme. Alfred Berghmans","Mrs Robert W. Lawson III","Mrs. John Leary","Mrs. Robert E. Lee IV, previously Mrs. Cotton Rice","Mrs. Robert E. Lee IV, previously Mrs. Cotton Rice","Mrs. Robert E. Lee IV, previously Mrs. Cotton Rice","Mrs. Robert E. Lee IV, previously Mrs. Cotton Rice","Mrs. Levi Zeigler Leiter","Mrs. Henry S. Le Vert","Mrs. Wilmarth Sheldon Lewis","Mrs. Wilmarth Sheldon Lewis","Mrs. Wilmarth Sheldon Lewis","Mrs. Charles Jacob","Mrs. John Cunningham Lobb","Mrs. Earl King Lord","Mrs. Earl King Lord","Mrs. James Fairfax Loughborough","Mrs. James Fairfax Loughborough","Mrs. James Fairfax Loughborough","Mrs. Stanley David Lyle","Mrs. John F. Mars","Later Mrs. Edwin Holland Terrell","Mrs. Thomas Sheldon Maxey","Mrs. J. Craig McIlvain","Mrs. William McWillie","Mrs. William Robert Mercer, Jr.","Mrs. Alexander Mitchell","Mrs. P. William Moore, Jr.","Mrs. Benjamin Allston Moore","Mrs. Hiram Taylor Morrissette","Mrs. Isaac Edward Morse","Mme. Achille Murat","Mrs. Charles Nagel","Mrs. Donald J. Nalty","Mrs. James T. Neal","Mrs. Robert Neill, Jr.","Mrs. Phillip B. Newman III","Mrs. Carl J. Olander, Vice Regent for Kansas 1970-1986, Vice Regent for Colorado 1986-1995","Mrs. Arthur Newton Pack","Mrs. Arthur Newton Pack","Mrs. Arthur Newton Pack","Mrs. Edward Horatio Parker","Later Mrs. John Rutledge Abney","Mrs. Benjamin Franklin Pepper","Mrs. Celsus Price Perrie","Mrs. David A. Pfaelzer","Mrs. Francis Wilkinson Pickens","Mrs. Alex Pirtle, Jr.","Mrs. Henry Norris Platt","Mrs. Henry Norris Platt","Mrs. Henry Norris Platt","Mrs. Henry Norris Platt","Mrs. Henry Norris Platt","Mrs. Horton Pope","Mrs. John Julius Pringle","Mrs. Joshua Henry Rathbone","Mrs. James Gore King Richards","Mrs. Tobias Gibson Richardson","Mrs. Benjamin Sherrod Ricks","Mrs. William Foushee Ritchie","Mrs. Henry Woodward Rogers","Mrs. Henry Woodward Rogers","Mrs. Henry Woodward Rogers","Mrs. Henry Woodward Rogers","Mrs. Philip Schuyler","Mrs. Charles Gordon Scott","Mrs. Douglas Seaman","Mrs. Robert Seamans (Dr. Robert Channing Seamans, Jr.)","Mrs. Robert Seamans (Dr. Robert Channing Seamans, Jr.)","Mrs. Lloyd A. Semple","Mrs. John Reynolds Shelton. Mistakenly written as Harriet Handy Shelton in multiple publications, but Harriet Shelton was John Shelton's first wife who died in 1922. Clara Francis Shelton, his second wife, was the MVLA Vice Regent.","Mrs. Nelson Turner Shields III","Mrs. William Ewen Shipp","Mrs. Henry Hastings Sibley","Mrs. Richard R. Simplot","Mrs. Tom K. Smith, Jr.","Mrs. Frank Garden Strachan","Mrs. Frank Garden Strachan","Mrs. Frank Garden Strachan","Mrs. Frank Garden Strachan","Mrs. Richard H. Streeter","Mrs. John Lawrence Sullivan","Mrs. Lorenzo de Medici Sweat","Mrs. Thomas Seddon Taliaferro, Jr.","Mrs. Russell Story Tarr","Mrs. Nathaniel Thayer III","Mrs. De Courcy Wright Thom","Mrs. Augustine Jaquelin Todd","Mrs. Horace Mann Towner","Mrs. Horace Mann Towner","Mrs. Horace Mann Towner","Mrs. Howard Townsend","Mrs. Alexander C. Troup","Mrs. Verplanck Van Antwerp","Mrs. Horace Van Deventer","Mrs. William Loring Vaughan","Mrs. Benjamin Doolittle Walcott","Mrs. William Richmond Walker","Mrs. James M. Walton","Mrs. James M. Walton","Mrs. James M. Walton","Mrs. Milan Lester Ward","Mrs. Benjamin Streeter Warren","Mrs. Benjamin Streeter Warren","Mrs. Lewis William Washington","Mrs. W. Temple Webber, Jr.","Mrs. Charles D. Weller","Mrs. Stephen K. West","Mrs. Frederick H. West","Mrs. Charles Stetson Wheeler","Mrs. Calhoun W. Wick","Mrs. Alexander Loder Wiener","Mrs. Alexander Loder Wiener","Mrs. Alexander Loder Wiener","Mrs. Alexander Loder Wiener","Mrs. Alexander Loder Wiener","Mrs. Alexander Loder Wiener","Mrs. Erskine Phelps Wilder, Jr.","Mrs. Joseph John Wilder","Mrs. Douglas Williams","Mrs. Williams A. Winder","Mrs. Gordon Woodbury","Mrs. Gordon Woodbury","Mrs. George Washington Woodward","Mrs. David Levy Yulee"],"odd_html_tesm":["\u003cp\u003eA letter from this file is available digitally - DA_000262\n(Letter from Esther S. Fraser to Charles C. Wall concerning wallpaper, August 1, 1934)\u003c/p\u003e","\u003cp\u003eAccession number 2015-A-074\u003c/p\u003e","\u003cp\u003e1 letter from this folder is available digitally - DA_000202\u003c/p\u003e\n","\u003cp\u003eLetter from the Superintendent to Mrs. Bradford concerning a grey silk needlework\u003c/p\u003e","\u003cp\u003eItems from this folder are available digitally - DA_000261\n(Letter from Mary Evarts, Vice Regent for Vermont, to Mrs. John Brown, Vice Regent for Rhode Island, concerning the visit of the Prince of Wales to Mount Vernon and Washington's tomb, March 13, 1920. Also includes a news clipping showing the Prince at the tomb with a guard and Mr. Dodge.)\u003c/p\u003e","\u003cp\u003eDigital copies of some items in this folder are available - DA_000201\u003c/p\u003e","\u003cp\u003eRL-6497\u003c/p\u003e","\u003cp\u003eGold lettering on cover reads \"Mount Vernon, from the American Bible Society.\"\u003c/p\u003e","\u003cp\u003eRP-691, Misc. 4845 and RP-692, Misc. 4846.\u003c/p\u003e","\u003cp\u003eRM-949, MS-5501\u003c/p\u003e","\u003cp\u003eIncludes program for awards dinner.\u003c/p\u003e","\u003cp\u003eSmall leather book.\u003c/p\u003e","\u003cp\u003eIncludes news clippings, extracts from letters, and notes. Scrapbook of clippings compiled by Vice Regent Mrs. Sweat, 1850s-1898. RL-474.\u003c/p\u003e","\u003cp\u003eRL-474.\u003c/p\u003e","\u003cp\u003eFragile.\u003c/p\u003e","\u003cp\u003eRL-1108\u003c/p\u003e","\u003cp\u003e2016-A-015\u003c/p\u003e","\u003cp\u003eAn item in this scrapbook is available digitally - DA_000225\n(1 black and white photograph showing the opening remarks taken during the premiere; MVLA Regent Mrs. Cook, President Ford, and French President d'Estaing are visible in the image, 1976)\u003c/p\u003e","\u003cp\u003eGift of Elizabeth Barry, Vice Regent from Illinois.\u003c/p\u003e","\u003cp\u003ePresented to the MVLA. Framed, 14 ¾\" x 17 ¾\"\u003c/p\u003e","\u003cp\u003eSigned by the Governor. Framed, 15\" x 20 ¼\".\u003c/p\u003e","\u003cp\u003eCommemorative medal – large bronze medal with relief sculpture of Stenton Mansion on the front; reverse reads \"The Garden Club of America Preservation of Historic Gardens and Buildings,\" with engraving that reads \"Mount Vernon Ladies Association, 2010.\" 2006 Medallic Art Co., Dayton, NV\u003c/p\u003e","\u003cp\u003eProvenance unknown.\u003c/p\u003e","\u003cp\u003eWaterbury Button Co., Conn. (provenance unknown)\u003c/p\u003e","\u003cp\u003eUsed in publications.\u003c/p\u003e","\u003cp\u003eDesigns and images include Washington's swords, carriage, coat of arms, tools, Mount Vernon cornerstone, etc.\u003c/p\u003e","\u003cp\u003eNotepad given away as a gift bag item for the Grand Opening of the Donald W. Reynolds Museum and Education Center, 2006. Images of the George Washington wax figures and the Savage painting appear on the sides of the notepad.\u003c/p\u003e","\u003cp\u003eProvenance unknown.\u003c/p\u003e","\u003cp\u003esome unlabeled\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["A letter from this file is available digitally - DA_000262\n(Letter from Esther S. Fraser to Charles C. Wall concerning wallpaper, August 1, 1934)","Accession number 2015-A-074","1 letter from this folder is available digitally - DA_000202","Letter from the Superintendent to Mrs. Bradford concerning a grey silk needlework","Items from this folder are available digitally - DA_000261\n(Letter from Mary Evarts, Vice Regent for Vermont, to Mrs. John Brown, Vice Regent for Rhode Island, concerning the visit of the Prince of Wales to Mount Vernon and Washington's tomb, March 13, 1920. Also includes a news clipping showing the Prince at the tomb with a guard and Mr. Dodge.)","Digital copies of some items in this folder are available - DA_000201","RL-6497","Gold lettering on cover reads \"Mount Vernon, from the American Bible Society.\"","RP-691, Misc. 4845 and RP-692, Misc. 4846.","RM-949, MS-5501","Includes program for awards dinner.","Small leather book.","Includes news clippings, extracts from letters, and notes. Scrapbook of clippings compiled by Vice Regent Mrs. Sweat, 1850s-1898. RL-474.","RL-474.","Fragile.","RL-1108","2016-A-015","An item in this scrapbook is available digitally - DA_000225\n(1 black and white photograph showing the opening remarks taken during the premiere; MVLA Regent Mrs. Cook, President Ford, and French President d'Estaing are visible in the image, 1976)","Gift of Elizabeth Barry, Vice Regent from Illinois.","Presented to the MVLA. Framed, 14 ¾\" x 17 ¾\"","Signed by the Governor. Framed, 15\" x 20 ¼\".","Commemorative medal – large bronze medal with relief sculpture of Stenton Mansion on the front; reverse reads \"The Garden Club of America Preservation of Historic Gardens and Buildings,\" with engraving that reads \"Mount Vernon Ladies Association, 2010.\" 2006 Medallic Art Co., Dayton, NV","Provenance unknown.","Waterbury Button Co., Conn. (provenance unknown)","Used in publications.","Designs and images include Washington's swords, carriage, coat of arms, tools, Mount Vernon cornerstone, etc.","Notepad given away as a gift bag item for the Grand Opening of the Donald W. Reynolds Museum and Education Center, 2006. Images of the George Washington wax figures and the Savage painting appear on the sides of the notepad.","Provenance unknown.","some unlabeled"],"phystech_html_tesm":["\u003cp\u003eThis certificate has a fragile wax seal. Please do not place folders on top of this one.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["This certificate has a fragile wax seal. Please do not place folders on top of this one."],"prefercite_html_tesm":["\u003cp\u003e[Name and date of item], Papers of the MVLA, [Series, Folder], Archives of the Mount Vernon Ladies' Association, Fred W. Smith National Library for the Study of George Washington [hereafter Washington Library], Mount Vernon, Virginia \u003c/p\u003e","\u003cp\u003eSee the Chicago Manual of Style for additional examples. \u003c/p\u003e"],"prefercite_tesim":["[Name and date of item], Papers of the MVLA, [Series, Folder], Archives of the Mount Vernon Ladies' Association, Fred W. Smith National Library for the Study of George Washington [hereafter Washington Library], Mount Vernon, Virginia ","See the Chicago Manual of Style for additional examples. "],"processinfo_html_tesm":["\u003cp\u003eMany of these files, especially from the earlier years of the MVLA, were previously arranged in filing cabinets in the old Mount Vernon Library in the basement of the Ann Pamela Cunningham Administration Building. When possible, the original order of these files and their file names were kept during arrangement and description in this finding aid. All series in this collection are currently open-ended and small accruals will be added from time to time. Series 6 is especially fluid, as single items are often added to a specific Vice Regent's folder (such as an obituary or retirement tribute).\u003c/p\u003e","\u003cp\u003eFor original minutes dated 1860-1887, please see Box 91, 92, or 100. These minutes were located and added to the collection after initial processing.\u003c/p\u003e","\u003cp\u003eThese photographs were removed from folders within the collection for preservation purposes. Removal slips have been placed in their exact location within the folder to mark their withdrawal. Folder titles in this section correspond to the files with withdrawn photographs.\u003c/p\u003e","\u003cp\u003eThese photographs were loose and/or were not part of, or removed from, another folder in the collection.\u003c/p\u003e","\u003cp\u003edisassembled scrapbook\u003c/p\u003e","\u003cp\u003eNote: These items were removed from folders within the collection because of size and for preservation purposes. Removal slips have been placed in their exact location within the folder to mark their withdrawal. Folder titles in this section correspond to the files with withdrawn items.\u003c/p\u003e","\u003cp\u003e(Received from the Curatorial department, 1992)\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information"],"processinfo_tesim":["Many of these files, especially from the earlier years of the MVLA, were previously arranged in filing cabinets in the old Mount Vernon Library in the basement of the Ann Pamela Cunningham Administration Building. When possible, the original order of these files and their file names were kept during arrangement and description in this finding aid. All series in this collection are currently open-ended and small accruals will be added from time to time. Series 6 is especially fluid, as single items are often added to a specific Vice Regent's folder (such as an obituary or retirement tribute).","For original minutes dated 1860-1887, please see Box 91, 92, or 100. These minutes were located and added to the collection after initial processing.","These photographs were removed from folders within the collection for preservation purposes. Removal slips have been placed in their exact location within the folder to mark their withdrawal. Folder titles in this section correspond to the files with withdrawn photographs.","These photographs were loose and/or were not part of, or removed from, another folder in the collection.","disassembled scrapbook","Note: These items were removed from folders within the collection because of size and for preservation purposes. Removal slips have been placed in their exact location within the folder to mark their withdrawal. Folder titles in this section correspond to the files with withdrawn items.","(Received from the Curatorial department, 1992)"],"relatedmaterial_html_tesm":["\u003cp\u003e- Publications of the Mount Vernon Ladies' Association\n- Early Records of the Mount Vernon Ladies' Association\n- Papers of the Superintendent and Resident Director, 1850-1996\n- Bound Volumes of the Superintendent's Letters, Diaries, and Monthly Reports\n- Papers of James Rees\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["- Publications of the Mount Vernon Ladies' Association\n- Early Records of the Mount Vernon Ladies' Association\n- Papers of the Superintendent and Resident Director, 1850-1996\n- Bound Volumes of the Superintendent's Letters, Diaries, and Monthly Reports\n- Papers of James Rees"],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the care and management of Mount Vernon through the work of the MVLA. Types of material include correspondence, reports, memos, notes, personal and biographical information, news clippings, meeting agendas, photographs, scrapbooks, and ephemera. Several highlights of the collection include the original minutes of Council meetings, scrapbooks and ledgers created by Vice Regents, and early correspondence with Regents and Vice Regents. While the library's collection \"Early Records of the MVLA\" documents the founding and early years of the organization, the Papers of the MVLA continues where that collection ended and preserves the ongoing story of these women and the fulfillment of their mission. Creators of the collection are largely the board members themselves, along with staff and employees who worked directly with them. Scope notes have been added before the content list of each series to better describe its specific provenance and content. The bulk of the collection dates from the 1950s to the 1990s, however there is a very wide range represented overall, 1858-2016.\u003c/p\u003e","\u003cp\u003eThis series contains records created and collected by various committees within the MVLA. Correspondence, reports, and meeting agendas make up the majority of material.\u003c/p\u003e","\u003cp\u003eLetter (copy) from Esther S. Fraser, Hall Tavern in Cambridge, Massachusetts, to assistant superintendent Charles Cecil Wall, August 1, 1934. Regarding analysis of Mount Vernon's wallpaper.\u003c/p\u003e","\u003cp\u003eDuring the early 1980s, MVLA members agreed the process and procedures of Council needed to be updated. One suggestion made by Resident Director John Castellani was to create a notebook for each Council organized by schedule and activity. This resulted in the organized collection of reports, itineraries, minutes, and event plans for every Council, represented in these files. This practice continues, to some degree, up to the present time.\u003c/p\u003e","\u003cp\u003eOriginal minutes taken for Council meetings, 1887-1994. The earliest versions were handwritten. Later copies were cleaned up and typed for preparation to be printed. Most of the minutes are loose papers in folders, but the years 1912 through 1927 are in bound/book form. Years 1928 through 1936 are in both formats, loose and bound.\u003c/p\u003e","\u003cp\u003eA large majority of the Regent's Files contain correspondence to and from the Regent, sometimes organized by subject. Files for more recent Regents often contain event programs or invitations, speeches, clippings, reports, printed material, and other miscellaneous items. Letters to or from VIP guests or dignitaries have been noted when possible.\u003c/p\u003e","\u003cp\u003eIncludes RM-1024, MS-5652\u003c/p\u003e","\u003cp\u003eThis series contains records that were donated or transferred to the Library by a Vice Regent or their family members. These papers were often created by individual Vice Regents during the course of their duties as MVLA members, but were not held in files at Mount Vernon. Some folders may contain personal papers. A wide range of material is represented including correspondence, subject research files, reports, articles, printed material, memos, speeches, programs, invitations, memorabilia, and ephemera. Vice Regents often collected papers concerning specific projects or committees on which they worked.\u003c/p\u003e","\u003cp\u003eIncludes letters concerning Dodge's memoirs and the tree planted by the Prince of Wales.\u003c/p\u003e","\u003cp\u003eIncludes letters concerning the Anti-Fee Association and the Powel Coach.\u003c/p\u003e","\u003cp\u003eIncludes clippings on a Mount Vernon replica in New York and a visit to Mount Vernon by a British man.\u003c/p\u003e","\u003cp\u003eIncludes a Standard Guide map of Washington, D.C., \"Washington Visits to Rhode Island,\" \"George Washington and Rhode Island,\" and \"Autograph Letters and Documents of George Washington Now in Rhode Island Collections.\"\u003c/p\u003e","\u003cp\u003eThese files were kept by staff members at Mount Vernon, most often by the Secretary to the Board, to document the lives and work of individual Vice Regents. Some items were given directly by the Vice Regents to be placed in their files, while other documents were located or collected by staff and interfiled at a later time. Types of material include mostly correspondence, clippings, obituaries, resumes, tributes and memorials, notes, memos, and ephemera.\u003c/p\u003e","\u003cp\u003eBiographical notes dated 1952 and 1954\u003c/p\u003e","\u003cp\u003eGeorge Washington Biography Lesson, 1995-2005\u003c/p\u003e","\u003cp\u003eQuestionnaire for the Records, correspondence 1979-1989, play written for George Washington's birthday\u003c/p\u003e","\u003cp\u003eSkit or play performed for a Washington birthday event, written by Captain and Hope Powel Alexander, the Vice Regent for Rhode Island, February 22, 1988.\u003c/p\u003e","\u003cp\u003eCorrespondence, 1990-1999\u003c/p\u003e","\u003cp\u003eCorrespondence, 1990-1999, booklet- George Washington in Rhode Island, Words of Washington during the Revolution\u003c/p\u003e","\u003cp\u003eOral history interview by Sandra Robinette\u003c/p\u003e","\u003cp\u003eObituary, 1904; Biographical letter by her daughter; Invitation for subscription to the Peace Dance\u003c/p\u003e","\u003cp\u003eBiographical information, Garden Club of America, obituaries for Mr. and Mrs. Anderson\u003c/p\u003e","\u003cp\u003eCorrespondence, 1967-1979, opening remarks to Mount Vernon film, 1976\u003c/p\u003e","\u003cp\u003eCorrespondence, 1980-1989, Mount Vernon, The Texas Connection\u003c/p\u003e","\u003cp\u003eCorrespondence, 1990-1999, The Mount Vernon File, Memorabilia of Washington County's Second County Seat, Questionnaire for the Records\u003c/p\u003e","\u003cp\u003eCorrespondence 1948-1960, Mount Vernon in Virginia list\u003c/p\u003e","\u003cp\u003eCorrespondence, 1919-1939\u003c/p\u003e","\u003cp\u003eSigned by the Regent, Harriet Comegys.\u003c/p\u003e","\u003cp\u003eBiographical note on the service of Anne Page Wilder Anderson in the Mount Vernon Ladies' Association.\u003c/p\u003e","\u003cp\u003eCorrespondence 1940-1954\u003c/p\u003e","\u003cp\u003eCorrespondence, photographs\u003c/p\u003e","\u003cp\u003eObituaries, 2016\u003c/p\u003e","\u003cp\u003eCorrespondence, clippings, biographical and memorial information, Questionnaire for the Records\u003c/p\u003e","\u003cp\u003eCorrespondence, biographical information\u003c/p\u003e","\u003cp\u003eCorrespondence (Includes correspondence with U.S. Senator Bob Graham), biographical information\u003c/p\u003e","\u003cp\u003eObituary; descriptions of Florida Vice Regents\u003c/p\u003e","\u003cp\u003eBiographical information; diary from 1863; census information; photograph of painting of Mrs. Balfour\u003c/p\u003e","\u003cp\u003eBiographical information; Memorial tribute; Letter from the Governor of Virginia concerning a daguerreotype of Mrs. Ball; Copyright certificate for a Mount Vernon publication; Article about Mount Vernon\u003c/p\u003e","\u003cp\u003eObituary; minutes of Council from 1912 announcing her death\u003c/p\u003e","\u003cp\u003e\"In Memoriam\" from Council Minutes; genealogy\u003c/p\u003e","\u003cp\u003eCorrespondence 1938-1955, obituaries, memorial from the minutes\u003c/p\u003e","\u003cp\u003eBooklet, biographical information and memorial from minutes\u003c/p\u003e","\u003cp\u003eCorrespondence; gift annuity agreement; Questionnaire for the Records\u003c/p\u003e","\u003cp\u003eSummary of Auction Activities, 1997\u003c/p\u003e","\u003cp\u003eCorrespondence, 1937-1942\u003c/p\u003e","\u003cp\u003eCorrespondence and biographical information, 1943-1975; list of gifts to Mount Vernon\u003c/p\u003e","\u003cp\u003eCorrespondence, biographical and genealogical information, and clippings, resolution to Council on her death, listing of her descendants, Questionnaire\u003c/p\u003e","\u003cp\u003eBiographical information, obituaries, and correspondence (Includes letter from Mamie D. Eisenhower), Questionnaire\u003c/p\u003e","\u003cp\u003eCorrespondence (Includes some poetry and other writings, and a list of \"Association Papers Returned to Mount Vernon\"), Obituary, list of committee assignments, in memoriam, listing of Maine bedroom furniture\u003c/p\u003e","\u003cp\u003eCorrespondence, 1927-1954\u003c/p\u003e","\u003cp\u003eArticles about house tour, obituary, Questionnaire, correspondence, tribute to her\u003c/p\u003e","\u003cp\u003eCorrespondence 1977-1989, Questionnaire, 1982 GW's 250th birthday calendar done by Oregon school children\u003c/p\u003e","\u003cp\u003eCorrespondence as Regent (Includes photocopies of letters from President and First Lady Bush), articles\u003c/p\u003e","\u003cp\u003eCorrespondence (Includes Memorial booklet, 2007; List \"Shingles – For Mrs. Bishop\")\u003c/p\u003e","\u003cp\u003ePublications concerning Mount Vernon visit of Queen Elizabeth, 1991\u003c/p\u003e","\u003cp\u003eCorrespondence and biographical information, Questionnaire\u003c/p\u003e","\u003cp\u003eCorrespondence and biographical information, Questionnaire, memorial\u003c/p\u003e","\u003cp\u003eIn memoriam; articles; questionnaire; correspondence\u003c/p\u003e","\u003cp\u003eClippings, biographical information, memorial information; Guide to Mrs. Bolton's Papers (Western Reserve Historical Society)\u003c/p\u003e","\u003cp\u003eClippings, Laminated notebook of news clippings\u003c/p\u003e","\u003cp\u003eCongressional newsletters by Mrs. Bolton, Campaign material\u003c/p\u003e","\u003cp\u003eCongressional Records, September 1965 and March 1977; Booklet – \"Letters from Africa\"; Newsletters to constituents\u003c/p\u003e","\u003cp\u003eCorrespondence 1938-1960, Questionnaire, biographical data\u003c/p\u003e","\u003cp\u003eCorrespondence 1961-1977\u003c/p\u003e","\u003cp\u003eQuestionnaire, correspondence\u003c/p\u003e","\u003cp\u003eCorrespondence, email 2004-2005\u003c/p\u003e","\u003cp\u003eCorrespondence and biographical information\u003c/p\u003e","\u003cp\u003eCorrespondence, Questionnaire\u003c/p\u003e","\u003cp\u003eCorrespondence and memorial information, 1925-1942\u003c/p\u003e","\u003cp\u003eLetter from the assistant superintendent, James Young, to Mary Bradford, Vice Regent for New Jersey, April 2, 1931. In regards to a grey silk needlework bag reported to have been given by Martha Washington to Mrs. Peale.\u003c/p\u003e","\u003cp\u003eNewspaper obituary\u003c/p\u003e","\u003cp\u003eCorrespondence, 1955-1994; Booklet, \"Annals of Iowa,\" (info on Vice Regents from Iowa), condolence letter\u003c/p\u003e","\u003cp\u003eQuestionnaire, correspondence, husband's obituary, Annals of Iowa book\u003c/p\u003e","\u003cp\u003eBiographical information, magazine article copies\u003c/p\u003e","\u003cp\u003eCorrespondence, articles\u003c/p\u003e","\u003cp\u003eLetter from Mary Evarts, Vice Regent for Vermont, to Anne Brown, Vice Regent for Rhode Island, March 13, 1920. Mentions the visit of the Prince of Wales to Mount Vernon and encloses a clipping with a photograph of the Prince, superintendent Harrison Dodge, and Tomb guard Charles Simms at Washington's Tomb. Evarts also discusses the recent death of Amy Townsend, Vice Regent for New York, and the poor health of Elizabeth Pringle, Vice Regent for South Carolina.\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eObituary, wedding announcement\u003c/p\u003e","\u003cp\u003eQuestionnaire, correspondence, articles\u003c/p\u003e","\u003cp\u003eQuestionnaire, correspondence, note cards\u003c/p\u003e","\u003cp\u003eCorrespondence, death announcement\u003c/p\u003e","\u003cp\u003eCorrespondence, clippings, Questionnaire, death announcement\u003c/p\u003e","\u003cp\u003eCorrespondence, certificate as Vice Regent\u003c/p\u003e","\u003cp\u003eCorrespondence 1942-1955\u003c/p\u003e","\u003cp\u003eCorrespondence, obituaries\u003c/p\u003e","\u003cp\u003eCorrespondence, Questionnaire\u003c/p\u003e","\u003cp\u003eCorrespondence 1960-1969, Memorial information and booklet\u003c/p\u003e","\u003cp\u003eLetter from Samuel Cabot, son of Nancy Cabot, Vice Regent for Massachusetts, to Hope Harkness, Vice Regent for Rhode Island, June 10, 1969. Gives biographical information about his mother after her passing.\u003c/p\u003e","\u003cp\u003eCorrespondence, Questionnaire\u003c/p\u003e","\u003cp\u003eL.A. Alive Magazine; correspondence; Questionnaire\u003c/p\u003e","\u003cp\u003eArticles, Campbell House Museum info\u003c/p\u003e","\u003cp\u003eCorrespondence, Certificate of appointment as Vice Regent\u003c/p\u003e","\u003cp\u003eCorrespondence; Article, \"The Regents of Mount Vernon\"; Watercolor of Mount Vernon by Marie Blanke; Bylaws of the MVLA\u003c/p\u003e","\u003cp\u003eCorrespondence and \"Reminiscences\"\u003c/p\u003e","\u003cp\u003e\"Returned Papers\" of Mrs. Carpenter, correspondence and MVLA publications\u003c/p\u003e","\u003cp\u003eResume; correspondence\u003c/p\u003e","\u003cp\u003eProspective form; correspondence; Questionnaire; Organizational Capacity Survey, and biographical information\u003c/p\u003e","\u003cp\u003eBiographical information; letter verifying she met Washington\u003c/p\u003e","\u003cp\u003eQuestionnaire; correspondence\u003c/p\u003e","\u003cp\u003eBiographical note\u003c/p\u003e","\u003cp\u003eCorrespondence and clippings, articles about husband's political campaigns\u003c/p\u003e","\u003cp\u003eClippings, manuscript and paper copy of article on the origin of the MVLA, correspondence\u003c/p\u003e","\u003cp\u003eBiographical sketch and personal details, excerpts of state reports and letters\u003c/p\u003e","\u003cp\u003eIn Memoriam booklet and obituary, 1914; Reference letter from MV Librarian\u003c/p\u003e","\u003cp\u003eCorrespondence 1946-1953\u003c/p\u003e","\u003cp\u003eCorrespondence 1954-1959\u003c/p\u003e","\u003cp\u003eCorrespondence; articles; paper on the traditions of the MVLA\u003c/p\u003e","\u003cp\u003eCorrespondence (Includes correspondence concerning the preservation of the view of the Potomac and letter from Pat Nixon); Program on commissioning ship Mount Vernon\u003c/p\u003e","\u003cp\u003eCorrespondence (Includes information on donations and contributions for the Capital Campaign and list of donors from New Jersey)\u003c/p\u003e","\u003cp\u003eCorrespondence (Includes information on donations and contributions for the Capital Campaign and family history for the Throckmortons)\u003c/p\u003e","\u003cp\u003eCorrespondence (Includes information on donations and contributions for the Capital Campaign)\u003c/p\u003e","\u003cp\u003eCorrespondence and memorial information\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eNote about her death\u003c/p\u003e","\u003cp\u003eProspective form; correspondence; Questionnaire\u003c/p\u003e","\u003cp\u003eCorrespondence, Questionnaire\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eCorrespondence, includes letter by Governor Colgate Darden of Virginia\u003c/p\u003e","\u003cp\u003eNewspaper clippings; manuscript of speech; resignation letter; reminiscences; in memoriam; certificate of her appointment as Vice Regent; biographical piece; correspondence after her resignation\u003c/p\u003e","\u003cp\u003eQuestionnaire; correspondence; letter of resignation; notes written in tribute to her\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eObituaries; tributes; correspondence; Questionnaire\u003c/p\u003e","\u003cp\u003eList of MVLA history; correspondence; copy of photograph\u003c/p\u003e","\u003cp\u003eQuestionnaire; correspondence; tribute on her resignation\u003c/p\u003e","\u003cp\u003eBiographical information\u003c/p\u003e","\u003cp\u003eBiographical information; memoir written by her husband\u003c/p\u003e","\u003cp\u003eResume; correspondence; in memoriam\u003c/p\u003e","\u003cp\u003eArticle on the history of Detroit, biographical information\u003c/p\u003e","\u003cp\u003eCorrespondence; news clippings\u003c/p\u003e","\u003cp\u003eBiographical information; article about her life\u003c/p\u003e","\u003cp\u003eObituary or memorial for the first MVLA Vice Regent for Georgia, Philoclea Eve. Typed on December 23, 1952 for her file. Note the appointment date at the top is incorrect. Eve was appointed Vice Regent in 1858.\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eCorrespondence, news clippings, biographical article\u003c/p\u003e","\u003cp\u003eCorrespondence, biographical information, committee work, research on former Minnesota Vice Regents; prospective Vice Regent form; copy of historical magazine of MN; development information\u003c/p\u003e","\u003cp\u003eBiographical information\u003c/p\u003e","\u003cp\u003eBiographical information\u003c/p\u003e","\u003cp\u003eCorrespondence; list of MVLA service\u003c/p\u003e","\u003cp\u003eMemo, bio note\u003c/p\u003e","\u003cp\u003eClippings, biographical and memorial information\u003c/p\u003e","\u003cp\u003eCorrespondence; memorials; Questionnaire; report on outbuildings\u003c/p\u003e","\u003cp\u003eMemorial information\u003c/p\u003e","\u003cp\u003eCorrespondence and memorial information\u003c/p\u003e","\u003cp\u003eCorrespondence, speeches or remarks, and Questionnaire/biographical information\u003c/p\u003e","\u003cp\u003eCorrespondence, speeches or remarks, and Questionnaire/biographical information\u003c/p\u003e","\u003cp\u003eCorrespondence as Regent\u003c/p\u003e","\u003cp\u003eCorrespondence to Mrs. Gaines as Regent\u003c/p\u003e","\u003cp\u003eBiographical information; tributes to her service; correspondence; Questionnaire\u003c/p\u003e","\u003cp\u003eCorrespondence; letter from Sen. Trent Lott; biographical sketch; notes for talk\u003c/p\u003e","\u003cp\u003eObituary; correspondence; Questionnaire\u003c/p\u003e","\u003cp\u003eNews clippings\u003c/p\u003e","\u003cp\u003eBiography of her husband; research on her as first VR from Connecticut\u003c/p\u003e","\u003cp\u003eBiographical information, correspondence\u003c/p\u003e","\u003cp\u003eTranscription of letter, 1858\u003c/p\u003e","\u003cp\u003eCorrespondence, Questionnaire, resume\u003c/p\u003e","\u003cp\u003eQuestionnaire, correspondence, tributes\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eCorrespondence, Founders Committee minutes, biographical information, memorial service info, Questionnaire\u003c/p\u003e","\u003cp\u003eCorrespondence, Founders Committee minutes, biographical information, Questionnaire, memorial service info\u003c/p\u003e","\u003cp\u003eCorrespondence, Founders Committee minutes, biographical information, description of dinner for The Washington Antique Show; description of reception at French Embassy; other special events invitations; obituary\u003c/p\u003e","\u003cp\u003eCorrespondence and clippings\u003c/p\u003e","\u003cp\u003eCorrespondence, Donation of Willard scrapbook\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eCorrespondence, Questionnaire\u003c/p\u003e","\u003cp\u003eCorrespondence and Memorial information\u003c/p\u003e","\u003cp\u003eBooklet, \"In Memory of Sarah King Hale\" and biographical information\u003c/p\u003e","\u003cp\u003eObituary, letter to Mr. Townley Esq., and transcription of letter (RM 1206)\u003c/p\u003e","\u003cp\u003eBiographical information and transcriptions of letters, correspondence\u003c/p\u003e","\u003cp\u003eCorrespondence; prospective Vice Regent form\u003c/p\u003e","\u003cp\u003eCorrespondence and biographical information, Questionnaire, memorial info\u003c/p\u003e","\u003cp\u003eCorrespondence; certificate of her appointment as Vice Regent\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eCorrespondence and Memorial information\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eCorrespondence, 1940-1949; List of documents acquired at the sale of the Armstrong Collections\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eObituary\u003c/p\u003e","\u003cp\u003eCorrespondence and biographical information\u003c/p\u003e","\u003cp\u003eLetters from correspondence file of Hetty Harrison, Vice Regent for Virginia, including letters to and from, date range 1924-1936. Letters mostly concern Mansion furnishings, wallpaper, and similar topics.\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eCorrespondence, article\u003c/p\u003e","\u003cp\u003eCorrespondence; questionnaire; obituary; memorials\u003c/p\u003e","\u003cp\u003ePhotocopies of correspondence, Bancroft Library material, University of California at Berkeley\u003c/p\u003e","\u003cp\u003eResearch file with biographical and legacy information; clippings; List of gifts to Mount Vernon; correspondence; obituaries and tributes\u003c/p\u003e","\u003cp\u003eQuestionnaire; prospective Vice Regent form; correspondence, includes 2018-A-020\u003c/p\u003e","\u003cp\u003eBiography; obituary\u003c/p\u003e","\u003cp\u003eCorrespondence, 1937-1955; Accession lists, 1949-1951; Descriptions for Mount Vernon slides\u003c/p\u003e","\u003cp\u003eCorrespondence, 1955-1966; Library reports and accessions\u003c/p\u003e","\u003cp\u003eCorrespondence, 1966-1970; Library reports and accessions\u003c/p\u003e","\u003cp\u003eCorrespondence and Memorial information, 1971-1979; clippings\u003c/p\u003e","\u003cp\u003eCorrespondence; program from commissioning of US Ship Mount Vernon; Questionnaire\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eCorrespondence, Questionnaire\u003c/p\u003e","\u003cp\u003eCorrespondence and memorial information, 1963-1971; clippings\u003c/p\u003e","\u003cp\u003eCorrespondence, Questionnaire\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eBooklet, \"Washington's House\" by Mrs. Hudson; Biographical note, 1980; Correspondence (Connecticut Room), correspondence with Mrs. Hudson's niece Miss Carmalt (RM-1132); photographs (copies) of Susan Hudson and her husband, photograph of a portrait of William Dunlap and note by descendant.\u003c/p\u003e","\u003cp\u003eBiographical information\u003c/p\u003e","\u003cp\u003eBiographical and Memorial information; \"Notes for Talks on Mount Vernon,\" correspondence\u003c/p\u003e","\u003cp\u003eBiographical information; transcript of letter from APC appointing her; obituary\u003c/p\u003e","\u003cp\u003eBiographical note on Ella Hutchins Sydnor, the first Vice Regent for Texas, with accompanying transcription and news clipping.\u003c/p\u003e","\u003cp\u003eOne sheet reference to an MVLA book she is listed in\u003c/p\u003e","\u003cp\u003eCorrespondence; blueprint of traffic circle from Virginia Electric\u003c/p\u003e","\u003cp\u003eCorrespondence and clippings (Includes correspondence with Congressmen and Letitia Baldridge, First Lady Jackie Kennedy's secretary, concerning the preservation of the view of the Potomac River or Operation Overview)\u003c/p\u003e","\u003cp\u003eCorrespondence (Includes correspondence concerning the preservation of the view of the Potomac River or Operation Overview)\u003c/p\u003e","\u003cp\u003eCorrespondence, 1966-1990; Script to slide presentation on Washington's china\u003c/p\u003e","\u003cp\u003eClipping of poem about Washington by Mrs. Jeffrey\u003c/p\u003e","\u003cp\u003eCorrespondence (includes two letters by William Taft)\u003c/p\u003e","\u003cp\u003eCorrespondence (includes two letters by William Taft)\u003c/p\u003e","\u003cp\u003eCorrespondence, 1938-1939; Letter concerning Miss Jennings from President William H. Taft, 1914; Memorial information; Booklet – \"Seabury Society for the Preservation of the Glebe House\"\u003c/p\u003e","\u003cp\u003eObituary\u003c/p\u003e","\u003cp\u003eCorrespondence, 1925-1932; Memorial information and booklet, 1934; Biographical information\u003c/p\u003e","\u003cp\u003eLetter from Elizabeth Johnston, Vice Regent for Alabama, to her children. Written to be opened upon her death, reflecting on her life. Circa 1934.\u003c/p\u003e","\u003cp\u003eCorrespondence; memorial info, obituary of her sister, Grace King\u003c/p\u003e","\u003cp\u003eCorrespondence, 1944-1985; Family history; Memorial information; Questionnaire\u003c/p\u003e","\u003cp\u003eCorrespondence; list of committees; tribute; obituary\u003c/p\u003e","\u003cp\u003ePrayer for Council 2006\u003c/p\u003e","\u003cp\u003eObituaries and news clippings\u003c/p\u003e","\u003cp\u003eCorrespondence and biographical information, Questionnaire\u003c/p\u003e","\u003cp\u003eCorrespondence, 1925-1933; Information on Mount Vernon replica; clippings; information from NSDAR about Rainier chapter house; and obituaries\u003c/p\u003e","\u003cp\u003eCorrespondence, speeches or remarks, and biographical information\u003c/p\u003e","\u003cp\u003eCorrespondence, speeches or remarks, and biographical information\u003c/p\u003e","\u003cp\u003eCorrespondence, speeches or remarks, biographical and memorial information\u003c/p\u003e","\u003cp\u003eOral history transcript\u003c/p\u003e","\u003cp\u003ePhotocopies of letters and obituary\u003c/p\u003e","\u003cp\u003eBiography; copy of poem for her by Poe; sketch; poem in tribute; Copy of Mobile Bay magazine, January 2024 issue with article \"Saving Washington's Mount Vernon,\" by Mount Vernon staff member Breck Pappas.\u003c/p\u003e","\u003cp\u003eCorrespondence, 1942-1951\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eCorrespondence, 1955-1959; Clippings and information on Mr. Wilmarth Lewis; Memorial booklet; CD with content from the Lewis Walpole Library, Yale University; transcript of interview recording of Mrs. Lewis; Two copies of booklet for the exhibition \"Dancing on a sunny plain: The life of Annie Burr Auchincloss Lewis\" by Yale University.\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eCorrespondence; article about proposed sewer project near MV\u003c/p\u003e","\u003cp\u003eCorrespondence to and from Miss Longfellow; Letters from family concerning Miss Longfellow; Postcards of Longfellow House; Clippings; Paper \"The Shrine of Mount Vernon\"\u003c/p\u003e","\u003cp\u003eLetter from Henry Wadsworth Longfellow Dana to the Vice Regent for Connecticut, Annie Burr Jennings, January 31, 1930. Thanks her for the copy she sent of the MVLA Annual Report, speaks of his aunt Alice Longfellow who recently died, and mentions other MVLA matters.\u003c/p\u003e","\u003cp\u003eCorrespondence (Includes letter from U.S. Senator Arthur Capper)\u003c/p\u003e","\u003cp\u003eCorrespondence and obituaries\u003c/p\u003e","\u003cp\u003eCorrespondence, 1932-1941; Pamphlets on Historic Restoration in Arkansas\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eCorrespondence, 1951-1963; Clippings and obituaries; Reminiscences from a trip to the Soviet Union; Information on Historic Preservation work in Arkansas\u003c/p\u003e","\u003cp\u003eCorrespondence; biography; obituary\u003c/p\u003e","\u003cp\u003eCorrespondence, biographical information, and retirement tributes\u003c/p\u003e","\u003cp\u003eBiographical information\u003c/p\u003e","\u003cp\u003eCorrespondence, 1896-1954; Clippings; \"Washington's First Defeat\"; Biographical information; certificate of appointment as Vice Regent\u003c/p\u003e","\u003cp\u003eCorrespondence, speeches or remarks, and biographical information, Questionnaire\u003c/p\u003e","\u003cp\u003eList of items from the Early Records Collection, Biography, listing of MV activities\u003c/p\u003e","\u003cp\u003eCorrespondence, Portrait information (MFA Boston)\u003c/p\u003e","\u003cp\u003eLetter from Martha Mercer, Vice Regent for Pennsylvania, to Harrison Dodge, superintendent, undated (October 7). She has received the tree report and thinks he must be very happy with it. The next step is to do the work. Autograph letter signed.\u003c/p\u003e","\u003cp\u003eBiographical information; List of items from Early Records Collection\u003c/p\u003e","\u003cp\u003eCorrespondence, resume, prospective VR form, Questionnaire\u003c/p\u003e","\u003cp\u003eQuestionnaire, correspondence\u003c/p\u003e","\u003cp\u003eCorrespondence, speeches or remarks, and biographical information, Questionnaire, letter from Senator Bob Graham, FL\u003c/p\u003e","\u003cp\u003eBiographical information, original certificate of appointment signed by Ann Pamela Cunningham\u003c/p\u003e","\u003cp\u003eBiographical information\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eCorrespondence, tributes, Questionnaire, customs and practices of the MVLA\u003c/p\u003e","\u003cp\u003eQuestionnaire, correspondence, measured drawing of walkway to administration building by Dean Norton, 1985, tribute to her service\u003c/p\u003e","\u003cp\u003eCorrespondence and clippings, Questionnaire\u003c/p\u003e","\u003cp\u003eCorrespondence and biographical information, Questionnaire\u003c/p\u003e","\u003cp\u003eList of items in the Early Records Collection; Biographical information\u003c/p\u003e","\u003cp\u003eQuestionnaire, correspondence, resignation letter, articles\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eCorrespondence, biographical information\u003c/p\u003e","\u003cp\u003eCorrespondence, 1980-1990, Clippings, Publication, \"The Ghost Ranch Story\" by Arthur Pack, Questionnaire\u003c/p\u003e","\u003cp\u003eLetter to her mother (with letter of provenance, 1937)\u003c/p\u003e","\u003cp\u003ePhotostats from a Cincinnati Enquirer story about her family (with letter of provenance, 1964)\u003c/p\u003e","\u003cp\u003eCorrespondence, obituary\u003c/p\u003e","\u003cp\u003eObituary, 1938 (retrieved 2022)\u003c/p\u003e","\u003cp\u003eCorrespondence, obituary\u003c/p\u003e","\u003cp\u003eCorrespondence, articles, and other writings, Questionnaire\u003c/p\u003e","\u003cp\u003eBiographical information; Clippings; Confederate 100 dollar note with her likeness; Booklet – \"Charleston, S.C. and Mount Vernon\"\u003c/p\u003e","\u003cp\u003eCorrespondence, obituary, memorial\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eCorrespondence with Charles C. Wall\u003c/p\u003e","\u003cp\u003eMemorial information, clippings, and writings\u003c/p\u003e","\u003cp\u003eSpeeches and presentations\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eCorrespondence, memorial\u003c/p\u003e","\u003cp\u003eClippings and biographical information\u003c/p\u003e","\u003cp\u003eWritings on Mount Vernon; Booklets, \"The Mount Vernon Society of Detroit Michigan,\" and \"What Michigan Has Done for Mount Vernon\"\u003c/p\u003e","\u003cp\u003eLetter regarding visit of dignitaries to Mount Vernon, 1917; Clipping regarding the visit of First Lady Eleanor Roosevelt\u003c/p\u003e","\u003cp\u003eMemoir written one day after the event of the French and British missions visit to Mount Vernon on April 29, 1917. Written by the Vice Regent for Maine (later Regent), Alice Richards.