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The papers concern a broad range of political, social, financial, and legal topics, particularly focusing on J. Hammond Siler, Jr., his parents, J. Hammond Siler, Sr. and Jessie Castleman Siler (residents of the Town of Bath better known as Berkeley Springs). Also includes correspondence and other papers from related families. Subjects include banking, the Civil War, the Episcopal church, secession of Virginia, Virginia Loyalty Oath, women's diaries, and women's letters and papers. A notable item in the collection is the diary of Anne Doyne Wolff Strother, wife of artist and writer David Hunter Strother, documenting a trip with husband and daughter Emily to New Orleans in 1857 (S2/Box 67, folder 1a).\u003c/p\u003e\n","\u003cp\u003eSeries include:\u003c/p\u003e\n","\u003cp\u003eSeries 1. J. Hammond Siler, Jr. (ca. 1848-1968), boxes S1/Box 1-S1/Box 50\u003clb\u003e\u003c/lb\u003e\nSeries 2. J. Hammond Siler, Sr. (ca. 1848-1968), boxes S2/Box 1-S2/Box 89\u003clb\u003e\u003c/lb\u003e\nSeries 3. Jessie Castleman Siler (ca. 1848-1968), boxes S3/Box 1-S3/Box 2\u003clb\u003e\u003c/lb\u003e\nSeries 4. A.C. Hammond (ca. 1848-1968), boxes S4/Box 1-S4/Box 4\u003clb\u003e\u003c/lb\u003e\nSeries 5. Ann R. Castleman (ca. 1848-1968), boxes S5/Box 1-S5/Box 2\u003clb\u003e\u003c/lb\u003e\nSeries 6. Photographs (ca. 1848-1968), box S6/Box 1\u003clb\u003e\u003c/lb\u003e\nSeries 7. Wrapped Packages (ca. 1848-1968), Wrapped Packages 1-26\u003clb\u003e\u003c/lb\u003e\nSeries 8. Oversize Material (ca. 1848-1968), box S8/Box 1\u003c/p\u003e","\u003cp\u003eThis series includes the personal and business papers and correspondence of J. Hammond Siler, Jr. and his career with the Federal Bank Reserve of Richmond, VA. 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The papers concern a broad range of political, social, financial, and legal topics, particularly focusing on J. Hammond Siler, Jr., his parents, J. Hammond Siler, Sr. and Jessie Castleman Siler (residents of the Town of Bath better known as Berkeley Springs). Also includes correspondence and other papers from related families. Subjects include banking, the Civil War, the Episcopal church, secession of Virginia, Virginia Loyalty Oath, women's diaries, and women's letters and papers. A notable item in the collection is the diary of Anne Doyne Wolff Strother, wife of artist and writer David Hunter Strother, documenting a trip with husband and daughter Emily to New Orleans in 1857 (S2/Box 67, folder 1a).","Series include:","Series 1. J. Hammond Siler, Jr. (ca. 1848-1968), boxes S1/Box 1-S1/Box 50 \nSeries 2. J. Hammond Siler, Sr. (ca. 1848-1968), boxes S2/Box 1-S2/Box 89 \nSeries 3. Jessie Castleman Siler (ca. 1848-1968), boxes S3/Box 1-S3/Box 2 \nSeries 4. A.C. Hammond (ca. 1848-1968), boxes S4/Box 1-S4/Box 4 \nSeries 5. Ann R. Castleman (ca. 1848-1968), boxes S5/Box 1-S5/Box 2 \nSeries 6. Photographs (ca. 1848-1968), box S6/Box 1 \nSeries 7. Wrapped Packages (ca. 1848-1968), Wrapped Packages 1-26 \nSeries 8. Oversize Material (ca. 1848-1968), box S8/Box 1","This series includes the personal and business papers and correspondence of J. Hammond Siler, Jr. and his career with the Federal Bank Reserve of Richmond, VA. Also included are records of various regional and national banking conferences and assorted printed material.","This series includes the personal and legal correspondence and papers of J. Hammond Siler, Sr. and his career as a lawyer in West Virginia. Also included are assorted deeds, ledgers, and pamphlets on various legal and religious topics.","This series includes the personal correspondence of Jessie Castleman Siler, wife of J. Hammond Siler, Sr. Also included is material regarding the Red Cross.","This series includes the personal correspondence of A.C. Hammond. Also included are material regarding Hammond's finances and assorted legal papers.","This series includes the personal correspondence and financial papers of Ann R. Castleman. Also includes the correspondence of other members of the Castleman family and genealogical material for the Hammond, Castleman, and Siler families.","This series includes assorted photographs of the Siler family.","This series includes ledgers for the Hammond \u0026 Siler and John T. Siler \u0026 Son businesses, assorted account books, and family bibles.","This series consists of assorted oversize material, including blueprints, children's books, and sheet music."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_172a403f6611d4a5931c460b0b7692df\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["American Institute of Banking","Baltimore Trust Company","Bull and Bear Club","Citizens Trust and Guaranty Company of West Virginia - Bonds.","Emerald Shillelagh Chowder and Marching Society, Inc.","Hammond and Siler General Store.","Virginia. General Assembly. House of Delegates","Montgomery Ward","American Red Cross","Sears, Roebuck and Company","Steel - Hancock Steel Company.","Great Cacapon Silica Sand Company","Campbell family","Castleman family - Genealogy","Hammond family - Genealogy","Humphries family - Genealogy","Isler family - Genealogy","Shepard family - Genealogy","Seller family - Genealogy","Seiler family","Armstrong, James D.","Castleman, Ann Rebecca Isler.","Castleman, Estelle.","Castleman, Frank A.","Castleman, Sarah Jane.","Faulkner, Charles James, 1806-1884","Hammond, Allen C.","Hammond, Cadet N.","Hotee, John.","Randolph, Emily Strother.","Rinehart, E. A.","Siler, J. Hammond Jr.","Siler, J. Hammond Sr.","Siler, Jessie Castleman.","Siler, John T.","Strother, Anne Doyne.","Van Gosen, James D.","Whisner, Samuel.","Widmyer, P. S.","Hardin, Moses"],"names_ssim":["West Virginia and Regional History Center","American Institute of Banking","Baltimore Trust Company","Bull and Bear Club","Citizens Trust and Guaranty Company of West Virginia - Bonds.","Emerald Shillelagh Chowder and Marching Society, Inc.","Hammond and Siler General Store.","Virginia. General Assembly. House of Delegates","Montgomery Ward","American Red Cross","Sears, Roebuck and Company","Steel - Hancock Steel Company.","Great Cacapon Silica Sand Company","Seiler family","Campbell family","Castleman family - Genealogy","Hammond family - Genealogy","Humphries family - Genealogy","Isler family - Genealogy","Shepard family - Genealogy","Seller family - Genealogy","Armstrong, James D.","Castleman, Ann Rebecca Isler.","Castleman, Estelle.","Castleman, Frank A.","Castleman, Sarah Jane.","Faulkner, Charles James, 1806-1884","Hammond, Allen C.","Hammond, Cadet N.","Hotee, John.","Randolph, Emily Strother.","Rinehart, E. A.","Siler, J. Hammond Jr.","Siler, J. Hammond Sr.","Siler, Jessie Castleman.","Siler, John T.","Strother, Anne Doyne.","Van Gosen, James D.","Whisner, Samuel.","Widmyer, P. S.","Hardin, Moses"],"corpname_ssim":["West Virginia and Regional History Center","American Institute of Banking","Baltimore Trust Company","Bull and Bear Club","Citizens Trust and Guaranty Company of West Virginia - Bonds.","Emerald Shillelagh Chowder and Marching Society, Inc.","Hammond and Siler General Store.","Virginia. General Assembly. House of Delegates","Montgomery Ward","American Red Cross","Sears, Roebuck and Company","Steel - Hancock Steel Company.","Great Cacapon Silica Sand Company"],"famname_ssim":["Seiler family","Campbell family","Castleman family - Genealogy","Hammond family - Genealogy","Humphries family - Genealogy","Isler family - Genealogy","Shepard family - Genealogy","Seller family - Genealogy"],"persname_ssim":["Armstrong, James D.","Castleman, Ann Rebecca Isler.","Castleman, Estelle.","Castleman, Frank A.","Castleman, Sarah Jane.","Faulkner, Charles James, 1806-1884","Hammond, Allen C.","Hammond, Cadet N.","Hotee, John.","Randolph, Emily Strother.","Rinehart, E. A.","Siler, J. Hammond Jr.","Siler, J. Hammond Sr.","Siler, Jessie Castleman.","Siler, John T.","Strother, Anne Doyne.","Van Gosen, James D.","Whisner, Samuel.","Widmyer, P. S.","Hardin, Moses"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1463,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:52:04.570Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5880_c02_c809"}},{"id":"viu_repositories_3_resources_941_c01_c01_c5290","type":"File","attributes":{"title":"Young, George W. - DL1310","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_941_c01_c01_c5290#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_941_c01_c01_c5290","ref_ssm":["viu_repositories_3_resources_941_c01_c01_c5290"],"id":"viu_repositories_3_resources_941_c01_c01_c5290","ead_ssi":"viu_repositories_3_resources_941","_root_":"viu_repositories_3_resources_941","_nest_parent_":"viu_repositories_3_resources_941_c01_c01","parent_ssi":"viu_repositories_3_resources_941_c01_c01","parent_ssim":["viu_repositories_3_resources_941","viu_repositories_3_resources_941_c01","viu_repositories_3_resources_941_c01_c01"],"parent_ids_ssim":["viu_repositories_3_resources_941","viu_repositories_3_resources_941_c01","viu_repositories_3_resources_941_c01_c01"],"parent_unittitles_ssm":["John L. Nau III Civil War History Collection","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians","Subseries A: Personal Papers, Service Records, and Artifacts"],"parent_unittitles_tesim":["John L. Nau III Civil War History Collection","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians","Subseries A: Personal Papers, Service Records, and Artifacts"],"text":["John L. Nau III Civil War History Collection","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians","Subseries A: Personal Papers, Service Records, and Artifacts","Young, George W. - DL1310","box 124 VLT_PRTCL","folder 10"],"title_filing_ssi":"Young, George W. - DL1310","title_ssm":["Young, George W. - DL1310"],"title_tesim":["Young, George W. - DL1310"],"unitdate_inclusive_ssm":["1880-1884 and undated"],"normalized_date_ssm":["1880/1884"],"normalized_title_ssm":["Young, George W. - DL1310"],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["John L. Nau III Civil War History Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":5292,"parent_access_restrict_tesm":["The collection is open for research."],"date_range_isim":[1880,1881,1882,1883,1884],"containers_ssim":["box 124 VLT_PRTCL","folder 10"],"_nest_path_":"/components#0/components#0/components#5289","timestamp":"2026-05-21T14:31:55.729Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_941","ead_ssi":"viu_repositories_3_resources_941","_root_":"viu_repositories_3_resources_941","_nest_parent_":"viu_repositories_3_resources_941","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_941.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/189095","title_filing_ssi":"Nau, John L. III, Civil War History Collection","title_ssm":["John L. Nau III Civil War History Collection"],"title_tesim":["John L. Nau III Civil War History Collection"],"unitdate_ssm":["1806-1988","1861-1865"],"unitdate_bulk_ssim":["1861-1865"],"unitdate_inclusive_ssm":["1806-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival 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Key","Previous Archival Resource Key","/repositories/3/resources/941"],"text":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941","John L. Nau III Civil War History Collection","United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives","letters (correspondence)","Photograph albums","photographs","newspapers","Good.","The collection is open for research.","The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. ","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch","The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. ","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). ","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). ","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following: ","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.","The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online  Civil War Soldiers and Sailors Database  (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's  Confederate and Southern State Currency , vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's  Civil War High Commands  (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. ","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. ","The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. ","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). ","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.","Albert and Shirley Small Special Collections Library","The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"unitid_tesim":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941"],"normalized_title_ssm":["John L. Nau III Civil War History Collection"],"collection_title_tesim":["John L. Nau III Civil War History Collection"],"collection_ssim":["John L. Nau III Civil War History Collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"geogname_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"places_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"acqinfo_ssim":["The John L. Nau III Civil War History Collection was acquired and donated by John L. Nau III. It was accessioned by the Albert and Shirley Small Special Collections Library on September 3, 2019 (2019-0149) and in an additional accession in October 2019 (2019-0231)."],"access_subjects_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"access_subjects_ssm":["letters (correspondence)","Photograph albums","photographs","newspapers"],"has_online_content_ssim":["true"],"physdesc_tesim":["Good."],"extent_ssm":["133 Cubic Feet 255 boxes; 9 framed items"],"extent_tesim":["133 Cubic Feet 255 boxes; 9 framed items"],"genreform_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).\u003c/p\u003e","\u003cp\u003eSeries 1 is arranged in three subseries.\u003c/p\u003e\n","\u003cp\u003eSubseries A: Personal Papers, Service Records, and Artifacts, 1806-1988\u003c/p\u003e\n","\u003cp\u003eThe arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. \u003c/p\u003e\n","\u003cp\u003eThe above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). \u003c/p\u003e\n","\u003cp\u003eSubseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.\u003c/p\u003e\n","\u003cp\u003eSubseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. \u003c/p\u003e","\u003cp\u003eSeries 2 is arranged in the following subseries.\u003c/p\u003e\n","\u003cp\u003eSubseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.\u003c/p\u003e\n","\u003cp\u003eSubseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities\u003c/p\u003e","\u003cp\u003eSeries 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. ","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Petty, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Whitehurst \u0026amp; Co., Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knowles \u0026amp; Hillman, New Bedford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearus, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gooding, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by Handy, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bocardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. W. Barker, Canton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wing's Gallery, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Varriell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. K. Brown, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry M. Wells, Cambridge, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lewis and Kane, Victoria, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003eFrench \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts, and Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Walzl, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co. of New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Bros., Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Pratt, Aurora, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Worms \u0026amp; Co. 383 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Cramer, Carondelet, Missouri\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Williams Gallery; Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Beach, Hastings, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks and Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conaut, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hesler Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallett, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eB. F. Smith and Son, Portland, Maine\u003c/p\u003e","\u003cp\u003eJ. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Beaumont, Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wells and Collins, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. Moses, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Morgan, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. L. Bergstresser, Army of the Potomac\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Jenks, Paterson, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bett's and Prusia, Dansville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stone Bros., Trumansburch, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck's, Elsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. J. Pierce, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003eLe Rue Lemer, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gibbon, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson of New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026amp; New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washburn's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenney, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Benjamin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Watson, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burnite \u0026amp; Weldon, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William C. North, Cleveland, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Th. Gubelman, Puliski, TN\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hermos, Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by W.V. Lane, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Tombarger, Lancaster, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. P. Howe, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cooley \u0026amp; Becket, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. G. Montgomery of Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cushing \u0026amp; King Photographers, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. C. Brown, Norwich, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Marse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Silli, Nice, France\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. E. Mosely, Newburyport\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Burnite \u0026amp; Co., Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. B. Brown's, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Tait, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conant and Johnson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Durgan, Farmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C.H. Freeman, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kilgore's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePublished by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003eBarr \u0026amp; Young, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Marks, Austin, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Rhodes, St. Law Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Munger \u0026amp; Stone, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Cross, Belvidere, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Emery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. McHenry, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. P. Smith, Kankakee City, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.T. Bradshaw \u0026amp; Co., successors to G. Moses, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Braisted, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce, Galena, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. \u0026amp; F. W. Hardy, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slagle, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slee Brothers, Poughkeepsie, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Lewis Wires, Milford\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. Evans, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. B. Jones, Davenport, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. H. Black, Natchez, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of The Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George B. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joseph Ward, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pein \u0026amp; Co., Washington City\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Good \u0026amp; Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacob's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. \u0026amp; J. L. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Layton's, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bachrach \u0026amp; Bro, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cross and Franke, Arlington, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Watson, Raleigh, North Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Julius Brill, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Weiss, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Cadwallader, Toledo, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Jennings, artist, The New \u0026amp; Reliable Gallery, Lancaster, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow and Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thomas and Pearson, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew B. Brady\u003c/p\u003e","\u003cp\u003eWilliam Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. P. H. Capron \u0026amp; Bros. , Springfield, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Giers \u0026amp; Co., Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney and Paradise, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: August Morand, Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Davis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler and King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, El Mira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Guay and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George D. Puffer, Nashua, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Murphy Bros., Alton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Godshaw \u0026amp; Flexner, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moffat and Simpson, Key West, Florida\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. P. Ayer, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William F. Blunt, North Anson, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anson's\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassetts Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gardner, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Meade Brothers, Astor, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alex. Gardner, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Watson's, Raleigh, NC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. Thompson, Norwich, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenny, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mason \u0026amp; Gardner, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Outley's, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bragy Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank E. Stanley, Auburn, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Browne, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs \u0026amp; Company, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask \u0026amp; Lewis\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles K. Bill's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wilder Brothers, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Alex Gardner; Published by Philp \u0026amp; Solomons, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Smith, Utica, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Dunshee's, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Adams, Nashville, Tenn.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. I. Prince, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Nims, Photographer, Fort Edward, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Summerhays\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Filley \u0026amp; Gilbert, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. N. Medernach, Danville, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thompson Gallery, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. G. Fetters, Peru, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: New Orleans Photographic Co.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees of Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.L. Winner, Annapolis, MD\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Photographers, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Conant, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Paige, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Powelson's, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePublished by Vannerson \u0026amp; Jones, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Jewett, Lebanon, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: James S. Earle \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Havens, Jacksonville, FL\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.C. Benjamin, Newark, N. J.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brendann Bros., Baltimore\u003c/p\u003e","\u003cp\u003ePhotographed by Wenderoth \u0026amp; Taylor; Published by McAllister \u0026amp; Bro., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; Smith, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. R. Davis, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003eBrady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. Brown, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredericks and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowers, Lynn, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kin, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Piper \u0026amp; Sanborn, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Ames, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. D. Phillips, 14th Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. K. Marshall, Circleville, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. German, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hawkins \u0026amp; Philpot, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. De Camp, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003eUnknown Photographer; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pratt's Gallery, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schreiber \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Erekson \u0026amp; Bodurtha, Bridgeport, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abraham Fisher, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Wilson, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Birney Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Louis Walzl\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. A. Turner, D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. White, Jacksonport, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Col, Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brooks \u0026amp; Blauvelt, Port Hudson, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Evans and Prince, York, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Clark, Ionia, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. C. Giers, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. R. Bideout \u0026amp; Co., Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eJ. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. B. King, Taunton, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  L. D. Cox, Ludlow, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Davis, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Brainstead, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Tyler \u0026amp; Co., Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George C. White, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McLure, Allen P.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow \u0026amp; Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nollen \u0026amp; Van Grieken, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. L. Jackson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. G. Carleton, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gilbert's, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Curtis, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Campbell \u0026amp; Ecker, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce \u0026amp; Cogswell, Rochelle, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, Lawrence, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kennedy \u0026amp; Schenck, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morell, George Webb\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, South Royalton, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New Yor\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer's, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. L. Eaton, Omaha, Nebraska\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hagaman, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Reimer, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hanford, New London, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Carr, Old Town, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Fassett, Dexter, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kertson \u0026amp; Barker, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball \u0026amp; Sons, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by A. A. Turner; Published by D. Appleton \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Taylor and Seavey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Milton Lapham, Decatur, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, \u0026amp; Co, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. I. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haseltine, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Evans, Norfolk, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M' Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole of Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. F. Ryder, Cleveland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenny, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Tapley, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. E. Gibbs, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lutges, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney and Son, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George E. Collins; Bucksport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quicks, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Porter's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. J. Thompson \u0026amp; Co., Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Stevens, Richmond, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rivers', St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Rockwood, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burwell \u0026amp; Homan, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Magnolia, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith \u0026amp; Wybrant, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Weitfle \u0026amp; Wright, 1st Division, 6th Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles S. Hart, Watertown, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C.H. Smedley \u0026amp; Co., Middletown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. A. Lewis, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Moses \u0026amp; Co., Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. F. Child, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimberly Brothers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel Masury, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, Habana, Paris\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hopkins, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Churchill \u0026amp; Dennison, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster and Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. L. Heath, Norwalk, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck, Ellsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crocket, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Field, Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Greenwald, Newark, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorham and Co, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinton \u0026amp; Cleary's, Montgomery, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. Yung\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Brown, Photographer of the Army of Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Davis, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Butler, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cahill, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George H. Wood, Towanda, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: by H. Glosser, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Turner, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Case, Halifax, Nova Scotia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Balkan Studio, Wartham, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jordan \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. A. Colley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Burgan, Yarmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's Art Palace, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Thurlow, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith, Southbridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Photographers Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knight, Batavia, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bradley \u0026amp; Rulofson, San Francisco, California\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. Loud, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Klauber \u0026amp; Campbell, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler \u0026amp; Smetters, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassett's Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney \u0026amp; Paradise, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony,  New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Brown's, Waldoboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bailey \u0026amp; Silver's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Piper, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Troxell, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wykes \u0026amp; Brown, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lamson, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Wing's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Case and Getchell, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell \u0026amp; Brother, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Paul, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Estabrook's Ferrotypes, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, 363 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Otto Wagner, 385 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Johnson's, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton, and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026amp; Brother, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Williamson's Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. G. Trask, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallet, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sumner \u0026amp; Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lomas, Eastport Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. M. Fassett, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. Sellers, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Aiken, Ware, Massachusetts\u003c/p\u003e","\u003cp\u003eLithograph by Murray \u0026amp; Goodwin, Albany, New York; Published by G. H. Treadwell, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Theodore Harris, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Wearn, Columbia, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keenan, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. R. Phipps, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Frank Browne\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Royan M. Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Quimby of Charleston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Maynard \u0026amp; Willis, Milford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pa.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Daily, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor \u0026amp; Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lupton \u0026amp; Brown, Winchester, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Richardson of Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Holt, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Orcutt's, Cambridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Victor Piard, Jersey City, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Borthers, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hunting's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Frederick, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. L. Averill, Oldtown, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ball \u0026amp; Thomas, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Price, New Philadelphia, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. N. Blanchard, Barre, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. M. Vanaken, Lowville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Goben, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank Winter, Fort Shaw, Montana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. J. Tate, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. F. King\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M. Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis \u0026amp; Cosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hunting's Belfast, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brooks \u0026amp; Blauvelt, Port Hudson, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Platt, Oberlin, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. E. Prall, Knoxville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. Worms \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Roth, Freehold, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Barker, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Knecht, Easton, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Victory Piard, Jersey City, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by G. L. Collins, Paola, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ullary \u0026amp; Perry, Greenville, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Roberts, Cleveland, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. B. Zay, Findlay, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: V. B. Massey, Lancaster, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Kasten, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Aldridge \u0026amp; Merriman, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. R. Rees \u0026amp; Bros., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Pope, Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Klauber, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. J. Jacobs, New Orleans\u003c/p\u003e","\u003cp\u003ePublished by Keystone View Company\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: D. P. Barr, Army Photographer, Vicksburg, Miss.\u003c/p\u003e","\u003cp\u003ePhotographer: French \u0026amp; Co., Vicksburg, Miss.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Barr \u0026amp; Young, Army Photographers, Fort Pickering, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographed and Published by B. W. Kilburn, Littleton, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed and Published by Kilburn Brothers, Littleton, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rollins \u0026amp; Linn\u003c/p\u003e","\u003cp\u003ePublished by Keystone View Company\u003c/p\u003e","\u003cp\u003ePhotographed by Brady \u0026amp; Co., Washington, D.C.; Published by E. \u0026amp; H. T. Anthony \u0026amp; Co.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., Negative by Brady \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. 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F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch"],"odd_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eThe donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. \u003c/p\u003e\n","\u003cp\u003eDonor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).\u003c/p\u003e\n","\u003cp\u003eThese donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eAbout External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eUpon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.\u003c/p\u003e\n","\u003cp\u003ePlease note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). \u003c/p\u003e\n","\u003cp\u003ePlease also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eSuggestions for Using the Donation Listing Spreadsheet\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eMaterials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). \u003c/p\u003e\n","\u003cp\u003ePlease note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.\u003c/p\u003e\n","\u003cp\u003eResearchers can use the spreadsheet to explore the collection in many ways, including the following: \u003c/p\u003e\n","\u003cp\u003e- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).\u003c/p\u003e\n","\u003cp\u003e- To identify photographs of women, Black soldiers, and Native American soldiers.\u003c/p\u003e\n","\u003cp\u003e- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.\u003c/p\u003e\n","\u003cp\u003e- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.\u003c/p\u003e\n","\u003cp\u003e- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAbout External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eTranscript files are titled by donor accession number. (See above note titled Alphanumeric Designations).\u003c/p\u003e\n","\u003cp\u003ePlease be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eAdditional materials relating to Fitzhugh Lee are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eAdditional materials related to William S. Rosecrans are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to States Rights Gist are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003eThis photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional Materials relating to Fitzhugh Lee are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0342.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0371.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThis case contains portraits of the same unknown soldier in both ambrotype and tintype formats.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003ePT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.\u003c/p\u003e","\u003cp\u003eImage was accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eAccessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThis photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003e34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eCarte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Alphanumeric Designations","Important Information about External Documents","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. ","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). ","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). ","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following: ","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs."],"prefercite_html_tesm":["\u003cp\u003eJohn L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["John L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online \u003cemph render=\"italic\"\u003eCivil War Soldiers and Sailors Database\u003c/emph\u003e (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's \u003cemph render=\"italic\"\u003eConfederate and Southern State Currency\u003c/emph\u003e, vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's \u003cemph render=\"italic\"\u003eCivil War High Commands\u003c/emph\u003e (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).\u003c/p\u003e","\u003cp\u003eEfforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. \u003c/p\u003e","\u003cp\u003eFile titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online  Civil War Soldiers and Sailors Database  (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's  Confederate and Southern State Currency , vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's  Civil War High Commands  (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. ","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. "],"scopecontent_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. \u003c/p\u003e\n","\u003cp\u003eThe collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). \u003c/p\u003e","\u003cp\u003eSeries 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).\u003c/p\u003e","\u003cp\u003eSeries 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.\u003c/p\u003e","\u003cp\u003eSeries 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.\u003c/p\u003e","\u003cp\u003eSeries 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.\u003c/p\u003e","\u003cp\u003eSeries 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. ","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). ","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10302,"online_item_count_is":5,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T14:31:55.729Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_941_c01_c01_c5290"}},{"id":"viu_repositories_3_resources_941_c01_c01_c5291","type":"File","attributes":{"title":"Young, George W. - DL1310","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_941_c01_c01_c5291#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_941_c01_c01_c5291","ref_ssm":["viu_repositories_3_resources_941_c01_c01_c5291"],"id":"viu_repositories_3_resources_941_c01_c01_c5291","ead_ssi":"viu_repositories_3_resources_941","_root_":"viu_repositories_3_resources_941","_nest_parent_":"viu_repositories_3_resources_941_c01_c01","parent_ssi":"viu_repositories_3_resources_941_c01_c01","parent_ssim":["viu_repositories_3_resources_941","viu_repositories_3_resources_941_c01","viu_repositories_3_resources_941_c01_c01"],"parent_ids_ssim":["viu_repositories_3_resources_941","viu_repositories_3_resources_941_c01","viu_repositories_3_resources_941_c01_c01"],"parent_unittitles_ssm":["John L. Nau III Civil War History Collection","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians","Subseries A: Personal Papers, Service Records, and Artifacts"],"parent_unittitles_tesim":["John L. Nau III Civil War History Collection","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians","Subseries A: Personal Papers, Service Records, and Artifacts"],"text":["John L. Nau III Civil War History Collection","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians","Subseries A: Personal Papers, Service Records, and Artifacts","Young, George W. - DL1310","box 124 VLT_PRTCL","folder 11"],"title_filing_ssi":"Young, George W. - DL1310","title_ssm":["Young, George W. - DL1310"],"title_tesim":["Young, George W. - DL1310"],"unitdate_other_ssim":["February 20, 1884 and undated"],"normalized_date_ssm":["1884"],"normalized_title_ssm":["Young, George W. - DL1310"],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["John L. Nau III Civil War History Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":5293,"parent_access_restrict_tesm":["The collection is open for research."],"date_range_isim":[1884],"containers_ssim":["box 124 VLT_PRTCL","folder 11"],"_nest_path_":"/components#0/components#0/components#5290","timestamp":"2026-05-21T14:31:55.729Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_941","ead_ssi":"viu_repositories_3_resources_941","_root_":"viu_repositories_3_resources_941","_nest_parent_":"viu_repositories_3_resources_941","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_941.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/189095","title_filing_ssi":"Nau, John L. III, Civil War History Collection","title_ssm":["John L. Nau III Civil War History Collection"],"title_tesim":["John L. Nau III Civil War History Collection"],"unitdate_ssm":["1806-1988","1861-1865"],"unitdate_bulk_ssim":["1861-1865"],"unitdate_inclusive_ssm":["1806-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous 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Key","Previous Archival Resource Key","/repositories/3/resources/941"],"text":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource 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Nau III Civil War History Collection","United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives","letters (correspondence)","Photograph albums","photographs","newspapers","Good.","The collection is open for research.","The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. ","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch","The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. ","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). ","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). ","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following: ","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.","The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online  Civil War Soldiers and Sailors Database  (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's  Confederate and Southern State Currency , vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's  Civil War High Commands  (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. ","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. ","The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. ","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). ","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.","Albert and Shirley Small Special Collections Library","The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"unitid_tesim":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941"],"normalized_title_ssm":["John L. Nau III Civil War History Collection"],"collection_title_tesim":["John L. Nau III Civil War History Collection"],"collection_ssim":["John L. Nau III Civil War History Collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"geogname_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"places_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"acqinfo_ssim":["The John L. Nau III Civil War History Collection was acquired and donated by John L. Nau III. It was accessioned by the Albert and Shirley Small Special Collections Library on September 3, 2019 (2019-0149) and in an additional accession in October 2019 (2019-0231)."],"access_subjects_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"access_subjects_ssm":["letters (correspondence)","Photograph albums","photographs","newspapers"],"has_online_content_ssim":["true"],"physdesc_tesim":["Good."],"extent_ssm":["133 Cubic Feet 255 boxes; 9 framed items"],"extent_tesim":["133 Cubic Feet 255 boxes; 9 framed items"],"genreform_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).\u003c/p\u003e","\u003cp\u003eSeries 1 is arranged in three subseries.\u003c/p\u003e\n","\u003cp\u003eSubseries A: Personal Papers, Service Records, and Artifacts, 1806-1988\u003c/p\u003e\n","\u003cp\u003eThe arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. \u003c/p\u003e\n","\u003cp\u003eThe above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). \u003c/p\u003e\n","\u003cp\u003eSubseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.\u003c/p\u003e\n","\u003cp\u003eSubseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. \u003c/p\u003e","\u003cp\u003eSeries 2 is arranged in the following subseries.\u003c/p\u003e\n","\u003cp\u003eSubseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.\u003c/p\u003e\n","\u003cp\u003eSubseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities\u003c/p\u003e","\u003cp\u003eSeries 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. ","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Petty, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Whitehurst \u0026amp; Co., Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knowles \u0026amp; Hillman, New Bedford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearus, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gooding, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by Handy, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bocardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. W. Barker, Canton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wing's Gallery, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Varriell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. K. Brown, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry M. Wells, Cambridge, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lewis and Kane, Victoria, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003eFrench \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts, and Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Walzl, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co. of New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Bros., Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Pratt, Aurora, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Worms \u0026amp; Co. 383 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Cramer, Carondelet, Missouri\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Williams Gallery; Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Beach, Hastings, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks and Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conaut, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hesler Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallett, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eB. F. Smith and Son, Portland, Maine\u003c/p\u003e","\u003cp\u003eJ. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Beaumont, Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wells and Collins, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. Moses, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Morgan, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. L. Bergstresser, Army of the Potomac\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Jenks, Paterson, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bett's and Prusia, Dansville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stone Bros., Trumansburch, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck's, Elsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. J. Pierce, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003eLe Rue Lemer, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gibbon, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson of New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026amp; New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washburn's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenney, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Benjamin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Watson, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burnite \u0026amp; Weldon, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William C. North, Cleveland, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Th. Gubelman, Puliski, TN\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hermos, Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by W.V. Lane, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Tombarger, Lancaster, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. P. Howe, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cooley \u0026amp; Becket, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. G. Montgomery of Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cushing \u0026amp; King Photographers, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. C. Brown, Norwich, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Marse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Silli, Nice, France\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. E. Mosely, Newburyport\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Burnite \u0026amp; Co., Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. B. Brown's, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Tait, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conant and Johnson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Durgan, Farmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C.H. Freeman, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kilgore's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePublished by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003eBarr \u0026amp; Young, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Marks, Austin, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Rhodes, St. Law Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Munger \u0026amp; Stone, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Cross, Belvidere, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Emery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. McHenry, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. P. Smith, Kankakee City, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.T. Bradshaw \u0026amp; Co., successors to G. Moses, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Braisted, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce, Galena, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. \u0026amp; F. W. Hardy, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slagle, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slee Brothers, Poughkeepsie, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Lewis Wires, Milford\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. Evans, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. B. Jones, Davenport, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. H. Black, Natchez, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of The Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George B. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joseph Ward, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pein \u0026amp; Co., Washington City\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Good \u0026amp; Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacob's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. \u0026amp; J. L. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Layton's, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bachrach \u0026amp; Bro, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cross and Franke, Arlington, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Watson, Raleigh, North Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Julius Brill, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Weiss, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Cadwallader, Toledo, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Jennings, artist, The New \u0026amp; Reliable Gallery, Lancaster, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow and Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thomas and Pearson, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew B. Brady\u003c/p\u003e","\u003cp\u003eWilliam Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. P. H. Capron \u0026amp; Bros. , Springfield, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Giers \u0026amp; Co., Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney and Paradise, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: August Morand, Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Davis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler and King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, El Mira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Guay and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George D. Puffer, Nashua, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Murphy Bros., Alton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Godshaw \u0026amp; Flexner, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moffat and Simpson, Key West, Florida\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. P. Ayer, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William F. Blunt, North Anson, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anson's\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassetts Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gardner, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Meade Brothers, Astor, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alex. Gardner, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Watson's, Raleigh, NC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. Thompson, Norwich, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenny, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mason \u0026amp; Gardner, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Outley's, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bragy Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank E. Stanley, Auburn, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Browne, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs \u0026amp; Company, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask \u0026amp; Lewis\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles K. Bill's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wilder Brothers, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Alex Gardner; Published by Philp \u0026amp; Solomons, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Smith, Utica, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Dunshee's, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Adams, Nashville, Tenn.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. I. Prince, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Nims, Photographer, Fort Edward, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Summerhays\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Filley \u0026amp; Gilbert, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. N. Medernach, Danville, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thompson Gallery, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. G. Fetters, Peru, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: New Orleans Photographic Co.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees of Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.L. Winner, Annapolis, MD\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Photographers, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Conant, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Paige, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Powelson's, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePublished by Vannerson \u0026amp; Jones, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Jewett, Lebanon, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: James S. Earle \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Havens, Jacksonville, FL\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.C. Benjamin, Newark, N. J.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brendann Bros., Baltimore\u003c/p\u003e","\u003cp\u003ePhotographed by Wenderoth \u0026amp; Taylor; Published by McAllister \u0026amp; Bro., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; Smith, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. R. Davis, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003eBrady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. Brown, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredericks and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowers, Lynn, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kin, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Piper \u0026amp; Sanborn, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Ames, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. D. Phillips, 14th Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. K. Marshall, Circleville, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. German, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hawkins \u0026amp; Philpot, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. De Camp, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003eUnknown Photographer; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pratt's Gallery, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schreiber \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Erekson \u0026amp; Bodurtha, Bridgeport, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abraham Fisher, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Wilson, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Birney Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Louis Walzl\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. A. Turner, D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. White, Jacksonport, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Col, Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brooks \u0026amp; Blauvelt, Port Hudson, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Evans and Prince, York, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Clark, Ionia, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. C. Giers, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. R. Bideout \u0026amp; Co., Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eJ. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. B. King, Taunton, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  L. D. Cox, Ludlow, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Davis, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Brainstead, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Tyler \u0026amp; Co., Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George C. White, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McLure, Allen P.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow \u0026amp; Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nollen \u0026amp; Van Grieken, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. L. Jackson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. G. Carleton, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gilbert's, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Curtis, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Campbell \u0026amp; Ecker, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce \u0026amp; Cogswell, Rochelle, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, Lawrence, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kennedy \u0026amp; Schenck, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morell, George Webb\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, South Royalton, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New Yor\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer's, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. L. Eaton, Omaha, Nebraska\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hagaman, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Reimer, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hanford, New London, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Carr, Old Town, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Fassett, Dexter, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kertson \u0026amp; Barker, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball \u0026amp; Sons, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by A. A. Turner; Published by D. Appleton \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Taylor and Seavey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Milton Lapham, Decatur, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, \u0026amp; Co, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. I. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haseltine, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Evans, Norfolk, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M' Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole of Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. F. Ryder, Cleveland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenny, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Tapley, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. E. Gibbs, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lutges, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney and Son, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George E. Collins; Bucksport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quicks, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Porter's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. J. Thompson \u0026amp; Co., Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Stevens, Richmond, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rivers', St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Rockwood, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burwell \u0026amp; Homan, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Magnolia, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith \u0026amp; Wybrant, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Weitfle \u0026amp; Wright, 1st Division, 6th Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles S. Hart, Watertown, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C.H. Smedley \u0026amp; Co., Middletown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. A. Lewis, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Moses \u0026amp; Co., Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. F. Child, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimberly Brothers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel Masury, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, Habana, Paris\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hopkins, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Churchill \u0026amp; Dennison, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster and Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. L. Heath, Norwalk, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck, Ellsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crocket, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Field, Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Greenwald, Newark, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorham and Co, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinton \u0026amp; Cleary's, Montgomery, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. Yung\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Brown, Photographer of the Army of Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Davis, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Butler, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cahill, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George H. Wood, Towanda, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: by H. Glosser, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Turner, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Case, Halifax, Nova Scotia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Balkan Studio, Wartham, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jordan \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. A. Colley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Burgan, Yarmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's Art Palace, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Thurlow, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith, Southbridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Photographers Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knight, Batavia, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bradley \u0026amp; Rulofson, San Francisco, California\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. Loud, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Klauber \u0026amp; Campbell, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler \u0026amp; Smetters, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassett's Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney \u0026amp; Paradise, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony,  New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Brown's, Waldoboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bailey \u0026amp; Silver's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Piper, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Troxell, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wykes \u0026amp; Brown, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lamson, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Wing's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Case and Getchell, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell \u0026amp; Brother, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Paul, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Estabrook's Ferrotypes, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, 363 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Otto Wagner, 385 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Johnson's, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton, and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026amp; Brother, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Williamson's Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. G. Trask, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallet, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sumner \u0026amp; Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lomas, Eastport Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. M. Fassett, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. Sellers, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Aiken, Ware, Massachusetts\u003c/p\u003e","\u003cp\u003eLithograph by Murray \u0026amp; Goodwin, Albany, New York; Published by G. H. Treadwell, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Theodore Harris, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Wearn, Columbia, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keenan, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. R. Phipps, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Frank Browne\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Royan M. Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Quimby of Charleston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Maynard \u0026amp; Willis, Milford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pa.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Daily, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor \u0026amp; Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lupton \u0026amp; Brown, Winchester, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Richardson of Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Holt, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Orcutt's, Cambridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Victor Piard, Jersey City, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Borthers, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hunting's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Frederick, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. L. Averill, Oldtown, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ball \u0026amp; Thomas, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Price, New Philadelphia, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. N. Blanchard, Barre, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. M. Vanaken, Lowville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Goben, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank Winter, Fort Shaw, Montana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. J. Tate, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. F. King\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M. Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis \u0026amp; Cosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hunting's Belfast, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brooks \u0026amp; Blauvelt, Port Hudson, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Platt, Oberlin, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. E. Prall, Knoxville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. Worms \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Roth, Freehold, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Barker, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Knecht, Easton, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Victory Piard, Jersey City, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by G. L. Collins, Paola, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ullary \u0026amp; Perry, Greenville, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Roberts, Cleveland, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. B. Zay, Findlay, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: V. B. Massey, Lancaster, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Kasten, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Aldridge \u0026amp; Merriman, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. R. Rees \u0026amp; Bros., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Pope, Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Klauber, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. J. Jacobs, New Orleans\u003c/p\u003e","\u003cp\u003ePublished by Keystone View Company\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: D. P. Barr, Army Photographer, Vicksburg, Miss.\u003c/p\u003e","\u003cp\u003ePhotographer: French \u0026amp; Co., Vicksburg, Miss.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Barr \u0026amp; Young, Army Photographers, Fort Pickering, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographed and Published by B. W. Kilburn, Littleton, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed and Published by Kilburn Brothers, Littleton, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rollins \u0026amp; Linn\u003c/p\u003e","\u003cp\u003ePublished by Keystone View Company\u003c/p\u003e","\u003cp\u003ePhotographed by Brady \u0026amp; Co., Washington, D.C.; Published by E. \u0026amp; H. T. Anthony \u0026amp; Co.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., Negative by Brady \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. 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F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch"],"odd_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eThe donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. \u003c/p\u003e\n","\u003cp\u003eDonor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).