\u003c/p\u003e","\u003cp\u003eMemorial booklet printed after the death of MVLA Regent Alice Richards. Gives details and information about her life and work.\u003c/p\u003e","\u003cp\u003eCertificate as Vice Regent, clippings\u003c/p\u003e","\u003cp\u003eCorrespondence, biographical information, events, remarks, articles, photobook\u003c/p\u003e","\u003cp\u003eLetter written about her in 1952\u003c/p\u003e","\u003cp\u003eLetter from Miss Riggs to Mrs. Towner, undated; Letter informing of the death of Miss Riggs, 1930; List of items in the Early Records Collection\u003c/p\u003e","\u003cp\u003eBiographical information and clippings; Thesis \"Anna Cora Mowatt and Her Audience,\" by Imogene McCarthy\u003c/p\u003e","\u003cp\u003eCorrespondence and biographical information\u003c/p\u003e","\u003cp\u003eCorrespondence, 1915-1918\u003c/p\u003e","\u003cp\u003eCorrespondence, 1918-1925\u003c/p\u003e","\u003cp\u003eCorrespondence, 1926-1931\u003c/p\u003e","\u003cp\u003eCorrespondence, memorial information\u003c/p\u003e","\u003cp\u003eGenealogical information\u003c/p\u003e","\u003cp\u003eObituary, 1910, retrieved 2022\u003c/p\u003e","\u003cp\u003eCorrespondence, clippings, paper read by her at Colonial Dames meeting\u003c/p\u003e","\u003cp\u003eCorrespondence; copy of letter from Barbara Bush; Customs and Practice of MVLA, April 1986; questionnaire\u003c/p\u003e","\u003cp\u003eCorrespondence (Includes letters from President George Bush, Sr., Barbara Bush, Richard Nixon, and Sandra Day O'Connor)\u003c/p\u003e","\u003cp\u003eProgram with menu, event information, and itinerary for a dinner on Washington's birthday for the benefit of the MVLA.\u003c/p\u003e","\u003cp\u003ePersonal memoir of her trip to Paris for the bicentennial of the French Revolution and loan of the key to the Bastille, July 1989.\u003c/p\u003e","\u003cp\u003eMemorandum by Eugenia Seamans, Regent, to the Vice Regents and staff thanking them for contributing to the success of their commemoration of the bicentennial of George Washington's inauguration.\u003c/p\u003e","\u003cp\u003eA thank you letter from President Richard Nixon to Eugenia Seamans, Regent, May 9, 1989. Autograph letter signed.\u003c/p\u003e","\u003cp\u003eA thank you letter from President Bush to the Regent for his tour of Mount Vernon with King Hussein. Autograph letter signed.\u003c/p\u003e","\u003cp\u003eThe First Lady thanks the Regent for coming to tea with the other Vice Regents at the White House. Autograph letter signed.\u003c/p\u003e","\u003cp\u003eCorrespondence and Memorial information\u003c/p\u003e","\u003cp\u003eCorrespondence and biographical information, Questionnaire, Tribute\u003c/p\u003e","\u003cp\u003eCorrespondence and Memorial information\u003c/p\u003e","\u003cp\u003eCorrespondence and biographical information, Questionnaire\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eBiographical information; List and photocopies of items from the Early Records Collection\u003c/p\u003e","\u003cp\u003eProspective form, tribute, Questionnaire, correspondence\u003c/p\u003e","\u003cp\u003eQuestionnaire, correspondence, tribute, articles about Washington\u003c/p\u003e","\u003cp\u003eCorrespondence, Questionnaire, Garden Committee reports\u003c/p\u003e","\u003cp\u003eCorrespondence 1970-1979, Garden Committee reports, Articles, committee assignments, letter of resignation\u003c/p\u003e","\u003cp\u003eCorrespondence, remarks\u003c/p\u003e","\u003cp\u003eCorrespondence, donations, and biographical information\u003c/p\u003e","\u003cp\u003eCorrespondence, speeches, Questionnaire, resume\u003c/p\u003e","\u003cp\u003eCorrespondence, Memorial information, Questionnaire, obituaries\u003c/p\u003e","\u003cp\u003eTranscriptions of letters, 1877; Correspondence, 1898-1900; Paper – \"A Chapter in the History of the Mount Vernon Ladies Association,\" 1905; Address – \"The National University and the George Washington Memorial\"\u003c/p\u003e","\u003cp\u003eCorrespondence and biographical information (Includes letters from Wyoming Senators and Congressmen)\u003c/p\u003e","\u003cp\u003eCorrespondence, Questionnaire, articles, and Memorial information\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eWould like him to send information on fire protection at Mount Vernon. Discusses Washington's books with the Boston Athenaeum. Autograph letter signed.\u003c/p\u003e","\u003cp\u003eCorrespondence and biographical information\u003c/p\u003e","\u003cp\u003eQuestionnaire, correspondence, obituary\u003c/p\u003e","\u003cp\u003eArticles and other writings; Clippings; Memorial information\u003c/p\u003e","\u003cp\u003eCorrespondence (Includes letters to and from President Franklin Roosevelt), publication about Mount Vernon written by Mrs. Towner\u003c/p\u003e","\u003cp\u003ePersonal notebooks on Mount Vernon and bookplates\u003c/p\u003e","\u003cp\u003eObituary\u003c/p\u003e","\u003cp\u003eBiographical information; Transcriptions of letters\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eCorrespondence (Includes correspondence concerning the 100th Anniversary Committee; Memorial information; Personal inscribed copy of \"Mount Vernon China\"); Questionnaire\u003c/p\u003e","\u003cp\u003eCorrespondence, appeal, \"Washington Portraits,\" calling cards\u003c/p\u003e","\u003cp\u003eCorrespondence, 1919-1956, paper detailing Tennessee involvement with Mount Vernon, obituary, Questionnaire\u003c/p\u003e","\u003cp\u003eCorrespondence (Includes letters on the donation of the Vaughan journal and manuscripts), Questionnaire\u003c/p\u003e","\u003cp\u003eTells her she has been elected as a Vice Regent for the Mount Vernon Ladies' Association. Gives information about being a Vice Regent. Autograph letter signed.\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eObituary, 1908; Biographical note\u003c/p\u003e","\u003cp\u003eCorrespondence and biographical information, Questionnaire\u003c/p\u003e","\u003cp\u003eCorrespondence and biographical information\u003c/p\u003e","\u003cp\u003eOral history transcript, 2009\u003c/p\u003e","\u003cp\u003eBooklet, \"Bit of Mount Vernon History: Taken from the Records of Mount Vernon Ladies' Association, Brought before Council of 1898 by Record Committee and Ordered Printed,\" by Mrs. Ward, 1899; Appeal to Teachers and Students of the Schools of Kansas to donate to Mount Vernon, undated; Obituary\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eCommittee assignments; biography; correspondence; obituary\u003c/p\u003e","\u003cp\u003eJournal; certificate of her appointment as Vice Regent, signed by APC; obituary\u003c/p\u003e","\u003cp\u003eCorrespondence, speech, etc.\u003c/p\u003e","\u003cp\u003eCorrespondence; prospective VR form; articles\u003c/p\u003e","\u003cp\u003eCorrespondence, events programs, obituary, Questionnaire\u003c/p\u003e","\u003cp\u003eQuestionnaire, resume, prospective VR form, correspondence\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eCorrespondence and resume\u003c/p\u003e","\u003cp\u003eQuestionnaire, memorial information\u003c/p\u003e","\u003cp\u003eCorrespondence 1964-1970\u003c/p\u003e","\u003cp\u003eCorrespondence, 1971-1977\u003c/p\u003e","\u003cp\u003eCorrespondence, 1978-1982; Article \"George Washington, The Man, Creator of Mount Vernon, Farmer, Family Man, Christian, Ecumenist\"\u003c/p\u003e","\u003cp\u003eCorrespondence, 1983-1993; Memorial information\u003c/p\u003e","\u003cp\u003eCorrespondence as Corresponding Secretary\u003c/p\u003e","\u003cp\u003eCorrespondence, committee listings, funeral program, Questionnaire\u003c/p\u003e","\u003cp\u003eBiographical note, Letter accepting position as Vice Regent\u003c/p\u003e","\u003cp\u003eLetter from Georgia Wilder, Vice Regent for Georgia, to Lily Laughton, Regent, May 27, 1891. Wilder accepts her appointment as Vice Regent for Georgia in the MVLA. Autograph letter signed.\u003c/p\u003e","\u003cp\u003eSigned by the Regent, Justine Townsend with note, \"appointed by the previous Regent Mrs. L.L.M. Laughton who was prevented by illness from signing this certificate.\"\u003c/p\u003e","\u003cp\u003eBiographical note or obituary about Georgia Page King Smith Wilder, d. 1914, who served as the Vice Regent for Georgia 1891-1914.\u003c/p\u003e","\u003cp\u003eQuestionnaire, correspondence\u003c/p\u003e","\u003cp\u003eSmall journal with information on gifts to Mount Vernon, 1891-1896; Certificate as Vice Regent\u003c/p\u003e","\u003cp\u003eCorrespondence, 1931-1940\u003c/p\u003e","\u003cp\u003eCorrespondence, 1941-1959; Obituary\u003c/p\u003e","\u003cp\u003eArticles, biographical information\u003c/p\u003e","\u003cp\u003eBiographical information, mostly about her service as VR\u003c/p\u003e","\u003cp\u003eAn addition was made in August 2023, containing material given by Vice Regents and the Board Secretary in recent years.\u003c/p\u003e","\u003cp\u003eCorrespondence and biographical info, letters about Mount Vernon miniature\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eBiographical info, articles, tribute, correspondence, nomination info\u003c/p\u003e","\u003cp\u003eCorrespondence and memorial information\u003c/p\u003e","\u003cp\u003eBiographical info, article\u003c/p\u003e","\u003cp\u003eCorrespondence, biographical info, remarks\u003c/p\u003e","\u003cp\u003eCorrespondence, Questionnaire, bio info\u003c/p\u003e","\u003cp\u003eCorrespondence, Questionnaire, photographs, bio info, Tribute\u003c/p\u003e","\u003cp\u003eBiographical info, nomination info, correspondence\u003c/p\u003e","\u003cp\u003eBlack and white photograph showing several MVLA members greeting the Governor of Virginia in the New Room of the Mansion during an event, 1953 (2183-F)\u003c/p\u003e","\u003cp\u003eBlack and white photograph showing the restoration of the outside of the Mansion, circa 1956; Two black and white photos showing work being done to an outbuilding/colonnade, 1955\u003c/p\u003e","\u003cp\u003eTwo black and white photographs showing horses preparing a field at Mount Vernon, 1939\u003c/p\u003e","\u003cp\u003eBlack and white photograph postcard of a garden bench, no date\u003c/p\u003e","\u003cp\u003eSeries of color and black and white photographs showing the construction of Mount Vernon's sanitary sewer system, 1972\u003c/p\u003e","\u003cp\u003eBlack and white photographs on scrapbook pages taken by Charles Goodwin, February 1911. Caption on one page reads \"Trip to Washington and Mt. Vernon, George Senior with Charles and Spencer Goodwin, Photos by C.A.G. Feb. 1911.\" Photos include images of the exterior of Mount Vernon mansion, outbuildings, and scenic views.\u003c/p\u003e","\u003cp\u003e1 black and white photograph of a wall sconce (probably in the Mansion); three identical black and white photos of the entrance door and step to an estate building, no dates\u003c/p\u003e","\u003cp\u003e10 black and white photograph prints showing the State Dinner event. President Kennedy, Jackie Kennedy, Mrs. Beirne, and other are seen in the images\u003c/p\u003e","\u003cp\u003eColor photograph of the East Lawn with men dressed as Revolutionary War soldiers posed with flags, ca. 1970; Color photograph of a fireplace with a portrait painting of Ann Pamela Cunningham over the hearth, ca. 1971\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Mrs. Cooke presenting an award to the Honorable John Taylor\u003c/p\u003e","\u003cp\u003eOne color photograph showing Mrs. Cooke at the White House posed with the French ambassador, President Richard Nixon, Mrs. Anne Armstrong (Counsellor to the President) and Mr. John W. Warner (Administrator, American Revolution Bicentennial Administration), July 10, 1974\u003c/p\u003e","\u003cp\u003e1 color photograph of George Washington's coach or carriage, 1971\u003c/p\u003e","\u003cp\u003e1 color photograph of Mrs. Pack in the flight deck of a Boeing 727\u003c/p\u003e","\u003cp\u003e1 artist's rendition in color of new administrative buildings, 1980s\u003c/p\u003e","\u003cp\u003eOne color photograph print of a furniture detail from the Mount Vernon in Miniature project; one slide and several lengths of negatives showing the miniature details, 1994.\u003c/p\u003e","\u003cp\u003e6 black and white photographs showing restoration work done to the Ice House Vault, 1939 and the Stable Underpinning 1938-1939; 5 black and white photographs showing the cottage at the West Gate including \"View from the gate,\" \"Construction details,\" \"New site before development,\" \"In transit,\" and \"The abandoned site\"\u003c/p\u003e","\u003cp\u003e6 black and white photos showing an area of dug-up earth and two cars, 1938\u003c/p\u003e","\u003cp\u003e5 photograph prints from Neg. 2903-1, 2903-2, 2903-3, 2904-1, 2904-2 – all views of the Family Kitchen – rear of fireplace and oven, 1950, taken by Robert Fisher; Black and white photograph showing two areas of different texture (labeled A and B) on the wall of the Family Kitchen, ca 1950\u003c/p\u003e","\u003cp\u003e4 black and white photograph prints of Neg. 2930-2, 2930-3, 2930-5, 2930-7 relating to the brick foundations of the Greenhouse\u003c/p\u003e","\u003cp\u003e1 black and white photograph of the ruined wall of the Greenhouse and slave quarters\u003c/p\u003e","\u003cp\u003e1 black and white photograph of the Summer House\u003c/p\u003e","\u003cp\u003eStrip of 5 black and white photographs labeled \"Wash House, Stove foundation and flue connection, June 1945\"\u003c/p\u003e","\u003cp\u003e2 black and white photographs taped to board with descriptions; shows the fireplace in Washington's Bedroom after the removal of the wood paneling; Black and white photographs taped to two boards with description; shows the North Closet section of Washington's Bedroom during restoration\u003c/p\u003e","\u003cp\u003eBlack and white photograph of the Well House with a woman inside at the well with a bucket. Reverse side reads Neg. #2260 from a photograph by Fr. B. Johnston circa 1890\u003c/p\u003e","\u003cp\u003e1 black and white photograph print on thin paper of a man, possible John Carter Brown, with notation on the reverse, \"J.C.B. June 11, '96, 1:30 p.m., 12 Benevolent St.\" Also, 1 black and white photo print with notation on the reverse, \"Lake Tahoe taken from the California side of the Lake. June 9, 1940.\"\u003c/p\u003e","\u003cp\u003e2 black and white photographs of an MVLA sideboard with its measurements on the back\u003c/p\u003e","\u003cp\u003e1 black and white photograph of people looking at Mount Vernon's view of the Potomac from the East Lawn, ca. 1965; 1 drawing of the Potomac River by Mount Vernon and the Piscataway Bay, ca. 1965\u003c/p\u003e","\u003cp\u003eBlack and white photographs with captions from \"Washington's Mount Vernon\"\u003c/p\u003e","\u003cp\u003e2 color photographs of an historic oak tree at Mount Vernon; 1 shows a little boy by the tree, the other shows the stump after it had been cut down because of disease, 1983\u003c/p\u003e","\u003cp\u003e2 color photographs of an information kiosk at the front entrance of Mount Vernon, 1967\u003c/p\u003e","\u003cp\u003e1 black and white photograph of the wreath-laying ceremony at the grave of Ann Pamela Cunningham with Regent Mrs. Cooke, Mr. Wall, and Mrs. Hollis, 1975\u003c/p\u003e","\u003cp\u003e4 color Polaroid photographs showing the Gift Shop salesroom, 1979\u003c/p\u003e","\u003cp\u003e1 black and white photograph of a fireplace in the Mansion with the \"GW\" script\u003c/p\u003e","\u003cp\u003e3 small color photographs of different rooms in the Mansion, 1961\u003c/p\u003e","\u003cp\u003e1 black and white photograph of the Mount Vernon Ladies Association members in front of Mount Vernon; 2 small color photographs of the painting \"The West Front\" attributed to Edward Savage; 2 black and white photographs of a bedroom in the Mansion, no date\u003c/p\u003e","\u003cp\u003e1 black and white photograph of the Upper Garden with covers over the beds\u003c/p\u003e","\u003cp\u003eColor photograph of Mrs. Labouisse and Mrs. Bolton in front of the Mansion, 1953. In a card holder inscribed by Mrs.Powel.\u003c/p\u003e","\u003cp\u003e1 black and white photograph of the Small Dining Room in the Mansion, no date\u003c/p\u003e","\u003cp\u003e1 color slide labeled \"Page Platt – Natl Col Farm Oct 1978 Admin Bldg. Barn\"\u003c/p\u003e","\u003cp\u003eColor print photograph of First Lady Barbara Bush and Mrs. Smith, group Council photographs from 1985-1989, and two photos (one signed to Mrs. Smith) from an event at Mount Vernon, undated.\u003c/p\u003e","\u003cp\u003eSeries of color Polaroid photographs showing the construction of the Ann Pamela Cunningham Administration Building and complex, 1982\u003c/p\u003e","\u003cp\u003eColor photograph of Mrs. Sullivan on the piazza of the Mansion with the Vice Regents from Arizona and Maine, May 1983\u003c/p\u003e","\u003cp\u003eTwo black and white photographs of a chair with a reproduction chair cushion, 1966\u003c/p\u003e","\u003cp\u003eTwo black and white photographs of members of the MVLA welcoming guests to the reception in the New Room or Large Dining Room, 1953\u003c/p\u003e","\u003cp\u003eColor photographs of Mrs. Sullivan with other MVLA Vice Regents, 1965, 1967; Black and white photographs showing different views of Mount Vernon\u003c/p\u003e","\u003cp\u003e1 black and white 8\" x 10\" photograph of a parade event at Mount Vernon, no date\u003c/p\u003e","\u003cp\u003e1 black and white proof sheet with photographs of a Ford fire engine; 2 color Polaroid photographs of the Ford fire engine, one with two men; 7 color 8\" x 10\" of Ford Motor Company's visit to Mount Vernon to donate a fire engine, August 1981.\u003c/p\u003e","\u003cp\u003e2 color photograph prints showing Vice Regents Emerita at Mount Vernon, c. 2000s\u003c/p\u003e","\u003cp\u003e5 black and white photographs of Mrs. Anderson and other MVLA members on the piazza of the Mansion, ca 1940s\u003c/p\u003e","\u003cp\u003e2 black and white photographs of Mrs. Beirne with Superintendent Charles Wall and another woman\u003c/p\u003e","\u003cp\u003e19 color photographs of an Honorary Dinner for Mrs. Billups in 1961 with other Ladies of the Council (identified on the reverse of several prints) – some are duplicates\u003c/p\u003e","\u003cp\u003e1 black and white 8\" x 10\" photograph of Mr. Thomas D. Taylor\u003c/p\u003e","\u003cp\u003e1 black and white photograph of the 1970 Council on the lawn in front of the Mansion; 1 black and white photograph of several Ladies with Mount Vernon employees, 1972; 1 color photograph in the original holder showing Mrs. Bolton and Mrs. Labouisse in front of the Mansion\u003c/p\u003e","\u003cp\u003eTwo Christmas cards with color photographs, one showing Mrs. Bolton, ca. 1980s\u003c/p\u003e","\u003cp\u003e2 small color photograph prints of Vice Regent Nancy Call, undated\u003c/p\u003e","\u003cp\u003eTwo color Polaroids of a framed certificate; 1 black and white photograph of Mrs. Cooke presenting at the Sound and Light show with President Ford and French President D'Estaing; 1 black and white photograph of Mrs. Cooke standing by portraits of George and Martha Washington, ca. 1970s\u003c/p\u003e","\u003cp\u003eFormal presentation of the Bicentennial gift of the French Republic to the United States at Mount Vernon - a sound and light production recounting some of the memorable events of the Revolution, from Patrick Henry's speech to the Battle of Yorktown as recollected by General Washington reflecting on the past after his retirement to Mount Vernon. French President d'Estaing presents the gift to President Ford who in turn gifted the production to Mount Vernon accepted by the Mount Vernon Ladies' Association Regent Mrs. Cooke. The program debuted that evening to hundreds of special guests in attendance for the outdoor event.\u003c/p\u003e","\u003cp\u003e8\" x 10\" color photograph of Mrs. Cooke with a United States Flag, ca. 1990s\u003c/p\u003e","\u003cp\u003eColor photograph print of Mrs. Crumpacker with James Crumpacker and Elizabeth Swindells, undated\u003c/p\u003e","\u003cp\u003e1 black and white portrait photograph of Mrs. Cubbedge, 1964\u003c/p\u003e","\u003cp\u003e3 color photograph prints showing Mrs. Davis and her family, various dates\u003c/p\u003e","\u003cp\u003e1 color photograph print on a Christmas card showing Mrs. Gaines with her husband and grandchildren, 2004\u003c/p\u003e","\u003cp\u003e1 black and white photograph of Vice Regent Beatrice Guthrie\u003c/p\u003e","\u003cp\u003e1 black and white photograph of Mrs. Haldeman\u003c/p\u003e","\u003cp\u003eColor photograph in paper frame/card of the Mount Vernon Ladies Association medal worn by the Ladies\u003c/p\u003e","\u003cp\u003e5 color photographs of the US Navy ceremony for the USS Mount Vernon, Mrs. Holden is in attendance, May 13, 1972\u003c/p\u003e","\u003cp\u003e1 black and white photograph of the MVLA Board posed in front of the Lansdowne portrait of George Washington, no date; 1 black and white photograph of an aerial view of the Mount Vernon estate, no date; 2 black and white prints on paper showing the small dining room in the Mansion\u003c/p\u003e","\u003cp\u003e1 color photograph print with original negative of Mrs. Lee in front of the Mansion; one page with two color photograph prints of Mrs. Lee's family adhered as a Christmas card, 1997\u003c/p\u003e","\u003cp\u003e1 black and white 8\" x 10\" photograph of a portrait painting of Mme. Le Vert\u003c/p\u003e","\u003cp\u003eFive color postcards of different views of Mount Vernon, c. 1934 MVLA\u003c/p\u003e","\u003cp\u003e3 black and white photographs, and 3 sepia tinted photographs of Mrs. Loughborough and different scenes and items at Mount Vernon estate\u003c/p\u003e","\u003cp\u003e1 color portrait-style photograph print of Adrienne Mars\u003c/p\u003e","\u003cp\u003e6 color photographs of an event at Mount Vernon with a Pipe and Drum band, no date\u003c/p\u003e","\u003cp\u003e1 black and white matted photograph captioned \"The Ave. of Oaks planted by our dear Father at Retreat\" no date; 2 identical black and white postcard photographs of Page Randolph Anderson (later Platt) dressed in costume as Martha Washington, 1910; 2 sepia photograph cabinet cards of Page Wilder (later Anderson) dressed in costume as Martha Washington, 1885\u003c/p\u003e","\u003cp\u003e1 black and white photograph of Mrs. Seamans\u003c/p\u003e","\u003cp\u003eSeries of color photographs showing a tree-planting event at Mount Vernon with three Vice Regents and others, ca. 1980s\u003c/p\u003e","\u003cp\u003eColor photograph in paper frame/card of the Mount Vernon Ladies Association medal worn by the Ladies\u003c/p\u003e","\u003cp\u003eSeries of color portrait-style photographs of Mrs. Walton, ca. 2000\u003c/p\u003e","\u003cp\u003eOne black and white photo of Mrs. West, 6 color photos of her visit to Sulgrave Manor featuring Prime Minister Margaret Thatcher\u003c/p\u003e","\u003cp\u003eBlack and white portrait photograph of Mrs. Wiener, ca 1960s in original holder\u003c/p\u003e","\u003cp\u003eSet of color prints taken from the ceremony at the Arc de Triomphe, Paris. Also includes one print photo of Jim Rees, Lynn Gammill, and Gay Gaines, undated.\u003c/p\u003e","\u003cp\u003eAlso includes 3 Council photographs, New Room, undated\u003c/p\u003e","\u003cp\u003eArchitectural drawing – Key to the Upper Garden plantings, 1980 by Dean Norton\u003c/p\u003e","\u003cp\u003e1 blueprint titled Sketch Showing Progressive Development of Plan of Green House at Mount Vernon, Virginia, Walter Macomber; 2 architectural drawings concerning the Greenhouse: 1 showing the Elevations of the Proposed Service Greenhouse, October 1950; 1 titled Plan for Greenhouse, Nursery Area, October, 1950\u003c/p\u003e","\u003cp\u003e1 blueprint titled Ice House Vault Restoration, 1938; 1 blueprint titled Ice House Vault – Measured Drawing, 1938; Blueprint titled Proposed Restoration of Ice House Vault, Cleverdon, Varney \u0026amp; Pike Consulting Engineers, 1938\u003c/p\u003e","\u003cp\u003eBlueprint titled Heating Tunnel Layout, Drawing 101, 1935 by Geo. A. Weschler, Consulting Engineer; Blueprint titled Section of Tunnel, no date\u003c/p\u003e","\u003cp\u003e2 blueprints – 1 titled Power Plant and Shops, Mount Vernon, Virginia, Alterations to End Sections of Building, 1936; 1 titled Power Plant and Shops, Mount Vernon, Virginia, Radiator Locations, 1936\u003c/p\u003e","\u003cp\u003e5 blueprints: Sheet A – Stable Explorations, Plan and Sections Showing Extent of Excavated Trenches and Evidence of an Older Stable, 1939; Sheet B – Stable Measurements, 1936; Sheet C – Stable Measurements, Plan of Barn and Mule Stable, 1936; Sheet D – Stable Measurements, Rafter Plan and Details, 1936; Sheet E – Stable Excavations –Trenches D and F\u003c/p\u003e","\u003cp\u003e1 architectural drawing titles \"Sketch Showing Hot Water Stove Restoration for Wash House\"\u003c/p\u003e","\u003cp\u003eDrawing – Flower Garden detail, Area in front of Greenhouse, 1952; Drawing – Sketch Showing Re-arrangement of Designs in East and West Parterres in Flower Garden, Walter Macomber, no date; Blueprint – Replanting Plan of the Boxwood Parterre, West End of the Flower Garden, 1947; Blueprint – Replanting Plan of the Boxwood Parterre, East End of the Flower Garden, 1947; Grouping of 17 small blueprints – Flower gardens, 1938\u003c/p\u003e","\u003cp\u003eArchitectural drawings, blueprints – Scale Detail Garden Wall Palisade, 1962; Elevation of a hood for the Director's House, 1963; Office building, no date; Interior Elevation, Main Gate, Mount Vernon, 1964; Blueprint, Elevation of Wall from Stable Yard \u0026amp; Laundry Yard, Walter M. Macomber, Architect for Restoration, December 12, 1955\u003c/p\u003e","\u003cp\u003eDrawing of the bed hangings and curtains for the Lafayette Bedchamber, August 1975, Ethel Pilson Warren Interior Planning\u003c/p\u003e","\u003cp\u003eSketched architectural diagrams showing possible floor plans for the proposed new Administration Building, 1978\u003c/p\u003e","\u003cp\u003e1 architectural drawing of the Interior Elevation of the Main Gate (Texas Gate) at Mount Vernon, by Walter M. Macomber, Architect for Restoration, October 22, 1964; 1 architectural drawing of the Grounds Section Facility, no date\u003c/p\u003e","\u003cp\u003eIncludes Mrs. Sweat's annotations, sketches, and inserts.\u003c/p\u003e","\u003cp\u003eStatement to reactivate the Second Continental Light Dragoons in celebration of Washington's 279th birthday.\u003c/p\u003e","\u003cp\u003eAward certificate to the MVLA.\u003c/p\u003e","\u003cp\u003eAlso includes printed list of members and RSVP mailing.\u003c/p\u003e","\u003cp\u003eIncludes letter from President Bush, news clippings, and bound manuscript copy of the remarks by David McCullough, \"The Ties that Bind: America and France.\"\u003c/p\u003e","\u003cp\u003eIncludes clippings, printed material, and correspondence.\u003c/p\u003e","\u003cp\u003eCompiled engravings, photos, and prints including a cabinet card photograph of Nellie Custis Lewis. Several images from the collection of Vice Regent Annie Jennings of Connecticut\u003c/p\u003e","\u003cp\u003eEmpty of photographs\u003c/p\u003e","\u003cp\u003eA note dated 1937 inside the portfolio by Vice Regent Helen Sargent states that the portfolio belonged to MVLA Regent Alice Richards.\u003c/p\u003e","\u003cp\u003eSigned by several Congressmen including Robert Byrd and Thomas Foley. Possible signature of President Bill Clinton. Framed, 10 ¾\" x 15 ¾\"\u003c/p\u003e","\u003cp\u003eBelonged to Helen Louise Sargent, Vice Regent for the District of Columbia, undated. Matted but not framed. 13 ½\" x 17 ¼\"\u003c/p\u003e","\u003cp\u003eTributes included are for James Rees, Mount Vernon employees, and Gay Hart Gaines.\u003c/p\u003e","\u003cp\u003eSigned list of Rhode Island Vice Regents on the front inside page. The S.S. Teacher's Edition of the Holy Bible. Oxford University Press: London. Book cover reads \"Mount Vernon, Rhode Island Room 1898.\" Several inserts and annotations.\u003c/p\u003e","\u003cp\u003eSigned on front inside page \"Pro Deo et Patria! The gift of Amy Townsend, Vice Regent for the State of New York, For the use of Vice Regents of the State of New York. March 29, 1900.\" The Holy Bible, The American Bible Society: New York, 1897. One insert.\u003c/p\u003e","\u003cp\u003eBound volume listing subscriptions or donations to Mount Vernon's fund to rebuild the \"servant's quarters\" destroyed by fire in 1835. The Vice Regent of Kansas, Jennie Ward, reported she raised enough by fundraising in Kansas schools ($1,000) The reconstruction was \"rebuilt along the lines of the old ruin,\" and in what was believed to be the original location.  It was completed in 1891.\u003c/p\u003e","\u003cp\u003eCertificate of membership for Justine Van Resselaer Townsend for membership in the Daughters of the Cincinnati. Also signed by Townsend as President of the organization.\u003c/p\u003e","\u003cp\u003eWood panel with painted coat of arms; reverse reads \"A facsimile of a bronze tablet on the monument to Ann Pamela Cunningham in Columbia, S. Carolina, A.J. Robertson, May 1904\"\u003c/p\u003e","\u003cp\u003eObjects related to the Dedication of the 16-Sided Barn, September 27, 1996. Includes souvenir satchel pouch with fact sheets and information, American flags on tissue paper, programs, and guest lists\u003c/p\u003e","\u003cp\u003eTabletop decoration used for the Bicentennial of the Inauguration of Washington dinner, 1989.\u003c/p\u003e","\u003cp\u003eWith bust of Washington, from the North Carolina Museum of History\u003c/p\u003e","\u003cp\u003eIncludes MVLA seal.\u003c/p\u003e","\u003cp\u003eLabeled \"Cyndi Invest.\" and \"Bob's Invest.\" and numbered 1-3. Two are unlabeled but thought to be from the same series. Most likely recorded by Cyndi Lints, Administrative Assistant, and Bob McCarthy, Controller.\u003c/p\u003e","\u003cp\u003eWith management consultant Edie Seashore\u003c/p\u003e","\u003cp\u003eAt least one tape may have contributions by management consultant, Edie Seashore.\u003c/p\u003e","\u003cp\u003eMeeting with management consultant Edie Seashore.\u003c/p\u003e","\u003cp\u003eTime 5:40, produced by Goettler Associates, Inc. Columbus, Ohio\u003c/p\u003e","\u003cp\u003eC-SPAN Archives, Tape 1 – 118 min., Tape 2 – 84 min. Copyright restricted\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Types of material include correspondence, reports, memos, notes, personal and biographical information, news clippings, meeting agendas, photographs, scrapbooks, and ephemera. Several highlights of the collection include the original minutes of Council meetings, scrapbooks and ledgers created by Vice Regents, and early correspondence with Regents and Vice Regents. While the library's collection \"Early Records of the MVLA\" documents the founding and early years of the organization, the Papers of the MVLA continues where that collection ended and preserves the ongoing story of these women and the fulfillment of their mission. Creators of the collection are largely the board members themselves, along with staff and employees who worked directly with them. Scope notes have been added before the content list of each series to better describe its specific provenance and content. The bulk of the collection dates from the 1950s to the 1990s, however there is a very wide range represented overall, 1858-2016.","This series contains records created and collected by various committees within the MVLA. Correspondence, reports, and meeting agendas make up the majority of material.","Letter (copy) from Esther S. Fraser, Hall Tavern in Cambridge, Massachusetts, to assistant superintendent Charles Cecil Wall, August 1, 1934. Regarding analysis of Mount Vernon's wallpaper.","During the early 1980s, MVLA members agreed the process and procedures of Council needed to be updated. One suggestion made by Resident Director John Castellani was to create a notebook for each Council organized by schedule and activity. This resulted in the organized collection of reports, itineraries, minutes, and event plans for every Council, represented in these files. This practice continues, to some degree, up to the present time.","Original minutes taken for Council meetings, 1887-1994. The earliest versions were handwritten. Later copies were cleaned up and typed for preparation to be printed. Most of the minutes are loose papers in folders, but the years 1912 through 1927 are in bound/book form. Years 1928 through 1936 are in both formats, loose and bound.","A large majority of the Regent's Files contain correspondence to and from the Regent, sometimes organized by subject. Files for more recent Regents often contain event programs or invitations, speeches, clippings, reports, printed material, and other miscellaneous items. Letters to or from VIP guests or dignitaries have been noted when possible.","Includes RM-1024, MS-5652","This series contains records that were donated or transferred to the Library by a Vice Regent or their family members. These papers were often created by individual Vice Regents during the course of their duties as MVLA members, but were not held in files at Mount Vernon. Some folders may contain personal papers. A wide range of material is represented including correspondence, subject research files, reports, articles, printed material, memos, speeches, programs, invitations, memorabilia, and ephemera. Vice Regents often collected papers concerning specific projects or committees on which they worked.","Includes letters concerning Dodge's memoirs and the tree planted by the Prince of Wales.","Includes letters concerning the Anti-Fee Association and the Powel Coach.","Includes clippings on a Mount Vernon replica in New York and a visit to Mount Vernon by a British man.","Includes a Standard Guide map of Washington, D.C., \"Washington Visits to Rhode Island,\" \"George Washington and Rhode Island,\" and \"Autograph Letters and Documents of George Washington Now in Rhode Island Collections.\"","These files were kept by staff members at Mount Vernon, most often by the Secretary to the Board, to document the lives and work of individual Vice Regents. Some items were given directly by the Vice Regents to be placed in their files, while other documents were located or collected by staff and interfiled at a later time. Types of material include mostly correspondence, clippings, obituaries, resumes, tributes and memorials, notes, memos, and ephemera.","Biographical notes dated 1952 and 1954","George Washington Biography Lesson, 1995-2005","Questionnaire for the Records, correspondence 1979-1989, play written for George Washington's birthday","Skit or play performed for a Washington birthday event, written by Captain and Hope Powel Alexander, the Vice Regent for Rhode Island, February 22, 1988.","Correspondence, 1990-1999","Correspondence, 1990-1999, booklet- George Washington in Rhode Island, Words of Washington during the Revolution","Oral history interview by Sandra Robinette","Obituary, 1904; Biographical letter by her daughter; Invitation for subscription to the Peace Dance","Biographical information, Garden Club of America, obituaries for Mr. and Mrs. Anderson","Correspondence, 1967-1979, opening remarks to Mount Vernon film, 1976","Correspondence, 1980-1989, Mount Vernon, The Texas Connection","Correspondence, 1990-1999, The Mount Vernon File, Memorabilia of Washington County's Second County Seat, Questionnaire for the Records","Correspondence 1948-1960, Mount Vernon in Virginia list","Correspondence, 1919-1939","Signed by the Regent, Harriet Comegys.","Biographical note on the service of Anne Page Wilder Anderson in the Mount Vernon Ladies' Association.","Correspondence 1940-1954","Correspondence, photographs","Obituaries, 2016","Correspondence, clippings, biographical and memorial information, Questionnaire for the Records","Correspondence, biographical information","Correspondence (Includes correspondence with U.S. Senator Bob Graham), biographical information","Obituary; descriptions of Florida Vice Regents","Biographical information; diary from 1863; census information; photograph of painting of Mrs. Balfour","Biographical information; Memorial tribute; Letter from the Governor of Virginia concerning a daguerreotype of Mrs. Ball; Copyright certificate for a Mount Vernon publication; Article about Mount Vernon","Obituary; minutes of Council from 1912 announcing her death","\"In Memoriam\" from Council Minutes; genealogy","Correspondence 1938-1955, obituaries, memorial from the minutes","Booklet, biographical information and memorial from minutes","Correspondence; gift annuity agreement; Questionnaire for the Records","Summary of Auction Activities, 1997","Correspondence, 1937-1942","Correspondence and biographical information, 1943-1975; list of gifts to Mount Vernon","Correspondence, biographical and genealogical information, and clippings, resolution to Council on her death, listing of her descendants, Questionnaire","Biographical information, obituaries, and correspondence (Includes letter from Mamie D. Eisenhower), Questionnaire","Correspondence (Includes some poetry and other writings, and a list of \"Association Papers Returned to Mount Vernon\"), Obituary, list of committee assignments, in memoriam, listing of Maine bedroom furniture","Correspondence, 1927-1954","Articles about house tour, obituary, Questionnaire, correspondence, tribute to her","Correspondence 1977-1989, Questionnaire, 1982 GW's 250th birthday calendar done by Oregon school children","Correspondence as Regent (Includes photocopies of letters from President and First Lady Bush), articles","Correspondence (Includes Memorial booklet, 2007; List \"Shingles – For Mrs. Bishop\")","Publications concerning Mount Vernon visit of Queen Elizabeth, 1991","Correspondence and biographical information, Questionnaire","Correspondence and biographical information, Questionnaire, memorial","In memoriam; articles; questionnaire; correspondence","Clippings, biographical information, memorial information; Guide to Mrs. Bolton's Papers (Western Reserve Historical Society)","Clippings, Laminated notebook of news clippings","Congressional newsletters by Mrs. Bolton, Campaign material","Congressional Records, September 1965 and March 1977; Booklet – \"Letters from Africa\"; Newsletters to constituents","Correspondence 1938-1960, Questionnaire, biographical data","Correspondence 1961-1977","Questionnaire, correspondence","Correspondence, email 2004-2005","Correspondence and biographical information","Correspondence, Questionnaire","Correspondence and memorial information, 1925-1942","Letter from the assistant superintendent, James Young, to Mary Bradford, Vice Regent for New Jersey, April 2, 1931. In regards to a grey silk needlework bag reported to have been given by Martha Washington to Mrs. Peale.","Newspaper obituary","Correspondence, 1955-1994; Booklet, \"Annals of Iowa,\" (info on Vice Regents from Iowa), condolence letter","Questionnaire, correspondence, husband's obituary, Annals of Iowa book","Biographical information, magazine article copies","Correspondence, articles","Letter from Mary Evarts, Vice Regent for Vermont, to Anne Brown, Vice Regent for Rhode Island, March 13, 1920. Mentions the visit of the Prince of Wales to Mount Vernon and encloses a clipping with a photograph of the Prince, superintendent Harrison Dodge, and Tomb guard Charles Simms at Washington's Tomb. Evarts also discusses the recent death of Amy Townsend, Vice Regent for New York, and the poor health of Elizabeth Pringle, Vice Regent for South Carolina.","Correspondence","Obituary, wedding announcement","Questionnaire, correspondence, articles","Questionnaire, correspondence, note cards","Correspondence, death announcement","Correspondence, clippings, Questionnaire, death announcement","Correspondence, certificate as Vice Regent","Correspondence 1942-1955","Correspondence, obituaries","Correspondence, Questionnaire","Correspondence 1960-1969, Memorial information and booklet","Letter from Samuel Cabot, son of Nancy Cabot, Vice Regent for Massachusetts, to Hope Harkness, Vice Regent for Rhode Island, June 10, 1969. Gives biographical information about his mother after her passing.","Correspondence, Questionnaire","L.A. Alive Magazine; correspondence; Questionnaire","Articles, Campbell House Museum info","Correspondence, Certificate of appointment as Vice Regent","Correspondence; Article, \"The Regents of Mount Vernon\"; Watercolor of Mount Vernon by Marie Blanke; Bylaws of the MVLA","Correspondence and \"Reminiscences\"","\"Returned Papers\" of Mrs. Carpenter, correspondence and MVLA publications","Resume; correspondence","Prospective form; correspondence; Questionnaire; Organizational Capacity Survey, and biographical information","Biographical information; letter verifying she met Washington","Questionnaire; correspondence","Biographical note","Correspondence and clippings, articles about husband's political campaigns","Clippings, manuscript and paper copy of article on the origin of the MVLA, correspondence","Biographical sketch and personal details, excerpts of state reports and letters","In Memoriam booklet and obituary, 1914; Reference letter from MV Librarian","Correspondence 1946-1953","Correspondence 1954-1959","Correspondence; articles; paper on the traditions of the MVLA","Correspondence (Includes correspondence concerning the preservation of the view of the Potomac and letter from Pat Nixon); Program on commissioning ship Mount Vernon","Correspondence (Includes information on donations and contributions for the Capital Campaign and list of donors from New Jersey)","Correspondence (Includes information on donations and contributions for the Capital Campaign and family history for the Throckmortons)","Correspondence (Includes information on donations and contributions for the Capital Campaign)","Correspondence and memorial information","Correspondence","Correspondence","Correspondence","Note about her death","Prospective form; correspondence; Questionnaire","Correspondence, Questionnaire","Correspondence","Correspondence","Correspondence, includes letter by Governor Colgate Darden of Virginia","Newspaper clippings; manuscript of speech; resignation letter; reminiscences; in memoriam; certificate of her appointment as Vice Regent; biographical piece; correspondence after her resignation","Questionnaire; correspondence; letter of resignation; notes written in tribute to her","Correspondence","Obituaries; tributes; correspondence; Questionnaire","List of MVLA history; correspondence; copy of photograph","Questionnaire; correspondence; tribute on her resignation","Biographical information","Biographical information; memoir written by her husband","Resume; correspondence; in memoriam","Article on the history of Detroit, biographical information","Correspondence; news clippings","Biographical information; article about her life","Obituary or memorial for the first MVLA Vice Regent for Georgia, Philoclea Eve. Typed on December 23, 1952 for her file. Note the appointment date at the top is incorrect. Eve was appointed Vice Regent in 1858.","Correspondence","Correspondence","Correspondence, news clippings, biographical article","Correspondence, biographical information, committee work, research on former Minnesota Vice Regents; prospective Vice Regent form; copy of historical magazine of MN; development information","Biographical information","Biographical information","Correspondence; list of MVLA service","Memo, bio note","Clippings, biographical and memorial information","Correspondence; memorials; Questionnaire; report on outbuildings","Memorial information","Correspondence and memorial information","Correspondence, speeches or remarks, and Questionnaire/biographical information","Correspondence, speeches or remarks, and Questionnaire/biographical information","Correspondence as Regent","Correspondence to Mrs. Gaines as Regent","Biographical information; tributes to her service; correspondence; Questionnaire","Correspondence; letter from Sen. Trent Lott; biographical sketch; notes for talk","Obituary; correspondence; Questionnaire","News clippings","Biography of her husband; research on her as first VR from Connecticut","Biographical information, correspondence","Transcription of letter, 1858","Correspondence, Questionnaire, resume","Questionnaire, correspondence, tributes","Correspondence","Correspondence, Founders Committee minutes, biographical information, memorial service info, Questionnaire","Correspondence, Founders Committee minutes, biographical information, Questionnaire, memorial service info","Correspondence, Founders Committee minutes, biographical information, description of dinner for The Washington Antique Show; description of reception at French Embassy; other special events invitations; obituary","Correspondence and clippings","Correspondence, Donation of Willard scrapbook","Correspondence","Correspondence, Questionnaire","Correspondence and Memorial information","Booklet, \"In Memory of Sarah King Hale\" and biographical information","Obituary, letter to Mr. Townley Esq., and transcription of letter (RM 1206)","Biographical information and transcriptions of letters, correspondence","Correspondence; prospective Vice Regent form","Correspondence and biographical information, Questionnaire, memorial info","Correspondence; certificate of her appointment as Vice Regent","Correspondence","Correspondence","Correspondence and Memorial information","Correspondence","Correspondence, 1940-1949; List of documents acquired at the sale of the Armstrong Collections","Correspondence","Obituary","Correspondence and biographical information","Letters from correspondence file of Hetty Harrison, Vice Regent for Virginia, including letters to and from, date range 1924-1936. Letters mostly concern Mansion furnishings, wallpaper, and similar topics.","Correspondence","Correspondence, article","Correspondence; questionnaire; obituary; memorials","Photocopies of correspondence, Bancroft Library material, University of California at Berkeley","Research file with biographical and legacy information; clippings; List of gifts to Mount Vernon; correspondence; obituaries and tributes","Questionnaire; prospective Vice Regent form; correspondence, includes 2018-A-020","Biography; obituary","Correspondence, 1937-1955; Accession lists, 1949-1951; Descriptions for Mount Vernon slides","Correspondence, 1955-1966; Library reports and accessions","Correspondence, 1966-1970; Library reports and accessions","Correspondence and Memorial information, 1971-1979; clippings","Correspondence; program from commissioning of US Ship Mount Vernon; Questionnaire","Correspondence","Correspondence, Questionnaire","Correspondence and memorial information, 1963-1971; clippings","Correspondence, Questionnaire","Correspondence","Booklet, \"Washington's House\" by Mrs. Hudson; Biographical note, 1980; Correspondence (Connecticut Room), correspondence with Mrs. Hudson's niece Miss Carmalt (RM-1132); photographs (copies) of Susan Hudson and her husband, photograph of a portrait of William Dunlap and note by descendant.","Biographical information","Biographical and Memorial information; \"Notes for Talks on Mount Vernon,\" correspondence","Biographical information; transcript of letter from APC appointing her; obituary","Biographical note on Ella Hutchins Sydnor, the first Vice Regent for Texas, with accompanying transcription and news clipping.","One sheet reference to an MVLA book she is listed in","Correspondence; blueprint of traffic circle from Virginia Electric","Correspondence and clippings (Includes correspondence with Congressmen and Letitia Baldridge, First Lady Jackie Kennedy's secretary, concerning the preservation of the view of the Potomac River or Operation Overview)","Correspondence (Includes correspondence concerning the preservation of the view of the Potomac River or Operation Overview)","Correspondence, 1966-1990; Script to slide presentation on Washington's china","Clipping of poem about Washington by Mrs. Jeffrey","Correspondence (includes two letters by William Taft)","Correspondence (includes two letters by William Taft)","Correspondence, 1938-1939; Letter concerning Miss Jennings from President William H. Taft, 1914; Memorial information; Booklet – \"Seabury Society for the Preservation of the Glebe House\"","Obituary","Correspondence, 1925-1932; Memorial information and booklet, 1934; Biographical information","Letter from Elizabeth Johnston, Vice Regent for Alabama, to her children. Written to be opened upon her death, reflecting on her life. Circa 1934.","Correspondence; memorial info, obituary of her sister, Grace King","Correspondence, 1944-1985; Family history; Memorial information; Questionnaire","Correspondence; list of committees; tribute; obituary","Prayer for Council 2006","Obituaries and news clippings","Correspondence and biographical information, Questionnaire","Correspondence, 1925-1933; Information on Mount Vernon replica; clippings; information from NSDAR about Rainier chapter house; and obituaries","Correspondence, speeches or remarks, and biographical information","Correspondence, speeches or remarks, and biographical information","Correspondence, speeches or remarks, biographical and memorial information","Oral history transcript","Photocopies of letters and obituary","Biography; copy of poem for her by Poe; sketch; poem in tribute; Copy of Mobile Bay magazine, January 2024 issue with article \"Saving Washington's Mount Vernon,\" by Mount Vernon staff member Breck Pappas.","Correspondence, 1942-1951","Correspondence","Correspondence, 1955-1959; Clippings and information on Mr. Wilmarth Lewis; Memorial booklet; CD with content from the Lewis Walpole Library, Yale University; transcript of interview recording of Mrs. Lewis; Two copies of booklet for the exhibition \"Dancing on a sunny plain: The life of Annie Burr Auchincloss Lewis\" by Yale University.","Correspondence","Correspondence; article about proposed sewer project near MV","Correspondence to and from Miss Longfellow; Letters from family concerning Miss Longfellow; Postcards of Longfellow House; Clippings; Paper \"The Shrine of Mount Vernon\"","Letter from Henry Wadsworth Longfellow Dana to the Vice Regent for Connecticut, Annie Burr Jennings, January 31, 1930. Thanks her for the copy she sent of the MVLA Annual Report, speaks of his aunt Alice Longfellow who recently died, and mentions other MVLA matters.","Correspondence (Includes letter from U.S. Senator Arthur Capper)","Correspondence and obituaries","Correspondence, 1932-1941; Pamphlets on Historic Restoration in Arkansas","Correspondence","Correspondence, 1951-1963; Clippings and obituaries; Reminiscences from a trip to the Soviet Union; Information on Historic Preservation work in Arkansas","Correspondence; biography; obituary","Correspondence, biographical information, and retirement tributes","Biographical information","Correspondence, 1896-1954; Clippings; \"Washington's First Defeat\"; Biographical information; certificate of appointment as Vice Regent","Correspondence, speeches or remarks, and biographical information, Questionnaire","List of items from the Early Records Collection, Biography, listing of MV activities","Correspondence, Portrait information (MFA Boston)","Letter from Martha Mercer, Vice Regent for Pennsylvania, to Harrison Dodge, superintendent, undated (October 7). She has received the tree report and thinks he must be very happy with it. The next step is to do the work. Autograph letter signed.","Biographical information; List of items from Early Records Collection","Correspondence, resume, prospective VR form, Questionnaire","Questionnaire, correspondence","Correspondence, speeches or remarks, and biographical information, Questionnaire, letter from Senator Bob Graham, FL","Biographical information, original certificate of appointment signed by Ann Pamela Cunningham","Biographical information","Correspondence","Correspondence, tributes, Questionnaire, customs and practices of the MVLA","Questionnaire, correspondence, measured drawing of walkway to administration building by Dean Norton, 1985, tribute to her service","Correspondence and clippings, Questionnaire","Correspondence and biographical information, Questionnaire","List of items in the Early Records Collection; Biographical information","Questionnaire, correspondence, resignation letter, articles","Correspondence","Correspondence, biographical information","Correspondence, 1980-1990, Clippings, Publication, \"The Ghost Ranch Story\" by Arthur Pack, Questionnaire","Letter to her mother (with letter of provenance, 1937)","Photostats from a Cincinnati Enquirer story about her family (with letter of provenance, 1964)","Correspondence, obituary","Obituary, 1938 (retrieved 2022)","Correspondence, obituary","Correspondence, articles, and other writings, Questionnaire","Biographical information; Clippings; Confederate 100 dollar note with her likeness; Booklet – \"Charleston, S.C. and Mount Vernon\"","Correspondence, obituary, memorial","Correspondence","Correspondence","Correspondence with Charles C. Wall","Memorial information, clippings, and writings","Speeches and presentations","Correspondence","Correspondence, memorial","Clippings and biographical information","Writings on Mount Vernon; Booklets, \"The Mount Vernon Society of Detroit Michigan,\" and \"What Michigan Has Done for Mount Vernon\"","Letter regarding visit of dignitaries to Mount Vernon, 1917; Clipping regarding the visit of First Lady Eleanor Roosevelt","Memoir written one day after the event of the French and British missions visit to Mount Vernon on April 29, 1917. Written by the Vice Regent for Maine (later Regent), Alice Richards.","Memorial booklet printed after the death of MVLA Regent Alice Richards. Gives details and information about her life and work.","Certificate as Vice Regent, clippings","Correspondence, biographical information, events, remarks, articles, photobook","Letter written about her in 1952","Letter from Miss Riggs to Mrs. Towner, undated; Letter informing of the death of Miss Riggs, 1930; List of items in the Early Records Collection","Biographical information and clippings; Thesis \"Anna Cora Mowatt and Her Audience,\" by Imogene McCarthy","Correspondence and biographical information","Correspondence, 1915-1918","Correspondence, 1918-1925","Correspondence, 1926-1931","Correspondence, memorial information","Genealogical information","Obituary, 1910, retrieved 2022","Correspondence, clippings, paper read by her at Colonial Dames meeting","Correspondence; copy of letter from Barbara Bush; Customs and Practice of MVLA, April 1986; questionnaire","Correspondence (Includes letters from President George Bush, Sr., Barbara Bush, Richard Nixon, and Sandra Day O'Connor)","Program with menu, event information, and itinerary for a dinner on Washington's birthday for the benefit of the MVLA.","Personal memoir of her trip to Paris for the bicentennial of the French Revolution and loan of the key to the Bastille, July 1989.","Memorandum by Eugenia Seamans, Regent, to the Vice Regents and staff thanking them for contributing to the success of their commemoration of the bicentennial of George Washington's inauguration.","A thank you letter from President Richard Nixon to Eugenia Seamans, Regent, May 9, 1989. Autograph letter signed.","A thank you letter from President Bush to the Regent for his tour of Mount Vernon with King Hussein. Autograph letter signed.","The First Lady thanks the Regent for coming to tea with the other Vice Regents at the White House. Autograph letter signed.","Correspondence and Memorial information","Correspondence and biographical information, Questionnaire, Tribute","Correspondence and Memorial information","Correspondence and biographical information, Questionnaire","Correspondence","Biographical information; List and photocopies of items from the Early Records Collection","Prospective form, tribute, Questionnaire, correspondence","Questionnaire, correspondence, tribute, articles about Washington","Correspondence, Questionnaire, Garden Committee reports","Correspondence 1970-1979, Garden Committee reports, Articles, committee assignments, letter of resignation","Correspondence, remarks","Correspondence, donations, and biographical information","Correspondence, speeches, Questionnaire, resume","Correspondence, Memorial information, Questionnaire, obituaries","Transcriptions of letters, 1877; Correspondence, 1898-1900; Paper – \"A Chapter in the History of the Mount Vernon Ladies Association,\" 1905; Address – \"The National University and the George Washington Memorial\"","Correspondence and biographical information (Includes letters from Wyoming Senators and Congressmen)","Correspondence, Questionnaire, articles, and Memorial information","Correspondence","Would like him to send information on fire protection at Mount Vernon. Discusses Washington's books with the Boston Athenaeum. Autograph letter signed.","Correspondence and biographical information","Questionnaire, correspondence, obituary","Articles and other writings; Clippings; Memorial information","Correspondence (Includes letters to and from President Franklin Roosevelt), publication about Mount Vernon written by Mrs. Towner","Personal notebooks on Mount Vernon and bookplates","Obituary","Biographical information; Transcriptions of letters","Correspondence","Correspondence (Includes correspondence concerning the 100th Anniversary Committee; Memorial information; Personal inscribed copy of \"Mount Vernon China\"); Questionnaire","Correspondence, appeal, \"Washington Portraits,\" calling cards","Correspondence, 1919-1956, paper detailing Tennessee involvement with Mount Vernon, obituary, Questionnaire","Correspondence (Includes letters on the donation of the Vaughan journal and manuscripts), Questionnaire","Tells her she has been elected as a Vice Regent for the Mount Vernon Ladies' Association. Gives information about being a Vice Regent. Autograph letter signed.","Correspondence","Obituary, 1908; Biographical note","Correspondence and biographical information, Questionnaire","Correspondence and biographical information","Oral history transcript, 2009","Booklet, \"Bit of Mount Vernon History: Taken from the Records of Mount Vernon Ladies' Association, Brought before Council of 1898 by Record Committee and Ordered Printed,\" by Mrs. Ward, 1899; Appeal to Teachers and Students of the Schools of Kansas to donate to Mount Vernon, undated; Obituary","Correspondence","Committee assignments; biography; correspondence; obituary","Journal; certificate of her appointment as Vice Regent, signed by APC; obituary","Correspondence, speech, etc.","Correspondence; prospective VR form; articles","Correspondence, events programs, obituary, Questionnaire","Questionnaire, resume, prospective VR form, correspondence","Correspondence","Correspondence and resume","Questionnaire, memorial information","Correspondence 1964-1970","Correspondence, 1971-1977","Correspondence, 1978-1982; Article \"George Washington, The Man, Creator of Mount Vernon, Farmer, Family Man, Christian, Ecumenist\"","Correspondence, 1983-1993; Memorial information","Correspondence as Corresponding Secretary","Correspondence, committee listings, funeral program, Questionnaire","Biographical note, Letter accepting position as Vice Regent","Letter from Georgia Wilder, Vice Regent for Georgia, to Lily Laughton, Regent, May 27, 1891. Wilder accepts her appointment as Vice Regent for Georgia in the MVLA. Autograph letter signed.","Signed by the Regent, Justine Townsend with note, \"appointed by the previous Regent Mrs. L.L.M. Laughton who was prevented by illness from signing this certificate.\"","Biographical note or obituary about Georgia Page King Smith Wilder, d. 1914, who served as the Vice Regent for Georgia 1891-1914.","Questionnaire, correspondence","Small journal with information on gifts to Mount Vernon, 1891-1896; Certificate as Vice Regent","Correspondence, 1931-1940","Correspondence, 1941-1959; Obituary","Articles, biographical information","Biographical information, mostly about her service as VR","An addition was made in August 2023, containing material given by Vice Regents and the Board Secretary in recent years.","Correspondence and biographical info, letters about Mount Vernon miniature","Correspondence","Biographical info, articles, tribute, correspondence, nomination info","Correspondence and memorial information","Biographical info, article","Correspondence, biographical info, remarks","Correspondence, Questionnaire, bio info","Correspondence, Questionnaire, photographs, bio info, Tribute","Biographical info, nomination info, correspondence","Black and white photograph showing several MVLA members greeting the Governor of Virginia in the New Room of the Mansion during an event, 1953 (2183-F)","Black and white photograph showing the restoration of the outside of the Mansion, circa 1956; Two black and white photos showing work being done to an outbuilding/colonnade, 1955","Two black and white photographs showing horses preparing a field at Mount Vernon, 1939","Black and white photograph postcard of a garden bench, no date","Series of color and black and white photographs showing the construction of Mount Vernon's sanitary sewer system, 1972","Black and white photographs on scrapbook pages taken by Charles Goodwin, February 1911. Caption on one page reads \"Trip to Washington and Mt. Vernon, George Senior with Charles and Spencer Goodwin, Photos by C.A.G. Feb. 1911.\" Photos include images of the exterior of Mount Vernon mansion, outbuildings, and scenic views.","1 black and white photograph of a wall sconce (probably in the Mansion); three identical black and white photos of the entrance door and step to an estate building, no dates","10 black and white photograph prints showing the State Dinner event. President Kennedy, Jackie Kennedy, Mrs. Beirne, and other are seen in the images","Color photograph of the East Lawn with men dressed as Revolutionary War soldiers posed with flags, ca. 1970; Color photograph of a fireplace with a portrait painting of Ann Pamela Cunningham over the hearth, ca. 1971","Black and white photograph of Mrs. Cooke presenting an award to the Honorable John Taylor","One color photograph showing Mrs. Cooke at the White House posed with the French ambassador, President Richard Nixon, Mrs. Anne Armstrong (Counsellor to the President) and Mr. John W. Warner (Administrator, American Revolution Bicentennial Administration), July 10, 1974","1 color photograph of George Washington's coach or carriage, 1971","1 color photograph of Mrs. Pack in the flight deck of a Boeing 727","1 artist's rendition in color of new administrative buildings, 1980s","One color photograph print of a furniture detail from the Mount Vernon in Miniature project; one slide and several lengths of negatives showing the miniature details, 1994.","6 black and white photographs showing restoration work done to the Ice House Vault, 1939 and the Stable Underpinning 1938-1939; 5 black and white photographs showing the cottage at the West Gate including \"View from the gate,\" \"Construction details,\" \"New site before development,\" \"In transit,\" and \"The abandoned site\"","6 black and white photos showing an area of dug-up earth and two cars, 1938","5 photograph prints from Neg. 2903-1, 2903-2, 2903-3, 2904-1, 2904-2 – all views of the Family Kitchen – rear of fireplace and oven, 1950, taken by Robert Fisher; Black and white photograph showing two areas of different texture (labeled A and B) on the wall of the Family Kitchen, ca 1950","4 black and white photograph prints of Neg. 2930-2, 2930-3, 2930-5, 2930-7 relating to the brick foundations of the Greenhouse","1 black and white photograph of the ruined wall of the Greenhouse and slave quarters","1 black and white photograph of the Summer House","Strip of 5 black and white photographs labeled \"Wash House, Stove foundation and flue connection, June 1945\"","2 black and white photographs taped to board with descriptions; shows the fireplace in Washington's Bedroom after the removal of the wood paneling; Black and white photographs taped to two boards with description; shows the North Closet section of Washington's Bedroom during restoration","Black and white photograph of the Well House with a woman inside at the well with a bucket. Reverse side reads Neg. #2260 from a photograph by Fr. B. Johnston circa 1890","1 black and white photograph print on thin paper of a man, possible John Carter Brown, with notation on the reverse, \"J.C.B. June 11, '96, 1:30 p.m., 12 Benevolent St.\" Also, 1 black and white photo print with notation on the reverse, \"Lake Tahoe taken from the California side of the Lake. June 9, 1940.\"","2 black and white photographs of an MVLA sideboard with its measurements on the back","1 black and white photograph of people looking at Mount Vernon's view of the Potomac from the East Lawn, ca. 1965; 1 drawing of the Potomac River by Mount Vernon and the Piscataway Bay, ca. 1965","Black and white photographs with captions from \"Washington's Mount Vernon\"","2 color photographs of an historic oak tree at Mount Vernon; 1 shows a little boy by the tree, the other shows the stump after it had been cut down because of disease, 1983","2 color photographs of an information kiosk at the front entrance of Mount Vernon, 1967","1 black and white photograph of the wreath-laying ceremony at the grave of Ann Pamela Cunningham with Regent Mrs. Cooke, Mr. Wall, and Mrs. Hollis, 1975","4 color Polaroid photographs showing the Gift Shop salesroom, 1979","1 black and white photograph of a fireplace in the Mansion with the \"GW\" script","3 small color photographs of different rooms in the Mansion, 1961","1 black and white photograph of the Mount Vernon Ladies Association members in front of Mount Vernon; 2 small color photographs of the painting \"The West Front\" attributed to Edward Savage; 2 black and white photographs of a bedroom in the Mansion, no date","1 black and white photograph of the Upper Garden with covers over the beds","Color photograph of Mrs. Labouisse and Mrs. Bolton in front of the Mansion, 1953. In a card holder inscribed by Mrs.Powel.","1 black and white photograph of the Small Dining Room in the Mansion, no date","1 color slide labeled \"Page Platt – Natl Col Farm Oct 1978 Admin Bldg. Barn\"","Color print photograph of First Lady Barbara Bush and Mrs. Smith, group Council photographs from 1985-1989, and two photos (one signed to Mrs. Smith) from an event at Mount Vernon, undated.","Series of color Polaroid photographs showing the construction of the Ann Pamela Cunningham Administration Building and complex, 1982","Color photograph of Mrs. Sullivan on the piazza of the Mansion with the Vice Regents from Arizona and Maine, May 1983","Two black and white photographs of a chair with a reproduction chair cushion, 1966","Two black and white photographs of members of the MVLA welcoming guests to the reception in the New Room or Large Dining Room, 1953","Color photographs of Mrs. Sullivan with other MVLA Vice Regents, 1965, 1967; Black and white photographs showing different views of Mount Vernon","1 black and white 8\" x 10\" photograph of a parade event at Mount Vernon, no date","1 black and white proof sheet with photographs of a Ford fire engine; 2 color Polaroid photographs of the Ford fire engine, one with two men; 7 color 8\" x 10\" of Ford Motor Company's visit to Mount Vernon to donate a fire engine, August 1981.","2 color photograph prints showing Vice Regents Emerita at Mount Vernon, c. 2000s","5 black and white photographs of Mrs. Anderson and other MVLA members on the piazza of the Mansion, ca 1940s","2 black and white photographs of Mrs. Beirne with Superintendent Charles Wall and another woman","19 color photographs of an Honorary Dinner for Mrs. Billups in 1961 with other Ladies of the Council (identified on the reverse of several prints) – some are duplicates","1 black and white 8\" x 10\" photograph of Mr. Thomas D. Taylor","1 black and white photograph of the 1970 Council on the lawn in front of the Mansion; 1 black and white photograph of several Ladies with Mount Vernon employees, 1972; 1 color photograph in the original holder showing Mrs. Bolton and Mrs. Labouisse in front of the Mansion","Two Christmas cards with color photographs, one showing Mrs. Bolton, ca. 1980s","2 small color photograph prints of Vice Regent Nancy Call, undated","Two color Polaroids of a framed certificate; 1 black and white photograph of Mrs. Cooke presenting at the Sound and Light show with President Ford and French President D'Estaing; 1 black and white photograph of Mrs. Cooke standing by portraits of George and Martha Washington, ca. 1970s","Formal presentation of the Bicentennial gift of the French Republic to the United States at Mount Vernon - a sound and light production recounting some of the memorable events of the Revolution, from Patrick Henry's speech to the Battle of Yorktown as recollected by General Washington reflecting on the past after his retirement to Mount Vernon. French President d'Estaing presents the gift to President Ford who in turn gifted the production to Mount Vernon accepted by the Mount Vernon Ladies' Association Regent Mrs. Cooke. The program debuted that evening to hundreds of special guests in attendance for the outdoor event.","8\" x 10\" color photograph of Mrs. Cooke with a United States Flag, ca. 1990s","Color photograph print of Mrs. Crumpacker with James Crumpacker and Elizabeth Swindells, undated","1 black and white portrait photograph of Mrs. Cubbedge, 1964","3 color photograph prints showing Mrs. Davis and her family, various dates","1 color photograph print on a Christmas card showing Mrs. Gaines with her husband and grandchildren, 2004","1 black and white photograph of Vice Regent Beatrice Guthrie","1 black and white photograph of Mrs. Haldeman","Color photograph in paper frame/card of the Mount Vernon Ladies Association medal worn by the Ladies","5 color photographs of the US Navy ceremony for the USS Mount Vernon, Mrs. Holden is in attendance, May 13, 1972","1 black and white photograph of the MVLA Board posed in front of the Lansdowne portrait of George Washington, no date; 1 black and white photograph of an aerial view of the Mount Vernon estate, no date; 2 black and white prints on paper showing the small dining room in the Mansion","1 color photograph print with original negative of Mrs. Lee in front of the Mansion; one page with two color photograph prints of Mrs. Lee's family adhered as a Christmas card, 1997","1 black and white 8\" x 10\" photograph of a portrait painting of Mme. Le Vert","Five color postcards of different views of Mount Vernon, c. 1934 MVLA","3 black and white photographs, and 3 sepia tinted photographs of Mrs. Loughborough and different scenes and items at Mount Vernon estate","1 color portrait-style photograph print of Adrienne Mars","6 color photographs of an event at Mount Vernon with a Pipe and Drum band, no date","1 black and white matted photograph captioned \"The Ave. of Oaks planted by our dear Father at Retreat\" no date; 2 identical black and white postcard photographs of Page Randolph Anderson (later Platt) dressed in costume as Martha Washington, 1910; 2 sepia photograph cabinet cards of Page Wilder (later Anderson) dressed in costume as Martha Washington, 1885","1 black and white photograph of Mrs. Seamans","Series of color photographs showing a tree-planting event at Mount Vernon with three Vice Regents and others, ca. 1980s","Color photograph in paper frame/card of the Mount Vernon Ladies Association medal worn by the Ladies","Series of color portrait-style photographs of Mrs. Walton, ca. 2000","One black and white photo of Mrs. West, 6 color photos of her visit to Sulgrave Manor featuring Prime Minister Margaret Thatcher","Black and white portrait photograph of Mrs. Wiener, ca 1960s in original holder","Set of color prints taken from the ceremony at the Arc de Triomphe, Paris. Also includes one print photo of Jim Rees, Lynn Gammill, and Gay Gaines, undated.","Also includes 3 Council photographs, New Room, undated","Architectural drawing – Key to the Upper Garden plantings, 1980 by Dean Norton","1 blueprint titled Sketch Showing Progressive Development of Plan of Green House at Mount Vernon, Virginia, Walter Macomber; 2 architectural drawings concerning the Greenhouse: 1 showing the Elevations of the Proposed Service Greenhouse, October 1950; 1 titled Plan for Greenhouse, Nursery Area, October, 1950","1 blueprint titled Ice House Vault Restoration, 1938; 1 blueprint titled Ice House Vault – Measured Drawing, 1938; Blueprint titled Proposed Restoration of Ice House Vault, Cleverdon, Varney \u0026 Pike Consulting Engineers, 1938","Blueprint titled Heating Tunnel Layout, Drawing 101, 1935 by Geo. A. Weschler, Consulting Engineer; Blueprint titled Section of Tunnel, no date","2 blueprints – 1 titled Power Plant and Shops, Mount Vernon, Virginia, Alterations to End Sections of Building, 1936; 1 titled Power Plant and Shops, Mount Vernon, Virginia, Radiator Locations, 1936","5 blueprints: Sheet A – Stable Explorations, Plan and Sections Showing Extent of Excavated Trenches and Evidence of an Older Stable, 1939; Sheet B – Stable Measurements, 1936; Sheet C – Stable Measurements, Plan of Barn and Mule Stable, 1936; Sheet D – Stable Measurements, Rafter Plan and Details, 1936; Sheet E – Stable Excavations –Trenches D and F","1 architectural drawing titles \"Sketch Showing Hot Water Stove Restoration for Wash House\"","Drawing – Flower Garden detail, Area in front of Greenhouse, 1952; Drawing – Sketch Showing Re-arrangement of Designs in East and West Parterres in Flower Garden, Walter Macomber, no date; Blueprint – Replanting Plan of the Boxwood Parterre, West End of the Flower Garden, 1947; Blueprint – Replanting Plan of the Boxwood Parterre, East End of the Flower Garden, 1947; Grouping of 17 small blueprints – Flower gardens, 1938","Architectural drawings, blueprints – Scale Detail Garden Wall Palisade, 1962; Elevation of a hood for the Director's House, 1963; Office building, no date; Interior Elevation, Main Gate, Mount Vernon, 1964; Blueprint, Elevation of Wall from Stable Yard \u0026 Laundry Yard, Walter M. Macomber, Architect for Restoration, December 12, 1955","Drawing of the bed hangings and curtains for the Lafayette Bedchamber, August 1975, Ethel Pilson Warren Interior Planning","Sketched architectural diagrams showing possible floor plans for the proposed new Administration Building, 1978","1 architectural drawing of the Interior Elevation of the Main Gate (Texas Gate) at Mount Vernon, by Walter M. Macomber, Architect for Restoration, October 22, 1964; 1 architectural drawing of the Grounds Section Facility, no date","Includes Mrs. Sweat's annotations, sketches, and inserts.","Statement to reactivate the Second Continental Light Dragoons in celebration of Washington's 279th birthday.","Award certificate to the MVLA.","Also includes printed list of members and RSVP mailing.","Includes letter from President Bush, news clippings, and bound manuscript copy of the remarks by David McCullough, \"The Ties that Bind: America and France.\"","Includes clippings, printed material, and correspondence.","Compiled engravings, photos, and prints including a cabinet card photograph of Nellie Custis Lewis. Several images from the collection of Vice Regent Annie Jennings of Connecticut","Empty of photographs","A note dated 1937 inside the portfolio by Vice Regent Helen Sargent states that the portfolio belonged to MVLA Regent Alice Richards.","Signed by several Congressmen including Robert Byrd and Thomas Foley. Possible signature of President Bill Clinton. Framed, 10 ¾\" x 15 ¾\"","Belonged to Helen Louise Sargent, Vice Regent for the District of Columbia, undated. Matted but not framed. 13 ½\" x 17 ¼\"","Tributes included are for James Rees, Mount Vernon employees, and Gay Hart Gaines.","Signed list of Rhode Island Vice Regents on the front inside page. The S.S. Teacher's Edition of the Holy Bible. Oxford University Press: London. Book cover reads \"Mount Vernon, Rhode Island Room 1898.\" Several inserts and annotations.","Signed on front inside page \"Pro Deo et Patria! The gift of Amy Townsend, Vice Regent for the State of New York, For the use of Vice Regents of the State of New York. March 29, 1900.\" The Holy Bible, The American Bible Society: New York, 1897. One insert.","Bound volume listing subscriptions or donations to Mount Vernon's fund to rebuild the \"servant's quarters\" destroyed by fire in 1835. The Vice Regent of Kansas, Jennie Ward, reported she raised enough by fundraising in Kansas schools ($1,000) The reconstruction was \"rebuilt along the lines of the old ruin,\" and in what was believed to be the original location.  It was completed in 1891.","Certificate of membership for Justine Van Resselaer Townsend for membership in the Daughters of the Cincinnati. Also signed by Townsend as President of the organization.","Wood panel with painted coat of arms; reverse reads \"A facsimile of a bronze tablet on the monument to Ann Pamela Cunningham in Columbia, S. Carolina, A.J. Robertson, May 1904\"","Objects related to the Dedication of the 16-Sided Barn, September 27, 1996. Includes souvenir satchel pouch with fact sheets and information, American flags on tissue paper, programs, and guest lists","Tabletop decoration used for the Bicentennial of the Inauguration of Washington dinner, 1989.","With bust of Washington, from the North Carolina Museum of History","Includes MVLA seal.","Labeled \"Cyndi Invest.\" and \"Bob's Invest.\" and numbered 1-3. Two are unlabeled but thought to be from the same series. Most likely recorded by Cyndi Lints, Administrative Assistant, and Bob McCarthy, Controller.","With management consultant Edie Seashore","At least one tape may have contributions by management consultant, Edie Seashore.","Meeting with management consultant Edie Seashore.","Time 5:40, produced by Goettler Associates, Inc. Columbus, Ohio","C-SPAN Archives, Tape 1 – 118 min., Tape 2 – 84 min. Copyright restricted"],"names_ssim":["Archives of the Mount Vernon Ladies' Association","Black Women United for Action","Wall, Charles Cecil, 1903-1995","Townsend, Justine Van Rensselaer, 1828-1912","Comegys, Harriet Clayton, 1840-1927","Richards, Alice Haliburton King, 1860-1936","Towner, Harriet C. (Harriet Cole), 1869-1942","Hanks, Mary Esther Vilas, 1873-1959","Harkness, Hope Hodgman Powel, 1889-1974","Beirne, Rosamond Randall, 1894-1969","Cooke, Elizabeth Throckmorton, 1897-1993","Guy, Frances Claiborne, 1921-2016","Anderson, Helen Sharp, 1916-2013","Seamans, Eugenia Merrill, 1922-2010","Bishop, Mabel Livingstone, 1925-2007","Morrissette, Laura Vaughan Inge, 1933-","Lee, Jane Carew, 1931-2019","Walton, Ellen Carroll","Gaines, Gay Hart","Ansley, Boyce Lineberger, 1946-2016","Bookout, Ann Haunschild","Lucas, Barbara Bourgeois","Allison, Margaret Appleton","Berry, Violetta Lansdale, 1883-1971","Bolton, Mary Peters","Brown, Anne Crawford Allen, 1848-1936","Burdick, Alison Ward, 1912-2007","Carpenter, Harriet Isham, 1869-1948","Coolidge, Mary Abigail Parsons, 1878-1964","Cubbedge, Margaret Ellis, 1896-1985","Gammill, Lynn Crosby, 1936-","Hagner, Adlumia Sterrett, 1916-2007","Herbert, Leila","Holderness, Eunice Jackson, 1917-2007","Hollis, Margaret Belser, 1924-2015","Labouisse, Sally (Sarah Cameron), 1903-1985","Fisher, Robert B.","Morse, Frank","Neal, Anne D.","Platt, Page Anderson, 1899-1984","Dodge, Harrison Howell, 1852-1937","Rathbone, Elizabeth Adams, 1837-1923","Richardson, Melody Sawyer","Smith, Gene Smith","Strachan, Rose Forsyth, 1915-2000","Sullivan, Priscilla Manning, 1911-1994","Symmes, Harrison M., 1921-2010","Woodbury, Charlotte, 1873-1966","Todd, Frances Packette, 1901-1987","Tyler, Constance Ellen, 1911-1963","Wiener, Ellanore Brown","Abrahams, Meliora Hambleton","Alexander, Hope Powel, 1925-2019","Ames, Anne Carrington Dwight, 1849-1904","Anderson, Isabel Scott, 1899-1994","Anderson, Anne Page Wilder, 1873-1956","Andrews, Julia Johnston, 1846-1915","Armour, Mary Gooch, 1942-","Aurell, Jane Collins","Baker, Fannie Gilchrist, 1838-1901","Balfour, Emma Harrison Warren, 1818-1887","Ball, Emma R., 1838-1918","Barnes, Mary Fauntleroy, 1824-1912","Barret, Margaretta Mason Brown, 1839-1920","Barret, Rosa Robinson, 1881-1955","Barry, Elizabeth Willard, 1814-1883","Battle, Charlotte Timberlake","Bayard, Elizabeth du Pont, 1880-1975","Bennett, Jamie Armstrong, 1881-1963","Billups, Mary Govan, 1874-1971","Blackburn, Alpha Coles","Bockstoce, Elizabeth Roberts, 1918-1995","Bolton, Frances Payne Bingham, 1885-1977","Borthwick, Maribeth Armstrong","Bowlin, Ruth Price","Bradford, Helen MacKay, 1940-2004","Bradford, Mary Conover","Young , James","Broadwell, Elizabeth Lytle","Brockett, Marcella Powell Gibson","Brooks, Mary Cunningham Randolph, 1816-1882","Evarts, Mary, 1854-1928","Brown, Caroline Hinman Clement","Brown, Cynthia Pillow Saunders, 1810-1892","Buchanan, Frances Rogers","Bush, Margaret Gage","Butler, Sarah Duncan","Cabot, Nancy Graves, 1889-1969","Cain, Talbot deButts, 1941-2013","Call, Nancy Banning","Campbell, Virginia Kyle, 1822-1882","Carson, Dana Porter","Chapin, Betsy (Elizabeth M.)","Chesnut, Mary, 1775-1864","Chisholm, Katherine Crutcher, 1929-2016","Collins, Mary Call Darby, 1911-2009","Comegys, Margaret Douglass, 1816-1888","Conover, Helen Field, 1833-1914","Cox, Katherine Cabell Claiborne, 1854-1925","Crumpacker, Anne Finkbeiner (Elizabeth Anne Finkbeiner)","Danforth, Edwine Evans, 1863-1961","Davis, Florence Stumb","De Forest, Elizabeth Kellam","Denham, Mary Simkins, 1868-1950","Dewey, Ruth Harrington, 1918-2016","Dickinson, Alice London, 1814-1881","Dillon, Anna Price, 1835-1898","Du Pont, Elizabeth N.","Emory, Matilda Bache, 1819-1900","Eve, Philoclea Edgeworth Casey, 1813-1889","Failing, Mary Forbush, 1862-1947","Fauth, Geren Watson","Fitch, Harriet Satterlee","Fogg, Francis B., Mrs., 1800-1872","Foster, Victorine Du Pont, 1849-1934","Freeman, Margaret Walthall","Furness, Anna Ramsey, 1876-1964","Furness, Marion Ramsey, 1853-1935","Gilchrist, Gene Robin","Goldsborough, Eleanor Rogers, 1822-1906","Goodrich, Mary Boott, 1807-1868","Graham, Christine Blair, 1852-1915","Greenough, Louisa Ingersoll, 1813-1891","Guthrie, Beatrice Holden","Hagood, Derrill Maybank","Haldeman, Jane Norton, 1909-1984","Hale, Sarah King, 1798-1865","Halsted, Nancy Marsh, 1817-1891","Schuyler, Mary Morris Hamilton, 1818-1877","McAdoo, Mary Cheston (formerly Mary Hancock)","Hanks, Lorelai Jackson, 1929-2006","Harper, Emily L. (Emily Louisa), 1812-1892","Harrison, Hetty Cary, 1871-1943","Haskell, Mary Rushton, 1903-1971","Hearst, Phoebe Apperson, 1842-1919","Henke, Bonnie Creekmore (Mary Elizabeth)","Hill, Alice Hale, 1840-1908","Hitz, Elizabeth Holliday, 1894-1979","Holden, Polly Bullard, 1906-2004","Hollenberg, Josephine Heiskell Harrison (Deanie), 1915-2011","Hudson, Susan Edwards Johnson, 1825-1913","Hunt, Anne Lucas, 1796-1879","Huntress, Harriet Lane, 1860-1922","Sydnor, Ella Hutchins, 1844-1913","Irwin, Alice Dandridge, 1855-1916","Isham, Elizabeth Totten","Jeffrey, Rosa Vertner, 1828-1894","Jennings, Annie Burr, 1855-1939","Johnson, Sarah Smith, -1862","Johnston, Elizabeth Johnston Evans, 1851-1934","King, Annie Ragan, 1856-1933","Lamont, Elinor Miner, 1901-1972","Lane, Virginia Dawson","Laughton, Lily Macalester Berghmans, 1832-1891","Lawson, Priscilla Plumb","Leary, Eliza Ferry, 1851-1935","Leiter, Mary Theresa, 1844-1913","Le Vert, Octavia Walton, 1810-1877","Lewis, Annie Burr Auchincloss, 1902-1959","Livingood, Lily Foster","Lobb, Mary Montgomery, 1915-2005","Longfellow, Alice M. (Alice Mary), 1850-1928","Dana, Henry Wadsworth Longfellow, 1881-1950","Lord, Bertha Dunlap, 1880-1956","Loughborough, Louise Wright, 1881-1962","Lyle, Margaret Vilas","Mars, Adrienne Bevis","Terrell, Mary Maverick, 1851-1891","Maxey, Mary Frances Campbell","McIlvain, Janet Hattan","McWillie, Catherine Anderson, 1812-1873","Mercer, Martha Dana, 1872-1960","Mitchell, Martha Reed, 1818-1902","Moore, Lisa Rosenberger","Moore, Susan Rutledge, 1906-1987","Morse, Margaretta Wederstrandt, 1816-1893","Murat, Catherine Willis, 1803-1867","Nagel, Anne Shepley","Nalty, Elizabeth Shaw","Neal, Georgianne Davis","Neill, Nancy","Newman, Eleanor Tarrant, 1934-2017","Ogden, Phebe Ann, 1790-1865","Olander, Eileen Maloney","Pack, Phoebe Finley, 1907-2000","Parker, Eleanor Carroll Lyster, 1871-1924","Pendleton, Mary Alicia Key, 1824-1886","Pepper, Rebecca Willing, 1882-1955","Perrie, Alice Johnson","Peterkin, Constance Lee, 1872-1948","Pfaelzer, Marianne Henry","Pickens, Lucy Petaway Holcombe","Pirtle, Mary Hall, 1922-2012","Pope, Nancy Lucas Turner, 1870-1950","Porcher, Virginia Leigh, 1866-1940","Pringle, Elizabeth W. Allston (Elizabeth Waties Allston), 1845-1921","Richardson, Ida Ann Slocomb, 1830-1910","Ricks, Fanny Jones, 1852-1918","Riggs, Janet Shedden, 1815-1871","Ritchie, Anna Cora Mowatt, 1819-1870","Rogers, Frances Dennis","Sargent, Helen Louise","Schuyler, Harriet Lowndes Langdon, 1838-1915","Scott, Caroline Drennen, 1827-1910","Scott, Mary Mason, 1867-1934","Seaman, Eleanor Remick","Nixon, Richard M. (Richard Milhous), 1913-1994","Bush, George, 1924-2018","Bush, Barbara, 1925-2018","Semple, Cynthia Taylor","Shelton, Clara Francis (died 1936)","Shields, Jeanne Otis","Shipp, Margaret Busbee, 1871-1936","Sibley, Sarah Steele, 1823-1869","Simplot, Adelia Garro","Streeter, Lucille Anderson","Sweat, Margaret J.M. (Margaret Jane Mussey), 1823-1908","Taliaferro, Lucy Ramsay, 1871-1953","Tarr, Irene Haley, 1898-1988","Thayer, Pauline Revere, 1862-1934","Thom, Mary Keyser Stewart, 1874-1963","Townsend, Amy Cornell","Troup, Elsie De Cou","Van Antwerp, Jane Yates, 1815-1870","Van Deventer, Mary Finley","Vaughan, Margaret Driggs, 1917-2003","Walcott, Mary Newcomer","Walker, Letitia Morehead, 1823-1908","Ward, Jennie Meeker (Sarah Jane), 1833-1910","Warren, Romayne Latta, 1877-1968","Washington, Ella Bassett, 1834-1898","Webber, Barbara Chase","Weller, Lucy Ireland","West, Ann Wick, 1930-2020","West, Constance F.","Wheeler, Lillian Marsh, 1863-1952","Wick, Ann Dugdale","Wilder, Caryl Casselberry, 1923-2005","Wilder, Georgia King Smith, 1833-1914","Williams, Priscilla de Forest","Winder, Abbie Rice Goodwin, 1829-1906","Woodward, Eliza Brand Macalester, 1811-1897","Yulee, Nancy Wickliffe, 1822-1885","Coulson, Sarah Miller","Mauran, Elizabeth Rollins","Sahin, Andrea Notman","Scott, Ann Cady","Amundsen, Claudia Puig","Grant, Judith Wilson","Holdsworth, Elizabeth Lawson Whitesides","Reeder, Susan Stevens","Sherrill, Jean Armfield","West, Gail Berry, 1942-","Ford, Gerald R., 1913-2006","Giscard d'Estaing, Valéry, 1926-2020","Bush, Laura Welch, 1946-","Meadows, Christine, 1932-2013","Cunningham, Ann Pamela, 1816-1875","Bush, George W. 