\u003c/p\u003e\n","\u003cp\u003eThese donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eAbout External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eUpon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.\u003c/p\u003e\n","\u003cp\u003ePlease note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). \u003c/p\u003e\n","\u003cp\u003ePlease also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eSuggestions for Using the Donation Listing Spreadsheet\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eMaterials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). \u003c/p\u003e\n","\u003cp\u003ePlease note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.\u003c/p\u003e\n","\u003cp\u003eResearchers can use the spreadsheet to explore the collection in many ways, including the following: \u003c/p\u003e\n","\u003cp\u003e- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).\u003c/p\u003e\n","\u003cp\u003e- To identify photographs of women, Black soldiers, and Native American soldiers.\u003c/p\u003e\n","\u003cp\u003e- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.\u003c/p\u003e\n","\u003cp\u003e- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.\u003c/p\u003e\n","\u003cp\u003e- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAbout External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eTranscript files are titled by donor accession number. (See above note titled Alphanumeric Designations).\u003c/p\u003e\n","\u003cp\u003ePlease be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eAdditional materials relating to Fitzhugh Lee are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eAdditional materials related to William S. Rosecrans are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to States Rights Gist are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003eThis photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional Materials relating to Fitzhugh Lee are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0342.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0371.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThis case contains portraits of the same unknown soldier in both ambrotype and tintype formats.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003ePT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.\u003c/p\u003e","\u003cp\u003eImage was accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eAccessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThis photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003e34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eCarte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Alphanumeric Designations","Important Information about External Documents","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. ","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). ","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). ","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following: ","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs."],"prefercite_html_tesm":["\u003cp\u003eJohn L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["John L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online \u003cemph render=\"italic\"\u003eCivil War Soldiers and Sailors Database\u003c/emph\u003e (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's \u003cemph render=\"italic\"\u003eConfederate and Southern State Currency\u003c/emph\u003e, vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's \u003cemph render=\"italic\"\u003eCivil War High Commands\u003c/emph\u003e (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).\u003c/p\u003e","\u003cp\u003eEfforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. \u003c/p\u003e","\u003cp\u003eFile titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online  Civil War Soldiers and Sailors Database  (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's  Confederate and Southern State Currency , vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's  Civil War High Commands  (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. ","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. "],"scopecontent_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. \u003c/p\u003e\n","\u003cp\u003eThe collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). \u003c/p\u003e","\u003cp\u003eSeries 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).\u003c/p\u003e","\u003cp\u003eSeries 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.\u003c/p\u003e","\u003cp\u003eSeries 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.\u003c/p\u003e","\u003cp\u003eSeries 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.\u003c/p\u003e","\u003cp\u003eSeries 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. ","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). ","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10302,"online_item_count_is":5,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T14:31:55.729Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_941_c01_c01_c5291"}},{"id":"vilxw_repositories_5_resources_475","type":"collection","attributes":{"title":"Young Men's Christian Association Records","creator":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_475#creator","type":"document_value","attributes":{"value":"Young Men's Christian Associations of North America","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_475#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection consists of a roll and minutes book (1916-1920), record book (1867-1941), a list of members and who attended student prayer meetings (1856-1866), the constitution, and a library book (1887-1890) for the YMCA in Lexington, Virginia.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_475#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vilxw_repositories_5_resources_475","ead_ssi":"vilxw_repositories_5_resources_475","_root_":"vilxw_repositories_5_resources_475","_nest_parent_":"vilxw_repositories_5_resources_475","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_475.xml","title_ssm":["Young Men's Christian Association Records"],"title_tesim":["Young Men's Christian Association Records"],"unitdate_ssm":["1867-1941"],"unitdate_inclusive_ssm":["1867-1941"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0125","/repositories/5/resources/475"],"text":["WLU.Coll.0125","/repositories/5/resources/475","Young Men's Christian Association Records","Virginia -- Lexington","Records","This collection is open for research use.","This collection consists of a roll and minutes book (1916-1920), record book (1867-1941), a list of members and who attended student prayer meetings (1856-1866), the constitution, and a library book (1887-1890) for the YMCA in Lexington, Virginia.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Young Men's Christian Associations of North America","These materials are in English."],"unitid_tesim":["WLU.Coll.0125","/repositories/5/resources/475"],"normalized_title_ssm":["Young Men's Christian Association Records"],"collection_title_tesim":["Young Men's Christian Association Records"],"collection_ssim":["Young Men's Christian Association Records"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"geogname_ssm":["Virginia -- Lexington"],"geogname_ssim":["Virginia -- Lexington"],"creator_ssm":["Young Men's Christian Associations of North America"],"creator_ssim":["Young Men's Christian Associations of North America"],"creator_corpname_ssim":["Young Men's Christian Associations of North America"],"creators_ssim":["Young Men's Christian Associations of North America"],"places_ssim":["Virginia -- Lexington"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  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Accounts were kept of the price of goods as well as payments by patrons.   \nItems sold by the store include calico, sail cloth, thread, tobacco, and clothing, as well as food items such as eggs, cakes, fruit, and many other staples, and household tools and supplies like nails, oil, and shingles, and whiskey."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Gloucester County Board of Supervisors"],"names_ssim":["Special Collections Research Center","Gloucester County Board of Supervisors"],"corpname_ssim":["Special Collections Research Center","Gloucester County Board of Supervisors"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T22:44:55.103Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8387","ead_ssi":"viw_repositories_2_resources_8387","_root_":"viw_repositories_2_resources_8387","_nest_parent_":"viw_repositories_2_resources_8387","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8387.xml","title_filing_ssi":"Zanoni Store (Gloucester County, Va.) record book","title_ssm":["Zanoni Store (Gloucester County, Va.) record book"],"title_tesim":["Zanoni Store (Gloucester County, Va.) record book"],"unitdate_ssm":["1884-1888"],"unitdate_inclusive_ssm":["1884-1888"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 01614","/repositories/2/resources/8387"],"text":["SC 01614","/repositories/2/resources/8387","Zanoni Store (Gloucester County, Va.) record book","Gloucester County (Va.)","Gloucester County (Va.)--Merchants","General stores--Virginia","Missing cover.","Collection is open to all researchers. 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Accounts were kept of the price of goods as well as payments by patrons.   \nItems sold by the store include calico, sail cloth, thread, tobacco, and clothing, as well as food items such as eggs, cakes, fruit, and many other staples, and household tools and supplies like nails, oil, and shingles, and whiskey.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Gloucester County Board of Supervisors","English"],"unitid_tesim":["SC 01614","/repositories/2/resources/8387"],"normalized_title_ssm":["Zanoni Store (Gloucester County, Va.) record book"],"collection_title_tesim":["Zanoni Store (Gloucester County, Va.) record book"],"collection_ssim":["Zanoni Store (Gloucester County, Va.) record book"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Gloucester County (Va.)"],"geogname_ssim":["Gloucester County (Va.)"],"creator_ssm":["Gloucester County Board of Supervisors"],"creator_ssim":["Gloucester County Board of Supervisors"],"creator_corpname_ssim":["Gloucester County Board of Supervisors"],"creators_ssim":["Gloucester County Board of Supervisors"],"places_ssim":["Gloucester County (Va.)"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Transferred from the Gloucester Museum of History by resolution signed by the Gloucester County Board of Supervisors, held on Tuesday, January 15, 2019."],"access_subjects_ssim":["Gloucester County (Va.)--Merchants","General stores--Virginia"],"access_subjects_ssm":["Gloucester County (Va.)--Merchants","General stores--Virginia"],"has_online_content_ssim":["false"],"physdesc_tesim":["Missing cover."],"extent_ssm":["0.05 Linear Feet"],"extent_tesim":["0.05 Linear Feet"],"dimensions_tesim":["30 cm x 19.5 cm x 2 cm"],"date_range_isim":[1884,1885,1886,1887,1888],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"prefercite_html_tesm":["\u003cp\u003eZanoni Store (Gloucester County, Va.) Record Book, 1884-1888, Special Collections Research Center, William and Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Zanoni Store (Gloucester County, Va.) Record Book, 1884-1888, Special Collections Research Center, William and Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eLedger kept by the Zanoni Store in Zanoni, Gloucester County, Virginia.  Accounts were kept of the price of goods as well as payments by patrons.   \nItems sold by the store include calico, sail cloth, thread, tobacco, and clothing, as well as food items such as eggs, cakes, fruit, and many other staples, and household tools and supplies like nails, oil, and shingles, and whiskey.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Ledger kept by the Zanoni Store in Zanoni, Gloucester County, Virginia.  Accounts were kept of the price of goods as well as payments by patrons.   \nItems sold by the store include calico, sail cloth, thread, tobacco, and clothing, as well as food items such as eggs, cakes, fruit, and many other staples, and household tools and supplies like nails, oil, and shingles, and whiskey."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Gloucester County Board of Supervisors"],"names_ssim":["Special Collections Research Center","Gloucester County Board of Supervisors"],"corpname_ssim":["Special Collections Research Center","Gloucester County Board of Supervisors"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T22:44:55.103Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8387"}},{"id":"vilxw_repositories_5_resources_411","type":"collection","attributes":{"title":"Zechariah Johnston papers","creator":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_411#creator","type":"document_value","attributes":{"value":"Graham, John Alexander","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_411#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Zechariah Johnston papers includes personal, business, political correspondence to and from Zechariah Johnston. Correspondents include family members and notable Virginians of his era. The collection also includes correspondence received by Thomas and James Johnston. In addition to correspondence, the collection includes resolutions, bills, petitions, and notices of or concerning the Virginia Assembly during Johnston's tenure as a delegate from Augusta County (1778-1792) and Rockbridge County (1797-1798). This includes Johnston's copy of an unsigned manuscript draft titled \"Memorial and Remonstrance\" by James Madison concerning religious freedom and his arguments for separation of church and state. There are also deeds and property descriptions, tax rolls, business and account records, including documents pertaining to enslaved persons owned by Johnston; business and accounting records (1796-1845) of Thomas Johnston, a son of Zechariah Johnston, two letters from William Graham, first rector of Liberty Hall Academy, to Zechariah Johnston, and the will and estate inventory of Ann Johnston. Other highlights include student notes or lectures from Liberty Hall Academy, a poem to reverends William Graham and Samuel Houston, and a petition from Augusta County residents to the Virginia Assembly regarding fishing rights in the South River. There are ephmeral items as well.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_411#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vilxw_repositories_5_resources_411","ead_ssi":"vilxw_repositories_5_resources_411","_root_":"vilxw_repositories_5_resources_411","_nest_parent_":"vilxw_repositories_5_resources_411","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_411.xml","title_filing_ssi":"Zechariah Johnston papers","title_ssm":["Zechariah Johnston papers"],"title_tesim":["Zechariah Johnston papers"],"unitdate_ssm":["1747-1893"],"unitdate_inclusive_ssm":["1747-1893"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0006","/repositories/5/resources/411"],"text":["WLU.Coll.0006","/repositories/5/resources/411","Zechariah Johnston papers","Virginia","Freedom of religion","\"Zachariah Johnston was born in 1742 in Augusta County, Virginia, to William Johnston and Ann Johnston. He attended Liberty Hall Academy and later was a trustee of Washington College. Johnston was a prosperous farmer by the time the American Revolution began. In 1776, he was appointed a captain in the county militia. Johnston's company actively patrolled against Indian uprisings, and, in 1781, participated in the Virginia campaign which led to Lord Cornwallis' surrender. Representing Augusta County in the House of Delegates from 1778 to 1791, Johnston was chair of the House committee on religion and helped pass the \"act for establishing religious freedom\" in 1786. After he moved to Rockbridge County, Virginia, in 1792, he represented that county in the House of Delegates in 1792 and 1797-1798. An opponent of paper money, and a proponent of court reform and payment of British debts, Johnston supported the federal Constitution in 1788. As Augusta County's representative to the ratifying convention, he was influential in having his section of the state unanimously vote for ratification. In the 1790s, Johnston was interested in connecting Virginia's western rivers to the Potomac River. Johnston owned three plantations in Rockbridge County, one in Augusta County, and lands in Kentucky. He married Ann Robertson (d. 1818), and they had eleven children. He died 7 January 1800 in Rockbridge County.\" - Library of Virginia","The Zechariah Johnston papers includes personal, business, political correspondence to and from Zechariah Johnston. Correspondents include family members and notable Virginians of his era. The collection also includes correspondence received by Thomas and James Johnston. In addition to correspondence, the collection includes resolutions, bills, petitions, and notices of or concerning the Virginia Assembly during Johnston's tenure as a delegate from Augusta County (1778-1792) and Rockbridge County (1797-1798). This includes Johnston's copy of an unsigned manuscript draft titled \"Memorial and Remonstrance\" by James Madison concerning religious freedom and his arguments for separation of church and state. There are also deeds and property descriptions, tax rolls, business and account records, including documents pertaining to enslaved persons owned by Johnston; business and accounting records (1796-1845) of Thomas Johnston, a son of Zechariah Johnston, two letters from William Graham, first rector of Liberty Hall Academy, to Zechariah Johnston, and the will and estate inventory of Ann Johnston. Other highlights include student notes or lectures from Liberty Hall Academy, a poem to reverends William Graham and Samuel Houston, and a petition from Augusta County residents to the Virginia Assembly regarding fishing rights in the South River. There are ephmeral items as well.","Includes 1854 Washington College commencement party program, 1860 Griffin High School brochure, speeches","Zechariah Johnston's personal copy of a manuscript draft of James Madison's \"Memorial and Remonstrance\" has been separated and housed separate from the collection but a printed scan is provided within the collection. Please see a member of staff for assistance.","Johnston's personal copy of a manuscript draft of James Madison's \"Memorial and Remonstrance\" was removed from this folder to undergo conservation treatment in 2023. It is housed separately from the collection. A printed scan was put in place of the original. Please see a member of staff for assistance.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Virginia. General Assembly","Liberty Hall Academy (Lexington, Va.)","Graham, John Alexander","Johnston, Zechariah","Johnston, Thomas","Graham, William A. (William Alexander)","Madison, James","English \n.    "],"unitid_tesim":["WLU.Coll.0006","/repositories/5/resources/411"],"normalized_title_ssm":["Zechariah Johnston papers"],"collection_title_tesim":["Zechariah Johnston papers"],"collection_ssim":["Zechariah Johnston papers"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"geogname_ssm":["Virginia"],"geogname_ssim":["Virginia"],"creator_ssm":["Graham, John Alexander"],"creator_ssim":["Graham, John Alexander"],"creator_persname_ssim":["Graham, John Alexander"],"creators_ssim":["Graham, John Alexander"],"places_ssim":["Virginia"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"acqinfo_ssim":["Two letters were a gift from John A. Graham."],"access_subjects_ssim":["Freedom of religion"],"access_subjects_ssm":["Freedom of religion"],"has_online_content_ssim":["false"],"extent_ssm":["2.5 Linear Feet 2 document cases, 1 oversize folder"],"extent_tesim":["2.5 Linear Feet 2 document cases, 1 oversize folder"],"date_range_isim":[1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893],"bioghist_html_tesm":["\u003cp\u003e\"Zachariah Johnston was born in 1742 in Augusta County, Virginia, to William Johnston and Ann Johnston. He attended Liberty Hall Academy and later was a trustee of Washington College. Johnston was a prosperous farmer by the time the American Revolution began. In 1776, he was appointed a captain in the county militia. Johnston's company actively patrolled against Indian uprisings, and, in 1781, participated in the Virginia campaign which led to Lord Cornwallis' surrender. Representing Augusta County in the House of Delegates from 1778 to 1791, Johnston was chair of the House committee on religion and helped pass the \"act for establishing religious freedom\" in 1786. After he moved to Rockbridge County, Virginia, in 1792, he represented that county in the House of Delegates in 1792 and 1797-1798. An opponent of paper money, and a proponent of court reform and payment of British debts, Johnston supported the federal Constitution in 1788. As Augusta County's representative to the ratifying convention, he was influential in having his section of the state unanimously vote for ratification. In the 1790s, Johnston was interested in connecting Virginia's western rivers to the Potomac River. Johnston owned three plantations in Rockbridge County, one in Augusta County, and lands in Kentucky. He married Ann Robertson (d. 1818), and they had eleven children. He died 7 January 1800 in Rockbridge County.\" - Library of Virginia\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"Zachariah Johnston was born in 1742 in Augusta County, Virginia, to William Johnston and Ann Johnston. He attended Liberty Hall Academy and later was a trustee of Washington College. Johnston was a prosperous farmer by the time the American Revolution began. In 1776, he was appointed a captain in the county militia. Johnston's company actively patrolled against Indian uprisings, and, in 1781, participated in the Virginia campaign which led to Lord Cornwallis' surrender. Representing Augusta County in the House of Delegates from 1778 to 1791, Johnston was chair of the House committee on religion and helped pass the \"act for establishing religious freedom\" in 1786. After he moved to Rockbridge County, Virginia, in 1792, he represented that county in the House of Delegates in 1792 and 1797-1798. An opponent of paper money, and a proponent of court reform and payment of British debts, Johnston supported the federal Constitution in 1788. As Augusta County's representative to the ratifying convention, he was influential in having his section of the state unanimously vote for ratification. In the 1790s, Johnston was interested in connecting Virginia's western rivers to the Potomac River. Johnston owned three plantations in Rockbridge County, one in Augusta County, and lands in Kentucky. He married Ann Robertson (d. 1818), and they had eleven children. He died 7 January 1800 in Rockbridge County.\" - Library of Virginia"],"odd_heading_ssm":["Conservation"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Zechariah Johnston Papers, WLU Coll 0006, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. \u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format.\u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Zechariah Johnston Papers, WLU Coll 0006, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA.  In some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eThe Zechariah Johnston papers includes personal, business, political correspondence to and from Zechariah Johnston. Correspondents include family members and notable Virginians of his era. The collection also includes correspondence received by Thomas and James Johnston. In addition to correspondence, the collection includes resolutions, bills, petitions, and notices of or concerning the Virginia Assembly during Johnston's tenure as a delegate from Augusta County (1778-1792) and Rockbridge County (1797-1798). This includes Johnston's copy of an unsigned manuscript draft titled \"Memorial and Remonstrance\" by James Madison concerning religious freedom and his arguments for separation of church and state. There are also deeds and property descriptions, tax rolls, business and account records, including documents pertaining to enslaved persons owned by Johnston; business and accounting records (1796-1845) of Thomas Johnston, a son of Zechariah Johnston, two letters from William Graham, first rector of Liberty Hall Academy, to Zechariah Johnston, and the will and estate inventory of Ann Johnston. Other highlights include student notes or lectures from Liberty Hall Academy, a poem to reverends William Graham and Samuel Houston, and a petition from Augusta County residents to the Virginia Assembly regarding fishing rights in the South River. There are ephmeral items as well.\u003c/p\u003e","\u003cp\u003eIncludes 1854 Washington College commencement party program, 1860 Griffin High School brochure, speeches\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Zechariah Johnston papers includes personal, business, political correspondence to and from Zechariah Johnston. Correspondents include family members and notable Virginians of his era. The collection also includes correspondence received by Thomas and James Johnston. In addition to correspondence, the collection includes resolutions, bills, petitions, and notices of or concerning the Virginia Assembly during Johnston's tenure as a delegate from Augusta County (1778-1792) and Rockbridge County (1797-1798). This includes Johnston's copy of an unsigned manuscript draft titled \"Memorial and Remonstrance\" by James Madison concerning religious freedom and his arguments for separation of church and state. There are also deeds and property descriptions, tax rolls, business and account records, including documents pertaining to enslaved persons owned by Johnston; business and accounting records (1796-1845) of Thomas Johnston, a son of Zechariah Johnston, two letters from William Graham, first rector of Liberty Hall Academy, to Zechariah Johnston, and the will and estate inventory of Ann Johnston. Other highlights include student notes or lectures from Liberty Hall Academy, a poem to reverends William Graham and Samuel Houston, and a petition from Augusta County residents to the Virginia Assembly regarding fishing rights in the South River. There are ephmeral items as well.","Includes 1854 Washington College commencement party program, 1860 Griffin High School brochure, speeches"],"separatedmaterial_html_tesm":["\u003cp\u003eZechariah Johnston's personal copy of a manuscript draft of James Madison's \"Memorial and Remonstrance\" has been separated and housed separate from the collection but a printed scan is provided within the collection. Please see a member of staff for assistance.\u003c/p\u003e","\u003cp\u003eJohnston's personal copy of a manuscript draft of James Madison's \"Memorial and Remonstrance\" was removed from this folder to undergo conservation treatment in 2023. It is housed separately from the collection. A printed scan was put in place of the original. Please see a member of staff for assistance.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Zechariah Johnston's personal copy of a manuscript draft of James Madison's \"Memorial and Remonstrance\" has been separated and housed separate from the collection but a printed scan is provided within the collection. Please see a member of staff for assistance.","Johnston's personal copy of a manuscript draft of James Madison's \"Memorial and Remonstrance\" was removed from this folder to undergo conservation treatment in 2023. It is housed separately from the collection. A printed scan was put in place of the original. Please see a member of staff for assistance."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"names_coll_ssim":["Virginia. General Assembly","Liberty Hall Academy (Lexington, Va.)","Johnston, Zechariah","Johnston, Thomas","Graham, John Alexander","Graham, William A. (William Alexander)","Madison, James"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Virginia. General Assembly","Liberty Hall Academy (Lexington, Va.)","Graham, John Alexander","Johnston, Zechariah","Johnston, Thomas","Graham, William A. (William Alexander)","Madison, James"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Virginia. General Assembly","Liberty Hall Academy (Lexington, Va.)"],"persname_ssim":["Graham, John Alexander","Johnston, Zechariah","Johnston, Thomas","Graham, William A. (William Alexander)","Madison, James"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":58,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T21:30:16.538Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_411","ead_ssi":"vilxw_repositories_5_resources_411","_root_":"vilxw_repositories_5_resources_411","_nest_parent_":"vilxw_repositories_5_resources_411","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_411.xml","title_filing_ssi":"Zechariah Johnston papers","title_ssm":["Zechariah Johnston papers"],"title_tesim":["Zechariah Johnston papers"],"unitdate_ssm":["1747-1893"],"unitdate_inclusive_ssm":["1747-1893"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0006","/repositories/5/resources/411"],"text":["WLU.Coll.0006","/repositories/5/resources/411","Zechariah Johnston papers","Virginia","Freedom of religion","\"Zachariah Johnston was born in 1742 in Augusta County, Virginia, to William Johnston and Ann Johnston. He attended Liberty Hall Academy and later was a trustee of Washington College. Johnston was a prosperous farmer by the time the American Revolution began. In 1776, he was appointed a captain in the county militia. Johnston's company actively patrolled against Indian uprisings, and, in 1781, participated in the Virginia campaign which led to Lord Cornwallis' surrender. Representing Augusta County in the House of Delegates from 1778 to 1791, Johnston was chair of the House committee on religion and helped pass the \"act for establishing religious freedom\" in 1786. After he moved to Rockbridge County, Virginia, in 1792, he represented that county in the House of Delegates in 1792 and 1797-1798. An opponent of paper money, and a proponent of court reform and payment of British debts, Johnston supported the federal Constitution in 1788. As Augusta County's representative to the ratifying convention, he was influential in having his section of the state unanimously vote for ratification. In the 1790s, Johnston was interested in connecting Virginia's western rivers to the Potomac River. Johnston owned three plantations in Rockbridge County, one in Augusta County, and lands in Kentucky. He married Ann Robertson (d. 1818), and they had eleven children. He died 7 January 1800 in Rockbridge County.\" - Library of Virginia","The Zechariah Johnston papers includes personal, business, political correspondence to and from Zechariah Johnston. Correspondents include family members and notable Virginians of his era. The collection also includes correspondence received by Thomas and James Johnston. In addition to correspondence, the collection includes resolutions, bills, petitions, and notices of or concerning the Virginia Assembly during Johnston's tenure as a delegate from Augusta County (1778-1792) and Rockbridge County (1797-1798). This includes Johnston's copy of an unsigned manuscript draft titled \"Memorial and Remonstrance\" by James Madison concerning religious freedom and his arguments for separation of church and state. There are also deeds and property descriptions, tax rolls, business and account records, including documents pertaining to enslaved persons owned by Johnston; business and accounting records (1796-1845) of Thomas Johnston, a son of Zechariah Johnston, two letters from William Graham, first rector of Liberty Hall Academy, to Zechariah Johnston, and the will and estate inventory of Ann Johnston. Other highlights include student notes or lectures from Liberty Hall Academy, a poem to reverends William Graham and Samuel Houston, and a petition from Augusta County residents to the Virginia Assembly regarding fishing rights in the South River. There are ephmeral items as well.","Includes 1854 Washington College commencement party program, 1860 Griffin High School brochure, speeches","Zechariah Johnston's personal copy of a manuscript draft of James Madison's \"Memorial and Remonstrance\" has been separated and housed separate from the collection but a printed scan is provided within the collection. Please see a member of staff for assistance.","Johnston's personal copy of a manuscript draft of James Madison's \"Memorial and Remonstrance\" was removed from this folder to undergo conservation treatment in 2023. It is housed separately from the collection. A printed scan was put in place of the original. Please see a member of staff for assistance.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Virginia. General Assembly","Liberty Hall Academy (Lexington, Va.)","Graham, John Alexander","Johnston, Zechariah","Johnston, Thomas","Graham, William A. (William Alexander)","Madison, James","English \n.    "],"unitid_tesim":["WLU.Coll.0006","/repositories/5/resources/411"],"normalized_title_ssm":["Zechariah Johnston papers"],"collection_title_tesim":["Zechariah Johnston papers"],"collection_ssim":["Zechariah Johnston papers"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"geogname_ssm":["Virginia"],"geogname_ssim":["Virginia"],"creator_ssm":["Graham, John Alexander"],"creator_ssim":["Graham, John Alexander"],"creator_persname_ssim":["Graham, John Alexander"],"creators_ssim":["Graham, John Alexander"],"places_ssim":["Virginia"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"acqinfo_ssim":["Two letters were a gift from John A. Graham."],"access_subjects_ssim":["Freedom of religion"],"access_subjects_ssm":["Freedom of religion"],"has_online_content_ssim":["false"],"extent_ssm":["2.5 Linear Feet 2 document cases, 1 oversize folder"],"extent_tesim":["2.5 Linear Feet 2 document cases, 1 oversize folder"],"date_range_isim":[1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893],"bioghist_html_tesm":["\u003cp\u003e\"Zachariah Johnston was born in 1742 in Augusta County, Virginia, to William Johnston and Ann Johnston. He attended Liberty Hall Academy and later was a trustee of Washington College. Johnston was a prosperous farmer by the time the American Revolution began. In 1776, he was appointed a captain in the county militia. Johnston's company actively patrolled against Indian uprisings, and, in 1781, participated in the Virginia campaign which led to Lord Cornwallis' surrender. Representing Augusta County in the House of Delegates from 1778 to 1791, Johnston was chair of the House committee on religion and helped pass the \"act for establishing religious freedom\" in 1786. After he moved to Rockbridge County, Virginia, in 1792, he represented that county in the House of Delegates in 1792 and 1797-1798. An opponent of paper money, and a proponent of court reform and payment of British debts, Johnston supported the federal Constitution in 1788. As Augusta County's representative to the ratifying convention, he was influential in having his section of the state unanimously vote for ratification. In the 1790s, Johnston was interested in connecting Virginia's western rivers to the Potomac River. Johnston owned three plantations in Rockbridge County, one in Augusta County, and lands in Kentucky. He married Ann Robertson (d. 1818), and they had eleven children. He died 7 January 1800 in Rockbridge County.\" - Library of Virginia\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"Zachariah Johnston was born in 1742 in Augusta County, Virginia, to William Johnston and Ann Johnston. He attended Liberty Hall Academy and later was a trustee of Washington College. Johnston was a prosperous farmer by the time the American Revolution began. In 1776, he was appointed a captain in the county militia. Johnston's company actively patrolled against Indian uprisings, and, in 1781, participated in the Virginia campaign which led to Lord Cornwallis' surrender. Representing Augusta County in the House of Delegates from 1778 to 1791, Johnston was chair of the House committee on religion and helped pass the \"act for establishing religious freedom\" in 1786. After he moved to Rockbridge County, Virginia, in 1792, he represented that county in the House of Delegates in 1792 and 1797-1798. An opponent of paper money, and a proponent of court reform and payment of British debts, Johnston supported the federal Constitution in 1788. As Augusta County's representative to the ratifying convention, he was influential in having his section of the state unanimously vote for ratification. In the 1790s, Johnston was interested in connecting Virginia's western rivers to the Potomac River. Johnston owned three plantations in Rockbridge County, one in Augusta County, and lands in Kentucky. He married Ann Robertson (d. 1818), and they had eleven children. He died 7 January 1800 in Rockbridge County.\" - Library of Virginia"],"odd_heading_ssm":["Conservation"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Zechariah Johnston Papers, WLU Coll 0006, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. \u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format.\u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Zechariah Johnston Papers, WLU Coll 0006, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA.  In some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eThe Zechariah Johnston papers includes personal, business, political correspondence to and from Zechariah Johnston. Correspondents include family members and notable Virginians of his era. The collection also includes correspondence received by Thomas and James Johnston. In addition to correspondence, the collection includes resolutions, bills, petitions, and notices of or concerning the Virginia Assembly during Johnston's tenure as a delegate from Augusta County (1778-1792) and Rockbridge County (1797-1798). This includes Johnston's copy of an unsigned manuscript draft titled \"Memorial and Remonstrance\" by James Madison concerning religious freedom and his arguments for separation of church and state. There are also deeds and property descriptions, tax rolls, business and account records, including documents pertaining to enslaved persons owned by Johnston; business and accounting records (1796-1845) of Thomas Johnston, a son of Zechariah Johnston, two letters from William Graham, first rector of Liberty Hall Academy, to Zechariah Johnston, and the will and estate inventory of Ann Johnston. Other highlights include student notes or lectures from Liberty Hall Academy, a poem to reverends William Graham and Samuel Houston, and a petition from Augusta County residents to the Virginia Assembly regarding fishing rights in the South River. There are ephmeral items as well.\u003c/p\u003e","\u003cp\u003eIncludes 1854 Washington College commencement party program, 1860 Griffin High School brochure, speeches\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Zechariah Johnston papers includes personal, business, political correspondence to and from Zechariah Johnston. Correspondents include family members and notable Virginians of his era. The collection also includes correspondence received by Thomas and James Johnston. In addition to correspondence, the collection includes resolutions, bills, petitions, and notices of or concerning the Virginia Assembly during Johnston's tenure as a delegate from Augusta County (1778-1792) and Rockbridge County (1797-1798). This includes Johnston's copy of an unsigned manuscript draft titled \"Memorial and Remonstrance\" by James Madison concerning religious freedom and his arguments for separation of church and state. There are also deeds and property descriptions, tax rolls, business and account records, including documents pertaining to enslaved persons owned by Johnston; business and accounting records (1796-1845) of Thomas Johnston, a son of Zechariah Johnston, two letters from William Graham, first rector of Liberty Hall Academy, to Zechariah Johnston, and the will and estate inventory of Ann Johnston. Other highlights include student notes or lectures from Liberty Hall Academy, a poem to reverends William Graham and Samuel Houston, and a petition from Augusta County residents to the Virginia Assembly regarding fishing rights in the South River. There are ephmeral items as well.","Includes 1854 Washington College commencement party program, 1860 Griffin High School brochure, speeches"],"separatedmaterial_html_tesm":["\u003cp\u003eZechariah Johnston's personal copy of a manuscript draft of James Madison's \"Memorial and Remonstrance\" has been separated and housed separate from the collection but a printed scan is provided within the collection. Please see a member of staff for assistance.\u003c/p\u003e","\u003cp\u003eJohnston's personal copy of a manuscript draft of James Madison's \"Memorial and Remonstrance\" was removed from this folder to undergo conservation treatment in 2023. It is housed separately from the collection. A printed scan was put in place of the original. Please see a member of staff for assistance.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Zechariah Johnston's personal copy of a manuscript draft of James Madison's \"Memorial and Remonstrance\" has been separated and housed separate from the collection but a printed scan is provided within the collection. Please see a member of staff for assistance.","Johnston's personal copy of a manuscript draft of James Madison's \"Memorial and Remonstrance\" was removed from this folder to undergo conservation treatment in 2023. It is housed separately from the collection. A printed scan was put in place of the original. Please see a member of staff for assistance."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"names_coll_ssim":["Virginia. General Assembly","Liberty Hall Academy (Lexington, Va.)","Johnston, Zechariah","Johnston, Thomas","Graham, John Alexander","Graham, William A. (William Alexander)","Madison, James"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Virginia. General Assembly","Liberty Hall Academy (Lexington, Va.)","Graham, John Alexander","Johnston, Zechariah","Johnston, Thomas","Graham, William A. (William Alexander)","Madison, James"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Virginia. General Assembly","Liberty Hall Academy (Lexington, Va.)"],"persname_ssim":["Graham, John Alexander","Johnston, Zechariah","Johnston, Thomas","Graham, William A. (William Alexander)","Madison, James"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":58,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T21:30:16.538Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_411"}},{"id":"viu_viu00005_c05_c08","type":"Item","attributes":{"title":"\"Zero Zephyrs,\" The Daily Gate\nCity","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_viu00005_c05_c08#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eAbout the coldest day in Keokuk, Iowa in 40 years; mentions William H. Bowman. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_viu00005_c05_c08#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu00005_c05_c08","ref_ssm":["viu_viu00005_c05_c08"],"id":"viu_viu00005_c05_c08","ead_ssi":"viu_viu00005","_root_":"viu_viu00005","_nest_parent_":"viu_viu00005_c05","parent_ssi":"viu_viu00005_c05","parent_ssim":["viu_viu00005","viu_viu00005_c05"],"parent_ids_ssim":["viu_viu00005","viu_viu00005_c05"],"parent_unittitles_ssm":["Papers of Mark Twain \n1862-1946, bulk 1872-1910","Series V: Miscellaneous"],"parent_unittitles_tesim":["Papers of Mark Twain \n1862-1946, bulk 1872-1910","Series V: Miscellaneous"],"text":["Papers of Mark Twain \n1862-1946, bulk 1872-1910","Series V: Miscellaneous","\"Zero Zephyrs,\" The Daily Gate\nCity","Clipping","box  8","About the coldest day in Keokuk, Iowa in 40\nyears; mentions William H. Bowman. "],"title_filing_ssi":"\"Zero Zephyrs,\" The Daily Gate\nCity ","title_ssm":["\"Zero Zephyrs,\" The Daily Gate\nCity"],"title_tesim":["\"Zero Zephyrs,\" The Daily Gate\nCity"],"unitdate_other_ssim":["1884 January 6 "],"normalized_date_ssm":["1884"],"normalized_title_ssm":["\"Zero Zephyrs,\" The Daily Gate\nCity"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Papers of Mark Twain \n1862-1946, bulk 1872-1910"],"physdesc_tesim":["Clipping"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":945,"date_range_isim":[1884],"containers_ssim":["box  8"],"scopecontent_html_tesm":["\u003cp\u003eAbout the coldest day in Keokuk, Iowa in 40\nyears; mentions William H. Bowman. \u003c/p\u003e"],"scopecontent_tesim":["About the coldest day in Keokuk, Iowa in 40\nyears; mentions William H. Bowman. "],"_nest_path_":"/components#4/components#7","timestamp":"2026-05-21T12:06:15.091Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu00005","ead_ssi":"viu_viu00005","_root_":"viu_viu00005","_nest_parent_":"viu_viu00005","ead_source_url_ssi":"data/uva-sc/viu00005.xml","title_ssm":["Papers of Mark Twain \n1862-1946, bulk 1872-1910"],"title_tesim":["Papers of Mark Twain \n1862-1946, bulk 1872-1910"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["6314, etc."],"text":["6314, etc.","Papers of Mark Twain \n1862-1946, bulk 1872-1910","This collection consists of approximately 1500 items","There are no restrictions.","The collection is arranged in six series: Series I: Manuscripts; Series II: Letters; Series III: Documents; Series IV: Photographs, Images, and Illustrations; Series V: Miscellaneous; and, Series VI: Charles L. Webster \u0026 Company Debt Receipts\n","The collection contains manuscripts, personal correspondence, business correspondence and documents,\nillustrations, paintings and photographs.","The manuscripts include \n The Jumping Frog. In English. Then in French. Then clawed back into a civilized language once more\nby patient, unremunerated toil,  six chapters of  A tramp abroad,  one chapter of \n The gilded age,  prefaces to the English editions of  The innocents abroad  and  Roughing it,  and several other shorter pieces together with Susy Clemens's \n Biography of Mark Twain  with his footnotes.","Family correspondence consists of cheerful letters to his wife Olivia Clemens and daughters Susy, Clara and Jean about his travels, lecture audiences, and acquaintances. There are also letters to his mother Jane L. Clemens, his brother Orion and family, his nephew Sam Moffett and his sister-in-law and her husband Susan Langdon and Theodore Crane.","Business correspondence concerns Twain's emergence from the bankruptcy of Charles L. Webster Publishing Co. in which he was the majority stockholder. There are also book contracts, papers concerning his ill fated Paige typesetter investment, and papers concerning Edward H. House's unsuccessful suit against him over dramatization rights to  The prince and the pauper.","There is professional correspondence with authors, editors, and publishers in the United States and England including Hjalmar Boyesen, George Washington Cable, William Dean Howells, Albert Bigelow Paine, George Bernard Shaw, and Charles Dudley Warner.","Other correspondents include fellow journalists and miners in the U.S. West in the 1860s, voyagers on \"The Quaker City,\" friends in Hartford, Ct., Hannibal, Mo., and Keokuk, Ia., members of the Players Club and other societies to which he belonged, friends from his travels, and his reading public.","Travel sketch of Mark Twain's visit to the\nBayreuth Opera Festival; with author's corrections.\n","Proof sheets with author's corrections, notes,\nand instructions for serial publication in the \n  North American Review  .","Note at top of page one requests recipient asks\nSamuel E. Moffett to write autobiographical sketch\nand says Olivia L. Clemens will look over it before\nit is published. S.L.C.","Poem; \"To Margaret.\" M.T.","Account of Mark Twain's life, includes copies of\nletters, 1884 December 14 -1885 July 26, to Susy from Mark\nTwain discussing family activities, \n  Adventures of Huckleberry\nFinn  , anecdotes from his travels, and\nsuggestion to read Morte d'Arthur, with two letters\nin German; copy of Mark Twain's comments on Ulysses\nS. Grant, comparing Grant to Lancelot; copy of Mark\nTwain's account of Susy Clemens ' visit to Grant;\ncopy of letter, 1885 July 27, from Mark Twain to\nEditor of The Sun on Grant's funeral; copy of letter\n1885 April 16 from Susan Langdon Crane to Olivia L.\nClemens concerning their father Jervis Langdon's\ndeath and a comparison to reports of Grant's last\nday; copy of letter, 1884 January 21, George Washington\nCable to Mark Twain thanking Twain for invitation;\ncopy of a letter fragment, 1886 May 3, from unknown\ncorrespondent in Stonington, CT, with comment from\nMark Twain that Susy must have lost rest of letter;\ncopy of letter, n.d., from unknown correspondent from\nthe Valley of Virginia concerning correspondent's\nenjoyment of \n  Innocents Abroad  ;\nseveral stories by Susy; copy of Mark Twain's Lady\nJane Grey scene for family production of \n  The Prince and the\nPauper  ; copy of newspaper article reporting\ncomments of James Redpath on Mark Twain and his\npublication of Grant's memoirs; clipping of article\non Mark Twain's home by George Parsons Lathrop;\nclippings of comments on Twain's 50th birthday by\nJoel Chandler Harris, Frank R. Stockton, and Charles\nDudley Warner, with clipping of poem by Oliver\nWendell Holmes, Sr., \"To Mark Twain on his 50th\nbirthday\"; clipping, 1886 January 30, on Mark Twain's\nappearance before U.S. Senate Committee on Patents.\nWith notes by Mark Twain.","Supplementary information and suggested changes;\ndescriptions of the play of \n  The Prince and the\nPauper  and the home productions of the Clemens\nand neighboring children; description of Susy Clemens\n' moral courage and character.","Photo caption for one of Mark Twain's pictures\naccompanying article Three Famous Humorists Out of Doors. ","Includes copies of four letters, 1895 November 3 -1896\nFebruary 17, of Olivia L. Clemens to Jean Clemens and\nSusan Langdon Crane and of two letters, 1896 January 13\nand 1896 February 18, of Clara Clemens to family members\nconcerning their travels with Mark Twain in India,\nAustralia, New Zealand, etc., new and old friends,\nfamily activities, and Mark Twain's lectures; with\nnotes on artists, engravings of historic heroines,\nand a number of blank pages.","Article denouncing anti-semitism; with author's\ncorrections; includes ALS 1898 March 14 Grant I.\nRosenzweig, Kansas City, MO, to Mark Twain.","With author's corrections and notes and signed\nengraved picture of Mark Twain.","Poem inscribed \"To Livy, November. 27, 1892.\"","With author's corrections.","In Mark Twain's hand with author's corrections;\nnumbered pages 175 to 200 1/2, lacking pages 177 and\n184; w/printed Ch. VII from original 1873 edition, a\nspecial printed title page, and a reproduction\nphotograph of Mark Twain.","Non-continuous fragments; nine pages in Mark\nTwain's hand; three in Charles Dudley Warner's .","Fragment by Mark Twain; marked page 27; re a\nperpetual-motion machine.","With author's corrections; page 10 has three\npinned newspaper clippings for inclusion in printed\ntext.","With author's corrections.","Re Mark Twain. ","With author's corrections; written for use in\nGeorge Routledge and Sons edition of \n  The Innocents Abroad  ;\nwith AN signed S.L.C., Twain requests publisher \"to\ntear up the other and use this one.\"","With author's corrections; written for use in\nGeorge Routledge and Sons edition of \n  The Innocents Abroad  .\n","With author's corrections, engraved picture of\nMark Twain, a special printed title page, and ALS\n1909 December 3 Luther S. Livingston to J. R. Clemens.\n","Photo caption for one of Mark Twain's pictures\naccompanying article \"Three Famous Humorists Out of\nDoors.\"","With author's corrections and ALS [1873] July 7\nMark Twain to [Elisha] Bliss; at bottom of\nmanuscript, \"London, June 30, 1873\" crossed out and\nreplaced with \"Hartford, March 1875.\"","Re American manners.","Criticism of printed article. With ANS [ca. 1905]\nMark Twain to [Robert] Bacon re article.","Brief lines with some rewrites on thoughts of\nCarlyle and his perceived dislike of Americans.","With author's corrections, hand-lettered title\npage, and reproduced photograph of Mark Twain.\n","(pages 1 and 7 are glued onto backing sheets)","Signed by 23 passengers including Mark Twain;\nwith ALS [1872] December 3 Mark Twain to Captain [John E.]\nMouland and ALS [1873] January 22 Mark Twain to Captain\n[John E.] Mouland.","Fragment; marked p.282 and titled Taxes on top of\none page.","Account concerning Mark Twain's involvement with\nPlasmon and a stock swindle perpetrated on him by men\nin the company. Pencilled across the right corner of\nthe manuscript is \"a food stock swindle.\"","Fragment. Requests sentence beginning \"And still\nanother panic of fright\" be added to article.","Re the wedding, the guests, Mark Twain's library,\nand his current activities. With corrections in\nunknown hand.","Account of Susie, Clara (\"Bay\"), and later Jean\nClemens ' sayings and activities, with Mark Twain's\nobservations.","Re concerning origins of the premature report of\nMark Twain's death. M.T. With three newspaper\nclippings concerning the story surrounding this\nreport.","With author's corrections; text of speech given\nin 1882; signed \" Mark Twain, Samuel Langhorne\nClemens. Hartford, May 1891.\"","Written for use in George Routledge and Sons\n[1872] edition of \n  Roughing It  ; with\ncorrections and deletions in Twain's hand. M.T.","Copy of Mark Twain's proposed preface (see above)\nbut in another's hand, with annotation by Twain.","In Mark Twain's hand.","Dedication for \n  Roughing It  enclosed in\nALS [1871] May 5 Mark Twain to \"Friend Bliss\" (\nElisha Bliss ).","Notes in unidentified hand about illustrations\nfor \n  Roughing It with\nannotations on pagination.","Poem","Remarks on Edwin Booth followed by \"The Long\nClam\" speech.","Argues against the teaching of religion at Girard\nCollege, Philadelphia, Pennsylvania.","Discusses \"The Reliable Contraband\" as a source\nof news in the Civil War.","Photo captions for \"Mark Twain at Quarry Hill\nFarm\"; \"Even Mark Twain Nods\"; \"Mark Twain and an\nOld Family Friend\" (John T. Lewis); \"Mark Twain\nand his Porcelain Cat\"; with ANS, \"O.K. S. L.\nClemens.\"","Quotation on music; with manuscript bar of music.\nM.T.","With author's corrections, picture of Mark\nTwain's sculpture bust, a special printed title page,\nand printed chapter 14 from first edition of \n  A Tramp Abroad  .\n","With author's corrections, reproduction\nphotograph of Mark Twain with printed autograph.\n()","With author's corrections, engraving of Mark\nTwain with printed autograph, special printed title\npage, and printed chapter 31 from first edition of \n  A Tramp Abroad  .\n","Non-continuous fragments from chapter 35 of \n  A Tramp Abroad  . ","Non-continuous fragments from chapter 37 of \n  A Tramp Abroad  . ","With author's corrections, reproduction\nphotograph of Mark Twain with printed autograph, and\nhand-lettered title page. ","With author's corrections. ","With author's corrections; bottom of manuscript p. 28 torn off. ","With author's corrections and ALS 1905 October [12]\nSunday Mark Twain to Frederick A. Duneka.","Verse to Mark Twain; copy in James Galsworthy's hand.","Discusses his activities, family news, and life\nin Hannibal, MO. ","Has received letter and mining deeds; describes\ncharacter of his recently deceased dog; mentions\nClagett's wife, other friends, his activities, and\nfamily news; reports on war in Missouri and the\ntaking of Forts Henry and Donelson; refers to\ncharacters from [Dicken's] \n  Dombey and Son  .\nS.L.C.","Is sending office supplies; mentions friends and\nfamily; discusses his attempt to steal a dog; says\nthat he is writing because he likes to, although he\nhas no news; says he is leaving for Esmeralda if\n\"nothing happens\"; complains about minister; adds\nthat they have not heard from home. S.L.C. ","Describes mining and claims in Esmeralda and his\npurchase of mining claims; is discouraged; discusses\nopportunity to learn secret process to get more ore\nout of the mines; encourages Clagett not to sell out.\nS.L.C.","Discusses mining and mining claims; encloses\nsketch of mine locations; plans to leave soon if they\ndo not strike something; says since 1853 has rarely\nbeen in one place more than six months; complains\nabout the printers for the [Territorial] Enterprise\nwho are meddling with his punctuation; mentions\nbusiness letters of Barstow and cautions Orion not to\ntell 'Gillesp' about them; suggests keeping Josh's\nletters in scrapbook; has quit writing for The Gate.\nSam.","Congratulates him on being elected\nrepresentative; hopes he will be elected Senator when\nNevada becomes a state; is angry with course of war\nand Union retreat and unhappy with talk of strategy\nthat accomplishes nothing; discusses mutual friends\nand mining matters; disgusted with climate and may\nmove to Colorado mines; encloses power of attorney.\nS.L.C.","Describes his travels in California, mines,\nsnowfall, travel by stage and sleighs, the Donner\nParty tragedy, and people and places in Nevada\nCounty.","Talks about his lectures in Virginia City, Gold\nHill, Silver City and Carson; suggests Howland ask\nAbe Curry about audience turnout; says he had looked\nfor Curry in Sacramento but missed him. S.L.C.","Everything going well with the pilots and New\nOrleans river men; asks when book ( \n  The Celebrated Jumping Frog of\nCalaveras County  ) is expected to be\npublished; plans to lecture if book not published\nsoon. Mark.] (w/env)","Discusses his signing onto the Holy Land\nexcursion on the \"Quaker City\"; says his book ( \n  The Celebrated Jumping Frog of\nCalaveras County  ) should be out in two weeks\nand plans to lecture after that; since he left [\nCalifornia] his friends have signed two hundred\nsubscribers for the book; asks to be remembered to\nvarious friends; will write to Annie [Moffett\nWebster] and Katie Lampton. S.L.C.","Authorizes Fuller to collect all money from \n  The Celebrated Jumping Frog of\nCalaveras County  ; gives his mother's address\nin St. Louis. M.T.","Asks him to print enclosed draft (not present)\nand send him a proof; is enclosing statistics (not\npresent) for Kinney's use if wanted. S.L.C.","Mentions difficulties in meeting her and Charlie\n[Langdon]; discusses at length his differences with\nthe \"Quaker City\" passengers; finding keeping\npromises not to publish anything unpleasant about the\nQuaker City passengers troublesome; unable to promise\nnot to swear and discusses swearing at length;\nmentions his true friends on the \"Quaker City\"; has\nreceived several book offers because of letters\npublished in The Tribune; likes offer from American\nPublishing Company; reports Albert D. Richardson's\nsuccess with the company; notes for whom he is\nengaged as correspondent and is unable to accept\nlecturing invitations. S.L.C.","Thanks for books; \"tackled the Stag\" who swore\nall the charges were false; wishes Webb were there.\nM.T.","Relates that H. H. Bancroft is anxious to have\nagency for his book on the west coast, Japan and\nChina; comments on sales of Albert D. Richardson's \n  Beyond the\nMississippi  and company canvassers; has\nfriends in Japan and China and was urged not to\nforget them; expects to be finished with manuscript\nin twenty days and will go east then. S.L.C.","Announces with joy his conditional engagement\nwith Olivia Langdon; describes his request for\npermission from her parents, conditions to be met for\nthe engagement, and Olivia's acceptance of his\nproposal. M.T.","Mentions Fairbanks's 'Holy Land' letters;\nrequests her appraisal of Mark Twain, especially if\nshe thinks the reformation of his character is\npermanent; recognizes Twain's genius but concern for\nher daughter prompts her to inquire; discusses news\nand health of family.","Unable to come but sends letter to be read and\nspeech for a meeting; if proceedings are published\nwould like copies for his scrap-book; is \"pleasantly\nemployed\"; insists punctuation and text are exactly\nas he wants them.","Broke off negotiations with Cleveland Herald and\nbought third interest in The Buffalo Express; will\ngive up lecturing until next year; praises look of\nbook ( \n  The Innocents Abroad  );\nrequests copies to be sent to various people and\nnewspapers; will send Elmira reviews and a copy of a\nflattering letter. Typed signature S.L.C.","Unable to lecture because he is working for a\nnewspaper and will be married soon; hopes and expects\nto be excused from New England lecture contract;\nunable to lecture at Kingston either. S.L.C.","Has replied to Abby that he will not lecture in\neither town; because of this reply, can not agree to\nlecture in Rondout; has refused other lecture and\nwishes to clear up confusion over other engagements;\nhas postponed wedding until February because of his\nlecture engagements; discusses his desire to be out\nof lecturing and support family with newspaper.\nS.L.C. and M.T.] (w/env)","Re lecture engagements; forwarding letter to his\nBoston agent, who is straightening out matters with\nMedbury. S.L.C.","Extends lecture invitation. On recto, verso and\nadditional sheet, ALS [1869] Mark Twain to James\nRedpath says he discussed above invitation with\nHoratio C. King, a committee member; does not wish to\nlecture outside New England again, especially not in\nBrooklyn; complains about Miss Watson and the\narrangements she made for a misrepresented Brooklyn\nlecture; discusses arrangements to solve the problem.\nM.T.","Asks the City editor of The Buffalo Express for\ngenerous publicity for Soldiers' Orphans concert.\nS.L.C.] (w/env)","Discusses lecture business and recent engagement;\nasks for bill to be sent to Elmira so he can settle\nit before his wedding. S.L.C.","Humorous request for books to review from Fields,\nOsgood \u0026 Company. M.T.","Says he could not agree to new edition of \n  The Celebrated Jumping Frog of\nCalaveras County  without creating problems\nwith his new publisher nor did he issue a book of\nsketches for same reasons; discusses his shame for\nhiring a lawyer and creating trouble; glad Webb\nmarried and happy he himself is married; mentions his\nnew lifestyle; accepts Webb's invitation to visit and\nextends one in return; describes his falling out with\nBret Harte over the \n  Innocents Abroad  review\nin the \n  Overland Review  because\nBancroft would not send copies to Harte. S.L.C.","Fragment. Is selecting from his previous work to\nbe used in a book of sketches and will write a new\nsketch \"or so\" for proposed book; mentions unnamed\nman; requests contract of new book and suggests the\nbook be illustrated like \n  The Innocents Abroad  .\nNo signature.","Fragment. Mentions visitors and queries if\nCaptain White lived in Keokuk. ","Fragment. Mentions woman visitor and anecdote\nabout Editor Lord.","Fragment. Is sending some letters to\ncorrespondent.","Would rather be represented by different lawyers\nthan Will Moffett's ; feels they would be prejudiced\nin favor of the others; her mother [Pamela Clemens\nMoffett] has been sick but is better.","Discusses Orion's job possibilities with comments\nfrom Mark Twain, Orion's projected writing projects,\na teaching job in Germany, and a political\nappointment he is concerned about; scattered comments\non Twain's activities; family news with suggestions\nand some quotations from Twain.","Had tried to call in person but his wife's\nillness and their travel preparations for the long\njourney precluded it.] (calling card)","Thanks for his letter; wonders why people in\nBuffalo still call the Tifft house the poor house.\nM.T.","Twain discusses whether it is too soon to release\nthe \n  Sketch Book  as it may\ninterfere with sales of \n  Innocents Abroad.  Twain\nsuggests the publishing order of \n  Roughing It  , followed\nby a book on diamond mining in South Africa, and then\nthe \n  Sketch Book. ","Declines invitation to 50th anniversary\ncelebration of The Fredonia Censor; offers\ncongratulations. M.T.","Fragment. Discusses disagreement with American\nPublishing Company and Elisha Bliss; will insist in\nfuture on written agreement; declines emphatically to\nwrite exclusively for The Publisher; wants\nadvertising of his exclusive contract be withdrawn\nand a correction published; will publish correction\nhimself if not printed by Bliss; does not want to\ndiscuss issue again; would request name be taken off\nlist of contributors if it had not already been\npublished. S.L.C.","Likes his own \"Facts about the Great Beef\nContract\" article published a year back in Galaxy May\n1870; mentions article's popularity in Washington;\nwishes Nast good fortune with his Almanac. S.L.C.]\n(attached to white paper with Nast autograph)","Has received check; comments on [Edward Howard]\nHouse's writing; is almost done with manuscript; will\nbring it to Hartford; mentions his desire to work on\nbook, pace of work, his editorial plans, his\nconfidence in the success of the book; says to go\nahead and issue prospectus and start canvassing;\nincludes proposed dedication (to \n  Roughing It  ); comments\non his favorable business prospects. S.L.C.","Re lecturing schedule in Boston; insists on\nopening in the Music Hall and on being first speaker,\nthen lecturing in South End; otherwise his prospects\nwould be diminished; feels Mr. Dana will understand\nhis position and be willing to speak second.\nM.T.","Has declined lecture tour in Missouri and Kansas\nbecause of railroad travel; plans to talk in St.\nLouis if arrangements have been made but prefers not\nto lecture; discusses business aspects of his\ndecisions and other lecture arrangements; comments on\nBowen's state legislature; wife well but baby ill.\nS.L.C. With ALS 1921 February 21 from Dora C. Bowen\nstating Bowen was a boyhood friend of Mark Twain.\n","Accepts invitation from Beach for himself but\nOlivia unable to come because of visitors in\nHartford. S.L.C.","Inviting Olivia's friends to the Monday night's\n[sic] Club meeting at their home because Olivia is\nvery busy preparing for their departure. S.L.C.","Discusses a church as a site for a lecture;\nrequests bill from Fall; unable to go to Boston since\nhe leaves for Elmira soon. S.L.C. With ANS n.d. James\nRedpath to Unknown re business matter.","Describes in great detail proposed position,\nwages, and hiring procedures for a phonographer.\nMark.","Fragment. Re Mark Twain's difficulties with\nAmerican Publishing Company and Elisha Bliss\nconcerning The Publisher; mentions Orion Clemens '\npart in the misunderstanding; discusses terms offered\nto other authors and to Mark Twain, corrections to be\npublished, and terms to resolve the\nmisunderstanding.","Comments on [Timothy] Warrington's article; says\nfamily well and flourishing, particularly new baby;\nmentions sad news of Fall's family; practicing for\nthe Jubilee; requests Redpath to publish news of \n  Roughing It  in the\nAdvertiser. M.T.","Knows [John H.] Riley's \"condition\" but is unable\nto leave to see him because of his family; his son,\nLangdon Clemens, has died after a long illness and\nhis wife is in precarious health. S.L.C.","Thanks for the books; will send \n  The Innocents\nAbroad  revisions Monday; will write preface as\nsuggested; hopes to see him at [Daniel] Slote's New\nYork City home Wednesday. S.L.C.","Enclosing preface for \n  Roughing It  ; thinks\npreface will be fine for two volumes if the book is\ndivided; will not forget to ship the revised \n  Roughing It  .\nS.L.C.","\"Twain promises second preface.\"","Expecting Bret Harte; asks what Lockwood says\nabout \"the patent.\" S.L.C.","Sending preface to English edition of \n  The Innocents Abroad  ;\nasks for destruction of earlier draft \"not in good\ntaste\"; has declined month long lecture engagement;\nexpects to spend winter in rural England, or, more\nlikely, in Cuba and Florida. S.L.C.","Sending Mark Twain preface to \n  The Innocents Abroad  ;\nduplicate being sent on Thursday's boat.","Joking refusal of invitation because of\nindigestion; with a comment on John Camden Hotten.\nS.L.C.] (w/transcript and photostat of the card)","Has been called home; expects to spend time with\nfamily in Great Britain most of next year and may be\nable to lecture for a month on \"such scientific\ntopics as I know least about.\" M.T. With AN on recto,\nin another hand, saying \"My Dear MacDonell perhaps\nthis may amuse you. D.S.J.\"","Invites him to visit; mentions that [Charles\nErskine Scott] Wood stayed with him; reports that\nAmerican papers suggest Twain be given an medal for\nstanding on deck without an umbrella; Olivia hopes\nthat he will be given a larger ship so that she could\ntravel with Mouland and not suffer sea-sickness;\nplans to travel next May. S.L.C.","Congratulates him on receiving award; wants exact\ninformation so that he may put it in The Tribune;\nwill be lecturing in New York in February and working\non his book, then will sail for England with Olivia;\nhopes to go with Mouland again and invites him to\nvisit; plans to give London lecture proceeds to The\nRoyal Humane Society; has bought property for\nbuilding a home. S.L.C.","Sends information on Mark Twain, who is away,\nsupplied by Olivia L. Clemens and Warner for new\nedition of Duyckinck.","Receipt for royalty check; comments on \n  Roughing It  not selling\nas well as \n  The Innocents Abroad  ;\nattributes difference to the engravings, paper and\nlack of publicity; comments at length about lack of\npublicity; wants Thomas Nast to do illustrations for\nhis next book and has plans for its publicity; plans\nto buy more stock and desires to be a director of the\nAmerican Publishing Company. S.L.C.","Sending him poems by W. A. Kendall; comments on\nKendall and his criticism of Bret Harte; feels unable\nto return poems since he has had them so long; if\nHowells does not publish the poems, requests that\nHowells send them back; if he chooses to publish\nthem, then he should \"improve\" them. S.L.C.","\"Long life to you and yours.\" S.L.C.","Unable to accept his invitation; reminds him of\ntheir other social engagements. S.L.C and M.T.","Is going to the Cosmopolitan Club tomorrow and\nhopes that Miller can meet him; AN at bottom requests\nhe drop in that night. S.L.C. and M.T.","Not going to Paris; suggests Bliss can make a\npamphlet out of the Herald letters, the enclosed\narticle, \"The Jumping Frog. In English. Then in\nFrench. Then clawed back into a civilized language\nonce more by patient, unremunerated toil,\" and of his\n\"old sketches\"; says there is a Routledge edition of\nhis sketches at his or Charles Dudley Warner's house,\nif Bliss does not have one; says to sell this\npamphlet for 25 cents, and not more or less; has also\nenclosed prefatory remarks for use; does not plan to\nwrite any more Herald letters for now. S.L.C.","Called on him previous day; asks for convenient\ntime tomorrow to meet for visit to a fur\nestablishment. S.L.C.","Asks whether his clerk had given Bentley \"The\nJumping Frog. In English. Then in French. Then clawed\nback into a civilized language once more by patient,\nunremunerated toil\" sketch some time back; if he is\nnot using it, would like it back. M.T.","Was unable to come because of business\nengagements; will think of magazine article but\ndoubts he will write it because of other work; adds\nhe would like to put \"The Jumping Frog. In English.\nThen in French. Then clawed back into a civilized\nlanguage once more by patient, unremunerated toil\"\nstory into a book if Bentley is not going to need it.\nS.L.C.","Dinner invitation; mentions Stoddard.","Asks him to send early copies of \n  The Gilded Age  (library\nstyle) at his expense to list of editors and friends.\nM.T.","Afraid he may not be able to go to Croydon\nbecause of his lecture business. M.T.] (w/env)","Claims fog kept audience away; began to think\nthat lectures were not advertised enough; wrote\nnotice for newspapers but none printed it; encloses\ncopy of advertisement (not present); feels that they\nwere offended by joke about the Prince in the\nadvertisement; future lectures will include comments\nthat he did not mean to offend in his advertising.\nS.L.C.","Discusses arrangements for lectures at Steinway\nHall, Boston, and Baltimore; mentions arrangement\nwith Pugh for Philadelphia; proposes \n  Roughing It  lecture in\nWashington. Mark.","Took the baby for a drive, which is why they came\nwhen they said they would be unable to come.]\n(calling card) (w/env)","Requests information about obtaining several\ncopies of Mark Twain's books for his ships cheaply,\noffering trade-in-kind facetiously.","Invites Kingsley and family to visit in Hartford;\nmentions Olivia's nervousness in meeting him; will\nnot be able to meet Kingsley at the Lotos Club since\nMark Twain will be in Boston to have dinner with\nWilkie Collins; suggests the best train to take to\nHartford. S.L.C.","Unable to assist in writing Wakeman's memoirs;\nfeels book will be readable as is, without\n\"doctoring\"; will only put his name on books he\nwrites; suggests Wakeman see publishers; details\nroyalties paid out by Elisha Bliss for new authors\nand for himself; will send manuscript to Bliss if\ndesired; says business can be accomplished through\nmail as well as in person. S.L.C.","Explanation of his \" Mark Twain \" nom de plume.\nS.L.C.","Wishes he could have suggested to Charles P. Pope\na higher value of $500 on Howells' translation but\nhesitated to take sides between two personal friends;\nhas made \n  The Gilded Age  into a\nfive act play, \"Colonel Sellers,\" and leased the play\nto comedian John T. Raymond; hopes Howells, his\nfamily, and the Aldrichs will visit. S.L.C.","Requests help in securing position in the Navy\nfor nephew Samuel E. Moffett, who is fourteen;\nMoffett lives in Mr. Sessions' New York district\nwhich has no open cadet appointments; mentions the\nboy's intelligence and potential; hopes to secure\nappointment from Secretary of the Navy ( George\nMaxwell Robeson ), who can make discretionary\nappointments. S.L.C.","Thanks him for his efforts; has written to the\nSecretary of the Navy as suggested; thinks [Samuel\nE.] Moffett is above average, else he would not ask\nfor the favor; adds nephew will be fourteen November 5.\nS.L.C.","Thanks him \"for doing that thing up so thoroughly\nand handsomely himself\" when he himself \"could not\nhave said a word\".","Thanks him for his efforts on behalf of nephew\nSamuel E. Moffett; had not written earlier because he\nhas been working on a play while remodelling his\nhouse; will put Moffett in school in hopes of\nsuccessfully getting appointment through ( George\nMaxwell) Robeson; Orion Clemens going back to Keokuk.\nS.L.C.","Is unable to write a play at this time but\nsuggests [William Dean] Howells of the \n  Atlantic Monthly  may be\ninterested and might even be writing a play now; Daly\nmay want to contact Howells after finishing fight\nwith Bronson (Howard). S.L.C.","Cannot lecture this winter but outlines plans for\na slow journey down the Mississippi gathering\nmaterial while lecturing to pay for trip, if he can\nfinish his present book by May 1; would like Redpath\nto accompany him; asks him to consider and give his\nopinion. S.L.C.","Recalls pleasant memories of correspondent's\nfather in Salt Lake City and sends requested\nautograph for her. M.T. and S.L.C.","Tells him emphatically not to print anything of\nhis in Gill's \n  Treasure Trove  series;\nmentions he was \"burnt once\" with \n  Lotos Leaves  ; tells\nhim to print quickly so that he will not appear in\nprint in \n  Treasure Trove  ;\nsuggests his publisher's unwillingness as a reason.\nS.L.C.","Will be away and must decline his invitation but\nhopes to come another time. S.L.C.","Declines invitation. S.L.C. ","Twain requests Harte's autograph for Charles E. Tisdall, the chancellor of Christ Church Cathedral, whom he describes as a \"mighty good fellow--for a Christian.\" Twain also asks if he can publish in England without impairing his American copyright, mentions finishing a book [ The adventures of Tom Sawyer  ] and another \"going through the press\" [ Mark Twain's sketches, old and new ","Thanks for the proof copy of [Henry Wadsworth]\nLongfellow's picture, which he considers \"the\nperfection of a portrait.\" S.L.C.","\"I repent me in sackcloth and ashes.\" M.T. and\nS.L.C.","Asks him to send cloth copies of his four books\nand some other books to Edward Hastings of National\nSoldiers' Home, Virginia for the disabled soldiers\nthere; requests he be billed as low as possible.\nS.L.C.","Sending him a sketch for the \n  Temple Bar  which was\nnot ready in time for the \n  Atlantic Monthly  ;\nmentions visit he paid with Joaquin Miller, during\nwhich Bentley asked him to submit sketches he might\nhave. S.L.C.","Comments on not answering her letter immediately;\nmentions that he does not have Charles Dudley\nWarner's autograph and is unable to send her one\nuntil Warner returns from Europe. S.L.C. and\nM.T.","Receipt of payment; wish he could have sent\nadvance sheets of article; will send a copy of\nanything else he writes before \n  Atlantic\nMonthly's  European appearance. S.L.C.","Reports gloves found; enjoyed Samuel E. Moffett's\nvisit; thinks he must have been poor company because\nof his irritation with [Bret] Harte. S.L.C.","Thanks for the white Japanese pin; hopes Moffett\nand his wife are enjoying the holiday; wishes she\ncould see them but it will be some time before she\ncan; mentions weather.","Responds to request for autograph; mentions he\nalso has a \"schoene Aussicht\" from his study. M.T.\nand S.L.C.","Has sent him 1 of 4 articles he is writing for \n  Atlantic Monthly  ; has\nseen Chatto in New York and told him he might have\nthe article if Bentley does not want it; will send\nthe article to the Editor of \n  Temple Bar  since\nBentley has moved.","Dictated. Offers compromise over books; comments\nhe wanted to be sure Conway had gotten his royalty;\nacknowledges receipt of royalty check. S.L.C. per\nF.C.H.","Thanks him; says several pieces are familiar and\nwill be glad to become acquainted with the others.\nS.L.C.] (w/env)","Drew 200 pounds on letter of credit; spent four\nthousand dollars in past three months in Paris;\nmentions inclement weather. S.L.C.","Refers him to Bliss; says Bliss will probably not\nmind answering his questions since nothing needs to\nbe secret; believes that under some conditions he\nwill stay with the old company. S.L.C.","Re October 4 bank draft; mentions Orion Clemens,\nCharles L. (Webster), Pamela Clemens Moffett, and\nfriends; wishes to be remembered to \"Sam's Uncle\nHarvey.\" ANS at bottom from Annie (Moffett) Webster\nsays she would write if she had time.","Praises Winter's poem \"The Chieftain\"; calls it a\nmasterwork that seems perfect; would read it to his\nwife but he always breaks down when he reads the\npoem. S.L.C. AN at top by [William Winter]\nidentifies poem as \"The Chieftain.\"","Hears he is \"troubled with twins\" and encloses\nsomething on how to raise them successfully; wishes\nhim a good Christmas and New Year; says his writings\nare read with pleasure.","Thanks the Boyesens for their praises for his new\nbook; surprised at the critical success and potential\nfinancial success of the book; because of Boyensen's\npraises, was encouraged to read publicly from new\nbook at Joseph Twichell's \"chapel\" instead of using\nold material as he had planned; speaks of the strong\nimpulse of writers to write, even for their\nwastebaskets. M.T.","Has been ill but is recovering fast; has paid off\na debt; mentions poem in Parker's column today.