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(Emily Louisa), 1812-1892","Harrison, Hetty Cary, 1871-1943","Haskell, Mary Rushton, 1903-1971","Hearst, Phoebe Apperson, 1842-1919","Henke, Bonnie Creekmore (Mary Elizabeth)","Hill, Alice Hale, 1840-1908","Hitz, Elizabeth Holliday, 1894-1979","Holden, Polly Bullard, 1906-2004","Hollenberg, Josephine Heiskell Harrison (Deanie), 1915-2011","Hudson, Susan Edwards Johnson, 1825-1913","Hunt, Anne Lucas, 1796-1879","Huntress, Harriet Lane, 1860-1922","Sydnor, Ella Hutchins, 1844-1913","Irwin, Alice Dandridge, 1855-1916","Isham, Elizabeth Totten","Jeffrey, Rosa Vertner, 1828-1894","Jennings, Annie Burr, 1855-1939","Johnson, Sarah Smith, -1862","Johnston, Elizabeth Johnston Evans, 1851-1934","King, Annie Ragan, 1856-1933","Lamont, Elinor Miner, 1901-1972","Lane, Virginia Dawson","Laughton, Lily Macalester Berghmans, 1832-1891","Lawson, Priscilla Plumb","Leary, Eliza Ferry, 1851-1935","Leiter, Mary Theresa, 1844-1913","Le Vert, Octavia Walton, 1810-1877","Lewis, Annie Burr Auchincloss, 1902-1959","Livingood, Lily Foster","Lobb, Mary Montgomery, 1915-2005","Longfellow, Alice M. (Alice Mary), 1850-1928","Dana, Henry Wadsworth Longfellow, 1881-1950","Lord, Bertha Dunlap, 1880-1956","Loughborough, Louise Wright, 1881-1962","Lyle, Margaret Vilas","Mars, Adrienne Bevis","Terrell, Mary Maverick, 1851-1891","Maxey, Mary Frances Campbell","McIlvain, Janet Hattan","McWillie, Catherine Anderson, 1812-1873","Mercer, Martha Dana, 1872-1960","Mitchell, Martha Reed, 1818-1902","Moore, Lisa Rosenberger","Moore, Susan Rutledge, 1906-1987","Morse, Margaretta Wederstrandt, 1816-1893","Murat, Catherine Willis, 1803-1867","Nagel, Anne Shepley","Nalty, Elizabeth Shaw","Neal, Georgianne Davis","Neill, Nancy","Newman, Eleanor Tarrant, 1934-2017","Ogden, Phebe Ann, 1790-1865","Olander, Eileen Maloney","Pack, Phoebe Finley, 1907-2000","Parker, Eleanor Carroll Lyster, 1871-1924","Pendleton, Mary Alicia Key, 1824-1886","Pepper, Rebecca Willing, 1882-1955","Perrie, Alice Johnson","Peterkin, Constance Lee, 1872-1948","Pfaelzer, Marianne Henry","Pickens, Lucy Petaway Holcombe","Pirtle, Mary Hall, 1922-2012","Pope, Nancy Lucas Turner, 1870-1950","Porcher, Virginia Leigh, 1866-1940","Pringle, Elizabeth W. Allston (Elizabeth Waties Allston), 1845-1921","Richardson, Ida Ann Slocomb, 1830-1910","Ricks, Fanny Jones, 1852-1918","Riggs, Janet Shedden, 1815-1871","Ritchie, Anna Cora Mowatt, 1819-1870","Rogers, Frances Dennis","Sargent, Helen Louise","Schuyler, Harriet Lowndes Langdon, 1838-1915","Scott, Caroline Drennen, 1827-1910","Scott, Mary Mason, 1867-1934","Seaman, Eleanor Remick","Nixon, Richard M. (Richard Milhous), 1913-1994","Bush, George, 1924-2018","Bush, Barbara, 1925-2018","Semple, Cynthia Taylor","Shelton, Clara Francis (died 1936)","Shields, Jeanne Otis","Shipp, Margaret Busbee, 1871-1936","Sibley, Sarah Steele, 1823-1869","Simplot, Adelia Garro","Streeter, Lucille Anderson","Sweat, Margaret J.M. (Margaret Jane Mussey), 1823-1908","Taliaferro, Lucy Ramsay, 1871-1953","Tarr, Irene Haley, 1898-1988","Thayer, Pauline Revere, 1862-1934","Thom, Mary Keyser Stewart, 1874-1963","Townsend, Amy Cornell","Troup, Elsie De Cou","Van Antwerp, Jane Yates, 1815-1870","Van Deventer, Mary Finley","Vaughan, Margaret Driggs, 1917-2003","Walcott, Mary Newcomer","Walker, Letitia Morehead, 1823-1908","Ward, Jennie Meeker (Sarah Jane), 1833-1910","Warren, Romayne Latta, 1877-1968","Washington, Ella Bassett, 1834-1898","Webber, Barbara Chase","Weller, Lucy Ireland","West, Ann Wick, 1930-2020","West, Constance F.","Wheeler, Lillian Marsh, 1863-1952","Wick, Ann Dugdale","Wilder, Caryl Casselberry, 1923-2005","Wilder, Georgia King Smith, 1833-1914","Williams, Priscilla de Forest","Winder, Abbie Rice Goodwin, 1829-1906","Woodward, Eliza Brand Macalester, 1811-1897","Yulee, Nancy Wickliffe, 1822-1885","Coulson, Sarah Miller","Mauran, Elizabeth Rollins","Sahin, Andrea Notman","Scott, Ann Cady","Amundsen, Claudia Puig","Grant, Judith Wilson","Holdsworth, Elizabeth Lawson Whitesides","Reeder, Susan Stevens","Sherrill, Jean Armfield","West, Gail Berry, 1942-","Ford, Gerald R., 1913-2006","Giscard d'Estaing, Valéry, 1926-2020","Bush, Laura Welch, 1946-","Meadows, Christine, 1932-2013","Cunningham, Ann Pamela, 1816-1875","Bush, George W. (George Walker), 1946- ","Carter, Rosalynn","Swann, Don, 1889-1954","Pickup, Ernest A. (Ernest Alexander), 1887-1970"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2492,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:55:09.076Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vimtvl_repositories_2_resources_46_c06_c02_c332"}},{"id":"wvmturhc_repositories_2_resources_5880_c02_c803","type":"File","attributes":{"title":"Woolson Speice[sic] Co. vs. C.E. 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Hammond Siler, Sr. (boxes S2/Box 1-S2/Box 89)"],"text":["Siler Family Papers","Series 2. J. Hammond Siler, Sr. (boxes S2/Box 1-S2/Box 89)","Woolson Speice[sic] Co. vs. C.E. Casler","Box S2/Box 47","Folder 8"],"title_filing_ssi":"Woolson Speice[sic] Co. vs. C.E. Casler","title_ssm":["Woolson Speice[sic] Co. vs. C.E. Casler"],"title_tesim":["Woolson Speice[sic] Co. vs. C.E. Casler"],"unitdate_inclusive_ssm":["ca. 1848-1968"],"normalized_date_ssm":["1848/1968"],"normalized_title_ssm":["Woolson Speice[sic] Co. vs. C.E. Casler"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Siler Family Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":983,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. 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(149 document cases, 5 in. each); (1 document case, 2 1/2 in.); (1 small flat storage box, 3 1/2 in.); (2 oversize folders, 2 in.); (25 wrapped packages, 3 ft. 8 in.)"],"extent_tesim":["66.6 Linear Feet Summary: 66 ft. 7 in. 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The papers concern a broad range of political, social, financial, and legal topics, particularly focusing on J. Hammond Siler, Jr., his parents, J. Hammond Siler, Sr. and Jessie Castleman Siler (residents of the Town of Bath better known as Berkeley Springs). Also includes correspondence and other papers from related families. Subjects include banking, the Civil War, the Episcopal church, secession of Virginia, Virginia Loyalty Oath, women's diaries, and women's letters and papers. A notable item in the collection is the diary of Anne Doyne Wolff Strother, wife of artist and writer David Hunter Strother, documenting a trip with husband and daughter Emily to New Orleans in 1857 (S2/Box 67, folder 1a).\u003c/p\u003e\n","\u003cp\u003eSeries include:\u003c/p\u003e\n","\u003cp\u003eSeries 1. J. Hammond Siler, Jr. (ca. 1848-1968), boxes S1/Box 1-S1/Box 50\u003clb\u003e\u003c/lb\u003e\nSeries 2. J. Hammond Siler, Sr. (ca. 1848-1968), boxes S2/Box 1-S2/Box 89\u003clb\u003e\u003c/lb\u003e\nSeries 3. Jessie Castleman Siler (ca. 1848-1968), boxes S3/Box 1-S3/Box 2\u003clb\u003e\u003c/lb\u003e\nSeries 4. A.C. Hammond (ca. 1848-1968), boxes S4/Box 1-S4/Box 4\u003clb\u003e\u003c/lb\u003e\nSeries 5. Ann R. Castleman (ca. 1848-1968), boxes S5/Box 1-S5/Box 2\u003clb\u003e\u003c/lb\u003e\nSeries 6. Photographs (ca. 1848-1968), box S6/Box 1\u003clb\u003e\u003c/lb\u003e\nSeries 7. Wrapped Packages (ca. 1848-1968), Wrapped Packages 1-26\u003clb\u003e\u003c/lb\u003e\nSeries 8. Oversize Material (ca. 1848-1968), box S8/Box 1\u003c/p\u003e","\u003cp\u003eThis series includes the personal and business papers and correspondence of J. Hammond Siler, Jr. and his career with the Federal Bank Reserve of Richmond, VA. 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The papers concern a broad range of political, social, financial, and legal topics, particularly focusing on J. Hammond Siler, Jr., his parents, J. Hammond Siler, Sr. and Jessie Castleman Siler (residents of the Town of Bath better known as Berkeley Springs). Also includes correspondence and other papers from related families. Subjects include banking, the Civil War, the Episcopal church, secession of Virginia, Virginia Loyalty Oath, women's diaries, and women's letters and papers. A notable item in the collection is the diary of Anne Doyne Wolff Strother, wife of artist and writer David Hunter Strother, documenting a trip with husband and daughter Emily to New Orleans in 1857 (S2/Box 67, folder 1a).","Series include:","Series 1. J. Hammond Siler, Jr. (ca. 1848-1968), boxes S1/Box 1-S1/Box 50 \nSeries 2. J. Hammond Siler, Sr. (ca. 1848-1968), boxes S2/Box 1-S2/Box 89 \nSeries 3. Jessie Castleman Siler (ca. 1848-1968), boxes S3/Box 1-S3/Box 2 \nSeries 4. A.C. Hammond (ca. 1848-1968), boxes S4/Box 1-S4/Box 4 \nSeries 5. Ann R. Castleman (ca. 1848-1968), boxes S5/Box 1-S5/Box 2 \nSeries 6. Photographs (ca. 1848-1968), box S6/Box 1 \nSeries 7. Wrapped Packages (ca. 1848-1968), Wrapped Packages 1-26 \nSeries 8. Oversize Material (ca. 1848-1968), box S8/Box 1","This series includes the personal and business papers and correspondence of J. Hammond Siler, Jr. and his career with the Federal Bank Reserve of Richmond, VA. Also included are records of various regional and national banking conferences and assorted printed material.","This series includes the personal and legal correspondence and papers of J. Hammond Siler, Sr. and his career as a lawyer in West Virginia. Also included are assorted deeds, ledgers, and pamphlets on various legal and religious topics.","This series includes the personal correspondence of Jessie Castleman Siler, wife of J. Hammond Siler, Sr. Also included is material regarding the Red Cross.","This series includes the personal correspondence of A.C. Hammond. Also included are material regarding Hammond's finances and assorted legal papers.","This series includes the personal correspondence and financial papers of Ann R. Castleman. Also includes the correspondence of other members of the Castleman family and genealogical material for the Hammond, Castleman, and Siler families.","This series includes assorted photographs of the Siler family.","This series includes ledgers for the Hammond \u0026 Siler and John T. Siler \u0026 Son businesses, assorted account books, and family bibles.","This series consists of assorted oversize material, including blueprints, children's books, and sheet music."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_172a403f6611d4a5931c460b0b7692df\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["American Institute of Banking","Baltimore Trust Company","Bull and Bear Club","Citizens Trust and Guaranty Company of West Virginia - Bonds.","Emerald Shillelagh Chowder and Marching Society, Inc.","Hammond and Siler General Store.","Virginia. General Assembly. House of Delegates","Montgomery Ward","American Red Cross","Sears, Roebuck and Company","Steel - Hancock Steel Company.","Great Cacapon Silica Sand Company","Campbell family","Castleman family - Genealogy","Hammond family - Genealogy","Humphries family - Genealogy","Isler family - Genealogy","Shepard family - Genealogy","Seller family - Genealogy","Seiler family","Armstrong, James D.","Castleman, Ann Rebecca Isler.","Castleman, Estelle.","Castleman, Frank A.","Castleman, Sarah Jane.","Faulkner, Charles James, 1806-1884","Hammond, Allen C.","Hammond, Cadet N.","Hotee, John.","Randolph, Emily Strother.","Rinehart, E. A.","Siler, J. Hammond Jr.","Siler, J. Hammond Sr.","Siler, Jessie Castleman.","Siler, John T.","Strother, Anne Doyne.","Van Gosen, James D.","Whisner, Samuel.","Widmyer, P. 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Hammond Jr.","Siler, J. Hammond Sr.","Siler, Jessie Castleman.","Siler, John T.","Strother, Anne Doyne.","Van Gosen, James D.","Whisner, Samuel.","Widmyer, P. S.","Hardin, Moses"],"corpname_ssim":["West Virginia and Regional History Center","American Institute of Banking","Baltimore Trust Company","Bull and Bear Club","Citizens Trust and Guaranty Company of West Virginia - Bonds.","Emerald Shillelagh Chowder and Marching Society, Inc.","Hammond and Siler General Store.","Virginia. General Assembly. House of Delegates","Montgomery Ward","American Red Cross","Sears, Roebuck and Company","Steel - Hancock Steel Company.","Great Cacapon Silica Sand Company"],"famname_ssim":["Seiler family","Campbell family","Castleman family - Genealogy","Hammond family - Genealogy","Humphries family - Genealogy","Isler family - Genealogy","Shepard family - Genealogy","Seller family - Genealogy"],"persname_ssim":["Armstrong, James D.","Castleman, Ann Rebecca Isler.","Castleman, Estelle.","Castleman, Frank A.","Castleman, Sarah Jane.","Faulkner, Charles James, 1806-1884","Hammond, Allen C.","Hammond, Cadet N.","Hotee, John.","Randolph, Emily Strother.","Rinehart, E. A.","Siler, J. Hammond Jr.","Siler, J. Hammond Sr.","Siler, Jessie Castleman.","Siler, John T.","Strother, Anne Doyne.","Van Gosen, James D.","Whisner, Samuel.","Widmyer, P. S.","Hardin, Moses"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1463,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:52:04.570Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5880_c02_c803"}},{"id":"viu_repositories_3_resources_941_c01_c01_c5229","type":"File","attributes":{"title":"Worth, Charles S. - DL1056","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_941_c01_c01_c5229#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_941_c01_c01_c5229","ref_ssm":["viu_repositories_3_resources_941_c01_c01_c5229"],"id":"viu_repositories_3_resources_941_c01_c01_c5229","ead_ssi":"viu_repositories_3_resources_941","_root_":"viu_repositories_3_resources_941","_nest_parent_":"viu_repositories_3_resources_941_c01_c01","parent_ssi":"viu_repositories_3_resources_941_c01_c01","parent_ssim":["viu_repositories_3_resources_941","viu_repositories_3_resources_941_c01","viu_repositories_3_resources_941_c01_c01"],"parent_ids_ssim":["viu_repositories_3_resources_941","viu_repositories_3_resources_941_c01","viu_repositories_3_resources_941_c01_c01"],"parent_unittitles_ssm":["John L. Nau III Civil War History Collection","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians","Subseries A: Personal Papers, Service Records, and Artifacts"],"parent_unittitles_tesim":["John L. Nau III Civil War History Collection","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians","Subseries A: Personal Papers, Service Records, and Artifacts"],"text":["John L. Nau III Civil War History Collection","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians","Subseries A: Personal Papers, Service Records, and Artifacts","Worth, Charles S. - DL1056","box 122 VLT_PRTCL","folder 40"],"title_filing_ssi":"Worth, Charles S. - DL1056","title_ssm":["Worth, Charles S. - DL1056"],"title_tesim":["Worth, Charles S. - DL1056"],"unitdate_inclusive_ssm":["December 1864-June 1909"],"normalized_date_ssm":["1864/1909"],"normalized_title_ssm":["Worth, Charles S. - DL1056"],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["John L. Nau III Civil War History Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":5231,"parent_access_restrict_tesm":["The collection is open for research."],"date_range_isim":[1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909],"containers_ssim":["box 122 VLT_PRTCL","folder 40"],"_nest_path_":"/components#0/components#0/components#5228","timestamp":"2026-05-21T14:31:55.729Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_941","ead_ssi":"viu_repositories_3_resources_941","_root_":"viu_repositories_3_resources_941","_nest_parent_":"viu_repositories_3_resources_941","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_941.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/189095","title_filing_ssi":"Nau, John L. III, Civil War History Collection","title_ssm":["John L. Nau III Civil War History Collection"],"title_tesim":["John L. Nau III Civil War History Collection"],"unitdate_ssm":["1806-1988","1861-1865"],"unitdate_bulk_ssim":["1861-1865"],"unitdate_inclusive_ssm":["1806-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous 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Key","Previous Archival Resource Key","/repositories/3/resources/941"],"text":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource 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Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941","John L. Nau III Civil War History Collection","United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives","letters (correspondence)","Photograph albums","photographs","newspapers","Good.","The collection is open for research.","The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. ","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch","The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. ","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). ","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). ","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following: ","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.","The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online  Civil War Soldiers and Sailors Database  (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's  Confederate and Southern State Currency , vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's  Civil War High Commands  (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. ","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. ","The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. ","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). ","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.","Albert and Shirley Small Special Collections Library","The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"unitid_tesim":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941"],"normalized_title_ssm":["John L. Nau III Civil War History Collection"],"collection_title_tesim":["John L. Nau III Civil War History Collection"],"collection_ssim":["John L. Nau III Civil War History Collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"geogname_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"places_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"acqinfo_ssim":["The John L. Nau III Civil War History Collection was acquired and donated by John L. Nau III. It was accessioned by the Albert and Shirley Small Special Collections Library on September 3, 2019 (2019-0149) and in an additional accession in October 2019 (2019-0231)."],"access_subjects_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"access_subjects_ssm":["letters (correspondence)","Photograph albums","photographs","newspapers"],"has_online_content_ssim":["true"],"physdesc_tesim":["Good."],"extent_ssm":["133 Cubic Feet 255 boxes; 9 framed items"],"extent_tesim":["133 Cubic Feet 255 boxes; 9 framed items"],"genreform_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).\u003c/p\u003e","\u003cp\u003eSeries 1 is arranged in three subseries.\u003c/p\u003e\n","\u003cp\u003eSubseries A: Personal Papers, Service Records, and Artifacts, 1806-1988\u003c/p\u003e\n","\u003cp\u003eThe arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. \u003c/p\u003e\n","\u003cp\u003eThe above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). \u003c/p\u003e\n","\u003cp\u003eSubseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.\u003c/p\u003e\n","\u003cp\u003eSubseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. \u003c/p\u003e","\u003cp\u003eSeries 2 is arranged in the following subseries.\u003c/p\u003e\n","\u003cp\u003eSubseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.\u003c/p\u003e\n","\u003cp\u003eSubseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities\u003c/p\u003e","\u003cp\u003eSeries 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. ","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Petty, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Whitehurst \u0026amp; Co., Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knowles \u0026amp; Hillman, New Bedford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearus, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gooding, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by Handy, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bocardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. W. Barker, Canton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wing's Gallery, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Varriell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. K. Brown, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry M. Wells, Cambridge, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lewis and Kane, Victoria, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003eFrench \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts, and Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Walzl, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co. of New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Bros., Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Pratt, Aurora, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Worms \u0026amp; Co. 383 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Cramer, Carondelet, Missouri\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Williams Gallery; Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Beach, Hastings, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks and Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conaut, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hesler Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallett, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eB. F. Smith and Son, Portland, Maine\u003c/p\u003e","\u003cp\u003eJ. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Beaumont, Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wells and Collins, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. Moses, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Morgan, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. L. Bergstresser, Army of the Potomac\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Jenks, Paterson, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bett's and Prusia, Dansville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stone Bros., Trumansburch, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck's, Elsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. J. Pierce, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003eLe Rue Lemer, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gibbon, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson of New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026amp; New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washburn's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenney, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Benjamin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Watson, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burnite \u0026amp; Weldon, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William C. North, Cleveland, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Th. Gubelman, Puliski, TN\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hermos, Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by W.V. Lane, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Tombarger, Lancaster, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. P. Howe, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cooley \u0026amp; Becket, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. G. Montgomery of Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cushing \u0026amp; King Photographers, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. C. Brown, Norwich, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Marse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Silli, Nice, France\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. E. Mosely, Newburyport\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Burnite \u0026amp; Co., Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. B. Brown's, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Tait, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conant and Johnson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Durgan, Farmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C.H. Freeman, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kilgore's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePublished by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003eBarr \u0026amp; Young, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Marks, Austin, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Rhodes, St. Law Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Munger \u0026amp; Stone, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Cross, Belvidere, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Emery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. McHenry, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. P. Smith, Kankakee City, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.T. Bradshaw \u0026amp; Co., successors to G. Moses, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Braisted, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce, Galena, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. \u0026amp; F. W. Hardy, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slagle, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slee Brothers, Poughkeepsie, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Lewis Wires, Milford\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. Evans, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. B. Jones, Davenport, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. H. Black, Natchez, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of The Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George B. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joseph Ward, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pein \u0026amp; Co., Washington City\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Good \u0026amp; Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacob's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. \u0026amp; J. L. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Layton's, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bachrach \u0026amp; Bro, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cross and Franke, Arlington, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Watson, Raleigh, North Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Julius Brill, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Weiss, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Cadwallader, Toledo, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Jennings, artist, The New \u0026amp; Reliable Gallery, Lancaster, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow and Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thomas and Pearson, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew B. Brady\u003c/p\u003e","\u003cp\u003eWilliam Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. P. H. Capron \u0026amp; Bros. , Springfield, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Giers \u0026amp; Co., Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney and Paradise, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: August Morand, Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Davis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler and King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, El Mira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Guay and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George D. Puffer, Nashua, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Murphy Bros., Alton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Godshaw \u0026amp; Flexner, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moffat and Simpson, Key West, Florida\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. P. Ayer, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William F. Blunt, North Anson, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anson's\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassetts Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gardner, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Meade Brothers, Astor, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alex. Gardner, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Watson's, Raleigh, NC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. Thompson, Norwich, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenny, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mason \u0026amp; Gardner, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Outley's, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bragy Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank E. Stanley, Auburn, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Browne, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs \u0026amp; Company, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask \u0026amp; Lewis\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles K. Bill's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wilder Brothers, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Alex Gardner; Published by Philp \u0026amp; Solomons, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Smith, Utica, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Dunshee's, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Adams, Nashville, Tenn.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. I. Prince, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Nims, Photographer, Fort Edward, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Summerhays\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Filley \u0026amp; Gilbert, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. N. Medernach, Danville, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thompson Gallery, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. G. Fetters, Peru, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: New Orleans Photographic Co.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees of Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.L. Winner, Annapolis, MD\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Photographers, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Conant, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Paige, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Powelson's, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePublished by Vannerson \u0026amp; Jones, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Jewett, Lebanon, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: James S. Earle \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Havens, Jacksonville, FL\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.C. Benjamin, Newark, N. J.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brendann Bros., Baltimore\u003c/p\u003e","\u003cp\u003ePhotographed by Wenderoth \u0026amp; Taylor; Published by McAllister \u0026amp; Bro., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; Smith, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. R. Davis, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003eBrady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. Brown, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredericks and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowers, Lynn, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kin, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Piper \u0026amp; Sanborn, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Ames, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. D. Phillips, 14th Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. K. Marshall, Circleville, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. German, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hawkins \u0026amp; Philpot, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. De Camp, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003eUnknown Photographer; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pratt's Gallery, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schreiber \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Erekson \u0026amp; Bodurtha, Bridgeport, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abraham Fisher, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Wilson, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Birney Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Louis Walzl\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. A. Turner, D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. White, Jacksonport, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Col, Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brooks \u0026amp; Blauvelt, Port Hudson, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Evans and Prince, York, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Clark, Ionia, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. C. Giers, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. R. Bideout \u0026amp; Co., Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eJ. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. B. King, Taunton, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  L. D. Cox, Ludlow, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Davis, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Brainstead, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Tyler \u0026amp; Co., Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George C. White, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McLure, Allen P.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow \u0026amp; Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nollen \u0026amp; Van Grieken, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. L. Jackson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. G. Carleton, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gilbert's, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Curtis, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Campbell \u0026amp; Ecker, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce \u0026amp; Cogswell, Rochelle, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, Lawrence, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kennedy \u0026amp; Schenck, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morell, George Webb\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, South Royalton, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New Yor\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer's, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. L. Eaton, Omaha, Nebraska\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hagaman, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Reimer, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hanford, New London, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Carr, Old Town, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Fassett, Dexter, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kertson \u0026amp; Barker, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball \u0026amp; Sons, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by A. A. Turner; Published by D. Appleton \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Taylor and Seavey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Milton Lapham, Decatur, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, \u0026amp; Co, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. I. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haseltine, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Evans, Norfolk, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M' Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole of Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. F. Ryder, Cleveland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenny, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Tapley, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. E. Gibbs, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lutges, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney and Son, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George E. Collins; Bucksport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quicks, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Porter's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. J. Thompson \u0026amp; Co., Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Stevens, Richmond, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rivers', St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Rockwood, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burwell \u0026amp; Homan, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Magnolia, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith \u0026amp; Wybrant, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Weitfle \u0026amp; Wright, 1st Division, 6th Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles S. Hart, Watertown, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C.H. Smedley \u0026amp; Co., Middletown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. A. Lewis, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Moses \u0026amp; Co., Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. F. Child, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimberly Brothers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel Masury, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, Habana, Paris\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hopkins, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Churchill \u0026amp; Dennison, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster and Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. L. Heath, Norwalk, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck, Ellsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crocket, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Field, Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Greenwald, Newark, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorham and Co, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinton \u0026amp; Cleary's, Montgomery, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. Yung\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Brown, Photographer of the Army of Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Davis, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Butler, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cahill, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George H. Wood, Towanda, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: by H. Glosser, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Turner, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Case, Halifax, Nova Scotia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Balkan Studio, Wartham, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jordan \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. A. Colley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Burgan, Yarmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's Art Palace, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Thurlow, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith, Southbridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Photographers Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knight, Batavia, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bradley \u0026amp; Rulofson, San Francisco, California\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. Loud, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Klauber \u0026amp; Campbell, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler \u0026amp; Smetters, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassett's Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney \u0026amp; Paradise, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony,  New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Brown's, Waldoboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bailey \u0026amp; Silver's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Piper, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Troxell, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wykes \u0026amp; Brown, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lamson, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Wing's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Case and Getchell, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell \u0026amp; Brother, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Paul, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Estabrook's Ferrotypes, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, 363 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Otto Wagner, 385 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Johnson's, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton, and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026amp; Brother, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Williamson's Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. G. Trask, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallet, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sumner \u0026amp; Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lomas, Eastport Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. M. Fassett, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. Sellers, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Aiken, Ware, Massachusetts\u003c/p\u003e","\u003cp\u003eLithograph by Murray \u0026amp; Goodwin, Albany, New York; Published by G. H. Treadwell, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Theodore Harris, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Wearn, Columbia, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keenan, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. R. Phipps, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Frank Browne\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Royan M. Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Quimby of Charleston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Maynard \u0026amp; Willis, Milford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pa.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Daily, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor \u0026amp; Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lupton \u0026amp; Brown, Winchester, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Richardson of Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Holt, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Orcutt's, Cambridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Victor Piard, Jersey City, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Borthers, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hunting's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Frederick, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. L. Averill, Oldtown, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ball \u0026amp; Thomas, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Price, New Philadelphia, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. N. Blanchard, Barre, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. M. Vanaken, Lowville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Goben, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank Winter, Fort Shaw, Montana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. J. Tate, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. F. King\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M. Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis \u0026amp; Cosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hunting's Belfast, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brooks \u0026amp; Blauvelt, Port Hudson, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Platt, Oberlin, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. E. Prall, Knoxville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. Worms \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Roth, Freehold, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Barker, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Knecht, Easton, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Victory Piard, Jersey City, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by G. L. Collins, Paola, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ullary \u0026amp; Perry, Greenville, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Roberts, Cleveland, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. B. Zay, Findlay, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: V. B. Massey, Lancaster, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Kasten, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Aldridge \u0026amp; Merriman, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. R. Rees \u0026amp; Bros., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Pope, Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Klauber, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. J. Jacobs, New Orleans\u003c/p\u003e","\u003cp\u003ePublished by Keystone View Company\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: D. P. Barr, Army Photographer, Vicksburg, Miss.\u003c/p\u003e","\u003cp\u003ePhotographer: French \u0026amp; Co., Vicksburg, Miss.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Barr \u0026amp; Young, Army Photographers, Fort Pickering, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographed and Published by B. W. Kilburn, Littleton, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed and Published by Kilburn Brothers, Littleton, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rollins \u0026amp; Linn\u003c/p\u003e","\u003cp\u003ePublished by Keystone View Company\u003c/p\u003e","\u003cp\u003ePhotographed by Brady \u0026amp; Co., Washington, D.C.; Published by E. \u0026amp; H. T. Anthony \u0026amp; Co.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., Negative by Brady \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. 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F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch"],"odd_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eThe donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. \u003c/p\u003e\n","\u003cp\u003eDonor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).\u003c/p\u003e\n","\u003cp\u003eThese donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eAbout External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eUpon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.\u003c/p\u003e\n","\u003cp\u003ePlease note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). \u003c/p\u003e\n","\u003cp\u003ePlease also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eSuggestions for Using the Donation Listing Spreadsheet\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eMaterials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). \u003c/p\u003e\n","\u003cp\u003ePlease note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.\u003c/p\u003e\n","\u003cp\u003eResearchers can use the spreadsheet to explore the collection in many ways, including the following: \u003c/p\u003e\n","\u003cp\u003e- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).\u003c/p\u003e\n","\u003cp\u003e- To identify photographs of women, Black soldiers, and Native American soldiers.\u003c/p\u003e\n","\u003cp\u003e- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.\u003c/p\u003e\n","\u003cp\u003e- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.\u003c/p\u003e\n","\u003cp\u003e- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAbout External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eTranscript files are titled by donor accession number. (See above note titled Alphanumeric Designations).\u003c/p\u003e\n","\u003cp\u003ePlease be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eAdditional materials relating to Fitzhugh Lee are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eAdditional materials related to William S. Rosecrans are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to States Rights Gist are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003eThis photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional Materials relating to Fitzhugh Lee are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0342.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0371.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThis case contains portraits of the same unknown soldier in both ambrotype and tintype formats.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003ePT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.\u003c/p\u003e","\u003cp\u003eImage was accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eAccessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThis photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003e34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eCarte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Alphanumeric Designations","Important Information about External Documents","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. ","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). ","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). ","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following: ","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs."],"prefercite_html_tesm":["\u003cp\u003eJohn L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["John L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online \u003cemph render=\"italic\"\u003eCivil War Soldiers and Sailors Database\u003c/emph\u003e (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's \u003cemph render=\"italic\"\u003eConfederate and Southern State Currency\u003c/emph\u003e, vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's \u003cemph render=\"italic\"\u003eCivil War High Commands\u003c/emph\u003e (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).\u003c/p\u003e","\u003cp\u003eEfforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. \u003c/p\u003e","\u003cp\u003eFile titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online  Civil War Soldiers and Sailors Database  (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's  Confederate and Southern State Currency , vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's  Civil War High Commands  (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. ","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. "],"scopecontent_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. \u003c/p\u003e\n","\u003cp\u003eThe collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). \u003c/p\u003e","\u003cp\u003eSeries 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).\u003c/p\u003e","\u003cp\u003eSeries 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.\u003c/p\u003e","\u003cp\u003eSeries 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.\u003c/p\u003e","\u003cp\u003eSeries 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.\u003c/p\u003e","\u003cp\u003eSeries 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. ","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). ","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10302,"online_item_count_is":5,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T14:31:55.729Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_941_c01_c01_c5229"}},{"id":"wvmturhc_repositories_2_resources_2374_c10_c25","type":"File","attributes":{"title":"W railroads","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2374_c10_c25#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_2374_c10_c25","ref_ssm":["wvmturhc_repositories_2_resources_2374_c10_c25"],"id":"wvmturhc_repositories_2_resources_2374_c10_c25","ead_ssi":"wvmturhc_repositories_2_resources_2374","_root_":"wvmturhc_repositories_2_resources_2374","_nest_parent_":"wvmturhc_repositories_2_resources_2374_c10","parent_ssi":"wvmturhc_repositories_2_resources_2374_c10","parent_ssim":["wvmturhc_repositories_2_resources_2374","wvmturhc_repositories_2_resources_2374_c10"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_2374","wvmturhc_repositories_2_resources_2374_c10"],"parent_unittitles_ssm":["Henry Gassaway Davis (1823-1916) Papers","Series 9. Railroads (boxes 146-189)"],"parent_unittitles_tesim":["Henry Gassaway Davis (1823-1916) Papers","Series 9. Railroads (boxes 146-189)"],"text":["Henry Gassaway Davis (1823-1916) Papers","Series 9. Railroads (boxes 146-189)","W railroads","Box 148","Folder 23"],"title_filing_ssi":"W railroads","title_ssm":["W railroads"],"title_tesim":["W railroads"],"unitdate_inclusive_ssm":["1884 December 31–1910 October 15"],"normalized_date_ssm":["1884/1910"],"normalized_title_ssm":["W railroads"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Henry Gassaway Davis (1823-1916) Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":819,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910],"containers_ssim":["Box 148","Folder 23"],"_nest_path_":"/components#9/components#24","timestamp":"2026-05-21T01:05:52.830Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_2374","ead_ssi":"wvmturhc_repositories_2_resources_2374","_root_":"wvmturhc_repositories_2_resources_2374","_nest_parent_":"wvmturhc_repositories_2_resources_2374","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_2374.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/196440","title_ssm":["Henry Gassaway Davis (1823-1916) Papers"],"title_tesim":["Henry Gassaway Davis (1823-1916) Papers"],"unitdate_ssm":["1799-1919"],"unitdate_inclusive_ssm":["1799-1919"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 0013","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2374"],"text":["A\u0026M 0013","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2374","Henry Gassaway Davis (1823-1916) Papers","United States -- Politics and government","Democratic Party","Banks and banking","Coal mining.","Elk Garden Coal Field.","Lumber trade","Railroads - West Virginia Central and Pittsburgh Railway.","Railroads","Lumber industry and timber.","Politics and government.","West Virginia - Politics and government.","Politicians -- United States","Politicians","No special access restriction applies.","Henry Gassaway Davis","Henry Gassaway Davis (11/16/1823-03/11/1916) was a successful businessman and politician from West Virginia.  He was the Democratic Party's nominee for Vice President of the United States in 1904.","He was born near Woodstock, Maryland on November 16, 1823, and was the second son of four children. He received a limited public-school education and left school at age 15 to support his family after his father's contracting business failed and left the family destitute. Davis first worked at a local quarry, as a water boy, and then as the caretaker of the Waverly Farm, the nearby farm owned by former Maryland Governor George Howard.","Davis began his railroading career in 1842 at age nineteen as a brakeman for the Baltimore and Ohio Railroad, then still under construction. He eventually advanced to the position of freight conductor, and then passenger conductor. Reportedly at Davis's request, he was appointed station agent for the Piedmont Station at Piedmont, [West] Virginia, because he wanted to explore the timber and coal resources of the Upper Potomac River region. About this same time, Davis established a mercantile lumber and coal business with his younger brothers Thomas B. Davis and William R. Davis at Piedmont. This business was known as H.G. Davis and Company (later H.G. Davis and Brother). Davis left the B\u0026O in 1858 to focus on his business concerns. One of these concerns was the Piedmont Savings Bank, which he founded in 1858 and for which he served as president. Davis, like so many entrepreneurs, made extraordinary profits during the Civil War. Profits from the sale of horses to the federal government and timber and ties to the B\u0026O Railroad enabled H.G. Davis and Company to invest in several thousand acres of coal and timber lands in the Upper Potomac and Cheat rivers region, at a cost said to be as cheap as one dollar per acre.","Davis founded the Cumberland and Piedmont Coal and Railway Company to provide railroad access to his coal and timber lands. In 1866 the West Virginia State Legislature, by a special act, incorporated the Cumberland and Piedmont Coal and Railway Company, granting the incorporators the right to mine coal, build factories and sawmills, buy and sell real estate, and build a railroad. It would be several years before Davis acted on the charter. Construction of the railroad finally began in 1880 at Bloomington, Maryland, and by 1881 the line had reached his mines at Elk Garden, West Virginia. Davis shipped the first Elk Garden coal to Baltimore in October 1881. A new railroad charter was granted in 1881 and Davis renamed the line the West Virginia Central and Pittsburg Railway (WVC). By 1884 the line had reached present-day Davis, then Parsons in 1888, and Elkins (then Leadville) in 1889. Meanwhile in 1886, Davis created a subsidiary railroad, the Piedmont and Cumberland Railway Company (P\u0026C). The P\u0026C connected the WVC with the Pennsylvania Railroad at Cumberland. In 1902 Davis sold the WVC and P\u0026C to George J. Gould, a railroad magnate, who was purchasing and consolidating rail lines to create an intercontinental railroad.","Davis desired to expand his rail network and in 1899 decided to construct a rail line connecting the WVC at Elkins with the Chesapeake and Ohio Railroad at Durbin, West Virginia. This line became the Coal and Iron Railway (C\u0026I) and was completed in 1902. Davis used the profits of the sale of the WVC to fund construction of the C\u0026I. Not finished yet with railroad construction, Davis incorporated the Coal and Coke Railway Company (C\u0026C) in 1902 to exploit his Roaring Creek coal properties located in Randolph County. This new line ran from Elkins to Charleston via the Elk River through some of West Virginia's most difficult terrain. The C\u0026C connected the Western Maryland at Elkins with the Kanawha and Michigan Railroad at Charleston, providing new markets for West Virginia coal. Construction commenced in 1903 and was completed in 1905, requiring twelve tunnels and thirty steel bridges. The town Gassaway, in Braxton County, was located at the mid-point of the rail line and became the divisional headquarters of the line. Ultimately, the WVC, P\u0026C, and C\u0026I were acquired by the Western Maryland Railroad and the C\u0026C was absorbed by the B\u0026O.","Early on in his career, Davis recognized that being in politics would further his business. Consequently, Davis ran for office on the democratic platform and was elected to the West Virginia House of Delegates in 1865 representing Hampshire County. Davis was very influential in the creation of Mineral and Grant counties in 1866, an effort which advanced his business interests. He was elected to the West Virginia Senate in 1868 and served in that capacity until 1871, when he was elected to the United States Senate. Davis served as a West Virginia Senator from 1871 to 1883.","Davis retired from politics in 1883 and returned to West Virginia to oversee his coal and banking interests. He then formed the Davis Coal and Coke Company with his son-in-law Stephen B. Elkins in 1886. The company controlled 135,000 acres of coal and timber lands, employed 1600 workers, operated nine mines, and furnished coal to be coked in its more than 1000 coke ovens. By 1892 Davis Coal and Coke was one of the largest coal producers world-wide.","Reluctantly, Davis was nominated as the vice-presidential candidate in the 1904 presidential election with Alton B. Parker as his running mate and presidential candidate. They lost to the Roosevelt-Fairbanks ticket by a wide margin. In running for office at the age of 80 Davis had become, and remains, one of the oldest candidates to have ever run for vice president of the United States.","Although retired from public service, Davis was appointed to represent the United States at the Pan-American Conferences (1889-1902) and later was appointed permanent chairman of the Pan-American Railway Committee, which he served from 1901 to his death in 1916. (The Pan-American Railway was a failed intercontinental railroad scheme. Promoters wanted to connect the capitals and principle cities of South and Central America with North America by rail). Davis also served as Chairman of the West Virginia Semi-Centennial Commission in 1913, the group tasked with planning the \"Golden Jubilee\" or 50th anniversary of West Virginia statehood.","Davis's philanthropic legacy was notable. His charitable activities included funding the Davis Children's Shelter in Charleston, West Virginia, a shelter for orphaned and neglected children (1896); the Davis Memorial Presbyterian Church, a church built in memory of his wife Katherine Bantz Davis; and the Davis Memorial Hospital in Davis, also constructed as a memorial to his deceased wife.  Perhaps most notably, he donated the land for Davis and Elkins College in 1904, a liberal arts college named in honor of H.G. Davis and Stephen B. Elkins.","Davis married Katherine Ann Salome Bantz on 22 February 1853. The couple had eight children, three of whom died in infancy. The oldest child, Mary Louise \"Hallie\" Davis, married US Senator Stephen B. Elkins on 14 April 1875, linking the names Davis and Elkins forever.","Daughter Grace Thomas Davis became the namesake of Graceland, Davis's country mansion in Davis, West Virginia, and after his wife died she became his hostess for events held at the mansion. His older son Henry Gassaway Davis was something of a troubled soul, and was lost at sea in 1896. His youngest son John Thomas Davis worked closely with his father, was later associated with Davis and Elkins College, and became a coal operator and banker.","Henry Gassaway Davis passed in Washington D.C. on 11 March 1916 at the age of 93. He is interred at Maplewood Cemetery, Elkins, West Virginia.","Sources:","Clarke, Alan. The West Virginia Central and Pittsburg: a Western Maryland Predecessor. Lynchburg: TLC Publishing. 2003.","Hicks, W. Raymond. \"The West Virginia Central \u0026 Pittsburgh Railway. The Railway and Locomotive Historical Society Bulletin. JSTOR. https://www.jstor.org/stable/43518154","Lewis, Ronald L. Transforming the Appalachian Countryside: Railroads, Deforestation, and Social Change in West Virginia, 1880-1920. Chapel Hill: University off North Carolina Press, 1998.","Rice, Donald L. \"Coal \u0026 Coke Railway.\" The West Virginia Encyclopedia. https://www.wvencyclopedia.org/articles/1337","Ross, Thomas Richard. \"Henry Gassaway Davis.\" The West Virginia Encyclopedia. https://www.wvencyclopedia.org/articles/1711","13, 717, 1028","Correspondence and business papers of Henry Gassaway Davis (1823-1916), a successful businessman and politician from West Virginia.  He was the Democratic Party's nominee for Vice President of the United States in 1904.  The collection largely documents his business and political career, although there are personal papers in the collection as well.  His business interests were largely concerned with coal mining, timber, and railroads.  Types of documents include letters, reports, account books, and maps, among other material.  Much of the correspondence is arranged alphabetically.  The scope and content note of each record series provides substantial detail regarding content.","Series include:  \nSeries 1a. Business Papers, 1882-1909 (boxes 1-29)  \nSeries 1b. Banking Records, 1886-1916 (boxes 30-33)  \nSeries 2. Coal Company Operations, 1799-1915 (boxes 34-48)  \nSeries 3. Miscellaneous Papers, 1855-1916 (boxes 49-62)  \nSeries 4. Miscellaneous Letters, 1872-1915 (boxes 63-65)  \nSeries 5. Miscellaneous Bills and Receipts, 1872-1918 (boxes 66-82)  \nSeries 6. Miscellaneous, 1872-1916 (boxes 83-115)  \nSeries 7. Alexander Shaw Lawsuit, 1880-1894 (boxes 116-118)  \nSeries 8. Personal and Political Papers, 1870-1916 (boxes 119-145)  \nSeries 9. Railroads, 1862-1916 (boxes 146-189)  \nSeries 10. West Virginia Semi-Centennial Commission, 1911 August 9–1913 July 26 (box 190)  \nSeries 11. T.B. Davis Papers, 1879-1915 (box 191)  \nSeries 12. Davis Memorial Hospital and Church, 1898-1916 (boxes 192-193)  \nSeries 13. H.G. Davis and Brother, 1868-1905 (boxes 194-197)  \nSeries 14. Real Estate and Timber, 1869-1915 (boxes 198-202)  \nSeries 15. H.G. Davis Letter Books, 1865-1916 (boxes 203-231)  \nSeries 16. West Virginia Central and Pittsburg Railway Company Letter Books, 1880-1903 (boxes 232-240)  \nSeries 17. Minute, Letter, and Other Books, 1881-1914 (boxes 241-247)  \nSeries 18. Oversized Ledgers, 1884-1913 (boxes 248-260)","Among Davis's correspondents are:  \nU.S. Representative John D. Alderson  \nWest Virginia Governor George W. Atkinson  \nU.S. Senator William Henry Barnum  \nU.S. Ambassador to the U.K. Thomas F. Bayard  \nU.S. Minister to the Netherlands August Belmont, Sr.  \nU.S. Senator James G. Blaine  \nU.S. Senator Calvin S. Brice  \nU.S. Secretary of State William Jennings Bryan  \nU.S. Senator Johnson N. Camden  \nindustrialist Andrew Carnegie  \nPresident of Mexico General Porfirio Díaz  \nU.S. Secretary of War Stephen Benton Elkins  \nU.S. Minister to France Charles J. Faulkner, Sr.  \nBaltimore and Ohio Railroad President John W. Garrett  \nOlympian Robert S. Garrett  \nJames Cardinal Gibbons (Cardinal, Archbishop of Baltimore)  \nU.S. Senator Arthur Pue Gorman  \nU.S. President Benjamin Harrison  \nConfederate cartographer Jedidiah (Jed) Hotchkiss  \nMaryland Governor Elihu Emory Jackson  \nU.S. Senator John E. Kenna  \nU.S. Secretary of War Daniel S. Lamont  \nU.S. Congressman Adam Brown Littlepage  \nU.S. Representative James Tilghman Lloyd  \nPresident of the WV Supreme Court of Appeals Daniel Bedinger Lucas  \nConsul General of Wurttemberg Charles F. Mayer  \nWest Virginia Governor William A. McCorkle  \nU.S. Senator John R. McPherson  \nU.S. Commissioner of Internal Revenue Joseph S. Miller  \nBaltimore and Ohio Railroad President Oscar G. Murray  \nPennsylvania Railroad President George Brooke Roberts  \nSouthern Railway President Samuel Spencer  \nU.S. Senator Thomas Taggart  \nU.S. Senator Daniel W. Voorhees  \nU.S. Senator Thomas J. Walsh  \nU.S. Secretary of the Navy William Collins Whitney  \nMaryland Governor William Pinkney Whyte  \nU.S. Secretary of the Treasury William Windom","This series includes H.G. Davis's incoming business correspondence. It consists of daily communications from his managers related to the day-to-day operations of the Buxton and Landstreet Store (the company store), Coal and Coke Railroad, Davis Coal and Coke Company, Davis Colliery Company, the West Virginia Central and Pittsburg Railway, and his other business concerns. There is also incoming correspondence from the Cumberland Valley, Pennsylvania, and Baltimore and Ohio railroads, and numerous manufacturers and vendors. In addition to the business correspondence, some of Davis's personal and family correspondence is filed in this series as well, including materials regarding charity, financial solicitations, and other topics.","This series includes bank account books, bank account balance sheets, and bank statements for various H.G. Davis enterprises, including Davis and Trout, H.G. Davis and Company, H.G. Davis and Brother, and T.B. Davis and Company. In addition, there are sawmill accounts and other inventories.","This series includes day-to-day correspondence relating to the operation and conditions of the Davis Coal and Coke and the Davis Colliery companies coal mines and coke ovens. Other correspondence includes coal car availability, coal quality issues, estimates and costs for coal town construction, miners' wages, and the price of coal.","These papers include construction estimates for railroad buildings and bridges, correspondence with the Cumberland and Pennsylvania Railroad, correspondence with railroad construction contractors, memoranda of agreement between H.G. Davis and other railroads, miscellaneous financial statements, and papers regarding the formation of Seaboard Steam Coal Association (a coal producer syndicate). Other materials include deeds, maps, newspaper clippings regarding the Chesapeake and Ohio Canal, and newspaper clippings regarding the 1916 death of H.G. Davis.","This series includes miscellaneous correspondence and letters, as well as deeds, financial statements, and memoranda of agreement.","The majority of these papers are bank statements for several banks including the Davis National Bank, Davis National Bank-Piedmont, Davis Trust Company, Elkins National Bank, Piedmont National Bank, Trust Company of West Virginia, Tucker County Bank, and the 1st National Bank of Elkins, as well as statements from the Davis Electric Light Company and various coal and coke production statements. There are also bank account books, blank checks, check registers, and check stubs.","This series includes miscellaneous business correspondence related to land acquisitions and railroads; miscellaneous banking, financial, and tax statements; various lawsuits and other litigation records; and documents regarding the Gassaway, West Virginia reservoir and water works.","These documents are related to the Alexander Shaw v. H.G. Davis and the West Virginia Central and Pittsburg Railway Company lawsuit, which concerned the construction of the Piedmont and Cumberland Railway Company. There are legal briefs, depositions, and testimony; financial statements for the West Virginia Central and Pittsburg Railway and Piedmont and Cumberland Railway companies; and other lawsuit related documents.","Personal papers include financial statements; correspondence regarding the Davis Children's Shelter; documents related to the design and construction of Graceland, including correspondence with Baldwin and Pennington (Graceland's architects); and obituary notices for the 1902 death of Katherine Bantz Davis, wife of H.G. Davis. Political papers include letters related to the 1913 West Virginia Semi-Centennial celebration; correspondence and materials related to Davis's 1904 Vice Presidential nomination, such as congratulatory telegrams, and other Parker/Davis ticket papers; and other political letters.","This series includes day-to-day correspondence related to the West Virginia Central and Pittsburg Railway and the Piedmont and Cumberland Railway companies. Other records regard the Coal and Coke Railway, the Coal and Iron Railway (surveys and related documents), the Cookerly Farm Railroad War, the Pan-American Railroad commission, and the Potomac and Piedmont Coal Railway Company (1866 charter and related materials). There is also correspondence with other railroad companies, Shaw lawsuit materials, financial statements, payrolls for various farm and railroad departments, and materials regarding the Chesapeake and Ohio Canal.","This series includes correspondence related to the \"Golden Jubilee,\" the 1913 West Virginia Semi-Centennial, a celebration of the 50th anniversary of West Virginia's statehood. The correspondence regards the purchasing of American flags for each of West Virginia's fifty-five counties, the composition of a state poem and state song, and the appointment of West Virginia University Professor James Morton Callahan to author a semi-centennial history of West Virginia.","These papers are related to Thomas B. Davis's estate such as financial statements for his business concerns of H.G. Davis and Company and its successor H.G. Davis and Brother, as well as other estate related documents.","The Hospital and Church were both built in memory of H.G. Davis's wife Katherine Bantz Davis. The Hospital papers include financial reports, miscellaneous letters, and various pamphlets from other hospitals. The Church papers include correspondence from architects Harding and Upman, and various catalogs and documents relating to the church organ, seating, light fixtures, roofing, and ironwork.","These papers are related to the business concerns of H.G. Davis and his brother Thomas B. Davis. Materials include correspondence related to the West Virginia Central and Pittsburg Railway, deeds for their various railroads, railroad survey proposals and cost estimates, and real estate tax records. There are also employee rosters and payrolls for the Deer Park sawmill.","These materials include correspondence related to the acquisition and sale of real estate, including timber and coal lands.","This series contains letter books of outgoing correspondence.","These letters include correspondence from E.W.S. Moore (treasurer/secretary) and C.M. Headley (assistant to the president) regarding the West Virginia Central and Pittsburg Railway Company. There is also outgoing correspondence from the President's Office regarding the West Virginia Central and Pittsburg Railway Company.","These materials include H.G. Davis check stubs, 1896 Intercontinental Railway Commission Report, Hamilton Coal Company Stock Certificate Book, Hamilton Coal Company Minute Book, Piedmont and Cumberland Railway Company letter books, Gassaway Development Company correspondence, and Gassaway Church correspondence. There are also C.M. Headley (assistant to the president) outgoing letters regarding Hamilton Coal Company, the West Virginia Central and Pittsburg Railway Company, the Coal and Iron Railroad, and the Coal and Coke Railway.","Oversized volumes include the Central Railway of Virginia (unrelated to the Virginia Central Railroad) Board of Directors ledger and route survey reports; Central Railroad of West Virginia (unrelated to the West Virginia Central and Pittsburg Railway) ledger and stockholders' minutes; newspaper clippings scrapbook (1884-1894); H.G. Davis's personal name and address books; C.M. Headley's (assistant to the president) outgoing correspondence (1893-1894); and West Virginia Semi-Centennial Commission letter book (1911-1913).","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Davis, Henry Gassaway, 1823-1916","Alderson, J. D. (John Duffy), 1854-1910","Atkinson, Geo. W. (George Wesley), 1845-1925","Bayard, Thomas F.","Belmont, August.","Blaine, James Gillespie, 1830-1893","Bryan, William Jennings, 1860-1925","Camden, J. N. (Johnson Newlon), 1828-1908","Carnegie, Andrew, 1835-1919","Dayton, Spencer","Díaz, Porfirio, 1830-1915","Elkins, Stephen B.  (Stephen Benton), 1841-1911","Faulkner, Charles James, 1806-1884","Faulkner, Charles J. (Charles James), 1847-1929","Garrett, John W.","Gibbons, James, 1834-1921","Gorman, Arthur P. (Arthur Pue), 1839-1906","Harrison, Benjamin, 1833-1901","Kenna, John E.","Lamont, Daniel Scott, 1851-1905","Lucas, Daniel B.","MacCorkle, William Alexander, 1857-1930","Mason, James M. II.","Voorhees, Daniel W. 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He was the Democratic Party's nominee for Vice President of the United States in 1904.\u003c/p\u003e\n","\u003cp\u003eHe was born near Woodstock, Maryland on November 16, 1823, and was the second son of four children. He received a limited public-school education and left school at age 15 to support his family after his father's contracting business failed and left the family destitute. Davis first worked at a local quarry, as a water boy, and then as the caretaker of the Waverly Farm, the nearby farm owned by former Maryland Governor George Howard.\u003c/p\u003e\n","\u003cp\u003eDavis began his railroading career in 1842 at age nineteen as a brakeman for the Baltimore and Ohio Railroad, then still under construction. He eventually advanced to the position of freight conductor, and then passenger conductor. Reportedly at Davis's request, he was appointed station agent for the Piedmont Station at Piedmont, [West] Virginia, because he wanted to explore the timber and coal resources of the Upper Potomac River region. About this same time, Davis established a mercantile lumber and coal business with his younger brothers Thomas B. Davis and William R. Davis at Piedmont. This business was known as H.G. Davis and Company (later H.G. Davis and Brother). Davis left the B\u0026amp;O in 1858 to focus on his business concerns. One of these concerns was the Piedmont Savings Bank, which he founded in 1858 and for which he served as president. Davis, like so many entrepreneurs, made extraordinary profits during the Civil War. Profits from the sale of horses to the federal government and timber and ties to the B\u0026amp;O Railroad enabled H.G. Davis and Company to invest in several thousand acres of coal and timber lands in the Upper Potomac and Cheat rivers region, at a cost said to be as cheap as one dollar per acre.\u003c/p\u003e\n","\u003cp\u003eDavis founded the Cumberland and Piedmont Coal and Railway Company to provide railroad access to his coal and timber lands. In 1866 the West Virginia State Legislature, by a special act, incorporated the Cumberland and Piedmont Coal and Railway Company, granting the incorporators the right to mine coal, build factories and sawmills, buy and sell real estate, and build a railroad. It would be several years before Davis acted on the charter. Construction of the railroad finally began in 1880 at Bloomington, Maryland, and by 1881 the line had reached his mines at Elk Garden, West Virginia. Davis shipped the first Elk Garden coal to Baltimore in October 1881. A new railroad charter was granted in 1881 and Davis renamed the line the West Virginia Central and Pittsburg Railway (WVC). By 1884 the line had reached present-day Davis, then Parsons in 1888, and Elkins (then Leadville) in 1889. Meanwhile in 1886, Davis created a subsidiary railroad, the Piedmont and Cumberland Railway Company (P\u0026amp;C). The P\u0026amp;C connected the WVC with the Pennsylvania Railroad at Cumberland. In 1902 Davis sold the WVC and P\u0026amp;C to George J. Gould, a railroad magnate, who was purchasing and consolidating rail lines to create an intercontinental railroad.\u003c/p\u003e\n","\u003cp\u003eDavis desired to expand his rail network and in 1899 decided to construct a rail line connecting the WVC at Elkins with the Chesapeake and Ohio Railroad at Durbin, West Virginia. This line became the Coal and Iron Railway (C\u0026amp;I) and was completed in 1902. Davis used the profits of the sale of the WVC to fund construction of the C\u0026amp;I. Not finished yet with railroad construction, Davis incorporated the Coal and Coke Railway Company (C\u0026amp;C) in 1902 to exploit his Roaring Creek coal properties located in Randolph County. This new line ran from Elkins to Charleston via the Elk River through some of West Virginia's most difficult terrain. The C\u0026amp;C connected the Western Maryland at Elkins with the Kanawha and Michigan Railroad at Charleston, providing new markets for West Virginia coal. Construction commenced in 1903 and was completed in 1905, requiring twelve tunnels and thirty steel bridges. The town Gassaway, in Braxton County, was located at the mid-point of the rail line and became the divisional headquarters of the line. Ultimately, the WVC, P\u0026amp;C, and C\u0026amp;I were acquired by the Western Maryland Railroad and the C\u0026amp;C was absorbed by the B\u0026amp;O.\u003c/p\u003e\n","\u003cp\u003eEarly on in his career, Davis recognized that being in politics would further his business. Consequently, Davis ran for office on the democratic platform and was elected to the West Virginia House of Delegates in 1865 representing Hampshire County. Davis was very influential in the creation of Mineral and Grant counties in 1866, an effort which advanced his business interests. He was elected to the West Virginia Senate in 1868 and served in that capacity until 1871, when he was elected to the United States Senate. Davis served as a West Virginia Senator from 1871 to 1883.\u003c/p\u003e\n","\u003cp\u003eDavis retired from politics in 1883 and returned to West Virginia to oversee his coal and banking interests. He then formed the Davis Coal and Coke Company with his son-in-law Stephen B. Elkins in 1886. The company controlled 135,000 acres of coal and timber lands, employed 1600 workers, operated nine mines, and furnished coal to be coked in its more than 1000 coke ovens. By 1892 Davis Coal and Coke was one of the largest coal producers world-wide.\u003c/p\u003e\n","\u003cp\u003eReluctantly, Davis was nominated as the vice-presidential candidate in the 1904 presidential election with Alton B. Parker as his running mate and presidential candidate. They lost to the Roosevelt-Fairbanks ticket by a wide margin. In running for office at the age of 80 Davis had become, and remains, one of the oldest candidates to have ever run for vice president of the United States.\u003c/p\u003e\n","\u003cp\u003eAlthough retired from public service, Davis was appointed to represent the United States at the Pan-American Conferences (1889-1902) and later was appointed permanent chairman of the Pan-American Railway Committee, which he served from 1901 to his death in 1916. (The Pan-American Railway was a failed intercontinental railroad scheme. Promoters wanted to connect the capitals and principle cities of South and Central America with North America by rail). Davis also served as Chairman of the West Virginia Semi-Centennial Commission in 1913, the group tasked with planning the \"Golden Jubilee\" or 50th anniversary of West Virginia statehood.\u003c/p\u003e\n","\u003cp\u003eDavis's philanthropic legacy was notable. His charitable activities included funding the Davis Children's Shelter in Charleston, West Virginia, a shelter for orphaned and neglected children (1896); the Davis Memorial Presbyterian Church, a church built in memory of his wife Katherine Bantz Davis; and the Davis Memorial Hospital in Davis, also constructed as a memorial to his deceased wife.  Perhaps most notably, he donated the land for Davis and Elkins College in 1904, a liberal arts college named in honor of H.G. Davis and Stephen B. Elkins.\u003c/p\u003e\n","\u003cp\u003eDavis married Katherine Ann Salome Bantz on 22 February 1853. The couple had eight children, three of whom died in infancy. The oldest child, Mary Louise \"Hallie\" Davis, married US Senator Stephen B. Elkins on 14 April 1875, linking the names Davis and Elkins forever.\u003c/p\u003e\n","\u003cp\u003eDaughter Grace Thomas Davis became the namesake of Graceland, Davis's country mansion in Davis, West Virginia, and after his wife died she became his hostess for events held at the mansion. His older son Henry Gassaway Davis was something of a troubled soul, and was lost at sea in 1896. His youngest son John Thomas Davis worked closely with his father, was later associated with Davis and Elkins College, and became a coal operator and banker.\u003c/p\u003e\n","\u003cp\u003eHenry Gassaway Davis passed in Washington D.C. on 11 March 1916 at the age of 93. He is interred at Maplewood Cemetery, Elkins, West Virginia.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eClarke, Alan. The West Virginia Central and Pittsburg: a Western Maryland Predecessor. Lynchburg: TLC Publishing. 2003.\u003c/p\u003e\n","\u003cp\u003eHicks, W. Raymond. \"The West Virginia Central \u0026amp; Pittsburgh Railway. The Railway and Locomotive Historical Society Bulletin. JSTOR. https://www.jstor.org/stable/43518154\u003c/p\u003e\n","\u003cp\u003eLewis, Ronald L. Transforming the Appalachian Countryside: Railroads, Deforestation, and Social Change in West Virginia, 1880-1920. Chapel Hill: University off North Carolina Press, 1998.\u003c/p\u003e\n","\u003cp\u003eRice, Donald L. \"Coal \u0026amp; Coke Railway.\" The West Virginia Encyclopedia. https://www.wvencyclopedia.org/articles/1337\u003c/p\u003e\n","\u003cp\u003eRoss, Thomas Richard. \"Henry Gassaway Davis.\" The West Virginia Encyclopedia. https://www.wvencyclopedia.org/articles/1711\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Henry Gassaway Davis","Henry Gassaway Davis (11/16/1823-03/11/1916) was a successful businessman and politician from West Virginia.  He was the Democratic Party's nominee for Vice President of the United States in 1904.","He was born near Woodstock, Maryland on November 16, 1823, and was the second son of four children. He received a limited public-school education and left school at age 15 to support his family after his father's contracting business failed and left the family destitute. Davis first worked at a local quarry, as a water boy, and then as the caretaker of the Waverly Farm, the nearby farm owned by former Maryland Governor George Howard.","Davis began his railroading career in 1842 at age nineteen as a brakeman for the Baltimore and Ohio Railroad, then still under construction. He eventually advanced to the position of freight conductor, and then passenger conductor. Reportedly at Davis's request, he was appointed station agent for the Piedmont Station at Piedmont, [West] Virginia, because he wanted to explore the timber and coal resources of the Upper Potomac River region. About this same time, Davis established a mercantile lumber and coal business with his younger brothers Thomas B. Davis and William R. Davis at Piedmont. This business was known as H.G. Davis and Company (later H.G. Davis and Brother). Davis left the B\u0026O in 1858 to focus on his business concerns. One of these concerns was the Piedmont Savings Bank, which he founded in 1858 and for which he served as president. Davis, like so many entrepreneurs, made extraordinary profits during the Civil War. Profits from the sale of horses to the federal government and timber and ties to the B\u0026O Railroad enabled H.G. Davis and Company to invest in several thousand acres of coal and timber lands in the Upper Potomac and Cheat rivers region, at a cost said to be as cheap as one dollar per acre.","Davis founded the Cumberland and Piedmont Coal and Railway Company to provide railroad access to his coal and timber lands. In 1866 the West Virginia State Legislature, by a special act, incorporated the Cumberland and Piedmont Coal and Railway Company, granting the incorporators the right to mine coal, build factories and sawmills, buy and sell real estate, and build a railroad. It would be several years before Davis acted on the charter. Construction of the railroad finally began in 1880 at Bloomington, Maryland, and by 1881 the line had reached his mines at Elk Garden, West Virginia. Davis shipped the first Elk Garden coal to Baltimore in October 1881. A new railroad charter was granted in 1881 and Davis renamed the line the West Virginia Central and Pittsburg Railway (WVC). By 1884 the line had reached present-day Davis, then Parsons in 1888, and Elkins (then Leadville) in 1889. Meanwhile in 1886, Davis created a subsidiary railroad, the Piedmont and Cumberland Railway Company (P\u0026C). The P\u0026C connected the WVC with the Pennsylvania Railroad at Cumberland. In 1902 Davis sold the WVC and P\u0026C to George J. Gould, a railroad magnate, who was purchasing and consolidating rail lines to create an intercontinental railroad.","Davis desired to expand his rail network and in 1899 decided to construct a rail line connecting the WVC at Elkins with the Chesapeake and Ohio Railroad at Durbin, West Virginia. This line became the Coal and Iron Railway (C\u0026I) and was completed in 1902. Davis used the profits of the sale of the WVC to fund construction of the C\u0026I. Not finished yet with railroad construction, Davis incorporated the Coal and Coke Railway Company (C\u0026C) in 1902 to exploit his Roaring Creek coal properties located in Randolph County. This new line ran from Elkins to Charleston via the Elk River through some of West Virginia's most difficult terrain. The C\u0026C connected the Western Maryland at Elkins with the Kanawha and Michigan Railroad at Charleston, providing new markets for West Virginia coal. Construction commenced in 1903 and was completed in 1905, requiring twelve tunnels and thirty steel bridges. The town Gassaway, in Braxton County, was located at the mid-point of the rail line and became the divisional headquarters of the line. Ultimately, the WVC, P\u0026C, and C\u0026I were acquired by the Western Maryland Railroad and the C\u0026C was absorbed by the B\u0026O.","Early on in his career, Davis recognized that being in politics would further his business. Consequently, Davis ran for office on the democratic platform and was elected to the West Virginia House of Delegates in 1865 representing Hampshire County. Davis was very influential in the creation of Mineral and Grant counties in 1866, an effort which advanced his business interests. He was elected to the West Virginia Senate in 1868 and served in that capacity until 1871, when he was elected to the United States Senate. Davis served as a West Virginia Senator from 1871 to 1883.","Davis retired from politics in 1883 and returned to West Virginia to oversee his coal and banking interests. He then formed the Davis Coal and Coke Company with his son-in-law Stephen B. Elkins in 1886. The company controlled 135,000 acres of coal and timber lands, employed 1600 workers, operated nine mines, and furnished coal to be coked in its more than 1000 coke ovens. By 1892 Davis Coal and Coke was one of the largest coal producers world-wide.","Reluctantly, Davis was nominated as the vice-presidential candidate in the 1904 presidential election with Alton B. Parker as his running mate and presidential candidate. They lost to the Roosevelt-Fairbanks ticket by a wide margin. In running for office at the age of 80 Davis had become, and remains, one of the oldest candidates to have ever run for vice president of the United States.","Although retired from public service, Davis was appointed to represent the United States at the Pan-American Conferences (1889-1902) and later was appointed permanent chairman of the Pan-American Railway Committee, which he served from 1901 to his death in 1916. (The Pan-American Railway was a failed intercontinental railroad scheme. Promoters wanted to connect the capitals and principle cities of South and Central America with North America by rail). Davis also served as Chairman of the West Virginia Semi-Centennial Commission in 1913, the group tasked with planning the \"Golden Jubilee\" or 50th anniversary of West Virginia statehood.","Davis's philanthropic legacy was notable. His charitable activities included funding the Davis Children's Shelter in Charleston, West Virginia, a shelter for orphaned and neglected children (1896); the Davis Memorial Presbyterian Church, a church built in memory of his wife Katherine Bantz Davis; and the Davis Memorial Hospital in Davis, also constructed as a memorial to his deceased wife.  