\nM.T.","Invitation to come visit whenever it suits him.\nM.T.","Appreciates hearing Ulysses S. Grant not\noffended; spent weekend at [William Dean] Howells;\nfamily looking forward to House's visit. M.T.","Suggests he set \"The Splendor Falls\" to music;\nsuggests possible instrumentation and vocals; hopes\nhe'll \"do it right.\" S.L.C.","Discusses his support for retention of Frederick\nDouglass for Marshall of Washington and warmly\npraises Douglass; mentions Charles J. Langdon.\nS.L.C.","Urges him to submit articles to James R. Osgood;\nlooking forward to seeing House and his daughter when\nthey visit; had badly wanted to show him his own book\nbut will not be able. M.T.","Regrets that they missed connections but hopes\nthey will visit in May; will ask [William Dean]\nHowells about House's article; has recommended him to\nJohn Hay and General [Grover] Cleveland for a\ndiplomatic post in Japan; reports what was said in\ndiscussion with Ulysses S. Grant on subject, who\nthinks House can fill post well but will appoint\nsomeone else instead; adds that he has not been able\nto convince Grant to write a book but Grant mentioned\nsome stories which he does want to write down before\nhis memories dim. M.T.","Says \"sketch\" accurate; suggests an addition\nlisting his later books through \n  A Tramp Abroad  (1880);\nhas a book ( \n  The Prince and the\nPauper  ) in press but is not including it\nsince it will be out in November. S.L.C.","Cover letter for check for $160.76; queries\n\"London 6 vols\" entry; prefers to keep his \"Prince\"\naccount separate entirely; places book orders.\nS.L.C.","Comments on various business matters; discusses\nroyalties on his scrap book. S.L.C.","Discusses printing job; suggests finishing\nunspecified item in best style, and print in two\ncolors; will be returning home by express.\nS.L.C.","Agrees to Osgood's interpretation of the Canadian\npublishing matter; inquires on how to make a transfer\nof unspecified item to Chatto \u0026 Windus.\nS.L.C.","Discusses remodelling of his home and admonishes\nHouse never to remodel. M.T.","Says he has not been in Boston since he and House\n\"lunched\" with [James Ripley] Osgood, [Thomas Bailey]\nAldrich, and others; hopes to finish remodeling so\nthat House and Koto, his daughter, may be able to\nvisit; comment on progress of remodelling. M.T.","Glad for his opinion of the book ( \n  The Prince and the\nPauper  ); discusses the problem of baronets in\nthe book, possible ways including a foot-note to\nsolve the problem, and the title to give Miles, one\nof the characters; hopes House can visit soon; visits\nMontreal in November with [William Dean] Howells and\n[James Ripley] Osgood. M.T.","Expresses gratitude for House's research into the\nbaronet problem (in The Prince and the Pauper ) and\nresolving the foot-note proposal which neither Olivia\nor House liked; has sent his preferred correction to\n[James Ripley] Osgood, but will defer to Osgood's and\nHouse's judgement. M.T.","Glad that House's suggestion was adopted, but not\nsure if correction will be in time for London\nedition; [James Ripley] Osgood concerned change might\naffect copyright because of differing texts but he\nthinks not; decorators still at work but hopes soon\nto set date for House's visit.","Hopes more of remodelling completed by December 15 and\nthat House and Koto can come then; is going to Canada\nin ten days hunting for copyrights but will be back\nby December 7. M.T.","Comments that he and Olivia greatly enjoyed\nHouse's recent \n  Atlantic\nMonthly  article; notes House was spared\n[Thomas Bailey] Aldrich's \"butcher-knife\" and marvels\nHouse was not sent proofs; going with [James Ripley]\nOsgood to Canada November 25; home almost ready for\nHouse's visit. M.T.","Thoroughly enjoyed her book, as did his family\nand guests; has asked [James Ripley] Osgood to send\nher his new book. S.L.C.] (w/env)","Arrangements for House's visit; suggests\nopen-ended visit; visiting the Mississippi River with\n[James Ripley] Osgood in April; reports Olivia\nenjoyed Koto's Christmas cards; has had 6 of his\nbooks printed on China paper for Susy, \"Bay,\" Koto\nand several other special friends. M.T.","Introduces Charles Hopkinson Clark, one of the\nthree who have agreed to compile the \n  Library of Humour  for\nOsgood and Company. S.L.C.","Has received india paper books; says McMillan\n(sic) matter is Osgood's and Dawson's to decide; does\nnot care how many Canadian editions sold as long as\nthey are not sold in the U.S.; discusses discounts to\ngeneral agents, thinks discount wasted as the\ncanvassers do all the work and will still current\nrate despite discount; concerns about books in the\nbookstores; encloses letter (not present) from a\nforeigner sent to him by Dean Sage; orders Joseph\nHenry Shorthouse's \"John Inglesant\"; mentions [Edward\nHoward] House and Koto visiting. S.L.C.","Delighted with his review of his book; mentions\npublishing book ( \n  The Prince and the\nPauper  ) at own expense and his success as a\npublisher; thought Miss Gilder's letter was from a\nman and replied in kind; asks for his address and\ninvites him to visit. (pages misnumbered in letter)\nS.L.C.","Recommends the young lady who bears this letter\nto Hooper as a translator of French on Orion\nClemens's estimation; would be willing to visit Paris\nto dine with Hooper again but will not endure a\nforeign country again for any other purpose. S.L.C.]\n(w/env)","Will visit with Joseph Twichell when their\nfamilies are better; hopes to see \"the charming\nKentucky school girl\" there; mentions that Generals\nSherman and Van Vliet had copies of \n  Date 1601  when he\nvisited; says its circulation is slowly growing and a\ncopy has gone to Japan; expects it will cause him\ntrouble. S.L.C. Charles Erskine Scott Wood notes in\nAN at bottom that he was Adjutant to the\nSuperintendent at U.S. Military Academy West Point at\nthat time.","Agrees with House's assessment of the Scribner's\ncritical review of \n  The Prince and the\nPauper  ; surprised by the very complimentary\nEnglish reviews; comments on great sales in England;\npleased to have income from three books that can't be\npirated; has rheumatism, but it allows him to\npractice typewriting (typed letter himself); family\nsick but getting better. Typed signature M.T.","Enclosing original manuscript of \n  1603  (sic) ( \n  Date 1601  ); notes that\nthere are many errors; suggests Wood correct them as\nnecessary, as he is too busy to do so himself. S.L.C.\nCharles Erskine Scott Wood notes in AN that Twain\nforwarded manuscript of \n  1601  to him to be\nprinted on the U.S. Military Academy West Point\npress, of which he was in charge; also comments on\nTwain's use of the typewriter.","Plans for an April 17 trip with him; suggests\nhotel car to Chicago; can get sketches ready in time;\nsays publishing books does not pay for the trouble\nwriting them. M.T.","Writes to unknown correspondent he has quit the\nlecture platform permanently. On verso, ALS 1882 August\nMark Twain to Charles Erskine Scott Wood says he and\nTwichell like \"it (the one sent for his signature).\"\nM.T. and S.L.C. Charles Erskine Scott Wood in AN says\nthis statement probably refers to a proof of Timothy\nCole's woodcut after Abbott Henderson Thayer's\nportrait of Twain.","Unable to comply with his request; says he is not\nwell and sends regrets. M.T.","Sending [Charles L.] Webster to talk with him;\nwould like Webster to have charge of running the book\nif possible. S.L.C.","Says Mark Twain has received check but check\nshould have been sent to Webster; Twain wants\nbusiness to be conducted through him; cannot send\nreceipt since he did not receive the money.","Re business matters with American Publishing\nCompany. ","Has been struggling hard over his book for\nawhile, suffering \"literary gout\"; comments at length\non the recent gubernatorial election in Connecticut\nlost by the Republicans, political journalism, and\n\"bossism\"; mentions family news and sleighing for the\nfirst time this winter. Typed signature S.L.C.","Re arrangements for his speech (at the New\nEngland Dinner 1882 December 23), \"The Regular Toast,\nWoman --God Bless Her, Response by Mark Twain \"; will\nspeak fifth if President [Chester] Arthur not\npresent; if he is, then sixth; felt other subjects\ntoo solemn; will be his last speech except for one in\nAugust which fulfills a three year old promise.\nS.L.C.] (w/env) (w/3 transcripts)","\"If you would be kindly spoken of, die. There is\nno other way. But don't hurry\". S.L.C. and M.T.","Requests two sets of plates and dies and 50,000\ncopies of book ( \n  Life on the\nMississippi  ) printed; he will not cause delay\nbut Olivia might because of her proofreading; wants\nthem to look carefully at the \n  Atlantic\nMonthly  material; wants to provide Charles L.\nWebster with advertising so he won't complain later\nif book does not sell; places book orders.\nS.L.C.","Unable to aid him in request since he is occupied\nwith putting a book to press; suggests he contact\nRev. Francis Goodwin for help. S.L.C.","Fragment. Apologizes for inviting Col. Waring\nwhen there is no room for him; suggests alternate\narrangements; says George Washington Cable did well\nin speech with Parson Jones story. No signature.","Asks where July dividend is because he has not\nseen it; will not be in Hartford this summer. S.L.C.]\n(w/env)","Discusses [Joseph] Twichell's well-meant\npremature publication of Twain's letter on his\ninvented \"historical game\" in the [Hartford] Courant;\nsays this upset his own plans for a small book;\nmentions having House's proofs and playing word\ngames; [William Dean] Howells and [James Ripley]\nOsgood back from Europe; remarks \"we\" have been home\ntwo weeks. M.T.] (includes brief crossed-out notes on\nverso of p. 4 and 5 by House)","Requests names of publishers who could\nmanufacture \n  A Tramp Abroad  for less\nthan he can.","Thinks S. W. Green's Sons will do the work below\nAmerican Publishing Company prices.","Jokes about family's reaction to gift House sent\nthem from Japan. Typed signature S.L.C.","Asks whether they wish to submit a bid on\nprinting two thousand copies of \n  A Tramp Abroad  ; gives\nspecifications; suggests J. P. Jones can lend them a\ncopy if they show him this letter."," Charles M. Green Printing Company can supply two\nthousand copies of \n  A Tramp Abroad  for 53\ncents a book as soon as the paper can be made, if\nAmerican Publishing Company supplies the frontispiece\nportrait.","Contends that, despite Mark Twain and Charles L.\nWebster's claims to the contrary, other publishers\nwould have cost more to manufacture \n  A Tramp Abroad  . ","Has gotten price for manufacturing \n  A Tramp Abroad  from S.\nW. Green but says it would cost more; is making new\nedition \"here\" as before.","Discusses family financial affairs, health,\nfriendly gossip about neighbors and old friends, and\nweather; glad to hear he has a farm.] (w/env)","Discusses House's precarious health; lists what\nhe has been reading and comments on his reading\nhabits; mentions Charley Delmonico; has been\nreminiscing with Thomas Bailey Aldrich about House,\nArtemus (Ward), and the rest of the \"Pfaff gang\";\nwriting new book which is moving along well.\nM.T.","His publisher Mr. Hennuyer requests Twain's\napproval of his translation of \n  Adventures of Tom\nSawyer  about to be published and is now being\nillustrated by Achille Siriony; would also like\napproval of his forthcoming \n  Adventures of Huckleberry\nFinn  translation; \n  Adventures of Tom\nSawyer  will be in same style as his adaptation\nof \n  Helen's Babies  of which\nhe sends Twain a copy.","Requests Daly to look over his dramatization of \n  Adventures of Tom\nSawyer  . M.T.","Discusses authorship of \n  The Bread Winner  and\npossibility of either John Hay or Clarence King as\nauthor; mentions George Washington Cable, while\nvisiting, had the mumps for three weeks and comments\non Cable's complaining; appreciates photographs of\nKoto; [William Dean] Howells just arriving. M.T.","Has referred \"another one of those fellows\" (\nWilliam L. Hughes ) to London publisher Chatto;\nkeeping back \n  Adventures of Huckleberry\nFinn  until spring for a longer canvass.\nS.L.C.","In response to a request from Rohr regarding\nRohr's translation of Heine's \"Lorelei.\" A\nphotostatic copy of Rohr's letter and envelope to\nTwain is included.","Has forgotten about \n  The Bread Winner  ;\ntrying with Joseph Twichell to learn to bicycle;\nenjoyed the \"catagraphs\" but mourns that after years\nof longing is still catless. M.T.","Presses company to bring suit at once against\n\"these pirates\" and threatens to annul his contracts\nwith them on grounds that sufficient effort was not\nmade to protect his copyrights. S.L.C.] (glued to\ncard)","Thanks him; after lecture dates are set, will\nwrite him; hopes the dates are as Iles suggests.\nS.L.C.","Thanks for their letters of introduction and\ndirections; plans to finish his business and then\nwill stay with them on the way back; promises family\nnews.] (w/env)","Has forgotten favor House requested; wished he\ncould visit Japan but thinks his daughters' musical\neducation would suffer; possibly could go if he could\nfind a competent house keeper to help Olivia; setting\noff on lecture tour; plans to vote Democratic and\nagainst [James G.] Blaine in the upcoming elections.\nM.T.","Acknowledges receipt of their September 12 payment;\nthinks [James G.] Blaine may been defeated; Charles\nL. Webster in California is establishing book\nagencies; lecturing tonight first time in 8 or 10\nyears but will be last time ever; hopes to repeat\ntheir success in Canada. S.L.C.","Discusses a suit against Estes and Lauriat of\nBoston for their illegal sale of one of his books;\nsays the matter is in hands of his lawyers, Alexander\nand Green of New York. S.L.C.","Marked \"Private.\" Corrects the information given\nin newspaper article; says at 15 he promised his\nmother not to drink and was later released from\npledge; kept his promise because he made it to his\nmother; expresses opinion on pledges given to\ntemperance workers; has marked letter private since\nhe did not want to contradict his mother's\nrecollections in public and because of his opinion\nabout temperance pledges. S.L.C. With TN 1930 March 12\n(w/env) from Helen M. Wilcox, Mrs. Cosgrave's\ndaughter, about the circumstances of her mother's\ncorrespondence.] (w/env)","Had already read and profited by \"it\"; comments\nhotel in the right management now. S.L.C.","Grieved to hear of House's illness but glad he is\nrecovering; comments on Ulysses S. Grant and his\nmemoirs; wishes Grant had written memoirs earlier;\njudges book as one of the best narratives in English\nlanguage; Grant is finishing volume two but may have\nwritten his last; compares what his company offered\nGrant to \n  The Century  in\nroyalties and subscription apparatus; discusses\nGrant's Century articles and why he should have been\npaid more; Olivia is pleased by Koto's gift. M.T.\n(\"SLC per JR\")","Discusses publication of Ulysses S. Grant's\nmemoirs; refutes published stories, which he thinks\nwere spread by \n  The Century  ; explains\nhow his contract will generate more money for Grant\nthat \n  The Century  offers;\nmentions anticipated sales; denies he got the book\nthrough underhanded means; adds that none of Grant's\nsons is a partner; looking forward to House's visit.\nM.T.","Wished to talk to Fuller about a potential\ninvestment. S.L.C.","Re a watch Olivia L. Clemens bought some days ago\nwhich needs to be fixed. S.L.C.","Has had his say in the current \n  The Century  and to the\nCommittee; does not enjoy writing miscellaneous\narticles. S.L.C.","Recounts anecdotally Olivia's disappointment that\nKoto could not visit. M.T.","Says that Koto's visit was a great success and\nall miss her including the family, Charles Dudley\nWarner, Miss Duke, Mamie Perkins, the Goldthwaites,\nand Miss Covey. M.T.","Announces return from journey to the Mississippi\nvia the Lakes; says that Olivia is planning letter\nfor Koto; discusses the secret language devised and\nused by Susy and Daisy Warner and hopes House will\nfigure it out. M.T.","Encloses letter from Mr. Howell (not present);\nwill refer contents of letter to Alexander and Green\nand if they advise, wishes to instigate suit against\nJohn Wannamaker. S.L.C.","Apologizes to Koto for forgetting to send\nmeasurements; sends the \"lingo letter\" mentioned\nbefore; discusses Susy's and Daisy's writing styles.\nM.T.","Doubts Rooker's opinion; discusses (New York)\nTribune's typesetting problems, the wearing of\nmatrices and alignment of type, whether they might be\nfixed, and how much these problems cost the Tribune;\nclaims the Paige typesetter is superior to all other\ninvented typesetters; comments on Olivia's good\nopinion of House. In postscript; mentions Tribune's\nalignment problem solved and that they are using new\nmatrices; attributes quick wear of matrices to design\n(includes sketch of matrix); plans to measure how\nlong new set lasts. M.T.","Thanks for House's note in the secret language of\nSusy and Daisy Warner, and for not telling her\nparents what it was; adds politely that House did\nmake several errors in their secret language;\nmentions Jean pleased by dress Koto sent.","Thanks House for another note and will send him\ntheir rules for the secret language if Daisy Warner\nagrees. Postscript in secret language.","Fragment. Gives joking account asserting he did\nnot fall asleep in court during the John Wannamaker\ntrial but fainted; urges correspondent to place story\nin newspapers. M.T.","Will come to visit House on Tuesday; Olivia says\nTwain must invite Mr. McCarthy (over Twain's\nprejudices) so asks House to give him the enclosed\ninvitation. M.T.","Enjoyed her visit; would love for her (with\nEllen) to visit them when the room is finished and\ninvites Violet to stay with them overnight after\nattending a nearby wedding; Twain unhappy he could\nnot join them on visit at Peekskill. ","Points out that Stoddard's \"The Brahman's Son\"\nwas not borrowed from House's story; suggests he\ncheck \"Yamarajah\" in \n  Stray Leaves from Strange\nLiterature  with the poem line by line.\nM.T.","Has written the letter, but Olivia does not\napprove; she says he must consider Lowell's piece of\nmind and not press the matter at the Authors' Club;\ncomments on women and reason. M.T.","Sympathizing with House in House and Koto's\nillnesses; says Olivia afraid if he were made House's\nexecutor, he might not do it well; suggests Franklin\nG. Whitmore instead and Twain could aid Whitmore in\nany way possible. M.T.","Invitation to dine with Henry M. Stanley.\nS.L.C.","Remembers House had mentioned that \n  The Prince and the\nPauper  would be nice dramatized; has tried it\nhimself unsuccessfully; mentions House could try it\nfor half to two thirds of the proceeds and might\nenjoy trying it when his pains abate a while; admits\nhe is ashamed to be incapable of being House's\nexecutor. M.T.","Has ordered a couple of \n  The Prince and the\nPauper  books to be sent to House; is sending\nhis own attempt at dramatizing it; expects to see him\nsoon. M.T.","Places book orders. S.L.C.","Wishes he could help her but he is not acquainted\nmuch with journalism any more; has already written to\nthe two journalists he does know, but they declined\nthe request; glad Stewart is a senator; begs to be\nremembered to \"once-little-girl\" he used to know.\nS.L.C.","Says unspecified article \"first appeared in\nGalaxy magazine between May 1870 and April 1871\";\nproofs have not come. S.L.C.","Praises Loisette memory system; requests that\nDavis tell the Garths that the \"d'UnLap\" part of \n  The Century  article\n(\"History of a Campaign that Failed\") will not appear\nin \n  The Century  's war\nbook; mentions John Robards. S.L.C. In PL, Twain\npraises the Loisette memory system.] (w/env)","Encourages House's plans to write about Japan;\nlooks forward to seeing him soon. M.T.","Says to ship the wheelchair and make own\narrangements for the luggage; will cancel an\nengagement to meet him.","Thanks for a first chance at his autobiography;\nnot sure what publishing prospects now would be but\nrefers him to Charles L. Webster who is in charge of\nbusiness part of the publishing house. S.L.C.","So glad to get House's French, German and English\nletter and is trying to answer in kind; they miss him\nvery much and love to Koto.","Says they miss House and Koto; discusses Twain\nkittens and cat in Elmira. ","Discusses House's letters, seeing a manufacturing\nplant in Elmira burn, Fourth of July celebrations,\nher activities, and reading Dickens.","Discusses Twain cats and family news.","Discusses neighborhood dogs, her activities, and\nHouse's letters; passing mention of House staying\nwith Mrs. Warner and the Yosts.","Appreciates his letters to the children;\ndiscusses a letter of his she mislaid, his visiting\nplans and hiring a new nurse for Jean; looking\nforward to seeing him and Koto.","Discusses substitute suggested for profanity and\nnews of family and friends.","Discusses House's letter; mentions the \n Day family , her activities, and\nfamily news.","Discusses the cold weather, her grandmother's [\nOlivia Lewis Langdon] birthday, photo of Koto and\nElize, visiting Mrs. [Clara Spaulding] Stanchfield's\nbaby daughter, creating with Daisy Warner another\nsecret language; wishes Koto and House could stay in\nHartford all winter.","Will be leaving Elmira soon; describes her\ngrandmother's party; plans to see play in New York;\nreports family busy discussing Bacon as Shakespeare;\nwill write Koto soon. AN, in pencil by Edward Howard\nHouse, states Susy is answering his letter sent in\nsame mail as one to Mark Twain, which Twain claims he\ndid not receive.","Thanks him for letter of recommendation; has\nletter of recommendation from Prof. Bra[d]y to Judge\nNorth, who knows a lot about fruit and raisins;\ndiscusses railroad possibilities.] (w/env)","Agrees to do a reading and states stipulations.\nS.L.C.","Checking into farm prospects for Samuel E.\nMoffett in California; discusses fruit crops and farm\nproperties at length.","Re business matters, real estate, and farm.]\n(w/env)","Mentions expense of living in Fresno; discusses\nproperty of Samuel E. Moffett and family business\nmatters.","Turns down invitation to spend time with them in\nmountains; plans to keep Olivia in Elmira at the farm\nto get her better. S.L.C.","Discusses House's dental matters and Susy and\nClara's doings; hopes House's river \"excursion\" will\nbe pleasant.","Believes no more bills will be sent but to\nforward them if they do; plans to ask Chatto's and\nDawson's help in securing Canadian copyright for\n[Philip] Sheridan's book; thought and hoped Chatto\nwould take Tauchnitz's offer. S.L.C.","Discusses the weather, family activities, and\nwhat she is reading; mentions Theodore Crane; asks to\nbe remembered to Koto.","Twain has instructed him to tell Bliss he is\ncorrect in sending royalty statement and check\ndirectly to him; acknowledges receipt for $569.50\ncheck.","Discusses setting a date for Koto's visit to the \n Clemens family . ","Discusses a limited recommendation of a Mr.\nWright who is apparently seeking employment from\nHall; reports on his discussion with Mr. Wright.\nS.L.C.] (w/env.)","Thanks for the book; is glad to have the story in\npermanent form; discusses her sister and Theodore\nCrane's visit; mentions family matters.","Distressed Koto has been ill; says she should\nlearn to be lazy until she is better; reports\nbrother-in-law Theodore Crane improving slowly;\npassing mention that Mrs. Cabell is ill at Charles\nDudley Warner's home.","Discusses contract with [Abby Sage?] Richardson\nto dramatize \n  The Prince and the\nPauper  ; says if there was a contract with\nHouse, he would try to straighten out the problem;\nrecalls House's initial efforts to dramatize the\nbook, his own lack of interest in the project, and\nhis impression that House had abandoned the project\nsince he did not mention it; had always wished the\nbook to be dramatized and would have preferred House\nto do it; suggested to Mrs. Richardson that she might\nget help from him.","Discusses House's claim to have a contract to\ndramatize \n  The Prince and the\nPauper  and asks for Twain's version of\nevents.","Is obliged to Daly and Miss Rehan; remarks his\nown status with his children rests not on his own\nworks, but from the fact he knows Miss Rehan and Mr.\nDrew personally.","Says [Dan] Beard is the artist; would soon as\nhave the article in the November issue (of \n  The Century  ) as in the\nDecember issue; suggests he talk to [Fred J.] Hall;\nthinks Beard could skip ahead and make pictures for\nanother part of the book; thinks he will do nice\nwork. M.T.","Has done his best to get it to them in time for\nNovember issue; will ask Fred J. Hall to hurry Dan\nBeard to finish the pictures. S.L.C.","Agrees proof must follow his own punctuation\nabsolutely; asks Hall to instruct Chatto to issue in\nLondon December. 6, in Canada December. 8, and in United States\nDecember. 10. S.L.C.","Not expecting to be in London this year but might\nbe there anyway; has tried to write things he would\nlike to tell English workingmen but without success;\nwill keep theme in mind and perhaps do it in future.\nS.L.C.","Expresses bitter opinion of lawyer Whitford\nretained for a suit by Charles L. Webster \u0026\nCompany; suggests another lawyer if any further\nlawsuits with Gill. S.L.C.","Will come with a big red apple for him and bring\nhim home; then they will go to 14th street depot to\nsee the locomotive, wheel, and water ball. With\ngrocery list on verso.","Cover letter for 2 monthly statements.","Requests Twain pay memorandum he encloses from\nPratt \u0026 Whitney Company, which he showed Twain in\nJanuary in accordance with their agreement.","Reminds him that since he declined to sign a\ncontract, Twain had said he would not lend Paige any\nmore money; is returning bill to Pratt \u0026 Whitney\nCompany. ANS at bottom states this letter is copy of\nreply to Paige's letters of March 18. S.L.C.","Discusses his new and less satisfactory contract\nfor the Paige Compositor Manufacturing Company; is\nworking on new book; says publishing beginning to be\nprofitable but must make $50,000 for the company\nuntil January when \n  Library of American\nLiterature  begins to return dividends. M.T.]\n(ALS has 1/3 of pg.2 trimmed out and glued to another\nsheet)","Requests copy of a cookbook be sent to his Berlin\naddress, which he asks they not divulge. S.L.C.","Thanks him for dinner; is seasoning cob pipe in\nwhisky for Lindau's nephew; has lecture engagement in\nDresden. S.L.C.] (w/env)","Sends a photograph (not present), taken about\neight years ago, of himself; mentions his own\nrheumatism; will look for photo of Lindau.\nS.L.C.","Asks Hall to renew his letter of credit which\nexpires January. 7. S.L.C.","Delighted to accept invitation. S.L.C.","Acknowledges receipt of manuscript of fifth\narticle; explains Charles L. Webster \u0026 Company\ncable; sorry Twain has been ill; at bottom, ANS 1892\nMarch 8 Mark Twain says article mentioned above\nconcerns Berlin and is the sixth article; at bottom,\nsecond ANS n.d. Mark Twain asks Fred J. Hall to save\nletter as proof of completion of the McClure\ncontract. S.L.C.","Says she does not need to explain; briefly\ndiscusses William Dean Howells ' grief over his\ndaughter Winnie; briefly mentions Thomas Bailey\nAldrich's and Oliver Wendell Holmes ' ageing.\nS.L.C.","Thanks for the books; had hoped to see her before\nleaving; had called with Olivia and daughters to say\ngoodbye but missed her. S.L.C.","Thanks him for arrival of the rest of \n  Tom Sawyer Abroad  and\nthe closing pages of \n  The Tragedy of Pudd'nhead\nWilson  ; plans to start working when settled\ndown in Florence; comments unfavorably on \n  The Century  article on\nColumbus's portrait; Clara has received one trunk but\ntwo are lost somewhere. S.L.C.] (w/env)","Agrees with Carey to change \"Royston's\" name and\nvillage's name; suggests Hall contact Carnegie about\nborrowing money to publish \n  Library of American\nLiterature  to a thousand sets per month; wants\nhis \"Mental Telegraphy\" in the book even if something\nelse must be dropped; has received the \"St. Nick\nproposition\" to \"split payment\" and has written \"all\nright\" to Hall and [Mary Mapes] Dodge. S.L.C.","Fragment. Good wishes to them all; will have\nsomething for them someday, perhaps soon.","Asks to have a copy of a volume with \"The\nCelebrated Jumping Frog of Calaveras County\" sent to\nCaptain Stormer at Twain's expense. S.L.C.","Requests that recipient put Twain's money in the\nMount Morris Bank, including money from royalties\nuntil they can see whether recipient can sell Twain's\ninterest in an unspecified business. S.L.C.","Thanks him for letter; cannot answer it but will\nsend the notes, \"as August is not far away.\" S.L.C.]\n(tipped in \n  The Gilded Age  ,\nBarrett PS 1311 .A1 1874 copy 5)","Had enjoyed seeing the Shipmans in Europe very\nmuch and looks forward to seeing all of them back in\nHartford; comments on the joy of meeting friends in\nEurope; sends regards to Judge [Nathaniel] Shipman;\nenjoyed Annie Eliot Trumbull's \"White Birches\";\nmentions the Hillyers and Sally Dunham; wishes they\n(the Clemens) might see the Chicago Fair. With ANS\n[1893 August 11] Mark Twain to [Mary Robinson Shipman\n], says note was \"smuggled\" into Olivia's letter and\njokes she is concerned about tautology in her letter.\nS.L.C.] (w/env)","Thanks from him and his daughter; sends book of\nhis which is full of statistics and should help\ncorrespondent's next edition. S.L.C.","No longer gives prices for his articles because\nwhen he did so before, editors said he under priced\nhimself. S.L.C.","Dinner invitation from the Club signed by\nLaurence Hutton, George Parsons Lathrop, Brander\nMatthews, Mark Twain (S.L.C. signature), Richard\nWatson Gilder, Charles Dudley Warner, William Dean\nHowells, Francis Lathrop, F. D. Millet, William M.\nLaffan, Joseph Jefferson, H.C. Banner, R. Swain\nGifford, Charles Fairchild, Thomas Bailey Aldrich.\n","Says he has lost his voice and has doctor's\norders not to use it; asks Buel to try to postpone\nnext day's lecture. S.L.C.","Promises to come to her play January 10 if he is\nstill in the country; has been in Chicago for 3 days\n\"visiting the ruins.\" S.L.C.","Re a manuscript by the sister of Edmond Picton.\n","Offers other investors one-quarter interest in\nTwain contract with Paige Compositor Manufacturing\nCompany with autograph draft of letter.","Re sale of Paige Compositor Manufacturing Company\nstock from pools.","Has received two copies from Twain of Paige\nCompositor contract; will execute and return them to\nHenry H. Rogers. ","Unable to help him since \"the whole business is\nin the hands of creditors\"; discusses past problem\nwith a bank, his indebtedness, and Hall's trouble;\nmentions Franklin G. Whitmore; will see Hall in July.\nS.L.C.] (w/env)","Reports arrival of manuscript ( \n  Personal Recollections of Joan\nof Arc  ); wants Harper to draft an order\nrequiring the compositor and proof-reader to follow\ncopy exactly; mentions \n  The Century  proofreader\nwho tampered with his punctuation in \n  The Tragedy of Pudd'nhead\nWilson  in the manuscript before sending it to\nthe printer; intends to add to manuscript 1200 words,\nincluding a three stanza song; thanks for the books;\nencloses copy of extra material and notes where it\nshould be located in manuscript; not all the \n  Personal Recollections of Joan\nof Arc  came as manuscript was opened at French\ncustom house. S.L.C. With AN signed J. Henry Harper\non verso of p. 3 says Mr. Alden sent complete copy of\nmanuscript and difficulty can be resolved if Twain\nindicates where his manuscript ends.","Acknowledges receipt of $500 check for Mark\nTwain's account.","Offers him opportunity to bid on the plates on\ncondition terms can be arranged for continuing\npublication; will transmit offer to Henry H. Rogers\nwho represents Olivia L. Clemens. With typed list of\nprices of the plates of a dozen Mark Twain\nbooks.","About conclusions of four hand-writing analysts\nand his reaction to their analyses. M.T.","Wishes to see proofs of \n  Personal Recollections of Joan\nof Arc  because he needs to make corrections;\nif necessary, can make corrections by letter; has\nbeen in bed with gout; in postscript offers proposed\ncorrection (not present). S.L.C.","Says \"Cooper article\" is in Paris; if possible he\nwill rewrite it until it suits him and send it on to\nBryce. S.L.C.","Asks that Chatto \u0026 Windus pay S. Gardner\n\u0026 Company bill and charge to him.","Cover letter for royalty check for Olivia L.\nClemens on American Publishing Company Mark Twain\nbooks; with autograph annotation adding in \n  The Tragedy of Pudd'nhead\nWilson  account and 2 royalty statements.","Is going on lecture tour to Australia, India, and\nSouth Africa; adds the Stanleys and other friends\nhave given him letters of recommendation; requests\nsame from correspondent and especially one to\ncorrespondent's brother, whom Twain nearly met\nbefore. S.L.C.","Regrets that the \n Clemens cannot come to dinner\nbecause his gout is acting up; if possible, has to\nsee [Mary Dodge] Mapes ' play the next day and\nexpects to be in pain the following day. S.L.C.","Mentions minor correction in proofs (of \n  Personal Recollections of Joan\nof Arc  ) just arrived; will return to America\ntomorrow. S.L.C.] (w/2 typed transcripts)","First dividend paid to Charles L. Webster \u0026\nCompany's creditors; discusses purchase of plates of\nMark Twain. ","About the offer by Olivia L. Clemens to buy the\nplates for Mark Twain's books.","Offers terms between Harper \u0026 Brothers and\nTwain for new uniform edition of Twain's books which\nhe has or may get under his control, calculating\nroyalties depending on new plates or plates supplied\nby Twain. With unsigned memo [May 1895] stating\nTwain's interpretation of the proposal.","In bed with gout and a large boil and cannot\nwrite. S.L.C.","Not able to talk business yet; discusses magazine\noffers and difficulty writing for magazines; \"still\nin bed with carbuncle.\" S.L.C. Mounted on card with\nphotograph of Twain in bed.","Thanks him \"for the pleasant attention of giving\nme the front seat\"; describes how he got his own\nautograph collection as a result of an April Fool's\njoke played on him by George Washington Cable.\nS.L.C.","Sorry he will not be able to visit Britain in\nwinter because he is leaving for the Pacific and\nAustralia; will be lecturing in India and South\nAfrica. S.L.C.","Contract accompanying this letter fine to him but\nadds he is not an expert in such contracts.] (with\nTDS 1895 May 23 Contract between Olivia L. Clemens\nand Harper \u0026 Brothers to publish a uniform\nedition of Mark Twain's works)","Cover letter for payment for \n  Harper's\nMagazine  account for Mark Twain's \n  Personal Recollections of Joan\nof Arc  , Books I, II, III and \n  Tom Sawyer, Detective  ;\nmentions that check for \"Mental Telegraphy Again\" had\nalready been sent to Olivia L. Clemens through\nRogers."," George Rives, their attorney, suggests changes\nin wording of their contract with Olivia L. Clemens;\nafter consultations with Bainbridge Colby, willing to\nleave wording stand.","Agrees readily to wording changes in Harper \u0026\nBrothers contract if all parties agree with\ninterpretation of clause.","Relaying message of love and good wishes from\nMark Twain whom he saw on ship.","Discusses publishing contracts Rogers is handling\nfor the Clemenses with Harper \u0026 Brothers and\nAmerican Publishing Company; Mayo has sent check for \n  The Tragedy of Pudd'nhead\nWilson  which is finally doing well. Enclosed\nare copies of the following: TL 1894 [March 4] Mark\nTwain to Henry H. Rogers re: 20 shares Paige\nCompositor Manufacturing Company stock to be\ndelivered to Bram Stoker and TL 1894 [March 4] Henry H.\nRogers to Henry Irving receipt for 10 shares Paige\nCompositor Manufacturing Company stock.","Thanks them for gift of two books and a poem of\nMrs. Aklom's; comments that Mrs. Aklom writes better\npoetry than he does; adds Mr. [R. S.] Smythe ill and\ncan not tell when they will leave. S.L.C.","Thanks him for kindnesses; postponing departure\nbecause Clara and Mr. [R. S.] Smythe ill; hopes to\nsee them again sometime. S.L.C.","Needs to see the Blisses before proceeding with\nHarper \u0026 Brothers scheme; mentions General\nLangdon and his discussion with \"Payn of the bank\";\ndiscusses at length the proposal of engaging John\nWarner of Abbey, Schoeffel \u0026 Grau as Twain's\nmanager; discusses Twain's health and family\nnews.","Discusses Twain uniform edition with Harper \u0026\nBrothers; mention in passing Frank Mayo's death and\nAmerican Publishing Company; describes a letter of\nsolicitation from a Abbie G. Bates, a copy of which\nis enclosed.","Comments on continuing negotiations between\nHarper \u0026 Brothers and American Publishing\nCompany; mentions Joseph Twitchell writing sketch on\nTwain.","Re proposal for publishing uniform edition of\nMark Twain works, including list of works to be\npublished, and discussion of reciprocal agreement\nwith American Publishing Company, to print books for\nwhich they and Harper \u0026 Brothers hold previous\npublishing agreements and use of Charles L. Webster\n\u0026 Company plates.","Discusses his negotiations with Harper \u0026\nBrothers and American Publishing Company re uniform\nedition; is on trip to oilfields in Kansas,\nTennessee, Kentucky, and Virginia; has received\nroyalty check from Frank Mayo; discusses debt\nsettlements of Charles L. Webster \u0026 Company;\nmentions Colby free to do Twain work.","Discusses proposed series of volumes to be called\n  Harper's Contemporary\nEssayists  ; lists works possibly to be\nincluded; requests to publish a volume of his essays,\nlist enclosed, per Brander Matthews ' suggestion;\nincludes royalty suggestion.","Comments on business trip to \"oil regions of the\nSouth and West\"; comments on negotiations between\nHarper \u0026 Brothers and Frank E. Bliss and\nsubsequent proposals for uniform and trade editions;\nthinks Twain's books \"on the boom\" and wants to get\nnew editions out; mentions Charles L. Webster \u0026\nCompany news and news of family and friends."," Harper \u0026 Brothers ' dramatic share too high;\nsuggests a 1/4 or 1/5.","Dictated. Discusses his wedding, honeymoon, age,\nand wealth, Charles L. Webster \u0026 Company's\naffairs, negotiations with Frank E. Bliss and\nAmerican Publishing Company re uniform edition, the\ndramatization of \n  Personal Recollections of Joan\nof Arc  , the death of Frank Mayo and Mayo's\ndepiction of Pudd'nhead Wilson.","Sends copy of Harper \u0026 Brothers letter\nconcerning [Augustin] Daly's proposed dramatization\nof \n  Personal Recollections of Joan\nof Arc  and the division of profits.","Re publication of \n  Adventures of Huckleberry\nFinn  , concerning payments, ownership of or\nroyalties from plates; editions printed from plates\nto bear correct authorization, and publishing and\nretail terms; and this proposal to be extended to\nother books. (2 copies differently worded)","Re agreement between Harper \u0026 Brothers and\nAmerican Publishing Company for use of Charles L.\nWebster plates and proposed future editions; comments\non what he thinks this agreement means, and\npossibility of new contract with American Publishing\nCompany with new royalty agreements. Very faint\nRogers' signature. With draft, with A notes, for\nproposal for publishing Twain books in uniform\neditions, including possible new book ( \n  Following the Equator  )\nand typed agreement with American Publishing Company\nre uniform edition and publication for \n  Following the Equator  .\n","Re proposals for new contract with Olivia L.\nClemens concerning destruction of old contracts, new\nprofit division, uniform edition to be issued and\nsold by American Publishing Company in agreement with\nHarper \u0026 Brothers; exclusive agreement with and\nproposed payment and publishing terms for Mark\nTwain's proposed book on journey around world ( \n  Following the Equator  )\nand profit guarantees.","Re sale of \n  The Tragedy of Pudd'nhead\nWilson  dramatization after Frank Mayo's death\nand disagreement with heirs of Mayo's estate; notes\nnewspaper notice of Olivia's loss of her\ndaughter.","Requests two proofs of the Max O'Rell article;\nasks where to send a rent check; mentions Walter\nBesout review of \n  Personal Recollections of Joan\nof Arc  notice. S.L.C.] (mourning\nstationery)","Encloses house rent check for first 6 months;\ngives Mr. Garth's address; requests that they respond\nto inquiries that he will not lecture again.\nS.L.C.","Thanks him and Mary Mantz Moffett for their\nkindness to his daughter; advises Moffett not to\nleave until sure of something better; says he must be\nvigilant over his expenses even if McKinley\nelected.","Discusses small amount spent on Christmas\npresents for Sam and \"Mamie\" ( Mary Mantz Moffett )\nand a family misunderstanding; likes \"the new\nmechanical arrangement in your Editorial\ncolumns.\"","Proposed new book to be only sold on subscription\nuntil after day of delivery to subscribes; and\nuniform edition to be sold by subscription only;\nsuggests uniform edition will be ready in eighteen\nmonths because of need of new pictures and sale\nconditions.","Suggests when Mark Twain contracts for a new\npublication that he reserves right for American\nPublishing Company to publish new work in uniform\nedition, which will keep costs and profits up.","Thanks him for Christmas book and cards of\n\"Sammy's\"; visited Clara Dana for a card party and\nmentions other guests; inquires after his\nchildren.","Thanks for invitation but declines since his\nbereavement is too recent. S.L.C.] (w/env)","Thanks him for the flowers; mentions Mark Twain\nwill be very happy to meet correspondent's sons\ntomorrow.] (w/env) (mourning stationery)","Thanks him for copy of \n  In Memoriam  .] (w/env)\n(mourning stationery)","Busy at work on his book ( \n  Following the\nEquator  ); asks MacAlister to come see him\ninstead; adds he would be too moved at seeing Miss\nCorelli whom he had last met with Susy. S.L.C.]\n(w/env) (mourning stationery)","Will not make any more engagements; has gone to\nwork again because his departure was delayed; will\ndine will Mohavly Bell; says Spurgeon will enjoy\nhearing Max O'Rell. S.L.C.","Will come to dine with him soon; says Olivia is\nsomewhat ill; has decided to add South Africa to his\nbook ( \n  Following the\nEquator  ), although book is almost done;\nexpects to finish in 10 days. S.L.C.] (w/env)\n(mourning stationery)","Discusses need to make plans to advertise Mark\nTwain and complete set of Twain's works; offers to\nhelp with new book in any way.","Declines work on Mark Twain's book because of his\npresent work load.","Had not thought he would write Mrs. Glover that\nMr. Smith is \"repairing the yard\"; thanks him for\nkindness when she was in New York; enjoyed \"Under the\nRed Robe\" and the Aquarium very much.","Accepts dinner invitation. S.L.C.] (w/env)\n(mourning stationery)","Cover letter for receipts; sorry to hear Mamie (\nMary Mantz Moffett ) not well; asks whether Cheney\nhas reported to Sam.","Inquires if carriage has room for his daughters;\nif so, they would be useful to him in noticing\ndetails. S.L.C.","Asks him to come down promptly to see if they can\nrepair \"damage which your cablegram has done me.\"\nS.L.C.","Has more manuscript ( \n  Following the Equator  )\nready ; requests that the typewritten part be sent to\nHenry H. Rogers. S.L.C.","Note states corrected proofs of \n  More Tramps Abroad  are\nto be sent to Mr. Bliss with mentions of variations\nbetween English and American editions with list of\nomissions in Chatto \u0026 Windus's copy.","Note concerns \"renewal ad\" for \n  The Innocents\nAbroad  placed in an agricultural paper.","Writing for Mark Twain who is very busy; he had\nwaited for MacAlister but missed him; invites him to\nvisit.] (w/env) (mourning stationery)","Declines to meet him at the Savage Club, which\nwould be too social for him; says he is pressed for\ntime and is working hard on a contract and with his\nAmerican publisher. S.L.C.] (w/env) (mourning\nstationery)","Sorry to have missed him; discusses ambivalence\nabout missing a chance for a £10,000\nlecture; mentions his and Olivia's comfort from\nreading \n  In Memoriam  ; advises\nMacAlister to get some rest; remember him to Mrs.\nKelly. S.L.C.] (w/mourning env)","Complains strongly about printers and\nproofreaders correcting his punctuation; refers to\nproofs he is correcting. S.L.C."," Henry H. Rogers has the $10,000 from Frank E.\nBliss, who has the balance of the manuscript ( \n  Following the\nEquator  ). At bottom, ANS [1897 July 30] Mark\nTwain to Chatto \u0026 Windus states manuscript to be\nsent directly to Bliss and will not need to see\nmanuscript if printers follow it exactly. S.L.C.","Cover letter for a drawing for one of Mark\nTwain's books [unspecified].","Apologizes for mislaying his letter; mentions\nthat Clara and Olivia respond to most of his\ncorrespondence when he is writing; will answer other\nmislaid letter; appreciates underwear he bought in\nLondon; is working on five books alternately and will\nfinish the books one each every twelvemonth but will\nnot publish two in his lifetime; hopes to meet him in\nVienna; unable to join him on trip but will enjoy his\nbook about it instead. S.L.C.] (w/env) (mourning\nstationery) (attached to large card)","Encloses statement of final settlement of the\nclaims of creditors of Charles L. Webster \u0026\nCompany; with list of creditors and amount of\nclaims.","Has made corrections but asks that\n\"Autobiography\", \"Eye Openers\", and \"Screamers\" be\ndeleted; he put \"Autobiography\" out of print years\nbefore by destroying the plates; the other two he did\nnot write; mentions \n  Following the\nEquator  now in press in England and America.\nS.L.C.] (mourning stationery)","Hopes he is recuperating and sends best wishes to\nMrs. Kelly; discusses English pronunciation of word\n\"trait.\" S.L.C.] (w/env) (mourning stationery)","Thanks for the cigars; mentions terrible August\nanniversaries concerned with Susy's death; leaving\nfor Vienna September 19; sends regards to Mrs. Skrine.\nS.L.C.] (w/env) (mourning stationery)","Knows Cleg and will welcome him; sends him new\naddress; sketches out some story ideas; invites him\nto visit in Vienna. S.L.C.] (mourning stationery)","Gives address for his mail but asks they not give\nthe address away; all well but he has gout.\nS.L.C.","Thanks for invitation to his wife and daughters\nbut they will be unable to come. S.L.C.] (mourning\nstationery)","Fragment. Praises artist on his composite\nphotograph of Twain. M.T.","Facetious commentary on a composite picture of a\nblack man and boy driving a cart with a picture of\nTwain on a chair imposed on cart. M.T. With\nphotograph.","Sends him two of his maxims. S.L.C.","Glad to hear he is in Vienna; invites the Skrines\nto visit and dine with them.] (w/env) (mourning\nstationery)","Mailed the enclosed (not present) to Bliss;\nsuggests methods of sending the item by cable; plans\nto attend session of the [Austrian] Parliament;\nincludes text of cable sent to Bliss. S.L.C.","Clarification of organization of list of\ncreditors sent in letter of 1897 September 1 Bainbridge\nColby to Henry H. Rogers. ","Discusses family news, real estate holdings, and\nfinances.","Requests payment for work he is sending under\nseparate cover.","Has sent article to \n  The World  , which\nrequested the article before White; feels reporting\nKasimir Badeni's resignation not worth the effort as\nit is a foregone conclusion; adds White's other\nrequest was merely a matter for reporters; sorry\nWhite's request did not come earlier. S.L.C.]\n(mourning stationery)","Encloses list of creditors' addresses not in Sept\n[1897] report and further clarifications; with\nenclosed list of creditor's addresses and list of\nsixteen creditors represented by Parker \u0026\nScudder. ","Cover letter for Harper \u0026 Brothers ' check\nfor $2815.48 royalty payment sent to Henry H. Rogers\nat Olivia L. Clemens ' request.","Cover letter for gifts for the Tower children's\nstockings.] (mourning stationery)","Cover note for some changes for Chatto \u0026\nWindus to put on one of the front fly leaves.\nS.L.C.","Requests more time for corrections and wishes to\npost something tomorrow if possible. S.L.C.","Came across letter \"with scores of others\nsimilar\" and sends it to Pamela; suggests she do as\nshe thinks best about the land; mentions Orion\nClemens never said anything to Samuel after \"this\nletter\" about the land.","Thanks him for Mark Twain's latest books and glad\nto see picture of Moffett and Twain; discusses\nattempts to rent or sell Moffett's Berkeley real\nestate; encloses check for Moffett's mother and best\nwishes for New Year; mentions family news.","Thanks him on behalf of Mark Twain for the note;\nTwain was sorry that White's request for article on\n\"the Reichrath's affair\" came too late.] (mourning\nstationery)"," Mark Twain requests a confidential cable be sent\nto Samuel E. Moffett; says cabling from Vienna more\nexpensive than from London; requests price of cable.]\n(mourning paper)","Thanks him for review of Mark Twain's book ( \n  Following the\nEquator  ); is doing most of Twain's\ncorrespondence because Twain is busy working on\nwriting projects; sends regards to family.]\n(w/env)","Quotes letter she has received from Joseph L.\nSheridan answering her request for names of lawyers;\nlawyer says she can receive the appraised value of\nthe estate from the Hazelwood County clerk; asks him\nif she should write or would he rather do so.","Requests him not to print the \"Comedy\" because it\nwould hurt the copyright in England and America;\ncomments on hard work of editing it. M.T.","Encloses a package of manuscripts for her brother\nto read and return at least part of them; asked \"Syd\"\nto write one of the lawyers; thinks unless he can get\nbetter terms they had better sign this contract.","Bemoans fact that Chatto \u0026 Windus declined\nhis proposed Dreyfus book; had not occurred to him\nthat he could have the translating and researching\ndone by Harper \u0026 Brothers ' house in London.\nS.L.C.","The \n  Public Ledger  of\nPhiladelphia never received anything on Charles L.\nWebster \u0026 Company account but 2 checks totalling\n$12.90; asks for when and to whom checks were\nsent.","Discusses corrections to be made to the\n\"Afrikander paragraph\" in \n  Following the\nEquator  and ways of keeping the paragraph in\nthe book; requests copies of \n  A Tramp Abroad  ;\nsuggests Bliss make postcards, not calendar, of\nmaxims from \n  The Tragedy of Pudd'nhead\nWilson  ; asks if Chatto \u0026 Windus may want\nto do this as well. S.L.C.","Mentions great appreciation for MacAlister saying\nin the \n  Times  that Twain has\nworked himself out of debt; thanks him for all his\npast kindnesses in his time of trouble; mentions that\nhe has regained his self-respect and is cheerful\nexcept when he thinks of Susy. S.L.C.] (w/env)\n(mourning stationery)","Asks him about anti-Semitism in Austria and in\nevents described by Twain in the article, \"Stirring\ntimes in Austria\"; with corrections by Twain in\npreparation for publication in article \"Concerning\nthe Jews.\"","Re addresses and information she requested.","Will send him the books for Her Royal Highness;\ncomments on the bindings of the books; enjoyed\ncorrespondent's brother Rudolf's visits very much.\nM.T.] (mourning stationery)","Royalty check sent to Olivia L. Clemens for\n$1861.68 (through December.31, 1897).","Thanks correspondent for offer to ship his books;\nhas forgotten artist's address but gives address of\nthe owner of the picture, who permitted the use of\nthe picture for a post card. S.L.C.","Will send him 2 pictures (oils) which are now\nnearly dry enough to send.","Has read \n  Roughing It  carefully\nand finds plenty of subjects for good illustrations;\nencloses list [not present] of possible subjects;\nsuggests full page drawings for illustrations;\ncomments on \"the inquest scene\" not humorous but\ninteresting; describes possible illustration of Mark\nTwain on bucking bronco; offers to meet and discuss\nideas; notes his change of address.","Cover letter for enclosed three \"Satisfaction of\nJudgement\" claims June 4 1895 from New York Supreme\nCourt in Barrow versus Clemens actions for George\nBarrow, Elizabeth Barrow, and Rebecca Barrow. With\nthree receipts from Elizabeth, George, and Rebecca\nBarrow, dated 1898 July 9.","Has written several stories in past year, but\nwhich are inappropriate for Bok's family magazine;\noffers him \"My Platonic Sweetheart\" for a thousand\ndollars; if he does not want it, requests he mail it\nto Henry H. Rogers; says he found a misplaced letter\nhe thought he sent explaining why Mrs. Selfridge has\nmisunderstood him. S.L.C.","Has written large part of his \n  Autobiography  but only\nworks on it occasionally; feels it is too early to\npublish it, except as an occasional single chapter\nand it is inappropriate for a magazine; says editing\nfor a book is different than for a magazine; Olivia\nedited and approved \"My debut as a literary person\"\nand suggested Bok use this article instead of \"My\nplatonic sweetheart\" but he realized that Bok would\nneed to edit it further and so did not mail it.\nS.L.C.","Declines lecture invitation; will only lecture\nonce in the next year; when younger, had no distaste\nfor lecturing, but now finds it difficult. M.T.","Acknowledges letter accepting his proposal to\nwrite Mark Twain biographical criticism for $300;\nfirst paragraph will be ready when he sees Bliss;\nwould like any biographical material available,\ncopyright dates of Twain books, and a set of Twain\nbooks published by Bliss; already has the full Harper\nset.","Cover letter for his introduction for Mark\nTwain's works; asks to see two sets of galley proofs\nso that a Columbia colleague may also check it; asks\nfor check at Bliss's convenience.","Fragment. Says heading should be \"From the London\nTimes of 1904\", which he thought of after mailing\nmanuscript. S.L.C.] (mourning paper)","Acknowledges receipt of proofs of his Mark Twain\narticle and check; discussion of best position for\nhis introduction in the books.","\"No, that isn't any matter.\" S.L.C.","Gives train schedule and proposed itinerary for\nhis visit. S.L.C.] (mourning paper)","Has been ill with the flu which settled in his\neyes and delayed finishing of the drawings (for Mark\nTwain book); has three drawings nearly finished and\nwill start on the fourth soon.","Discusses Mark Twain and Olivia, who hope to be\nhome next year; they received very kindly Dr.\nLapsley, who had a letter of recommendation from\nMollie Clemens; comments that Twain's poem about Susy\nwas great comfort to her on Orion's death; mentions\nfamily news and that she is taking in boarders.]\n(mourning paper)","Twain writes concerning English copyright\nlaw","Praises Brander Matthews ' introductory essay.\nS.L.C.","Came to Mrs. Couche's Thursday and wrote Moffett\nat home, but has had no reply; hopes no one is ill;\nat Piermont but does not know how to reach him; hopes\nall are well and does not want to be any trouble to\nthem.","Suggests Mark Twain's play \"Is He Dead?\" would\nfare better if revised by a dramatist.","Is returning Mark Twain play manuscript because\nit is not promising; would like other manuscript when\nBill Harris returns it. \"In Purgatory\" written across\nletter.","Hopes they will be back soon; expresses sorrow at\npassing of friends; wonders who the new American\nrepresentative will be and speculates he is not rich;\nOlivia fairly well and managing business end of their\naffairs. M.T.","Comments on three plays by Mark Twain; not able\nto place \"Bartel Turaser\"; \"In Purgatory\" is in hands\nof William Harris who promises a decision soon; \"Is\nhe dead?\" best of three; reluctant to return plays\nyet, may be able to place them. Refers to 1899 February. 2\nKlaw \u0026 Erlanger to Alf Hayman. ","If they were going to stay in London, he would\ngladly accept Skrine's offer; will refer anyone\nlooking for a house to Skrine; likes the hotel they\nare staying in. S.L.C.","Requests he not mention Twain's scheme for a\npostal check. S.L.C.] (mourning stationery)","Asks for circular on the new uniform edition of\nMark Twain works; will be lecturing on Twain at Yale\nand would like to comment on this edition; his\ncollege class reads \n  Adventures of Tom\nSawyer  in May.","Olivia wants Samuel E. Moffett of the \n  New York Journal  to\nwrite Twain biographical sketch from \"these notes\"\nand would like to check it before printing.\nS.L.C.","Has signed half of Mark Twain sheets and will\nship by Adams Express, the other half to be sent next\nweek.","Is sending the rest of signed Mark Twain\nprefaces.","Unhappy that his bill not yet paid, but Bliss may\nremove signed proofs from his studio all the\nsame.","The papers \"duly executed\" are enclosed. S.L.C.]\n(mourning stationery calling card)","Explains he ordered \n  Adventures of Tom\nSawyer  for his class but the Yale Co-op bought\ncopies from a jobber elsewhere.","Thanks him for telegram; leaving for London to\nplace daughter with Madam Marchesi for singing\nlessons; has said he is going to London for own\nbusiness so that present teacher will not know until\nnew engagement complete; asks for help in finding\nhotel in London and asks about Morley's Hotel in\nparticular; details desired accommodations.\nS.L.C.","Dictated. Enclosing sketch (not present) Mark\nTwain wants Moffett to rewrite; is not sure where\nhe'll put it in the new edition; requests he do it at\nthe earliest convenience.","Discusses London hotel reservations Spalding is\ngetting for \n Clemens family ; mentions he had\nasked Emperor for an audience; discusses travel plans\nand accommodation needs. S.L.C.","Announces temporary change of address; has been\nunable to find Mrs. Spaulding's address; is staying\nat Broadstairs on orders from Clara's doctor; keeps\nquarters at the Prince of Wales Hotel; requests they\nnot make addresses public (AN on env). S.L.C.]\n(w/env)","Has longtime commitment for a \n  Tragedy of Pudd'nhead\nWilson  maxim calendar; would not object if she\nuses another work for a calendar; does not think that\nHarper \u0026 Brothers or American Publishing Company\nwould object; likes the silhouette and would not mind\nher using it; eager to return to America before next\nwinter's snow begins. S.L.C.] (w/env)","Unable to attend meeting on 29th because of\nprevious engagement; sympathizes with the cause.\nS.L.C. With AN at top in other hand: \"From Mark Twain\non W.S. meeting.\"","Promises to look in on correspondent before\nleaving town. S.L.C.] (mourning stationery)","Thanks \"authors\" for honor they have offered him;\nregrets he will be leaving shortly and will not be in\nLondon for awhile so he cannot take advantage of it.\nS.L.C.] (w/env)","Glad Mark Twain pleased with sketch; had not set\nit in type yet because he was waiting for Twain's\napproval; requests he make a change in the copy to\nsee if the correction is better than the\noriginal.","Has arrived in London and may stay until spring\nso that Jean can continue treatment; will complete\napplication for copyright; Olivia acknowledges\nreceipt of check; inquires what Harper \u0026 Brothers\nhas to do with his English editors; let him know if\nHarper \u0026 Brothers does not object to Bliss using\nthe \"Jew article\" (\"Concerning the Jews\") and will\nnot stop him from adding a volume of short works to\nuniform edition; would prefer to give volume to\nMcClure, which is really Harper \u0026 Brothers;\nsuggests Bliss, if he needs to, go through McClure to\nget a concession from Harpers; expects no trouble\nthough from Harper \u0026 Brothers. S.L.C.","Declines invitation to the Savage Club because he\nplans to keep out of newspapers for six months; would\nlike to visit him and his family at home; says he is\nready to start writing. Signed S.L.C.] (w/env)","Praises book on Major Noah; has not read beyond\nanswer to \n  North American Review  ;\nhopes to use facts furnished by correspondent; says\nhe knew Major Noah's eldest son in San Francisco;\ngives London address as Chatto \u0026 Windus.\nS.L.C.","Understands now; had been deceived by Smythe's\nline; cannot lecture and does not expect to be on\nlecture platform again since he dislikes it.\nS.L.C.","Glad to hear news of Mrs. Tatlock's health; is\nhouse hunting. S.L.C.","Had the set of Mark Twain works here all the time\nbut thought they were the sheets; thinks the page on \n  [Life On] The\nMississippi  a bit crowded but feels it doesn't\nmatter; will sign sheets this week.","Thanks him for another book; still is comforted\nby \n  In Memoriam  ; enjoyed\nvisit with him; says Twain cannot remember the\npublishing story MacAlister referred to.] (w/env)\n(mourning stationery)","Discusses whether Lord Leighton used the Kellgren\nmassage system; asks for confirmation. M.T.]\n(w/env)","Declines dinner invitation since many journalists\nwould be present. S.L.C.","Christmas and New Year's wishes to the\nMacAlisters.] (w/env) (mourning stationery)","Answers her question on his books.] (mourning\nstationery)","Suggests canvassing in Ashland, Kentucky, would\nresult in many sales in individual books and uniform\nsets of Mark Twain works.] (mourning stationery)","Speculation that Bovril might be the best\ncustomer for Plasmon. S.L.C.] (w/mourning env)","Discusses his investment in Plasmon and Plasmon\nmatters; would like a theater box; has declined an\ninvitation from the Liberal Club; wants to have the\npublisher do the proof-reading; suggests title \n  The Man That Corrupted\nHadleyburg and Other Stories and Sketches  for\nnew book; admits he was fooled by the \"Greek\" origin\nof \n  The Celebrated Jumping Frog of\nCalaveras County  story. M.T.] (w/mourning\nenv)","Discusses the way Bovril is obtained and his\nestimates of the cost to the company; thinks Bovril\nsyndicate is not making a profit; adds Tatlock coming\nfrom Berlin in a week.] (w/env)","Unable to write for Whitney because his writing\nis now committed for the next year or two. S.L.C.]\n(mourning stationery)","Asks him to send Heimberg to Lord George\nHamilton's closest friend with suggestion of Plasmon\nfor relieving famine in India at lower bulk and cost\nthan millet. S.L.C.] (w/env)","Discusses editing his two volume book and\nsecuring the British copyright; mentions Harper \u0026\nBrothers sending him prints of illustrations for the\nbook. S.L.C.] (mourning stationery)","Has not heard from Tatlock but if Butlers' offer\nis accepted he will help. S.L.C.","Asks for packages of Plasmon and Virchow's\npamphlets for distribution; visited House of Commons.\nS.L.C.","Will try to bring money to him. S.L.C.","Unable to say when he will be free from \"mortgage\nupon my possible work\" and so cannot make any\npromises. S.L.C.] (mourning stationery)","Marked private. Says Jean's illness has been\ndiagnosed as epilepsy; has told only two other\npeople, Dr. Helmar and Susan Crane; she is under\ntreatment of Heinrich Kellgren; wishes Moffett to\ninterview Dr. Helmar and sends a list of questions\n(not present) to ask; wants him to take notes on\ninterview using fictitious names; says Kellgren has\npromised to cure Jean; depends on Moffet to get all\nthe information he can on and from Helmar.\nS.L.C.","Would be delighted to visit her with Olivia, but\nthe girls will be unable to come because of their\nstudies; inquires for convenient date for visit.\nS.L.C.","Re two clauses to be added to \n  Adventures of Tom\nSawyer  dramatization contract; with copy of\ncontract and carbon copy.","Thanks him for box at Prince of Wales Theater;\nlooking forward to seeing Mr. Harvey in the plays\nthere; says Bram Stoker will send them tickets for\nthe Lyceum; reports that Mark Twain has gone to\nOxford; best wishes to his wife and ill son.]\n(mourning stationery)","Thanks for the box; reports Olivia has gout and\ninquires what she should do since she disobeys her\ndoctors. M.T.] (w/mourning env)","Thanks him for tablets sent to her; hopes he is\ngetting better himself; regards to his parents.]\n(mourning stationery)","Says he is enclosing letter Bram Stoker's letter\nexpressing his opinion on the hypothetical play;\nsince Penley has not submitted his offer, suggests\nthat he go with Cyril Maude. At bottom of letter, AN\n1900 June 29 from Mark Twain agrees with MacAlister\nand returning Bram Stoker's letter to him as\nrequested. M.T.","Knows nothing about Dow machine; advises him to\nget full information before investing; accepts dinner\ninvitation.","Declines invitation; says family moving and he\nhas a prior engagement. S.L.C.","Sends regrets. S.L.C.","Re his health. S.L.C.","Unable to visit because he had to call on widow\nof someone who had died suddenly.","Declines offer because of family's day of\nmourning for Susy. With AN on envelope inviting\nMacAlister to visit. S.L.C.] (w/env) (mourning\nstationery)","Requests him to check spelling on ship names. No\nsignature.] (w/mourning env)","Thanks for a complimentary review he had written;\npacking for move back to America; compares removals\nand funerals and is tired of attending them. S.L.C.]\n(mourning stationery)","Cannot write for Lloyds Christmas number because\nhis contracts debar him; wants the MacAlisters to\nvisit them; discusses an aphorism on intolerance.\nM.T.] (w/env) (mourning stationery)","Invites him and family for dinner Monday as the\nClemenses are moving; asks him to safe-guard a play\nand typed manuscript; wants MacAlister to represent\nhim in some financial matters. S.L.C.] (w/env)\n(mourning stationery)","Asks MacAlister to represent him in some\nfinancial matters; will be sailing for America October 6.\nS.L.C.] (w/env) (mourning stationery)","Says he is using all his influence with God on\nMacAlister's behalf. M.T.] (w/env)","Discusses London hotels with humorous specific\ncomplaints and exaggeration; plans to sail on \"The\nMinnehaha\" on Saturday.","Says goodbye with warm thanks and good wishes to\nthe MacAlisters.] (w/env)","Reports no seasickness except for the maid, whom\nthey treated with Plasmon; notes that Plasmon given\nto ill patient by ship's surgeon; discusses Plasmon\nbusiness. M.T.] (w/env)","Discusses the Plasmon company in America and in\nEngland; says Henry H. Rogers agrees with him; says\nDr. Cook very capable; thinks they have a furnished\nhouse for a year. M.T.] (w/env)","Asks for London and Berlin reports; says Plasmon\nfactory will be on famous Briar Cliff dairy farm.\nWritten on printed testimonial for Plasmon. M.T.","Agrees to December 4 for Aldine [Club], with no\nreporters present. S.L.C.] (mourning stationery)","Regrets he will be unable to attend \"festival\"\nand pay tribute to Mark Twain; praises Twain\nhighly.","Confirms verbal agreements of exclusive serial\nrights to Twain's articles and exclusive publishing\nrights to any books for a one year period and details\nof royalty payments and advertising agreements until\nJanuary 1 1902.","Discusses royalty payments for a dramatization of\n  Adventures of Tom\nSawyer  as suggested by [Charles] Frohman;\noffer comparable to \n  Richard\nCarvell  agreement; fee would be split between\nTwain and dramatizer; has suggested Twain get a\npercentage of gross receipts. On verso, ALS [1900]\nNovember 16 Mark Twain to Henry H. Rogers asks him to look\nover offer, says he will sign it, and questions\npossibility of time limit on \n  Adventures of Tom\nSawyer  dramatization but not on \n  Adventures of Huckleberry\nFinn  dramatization. S.L.C.","In German. Hears he is home already; asks if it\nis suitable to visit right away. M.T.","Apologizes for ignoring registered letter;\ndiscusses Plasmon and its financing; says he has been\nsick in bed; will be giving his last lecture for the\nseason on December. 12. M.T.] (w/env)","Thanks him very much for book; says he has\nreplied to thirty-eight other letters today and this\nis the first one he has enjoyed writing. M.T.]\n(morning stationery)","Thanks her for example of \"Filipino\" workmanship;\nhas not seen either Mr. Bass or Mr. Patterson.\nS.L.C.] (mourning stationery)","Thanks him and \"the Committee\" for their\ninvitation but is unable to accept. S.L.C.","Has received check from MacAlister; compliments\nhim on business success; reports he is very busy with\nletters and speeches; says they are very lucky to\nhave their large house; fumes about war in\nPhilippines; encloses newspaper clipping (present).\nM.T.","Wishes to locate heirs of Dr. John Clemens, Jr.,\na nephew of Twain's father. In AN at bottom, Twain\nasks Samuel E. Moffett to respond if he wishes.\nS.L.C.","Re Pratt \u0026 Whitney Company claim of debt owed\nfor Paige Compositor Manufacturing Company; had\nsupposed account had been closed; will check contract\nif Mark Twain would like; will send notices of Twain\narticles in \n  North American\nReview  if wanted; enclosing some letters. In\nAN to Henry H. Rogers, Twain says he sent Pratt \u0026\nWhitney Company letter back to Pratt \u0026 Whitney;\nhaven't heard from them.","Believes he is not able to answer part of Gates's\nspeech and adds that the last paragraph of speech\naccurate picture of country. S.L.C.","Says \"The Alonzo Child\" was the last steamboat he\nserved on and that the boat later went into\nConfederate service; returned home on the \"A.T.\nLacey,\" missing the Memphis blockade by only a couple\nhours. S.L.C.","Discusses a sculptor's name he does not\nrecognize; sorry he missed Langdon's call; says\nOlivia and Clara are in D.C. S.L.C.","About autographing volumes for Churchill.\nM.T.","Appreciates his pleasant words; believes things\nhe has been saying are in the hearts of the nation's\nintelligent men but does not expect them to speak out\npublicly except when in the majority. S.L.C.","Afraid Croker may not be dethroned; permits use\nof German chapter in his Annual but Stead will still\nneed Chatto's permission. S.L.C.","Regretfully declines invitation. S.L.C.","Thanks for newspaper clippings; remarks on\nadvantage of knowing what the pulpit thinks of him.\nS.L.C.","If they had heard from him in time, they would\ngladly have stayed with him. S.L.C.","Thanks for appreciation of his books and his\nexpression of outspoken support and approval for Mark\nTwain's \"Red Cross\" blast. S.L.C.","Thanks for sending \"those proofs\" which he found\ninstructive and entertaining. S.L.C.","The \n  Library of\nLiterature  is wrong and \n  Review of Reviews  is\ncorrect that he was born in Florida, Missouri.\nS.L.C.","Re street sprinkling tax. Initialed","Requests him to send several pounds of\nunspecified food to Katherine I. Harrison, who will\neat part and distribute the rest to friends; will\ncome soon. S.L.C.","Requests that Twain pay debt for work done on\nPaige Compositor.","Re Pratt \u0026 Whitney Company bill.","Cover note for itemized bill of their account\nagainst Mark Twain ","Giving note of introduction to Col. Harvey,\npresident of Harper \u0026 Brothers; invited to cross\nby both Harvey and Rogers, with whom he would prefer\nto go, but cannot get away. S.L.C.] (w/env)","Pleased with poem [\"The White Man's Burden\"];\nthanks him for book; will be coming to consult \"the\nbound Century.\" M.T.","Encloses duplicate invoice re Mark Twain's\noutstanding account with Pratt \u0026 Whitney Company;\nwith 2 duplicate invoices and worksheet detailing\nlabor hours billed.","Says family, now in better health, enjoyed\nhearing from him; has not been working because of\n\"too much speech-making\"; has been criticizing\nAmerican missionaries in China and is in trouble with\nthe clergy and others; has been looking for summer\nhouse in Adirondacks; recounts anecdote about Emperor\nWilhelm and Lindau; apologizes for dictating the\nletter but has too much correspondence to do\notherwise. S.L.C.","Suggests he visit America; discusses Plasmon's\nsuccesses; glad that they were not bought out by the\nPlasmon Syndicate; wishes to be remembered to the\nBergheims. S.L.C.","Thanks him for sermon; will be meeting with a\ngroup of clergymen and says correspondent has\nsupplied text for his talk: \"the inability of the\nclerical profession to either quote correctly or even\nspeak the truth off-hand.\" S.L.C.","Re account settlement with Pratt \u0026 Whitney\nCompany. ","Re interest charged to Charles L. Webster \u0026\nCompany by Mount Morris Bank by former bank managers.\nEnclosed copy (TL) of L. M. Schwan to John E. Borne\nre Webster business with Mount Morris Bank with\ncopies of Webster accounts at the Mount Morris Bank.\n","Re settlement for Mark Twain's account with Pratt\n\u0026 Whitney Company. ","Re Mark Twain's account with Pratt \u0026 Whitney\nCompany. ","Results of his research into Twain's Pratt \u0026\nWhitney Company account and his recollections of the\nmatter.","Cover note for business material. S.L.C.] (on 1/2\nenvelope [Franklin G.] Whitmore to Mark Twain )","Has no desire to be president; sends regrets to\nher mother that they are unable to accept her\ninvitation but they are packing for the summer move.\nS.L.C.","Asks his personal attention to Pratt \u0026\nWhitney Company claim.","Enjoyed his book, which took him back 50 years;\nencloses scheme for \"drawing 'signed' ogres\" (not\npresent); thinks Aldrich may want to try it.\nS.L.C."," Mark Twain will pay his share of the expenses of\ngoing to Tennessee and wishes him luck; enjoying stay\nin the mountains.] (w/mourning envelope) (mourning\nstationery)","Discusses Plasmon; mentions he is following Henry\nH. Rogers ' advice on other investments; has been\nwriting for pleasure; refused offer to write for a\nmagazine; has returned from yatching trip with Henry\nH. Rogers; is renting a large house in Ampersand;\nreports details of publishing contracts for new\neditions of his books. M.T.] (w/mourning env)","Says Mr. Dodge gave him a lift up the hill and\npromised to visit soon; hopes to have friendly\nneighbors because he and Olivia like company; will\nread Stedman's poem and hopes to see him soon.\nS.L.C.] (w/env)","Fascinated by project but decided against it\nbecause of possible misinterpretation. S.L.C.","Thought her daughter had written him before; says\nMark Twain is refusing requests for interviews\nbecause he feels everything of interest has been said\nabout his life already.] (mourning stationery)","Requests that Clara's maid, bearer of this\nletter, be allowed to unpack Clara's trunk for her.\nM.T. and S.L.C.] (mourning stationery)","Asks if he should send a picture of \"a picture of\n\"a proud and haughty Russian\" ( Ossip Gabrilowitsch\n); hopes she will be well soon from measles; AN at\nbottom asks [Susan Crane] to read letter to\nClara.","Asks if she would help recover a ring from the\ntheater at which \"A Gentleman of France\" matineed;\nsays Olivia lost the ring there but got no response\nfrom the box office; was not able to get away to see\nher in person to make request. S.L.C.] (mourning\nstationery)","Discusses selling his Plasmon stock; named a\ndirector of the American Plasmon Company; setting off\nto meet Henry H. Rogers in Miami for West Indies\ncruise. M.T.] (w/env)","Comments nothing objectionable in unspecified\nforthcoming article; undecided on summer plans; if\nstaying in America, will travel to Missouri to accept\nhonorary degree from University of Missouri. S.L.C.]\n(mourning stationery)"," Mark Twain does not have old photographs to send\nper correspondent's request but is sending an\nautographed photograph and hopes it will do.","Regrets he cannot accept invitation to speak but\nbecause of Olivia's precarious state of health he is\nnot making out of town engagements; complains about\nthe Postal system. S.L.C.] (mounted on card)","Hopes to move Olivia, who is now improving, to\nElmira soon; wishes to be elected a Plasmon director\nat New York meeting in October.; sympathizes with him in\nhis illness; offers remedy; relates how others took\nremedy only when he charged for it; \"the human race\nis just a fool\"; discusses his agreements with \n  Harper's  for articles\nand payment; has a finished article for \n  Harper's  which he send\nalso to \n  Lloyd's  ; if MacAlister\ndoes sell it to \n  Lloyd's  , please use\nthe money to buy passage to America; will send it if\nJean types it. M.T.] (w/env)","Asks he put aside \"Amended Obituaries\" for now;\nhas withdrawn it from \n  Harper's  also; reports\nthat Olivia gravely ill with heart disease. M.T.","Apologizes for his presumption in his two\nprevious letters; wishes to obtain a copy of \n  Roughing It  and would\nappreciate any help.","Wishes he could but is barred by existing\ncontracts. S.L.C.","Gives permission to publish \"Amended Obituaries\"\narticle; says Olivia is feeling much better; reports\nthat her heart problem apparently disappeared but has\nnervous prostration; describes her condition and\ndependence on Clara and a trained nurse; adds that\nthere will be a birthday banquet for him in New York\nin November. M.T.] (w/env)","Declines invitation because he has too much work.\nS.L.C.","Bok may wait awhile since he is not considering\nbreaking with \n  Harper's  but if he\nshould be willing \"to talk Christmas story\" with Bok.\nS.L.C. in other hand","Discusses book he is writing on Christian\nScience; \"chief writer of the cult\" wants to write\nrejoinder and have it in book; Twain does not object;\nbook will be out in end of March or mid April;\nrequest proofs from Harper \u0026 Brothers; says\nOlivia a little better. S.L.C.","Draft for telegram re John T. Lewis's retirement;\nAN in corner says telegram not sent for lack of\ngravity. S.L.C.","Comments that the uncorrected proof sent him has\ncost him four hours work, three hours more than a\ncorrected proof would have required; requests larger\nmargins on proofs for corrections; will try to make\nreport resemble a speech he has forgotten.\nS.L.C.","Bliss can send advance; Henry H. Rogers says\nBliss has nothing to fear from Harper \u0026 Brothers\nand that Bliss can come to him for help; Olivia and\nJean doing well. S.L.C.","Responds to criticisms that his short story  Was it heaven or hell?  implied that lying was excusable under some circumstances by relating an incident in which his bedridden wife was not told about the critical illness of  a daughter. The letter is accompanied by tear sheets of the story from  Harpers Magazine  and an obituary for Jean Clemens.\n ","Fragment. Tells him to put in his conclusion to \n  Christian Science  .\n","Request to transfer half of his Plasmon Founders\nShares to John Young Walker MacAlister. Witnessed and\nsigned by Olivia L. Clemens. (Originally enclosed in\nALS 1903 April 7 and May 8 Mark Twain to John Young\nWalker MacAlister ) S.L.C.","Glad to receive his letter; recounts how he\nmistakenly thought they had over-spent the family\nbudget and what a shock this mistake gave him;\nreports Olivia is still very ill and is treated very\ndelicately; plans to take her to Italy on doctors'\norders; apologizes for not sending letter; has been\nvery sick for a month; says he met with the\nBergheims; is transferring shares to MacAlister;\nthanks him for past generosity; authorizations\nenclosed; reports on Henry H. Rogers, who has\nappendicitis; says Jean has measles and Olivia\nimproving. M.T.] (w/env)","Proposes to publish set of Mark Twain books from\nnew plates with no restrictions on other editions of\nhis books, save minimum price; offers royalty terms,\na guaranteed payment, and option to buy back the\nplates.","Discusses negotiations with American Publishing\nCompany to market Hillcrest edition sets, disposal of\nold single editions, and Twain payment to American\nPublishing Company upon signing of contract;\ndiscusses negotiation with Collier's to sell sets by\nsubscription and Harper \u0026 Brothers ' to sell to\ntrade; mentions business discussion with Frederick A.\nDuneka; enjoyed visit with Rogers. \"Billy's friend\nDr. Rice\"","Discusses various proposals re sale of Hillcrest\nedition, uniform sets, agreements with Harper \u0026\nBrothers and Mr. Collier, sale of plates to Twain,\nproposed Collier edition, contract with American\nPublishing Company and Olivia L. Clemens, royalties\nand other business matters.","Report on Peter F. Collier and Robert J. Collier\nand their business; with autograph cover note from F.\nN. Doubleday; with Bradstreets \"stamp\" on back,\naddressed to Double \u0026 Page, August. 11, 1903.","Bok will need to come to Quarry Farm for\nphotographs since he will be there for next six\nweeks. S.L.C.","Pictures of the Clemens' longtime summer house\nare finished; will sail for Italy in October;\nencloses brief explanations for the pictures (not\npresent). S.L.C.","Asks he edit out words (in photograph captions)\nwhich state John T. Lewis had been a slave before the\nwar because he had not been; requests chance for\nOlivia to edit captions before publication.\nS.L.C.","Proposal to maximize profits from publication of\neditions of Mark Twain books.","Sends inventory of stock of old editions of Mark\nTwain, with autograph note stating number recently\nbound.","Likes Marr's photographs very much; requests\ncopies be sent to two of his correspondents whom he\nhas never met. S.L.C.","Re business concerning Mark Twain and his\nbooks.","Request 33 of the Marr photographs when lawful\nfor them to be released; asks he be billed at the\nusual discount for \"orphans and authors\"; will be\nleaving soon for New York City and Italy; if Marr is\nthe one who will furnish photographs, please forward\nlist (not present) to Marr. S.L.C.","Thanks him for noticing the error in list of\nphotos requested and requested correction.","They will be at the Grosvenor in New York from\nOctober 15; appreciates him breaking his rule for them;\nwill be careful not to let photographs end up where\nthey might be reproduced; friends have inquired about\ncopies and when they will appear in the \n  Ladies Home Journal  ;\nthey both thank him for the pictures.","Jokes about letter correspondent sent him;\nconsiders account better than Hawthorne's account;\nOlivia now reading it; Olivia able to travel with\nspecial stewardess and Katy Leary. ANS on verso from\nEdwin Pond Parker explaining Twain opening sentence\nwhich was in jest.","Re Charles Gardiner's option to buy \"Hillcrest\"\nat Tarrytown. ","Turned over his power of attorney to Henry H.\nRogers to handle his business. Typed signature\nS.L.C.","Wishes to settle business before Mark Twain\nleaves; sorry any confusion remains.","Authorizes real estate firm to manage his\nTarrytown property while he is abroad.","Will come if he can but doubts he can so close to\ntheir sailing time; asks him to send photo and\nmagazine to his ship. M.T.","About to embark for Italy for a year with Olivia\nwho is a little better; will be living at Villa Reale\ndi Quarto. S.L.C.] (w/env)","Offers help; encloses tax bill for Mark Twain's\nTarrytown property.","Re needed repairs on stable roof and dwelling at\nMark Twain's Tarrytown property.","Re George W. Reeves ' alleged attempts to gouge\ncommission and payment for leasing Hillcrest.","Unable to collect rent unless house repairs are\ncompleted.","Comments on dividend received from MacAlister;\nsays Olivia was improving until she was burnt by\naccident; reports on his trip and the villa;\ndiscusses an introduction to Mr. Biaggi. ANS on\nenvelope says to send draft to Henry H. Rogers. M.T.\nand S.L.C.] (w/env)","Has already asked Henry H. Rogers to put his\nsurplus into stocks; cannot invest in Lysoform but\nwishes he could; liked Mr. Biaggi. S.L.C.]\n(w/env)","Re repairs of Hillcrest, shiftiness of George W.\nReeves, and possible sale of property.","Re commission for renting or selling\nHillcrest.","Re George W. Reeves ' commission and financial\nsituation and possibility of hiring a different\nagent.","Discusses Olivia's poor health and setback;\nwishes they had not come to Florence as the doctors\nsuggested for her. S.L.C.","Asks him if the New York Sun report is true that\nMaurice Hewlett spending winter in Florence and if\nso, would like his address.] (w/env)","Expresses sorrow for his loss; mentions Thomas\nBailey Aldrich lost his son after a long illness;\nlooks forward to seeing Miss Merion; discusses\nweather; encloses newspaper clipping about famine in\nIndia (present). M.T.] (w/env)","Enjoyed visit of MacAlister's brother; still\nwatching Olivia; working on his \n  Autobiography  two hours\na day and two long novels not to be finished for a\nwhile; discusses financial dealings. S.L.C.]\n(w/env)","They cannot attend correspondent's marriage but\nhopes it will be as long and happy as his has been;\nasks to be remembered to correspondent's parents whom\nhe knew long before correspondent was born.\nS.L.C.","Describes Olivia's recent decline and says she is\nvery ill. M.T.] (w/env)","Sends a quote and a poem from \"that quaint\ndarling\", 6 year old Marjorie Fleming. \"Y\"","\"Clara slowly recovering, the rest well.\nClemens\"","Printed acknowledgement of sympathy expressed for\nOlivia's death with autograph note conveying thanks.\nS.L.C.] (mourning stationery)","Printed acknowledgement of sympathy expressed for\nOlivia's death with ANS saying that they sail June\n28. S.L.C.] (mourning stationery)","Thanks for roses sent on Olivia's death by\ncorrespondent and \"John\", whom Olivia considered good\nfriends. S.L.C.] (mourning stationery)","Printed acknowledgement of sympathy expressed for\nOlivia's death with autograph note conveying thanks.\nM.T.] (w/env) (mourning stationery)","Picture almost complete and to be sent very\nsoon.","Asks her to write rent check for New York house;\nwill get another checkbook tomorrow; asks her to tell\nJean of good report of the progress he heard from\nClara and about her activities; will be staying over\nat Mr. Broughton's. S.L.C.","Acknowledges receipt of check.","Shocked to hear of Samuel Bergheim's death; adds\nhe has a house for three years; says Clara and Jean\naway and he is lonesome. M.T.] (w/env) (mourning\nstationery)","Mourns loss of Olivia; mentions Clara's illness\nand prescribed isolation; says Jean is in the\ncountry; describes moving into new house, with Katy\nas housekeeper; discusses Plasmon matters. M.T.]\n(w/env)","Thanks correspondent for letter. S.L.C. With AN\nby Isabel V. Lyon saying letter was a form letter to\nbe used to acknowledge receipt of book or published\narticle.","Declines invitation because of wife's health.\nS.L.C.","Note explaining unidentified letter; says Mark\nTwain went to the Gilder cottage in Tyringham when\nlonely and whenever he had an excuse.","Sending the box of prints via Wells Fargo; thanks\nhim for \n  The Innocents Abroad  .\n","Thanks him for chance to read his article which\nhe enjoyed; remarks on courage to express unpopular\nview; would have written sooner but in bed with gout\nand bronchitis for six weeks.] (w/env) (mourning\nstationery)","Discusses why he cannot allow the use of his\nPlasmon testimony for English Plasmon Company;\nmentions law suit. M.T.] (mourning stationery)","Sorry that he and wife not well; says that Clara\nis still in isolation in Connecticut and Jean\npermitted to visit; describes house and neighbors on\nNew Hampshire; has been writing. M.T.] (w/env)","Responds to request for information on his summer\nactivities; says information can be used by Duneka\nand other reporters as necessary.] (In brown folder\nwith \"Yes, I have tried a number of summer\nhomes\")","Will have his room all fixed up; says Clara is\nlike her old self. With AN at top from Mark Twain\nabout Katy.","Thanks him for thoughtfulness about his wish to\noffer condolences on [Henry] Irving's death; says\nClara in New York and Jean will be there November 1; will\njoin them there when everything all settled; reports\nClara's health almost entirely restored. M.T.\n(Originally included ALS 1905 October Clara Clemens\nGabrilowitsch to Mark Twain )] (w/env) (mourning\nstationery)","Asks when he can supply theatrical sketch\ndescribed in letter of 11th. With ANS [1905] October 25\nMark Twain to Isabel V. Lyon asking her to say he is\nunable to do it. S.L.C. With AN by Isabel V. Lyon\nsaying telegram was one of several similar requests\ncoming daily for Twain.","Asks her to deposit $200 to Clara's credit; will\nreturn to New York on the next day. S.L.C.]\n(w/mourning env)","Fragment. Describes her house; looks forward to\nseeing him; mentions debts and [Henry] Irving's\ndeath. (Originally enclosed in ALS 1905 October 19 Mark\nTwain to John Young Walker MacAlister )","Will forward him some documents on the Congo; the\nmatter is in John Morley's hands in England, who will\npush the matter along until America gets involved.\nS.L.C.] (mourning stationery)","Discusses his 70th birthday celebration and why\nhe was not able to invite Reid. S.L.C. With ANS\nRobert Reid re his thoughts on Twain's letter.","More on Congo reform matter; thinks British\ngovernment asked the American government to join in\nCongo reform matters; mentions his friends in English\ncabinet to be. S.L.C. \"Oldest person in America\"]\n(mourning stationery)","Printed thank you letter to his friends for\nbirthday wishes. M.T. In ANS, Mark Twain wishes Clara\ncould visit but prefers to keep her with him;\nsuggests he visit them in New Hampshire; acknowledges\nPlasmon check. S.L.C.] (w/env)","Expects to send full report and digest by mail or\nby \"delegation of our Association.\" S.L.C.] (mourning\nstationery)","Letter from Harper \u0026 Brothers troubles him;\nhates memory of Charles H. Webb; knows of no such\nplay and will not let it be either published or\n\"played\"; asks him to find out about it quietly.\nS.L.C.] (mourning stationery)","Declines invitation. In Isabel V. Lyon's\nhandwriting.] (tipped in Bret Harte's and Mark\nTwain's \n  Sketches of the\nSixties  , Barrett PS1319 .A2 1926)","Discusses Plasmon legal business, law suit, and\nconspiracy to bankrupt American Plasmon and to take\nover English Plasmon patents; will go to Gilder's\nhouse if visitors want to. No signature.] (w/env)","Declines invitation. S.L.C.] (mourning\nstationery)","On postcard with picture of Mark Twain. Remarks\nhe sent her a postcard meant for an \"English girl\"\n(Miss D. Stuckey) but will send the girl a more\nrecent photograph instead.] (w/env)","Cover note for ALS 1906 May 22 Harriet Monroe to\nEditor of Collier's; asks his personal attention to\nher letter and if possible its printing.","Corrects Samuel E. Moffett's piece in Collier's\nabout [Daniel Hudson] Burnham's plans for San\nFrancisco; points out the ground plan for the\nColumbian Exhibition ( Chicago World Fair 1890-91)\nwas not Burnham's but his partner's, John Wellborn\nRoot who died in 1891; mentions Burnham would be the\nlast person to deny his partner his share of\ncredit.","Request for an interview. With AN Mark Twain to\nIsabel V. Lyon declining request. S.L.C. With AN by\nIsabel V. Lyon stating request was one of many for an\ninterview and Twain's note was the basis for a form\nletter reply.","Reports that he is lonely because doctors have\nsent Clara, Jean, and [Isabel V.] Lyon to the\ncountry; will not go to Bermuda as ordered by doctors\nbecause Col. Harvey unable to go; has permanent\nbronchitis; acknowledges Plasmon check; glad he liked\nSusy's book; wishes he could go to England.]\n(w/env)","Thanks him. M.T. With AN in unknown hand saying\nthis was the way Twain declined an invitation to an\nafternoon reception. With AN from Robert Underwood\nJohnson saying previous note not true but that Twain\nthanked him for flowers sent on his birthday.]\n(calling card)","Has found letter by Mark Twain; comments on\ntaking Twain's advice to sever connection with\nMcClure; includes copy of a letter from Twain to him;\nrecounts anecdote of Twain about poem Bynner wrote to\nClara; includes copy of poem by Twain and a copy of\nBynner's poem \"To Saint Mark\"; requests his help in\ngetting original copy.","Describes charades played by guests; mentions\nhearing piano music played over the telephone and\nplans for future similar performances; played\nbilliards; will sail for Bermuda soon; thanks her for\ngold studs. Father.] (w/env)","Introduces Robert Haver Schaeffler of \n  The Century  who is\ngoing to Germany; says Schaeffler's trip promises to\nbe of value to both Germany and America; enjoyed\n[Lindau's] speech. S.L.C."," Oxford University wishes to confer Doctor of\nLetters degree on Twain but personal presence\nrequired. With AN from Mark Twain to Unknown\naccepting with pleasure.","Invitation to Windsor Castle party.","Thanks for his help; did find a program of the [\nMark Twain] Cooper Union lecture by good fortune;\nbelieves Fuller may be mistaken in thinking Edward\nHoward House wrote report of it for \n  The Tribune  . ","Thanks for his help and offers to lend him a\ncopyist; will call on him.","Thanks Shaw for Shaw's and William Morris '\nrecognition of his writing; praises Shaw's writing;\nmentions briefly seeing Morris once in a London\nstreet and that they never met; looks forward to\nseeing the Shaws in New York. ","Has induced Mark Twain \"to suppress those\nletters\" after relaying Davies and Mr. Soley's\nremarks; discusses Twain's loan request which had\nbeen turned down by the [Knickerbocker] Trust Company\nand his distrust of the directors; requests help in\nexpediting loan.","His Thanksgiving thought for 1907 was to be\nthankful he had only $51,000 in the Knickerbocker\nTrust when it failed rather than more. M.T.","Does have a copy of book in question but does not\nwish to sell it; has a collection of all the books he\nhas illustrated and has not sold any of them. With AN\nn.d. Frank E. Bliss to Unknown stating Bliss was a\n\"go-between\" trying to buy on original edition and\nthought Beard might be interested in selling.","Warm thanks for the dedication which pleases him\n\"to the limit\"; anticipating great pleasure from the\nbook; has been ill but going to Bermuda has cured\nthat. S.L.C.","Enjoying Phillpotts' \n  The Human Boy  again;\nhas read and re-read \n  The Mother of the\nMan  and calls it \"a great book\"; wishes he\nhimself had energy to tackle one or two of his own\nhalf finished books but doubts he ever will.\nS.L.C.","Plans to visit her; hiring new servants to\nreplace ones frightened away by burglars; says Mark\nTwain anxious to talk with her; expresses sympathy\nfor Samuel E. Moffett's death.] (w/env)","Conveys information requested; comments that Mr.\nPhayre is working to obtain list of books whose\ncopyright has been renewed in last ten years.","Thanks him for accepting the trust and\ncongratulates him upon his new Vice Presidency, sends\ngreetings to his wife and children, states that Miss\nLyon E. Ashcroft will arrange transfer of his\ntrust.","Thanks them for their note and wishes them a\nHappy New Year. M.T.","Praises the new copyright law; says the bill\npassed March 4 so much better than bill he had\ntestified for in Washington 2 years earlier; inquires\nif Robert Underwood Johnson wrote bill; encloses copy\nof Johnson's article about the new law. Typed\nsignature S.L.C.","Answered note from Champ Clark; will send copy of\nTwain reply; sent Albert Bigelow Paine's copy of\nJohnson's Post article to Clark. Mark Twain]\n(w/env)","Has learned that the ship \"Kaiserin Augusta\nVictoria\" is coming in earlier than expected; asks\nthey permit George O'Connor to retrieve the Clemens\ndog, which is on the ship, and to take care of\ncustoms requirements. S.L.C. and M.T.] (w/env)","Unable because of age to attend \"the Fulton\nHudson pagentries\" but is sending daughters Clara and\nJean with his secretary Albert Bigelow Paine to\nrepresent him; asks that Dearborn and General\nWoodford take care of them.","Discusses mutual pain symptoms; his pain is at\n\"the center of the breastbone\"; mentions various\ncures he has tried. Typed signature S.L.C.","Were able to buy for him manuscripts of the\n\"Invalid's Story\" and \"The Regular Toast.\"","Printed acknowledgement of sympathy expressed for\nJean's death.] (w/env) (mourning stationery)","Printed acknowledgement of sympathy expressed for\nJean's death. Unused.] (mourning stationery)","Feeling fairly well after brief bronchitis;\ndiscusses financial matters; says she was right about\nIsabel V. Lyon and Lyon's faults; glad to know\nsuccess of Miss Jones's book and is proud of Clara\nfor championing her. Marcus] (w/env) (mourning\nstationery)","Thanks from him and Mark Twain for kind note and\nfood sent; says Twain very ill and Dr. Halsey and Dr.\nQuintard attending him.","Unfinished note; \"You did not tell me, but I have\nfound out that you -\"","Brief summary of Mark Twain's life and an\nestimate of his literary worth will appear in next\nSaturday's \n  Harper's Weekly  ;\narticle mentions Fuller.","Inquires for Clara Clemens Gabrilowitsch if she\never received an important letter Clara wrote her;\nrequests reply as soon as possible.] (w/env)","Had not realized how ill little Anita was; will\nremain at Stormfield for the summer and leave for\nBerlin in October; hopes Anita will soon be better.]\n(w/mourning env) (mourning stationery)","Enclosing check for $100 since she had sent only\n$500 rather than $600 previously; sorry her cousin\nhas been ill.] (w/mourning env) (mourning\nstationery)","Sends receipt to be signed by Moffett for money\nsent previously; hopes she is much better.]\n(w/mourning env) (mourning stationery)","Thanks him for his condolences after her father's\ndeath; says she feels very much alone with no family;\nglad she has her husband.] (w/env) (mourning\nstationery)","Plans to see him again before returning to\nRedding; is writing day and night and under contract\nwith Harper \u0026 Brothers; requests any information\nFuller can give on Mark Twain and Twain's visits to\nhim, Sam Small, and Twain's \"Ohio sweetheart\nPauline.\"","Recounts in detail the printing of \n  Date 1601  ; presents\ncopy to his brother; recalls anecdote about Mark\nTwain's visit.","Has not been able to get information re Mark\nTwain's letters to Mary Mason Fairbanks; mention he\nhas heard how charming and intelligent she was; will\nsend more information soon.","Asks on behalf of Albert Bigelow Paine if Bixby's\nfather ( Horace Bixby ) would allow Paine to have\ncopies of Mark Twain's letters for publication in \n  Letters of Mark Twain  ;\nPaine will pay expenses incurred; would present\nHorace Bixby with some pieces of Twain's original\nmanuscripts if he would like it.","Still unable to get information; gives details of\nMary Mason Fairbanks ' life.","Apologizes for getting his name wrong; encloses\nletter for him (TLS 1912 December 4 copy Willis Vickery to\nW. [K.] Bixby ).","Thanks him for permitting Albert Bigelow Paine to\nuse any of his Mark Twain letters, except those to\nMary Mason Fairbanks; cautions Bixby to confirm his\nlegal ownership of the Fairbanks letters before\npublishing them for copyright purposes because the\nMark Twain Company and Albert Bigelow Paine may own\nactual copyrights to letters. (Fairbanks pencilled in\nover Williamson in letter.)","Discusses possibility that Albert Bigelow Paine\nas owner of Mark Twain copyrights may insist on\nprinting Mary Mason Fairbanks letters; Paine would\nnot object to Bixby printing a volume of letters but\nhas not discussed matter with Paine; asks if he\nshould say Bixby refuses to let Paine use the\nFairbanks letters.","Will send correspondence to Albert Bigelow Paine\nso that Paine may deal directly with Bixby; hopes\nthey will find a solution.","Has received correspondence from Edward Breck;\nrecounts his understanding of the provenance of the\nMary Mason Fairbanks letters and history of attempted\npublication; mentions law requiring permission of\nheirs and trustees to publish letters; feels Clara\nClemens Gabrilowitsch, the trustees, and Harper \u0026\nBrothers would prevent publication of a volume of\nFairbanks letters.","Has the Mary Mason Fairbanks letters; had thought\nBixby could do as he felt with the letters legally;\ndiscusses his health, family news, and his\nhouse.","Informs him that the literary rights of the\nletters belongs to the Mark Twain Company and the\ntrustees of the estate; heirs and trustees object to\nBixby's publication plans; cites prior cases\nregarding literary rights and private correspondence;\nhopes he will not recall his consent to publication\nof his other Mark Twain letters.","Sets forth history behind publishing volume of\nMark Twain letters collected by Twain and Albert\nBigelow Paine; hopes Bixby will provide copies of his\nletters to be included in book.","Cover for letter for legal opinion sent to Bixby\n(TLS 1913 February 18 F. W. Lehmann, St. Louis, MO, to W.\nK. Bixby, St. Louis, MO).","Legal opinion about manuscripts, authors'\ncorrespondence and copyright for materials Bixby\nowns.","Cover letter for return of Stanchfield and Levy\nletter to Bixby.","Regrets he has no autograph copies of Mark Twain\nor [James Whitcomb] Riley. ","Expects to be in Bronxville in April and will\ntalk over matters of mutual interest.","Returning required proofs signed.","Thanks him for informing him of Walter's death\nand will write his wife immediately.","Says offer for [James Whitcomb] Riley book\ninadequate, especially for a book with full page\noriginal drawing by Kemble next to his dedication to\nKemble."," Harper \u0026 Brothers does not have the Mark\nTwain photogravure plates; suggests he try\nphotogravure printers Bliss used.","Is sending him a letter written by Mark Twain to\nhim from Villa \"Sittignano\", Florence, Italy, in\nDecember 1892 as an addition to Ayer's\ncollection.","Asks $3000 for group of 97 letters of Mark Twain\nand William Dean Howells, most of which were\npublished in a Mark Twain biography.","Has discovered missing letters from collection\nAyer bought; will send them to owner of\ncollection.","Sends his brother's copy of Date 1601  to him;\nrecounts how got he got it from his brother. (on\nverso of ALS 1912 August 23 Charles Erskine Scott Wood\nto James MacIntosh Wood)","Discusses TLS 1882 February 21 Mark Twain to Charles\nErskine Scott Wood; mentions he returned the\nmanuscript to Twain; speculates who \"the charming\nKentucky girl\" may have been.","Cover letter for an ALS of Mark Twain's father he\nhopes will prove an addition to correspondent's\ncollection.","Discusses \n Clemens and \n Moffet family genealogies in depth;\nsays her Virginia relatives would know more than she\ndoes.","Gives him message for the Mark Twain Celebration;\nmentioning his enjoyment of Tom Sawyer and\nHuckleberry Finn.","Has made corrections in interview ( \n  An Interview with John\nGalsworthy  ); wants it printed as revised;\nthanks for sending pamphlet.] (tipped in \n  Interview with John\nGalsworthy  , Barrett PS 1343 .G3 1932)","Recounts printing of \n  Date 1601  ; claims no\nauthorized small paper edition; ordered type\nredistributed but did not oversee the redistribution;\ndiscusses printing of \n  Date 1601  by Grabhorn\nPress; says Edwin Grabhorn was to sell the Academy\ncopy and letters, but he is not sure if he did or\nnot.","Is selling Morse collection as complete\ncollection; it contains a copy of \n  Adventures of Huckleberry\nFinn  with a copy of suppressed plate tipped\nin; has not put separate valuation on item.] (laid in\n  Adventures of Huckleberry\nFinn  , Barrett PS 1305 .A1 1885a)","Discusses Glenn's \n  Adventures of Huckleberry\nFinn  prospectus with suppressed plate;\nmentions possible confusion for collectors and\ntherefore suggests private sale of prospectus.] (laid\nin \n  Adventures of Huckleberry\nFinn  , Barrett PS1305.A1 1885a)","Discusses Yale's copy of the \n  Adventure of Huckleberry\nFinn  prospectus and compares it to Randall's\ncopy.] (laid in \n  Adventures of Huckleberry\nFinn  , Barrett PS1305 .A1 1885a)","Discussion of the \n  Adventures of Huckleberry\nFinn  prospectus and comparisons of different\nstates.] (laid in \n  Adventures of Huckleberry\nFinn  , Barrett PS1305.A1 1885a)","Recounts his interest in the excised illustration\nfrom \n  Adventures of Huckleberry\nFinn  ; asks for information on plate.] (laid\nin \n  Adventures of Huckleberry\nFinn  , Barrett PS 1305. A1 1885a)","Comments on Barrett's collections seen at Grolier\nClub; is sending him pictures Frank J. Sprague took\nat the wedding of Ossip Gabrilowitsch and Clara\nClemens; says no photographer was present; encloses\ndata on Whitman concordance (not present).","Offers him Dana S. Ayer's collection of Mark\nTwain material and letters; gives brief history of\nAyer collection.","Discusses the \"Langhorne\" part of Mark Twain's\nname with information about his father's friends, the\nthree \n Langhorne brothers, William,\nMaurice and Henry.","Concerns death of Edith Colgate Salsbury who was\na trustee of the Mark Twain Memorial. ","Fragment. Postscript of letter; discusses\nassessments he has paid; Olivia unable to write but\nwill send photographs later. No signature.","Mailed \"Play acting\" article; requests enclosed\nlines be added to article. M.T.","Thanks for the courtesy but there is nothing he\nwants to say publicly on these topics. S.L.C.","Refuses invitation to a reading but hopes to come\nanother time.","Says Olivia getting better and asks him to urge\nher to come next week; sorry her visit had to be\ncancelled but Olivia would hardly have been able to\nsee her. S.L.C.","Regrets he will be unable to see her because of\nbusiness meeting at St. James Hotel; seems his\nbusiness always fills his New York visits.\nS.L.C.","Thanks him for his suggestions; draws many\nparallels with the story \"The Philosopher's Pendulum\"\nto his courtship of Olivia which he describes.\nS.L.C.","Re family business matters.","Fragment. Has ordered two seats for his six\nlectures for correspondent but points out it will be\nthe same lecture \"word for word\" six times. M.T.]\n(tipped in \n  Mark Twain's Speeches  ,\nBarrett PS1322 .S5 1910)","Humorous notes and sketches.","Politely declines an invitation for an event in\nBoston. S.L.C.","Has had neuralgia and dental work; discusses\nreading books and scripture.","Says he and wife will come but the girls are\nunable.] (w/env) (mourning stationery)","Receipt for balance due for town lots purchased\nfrom Clemens for the courthouse in Jamestown\n[Tennessee]. ","Royalty check for $703.35.","Copy of receipt for $308 from the American\nPublishing Company to be applied to Mark Twain's\naccount; sheet torn from account book with partial\ncopies of other receipts of American Publishing\nCompany. ","Receipt for lecture, \"Reminiscences of Some\nUncommonplace Characters I Have Chanced to\nMeet.\"","Royalty check from the American Publishing\nCompany with Mark Twain endorsement (S.L.C.\nsignature).","Transfer of 200 shares of stock from Mark Twain\nto Frank E. Bliss. With DS 1881 May 24 attached.","Grants power of attorney to Charles L. Webster to\nconduct Twain's business.","Re: partnership in Charles L. Webster \u0026\nCompany. With A additions.","Royalty check for $799.77.","With autograph additions and corrections; signed\nby S.L.C. and Frank Mayo. ","Grants power of attorney to Henry H. Rogers as\nadministrator of Twain's and Olivia L. Clemens '\naffairs while they are in Europe. ","Agreement gives Olivia L. Clemens all Mark\nTwain's rights, title and interest in various\ntype-setting machinery and Paige Compositor\nManufacturing Company and copyrights of his published\nworks. Signed for Twain by attorney Henry H. Rogers.\n","Re dramatization of the \n  Tragedy of Pudd'nhead\nWilson  . ","Re debt owed to Colby.","Re publication of a uniform edition of Mark\nTwain's works with reference to copyright, plates,\nroyalties, ownership of illustrations, and use of\nedition for school books.] (with ALS 1895 July 17\nCharles J. Langdon, New York, to Henry H. Rogers\n)","Re uniform edition of Mark Twain works","Receipt signed on account of Olivia L. Clemens.\n","Subpoena to New York Supreme Court in case of\nThomas Russell et al. versus Mark Twain re Charles L.\nWebster \u0026 Company. ","Advertises sale of all assets of partnership,\nincluding script of the \n  Tragedy of Pudd'nhead\nWilson  by Mark Twain and Mayo, to be sold at\nauction September 1 1896.","Re sales and publishing of Mark Twain books.","Re uniform edition to be published by Frank E.\nBliss. With TLS December 15 1896 Frank E. Bliss to Henry\nH. Rogers re publishing of new book and uniform\nedition.","5 copies of above contracts and letter.","With autograph memo pinned to certificate with\ninformation about Paige Compositor Manufacturing\nCompany and Regius Manufacturing Company shares for\nOlivia L. Clemens, [Henry] Irving, and [C. C.] Rice.\n","Receipt for \n  Following the\nEquator  cover design and three\nheadpieces.","Receipt for 5 tailpieces for \n  Following the Equator  .\n","Receipt for 4 [unspecified] drawings.","Receipt for 3 unspecified drawings.","Royalty check for $385.47","Re publication of \n  How to Tell a Story and Other\nEssays  , article on Austrian Parliament, and\n\"In Memoriam.\"","Copy of above.","Receipt for 6 drawings for \n  Innocents Abroad  .\n","Receipt for one drawing for \n  The Gilded Age  . ","Re marketing the uniform set of Mark Twain\nworks.","Receipt for 6 drawings for \n  Roughing It  and for 2\nadditional drawings.","Receipt for 6 drawings for \n  Sketches New and Old  .\n","Receipt for 5 wash drawings made over old pen\ndrawings [for \n  The Connecticut\nYankee  ].","Receipt for 2 drawings for \n  Life on the\nMississippi  : \"An escaped Archangel\" and\n\"Steamboat a' comin.\"","Receipt for 2 washed repainted illustrations for \n  Tom Sawyer Abroad  and\nphoto engraving plates.","Receipt for 3 drawings for volume 23 of Mark\nTwain uniform set.","Re publication of \"A Double-Barreled Detective\nStory.\"","For publication of \"The Man That Corrupted\nHadleyburg.\"","Listing of Harper \u0026 Brothers ' royalty\npayments to Mark Twain in 1901-02.","Receipt for payment in full for \"Amended\nObituaries\" sold by MacAlister to \n  Lloyd's Weekly  .\n(originally enclosed with ALS 1903 April 7 and May 8\nMark Twain to John Young Walker MacAlister )","Notes concerning publication of Mark Twain books\nwith AN concerning same.","Concerns payments and publication rights between\nMark Twain and Olivia L. Clemens and Harper \u0026\nBrothers and the American Publishing Company. ","Re leasing of Westchester County, New York,\nproperty to Gardiner.","Bill for commission on rental for 1 year to\nCharles A. Gardiner (for Westchester County, New\nYork, property).","Re exclusive publishing rights for Harper \u0026\nBrothers to: \n  The Adventures of Huckleberry\nFinn  ; \n  A Connecticut Yankee in King\nArthur's Court  ; \n  Tom Sawyer Abroad  ; \n  The Prince and the\nPauper  ; \n  Life on the\nMississippi  ; \n  The Stolen White Elephant,\nEtc.  ; \n  The £1,000,000 Bank\nNote  ; \n  Library of Wit and\nHumor  ; \n  A Californian's Tale  ; \n  Tragedy of Pudd'nhead\nWilson  ; \n  Innocents Abroad  ; \n  The Gilded Age  ; \n  Roughing It  ; \n  A Tramp Abroad  ; \n  Tom Sawyer Detective  ; \n  Volume of Short\nStories  ; \n  How to Tell a Story  ; \n  A Double-Barreled Detective\nStory  ; \n  The Man That Corrupted\nHadleyburg  ; \n  Following the\nEquator  and any of Mark Twain's other works\nnot listed; covers discount sales, royalties,\ncopyrights, and advertising. With T Memo that shifts\ndate to November 1 1903 for convenience of payment; copy\nof TL 1903 October 23 Mark Twain and Olivia L. Clemens to\nAmerican Publishing Company re contract with Harper\n\u0026 Brothers; and copy of TL 1903 October 23 Mark Twain\nand Olivia L. Clemens to Harper \u0026 Brothers\nauthorizing payment of 1/2 royalties for \n  The Gilded Age  to\nestate of Charles Dudley Warner. ","Receipt for (unspecified) drawings.","Receipt for one drawing of \n  Their Pilgrimage  , vol.\nX.","Check for $100.","Receipt for signing proofs.","Re agreement to let Ashcroft supervise Twain's\nhousehold affairs and expenditures and his financial\naffairs in general. Notarized.","Re agreement to make Ashcroft Twain's business\nmanager and financial manager of his household and\nThe Mark Twain Company. Notarized.","Agreement for Isabel V. Lyon to be Twain's\nliterary and social secretary. Notarized.","Agreement for Isabel V. Lyon to write \n  Life and Letters of Mark\nTwain  . Notarized.","Received on approval one Mark Twain \"A Murder and\na Marriage.\"","Receipt for drawing of Golden House.","Mounted on card with ALS 1895 June 13 Mark Twain\nto Frank Leslie. ","The photographs document Clemens family life including Twain, Jane, Clara, and Livy Clemens, pets, servants, friends including Richard Watson Gilmer, residences and a tour to Florence and Rome.  #6314-bc","Four notebooks numbered IV, VII, VII part 2, and\nVIII, concern the \" Tennessee lands\" owned by the Clemens family; they include\ncopies of deed listings, descriptions of physical\ncharacteristics and natural resources of the area\nnear Fentress County; a few comments about the people\nwho lived there; brief mentions of events and\nneighbors; discussion of genealogy, horse thieves,\nand Union and Confederate sympathizers; and recipes\nfor household needs, such as glue.","Franked William M. Stewart in Mark Twain's\nhand.","Franked William M. Stewart in Mark Twain's hand;\nwith pencilled notes across the envelope in unknown\nhand.","\"Anyway the children are too young.\"","About the coldest day in Keokuk, Iowa in 40\nyears; mentions William H. Bowman. ","With AN on envelope, \"photo of child\nwhispering.\"","In unknown hands. In red ink \"More Tramps\nAbroad\"; in black ink, \"American (sic) like to be\nlatest Innocent Abroad\"; with notes about word count\nand instructions from Olivia L. Clemens. ","In Mark Twain's hand; lists contracts, bonds, and\nstocks.","\"Very truly yours S.L. Clemens ( Mark Twain )\".]\n2 signatures","Printed list with AN, \"This is not complete\";\nlist appears to be torn from a larger publication.\n(originally with TLS 1908 October 30 F. A. Nast to Isabel\nV. Lyon. ","With AN in unknown hand.","The first radio version script for \n  Adventures of Huckleberry\nFinn  for Radioteatro de America. ","Includes list of authors, title \"Want to know who\npublishes and at what prices\"; discussion of\npublication and copyright information concerning\nvarious popular authors, mostly American, and some\npopular works; cover note for list of books whose\ncopyrights have been extended (list not present);\nlist of questions, titled \"want to know,\" requesting\nname and addresses of authors whose books will be up\nfor renewal and what sort of works are covered by\ncopyright laws; and note expressing hopes of getting\nrequested authors, and all authors' leagues,\nincluding Dramatic League and the \" Music league, \"\nto agree to (unspecified) scheme. Some notes possibly\nin Mark Twain's hand.","Types list covers \n  Innocents Abroad  , \n  Roughing It  , \n  The Gilded Age  , \n  A Tramp Abroad  , \n  Tragedy of Pudd'nhead\nWilson  , \n  Adventures of Tom\nSawyer  , \n  Sketches New and Old  .\n","Form letter re Mark Twain beginning repayment of\nclaims and his hopes to repay the full amount.","Receipt for payment of Charles L. Webster \u0026\nCompany debt on verso of 1897 December 6 Katherine I.\nHarrison to Lewis C. Lockwood re same subject.","Receipt of payment on verso of Katherine I.\nHarrison to Union News Company. ","Is returning Mark Twain \"donation\" check since\ntheir claim had been settled.","Considers debt settled.","Considers claim settled.","Requests readjustment of check amount.","Acknowledges receipt but unable to determine why\ncheck was sent to him.","Re readjustment of A. Filipini and Charles E.\nBarrow accounts.","Form letter for all Charles L. Webster \u0026\nCompany's creditors for final payment of all their\nclaims and creditors are to return letter as\nreceipt.","Receipt for full claim.","Re settlement of debt","Returning receipted bill of Charles L. Webster\n\u0026 Company. ","Re bookkeeping corrections of account; with A\naddition.","Acknowledges final payment receipt; does not know\nwhy he has received payments and is willing to return\nthe money to the appropriate party.","Returning check because they consider account\nclosed.","Will investigate the matter and, if same not for\nhim, will return amount received.","Inquires about December 6 letter with check in it sent\nto Oscar Marsh, who received her February 11 letter but\nnot the earlier one. With ANS 1898 March 21 J. H.\nArcher, Postmaster, Oakland, IA, to Katherine I.\nHarrison states Oscar Marsh not a resident and that\nthe letter may have been forwarded to his permanent\naddress.","Apology for \"blunder\" over remittance prior to\ntheir receivership.","Requests information on date of first payment on\nCharles L. Webster \u0026 Company debt by Parker \u0026\nScudder. ","Requests date Parker \u0026 Scudder was sent\n$12.90 payment from Charles L. Webster \u0026 Company.\n","Cover letter for return of $6.54 sent him by\nmistake.","Has received last 2 payments for Charles L.\nWebster \u0026 Company debt but not one on May 18\n1897; has searched records thoroughly.","Asks if he has any more information on P. J.\nWhite. AN 1898 June 3 Bainbridge Colby to Katherine I.\nHarrison says he knows no other way to reach P. J.\nWhite. ","Received one check but not the other.","List of creditors of Charles L. Webster \u0026\nCompany who have returned receipts.","Mulvey, a page in the United States Senate, collected the signatures of many Senators as well as that of\nvisitor Mark Twain.","\n                [1868]\t2 items\t1.\tPhotograph of Mark Twain, standing between Josh Billings (on the left) and Petroleum V. Nasby (on the right), by H.G. Smith of Boston, cut into oval shape; with note from Frank E. Bliss to unknown correspondent, scribbled on an envelope, about the ownership of the photograph (6314-q)\n                \n                [1870s]\t\t2.\tPhotograph of Mark Twain, head and shoulders, looking left, in a dark suit, oval with sepia tone [Prints01144] (6314-q)\n                \n                [1872 Sep]\t\t3.\tPhotograph of Mark Twain, head and shoulders, facing left, by Charles Watkins of London; autographed “Yours Truly, Samuel L. Clemens, Mark Twain” on reverse [Neg 4x5-1591-c, Prints09879] (6314-q)\n                \n                [1873]\t\t4.\tPhotograph of Mark Twain, head and shoulders, looking left, by Gurney of New York, brown tone [Prints09882] (6314-q)\n                \n                [1873]\t\t5.\tPhotograph of Mark Twain, head and shoulders, looking left, by Gurney of New York, brown tone; taken from Ellen B. Stuart Album of Historical Figures (7055)\t\n                \n                [1877-1878]\t\t6.\tPhotograph of a photograph of Olivia Clemens seated between Susy (on the left) and Clara (on the right), by Franz Hanfstaengl of Munich, Germany [Prints09889] (6314-j)\n                \n                1881 Feb 12\t\t7.\tPhotograph of Mark Twain, head and shoulders, facing right, oval with sepia tone by Warren’s Portraits of Boston; inscribed, “To Miss Koto- With kindest regards of hers truly, S. L. Clemens, Hartford, Feb 12, 1881” (PS1316.A1 1882 C.5)\n                \n                [1884]\t\t8.\tPhotograph of Mark Twain, head and shoulders, facing right; signed “truly yours, Mark Twain” [Neg 4x5-1591-d] (6314-q)\n                \n                [1884]\t\t9.\tPhotograph of Mark Twain, seated, facing right, in a white suit with sepia tone [Neg 4x5-393] (6314-q)\n                \n                1884\t\t10.\tPhotograph of Mark Twain with George Washington Cable, both standing, one hand in pocket, sepia tone, signed by both men, taken by Sarony of New York [Prints09853] (6314-p)\n                \n                1884\t\t11.\tPhotograph with of Mark Twain George Washington Cable, both standing, one hand in pocket, sepia tone, signed by both men, taken by Sarony of New York, damaged (6314-q)\n                \n                [post 1890]\t\t12.\tPhotograph of Mark Twain, seated in his study, in a dark suit with crossed legs, holding a cigar, by Pach Bros. of New York [Neg 4x5-392, Prints09884] (6314-q)\n                \n                1893\t2 items\t13.\tPhotograph of Olivia L. Clemens, full body, facing left, sepia tone, by Eddowes Bros. of New York [Prints09885] (6314-q)\n                \n                1893\t\t14.\tPhotograph of Olivia L. Clemens, full body, facing forward, sepia tone, by Eddowes Bros. of New York [Prints09886] (6314-q)\n                \n                1895-1897\t36 items\t15.\tPhotographs, black and white, of 1895 train trip from Cleveland to Vancouver, B.C. by Clemens family (Mark Twain, Olivia, and Clara) with James B. Pond. Photographs from the Clemens’ London home in 1897. Includes notes by James B. Pond on reverse. [Neg 4x5-888-j, Neg 4x5-394-a, Neg 4x5-1590, Neg 4x5-1590-a, Neg 4x5-888-k, Neg 4x5-888-n, Neg 4x5-888-m, Neg 4x5-888-l] (6314-t)\n                \n                1895\t\t16.\tLarge photograph of Mark Twain, head and shoulders, looking right, sepia tone, by Sarony of New York {OS Box L-7} (6314-p)\n                \n                1895 Sep\t\t17. \tPhotograph of Olivia L. Clemens, head and shoulders, looking left, sepia tone, by The Falk Studios, Melbourne; signed “very truly yours, Olivia L. Clemens” (6314-q)\n                \n                1896 Jan 24\t\t18.\tPhotograph of Mark Twain, head and shoulders, looking left, sepia tone, by The Falk Studios, Melbourne; inscribed “To Mr. Parday, in memory of a very pleasant day in Bombay. Sincerely yours, SL Clemens (Mark Twain)” [Prints09865] (6314-q)\n                \n                \n                [1896-1897]\t\t19.\tPhotograph of Mark Twain, full body, facing left, in suit with top hat, by Alfred Ellis of London, originally mounted with 3 others (folder 1 of 4) [Neg 35-79, Prints01140] (6314-p)\n                \n                [1896-1897]\t\t20.\tPhotograph of Mark Twain, head and shoulders, facing left, in suit, by Alfred Ellis of London, originally mounted with 3 others (folder 2 of 4) [Neg 4x5-394-a, Prints01143] (6314-p)\n                \n                [1896-1897]\t\t21.\tPhotograph of Mark Twain, seated, looking left, in suit with top hat, by Alfred Ellis of London, originally mounted with 3 others (folder 3 of 4) [Neg 4x5-394-b, Prints01142] (6314-p)    \n                \n                [1896-1897]\t\t22.\tPhotograph of Mark Twain, head and shoulders, facing forward, in suit with top hat, by Alfred Ellis of London, originally mounted with 3 others (folder 4 of 4) [Neg 4x5-888-b, Prints01141] (6314-p)\n                \n                1897 Jun\t2 items\t23.\tPhotograph of Mark Twain, seated, facing forward, in a suit, by Alfred Ellis of London, with Mark Twain’s signature; done especially for J. B. Pond, Twain’s agent {OS Box L-7} [Neg 4x5-888-h] (6314-p)\n                \n                1898 May 16 2 items\t24.\tPhotograph of Mark Twain, black and white, head and shoulders, looking right, by J. Löwy of Vienna; inscribed with “truly yours, Mark Twain” [Neg 4x5-888-g, Prints01145] (6314-q)\n                \n                1900\t\t25.\tPhotograph of a oil portrait of Mark Twain, head and shoulders, facing forward, by James MacNeil Whistler, with Whistler’s butterfly signature (6314-x)\n                \n                [1900s]\t\t26.\tPhotograph of Mark Twain, head and shoulders, facing forward with sepia tone, by Newsboy of New York (6314-q)\n                \n                1900 Apr 6\t4 items\t27.\tPhotograph of Mark Twain, sitting by window, sepia tone, by H. Walter Barnett of London, inscribed with “ To Sir William Des Voeux with warm regards of S. L. Clemens and the same from Mark Twain” [Prints09892] (6314-k)\n                \n                \n                \n                1902\t\t28.\tPhotograph of Mark Twain, framed in dark frame, seated, facing forward, in a dark suit, by Taber Photograph Co., signed at bottom by Mark Twain {back wall behind book stacks} (6663)\n                \n                [1902 Jun]\t\t29.\tPhotograph of a photograph of Mark Twain with Laura Hawkins Frazer, Twain’s inspiration for Becky Thatcher in The Adventures of Tom Sawyer [Prints09891] (6314-j)\n                \n                1904\t2 items\t30.\tPhotograph of Mark Twain, seated, facing forward, in a suit, by Apeda Studio of New York [Neg 4x5-888-f, Prints09855] (7267)\n                \n                [1906]\t\t31.\tPhotograph of Mark Twain, in bed, wearing white, reading a magazine [Prints01147] (6314-q)\n                \n                [1906-1910]\t\t32.\tPhotograph of Mark Twain with Dr. Edward Quintard, the family doctor; signed, “sincerely yours Mark Twain” at bottom {OS Box L-7} (6314-p)\n                \n                [post 1907 Jun 26]\t33.\tPhotograph of Mark Twain, seated on porch, wearing academic costume, woods in background [Prints09867] (6314-q)\n                \n                [post 1907 Jun 26]\t34.\tPhotograph of Mark Twain, standing on porch, wearing academic costume, house in background [Prints09869] (6314-q)\n                \n                [post 1907 Jun 26]\t35.\tPhotograph of Mark Twain, standing on porch, wearing academic costume, woods in background [Neg 4x5-1591-b] (6314-q)\n                \n                1907\t2 items\t36.\tPhotograph of Mark Twain, head and shoulders, facing forward, in a white suit with sepia tone, by A.F. Bradley of New York [Neg 4x5-888-e, Prints09887] (6314-d)\n                \n                [1907]\t\t37.\tPhotograph of Mark Twain, seated indoors with book, wearing white suit [Neg 4x5-1591-a, Prints09877] (6314-q)\n                \n                [1907]\t\t38.\tPhotograph of Mark Twain, seated on rock with kitten, wearing white suit [Prints09861] (6314-q)\n                \n                [1907]\t2 items\t39.\tPhotograph of Mark Twain, standing indoors beside window, wearing white suit, holding pipe [Neg 4x5-888-c, Prints09860] (6314-q)\n                \n                [1907]\t4 items\t40.\tPhotograph of a photograph of Mark Twain, seated indoors with book, wearing white suit [Neg 4x5-888-a] (6314-j)\n                \n                [1907]\t2 items\t41.\tPhotograph of a photograph of Mark Twain, seated indoors with newspaper, wearing dark suit [Neg 35-81-b] (6314-j)\n                \n                [1907]\t1 item\t41a.\tPhotograph print from the original Mark Twain glass plate negative taken in England showing Twain seated in his Oxford robes. Standing next to him is Frances Nunnally, one of the \"angelfish\" in his \"Aquarium Club.\" (6314-aw)\n                \n                [1908 Jan]\t2 items\t42.\tPhotograph of Mark Twain, playing billiards, brown tone [Neg 4x5-888-d] (6314-q)\n                \n                [1908-1910]\t\t43.\tPhotograph, playing cards with Clara Clemens [Neg 4x5-888-i, Prints01146] (6314-q)\n                \n                [1908-1910]\t\t44.\tPhotograph of Mark Twain, seated at piano, with Clara Clemens and Miss Nicol [Prints09862] (6314-q)\n                \n                1909 Oct 6\t\t45.\tPhotograph of Mark Twain at Wedding of Clara Clemens to Ossif Gabrilowitsch: (left to right) Mark Twain, Jervis Langdon, Jean Clemens, Ossif Garbrilsowitsch, Clara Clemens, Rev. Dr. Joseph H. Twitchell; by Frank J. Sprague (6314-q)\n                \n                1909 Oct 6\t\t46.\tPhotograph of Mark Twain at Wedding of Clara Clemens, standing outdoors, wearing academic consume [Prints09864] (6314-q)\n                \n                1909 Nov 16\t\t47.\tFramed photograph of Mark Twain, writing in bed, in dark wooden frame; includes letter to Vice President Zoheth Freeman and two plaques, one of the letter and one of its importance {OS Box F-9} (6314-ar)\n                \n                n.d.\t\t48.\tPhotograph of Mark Twain, profile view, in a photograph album in the papers of Walt Whitman (3829-t, Box 5, Folder 35, page 12)\n                \n                n.d.\t\t49.\tPhotograph of an unidentified girl, possibly one of Mark Twain’s daughters, 3 views, by Webster Art Gallery of Oakland, CA (6314-q)\n                \n                \n                               \n                1859-1894\t5 items\t50.\t16 Prints of photographs at various ages, in various poses (6314-q)\n                \n                1871\t2 items\t51.\tPrint of etching of Mark Twain, head and shoulders, looking right, by W.H.W. Bicknell [Prints09883] (6314-q)\n                \n                1877\t\t52.\tPrint of etching of Mark Twain, seating between Clara (on the left) and Susy (on the right), by W.H.W. Bicknell [Neg 4x5-888-p, Prints09880] (6314-q)\n                \n                1883 Jan 5\t\t53.\tPrint of a photograph of Mark Twain, head and shoulders, facing right, oval with sepia tone [Prints09868] (6314-q)\n                \n                1884\t3 items\t54.\tPrint of a bust of Mark Twain, by Karl Gerhardt, one signed by Mark Twain (6314-q)\n                \n                1884\t\t55.\tPrint of a photograph of Mark Twain, head and shoulders, facing right, in a white suit, printed signature [Prints09881] (6314-q)\n                \n                [1884]\t\t56.\tPrint of a photograph of the Clemens family: (left to right) Susy, Mark Twain, Jean, Olivia, Clara; on the porch of their Hartford, CT home [Prints09890] (6314-j)\n                \n                1891\t2 items\t57.\tPrint of a portrait of Mark Twain, seated, facing forward by Elson of Boston, one signed by Twain (6314-q)\n                \n                [1894]\t\t58.\tPrint of a photograph of Mark Twain originally by Sarony, by N.Y. Photogravure Co., head and shoulders, facing forward (6314-q)\n                \n                1895 Aug 22\t\t59.\tPrint of a photograph of Mark Twain, facing forward on a rustic porch, captioned “Announcement Without Words,” signed “truly yours Mark Twain” (6314-p)\n                \n                1898\t2 items\t60.\tPrint of an oil portrait of Mark Twain originally by Spiridon, head and shoulders, facing right, one signed by Twain (6314-q)\n                \n                1899\t\t61. \tPrint of a oil portrait of Mark Twain originally by Spiridon, head and shoulders, facing right, in Portrait Series No 283 in The Book News Monthly [Prints09863] (6314-q)\n                \n                1899\t2 items\t62.\tPrint from a photograph, head and shoulders, looking right, by Elson of Boston, one signed by Twain (6314-q)\n                \n                1905\t\t63.\tPrint from watercolor portrait of Mark Twain entitled “Mark Twain Pilot,” at helm of riverboat, “American Humor,” in Life Magazine [Prints09854] (6314-q)\n                \n                1906 Sep\t\t64.\tPrints of photographs of Mark Twain in rocking chair, wearing a white suit, with a commentary on moral progress by Twain [Prints09870-09876] (6314-q)\n                \n                1906 Sep\t\t65.\tFramed prints of 8 photographs of Mark Twain; 7 in rocking chair, wearing white suit, with commentary on moral progress by Twain; 1 shooting billiards in white suit with Albert Bigelow Paine {OS Box F-1} (6314-aa)\n                \n                1934\t\t66.\tPrint from portrait of Mark Twain, by Frank A. Nankiwell, head and shoulders, facing forward, signed by artist (6314-q)\n                \n                n.d.\t\t67.\tPrint from etching of Mark Twain, head and shoulders, looking right (6314-q)\n                \n                n.d.\t\t68.\tPrint of Mark Twain, head and shoulders, facing left, printed signature [Neg 35-82-a] (6314-q)\n            ","\n                        \n                        [1897 Jun]\t\t1.\tClipping of Mark Twain, head and shoulders, facing left, originally from a photograph by Ellis of London, formerly with a card from Twain to J.R. Osgood and Co. (6314-j)\n                        \n                        1898 Oct\t\t2.\tClipping of Mark Twain, head and shoulders, facing forward, originally by Marceau of Boston [Prints09866] (6314-q)\n                        \n                        1903 Nov\t2 items\t3.\tClipping of Mark Twain from series, “Three Famous Authors Outdoors” in Ladies Home Journal: “Mark Twain at Quarry Hill Farm,” “Even Mark Twain Sometimes  Nods,” “Mark  Twain and an Old Family Friend,” and “Mark Twain and His Porcelain Cat” (6314-q)\n                        \n                        [post 1904] \t\t4.\tClipping of Mark Twain, head and shoulders, looking right, originally by Walter Barnett; captioned “Mark Twain: Born November 30, 1835” (6314-q)\n                        \n                        [1906 Feb]\t\t5.\tClipping of Mark Twain, head and shoulders, looking right in a suit, by Florian; in the center of clipping, “Mark Twain’s Loving Tribute to His Wife” (6314-q)\n                        \n                        1907\t\t6.\tClipping of a print of a stereograph of Mark Twain, standing with a pipe, originally by Underwood and Underwood (6314-q)\n                        \n                        [1907]\t2 items\t7.\tClipping of Mark Twain, seated, in a white suit, in carved armchair with sepia tone [Neg 35-82, Prints09888] (6314-d)\n                        \n                        1910\t\t8.\tClipping of Mark Twain, seated, facing right, originally by Histed; captioned “Mark Twain, died April 21st” (6314-q)\n                        \n                        n.d\t\t9.\tSmall clipping of Mark Twain, seated, facing forward, in a dark suit (6314-j)\n                        \n                        Postcards of Mark Twain (Samuel Clemens) (chronological)\n                        \n                        1906\t\t10.\tPostcard of Mark Twain, color, lying in bed, with caption “Mark Twain’s Muse” [Prints09878] (6314-q)\n                        \n                        1906\t2 items\t11.\tPostcard of Mark Twain, lying in bed, smoking [Neg 4x5-888-o] (6314-j)\n                        \n                        1906\t\t12.\tPostcard of Mark Twain, lying in bed, writing (7267-a)\n                        \n                        n.d.\t3 items\t13.\tPostcards, featuring a photo of Mark Twain along with a quotation from Pudd’nhead Wilson or Following the Equator (6314-ay)\n                        \n                        Artwork associated with Mark Twain (Samuel Clemens) (chronological)\n                        \n                        1859 Apr 9\tphoto\t14.\tPhotograph of pilot’s certificate issued to Mark Twain (6314-ae)\n                        \n                        1899\tbust\t15.\tBronze bust of Mark Twain, facing slightly left, on wood pedestal, inscribed with Mark Twain across lower front, by A. Weinert; back of the bust marked “The Henry Bonard Bronze Co. Founders N.Y. 1899;” with one photograph {left alcove of reading room} (6314-p)\n                        \n                        1906-1921\tengrav\t16.\tEngraving of Mark Twain in profile by Bernhardt Wall, signed by artist [Neg 35-204-g] (10602, Item No. 6)\n                        \n                        1906-1921\tphoto\t17.\tPhotograph of engraving of Mark Twain in profile by Bernhardt Wall [Neg 35-204-g] (6314-n)\n                        \n                        1935\tmedal\t18.\t2 Centennial Medallions of Mark Twain by Kilney; sculpted relief facing right inscribed “Samuel Langhorne Clemens, Mark Twain Centennial 1835-1935,” “Kilney” on bottom left; mounted together on black velvet. With photograph of medallions. {OS Box O-2) [Neg 4x5-1608-b] (10602, Item No. 18)\n                        \n                        1935\tmedal\t19.\tCentennial Medallion of Mark Twain by Kilney; sculpted relief facing right inscribed “Samuel Langhorne Clemens, Mark Twain Centennial 1835-1935,” “Kilney” on bottom left, and “Robbins and Co, Attleboro” on back. With scanned copy of medallion. {OS Box AB-1, cell AD} (6314-n)\n                        \n                        [1970s?]\tphoto\t20.\t4 photographs of places associated with Mark Twain: “Mark Twain Museum, Hannibal, Missouri;” “Mark Twain’s mother’s bedroom, Hannibal, Missouri;” “Cardiff Hill, Hannibal, Missouri;” “Jervis Langdon, owner of Quarry Hill Farm, Elmira, New York;” stamped “Life Photo by Dmitri Kessel; Mark Twain’s America” {OS Box L-7} (6314-ab)\n                        \n                        n.d.\tplaque\t21.\tClay plaque of Mark Twain and George Washington Cable, by Karl Gerhardt, inlaid with velvet {OS Box R-3} (7267, UVA Art Item No. 85)\n                        \n                        n.d.\tengrav\t22.\tColor engraving of Mark Twain, framed, facing right; with inscription, “Truth is the most valuable thing we have. Let us economize it. Truly yours Mark Twain.” {OS Box F-1} (6314-aj)\n                        \n                        n.d.\tengrav\t23.\tEngraving proof of Mark Twain, head and shoulders, facing right, engraving by Timothy Cole after a portrait by Abbott Henderson Thayer, with print of Mark Twain’s signature (6314-q)\n                        \n                        n.d.\tpainting\t24.\tOil painting of Mark Twain, seated facing slightly left, cigar in left hand, with watch chain, by Mrs. Edward Ward, in heavy gold frame. With photograph copy. {back wall of reading room} [Neg 4x5-534] (6314-p)\n                        \n                        n.d.\tsketch\t25.\tPen and ink caricature of Mark Twain as a yachtsman by Harry Furness, signed by the artist (6314-q)\n                        \n                        n.d.\tsketch\t26.\tPen and ink sketch of Mark Twain, facing left, by Ben Morse, signed “Sincerely yours Mark Twain” (6314-j)\n                        \n                        n.d.\tphoto\t27.\tPhotograph of drawing of Mark Twain in flames above an urn (6314-j)\n                        \n                        n.d.\tprint\t28.\tPrint of a caricature of Mark Twain, by “Spy” in Vanity Fair Magazine [Neg 4x5-833] (6314-q)\n                        \n                        n.d.\tsketch\t29.\tWatercolor caricature of Mark Twain, by Fudge, smoking a cigar {OS Box F-1} (6314-aj)\n                        \n                        n.d.               plaque     29a.\tBronze Wall Plaque of Mark Twain, sculpted by “F.E.C.” (6314-m) [stacks, Range L.1]\n                        \n                        \n                        Illustrations of Mark Twain’s (Samuel Clemens’) Works (chronological)\n                        \n                        [1867]\tdrawing\t30.\tPen and ink drawing of woman combing her hair by an unidentified artist from “Concerning Chambermaids” in The Celebrated Jumping Frog of Calaveras County and Other Sketches (6314-av)\n                        \n                        1889\tdrawing\t31.\t“Three Years After the Battle,” pen drawing by Daniel Carter Beard from A Connecticut Yankee in King Arthur’s Court {OS Box L-7} (6314-p)\n                        \n                        [1897]\tprint\t32.\t“The mate’s shadow froze to the deck,” print by Arthur Burdett Frost from Following the Equator (6314-q)\n                        \n                        1898\tdrawing\t33.\t“Buckstone was training with the rum party,” pen and ink drawing by Edward Windsor Kemble from Pudd’nhead Wilson {OS Box W-2} (6314-av)\n                        \n                        1899\tdrawing\t34.\t“The Assembly Was Dispossessed [Dispersed],” black and white wash by B. West Clinedinst from Roughing It. With negative copy. {OS Box L-7} (6314-q)\n                        \n                        1899\tdrawing\t35.\t“The Bathers at Leuk,” black and white wash by  Thure de Thulstrup from A Tramp Abroad. With negative copy. {OS Box L-7} (6314-q)\n                        \n                        1899\tdrawing\t36.\t“The Caravan,” black and white wash by Thure de Thulstrup from A Tramp Abroad. With negative copy. {OS Box L-7} (6314-q)\n                        \n                        1899\t2 prints\t37.\t“Flies, Dan’l, Flies!” by Frederick Burr Opper from Sketches Old and New (“The Celebrated Jumping Frog of Calaveras County”), one signed by artist (6314-q)\n                        \n                        1899\tprint\t38.\tPen and Ink print of Huck Finn in a Dress with Jim in Background, by Edward Windsor Kemble from Adventures of Huckleberry Finn (6314-q)\n                        \n                        1899\tpainting\t39.\t“Tom Sawyer’s Aunt,” black and white oil painting of Aunt Polly, by J.G. Brown, from The Adventures of Tom Sawyer {back wall behind book stacks}[UVA Art Item No. 77] (6314-ad)\n                        \n                        1899\tdrawing\t40.\t“An Unexpected Acquaintance,” black and white wash by Thure de Thulstrup from A Tramp Abroad. With negative copy. {OS Box L-7} (6314-q)\n                        \n                        1905 Dec 21\tdrawing\t41.\t“I am the Dauphin, the rightful King of France,” ink and watercolor drawing of the older of the two swindlers by W.A. Rogers from Adventures of Huckleberry Finn (6314-q)\n                        \n                        [1906]\tdrawing\t42.\tPen and Ink illustration of starry night sky by Lester Ralph, from Eve’s Diary (6314-q)\n                        \n                        [1935]\tdrawing\t43.\tWatercolor and Ink illustrations from Slovenly Peter, translated by Mark Twain, by Fritz Kredel (6314-q)\n                        \n                        n.d.\tprint\t44.\tColored print of an American tourist in Middle Eastern market by C.D. Weedon from Innocents Abroad, signed by the artist (6314-q)\n                        \n                        n.d.\tdrawing\t45.\tInk and Watercolor drawing of Huck Finn and Jim, by F. Richardson from Adventures of Huckleberry Finn; autographs on drawing include Mark Twain, Dan Beard, Bayard Jones, A.W. Drake, C. Word Blaisdell, A.B. Wengell, Edwin B. Child, and others (6314-q)\n                        \n                        n.d.\tprint\t46.\tPrint of a couple kissing by Seymour M. Stone from an unknown work, signed by the artist (6314-q)\n                        \n                        n.d.\tprint\t47.\tPrint of etching of riverside scene with cotton bales, two boys, and a steamship by Edmund H. Garrett, possibly for The Adventures of Tom Sawyer or Adventures of Huckleberry Finn, signed by artist (6314-q)\n                        \n                        n.d.\tprint\t48.\tPrint of kitchen scene with black man, old man, woman, and two boys by Arthur Burdett Frost, possibly for The Adventures of Tom Sawyer or Adventures of Huckleberry Finn (6314-q)\n                        \n                        n.d.\t7 prints\t49.\tPrint of Mark Twain leaning against a column reading an inscription by Peter Newell from Innocents Abroad, signed by the artist (6314-q)\n                        \n                                                                    ","See the \n             \n            University of Virginia Library’s use policy.","English"],"unitid_tesim":["6314, etc."],"normalized_title_ssm":["Papers of Mark Twain \n1862-1946, bulk 1872-1910"],"collection_title_tesim":["Papers of Mark Twain \n1862-1946, bulk 1872-1910"],"collection_ssim":["Papers of Mark Twain \n1862-1946, bulk 1872-1910"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":[""],"creator_ssim":[""],"acqinfo_ssim":["Gift and purchase."],"has_online_content_ssim":["false"],"physdesc_tesim":["This collection consists of approximately 1500 items"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in six series: Series I: Manuscripts; Series II: Letters; Series III: Documents; Series IV: Photographs, Images, and Illustrations; Series V: Miscellaneous; and, Series VI: Charles L. Webster \u0026amp; Company Debt Receipts\n\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["The collection is arranged in six series: Series I: Manuscripts; Series II: Letters; Series III: Documents; Series IV: Photographs, Images, and Illustrations; Series V: Miscellaneous; and, Series VI: Charles L. Webster \u0026 Company Debt Receipts\n"],"prefercite_html_tesm":["\u003cp\u003ePapers of Mark Twain, Accession #6314, etc., Clifton Waller Barrett Library, Special Collections,\nUniversity of Virginia Library, Charlottesville, Va.\u003c/p\u003e"],"prefercite_tesim":["Papers of Mark Twain, Accession #6314, etc., Clifton Waller Barrett Library, Special Collections,\nUniversity of Virginia Library, Charlottesville, Va."],"scopecontent_heading_ssm":["Scope and Content Information"],"scopecontent_tesim":["The collection contains manuscripts, personal correspondence, business correspondence and documents,\nillustrations, paintings and photographs.","The manuscripts include \n The Jumping Frog. In English. Then in French. Then clawed back into a civilized language once more\nby patient, unremunerated toil,  six chapters of  A tramp abroad,  one chapter of \n The gilded age,  prefaces to the English editions of  The innocents abroad  and  Roughing it,  and several other shorter pieces together with Susy Clemens's \n Biography of Mark Twain  with his footnotes.","Family correspondence consists of cheerful letters to his wife Olivia Clemens and daughters Susy, Clara and Jean about his travels, lecture audiences, and acquaintances. There are also letters to his mother Jane L. Clemens, his brother Orion and family, his nephew Sam Moffett and his sister-in-law and her husband Susan Langdon and Theodore Crane.","Business correspondence concerns Twain's emergence from the bankruptcy of Charles L. Webster Publishing Co. in which he was the majority stockholder. There are also book contracts, papers concerning his ill fated Paige typesetter investment, and papers concerning Edward H. House's unsuccessful suit against him over dramatization rights to  The prince and the pauper.","There is professional correspondence with authors, editors, and publishers in the United States and England including Hjalmar Boyesen, George Washington Cable, William Dean Howells, Albert Bigelow Paine, George Bernard Shaw, and Charles Dudley Warner.","Other correspondents include fellow journalists and miners in the U.S. West in the 1860s, voyagers on \"The Quaker City,\" friends in Hartford, Ct., Hannibal, Mo., and Keokuk, Ia., members of the Players Club and other societies to which he belonged, friends from his travels, and his reading public.","Travel sketch of Mark Twain's visit to the\nBayreuth Opera Festival; with author's corrections.\n","Proof sheets with author's corrections, notes,\nand instructions for serial publication in the \n  North American Review  .","Note at top of page one requests recipient asks\nSamuel E. Moffett to write autobiographical sketch\nand says Olivia L. Clemens will look over it before\nit is published. S.L.C.","Poem; \"To Margaret.\" M.T.","Account of Mark Twain's life, includes copies of\nletters, 1884 December 14 -1885 July 26, to Susy from Mark\nTwain discussing family activities, \n  Adventures of Huckleberry\nFinn  , anecdotes from his travels, and\nsuggestion to read Morte d'Arthur, with two letters\nin German; copy of Mark Twain's comments on Ulysses\nS. Grant, comparing Grant to Lancelot; copy of Mark\nTwain's account of Susy Clemens ' visit to Grant;\ncopy of letter, 1885 July 27, from Mark Twain to\nEditor of The Sun on Grant's funeral; copy of letter\n1885 April 16 from Susan Langdon Crane to Olivia L.\nClemens concerning their father Jervis Langdon's\ndeath and a comparison to reports of Grant's last\nday; copy of letter, 1884 January 21, George Washington\nCable to Mark Twain thanking Twain for invitation;\ncopy of a letter fragment, 1886 May 3, from unknown\ncorrespondent in Stonington, CT, with comment from\nMark Twain that Susy must have lost rest of letter;\ncopy of letter, n.d., from unknown correspondent from\nthe Valley of Virginia concerning correspondent's\nenjoyment of \n  Innocents Abroad  ;\nseveral stories by Susy; copy of Mark Twain's Lady\nJane Grey scene for family production of \n  The Prince and the\nPauper  ; copy of newspaper article reporting\ncomments of James Redpath on Mark Twain and his\npublication of Grant's memoirs; clipping of article\non Mark Twain's home by George Parsons Lathrop;\nclippings of comments on Twain's 50th birthday by\nJoel Chandler Harris, Frank R. Stockton, and Charles\nDudley Warner, with clipping of poem by Oliver\nWendell Holmes, Sr., \"To Mark Twain on his 50th\nbirthday\"; clipping, 1886 January 30, on Mark Twain's\nappearance before U.S. Senate Committee on Patents.\nWith notes by Mark Twain.","Supplementary information and suggested changes;\ndescriptions of the play of \n  The Prince and the\nPauper  and the home productions of the Clemens\nand neighboring children; description of Susy Clemens\n' moral courage and character.","Photo caption for one of Mark Twain's pictures\naccompanying article Three Famous Humorists Out of Doors. ","Includes copies of four letters, 1895 November 3 -1896\nFebruary 17, of Olivia L. Clemens to Jean Clemens and\nSusan Langdon Crane and of two letters, 1896 January 13\nand 1896 February 18, of Clara Clemens to family members\nconcerning their travels with Mark Twain in India,\nAustralia, New Zealand, etc., new and old friends,\nfamily activities, and Mark Twain's lectures; with\nnotes on artists, engravings of historic heroines,\nand a number of blank pages.","Article denouncing anti-semitism; with author's\ncorrections; includes ALS 1898 March 14 Grant I.\nRosenzweig, Kansas City, MO, to Mark Twain.","With author's corrections and notes and signed\nengraved picture of Mark Twain.","Poem inscribed \"To Livy, November. 27, 1892.\"","With author's corrections.","In Mark Twain's hand with author's corrections;\nnumbered pages 175 to 200 1/2, lacking pages 177 and\n184; w/printed Ch. VII from original 1873 edition, a\nspecial printed title page, and a reproduction\nphotograph of Mark Twain.","Non-continuous fragments; nine pages in Mark\nTwain's hand; three in Charles Dudley Warner's .","Fragment by Mark Twain; marked page 27; re a\nperpetual-motion machine.","With author's corrections; page 10 has three\npinned newspaper clippings for inclusion in printed\ntext.","With author's corrections.","Re Mark Twain. ","With author's corrections; written for use in\nGeorge Routledge and Sons edition of \n  The Innocents Abroad  ;\nwith AN signed S.L.C., Twain requests publisher \"to\ntear up the other and use this one.\"","With author's corrections; written for use in\nGeorge Routledge and Sons edition of \n  The Innocents Abroad  .\n","With author's corrections, engraved picture of\nMark Twain, a special printed title page, and ALS\n1909 December 3 Luther S. Livingston to J. R. Clemens.\n","Photo caption for one of Mark Twain's pictures\naccompanying article \"Three Famous Humorists Out of\nDoors.\"","With author's corrections and ALS [1873] July 7\nMark Twain to [Elisha] Bliss; at bottom of\nmanuscript, \"London, June 30, 1873\" crossed out and\nreplaced with \"Hartford, March 1875.\"","Re American manners.","Criticism of printed article. With ANS [ca. 1905]\nMark Twain to [Robert] Bacon re article.","Brief lines with some rewrites on thoughts of\nCarlyle and his perceived dislike of Americans.","With author's corrections, hand-lettered title\npage, and reproduced photograph of Mark Twain.\n","(pages 1 and 7 are glued onto backing sheets)","Signed by 23 passengers including Mark Twain;\nwith ALS [1872] December 3 Mark Twain to Captain [John E.]\nMouland and ALS [1873] January 22 Mark Twain to Captain\n[John E.] Mouland.","Fragment; marked p.282 and titled Taxes on top of\none page.","Account concerning Mark Twain's involvement with\nPlasmon and a stock swindle perpetrated on him by men\nin the company. Pencilled across the right corner of\nthe manuscript is \"a food stock swindle.\"","Fragment. Requests sentence beginning \"And still\nanother panic of fright\" be added to article.","Re the wedding, the guests, Mark Twain's library,\nand his current activities. With corrections in\nunknown hand.","Account of Susie, Clara (\"Bay\"), and later Jean\nClemens ' sayings and activities, with Mark Twain's\nobservations.","Re concerning origins of the premature report of\nMark Twain's death. M.T. With three newspaper\nclippings concerning the story surrounding this\nreport.","With author's corrections; text of speech given\nin 1882; signed \" Mark Twain, Samuel Langhorne\nClemens. Hartford, May 1891.\"","Written for use in George Routledge and Sons\n[1872] edition of \n  Roughing It  ; with\ncorrections and deletions in Twain's hand. M.T.","Copy of Mark Twain's proposed preface (see above)\nbut in another's hand, with annotation by Twain.","In Mark Twain's hand.","Dedication for \n  Roughing It  enclosed in\nALS [1871] May 5 Mark Twain to \"Friend Bliss\" (\nElisha Bliss ).","Notes in unidentified hand about illustrations\nfor \n  Roughing It with\nannotations on pagination.","Poem","Remarks on Edwin Booth followed by \"The Long\nClam\" speech.","Argues against the teaching of religion at Girard\nCollege, Philadelphia, Pennsylvania.","Discusses \"The Reliable Contraband\" as a source\nof news in the Civil War.","Photo captions for \"Mark Twain at Quarry Hill\nFarm\"; \"Even Mark Twain Nods\"; \"Mark Twain and an\nOld Family Friend\" (John T. Lewis); \"Mark Twain\nand his Porcelain Cat\"; with ANS, \"O.K. S. L.\nClemens.\"","Quotation on music; with manuscript bar of music.\nM.T.","With author's corrections, picture of Mark\nTwain's sculpture bust, a special printed title page,\nand printed chapter 14 from first edition of \n  A Tramp Abroad  .\n","With author's corrections, reproduction\nphotograph of Mark Twain with printed autograph.\n()","With author's corrections, engraving of Mark\nTwain with printed autograph, special printed title\npage, and printed chapter 31 from first edition of \n  A Tramp Abroad  .\n","Non-continuous fragments from chapter 35 of \n  A Tramp Abroad  . ","Non-continuous fragments from chapter 37 of \n  A Tramp Abroad  . ","With author's corrections, reproduction\nphotograph of Mark Twain with printed autograph, and\nhand-lettered title page. ","With author's corrections. ","With author's corrections; bottom of manuscript p. 28 torn off. ","With author's corrections and ALS 1905 October [12]\nSunday Mark Twain to Frederick A. Duneka.","Verse to Mark Twain; copy in James Galsworthy's hand.","Discusses his activities, family news, and life\nin Hannibal, MO. ","Has received letter and mining deeds; describes\ncharacter of his recently deceased dog; mentions\nClagett's wife, other friends, his activities, and\nfamily news; reports on war in Missouri and the\ntaking of Forts Henry and Donelson; refers to\ncharacters from [Dicken's] \n  Dombey and Son  .\nS.L.C.","Is sending office supplies; mentions friends and\nfamily; discusses his attempt to steal a dog; says\nthat he is writing because he likes to, although he\nhas no news; says he is leaving for Esmeralda if\n\"nothing happens\"; complains about minister; adds\nthat they have not heard from home. S.L.C. ","Describes mining and claims in Esmeralda and his\npurchase of mining claims; is discouraged; discusses\nopportunity to learn secret process to get more ore\nout of the mines; encourages Clagett not to sell out.\nS.L.C.","Discusses mining and mining claims; encloses\nsketch of mine locations; plans to leave soon if they\ndo not strike something; says since 1853 has rarely\nbeen in one place more than six months; complains\nabout the printers for the [Territorial] Enterprise\nwho are meddling with his punctuation; mentions\nbusiness letters of Barstow and cautions Orion not to\ntell 'Gillesp' about them; suggests keeping Josh's\nletters in scrapbook; has quit writing for The Gate.\nSam.","Congratulates him on being elected\nrepresentative; hopes he will be elected Senator when\nNevada becomes a state; is angry with course of war\nand Union retreat and unhappy with talk of strategy\nthat accomplishes nothing; discusses mutual friends\nand mining matters; disgusted with climate and may\nmove to Colorado mines; encloses power of attorney.\nS.L.C.","Describes his travels in California, mines,\nsnowfall, travel by stage and sleighs, the Donner\nParty tragedy, and people and places in Nevada\nCounty.","Talks about his lectures in Virginia City, Gold\nHill, Silver City and Carson; suggests Howland ask\nAbe Curry about audience turnout; says he had looked\nfor Curry in Sacramento but missed him. S.L.C.","Everything going well with the pilots and New\nOrleans river men; asks when book ( \n  The Celebrated Jumping Frog of\nCalaveras County  ) is expected to be\npublished; plans to lecture if book not published\nsoon. Mark.] (w/env)","Discusses his signing onto the Holy Land\nexcursion on the \"Quaker City\"; says his book ( \n  The Celebrated Jumping Frog of\nCalaveras County  ) should be out in two weeks\nand plans to lecture after that; since he left [\nCalifornia] his friends have signed two hundred\nsubscribers for the book; asks to be remembered to\nvarious friends; will write to Annie [Moffett\nWebster] and Katie Lampton. S.L.C.","Authorizes Fuller to collect all money from \n  The Celebrated Jumping Frog of\nCalaveras County  ; gives his mother's address\nin St. Louis. M.T.","Asks him to print enclosed draft (not present)\nand send him a proof; is enclosing statistics (not\npresent) for Kinney's use if wanted. S.L.C.","Mentions difficulties in meeting her and Charlie\n[Langdon]; discusses at length his differences with\nthe \"Quaker City\" passengers; finding keeping\npromises not to publish anything unpleasant about the\nQuaker City passengers troublesome; unable to promise\nnot to swear and discusses swearing at length;\nmentions his true friends on the \"Quaker City\"; has\nreceived several book offers because of letters\npublished in The Tribune; likes offer from American\nPublishing Company; reports Albert D. Richardson's\nsuccess with the company; notes for whom he is\nengaged as correspondent and is unable to accept\nlecturing invitations. S.L.C.","Thanks for books; \"tackled the Stag\" who swore\nall the charges were false; wishes Webb were there.