Perhaps most notably, he donated the land for Davis and Elkins College in 1904, a liberal arts college named in honor of H.G. Davis and Stephen B. Elkins.","Davis married Katherine Ann Salome Bantz on 22 February 1853. The couple had eight children, three of whom died in infancy. The oldest child, Mary Louise \"Hallie\" Davis, married US Senator Stephen B. Elkins on 14 April 1875, linking the names Davis and Elkins forever.","Daughter Grace Thomas Davis became the namesake of Graceland, Davis's country mansion in Davis, West Virginia, and after his wife died she became his hostess for events held at the mansion. His older son Henry Gassaway Davis was something of a troubled soul, and was lost at sea in 1896. His youngest son John Thomas Davis worked closely with his father, was later associated with Davis and Elkins College, and became a coal operator and banker.","Henry Gassaway Davis passed in Washington D.C. on 11 March 1916 at the age of 93. He is interred at Maplewood Cemetery, Elkins, West Virginia.","Sources:","Clarke, Alan. The West Virginia Central and Pittsburg: a Western Maryland Predecessor. Lynchburg: TLC Publishing. 2003.","Hicks, W. Raymond. \"The West Virginia Central \u0026 Pittsburgh Railway. The Railway and Locomotive Historical Society Bulletin. JSTOR. https://www.jstor.org/stable/43518154","Lewis, Ronald L. Transforming the Appalachian Countryside: Railroads, Deforestation, and Social Change in West Virginia, 1880-1920. Chapel Hill: University off North Carolina Press, 1998.","Rice, Donald L. \"Coal \u0026 Coke Railway.\" The West Virginia Encyclopedia. https://www.wvencyclopedia.org/articles/1337","Ross, Thomas Richard. \"Henry Gassaway Davis.\" The West Virginia Encyclopedia. https://www.wvencyclopedia.org/articles/1711"],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Henry Gassaway Davis (1823-1916) Papers, A\u0026amp;M 0013, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Henry Gassaway Davis (1823-1916) Papers, A\u0026M 0013, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e13, 717, 1028\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["13, 717, 1028"],"scopecontent_html_tesm":["\u003cp\u003eCorrespondence and business papers of Henry Gassaway Davis (1823-1916), a successful businessman and politician from West Virginia.  He was the Democratic Party's nominee for Vice President of the United States in 1904.  The collection largely documents his business and political career, although there are personal papers in the collection as well.  His business interests were largely concerned with coal mining, timber, and railroads.  Types of documents include letters, reports, account books, and maps, among other material.  Much of the correspondence is arranged alphabetically.  The scope and content note of each record series provides substantial detail regarding content.\u003c/p\u003e\n","\u003cp\u003eSeries include: \u003clb\u003e\u003c/lb\u003e\nSeries 1a. Business Papers, 1882-1909 (boxes 1-29) \u003clb\u003e\u003c/lb\u003e\nSeries 1b. Banking Records, 1886-1916 (boxes 30-33) \u003clb\u003e\u003c/lb\u003e\nSeries 2. Coal Company Operations, 1799-1915 (boxes 34-48) \u003clb\u003e\u003c/lb\u003e\nSeries 3. Miscellaneous Papers, 1855-1916 (boxes 49-62) \u003clb\u003e\u003c/lb\u003e\nSeries 4. Miscellaneous Letters, 1872-1915 (boxes 63-65) \u003clb\u003e\u003c/lb\u003e\nSeries 5. Miscellaneous Bills and Receipts, 1872-1918 (boxes 66-82) \u003clb\u003e\u003c/lb\u003e\nSeries 6. Miscellaneous, 1872-1916 (boxes 83-115) \u003clb\u003e\u003c/lb\u003e\nSeries 7. Alexander Shaw Lawsuit, 1880-1894 (boxes 116-118) \u003clb\u003e\u003c/lb\u003e\nSeries 8. Personal and Political Papers, 1870-1916 (boxes 119-145) \u003clb\u003e\u003c/lb\u003e\nSeries 9. Railroads, 1862-1916 (boxes 146-189) \u003clb\u003e\u003c/lb\u003e\nSeries 10. West Virginia Semi-Centennial Commission, 1911 August 9–1913 July 26 (box 190) \u003clb\u003e\u003c/lb\u003e\nSeries 11. T.B. Davis Papers, 1879-1915 (box 191) \u003clb\u003e\u003c/lb\u003e\nSeries 12. Davis Memorial Hospital and Church, 1898-1916 (boxes 192-193) \u003clb\u003e\u003c/lb\u003e\nSeries 13. H.G. Davis and Brother, 1868-1905 (boxes 194-197) \u003clb\u003e\u003c/lb\u003e\nSeries 14. Real Estate and Timber, 1869-1915 (boxes 198-202) \u003clb\u003e\u003c/lb\u003e\nSeries 15. H.G. Davis Letter Books, 1865-1916 (boxes 203-231) \u003clb\u003e\u003c/lb\u003e\nSeries 16. West Virginia Central and Pittsburg Railway Company Letter Books, 1880-1903 (boxes 232-240) \u003clb\u003e\u003c/lb\u003e\nSeries 17. Minute, Letter, and Other Books, 1881-1914 (boxes 241-247) \u003clb\u003e\u003c/lb\u003e\nSeries 18. Oversized Ledgers, 1884-1913 (boxes 248-260)\u003c/p\u003e\n","\u003cp\u003eAmong Davis's correspondents are: \u003clb\u003e\u003c/lb\u003e\nU.S. Representative John D. Alderson \u003clb\u003e\u003c/lb\u003e\nWest Virginia Governor George W. Atkinson \u003clb\u003e\u003c/lb\u003e\nU.S. Senator William Henry Barnum \u003clb\u003e\u003c/lb\u003e\nU.S. Ambassador to the U.K. Thomas F. Bayard \u003clb\u003e\u003c/lb\u003e\nU.S. Minister to the Netherlands August Belmont, Sr. \u003clb\u003e\u003c/lb\u003e\nU.S. Senator James G. Blaine \u003clb\u003e\u003c/lb\u003e\nU.S. Senator Calvin S. Brice \u003clb\u003e\u003c/lb\u003e\nU.S. Secretary of State William Jennings Bryan \u003clb\u003e\u003c/lb\u003e\nU.S. Senator Johnson N. Camden \u003clb\u003e\u003c/lb\u003e\nindustrialist Andrew Carnegie \u003clb\u003e\u003c/lb\u003e\nPresident of Mexico General Porfirio Díaz \u003clb\u003e\u003c/lb\u003e\nU.S. Secretary of War Stephen Benton Elkins \u003clb\u003e\u003c/lb\u003e\nU.S. Minister to France Charles J. Faulkner, Sr. \u003clb\u003e\u003c/lb\u003e\nBaltimore and Ohio Railroad President John W. Garrett \u003clb\u003e\u003c/lb\u003e\nOlympian Robert S. Garrett \u003clb\u003e\u003c/lb\u003e\nJames Cardinal Gibbons (Cardinal, Archbishop of Baltimore) \u003clb\u003e\u003c/lb\u003e\nU.S. Senator Arthur Pue Gorman \u003clb\u003e\u003c/lb\u003e\nU.S. President Benjamin Harrison \u003clb\u003e\u003c/lb\u003e\nConfederate cartographer Jedidiah (Jed) Hotchkiss \u003clb\u003e\u003c/lb\u003e\nMaryland Governor Elihu Emory Jackson \u003clb\u003e\u003c/lb\u003e\nU.S. Senator John E. Kenna \u003clb\u003e\u003c/lb\u003e\nU.S. Secretary of War Daniel S. Lamont \u003clb\u003e\u003c/lb\u003e\nU.S. Congressman Adam Brown Littlepage \u003clb\u003e\u003c/lb\u003e\nU.S. Representative James Tilghman Lloyd \u003clb\u003e\u003c/lb\u003e\nPresident of the WV Supreme Court of Appeals Daniel Bedinger Lucas \u003clb\u003e\u003c/lb\u003e\nConsul General of Wurttemberg Charles F. Mayer \u003clb\u003e\u003c/lb\u003e\nWest Virginia Governor William A. McCorkle \u003clb\u003e\u003c/lb\u003e\nU.S. Senator John R. McPherson \u003clb\u003e\u003c/lb\u003e\nU.S. Commissioner of Internal Revenue Joseph S. Miller \u003clb\u003e\u003c/lb\u003e\nBaltimore and Ohio Railroad President Oscar G. Murray \u003clb\u003e\u003c/lb\u003e\nPennsylvania Railroad President George Brooke Roberts \u003clb\u003e\u003c/lb\u003e\nSouthern Railway President Samuel Spencer \u003clb\u003e\u003c/lb\u003e\nU.S. Senator Thomas Taggart \u003clb\u003e\u003c/lb\u003e\nU.S. Senator Daniel W. Voorhees \u003clb\u003e\u003c/lb\u003e\nU.S. Senator Thomas J. Walsh \u003clb\u003e\u003c/lb\u003e\nU.S. Secretary of the Navy William Collins Whitney \u003clb\u003e\u003c/lb\u003e\nMaryland Governor William Pinkney Whyte \u003clb\u003e\u003c/lb\u003e\nU.S. Secretary of the Treasury William Windom\u003c/p\u003e","\u003cp\u003eThis series includes H.G. Davis's incoming business correspondence. It consists of daily communications from his managers related to the day-to-day operations of the Buxton and Landstreet Store (the company store), Coal and Coke Railroad, Davis Coal and Coke Company, Davis Colliery Company, the West Virginia Central and Pittsburg Railway, and his other business concerns. There is also incoming correspondence from the Cumberland Valley, Pennsylvania, and Baltimore and Ohio railroads, and numerous manufacturers and vendors. In addition to the business correspondence, some of Davis's personal and family correspondence is filed in this series as well, including materials regarding charity, financial solicitations, and other topics.\u003c/p\u003e","\u003cp\u003eThis series includes bank account books, bank account balance sheets, and bank statements for various H.G. Davis enterprises, including Davis and Trout, H.G. Davis and Company, H.G. Davis and Brother, and T.B. Davis and Company. In addition, there are sawmill accounts and other inventories.\u003c/p\u003e","\u003cp\u003eThis series includes day-to-day correspondence relating to the operation and conditions of the Davis Coal and Coke and the Davis Colliery companies coal mines and coke ovens. Other correspondence includes coal car availability, coal quality issues, estimates and costs for coal town construction, miners' wages, and the price of coal.\u003c/p\u003e","\u003cp\u003eThese papers include construction estimates for railroad buildings and bridges, correspondence with the Cumberland and Pennsylvania Railroad, correspondence with railroad construction contractors, memoranda of agreement between H.G. Davis and other railroads, miscellaneous financial statements, and papers regarding the formation of Seaboard Steam Coal Association (a coal producer syndicate). Other materials include deeds, maps, newspaper clippings regarding the Chesapeake and Ohio Canal, and newspaper clippings regarding the 1916 death of H.G. Davis.\u003c/p\u003e","\u003cp\u003eThis series includes miscellaneous correspondence and letters, as well as deeds, financial statements, and memoranda of agreement.\u003c/p\u003e","\u003cp\u003eThe majority of these papers are bank statements for several banks including the Davis National Bank, Davis National Bank-Piedmont, Davis Trust Company, Elkins National Bank, Piedmont National Bank, Trust Company of West Virginia, Tucker County Bank, and the 1st National Bank of Elkins, as well as statements from the Davis Electric Light Company and various coal and coke production statements. There are also bank account books, blank checks, check registers, and check stubs.\u003c/p\u003e","\u003cp\u003eThis series includes miscellaneous business correspondence related to land acquisitions and railroads; miscellaneous banking, financial, and tax statements; various lawsuits and other litigation records; and documents regarding the Gassaway, West Virginia reservoir and water works.\u003c/p\u003e","\u003cp\u003eThese documents are related to the Alexander Shaw v. H.G. Davis and the West Virginia Central and Pittsburg Railway Company lawsuit, which concerned the construction of the Piedmont and Cumberland Railway Company. There are legal briefs, depositions, and testimony; financial statements for the West Virginia Central and Pittsburg Railway and Piedmont and Cumberland Railway companies; and other lawsuit related documents.\u003c/p\u003e","\u003cp\u003ePersonal papers include financial statements; correspondence regarding the Davis Children's Shelter; documents related to the design and construction of Graceland, including correspondence with Baldwin and Pennington (Graceland's architects); and obituary notices for the 1902 death of Katherine Bantz Davis, wife of H.G. Davis. Political papers include letters related to the 1913 West Virginia Semi-Centennial celebration; correspondence and materials related to Davis's 1904 Vice Presidential nomination, such as congratulatory telegrams, and other Parker/Davis ticket papers; and other political letters.\u003c/p\u003e","\u003cp\u003eThis series includes day-to-day correspondence related to the West Virginia Central and Pittsburg Railway and the Piedmont and Cumberland Railway companies. Other records regard the Coal and Coke Railway, the Coal and Iron Railway (surveys and related documents), the Cookerly Farm Railroad War, the Pan-American Railroad commission, and the Potomac and Piedmont Coal Railway Company (1866 charter and related materials). There is also correspondence with other railroad companies, Shaw lawsuit materials, financial statements, payrolls for various farm and railroad departments, and materials regarding the Chesapeake and Ohio Canal.\u003c/p\u003e","\u003cp\u003eThis series includes correspondence related to the \"Golden Jubilee,\" the 1913 West Virginia Semi-Centennial, a celebration of the 50th anniversary of West Virginia's statehood. The correspondence regards the purchasing of American flags for each of West Virginia's fifty-five counties, the composition of a state poem and state song, and the appointment of West Virginia University Professor James Morton Callahan to author a semi-centennial history of West Virginia.\u003c/p\u003e","\u003cp\u003eThese papers are related to Thomas B. Davis's estate such as financial statements for his business concerns of H.G. Davis and Company and its successor H.G. Davis and Brother, as well as other estate related documents.\u003c/p\u003e","\u003cp\u003eThe Hospital and Church were both built in memory of H.G. Davis's wife Katherine Bantz Davis. The Hospital papers include financial reports, miscellaneous letters, and various pamphlets from other hospitals. The Church papers include correspondence from architects Harding and Upman, and various catalogs and documents relating to the church organ, seating, light fixtures, roofing, and ironwork.\u003c/p\u003e","\u003cp\u003eThese papers are related to the business concerns of H.G. Davis and his brother Thomas B. Davis. Materials include correspondence related to the West Virginia Central and Pittsburg Railway, deeds for their various railroads, railroad survey proposals and cost estimates, and real estate tax records. There are also employee rosters and payrolls for the Deer Park sawmill.\u003c/p\u003e","\u003cp\u003eThese materials include correspondence related to the acquisition and sale of real estate, including timber and coal lands.\u003c/p\u003e","\u003cp\u003eThis series contains letter books of outgoing correspondence.\u003c/p\u003e","\u003cp\u003eThese letters include correspondence from E.W.S. Moore (treasurer/secretary) and C.M. Headley (assistant to the president) regarding the West Virginia Central and Pittsburg Railway Company. There is also outgoing correspondence from the President's Office regarding the West Virginia Central and Pittsburg Railway Company.\u003c/p\u003e","\u003cp\u003eThese materials include H.G. Davis check stubs, 1896 Intercontinental Railway Commission Report, Hamilton Coal Company Stock Certificate Book, Hamilton Coal Company Minute Book, Piedmont and Cumberland Railway Company letter books, Gassaway Development Company correspondence, and Gassaway Church correspondence. There are also C.M. Headley (assistant to the president) outgoing letters regarding Hamilton Coal Company, the West Virginia Central and Pittsburg Railway Company, the Coal and Iron Railroad, and the Coal and Coke Railway.\u003c/p\u003e","\u003cp\u003eOversized volumes include the Central Railway of Virginia (unrelated to the Virginia Central Railroad) Board of Directors ledger and route survey reports; Central Railroad of West Virginia (unrelated to the West Virginia Central and Pittsburg Railway) ledger and stockholders' minutes; newspaper clippings scrapbook (1884-1894); H.G. Davis's personal name and address books; C.M. Headley's (assistant to the president) outgoing correspondence (1893-1894); and West Virginia Semi-Centennial Commission letter book (1911-1913).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Correspondence and business papers of Henry Gassaway Davis (1823-1916), a successful businessman and politician from West Virginia.  He was the Democratic Party's nominee for Vice President of the United States in 1904.  The collection largely documents his business and political career, although there are personal papers in the collection as well.  His business interests were largely concerned with coal mining, timber, and railroads.  Types of documents include letters, reports, account books, and maps, among other material.  Much of the correspondence is arranged alphabetically.  The scope and content note of each record series provides substantial detail regarding content.","Series include:  \nSeries 1a. Business Papers, 1882-1909 (boxes 1-29)  \nSeries 1b. Banking Records, 1886-1916 (boxes 30-33)  \nSeries 2. Coal Company Operations, 1799-1915 (boxes 34-48)  \nSeries 3. Miscellaneous Papers, 1855-1916 (boxes 49-62)  \nSeries 4. Miscellaneous Letters, 1872-1915 (boxes 63-65)  \nSeries 5. Miscellaneous Bills and Receipts, 1872-1918 (boxes 66-82)  \nSeries 6. Miscellaneous, 1872-1916 (boxes 83-115)  \nSeries 7. Alexander Shaw Lawsuit, 1880-1894 (boxes 116-118)  \nSeries 8. Personal and Political Papers, 1870-1916 (boxes 119-145)  \nSeries 9. Railroads, 1862-1916 (boxes 146-189)  \nSeries 10. West Virginia Semi-Centennial Commission, 1911 August 9–1913 July 26 (box 190)  \nSeries 11. T.B. Davis Papers, 1879-1915 (box 191)  \nSeries 12. Davis Memorial Hospital and Church, 1898-1916 (boxes 192-193)  \nSeries 13. H.G. Davis and Brother, 1868-1905 (boxes 194-197)  \nSeries 14. Real Estate and Timber, 1869-1915 (boxes 198-202)  \nSeries 15. H.G. Davis Letter Books, 1865-1916 (boxes 203-231)  \nSeries 16. West Virginia Central and Pittsburg Railway Company Letter Books, 1880-1903 (boxes 232-240)  \nSeries 17. Minute, Letter, and Other Books, 1881-1914 (boxes 241-247)  \nSeries 18. Oversized Ledgers, 1884-1913 (boxes 248-260)","Among Davis's correspondents are:  \nU.S. Representative John D. Alderson  \nWest Virginia Governor George W. Atkinson  \nU.S. Senator William Henry Barnum  \nU.S. Ambassador to the U.K. Thomas F. Bayard  \nU.S. Minister to the Netherlands August Belmont, Sr.  \nU.S. Senator James G. Blaine  \nU.S. Senator Calvin S. Brice  \nU.S. Secretary of State William Jennings Bryan  \nU.S. Senator Johnson N. Camden  \nindustrialist Andrew Carnegie  \nPresident of Mexico General Porfirio Díaz  \nU.S. Secretary of War Stephen Benton Elkins  \nU.S. Minister to France Charles J. Faulkner, Sr.  \nBaltimore and Ohio Railroad President John W. Garrett  \nOlympian Robert S. Garrett  \nJames Cardinal Gibbons (Cardinal, Archbishop of Baltimore)  \nU.S. Senator Arthur Pue Gorman  \nU.S. President Benjamin Harrison  \nConfederate cartographer Jedidiah (Jed) Hotchkiss  \nMaryland Governor Elihu Emory Jackson  \nU.S. Senator John E. Kenna  \nU.S. Secretary of War Daniel S. Lamont  \nU.S. Congressman Adam Brown Littlepage  \nU.S. Representative James Tilghman Lloyd  \nPresident of the WV Supreme Court of Appeals Daniel Bedinger Lucas  \nConsul General of Wurttemberg Charles F. Mayer  \nWest Virginia Governor William A. McCorkle  \nU.S. Senator John R. McPherson  \nU.S. Commissioner of Internal Revenue Joseph S. Miller  \nBaltimore and Ohio Railroad President Oscar G. Murray  \nPennsylvania Railroad President George Brooke Roberts  \nSouthern Railway President Samuel Spencer  \nU.S. Senator Thomas Taggart  \nU.S. Senator Daniel W. Voorhees  \nU.S. Senator Thomas J. Walsh  \nU.S. Secretary of the Navy William Collins Whitney  \nMaryland Governor William Pinkney Whyte  \nU.S. Secretary of the Treasury William Windom","This series includes H.G. Davis's incoming business correspondence. It consists of daily communications from his managers related to the day-to-day operations of the Buxton and Landstreet Store (the company store), Coal and Coke Railroad, Davis Coal and Coke Company, Davis Colliery Company, the West Virginia Central and Pittsburg Railway, and his other business concerns. There is also incoming correspondence from the Cumberland Valley, Pennsylvania, and Baltimore and Ohio railroads, and numerous manufacturers and vendors. In addition to the business correspondence, some of Davis's personal and family correspondence is filed in this series as well, including materials regarding charity, financial solicitations, and other topics.","This series includes bank account books, bank account balance sheets, and bank statements for various H.G. Davis enterprises, including Davis and Trout, H.G. Davis and Company, H.G. Davis and Brother, and T.B. Davis and Company. In addition, there are sawmill accounts and other inventories.","This series includes day-to-day correspondence relating to the operation and conditions of the Davis Coal and Coke and the Davis Colliery companies coal mines and coke ovens. Other correspondence includes coal car availability, coal quality issues, estimates and costs for coal town construction, miners' wages, and the price of coal.","These papers include construction estimates for railroad buildings and bridges, correspondence with the Cumberland and Pennsylvania Railroad, correspondence with railroad construction contractors, memoranda of agreement between H.G. Davis and other railroads, miscellaneous financial statements, and papers regarding the formation of Seaboard Steam Coal Association (a coal producer syndicate). Other materials include deeds, maps, newspaper clippings regarding the Chesapeake and Ohio Canal, and newspaper clippings regarding the 1916 death of H.G. Davis.","This series includes miscellaneous correspondence and letters, as well as deeds, financial statements, and memoranda of agreement.","The majority of these papers are bank statements for several banks including the Davis National Bank, Davis National Bank-Piedmont, Davis Trust Company, Elkins National Bank, Piedmont National Bank, Trust Company of West Virginia, Tucker County Bank, and the 1st National Bank of Elkins, as well as statements from the Davis Electric Light Company and various coal and coke production statements. There are also bank account books, blank checks, check registers, and check stubs.","This series includes miscellaneous business correspondence related to land acquisitions and railroads; miscellaneous banking, financial, and tax statements; various lawsuits and other litigation records; and documents regarding the Gassaway, West Virginia reservoir and water works.","These documents are related to the Alexander Shaw v. H.G. Davis and the West Virginia Central and Pittsburg Railway Company lawsuit, which concerned the construction of the Piedmont and Cumberland Railway Company. There are legal briefs, depositions, and testimony; financial statements for the West Virginia Central and Pittsburg Railway and Piedmont and Cumberland Railway companies; and other lawsuit related documents.","Personal papers include financial statements; correspondence regarding the Davis Children's Shelter; documents related to the design and construction of Graceland, including correspondence with Baldwin and Pennington (Graceland's architects); and obituary notices for the 1902 death of Katherine Bantz Davis, wife of H.G. Davis. Political papers include letters related to the 1913 West Virginia Semi-Centennial celebration; correspondence and materials related to Davis's 1904 Vice Presidential nomination, such as congratulatory telegrams, and other Parker/Davis ticket papers; and other political letters.","This series includes day-to-day correspondence related to the West Virginia Central and Pittsburg Railway and the Piedmont and Cumberland Railway companies. Other records regard the Coal and Coke Railway, the Coal and Iron Railway (surveys and related documents), the Cookerly Farm Railroad War, the Pan-American Railroad commission, and the Potomac and Piedmont Coal Railway Company (1866 charter and related materials). There is also correspondence with other railroad companies, Shaw lawsuit materials, financial statements, payrolls for various farm and railroad departments, and materials regarding the Chesapeake and Ohio Canal.","This series includes correspondence related to the \"Golden Jubilee,\" the 1913 West Virginia Semi-Centennial, a celebration of the 50th anniversary of West Virginia's statehood. The correspondence regards the purchasing of American flags for each of West Virginia's fifty-five counties, the composition of a state poem and state song, and the appointment of West Virginia University Professor James Morton Callahan to author a semi-centennial history of West Virginia.","These papers are related to Thomas B. Davis's estate such as financial statements for his business concerns of H.G. Davis and Company and its successor H.G. Davis and Brother, as well as other estate related documents.","The Hospital and Church were both built in memory of H.G. Davis's wife Katherine Bantz Davis. The Hospital papers include financial reports, miscellaneous letters, and various pamphlets from other hospitals. The Church papers include correspondence from architects Harding and Upman, and various catalogs and documents relating to the church organ, seating, light fixtures, roofing, and ironwork.","These papers are related to the business concerns of H.G. Davis and his brother Thomas B. Davis. Materials include correspondence related to the West Virginia Central and Pittsburg Railway, deeds for their various railroads, railroad survey proposals and cost estimates, and real estate tax records. There are also employee rosters and payrolls for the Deer Park sawmill.","These materials include correspondence related to the acquisition and sale of real estate, including timber and coal lands.","This series contains letter books of outgoing correspondence.","These letters include correspondence from E.W.S. Moore (treasurer/secretary) and C.M. Headley (assistant to the president) regarding the West Virginia Central and Pittsburg Railway Company. There is also outgoing correspondence from the President's Office regarding the West Virginia Central and Pittsburg Railway Company.","These materials include H.G. Davis check stubs, 1896 Intercontinental Railway Commission Report, Hamilton Coal Company Stock Certificate Book, Hamilton Coal Company Minute Book, Piedmont and Cumberland Railway Company letter books, Gassaway Development Company correspondence, and Gassaway Church correspondence. There are also C.M. Headley (assistant to the president) outgoing letters regarding Hamilton Coal Company, the West Virginia Central and Pittsburg Railway Company, the Coal and Iron Railroad, and the Coal and Coke Railway.","Oversized volumes include the Central Railway of Virginia (unrelated to the Virginia Central Railroad) Board of Directors ledger and route survey reports; Central Railroad of West Virginia (unrelated to the West Virginia Central and Pittsburg Railway) ledger and stockholders' minutes; newspaper clippings scrapbook (1884-1894); H.G. Davis's personal name and address books; C.M. Headley's (assistant to the president) outgoing correspondence (1893-1894); and West Virginia Semi-Centennial Commission letter book (1911-1913)."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_bececc3958fd8321627340a6836c39d7\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Davis, Henry Gassaway, 1823-1916","Alderson, J. D. (John Duffy), 1854-1910","Atkinson, Geo. W. (George Wesley), 1845-1925","Bayard, Thomas F.","Belmont, August.","Blaine, James Gillespie, 1830-1893","Bryan, William Jennings, 1860-1925","Camden, J. N. (Johnson Newlon), 1828-1908","Carnegie, Andrew, 1835-1919","Dayton, Spencer","Díaz, Porfirio, 1830-1915","Elkins, Stephen B.  (Stephen Benton), 1841-1911","Faulkner, Charles James, 1806-1884","Faulkner, Charles J. (Charles James), 1847-1929","Garrett, John W.","Gibbons, James, 1834-1921","Gorman, Arthur P. (Arthur Pue), 1839-1906","Harrison, Benjamin, 1833-1901","Kenna, John E.","Lamont, Daniel Scott, 1851-1905","Lucas, Daniel B.","MacCorkle, William Alexander, 1857-1930","Mason, James M. II.","Voorhees, Daniel W. (Daniel Wolsey), 1827-1897","Walsh, Thomas J.","Whitney, William C.","Windom, William."],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Alderson, J. D. (John Duffy), 1854-1910","Atkinson, Geo. W. (George Wesley), 1845-1925","Bayard, Thomas F.","Belmont, August.","Blaine, James Gillespie, 1830-1893","Bryan, William Jennings, 1860-1925","Camden, J. N. (Johnson Newlon), 1828-1908","Carnegie, Andrew, 1835-1919","Dayton, Spencer","Díaz, Porfirio, 1830-1915","Elkins, Stephen B.  (Stephen Benton), 1841-1911","Faulkner, Charles James, 1806-1884","Faulkner, Charles J. (Charles James), 1847-1929","Garrett, John W.","Gibbons, James, 1834-1921","Gorman, Arthur P. (Arthur Pue), 1839-1906","Harrison, Benjamin, 1833-1901","Kenna, John E.","Lamont, Daniel Scott, 1851-1905","Lucas, Daniel B.","MacCorkle, William Alexander, 1857-1930","Mason, James M. II.","Voorhees, Daniel W. (Daniel Wolsey), 1827-1897","Walsh, Thomas J.","Whitney, William C.","Windom, William."],"persname_ssim":["Davis, Henry Gassaway, 1823-1916","Alderson, J. D. (John Duffy), 1854-1910","Atkinson, Geo. W. (George Wesley), 1845-1925","Bayard, Thomas F.","Belmont, August.","Blaine, James Gillespie, 1830-1893","Bryan, William Jennings, 1860-1925","Camden, J. N. (Johnson Newlon), 1828-1908","Carnegie, Andrew, 1835-1919","Dayton, Spencer","Díaz, Porfirio, 1830-1915","Elkins, Stephen B.  (Stephen Benton), 1841-1911","Faulkner, Charles James, 1806-1884","Faulkner, Charles J. (Charles James), 1847-1929","Garrett, John W.","Gibbons, James, 1834-1921","Gorman, Arthur P. (Arthur Pue), 1839-1906","Harrison, Benjamin, 1833-1901","Kenna, John E.","Lamont, Daniel Scott, 1851-1905","Lucas, Daniel B.","MacCorkle, William Alexander, 1857-1930","Mason, James M. II.","Voorhees, Daniel W. (Daniel Wolsey), 1827-1897","Walsh, Thomas J.","Whitney, William C.","Windom, William."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":990,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:05:52.830Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2374_c10_c25"}},{"id":"viu_repositories_3_resources_1581_c05_c04","type":"File","attributes":{"title":"Wrappings, Envelopes, and Fragments","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1581_c05_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1581_c05_c04","ref_ssm":["viu_repositories_3_resources_1581_c05_c04"],"id":"viu_repositories_3_resources_1581_c05_c04","ead_ssi":"viu_repositories_3_resources_1581","_root_":"viu_repositories_3_resources_1581","_nest_parent_":"viu_repositories_3_resources_1581_c05","parent_ssi":"viu_repositories_3_resources_1581_c05","parent_ssim":["viu_repositories_3_resources_1581","viu_repositories_3_resources_1581_c05"],"parent_ids_ssim":["viu_repositories_3_resources_1581","viu_repositories_3_resources_1581_c05"],"parent_unittitles_ssm":["Morton-Halsey family papers","Series 5. Envelopes, Wrappings, and Fragments"],"parent_unittitles_tesim":["Morton-Halsey family papers","Series 5. Envelopes, Wrappings, and Fragments"],"text":["Morton-Halsey family papers","Series 5. Envelopes, Wrappings, and Fragments","Wrappings, Envelopes, and Fragments","box 39","folder 2-4"],"title_filing_ssi":"Wrappings, Envelopes, and Fragments","title_ssm":["Wrappings, Envelopes, and Fragments"],"title_tesim":["Wrappings, Envelopes, and Fragments"],"unitdate_inclusive_ssm":["circa 1800-1899"],"normalized_date_ssm":["1800/1899"],"normalized_title_ssm":["Wrappings, Envelopes, and Fragments"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Morton-Halsey family papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":236,"parent_access_restrict_tesm":["The collection is open for research use."],"date_range_isim":[1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899],"containers_ssim":["box 39","folder 2-4"],"_nest_path_":"/components#4/components#3","timestamp":"2026-05-20T23:44:38.801Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1581","ead_ssi":"viu_repositories_3_resources_1581","_root_":"viu_repositories_3_resources_1581","_nest_parent_":"viu_repositories_3_resources_1581","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1581.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/191816","title_filing_ssi":"Morton-Halsey family papers ","title_ssm":["Morton-Halsey family papers"],"title_tesim":["Morton-Halsey family papers"],"unitdate_ssm":["ca. 1833-1951"],"unitdate_inclusive_ssm":["ca. 1833-1951"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 3995","Archival Resource Key","/repositories/3/resources/1581"],"text":["MSS 3995","Archival Resource Key","/repositories/3/resources/1581","Morton-Halsey family papers","The collection is open for research use.","\nJoseph Jackson Halsey (1820-1907) was born in New York to Samuel Beach Halsey (1796-1871) and Sarah Dubois Jackson (1803-1859) -no relation to Stonewall Jackson found- and raised in Morristown, New Jersey. He was educated at the College of New Jersey (now Princeton University)and accepted a teaching position in Fredericksburg, Virginia at the Classical and Scientific Athenaeum in 1842. While there he met and married Mildred \"Milly\"Morton (1825-1906?) in 1846, daughter of Jeremiah Morton (1799-1872) and Mary Eleanor \"Jane\" Smith Morton (1801-1876) from Morton Hall (\"The Hall\" near \"Lessland\") an estate in Racoon Ford, Orange County, Virginia. He was admitted into the bar in 1847 and moved to the Morton plantation to farm and practice law in Culpeper County, Virginia. ","He became an increasingly close friend and business associate of his father-in-law Jeremiah Morton. Halsey served as a captain in the 6th Virginia Calvalry Regiment during the Civil War. In 1863, in response to a charge that he had been away without leave, Halsey wrote an account of his wartime activities until that time: a cycle of activity, failing health, leave, recovery, and return. After the war, Halsey was a shareholder of the Orange, Alexandria and Manassas Railroad, owned a saw mill operation and mining operations, and was an Emigrant Aid and Homestead Company agent for the sale of large tracts of Virginia land. ","A large landowner and important political figure in the region, Jeremiah Morton lived at his nearby plantation \"The Hall\" (locally known as Morton Hall). . . According to family tradition, Morton christened the 441-acre tract Lessland because it contained 'less land' than his other properties Moreland and Stillmore.\"Lessland\" was damaged by fire in 1870 and was rebuilt in 1871 by J. J. Halsey who had purchased the land from his father-in-law in 1854. Halsey died at \"Lessland\" in 1907.","J. J. Halsey and Jeremiah Morton were strong supporters of the South and its institution of Enslavery. Halsey's correspondence with his brother Edmund Halsey and Samuel Halsey showed their different views of the North and South on subjects such as slavery, abolitionism, secession, the elections of Presidents Buchanan and Lincoln, the Missouri Compromise, the Kansas-Nebraska Act, reconstruction, and the impeachment of Andrew Johnson.","The Morton-Halsey family had many enslaved persons who are mentioned by first names, Douglass, Edmonia \"Monie,\" Jerdome, Lucas, Melinda, Judy, Linda, and George to name a few. There is an account in the correspondence that Joseph Morton \"Mort\" Halsey had an encounter with \"Lummie\" (Columbia Conway who was employed by the family) and she became pregnant with his child and took him to court. J. J. Halsey often writes negative accounts of African Americans.","Jeremiah Morton was born in Fredericksburg, Spotsylvania County, Virginia, on September 3, 1799. He was the son of Jeremiah Morton and Mildred Garnett Jackson. He was left without parents at a very young age. It is likely he was raised by his paternal grandmother, Jane Morton. He attended a private school and Washington College (now Washington and Lee University), in Lexington, Virginia from 1814 thru 1815. He graduated from the College of William and Mary in Williamsburg, Virginia in 1819, studied law, and was admitted to the bar. He practiced at Raccoon Ford, Virginia until sickness (probably from his earlier engagement in the war) ended his legal career. He then engaged in agricultural and political pursuits.","He was elected as a Whig to the Thirty-first Congress and served from March 4, 1849 until March 3, 1851. He was unsuccessful for reelection to the Thirty-second Congress and resumed agricultural pursuits. He was a member of the State secession convention in 1861 and was appointed as a colonel in the cavalry by Virginia Governor John Letcher. He attempted to amass food during the shortages of 1864. He was appointed trustee of the Theological Seminary of Virginia at Alexandria. He died at Lessland in Orange County, Virginia on November 28, 1878 and was buried in a private cemetery at his old home Morton Hall. He may have suffered later in life from failed ventures including the purchase of Sulpur White Springs. Several family members throughout his line struggled with mental illness and the ailment alcoholism.Family and business fortunes plummeted following the Confederate defeat. He wrote about it to his brother, Senator Jackson Morton of Milton, Florida; and Jackson's son, W. Chase Morton; and with Henry Ahrens, a Florida businessman.","J. J. Halsey and Milly Halsey were the parents of Fannie Morton Halsey Dickenson (1848-1936) who married James Cooper Dickenson, Annie (Nannie) Augusta Halsey Alexander (1850-1917) who married James Porter Alexander, Jeremiah Morton \"Mort\" Halsey (1852-1921) who married Irena Louisa Stearns (1854-1886), Robert Ogden Halsey (1854-1939) who married Ella Halsey, and Dr. Bee Bartow Halsey (1862-1918 born Thomas Jackson Halsey) who married Delia Halsey. ","Irena \"Rena\"Louisa Stearns died after childbirth in 1886. Mort Halsey suffered from severe alcoholism and was often absent as a single parent, while he was either uanble to stop drinking or at a hospital for treatment. He and Rena had three children, Caroline \"Virginia\" Halsey [Wilkinson] b. 1878 who was committed to Western State in Staunton, Virginia in 1900, Irena Louisa \"Lou\" Halsey b.1880 who attended Virginia Female Institute and seemed central in keeping her family together even though they were often sent in different directions, as they were raised by their grandparents, guardians and nurses, and Franklin Stearns \"Buddie\" Halsey b. 1881 who was very close with his sister Lou and married his first cousin Fannie Dickenson. Lou Halsey married Charles Palmer Stearns, (her first cousin).","Fannie Morton Halsey Dickenson and James Cooper Dickenson were the parents of Fannie Dickenson (b. 1884) married Franklin Stearns \"Buddie\" Halsey, James \"Short\" Halsey b. 1889, and step-children Hattie, Willie, and Anne \"Mate.\" \"Buddie\" struggled with alcohol, and Fannie Dickenson Halsey divorced him. (mention of domestic abuse also).","Annie Alexander and James Porter Alexander were the parents of Jamie Alexander who was engaged to [Georgie], Celia Alexander b. 1886, and Mildred Alexander (1877-1890).","Robert Ogden Halsey and his wife Ella were the parents of eight children including Nellie, Joe, Susan, Edmund, Morton, and Janie.","Dr. Bee Bartow Halsey (1862-1918) and his wife Delia were the parents of Helen Halsey and they lived in Prescott, Arizona. Dr. Halsey may have struggled with alcoholism later in life.","Also mentioned are the siblings of J. J. Halsey, his brother Abraham Halsey (1831-1900) who made his fortune in California, Ann Eliza Halsey (1827-1868), Susan Electa Halsey (1829-1899), Stephen Halsey, Samuel S. Halsey (1835-1889), Cornelia Van Wyck Halsey (1838-1915), and Edmund Drake Halsey (1840-1896)","Content Note: The correspondence particularly from J. J. Halsey contain references or imagery involving racism. In addition to the numerous enslaved persons in this family, J. J. Halsey and other family members often slur African Americans in correspondence throughout the collection.The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The Morton and Halsey family papers and addition (MSS 3995) contain family letters and some business letters, financial and legal papers, diaries, ledgers, printed items, and photographs belonging to the family of Jeremiah Morton (1899-1878), his wife Jane Smith Morton, and his son-in-law Joseph Jackson \"J. J.\" Halsey (1820-1907) Halseys' wife, Mildred Halsey and their children and grandchildren with the family papers spanning from 1838 to 1951 in Culpeper, and Orange County, Virginia as well as the Halsey branch of the family from New Jersey, and Abraham Halsey (J.J.'s brother) in California. ","\nThe collection contains documents, ledgers, and correspondence that Jeremiah Morton and J. J. Halsey owned and sold enslaved persons. Jeremiah Morton was involved in the internal slave trade between Virginia and Mobile, Alabama (ca. 1847-1863) with accounts, descriptions, and values placed upon enslaved persons including itemized tax receipts  This book doubles as a notebook of legal questions with page references and sections headed \"The Rights of Things,\" \"Toller's Law of Executors,\" and \"Reeves Domestic Relations.