\nM.T.","Relates that H. H. Bancroft is anxious to have\nagency for his book on the west coast, Japan and\nChina; comments on sales of Albert D. Richardson's \n  Beyond the\nMississippi  and company canvassers; has\nfriends in Japan and China and was urged not to\nforget them; expects to be finished with manuscript\nin twenty days and will go east then. S.L.C.","Announces with joy his conditional engagement\nwith Olivia Langdon; describes his request for\npermission from her parents, conditions to be met for\nthe engagement, and Olivia's acceptance of his\nproposal. M.T.","Mentions Fairbanks's 'Holy Land' letters;\nrequests her appraisal of Mark Twain, especially if\nshe thinks the reformation of his character is\npermanent; recognizes Twain's genius but concern for\nher daughter prompts her to inquire; discusses news\nand health of family.","Unable to come but sends letter to be read and\nspeech for a meeting; if proceedings are published\nwould like copies for his scrap-book; is \"pleasantly\nemployed\"; insists punctuation and text are exactly\nas he wants them.","Broke off negotiations with Cleveland Herald and\nbought third interest in The Buffalo Express; will\ngive up lecturing until next year; praises look of\nbook ( \n  The Innocents Abroad  );\nrequests copies to be sent to various people and\nnewspapers; will send Elmira reviews and a copy of a\nflattering letter. Typed signature S.L.C.","Unable to lecture because he is working for a\nnewspaper and will be married soon; hopes and expects\nto be excused from New England lecture contract;\nunable to lecture at Kingston either. S.L.C.","Has replied to Abby that he will not lecture in\neither town; because of this reply, can not agree to\nlecture in Rondout; has refused other lecture and\nwishes to clear up confusion over other engagements;\nhas postponed wedding until February because of his\nlecture engagements; discusses his desire to be out\nof lecturing and support family with newspaper.\nS.L.C. and M.T.] (w/env)","Re lecture engagements; forwarding letter to his\nBoston agent, who is straightening out matters with\nMedbury. S.L.C.","Extends lecture invitation. On recto, verso and\nadditional sheet, ALS [1869] Mark Twain to James\nRedpath says he discussed above invitation with\nHoratio C. King, a committee member; does not wish to\nlecture outside New England again, especially not in\nBrooklyn; complains about Miss Watson and the\narrangements she made for a misrepresented Brooklyn\nlecture; discusses arrangements to solve the problem.\nM.T.","Asks the City editor of The Buffalo Express for\ngenerous publicity for Soldiers' Orphans concert.\nS.L.C.] (w/env)","Discusses lecture business and recent engagement;\nasks for bill to be sent to Elmira so he can settle\nit before his wedding. S.L.C.","Humorous request for books to review from Fields,\nOsgood \u0026 Company. M.T.","Says he could not agree to new edition of \n  The Celebrated Jumping Frog of\nCalaveras County  without creating problems\nwith his new publisher nor did he issue a book of\nsketches for same reasons; discusses his shame for\nhiring a lawyer and creating trouble; glad Webb\nmarried and happy he himself is married; mentions his\nnew lifestyle; accepts Webb's invitation to visit and\nextends one in return; describes his falling out with\nBret Harte over the \n  Innocents Abroad  review\nin the \n  Overland Review  because\nBancroft would not send copies to Harte. S.L.C.","Fragment. Is selecting from his previous work to\nbe used in a book of sketches and will write a new\nsketch \"or so\" for proposed book; mentions unnamed\nman; requests contract of new book and suggests the\nbook be illustrated like \n  The Innocents Abroad  .\nNo signature.","Fragment. Mentions visitors and queries if\nCaptain White lived in Keokuk. ","Fragment. Mentions woman visitor and anecdote\nabout Editor Lord.","Fragment. Is sending some letters to\ncorrespondent.","Would rather be represented by different lawyers\nthan Will Moffett's ; feels they would be prejudiced\nin favor of the others; her mother [Pamela Clemens\nMoffett] has been sick but is better.","Discusses Orion's job possibilities with comments\nfrom Mark Twain, Orion's projected writing projects,\na teaching job in Germany, and a political\nappointment he is concerned about; scattered comments\non Twain's activities; family news with suggestions\nand some quotations from Twain.","Had tried to call in person but his wife's\nillness and their travel preparations for the long\njourney precluded it.] (calling card)","Thanks for his letter; wonders why people in\nBuffalo still call the Tifft house the poor house.\nM.T.","Twain discusses whether it is too soon to release\nthe \n  Sketch Book  as it may\ninterfere with sales of \n  Innocents Abroad.  Twain\nsuggests the publishing order of \n  Roughing It  , followed\nby a book on diamond mining in South Africa, and then\nthe \n  Sketch Book. ","Declines invitation to 50th anniversary\ncelebration of The Fredonia Censor; offers\ncongratulations. M.T.","Fragment. Discusses disagreement with American\nPublishing Company and Elisha Bliss; will insist in\nfuture on written agreement; declines emphatically to\nwrite exclusively for The Publisher; wants\nadvertising of his exclusive contract be withdrawn\nand a correction published; will publish correction\nhimself if not printed by Bliss; does not want to\ndiscuss issue again; would request name be taken off\nlist of contributors if it had not already been\npublished. S.L.C.","Likes his own \"Facts about the Great Beef\nContract\" article published a year back in Galaxy May\n1870; mentions article's popularity in Washington;\nwishes Nast good fortune with his Almanac. S.L.C.]\n(attached to white paper with Nast autograph)","Has received check; comments on [Edward Howard]\nHouse's writing; is almost done with manuscript; will\nbring it to Hartford; mentions his desire to work on\nbook, pace of work, his editorial plans, his\nconfidence in the success of the book; says to go\nahead and issue prospectus and start canvassing;\nincludes proposed dedication (to \n  Roughing It  ); comments\non his favorable business prospects. S.L.C.","Re lecturing schedule in Boston; insists on\nopening in the Music Hall and on being first speaker,\nthen lecturing in South End; otherwise his prospects\nwould be diminished; feels Mr. Dana will understand\nhis position and be willing to speak second.\nM.T.","Has declined lecture tour in Missouri and Kansas\nbecause of railroad travel; plans to talk in St.\nLouis if arrangements have been made but prefers not\nto lecture; discusses business aspects of his\ndecisions and other lecture arrangements; comments on\nBowen's state legislature; wife well but baby ill.\nS.L.C. With ALS 1921 February 21 from Dora C. Bowen\nstating Bowen was a boyhood friend of Mark Twain.\n","Accepts invitation from Beach for himself but\nOlivia unable to come because of visitors in\nHartford. S.L.C.","Inviting Olivia's friends to the Monday night's\n[sic] Club meeting at their home because Olivia is\nvery busy preparing for their departure. S.L.C.","Discusses a church as a site for a lecture;\nrequests bill from Fall; unable to go to Boston since\nhe leaves for Elmira soon. S.L.C. With ANS n.d. James\nRedpath to Unknown re business matter.","Describes in great detail proposed position,\nwages, and hiring procedures for a phonographer.\nMark.","Fragment. Re Mark Twain's difficulties with\nAmerican Publishing Company and Elisha Bliss\nconcerning The Publisher; mentions Orion Clemens '\npart in the misunderstanding; discusses terms offered\nto other authors and to Mark Twain, corrections to be\npublished, and terms to resolve the\nmisunderstanding.","Comments on [Timothy] Warrington's article; says\nfamily well and flourishing, particularly new baby;\nmentions sad news of Fall's family; practicing for\nthe Jubilee; requests Redpath to publish news of \n  Roughing It  in the\nAdvertiser. M.T.","Knows [John H.] Riley's \"condition\" but is unable\nto leave to see him because of his family; his son,\nLangdon Clemens, has died after a long illness and\nhis wife is in precarious health. S.L.C.","Thanks for the books; will send \n  The Innocents\nAbroad  revisions Monday; will write preface as\nsuggested; hopes to see him at [Daniel] Slote's New\nYork City home Wednesday. S.L.C.","Enclosing preface for \n  Roughing It  ; thinks\npreface will be fine for two volumes if the book is\ndivided; will not forget to ship the revised \n  Roughing It  .\nS.L.C.","\"Twain promises second preface.\"","Expecting Bret Harte; asks what Lockwood says\nabout \"the patent.\" S.L.C.","Sending preface to English edition of \n  The Innocents Abroad  ;\nasks for destruction of earlier draft \"not in good\ntaste\"; has declined month long lecture engagement;\nexpects to spend winter in rural England, or, more\nlikely, in Cuba and Florida. S.L.C.","Sending Mark Twain preface to \n  The Innocents Abroad  ;\nduplicate being sent on Thursday's boat.","Joking refusal of invitation because of\nindigestion; with a comment on John Camden Hotten.\nS.L.C.] (w/transcript and photostat of the card)","Has been called home; expects to spend time with\nfamily in Great Britain most of next year and may be\nable to lecture for a month on \"such scientific\ntopics as I know least about.\" M.T. With AN on recto,\nin another hand, saying \"My Dear MacDonell perhaps\nthis may amuse you. D.S.J.\"","Invites him to visit; mentions that [Charles\nErskine Scott] Wood stayed with him; reports that\nAmerican papers suggest Twain be given an medal for\nstanding on deck without an umbrella; Olivia hopes\nthat he will be given a larger ship so that she could\ntravel with Mouland and not suffer sea-sickness;\nplans to travel next May. S.L.C.","Congratulates him on receiving award; wants exact\ninformation so that he may put it in The Tribune;\nwill be lecturing in New York in February and working\non his book, then will sail for England with Olivia;\nhopes to go with Mouland again and invites him to\nvisit; plans to give London lecture proceeds to The\nRoyal Humane Society; has bought property for\nbuilding a home. S.L.C.","Sends information on Mark Twain, who is away,\nsupplied by Olivia L. Clemens and Warner for new\nedition of Duyckinck.","Receipt for royalty check; comments on \n  Roughing It  not selling\nas well as \n  The Innocents Abroad  ;\nattributes difference to the engravings, paper and\nlack of publicity; comments at length about lack of\npublicity; wants Thomas Nast to do illustrations for\nhis next book and has plans for its publicity; plans\nto buy more stock and desires to be a director of the\nAmerican Publishing Company. S.L.C.","Sending him poems by W. A. Kendall; comments on\nKendall and his criticism of Bret Harte; feels unable\nto return poems since he has had them so long; if\nHowells does not publish the poems, requests that\nHowells send them back; if he chooses to publish\nthem, then he should \"improve\" them. S.L.C.","\"Long life to you and yours.\" S.L.C.","Unable to accept his invitation; reminds him of\ntheir other social engagements. S.L.C and M.T.","Is going to the Cosmopolitan Club tomorrow and\nhopes that Miller can meet him; AN at bottom requests\nhe drop in that night. S.L.C. and M.T.","Not going to Paris; suggests Bliss can make a\npamphlet out of the Herald letters, the enclosed\narticle, \"The Jumping Frog. In English. Then in\nFrench. Then clawed back into a civilized language\nonce more by patient, unremunerated toil,\" and of his\n\"old sketches\"; says there is a Routledge edition of\nhis sketches at his or Charles Dudley Warner's house,\nif Bliss does not have one; says to sell this\npamphlet for 25 cents, and not more or less; has also\nenclosed prefatory remarks for use; does not plan to\nwrite any more Herald letters for now. S.L.C.","Called on him previous day; asks for convenient\ntime tomorrow to meet for visit to a fur\nestablishment. S.L.C.","Asks whether his clerk had given Bentley \"The\nJumping Frog. In English. Then in French. Then clawed\nback into a civilized language once more by patient,\nunremunerated toil\" sketch some time back; if he is\nnot using it, would like it back. M.T.","Was unable to come because of business\nengagements; will think of magazine article but\ndoubts he will write it because of other work; adds\nhe would like to put \"The Jumping Frog. In English.\nThen in French. Then clawed back into a civilized\nlanguage once more by patient, unremunerated toil\"\nstory into a book if Bentley is not going to need it.\nS.L.C.","Dinner invitation; mentions Stoddard.","Asks him to send early copies of \n  The Gilded Age  (library\nstyle) at his expense to list of editors and friends.\nM.T.","Afraid he may not be able to go to Croydon\nbecause of his lecture business. M.T.] (w/env)","Claims fog kept audience away; began to think\nthat lectures were not advertised enough; wrote\nnotice for newspapers but none printed it; encloses\ncopy of advertisement (not present); feels that they\nwere offended by joke about the Prince in the\nadvertisement; future lectures will include comments\nthat he did not mean to offend in his advertising.\nS.L.C.","Discusses arrangements for lectures at Steinway\nHall, Boston, and Baltimore; mentions arrangement\nwith Pugh for Philadelphia; proposes \n  Roughing It  lecture in\nWashington. Mark.","Took the baby for a drive, which is why they came\nwhen they said they would be unable to come.]\n(calling card) (w/env)","Requests information about obtaining several\ncopies of Mark Twain's books for his ships cheaply,\noffering trade-in-kind facetiously.","Invites Kingsley and family to visit in Hartford;\nmentions Olivia's nervousness in meeting him; will\nnot be able to meet Kingsley at the Lotos Club since\nMark Twain will be in Boston to have dinner with\nWilkie Collins; suggests the best train to take to\nHartford. S.L.C.","Unable to assist in writing Wakeman's memoirs;\nfeels book will be readable as is, without\n\"doctoring\"; will only put his name on books he\nwrites; suggests Wakeman see publishers; details\nroyalties paid out by Elisha Bliss for new authors\nand for himself; will send manuscript to Bliss if\ndesired; says business can be accomplished through\nmail as well as in person. S.L.C.","Explanation of his \" Mark Twain \" nom de plume.\nS.L.C.","Wishes he could have suggested to Charles P. Pope\na higher value of $500 on Howells' translation but\nhesitated to take sides between two personal friends;\nhas made \n  The Gilded Age  into a\nfive act play, \"Colonel Sellers,\" and leased the play\nto comedian John T. Raymond; hopes Howells, his\nfamily, and the Aldrichs will visit. S.L.C.","Requests help in securing position in the Navy\nfor nephew Samuel E. Moffett, who is fourteen;\nMoffett lives in Mr. Sessions' New York district\nwhich has no open cadet appointments; mentions the\nboy's intelligence and potential; hopes to secure\nappointment from Secretary of the Navy ( George\nMaxwell Robeson ), who can make discretionary\nappointments. S.L.C.","Thanks him for his efforts; has written to the\nSecretary of the Navy as suggested; thinks [Samuel\nE.] Moffett is above average, else he would not ask\nfor the favor; adds nephew will be fourteen November 5.\nS.L.C.","Thanks him \"for doing that thing up so thoroughly\nand handsomely himself\" when he himself \"could not\nhave said a word\".","Thanks him for his efforts on behalf of nephew\nSamuel E. Moffett; had not written earlier because he\nhas been working on a play while remodelling his\nhouse; will put Moffett in school in hopes of\nsuccessfully getting appointment through ( George\nMaxwell) Robeson; Orion Clemens going back to Keokuk.\nS.L.C.","Is unable to write a play at this time but\nsuggests [William Dean] Howells of the \n  Atlantic Monthly  may be\ninterested and might even be writing a play now; Daly\nmay want to contact Howells after finishing fight\nwith Bronson (Howard). S.L.C.","Cannot lecture this winter but outlines plans for\na slow journey down the Mississippi gathering\nmaterial while lecturing to pay for trip, if he can\nfinish his present book by May 1; would like Redpath\nto accompany him; asks him to consider and give his\nopinion. S.L.C.","Recalls pleasant memories of correspondent's\nfather in Salt Lake City and sends requested\nautograph for her. M.T. and S.L.C.","Tells him emphatically not to print anything of\nhis in Gill's \n  Treasure Trove  series;\nmentions he was \"burnt once\" with \n  Lotos Leaves  ; tells\nhim to print quickly so that he will not appear in\nprint in \n  Treasure Trove  ;\nsuggests his publisher's unwillingness as a reason.\nS.L.C.","Will be away and must decline his invitation but\nhopes to come another time. S.L.C.","Declines invitation. S.L.C. ","Twain requests Harte's autograph for Charles E. Tisdall, the chancellor of Christ Church Cathedral, whom he describes as a \"mighty good fellow--for a Christian.\" Twain also asks if he can publish in England without impairing his American copyright, mentions finishing a book [ The adventures of Tom Sawyer  ] and another \"going through the press\" [ Mark Twain's sketches, old and new ","Thanks for the proof copy of [Henry Wadsworth]\nLongfellow's picture, which he considers \"the\nperfection of a portrait.\" S.L.C.","\"I repent me in sackcloth and ashes.\" M.T. and\nS.L.C.","Asks him to send cloth copies of his four books\nand some other books to Edward Hastings of National\nSoldiers' Home, Virginia for the disabled soldiers\nthere; requests he be billed as low as possible.\nS.L.C.","Sending him a sketch for the \n  Temple Bar  which was\nnot ready in time for the \n  Atlantic Monthly  ;\nmentions visit he paid with Joaquin Miller, during\nwhich Bentley asked him to submit sketches he might\nhave. S.L.C.","Comments on not answering her letter immediately;\nmentions that he does not have Charles Dudley\nWarner's autograph and is unable to send her one\nuntil Warner returns from Europe. S.L.C. and\nM.T.","Receipt of payment; wish he could have sent\nadvance sheets of article; will send a copy of\nanything else he writes before \n  Atlantic\nMonthly's  European appearance. S.L.C.","Reports gloves found; enjoyed Samuel E. Moffett's\nvisit; thinks he must have been poor company because\nof his irritation with [Bret] Harte. S.L.C.","Thanks for the white Japanese pin; hopes Moffett\nand his wife are enjoying the holiday; wishes she\ncould see them but it will be some time before she\ncan; mentions weather.","Responds to request for autograph; mentions he\nalso has a \"schoene Aussicht\" from his study. M.T.\nand S.L.C.","Has sent him 1 of 4 articles he is writing for \n  Atlantic Monthly  ; has\nseen Chatto in New York and told him he might have\nthe article if Bentley does not want it; will send\nthe article to the Editor of \n  Temple Bar  since\nBentley has moved.","Dictated. Offers compromise over books; comments\nhe wanted to be sure Conway had gotten his royalty;\nacknowledges receipt of royalty check. S.L.C. per\nF.C.H.","Thanks him; says several pieces are familiar and\nwill be glad to become acquainted with the others.\nS.L.C.] (w/env)","Drew 200 pounds on letter of credit; spent four\nthousand dollars in past three months in Paris;\nmentions inclement weather. S.L.C.","Refers him to Bliss; says Bliss will probably not\nmind answering his questions since nothing needs to\nbe secret; believes that under some conditions he\nwill stay with the old company. S.L.C.","Re October 4 bank draft; mentions Orion Clemens,\nCharles L. (Webster), Pamela Clemens Moffett, and\nfriends; wishes to be remembered to \"Sam's Uncle\nHarvey.\" ANS at bottom from Annie (Moffett) Webster\nsays she would write if she had time.","Praises Winter's poem \"The Chieftain\"; calls it a\nmasterwork that seems perfect; would read it to his\nwife but he always breaks down when he reads the\npoem. S.L.C. AN at top by [William Winter]\nidentifies poem as \"The Chieftain.\"","Hears he is \"troubled with twins\" and encloses\nsomething on how to raise them successfully; wishes\nhim a good Christmas and New Year; says his writings\nare read with pleasure.","Thanks the Boyesens for their praises for his new\nbook; surprised at the critical success and potential\nfinancial success of the book; because of Boyensen's\npraises, was encouraged to read publicly from new\nbook at Joseph Twichell's \"chapel\" instead of using\nold material as he had planned; speaks of the strong\nimpulse of writers to write, even for their\nwastebaskets. M.T.","Has been ill but is recovering fast; has paid off\na debt; mentions poem in Parker's column today.\nM.T.","Invitation to come visit whenever it suits him.\nM.T.","Appreciates hearing Ulysses S. Grant not\noffended; spent weekend at [William Dean] Howells;\nfamily looking forward to House's visit. M.T.","Suggests he set \"The Splendor Falls\" to music;\nsuggests possible instrumentation and vocals; hopes\nhe'll \"do it right.\" S.L.C.","Discusses his support for retention of Frederick\nDouglass for Marshall of Washington and warmly\npraises Douglass; mentions Charles J. Langdon.\nS.L.C.","Urges him to submit articles to James R. Osgood;\nlooking forward to seeing House and his daughter when\nthey visit; had badly wanted to show him his own book\nbut will not be able. M.T.","Regrets that they missed connections but hopes\nthey will visit in May; will ask [William Dean]\nHowells about House's article; has recommended him to\nJohn Hay and General [Grover] Cleveland for a\ndiplomatic post in Japan; reports what was said in\ndiscussion with Ulysses S. Grant on subject, who\nthinks House can fill post well but will appoint\nsomeone else instead; adds that he has not been able\nto convince Grant to write a book but Grant mentioned\nsome stories which he does want to write down before\nhis memories dim. M.T.","Says \"sketch\" accurate; suggests an addition\nlisting his later books through \n  A Tramp Abroad  (1880);\nhas a book ( \n  The Prince and the\nPauper  ) in press but is not including it\nsince it will be out in November. S.L.C.","Cover letter for check for $160.76; queries\n\"London 6 vols\" entry; prefers to keep his \"Prince\"\naccount separate entirely; places book orders.\nS.L.C.","Comments on various business matters; discusses\nroyalties on his scrap book. S.L.C.","Discusses printing job; suggests finishing\nunspecified item in best style, and print in two\ncolors; will be returning home by express.\nS.L.C.","Agrees to Osgood's interpretation of the Canadian\npublishing matter; inquires on how to make a transfer\nof unspecified item to Chatto \u0026 Windus.\nS.L.C.","Discusses remodelling of his home and admonishes\nHouse never to remodel. M.T.","Says he has not been in Boston since he and House\n\"lunched\" with [James Ripley] Osgood, [Thomas Bailey]\nAldrich, and others; hopes to finish remodeling so\nthat House and Koto, his daughter, may be able to\nvisit; comment on progress of remodelling. M.T.","Glad for his opinion of the book ( \n  The Prince and the\nPauper  ); discusses the problem of baronets in\nthe book, possible ways including a foot-note to\nsolve the problem, and the title to give Miles, one\nof the characters; hopes House can visit soon; visits\nMontreal in November with [William Dean] Howells and\n[James Ripley] Osgood. M.T.","Expresses gratitude for House's research into the\nbaronet problem (in The Prince and the Pauper ) and\nresolving the foot-note proposal which neither Olivia\nor House liked; has sent his preferred correction to\n[James Ripley] Osgood, but will defer to Osgood's and\nHouse's judgement. M.T.","Glad that House's suggestion was adopted, but not\nsure if correction will be in time for London\nedition; [James Ripley] Osgood concerned change might\naffect copyright because of differing texts but he\nthinks not; decorators still at work but hopes soon\nto set date for House's visit.","Hopes more of remodelling completed by December 15 and\nthat House and Koto can come then; is going to Canada\nin ten days hunting for copyrights but will be back\nby December 7. M.T.","Comments that he and Olivia greatly enjoyed\nHouse's recent \n  Atlantic\nMonthly  article; notes House was spared\n[Thomas Bailey] Aldrich's \"butcher-knife\" and marvels\nHouse was not sent proofs; going with [James Ripley]\nOsgood to Canada November 25; home almost ready for\nHouse's visit. M.T.","Thoroughly enjoyed her book, as did his family\nand guests; has asked [James Ripley] Osgood to send\nher his new book. S.L.C.] (w/env)","Arrangements for House's visit; suggests\nopen-ended visit; visiting the Mississippi River with\n[James Ripley] Osgood in April; reports Olivia\nenjoyed Koto's Christmas cards; has had 6 of his\nbooks printed on China paper for Susy, \"Bay,\" Koto\nand several other special friends. M.T.","Introduces Charles Hopkinson Clark, one of the\nthree who have agreed to compile the \n  Library of Humour  for\nOsgood and Company. S.L.C.","Has received india paper books; says McMillan\n(sic) matter is Osgood's and Dawson's to decide; does\nnot care how many Canadian editions sold as long as\nthey are not sold in the U.S.; discusses discounts to\ngeneral agents, thinks discount wasted as the\ncanvassers do all the work and will still current\nrate despite discount; concerns about books in the\nbookstores; encloses letter (not present) from a\nforeigner sent to him by Dean Sage; orders Joseph\nHenry Shorthouse's \"John Inglesant\"; mentions [Edward\nHoward] House and Koto visiting. S.L.C.","Delighted with his review of his book; mentions\npublishing book ( \n  The Prince and the\nPauper  ) at own expense and his success as a\npublisher; thought Miss Gilder's letter was from a\nman and replied in kind; asks for his address and\ninvites him to visit. (pages misnumbered in letter)\nS.L.C.","Recommends the young lady who bears this letter\nto Hooper as a translator of French on Orion\nClemens's estimation; would be willing to visit Paris\nto dine with Hooper again but will not endure a\nforeign country again for any other purpose. S.L.C.]\n(w/env)","Will visit with Joseph Twichell when their\nfamilies are better; hopes to see \"the charming\nKentucky school girl\" there; mentions that Generals\nSherman and Van Vliet had copies of \n  Date 1601  when he\nvisited; says its circulation is slowly growing and a\ncopy has gone to Japan; expects it will cause him\ntrouble. S.L.C. Charles Erskine Scott Wood notes in\nAN at bottom that he was Adjutant to the\nSuperintendent at U.S. Military Academy West Point at\nthat time.","Agrees with House's assessment of the Scribner's\ncritical review of \n  The Prince and the\nPauper  ; surprised by the very complimentary\nEnglish reviews; comments on great sales in England;\npleased to have income from three books that can't be\npirated; has rheumatism, but it allows him to\npractice typewriting (typed letter himself); family\nsick but getting better. Typed signature M.T.","Enclosing original manuscript of \n  1603  (sic) ( \n  Date 1601  ); notes that\nthere are many errors; suggests Wood correct them as\nnecessary, as he is too busy to do so himself. S.L.C.\nCharles Erskine Scott Wood notes in AN that Twain\nforwarded manuscript of \n  1601  to him to be\nprinted on the U.S. Military Academy West Point\npress, of which he was in charge; also comments on\nTwain's use of the typewriter.","Plans for an April 17 trip with him; suggests\nhotel car to Chicago; can get sketches ready in time;\nsays publishing books does not pay for the trouble\nwriting them. M.T.","Writes to unknown correspondent he has quit the\nlecture platform permanently. On verso, ALS 1882 August\nMark Twain to Charles Erskine Scott Wood says he and\nTwichell like \"it (the one sent for his signature).\"\nM.T. and S.L.C. Charles Erskine Scott Wood in AN says\nthis statement probably refers to a proof of Timothy\nCole's woodcut after Abbott Henderson Thayer's\nportrait of Twain.","Unable to comply with his request; says he is not\nwell and sends regrets. M.T.","Sending [Charles L.] Webster to talk with him;\nwould like Webster to have charge of running the book\nif possible. S.L.C.","Says Mark Twain has received check but check\nshould have been sent to Webster; Twain wants\nbusiness to be conducted through him; cannot send\nreceipt since he did not receive the money.","Re business matters with American Publishing\nCompany. ","Has been struggling hard over his book for\nawhile, suffering \"literary gout\"; comments at length\non the recent gubernatorial election in Connecticut\nlost by the Republicans, political journalism, and\n\"bossism\"; mentions family news and sleighing for the\nfirst time this winter. Typed signature S.L.C.","Re arrangements for his speech (at the New\nEngland Dinner 1882 December 23), \"The Regular Toast,\nWoman --God Bless Her, Response by Mark Twain \"; will\nspeak fifth if President [Chester] Arthur not\npresent; if he is, then sixth; felt other subjects\ntoo solemn; will be his last speech except for one in\nAugust which fulfills a three year old promise.\nS.L.C.] (w/env) (w/3 transcripts)","\"If you would be kindly spoken of, die. There is\nno other way. But don't hurry\". S.L.C. and M.T.","Requests two sets of plates and dies and 50,000\ncopies of book ( \n  Life on the\nMississippi  ) printed; he will not cause delay\nbut Olivia might because of her proofreading; wants\nthem to look carefully at the \n  Atlantic\nMonthly  material; wants to provide Charles L.\nWebster with advertising so he won't complain later\nif book does not sell; places book orders.\nS.L.C.","Unable to aid him in request since he is occupied\nwith putting a book to press; suggests he contact\nRev. Francis Goodwin for help. S.L.C.","Fragment. Apologizes for inviting Col. Waring\nwhen there is no room for him; suggests alternate\narrangements; says George Washington Cable did well\nin speech with Parson Jones story. No signature.","Asks where July dividend is because he has not\nseen it; will not be in Hartford this summer. S.L.C.]\n(w/env)","Discusses [Joseph] Twichell's well-meant\npremature publication of Twain's letter on his\ninvented \"historical game\" in the [Hartford] Courant;\nsays this upset his own plans for a small book;\nmentions having House's proofs and playing word\ngames; [William Dean] Howells and [James Ripley]\nOsgood back from Europe; remarks \"we\" have been home\ntwo weeks. M.T.] (includes brief crossed-out notes on\nverso of p. 4 and 5 by House)","Requests names of publishers who could\nmanufacture \n  A Tramp Abroad  for less\nthan he can.","Thinks S. W. Green's Sons will do the work below\nAmerican Publishing Company prices.","Jokes about family's reaction to gift House sent\nthem from Japan. Typed signature S.L.C.","Asks whether they wish to submit a bid on\nprinting two thousand copies of \n  A Tramp Abroad  ; gives\nspecifications; suggests J. P. Jones can lend them a\ncopy if they show him this letter."," Charles M. Green Printing Company can supply two\nthousand copies of \n  A Tramp Abroad  for 53\ncents a book as soon as the paper can be made, if\nAmerican Publishing Company supplies the frontispiece\nportrait.","Contends that, despite Mark Twain and Charles L.\nWebster's claims to the contrary, other publishers\nwould have cost more to manufacture \n  A Tramp Abroad  . ","Has gotten price for manufacturing \n  A Tramp Abroad  from S.\nW. Green but says it would cost more; is making new\nedition \"here\" as before.","Discusses family financial affairs, health,\nfriendly gossip about neighbors and old friends, and\nweather; glad to hear he has a farm.] (w/env)","Discusses House's precarious health; lists what\nhe has been reading and comments on his reading\nhabits; mentions Charley Delmonico; has been\nreminiscing with Thomas Bailey Aldrich about House,\nArtemus (Ward), and the rest of the \"Pfaff gang\";\nwriting new book which is moving along well.\nM.T.","His publisher Mr. Hennuyer requests Twain's\napproval of his translation of \n  Adventures of Tom\nSawyer  about to be published and is now being\nillustrated by Achille Siriony; would also like\napproval of his forthcoming \n  Adventures of Huckleberry\nFinn  translation; \n  Adventures of Tom\nSawyer  will be in same style as his adaptation\nof \n  Helen's Babies  of which\nhe sends Twain a copy.","Requests Daly to look over his dramatization of \n  Adventures of Tom\nSawyer  . M.T.","Discusses authorship of \n  The Bread Winner  and\npossibility of either John Hay or Clarence King as\nauthor; mentions George Washington Cable, while\nvisiting, had the mumps for three weeks and comments\non Cable's complaining; appreciates photographs of\nKoto; [William Dean] Howells just arriving. M.T.","Has referred \"another one of those fellows\" (\nWilliam L. Hughes ) to London publisher Chatto;\nkeeping back \n  Adventures of Huckleberry\nFinn  until spring for a longer canvass.\nS.L.C.","In response to a request from Rohr regarding\nRohr's translation of Heine's \"Lorelei.\" A\nphotostatic copy of Rohr's letter and envelope to\nTwain is included.","Has forgotten about \n  The Bread Winner  ;\ntrying with Joseph Twichell to learn to bicycle;\nenjoyed the \"catagraphs\" but mourns that after years\nof longing is still catless. M.T.","Presses company to bring suit at once against\n\"these pirates\" and threatens to annul his contracts\nwith them on grounds that sufficient effort was not\nmade to protect his copyrights. S.L.C.] (glued to\ncard)","Thanks him; after lecture dates are set, will\nwrite him; hopes the dates are as Iles suggests.\nS.L.C.","Thanks for their letters of introduction and\ndirections; plans to finish his business and then\nwill stay with them on the way back; promises family\nnews.] (w/env)","Has forgotten favor House requested; wished he\ncould visit Japan but thinks his daughters' musical\neducation would suffer; possibly could go if he could\nfind a competent house keeper to help Olivia; setting\noff on lecture tour; plans to vote Democratic and\nagainst [James G.] Blaine in the upcoming elections.\nM.T.","Acknowledges receipt of their September 12 payment;\nthinks [James G.] Blaine may been defeated; Charles\nL. Webster in California is establishing book\nagencies; lecturing tonight first time in 8 or 10\nyears but will be last time ever; hopes to repeat\ntheir success in Canada. S.L.C.","Discusses a suit against Estes and Lauriat of\nBoston for their illegal sale of one of his books;\nsays the matter is in hands of his lawyers, Alexander\nand Green of New York. S.L.C.","Marked \"Private.\" Corrects the information given\nin newspaper article; says at 15 he promised his\nmother not to drink and was later released from\npledge; kept his promise because he made it to his\nmother; expresses opinion on pledges given to\ntemperance workers; has marked letter private since\nhe did not want to contradict his mother's\nrecollections in public and because of his opinion\nabout temperance pledges. S.L.C. With TN 1930 March 12\n(w/env) from Helen M. Wilcox, Mrs. Cosgrave's\ndaughter, about the circumstances of her mother's\ncorrespondence.] (w/env)","Had already read and profited by \"it\"; comments\nhotel in the right management now. S.L.C.","Grieved to hear of House's illness but glad he is\nrecovering; comments on Ulysses S. Grant and his\nmemoirs; wishes Grant had written memoirs earlier;\njudges book as one of the best narratives in English\nlanguage; Grant is finishing volume two but may have\nwritten his last; compares what his company offered\nGrant to \n  The Century  in\nroyalties and subscription apparatus; discusses\nGrant's Century articles and why he should have been\npaid more; Olivia is pleased by Koto's gift. M.T.\n(\"SLC per JR\")","Discusses publication of Ulysses S. Grant's\nmemoirs; refutes published stories, which he thinks\nwere spread by \n  The Century  ; explains\nhow his contract will generate more money for Grant\nthat \n  The Century  offers;\nmentions anticipated sales; denies he got the book\nthrough underhanded means; adds that none of Grant's\nsons is a partner; looking forward to House's visit.\nM.T.","Wished to talk to Fuller about a potential\ninvestment. S.L.C.","Re a watch Olivia L. Clemens bought some days ago\nwhich needs to be fixed. S.L.C.","Has had his say in the current \n  The Century  and to the\nCommittee; does not enjoy writing miscellaneous\narticles. S.L.C.","Recounts anecdotally Olivia's disappointment that\nKoto could not visit. M.T.","Says that Koto's visit was a great success and\nall miss her including the family, Charles Dudley\nWarner, Miss Duke, Mamie Perkins, the Goldthwaites,\nand Miss Covey. M.T.","Announces return from journey to the Mississippi\nvia the Lakes; says that Olivia is planning letter\nfor Koto; discusses the secret language devised and\nused by Susy and Daisy Warner and hopes House will\nfigure it out. M.T.","Encloses letter from Mr. Howell (not present);\nwill refer contents of letter to Alexander and Green\nand if they advise, wishes to instigate suit against\nJohn Wannamaker. S.L.C.","Apologizes to Koto for forgetting to send\nmeasurements; sends the \"lingo letter\" mentioned\nbefore; discusses Susy's and Daisy's writing styles.\nM.T.","Doubts Rooker's opinion; discusses (New York)\nTribune's typesetting problems, the wearing of\nmatrices and alignment of type, whether they might be\nfixed, and how much these problems cost the Tribune;\nclaims the Paige typesetter is superior to all other\ninvented typesetters; comments on Olivia's good\nopinion of House. In postscript; mentions Tribune's\nalignment problem solved and that they are using new\nmatrices; attributes quick wear of matrices to design\n(includes sketch of matrix); plans to measure how\nlong new set lasts. M.T.","Thanks for House's note in the secret language of\nSusy and Daisy Warner, and for not telling her\nparents what it was; adds politely that House did\nmake several errors in their secret language;\nmentions Jean pleased by dress Koto sent.","Thanks House for another note and will send him\ntheir rules for the secret language if Daisy Warner\nagrees. Postscript in secret language.","Fragment. Gives joking account asserting he did\nnot fall asleep in court during the John Wannamaker\ntrial but fainted; urges correspondent to place story\nin newspapers. M.T.","Will come to visit House on Tuesday; Olivia says\nTwain must invite Mr. McCarthy (over Twain's\nprejudices) so asks House to give him the enclosed\ninvitation. M.T.","Enjoyed her visit; would love for her (with\nEllen) to visit them when the room is finished and\ninvites Violet to stay with them overnight after\nattending a nearby wedding; Twain unhappy he could\nnot join them on visit at Peekskill. ","Points out that Stoddard's \"The Brahman's Son\"\nwas not borrowed from House's story; suggests he\ncheck \"Yamarajah\" in \n  Stray Leaves from Strange\nLiterature  with the poem line by line.\nM.T.","Has written the letter, but Olivia does not\napprove; she says he must consider Lowell's piece of\nmind and not press the matter at the Authors' Club;\ncomments on women and reason. M.T.","Sympathizing with House in House and Koto's\nillnesses; says Olivia afraid if he were made House's\nexecutor, he might not do it well; suggests Franklin\nG. Whitmore instead and Twain could aid Whitmore in\nany way possible. M.T.","Invitation to dine with Henry M. Stanley.\nS.L.C.","Remembers House had mentioned that \n  The Prince and the\nPauper  would be nice dramatized; has tried it\nhimself unsuccessfully; mentions House could try it\nfor half to two thirds of the proceeds and might\nenjoy trying it when his pains abate a while; admits\nhe is ashamed to be incapable of being House's\nexecutor. M.T.","Has ordered a couple of \n  The Prince and the\nPauper  books to be sent to House; is sending\nhis own attempt at dramatizing it; expects to see him\nsoon. M.T.","Places book orders. S.L.C.","Wishes he could help her but he is not acquainted\nmuch with journalism any more; has already written to\nthe two journalists he does know, but they declined\nthe request; glad Stewart is a senator; begs to be\nremembered to \"once-little-girl\" he used to know.\nS.L.C.","Says unspecified article \"first appeared in\nGalaxy magazine between May 1870 and April 1871\";\nproofs have not come. S.L.C.","Praises Loisette memory system; requests that\nDavis tell the Garths that the \"d'UnLap\" part of \n  The Century  article\n(\"History of a Campaign that Failed\") will not appear\nin \n  The Century  's war\nbook; mentions John Robards. S.L.C. In PL, Twain\npraises the Loisette memory system.] (w/env)","Encourages House's plans to write about Japan;\nlooks forward to seeing him soon. M.T.","Says to ship the wheelchair and make own\narrangements for the luggage; will cancel an\nengagement to meet him.","Thanks for a first chance at his autobiography;\nnot sure what publishing prospects now would be but\nrefers him to Charles L. Webster who is in charge of\nbusiness part of the publishing house. S.L.C.","So glad to get House's French, German and English\nletter and is trying to answer in kind; they miss him\nvery much and love to Koto.","Says they miss House and Koto; discusses Twain\nkittens and cat in Elmira. ","Discusses House's letters, seeing a manufacturing\nplant in Elmira burn, Fourth of July celebrations,\nher activities, and reading Dickens.","Discusses Twain cats and family news.","Discusses neighborhood dogs, her activities, and\nHouse's letters; passing mention of House staying\nwith Mrs. Warner and the Yosts.","Appreciates his letters to the children;\ndiscusses a letter of his she mislaid, his visiting\nplans and hiring a new nurse for Jean; looking\nforward to seeing him and Koto.","Discusses substitute suggested for profanity and\nnews of family and friends.","Discusses House's letter; mentions the \n Day family , her activities, and\nfamily news.","Discusses the cold weather, her grandmother's [\nOlivia Lewis Langdon] birthday, photo of Koto and\nElize, visiting Mrs. [Clara Spaulding] Stanchfield's\nbaby daughter, creating with Daisy Warner another\nsecret language; wishes Koto and House could stay in\nHartford all winter.","Will be leaving Elmira soon; describes her\ngrandmother's party; plans to see play in New York;\nreports family busy discussing Bacon as Shakespeare;\nwill write Koto soon. AN, in pencil by Edward Howard\nHouse, states Susy is answering his letter sent in\nsame mail as one to Mark Twain, which Twain claims he\ndid not receive.","Thanks him for letter of recommendation; has\nletter of recommendation from Prof. Bra[d]y to Judge\nNorth, who knows a lot about fruit and raisins;\ndiscusses railroad possibilities.] (w/env)","Agrees to do a reading and states stipulations.\nS.L.C.","Checking into farm prospects for Samuel E.\nMoffett in California; discusses fruit crops and farm\nproperties at length.","Re business matters, real estate, and farm.]\n(w/env)","Mentions expense of living in Fresno; discusses\nproperty of Samuel E. Moffett and family business\nmatters.","Turns down invitation to spend time with them in\nmountains; plans to keep Olivia in Elmira at the farm\nto get her better. S.L.C.","Discusses House's dental matters and Susy and\nClara's doings; hopes House's river \"excursion\" will\nbe pleasant.","Believes no more bills will be sent but to\nforward them if they do; plans to ask Chatto's and\nDawson's help in securing Canadian copyright for\n[Philip] Sheridan's book; thought and hoped Chatto\nwould take Tauchnitz's offer. S.L.C.","Discusses the weather, family activities, and\nwhat she is reading; mentions Theodore Crane; asks to\nbe remembered to Koto.","Twain has instructed him to tell Bliss he is\ncorrect in sending royalty statement and check\ndirectly to him; acknowledges receipt for $569.50\ncheck.","Discusses setting a date for Koto's visit to the \n Clemens family . ","Discusses a limited recommendation of a Mr.\nWright who is apparently seeking employment from\nHall; reports on his discussion with Mr. Wright.\nS.L.C.] (w/env.)","Thanks for the book; is glad to have the story in\npermanent form; discusses her sister and Theodore\nCrane's visit; mentions family matters.","Distressed Koto has been ill; says she should\nlearn to be lazy until she is better; reports\nbrother-in-law Theodore Crane improving slowly;\npassing mention that Mrs. Cabell is ill at Charles\nDudley Warner's home.","Discusses contract with [Abby Sage?] Richardson\nto dramatize \n  The Prince and the\nPauper  ; says if there was a contract with\nHouse, he would try to straighten out the problem;\nrecalls House's initial efforts to dramatize the\nbook, his own lack of interest in the project, and\nhis impression that House had abandoned the project\nsince he did not mention it; had always wished the\nbook to be dramatized and would have preferred House\nto do it; suggested to Mrs. Richardson that she might\nget help from him.","Discusses House's claim to have a contract to\ndramatize \n  The Prince and the\nPauper  and asks for Twain's version of\nevents.","Is obliged to Daly and Miss Rehan; remarks his\nown status with his children rests not on his own\nworks, but from the fact he knows Miss Rehan and Mr.\nDrew personally.","Says [Dan] Beard is the artist; would soon as\nhave the article in the November issue (of \n  The Century  ) as in the\nDecember issue; suggests he talk to [Fred J.] Hall;\nthinks Beard could skip ahead and make pictures for\nanother part of the book; thinks he will do nice\nwork. M.T.","Has done his best to get it to them in time for\nNovember issue; will ask Fred J. Hall to hurry Dan\nBeard to finish the pictures. S.L.C.","Agrees proof must follow his own punctuation\nabsolutely; asks Hall to instruct Chatto to issue in\nLondon December. 6, in Canada December. 8, and in United States\nDecember. 10. S.L.C.","Not expecting to be in London this year but might\nbe there anyway; has tried to write things he would\nlike to tell English workingmen but without success;\nwill keep theme in mind and perhaps do it in future.\nS.L.C.","Expresses bitter opinion of lawyer Whitford\nretained for a suit by Charles L. Webster \u0026\nCompany; suggests another lawyer if any further\nlawsuits with Gill. S.L.C.","Will come with a big red apple for him and bring\nhim home; then they will go to 14th street depot to\nsee the locomotive, wheel, and water ball. With\ngrocery list on verso.","Cover letter for 2 monthly statements.","Requests Twain pay memorandum he encloses from\nPratt \u0026 Whitney Company, which he showed Twain in\nJanuary in accordance with their agreement.","Reminds him that since he declined to sign a\ncontract, Twain had said he would not lend Paige any\nmore money; is returning bill to Pratt \u0026 Whitney\nCompany. ANS at bottom states this letter is copy of\nreply to Paige's letters of March 18. S.L.C.","Discusses his new and less satisfactory contract\nfor the Paige Compositor Manufacturing Company; is\nworking on new book; says publishing beginning to be\nprofitable but must make $50,000 for the company\nuntil January when \n  Library of American\nLiterature  begins to return dividends. M.T.]\n(ALS has 1/3 of pg.2 trimmed out and glued to another\nsheet)","Requests copy of a cookbook be sent to his Berlin\naddress, which he asks they not divulge. S.L.C.","Thanks him for dinner; is seasoning cob pipe in\nwhisky for Lindau's nephew; has lecture engagement in\nDresden. S.L.C.] (w/env)","Sends a photograph (not present), taken about\neight years ago, of himself; mentions his own\nrheumatism; will look for photo of Lindau.\nS.L.C.","Asks Hall to renew his letter of credit which\nexpires January. 7. S.L.C.","Delighted to accept invitation. S.L.C.","Acknowledges receipt of manuscript of fifth\narticle; explains Charles L. Webster \u0026 Company\ncable; sorry Twain has been ill; at bottom, ANS 1892\nMarch 8 Mark Twain says article mentioned above\nconcerns Berlin and is the sixth article; at bottom,\nsecond ANS n.d. Mark Twain asks Fred J. Hall to save\nletter as proof of completion of the McClure\ncontract. S.L.C.","Says she does not need to explain; briefly\ndiscusses William Dean Howells ' grief over his\ndaughter Winnie; briefly mentions Thomas Bailey\nAldrich's and Oliver Wendell Holmes ' ageing.\nS.L.C.","Thanks for the books; had hoped to see her before\nleaving; had called with Olivia and daughters to say\ngoodbye but missed her. S.L.C.","Thanks him for arrival of the rest of \n  Tom Sawyer Abroad  and\nthe closing pages of \n  The Tragedy of Pudd'nhead\nWilson  ; plans to start working when settled\ndown in Florence; comments unfavorably on \n  The Century  article on\nColumbus's portrait; Clara has received one trunk but\ntwo are lost somewhere. S.L.C.] (w/env)","Agrees with Carey to change \"Royston's\" name and\nvillage's name; suggests Hall contact Carnegie about\nborrowing money to publish \n  Library of American\nLiterature  to a thousand sets per month; wants\nhis \"Mental Telegraphy\" in the book even if something\nelse must be dropped; has received the \"St. Nick\nproposition\" to \"split payment\" and has written \"all\nright\" to Hall and [Mary Mapes] Dodge. S.L.C.","Fragment. Good wishes to them all; will have\nsomething for them someday, perhaps soon.","Asks to have a copy of a volume with \"The\nCelebrated Jumping Frog of Calaveras County\" sent to\nCaptain Stormer at Twain's expense. S.L.C.","Requests that recipient put Twain's money in the\nMount Morris Bank, including money from royalties\nuntil they can see whether recipient can sell Twain's\ninterest in an unspecified business. S.L.C.","Thanks him for letter; cannot answer it but will\nsend the notes, \"as August is not far away.\" S.L.C.]\n(tipped in \n  The Gilded Age  ,\nBarrett PS 1311 .A1 1874 copy 5)","Had enjoyed seeing the Shipmans in Europe very\nmuch and looks forward to seeing all of them back in\nHartford; comments on the joy of meeting friends in\nEurope; sends regards to Judge [Nathaniel] Shipman;\nenjoyed Annie Eliot Trumbull's \"White Birches\";\nmentions the Hillyers and Sally Dunham; wishes they\n(the Clemens) might see the Chicago Fair. With ANS\n[1893 August 11] Mark Twain to [Mary Robinson Shipman\n], says note was \"smuggled\" into Olivia's letter and\njokes she is concerned about tautology in her letter.\nS.L.C.] (w/env)","Thanks from him and his daughter; sends book of\nhis which is full of statistics and should help\ncorrespondent's next edition. S.L.C.","No longer gives prices for his articles because\nwhen he did so before, editors said he under priced\nhimself. S.L.C.","Dinner invitation from the Club signed by\nLaurence Hutton, George Parsons Lathrop, Brander\nMatthews, Mark Twain (S.L.C. signature), Richard\nWatson Gilder, Charles Dudley Warner, William Dean\nHowells, Francis Lathrop, F. D. Millet, William M.\nLaffan, Joseph Jefferson, H.C. Banner, R. Swain\nGifford, Charles Fairchild, Thomas Bailey Aldrich.\n","Says he has lost his voice and has doctor's\norders not to use it; asks Buel to try to postpone\nnext day's lecture. S.L.C.","Promises to come to her play January 10 if he is\nstill in the country; has been in Chicago for 3 days\n\"visiting the ruins.\" S.L.C.","Re a manuscript by the sister of Edmond Picton.\n","Offers other investors one-quarter interest in\nTwain contract with Paige Compositor Manufacturing\nCompany with autograph draft of letter.","Re sale of Paige Compositor Manufacturing Company\nstock from pools.","Has received two copies from Twain of Paige\nCompositor contract; will execute and return them to\nHenry H. Rogers. ","Unable to help him since \"the whole business is\nin the hands of creditors\"; discusses past problem\nwith a bank, his indebtedness, and Hall's trouble;\nmentions Franklin G. Whitmore; will see Hall in July.\nS.L.C.] (w/env)","Reports arrival of manuscript ( \n  Personal Recollections of Joan\nof Arc  ); wants Harper to draft an order\nrequiring the compositor and proof-reader to follow\ncopy exactly; mentions \n  The Century  proofreader\nwho tampered with his punctuation in \n  The Tragedy of Pudd'nhead\nWilson  in the manuscript before sending it to\nthe printer; intends to add to manuscript 1200 words,\nincluding a three stanza song; thanks for the books;\nencloses copy of extra material and notes where it\nshould be located in manuscript; not all the \n  Personal Recollections of Joan\nof Arc  came as manuscript was opened at French\ncustom house. S.L.C. With AN signed J. Henry Harper\non verso of p. 3 says Mr. Alden sent complete copy of\nmanuscript and difficulty can be resolved if Twain\nindicates where his manuscript ends.","Acknowledges receipt of $500 check for Mark\nTwain's account.","Offers him opportunity to bid on the plates on\ncondition terms can be arranged for continuing\npublication; will transmit offer to Henry H. Rogers\nwho represents Olivia L. Clemens. With typed list of\nprices of the plates of a dozen Mark Twain\nbooks.","About conclusions of four hand-writing analysts\nand his reaction to their analyses. M.T.","Wishes to see proofs of \n  Personal Recollections of Joan\nof Arc  because he needs to make corrections;\nif necessary, can make corrections by letter; has\nbeen in bed with gout; in postscript offers proposed\ncorrection (not present). S.L.C.","Says \"Cooper article\" is in Paris; if possible he\nwill rewrite it until it suits him and send it on to\nBryce. S.L.C.","Asks that Chatto \u0026 Windus pay S. Gardner\n\u0026 Company bill and charge to him.","Cover letter for royalty check for Olivia L.\nClemens on American Publishing Company Mark Twain\nbooks; with autograph annotation adding in \n  The Tragedy of Pudd'nhead\nWilson  account and 2 royalty statements.","Is going on lecture tour to Australia, India, and\nSouth Africa; adds the Stanleys and other friends\nhave given him letters of recommendation; requests\nsame from correspondent and especially one to\ncorrespondent's brother, whom Twain nearly met\nbefore. S.L.C.","Regrets that the \n Clemens cannot come to dinner\nbecause his gout is acting up; if possible, has to\nsee [Mary Dodge] Mapes ' play the next day and\nexpects to be in pain the following day. S.L.C.","Mentions minor correction in proofs (of \n  Personal Recollections of Joan\nof Arc  ) just arrived; will return to America\ntomorrow. S.L.C.] (w/2 typed transcripts)","First dividend paid to Charles L. Webster \u0026\nCompany's creditors; discusses purchase of plates of\nMark Twain. ","About the offer by Olivia L. Clemens to buy the\nplates for Mark Twain's books.","Offers terms between Harper \u0026 Brothers and\nTwain for new uniform edition of Twain's books which\nhe has or may get under his control, calculating\nroyalties depending on new plates or plates supplied\nby Twain. With unsigned memo [May 1895] stating\nTwain's interpretation of the proposal.","In bed with gout and a large boil and cannot\nwrite. S.L.C.","Not able to talk business yet; discusses magazine\noffers and difficulty writing for magazines; \"still\nin bed with carbuncle.\" S.L.C. Mounted on card with\nphotograph of Twain in bed.","Thanks him \"for the pleasant attention of giving\nme the front seat\"; describes how he got his own\nautograph collection as a result of an April Fool's\njoke played on him by George Washington Cable.\nS.L.C.","Sorry he will not be able to visit Britain in\nwinter because he is leaving for the Pacific and\nAustralia; will be lecturing in India and South\nAfrica. S.L.C.","Contract accompanying this letter fine to him but\nadds he is not an expert in such contracts.] (with\nTDS 1895 May 23 Contract between Olivia L. Clemens\nand Harper \u0026 Brothers to publish a uniform\nedition of Mark Twain's works)","Cover letter for payment for \n  Harper's\nMagazine  account for Mark Twain's \n  Personal Recollections of Joan\nof Arc  , Books I, II, III and \n  Tom Sawyer, Detective  ;\nmentions that check for \"Mental Telegraphy Again\" had\nalready been sent to Olivia L. Clemens through\nRogers."," George Rives, their attorney, suggests changes\nin wording of their contract with Olivia L. Clemens;\nafter consultations with Bainbridge Colby, willing to\nleave wording stand.","Agrees readily to wording changes in Harper \u0026\nBrothers contract if all parties agree with\ninterpretation of clause.","Relaying message of love and good wishes from\nMark Twain whom he saw on ship.","Discusses publishing contracts Rogers is handling\nfor the Clemenses with Harper \u0026 Brothers and\nAmerican Publishing Company; Mayo has sent check for \n  The Tragedy of Pudd'nhead\nWilson  which is finally doing well. Enclosed\nare copies of the following: TL 1894 [March 4] Mark\nTwain to Henry H. Rogers re: 20 shares Paige\nCompositor Manufacturing Company stock to be\ndelivered to Bram Stoker and TL 1894 [March 4] Henry H.\nRogers to Henry Irving receipt for 10 shares Paige\nCompositor Manufacturing Company stock.","Thanks them for gift of two books and a poem of\nMrs. Aklom's; comments that Mrs. Aklom writes better\npoetry than he does; adds Mr. [R. S.] Smythe ill and\ncan not tell when they will leave. S.L.C.","Thanks him for kindnesses; postponing departure\nbecause Clara and Mr. [R. S.] Smythe ill; hopes to\nsee them again sometime. S.L.C.","Needs to see the Blisses before proceeding with\nHarper \u0026 Brothers scheme; mentions General\nLangdon and his discussion with \"Payn of the bank\";\ndiscusses at length the proposal of engaging John\nWarner of Abbey, Schoeffel \u0026 Grau as Twain's\nmanager; discusses Twain's health and family\nnews.","Discusses Twain uniform edition with Harper \u0026\nBrothers; mention in passing Frank Mayo's death and\nAmerican Publishing Company; describes a letter of\nsolicitation from a Abbie G. Bates, a copy of which\nis enclosed.","Comments on continuing negotiations between\nHarper \u0026 Brothers and American Publishing\nCompany; mentions Joseph Twitchell writing sketch on\nTwain.","Re proposal for publishing uniform edition of\nMark Twain works, including list of works to be\npublished, and discussion of reciprocal agreement\nwith American Publishing Company, to print books for\nwhich they and Harper \u0026 Brothers hold previous\npublishing agreements and use of Charles L. Webster\n\u0026 Company plates.","Discusses his negotiations with Harper \u0026\nBrothers and American Publishing Company re uniform\nedition; is on trip to oilfields in Kansas,\nTennessee, Kentucky, and Virginia; has received\nroyalty check from Frank Mayo; discusses debt\nsettlements of Charles L. Webster \u0026 Company;\nmentions Colby free to do Twain work.","Discusses proposed series of volumes to be called\n  Harper's Contemporary\nEssayists  ; lists works possibly to be\nincluded; requests to publish a volume of his essays,\nlist enclosed, per Brander Matthews ' suggestion;\nincludes royalty suggestion.","Comments on business trip to \"oil regions of the\nSouth and West\"; comments on negotiations between\nHarper \u0026 Brothers and Frank E. Bliss and\nsubsequent proposals for uniform and trade editions;\nthinks Twain's books \"on the boom\" and wants to get\nnew editions out; mentions Charles L. Webster \u0026\nCompany news and news of family and friends."," Harper \u0026 Brothers ' dramatic share too high;\nsuggests a 1/4 or 1/5.","Dictated. Discusses his wedding, honeymoon, age,\nand wealth, Charles L. Webster \u0026 Company's\naffairs, negotiations with Frank E. Bliss and\nAmerican Publishing Company re uniform edition, the\ndramatization of \n  Personal Recollections of Joan\nof Arc  , the death of Frank Mayo and Mayo's\ndepiction of Pudd'nhead Wilson.","Sends copy of Harper \u0026 Brothers letter\nconcerning [Augustin] Daly's proposed dramatization\nof \n  Personal Recollections of Joan\nof Arc  and the division of profits.","Re publication of \n  Adventures of Huckleberry\nFinn  , concerning payments, ownership of or\nroyalties from plates; editions printed from plates\nto bear correct authorization, and publishing and\nretail terms; and this proposal to be extended to\nother books. (2 copies differently worded)","Re agreement between Harper \u0026 Brothers and\nAmerican Publishing Company for use of Charles L.\nWebster plates and proposed future editions; comments\non what he thinks this agreement means, and\npossibility of new contract with American Publishing\nCompany with new royalty agreements. Very faint\nRogers' signature. With draft, with A notes, for\nproposal for publishing Twain books in uniform\neditions, including possible new book ( \n  Following the Equator  )\nand typed agreement with American Publishing Company\nre uniform edition and publication for \n  Following the Equator  .\n","Re proposals for new contract with Olivia L.\nClemens concerning destruction of old contracts, new\nprofit division, uniform edition to be issued and\nsold by American Publishing Company in agreement with\nHarper \u0026 Brothers; exclusive agreement with and\nproposed payment and publishing terms for Mark\nTwain's proposed book on journey around world ( \n  Following the Equator  )\nand profit guarantees.","Re sale of \n  The Tragedy of Pudd'nhead\nWilson  dramatization after Frank Mayo's death\nand disagreement with heirs of Mayo's estate; notes\nnewspaper notice of Olivia's loss of her\ndaughter.","Requests two proofs of the Max O'Rell article;\nasks where to send a rent check; mentions Walter\nBesout review of \n  Personal Recollections of Joan\nof Arc  notice. S.L.C.] (mourning\nstationery)","Encloses house rent check for first 6 months;\ngives Mr. Garth's address; requests that they respond\nto inquiries that he will not lecture again.\nS.L.C.","Thanks him and Mary Mantz Moffett for their\nkindness to his daughter; advises Moffett not to\nleave until sure of something better; says he must be\nvigilant over his expenses even if McKinley\nelected.","Discusses small amount spent on Christmas\npresents for Sam and \"Mamie\" ( Mary Mantz Moffett )\nand a family misunderstanding; likes \"the new\nmechanical arrangement in your Editorial\ncolumns.\"","Proposed new book to be only sold on subscription\nuntil after day of delivery to subscribes; and\nuniform edition to be sold by subscription only;\nsuggests uniform edition will be ready in eighteen\nmonths because of need of new pictures and sale\nconditions.","Suggests when Mark Twain contracts for a new\npublication that he reserves right for American\nPublishing Company to publish new work in uniform\nedition, which will keep costs and profits up.","Thanks him for Christmas book and cards of\n\"Sammy's\"; visited Clara Dana for a card party and\nmentions other guests; inquires after his\nchildren.","Thanks for invitation but declines since his\nbereavement is too recent. S.L.C.] (w/env)","Thanks him for the flowers; mentions Mark Twain\nwill be very happy to meet correspondent's sons\ntomorrow.] (w/env) (mourning stationery)","Thanks him for copy of \n  In Memoriam  .] (w/env)\n(mourning stationery)","Busy at work on his book ( \n  Following the\nEquator  ); asks MacAlister to come see him\ninstead; adds he would be too moved at seeing Miss\nCorelli whom he had last met with Susy. S.L.C.]\n(w/env) (mourning stationery)","Will not make any more engagements; has gone to\nwork again because his departure was delayed; will\ndine will Mohavly Bell; says Spurgeon will enjoy\nhearing Max O'Rell. S.L.C.","Will come to dine with him soon; says Olivia is\nsomewhat ill; has decided to add South Africa to his\nbook ( \n  Following the\nEquator  ), although book is almost done;\nexpects to finish in 10 days. S.L.C.] (w/env)\n(mourning stationery)","Discusses need to make plans to advertise Mark\nTwain and complete set of Twain's works; offers to\nhelp with new book in any way.","Declines work on Mark Twain's book because of his\npresent work load.","Had not thought he would write Mrs. Glover that\nMr. Smith is \"repairing the yard\"; thanks him for\nkindness when she was in New York; enjoyed \"Under the\nRed Robe\" and the Aquarium very much.","Accepts dinner invitation. S.L.C.] (w/env)\n(mourning stationery)","Cover letter for receipts; sorry to hear Mamie (\nMary Mantz Moffett ) not well; asks whether Cheney\nhas reported to Sam.","Inquires if carriage has room for his daughters;\nif so, they would be useful to him in noticing\ndetails. S.L.C.","Asks him to come down promptly to see if they can\nrepair \"damage which your cablegram has done me.\"\nS.L.C.","Has more manuscript ( \n  Following the Equator  )\nready ; requests that the typewritten part be sent to\nHenry H. Rogers. S.L.C.","Note states corrected proofs of \n  More Tramps Abroad  are\nto be sent to Mr. Bliss with mentions of variations\nbetween English and American editions with list of\nomissions in Chatto \u0026 Windus's copy.","Note concerns \"renewal ad\" for \n  The Innocents\nAbroad  placed in an agricultural paper.","Writing for Mark Twain who is very busy; he had\nwaited for MacAlister but missed him; invites him to\nvisit.] (w/env) (mourning stationery)","Declines to meet him at the Savage Club, which\nwould be too social for him; says he is pressed for\ntime and is working hard on a contract and with his\nAmerican publisher. S.L.C.] (w/env) (mourning\nstationery)","Sorry to have missed him; discusses ambivalence\nabout missing a chance for a £10,000\nlecture; mentions his and Olivia's comfort from\nreading \n  In Memoriam  ; advises\nMacAlister to get some rest; remember him to Mrs.\nKelly. S.L.C.] (w/mourning env)","Complains strongly about printers and\nproofreaders correcting his punctuation; refers to\nproofs he is correcting. S.L.C."," Henry H. Rogers has the $10,000 from Frank E.\nBliss, who has the balance of the manuscript ( \n  Following the\nEquator  ). At bottom, ANS [1897 July 30] Mark\nTwain to Chatto \u0026 Windus states manuscript to be\nsent directly to Bliss and will not need to see\nmanuscript if printers follow it exactly. S.L.C.","Cover letter for a drawing for one of Mark\nTwain's books [unspecified].","Apologizes for mislaying his letter; mentions\nthat Clara and Olivia respond to most of his\ncorrespondence when he is writing; will answer other\nmislaid letter; appreciates underwear he bought in\nLondon; is working on five books alternately and will\nfinish the books one each every twelvemonth but will\nnot publish two in his lifetime; hopes to meet him in\nVienna; unable to join him on trip but will enjoy his\nbook about it instead. S.L.C.] (w/env) (mourning\nstationery) (attached to large card)","Encloses statement of final settlement of the\nclaims of creditors of Charles L. Webster \u0026\nCompany; with list of creditors and amount of\nclaims.","Has made corrections but asks that\n\"Autobiography\", \"Eye Openers\", and \"Screamers\" be\ndeleted; he put \"Autobiography\" out of print years\nbefore by destroying the plates; the other two he did\nnot write; mentions \n  Following the\nEquator  now in press in England and America.\nS.L.C.] (mourning stationery)","Hopes he is recuperating and sends best wishes to\nMrs. Kelly; discusses English pronunciation of word\n\"trait.\" S.L.C.] (w/env) (mourning stationery)","Thanks for the cigars; mentions terrible August\nanniversaries concerned with Susy's death; leaving\nfor Vienna September 19; sends regards to Mrs. Skrine.\nS.L.C.] (w/env) (mourning stationery)","Knows Cleg and will welcome him; sends him new\naddress; sketches out some story ideas; invites him\nto visit in Vienna. S.L.C.] (mourning stationery)","Gives address for his mail but asks they not give\nthe address away; all well but he has gout.\nS.L.C.","Thanks for invitation to his wife and daughters\nbut they will be unable to come. S.L.C.] (mourning\nstationery)","Fragment. Praises artist on his composite\nphotograph of Twain. M.T.","Facetious commentary on a composite picture of a\nblack man and boy driving a cart with a picture of\nTwain on a chair imposed on cart. M.T. With\nphotograph.","Sends him two of his maxims. S.L.C.","Glad to hear he is in Vienna; invites the Skrines\nto visit and dine with them.] (w/env) (mourning\nstationery)","Mailed the enclosed (not present) to Bliss;\nsuggests methods of sending the item by cable; plans\nto attend session of the [Austrian] Parliament;\nincludes text of cable sent to Bliss. S.L.C.","Clarification of organization of list of\ncreditors sent in letter of 1897 September 1 Bainbridge\nColby to Henry H. Rogers. ","Discusses family news, real estate holdings, and\nfinances.","Requests payment for work he is sending under\nseparate cover.","Has sent article to \n  The World  , which\nrequested the article before White; feels reporting\nKasimir Badeni's resignation not worth the effort as\nit is a foregone conclusion; adds White's other\nrequest was merely a matter for reporters; sorry\nWhite's request did not come earlier. S.L.C.]\n(mourning stationery)","Encloses list of creditors' addresses not in Sept\n[1897] report and further clarifications; with\nenclosed list of creditor's addresses and list of\nsixteen creditors represented by Parker \u0026\nScudder. ","Cover letter for Harper \u0026 Brothers ' check\nfor $2815.48 royalty payment sent to Henry H. Rogers\nat Olivia L. Clemens ' request.","Cover letter for gifts for the Tower children's\nstockings.] (mourning stationery)","Cover note for some changes for Chatto \u0026\nWindus to put on one of the front fly leaves.\nS.L.C.","Requests more time for corrections and wishes to\npost something tomorrow if possible. S.L.C.","Came across letter \"with scores of others\nsimilar\" and sends it to Pamela; suggests she do as\nshe thinks best about the land; mentions Orion\nClemens never said anything to Samuel after \"this\nletter\" about the land.","Thanks him for Mark Twain's latest books and glad\nto see picture of Moffett and Twain; discusses\nattempts to rent or sell Moffett's Berkeley real\nestate; encloses check for Moffett's mother and best\nwishes for New Year; mentions family news.","Thanks him on behalf of Mark Twain for the note;\nTwain was sorry that White's request for article on\n\"the Reichrath's affair\" came too late.] (mourning\nstationery)"," Mark Twain requests a confidential cable be sent\nto Samuel E. Moffett; says cabling from Vienna more\nexpensive than from London; requests price of cable.]\n(mourning paper)","Thanks him for review of Mark Twain's book ( \n  Following the\nEquator  ); is doing most of Twain's\ncorrespondence because Twain is busy working on\nwriting projects; sends regards to family.]\n(w/env)","Quotes letter she has received from Joseph L.\nSheridan answering her request for names of lawyers;\nlawyer says she can receive the appraised value of\nthe estate from the Hazelwood County clerk; asks him\nif she should write or would he rather do so.","Requests him not to print the \"Comedy\" because it\nwould hurt the copyright in England and America;\ncomments on hard work of editing it. M.T.","Encloses a package of manuscripts for her brother\nto read and return at least part of them; asked \"Syd\"\nto write one of the lawyers; thinks unless he can get\nbetter terms they had better sign this contract.","Bemoans fact that Chatto \u0026 Windus declined\nhis proposed Dreyfus book; had not occurred to him\nthat he could have the translating and researching\ndone by Harper \u0026 Brothers ' house in London.\nS.L.C.","The \n  Public Ledger  of\nPhiladelphia never received anything on Charles L.\nWebster \u0026 Company account but 2 checks totalling\n$12.90; asks for when and to whom checks were\nsent.","Discusses corrections to be made to the\n\"Afrikander paragraph\" in \n  Following the\nEquator  and ways of keeping the paragraph in\nthe book; requests copies of \n  A Tramp Abroad  ;\nsuggests Bliss make postcards, not calendar, of\nmaxims from \n  The Tragedy of Pudd'nhead\nWilson  ; asks if Chatto \u0026 Windus may want\nto do this as well. S.L.C.","Mentions great appreciation for MacAlister saying\nin the \n  Times  that Twain has\nworked himself out of debt; thanks him for all his\npast kindnesses in his time of trouble; mentions that\nhe has regained his self-respect and is cheerful\nexcept when he thinks of Susy. S.L.C.] (w/env)\n(mourning stationery)","Asks him about anti-Semitism in Austria and in\nevents described by Twain in the article, \"Stirring\ntimes in Austria\"; with corrections by Twain in\npreparation for publication in article \"Concerning\nthe Jews.\"","Re addresses and information she requested.","Will send him the books for Her Royal Highness;\ncomments on the bindings of the books; enjoyed\ncorrespondent's brother Rudolf's visits very much.\nM.T.] (mourning stationery)","Royalty check sent to Olivia L. Clemens for\n$1861.68 (through December.31, 1897).","Thanks correspondent for offer to ship his books;\nhas forgotten artist's address but gives address of\nthe owner of the picture, who permitted the use of\nthe picture for a post card. S.L.C.","Will send him 2 pictures (oils) which are now\nnearly dry enough to send.","Has read \n  Roughing It  carefully\nand finds plenty of subjects for good illustrations;\nencloses list [not present] of possible subjects;\nsuggests full page drawings for illustrations;\ncomments on \"the inquest scene\" not humorous but\ninteresting; describes possible illustration of Mark\nTwain on bucking bronco; offers to meet and discuss\nideas; notes his change of address.","Cover letter for enclosed three \"Satisfaction of\nJudgement\" claims June 4 1895 from New York Supreme\nCourt in Barrow versus Clemens actions for George\nBarrow, Elizabeth Barrow, and Rebecca Barrow. With\nthree receipts from Elizabeth, George, and Rebecca\nBarrow, dated 1898 July 9.","Has written several stories in past year, but\nwhich are inappropriate for Bok's family magazine;\noffers him \"My Platonic Sweetheart\" for a thousand\ndollars; if he does not want it, requests he mail it\nto Henry H. Rogers; says he found a misplaced letter\nhe thought he sent explaining why Mrs. Selfridge has\nmisunderstood him. S.L.C.","Has written large part of his \n  Autobiography  but only\nworks on it occasionally; feels it is too early to\npublish it, except as an occasional single chapter\nand it is inappropriate for a magazine; says editing\nfor a book is different than for a magazine; Olivia\nedited and approved \"My debut as a literary person\"\nand suggested Bok use this article instead of \"My\nplatonic sweetheart\" but he realized that Bok would\nneed to edit it further and so did not mail it.\nS.L.C.","Declines lecture invitation; will only lecture\nonce in the next year; when younger, had no distaste\nfor lecturing, but now finds it difficult. M.T.","Acknowledges letter accepting his proposal to\nwrite Mark Twain biographical criticism for $300;\nfirst paragraph will be ready when he sees Bliss;\nwould like any biographical material available,\ncopyright dates of Twain books, and a set of Twain\nbooks published by Bliss; already has the full Harper\nset.","Cover letter for his introduction for Mark\nTwain's works; asks to see two sets of galley proofs\nso that a Columbia colleague may also check it; asks\nfor check at Bliss's convenience.","Fragment. Says heading should be \"From the London\nTimes of 1904\", which he thought of after mailing\nmanuscript. S.L.C.] (mourning paper)","Acknowledges receipt of proofs of his Mark Twain\narticle and check; discussion of best position for\nhis introduction in the books.","\"No, that isn't any matter.\" S.L.C.","Gives train schedule and proposed itinerary for\nhis visit. S.L.C.] (mourning paper)","Has been ill with the flu which settled in his\neyes and delayed finishing of the drawings (for Mark\nTwain book); has three drawings nearly finished and\nwill start on the fourth soon.","Discusses Mark Twain and Olivia, who hope to be\nhome next year; they received very kindly Dr.\nLapsley, who had a letter of recommendation from\nMollie Clemens; comments that Twain's poem about Susy\nwas great comfort to her on Orion's death; mentions\nfamily news and that she is taking in boarders.]\n(mourning paper)","Twain writes concerning English copyright\nlaw","Praises Brander Matthews ' introductory essay.\nS.L.C.","Came to Mrs. Couche's Thursday and wrote Moffett\nat home, but has had no reply; hopes no one is ill;\nat Piermont but does not know how to reach him; hopes\nall are well and does not want to be any trouble to\nthem.","Suggests Mark Twain's play \"Is He Dead?\" would\nfare better if revised by a dramatist.","Is returning Mark Twain play manuscript because\nit is not promising; would like other manuscript when\nBill Harris returns it. \"In Purgatory\" written across\nletter.","Hopes they will be back soon; expresses sorrow at\npassing of friends; wonders who the new American\nrepresentative will be and speculates he is not rich;\nOlivia fairly well and managing business end of their\naffairs. M.T.","Comments on three plays by Mark Twain; not able\nto place \"Bartel Turaser\"; \"In Purgatory\" is in hands\nof William Harris who promises a decision soon; \"Is\nhe dead?\" best of three; reluctant to return plays\nyet, may be able to place them. Refers to 1899 February. 2\nKlaw \u0026 Erlanger to Alf Hayman. ","If they were going to stay in London, he would\ngladly accept Skrine's offer; will refer anyone\nlooking for a house to Skrine; likes the hotel they\nare staying in. S.L.C.","Requests he not mention Twain's scheme for a\npostal check. S.L.C.] (mourning stationery)","Asks for circular on the new uniform edition of\nMark Twain works; will be lecturing on Twain at Yale\nand would like to comment on this edition; his\ncollege class reads \n  Adventures of Tom\nSawyer  in May.","Olivia wants Samuel E. Moffett of the \n  New York Journal  to\nwrite Twain biographical sketch from \"these notes\"\nand would like to check it before printing.\nS.L.C.","Has signed half of Mark Twain sheets and will\nship by Adams Express, the other half to be sent next\nweek.","Is sending the rest of signed Mark Twain\nprefaces.","Unhappy that his bill not yet paid, but Bliss may\nremove signed proofs from his studio all the\nsame.","The papers \"duly executed\" are enclosed. S.L.C.]\n(mourning stationery calling card)","Explains he ordered \n  Adventures of Tom\nSawyer  for his class but the Yale Co-op bought\ncopies from a jobber elsewhere.","Thanks him for telegram; leaving for London to\nplace daughter with Madam Marchesi for singing\nlessons; has said he is going to London for own\nbusiness so that present teacher will not know until\nnew engagement complete; asks for help in finding\nhotel in London and asks about Morley's Hotel in\nparticular; details desired accommodations.\nS.L.C.","Dictated. Enclosing sketch (not present) Mark\nTwain wants Moffett to rewrite; is not sure where\nhe'll put it in the new edition; requests he do it at\nthe earliest convenience.","Discusses London hotel reservations Spalding is\ngetting for \n Clemens family ; mentions he had\nasked Emperor for an audience; discusses travel plans\nand accommodation needs. S.L.C.","Announces temporary change of address; has been\nunable to find Mrs. Spaulding's address; is staying\nat Broadstairs on orders from Clara's doctor; keeps\nquarters at the Prince of Wales Hotel; requests they\nnot make addresses public (AN on env). S.L.C.]\n(w/env)","Has longtime commitment for a \n  Tragedy of Pudd'nhead\nWilson  maxim calendar; would not object if she\nuses another work for a calendar; does not think that\nHarper \u0026 Brothers or American Publishing Company\nwould object; likes the silhouette and would not mind\nher using it; eager to return to America before next\nwinter's snow begins. S.L.C.] (w/env)","Unable to attend meeting on 29th because of\nprevious engagement; sympathizes with the cause.