\"","\nContent Note: The correspondence particularly from J. J. Halsey contain references or imagery involving racism. In addition to the numerous enslaved persons in this family, J. J. Halsey and other family members often slur African Americans in correspondence throughout the collection.The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nThere is also an 1855 registration form for Andrew Johnson, \"a person of colour,\" indicating his status as \"born free in the County of Orange, Virginia,\" and identifying him by his color, stature and marks or scars upon his face, head or hands. ","\nTopics include the Civil War with J. J. Halsey fighting for the Confederacy and his brother Edmund fighting for the Union Army, reconstruction, African Americans holding office and politics, alcohol addiction, mental illness, agriculture, economy, coal, mining, White Sulphur Springs, and the Southern Pacific Railroad. Brief mention of the Spanish American War, moonshine, domestic abuse, divorce, education, Virginia Female Institute, Virginia Military Institute, Princeton University, University of Virginia, and Charlottesville, Virginia. ","There are Civil War accounts including the Stonewall Jackson Valley Campaign and the mention of many Generals such as Robert E. Lee,  [Richard Stoddart] Ewell,  William Tecumseh Sherman, and battles in Elk Run, Harrisonburg, New Market, Richmond, Mount Jackson and the surrender at Appomattox at Wilmer McLean's house. There are also two pages from the notebook of Mildred Halsey, which offer a day-by-day account of life while her husband is at war and Union forces occupy nearby areas. J. J. Halsey wrote that their house was between the \"cannon of both armies.\" ","\nMost of the letters include typed transcriptions which explain relationships of the family members which start with Jeremiah Morton through to his great-grandchildren, Louisa \"Lou\" Halsey b.1880, Caroline Virginia Halsey Stearns b.1878, and Frank \"Buddie\" Halsey b. 1881, Fannie Dickenson (b. 1884), James \"Short\" Halsey b. 1889, and step-children Hattie, Willie, and Anne \"Mate,\" Helen Halsey, Jamie Alexander (engaged to \"Georgie\",) Celia Alexander b. 1886, and Mildred Alexander 1877-1890, and step-children and eight children of Robert Ogden Halsey and Ella Halsey.","\nThere is a lengthy autobiographical account of the career of William \"Extra Billy\" Smith, written in 1873 when Smith was running for U. S. Senate. The account includes his election to public office as Virginia state senator (1836), governor (1845), and U. S. congressman (1853-1859), and describes some of his Civil War experiences. ","The correspondence of J. J. Halsey also includes letters and maps concerning the Knights of the Golden Horseshoe, and correspondence and papers related to Dr. Bee Bartow Halsey's case with the newly formed state board of medical examiners, contesting their right to license physicians. ","\nRelated materials include essays and verse by J. J. Halsey, materials relating to the rebuilding of \"Lessland,\" Dr. Bee Bartow Halsey's examinations at Williston Seminary, Virginia, and papers concerning tuition for Irena Louisa Halsey at Piedmont Female Institute. ","\nSeries 4: The ledger series of the collection consists of eighteen volumes from 1812-1882 including Jeremiah Morton's account book regarding the sales of enslaved persons, Dr. R. Brigs ledgers dated 1812-1819, contain medical procedures like pulling a tooth. Other ledgers are from residents of Madison, Orange, and Culpeper counties. Some are in the hand of J. J. Halsey, while other volumes bear the names of Charles B. Porter, John A. Porter, B. W. Brown, and Nalle, Fishback and Company. ","\nSelected list of correspondents: Jeremiah Morton: John B. Barbour, Jr., Robert Bolling, W. B. Caldwell, Allen T. Caperton, Reverend John Cole, R. H. Dulany, Frederick Gamble, Jedediah Hotchkiss, G. W. Leyburn, R. H. Maury, William Maury, A. M. Phillips, Riggs and Company, B. T. Sage, Slaughter, Franklin and Company, Alexander H. Stephens, George Terrill and B. R. Wellford. Joseph J. Halsey: John H. Antrim, J. L. Archer, Robert Bolling, W. C. Conrad, Peter V. Daniel, James Gaven Field, Dr. Jeptha Fowlker, A. J. Gordon, Colonel W. W. Gordon, Andrew Grinnan, Cornelia Grinnan, Ella Grinnan, M. G. Harman, General Eppa Hunton, General John D. Imboden, H. C. Marchant, Norton Marye, R. H. Maury, William Maury, B. T. Nalle, Phillip Nalle, Samuel H. Newbury, R.V. Richardson, William C. Rives, John Robertson, Taylor Scott, Francis H. Smith, John K. Taliaferro, Jacquelin P. Taylor, Tazewell Taylor, George Terrill, John Timberlake, C. S. Todd, Charles Wagner, Thomas P. Wallace, George Wederburn, and John Woolfolk.","\nThere are also Morton's or Halsey's personal records, including their accounts with area merchants and residents of Madison, Culpeper or Orange counties, Virginia, whose affairs were handled by J. J. Halsey. as a lawyer. Individuals and firms listed are: William C. Austin, Beechwood and Mallory, John Blackwell and Hannah Blackwell, Charles G. Britt and James Beckham, Bushrod Brown, Thomas Brown, Thomas, Frances Bunley and Susie Bunley, M. A. Carter, John Clark, James Clark and Reuben Clark, William D. Clark, Timothy Costello, J. W. Crittenden, Sarah A. Daniel, William P. Eliason, Adam Everheart, John Gaurd, John Glaspell and Mary Glaspell, Gray Family, Thomas I. Green, R. W. Hall, James Hansbrough, Jane Hansbrough and Peter Hansbrough, Eppa Hunton, Parchal Hutchenson, Philip Johnson, James Jones, Thomas A. Keith, George Morton, Thomas Morton, Martin Nalle and Philip Nalle, Lewis Nelson, George Pannill, Charles B. Payne, W. S. Peyton, Colonel John A. Porter, John C. Rayland, William Rixey, Reverend W. F. Robins, J. W. Shadrack and John H. Somerville, Samuel Shadrack, George A. Sleet, Daniel W. Smith, James Somerville, E. W. Stearns, Steeles Tavern, Augusta County, Virginia, James L. Stringfellow, John Terrill, C. R. Van Wyck and L. D. Winston, John Vaughan, C. S. Waugh and N. B. Waugh, [John] Thomas Morton Wharton, Wharton and Nalle, William Wharton, Colonel Bruce Williams, Walter C. Winston, Winston family, and Isaac Willis.","The collection also contains a land grant from Patrick Henry, as Governor of Virginia, to Uriel Mallory as assignee of William Morton, 1782 November 8 (in the existing collection)","Includes report cards and school work of Joseph J. Halsey","Albert and Shirley Small Special Collections Library","English"],"unitid_tesim":["MSS 3995","Archival Resource Key","/repositories/3/resources/1581"],"normalized_title_ssm":["Morton-Halsey family papers"],"collection_title_tesim":["Morton-Halsey family papers"],"collection_ssim":["Morton-Halsey family papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["This collection was a gift from Mildred E. Towe Tyner to the Small Special Collections Library at the University of Virginia Library on 24 June 2021."],"has_online_content_ssim":["false"],"extent_ssm":["22.4 Cubic Feet Two cubic boxes and one letter size document box added to 39 document boxes."],"extent_tesim":["22.4 Cubic Feet Two cubic boxes and one letter size document box added to 39 document boxes."],"date_range_isim":[1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"arrangement_heading_ssm":["Arrangement"],"bioghist_html_tesm":["\u003cp\u003e\nJoseph Jackson Halsey (1820-1907) was born in New York to Samuel Beach Halsey (1796-1871) and Sarah Dubois Jackson (1803-1859) -no relation to Stonewall Jackson found- and raised in Morristown, New Jersey. He was educated at the College of New Jersey (now Princeton University)and accepted a teaching position in Fredericksburg, Virginia at the Classical and Scientific Athenaeum in 1842. While there he met and married Mildred \"Milly\"Morton (1825-1906?) in 1846, daughter of Jeremiah Morton (1799-1872) and Mary Eleanor \"Jane\" Smith Morton (1801-1876) from Morton Hall (\"The Hall\" near \"Lessland\") an estate in Racoon Ford, Orange County, Virginia. He was admitted into the bar in 1847 and moved to the Morton plantation to farm and practice law in Culpeper County, Virginia. \u003c/p\u003e\n","\u003cp\u003eHe became an increasingly close friend and business associate of his father-in-law Jeremiah Morton. Halsey served as a captain in the 6th Virginia Calvalry Regiment during the Civil War. In 1863, in response to a charge that he had been away without leave, Halsey wrote an account of his wartime activities until that time: a cycle of activity, failing health, leave, recovery, and return. After the war, Halsey was a shareholder of the Orange, Alexandria and Manassas Railroad, owned a saw mill operation and mining operations, and was an Emigrant Aid and Homestead Company agent for the sale of large tracts of Virginia land. \u003c/p\u003e\n","\u003cp\u003eA large landowner and important political figure in the region, Jeremiah Morton lived at his nearby plantation \"The Hall\" (locally known as Morton Hall). . . According to family tradition, Morton christened the 441-acre tract Lessland because it contained 'less land' than his other properties Moreland and Stillmore.\"Lessland\" was damaged by fire in 1870 and was rebuilt in 1871 by J. J. Halsey who had purchased the land from his father-in-law in 1854. Halsey died at \"Lessland\" in 1907.\u003c/p\u003e\n","\u003cp\u003eJ. J. Halsey and Jeremiah Morton were strong supporters of the South and its institution of Enslavery. Halsey's correspondence with his brother Edmund Halsey and Samuel Halsey showed their different views of the North and South on subjects such as slavery, abolitionism, secession, the elections of Presidents Buchanan and Lincoln, the Missouri Compromise, the Kansas-Nebraska Act, reconstruction, and the impeachment of Andrew Johnson.\u003c/p\u003e\n","\u003cp\u003eThe Morton-Halsey family had many enslaved persons who are mentioned by first names, Douglass, Edmonia \"Monie,\" Jerdome, Lucas, Melinda, Judy, Linda, and George to name a few. There is an account in the correspondence that Joseph Morton \"Mort\" Halsey had an encounter with \"Lummie\" (Columbia Conway who was employed by the family) and she became pregnant with his child and took him to court. J. J. Halsey often writes negative accounts of African Americans.\u003c/p\u003e\n","\u003cp\u003eJeremiah Morton was born in Fredericksburg, Spotsylvania County, Virginia, on September 3, 1799. He was the son of Jeremiah Morton and Mildred Garnett Jackson. He was left without parents at a very young age. It is likely he was raised by his paternal grandmother, Jane Morton. He attended a private school and Washington College (now Washington and Lee University), in Lexington, Virginia from 1814 thru 1815. He graduated from the College of William and Mary in Williamsburg, Virginia in 1819, studied law, and was admitted to the bar. He practiced at Raccoon Ford, Virginia until sickness (probably from his earlier engagement in the war) ended his legal career. He then engaged in agricultural and political pursuits.\u003c/p\u003e\n","\u003cp\u003eHe was elected as a Whig to the Thirty-first Congress and served from March 4, 1849 until March 3, 1851. He was unsuccessful for reelection to the Thirty-second Congress and resumed agricultural pursuits. He was a member of the State secession convention in 1861 and was appointed as a colonel in the cavalry by Virginia Governor John Letcher. He attempted to amass food during the shortages of 1864. He was appointed trustee of the Theological Seminary of Virginia at Alexandria. He died at Lessland in Orange County, Virginia on November 28, 1878 and was buried in a private cemetery at his old home Morton Hall. He may have suffered later in life from failed ventures including the purchase of Sulpur White Springs. Several family members throughout his line struggled with mental illness and the ailment alcoholism.Family and business fortunes plummeted following the Confederate defeat. He wrote about it to his brother, Senator Jackson Morton of Milton, Florida; and Jackson's son, W. Chase Morton; and with Henry Ahrens, a Florida businessman.\u003c/p\u003e\n","\u003cp\u003eJ. J. Halsey and Milly Halsey were the parents of Fannie Morton Halsey Dickenson (1848-1936) who married James Cooper Dickenson, Annie (Nannie) Augusta Halsey Alexander (1850-1917) who married James Porter Alexander, Jeremiah Morton \"Mort\" Halsey (1852-1921) who married Irena Louisa Stearns (1854-1886), Robert Ogden Halsey (1854-1939) who married Ella Halsey, and Dr. Bee Bartow Halsey (1862-1918 born Thomas Jackson Halsey) who married Delia Halsey. \u003c/p\u003e\n","\u003cp\u003eIrena \"Rena\"Louisa Stearns died after childbirth in 1886. Mort Halsey suffered from severe alcoholism and was often absent as a single parent, while he was either uanble to stop drinking or at a hospital for treatment. He and Rena had three children, Caroline \"Virginia\" Halsey [Wilkinson] b. 1878 who was committed to Western State in Staunton, Virginia in 1900, Irena Louisa \"Lou\" Halsey b.1880 who attended Virginia Female Institute and seemed central in keeping her family together even though they were often sent in different directions, as they were raised by their grandparents, guardians and nurses, and Franklin Stearns \"Buddie\" Halsey b. 1881 who was very close with his sister Lou and married his first cousin Fannie Dickenson. Lou Halsey married Charles Palmer Stearns, (her first cousin).\u003c/p\u003e\n","\u003cp\u003eFannie Morton Halsey Dickenson and James Cooper Dickenson were the parents of Fannie Dickenson (b. 1884) married Franklin Stearns \"Buddie\" Halsey, James \"Short\" Halsey b. 1889, and step-children Hattie, Willie, and Anne \"Mate.\" \"Buddie\" struggled with alcohol, and Fannie Dickenson Halsey divorced him. (mention of domestic abuse also).\u003c/p\u003e\n","\u003cp\u003eAnnie Alexander and James Porter Alexander were the parents of Jamie Alexander who was engaged to [Georgie], Celia Alexander b. 1886, and Mildred Alexander (1877-1890).\u003c/p\u003e\n","\u003cp\u003eRobert Ogden Halsey and his wife Ella were the parents of eight children including Nellie, Joe, Susan, Edmund, Morton, and Janie.\u003c/p\u003e\n","\u003cp\u003eDr. Bee Bartow Halsey (1862-1918) and his wife Delia were the parents of Helen Halsey and they lived in Prescott, Arizona. Dr. Halsey may have struggled with alcoholism later in life.\u003c/p\u003e\n","\u003cp\u003eAlso mentioned are the siblings of J. J. Halsey, his brother Abraham Halsey (1831-1900) who made his fortune in California, Ann Eliza Halsey (1827-1868), Susan Electa Halsey (1829-1899), Stephen Halsey, Samuel S. Halsey (1835-1889), Cornelia Van Wyck Halsey (1838-1915), and Edmund Drake Halsey (1840-1896)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\nJoseph Jackson Halsey (1820-1907) was born in New York to Samuel Beach Halsey (1796-1871) and Sarah Dubois Jackson (1803-1859) -no relation to Stonewall Jackson found- and raised in Morristown, New Jersey. He was educated at the College of New Jersey (now Princeton University)and accepted a teaching position in Fredericksburg, Virginia at the Classical and Scientific Athenaeum in 1842. While there he met and married Mildred \"Milly\"Morton (1825-1906?) in 1846, daughter of Jeremiah Morton (1799-1872) and Mary Eleanor \"Jane\" Smith Morton (1801-1876) from Morton Hall (\"The Hall\" near \"Lessland\") an estate in Racoon Ford, Orange County, Virginia. He was admitted into the bar in 1847 and moved to the Morton plantation to farm and practice law in Culpeper County, Virginia. ","He became an increasingly close friend and business associate of his father-in-law Jeremiah Morton. Halsey served as a captain in the 6th Virginia Calvalry Regiment during the Civil War. In 1863, in response to a charge that he had been away without leave, Halsey wrote an account of his wartime activities until that time: a cycle of activity, failing health, leave, recovery, and return. After the war, Halsey was a shareholder of the Orange, Alexandria and Manassas Railroad, owned a saw mill operation and mining operations, and was an Emigrant Aid and Homestead Company agent for the sale of large tracts of Virginia land. ","A large landowner and important political figure in the region, Jeremiah Morton lived at his nearby plantation \"The Hall\" (locally known as Morton Hall). . . According to family tradition, Morton christened the 441-acre tract Lessland because it contained 'less land' than his other properties Moreland and Stillmore.\"Lessland\" was damaged by fire in 1870 and was rebuilt in 1871 by J. J. Halsey who had purchased the land from his father-in-law in 1854. Halsey died at \"Lessland\" in 1907.","J. J. Halsey and Jeremiah Morton were strong supporters of the South and its institution of Enslavery. Halsey's correspondence with his brother Edmund Halsey and Samuel Halsey showed their different views of the North and South on subjects such as slavery, abolitionism, secession, the elections of Presidents Buchanan and Lincoln, the Missouri Compromise, the Kansas-Nebraska Act, reconstruction, and the impeachment of Andrew Johnson.","The Morton-Halsey family had many enslaved persons who are mentioned by first names, Douglass, Edmonia \"Monie,\" Jerdome, Lucas, Melinda, Judy, Linda, and George to name a few. There is an account in the correspondence that Joseph Morton \"Mort\" Halsey had an encounter with \"Lummie\" (Columbia Conway who was employed by the family) and she became pregnant with his child and took him to court. J. J. Halsey often writes negative accounts of African Americans.","Jeremiah Morton was born in Fredericksburg, Spotsylvania County, Virginia, on September 3, 1799. He was the son of Jeremiah Morton and Mildred Garnett Jackson. He was left without parents at a very young age. It is likely he was raised by his paternal grandmother, Jane Morton. He attended a private school and Washington College (now Washington and Lee University), in Lexington, Virginia from 1814 thru 1815. He graduated from the College of William and Mary in Williamsburg, Virginia in 1819, studied law, and was admitted to the bar. He practiced at Raccoon Ford, Virginia until sickness (probably from his earlier engagement in the war) ended his legal career. He then engaged in agricultural and political pursuits.","He was elected as a Whig to the Thirty-first Congress and served from March 4, 1849 until March 3, 1851. He was unsuccessful for reelection to the Thirty-second Congress and resumed agricultural pursuits. He was a member of the State secession convention in 1861 and was appointed as a colonel in the cavalry by Virginia Governor John Letcher. He attempted to amass food during the shortages of 1864. He was appointed trustee of the Theological Seminary of Virginia at Alexandria. He died at Lessland in Orange County, Virginia on November 28, 1878 and was buried in a private cemetery at his old home Morton Hall. He may have suffered later in life from failed ventures including the purchase of Sulpur White Springs. Several family members throughout his line struggled with mental illness and the ailment alcoholism.Family and business fortunes plummeted following the Confederate defeat. He wrote about it to his brother, Senator Jackson Morton of Milton, Florida; and Jackson's son, W. Chase Morton; and with Henry Ahrens, a Florida businessman.","J. J. Halsey and Milly Halsey were the parents of Fannie Morton Halsey Dickenson (1848-1936) who married James Cooper Dickenson, Annie (Nannie) Augusta Halsey Alexander (1850-1917) who married James Porter Alexander, Jeremiah Morton \"Mort\" Halsey (1852-1921) who married Irena Louisa Stearns (1854-1886), Robert Ogden Halsey (1854-1939) who married Ella Halsey, and Dr. Bee Bartow Halsey (1862-1918 born Thomas Jackson Halsey) who married Delia Halsey. ","Irena \"Rena\"Louisa Stearns died after childbirth in 1886. Mort Halsey suffered from severe alcoholism and was often absent as a single parent, while he was either uanble to stop drinking or at a hospital for treatment. He and Rena had three children, Caroline \"Virginia\" Halsey [Wilkinson] b. 1878 who was committed to Western State in Staunton, Virginia in 1900, Irena Louisa \"Lou\" Halsey b.1880 who attended Virginia Female Institute and seemed central in keeping her family together even though they were often sent in different directions, as they were raised by their grandparents, guardians and nurses, and Franklin Stearns \"Buddie\" Halsey b. 1881 who was very close with his sister Lou and married his first cousin Fannie Dickenson. Lou Halsey married Charles Palmer Stearns, (her first cousin).","Fannie Morton Halsey Dickenson and James Cooper Dickenson were the parents of Fannie Dickenson (b. 1884) married Franklin Stearns \"Buddie\" Halsey, James \"Short\" Halsey b. 1889, and step-children Hattie, Willie, and Anne \"Mate.\" \"Buddie\" struggled with alcohol, and Fannie Dickenson Halsey divorced him. (mention of domestic abuse also).","Annie Alexander and James Porter Alexander were the parents of Jamie Alexander who was engaged to [Georgie], Celia Alexander b. 1886, and Mildred Alexander (1877-1890).","Robert Ogden Halsey and his wife Ella were the parents of eight children including Nellie, Joe, Susan, Edmund, Morton, and Janie.","Dr. Bee Bartow Halsey (1862-1918) and his wife Delia were the parents of Helen Halsey and they lived in Prescott, Arizona. Dr. Halsey may have struggled with alcoholism later in life.","Also mentioned are the siblings of J. J. Halsey, his brother Abraham Halsey (1831-1900) who made his fortune in California, Ann Eliza Halsey (1827-1868), Susan Electa Halsey (1829-1899), Stephen Halsey, Samuel S. Halsey (1835-1889), Cornelia Van Wyck Halsey (1838-1915), and Edmund Drake Halsey (1840-1896)"],"odd_html_tesm":["\u003cp\u003eContent Note: The correspondence particularly from J. J. Halsey contain references or imagery involving racism. In addition to the numerous enslaved persons in this family, J. J. Halsey and other family members often slur African Americans in correspondence throughout the collection.The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Content Note: The correspondence particularly from J. J. Halsey contain references or imagery involving racism. In addition to the numerous enslaved persons in this family, J. J. Halsey and other family members often slur African Americans in correspondence throughout the collection.The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials."],"prefercite_html_tesm":["\u003cp\u003eMSS 3995, Morton/Halsey family papers, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 3995, Morton/Halsey family papers, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThe Morton and Halsey family papers and addition (MSS 3995) contain family letters and some business letters, financial and legal papers, diaries, ledgers, printed items, and photographs belonging to the family of Jeremiah Morton (1899-1878), his wife Jane Smith Morton, and his son-in-law Joseph Jackson \"J. J.\" Halsey (1820-1907) Halseys' wife, Mildred Halsey and their children and grandchildren with the family papers spanning from 1838 to 1951 in Culpeper, and Orange County, Virginia as well as the Halsey branch of the family from New Jersey, and Abraham Halsey (J.J.'s brother) in California. \u003c/p\u003e\n","\u003cp\u003e\nThe collection contains documents, ledgers, and correspondence that Jeremiah Morton and J. J. Halsey owned and sold enslaved persons. Jeremiah Morton was involved in the internal slave trade between Virginia and Mobile, Alabama (ca. 1847-1863) with accounts, descriptions, and values placed upon enslaved persons including itemized tax receipts  This book doubles as a notebook of legal questions with page references and sections headed \"The Rights of Things,\" \"Toller's Law of Executors,\" and \"Reeves Domestic Relations.\"\u003c/p\u003e\n","\u003cp\u003e\nContent Note: The correspondence particularly from J. J. Halsey contain references or imagery involving racism. In addition to the numerous enslaved persons in this family, J. J. Halsey and other family members often slur African Americans in correspondence throughout the collection.The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e\n","\u003cp\u003e\nThere is also an 1855 registration form for Andrew Johnson, \"a person of colour,\" indicating his status as \"born free in the County of Orange, Virginia,\" and identifying him by his color, stature and marks or scars upon his face, head or hands. \u003c/p\u003e\n","\u003cp\u003e\nTopics include the Civil War with J. J. Halsey fighting for the Confederacy and his brother Edmund fighting for the Union Army, reconstruction, African Americans holding office and politics, alcohol addiction, mental illness, agriculture, economy, coal, mining, White Sulphur Springs, and the Southern Pacific Railroad. Brief mention of the Spanish American War, moonshine, domestic abuse, divorce, education, Virginia Female Institute, Virginia Military Institute, Princeton University, University of Virginia, and Charlottesville, Virginia. \u003c/p\u003e\n","\u003cp\u003eThere are Civil War accounts including the Stonewall Jackson Valley Campaign and the mention of many Generals such as Robert E. Lee,  [Richard Stoddart] Ewell,  William Tecumseh Sherman, and battles in Elk Run, Harrisonburg, New Market, Richmond, Mount Jackson and the surrender at Appomattox at Wilmer McLean's house. There are also two pages from the notebook of Mildred Halsey, which offer a day-by-day account of life while her husband is at war and Union forces occupy nearby areas. J. J. Halsey wrote that their house was between the \"cannon of both armies.\" \u003c/p\u003e\n","\u003cp\u003e\nMost of the letters include typed transcriptions which explain relationships of the family members which start with Jeremiah Morton through to his great-grandchildren, Louisa \"Lou\" Halsey b.1880, Caroline Virginia Halsey Stearns b.1878, and Frank \"Buddie\" Halsey b. 1881, Fannie Dickenson (b. 1884), James \"Short\" Halsey b. 1889, and step-children Hattie, Willie, and Anne \"Mate,\" Helen Halsey, Jamie Alexander (engaged to \"Georgie\",) Celia Alexander b. 1886, and Mildred Alexander 1877-1890, and step-children and eight children of Robert Ogden Halsey and Ella Halsey.\u003c/p\u003e\n","\u003cp\u003e\nThere is a lengthy autobiographical account of the career of William \"Extra Billy\" Smith, written in 1873 when Smith was running for U. S. Senate. The account includes his election to public office as Virginia state senator (1836), governor (1845), and U. S. congressman (1853-1859), and describes some of his Civil War experiences. \u003c/p\u003e\n","\u003cp\u003eThe correspondence of J. J. Halsey also includes letters and maps concerning the Knights of the Golden Horseshoe, and correspondence and papers related to Dr. Bee Bartow Halsey's case with the newly formed state board of medical examiners, contesting their right to license physicians. \u003c/p\u003e\n","\u003cp\u003e\nRelated materials include essays and verse by J. J. Halsey, materials relating to the rebuilding of \"Lessland,\" Dr. Bee Bartow Halsey's examinations at Williston Seminary, Virginia, and papers concerning tuition for Irena Louisa Halsey at Piedmont Female Institute. \u003c/p\u003e\n","\u003cp\u003e\nSeries 4: The ledger series of the collection consists of eighteen volumes from 1812-1882 including Jeremiah Morton's account book regarding the sales of enslaved persons, Dr. R. Brigs ledgers dated 1812-1819, contain medical procedures like pulling a tooth. Other ledgers are from residents of Madison, Orange, and Culpeper counties. Some are in the hand of J. J. Halsey, while other volumes bear the names of Charles B. Porter, John A. Porter, B. W. Brown, and Nalle, Fishback and Company. \u003c/p\u003e\n","\u003cp\u003e\nSelected list of correspondents: Jeremiah Morton: John B. Barbour, Jr., Robert Bolling, W. B. Caldwell, Allen T. Caperton, Reverend John Cole, R. H. Dulany, Frederick Gamble, Jedediah Hotchkiss, G. W. Leyburn, R. H. Maury, William Maury, A. M. Phillips, Riggs and Company, B. T. Sage, Slaughter, Franklin and Company, Alexander H. Stephens, George Terrill and B. R. Wellford. Joseph J. Halsey: John H. Antrim, J. L. Archer, Robert Bolling, W. C. Conrad, Peter V. Daniel, James Gaven Field, Dr. Jeptha Fowlker, A. J. Gordon, Colonel W. W. Gordon, Andrew Grinnan, Cornelia Grinnan, Ella Grinnan, M. G. Harman, General Eppa Hunton, General John D. Imboden, H. C. Marchant, Norton Marye, R. H. Maury, William Maury, B. T. Nalle, Phillip Nalle, Samuel H. Newbury, R.V. Richardson, William C. Rives, John Robertson, Taylor Scott, Francis H. Smith, John K. Taliaferro, Jacquelin P. Taylor, Tazewell Taylor, George Terrill, John Timberlake, C. S. Todd, Charles Wagner, Thomas P. Wallace, George Wederburn, and John Woolfolk.\u003c/p\u003e\n","\u003cp\u003e\nThere are also Morton's or Halsey's personal records, including their accounts with area merchants and residents of Madison, Culpeper or Orange counties, Virginia, whose affairs were handled by J. J. Halsey. as a lawyer. Individuals and firms listed are: William C. Austin, Beechwood and Mallory, John Blackwell and Hannah Blackwell, Charles G. Britt and James Beckham, Bushrod Brown, Thomas Brown, Thomas, Frances Bunley and Susie Bunley, M. A. Carter, John Clark, James Clark and Reuben Clark, William D. Clark, Timothy Costello, J. W. Crittenden, Sarah A. Daniel, William P. Eliason, Adam Everheart, John Gaurd, John Glaspell and Mary Glaspell, Gray Family, Thomas I. Green, R. W. Hall, James Hansbrough, Jane Hansbrough and Peter Hansbrough, Eppa Hunton, Parchal Hutchenson, Philip Johnson, James Jones, Thomas A. Keith, George Morton, Thomas Morton, Martin Nalle and Philip Nalle, Lewis Nelson, George Pannill, Charles B. Payne, W. S. Peyton, Colonel John A. Porter, John C. Rayland, William Rixey, Reverend W. F. Robins, J. W. Shadrack and John H. Somerville, Samuel Shadrack, George A. Sleet, Daniel W. Smith, James Somerville, E. W. Stearns, Steeles Tavern, Augusta County, Virginia, James L. Stringfellow, John Terrill, C. R. Van Wyck and L. D. Winston, John Vaughan, C. S. Waugh and N. B. Waugh, [John] Thomas Morton Wharton, Wharton and Nalle, William Wharton, Colonel Bruce Williams, Walter C. Winston, Winston family, and Isaac Willis.\u003c/p\u003e\n","\u003cp\u003eThe collection also contains a land grant from Patrick Henry, as Governor of Virginia, to Uriel Mallory as assignee of William Morton, 1782 November 8 (in the existing collection)\u003c/p\u003e","\u003cp\u003eIncludes report cards and school work of Joseph J. Halsey\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents"],"scopecontent_tesim":["The Morton and Halsey family papers and addition (MSS 3995) contain family letters and some business letters, financial and legal papers, diaries, ledgers, printed items, and photographs belonging to the family of Jeremiah Morton (1899-1878), his wife Jane Smith Morton, and his son-in-law Joseph Jackson \"J. J.\" Halsey (1820-1907) Halseys' wife, Mildred Halsey and their children and grandchildren with the family papers spanning from 1838 to 1951 in Culpeper, and Orange County, Virginia as well as the Halsey branch of the family from New Jersey, and Abraham Halsey (J.J.'s brother) in California. ","\nThe collection contains documents, ledgers, and correspondence that Jeremiah Morton and J. J. Halsey owned and sold enslaved persons. Jeremiah Morton was involved in the internal slave trade between Virginia and Mobile, Alabama (ca. 1847-1863) with accounts, descriptions, and values placed upon enslaved persons including itemized tax receipts  This book doubles as a notebook of legal questions with page references and sections headed \"The Rights of Things,\" \"Toller's Law of Executors,\" and \"Reeves Domestic Relations.\"","\nContent Note: The correspondence particularly from J. J. Halsey contain references or imagery involving racism. In addition to the numerous enslaved persons in this family, J. J. Halsey and other family members often slur African Americans in correspondence throughout the collection.The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nThere is also an 1855 registration form for Andrew Johnson, \"a person of colour,\" indicating his status as \"born free in the County of Orange, Virginia,\" and identifying him by his color, stature and marks or scars upon his face, head or hands. ","\nTopics include the Civil War with J. J. Halsey fighting for the Confederacy and his brother Edmund fighting for the Union Army, reconstruction, African Americans holding office and politics, alcohol addiction, mental illness, agriculture, economy, coal, mining, White Sulphur Springs, and the Southern Pacific Railroad. Brief mention of the Spanish American War, moonshine, domestic abuse, divorce, education, Virginia Female Institute, Virginia Military Institute, Princeton University, University of Virginia, and Charlottesville, Virginia. ","There are Civil War accounts including the Stonewall Jackson Valley Campaign and the mention of many Generals such as Robert E. Lee,  [Richard Stoddart] Ewell,  William Tecumseh Sherman, and battles in Elk Run, Harrisonburg, New Market, Richmond, Mount Jackson and the surrender at Appomattox at Wilmer McLean's house. There are also two pages from the notebook of Mildred Halsey, which offer a day-by-day account of life while her husband is at war and Union forces occupy nearby areas. J. J. Halsey wrote that their house was between the \"cannon of both armies.\" ","\nMost of the letters include typed transcriptions which explain relationships of the family members which start with Jeremiah Morton through to his great-grandchildren, Louisa \"Lou\" Halsey b.1880, Caroline Virginia Halsey Stearns b.1878, and Frank \"Buddie\" Halsey b. 1881, Fannie Dickenson (b. 1884), James \"Short\" Halsey b. 1889, and step-children Hattie, Willie, and Anne \"Mate,\" Helen Halsey, Jamie Alexander (engaged to \"Georgie\",) Celia Alexander b. 1886, and Mildred Alexander 1877-1890, and step-children and eight children of Robert Ogden Halsey and Ella Halsey.","\nThere is a lengthy autobiographical account of the career of William \"Extra Billy\" Smith, written in 1873 when Smith was running for U. S. Senate. The account includes his election to public office as Virginia state senator (1836), governor (1845), and U. S. congressman (1853-1859), and describes some of his Civil War experiences. ","The correspondence of J. J. Halsey also includes letters and maps concerning the Knights of the Golden Horseshoe, and correspondence and papers related to Dr. Bee Bartow Halsey's case with the newly formed state board of medical examiners, contesting their right to license physicians. ","\nRelated materials include essays and verse by J. J. Halsey, materials relating to the rebuilding of \"Lessland,\" Dr. Bee Bartow Halsey's examinations at Williston Seminary, Virginia, and papers concerning tuition for Irena Louisa Halsey at Piedmont Female Institute. ","\nSeries 4: The ledger series of the collection consists of eighteen volumes from 1812-1882 including Jeremiah Morton's account book regarding the sales of enslaved persons, Dr. R. Brigs ledgers dated 1812-1819, contain medical procedures like pulling a tooth. Other ledgers are from residents of Madison, Orange, and Culpeper counties. Some are in the hand of J. J. Halsey, while other volumes bear the names of Charles B. Porter, John A. Porter, B. W. Brown, and Nalle, Fishback and Company. ","\nSelected list of correspondents: Jeremiah Morton: John B. Barbour, Jr., Robert Bolling, W. B. Caldwell, Allen T. Caperton, Reverend John Cole, R. H. Dulany, Frederick Gamble, Jedediah Hotchkiss, G. W. Leyburn, R. H. Maury, William Maury, A. M. Phillips, Riggs and Company, B. T. Sage, Slaughter, Franklin and Company, Alexander H. Stephens, George Terrill and B. R. Wellford. Joseph J. Halsey: John H. Antrim, J. L. Archer, Robert Bolling, W. C. Conrad, Peter V. Daniel, James Gaven Field, Dr. Jeptha Fowlker, A. J. Gordon, Colonel W. W. Gordon, Andrew Grinnan, Cornelia Grinnan, Ella Grinnan, M. G. Harman, General Eppa Hunton, General John D. Imboden, H. C. Marchant, Norton Marye, R. H. Maury, William Maury, B. T. Nalle, Phillip Nalle, Samuel H. Newbury, R.V. Richardson, William C. Rives, John Robertson, Taylor Scott, Francis H. Smith, John K. Taliaferro, Jacquelin P. Taylor, Tazewell Taylor, George Terrill, John Timberlake, C. S. Todd, Charles Wagner, Thomas P. Wallace, George Wederburn, and John Woolfolk.","\nThere are also Morton's or Halsey's personal records, including their accounts with area merchants and residents of Madison, Culpeper or Orange counties, Virginia, whose affairs were handled by J. J. Halsey. as a lawyer. Individuals and firms listed are: William C. Austin, Beechwood and Mallory, John Blackwell and Hannah Blackwell, Charles G. Britt and James Beckham, Bushrod Brown, Thomas Brown, Thomas, Frances Bunley and Susie Bunley, M. A. Carter, John Clark, James Clark and Reuben Clark, William D. Clark, Timothy Costello, J. W. Crittenden, Sarah A. Daniel, William P. Eliason, Adam Everheart, John Gaurd, John Glaspell and Mary Glaspell, Gray Family, Thomas I. Green, R. W. Hall, James Hansbrough, Jane Hansbrough and Peter Hansbrough, Eppa Hunton, Parchal Hutchenson, Philip Johnson, James Jones, Thomas A. Keith, George Morton, Thomas Morton, Martin Nalle and Philip Nalle, Lewis Nelson, George Pannill, Charles B. Payne, W. S. Peyton, Colonel John A. Porter, John C. Rayland, William Rixey, Reverend W. F. Robins, J. W. Shadrack and John H. Somerville, Samuel Shadrack, George A. Sleet, Daniel W. Smith, James Somerville, E. W. Stearns, Steeles Tavern, Augusta County, Virginia, James L. Stringfellow, John Terrill, C. R. Van Wyck and L. D. Winston, John Vaughan, C. S. Waugh and N. B. Waugh, [John] Thomas Morton Wharton, Wharton and Nalle, William Wharton, Colonel Bruce Williams, Walter C. Winston, Winston family, and Isaac Willis.","The collection also contains a land grant from Patrick Henry, as Governor of Virginia, to Uriel Mallory as assignee of William Morton, 1782 November 8 (in the existing collection)","Includes report cards and school work of Joseph J. Halsey"],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":239,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:44:38.801Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1581_c05_c04"}},{"id":"viu_repositories_3_resources_1581_c05_c02","type":"File","attributes":{"title":"Wrappings with Annotations","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1581_c05_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1581_c05_c02","ref_ssm":["viu_repositories_3_resources_1581_c05_c02"],"id":"viu_repositories_3_resources_1581_c05_c02","ead_ssi":"viu_repositories_3_resources_1581","_root_":"viu_repositories_3_resources_1581","_nest_parent_":"viu_repositories_3_resources_1581_c05","parent_ssi":"viu_repositories_3_resources_1581_c05","parent_ssim":["viu_repositories_3_resources_1581","viu_repositories_3_resources_1581_c05"],"parent_ids_ssim":["viu_repositories_3_resources_1581","viu_repositories_3_resources_1581_c05"],"parent_unittitles_ssm":["Morton-Halsey family papers","Series 5. Envelopes, Wrappings, and Fragments"],"parent_unittitles_tesim":["Morton-Halsey family papers","Series 5. Envelopes, Wrappings, and Fragments"],"text":["Morton-Halsey family papers","Series 5. Envelopes, Wrappings, and Fragments","Wrappings with Annotations","box 38","folder 13"],"title_filing_ssi":"Wrappings with Annotations","title_ssm":["Wrappings with Annotations"],"title_tesim":["Wrappings with Annotations"],"unitdate_inclusive_ssm":["circa 1800-1899"],"normalized_date_ssm":["1800/1899"],"normalized_title_ssm":["Wrappings with Annotations"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Morton-Halsey family papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":234,"parent_access_restrict_tesm":["The collection is open for research use."],"date_range_isim":[1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899],"containers_ssim":["box 38","folder 13"],"_nest_path_":"/components#4/components#1","timestamp":"2026-05-20T23:44:38.801Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1581","ead_ssi":"viu_repositories_3_resources_1581","_root_":"viu_repositories_3_resources_1581","_nest_parent_":"viu_repositories_3_resources_1581","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1581.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/191816","title_filing_ssi":"Morton-Halsey family papers ","title_ssm":["Morton-Halsey family papers"],"title_tesim":["Morton-Halsey family papers"],"unitdate_ssm":["ca. 1833-1951"],"unitdate_inclusive_ssm":["ca. 1833-1951"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 3995","Archival Resource Key","/repositories/3/resources/1581"],"text":["MSS 3995","Archival Resource Key","/repositories/3/resources/1581","Morton-Halsey family papers","The collection is open for research use.","\nJoseph Jackson Halsey (1820-1907) was born in New York to Samuel Beach Halsey (1796-1871) and Sarah Dubois Jackson (1803-1859) -no relation to Stonewall Jackson found- and raised in Morristown, New Jersey. He was educated at the College of New Jersey (now Princeton University)and accepted a teaching position in Fredericksburg, Virginia at the Classical and Scientific Athenaeum in 1842. While there he met and married Mildred \"Milly\"Morton (1825-1906?) in 1846, daughter of Jeremiah Morton (1799-1872) and Mary Eleanor \"Jane\" Smith Morton (1801-1876) from Morton Hall (\"The Hall\" near \"Lessland\") an estate in Racoon Ford, Orange County, Virginia. He was admitted into the bar in 1847 and moved to the Morton plantation to farm and practice law in Culpeper County, Virginia. ","He became an increasingly close friend and business associate of his father-in-law Jeremiah Morton. Halsey served as a captain in the 6th Virginia Calvalry Regiment during the Civil War. In 1863, in response to a charge that he had been away without leave, Halsey wrote an account of his wartime activities until that time: a cycle of activity, failing health, leave, recovery, and return. After the war, Halsey was a shareholder of the Orange, Alexandria and Manassas Railroad, owned a saw mill operation and mining operations, and was an Emigrant Aid and Homestead Company agent for the sale of large tracts of Virginia land. ","A large landowner and important political figure in the region, Jeremiah Morton lived at his nearby plantation \"The Hall\" (locally known as Morton Hall). . . According to family tradition, Morton christened the 441-acre tract Lessland because it contained 'less land' than his other properties Moreland and Stillmore.