\nS.L.C. With AN at top in other hand: \"From Mark Twain\non W.S. meeting.\"","Promises to look in on correspondent before\nleaving town. S.L.C.] (mourning stationery)","Thanks \"authors\" for honor they have offered him;\nregrets he will be leaving shortly and will not be in\nLondon for awhile so he cannot take advantage of it.\nS.L.C.] (w/env)","Glad Mark Twain pleased with sketch; had not set\nit in type yet because he was waiting for Twain's\napproval; requests he make a change in the copy to\nsee if the correction is better than the\noriginal.","Has arrived in London and may stay until spring\nso that Jean can continue treatment; will complete\napplication for copyright; Olivia acknowledges\nreceipt of check; inquires what Harper \u0026 Brothers\nhas to do with his English editors; let him know if\nHarper \u0026 Brothers does not object to Bliss using\nthe \"Jew article\" (\"Concerning the Jews\") and will\nnot stop him from adding a volume of short works to\nuniform edition; would prefer to give volume to\nMcClure, which is really Harper \u0026 Brothers;\nsuggests Bliss, if he needs to, go through McClure to\nget a concession from Harpers; expects no trouble\nthough from Harper \u0026 Brothers. S.L.C.","Declines invitation to the Savage Club because he\nplans to keep out of newspapers for six months; would\nlike to visit him and his family at home; says he is\nready to start writing. Signed S.L.C.] (w/env)","Praises book on Major Noah; has not read beyond\nanswer to \n  North American Review  ;\nhopes to use facts furnished by correspondent; says\nhe knew Major Noah's eldest son in San Francisco;\ngives London address as Chatto \u0026 Windus.\nS.L.C.","Understands now; had been deceived by Smythe's\nline; cannot lecture and does not expect to be on\nlecture platform again since he dislikes it.\nS.L.C.","Glad to hear news of Mrs. Tatlock's health; is\nhouse hunting. S.L.C.","Had the set of Mark Twain works here all the time\nbut thought they were the sheets; thinks the page on \n  [Life On] The\nMississippi  a bit crowded but feels it doesn't\nmatter; will sign sheets this week.","Thanks him for another book; still is comforted\nby \n  In Memoriam  ; enjoyed\nvisit with him; says Twain cannot remember the\npublishing story MacAlister referred to.] (w/env)\n(mourning stationery)","Discusses whether Lord Leighton used the Kellgren\nmassage system; asks for confirmation. M.T.]\n(w/env)","Declines dinner invitation since many journalists\nwould be present. S.L.C.","Christmas and New Year's wishes to the\nMacAlisters.] (w/env) (mourning stationery)","Answers her question on his books.] (mourning\nstationery)","Suggests canvassing in Ashland, Kentucky, would\nresult in many sales in individual books and uniform\nsets of Mark Twain works.] (mourning stationery)","Speculation that Bovril might be the best\ncustomer for Plasmon. S.L.C.] (w/mourning env)","Discusses his investment in Plasmon and Plasmon\nmatters; would like a theater box; has declined an\ninvitation from the Liberal Club; wants to have the\npublisher do the proof-reading; suggests title \n  The Man That Corrupted\nHadleyburg and Other Stories and Sketches  for\nnew book; admits he was fooled by the \"Greek\" origin\nof \n  The Celebrated Jumping Frog of\nCalaveras County  story. M.T.] (w/mourning\nenv)","Discusses the way Bovril is obtained and his\nestimates of the cost to the company; thinks Bovril\nsyndicate is not making a profit; adds Tatlock coming\nfrom Berlin in a week.] (w/env)","Unable to write for Whitney because his writing\nis now committed for the next year or two. S.L.C.]\n(mourning stationery)","Asks him to send Heimberg to Lord George\nHamilton's closest friend with suggestion of Plasmon\nfor relieving famine in India at lower bulk and cost\nthan millet. S.L.C.] (w/env)","Discusses editing his two volume book and\nsecuring the British copyright; mentions Harper \u0026\nBrothers sending him prints of illustrations for the\nbook. S.L.C.] (mourning stationery)","Has not heard from Tatlock but if Butlers' offer\nis accepted he will help. S.L.C.","Asks for packages of Plasmon and Virchow's\npamphlets for distribution; visited House of Commons.\nS.L.C.","Will try to bring money to him. S.L.C.","Unable to say when he will be free from \"mortgage\nupon my possible work\" and so cannot make any\npromises. S.L.C.] (mourning stationery)","Marked private. Says Jean's illness has been\ndiagnosed as epilepsy; has told only two other\npeople, Dr. Helmar and Susan Crane; she is under\ntreatment of Heinrich Kellgren; wishes Moffett to\ninterview Dr. Helmar and sends a list of questions\n(not present) to ask; wants him to take notes on\ninterview using fictitious names; says Kellgren has\npromised to cure Jean; depends on Moffet to get all\nthe information he can on and from Helmar.\nS.L.C.","Would be delighted to visit her with Olivia, but\nthe girls will be unable to come because of their\nstudies; inquires for convenient date for visit.\nS.L.C.","Re two clauses to be added to \n  Adventures of Tom\nSawyer  dramatization contract; with copy of\ncontract and carbon copy.","Thanks him for box at Prince of Wales Theater;\nlooking forward to seeing Mr. Harvey in the plays\nthere; says Bram Stoker will send them tickets for\nthe Lyceum; reports that Mark Twain has gone to\nOxford; best wishes to his wife and ill son.]\n(mourning stationery)","Thanks for the box; reports Olivia has gout and\ninquires what she should do since she disobeys her\ndoctors. M.T.] (w/mourning env)","Thanks him for tablets sent to her; hopes he is\ngetting better himself; regards to his parents.]\n(mourning stationery)","Says he is enclosing letter Bram Stoker's letter\nexpressing his opinion on the hypothetical play;\nsince Penley has not submitted his offer, suggests\nthat he go with Cyril Maude. At bottom of letter, AN\n1900 June 29 from Mark Twain agrees with MacAlister\nand returning Bram Stoker's letter to him as\nrequested. M.T.","Knows nothing about Dow machine; advises him to\nget full information before investing; accepts dinner\ninvitation.","Declines invitation; says family moving and he\nhas a prior engagement. S.L.C.","Sends regrets. S.L.C.","Re his health. S.L.C.","Unable to visit because he had to call on widow\nof someone who had died suddenly.","Declines offer because of family's day of\nmourning for Susy. With AN on envelope inviting\nMacAlister to visit. S.L.C.] (w/env) (mourning\nstationery)","Requests him to check spelling on ship names. No\nsignature.] (w/mourning env)","Thanks for a complimentary review he had written;\npacking for move back to America; compares removals\nand funerals and is tired of attending them. S.L.C.]\n(mourning stationery)","Cannot write for Lloyds Christmas number because\nhis contracts debar him; wants the MacAlisters to\nvisit them; discusses an aphorism on intolerance.\nM.T.] (w/env) (mourning stationery)","Invites him and family for dinner Monday as the\nClemenses are moving; asks him to safe-guard a play\nand typed manuscript; wants MacAlister to represent\nhim in some financial matters. S.L.C.] (w/env)\n(mourning stationery)","Asks MacAlister to represent him in some\nfinancial matters; will be sailing for America October 6.\nS.L.C.] (w/env) (mourning stationery)","Says he is using all his influence with God on\nMacAlister's behalf. M.T.] (w/env)","Discusses London hotels with humorous specific\ncomplaints and exaggeration; plans to sail on \"The\nMinnehaha\" on Saturday.","Says goodbye with warm thanks and good wishes to\nthe MacAlisters.] (w/env)","Reports no seasickness except for the maid, whom\nthey treated with Plasmon; notes that Plasmon given\nto ill patient by ship's surgeon; discusses Plasmon\nbusiness. M.T.] (w/env)","Discusses the Plasmon company in America and in\nEngland; says Henry H. Rogers agrees with him; says\nDr. Cook very capable; thinks they have a furnished\nhouse for a year. M.T.] (w/env)","Asks for London and Berlin reports; says Plasmon\nfactory will be on famous Briar Cliff dairy farm.\nWritten on printed testimonial for Plasmon. M.T.","Agrees to December 4 for Aldine [Club], with no\nreporters present. S.L.C.] (mourning stationery)","Regrets he will be unable to attend \"festival\"\nand pay tribute to Mark Twain; praises Twain\nhighly.","Confirms verbal agreements of exclusive serial\nrights to Twain's articles and exclusive publishing\nrights to any books for a one year period and details\nof royalty payments and advertising agreements until\nJanuary 1 1902.","Discusses royalty payments for a dramatization of\n  Adventures of Tom\nSawyer  as suggested by [Charles] Frohman;\noffer comparable to \n  Richard\nCarvell  agreement; fee would be split between\nTwain and dramatizer; has suggested Twain get a\npercentage of gross receipts. On verso, ALS [1900]\nNovember 16 Mark Twain to Henry H. Rogers asks him to look\nover offer, says he will sign it, and questions\npossibility of time limit on \n  Adventures of Tom\nSawyer  dramatization but not on \n  Adventures of Huckleberry\nFinn  dramatization. S.L.C.","In German. Hears he is home already; asks if it\nis suitable to visit right away. M.T.","Apologizes for ignoring registered letter;\ndiscusses Plasmon and its financing; says he has been\nsick in bed; will be giving his last lecture for the\nseason on December. 12. M.T.] (w/env)","Thanks him very much for book; says he has\nreplied to thirty-eight other letters today and this\nis the first one he has enjoyed writing. M.T.]\n(morning stationery)","Thanks her for example of \"Filipino\" workmanship;\nhas not seen either Mr. Bass or Mr. Patterson.\nS.L.C.] (mourning stationery)","Thanks him and \"the Committee\" for their\ninvitation but is unable to accept. S.L.C.","Has received check from MacAlister; compliments\nhim on business success; reports he is very busy with\nletters and speeches; says they are very lucky to\nhave their large house; fumes about war in\nPhilippines; encloses newspaper clipping (present).\nM.T.","Wishes to locate heirs of Dr. John Clemens, Jr.,\na nephew of Twain's father. In AN at bottom, Twain\nasks Samuel E. Moffett to respond if he wishes.\nS.L.C.","Re Pratt \u0026 Whitney Company claim of debt owed\nfor Paige Compositor Manufacturing Company; had\nsupposed account had been closed; will check contract\nif Mark Twain would like; will send notices of Twain\narticles in \n  North American\nReview  if wanted; enclosing some letters. In\nAN to Henry H. Rogers, Twain says he sent Pratt \u0026\nWhitney Company letter back to Pratt \u0026 Whitney;\nhaven't heard from them.","Believes he is not able to answer part of Gates's\nspeech and adds that the last paragraph of speech\naccurate picture of country. S.L.C.","Says \"The Alonzo Child\" was the last steamboat he\nserved on and that the boat later went into\nConfederate service; returned home on the \"A.T.\nLacey,\" missing the Memphis blockade by only a couple\nhours. S.L.C.","Discusses a sculptor's name he does not\nrecognize; sorry he missed Langdon's call; says\nOlivia and Clara are in D.C. S.L.C.","About autographing volumes for Churchill.\nM.T.","Appreciates his pleasant words; believes things\nhe has been saying are in the hearts of the nation's\nintelligent men but does not expect them to speak out\npublicly except when in the majority. S.L.C.","Afraid Croker may not be dethroned; permits use\nof German chapter in his Annual but Stead will still\nneed Chatto's permission. S.L.C.","Regretfully declines invitation. S.L.C.","Thanks for newspaper clippings; remarks on\nadvantage of knowing what the pulpit thinks of him.\nS.L.C.","If they had heard from him in time, they would\ngladly have stayed with him. S.L.C.","Thanks for appreciation of his books and his\nexpression of outspoken support and approval for Mark\nTwain's \"Red Cross\" blast. S.L.C.","Thanks for sending \"those proofs\" which he found\ninstructive and entertaining. S.L.C.","The \n  Library of\nLiterature  is wrong and \n  Review of Reviews  is\ncorrect that he was born in Florida, Missouri.\nS.L.C.","Re street sprinkling tax. Initialed","Requests him to send several pounds of\nunspecified food to Katherine I. Harrison, who will\neat part and distribute the rest to friends; will\ncome soon. S.L.C.","Requests that Twain pay debt for work done on\nPaige Compositor.","Re Pratt \u0026 Whitney Company bill.","Cover note for itemized bill of their account\nagainst Mark Twain ","Giving note of introduction to Col. Harvey,\npresident of Harper \u0026 Brothers; invited to cross\nby both Harvey and Rogers, with whom he would prefer\nto go, but cannot get away. S.L.C.] (w/env)","Pleased with poem [\"The White Man's Burden\"];\nthanks him for book; will be coming to consult \"the\nbound Century.\" M.T.","Encloses duplicate invoice re Mark Twain's\noutstanding account with Pratt \u0026 Whitney Company;\nwith 2 duplicate invoices and worksheet detailing\nlabor hours billed.","Says family, now in better health, enjoyed\nhearing from him; has not been working because of\n\"too much speech-making\"; has been criticizing\nAmerican missionaries in China and is in trouble with\nthe clergy and others; has been looking for summer\nhouse in Adirondacks; recounts anecdote about Emperor\nWilhelm and Lindau; apologizes for dictating the\nletter but has too much correspondence to do\notherwise. S.L.C.","Suggests he visit America; discusses Plasmon's\nsuccesses; glad that they were not bought out by the\nPlasmon Syndicate; wishes to be remembered to the\nBergheims. S.L.C.","Thanks him for sermon; will be meeting with a\ngroup of clergymen and says correspondent has\nsupplied text for his talk: \"the inability of the\nclerical profession to either quote correctly or even\nspeak the truth off-hand.\" S.L.C.","Re account settlement with Pratt \u0026 Whitney\nCompany. ","Re interest charged to Charles L. Webster \u0026\nCompany by Mount Morris Bank by former bank managers.\nEnclosed copy (TL) of L. M. Schwan to John E. Borne\nre Webster business with Mount Morris Bank with\ncopies of Webster accounts at the Mount Morris Bank.\n","Re settlement for Mark Twain's account with Pratt\n\u0026 Whitney Company. ","Re Mark Twain's account with Pratt \u0026 Whitney\nCompany. ","Results of his research into Twain's Pratt \u0026\nWhitney Company account and his recollections of the\nmatter.","Cover note for business material. S.L.C.] (on 1/2\nenvelope [Franklin G.] Whitmore to Mark Twain )","Has no desire to be president; sends regrets to\nher mother that they are unable to accept her\ninvitation but they are packing for the summer move.\nS.L.C.","Asks his personal attention to Pratt \u0026\nWhitney Company claim.","Enjoyed his book, which took him back 50 years;\nencloses scheme for \"drawing 'signed' ogres\" (not\npresent); thinks Aldrich may want to try it.\nS.L.C."," Mark Twain will pay his share of the expenses of\ngoing to Tennessee and wishes him luck; enjoying stay\nin the mountains.] (w/mourning envelope) (mourning\nstationery)","Discusses Plasmon; mentions he is following Henry\nH. Rogers ' advice on other investments; has been\nwriting for pleasure; refused offer to write for a\nmagazine; has returned from yatching trip with Henry\nH. Rogers; is renting a large house in Ampersand;\nreports details of publishing contracts for new\neditions of his books. M.T.] (w/mourning env)","Says Mr. Dodge gave him a lift up the hill and\npromised to visit soon; hopes to have friendly\nneighbors because he and Olivia like company; will\nread Stedman's poem and hopes to see him soon.\nS.L.C.] (w/env)","Fascinated by project but decided against it\nbecause of possible misinterpretation. S.L.C.","Thought her daughter had written him before; says\nMark Twain is refusing requests for interviews\nbecause he feels everything of interest has been said\nabout his life already.] (mourning stationery)","Requests that Clara's maid, bearer of this\nletter, be allowed to unpack Clara's trunk for her.\nM.T. and S.L.C.] (mourning stationery)","Asks if he should send a picture of \"a picture of\n\"a proud and haughty Russian\" ( Ossip Gabrilowitsch\n); hopes she will be well soon from measles; AN at\nbottom asks [Susan Crane] to read letter to\nClara.","Asks if she would help recover a ring from the\ntheater at which \"A Gentleman of France\" matineed;\nsays Olivia lost the ring there but got no response\nfrom the box office; was not able to get away to see\nher in person to make request. S.L.C.] (mourning\nstationery)","Discusses selling his Plasmon stock; named a\ndirector of the American Plasmon Company; setting off\nto meet Henry H. Rogers in Miami for West Indies\ncruise. M.T.] (w/env)","Comments nothing objectionable in unspecified\nforthcoming article; undecided on summer plans; if\nstaying in America, will travel to Missouri to accept\nhonorary degree from University of Missouri. S.L.C.]\n(mourning stationery)"," Mark Twain does not have old photographs to send\nper correspondent's request but is sending an\nautographed photograph and hopes it will do.","Regrets he cannot accept invitation to speak but\nbecause of Olivia's precarious state of health he is\nnot making out of town engagements; complains about\nthe Postal system. S.L.C.] (mounted on card)","Hopes to move Olivia, who is now improving, to\nElmira soon; wishes to be elected a Plasmon director\nat New York meeting in October.; sympathizes with him in\nhis illness; offers remedy; relates how others took\nremedy only when he charged for it; \"the human race\nis just a fool\"; discusses his agreements with \n  Harper's  for articles\nand payment; has a finished article for \n  Harper's  which he send\nalso to \n  Lloyd's  ; if MacAlister\ndoes sell it to \n  Lloyd's  , please use\nthe money to buy passage to America; will send it if\nJean types it. M.T.] (w/env)","Asks he put aside \"Amended Obituaries\" for now;\nhas withdrawn it from \n  Harper's  also; reports\nthat Olivia gravely ill with heart disease. M.T.","Apologizes for his presumption in his two\nprevious letters; wishes to obtain a copy of \n  Roughing It  and would\nappreciate any help.","Wishes he could but is barred by existing\ncontracts. S.L.C.","Gives permission to publish \"Amended Obituaries\"\narticle; says Olivia is feeling much better; reports\nthat her heart problem apparently disappeared but has\nnervous prostration; describes her condition and\ndependence on Clara and a trained nurse; adds that\nthere will be a birthday banquet for him in New York\nin November. M.T.] (w/env)","Declines invitation because he has too much work.\nS.L.C.","Bok may wait awhile since he is not considering\nbreaking with \n  Harper's  but if he\nshould be willing \"to talk Christmas story\" with Bok.\nS.L.C. in other hand","Discusses book he is writing on Christian\nScience; \"chief writer of the cult\" wants to write\nrejoinder and have it in book; Twain does not object;\nbook will be out in end of March or mid April;\nrequest proofs from Harper \u0026 Brothers; says\nOlivia a little better. S.L.C.","Draft for telegram re John T. Lewis's retirement;\nAN in corner says telegram not sent for lack of\ngravity. S.L.C.","Comments that the uncorrected proof sent him has\ncost him four hours work, three hours more than a\ncorrected proof would have required; requests larger\nmargins on proofs for corrections; will try to make\nreport resemble a speech he has forgotten.\nS.L.C.","Bliss can send advance; Henry H. Rogers says\nBliss has nothing to fear from Harper \u0026 Brothers\nand that Bliss can come to him for help; Olivia and\nJean doing well. S.L.C.","Responds to criticisms that his short story  Was it heaven or hell?  implied that lying was excusable under some circumstances by relating an incident in which his bedridden wife was not told about the critical illness of  a daughter. The letter is accompanied by tear sheets of the story from  Harpers Magazine  and an obituary for Jean Clemens.\n ","Fragment. Tells him to put in his conclusion to \n  Christian Science  .\n","Request to transfer half of his Plasmon Founders\nShares to John Young Walker MacAlister. Witnessed and\nsigned by Olivia L. Clemens. (Originally enclosed in\nALS 1903 April 7 and May 8 Mark Twain to John Young\nWalker MacAlister ) S.L.C.","Glad to receive his letter; recounts how he\nmistakenly thought they had over-spent the family\nbudget and what a shock this mistake gave him;\nreports Olivia is still very ill and is treated very\ndelicately; plans to take her to Italy on doctors'\norders; apologizes for not sending letter; has been\nvery sick for a month; says he met with the\nBergheims; is transferring shares to MacAlister;\nthanks him for past generosity; authorizations\nenclosed; reports on Henry H. Rogers, who has\nappendicitis; says Jean has measles and Olivia\nimproving. M.T.] (w/env)","Proposes to publish set of Mark Twain books from\nnew plates with no restrictions on other editions of\nhis books, save minimum price; offers royalty terms,\na guaranteed payment, and option to buy back the\nplates.","Discusses negotiations with American Publishing\nCompany to market Hillcrest edition sets, disposal of\nold single editions, and Twain payment to American\nPublishing Company upon signing of contract;\ndiscusses negotiation with Collier's to sell sets by\nsubscription and Harper \u0026 Brothers ' to sell to\ntrade; mentions business discussion with Frederick A.\nDuneka; enjoyed visit with Rogers. \"Billy's friend\nDr. Rice\"","Discusses various proposals re sale of Hillcrest\nedition, uniform sets, agreements with Harper \u0026\nBrothers and Mr. Collier, sale of plates to Twain,\nproposed Collier edition, contract with American\nPublishing Company and Olivia L. Clemens, royalties\nand other business matters.","Report on Peter F. Collier and Robert J. Collier\nand their business; with autograph cover note from F.\nN. Doubleday; with Bradstreets \"stamp\" on back,\naddressed to Double \u0026 Page, August. 11, 1903.","Bok will need to come to Quarry Farm for\nphotographs since he will be there for next six\nweeks. S.L.C.","Pictures of the Clemens' longtime summer house\nare finished; will sail for Italy in October;\nencloses brief explanations for the pictures (not\npresent). S.L.C.","Asks he edit out words (in photograph captions)\nwhich state John T. Lewis had been a slave before the\nwar because he had not been; requests chance for\nOlivia to edit captions before publication.\nS.L.C.","Proposal to maximize profits from publication of\neditions of Mark Twain books.","Sends inventory of stock of old editions of Mark\nTwain, with autograph note stating number recently\nbound.","Likes Marr's photographs very much; requests\ncopies be sent to two of his correspondents whom he\nhas never met. S.L.C.","Re business concerning Mark Twain and his\nbooks.","Request 33 of the Marr photographs when lawful\nfor them to be released; asks he be billed at the\nusual discount for \"orphans and authors\"; will be\nleaving soon for New York City and Italy; if Marr is\nthe one who will furnish photographs, please forward\nlist (not present) to Marr. S.L.C.","Thanks him for noticing the error in list of\nphotos requested and requested correction.","They will be at the Grosvenor in New York from\nOctober 15; appreciates him breaking his rule for them;\nwill be careful not to let photographs end up where\nthey might be reproduced; friends have inquired about\ncopies and when they will appear in the \n  Ladies Home Journal  ;\nthey both thank him for the pictures.","Jokes about letter correspondent sent him;\nconsiders account better than Hawthorne's account;\nOlivia now reading it; Olivia able to travel with\nspecial stewardess and Katy Leary. ANS on verso from\nEdwin Pond Parker explaining Twain opening sentence\nwhich was in jest.","Re Charles Gardiner's option to buy \"Hillcrest\"\nat Tarrytown. ","Turned over his power of attorney to Henry H.\nRogers to handle his business. Typed signature\nS.L.C.","Wishes to settle business before Mark Twain\nleaves; sorry any confusion remains.","Authorizes real estate firm to manage his\nTarrytown property while he is abroad.","Will come if he can but doubts he can so close to\ntheir sailing time; asks him to send photo and\nmagazine to his ship. M.T.","About to embark for Italy for a year with Olivia\nwho is a little better; will be living at Villa Reale\ndi Quarto. S.L.C.] (w/env)","Offers help; encloses tax bill for Mark Twain's\nTarrytown property.","Re needed repairs on stable roof and dwelling at\nMark Twain's Tarrytown property.","Re George W. Reeves ' alleged attempts to gouge\ncommission and payment for leasing Hillcrest.","Unable to collect rent unless house repairs are\ncompleted.","Comments on dividend received from MacAlister;\nsays Olivia was improving until she was burnt by\naccident; reports on his trip and the villa;\ndiscusses an introduction to Mr. Biaggi. ANS on\nenvelope says to send draft to Henry H. Rogers. M.T.\nand S.L.C.] (w/env)","Has already asked Henry H. Rogers to put his\nsurplus into stocks; cannot invest in Lysoform but\nwishes he could; liked Mr. Biaggi. S.L.C.]\n(w/env)","Re repairs of Hillcrest, shiftiness of George W.\nReeves, and possible sale of property.","Re commission for renting or selling\nHillcrest.","Re George W. Reeves ' commission and financial\nsituation and possibility of hiring a different\nagent.","Discusses Olivia's poor health and setback;\nwishes they had not come to Florence as the doctors\nsuggested for her. S.L.C.","Asks him if the New York Sun report is true that\nMaurice Hewlett spending winter in Florence and if\nso, would like his address.] (w/env)","Expresses sorrow for his loss; mentions Thomas\nBailey Aldrich lost his son after a long illness;\nlooks forward to seeing Miss Merion; discusses\nweather; encloses newspaper clipping about famine in\nIndia (present). M.T.] (w/env)","Enjoyed visit of MacAlister's brother; still\nwatching Olivia; working on his \n  Autobiography  two hours\na day and two long novels not to be finished for a\nwhile; discusses financial dealings. S.L.C.]\n(w/env)","They cannot attend correspondent's marriage but\nhopes it will be as long and happy as his has been;\nasks to be remembered to correspondent's parents whom\nhe knew long before correspondent was born.\nS.L.C.","Describes Olivia's recent decline and says she is\nvery ill. M.T.] (w/env)","Sends a quote and a poem from \"that quaint\ndarling\", 6 year old Marjorie Fleming. \"Y\"","\"Clara slowly recovering, the rest well.\nClemens\"","Printed acknowledgement of sympathy expressed for\nOlivia's death with autograph note conveying thanks.\nS.L.C.] (mourning stationery)","Printed acknowledgement of sympathy expressed for\nOlivia's death with ANS saying that they sail June\n28. S.L.C.] (mourning stationery)","Thanks for roses sent on Olivia's death by\ncorrespondent and \"John\", whom Olivia considered good\nfriends. S.L.C.] (mourning stationery)","Printed acknowledgement of sympathy expressed for\nOlivia's death with autograph note conveying thanks.\nM.T.] (w/env) (mourning stationery)","Picture almost complete and to be sent very\nsoon.","Asks her to write rent check for New York house;\nwill get another checkbook tomorrow; asks her to tell\nJean of good report of the progress he heard from\nClara and about her activities; will be staying over\nat Mr. Broughton's. S.L.C.","Acknowledges receipt of check.","Shocked to hear of Samuel Bergheim's death; adds\nhe has a house for three years; says Clara and Jean\naway and he is lonesome. M.T.] (w/env) (mourning\nstationery)","Mourns loss of Olivia; mentions Clara's illness\nand prescribed isolation; says Jean is in the\ncountry; describes moving into new house, with Katy\nas housekeeper; discusses Plasmon matters. M.T.]\n(w/env)","Thanks correspondent for letter. S.L.C. With AN\nby Isabel V. Lyon saying letter was a form letter to\nbe used to acknowledge receipt of book or published\narticle.","Declines invitation because of wife's health.\nS.L.C.","Note explaining unidentified letter; says Mark\nTwain went to the Gilder cottage in Tyringham when\nlonely and whenever he had an excuse.","Sending the box of prints via Wells Fargo; thanks\nhim for \n  The Innocents Abroad  .\n","Thanks him for chance to read his article which\nhe enjoyed; remarks on courage to express unpopular\nview; would have written sooner but in bed with gout\nand bronchitis for six weeks.] (w/env) (mourning\nstationery)","Discusses why he cannot allow the use of his\nPlasmon testimony for English Plasmon Company;\nmentions law suit. M.T.] (mourning stationery)","Sorry that he and wife not well; says that Clara\nis still in isolation in Connecticut and Jean\npermitted to visit; describes house and neighbors on\nNew Hampshire; has been writing. M.T.] (w/env)","Responds to request for information on his summer\nactivities; says information can be used by Duneka\nand other reporters as necessary.] (In brown folder\nwith \"Yes, I have tried a number of summer\nhomes\")","Will have his room all fixed up; says Clara is\nlike her old self. With AN at top from Mark Twain\nabout Katy.","Thanks him for thoughtfulness about his wish to\noffer condolences on [Henry] Irving's death; says\nClara in New York and Jean will be there November 1; will\njoin them there when everything all settled; reports\nClara's health almost entirely restored. M.T.\n(Originally included ALS 1905 October Clara Clemens\nGabrilowitsch to Mark Twain )] (w/env) (mourning\nstationery)","Asks when he can supply theatrical sketch\ndescribed in letter of 11th. With ANS [1905] October 25\nMark Twain to Isabel V. Lyon asking her to say he is\nunable to do it. S.L.C. With AN by Isabel V. Lyon\nsaying telegram was one of several similar requests\ncoming daily for Twain.","Asks her to deposit $200 to Clara's credit; will\nreturn to New York on the next day. S.L.C.]\n(w/mourning env)","Fragment. Describes her house; looks forward to\nseeing him; mentions debts and [Henry] Irving's\ndeath. (Originally enclosed in ALS 1905 October 19 Mark\nTwain to John Young Walker MacAlister )","Will forward him some documents on the Congo; the\nmatter is in John Morley's hands in England, who will\npush the matter along until America gets involved.\nS.L.C.] (mourning stationery)","Discusses his 70th birthday celebration and why\nhe was not able to invite Reid. S.L.C. With ANS\nRobert Reid re his thoughts on Twain's letter.","More on Congo reform matter; thinks British\ngovernment asked the American government to join in\nCongo reform matters; mentions his friends in English\ncabinet to be. S.L.C. \"Oldest person in America\"]\n(mourning stationery)","Printed thank you letter to his friends for\nbirthday wishes. M.T. In ANS, Mark Twain wishes Clara\ncould visit but prefers to keep her with him;\nsuggests he visit them in New Hampshire; acknowledges\nPlasmon check. S.L.C.] (w/env)","Expects to send full report and digest by mail or\nby \"delegation of our Association.\" S.L.C.] (mourning\nstationery)","Letter from Harper \u0026 Brothers troubles him;\nhates memory of Charles H. Webb; knows of no such\nplay and will not let it be either published or\n\"played\"; asks him to find out about it quietly.\nS.L.C.] (mourning stationery)","Declines invitation. In Isabel V. Lyon's\nhandwriting.] (tipped in Bret Harte's and Mark\nTwain's \n  Sketches of the\nSixties  , Barrett PS1319 .A2 1926)","Discusses Plasmon legal business, law suit, and\nconspiracy to bankrupt American Plasmon and to take\nover English Plasmon patents; will go to Gilder's\nhouse if visitors want to. No signature.] (w/env)","Declines invitation. S.L.C.] (mourning\nstationery)","On postcard with picture of Mark Twain. Remarks\nhe sent her a postcard meant for an \"English girl\"\n(Miss D. Stuckey) but will send the girl a more\nrecent photograph instead.] (w/env)","Cover note for ALS 1906 May 22 Harriet Monroe to\nEditor of Collier's; asks his personal attention to\nher letter and if possible its printing.","Corrects Samuel E. Moffett's piece in Collier's\nabout [Daniel Hudson] Burnham's plans for San\nFrancisco; points out the ground plan for the\nColumbian Exhibition ( Chicago World Fair 1890-91)\nwas not Burnham's but his partner's, John Wellborn\nRoot who died in 1891; mentions Burnham would be the\nlast person to deny his partner his share of\ncredit.","Request for an interview. With AN Mark Twain to\nIsabel V. Lyon declining request. S.L.C. With AN by\nIsabel V. Lyon stating request was one of many for an\ninterview and Twain's note was the basis for a form\nletter reply.","Reports that he is lonely because doctors have\nsent Clara, Jean, and [Isabel V.] Lyon to the\ncountry; will not go to Bermuda as ordered by doctors\nbecause Col. Harvey unable to go; has permanent\nbronchitis; acknowledges Plasmon check; glad he liked\nSusy's book; wishes he could go to England.]\n(w/env)","Thanks him. M.T. With AN in unknown hand saying\nthis was the way Twain declined an invitation to an\nafternoon reception. With AN from Robert Underwood\nJohnson saying previous note not true but that Twain\nthanked him for flowers sent on his birthday.]\n(calling card)","Has found letter by Mark Twain; comments on\ntaking Twain's advice to sever connection with\nMcClure; includes copy of a letter from Twain to him;\nrecounts anecdote of Twain about poem Bynner wrote to\nClara; includes copy of poem by Twain and a copy of\nBynner's poem \"To Saint Mark\"; requests his help in\ngetting original copy.","Describes charades played by guests; mentions\nhearing piano music played over the telephone and\nplans for future similar performances; played\nbilliards; will sail for Bermuda soon; thanks her for\ngold studs. Father.] (w/env)","Introduces Robert Haver Schaeffler of \n  The Century  who is\ngoing to Germany; says Schaeffler's trip promises to\nbe of value to both Germany and America; enjoyed\n[Lindau's] speech. S.L.C."," Oxford University wishes to confer Doctor of\nLetters degree on Twain but personal presence\nrequired. With AN from Mark Twain to Unknown\naccepting with pleasure.","Invitation to Windsor Castle party.","Thanks for his help; did find a program of the [\nMark Twain] Cooper Union lecture by good fortune;\nbelieves Fuller may be mistaken in thinking Edward\nHoward House wrote report of it for \n  The Tribune  . ","Thanks for his help and offers to lend him a\ncopyist; will call on him.","Thanks Shaw for Shaw's and William Morris '\nrecognition of his writing; praises Shaw's writing;\nmentions briefly seeing Morris once in a London\nstreet and that they never met; looks forward to\nseeing the Shaws in New York. ","Has induced Mark Twain \"to suppress those\nletters\" after relaying Davies and Mr. Soley's\nremarks; discusses Twain's loan request which had\nbeen turned down by the [Knickerbocker] Trust Company\nand his distrust of the directors; requests help in\nexpediting loan.","His Thanksgiving thought for 1907 was to be\nthankful he had only $51,000 in the Knickerbocker\nTrust when it failed rather than more. M.T.","Does have a copy of book in question but does not\nwish to sell it; has a collection of all the books he\nhas illustrated and has not sold any of them. With AN\nn.d. Frank E. Bliss to Unknown stating Bliss was a\n\"go-between\" trying to buy on original edition and\nthought Beard might be interested in selling.","Warm thanks for the dedication which pleases him\n\"to the limit\"; anticipating great pleasure from the\nbook; has been ill but going to Bermuda has cured\nthat. S.L.C.","Enjoying Phillpotts' \n  The Human Boy  again;\nhas read and re-read \n  The Mother of the\nMan  and calls it \"a great book\"; wishes he\nhimself had energy to tackle one or two of his own\nhalf finished books but doubts he ever will.\nS.L.C.","Plans to visit her; hiring new servants to\nreplace ones frightened away by burglars; says Mark\nTwain anxious to talk with her; expresses sympathy\nfor Samuel E. Moffett's death.] (w/env)","Conveys information requested; comments that Mr.\nPhayre is working to obtain list of books whose\ncopyright has been renewed in last ten years.","Thanks him for accepting the trust and\ncongratulates him upon his new Vice Presidency, sends\ngreetings to his wife and children, states that Miss\nLyon E. Ashcroft will arrange transfer of his\ntrust.","Thanks them for their note and wishes them a\nHappy New Year. M.T.","Praises the new copyright law; says the bill\npassed March 4 so much better than bill he had\ntestified for in Washington 2 years earlier; inquires\nif Robert Underwood Johnson wrote bill; encloses copy\nof Johnson's article about the new law. Typed\nsignature S.L.C.","Answered note from Champ Clark; will send copy of\nTwain reply; sent Albert Bigelow Paine's copy of\nJohnson's Post article to Clark. Mark Twain]\n(w/env)","Has learned that the ship \"Kaiserin Augusta\nVictoria\" is coming in earlier than expected; asks\nthey permit George O'Connor to retrieve the Clemens\ndog, which is on the ship, and to take care of\ncustoms requirements. S.L.C. and M.T.] (w/env)","Unable because of age to attend \"the Fulton\nHudson pagentries\" but is sending daughters Clara and\nJean with his secretary Albert Bigelow Paine to\nrepresent him; asks that Dearborn and General\nWoodford take care of them.","Discusses mutual pain symptoms; his pain is at\n\"the center of the breastbone\"; mentions various\ncures he has tried. Typed signature S.L.C.","Were able to buy for him manuscripts of the\n\"Invalid's Story\" and \"The Regular Toast.\"","Printed acknowledgement of sympathy expressed for\nJean's death.] (w/env) (mourning stationery)","Printed acknowledgement of sympathy expressed for\nJean's death. Unused.] (mourning stationery)","Feeling fairly well after brief bronchitis;\ndiscusses financial matters; says she was right about\nIsabel V. Lyon and Lyon's faults; glad to know\nsuccess of Miss Jones's book and is proud of Clara\nfor championing her. Marcus] (w/env) (mourning\nstationery)","Thanks from him and Mark Twain for kind note and\nfood sent; says Twain very ill and Dr. Halsey and Dr.\nQuintard attending him.","Unfinished note; \"You did not tell me, but I have\nfound out that you -\"","Brief summary of Mark Twain's life and an\nestimate of his literary worth will appear in next\nSaturday's \n  Harper's Weekly  ;\narticle mentions Fuller.","Inquires for Clara Clemens Gabrilowitsch if she\never received an important letter Clara wrote her;\nrequests reply as soon as possible.] (w/env)","Had not realized how ill little Anita was; will\nremain at Stormfield for the summer and leave for\nBerlin in October; hopes Anita will soon be better.]\n(w/mourning env) (mourning stationery)","Enclosing check for $100 since she had sent only\n$500 rather than $600 previously; sorry her cousin\nhas been ill.] (w/mourning env) (mourning\nstationery)","Sends receipt to be signed by Moffett for money\nsent previously; hopes she is much better.]\n(w/mourning env) (mourning stationery)","Thanks him for his condolences after her father's\ndeath; says she feels very much alone with no family;\nglad she has her husband.] (w/env) (mourning\nstationery)","Plans to see him again before returning to\nRedding; is writing day and night and under contract\nwith Harper \u0026 Brothers; requests any information\nFuller can give on Mark Twain and Twain's visits to\nhim, Sam Small, and Twain's \"Ohio sweetheart\nPauline.\"","Recounts in detail the printing of \n  Date 1601  ; presents\ncopy to his brother; recalls anecdote about Mark\nTwain's visit.","Has not been able to get information re Mark\nTwain's letters to Mary Mason Fairbanks; mention he\nhas heard how charming and intelligent she was; will\nsend more information soon.","Asks on behalf of Albert Bigelow Paine if Bixby's\nfather ( Horace Bixby ) would allow Paine to have\ncopies of Mark Twain's letters for publication in \n  Letters of Mark Twain  ;\nPaine will pay expenses incurred; would present\nHorace Bixby with some pieces of Twain's original\nmanuscripts if he would like it.","Still unable to get information; gives details of\nMary Mason Fairbanks ' life.","Apologizes for getting his name wrong; encloses\nletter for him (TLS 1912 December 4 copy Willis Vickery to\nW. [K.] Bixby ).","Thanks him for permitting Albert Bigelow Paine to\nuse any of his Mark Twain letters, except those to\nMary Mason Fairbanks; cautions Bixby to confirm his\nlegal ownership of the Fairbanks letters before\npublishing them for copyright purposes because the\nMark Twain Company and Albert Bigelow Paine may own\nactual copyrights to letters. (Fairbanks pencilled in\nover Williamson in letter.)","Discusses possibility that Albert Bigelow Paine\nas owner of Mark Twain copyrights may insist on\nprinting Mary Mason Fairbanks letters; Paine would\nnot object to Bixby printing a volume of letters but\nhas not discussed matter with Paine; asks if he\nshould say Bixby refuses to let Paine use the\nFairbanks letters.","Will send correspondence to Albert Bigelow Paine\nso that Paine may deal directly with Bixby; hopes\nthey will find a solution.","Has received correspondence from Edward Breck;\nrecounts his understanding of the provenance of the\nMary Mason Fairbanks letters and history of attempted\npublication; mentions law requiring permission of\nheirs and trustees to publish letters; feels Clara\nClemens Gabrilowitsch, the trustees, and Harper \u0026\nBrothers would prevent publication of a volume of\nFairbanks letters.","Has the Mary Mason Fairbanks letters; had thought\nBixby could do as he felt with the letters legally;\ndiscusses his health, family news, and his\nhouse.","Informs him that the literary rights of the\nletters belongs to the Mark Twain Company and the\ntrustees of the estate; heirs and trustees object to\nBixby's publication plans; cites prior cases\nregarding literary rights and private correspondence;\nhopes he will not recall his consent to publication\nof his other Mark Twain letters.","Sets forth history behind publishing volume of\nMark Twain letters collected by Twain and Albert\nBigelow Paine; hopes Bixby will provide copies of his\nletters to be included in book.","Cover for letter for legal opinion sent to Bixby\n(TLS 1913 February 18 F. W. Lehmann, St. Louis, MO, to W.\nK. Bixby, St. Louis, MO).","Legal opinion about manuscripts, authors'\ncorrespondence and copyright for materials Bixby\nowns.","Cover letter for return of Stanchfield and Levy\nletter to Bixby.","Regrets he has no autograph copies of Mark Twain\nor [James Whitcomb] Riley. ","Expects to be in Bronxville in April and will\ntalk over matters of mutual interest.","Returning required proofs signed.","Thanks him for informing him of Walter's death\nand will write his wife immediately.","Says offer for [James Whitcomb] Riley book\ninadequate, especially for a book with full page\noriginal drawing by Kemble next to his dedication to\nKemble."," Harper \u0026 Brothers does not have the Mark\nTwain photogravure plates; suggests he try\nphotogravure printers Bliss used.","Is sending him a letter written by Mark Twain to\nhim from Villa \"Sittignano\", Florence, Italy, in\nDecember 1892 as an addition to Ayer's\ncollection.","Asks $3000 for group of 97 letters of Mark Twain\nand William Dean Howells, most of which were\npublished in a Mark Twain biography.","Has discovered missing letters from collection\nAyer bought; will send them to owner of\ncollection.","Sends his brother's copy of Date 1601  to him;\nrecounts how got he got it from his brother. (on\nverso of ALS 1912 August 23 Charles Erskine Scott Wood\nto James MacIntosh Wood)","Discusses TLS 1882 February 21 Mark Twain to Charles\nErskine Scott Wood; mentions he returned the\nmanuscript to Twain; speculates who \"the charming\nKentucky girl\" may have been.","Cover letter for an ALS of Mark Twain's father he\nhopes will prove an addition to correspondent's\ncollection.","Discusses \n Clemens and \n Moffet family genealogies in depth;\nsays her Virginia relatives would know more than she\ndoes.","Gives him message for the Mark Twain Celebration;\nmentioning his enjoyment of Tom Sawyer and\nHuckleberry Finn.","Has made corrections in interview ( \n  An Interview with John\nGalsworthy  ); wants it printed as revised;\nthanks for sending pamphlet.] (tipped in \n  Interview with John\nGalsworthy  , Barrett PS 1343 .G3 1932)","Recounts printing of \n  Date 1601  ; claims no\nauthorized small paper edition; ordered type\nredistributed but did not oversee the redistribution;\ndiscusses printing of \n  Date 1601  by Grabhorn\nPress; says Edwin Grabhorn was to sell the Academy\ncopy and letters, but he is not sure if he did or\nnot.","Is selling Morse collection as complete\ncollection; it contains a copy of \n  Adventures of Huckleberry\nFinn  with a copy of suppressed plate tipped\nin; has not put separate valuation on item.] (laid in\n  Adventures of Huckleberry\nFinn  , Barrett PS 1305 .A1 1885a)","Discusses Glenn's \n  Adventures of Huckleberry\nFinn  prospectus with suppressed plate;\nmentions possible confusion for collectors and\ntherefore suggests private sale of prospectus.] (laid\nin \n  Adventures of Huckleberry\nFinn  , Barrett PS1305.A1 1885a)","Discusses Yale's copy of the \n  Adventure of Huckleberry\nFinn  prospectus and compares it to Randall's\ncopy.] (laid in \n  Adventures of Huckleberry\nFinn  , Barrett PS1305 .A1 1885a)","Discussion of the \n  Adventures of Huckleberry\nFinn  prospectus and comparisons of different\nstates.] (laid in \n  Adventures of Huckleberry\nFinn  , Barrett PS1305.A1 1885a)","Recounts his interest in the excised illustration\nfrom \n  Adventures of Huckleberry\nFinn  ; asks for information on plate.] (laid\nin \n  Adventures of Huckleberry\nFinn  , Barrett PS 1305. A1 1885a)","Comments on Barrett's collections seen at Grolier\nClub; is sending him pictures Frank J. Sprague took\nat the wedding of Ossip Gabrilowitsch and Clara\nClemens; says no photographer was present; encloses\ndata on Whitman concordance (not present).","Offers him Dana S. Ayer's collection of Mark\nTwain material and letters; gives brief history of\nAyer collection.","Discusses the \"Langhorne\" part of Mark Twain's\nname with information about his father's friends, the\nthree \n Langhorne brothers, William,\nMaurice and Henry.","Concerns death of Edith Colgate Salsbury who was\na trustee of the Mark Twain Memorial. ","Fragment. Postscript of letter; discusses\nassessments he has paid; Olivia unable to write but\nwill send photographs later. No signature.","Mailed \"Play acting\" article; requests enclosed\nlines be added to article. M.T.","Thanks for the courtesy but there is nothing he\nwants to say publicly on these topics. S.L.C.","Refuses invitation to a reading but hopes to come\nanother time.","Says Olivia getting better and asks him to urge\nher to come next week; sorry her visit had to be\ncancelled but Olivia would hardly have been able to\nsee her. S.L.C.","Regrets he will be unable to see her because of\nbusiness meeting at St. James Hotel; seems his\nbusiness always fills his New York visits.\nS.L.C.","Thanks him for his suggestions; draws many\nparallels with the story \"The Philosopher's Pendulum\"\nto his courtship of Olivia which he describes.\nS.L.C.","Re family business matters.","Fragment. Has ordered two seats for his six\nlectures for correspondent but points out it will be\nthe same lecture \"word for word\" six times. M.T.]\n(tipped in \n  Mark Twain's Speeches  ,\nBarrett PS1322 .S5 1910)","Humorous notes and sketches.","Politely declines an invitation for an event in\nBoston. S.L.C.","Has had neuralgia and dental work; discusses\nreading books and scripture.","Says he and wife will come but the girls are\nunable.] (w/env) (mourning stationery)","Receipt for balance due for town lots purchased\nfrom Clemens for the courthouse in Jamestown\n[Tennessee]. ","Royalty check for $703.35.","Copy of receipt for $308 from the American\nPublishing Company to be applied to Mark Twain's\naccount; sheet torn from account book with partial\ncopies of other receipts of American Publishing\nCompany. ","Receipt for lecture, \"Reminiscences of Some\nUncommonplace Characters I Have Chanced to\nMeet.\"","Royalty check from the American Publishing\nCompany with Mark Twain endorsement (S.L.C.\nsignature).","Transfer of 200 shares of stock from Mark Twain\nto Frank E. Bliss. With DS 1881 May 24 attached.","Grants power of attorney to Charles L. Webster to\nconduct Twain's business.","Re: partnership in Charles L. Webster \u0026\nCompany. With A additions.","Royalty check for $799.77.","With autograph additions and corrections; signed\nby S.L.C. and Frank Mayo. ","Grants power of attorney to Henry H. Rogers as\nadministrator of Twain's and Olivia L. Clemens '\naffairs while they are in Europe. ","Agreement gives Olivia L. Clemens all Mark\nTwain's rights, title and interest in various\ntype-setting machinery and Paige Compositor\nManufacturing Company and copyrights of his published\nworks. Signed for Twain by attorney Henry H. Rogers.\n","Re dramatization of the \n  Tragedy of Pudd'nhead\nWilson  . ","Re debt owed to Colby.","Re publication of a uniform edition of Mark\nTwain's works with reference to copyright, plates,\nroyalties, ownership of illustrations, and use of\nedition for school books.] (with ALS 1895 July 17\nCharles J. Langdon, New York, to Henry H. Rogers\n)","Re uniform edition of Mark Twain works","Receipt signed on account of Olivia L. Clemens.\n","Subpoena to New York Supreme Court in case of\nThomas Russell et al. versus Mark Twain re Charles L.\nWebster \u0026 Company. ","Advertises sale of all assets of partnership,\nincluding script of the \n  Tragedy of Pudd'nhead\nWilson  by Mark Twain and Mayo, to be sold at\nauction September 1 1896.","Re sales and publishing of Mark Twain books.","Re uniform edition to be published by Frank E.\nBliss. With TLS December 15 1896 Frank E. Bliss to Henry\nH. Rogers re publishing of new book and uniform\nedition.","5 copies of above contracts and letter.","With autograph memo pinned to certificate with\ninformation about Paige Compositor Manufacturing\nCompany and Regius Manufacturing Company shares for\nOlivia L. Clemens, [Henry] Irving, and [C. C.] Rice.\n","Receipt for \n  Following the\nEquator  cover design and three\nheadpieces.","Receipt for 5 tailpieces for \n  Following the Equator  .\n","Receipt for 4 [unspecified] drawings.","Receipt for 3 unspecified drawings.","Royalty check for $385.47","Re publication of \n  How to Tell a Story and Other\nEssays  , article on Austrian Parliament, and\n\"In Memoriam.\"","Copy of above.","Receipt for 6 drawings for \n  Innocents Abroad  .\n","Receipt for one drawing for \n  The Gilded Age  . ","Re marketing the uniform set of Mark Twain\nworks.","Receipt for 6 drawings for \n  Roughing It  and for 2\nadditional drawings.","Receipt for 6 drawings for \n  Sketches New and Old  .\n","Receipt for 5 wash drawings made over old pen\ndrawings [for \n  The Connecticut\nYankee  ].","Receipt for 2 drawings for \n  Life on the\nMississippi  : \"An escaped Archangel\" and\n\"Steamboat a' comin.\"","Receipt for 2 washed repainted illustrations for \n  Tom Sawyer Abroad  and\nphoto engraving plates.","Receipt for 3 drawings for volume 23 of Mark\nTwain uniform set.","Re publication of \"A Double-Barreled Detective\nStory.\"","For publication of \"The Man That Corrupted\nHadleyburg.\"","Listing of Harper \u0026 Brothers ' royalty\npayments to Mark Twain in 1901-02.","Receipt for payment in full for \"Amended\nObituaries\" sold by MacAlister to \n  Lloyd's Weekly  .\n(originally enclosed with ALS 1903 April 7 and May 8\nMark Twain to John Young Walker MacAlister )","Notes concerning publication of Mark Twain books\nwith AN concerning same.","Concerns payments and publication rights between\nMark Twain and Olivia L. Clemens and Harper \u0026\nBrothers and the American Publishing Company. ","Re leasing of Westchester County, New York,\nproperty to Gardiner.","Bill for commission on rental for 1 year to\nCharles A. Gardiner (for Westchester County, New\nYork, property).","Re exclusive publishing rights for Harper \u0026\nBrothers to: \n  The Adventures of Huckleberry\nFinn  ; \n  A Connecticut Yankee in King\nArthur's Court  ; \n  Tom Sawyer Abroad  ; \n  The Prince and the\nPauper  ; \n  Life on the\nMississippi  ; \n  The Stolen White Elephant,\nEtc.  ; \n  The £1,000,000 Bank\nNote  ; \n  Library of Wit and\nHumor  ; \n  A Californian's Tale  ; \n  Tragedy of Pudd'nhead\nWilson  ; \n  Innocents Abroad  ; \n  The Gilded Age  ; \n  Roughing It  ; \n  A Tramp Abroad  ; \n  Tom Sawyer Detective  ; \n  Volume of Short\nStories  ; \n  How to Tell a Story  ; \n  A Double-Barreled Detective\nStory  ; \n  The Man That Corrupted\nHadleyburg  ; \n  Following the\nEquator  and any of Mark Twain's other works\nnot listed; covers discount sales, royalties,\ncopyrights, and advertising. With T Memo that shifts\ndate to November 1 1903 for convenience of payment; copy\nof TL 1903 October 23 Mark Twain and Olivia L. Clemens to\nAmerican Publishing Company re contract with Harper\n\u0026 Brothers; and copy of TL 1903 October 23 Mark Twain\nand Olivia L. Clemens to Harper \u0026 Brothers\nauthorizing payment of 1/2 royalties for \n  The Gilded Age  to\nestate of Charles Dudley Warner. ","Receipt for (unspecified) drawings.","Receipt for one drawing of \n  Their Pilgrimage  , vol.\nX.","Check for $100.","Receipt for signing proofs.","Re agreement to let Ashcroft supervise Twain's\nhousehold affairs and expenditures and his financial\naffairs in general. Notarized.","Re agreement to make Ashcroft Twain's business\nmanager and financial manager of his household and\nThe Mark Twain Company. Notarized.","Agreement for Isabel V. Lyon to be Twain's\nliterary and social secretary. Notarized.","Agreement for Isabel V. Lyon to write \n  Life and Letters of Mark\nTwain  . Notarized.","Received on approval one Mark Twain \"A Murder and\na Marriage.\"","Receipt for drawing of Golden House.","Mounted on card with ALS 1895 June 13 Mark Twain\nto Frank Leslie. ","The photographs document Clemens family life including Twain, Jane, Clara, and Livy Clemens, pets, servants, friends including Richard Watson Gilmer, residences and a tour to Florence and Rome.  #6314-bc","Four notebooks numbered IV, VII, VII part 2, and\nVIII, concern the \" Tennessee lands\" owned by the Clemens family; they include\ncopies of deed listings, descriptions of physical\ncharacteristics and natural resources of the area\nnear Fentress County; a few comments about the people\nwho lived there; brief mentions of events and\nneighbors; discussion of genealogy, horse thieves,\nand Union and Confederate sympathizers; and recipes\nfor household needs, such as glue.","Franked William M. Stewart in Mark Twain's\nhand.","Franked William M. Stewart in Mark Twain's hand;\nwith pencilled notes across the envelope in unknown\nhand.","\"Anyway the children are too young.\"","About the coldest day in Keokuk, Iowa in 40\nyears; mentions William H. Bowman. ","With AN on envelope, \"photo of child\nwhispering.\"","In unknown hands. In red ink \"More Tramps\nAbroad\"; in black ink, \"American (sic) like to be\nlatest Innocent Abroad\"; with notes about word count\nand instructions from Olivia L. Clemens. ","In Mark Twain's hand; lists contracts, bonds, and\nstocks.","\"Very truly yours S.L. Clemens ( Mark Twain )\".]\n2 signatures","Printed list with AN, \"This is not complete\";\nlist appears to be torn from a larger publication.\n(originally with TLS 1908 October 30 F. A. Nast to Isabel\nV. Lyon. ","With AN in unknown hand.","The first radio version script for \n  Adventures of Huckleberry\nFinn  for Radioteatro de America. ","Includes list of authors, title \"Want to know who\npublishes and at what prices\"; discussion of\npublication and copyright information concerning\nvarious popular authors, mostly American, and some\npopular works; cover note for list of books whose\ncopyrights have been extended (list not present);\nlist of questions, titled \"want to know,\" requesting\nname and addresses of authors whose books will be up\nfor renewal and what sort of works are covered by\ncopyright laws; and note expressing hopes of getting\nrequested authors, and all authors' leagues,\nincluding Dramatic League and the \" Music league, \"\nto agree to (unspecified) scheme. Some notes possibly\nin Mark Twain's hand.","Types list covers \n  Innocents Abroad  , \n  Roughing It  , \n  The Gilded Age  , \n  A Tramp Abroad  , \n  Tragedy of Pudd'nhead\nWilson  , \n  Adventures of Tom\nSawyer  , \n  Sketches New and Old  .\n","Form letter re Mark Twain beginning repayment of\nclaims and his hopes to repay the full amount.","Receipt for payment of Charles L. Webster \u0026\nCompany debt on verso of 1897 December 6 Katherine I.\nHarrison to Lewis C. Lockwood re same subject.","Receipt of payment on verso of Katherine I.\nHarrison to Union News Company. ","Is returning Mark Twain \"donation\" check since\ntheir claim had been settled.","Considers debt settled.","Considers claim settled.","Requests readjustment of check amount.","Acknowledges receipt but unable to determine why\ncheck was sent to him.","Re readjustment of A. Filipini and Charles E.\nBarrow accounts.","Form letter for all Charles L. Webster \u0026\nCompany's creditors for final payment of all their\nclaims and creditors are to return letter as\nreceipt.","Receipt for full claim.","Re settlement of debt","Returning receipted bill of Charles L. Webster\n\u0026 Company. ","Re bookkeeping corrections of account; with A\naddition.","Acknowledges final payment receipt; does not know\nwhy he has received payments and is willing to return\nthe money to the appropriate party.","Returning check because they consider account\nclosed.","Will investigate the matter and, if same not for\nhim, will return amount received.","Inquires about December 6 letter with check in it sent\nto Oscar Marsh, who received her February 11 letter but\nnot the earlier one. With ANS 1898 March 21 J. H.\nArcher, Postmaster, Oakland, IA, to Katherine I.\nHarrison states Oscar Marsh not a resident and that\nthe letter may have been forwarded to his permanent\naddress.","Apology for \"blunder\" over remittance prior to\ntheir receivership.","Requests information on date of first payment on\nCharles L. Webster \u0026 Company debt by Parker \u0026\nScudder. ","Requests date Parker \u0026 Scudder was sent\n$12.90 payment from Charles L. Webster \u0026 Company.\n","Cover letter for return of $6.54 sent him by\nmistake.","Has received last 2 payments for Charles L.\nWebster \u0026 Company debt but not one on May 18\n1897; has searched records thoroughly.","Asks if he has any more information on P. J.\nWhite. AN 1898 June 3 Bainbridge Colby to Katherine I.\nHarrison says he knows no other way to reach P. J.\nWhite. ","Received one check but not the other.","List of creditors of Charles L. Webster \u0026\nCompany who have returned receipts.","Mulvey, a page in the United States Senate, collected the signatures of many Senators as well as that of\nvisitor Mark Twain.","\n                [1868]\t2 items\t1.\tPhotograph of Mark Twain, standing between Josh Billings (on the left) and Petroleum V. Nasby (on the right), by H.G. Smith of Boston, cut into oval shape; with note from Frank E. Bliss to unknown correspondent, scribbled on an envelope, about the ownership of the photograph (6314-q)\n                \n                [1870s]\t\t2.\tPhotograph of Mark Twain, head and shoulders, looking left, in a dark suit, oval with sepia tone [Prints01144] (6314-q)\n                \n                [1872 Sep]\t\t3.\tPhotograph of Mark Twain, head and shoulders, facing left, by Charles Watkins of London; autographed “Yours Truly, Samuel L. Clemens, Mark Twain” on reverse [Neg 4x5-1591-c, Prints09879] (6314-q)\n                \n                [1873]\t\t4.\tPhotograph of Mark Twain, head and shoulders, looking left, by Gurney of New York, brown tone [Prints09882] (6314-q)\n                \n                [1873]\t\t5.\tPhotograph of Mark Twain, head and shoulders, looking left, by Gurney of New York, brown tone; taken from Ellen B. Stuart Album of Historical Figures (7055)\t\n                \n                [1877-1878]\t\t6.\tPhotograph of a photograph of Olivia Clemens seated between Susy (on the left) and Clara (on the right), by Franz Hanfstaengl of Munich, Germany [Prints09889] (6314-j)\n                \n                1881 Feb 12\t\t7.\tPhotograph of Mark Twain, head and shoulders, facing right, oval with sepia tone by Warren’s Portraits of Boston; inscribed, “To Miss Koto- With kindest regards of hers truly, S. L. Clemens, Hartford, Feb 12, 1881” (PS1316.A1 1882 C.5)\n                \n                [1884]\t\t8.\tPhotograph of Mark Twain, head and shoulders, facing right; signed “truly yours, Mark Twain” [Neg 4x5-1591-d] (6314-q)\n                \n                [1884]\t\t9.\tPhotograph of Mark Twain, seated, facing right, in a white suit with sepia tone [Neg 4x5-393] (6314-q)\n                \n                1884\t\t10.\tPhotograph of Mark Twain with George Washington Cable, both standing, one hand in pocket, sepia tone, signed by both men, taken by Sarony of New York [Prints09853] (6314-p)\n                \n                1884\t\t11.\tPhotograph with of Mark Twain George Washington Cable, both standing, one hand in pocket, sepia tone, signed by both men, taken by Sarony of New York, damaged (6314-q)\n                \n                [post 1890]\t\t12.\tPhotograph of Mark Twain, seated in his study, in a dark suit with crossed legs, holding a cigar, by Pach Bros. of New York [Neg 4x5-392, Prints09884] (6314-q)\n                \n                1893\t2 items\t13.\tPhotograph of Olivia L. Clemens, full body, facing left, sepia tone, by Eddowes Bros. of New York [Prints09885] (6314-q)\n                \n                1893\t\t14.\tPhotograph of Olivia L. Clemens, full body, facing forward, sepia tone, by Eddowes Bros. of New York [Prints09886] (6314-q)\n                \n                1895-1897\t36 items\t15.\tPhotographs, black and white, of 1895 train trip from Cleveland to Vancouver, B.C. by Clemens family (Mark Twain, Olivia, and Clara) with James B. Pond. Photographs from the Clemens’ London home in 1897. Includes notes by James B. Pond on reverse. [Neg 4x5-888-j, Neg 4x5-394-a, Neg 4x5-1590, Neg 4x5-1590-a, Neg 4x5-888-k, Neg 4x5-888-n, Neg 4x5-888-m, Neg 4x5-888-l] (6314-t)\n                \n                1895\t\t16.\tLarge photograph of Mark Twain, head and shoulders, looking right, sepia tone, by Sarony of New York {OS Box L-7} (6314-p)\n                \n                1895 Sep\t\t17. \tPhotograph of Olivia L. Clemens, head and shoulders, looking left, sepia tone, by The Falk Studios, Melbourne; signed “very truly yours, Olivia L. Clemens” (6314-q)\n                \n                1896 Jan 24\t\t18.\tPhotograph of Mark Twain, head and shoulders, looking left, sepia tone, by The Falk Studios, Melbourne; inscribed “To Mr. Parday, in memory of a very pleasant day in Bombay. Sincerely yours, SL Clemens (Mark Twain)” [Prints09865] (6314-q)\n                \n                \n                [1896-1897]\t\t19.\tPhotograph of Mark Twain, full body, facing left, in suit with top hat, by Alfred Ellis of London, originally mounted with 3 others (folder 1 of 4) [Neg 35-79, Prints01140] (6314-p)\n                \n                [1896-1897]\t\t20.\tPhotograph of Mark Twain, head and shoulders, facing left, in suit, by Alfred Ellis of London, originally mounted with 3 others (folder 2 of 4) [Neg 4x5-394-a, Prints01143] (6314-p)\n                \n                [1896-1897]\t\t21.\tPhotograph of Mark Twain, seated, looking left, in suit with top hat, by Alfred Ellis of London, originally mounted with 3 others (folder 3 of 4) [Neg 4x5-394-b, Prints01142] (6314-p)    \n                \n                [1896-1897]\t\t22.\tPhotograph of Mark Twain, head and shoulders, facing forward, in suit with top hat, by Alfred Ellis of London, originally mounted with 3 others (folder 4 of 4) [Neg 4x5-888-b, Prints01141] (6314-p)\n                \n                1897 Jun\t2 items\t23.\tPhotograph of Mark Twain, seated, facing forward, in a suit, by Alfred Ellis of London, with Mark Twain’s signature; done especially for J. B. Pond, Twain’s agent {OS Box L-7} [Neg 4x5-888-h] (6314-p)\n                \n                1898 May 16 2 items\t24.\tPhotograph of Mark Twain, black and white, head and shoulders, looking right, by J. Löwy of Vienna; inscribed with “truly yours, Mark Twain” [Neg 4x5-888-g, Prints01145] (6314-q)\n                \n                1900\t\t25.\tPhotograph of a oil portrait of Mark Twain, head and shoulders, facing forward, by James MacNeil Whistler, with Whistler’s butterfly signature (6314-x)\n                \n                [1900s]\t\t26.\tPhotograph of Mark Twain, head and shoulders, facing forward with sepia tone, by Newsboy of New York (6314-q)\n                \n                1900 Apr 6\t4 items\t27.\tPhotograph of Mark Twain, sitting by window, sepia tone, by H. Walter Barnett of London, inscribed with “ To Sir William Des Voeux with warm regards of S. L. Clemens and the same from Mark Twain” [Prints09892] (6314-k)\n                \n                \n                \n                1902\t\t28.\tPhotograph of Mark Twain, framed in dark frame, seated, facing forward, in a dark suit, by Taber Photograph Co., signed at bottom by Mark Twain {back wall behind book stacks} (6663)\n                \n                [1902 Jun]\t\t29.\tPhotograph of a photograph of Mark Twain with Laura Hawkins Frazer, Twain’s inspiration for Becky Thatcher in The Adventures of Tom Sawyer [Prints09891] (6314-j)\n                \n                1904\t2 items\t30.\tPhotograph of Mark Twain, seated, facing forward, in a suit, by Apeda Studio of New York [Neg 4x5-888-f, Prints09855] (7267)\n                \n                [1906]\t\t31.\tPhotograph of Mark Twain, in bed, wearing white, reading a magazine [Prints01147] (6314-q)\n                \n                [1906-1910]\t\t32.\tPhotograph of Mark Twain with Dr. Edward Quintard, the family doctor; signed, “sincerely yours Mark Twain” at bottom {OS Box L-7} (6314-p)\n                \n                [post 1907 Jun 26]\t33.\tPhotograph of Mark Twain, seated on porch, wearing academic costume, woods in background [Prints09867] (6314-q)\n                \n                [post 1907 Jun 26]\t34.\tPhotograph of Mark Twain, standing on porch, wearing academic costume, house in background [Prints09869] (6314-q)\n                \n                [post 1907 Jun 26]\t35.\tPhotograph of Mark Twain, standing on porch, wearing academic costume, woods in background [Neg 4x5-1591-b] (6314-q)\n                \n                1907\t2 items\t36.\tPhotograph of Mark Twain, head and shoulders, facing forward, in a white suit with sepia tone, by A.F. Bradley of New York [Neg 4x5-888-e, Prints09887] (6314-d)\n                \n                [1907]\t\t37.\tPhotograph of Mark Twain, seated indoors with book, wearing white suit [Neg 4x5-1591-a, Prints09877] (6314-q)\n                \n                [1907]\t\t38.\tPhotograph of Mark Twain, seated on rock with kitten, wearing white suit [Prints09861] (6314-q)\n                \n                [1907]\t2 items\t39.\tPhotograph of Mark Twain, standing indoors beside window, wearing white suit, holding pipe [Neg 4x5-888-c, Prints09860] (6314-q)\n                \n                [1907]\t4 items\t40.\tPhotograph of a photograph of Mark Twain, seated indoors with book, wearing white suit [Neg 4x5-888-a] (6314-j)\n                \n                [1907]\t2 items\t41.\tPhotograph of a photograph of Mark Twain, seated indoors with newspaper, wearing dark suit [Neg 35-81-b] (6314-j)\n                \n                [1907]\t1 item\t41a.\tPhotograph print from the original Mark Twain glass plate negative taken in England showing Twain seated in his Oxford robes. Standing next to him is Frances Nunnally, one of the \"angelfish\" in his \"Aquarium Club.\" (6314-aw)\n                \n                [1908 Jan]\t2 items\t42.\tPhotograph of Mark Twain, playing billiards, brown tone [Neg 4x5-888-d] (6314-q)\n                \n                [1908-1910]\t\t43.\tPhotograph, playing cards with Clara Clemens [Neg 4x5-888-i, Prints01146] (6314-q)\n                \n                [1908-1910]\t\t44.\tPhotograph of Mark Twain, seated at piano, with Clara Clemens and Miss Nicol [Prints09862] (6314-q)\n                \n                1909 Oct 6\t\t45.\tPhotograph of Mark Twain at Wedding of Clara Clemens to Ossif Gabrilowitsch: (left to right) Mark Twain, Jervis Langdon, Jean Clemens, Ossif Garbrilsowitsch, Clara Clemens, Rev. Dr. Joseph H. Twitchell; by Frank J. Sprague (6314-q)\n                \n                1909 Oct 6\t\t46.\tPhotograph of Mark Twain at Wedding of Clara Clemens, standing outdoors, wearing academic consume [Prints09864] (6314-q)\n                \n                1909 Nov 16\t\t47.\tFramed photograph of Mark Twain, writing in bed, in dark wooden frame; includes letter to Vice President Zoheth Freeman and two plaques, one of the letter and one of its importance {OS Box F-9} (6314-ar)\n                \n                n.d.\t\t48.\tPhotograph of Mark Twain, profile view, in a photograph album in the papers of Walt Whitman (3829-t, Box 5, Folder 35, page 12)\n                \n                n.d.\t\t49.\tPhotograph of an unidentified girl, possibly one of Mark Twain’s daughters, 3 views, by Webster Art Gallery of Oakland, CA (6314-q)\n                \n                \n                               \n                1859-1894\t5 items\t50.\t16 Prints of photographs at various ages, in various poses (6314-q)\n                \n                1871\t2 items\t51.\tPrint of etching of Mark Twain, head and shoulders, looking right, by W.H.W. Bicknell [Prints09883] (6314-q)\n                \n                1877\t\t52.\tPrint of etching of Mark Twain, seating between Clara (on the left) and Susy (on the right), by W.H.W. Bicknell [Neg 4x5-888-p, Prints09880] (6314-q)\n                \n                1883 Jan 5\t\t53.\tPrint of a photograph of Mark Twain, head and shoulders, facing right, oval with sepia tone [Prints09868] (6314-q)\n                \n                1884\t3 items\t54.\tPrint of a bust of Mark Twain, by Karl Gerhardt, one signed by Mark Twain (6314-q)\n                \n                1884\t\t55.\tPrint of a photograph of Mark Twain, head and shoulders, facing right, in a white suit, printed signature [Prints09881] (6314-q)\n                \n                [1884]\t\t56.\tPrint of a photograph of the Clemens family: (left to right) Susy, Mark Twain, Jean, Olivia, Clara; on the porch of their Hartford, CT home [Prints09890] (6314-j)\n                \n                1891\t2 items\t57.\tPrint of a portrait of Mark Twain, seated, facing forward by Elson of Boston, one signed by Twain (6314-q)\n                \n                [1894]\t\t58.\tPrint of a photograph of Mark Twain originally by Sarony, by N.Y. Photogravure Co., head and shoulders, facing forward (6314-q)\n                \n                1895 Aug 22\t\t59.\tPrint of a photograph of Mark Twain, facing forward on a rustic porch, captioned “Announcement Without Words,” signed “truly yours Mark Twain” (6314-p)\n                \n                1898\t2 items\t60.\tPrint of an oil portrait of Mark Twain originally by Spiridon, head and shoulders, facing right, one signed by Twain (6314-q)\n                \n                1899\t\t61. \tPrint of a oil portrait of Mark Twain originally by Spiridon, head and shoulders, facing right, in Portrait Series No 283 in The Book News Monthly [Prints09863] (6314-q)\n                \n                1899\t2 items\t62.\tPrint from a photograph, head and shoulders, looking right, by Elson of Boston, one signed by Twain (6314-q)\n                \n                1905\t\t63.\tPrint from watercolor portrait of Mark Twain entitled “Mark Twain Pilot,” at helm of riverboat, “American Humor,” in Life Magazine [Prints09854] (6314-q)\n                \n                1906 Sep\t\t64.\tPrints of photographs of Mark Twain in rocking chair, wearing a white suit, with a commentary on moral progress by Twain [Prints09870-09876] (6314-q)\n                \n                1906 Sep\t\t65.\tFramed prints of 8 photographs of Mark Twain; 7 in rocking chair, wearing white suit, with commentary on moral progress by Twain; 1 shooting billiards in white suit with Albert Bigelow Paine {OS Box F-1} (6314-aa)\n                \n                1934\t\t66.\tPrint from portrait of Mark Twain, by Frank A. Nankiwell, head and shoulders, facing forward, signed by artist (6314-q)\n                \n                n.d.\t\t67.\tPrint from etching of Mark Twain, head and shoulders, looking right (6314-q)\n                \n                n.d.\t\t68.\tPrint of Mark Twain, head and shoulders, facing left, printed signature [Neg 35-82-a] (6314-q)\n            ","\n                        \n                        [1897 Jun]\t\t1.\tClipping of Mark Twain, head and shoulders, facing left, originally from a photograph by Ellis of London, formerly with a card from Twain to J.R. Osgood and Co. (6314-j)\n                        \n                        1898 Oct\t\t2.\tClipping of Mark Twain, head and shoulders, facing forward, originally by Marceau of Boston [Prints09866] (6314-q)\n                        \n                        1903 Nov\t2 items\t3.\tClipping of Mark Twain from series, “Three Famous Authors Outdoors” in Ladies Home Journal: “Mark Twain at Quarry Hill Farm,” “Even Mark Twain Sometimes  Nods,” “Mark  Twain and an Old Family Friend,” and “Mark Twain and His Porcelain Cat” (6314-q)\n                        \n                        [post 1904] \t\t4.\tClipping of Mark Twain, head and shoulders, looking right, originally by Walter Barnett; captioned “Mark Twain: Born November 30, 1835” (6314-q)\n                        \n                        [1906 Feb]\t\t5.\tClipping of Mark Twain, head and shoulders, looking right in a suit, by Florian; in the center of clipping, “Mark Twain’s Loving Tribute to His Wife” (6314-q)\n                        \n                        1907\t\t6.\tClipping of a print of a stereograph of Mark Twain, standing with a pipe, originally by Underwood and Underwood (6314-q)\n                        \n                        [1907]\t2 items\t7.\tClipping of Mark Twain, seated, in a white suit, in carved armchair with sepia tone [Neg 35-82, Prints09888] (6314-d)\n                        \n                        1910\t\t8.\tClipping of Mark Twain, seated, facing right, originally by Histed; captioned “Mark Twain, died April 21st” (6314-q)\n                        \n                        n.d\t\t9.\tSmall clipping of Mark Twain, seated, facing forward, in a dark suit (6314-j)\n                        \n                        Postcards of Mark Twain (Samuel Clemens) (chronological)\n                        \n                        1906\t\t10.\tPostcard of Mark Twain, color, lying in bed, with caption “Mark Twain’s Muse” [Prints09878] (6314-q)\n                        \n                        1906\t2 items\t11.\tPostcard of Mark Twain, lying in bed, smoking [Neg 4x5-888-o] (6314-j)\n                        \n                        1906\t\t12.\tPostcard of Mark Twain, lying in bed, writing (7267-a)\n                        \n                        n.d.\t3 items\t13.\tPostcards, featuring a photo of Mark Twain along with a quotation from Pudd’nhead Wilson or Following the Equator (6314-ay)\n                        \n                        Artwork associated with Mark Twain (Samuel Clemens) (chronological)\n                        \n                        1859 Apr 9\tphoto\t14.\tPhotograph of pilot’s certificate issued to Mark Twain (6314-ae)\n                        \n                        1899\tbust\t15.\tBronze bust of Mark Twain, facing slightly left, on wood pedestal, inscribed with Mark Twain across lower front, by A. Weinert; back of the bust marked “The Henry Bonard Bronze Co. Founders N.Y. 1899;” with one photograph {left alcove of reading room} (6314-p)\n                        \n                        1906-1921\tengrav\t16.\tEngraving of Mark Twain in profile by Bernhardt Wall, signed by artist [Neg 35-204-g] (10602, Item No. 6)\n                        \n                        1906-1921\tphoto\t17.\tPhotograph of engraving of Mark Twain in profile by Bernhardt Wall [Neg 35-204-g] (6314-n)\n                        \n                        1935\tmedal\t18.\t2 Centennial Medallions of Mark Twain by Kilney; sculpted relief facing right inscribed “Samuel Langhorne Clemens, Mark Twain Centennial 1835-1935,” “Kilney” on bottom left; mounted together on black velvet. With photograph of medallions. {OS Box O-2) [Neg 4x5-1608-b] (10602, Item No. 18)\n                        \n                        1935\tmedal\t19.\tCentennial Medallion of Mark Twain by Kilney; sculpted relief facing right inscribed “Samuel Langhorne Clemens, Mark Twain Centennial 1835-1935,” “Kilney” on bottom left, and “Robbins and Co, Attleboro” on back. With scanned copy of medallion. {OS Box AB-1, cell AD} (6314-n)\n                        \n                        [1970s?]\tphoto\t20.\t4 photographs of places associated with Mark Twain: “Mark Twain Museum, Hannibal, Missouri;” “Mark Twain’s mother’s bedroom, Hannibal, Missouri;” “Cardiff Hill, Hannibal, Missouri;” “Jervis Langdon, owner of Quarry Hill Farm, Elmira, New York;” stamped “Life Photo by Dmitri Kessel; Mark Twain’s America” {OS Box L-7} (6314-ab)\n                        \n                        n.d.\tplaque\t21.\tClay plaque of Mark Twain and George Washington Cable, by Karl Gerhardt, inlaid with velvet {OS Box R-3} (7267, UVA Art Item No. 85)\n                        \n                        n.d.\tengrav\t22.\tColor engraving of Mark Twain, framed, facing right; with inscription, “Truth is the most valuable thing we have. Let us economize it. Truly yours Mark Twain.” {OS Box F-1} (6314-aj)\n                        \n                        n.d.\tengrav\t23.\tEngraving proof of Mark Twain, head and shoulders, facing right, engraving by Timothy Cole after a portrait by Abbott Henderson Thayer, with print of Mark Twain’s signature (6314-q)\n                        \n                        n.d.\tpainting\t24.\tOil painting of Mark Twain, seated facing slightly left, cigar in left hand, with watch chain, by Mrs. Edward Ward, in heavy gold frame. With photograph copy. {back wall of reading room} [Neg 4x5-534] (6314-p)\n                        \n                        n.d.\tsketch\t25.\tPen and ink caricature of Mark Twain as a yachtsman by Harry Furness, signed by the artist (6314-q)\n                        \n                        n.d.\tsketch\t26.\tPen and ink sketch of Mark Twain, facing left, by Ben Morse, signed “Sincerely yours Mark Twain” (6314-j)\n                        \n                        n.d.\tphoto\t27.\tPhotograph of drawing of Mark Twain in flames above an urn (6314-j)\n                        \n                        n.d.\tprint\t28.