\"Lessland\" was damaged by fire in 1870 and was rebuilt in 1871 by J. J. Halsey who had purchased the land from his father-in-law in 1854. Halsey died at \"Lessland\" in 1907.","J. J. Halsey and Jeremiah Morton were strong supporters of the South and its institution of Enslavery. Halsey's correspondence with his brother Edmund Halsey and Samuel Halsey showed their different views of the North and South on subjects such as slavery, abolitionism, secession, the elections of Presidents Buchanan and Lincoln, the Missouri Compromise, the Kansas-Nebraska Act, reconstruction, and the impeachment of Andrew Johnson.","The Morton-Halsey family had many enslaved persons who are mentioned by first names, Douglass, Edmonia \"Monie,\" Jerdome, Lucas, Melinda, Judy, Linda, and George to name a few. There is an account in the correspondence that Joseph Morton \"Mort\" Halsey had an encounter with \"Lummie\" (Columbia Conway who was employed by the family) and she became pregnant with his child and took him to court. J. J. Halsey often writes negative accounts of African Americans.","Jeremiah Morton was born in Fredericksburg, Spotsylvania County, Virginia, on September 3, 1799. He was the son of Jeremiah Morton and Mildred Garnett Jackson. He was left without parents at a very young age. It is likely he was raised by his paternal grandmother, Jane Morton. He attended a private school and Washington College (now Washington and Lee University), in Lexington, Virginia from 1814 thru 1815. He graduated from the College of William and Mary in Williamsburg, Virginia in 1819, studied law, and was admitted to the bar. He practiced at Raccoon Ford, Virginia until sickness (probably from his earlier engagement in the war) ended his legal career. He then engaged in agricultural and political pursuits.","He was elected as a Whig to the Thirty-first Congress and served from March 4, 1849 until March 3, 1851. He was unsuccessful for reelection to the Thirty-second Congress and resumed agricultural pursuits. He was a member of the State secession convention in 1861 and was appointed as a colonel in the cavalry by Virginia Governor John Letcher. He attempted to amass food during the shortages of 1864. He was appointed trustee of the Theological Seminary of Virginia at Alexandria. He died at Lessland in Orange County, Virginia on November 28, 1878 and was buried in a private cemetery at his old home Morton Hall. He may have suffered later in life from failed ventures including the purchase of Sulpur White Springs. Several family members throughout his line struggled with mental illness and the ailment alcoholism.Family and business fortunes plummeted following the Confederate defeat. He wrote about it to his brother, Senator Jackson Morton of Milton, Florida; and Jackson's son, W. Chase Morton; and with Henry Ahrens, a Florida businessman.","J. J. Halsey and Milly Halsey were the parents of Fannie Morton Halsey Dickenson (1848-1936) who married James Cooper Dickenson, Annie (Nannie) Augusta Halsey Alexander (1850-1917) who married James Porter Alexander, Jeremiah Morton \"Mort\" Halsey (1852-1921) who married Irena Louisa Stearns (1854-1886), Robert Ogden Halsey (1854-1939) who married Ella Halsey, and Dr. Bee Bartow Halsey (1862-1918 born Thomas Jackson Halsey) who married Delia Halsey. ","Irena \"Rena\"Louisa Stearns died after childbirth in 1886. Mort Halsey suffered from severe alcoholism and was often absent as a single parent, while he was either uanble to stop drinking or at a hospital for treatment. He and Rena had three children, Caroline \"Virginia\" Halsey [Wilkinson] b. 1878 who was committed to Western State in Staunton, Virginia in 1900, Irena Louisa \"Lou\" Halsey b.1880 who attended Virginia Female Institute and seemed central in keeping her family together even though they were often sent in different directions, as they were raised by their grandparents, guardians and nurses, and Franklin Stearns \"Buddie\" Halsey b. 1881 who was very close with his sister Lou and married his first cousin Fannie Dickenson. Lou Halsey married Charles Palmer Stearns, (her first cousin).","Fannie Morton Halsey Dickenson and James Cooper Dickenson were the parents of Fannie Dickenson (b. 1884) married Franklin Stearns \"Buddie\" Halsey, James \"Short\" Halsey b. 1889, and step-children Hattie, Willie, and Anne \"Mate.\" \"Buddie\" struggled with alcohol, and Fannie Dickenson Halsey divorced him. (mention of domestic abuse also).","Annie Alexander and James Porter Alexander were the parents of Jamie Alexander who was engaged to [Georgie], Celia Alexander b. 1886, and Mildred Alexander (1877-1890).","Robert Ogden Halsey and his wife Ella were the parents of eight children including Nellie, Joe, Susan, Edmund, Morton, and Janie.","Dr. Bee Bartow Halsey (1862-1918) and his wife Delia were the parents of Helen Halsey and they lived in Prescott, Arizona. Dr. Halsey may have struggled with alcoholism later in life.","Also mentioned are the siblings of J. J. Halsey, his brother Abraham Halsey (1831-1900) who made his fortune in California, Ann Eliza Halsey (1827-1868), Susan Electa Halsey (1829-1899), Stephen Halsey, Samuel S. Halsey (1835-1889), Cornelia Van Wyck Halsey (1838-1915), and Edmund Drake Halsey (1840-1896)","Content Note: The correspondence particularly from J. J. Halsey contain references or imagery involving racism. In addition to the numerous enslaved persons in this family, J. J. Halsey and other family members often slur African Americans in correspondence throughout the collection.The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The Morton and Halsey family papers and addition (MSS 3995) contain family letters and some business letters, financial and legal papers, diaries, ledgers, printed items, and photographs belonging to the family of Jeremiah Morton (1899-1878), his wife Jane Smith Morton, and his son-in-law Joseph Jackson \"J. J.\" Halsey (1820-1907) Halseys' wife, Mildred Halsey and their children and grandchildren with the family papers spanning from 1838 to 1951 in Culpeper, and Orange County, Virginia as well as the Halsey branch of the family from New Jersey, and Abraham Halsey (J.J.'s brother) in California. ","\nThe collection contains documents, ledgers, and correspondence that Jeremiah Morton and J. J. Halsey owned and sold enslaved persons. Jeremiah Morton was involved in the internal slave trade between Virginia and Mobile, Alabama (ca. 1847-1863) with accounts, descriptions, and values placed upon enslaved persons including itemized tax receipts  This book doubles as a notebook of legal questions with page references and sections headed \"The Rights of Things,\" \"Toller's Law of Executors,\" and \"Reeves Domestic Relations.\"","\nContent Note: The correspondence particularly from J. J. Halsey contain references or imagery involving racism. In addition to the numerous enslaved persons in this family, J. J. Halsey and other family members often slur African Americans in correspondence throughout the collection.The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nThere is also an 1855 registration form for Andrew Johnson, \"a person of colour,\" indicating his status as \"born free in the County of Orange, Virginia,\" and identifying him by his color, stature and marks or scars upon his face, head or hands. ","\nTopics include the Civil War with J. J. Halsey fighting for the Confederacy and his brother Edmund fighting for the Union Army, reconstruction, African Americans holding office and politics, alcohol addiction, mental illness, agriculture, economy, coal, mining, White Sulphur Springs, and the Southern Pacific Railroad. Brief mention of the Spanish American War, moonshine, domestic abuse, divorce, education, Virginia Female Institute, Virginia Military Institute, Princeton University, University of Virginia, and Charlottesville, Virginia. ","There are Civil War accounts including the Stonewall Jackson Valley Campaign and the mention of many Generals such as Robert E. Lee,  [Richard Stoddart] Ewell,  William Tecumseh Sherman, and battles in Elk Run, Harrisonburg, New Market, Richmond, Mount Jackson and the surrender at Appomattox at Wilmer McLean's house. There are also two pages from the notebook of Mildred Halsey, which offer a day-by-day account of life while her husband is at war and Union forces occupy nearby areas. J. J. Halsey wrote that their house was between the \"cannon of both armies.\" ","\nMost of the letters include typed transcriptions which explain relationships of the family members which start with Jeremiah Morton through to his great-grandchildren, Louisa \"Lou\" Halsey b.1880, Caroline Virginia Halsey Stearns b.1878, and Frank \"Buddie\" Halsey b. 1881, Fannie Dickenson (b. 1884), James \"Short\" Halsey b. 1889, and step-children Hattie, Willie, and Anne \"Mate,\" Helen Halsey, Jamie Alexander (engaged to \"Georgie\",) Celia Alexander b. 1886, and Mildred Alexander 1877-1890, and step-children and eight children of Robert Ogden Halsey and Ella Halsey.","\nThere is a lengthy autobiographical account of the career of William \"Extra Billy\" Smith, written in 1873 when Smith was running for U. S. Senate. The account includes his election to public office as Virginia state senator (1836), governor (1845), and U. S. congressman (1853-1859), and describes some of his Civil War experiences. ","The correspondence of J. J. Halsey also includes letters and maps concerning the Knights of the Golden Horseshoe, and correspondence and papers related to Dr. Bee Bartow Halsey's case with the newly formed state board of medical examiners, contesting their right to license physicians. ","\nRelated materials include essays and verse by J. J. Halsey, materials relating to the rebuilding of \"Lessland,\" Dr. Bee Bartow Halsey's examinations at Williston Seminary, Virginia, and papers concerning tuition for Irena Louisa Halsey at Piedmont Female Institute. ","\nSeries 4: The ledger series of the collection consists of eighteen volumes from 1812-1882 including Jeremiah Morton's account book regarding the sales of enslaved persons, Dr. R. Brigs ledgers dated 1812-1819, contain medical procedures like pulling a tooth. Other ledgers are from residents of Madison, Orange, and Culpeper counties. Some are in the hand of J. J. Halsey, while other volumes bear the names of Charles B. Porter, John A. Porter, B. W. Brown, and Nalle, Fishback and Company. ","\nSelected list of correspondents: Jeremiah Morton: John B. Barbour, Jr., Robert Bolling, W. B. Caldwell, Allen T. Caperton, Reverend John Cole, R. H. Dulany, Frederick Gamble, Jedediah Hotchkiss, G. W. Leyburn, R. H. Maury, William Maury, A. M. Phillips, Riggs and Company, B. T. Sage, Slaughter, Franklin and Company, Alexander H. Stephens, George Terrill and B. R. Wellford. Joseph J. Halsey: John H. Antrim, J. L. Archer, Robert Bolling, W. C. Conrad, Peter V. Daniel, James Gaven Field, Dr. Jeptha Fowlker, A. J. Gordon, Colonel W. W. Gordon, Andrew Grinnan, Cornelia Grinnan, Ella Grinnan, M. G. Harman, General Eppa Hunton, General John D. Imboden, H. C. Marchant, Norton Marye, R. H. Maury, William Maury, B. T. Nalle, Phillip Nalle, Samuel H. Newbury, R.V. Richardson, William C. Rives, John Robertson, Taylor Scott, Francis H. Smith, John K. Taliaferro, Jacquelin P. Taylor, Tazewell Taylor, George Terrill, John Timberlake, C. S. Todd, Charles Wagner, Thomas P. Wallace, George Wederburn, and John Woolfolk.","\nThere are also Morton's or Halsey's personal records, including their accounts with area merchants and residents of Madison, Culpeper or Orange counties, Virginia, whose affairs were handled by J. J. Halsey. as a lawyer. Individuals and firms listed are: William C. Austin, Beechwood and Mallory, John Blackwell and Hannah Blackwell, Charles G. Britt and James Beckham, Bushrod Brown, Thomas Brown, Thomas, Frances Bunley and Susie Bunley, M. A. Carter, John Clark, James Clark and Reuben Clark, William D. Clark, Timothy Costello, J. W. Crittenden, Sarah A. Daniel, William P. Eliason, Adam Everheart, John Gaurd, John Glaspell and Mary Glaspell, Gray Family, Thomas I. Green, R. W. Hall, James Hansbrough, Jane Hansbrough and Peter Hansbrough, Eppa Hunton, Parchal Hutchenson, Philip Johnson, James Jones, Thomas A. Keith, George Morton, Thomas Morton, Martin Nalle and Philip Nalle, Lewis Nelson, George Pannill, Charles B. Payne, W. S. Peyton, Colonel John A. Porter, John C. Rayland, William Rixey, Reverend W. F. Robins, J. W. Shadrack and John H. Somerville, Samuel Shadrack, George A. Sleet, Daniel W. Smith, James Somerville, E. W. Stearns, Steeles Tavern, Augusta County, Virginia, James L. Stringfellow, John Terrill, C. R. Van Wyck and L. D. Winston, John Vaughan, C. S. Waugh and N. B. Waugh, [John] Thomas Morton Wharton, Wharton and Nalle, William Wharton, Colonel Bruce Williams, Walter C. Winston, Winston family, and Isaac Willis.","The collection also contains a land grant from Patrick Henry, as Governor of Virginia, to Uriel Mallory as assignee of William Morton, 1782 November 8 (in the existing collection)","Includes report cards and school work of Joseph J. Halsey","Albert and Shirley Small Special Collections Library","English"],"unitid_tesim":["MSS 3995","Archival Resource Key","/repositories/3/resources/1581"],"normalized_title_ssm":["Morton-Halsey family papers"],"collection_title_tesim":["Morton-Halsey family papers"],"collection_ssim":["Morton-Halsey family papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["This collection was a gift from Mildred E. Towe Tyner to the Small Special Collections Library at the University of Virginia Library on 24 June 2021."],"has_online_content_ssim":["false"],"extent_ssm":["22.4 Cubic Feet Two cubic boxes and one letter size document box added to 39 document boxes."],"extent_tesim":["22.4 Cubic Feet Two cubic boxes and one letter size document box added to 39 document boxes."],"date_range_isim":[1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"arrangement_heading_ssm":["Arrangement"],"bioghist_html_tesm":["\u003cp\u003e\nJoseph Jackson Halsey (1820-1907) was born in New York to Samuel Beach Halsey (1796-1871) and Sarah Dubois Jackson (1803-1859) -no relation to Stonewall Jackson found- and raised in Morristown, New Jersey. He was educated at the College of New Jersey (now Princeton University)and accepted a teaching position in Fredericksburg, Virginia at the Classical and Scientific Athenaeum in 1842. While there he met and married Mildred \"Milly\"Morton (1825-1906?) in 1846, daughter of Jeremiah Morton (1799-1872) and Mary Eleanor \"Jane\" Smith Morton (1801-1876) from Morton Hall (\"The Hall\" near \"Lessland\") an estate in Racoon Ford, Orange County, Virginia. He was admitted into the bar in 1847 and moved to the Morton plantation to farm and practice law in Culpeper County, Virginia. \u003c/p\u003e\n","\u003cp\u003eHe became an increasingly close friend and business associate of his father-in-law Jeremiah Morton. Halsey served as a captain in the 6th Virginia Calvalry Regiment during the Civil War. In 1863, in response to a charge that he had been away without leave, Halsey wrote an account of his wartime activities until that time: a cycle of activity, failing health, leave, recovery, and return. After the war, Halsey was a shareholder of the Orange, Alexandria and Manassas Railroad, owned a saw mill operation and mining operations, and was an Emigrant Aid and Homestead Company agent for the sale of large tracts of Virginia land. \u003c/p\u003e\n","\u003cp\u003eA large landowner and important political figure in the region, Jeremiah Morton lived at his nearby plantation \"The Hall\" (locally known as Morton Hall). . . According to family tradition, Morton christened the 441-acre tract Lessland because it contained 'less land' than his other properties Moreland and Stillmore.\"Lessland\" was damaged by fire in 1870 and was rebuilt in 1871 by J. J. Halsey who had purchased the land from his father-in-law in 1854. Halsey died at \"Lessland\" in 1907.\u003c/p\u003e\n","\u003cp\u003eJ. J. Halsey and Jeremiah Morton were strong supporters of the South and its institution of Enslavery. Halsey's correspondence with his brother Edmund Halsey and Samuel Halsey showed their different views of the North and South on subjects such as slavery, abolitionism, secession, the elections of Presidents Buchanan and Lincoln, the Missouri Compromise, the Kansas-Nebraska Act, reconstruction, and the impeachment of Andrew Johnson.\u003c/p\u003e\n","\u003cp\u003eThe Morton-Halsey family had many enslaved persons who are mentioned by first names, Douglass, Edmonia \"Monie,\" Jerdome, Lucas, Melinda, Judy, Linda, and George to name a few. There is an account in the correspondence that Joseph Morton \"Mort\" Halsey had an encounter with \"Lummie\" (Columbia Conway who was employed by the family) and she became pregnant with his child and took him to court. J. J. Halsey often writes negative accounts of African Americans.\u003c/p\u003e\n","\u003cp\u003eJeremiah Morton was born in Fredericksburg, Spotsylvania County, Virginia, on September 3, 1799. He was the son of Jeremiah Morton and Mildred Garnett Jackson. He was left without parents at a very young age. It is likely he was raised by his paternal grandmother, Jane Morton. He attended a private school and Washington College (now Washington and Lee University), in Lexington, Virginia from 1814 thru 1815. He graduated from the College of William and Mary in Williamsburg, Virginia in 1819, studied law, and was admitted to the bar. He practiced at Raccoon Ford, Virginia until sickness (probably from his earlier engagement in the war) ended his legal career. He then engaged in agricultural and political pursuits.\u003c/p\u003e\n","\u003cp\u003eHe was elected as a Whig to the Thirty-first Congress and served from March 4, 1849 until March 3, 1851. He was unsuccessful for reelection to the Thirty-second Congress and resumed agricultural pursuits. He was a member of the State secession convention in 1861 and was appointed as a colonel in the cavalry by Virginia Governor John Letcher. He attempted to amass food during the shortages of 1864. He was appointed trustee of the Theological Seminary of Virginia at Alexandria. He died at Lessland in Orange County, Virginia on November 28, 1878 and was buried in a private cemetery at his old home Morton Hall. He may have suffered later in life from failed ventures including the purchase of Sulpur White Springs. Several family members throughout his line struggled with mental illness and the ailment alcoholism.Family and business fortunes plummeted following the Confederate defeat. He wrote about it to his brother, Senator Jackson Morton of Milton, Florida; and Jackson's son, W. Chase Morton; and with Henry Ahrens, a Florida businessman.\u003c/p\u003e\n","\u003cp\u003eJ. J. Halsey and Milly Halsey were the parents of Fannie Morton Halsey Dickenson (1848-1936) who married James Cooper Dickenson, Annie (Nannie) Augusta Halsey Alexander (1850-1917) who married James Porter Alexander, Jeremiah Morton \"Mort\" Halsey (1852-1921) who married Irena Louisa Stearns (1854-1886), Robert Ogden Halsey (1854-1939) who married Ella Halsey, and Dr. Bee Bartow Halsey (1862-1918 born Thomas Jackson Halsey) who married Delia Halsey. \u003c/p\u003e\n","\u003cp\u003eIrena \"Rena\"Louisa Stearns died after childbirth in 1886. Mort Halsey suffered from severe alcoholism and was often absent as a single parent, while he was either uanble to stop drinking or at a hospital for treatment. He and Rena had three children, Caroline \"Virginia\" Halsey [Wilkinson] b. 1878 who was committed to Western State in Staunton, Virginia in 1900, Irena Louisa \"Lou\" Halsey b.1880 who attended Virginia Female Institute and seemed central in keeping her family together even though they were often sent in different directions, as they were raised by their grandparents, guardians and nurses, and Franklin Stearns \"Buddie\" Halsey b. 1881 who was very close with his sister Lou and married his first cousin Fannie Dickenson. Lou Halsey married Charles Palmer Stearns, (her first cousin).\u003c/p\u003e\n","\u003cp\u003eFannie Morton Halsey Dickenson and James Cooper Dickenson were the parents of Fannie Dickenson (b. 1884) married Franklin Stearns \"Buddie\" Halsey, James \"Short\" Halsey b. 1889, and step-children Hattie, Willie, and Anne \"Mate.\" \"Buddie\" struggled with alcohol, and Fannie Dickenson Halsey divorced him. (mention of domestic abuse also).\u003c/p\u003e\n","\u003cp\u003eAnnie Alexander and James Porter Alexander were the parents of Jamie Alexander who was engaged to [Georgie], Celia Alexander b. 1886, and Mildred Alexander (1877-1890).\u003c/p\u003e\n","\u003cp\u003eRobert Ogden Halsey and his wife Ella were the parents of eight children including Nellie, Joe, Susan, Edmund, Morton, and Janie.\u003c/p\u003e\n","\u003cp\u003eDr. Bee Bartow Halsey (1862-1918) and his wife Delia were the parents of Helen Halsey and they lived in Prescott, Arizona. Dr. Halsey may have struggled with alcoholism later in life.\u003c/p\u003e\n","\u003cp\u003eAlso mentioned are the siblings of J. J. Halsey, his brother Abraham Halsey (1831-1900) who made his fortune in California, Ann Eliza Halsey (1827-1868), Susan Electa Halsey (1829-1899), Stephen Halsey, Samuel S. Halsey (1835-1889), Cornelia Van Wyck Halsey (1838-1915), and Edmund Drake Halsey (1840-1896)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\nJoseph Jackson Halsey (1820-1907) was born in New York to Samuel Beach Halsey (1796-1871) and Sarah Dubois Jackson (1803-1859) -no relation to Stonewall Jackson found- and raised in Morristown, New Jersey. He was educated at the College of New Jersey (now Princeton University)and accepted a teaching position in Fredericksburg, Virginia at the Classical and Scientific Athenaeum in 1842. While there he met and married Mildred \"Milly\"Morton (1825-1906?) in 1846, daughter of Jeremiah Morton (1799-1872) and Mary Eleanor \"Jane\" Smith Morton (1801-1876) from Morton Hall (\"The Hall\" near \"Lessland\") an estate in Racoon Ford, Orange County, Virginia. He was admitted into the bar in 1847 and moved to the Morton plantation to farm and practice law in Culpeper County, Virginia. ","He became an increasingly close friend and business associate of his father-in-law Jeremiah Morton. Halsey served as a captain in the 6th Virginia Calvalry Regiment during the Civil War. In 1863, in response to a charge that he had been away without leave, Halsey wrote an account of his wartime activities until that time: a cycle of activity, failing health, leave, recovery, and return. After the war, Halsey was a shareholder of the Orange, Alexandria and Manassas Railroad, owned a saw mill operation and mining operations, and was an Emigrant Aid and Homestead Company agent for the sale of large tracts of Virginia land. ","A large landowner and important political figure in the region, Jeremiah Morton lived at his nearby plantation \"The Hall\" (locally known as Morton Hall). . . According to family tradition, Morton christened the 441-acre tract Lessland because it contained 'less land' than his other properties Moreland and Stillmore.\"Lessland\" was damaged by fire in 1870 and was rebuilt in 1871 by J. J. Halsey who had purchased the land from his father-in-law in 1854. Halsey died at \"Lessland\" in 1907.","J. J. Halsey and Jeremiah Morton were strong supporters of the South and its institution of Enslavery. Halsey's correspondence with his brother Edmund Halsey and Samuel Halsey showed their different views of the North and South on subjects such as slavery, abolitionism, secession, the elections of Presidents Buchanan and Lincoln, the Missouri Compromise, the Kansas-Nebraska Act, reconstruction, and the impeachment of Andrew Johnson.","The Morton-Halsey family had many enslaved persons who are mentioned by first names, Douglass, Edmonia \"Monie,\" Jerdome, Lucas, Melinda, Judy, Linda, and George to name a few. There is an account in the correspondence that Joseph Morton \"Mort\" Halsey had an encounter with \"Lummie\" (Columbia Conway who was employed by the family) and she became pregnant with his child and took him to court. J. J. Halsey often writes negative accounts of African Americans.","Jeremiah Morton was born in Fredericksburg, Spotsylvania County, Virginia, on September 3, 1799. He was the son of Jeremiah Morton and Mildred Garnett Jackson. He was left without parents at a very young age. It is likely he was raised by his paternal grandmother, Jane Morton. He attended a private school and Washington College (now Washington and Lee University), in Lexington, Virginia from 1814 thru 1815. He graduated from the College of William and Mary in Williamsburg, Virginia in 1819, studied law, and was admitted to the bar. He practiced at Raccoon Ford, Virginia until sickness (probably from his earlier engagement in the war) ended his legal career. He then engaged in agricultural and political pursuits.","He was elected as a Whig to the Thirty-first Congress and served from March 4, 1849 until March 3, 1851. He was unsuccessful for reelection to the Thirty-second Congress and resumed agricultural pursuits. He was a member of the State secession convention in 1861 and was appointed as a colonel in the cavalry by Virginia Governor John Letcher. He attempted to amass food during the shortages of 1864. He was appointed trustee of the Theological Seminary of Virginia at Alexandria. He died at Lessland in Orange County, Virginia on November 28, 1878 and was buried in a private cemetery at his old home Morton Hall. He may have suffered later in life from failed ventures including the purchase of Sulpur White Springs. Several family members throughout his line struggled with mental illness and the ailment alcoholism.Family and business fortunes plummeted following the Confederate defeat. He wrote about it to his brother, Senator Jackson Morton of Milton, Florida; and Jackson's son, W. Chase Morton; and with Henry Ahrens, a Florida businessman.","J. J. Halsey and Milly Halsey were the parents of Fannie Morton Halsey Dickenson (1848-1936) who married James Cooper Dickenson, Annie (Nannie) Augusta Halsey Alexander (1850-1917) who married James Porter Alexander, Jeremiah Morton \"Mort\" Halsey (1852-1921) who married Irena Louisa Stearns (1854-1886), Robert Ogden Halsey (1854-1939) who married Ella Halsey, and Dr. Bee Bartow Halsey (1862-1918 born Thomas Jackson Halsey) who married Delia Halsey. ","Irena \"Rena\"Louisa Stearns died after childbirth in 1886. Mort Halsey suffered from severe alcoholism and was often absent as a single parent, while he was either uanble to stop drinking or at a hospital for treatment. He and Rena had three children, Caroline \"Virginia\" Halsey [Wilkinson] b. 1878 who was committed to Western State in Staunton, Virginia in 1900, Irena Louisa \"Lou\" Halsey b.1880 who attended Virginia Female Institute and seemed central in keeping her family together even though they were often sent in different directions, as they were raised by their grandparents, guardians and nurses, and Franklin Stearns \"Buddie\" Halsey b. 1881 who was very close with his sister Lou and married his first cousin Fannie Dickenson. Lou Halsey married Charles Palmer Stearns, (her first cousin).","Fannie Morton Halsey Dickenson and James Cooper Dickenson were the parents of Fannie Dickenson (b. 1884) married Franklin Stearns \"Buddie\" Halsey, James \"Short\" Halsey b. 1889, and step-children Hattie, Willie, and Anne \"Mate.\" \"Buddie\" struggled with alcohol, and Fannie Dickenson Halsey divorced him. (mention of domestic abuse also).","Annie Alexander and James Porter Alexander were the parents of Jamie Alexander who was engaged to [Georgie], Celia Alexander b. 1886, and Mildred Alexander (1877-1890).","Robert Ogden Halsey and his wife Ella were the parents of eight children including Nellie, Joe, Susan, Edmund, Morton, and Janie.","Dr. Bee Bartow Halsey (1862-1918) and his wife Delia were the parents of Helen Halsey and they lived in Prescott, Arizona. Dr. Halsey may have struggled with alcoholism later in life.","Also mentioned are the siblings of J. J. Halsey, his brother Abraham Halsey (1831-1900) who made his fortune in California, Ann Eliza Halsey (1827-1868), Susan Electa Halsey (1829-1899), Stephen Halsey, Samuel S. Halsey (1835-1889), Cornelia Van Wyck Halsey (1838-1915), and Edmund Drake Halsey (1840-1896)"],"odd_html_tesm":["\u003cp\u003eContent Note: The correspondence particularly from J. J. Halsey contain references or imagery involving racism. In addition to the numerous enslaved persons in this family, J. J. Halsey and other family members often slur African Americans in correspondence throughout the collection.The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Content Note: The correspondence particularly from J. J. Halsey contain references or imagery involving racism. In addition to the numerous enslaved persons in this family, J. J. Halsey and other family members often slur African Americans in correspondence throughout the collection.The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials."],"prefercite_html_tesm":["\u003cp\u003eMSS 3995, Morton/Halsey family papers, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 3995, Morton/Halsey family papers, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThe Morton and Halsey family papers and addition (MSS 3995) contain family letters and some business letters, financial and legal papers, diaries, ledgers, printed items, and photographs belonging to the family of Jeremiah Morton (1899-1878), his wife Jane Smith Morton, and his son-in-law Joseph Jackson \"J. J.\" Halsey (1820-1907) Halseys' wife, Mildred Halsey and their children and grandchildren with the family papers spanning from 1838 to 1951 in Culpeper, and Orange County, Virginia as well as the Halsey branch of the family from New Jersey, and Abraham Halsey (J.J.'s brother) in California. \u003c/p\u003e\n","\u003cp\u003e\nThe collection contains documents, ledgers, and correspondence that Jeremiah Morton and J. J. Halsey owned and sold enslaved persons. Jeremiah Morton was involved in the internal slave trade between Virginia and Mobile, Alabama (ca. 1847-1863) with accounts, descriptions, and values placed upon enslaved persons including itemized tax receipts  This book doubles as a notebook of legal questions with page references and sections headed \"The Rights of Things,\" \"Toller's Law of Executors,\" and \"Reeves Domestic Relations.\"\u003c/p\u003e\n","\u003cp\u003e\nContent Note: The correspondence particularly from J. J. Halsey contain references or imagery involving racism. In addition to the numerous enslaved persons in this family, J. J. Halsey and other family members often slur African Americans in correspondence throughout the collection.The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e\n","\u003cp\u003e\nThere is also an 1855 registration form for Andrew Johnson, \"a person of colour,\" indicating his status as \"born free in the County of Orange, Virginia,\" and identifying him by his color, stature and marks or scars upon his face, head or hands. \u003c/p\u003e\n","\u003cp\u003e\nTopics include the Civil War with J. J. Halsey fighting for the Confederacy and his brother Edmund fighting for the Union Army, reconstruction, African Americans holding office and politics, alcohol addiction, mental illness, agriculture, economy, coal, mining, White Sulphur Springs, and the Southern Pacific Railroad. Brief mention of the Spanish American War, moonshine, domestic abuse, divorce, education, Virginia Female Institute, Virginia Military Institute, Princeton University, University of Virginia, and Charlottesville, Virginia. \u003c/p\u003e\n","\u003cp\u003eThere are Civil War accounts including the Stonewall Jackson Valley Campaign and the mention of many Generals such as Robert E. Lee,  [Richard Stoddart] Ewell,  William Tecumseh Sherman, and battles in Elk Run, Harrisonburg, New Market, Richmond, Mount Jackson and the surrender at Appomattox at Wilmer McLean's house. There are also two pages from the notebook of Mildred Halsey, which offer a day-by-day account of life while her husband is at war and Union forces occupy nearby areas. J. J. Halsey wrote that their house was between the \"cannon of both armies.\" \u003c/p\u003e\n","\u003cp\u003e\nMost of the letters include typed transcriptions which explain relationships of the family members which start with Jeremiah Morton through to his great-grandchildren, Louisa \"Lou\" Halsey b.1880, Caroline Virginia Halsey Stearns b.1878, and Frank \"Buddie\" Halsey b. 1881, Fannie Dickenson (b. 1884), James \"Short\" Halsey b. 1889, and step-children Hattie, Willie, and Anne \"Mate,\" Helen Halsey, Jamie Alexander (engaged to \"Georgie\",) Celia Alexander b. 1886, and Mildred Alexander 1877-1890, and step-children and eight children of Robert Ogden Halsey and Ella Halsey.\u003c/p\u003e\n","\u003cp\u003e\nThere is a lengthy autobiographical account of the career of William \"Extra Billy\" Smith, written in 1873 when Smith was running for U. S. Senate. The account includes his election to public office as Virginia state senator (1836), governor (1845), and U. S. congressman (1853-1859), and describes some of his Civil War experiences. \u003c/p\u003e\n","\u003cp\u003eThe correspondence of J. J. Halsey also includes letters and maps concerning the Knights of the Golden Horseshoe, and correspondence and papers related to Dr. Bee Bartow Halsey's case with the newly formed state board of medical examiners, contesting their right to license physicians. \u003c/p\u003e\n","\u003cp\u003e\nRelated materials include essays and verse by J. J. Halsey, materials relating to the rebuilding of \"Lessland,\" Dr. Bee Bartow Halsey's examinations at Williston Seminary, Virginia, and papers concerning tuition for Irena Louisa Halsey at Piedmont Female Institute. \u003c/p\u003e\n","\u003cp\u003e\nSeries 4: The ledger series of the collection consists of eighteen volumes from 1812-1882 including Jeremiah Morton's account book regarding the sales of enslaved persons, Dr. R. Brigs ledgers dated 1812-1819, contain medical procedures like pulling a tooth. Other ledgers are from residents of Madison, Orange, and Culpeper counties. Some are in the hand of J. J. Halsey, while other volumes bear the names of Charles B. Porter, John A. Porter, B. W. Brown, and Nalle, Fishback and Company. \u003c/p\u003e\n","\u003cp\u003e\nSelected list of correspondents: Jeremiah Morton: John B. Barbour, Jr., Robert Bolling, W. B. Caldwell, Allen T. Caperton, Reverend John Cole, R. H. Dulany, Frederick Gamble, Jedediah Hotchkiss, G. W. Leyburn, R. H. Maury, William Maury, A. M. Phillips, Riggs and Company, B. T. Sage, Slaughter, Franklin and Company, Alexander H. Stephens, George Terrill and B. R. Wellford. Joseph J. Halsey: John H. Antrim, J. L. Archer, Robert Bolling, W. C. Conrad, Peter V. Daniel, James Gaven Field, Dr. Jeptha Fowlker, A. J. Gordon, Colonel W. W. Gordon, Andrew Grinnan, Cornelia Grinnan, Ella Grinnan, M. G. Harman, General Eppa Hunton, General John D. Imboden, H. C. Marchant, Norton Marye, R. H. Maury, William Maury, B. T. Nalle, Phillip Nalle, Samuel H. Newbury, R.V. Richardson, William C. Rives, John Robertson, Taylor Scott, Francis H. Smith, John K. Taliaferro, Jacquelin P. Taylor, Tazewell Taylor, George Terrill, John Timberlake, C. S. Todd, Charles Wagner, Thomas P. Wallace, George Wederburn, and John Woolfolk.\u003c/p\u003e\n","\u003cp\u003e\nThere are also Morton's or Halsey's personal records, including their accounts with area merchants and residents of Madison, Culpeper or Orange counties, Virginia, whose affairs were handled by J. J. Halsey. as a lawyer. Individuals and firms listed are: William C. Austin, Beechwood and Mallory, John Blackwell and Hannah Blackwell, Charles G. Britt and James Beckham, Bushrod Brown, Thomas Brown, Thomas, Frances Bunley and Susie Bunley, M. A. Carter, John Clark, James Clark and Reuben Clark, William D. Clark, Timothy Costello, J. W. Crittenden, Sarah A. Daniel, William P. Eliason, Adam Everheart, John Gaurd, John Glaspell and Mary Glaspell, Gray Family, Thomas I. Green, R. W. Hall, James Hansbrough, Jane Hansbrough and Peter Hansbrough, Eppa Hunton, Parchal Hutchenson, Philip Johnson, James Jones, Thomas A. Keith, George Morton, Thomas Morton, Martin Nalle and Philip Nalle, Lewis Nelson, George Pannill, Charles B. Payne, W. S. Peyton, Colonel John A. Porter, John C. Rayland, William Rixey, Reverend W. F. Robins, J. W. Shadrack and John H. Somerville, Samuel Shadrack, George A. Sleet, Daniel W. Smith, James Somerville, E. W. Stearns, Steeles Tavern, Augusta County, Virginia, James L. Stringfellow, John Terrill, C. R. Van Wyck and L. D. Winston, John Vaughan, C. S. Waugh and N. B. Waugh, [John] Thomas Morton Wharton, Wharton and Nalle, William Wharton, Colonel Bruce Williams, Walter C. Winston, Winston family, and Isaac Willis.\u003c/p\u003e\n","\u003cp\u003eThe collection also contains a land grant from Patrick Henry, as Governor of Virginia, to Uriel Mallory as assignee of William Morton, 1782 November 8 (in the existing collection)\u003c/p\u003e","\u003cp\u003eIncludes report cards and school work of Joseph J. Halsey\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents"],"scopecontent_tesim":["The Morton and Halsey family papers and addition (MSS 3995) contain family letters and some business letters, financial and legal papers, diaries, ledgers, printed items, and photographs belonging to the family of Jeremiah Morton (1899-1878), his wife Jane Smith Morton, and his son-in-law Joseph Jackson \"J. J.\" Halsey (1820-1907) Halseys' wife, Mildred Halsey and their children and grandchildren with the family papers spanning from 1838 to 1951 in Culpeper, and Orange County, Virginia as well as the Halsey branch of the family from New Jersey, and Abraham Halsey (J.J.'s brother) in California. ","\nThe collection contains documents, ledgers, and correspondence that Jeremiah Morton and J. J. Halsey owned and sold enslaved persons. Jeremiah Morton was involved in the internal slave trade between Virginia and Mobile, Alabama (ca. 1847-1863) with accounts, descriptions, and values placed upon enslaved persons including itemized tax receipts  This book doubles as a notebook of legal questions with page references and sections headed \"The Rights of Things,\" \"Toller's Law of Executors,\" and \"Reeves Domestic Relations.\"","\nContent Note: The correspondence particularly from J. J. Halsey contain references or imagery involving racism. In addition to the numerous enslaved persons in this family, J. J. Halsey and other family members often slur African Americans in correspondence throughout the collection.The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nThere is also an 1855 registration form for Andrew Johnson, \"a person of colour,\" indicating his status as \"born free in the County of Orange, Virginia,\" and identifying him by his color, stature and marks or scars upon his face, head or hands. ","\nTopics include the Civil War with J. J. Halsey fighting for the Confederacy and his brother Edmund fighting for the Union Army, reconstruction, African Americans holding office and politics, alcohol addiction, mental illness, agriculture, economy, coal, mining, White Sulphur Springs, and the Southern Pacific Railroad. Brief mention of the Spanish American War, moonshine, domestic abuse, divorce, education, Virginia Female Institute, Virginia Military Institute, Princeton University, University of Virginia, and Charlottesville, Virginia. ","There are Civil War accounts including the Stonewall Jackson Valley Campaign and the mention of many Generals such as Robert E. Lee,  [Richard Stoddart] Ewell,  William Tecumseh Sherman, and battles in Elk Run, Harrisonburg, New Market, Richmond, Mount Jackson and the surrender at Appomattox at Wilmer McLean's house. There are also two pages from the notebook of Mildred Halsey, which offer a day-by-day account of life while her husband is at war and Union forces occupy nearby areas. J. J. Halsey wrote that their house was between the \"cannon of both armies.\" ","\nMost of the letters include typed transcriptions which explain relationships of the family members which start with Jeremiah Morton through to his great-grandchildren, Louisa \"Lou\" Halsey b.1880, Caroline Virginia Halsey Stearns b.1878, and Frank \"Buddie\" Halsey b. 1881, Fannie Dickenson (b. 1884), James \"Short\" Halsey b. 1889, and step-children Hattie, Willie, and Anne \"Mate,\" Helen Halsey, Jamie Alexander (engaged to \"Georgie\",) Celia Alexander b. 1886, and Mildred Alexander 1877-1890, and step-children and eight children of Robert Ogden Halsey and Ella Halsey.","\nThere is a lengthy autobiographical account of the career of William \"Extra Billy\" Smith, written in 1873 when Smith was running for U. S. Senate. The account includes his election to public office as Virginia state senator (1836), governor (1845), and U. S. congressman (1853-1859), and describes some of his Civil War experiences. ","The correspondence of J. J. Halsey also includes letters and maps concerning the Knights of the Golden Horseshoe, and correspondence and papers related to Dr. Bee Bartow Halsey's case with the newly formed state board of medical examiners, contesting their right to license physicians. ","\nRelated materials include essays and verse by J. J. Halsey, materials relating to the rebuilding of \"Lessland,\" Dr. Bee Bartow Halsey's examinations at Williston Seminary, Virginia, and papers concerning tuition for Irena Louisa Halsey at Piedmont Female Institute. ","\nSeries 4: The ledger series of the collection consists of eighteen volumes from 1812-1882 including Jeremiah Morton's account book regarding the sales of enslaved persons, Dr. R. Brigs ledgers dated 1812-1819, contain medical procedures like pulling a tooth. Other ledgers are from residents of Madison, Orange, and Culpeper counties. Some are in the hand of J. J. Halsey, while other volumes bear the names of Charles B. Porter, John A. Porter, B. W. Brown, and Nalle, Fishback and Company. ","\nSelected list of correspondents: Jeremiah Morton: John B. Barbour, Jr., Robert Bolling, W. B. Caldwell, Allen T. Caperton, Reverend John Cole, R. H. Dulany, Frederick Gamble, Jedediah Hotchkiss, G. W. Leyburn, R. H. Maury, William Maury, A. M. Phillips, Riggs and Company, B. T. Sage, Slaughter, Franklin and Company, Alexander H. Stephens, George Terrill and B. R. Wellford. Joseph J. Halsey: John H. Antrim, J. L. Archer, Robert Bolling, W. C. Conrad, Peter V. Daniel, James Gaven Field, Dr. Jeptha Fowlker, A. J. Gordon, Colonel W. W. Gordon, Andrew Grinnan, Cornelia Grinnan, Ella Grinnan, M. G. Harman, General Eppa Hunton, General John D. Imboden, H. C. Marchant, Norton Marye, R. H. Maury, William Maury, B. T. Nalle, Phillip Nalle, Samuel H. Newbury, R.V. Richardson, William C. Rives, John Robertson, Taylor Scott, Francis H. Smith, John K. Taliaferro, Jacquelin P. Taylor, Tazewell Taylor, George Terrill, John Timberlake, C. S. Todd, Charles Wagner, Thomas P. Wallace, George Wederburn, and John Woolfolk.","\nThere are also Morton's or Halsey's personal records, including their accounts with area merchants and residents of Madison, Culpeper or Orange counties, Virginia, whose affairs were handled by J. J. Halsey. as a lawyer. Individuals and firms listed are: William C. Austin, Beechwood and Mallory, John Blackwell and Hannah Blackwell, Charles G. Britt and James Beckham, Bushrod Brown, Thomas Brown, Thomas, Frances Bunley and Susie Bunley, M. A. Carter, John Clark, James Clark and Reuben Clark, William D. Clark, Timothy Costello, J. W. Crittenden, Sarah A. Daniel, William P. Eliason, Adam Everheart, John Gaurd, John Glaspell and Mary Glaspell, Gray Family, Thomas I. Green, R. W. Hall, James Hansbrough, Jane Hansbrough and Peter Hansbrough, Eppa Hunton, Parchal Hutchenson, Philip Johnson, James Jones, Thomas A. Keith, George Morton, Thomas Morton, Martin Nalle and Philip Nalle, Lewis Nelson, George Pannill, Charles B. Payne, W. S. Peyton, Colonel John A. Porter, John C. Rayland, William Rixey, Reverend W. F. Robins, J. W. Shadrack and John H. Somerville, Samuel Shadrack, George A. Sleet, Daniel W. Smith, James Somerville, E. W. Stearns, Steeles Tavern, Augusta County, Virginia, James L. Stringfellow, John Terrill, C. R. Van Wyck and L. D. Winston, John Vaughan, C. S. Waugh and N. B. Waugh, [John] Thomas Morton Wharton, Wharton and Nalle, William Wharton, Colonel Bruce Williams, Walter C. Winston, Winston family, and Isaac Willis.","The collection also contains a land grant from Patrick Henry, as Governor of Virginia, to Uriel Mallory as assignee of William Morton, 1782 November 8 (in the existing collection)","Includes report cards and school work of Joseph J. 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