\tPrint of a caricature of Mark Twain, by “Spy” in Vanity Fair Magazine [Neg 4x5-833] (6314-q)\n                        \n                        n.d.\tsketch\t29.\tWatercolor caricature of Mark Twain, by Fudge, smoking a cigar {OS Box F-1} (6314-aj)\n                        \n                        n.d.               plaque     29a.\tBronze Wall Plaque of Mark Twain, sculpted by “F.E.C.” (6314-m) [stacks, Range L.1]\n                        \n                        \n                        Illustrations of Mark Twain’s (Samuel Clemens’) Works (chronological)\n                        \n                        [1867]\tdrawing\t30.\tPen and ink drawing of woman combing her hair by an unidentified artist from “Concerning Chambermaids” in The Celebrated Jumping Frog of Calaveras County and Other Sketches (6314-av)\n                        \n                        1889\tdrawing\t31.\t“Three Years After the Battle,” pen drawing by Daniel Carter Beard from A Connecticut Yankee in King Arthur’s Court {OS Box L-7} (6314-p)\n                        \n                        [1897]\tprint\t32.\t“The mate’s shadow froze to the deck,” print by Arthur Burdett Frost from Following the Equator (6314-q)\n                        \n                        1898\tdrawing\t33.\t“Buckstone was training with the rum party,” pen and ink drawing by Edward Windsor Kemble from Pudd’nhead Wilson {OS Box W-2} (6314-av)\n                        \n                        1899\tdrawing\t34.\t“The Assembly Was Dispossessed [Dispersed],” black and white wash by B. West Clinedinst from Roughing It. With negative copy. {OS Box L-7} (6314-q)\n                        \n                        1899\tdrawing\t35.\t“The Bathers at Leuk,” black and white wash by  Thure de Thulstrup from A Tramp Abroad. With negative copy. {OS Box L-7} (6314-q)\n                        \n                        1899\tdrawing\t36.\t“The Caravan,” black and white wash by Thure de Thulstrup from A Tramp Abroad. With negative copy. {OS Box L-7} (6314-q)\n                        \n                        1899\t2 prints\t37.\t“Flies, Dan’l, Flies!” by Frederick Burr Opper from Sketches Old and New (“The Celebrated Jumping Frog of Calaveras County”), one signed by artist (6314-q)\n                        \n                        1899\tprint\t38.\tPen and Ink print of Huck Finn in a Dress with Jim in Background, by Edward Windsor Kemble from Adventures of Huckleberry Finn (6314-q)\n                        \n                        1899\tpainting\t39.\t“Tom Sawyer’s Aunt,” black and white oil painting of Aunt Polly, by J.G. Brown, from The Adventures of Tom Sawyer {back wall behind book stacks}[UVA Art Item No. 77] (6314-ad)\n                        \n                        1899\tdrawing\t40.\t“An Unexpected Acquaintance,” black and white wash by Thure de Thulstrup from A Tramp Abroad. With negative copy. {OS Box L-7} (6314-q)\n                        \n                        1905 Dec 21\tdrawing\t41.\t“I am the Dauphin, the rightful King of France,” ink and watercolor drawing of the older of the two swindlers by W.A. Rogers from Adventures of Huckleberry Finn (6314-q)\n                        \n                        [1906]\tdrawing\t42.\tPen and Ink illustration of starry night sky by Lester Ralph, from Eve’s Diary (6314-q)\n                        \n                        [1935]\tdrawing\t43.\tWatercolor and Ink illustrations from Slovenly Peter, translated by Mark Twain, by Fritz Kredel (6314-q)\n                        \n                        n.d.\tprint\t44.\tColored print of an American tourist in Middle Eastern market by C.D. Weedon from Innocents Abroad, signed by the artist (6314-q)\n                        \n                        n.d.\tdrawing\t45.\tInk and Watercolor drawing of Huck Finn and Jim, by F. Richardson from Adventures of Huckleberry Finn; autographs on drawing include Mark Twain, Dan Beard, Bayard Jones, A.W. Drake, C. Word Blaisdell, A.B. Wengell, Edwin B. Child, and others (6314-q)\n                        \n                        n.d.\tprint\t46.\tPrint of a couple kissing by Seymour M. Stone from an unknown work, signed by the artist (6314-q)\n                        \n                        n.d.\tprint\t47.\tPrint of etching of riverside scene with cotton bales, two boys, and a steamship by Edmund H. Garrett, possibly for The Adventures of Tom Sawyer or Adventures of Huckleberry Finn, signed by artist (6314-q)\n                        \n                        n.d.\tprint\t48.\tPrint of kitchen scene with black man, old man, woman, and two boys by Arthur Burdett Frost, possibly for The Adventures of Tom Sawyer or Adventures of Huckleberry Finn (6314-q)\n                        \n                        n.d.\t7 prints\t49.\tPrint of Mark Twain leaning against a column reading an inscription by Peter Newell from Innocents Abroad, signed by the artist (6314-q)\n                        \n                                                                    "],"userestrict_html_tesm":["\u003cp\u003eSee the \n            \u003cextref type=\"simple\" href=\"https://www.library.virginia.edu/policies/use-of-materials\"\u003e\n            University of Virginia Library’s use policy.\u003c/extref\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["See the \n             \n            University of Virginia Library’s use policy."],"language_ssim":["English"],"total_component_count_is":1176,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T12:06:15.091Z","scopecontent_html_tesm":["\u003cp\u003eThe collection contains manuscripts, personal correspondence, business correspondence and documents,\nillustrations, paintings and photographs.\u003c/p\u003e","\u003cp\u003eThe manuscripts include \n\u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Jumping Frog. In English. Then in French. Then clawed back into a civilized language once more\nby patient, unremunerated toil, \u003c/title\u003esix chapters of \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eA tramp abroad, \u003c/title\u003eone chapter of \n\u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe gilded age, \u003c/title\u003eprefaces to the English editions of \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe innocents abroad \u003c/title\u003eand \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eRoughing it, \u003c/title\u003eand several other shorter pieces together with Susy Clemens's \n\u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eBiography of Mark Twain \u003c/title\u003ewith his footnotes.\u003c/p\u003e","\u003cp\u003eFamily correspondence consists of cheerful letters to his wife Olivia Clemens and daughters Susy, Clara and Jean about his travels, lecture audiences, and acquaintances. There are also letters to his mother Jane L. Clemens, his brother Orion and family, his nephew Sam Moffett and his sister-in-law and her husband Susan Langdon and Theodore Crane.\u003c/p\u003e","\u003cp\u003eBusiness correspondence concerns Twain's emergence from the bankruptcy of Charles L. Webster Publishing Co. in which he was the majority stockholder. There are also book contracts, papers concerning his ill fated Paige typesetter investment, and papers concerning Edward H. House's unsuccessful suit against him over dramatization rights to \u003ctitle type=\"simple\" render=\"doublequote\" href=\"\"\u003eThe prince and the pauper.\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThere is professional correspondence with authors, editors, and publishers in the United States and England including Hjalmar Boyesen, George Washington Cable, William Dean Howells, Albert Bigelow Paine, George Bernard Shaw, and Charles Dudley Warner.\u003c/p\u003e","\u003cp\u003eOther correspondents include fellow journalists and miners in the U.S. West in the 1860s, voyagers on \"The Quaker City,\" friends in Hartford, Ct., Hannibal, Mo., and Keokuk, Ia., members of the Players Club and other societies to which he belonged, friends from his travels, and his reading public.\u003c/p\u003e","\u003cp\u003eTravel sketch of Mark Twain's visit to the\nBayreuth Opera Festival; with author's corrections.\n\u003c/p\u003e","\u003cp\u003eProof sheets with author's corrections, notes,\nand instructions for serial publication in the \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eNorth American Review \u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eNote at top of page one requests recipient asks\nSamuel E. Moffett to write autobiographical sketch\nand says Olivia L. Clemens will look over it before\nit is published. S.L.C.\u003c/p\u003e","\u003cp\u003ePoem; \"To Margaret.\" M.T.\u003c/p\u003e","\u003cp\u003eAccount of Mark Twain's life, includes copies of\nletters, 1884 December 14 -1885 July 26, to Susy from Mark\nTwain discussing family activities, \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAdventures of Huckleberry\nFinn \u003c/title\u003e, anecdotes from his travels, and\nsuggestion to read Morte d'Arthur, with two letters\nin German; copy of Mark Twain's comments on Ulysses\nS. Grant, comparing Grant to Lancelot; copy of Mark\nTwain's account of Susy Clemens ' visit to Grant;\ncopy of letter, 1885 July 27, from Mark Twain to\nEditor of The Sun on Grant's funeral; copy of letter\n1885 April 16 from Susan Langdon Crane to Olivia L.\nClemens concerning their father Jervis Langdon's\ndeath and a comparison to reports of Grant's last\nday; copy of letter, 1884 January 21, George Washington\nCable to Mark Twain thanking Twain for invitation;\ncopy of a letter fragment, 1886 May 3, from unknown\ncorrespondent in Stonington, CT, with comment from\nMark Twain that Susy must have lost rest of letter;\ncopy of letter, n.d., from unknown correspondent from\nthe Valley of Virginia concerning correspondent's\nenjoyment of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eInnocents Abroad \u003c/title\u003e;\nseveral stories by Susy; copy of Mark Twain's Lady\nJane Grey scene for family production of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Prince and the\nPauper \u003c/title\u003e; copy of newspaper article reporting\ncomments of James Redpath on Mark Twain and his\npublication of Grant's memoirs; clipping of article\non Mark Twain's home by George Parsons Lathrop;\nclippings of comments on Twain's 50th birthday by\nJoel Chandler Harris, Frank R. Stockton, and Charles\nDudley Warner, with clipping of poem by Oliver\nWendell Holmes, Sr., \"To Mark Twain on his 50th\nbirthday\"; clipping, 1886 January 30, on Mark Twain's\nappearance before U.S. Senate Committee on Patents.\nWith notes by Mark Twain.\u003c/p\u003e","\u003cp\u003eSupplementary information and suggested changes;\ndescriptions of the play of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Prince and the\nPauper \u003c/title\u003eand the home productions of the Clemens\nand neighboring children; description of Susy Clemens\n' moral courage and character.\u003c/p\u003e","\u003cp\u003ePhoto caption for one of Mark Twain's pictures\naccompanying article\u003ctitle type=\"simple\" render=\"doublequote\" href=\"\"\u003eThree Famous Humorists Out of Doors. \u003c/title\u003e\u003c/p\u003e","\u003cp\u003eIncludes copies of four letters, 1895 November 3 -1896\nFebruary 17, of Olivia L. Clemens to Jean Clemens and\nSusan Langdon Crane and of two letters, 1896 January 13\nand 1896 February 18, of Clara Clemens to family members\nconcerning their travels with Mark Twain in India,\nAustralia, New Zealand, etc., new and old friends,\nfamily activities, and Mark Twain's lectures; with\nnotes on artists, engravings of historic heroines,\nand a number of blank pages.\u003c/p\u003e","\u003cp\u003eArticle denouncing anti-semitism; with author's\ncorrections; includes ALS 1898 March 14 Grant I.\nRosenzweig, Kansas City, MO, to Mark Twain.\u003c/p\u003e","\u003cp\u003eWith author's corrections and notes and signed\nengraved picture of Mark Twain.\u003c/p\u003e","\u003cp\u003ePoem inscribed \"To Livy, November. 27, 1892.\"\u003c/p\u003e","\u003cp\u003eWith author's corrections.\u003c/p\u003e","\u003cp\u003eIn Mark Twain's hand with author's corrections;\nnumbered pages 175 to 200 1/2, lacking pages 177 and\n184; w/printed Ch. VII from original 1873 edition, a\nspecial printed title page, and a reproduction\nphotograph of Mark Twain.\u003c/p\u003e","\u003cp\u003eNon-continuous fragments; nine pages in Mark\nTwain's hand; three in Charles Dudley Warner's .\u003c/p\u003e","\u003cp\u003eFragment by Mark Twain; marked page 27; re a\nperpetual-motion machine.\u003c/p\u003e","\u003cp\u003eWith author's corrections; page 10 has three\npinned newspaper clippings for inclusion in printed\ntext.\u003c/p\u003e","\u003cp\u003eWith author's corrections.\u003c/p\u003e","\u003cp\u003eRe Mark Twain. \u003c/p\u003e","\u003cp\u003eWith author's corrections; written for use in\nGeorge Routledge and Sons edition of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Innocents Abroad \u003c/title\u003e;\nwith AN signed S.L.C., Twain requests publisher \"to\ntear up the other and use this one.\"\u003c/p\u003e","\u003cp\u003eWith author's corrections; written for use in\nGeorge Routledge and Sons edition of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Innocents Abroad \u003c/title\u003e.\n\u003c/p\u003e","\u003cp\u003eWith author's corrections, engraved picture of\nMark Twain, a special printed title page, and ALS\n1909 December 3 Luther S. Livingston to J. R. Clemens.\n\u003c/p\u003e","\u003cp\u003ePhoto caption for one of Mark Twain's pictures\naccompanying article \"Three Famous Humorists Out of\nDoors.\"\u003c/p\u003e","\u003cp\u003eWith author's corrections and ALS [1873] July 7\nMark Twain to [Elisha] Bliss; at bottom of\nmanuscript, \"London, June 30, 1873\" crossed out and\nreplaced with \"Hartford, March 1875.\"\u003c/p\u003e","\u003cp\u003eRe American manners.\u003c/p\u003e","\u003cp\u003eCriticism of printed article. With ANS [ca. 1905]\nMark Twain to [Robert] Bacon re article.\u003c/p\u003e","\u003cp\u003eBrief lines with some rewrites on thoughts of\nCarlyle and his perceived dislike of Americans.\u003c/p\u003e","\u003cp\u003eWith author's corrections, hand-lettered title\npage, and reproduced photograph of Mark Twain.\n\u003c/p\u003e","\u003cp\u003e(pages 1 and 7 are glued onto backing sheets)\u003c/p\u003e","\u003cp\u003eSigned by 23 passengers including Mark Twain;\nwith ALS [1872] December 3 Mark Twain to Captain [John E.]\nMouland and ALS [1873] January 22 Mark Twain to Captain\n[John E.] Mouland.\u003c/p\u003e","\u003cp\u003eFragment; marked p.282 and titled Taxes on top of\none page.\u003c/p\u003e","\u003cp\u003eAccount concerning Mark Twain's involvement with\nPlasmon and a stock swindle perpetrated on him by men\nin the company. Pencilled across the right corner of\nthe manuscript is \"a food stock swindle.\"\u003c/p\u003e","\u003cp\u003eFragment. Requests sentence beginning \"And still\nanother panic of fright\" be added to article.\u003c/p\u003e","\u003cp\u003eRe the wedding, the guests, Mark Twain's library,\nand his current activities. With corrections in\nunknown hand.\u003c/p\u003e","\u003cp\u003eAccount of Susie, Clara (\"Bay\"), and later Jean\nClemens ' sayings and activities, with Mark Twain's\nobservations.\u003c/p\u003e","\u003cp\u003eRe concerning origins of the premature report of\nMark Twain's death. M.T. With three newspaper\nclippings concerning the story surrounding this\nreport.\u003c/p\u003e","\u003cp\u003eWith author's corrections; text of speech given\nin 1882; signed \" Mark Twain, Samuel Langhorne\nClemens. Hartford, May 1891.\"\u003c/p\u003e","\u003cp\u003eWritten for use in George Routledge and Sons\n[1872] edition of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eRoughing It \u003c/title\u003e; with\ncorrections and deletions in Twain's hand. M.T.\u003c/p\u003e","\u003cp\u003eCopy of Mark Twain's proposed preface (see above)\nbut in another's hand, with annotation by Twain.\u003c/p\u003e","\u003cp\u003eIn Mark Twain's hand.\u003c/p\u003e","\u003cp\u003eDedication for \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eRoughing It \u003c/title\u003eenclosed in\nALS [1871] May 5 Mark Twain to \"Friend Bliss\" (\nElisha Bliss ).\u003c/p\u003e","\u003cp\u003eNotes in unidentified hand about illustrations\nfor \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eRoughing It\u003c/title\u003ewith\nannotations on pagination.\u003c/p\u003e","\u003cp\u003ePoem\u003c/p\u003e","\u003cp\u003eRemarks on Edwin Booth followed by \"The Long\nClam\" speech.\u003c/p\u003e","\u003cp\u003eArgues against the teaching of religion at Girard\nCollege, Philadelphia, Pennsylvania.\u003c/p\u003e","\u003cp\u003eDiscusses \"The Reliable Contraband\" as a source\nof news in the Civil War.\u003c/p\u003e","\u003cp\u003ePhoto captions for \"Mark Twain at Quarry Hill\nFarm\"; \"Even Mark Twain Nods\"; \"Mark Twain and an\nOld Family Friend\" (John T. Lewis); \"Mark Twain\nand his Porcelain Cat\"; with ANS, \"O.K. S. L.\nClemens.\"\u003c/p\u003e","\u003cp\u003eQuotation on music; with manuscript bar of music.\nM.T.\u003c/p\u003e","\u003cp\u003eWith author's corrections, picture of Mark\nTwain's sculpture bust, a special printed title page,\nand printed chapter 14 from first edition of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eA Tramp Abroad \u003c/title\u003e.\n\u003c/p\u003e","\u003cp\u003eWith author's corrections, reproduction\nphotograph of Mark Twain with printed autograph.\n()\u003c/p\u003e","\u003cp\u003eWith author's corrections, engraving of Mark\nTwain with printed autograph, special printed title\npage, and printed chapter 31 from first edition of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eA Tramp Abroad \u003c/title\u003e.\n\u003c/p\u003e","\u003cp\u003eNon-continuous fragments from chapter 35 of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eA Tramp Abroad \u003c/title\u003e. \u003c/p\u003e","\u003cp\u003eNon-continuous fragments from chapter 37 of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eA Tramp Abroad \u003c/title\u003e. \u003c/p\u003e","\u003cp\u003eWith author's corrections, reproduction\nphotograph of Mark Twain with printed autograph, and\nhand-lettered title page. \u003c/p\u003e","\u003cp\u003eWith author's corrections. \u003c/p\u003e","\u003cp\u003eWith author's corrections; bottom of manuscript p. 28 torn off. \u003c/p\u003e","\u003cp\u003eWith author's corrections and ALS 1905 October [12]\nSunday Mark Twain to Frederick A. Duneka.\u003c/p\u003e","\u003cp\u003eVerse to Mark Twain; copy in James Galsworthy's hand.\u003c/p\u003e","\u003cp\u003eDiscusses his activities, family news, and life\nin Hannibal, MO. \u003c/p\u003e","\u003cp\u003eHas received letter and mining deeds; describes\ncharacter of his recently deceased dog; mentions\nClagett's wife, other friends, his activities, and\nfamily news; reports on war in Missouri and the\ntaking of Forts Henry and Donelson; refers to\ncharacters from [Dicken's] \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eDombey and Son \u003c/title\u003e.\nS.L.C.\u003c/p\u003e","\u003cp\u003eIs sending office supplies; mentions friends and\nfamily; discusses his attempt to steal a dog; says\nthat he is writing because he likes to, although he\nhas no news; says he is leaving for Esmeralda if\n\"nothing happens\"; complains about minister; adds\nthat they have not heard from home. S.L.C. \u003c/p\u003e","\u003cp\u003eDescribes mining and claims in Esmeralda and his\npurchase of mining claims; is discouraged; discusses\nopportunity to learn secret process to get more ore\nout of the mines; encourages Clagett not to sell out.\nS.L.C.\u003c/p\u003e","\u003cp\u003eDiscusses mining and mining claims; encloses\nsketch of mine locations; plans to leave soon if they\ndo not strike something; says since 1853 has rarely\nbeen in one place more than six months; complains\nabout the printers for the [Territorial] Enterprise\nwho are meddling with his punctuation; mentions\nbusiness letters of Barstow and cautions Orion not to\ntell 'Gillesp' about them; suggests keeping Josh's\nletters in scrapbook; has quit writing for The Gate.\nSam.\u003c/p\u003e","\u003cp\u003eCongratulates him on being elected\nrepresentative; hopes he will be elected Senator when\nNevada becomes a state; is angry with course of war\nand Union retreat and unhappy with talk of strategy\nthat accomplishes nothing; discusses mutual friends\nand mining matters; disgusted with climate and may\nmove to Colorado mines; encloses power of attorney.\nS.L.C.\u003c/p\u003e","\u003cp\u003eDescribes his travels in California, mines,\nsnowfall, travel by stage and sleighs, the Donner\nParty tragedy, and people and places in Nevada\nCounty.\u003c/p\u003e","\u003cp\u003eTalks about his lectures in Virginia City, Gold\nHill, Silver City and Carson; suggests Howland ask\nAbe Curry about audience turnout; says he had looked\nfor Curry in Sacramento but missed him. S.L.C.\u003c/p\u003e","\u003cp\u003eEverything going well with the pilots and New\nOrleans river men; asks when book ( \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Celebrated Jumping Frog of\nCalaveras County \u003c/title\u003e) is expected to be\npublished; plans to lecture if book not published\nsoon. Mark.] (w/env)\u003c/p\u003e","\u003cp\u003eDiscusses his signing onto the Holy Land\nexcursion on the \"Quaker City\"; says his book ( \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Celebrated Jumping Frog of\nCalaveras County \u003c/title\u003e) should be out in two weeks\nand plans to lecture after that; since he left [\nCalifornia] his friends have signed two hundred\nsubscribers for the book; asks to be remembered to\nvarious friends; will write to Annie [Moffett\nWebster] and Katie Lampton. S.L.C.\u003c/p\u003e","\u003cp\u003eAuthorizes Fuller to collect all money from \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Celebrated Jumping Frog of\nCalaveras County \u003c/title\u003e; gives his mother's address\nin St. Louis. M.T.\u003c/p\u003e","\u003cp\u003eAsks him to print enclosed draft (not present)\nand send him a proof; is enclosing statistics (not\npresent) for Kinney's use if wanted. S.L.C.\u003c/p\u003e","\u003cp\u003eMentions difficulties in meeting her and Charlie\n[Langdon]; discusses at length his differences with\nthe \"Quaker City\" passengers; finding keeping\npromises not to publish anything unpleasant about the\nQuaker City passengers troublesome; unable to promise\nnot to swear and discusses swearing at length;\nmentions his true friends on the \"Quaker City\"; has\nreceived several book offers because of letters\npublished in The Tribune; likes offer from American\nPublishing Company; reports Albert D. Richardson's\nsuccess with the company; notes for whom he is\nengaged as correspondent and is unable to accept\nlecturing invitations. S.L.C.\u003c/p\u003e","\u003cp\u003eThanks for books; \"tackled the Stag\" who swore\nall the charges were false; wishes Webb were there.\nM.T.\u003c/p\u003e","\u003cp\u003eRelates that H. H. Bancroft is anxious to have\nagency for his book on the west coast, Japan and\nChina; comments on sales of Albert D. Richardson's \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eBeyond the\nMississippi \u003c/title\u003eand company canvassers; has\nfriends in Japan and China and was urged not to\nforget them; expects to be finished with manuscript\nin twenty days and will go east then. S.L.C.\u003c/p\u003e","\u003cp\u003eAnnounces with joy his conditional engagement\nwith Olivia Langdon; describes his request for\npermission from her parents, conditions to be met for\nthe engagement, and Olivia's acceptance of his\nproposal. M.T.\u003c/p\u003e","\u003cp\u003eMentions Fairbanks's 'Holy Land' letters;\nrequests her appraisal of Mark Twain, especially if\nshe thinks the reformation of his character is\npermanent; recognizes Twain's genius but concern for\nher daughter prompts her to inquire; discusses news\nand health of family.\u003c/p\u003e","\u003cp\u003eUnable to come but sends letter to be read and\nspeech for a meeting; if proceedings are published\nwould like copies for his scrap-book; is \"pleasantly\nemployed\"; insists punctuation and text are exactly\nas he wants them.\u003c/p\u003e","\u003cp\u003eBroke off negotiations with Cleveland Herald and\nbought third interest in The Buffalo Express; will\ngive up lecturing until next year; praises look of\nbook ( \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Innocents Abroad \u003c/title\u003e);\nrequests copies to be sent to various people and\nnewspapers; will send Elmira reviews and a copy of a\nflattering letter. Typed signature S.L.C.\u003c/p\u003e","\u003cp\u003eUnable to lecture because he is working for a\nnewspaper and will be married soon; hopes and expects\nto be excused from New England lecture contract;\nunable to lecture at Kingston either. S.L.C.\u003c/p\u003e","\u003cp\u003eHas replied to Abby that he will not lecture in\neither town; because of this reply, can not agree to\nlecture in Rondout; has refused other lecture and\nwishes to clear up confusion over other engagements;\nhas postponed wedding until February because of his\nlecture engagements; discusses his desire to be out\nof lecturing and support family with newspaper.\nS.L.C. and M.T.] (w/env)\u003c/p\u003e","\u003cp\u003eRe lecture engagements; forwarding letter to his\nBoston agent, who is straightening out matters with\nMedbury. S.L.C.\u003c/p\u003e","\u003cp\u003eExtends lecture invitation. On recto, verso and\nadditional sheet, ALS [1869] Mark Twain to James\nRedpath says he discussed above invitation with\nHoratio C. King, a committee member; does not wish to\nlecture outside New England again, especially not in\nBrooklyn; complains about Miss Watson and the\narrangements she made for a misrepresented Brooklyn\nlecture; discusses arrangements to solve the problem.\nM.T.\u003c/p\u003e","\u003cp\u003eAsks the City editor of The Buffalo Express for\ngenerous publicity for Soldiers' Orphans concert.\nS.L.C.] (w/env)\u003c/p\u003e","\u003cp\u003eDiscusses lecture business and recent engagement;\nasks for bill to be sent to Elmira so he can settle\nit before his wedding. S.L.C.\u003c/p\u003e","\u003cp\u003eHumorous request for books to review from Fields,\nOsgood \u0026amp; Company. M.T.\u003c/p\u003e","\u003cp\u003eSays he could not agree to new edition of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Celebrated Jumping Frog of\nCalaveras County \u003c/title\u003ewithout creating problems\nwith his new publisher nor did he issue a book of\nsketches for same reasons; discusses his shame for\nhiring a lawyer and creating trouble; glad Webb\nmarried and happy he himself is married; mentions his\nnew lifestyle; accepts Webb's invitation to visit and\nextends one in return; describes his falling out with\nBret Harte over the \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eInnocents Abroad \u003c/title\u003ereview\nin the \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eOverland Review \u003c/title\u003ebecause\nBancroft would not send copies to Harte. S.L.C.\u003c/p\u003e","\u003cp\u003eFragment. Is selecting from his previous work to\nbe used in a book of sketches and will write a new\nsketch \"or so\" for proposed book; mentions unnamed\nman; requests contract of new book and suggests the\nbook be illustrated like \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Innocents Abroad \u003c/title\u003e.\nNo signature.\u003c/p\u003e","\u003cp\u003eFragment. Mentions visitors and queries if\nCaptain White lived in Keokuk. \u003c/p\u003e","\u003cp\u003eFragment. Mentions woman visitor and anecdote\nabout Editor Lord.\u003c/p\u003e","\u003cp\u003eFragment. Is sending some letters to\ncorrespondent.\u003c/p\u003e","\u003cp\u003eWould rather be represented by different lawyers\nthan Will Moffett's ; feels they would be prejudiced\nin favor of the others; her mother [Pamela Clemens\nMoffett] has been sick but is better.\u003c/p\u003e","\u003cp\u003eDiscusses Orion's job possibilities with comments\nfrom Mark Twain, Orion's projected writing projects,\na teaching job in Germany, and a political\nappointment he is concerned about; scattered comments\non Twain's activities; family news with suggestions\nand some quotations from Twain.\u003c/p\u003e","\u003cp\u003eHad tried to call in person but his wife's\nillness and their travel preparations for the long\njourney precluded it.] (calling card)\u003c/p\u003e","\u003cp\u003eThanks for his letter; wonders why people in\nBuffalo still call the Tifft house the poor house.\nM.T.\u003c/p\u003e","\u003cp\u003eTwain discusses whether it is too soon to release\nthe \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eSketch Book \u003c/title\u003eas it may\ninterfere with sales of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eInnocents Abroad. \u003c/title\u003eTwain\nsuggests the publishing order of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eRoughing It \u003c/title\u003e, followed\nby a book on diamond mining in South Africa, and then\nthe \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eSketch Book. \u003c/title\u003e\u003c/p\u003e","\u003cp\u003eDeclines invitation to 50th anniversary\ncelebration of The Fredonia Censor; offers\ncongratulations. M.T.\u003c/p\u003e","\u003cp\u003eFragment. Discusses disagreement with American\nPublishing Company and Elisha Bliss; will insist in\nfuture on written agreement; declines emphatically to\nwrite exclusively for The Publisher; wants\nadvertising of his exclusive contract be withdrawn\nand a correction published; will publish correction\nhimself if not printed by Bliss; does not want to\ndiscuss issue again; would request name be taken off\nlist of contributors if it had not already been\npublished. S.L.C.\u003c/p\u003e","\u003cp\u003eLikes his own \"Facts about the Great Beef\nContract\" article published a year back in Galaxy May\n1870; mentions article's popularity in Washington;\nwishes Nast good fortune with his Almanac. S.L.C.]\n(attached to white paper with Nast autograph)\u003c/p\u003e","\u003cp\u003eHas received check; comments on [Edward Howard]\nHouse's writing; is almost done with manuscript; will\nbring it to Hartford; mentions his desire to work on\nbook, pace of work, his editorial plans, his\nconfidence in the success of the book; says to go\nahead and issue prospectus and start canvassing;\nincludes proposed dedication (to \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eRoughing It \u003c/title\u003e); comments\non his favorable business prospects. S.L.C.\u003c/p\u003e","\u003cp\u003eRe lecturing schedule in Boston; insists on\nopening in the Music Hall and on being first speaker,\nthen lecturing in South End; otherwise his prospects\nwould be diminished; feels Mr. Dana will understand\nhis position and be willing to speak second.\nM.T.\u003c/p\u003e","\u003cp\u003eHas declined lecture tour in Missouri and Kansas\nbecause of railroad travel; plans to talk in St.\nLouis if arrangements have been made but prefers not\nto lecture; discusses business aspects of his\ndecisions and other lecture arrangements; comments on\nBowen's state legislature; wife well but baby ill.\nS.L.C. With ALS 1921 February 21 from Dora C. Bowen\nstating Bowen was a boyhood friend of Mark Twain.\n\u003c/p\u003e","\u003cp\u003eAccepts invitation from Beach for himself but\nOlivia unable to come because of visitors in\nHartford. S.L.C.\u003c/p\u003e","\u003cp\u003eInviting Olivia's friends to the Monday night's\n[sic] Club meeting at their home because Olivia is\nvery busy preparing for their departure. S.L.C.\u003c/p\u003e","\u003cp\u003eDiscusses a church as a site for a lecture;\nrequests bill from Fall; unable to go to Boston since\nhe leaves for Elmira soon. S.L.C. With ANS n.d. James\nRedpath to Unknown re business matter.\u003c/p\u003e","\u003cp\u003eDescribes in great detail proposed position,\nwages, and hiring procedures for a phonographer.\nMark.\u003c/p\u003e","\u003cp\u003eFragment. Re Mark Twain's difficulties with\nAmerican Publishing Company and Elisha Bliss\nconcerning The Publisher; mentions Orion Clemens '\npart in the misunderstanding; discusses terms offered\nto other authors and to Mark Twain, corrections to be\npublished, and terms to resolve the\nmisunderstanding.\u003c/p\u003e","\u003cp\u003eComments on [Timothy] Warrington's article; says\nfamily well and flourishing, particularly new baby;\nmentions sad news of Fall's family; practicing for\nthe Jubilee; requests Redpath to publish news of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eRoughing It \u003c/title\u003ein the\nAdvertiser. M.T.\u003c/p\u003e","\u003cp\u003eKnows [John H.] Riley's \"condition\" but is unable\nto leave to see him because of his family; his son,\nLangdon Clemens, has died after a long illness and\nhis wife is in precarious health. S.L.C.\u003c/p\u003e","\u003cp\u003eThanks for the books; will send \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Innocents\nAbroad \u003c/title\u003erevisions Monday; will write preface as\nsuggested; hopes to see him at [Daniel] Slote's New\nYork City home Wednesday. S.L.C.\u003c/p\u003e","\u003cp\u003eEnclosing preface for \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eRoughing It \u003c/title\u003e; thinks\npreface will be fine for two volumes if the book is\ndivided; will not forget to ship the revised \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eRoughing It \u003c/title\u003e.\nS.L.C.\u003c/p\u003e","\u003cp\u003e\"Twain promises second preface.\"\u003c/p\u003e","\u003cp\u003eExpecting Bret Harte; asks what Lockwood says\nabout \"the patent.\" S.L.C.\u003c/p\u003e","\u003cp\u003eSending preface to English edition of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Innocents Abroad \u003c/title\u003e;\nasks for destruction of earlier draft \"not in good\ntaste\"; has declined month long lecture engagement;\nexpects to spend winter in rural England, or, more\nlikely, in Cuba and Florida. S.L.C.\u003c/p\u003e","\u003cp\u003eSending Mark Twain preface to \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Innocents Abroad \u003c/title\u003e;\nduplicate being sent on Thursday's boat.\u003c/p\u003e","\u003cp\u003eJoking refusal of invitation because of\nindigestion; with a comment on John Camden Hotten.\nS.L.C.] (w/transcript and photostat of the card)\u003c/p\u003e","\u003cp\u003eHas been called home; expects to spend time with\nfamily in Great Britain most of next year and may be\nable to lecture for a month on \"such scientific\ntopics as I know least about.\" M.T. With AN on recto,\nin another hand, saying \"My Dear MacDonell perhaps\nthis may amuse you. D.S.J.\"\u003c/p\u003e","\u003cp\u003eInvites him to visit; mentions that [Charles\nErskine Scott] Wood stayed with him; reports that\nAmerican papers suggest Twain be given an medal for\nstanding on deck without an umbrella; Olivia hopes\nthat he will be given a larger ship so that she could\ntravel with Mouland and not suffer sea-sickness;\nplans to travel next May. S.L.C.\u003c/p\u003e","\u003cp\u003eCongratulates him on receiving award; wants exact\ninformation so that he may put it in The Tribune;\nwill be lecturing in New York in February and working\non his book, then will sail for England with Olivia;\nhopes to go with Mouland again and invites him to\nvisit; plans to give London lecture proceeds to The\nRoyal Humane Society; has bought property for\nbuilding a home. S.L.C.\u003c/p\u003e","\u003cp\u003eSends information on Mark Twain, who is away,\nsupplied by Olivia L. Clemens and Warner for new\nedition of Duyckinck.\u003c/p\u003e","\u003cp\u003eReceipt for royalty check; comments on \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eRoughing It \u003c/title\u003enot selling\nas well as \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Innocents Abroad \u003c/title\u003e;\nattributes difference to the engravings, paper and\nlack of publicity; comments at length about lack of\npublicity; wants Thomas Nast to do illustrations for\nhis next book and has plans for its publicity; plans\nto buy more stock and desires to be a director of the\nAmerican Publishing Company. S.L.C.\u003c/p\u003e","\u003cp\u003eSending him poems by W. A. Kendall; comments on\nKendall and his criticism of Bret Harte; feels unable\nto return poems since he has had them so long; if\nHowells does not publish the poems, requests that\nHowells send them back; if he chooses to publish\nthem, then he should \"improve\" them. S.L.C.\u003c/p\u003e","\u003cp\u003e\"Long life to you and yours.\" S.L.C.\u003c/p\u003e","\u003cp\u003eUnable to accept his invitation; reminds him of\ntheir other social engagements. S.L.C and M.T.\u003c/p\u003e","\u003cp\u003eIs going to the Cosmopolitan Club tomorrow and\nhopes that Miller can meet him; AN at bottom requests\nhe drop in that night. S.L.C. and M.T.\u003c/p\u003e","\u003cp\u003eNot going to Paris; suggests Bliss can make a\npamphlet out of the Herald letters, the enclosed\narticle, \"The Jumping Frog. In English. Then in\nFrench. Then clawed back into a civilized language\nonce more by patient, unremunerated toil,\" and of his\n\"old sketches\"; says there is a Routledge edition of\nhis sketches at his or Charles Dudley Warner's house,\nif Bliss does not have one; says to sell this\npamphlet for 25 cents, and not more or less; has also\nenclosed prefatory remarks for use; does not plan to\nwrite any more Herald letters for now. S.L.C.\u003c/p\u003e","\u003cp\u003eCalled on him previous day; asks for convenient\ntime tomorrow to meet for visit to a fur\nestablishment. S.L.C.\u003c/p\u003e","\u003cp\u003eAsks whether his clerk had given Bentley \"The\nJumping Frog. In English. Then in French. Then clawed\nback into a civilized language once more by patient,\nunremunerated toil\" sketch some time back; if he is\nnot using it, would like it back. M.T.\u003c/p\u003e","\u003cp\u003eWas unable to come because of business\nengagements; will think of magazine article but\ndoubts he will write it because of other work; adds\nhe would like to put \"The Jumping Frog. In English.\nThen in French. Then clawed back into a civilized\nlanguage once more by patient, unremunerated toil\"\nstory into a book if Bentley is not going to need it.\nS.L.C.\u003c/p\u003e","\u003cp\u003eDinner invitation; mentions Stoddard.\u003c/p\u003e","\u003cp\u003eAsks him to send early copies of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Gilded Age \u003c/title\u003e(library\nstyle) at his expense to list of editors and friends.\nM.T.\u003c/p\u003e","\u003cp\u003eAfraid he may not be able to go to Croydon\nbecause of his lecture business. M.T.] (w/env)\u003c/p\u003e","\u003cp\u003eClaims fog kept audience away; began to think\nthat lectures were not advertised enough; wrote\nnotice for newspapers but none printed it; encloses\ncopy of advertisement (not present); feels that they\nwere offended by joke about the Prince in the\nadvertisement; future lectures will include comments\nthat he did not mean to offend in his advertising.\nS.L.C.\u003c/p\u003e","\u003cp\u003eDiscusses arrangements for lectures at Steinway\nHall, Boston, and Baltimore; mentions arrangement\nwith Pugh for Philadelphia; proposes \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eRoughing It \u003c/title\u003electure in\nWashington. Mark.\u003c/p\u003e","\u003cp\u003eTook the baby for a drive, which is why they came\nwhen they said they would be unable to come.]\n(calling card) (w/env)\u003c/p\u003e","\u003cp\u003eRequests information about obtaining several\ncopies of Mark Twain's books for his ships cheaply,\noffering trade-in-kind facetiously.\u003c/p\u003e","\u003cp\u003eInvites Kingsley and family to visit in Hartford;\nmentions Olivia's nervousness in meeting him; will\nnot be able to meet Kingsley at the Lotos Club since\nMark Twain will be in Boston to have dinner with\nWilkie Collins; suggests the best train to take to\nHartford. S.L.C.\u003c/p\u003e","\u003cp\u003eUnable to assist in writing Wakeman's memoirs;\nfeels book will be readable as is, without\n\"doctoring\"; will only put his name on books he\nwrites; suggests Wakeman see publishers; details\nroyalties paid out by Elisha Bliss for new authors\nand for himself; will send manuscript to Bliss if\ndesired; says business can be accomplished through\nmail as well as in person. S.L.C.\u003c/p\u003e","\u003cp\u003eExplanation of his \" Mark Twain \" nom de plume.\nS.L.C.\u003c/p\u003e","\u003cp\u003eWishes he could have suggested to Charles P. Pope\na higher value of $500 on Howells' translation but\nhesitated to take sides between two personal friends;\nhas made \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Gilded Age \u003c/title\u003einto a\nfive act play, \"Colonel Sellers,\" and leased the play\nto comedian John T. Raymond; hopes Howells, his\nfamily, and the Aldrichs will visit. S.L.C.\u003c/p\u003e","\u003cp\u003eRequests help in securing position in the Navy\nfor nephew Samuel E. Moffett, who is fourteen;\nMoffett lives in Mr. Sessions' New York district\nwhich has no open cadet appointments; mentions the\nboy's intelligence and potential; hopes to secure\nappointment from Secretary of the Navy ( George\nMaxwell Robeson ), who can make discretionary\nappointments. S.L.C.\u003c/p\u003e","\u003cp\u003eThanks him for his efforts; has written to the\nSecretary of the Navy as suggested; thinks [Samuel\nE.] Moffett is above average, else he would not ask\nfor the favor; adds nephew will be fourteen November 5.\nS.L.C.\u003c/p\u003e","\u003cp\u003eThanks him \"for doing that thing up so thoroughly\nand handsomely himself\" when he himself \"could not\nhave said a word\".\u003c/p\u003e","\u003cp\u003eThanks him for his efforts on behalf of nephew\nSamuel E. Moffett; had not written earlier because he\nhas been working on a play while remodelling his\nhouse; will put Moffett in school in hopes of\nsuccessfully getting appointment through ( George\nMaxwell) Robeson; Orion Clemens going back to Keokuk.\nS.L.C.\u003c/p\u003e","\u003cp\u003eIs unable to write a play at this time but\nsuggests [William Dean] Howells of the \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAtlantic Monthly \u003c/title\u003emay be\ninterested and might even be writing a play now; Daly\nmay want to contact Howells after finishing fight\nwith Bronson (Howard). S.L.C.\u003c/p\u003e","\u003cp\u003eCannot lecture this winter but outlines plans for\na slow journey down the Mississippi gathering\nmaterial while lecturing to pay for trip, if he can\nfinish his present book by May 1; would like Redpath\nto accompany him; asks him to consider and give his\nopinion. S.L.C.\u003c/p\u003e","\u003cp\u003eRecalls pleasant memories of correspondent's\nfather in Salt Lake City and sends requested\nautograph for her. M.T. and S.L.C.\u003c/p\u003e","\u003cp\u003eTells him emphatically not to print anything of\nhis in Gill's \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eTreasure Trove \u003c/title\u003eseries;\nmentions he was \"burnt once\" with \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eLotos Leaves \u003c/title\u003e; tells\nhim to print quickly so that he will not appear in\nprint in \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eTreasure Trove \u003c/title\u003e;\nsuggests his publisher's unwillingness as a reason.\nS.L.C.\u003c/p\u003e","\u003cp\u003eWill be away and must decline his invitation but\nhopes to come another time. S.L.C.\u003c/p\u003e","\u003cp\u003eDeclines invitation. S.L.C. \u003c/p\u003e","\u003cp\u003eTwain requests Harte's autograph for Charles E. Tisdall, the chancellor of Christ Church Cathedral, whom he describes as a \"mighty good fellow--for a Christian.\" Twain also asks if he can publish in England without impairing his American copyright, mentions finishing a book [\u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe adventures of Tom Sawyer \u003c/title\u003e] and another \"going through the press\" [\u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eMark Twain's sketches, old and new \u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThanks for the proof copy of [Henry Wadsworth]\nLongfellow's picture, which he considers \"the\nperfection of a portrait.\" S.L.C.\u003c/p\u003e","\u003cp\u003e\"I repent me in sackcloth and ashes.\" M.T. and\nS.L.C.\u003c/p\u003e","\u003cp\u003eAsks him to send cloth copies of his four books\nand some other books to Edward Hastings of National\nSoldiers' Home, Virginia for the disabled soldiers\nthere; requests he be billed as low as possible.\nS.L.C.\u003c/p\u003e","\u003cp\u003eSending him a sketch for the \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eTemple Bar \u003c/title\u003ewhich was\nnot ready in time for the \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAtlantic Monthly \u003c/title\u003e;\nmentions visit he paid with Joaquin Miller, during\nwhich Bentley asked him to submit sketches he might\nhave. S.L.C.\u003c/p\u003e","\u003cp\u003eComments on not answering her letter immediately;\nmentions that he does not have Charles Dudley\nWarner's autograph and is unable to send her one\nuntil Warner returns from Europe. S.L.C. and\nM.T.\u003c/p\u003e","\u003cp\u003eReceipt of payment; wish he could have sent\nadvance sheets of article; will send a copy of\nanything else he writes before \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAtlantic\nMonthly's \u003c/title\u003eEuropean appearance. S.L.C.\u003c/p\u003e","\u003cp\u003eReports gloves found; enjoyed Samuel E. Moffett's\nvisit; thinks he must have been poor company because\nof his irritation with [Bret] Harte. S.L.C.\u003c/p\u003e","\u003cp\u003eThanks for the white Japanese pin; hopes Moffett\nand his wife are enjoying the holiday; wishes she\ncould see them but it will be some time before she\ncan; mentions weather.\u003c/p\u003e","\u003cp\u003eResponds to request for autograph; mentions he\nalso has a \"schoene Aussicht\" from his study. M.T.\nand S.L.C.\u003c/p\u003e","\u003cp\u003eHas sent him 1 of 4 articles he is writing for \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAtlantic Monthly \u003c/title\u003e; has\nseen Chatto in New York and told him he might have\nthe article if Bentley does not want it; will send\nthe article to the Editor of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eTemple Bar \u003c/title\u003esince\nBentley has moved.\u003c/p\u003e","\u003cp\u003eDictated. Offers compromise over books; comments\nhe wanted to be sure Conway had gotten his royalty;\nacknowledges receipt of royalty check. S.L.C. per\nF.C.H.\u003c/p\u003e","\u003cp\u003eThanks him; says several pieces are familiar and\nwill be glad to become acquainted with the others.\nS.L.C.] (w/env)\u003c/p\u003e","\u003cp\u003eDrew 200 pounds on letter of credit; spent four\nthousand dollars in past three months in Paris;\nmentions inclement weather. S.L.C.\u003c/p\u003e","\u003cp\u003eRefers him to Bliss; says Bliss will probably not\nmind answering his questions since nothing needs to\nbe secret; believes that under some conditions he\nwill stay with the old company. S.L.C.\u003c/p\u003e","\u003cp\u003eRe October 4 bank draft; mentions Orion Clemens,\nCharles L. (Webster), Pamela Clemens Moffett, and\nfriends; wishes to be remembered to \"Sam's Uncle\nHarvey.\" ANS at bottom from Annie (Moffett) Webster\nsays she would write if she had time.\u003c/p\u003e","\u003cp\u003ePraises Winter's poem \"The Chieftain\"; calls it a\nmasterwork that seems perfect; would read it to his\nwife but he always breaks down when he reads the\npoem. S.L.C. AN at top by [William Winter]\nidentifies poem as \"The Chieftain.\"\u003c/p\u003e","\u003cp\u003eHears he is \"troubled with twins\" and encloses\nsomething on how to raise them successfully; wishes\nhim a good Christmas and New Year; says his writings\nare read with pleasure.\u003c/p\u003e","\u003cp\u003eThanks the Boyesens for their praises for his new\nbook; surprised at the critical success and potential\nfinancial success of the book; because of Boyensen's\npraises, was encouraged to read publicly from new\nbook at Joseph Twichell's \"chapel\" instead of using\nold material as he had planned; speaks of the strong\nimpulse of writers to write, even for their\nwastebaskets. M.T.\u003c/p\u003e","\u003cp\u003eHas been ill but is recovering fast; has paid off\na debt; mentions poem in Parker's column today.\nM.T.\u003c/p\u003e","\u003cp\u003eInvitation to come visit whenever it suits him.\nM.T.\u003c/p\u003e","\u003cp\u003eAppreciates hearing Ulysses S. Grant not\noffended; spent weekend at [William Dean] Howells;\nfamily looking forward to House's visit. M.T.\u003c/p\u003e","\u003cp\u003eSuggests he set \"The Splendor Falls\" to music;\nsuggests possible instrumentation and vocals; hopes\nhe'll \"do it right.\" S.L.C.\u003c/p\u003e","\u003cp\u003eDiscusses his support for retention of Frederick\nDouglass for Marshall of Washington and warmly\npraises Douglass; mentions Charles J. Langdon.\nS.L.C.\u003c/p\u003e","\u003cp\u003eUrges him to submit articles to James R. Osgood;\nlooking forward to seeing House and his daughter when\nthey visit; had badly wanted to show him his own book\nbut will not be able. M.T.\u003c/p\u003e","\u003cp\u003eRegrets that they missed connections but hopes\nthey will visit in May; will ask [William Dean]\nHowells about House's article; has recommended him to\nJohn Hay and General [Grover] Cleveland for a\ndiplomatic post in Japan; reports what was said in\ndiscussion with Ulysses S. Grant on subject, who\nthinks House can fill post well but will appoint\nsomeone else instead; adds that he has not been able\nto convince Grant to write a book but Grant mentioned\nsome stories which he does want to write down before\nhis memories dim. M.T.\u003c/p\u003e","\u003cp\u003eSays \"sketch\" accurate; suggests an addition\nlisting his later books through \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eA Tramp Abroad \u003c/title\u003e(1880);\nhas a book ( \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Prince and the\nPauper \u003c/title\u003e) in press but is not including it\nsince it will be out in November. S.L.C.\u003c/p\u003e","\u003cp\u003eCover letter for check for $160.76; queries\n\"London 6 vols\" entry; prefers to keep his \"Prince\"\naccount separate entirely; places book orders.\nS.L.C.\u003c/p\u003e","\u003cp\u003eComments on various business matters; discusses\nroyalties on his scrap book. S.L.C.\u003c/p\u003e","\u003cp\u003eDiscusses printing job; suggests finishing\nunspecified item in best style, and print in two\ncolors; will be returning home by express.\nS.L.C.\u003c/p\u003e","\u003cp\u003eAgrees to Osgood's interpretation of the Canadian\npublishing matter; inquires on how to make a transfer\nof unspecified item to Chatto \u0026amp; Windus.\nS.L.C.\u003c/p\u003e","\u003cp\u003eDiscusses remodelling of his home and admonishes\nHouse never to remodel. M.T.\u003c/p\u003e","\u003cp\u003eSays he has not been in Boston since he and House\n\"lunched\" with [James Ripley] Osgood, [Thomas Bailey]\nAldrich, and others; hopes to finish remodeling so\nthat House and Koto, his daughter, may be able to\nvisit; comment on progress of remodelling. M.T.\u003c/p\u003e","\u003cp\u003eGlad for his opinion of the book ( \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Prince and the\nPauper \u003c/title\u003e); discusses the problem of baronets in\nthe book, possible ways including a foot-note to\nsolve the problem, and the title to give Miles, one\nof the characters; hopes House can visit soon; visits\nMontreal in November with [William Dean] Howells and\n[James Ripley] Osgood. M.T.\u003c/p\u003e","\u003cp\u003eExpresses gratitude for House's research into the\nbaronet problem (in The Prince and the Pauper ) and\nresolving the foot-note proposal which neither Olivia\nor House liked; has sent his preferred correction to\n[James Ripley] Osgood, but will defer to Osgood's and\nHouse's judgement. M.T.\u003c/p\u003e","\u003cp\u003eGlad that House's suggestion was adopted, but not\nsure if correction will be in time for London\nedition; [James Ripley] Osgood concerned change might\naffect copyright because of differing texts but he\nthinks not; decorators still at work but hopes soon\nto set date for House's visit.\u003c/p\u003e","\u003cp\u003eHopes more of remodelling completed by December 15 and\nthat House and Koto can come then; is going to Canada\nin ten days hunting for copyrights but will be back\nby December 7. M.T.\u003c/p\u003e","\u003cp\u003eComments that he and Olivia greatly enjoyed\nHouse's recent \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAtlantic\nMonthly \u003c/title\u003earticle; notes House was spared\n[Thomas Bailey] Aldrich's \"butcher-knife\" and marvels\nHouse was not sent proofs; going with [James Ripley]\nOsgood to Canada November 25; home almost ready for\nHouse's visit. M.T.\u003c/p\u003e","\u003cp\u003eThoroughly enjoyed her book, as did his family\nand guests; has asked [James Ripley] Osgood to send\nher his new book. S.L.C.] (w/env)\u003c/p\u003e","\u003cp\u003eArrangements for House's visit; suggests\nopen-ended visit; visiting the Mississippi River with\n[James Ripley] Osgood in April; reports Olivia\nenjoyed Koto's Christmas cards; has had 6 of his\nbooks printed on China paper for Susy, \"Bay,\" Koto\nand several other special friends. M.T.\u003c/p\u003e","\u003cp\u003eIntroduces Charles Hopkinson Clark, one of the\nthree who have agreed to compile the \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eLibrary of Humour \u003c/title\u003efor\nOsgood and Company. S.L.C.\u003c/p\u003e","\u003cp\u003eHas received india paper books; says McMillan\n(sic) matter is Osgood's and Dawson's to decide; does\nnot care how many Canadian editions sold as long as\nthey are not sold in the U.S.; discusses discounts to\ngeneral agents, thinks discount wasted as the\ncanvassers do all the work and will still current\nrate despite discount; concerns about books in the\nbookstores; encloses letter (not present) from a\nforeigner sent to him by Dean Sage; orders Joseph\nHenry Shorthouse's \"John Inglesant\"; mentions [Edward\nHoward] House and Koto visiting. S.L.C.\u003c/p\u003e","\u003cp\u003eDelighted with his review of his book; mentions\npublishing book ( \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Prince and the\nPauper \u003c/title\u003e) at own expense and his success as a\npublisher; thought Miss Gilder's letter was from a\nman and replied in kind; asks for his address and\ninvites him to visit. (pages misnumbered in letter)\nS.L.C.\u003c/p\u003e","\u003cp\u003eRecommends the young lady who bears this letter\nto Hooper as a translator of French on Orion\nClemens's estimation; would be willing to visit Paris\nto dine with Hooper again but will not endure a\nforeign country again for any other purpose. S.L.C.]\n(w/env)\u003c/p\u003e","\u003cp\u003eWill visit with Joseph Twichell when their\nfamilies are better; hopes to see \"the charming\nKentucky school girl\" there; mentions that Generals\nSherman and Van Vliet had copies of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eDate 1601 \u003c/title\u003ewhen he\nvisited; says its circulation is slowly growing and a\ncopy has gone to Japan; expects it will cause him\ntrouble. S.L.C. Charles Erskine Scott Wood notes in\nAN at bottom that he was Adjutant to the\nSuperintendent at U.S. Military Academy West Point at\nthat time.\u003c/p\u003e","\u003cp\u003eAgrees with House's assessment of the Scribner's\ncritical review of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Prince and the\nPauper \u003c/title\u003e; surprised by the very complimentary\nEnglish reviews; comments on great sales in England;\npleased to have income from three books that can't be\npirated; has rheumatism, but it allows him to\npractice typewriting (typed letter himself); family\nsick but getting better. Typed signature M.T.\u003c/p\u003e","\u003cp\u003eEnclosing original manuscript of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003e1603 \u003c/title\u003e(sic) ( \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eDate 1601 \u003c/title\u003e); notes that\nthere are many errors; suggests Wood correct them as\nnecessary, as he is too busy to do so himself. S.L.C.\nCharles Erskine Scott Wood notes in AN that Twain\nforwarded manuscript of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003e1601 \u003c/title\u003eto him to be\nprinted on the U.S. Military Academy West Point\npress, of which he was in charge; also comments on\nTwain's use of the typewriter.\u003c/p\u003e","\u003cp\u003ePlans for an April 17 trip with him; suggests\nhotel car to Chicago; can get sketches ready in time;\nsays publishing books does not pay for the trouble\nwriting them. M.T.\u003c/p\u003e","\u003cp\u003eWrites to unknown correspondent he has quit the\nlecture platform permanently. On verso, ALS 1882 August\nMark Twain to Charles Erskine Scott Wood says he and\nTwichell like \"it (the one sent for his signature).\"\nM.T. and S.L.C. Charles Erskine Scott Wood in AN says\nthis statement probably refers to a proof of Timothy\nCole's woodcut after Abbott Henderson Thayer's\nportrait of Twain.\u003c/p\u003e","\u003cp\u003eUnable to comply with his request; says he is not\nwell and sends regrets. M.T.\u003c/p\u003e","\u003cp\u003eSending [Charles L.] Webster to talk with him;\nwould like Webster to have charge of running the book\nif possible. S.L.C.\u003c/p\u003e","\u003cp\u003eSays Mark Twain has received check but check\nshould have been sent to Webster; Twain wants\nbusiness to be conducted through him; cannot send\nreceipt since he did not receive the money.\u003c/p\u003e","\u003cp\u003eRe business matters with American Publishing\nCompany. \u003c/p\u003e","\u003cp\u003eHas been struggling hard over his book for\nawhile, suffering \"literary gout\"; comments at length\non the recent gubernatorial election in Connecticut\nlost by the Republicans, political journalism, and\n\"bossism\"; mentions family news and sleighing for the\nfirst time this winter. Typed signature S.L.C.\u003c/p\u003e","\u003cp\u003eRe arrangements for his speech (at the New\nEngland Dinner 1882 December 23), \"The Regular Toast,\nWoman --God Bless Her, Response by Mark Twain \"; will\nspeak fifth if President [Chester] Arthur not\npresent; if he is, then sixth; felt other subjects\ntoo solemn; will be his last speech except for one in\nAugust which fulfills a three year old promise.\nS.L.C.] (w/env) (w/3 transcripts)\u003c/p\u003e","\u003cp\u003e\"If you would be kindly spoken of, die. There is\nno other way. But don't hurry\". S.L.C. and M.T.\u003c/p\u003e","\u003cp\u003eRequests two sets of plates and dies and 50,000\ncopies of book ( \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eLife on the\nMississippi \u003c/title\u003e) printed; he will not cause delay\nbut Olivia might because of her proofreading; wants\nthem to look carefully at the \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAtlantic\nMonthly \u003c/title\u003ematerial; wants to provide Charles L.\nWebster with advertising so he won't complain later\nif book does not sell; places book orders.\nS.L.C.\u003c/p\u003e","\u003cp\u003eUnable to aid him in request since he is occupied\nwith putting a book to press; suggests he contact\nRev. Francis Goodwin for help. S.L.C.\u003c/p\u003e","\u003cp\u003eFragment. Apologizes for inviting Col. Waring\nwhen there is no room for him; suggests alternate\narrangements; says George Washington Cable did well\nin speech with Parson Jones story. No signature.\u003c/p\u003e","\u003cp\u003eAsks where July dividend is because he has not\nseen it; will not be in Hartford this summer. S.L.C.]\n(w/env)\u003c/p\u003e","\u003cp\u003eDiscusses [Joseph] Twichell's well-meant\npremature publication of Twain's letter on his\ninvented \"historical game\" in the [Hartford] Courant;\nsays this upset his own plans for a small book;\nmentions having House's proofs and playing word\ngames; [William Dean] Howells and [James Ripley]\nOsgood back from Europe; remarks \"we\" have been home\ntwo weeks. M.T.] (includes brief crossed-out notes on\nverso of p. 4 and 5 by House)\u003c/p\u003e","\u003cp\u003eRequests names of publishers who could\nmanufacture \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eA Tramp Abroad \u003c/title\u003efor less\nthan he can.\u003c/p\u003e","\u003cp\u003eThinks S. W. Green's Sons will do the work below\nAmerican Publishing Company prices.\u003c/p\u003e","\u003cp\u003eJokes about family's reaction to gift House sent\nthem from Japan. Typed signature S.L.C.\u003c/p\u003e","\u003cp\u003eAsks whether they wish to submit a bid on\nprinting two thousand copies of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eA Tramp Abroad \u003c/title\u003e; gives\nspecifications; suggests J. P. Jones can lend them a\ncopy if they show him this letter.\u003c/p\u003e","\u003cp\u003e Charles M. Green Printing Company can supply two\nthousand copies of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eA Tramp Abroad \u003c/title\u003efor 53\ncents a book as soon as the paper can be made, if\nAmerican Publishing Company supplies the frontispiece\nportrait.\u003c/p\u003e","\u003cp\u003eContends that, despite Mark Twain and Charles L.\nWebster's claims to the contrary, other publishers\nwould have cost more to manufacture \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eA Tramp Abroad \u003c/title\u003e. \u003c/p\u003e","\u003cp\u003eHas gotten price for manufacturing \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eA Tramp Abroad \u003c/title\u003efrom S.\nW. Green but says it would cost more; is making new\nedition \"here\" as before.\u003c/p\u003e","\u003cp\u003eDiscusses family financial affairs, health,\nfriendly gossip about neighbors and old friends, and\nweather; glad to hear he has a farm.] (w/env)\u003c/p\u003e","\u003cp\u003eDiscusses House's precarious health; lists what\nhe has been reading and comments on his reading\nhabits; mentions Charley Delmonico; has been\nreminiscing with Thomas Bailey Aldrich about House,\nArtemus (Ward), and the rest of the \"Pfaff gang\";\nwriting new book which is moving along well.\nM.T.\u003c/p\u003e","\u003cp\u003eHis publisher Mr. Hennuyer requests Twain's\napproval of his translation of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAdventures of Tom\nSawyer \u003c/title\u003eabout to be published and is now being\nillustrated by Achille Siriony; would also like\napproval of his forthcoming \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAdventures of Huckleberry\nFinn \u003c/title\u003etranslation; \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAdventures of Tom\nSawyer \u003c/title\u003ewill be in same style as his adaptation\nof \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eHelen's Babies \u003c/title\u003eof which\nhe sends Twain a copy.\u003c/p\u003e","\u003cp\u003eRequests Daly to look over his dramatization of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAdventures of Tom\nSawyer \u003c/title\u003e. M.T.\u003c/p\u003e","\u003cp\u003eDiscusses authorship of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Bread Winner \u003c/title\u003eand\npossibility of either John Hay or Clarence King as\nauthor; mentions George Washington Cable, while\nvisiting, had the mumps for three weeks and comments\non Cable's complaining; appreciates photographs of\nKoto; [William Dean] Howells just arriving. M.T.\u003c/p\u003e","\u003cp\u003eHas referred \"another one of those fellows\" (\nWilliam L. Hughes ) to London publisher Chatto;\nkeeping back \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAdventures of Huckleberry\nFinn \u003c/title\u003euntil spring for a longer canvass.\nS.L.C.\u003c/p\u003e","\u003cp\u003eIn response to a request from Rohr regarding\nRohr's translation of Heine's \"Lorelei.\" A\nphotostatic copy of Rohr's letter and envelope to\nTwain is included.\u003c/p\u003e","\u003cp\u003eHas forgotten about \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Bread Winner \u003c/title\u003e;\ntrying with Joseph Twichell to learn to bicycle;\nenjoyed the \"catagraphs\" but mourns that after years\nof longing is still catless. M.T.\u003c/p\u003e","\u003cp\u003ePresses company to bring suit at once against\n\"these pirates\" and threatens to annul his contracts\nwith them on grounds that sufficient effort was not\nmade to protect his copyrights. S.L.C.] (glued to\ncard)\u003c/p\u003e","\u003cp\u003eThanks him; after lecture dates are set, will\nwrite him; hopes the dates are as Iles suggests.\nS.L.C.\u003c/p\u003e","\u003cp\u003eThanks for their letters of introduction and\ndirections; plans to finish his business and then\nwill stay with them on the way back; promises family\nnews.] (w/env)\u003c/p\u003e","\u003cp\u003eHas forgotten favor House requested; wished he\ncould visit Japan but thinks his daughters' musical\neducation would suffer; possibly could go if he could\nfind a competent house keeper to help Olivia; setting\noff on lecture tour; plans to vote Democratic and\nagainst [James G.] Blaine in the upcoming elections.\nM.T.\u003c/p\u003e","\u003cp\u003eAcknowledges receipt of their September 12 payment;\nthinks [James G.] Blaine may been defeated; Charles\nL. Webster in California is establishing book\nagencies; lecturing tonight first time in 8 or 10\nyears but will be last time ever; hopes to repeat\ntheir success in Canada. S.L.C.\u003c/p\u003e","\u003cp\u003eDiscusses a suit against Estes and Lauriat of\nBoston for their illegal sale of one of his books;\nsays the matter is in hands of his lawyers, Alexander\nand Green of New York. S.L.C.\u003c/p\u003e","\u003cp\u003eMarked \"Private.\" Corrects the information given\nin newspaper article; says at 15 he promised his\nmother not to drink and was later released from\npledge; kept his promise because he made it to his\nmother; expresses opinion on pledges given to\ntemperance workers; has marked letter private since\nhe did not want to contradict his mother's\nrecollections in public and because of his opinion\nabout temperance pledges. S.L.C. With TN 1930 March 12\n(w/env) from Helen M. Wilcox, Mrs. Cosgrave's\ndaughter, about the circumstances of her mother's\ncorrespondence.] (w/env)\u003c/p\u003e","\u003cp\u003eHad already read and profited by \"it\"; comments\nhotel in the right management now. S.L.C.\u003c/p\u003e","\u003cp\u003eGrieved to hear of House's illness but glad he is\nrecovering; comments on Ulysses S. Grant and his\nmemoirs; wishes Grant had written memoirs earlier;\njudges book as one of the best narratives in English\nlanguage; Grant is finishing volume two but may have\nwritten his last; compares what his company offered\nGrant to \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Century \u003c/title\u003ein\nroyalties and subscription apparatus; discusses\nGrant's Century articles and why he should have been\npaid more; Olivia is pleased by Koto's gift. M.T.\n(\"SLC per JR\")\u003c/p\u003e","\u003cp\u003eDiscusses publication of Ulysses S. Grant's\nmemoirs; refutes published stories, which he thinks\nwere spread by \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Century \u003c/title\u003e; explains\nhow his contract will generate more money for Grant\nthat \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Century \u003c/title\u003eoffers;\nmentions anticipated sales; denies he got the book\nthrough underhanded means; adds that none of Grant's\nsons is a partner; looking forward to House's visit.\nM.T.\u003c/p\u003e","\u003cp\u003eWished to talk to Fuller about a potential\ninvestment. S.L.C.\u003c/p\u003e","\u003cp\u003eRe a watch Olivia L. Clemens bought some days ago\nwhich needs to be fixed. S.L.C.\u003c/p\u003e","\u003cp\u003eHas had his say in the current \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Century \u003c/title\u003eand to the\nCommittee; does not enjoy writing miscellaneous\narticles. S.L.C.\u003c/p\u003e","\u003cp\u003eRecounts anecdotally Olivia's disappointment that\nKoto could not visit. M.T.\u003c/p\u003e","\u003cp\u003eSays that Koto's visit was a great success and\nall miss her including the family, Charles Dudley\nWarner, Miss Duke, Mamie Perkins, the Goldthwaites,\nand Miss Covey. M.T.\u003c/p\u003e","\u003cp\u003eAnnounces return from journey to the Mississippi\nvia the Lakes; says that Olivia is planning letter\nfor Koto; discusses the secret language devised and\nused by Susy and Daisy Warner and hopes House will\nfigure it out. M.T.\u003c/p\u003e","\u003cp\u003eEncloses letter from Mr. Howell (not present);\nwill refer contents of letter to Alexander and Green\nand if they advise, wishes to instigate suit against\nJohn Wannamaker. S.L.C.\u003c/p\u003e","\u003cp\u003eApologizes to Koto for forgetting to send\nmeasurements; sends the \"lingo letter\" mentioned\nbefore; discusses Susy's and Daisy's writing styles.\nM.T.\u003c/p\u003e","\u003cp\u003eDoubts Rooker's opinion; discusses (New York)\nTribune's typesetting problems, the wearing of\nmatrices and alignment of type, whether they might be\nfixed, and how much these problems cost the Tribune;\nclaims the Paige typesetter is superior to all other\ninvented typesetters; comments on Olivia's good\nopinion of House. In postscript; mentions Tribune's\nalignment problem solved and that they are using new\nmatrices; attributes quick wear of matrices to design\n(includes sketch of matrix); plans to measure how\nlong new set lasts. M.T.\u003c/p\u003e","\u003cp\u003eThanks for House's note in the secret language of\nSusy and Daisy Warner, and for not telling her\nparents what it was; adds politely that House did\nmake several errors in their secret language;\nmentions Jean pleased by dress Koto sent.\u003c/p\u003e","\u003cp\u003eThanks House for another note and will send him\ntheir rules for the secret language if Daisy Warner\nagrees. Postscript in secret language.\u003c/p\u003e","\u003cp\u003eFragment. Gives joking account asserting he did\nnot fall asleep in court during the John Wannamaker\ntrial but fainted; urges correspondent to place story\nin newspapers. M.T.\u003c/p\u003e","\u003cp\u003eWill come to visit House on Tuesday; Olivia says\nTwain must invite Mr. McCarthy (over Twain's\nprejudices) so asks House to give him the enclosed\ninvitation. M.T.\u003c/p\u003e","\u003cp\u003eEnjoyed her visit; would love for her (with\nEllen) to visit them when the room is finished and\ninvites Violet to stay with them overnight after\nattending a nearby wedding; Twain unhappy he could\nnot join them on visit at Peekskill. \u003c/p\u003e","\u003cp\u003ePoints out that Stoddard's \"The Brahman's Son\"\nwas not borrowed from House's story; suggests he\ncheck \"Yamarajah\" in \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eStray Leaves from Strange\nLiterature \u003c/title\u003ewith the poem line by line.\nM.T.\u003c/p\u003e","\u003cp\u003eHas written the letter, but Olivia does not\napprove; she says he must consider Lowell's piece of\nmind and not press the matter at the Authors' Club;\ncomments on women and reason. M.T.\u003c/p\u003e","\u003cp\u003eSympathizing with House in House and Koto's\nillnesses; says Olivia afraid if he were made House's\nexecutor, he might not do it well; suggests Franklin\nG. Whitmore instead and Twain could aid Whitmore in\nany way possible. M.T.\u003c/p\u003e","\u003cp\u003eInvitation to dine with Henry M. Stanley.\nS.L.C.\u003c/p\u003e","\u003cp\u003eRemembers House had mentioned that \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Prince and the\nPauper \u003c/title\u003ewould be nice dramatized; has tried it\nhimself unsuccessfully; mentions House could try it\nfor half to two thirds of the proceeds and might\nenjoy trying it when his pains abate a while; admits\nhe is ashamed to be incapable of being House's\nexecutor. M.T.\u003c/p\u003e","\u003cp\u003eHas ordered a couple of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Prince and the\nPauper \u003c/title\u003ebooks to be sent to House; is sending\nhis own attempt at dramatizing it; expects to see him\nsoon. M.T.\u003c/p\u003e","\u003cp\u003ePlaces book orders. S.L.C.\u003c/p\u003e","\u003cp\u003eWishes he could help her but he is not acquainted\nmuch with journalism any more; has already written to\nthe two journalists he does know, but they declined\nthe request; glad Stewart is a senator; begs to be\nremembered to \"once-little-girl\" he used to know.\nS.L.C.\u003c/p\u003e","\u003cp\u003eSays unspecified article \"first appeared in\nGalaxy magazine between May 1870 and April 1871\";\nproofs have not come. S.L.C.\u003c/p\u003e","\u003cp\u003ePraises Loisette memory system; requests that\nDavis tell the Garths that the \"d'UnLap\" part of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Century \u003c/title\u003earticle\n(\"History of a Campaign that Failed\") will not appear\nin \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Century \u003c/title\u003e's war\nbook; mentions John Robards. S.L.C. In PL, Twain\npraises the Loisette memory system.] (w/env)\u003c/p\u003e","\u003cp\u003eEncourages House's plans to write about Japan;\nlooks forward to seeing him soon. M.T.\u003c/p\u003e","\u003cp\u003eSays to ship the wheelchair and make own\narrangements for the luggage; will cancel an\nengagement to meet him.\u003c/p\u003e","\u003cp\u003eThanks for a first chance at his autobiography;\nnot sure what publishing prospects now would be but\nrefers him to Charles L. Webster who is in charge of\nbusiness part of the publishing house. S.L.C.\u003c/p\u003e","\u003cp\u003eSo glad to get House's French, German and English\nletter and is trying to answer in kind; they miss him\nvery much and love to Koto.\u003c/p\u003e","\u003cp\u003eSays they miss House and Koto; discusses Twain\nkittens and cat in Elmira. \u003c/p\u003e","\u003cp\u003eDiscusses House's letters, seeing a manufacturing\nplant in Elmira burn, Fourth of July celebrations,\nher activities, and reading Dickens.\u003c/p\u003e","\u003cp\u003eDiscusses Twain cats and family news.\u003c/p\u003e","\u003cp\u003eDiscusses neighborhood dogs, her activities, and\nHouse's letters; passing mention of House staying\nwith Mrs. Warner and the Yosts.\u003c/p\u003e","\u003cp\u003eAppreciates his letters to the children;\ndiscusses a letter of his she mislaid, his visiting\nplans and hiring a new nurse for Jean; looking\nforward to seeing him and Koto.\u003c/p\u003e","\u003cp\u003eDiscusses substitute suggested for profanity and\nnews of family and friends.\u003c/p\u003e","\u003cp\u003eDiscusses House's letter; mentions the \n Day family , her activities, and\nfamily news.\u003c/p\u003e","\u003cp\u003eDiscusses the cold weather, her grandmother's [\nOlivia Lewis Langdon] birthday, photo of Koto and\nElize, visiting Mrs. [Clara Spaulding] Stanchfield's\nbaby daughter, creating with Daisy Warner another\nsecret language; wishes Koto and House could stay in\nHartford all winter.\u003c/p\u003e","\u003cp\u003eWill be leaving Elmira soon; describes her\ngrandmother's party; plans to see play in New York;\nreports family busy discussing Bacon as Shakespeare;\nwill write Koto soon. AN, in pencil by Edward Howard\nHouse, states Susy is answering his letter sent in\nsame mail as one to Mark Twain, which Twain claims he\ndid not receive.\u003c/p\u003e","\u003cp\u003eThanks him for letter of recommendation; has\nletter of recommendation from Prof. Bra[d]y to Judge\nNorth, who knows a lot about fruit and raisins;\ndiscusses railroad possibilities.] (w/env)\u003c/p\u003e","\u003cp\u003eAgrees to do a reading and states stipulations.\nS.L.C.\u003c/p\u003e","\u003cp\u003eChecking into farm prospects for Samuel E.\nMoffett in California; discusses fruit crops and farm\nproperties at length.\u003c/p\u003e","\u003cp\u003eRe business matters, real estate, and farm.]\n(w/env)\u003c/p\u003e","\u003cp\u003eMentions expense of living in Fresno; discusses\nproperty of Samuel E. Moffett and family business\nmatters.\u003c/p\u003e","\u003cp\u003eTurns down invitation to spend time with them in\nmountains; plans to keep Olivia in Elmira at the farm\nto get her better. S.L.C.\u003c/p\u003e","\u003cp\u003eDiscusses House's dental matters and Susy and\nClara's doings; hopes House's river \"excursion\" will\nbe pleasant.\u003c/p\u003e","\u003cp\u003eBelieves no more bills will be sent but to\nforward them if they do; plans to ask Chatto's and\nDawson's help in securing Canadian copyright for\n[Philip] Sheridan's book; thought and hoped Chatto\nwould take Tauchnitz's offer. S.L.C.\u003c/p\u003e","\u003cp\u003eDiscusses the weather, family activities, and\nwhat she is reading; mentions Theodore Crane; asks to\nbe remembered to Koto.\u003c/p\u003e","\u003cp\u003eTwain has instructed him to tell Bliss he is\ncorrect in sending royalty statement and check\ndirectly to him; acknowledges receipt for $569.50\ncheck.\u003c/p\u003e","\u003cp\u003eDiscusses setting a date for Koto's visit to the \n Clemens family . \u003c/p\u003e","\u003cp\u003eDiscusses a limited recommendation of a Mr.\nWright who is apparently seeking employment from\nHall; reports on his discussion with Mr. Wright.\nS.L.C.] (w/env.)\u003c/p\u003e","\u003cp\u003eThanks for the book; is glad to have the story in\npermanent form; discusses her sister and Theodore\nCrane's visit; mentions family matters.\u003c/p\u003e","\u003cp\u003eDistressed Koto has been ill; says she should\nlearn to be lazy until she is better; reports\nbrother-in-law Theodore Crane improving slowly;\npassing mention that Mrs. Cabell is ill at Charles\nDudley Warner's home.\u003c/p\u003e","\u003cp\u003eDiscusses contract with [Abby Sage?] Richardson\nto dramatize \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Prince and the\nPauper \u003c/title\u003e; says if there was a contract with\nHouse, he would try to straighten out the problem;\nrecalls House's initial efforts to dramatize the\nbook, his own lack of interest in the project, and\nhis impression that House had abandoned the project\nsince he did not mention it; had always wished the\nbook to be dramatized and would have preferred House\nto do it; suggested to Mrs. Richardson that she might\nget help from him.\u003c/p\u003e","\u003cp\u003eDiscusses House's claim to have a contract to\ndramatize \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Prince and the\nPauper \u003c/title\u003eand asks for Twain's version of\nevents.\u003c/p\u003e","\u003cp\u003eIs obliged to Daly and Miss Rehan; remarks his\nown status with his children rests not on his own\nworks, but from the fact he knows Miss Rehan and Mr.\nDrew personally.\u003c/p\u003e","\u003cp\u003eSays [Dan] Beard is the artist; would soon as\nhave the article in the November issue (of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Century \u003c/title\u003e) as in the\nDecember issue; suggests he talk to [Fred J.] Hall;\nthinks Beard could skip ahead and make pictures for\nanother part of the book; thinks he will do nice\nwork. M.T.\u003c/p\u003e","\u003cp\u003eHas done his best to get it to them in time for\nNovember issue; will ask Fred J. Hall to hurry Dan\nBeard to finish the pictures. S.L.C.\u003c/p\u003e","\u003cp\u003eAgrees proof must follow his own punctuation\nabsolutely; asks Hall to instruct Chatto to issue in\nLondon December. 6, in Canada December. 8, and in United States\nDecember. 10. S.L.C.\u003c/p\u003e","\u003cp\u003eNot expecting to be in London this year but might\nbe there anyway; has tried to write things he would\nlike to tell English workingmen but without success;\nwill keep theme in mind and perhaps do it in future.\nS.L.C.\u003c/p\u003e","\u003cp\u003eExpresses bitter opinion of lawyer Whitford\nretained for a suit by Charles L. Webster \u0026amp;\nCompany; suggests another lawyer if any further\nlawsuits with Gill. S.L.C.\u003c/p\u003e","\u003cp\u003eWill come with a big red apple for him and bring\nhim home; then they will go to 14th street depot to\nsee the locomotive, wheel, and water ball. With\ngrocery list on verso.\u003c/p\u003e","\u003cp\u003eCover letter for 2 monthly statements.\u003c/p\u003e","\u003cp\u003eRequests Twain pay memorandum he encloses from\nPratt \u0026amp; Whitney Company, which he showed Twain in\nJanuary in accordance with their agreement.\u003c/p\u003e","\u003cp\u003eReminds him that since he declined to sign a\ncontract, Twain had said he would not lend Paige any\nmore money; is returning bill to Pratt \u0026amp; Whitney\nCompany. ANS at bottom states this letter is copy of\nreply to Paige's letters of March 18. S.L.C.\u003c/p\u003e","\u003cp\u003eDiscusses his new and less satisfactory contract\nfor the Paige Compositor Manufacturing Company; is\nworking on new book; says publishing beginning to be\nprofitable but must make $50,000 for the company\nuntil January when \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eLibrary of American\nLiterature \u003c/title\u003ebegins to return dividends. M.T.]\n(ALS has 1/3 of pg.2 trimmed out and glued to another\nsheet)\u003c/p\u003e","\u003cp\u003eRequests copy of a cookbook be sent to his Berlin\naddress, which he asks they not divulge. S.L.C.\u003c/p\u003e","\u003cp\u003eThanks him for dinner; is seasoning cob pipe in\nwhisky for Lindau's nephew; has lecture engagement in\nDresden. S.L.C.] (w/env)\u003c/p\u003e","\u003cp\u003eSends a photograph (not present), taken about\neight years ago, of himself; mentions his own\nrheumatism; will look for photo of Lindau.\nS.L.C.\u003c/p\u003e","\u003cp\u003eAsks Hall to renew his letter of credit which\nexpires January. 7. S.L.C.\u003c/p\u003e","\u003cp\u003eDelighted to accept invitation. S.L.C.\u003c/p\u003e","\u003cp\u003eAcknowledges receipt of manuscript of fifth\narticle; explains Charles L. Webster \u0026amp; Company\ncable; sorry Twain has been ill; at bottom, ANS 1892\nMarch 8 Mark Twain says article mentioned above\nconcerns Berlin and is the sixth article; at bottom,\nsecond ANS n.d. Mark Twain asks Fred J. Hall to save\nletter as proof of completion of the McClure\ncontract. S.L.C.\u003c/p\u003e","\u003cp\u003eSays she does not need to explain; briefly\ndiscusses William Dean Howells ' grief over his\ndaughter Winnie; briefly mentions Thomas Bailey\nAldrich's and Oliver Wendell Holmes ' ageing.\nS.L.C.\u003c/p\u003e","\u003cp\u003eThanks for the books; had hoped to see her before\nleaving; had called with Olivia and daughters to say\ngoodbye but missed her. S.L.C.\u003c/p\u003e","\u003cp\u003eThanks him for arrival of the rest of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eTom Sawyer Abroad \u003c/title\u003eand\nthe closing pages of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Tragedy of Pudd'nhead\nWilson \u003c/title\u003e; plans to start working when settled\ndown in Florence; comments unfavorably on \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Century \u003c/title\u003earticle on\nColumbus's portrait; Clara has received one trunk but\ntwo are lost somewhere. S.L.C.] (w/env)\u003c/p\u003e","\u003cp\u003eAgrees with Carey to change \"Royston's\" name and\nvillage's name; suggests Hall contact Carnegie about\nborrowing money to publish \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eLibrary of American\nLiterature \u003c/title\u003eto a thousand sets per month; wants\nhis \"Mental Telegraphy\" in the book even if something\nelse must be dropped; has received the \"St. Nick\nproposition\" to \"split payment\" and has written \"all\nright\" to Hall and [Mary Mapes] Dodge. S.L.C.\u003c/p\u003e","\u003cp\u003eFragment. Good wishes to them all; will have\nsomething for them someday, perhaps soon.\u003c/p\u003e","\u003cp\u003eAsks to have a copy of a volume with \"The\nCelebrated Jumping Frog of Calaveras County\" sent to\nCaptain Stormer at Twain's expense. S.L.C.\u003c/p\u003e","\u003cp\u003eRequests that recipient put Twain's money in the\nMount Morris Bank, including money from royalties\nuntil they can see whether recipient can sell Twain's\ninterest in an unspecified business. S.L.C.\u003c/p\u003e","\u003cp\u003eThanks him for letter; cannot answer it but will\nsend the notes, \"as August is not far away.\" S.L.C.]\n(tipped in \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Gilded Age \u003c/title\u003e,\nBarrett PS 1311 .A1 1874 copy 5)\u003c/p\u003e","\u003cp\u003eHad enjoyed seeing the Shipmans in Europe very\nmuch and looks forward to seeing all of them back in\nHartford; comments on the joy of meeting friends in\nEurope; sends regards to Judge [Nathaniel] Shipman;\nenjoyed Annie Eliot Trumbull's \"White Birches\";\nmentions the Hillyers and Sally Dunham; wishes they\n(the Clemens) might see the Chicago Fair. With ANS\n[1893 August 11] Mark Twain to [Mary Robinson Shipman\n], says note was \"smuggled\" into Olivia's letter and\njokes she is concerned about tautology in her letter.\nS.L.C.] (w/env)\u003c/p\u003e","\u003cp\u003eThanks from him and his daughter; sends book of\nhis which is full of statistics and should help\ncorrespondent's next edition. S.L.C.\u003c/p\u003e","\u003cp\u003eNo longer gives prices for his articles because\nwhen he did so before, editors said he under priced\nhimself. S.L.C.\u003c/p\u003e","\u003cp\u003eDinner invitation from the Club signed by\nLaurence Hutton, George Parsons Lathrop, Brander\nMatthews, Mark Twain (S.L.C. signature), Richard\nWatson Gilder, Charles Dudley Warner, William Dean\nHowells, Francis Lathrop, F. D. Millet, William M.\nLaffan, Joseph Jefferson, H.C. Banner, R. Swain\nGifford, Charles Fairchild, Thomas Bailey Aldrich.\n\u003c/p\u003e","\u003cp\u003eSays he has lost his voice and has doctor's\norders not to use it; asks Buel to try to postpone\nnext day's lecture. S.L.C.\u003c/p\u003e","\u003cp\u003ePromises to come to her play January 10 if he is\nstill in the country; has been in Chicago for 3 days\n\"visiting the ruins.\" S.L.C.\u003c/p\u003e","\u003cp\u003eRe a manuscript by the sister of Edmond Picton.\n\u003c/p\u003e","\u003cp\u003eOffers other investors one-quarter interest in\nTwain contract with Paige Compositor Manufacturing\nCompany with autograph draft of letter.\u003c/p\u003e","\u003cp\u003eRe sale of Paige Compositor Manufacturing Company\nstock from pools.\u003c/p\u003e","\u003cp\u003eHas received two copies from Twain of Paige\nCompositor contract; will execute and return them to\nHenry H. Rogers. \u003c/p\u003e","\u003cp\u003eUnable to help him since \"the whole business is\nin the hands of creditors\"; discusses past problem\nwith a bank, his indebtedness, and Hall's trouble;\nmentions Franklin G. Whitmore; will see Hall in July.\nS.L.C.] (w/env)\u003c/p\u003e","\u003cp\u003eReports arrival of manuscript ( \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003ePersonal Recollections of Joan\nof Arc \u003c/title\u003e); wants Harper to draft an order\nrequiring the compositor and proof-reader to follow\ncopy exactly; mentions \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Century \u003c/title\u003eproofreader\nwho tampered with his punctuation in \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Tragedy of Pudd'nhead\nWilson \u003c/title\u003ein the manuscript before sending it to\nthe printer; intends to add to manuscript 1200 words,\nincluding a three stanza song; thanks for the books;\nencloses copy of extra material and notes where it\nshould be located in manuscript; not all the \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003ePersonal Recollections of Joan\nof Arc \u003c/title\u003ecame as manuscript was opened at French\ncustom house. S.L.C. With AN signed J. Henry Harper\non verso of p. 3 says Mr. Alden sent complete copy of\nmanuscript and difficulty can be resolved if Twain\nindicates where his manuscript ends.\u003c/p\u003e","\u003cp\u003eAcknowledges receipt of $500 check for Mark\nTwain's account.\u003c/p\u003e","\u003cp\u003eOffers him opportunity to bid on the plates on\ncondition terms can be arranged for continuing\npublication; will transmit offer to Henry H. Rogers\nwho represents Olivia L. Clemens. With typed list of\nprices of the plates of a dozen Mark Twain\nbooks.\u003c/p\u003e","\u003cp\u003eAbout conclusions of four hand-writing analysts\nand his reaction to their analyses. M.T.\u003c/p\u003e","\u003cp\u003eWishes to see proofs of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003ePersonal Recollections of Joan\nof Arc \u003c/title\u003ebecause he needs to make corrections;\nif necessary, can make corrections by letter; has\nbeen in bed with gout; in postscript offers proposed\ncorrection (not present). S.L.C.\u003c/p\u003e","\u003cp\u003eSays \"Cooper article\" is in Paris; if possible he\nwill rewrite it until it suits him and send it on to\nBryce. S.L.C.\u003c/p\u003e","\u003cp\u003eAsks that Chatto \u0026amp; Windus pay S. Gardner\n\u0026amp; Company bill and charge to him.\u003c/p\u003e","\u003cp\u003eCover letter for royalty check for Olivia L.\nClemens on American Publishing Company Mark Twain\nbooks; with autograph annotation adding in \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Tragedy of Pudd'nhead\nWilson \u003c/title\u003eaccount and 2 royalty statements.\u003c/p\u003e","\u003cp\u003eIs going on lecture tour to Australia, India, and\nSouth Africa; adds the Stanleys and other friends\nhave given him letters of recommendation; requests\nsame from correspondent and especially one to\ncorrespondent's brother, whom Twain nearly met\nbefore. S.L.C.\u003c/p\u003e","\u003cp\u003eRegrets that the \n Clemens cannot come to dinner\nbecause his gout is acting up; if possible, has to\nsee [Mary Dodge] Mapes ' play the next day and\nexpects to be in pain the following day. S.L.C.\u003c/p\u003e","\u003cp\u003eMentions minor correction in proofs (of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003ePersonal Recollections of Joan\nof Arc \u003c/title\u003e) just arrived; will return to America\ntomorrow. S.L.C.] (w/2 typed transcripts)\u003c/p\u003e","\u003cp\u003eFirst dividend paid to Charles L. Webster \u0026amp;\nCompany's creditors; discusses purchase of plates of\nMark Twain. \u003c/p\u003e","\u003cp\u003eAbout the offer by Olivia L. Clemens to buy the\nplates for Mark Twain's books.\u003c/p\u003e","\u003cp\u003eOffers terms between Harper \u0026amp; Brothers and\nTwain for new uniform edition of Twain's books which\nhe has or may get under his control, calculating\nroyalties depending on new plates or plates supplied\nby Twain. With unsigned memo [May 1895] stating\nTwain's interpretation of the proposal.\u003c/p\u003e","\u003cp\u003eIn bed with gout and a large boil and cannot\nwrite. S.L.C.\u003c/p\u003e","\u003cp\u003eNot able to talk business yet; discusses magazine\noffers and difficulty writing for magazines; \"still\nin bed with carbuncle.\" S.L.C. Mounted on card with\nphotograph of Twain in bed.\u003c/p\u003e","\u003cp\u003eThanks him \"for the pleasant attention of giving\nme the front seat\"; describes how he got his own\nautograph collection as a result of an April Fool's\njoke played on him by George Washington Cable.\nS.L.C.\u003c/p\u003e","\u003cp\u003eSorry he will not be able to visit Britain in\nwinter because he is leaving for the Pacific and\nAustralia; will be lecturing in India and South\nAfrica. S.L.C.\u003c/p\u003e","\u003cp\u003eContract accompanying this letter fine to him but\nadds he is not an expert in such contracts.] (with\nTDS 1895 May 23 Contract between Olivia L. Clemens\nand Harper \u0026amp; Brothers to publish a uniform\nedition of Mark Twain's works)\u003c/p\u003e","\u003cp\u003eCover letter for payment for \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eHarper's\nMagazine \u003c/title\u003eaccount for Mark Twain's \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003ePersonal Recollections of Joan\nof Arc \u003c/title\u003e, Books I, II, III and \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eTom Sawyer, Detective \u003c/title\u003e;\nmentions that check for \"Mental Telegraphy Again\" had\nalready been sent to Olivia L. Clemens through\nRogers.\u003c/p\u003e","\u003cp\u003e George Rives, their attorney, suggests changes\nin wording of their contract with Olivia L. Clemens;\nafter consultations with Bainbridge Colby, willing to\nleave wording stand.\u003c/p\u003e","\u003cp\u003eAgrees readily to wording changes in Harper \u0026amp;\nBrothers contract if all parties agree with\ninterpretation of clause.\u003c/p\u003e","\u003cp\u003eRelaying message of love and good wishes from\nMark Twain whom he saw on ship.\u003c/p\u003e","\u003cp\u003eDiscusses publishing contracts Rogers is handling\nfor the Clemenses with Harper \u0026amp; Brothers and\nAmerican Publishing Company; Mayo has sent check for \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Tragedy of Pudd'nhead\nWilson \u003c/title\u003ewhich is finally doing well. Enclosed\nare copies of the following: TL 1894 [March 4] Mark\nTwain to Henry H. Rogers re: 20 shares Paige\nCompositor Manufacturing Company stock to be\ndelivered to Bram Stoker and TL 1894 [March 4] Henry H.\nRogers to Henry Irving receipt for 10 shares Paige\nCompositor Manufacturing Company stock.\u003c/p\u003e","\u003cp\u003eThanks them for gift of two books and a poem of\nMrs. Aklom's; comments that Mrs. Aklom writes better\npoetry than he does; adds Mr. [R. S.] Smythe ill and\ncan not tell when they will leave. S.L.C.\u003c/p\u003e","\u003cp\u003eThanks him for kindnesses; postponing departure\nbecause Clara and Mr. [R. S.] Smythe ill; hopes to\nsee them again sometime. S.L.C.\u003c/p\u003e","\u003cp\u003eNeeds to see the Blisses before proceeding with\nHarper \u0026amp; Brothers scheme; mentions General\nLangdon and his discussion with \"Payn of the bank\";\ndiscusses at length the proposal of engaging John\nWarner of Abbey, Schoeffel \u0026amp; Grau as Twain's\nmanager; discusses Twain's health and family\nnews.\u003c/p\u003e","\u003cp\u003eDiscusses Twain uniform edition with Harper \u0026amp;\nBrothers; mention in passing Frank Mayo's death and\nAmerican Publishing Company; describes a letter of\nsolicitation from a Abbie G. Bates, a copy of which\nis enclosed.\u003c/p\u003e","\u003cp\u003eComments on continuing negotiations between\nHarper \u0026amp; Brothers and American Publishing\nCompany; mentions Joseph Twitchell writing sketch on\nTwain.\u003c/p\u003e","\u003cp\u003eRe proposal for publishing uniform edition of\nMark Twain works, including list of works to be\npublished, and discussion of reciprocal agreement\nwith American Publishing Company, to print books for\nwhich they and Harper \u0026amp; Brothers hold previous\npublishing agreements and use of Charles L. Webster\n\u0026amp; Company plates.\u003c/p\u003e","\u003cp\u003eDiscusses his negotiations with Harper \u0026amp;\nBrothers and American Publishing Company re uniform\nedition; is on trip to oilfields in Kansas,\nTennessee, Kentucky, and Virginia; has received\nroyalty check from Frank Mayo; discusses debt\nsettlements of Charles L. Webster \u0026amp; Company;\nmentions Colby free to do Twain work.\u003c/p\u003e","\u003cp\u003eDiscusses proposed series of volumes to be called\n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eHarper's Contemporary\nEssayists \u003c/title\u003e; lists works possibly to be\nincluded; requests to publish a volume of his essays,\nlist enclosed, per Brander Matthews ' suggestion;\nincludes royalty suggestion.\u003c/p\u003e","\u003cp\u003eComments on business trip to \"oil regions of the\nSouth and West\"; comments on negotiations between\nHarper \u0026amp; Brothers and Frank E. Bliss and\nsubsequent proposals for uniform and trade editions;\nthinks Twain's books \"on the boom\" and wants to get\nnew editions out; mentions Charles L. Webster \u0026amp;\nCompany news and news of family and friends.\u003c/p\u003e","\u003cp\u003e Harper \u0026amp; Brothers ' dramatic share too high;\nsuggests a 1/4 or 1/5.\u003c/p\u003e","\u003cp\u003eDictated. Discusses his wedding, honeymoon, age,\nand wealth, Charles L. Webster \u0026amp; Company's\naffairs, negotiations with Frank E. Bliss and\nAmerican Publishing Company re uniform edition, the\ndramatization of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003ePersonal Recollections of Joan\nof Arc \u003c/title\u003e, the death of Frank Mayo and Mayo's\ndepiction of Pudd'nhead Wilson.\u003c/p\u003e","\u003cp\u003eSends copy of Harper \u0026amp; Brothers letter\nconcerning [Augustin] Daly's proposed dramatization\nof \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003ePersonal Recollections of Joan\nof Arc \u003c/title\u003eand the division of profits.\u003c/p\u003e","\u003cp\u003eRe publication of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAdventures of Huckleberry\nFinn \u003c/title\u003e, concerning payments, ownership of or\nroyalties from plates; editions printed from plates\nto bear correct authorization, and publishing and\nretail terms; and this proposal to be extended to\nother books. (2 copies differently worded)\u003c/p\u003e","\u003cp\u003eRe agreement between Harper \u0026amp; Brothers and\nAmerican Publishing Company for use of Charles L.\nWebster plates and proposed future editions; comments\non what he thinks this agreement means, and\npossibility of new contract with American Publishing\nCompany with new royalty agreements. Very faint\nRogers' signature. With draft, with A notes, for\nproposal for publishing Twain books in uniform\neditions, including possible new book ( \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eFollowing the Equator \u003c/title\u003e)\nand typed agreement with American Publishing Company\nre uniform edition and publication for \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eFollowing the Equator \u003c/title\u003e.\n\u003c/p\u003e","\u003cp\u003eRe proposals for new contract with Olivia L.\nClemens concerning destruction of old contracts, new\nprofit division, uniform edition to be issued and\nsold by American Publishing Company in agreement with\nHarper \u0026amp; Brothers; exclusive agreement with and\nproposed payment and publishing terms for Mark\nTwain's proposed book on journey around world ( \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eFollowing the Equator \u003c/title\u003e)\nand profit guarantees.\u003c/p\u003e","\u003cp\u003eRe sale of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Tragedy of Pudd'nhead\nWilson \u003c/title\u003edramatization after Frank Mayo's death\nand disagreement with heirs of Mayo's estate; notes\nnewspaper notice of Olivia's loss of her\ndaughter.\u003c/p\u003e","\u003cp\u003eRequests two proofs of the Max O'Rell article;\nasks where to send a rent check; mentions Walter\nBesout review of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003ePersonal Recollections of Joan\nof Arc \u003c/title\u003enotice. S.L.C.] (mourning\nstationery)\u003c/p\u003e","\u003cp\u003eEncloses house rent check for first 6 months;\ngives Mr. Garth's address; requests that they respond\nto inquiries that he will not lecture again.\nS.L.C.\u003c/p\u003e","\u003cp\u003eThanks him and Mary Mantz Moffett for their\nkindness to his daughter; advises Moffett not to\nleave until sure of something better; says he must be\nvigilant over his expenses even if McKinley\nelected.\u003c/p\u003e","\u003cp\u003eDiscusses small amount spent on Christmas\npresents for Sam and \"Mamie\" ( Mary Mantz Moffett )\nand a family misunderstanding; likes \"the new\nmechanical arrangement in your Editorial\ncolumns.\"\u003c/p\u003e","\u003cp\u003eProposed new book to be only sold on subscription\nuntil after day of delivery to subscribes; and\nuniform edition to be sold by subscription only;\nsuggests uniform edition will be ready in eighteen\nmonths because of need of new pictures and sale\nconditions.\u003c/p\u003e","\u003cp\u003eSuggests when Mark Twain contracts for a new\npublication that he reserves right for American\nPublishing Company to publish new work in uniform\nedition, which will keep costs and profits up.\u003c/p\u003e","\u003cp\u003eThanks him for Christmas book and cards of\n\"Sammy's\"; visited Clara Dana for a card party and\nmentions other guests; inquires after his\nchildren.\u003c/p\u003e","\u003cp\u003eThanks for invitation but declines since his\nbereavement is too recent. S.L.C.] (w/env)\u003c/p\u003e","\u003cp\u003eThanks him for the flowers; mentions Mark Twain\nwill be very happy to meet correspondent's sons\ntomorrow.] (w/env) (mourning stationery)\u003c/p\u003e","\u003cp\u003eThanks him for copy of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eIn Memoriam \u003c/title\u003e.] (w/env)\n(mourning stationery)\u003c/p\u003e","\u003cp\u003eBusy at work on his book ( \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eFollowing the\nEquator \u003c/title\u003e); asks MacAlister to come see him\ninstead; adds he would be too moved at seeing Miss\nCorelli whom he had last met with Susy. S.L.C.]\n(w/env) (mourning stationery)\u003c/p\u003e","\u003cp\u003eWill not make any more engagements; has gone to\nwork again because his departure was delayed; will\ndine will Mohavly Bell; says Spurgeon will enjoy\nhearing Max O'Rell. S.L.C.\u003c/p\u003e","\u003cp\u003eWill come to dine with him soon; says Olivia is\nsomewhat ill; has decided to add South Africa to his\nbook ( \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eFollowing the\nEquator \u003c/title\u003e), although book is almost done;\nexpects to finish in 10 days. S.L.C.] (w/env)\n(mourning stationery)\u003c/p\u003e","\u003cp\u003eDiscusses need to make plans to advertise Mark\nTwain and complete set of Twain's works; offers to\nhelp with new book in any way.\u003c/p\u003e","\u003cp\u003eDeclines work on Mark Twain's book because of his\npresent work load.\u003c/p\u003e","\u003cp\u003eHad not thought he would write Mrs. Glover that\nMr. Smith is \"repairing the yard\"; thanks him for\nkindness when she was in New York; enjoyed \"Under the\nRed Robe\" and the Aquarium very much.\u003c/p\u003e","\u003cp\u003eAccepts dinner invitation. S.L.C.] (w/env)\n(mourning stationery)\u003c/p\u003e","\u003cp\u003eCover letter for receipts; sorry to hear Mamie (\nMary Mantz Moffett ) not well; asks whether Cheney\nhas reported to Sam.\u003c/p\u003e","\u003cp\u003eInquires if carriage has room for his daughters;\nif so, they would be useful to him in noticing\ndetails. S.L.C.\u003c/p\u003e","\u003cp\u003eAsks him to come down promptly to see if they can\nrepair \"damage which your cablegram has done me.\"\nS.L.C.\u003c/p\u003e","\u003cp\u003eHas more manuscript ( \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eFollowing the Equator \u003c/title\u003e)\nready ; requests that the typewritten part be sent to\nHenry H. Rogers. S.L.C.\u003c/p\u003e","\u003cp\u003eNote states corrected proofs of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eMore Tramps Abroad \u003c/title\u003eare\nto be sent to Mr. Bliss with mentions of variations\nbetween English and American editions with list of\nomissions in Chatto \u0026amp; Windus's copy.\u003c/p\u003e","\u003cp\u003eNote concerns \"renewal ad\" for \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Innocents\nAbroad \u003c/title\u003eplaced in an agricultural paper.\u003c/p\u003e","\u003cp\u003eWriting for Mark Twain who is very busy; he had\nwaited for MacAlister but missed him; invites him to\nvisit.] (w/env) (mourning stationery)\u003c/p\u003e","\u003cp\u003eDeclines to meet him at the Savage Club, which\nwould be too social for him; says he is pressed for\ntime and is working hard on a contract and with his\nAmerican publisher. S.L.C.] (w/env) (mourning\nstationery)\u003c/p\u003e","\u003cp\u003eSorry to have missed him; discusses ambivalence\nabout missing a chance for a £10,000\nlecture; mentions his and Olivia's comfort from\nreading \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eIn Memoriam \u003c/title\u003e; advises\nMacAlister to get some rest; remember him to Mrs.\nKelly. S.L.C.] (w/mourning env)\u003c/p\u003e","\u003cp\u003eComplains strongly about printers and\nproofreaders correcting his punctuation; refers to\nproofs he is correcting. S.L.C.\u003c/p\u003e","\u003cp\u003e Henry H. Rogers has the $10,000 from Frank E.\nBliss, who has the balance of the manuscript ( \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eFollowing the\nEquator \u003c/title\u003e). At bottom, ANS [1897 July 30] Mark\nTwain to Chatto \u0026amp; Windus states manuscript to be\nsent directly to Bliss and will not need to see\nmanuscript if printers follow it exactly. S.L.C.\u003c/p\u003e","\u003cp\u003eCover letter for a drawing for one of Mark\nTwain's books [unspecified].\u003c/p\u003e","\u003cp\u003eApologizes for mislaying his letter; mentions\nthat Clara and Olivia respond to most of his\ncorrespondence when he is writing; will answer other\nmislaid letter; appreciates underwear he bought in\nLondon; is working on five books alternately and will\nfinish the books one each every twelvemonth but will\nnot publish two in his lifetime; hopes to meet him in\nVienna; unable to join him on trip but will enjoy his\nbook about it instead. S.L.C.] (w/env) (mourning\nstationery) (attached to large card)\u003c/p\u003e","\u003cp\u003eEncloses statement of final settlement of the\nclaims of creditors of Charles L. Webster \u0026amp;\nCompany; with list of creditors and amount of\nclaims.\u003c/p\u003e","\u003cp\u003eHas made corrections but asks that\n\"Autobiography\", \"Eye Openers\", and \"Screamers\" be\ndeleted; he put \"Autobiography\" out of print years\nbefore by destroying the plates; the other two he did\nnot write; mentions \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eFollowing the\nEquator \u003c/title\u003enow in press in England and America.\nS.L.C.] (mourning stationery)\u003c/p\u003e","\u003cp\u003eHopes he is recuperating and sends best wishes to\nMrs. Kelly; discusses English pronunciation of word\n\"trait.\" S.L.C.] (w/env) (mourning stationery)\u003c/p\u003e","\u003cp\u003eThanks for the cigars; mentions terrible August\nanniversaries concerned with Susy's death; leaving\nfor Vienna September 19; sends regards to Mrs. Skrine.\nS.L.C.] (w/env) (mourning stationery)\u003c/p\u003e","\u003cp\u003eKnows Cleg and will welcome him; sends him new\naddress; sketches out some story ideas; invites him\nto visit in Vienna. S.L.C.] (mourning stationery)\u003c/p\u003e","\u003cp\u003eGives address for his mail but asks they not give\nthe address away; all well but he has gout.\nS.L.C.\u003c/p\u003e","\u003cp\u003eThanks for invitation to his wife and daughters\nbut they will be unable to come. S.L.C.] (mourning\nstationery)\u003c/p\u003e","\u003cp\u003eFragment. Praises artist on his composite\nphotograph of Twain. M.T.\u003c/p\u003e","\u003cp\u003eFacetious commentary on a composite picture of a\nblack man and boy driving a cart with a picture of\nTwain on a chair imposed on cart. M.T. With\nphotograph.\u003c/p\u003e","\u003cp\u003eSends him two of his maxims. S.L.C.\u003c/p\u003e","\u003cp\u003eGlad to hear he is in Vienna; invites the Skrines\nto visit and dine with them.] (w/env) (mourning\nstationery)\u003c/p\u003e","\u003cp\u003eMailed the enclosed (not present) to Bliss;\nsuggests methods of sending the item by cable; plans\nto attend session of the [Austrian] Parliament;\nincludes text of cable sent to Bliss. S.L.C.\u003c/p\u003e","\u003cp\u003eClarification of organization of list of\ncreditors sent in letter of 1897 September 1 Bainbridge\nColby to Henry H. Rogers. \u003c/p\u003e","\u003cp\u003eDiscusses family news, real estate holdings, and\nfinances.\u003c/p\u003e","\u003cp\u003eRequests payment for work he is sending under\nseparate cover.\u003c/p\u003e","\u003cp\u003eHas sent article to \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe World \u003c/title\u003e, which\nrequested the article before White; feels reporting\nKasimir Badeni's resignation not worth the effort as\nit is a foregone conclusion; adds White's other\nrequest was merely a matter for reporters; sorry\nWhite's request did not come earlier. S.L.C.]\n(mourning stationery)\u003c/p\u003e","\u003cp\u003eEncloses list of creditors' addresses not in Sept\n[1897] report and further clarifications; with\nenclosed list of creditor's addresses and list of\nsixteen creditors represented by Parker \u0026amp;\nScudder. \u003c/p\u003e","\u003cp\u003eCover letter for Harper \u0026amp; Brothers ' check\nfor $2815.48 royalty payment sent to Henry H. Rogers\nat Olivia L. Clemens ' request.\u003c/p\u003e","\u003cp\u003eCover letter for gifts for the Tower children's\nstockings.] (mourning stationery)\u003c/p\u003e","\u003cp\u003eCover note for some changes for Chatto \u0026amp;\nWindus to put on one of the front fly leaves.\nS.L.C.\u003c/p\u003e","\u003cp\u003eRequests more time for corrections and wishes to\npost something tomorrow if possible. S.L.C.\u003c/p\u003e","\u003cp\u003eCame across letter \"with scores of others\nsimilar\" and sends it to Pamela; suggests she do as\nshe thinks best about the land; mentions Orion\nClemens never said anything to Samuel after \"this\nletter\" about the land.\u003c/p\u003e","\u003cp\u003eThanks him for Mark Twain's latest books and glad\nto see picture of Moffett and Twain; discusses\nattempts to rent or sell Moffett's Berkeley real\nestate; encloses check for Moffett's mother and best\nwishes for New Year; mentions family news.\u003c/p\u003e","\u003cp\u003eThanks him on behalf of Mark Twain for the note;\nTwain was sorry that White's request for article on\n\"the Reichrath's affair\" came too late.] (mourning\nstationery)\u003c/p\u003e","\u003cp\u003e Mark Twain requests a confidential cable be sent\nto Samuel E. Moffett; says cabling from Vienna more\nexpensive than from London; requests price of cable.]\n(mourning paper)\u003c/p\u003e","\u003cp\u003eThanks him for review of Mark Twain's book ( \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eFollowing the\nEquator \u003c/title\u003e); is doing most of Twain's\ncorrespondence because Twain is busy working on\nwriting projects; sends regards to family.]\n(w/env)\u003c/p\u003e","\u003cp\u003eQuotes letter she has received from Joseph L.\nSheridan answering her request for names of lawyers;\nlawyer says she can receive the appraised value of\nthe estate from the Hazelwood County clerk; asks him\nif she should write or would he rather do so.\u003c/p\u003e","\u003cp\u003eRequests him not to print the \"Comedy\" because it\nwould hurt the copyright in England and America;\ncomments on hard work of editing it. M.T.\u003c/p\u003e","\u003cp\u003eEncloses a package of manuscripts for her brother\nto read and return at least part of them; asked \"Syd\"\nto write one of the lawyers; thinks unless he can get\nbetter terms they had better sign this contract.\u003c/p\u003e","\u003cp\u003eBemoans fact that Chatto \u0026amp; Windus declined\nhis proposed Dreyfus book; had not occurred to him\nthat he could have the translating and researching\ndone by Harper \u0026amp; Brothers ' house in London.\nS.L.C.\u003c/p\u003e","\u003cp\u003eThe \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003ePublic Ledger \u003c/title\u003eof\nPhiladelphia never received anything on Charles L.\nWebster \u0026amp; Company account but 2 checks totalling\n$12.90; asks for when and to whom checks were\nsent.\u003c/p\u003e","\u003cp\u003eDiscusses corrections to be made to the\n\"Afrikander paragraph\" in \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eFollowing the\nEquator \u003c/title\u003eand ways of keeping the paragraph in\nthe book; requests copies of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eA Tramp Abroad \u003c/title\u003e;\nsuggests Bliss make postcards, not calendar, of\nmaxims from \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Tragedy of Pudd'nhead\nWilson \u003c/title\u003e; asks if Chatto \u0026amp; Windus may want\nto do this as well. S.L.C.\u003c/p\u003e","\u003cp\u003eMentions great appreciation for MacAlister saying\nin the \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eTimes \u003c/title\u003ethat Twain has\nworked himself out of debt; thanks him for all his\npast kindnesses in his time of trouble; mentions that\nhe has regained his self-respect and is cheerful\nexcept when he thinks of Susy. S.L.C.] (w/env)\n(mourning stationery)\u003c/p\u003e","\u003cp\u003eAsks him about anti-Semitism in Austria and in\nevents described by Twain in the article, \"Stirring\ntimes in Austria\"; with corrections by Twain in\npreparation for publication in article \"Concerning\nthe Jews.\"\u003c/p\u003e","\u003cp\u003eRe addresses and information she requested.\u003c/p\u003e","\u003cp\u003eWill send him the books for Her Royal Highness;\ncomments on the bindings of the books; enjoyed\ncorrespondent's brother Rudolf's visits very much.\nM.T.] (mourning stationery)\u003c/p\u003e","\u003cp\u003eRoyalty check sent to Olivia L. Clemens for\n$1861.68 (through December.31, 1897).\u003c/p\u003e","\u003cp\u003eThanks correspondent for offer to ship his books;\nhas forgotten artist's address but gives address of\nthe owner of the picture, who permitted the use of\nthe picture for a post card. S.L.C.\u003c/p\u003e","\u003cp\u003eWill send him 2 pictures (oils) which are now\nnearly dry enough to send.\u003c/p\u003e","\u003cp\u003eHas read \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eRoughing It \u003c/title\u003ecarefully\nand finds plenty of subjects for good illustrations;\nencloses list [not present] of possible subjects;\nsuggests full page drawings for illustrations;\ncomments on \"the inquest scene\" not humorous but\ninteresting; describes possible illustration of Mark\nTwain on bucking bronco; offers to meet and discuss\nideas; notes his change of address.\u003c/p\u003e","\u003cp\u003eCover letter for enclosed three \"Satisfaction of\nJudgement\" claims June 4 1895 from New York Supreme\nCourt in Barrow versus Clemens actions for George\nBarrow, Elizabeth Barrow, and Rebecca Barrow. With\nthree receipts from Elizabeth, George, and Rebecca\nBarrow, dated 1898 July 9.\u003c/p\u003e","\u003cp\u003eHas written several stories in past year, but\nwhich are inappropriate for Bok's family magazine;\noffers him \"My Platonic Sweetheart\" for a thousand\ndollars; if he does not want it, requests he mail it\nto Henry H. Rogers; says he found a misplaced letter\nhe thought he sent explaining why Mrs. Selfridge has\nmisunderstood him. S.L.C.\u003c/p\u003e","\u003cp\u003eHas written large part of his \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAutobiography \u003c/title\u003ebut only\nworks on it occasionally; feels it is too early to\npublish it, except as an occasional single chapter\nand it is inappropriate for a magazine; says editing\nfor a book is different than for a magazine; Olivia\nedited and approved \"My debut as a literary person\"\nand suggested Bok use this article instead of \"My\nplatonic sweetheart\" but he realized that Bok would\nneed to edit it further and so did not mail it.\nS.L.C.\u003c/p\u003e","\u003cp\u003eDeclines lecture invitation; will only lecture\nonce in the next year; when younger, had no distaste\nfor lecturing, but now finds it difficult. M.T.\u003c/p\u003e","\u003cp\u003eAcknowledges letter accepting his proposal to\nwrite Mark Twain biographical criticism for $300;\nfirst paragraph will be ready when he sees Bliss;\nwould like any biographical material available,\ncopyright dates of Twain books, and a set of Twain\nbooks published by Bliss; already has the full Harper\nset.\u003c/p\u003e","\u003cp\u003eCover letter for his introduction for Mark\nTwain's works; asks to see two sets of galley proofs\nso that a Columbia colleague may also check it; asks\nfor check at Bliss's convenience.\u003c/p\u003e","\u003cp\u003eFragment. Says heading should be \"From the London\nTimes of 1904\", which he thought of after mailing\nmanuscript. S.L.C.] (mourning paper)\u003c/p\u003e","\u003cp\u003eAcknowledges receipt of proofs of his Mark Twain\narticle and check; discussion of best position for\nhis introduction in the books.\u003c/p\u003e","\u003cp\u003e\"No, that isn't any matter.\" S.L.C.\u003c/p\u003e","\u003cp\u003eGives train schedule and proposed itinerary for\nhis visit. S.L.C.] (mourning paper)\u003c/p\u003e","\u003cp\u003eHas been ill with the flu which settled in his\neyes and delayed finishing of the drawings (for Mark\nTwain book); has three drawings nearly finished and\nwill start on the fourth soon.\u003c/p\u003e","\u003cp\u003eDiscusses Mark Twain and Olivia, who hope to be\nhome next year; they received very kindly Dr.\nLapsley, who had a letter of recommendation from\nMollie Clemens; comments that Twain's poem about Susy\nwas great comfort to her on Orion's death; mentions\nfamily news and that she is taking in boarders.]\n(mourning paper)\u003c/p\u003e","\u003cp\u003eTwain writes concerning English copyright\nlaw\u003c/p\u003e","\u003cp\u003ePraises Brander Matthews ' introductory essay.\nS.L.C.\u003c/p\u003e","\u003cp\u003eCame to Mrs. Couche's Thursday and wrote Moffett\nat home, but has had no reply; hopes no one is ill;\nat Piermont but does not know how to reach him; hopes\nall are well and does not want to be any trouble to\nthem.\u003c/p\u003e","\u003cp\u003eSuggests Mark Twain's play \"Is He Dead?\" would\nfare better if revised by a dramatist.\u003c/p\u003e","\u003cp\u003eIs returning Mark Twain play manuscript because\nit is not promising; would like other manuscript when\nBill Harris returns it. \"In Purgatory\" written across\nletter.\u003c/p\u003e","\u003cp\u003eHopes they will be back soon; expresses sorrow at\npassing of friends; wonders who the new American\nrepresentative will be and speculates he is not rich;\nOlivia fairly well and managing business end of their\naffairs. M.T.\u003c/p\u003e","\u003cp\u003eComments on three plays by Mark Twain; not able\nto place \"Bartel Turaser\"; \"In Purgatory\" is in hands\nof William Harris who promises a decision soon; \"Is\nhe dead?\" best of three; reluctant to return plays\nyet, may be able to place them. Refers to 1899 February. 2\nKlaw \u0026amp; Erlanger to Alf Hayman. \u003c/p\u003e","\u003cp\u003eIf they were going to stay in London, he would\ngladly accept Skrine's offer; will refer anyone\nlooking for a house to Skrine; likes the hotel they\nare staying in. S.L.C.\u003c/p\u003e","\u003cp\u003eRequests he not mention Twain's scheme for a\npostal check. S.L.C.] (mourning stationery)\u003c/p\u003e","\u003cp\u003eAsks for circular on the new uniform edition of\nMark Twain works; will be lecturing on Twain at Yale\nand would like to comment on this edition; his\ncollege class reads \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAdventures of Tom\nSawyer \u003c/title\u003ein May.\u003c/p\u003e","\u003cp\u003eOlivia wants Samuel E. Moffett of the \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eNew York Journal \u003c/title\u003eto\nwrite Twain biographical sketch from \"these notes\"\nand would like to check it before printing.\nS.L.C.\u003c/p\u003e","\u003cp\u003eHas signed half of Mark Twain sheets and will\nship by Adams Express, the other half to be sent next\nweek.\u003c/p\u003e","\u003cp\u003eIs sending the rest of signed Mark Twain\nprefaces.\u003c/p\u003e","\u003cp\u003eUnhappy that his bill not yet paid, but Bliss may\nremove signed proofs from his studio all the\nsame.\u003c/p\u003e","\u003cp\u003eThe papers \"duly executed\" are enclosed. S.L.C.]\n(mourning stationery calling card)\u003c/p\u003e","\u003cp\u003eExplains he ordered \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAdventures of Tom\nSawyer \u003c/title\u003efor his class but the Yale Co-op bought\ncopies from a jobber elsewhere.\u003c/p\u003e","\u003cp\u003eThanks him for telegram; leaving for London to\nplace daughter with Madam Marchesi for singing\nlessons; has said he is going to London for own\nbusiness so that present teacher will not know until\nnew engagement complete; asks for help in finding\nhotel in London and asks about Morley's Hotel in\nparticular; details desired accommodations.\nS.L.C.\u003c/p\u003e","\u003cp\u003eDictated. Enclosing sketch (not present) Mark\nTwain wants Moffett to rewrite; is not sure where\nhe'll put it in the new edition; requests he do it at\nthe earliest convenience.\u003c/p\u003e","\u003cp\u003eDiscusses London hotel reservations Spalding is\ngetting for \n Clemens family ; mentions he had\nasked Emperor for an audience; discusses travel plans\nand accommodation needs. S.L.C.\u003c/p\u003e","\u003cp\u003eAnnounces temporary change of address; has been\nunable to find Mrs. Spaulding's address; is staying\nat Broadstairs on orders from Clara's doctor; keeps\nquarters at the Prince of Wales Hotel; requests they\nnot make addresses public (AN on env). S.L.C.]\n(w/env)\u003c/p\u003e","\u003cp\u003eHas longtime commitment for a \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eTragedy of Pudd'nhead\nWilson \u003c/title\u003emaxim calendar; would not object if she\nuses another work for a calendar; does not think that\nHarper \u0026amp; Brothers or American Publishing Company\nwould object; likes the silhouette and would not mind\nher using it; eager to return to America before next\nwinter's snow begins. S.L.C.] (w/env)\u003c/p\u003e","\u003cp\u003eUnable to attend meeting on 29th because of\nprevious engagement; sympathizes with the cause.\nS.L.C. With AN at top in other hand: \"From Mark Twain\non W.S. meeting.\"\u003c/p\u003e","\u003cp\u003ePromises to look in on correspondent before\nleaving town. S.L.C.] (mourning stationery)\u003c/p\u003e","\u003cp\u003eThanks \"authors\" for honor they have offered him;\nregrets he will be leaving shortly and will not be in\nLondon for awhile so he cannot take advantage of it.\nS.L.C.] (w/env)\u003c/p\u003e","\u003cp\u003eGlad Mark Twain pleased with sketch; had not set\nit in type yet because he was waiting for Twain's\napproval; requests he make a change in the copy to\nsee if the correction is better than the\noriginal.\u003c/p\u003e","\u003cp\u003eHas arrived in London and may stay until spring\nso that Jean can continue treatment; will complete\napplication for copyright; Olivia acknowledges\nreceipt of check; inquires what Harper \u0026amp; Brothers\nhas to do with his English editors; let him know if\nHarper \u0026amp; Brothers does not object to Bliss using\nthe \"Jew article\" (\"Concerning the Jews\") and will\nnot stop him from adding a volume of short works to\nuniform edition; would prefer to give volume to\nMcClure, which is really Harper \u0026amp; Brothers;\nsuggests Bliss, if he needs to, go through McClure to\nget a concession from Harpers; expects no trouble\nthough from Harper \u0026amp; Brothers. S.L.C.\u003c/p\u003e","\u003cp\u003eDeclines invitation to the Savage Club because he\nplans to keep out of newspapers for six months; would\nlike to visit him and his family at home; says he is\nready to start writing. Signed S.L.C.] (w/env)\u003c/p\u003e","\u003cp\u003ePraises book on Major Noah; has not read beyond\nanswer to \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eNorth American Review \u003c/title\u003e;\nhopes to use facts furnished by correspondent; says\nhe knew Major Noah's eldest son in San Francisco;\ngives London address as Chatto \u0026amp; Windus.\nS.L.C.\u003c/p\u003e","\u003cp\u003eUnderstands now; had been deceived by Smythe's\nline; cannot lecture and does not expect to be on\nlecture platform again since he dislikes it.\nS.L.C.\u003c/p\u003e","\u003cp\u003eGlad to hear news of Mrs. Tatlock's health; is\nhouse hunting. S.L.C.\u003c/p\u003e","\u003cp\u003eHad the set of Mark Twain works here all the time\nbut thought they were the sheets; thinks the page on \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003e[Life On] The\nMississippi \u003c/title\u003ea bit crowded but feels it doesn't\nmatter; will sign sheets this week.\u003c/p\u003e","\u003cp\u003eThanks him for another book; still is comforted\nby \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eIn Memoriam \u003c/title\u003e; enjoyed\nvisit with him; says Twain cannot remember the\npublishing story MacAlister referred to.] (w/env)\n(mourning stationery)\u003c/p\u003e","\u003cp\u003eDiscusses whether Lord Leighton used the Kellgren\nmassage system; asks for confirmation. M.T.]\n(w/env)\u003c/p\u003e","\u003cp\u003eDeclines dinner invitation since many journalists\nwould be present. S.L.C.\u003c/p\u003e","\u003cp\u003eChristmas and New Year's wishes to the\nMacAlisters.] (w/env) (mourning stationery)\u003c/p\u003e","\u003cp\u003eAnswers her question on his books.] (mourning\nstationery)\u003c/p\u003e","\u003cp\u003eSuggests canvassing in Ashland, Kentucky, would\nresult in many sales in individual books and uniform\nsets of Mark Twain works.] (mourning stationery)\u003c/p\u003e","\u003cp\u003eSpeculation that Bovril might be the best\ncustomer for Plasmon. S.L.C.] (w/mourning env)\u003c/p\u003e","\u003cp\u003eDiscusses his investment in Plasmon and Plasmon\nmatters; would like a theater box; has declined an\ninvitation from the Liberal Club; wants to have the\npublisher do the proof-reading; suggests title \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Man That Corrupted\nHadleyburg and Other Stories and Sketches \u003c/title\u003efor\nnew book; admits he was fooled by the \"Greek\" origin\nof \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Celebrated Jumping Frog of\nCalaveras County \u003c/title\u003estory. M.T.] (w/mourning\nenv)\u003c/p\u003e","\u003cp\u003eDiscusses the way Bovril is obtained and his\nestimates of the cost to the company; thinks Bovril\nsyndicate is not making a profit; adds Tatlock coming\nfrom Berlin in a week.] (w/env)\u003c/p\u003e","\u003cp\u003eUnable to write for Whitney because his writing\nis now committed for the next year or two. S.L.C.]\n(mourning stationery)\u003c/p\u003e","\u003cp\u003eAsks him to send Heimberg to Lord George\nHamilton's closest friend with suggestion of Plasmon\nfor relieving famine in India at lower bulk and cost\nthan millet. S.L.C.] (w/env)\u003c/p\u003e","\u003cp\u003eDiscusses editing his two volume book and\nsecuring the British copyright; mentions Harper \u0026amp;\nBrothers sending him prints of illustrations for the\nbook. S.L.C.] (mourning stationery)\u003c/p\u003e","\u003cp\u003eHas not heard from Tatlock but if Butlers' offer\nis accepted he will help. S.L.C.\u003c/p\u003e","\u003cp\u003eAsks for packages of Plasmon and Virchow's\npamphlets for distribution; visited House of Commons.\nS.L.C.\u003c/p\u003e","\u003cp\u003eWill try to bring money to him. S.L.C.\u003c/p\u003e","\u003cp\u003eUnable to say when he will be free from \"mortgage\nupon my possible work\" and so cannot make any\npromises. S.L.C.] (mourning stationery)\u003c/p\u003e","\u003cp\u003eMarked private. Says Jean's illness has been\ndiagnosed as epilepsy; has told only two other\npeople, Dr. Helmar and Susan Crane; she is under\ntreatment of Heinrich Kellgren; wishes Moffett to\ninterview Dr. Helmar and sends a list of questions\n(not present) to ask; wants him to take notes on\ninterview using fictitious names; says Kellgren has\npromised to cure Jean; depends on Moffet to get all\nthe information he can on and from Helmar.\nS.L.C.\u003c/p\u003e","\u003cp\u003eWould be delighted to visit her with Olivia, but\nthe girls will be unable to come because of their\nstudies; inquires for convenient date for visit.\nS.L.C.\u003c/p\u003e","\u003cp\u003eRe two clauses to be added to \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAdventures of Tom\nSawyer \u003c/title\u003edramatization contract; with copy of\ncontract and carbon copy.\u003c/p\u003e","\u003cp\u003eThanks him for box at Prince of Wales Theater;\nlooking forward to seeing Mr. Harvey in the plays\nthere; says Bram Stoker will send them tickets for\nthe Lyceum; reports that Mark Twain has gone to\nOxford; best wishes to his wife and ill son.]\n(mourning stationery)\u003c/p\u003e","\u003cp\u003eThanks for the box; reports Olivia has gout and\ninquires what she should do since she disobeys her\ndoctors. M.T.] (w/mourning env)\u003c/p\u003e","\u003cp\u003eThanks him for tablets sent to her; hopes he is\ngetting better himself; regards to his parents.]\n(mourning stationery)\u003c/p\u003e","\u003cp\u003eSays he is enclosing letter Bram Stoker's letter\nexpressing his opinion on the hypothetical play;\nsince Penley has not submitted his offer, suggests\nthat he go with Cyril Maude. At bottom of letter, AN\n1900 June 29 from Mark Twain agrees with MacAlister\nand returning Bram Stoker's letter to him as\nrequested. M.T.\u003c/p\u003e","\u003cp\u003eKnows nothing about Dow machine; advises him to\nget full information before investing; accepts dinner\ninvitation.\u003c/p\u003e","\u003cp\u003eDeclines invitation; says family moving and he\nhas a prior engagement. S.L.C.\u003c/p\u003e","\u003cp\u003eSends regrets. S.L.C.\u003c/p\u003e","\u003cp\u003eRe his health. S.L.C.\u003c/p\u003e","\u003cp\u003eUnable to visit because he had to call on widow\nof someone who had died suddenly.\u003c/p\u003e","\u003cp\u003eDeclines offer because of family's day of\nmourning for Susy. With AN on envelope inviting\nMacAlister to visit. S.L.C.] (w/env) (mourning\nstationery)\u003c/p\u003e","\u003cp\u003eRequests him to check spelling on ship names. No\nsignature.] (w/mourning env)\u003c/p\u003e","\u003cp\u003eThanks for a complimentary review he had written;\npacking for move back to America; compares removals\nand funerals and is tired of attending them. S.L.C.]\n(mourning stationery)\u003c/p\u003e","\u003cp\u003eCannot write for Lloyds Christmas number because\nhis contracts debar him; wants the MacAlisters to\nvisit them; discusses an aphorism on intolerance.\nM.T.] (w/env) (mourning stationery)\u003c/p\u003e","\u003cp\u003eInvites him and family for dinner Monday as the\nClemenses are moving; asks him to safe-guard a play\nand typed manuscript; wants MacAlister to represent\nhim in some financial matters. S.L.C.] (w/env)\n(mourning stationery)\u003c/p\u003e","\u003cp\u003eAsks MacAlister to represent him in some\nfinancial matters; will be sailing for America October 6.\nS.L.C.] (w/env) (mourning stationery)\u003c/p\u003e","\u003cp\u003eSays he is using all his influence with God on\nMacAlister's behalf. M.T.] (w/env)\u003c/p\u003e","\u003cp\u003eDiscusses London hotels with humorous specific\ncomplaints and exaggeration; plans to sail on \"The\nMinnehaha\" on Saturday.\u003c/p\u003e","\u003cp\u003eSays goodbye with warm thanks and good wishes to\nthe MacAlisters.] (w/env)\u003c/p\u003e","\u003cp\u003eReports no seasickness except for the maid, whom\nthey treated with Plasmon; notes that Plasmon given\nto ill patient by ship's surgeon; discusses Plasmon\nbusiness. M.T.] (w/env)\u003c/p\u003e","\u003cp\u003eDiscusses the Plasmon company in America and in\nEngland; says Henry H. Rogers agrees with him; says\nDr. Cook very capable; thinks they have a furnished\nhouse for a year. M.T.] (w/env)\u003c/p\u003e","\u003cp\u003eAsks for London and Berlin reports; says Plasmon\nfactory will be on famous Briar Cliff dairy farm.\nWritten on printed testimonial for Plasmon. M.T.\u003c/p\u003e","\u003cp\u003eAgrees to December 4 for Aldine [Club], with no\nreporters present. S.L.C.] (mourning stationery)\u003c/p\u003e","\u003cp\u003eRegrets he will be unable to attend \"festival\"\nand pay tribute to Mark Twain; praises Twain\nhighly.\u003c/p\u003e","\u003cp\u003eConfirms verbal agreements of exclusive serial\nrights to Twain's articles and exclusive publishing\nrights to any books for a one year period and details\nof royalty payments and advertising agreements until\nJanuary 1 1902.\u003c/p\u003e","\u003cp\u003eDiscusses royalty payments for a dramatization of\n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAdventures of Tom\nSawyer \u003c/title\u003eas suggested by [Charles] Frohman;\noffer comparable to \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eRichard\nCarvell \u003c/title\u003eagreement; fee would be split between\nTwain and dramatizer; has suggested Twain get a\npercentage of gross receipts. On verso, ALS [1900]\nNovember 16 Mark Twain to Henry H. Rogers asks him to look\nover offer, says he will sign it, and questions\npossibility of time limit on \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAdventures of Tom\nSawyer \u003c/title\u003edramatization but not on \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAdventures of Huckleberry\nFinn \u003c/title\u003edramatization. S.L.C.\u003c/p\u003e","\u003cp\u003eIn German. Hears he is home already; asks if it\nis suitable to visit right away. M.T.\u003c/p\u003e","\u003cp\u003eApologizes for ignoring registered letter;\ndiscusses Plasmon and its financing; says he has been\nsick in bed; will be giving his last lecture for the\nseason on December. 12. M.T.] (w/env)\u003c/p\u003e","\u003cp\u003eThanks him very much for book; says he has\nreplied to thirty-eight other letters today and this\nis the first one he has enjoyed writing. M.T.]\n(morning stationery)\u003c/p\u003e","\u003cp\u003eThanks her for example of \"Filipino\" workmanship;\nhas not seen either Mr. Bass or Mr. Patterson.\nS.L.C.] (mourning stationery)\u003c/p\u003e","\u003cp\u003eThanks him and \"the Committee\" for their\ninvitation but is unable to accept. S.L.C.\u003c/p\u003e","\u003cp\u003eHas received check from MacAlister; compliments\nhim on business success; reports he is very busy with\nletters and speeches; says they are very lucky to\nhave their large house; fumes about war in\nPhilippines; encloses newspaper clipping (present).\nM.T.\u003c/p\u003e","\u003cp\u003eWishes to locate heirs of Dr. John Clemens, Jr.,\na nephew of Twain's father. In AN at bottom, Twain\nasks Samuel E. Moffett to respond if he wishes.\nS.L.C.\u003c/p\u003e","\u003cp\u003eRe Pratt \u0026amp; Whitney Company claim of debt owed\nfor Paige Compositor Manufacturing Company; had\nsupposed account had been closed; will check contract\nif Mark Twain would like; will send notices of Twain\narticles in \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eNorth American\nReview \u003c/title\u003eif wanted; enclosing some letters. In\nAN to Henry H. Rogers, Twain says he sent Pratt \u0026amp;\nWhitney Company letter back to Pratt \u0026amp; Whitney;\nhaven't heard from them.\u003c/p\u003e","\u003cp\u003eBelieves he is not able to answer part of Gates's\nspeech and adds that the last paragraph of speech\naccurate picture of country. S.L.C.\u003c/p\u003e","\u003cp\u003eSays \"The Alonzo Child\" was the last steamboat he\nserved on and that the boat later went into\nConfederate service; returned home on the \"A.T.\nLacey,\" missing the Memphis blockade by only a couple\nhours. S.L.C.\u003c/p\u003e","\u003cp\u003eDiscusses a sculptor's name he does not\nrecognize; sorry he missed Langdon's call; says\nOlivia and Clara are in D.C. S.L.C.\u003c/p\u003e","\u003cp\u003eAbout autographing volumes for Churchill.\nM.T.\u003c/p\u003e","\u003cp\u003eAppreciates his pleasant words; believes things\nhe has been saying are in the hearts of the nation's\nintelligent men but does not expect them to speak out\npublicly except when in the majority. S.L.C.\u003c/p\u003e","\u003cp\u003eAfraid Croker may not be dethroned; permits use\nof German chapter in his Annual but Stead will still\nneed Chatto's permission. S.L.C.\u003c/p\u003e","\u003cp\u003eRegretfully declines invitation. S.L.C.\u003c/p\u003e","\u003cp\u003eThanks for newspaper clippings; remarks on\nadvantage of knowing what the pulpit thinks of him.\nS.L.C.\u003c/p\u003e","\u003cp\u003eIf they had heard from him in time, they would\ngladly have stayed with him. S.L.C.\u003c/p\u003e","\u003cp\u003eThanks for appreciation of his books and his\nexpression of outspoken support and approval for Mark\nTwain's \"Red Cross\" blast. S.L.C.\u003c/p\u003e","\u003cp\u003eThanks for sending \"those proofs\" which he found\ninstructive and entertaining. S.L.C.\u003c/p\u003e","\u003cp\u003eThe \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eLibrary of\nLiterature \u003c/title\u003eis wrong and \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eReview of Reviews \u003c/title\u003eis\ncorrect that he was born in Florida, Missouri.\nS.L.C.\u003c/p\u003e","\u003cp\u003eRe street sprinkling tax. Initialed\u003c/p\u003e","\u003cp\u003eRequests him to send several pounds of\nunspecified food to Katherine I. Harrison, who will\neat part and distribute the rest to friends; will\ncome soon. S.L.C.\u003c/p\u003e","\u003cp\u003eRequests that Twain pay debt for work done on\nPaige Compositor.\u003c/p\u003e","\u003cp\u003eRe Pratt \u0026amp; Whitney Company bill.\u003c/p\u003e","\u003cp\u003eCover note for itemized bill of their account\nagainst Mark Twain \u003c/p\u003e","\u003cp\u003eGiving note of introduction to Col. Harvey,\npresident of Harper \u0026amp; Brothers; invited to cross\nby both Harvey and Rogers, with whom he would prefer\nto go, but cannot get away. S.L.C.] (w/env)\u003c/p\u003e","\u003cp\u003ePleased with poem [\"The White Man's Burden\"];\nthanks him for book; will be coming to consult \"the\nbound Century.\" M.T.\u003c/p\u003e","\u003cp\u003eEncloses duplicate invoice re Mark Twain's\noutstanding account with Pratt \u0026amp; Whitney Company;\nwith 2 duplicate invoices and worksheet detailing\nlabor hours billed.\u003c/p\u003e","\u003cp\u003eSays family, now in better health, enjoyed\nhearing from him; has not been working because of\n\"too much speech-making\"; has been criticizing\nAmerican missionaries in China and is in trouble with\nthe clergy and others; has been looking for summer\nhouse in Adirondacks; recounts anecdote about Emperor\nWilhelm and Lindau; apologizes for dictating the\nletter but has too much correspondence to do\notherwise. S.L.C.\u003c/p\u003e","\u003cp\u003eSuggests he visit America; discusses Plasmon's\nsuccesses; glad that they were not bought out by the\nPlasmon Syndicate; wishes to be remembered to the\nBergheims. S.L.C.\u003c/p\u003e","\u003cp\u003eThanks him for sermon; will be meeting with a\ngroup of clergymen and says correspondent has\nsupplied text for his talk: \"the inability of the\nclerical profession to either quote correctly or even\nspeak the truth off-hand.\" S.L.C.\u003c/p\u003e","\u003cp\u003eRe account settlement with Pratt \u0026amp; Whitney\nCompany. \u003c/p\u003e","\u003cp\u003eRe interest charged to Charles L. Webster \u0026amp;\nCompany by Mount Morris Bank by former bank managers.\nEnclosed copy (TL) of L. M. Schwan to John E. Borne\nre Webster business with Mount Morris Bank with\ncopies of Webster accounts at the Mount Morris Bank.\n\u003c/p\u003e","\u003cp\u003eRe settlement for Mark Twain's account with Pratt\n\u0026amp; Whitney Company. \u003c/p\u003e","\u003cp\u003eRe Mark Twain's account with Pratt \u0026amp; Whitney\nCompany. \u003c/p\u003e","\u003cp\u003eResults of his research into Twain's Pratt \u0026amp;\nWhitney Company account and his recollections of the\nmatter.\u003c/p\u003e","\u003cp\u003eCover note for business material. S.L.C.] (on 1/2\nenvelope [Franklin G.] Whitmore to Mark Twain )\u003c/p\u003e","\u003cp\u003eHas no desire to be president; sends regrets to\nher mother that they are unable to accept her\ninvitation but they are packing for the summer move.\nS.L.C.\u003c/p\u003e","\u003cp\u003eAsks his personal attention to Pratt \u0026amp;\nWhitney Company claim.\u003c/p\u003e","\u003cp\u003eEnjoyed his book, which took him back 50 years;\nencloses scheme for \"drawing 'signed' ogres\" (not\npresent); thinks Aldrich may want to try it.\nS.L.C.\u003c/p\u003e","\u003cp\u003e Mark Twain will pay his share of the expenses of\ngoing to Tennessee and wishes him luck; enjoying stay\nin the mountains.] (w/mourning envelope) (mourning\nstationery)\u003c/p\u003e","\u003cp\u003eDiscusses Plasmon; mentions he is following Henry\nH. Rogers ' advice on other investments; has been\nwriting for pleasure; refused offer to write for a\nmagazine; has returned from yatching trip with Henry\nH. Rogers; is renting a large house in Ampersand;\nreports details of publishing contracts for new\neditions of his books. M.T.] (w/mourning env)\u003c/p\u003e","\u003cp\u003eSays Mr. Dodge gave him a lift up the hill and\npromised to visit soon; hopes to have friendly\nneighbors because he and Olivia like company; will\nread Stedman's poem and hopes to see him soon.\nS.L.C.] (w/env)\u003c/p\u003e","\u003cp\u003eFascinated by project but decided against it\nbecause of possible misinterpretation. S.L.C.\u003c/p\u003e","\u003cp\u003eThought her daughter had written him before; says\nMark Twain is refusing requests for interviews\nbecause he feels everything of interest has been said\nabout his life already.] (mourning stationery)\u003c/p\u003e","\u003cp\u003eRequests that Clara's maid, bearer of this\nletter, be allowed to unpack Clara's trunk for her.\nM.T. and S.L.C.] (mourning stationery)\u003c/p\u003e","\u003cp\u003eAsks if he should send a picture of \"a picture of\n\"a proud and haughty Russian\" ( Ossip Gabrilowitsch\n); hopes she will be well soon from measles; AN at\nbottom asks [Susan Crane] to read letter to\nClara.\u003c/p\u003e","\u003cp\u003eAsks if she would help recover a ring from the\ntheater at which \"A Gentleman of France\" matineed;\nsays Olivia lost the ring there but got no response\nfrom the box office; was not able to get away to see\nher in person to make request. S.L.C.] (mourning\nstationery)\u003c/p\u003e","\u003cp\u003eDiscusses selling his Plasmon stock; named a\ndirector of the American Plasmon Company; setting off\nto meet Henry H. Rogers in Miami for West Indies\ncruise. M.T.] (w/env)\u003c/p\u003e","\u003cp\u003eComments nothing objectionable in unspecified\nforthcoming article; undecided on summer plans; if\nstaying in America, will travel to Missouri to accept\nhonorary degree from University of Missouri. S.L.C.]\n(mourning stationery)\u003c/p\u003e","\u003cp\u003e Mark Twain does not have old photographs to send\nper correspondent's request but is sending an\nautographed photograph and hopes it will do.\u003c/p\u003e","\u003cp\u003eRegrets he cannot accept invitation to speak but\nbecause of Olivia's precarious state of health he is\nnot making out of town engagements; complains about\nthe Postal system. S.L.C.] (mounted on card)\u003c/p\u003e","\u003cp\u003eHopes to move Olivia, who is now improving, to\nElmira soon; wishes to be elected a Plasmon director\nat New York meeting in October.; sympathizes with him in\nhis illness; offers remedy; relates how others took\nremedy only when he charged for it; \"the human race\nis just a fool\"; discusses his agreements with \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eHarper's \u003c/title\u003efor articles\nand payment; has a finished article for \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eHarper's \u003c/title\u003ewhich he send\nalso to \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eLloyd's \u003c/title\u003e; if MacAlister\ndoes sell it to \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eLloyd's \u003c/title\u003e, please use\nthe money to buy passage to America; will send it if\nJean types it. M.T.] (w/env)\u003c/p\u003e","\u003cp\u003eAsks he put aside \"Amended Obituaries\" for now;\nhas withdrawn it from \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eHarper's \u003c/title\u003ealso; reports\nthat Olivia gravely ill with heart disease. M.T.\u003c/p\u003e","\u003cp\u003eApologizes for his presumption in his two\nprevious letters; wishes to obtain a copy of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eRoughing It \u003c/title\u003eand would\nappreciate any help.\u003c/p\u003e","\u003cp\u003eWishes he could but is barred by existing\ncontracts. S.L.C.\u003c/p\u003e","\u003cp\u003eGives permission to publish \"Amended Obituaries\"\narticle; says Olivia is feeling much better; reports\nthat her heart problem apparently disappeared but has\nnervous prostration; describes her condition and\ndependence on Clara and a trained nurse; adds that\nthere will be a birthday banquet for him in New York\nin November. M.T.] (w/env)\u003c/p\u003e","\u003cp\u003eDeclines invitation because he has too much work.\nS.L.C.\u003c/p\u003e","\u003cp\u003eBok may wait awhile since he is not considering\nbreaking with \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eHarper's \u003c/title\u003ebut if he\nshould be willing \"to talk Christmas story\" with Bok.\nS.L.C. in other hand\u003c/p\u003e","\u003cp\u003eDiscusses book he is writing on Christian\nScience; \"chief writer of the cult\" wants to write\nrejoinder and have it in book; Twain does not object;\nbook will be out in end of March or mid April;\nrequest proofs from Harper \u0026amp; Brothers; says\nOlivia a little better. S.L.C.\u003c/p\u003e","\u003cp\u003eDraft for telegram re John T. Lewis's retirement;\nAN in corner says telegram not sent for lack of\ngravity. S.L.C.\u003c/p\u003e","\u003cp\u003eComments that the uncorrected proof sent him has\ncost him four hours work, three hours more than a\ncorrected proof would have required; requests larger\nmargins on proofs for corrections; will try to make\nreport resemble a speech he has forgotten.\nS.L.C.\u003c/p\u003e","\u003cp\u003eBliss can send advance; Henry H. Rogers says\nBliss has nothing to fear from Harper \u0026amp; Brothers\nand that Bliss can come to him for help; Olivia and\nJean doing well. S.L.C.\u003c/p\u003e","\u003cp\u003eResponds to criticisms that his short story \u003ctitle type=\"simple\" render=\"doublequote\" href=\"\"\u003eWas it heaven or hell?\u003c/title\u003e implied that lying was excusable under some circumstances by relating an incident in which his bedridden wife was not told about the critical illness of  a daughter. The letter is accompanied by tear sheets of the story from \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eHarpers Magazine\u003c/title\u003e and an obituary for Jean Clemens.\n \u003c/p\u003e","\u003cp\u003eFragment. Tells him to put in his conclusion to \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eChristian Science \u003c/title\u003e.\n\u003c/p\u003e","\u003cp\u003eRequest to transfer half of his Plasmon Founders\nShares to John Young Walker MacAlister. Witnessed and\nsigned by Olivia L. Clemens. (Originally enclosed in\nALS 1903 April 7 and May 8 Mark Twain to John Young\nWalker MacAlister ) S.L.C.\u003c/p\u003e","\u003cp\u003eGlad to receive his letter; recounts how he\nmistakenly thought they had over-spent the family\nbudget and what a shock this mistake gave him;\nreports Olivia is still very ill and is treated very\ndelicately; plans to take her to Italy on doctors'\norders; apologizes for not sending letter; has been\nvery sick for a month; says he met with the\nBergheims; is transferring shares to MacAlister;\nthanks him for past generosity; authorizations\nenclosed; reports on Henry H. Rogers, who has\nappendicitis; says Jean has measles and Olivia\nimproving. M.T.] (w/env)\u003c/p\u003e","\u003cp\u003eProposes to publish set of Mark Twain books from\nnew plates with no restrictions on other editions of\nhis books, save minimum price; offers royalty terms,\na guaranteed payment, and option to buy back the\nplates.\u003c/p\u003e","\u003cp\u003eDiscusses negotiations with American Publishing\nCompany to market Hillcrest edition sets, disposal of\nold single editions, and Twain payment to American\nPublishing Company upon signing of contract;\ndiscusses negotiation with Collier's to sell sets by\nsubscription and Harper \u0026amp; Brothers ' to sell to\ntrade; mentions business discussion with Frederick A.\nDuneka; enjoyed visit with Rogers. \"Billy's friend\nDr. Rice\"\u003c/p\u003e","\u003cp\u003eDiscusses various proposals re sale of Hillcrest\nedition, uniform sets, agreements with Harper \u0026amp;\nBrothers and Mr. Collier, sale of plates to Twain,\nproposed Collier edition, contract with American\nPublishing Company and Olivia L. Clemens, royalties\nand other business matters.\u003c/p\u003e","\u003cp\u003eReport on Peter F. Collier and Robert J. Collier\nand their business; with autograph cover note from F.\nN. Doubleday; with Bradstreets \"stamp\" on back,\naddressed to Double \u0026amp; Page, August. 11, 1903.\u003c/p\u003e","\u003cp\u003eBok will need to come to Quarry Farm for\nphotographs since he will be there for next six\nweeks. S.L.C.\u003c/p\u003e","\u003cp\u003ePictures of the Clemens' longtime summer house\nare finished; will sail for Italy in October;\nencloses brief explanations for the pictures (not\npresent). S.L.C.\u003c/p\u003e","\u003cp\u003eAsks he edit out words (in photograph captions)\nwhich state John T. Lewis had been a slave before the\nwar because he had not been; requests chance for\nOlivia to edit captions before publication.\nS.L.C.\u003c/p\u003e","\u003cp\u003eProposal to maximize profits from publication of\neditions of Mark Twain books.\u003c/p\u003e","\u003cp\u003eSends inventory of stock of old editions of Mark\nTwain, with autograph note stating number recently\nbound.\u003c/p\u003e","\u003cp\u003eLikes Marr's photographs very much; requests\ncopies be sent to two of his correspondents whom he\nhas never met. S.L.C.\u003c/p\u003e","\u003cp\u003eRe business concerning Mark Twain and his\nbooks.\u003c/p\u003e","\u003cp\u003eRequest 33 of the Marr photographs when lawful\nfor them to be released; asks he be billed at the\nusual discount for \"orphans and authors\"; will be\nleaving soon for New York City and Italy; if Marr is\nthe one who will furnish photographs, please forward\nlist (not present) to Marr. S.L.C.\u003c/p\u003e","\u003cp\u003eThanks him for noticing the error in list of\nphotos requested and requested correction.\u003c/p\u003e","\u003cp\u003eThey will be at the Grosvenor in New York from\nOctober 15; appreciates him breaking his rule for them;\nwill be careful not to let photographs end up where\nthey might be reproduced; friends have inquired about\ncopies and when they will appear in the \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eLadies Home Journal \u003c/title\u003e;\nthey both thank him for the pictures.\u003c/p\u003e","\u003cp\u003eJokes about letter correspondent sent him;\nconsiders account better than Hawthorne's account;\nOlivia now reading it; Olivia able to travel with\nspecial stewardess and Katy Leary. ANS on verso from\nEdwin Pond Parker explaining Twain opening sentence\nwhich was in jest.\u003c/p\u003e","\u003cp\u003eRe Charles Gardiner's option to buy \"Hillcrest\"\nat Tarrytown. \u003c/p\u003e","\u003cp\u003eTurned over his power of attorney to Henry H.\nRogers to handle his business. Typed signature\nS.L.C.\u003c/p\u003e","\u003cp\u003eWishes to settle business before Mark Twain\nleaves; sorry any confusion remains.\u003c/p\u003e","\u003cp\u003eAuthorizes real estate firm to manage his\nTarrytown property while he is abroad.\u003c/p\u003e","\u003cp\u003eWill come if he can but doubts he can so close to\ntheir sailing time; asks him to send photo and\nmagazine to his ship. M.T.\u003c/p\u003e","\u003cp\u003eAbout to embark for Italy for a year with Olivia\nwho is a little better; will be living at Villa Reale\ndi Quarto. S.L.C.] (w/env)\u003c/p\u003e","\u003cp\u003eOffers help; encloses tax bill for Mark Twain's\nTarrytown property.\u003c/p\u003e","\u003cp\u003eRe needed repairs on stable roof and dwelling at\nMark Twain's Tarrytown property.\u003c/p\u003e","\u003cp\u003eRe George W. Reeves ' alleged attempts to gouge\ncommission and payment for leasing Hillcrest.\u003c/p\u003e","\u003cp\u003eUnable to collect rent unless house repairs are\ncompleted.\u003c/p\u003e","\u003cp\u003eComments on dividend received from MacAlister;\nsays Olivia was improving until she was burnt by\naccident; reports on his trip and the villa;\ndiscusses an introduction to Mr. Biaggi. ANS on\nenvelope says to send draft to Henry H. Rogers. M.T.\nand S.L.C.] (w/env)\u003c/p\u003e","\u003cp\u003eHas already asked Henry H. Rogers to put his\nsurplus into stocks; cannot invest in Lysoform but\nwishes he could; liked Mr. Biaggi. S.L.C.]\n(w/env)\u003c/p\u003e","\u003cp\u003eRe repairs of Hillcrest, shiftiness of George W.\nReeves, and possible sale of property.\u003c/p\u003e","\u003cp\u003eRe commission for renting or selling\nHillcrest.\u003c/p\u003e","\u003cp\u003eRe George W. Reeves ' commission and financial\nsituation and possibility of hiring a different\nagent.\u003c/p\u003e","\u003cp\u003eDiscusses Olivia's poor health and setback;\nwishes they had not come to Florence as the doctors\nsuggested for her. S.L.C.\u003c/p\u003e","\u003cp\u003eAsks him if the New York Sun report is true that\nMaurice Hewlett spending winter in Florence and if\nso, would like his address.] (w/env)\u003c/p\u003e","\u003cp\u003eExpresses sorrow for his loss; mentions Thomas\nBailey Aldrich lost his son after a long illness;\nlooks forward to seeing Miss Merion; discusses\nweather; encloses newspaper clipping about famine in\nIndia (present). M.T.] (w/env)\u003c/p\u003e","\u003cp\u003eEnjoyed visit of MacAlister's brother; still\nwatching Olivia; working on his \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAutobiography \u003c/title\u003etwo hours\na day and two long novels not to be finished for a\nwhile; discusses financial dealings. S.L.C.]\n(w/env)\u003c/p\u003e","\u003cp\u003eThey cannot attend correspondent's marriage but\nhopes it will be as long and happy as his has been;\nasks to be remembered to correspondent's parents whom\nhe knew long before correspondent was born.\nS.L.C.\u003c/p\u003e","\u003cp\u003eDescribes Olivia's recent decline and says she is\nvery ill. M.T.] (w/env)\u003c/p\u003e","\u003cp\u003eSends a quote and a poem from \"that quaint\ndarling\", 6 year old Marjorie Fleming. \"Y\"\u003c/p\u003e","\u003cp\u003e\"Clara slowly recovering, the rest well.\nClemens\"\u003c/p\u003e","\u003cp\u003ePrinted acknowledgement of sympathy expressed for\nOlivia's death with autograph note conveying thanks.\nS.L.C.] (mourning stationery)\u003c/p\u003e","\u003cp\u003ePrinted acknowledgement of sympathy expressed for\nOlivia's death with ANS saying that they sail June\n28. S.L.C.] (mourning stationery)\u003c/p\u003e","\u003cp\u003eThanks for roses sent on Olivia's death by\ncorrespondent and \"John\", whom Olivia considered good\nfriends. S.L.C.] (mourning stationery)\u003c/p\u003e","\u003cp\u003ePrinted acknowledgement of sympathy expressed for\nOlivia's death with autograph note conveying thanks.\nM.T.] (w/env) (mourning stationery)\u003c/p\u003e","\u003cp\u003ePicture almost complete and to be sent very\nsoon.\u003c/p\u003e","\u003cp\u003eAsks her to write rent check for New York house;\nwill get another checkbook tomorrow; asks her to tell\nJean of good report of the progress he heard from\nClara and about her activities; will be staying over\nat Mr. Broughton's. S.L.C.\u003c/p\u003e","\u003cp\u003eAcknowledges receipt of check.\u003c/p\u003e","\u003cp\u003eShocked to hear of Samuel Bergheim's death; adds\nhe has a house for three years; says Clara and Jean\naway and he is lonesome. M.T.] (w/env) (mourning\nstationery)\u003c/p\u003e","\u003cp\u003eMourns loss of Olivia; mentions Clara's illness\nand prescribed isolation; says Jean is in the\ncountry; describes moving into new house, with Katy\nas housekeeper; discusses Plasmon matters. M.T.]\n(w/env)\u003c/p\u003e","\u003cp\u003eThanks correspondent for letter. S.L.C. With AN\nby Isabel V. Lyon saying letter was a form letter to\nbe used to acknowledge receipt of book or published\narticle.\u003c/p\u003e","\u003cp\u003eDeclines invitation because of wife's health.\nS.L.C.\u003c/p\u003e","\u003cp\u003eNote explaining unidentified letter; says Mark\nTwain went to the Gilder cottage in Tyringham when\nlonely and whenever he had an excuse.\u003c/p\u003e","\u003cp\u003eSending the box of prints via Wells Fargo; thanks\nhim for \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Innocents Abroad \u003c/title\u003e.\n\u003c/p\u003e","\u003cp\u003eThanks him for chance to read his article which\nhe enjoyed; remarks on courage to express unpopular\nview; would have written sooner but in bed with gout\nand bronchitis for six weeks.] (w/env) (mourning\nstationery)\u003c/p\u003e","\u003cp\u003eDiscusses why he cannot allow the use of his\nPlasmon testimony for English Plasmon Company;\nmentions law suit. M.T.] (mourning stationery)\u003c/p\u003e","\u003cp\u003eSorry that he and wife not well; says that Clara\nis still in isolation in Connecticut and Jean\npermitted to visit; describes house and neighbors on\nNew Hampshire; has been writing. M.T.] (w/env)\u003c/p\u003e","\u003cp\u003eResponds to request for information on his summer\nactivities; says information can be used by Duneka\nand other reporters as necessary.] (In brown folder\nwith \"Yes, I have tried a number of summer\nhomes\")\u003c/p\u003e","\u003cp\u003eWill have his room all fixed up; says Clara is\nlike her old self. With AN at top from Mark Twain\nabout Katy.\u003c/p\u003e","\u003cp\u003eThanks him for thoughtfulness about his wish to\noffer condolences on [Henry] Irving's death; says\nClara in New York and Jean will be there November 1; will\njoin them there when everything all settled; reports\nClara's health almost entirely restored. M.T.\n(Originally included ALS 1905 October Clara Clemens\nGabrilowitsch to Mark Twain )] (w/env) (mourning\nstationery)\u003c/p\u003e","\u003cp\u003eAsks when he can supply theatrical sketch\ndescribed in letter of 11th. With ANS [1905] October 25\nMark Twain to Isabel V. Lyon asking her to say he is\nunable to do it. S.L.C. With AN by Isabel V. Lyon\nsaying telegram was one of several similar requests\ncoming daily for Twain.\u003c/p\u003e","\u003cp\u003eAsks her to deposit $200 to Clara's credit; will\nreturn to New York on the next day. S.L.C.]\n(w/mourning env)\u003c/p\u003e","\u003cp\u003eFragment. Describes her house; looks forward to\nseeing him; mentions debts and [Henry] Irving's\ndeath. (Originally enclosed in ALS 1905 October 19 Mark\nTwain to John Young Walker MacAlister )\u003c/p\u003e","\u003cp\u003eWill forward him some documents on the Congo; the\nmatter is in John Morley's hands in England, who will\npush the matter along until America gets involved.\nS.L.C.] (mourning stationery)\u003c/p\u003e","\u003cp\u003eDiscusses his 70th birthday celebration and why\nhe was not able to invite Reid. S.L.C. With ANS\nRobert Reid re his thoughts on Twain's letter.\u003c/p\u003e","\u003cp\u003eMore on Congo reform matter; thinks British\ngovernment asked the American government to join in\nCongo reform matters; mentions his friends in English\ncabinet to be. S.L.C. \"Oldest person in America\"]\n(mourning stationery)\u003c/p\u003e","\u003cp\u003ePrinted thank you letter to his friends for\nbirthday wishes. M.T. In ANS, Mark Twain wishes Clara\ncould visit but prefers to keep her with him;\nsuggests he visit them in New Hampshire; acknowledges\nPlasmon check. S.L.C.] (w/env)\u003c/p\u003e","\u003cp\u003eExpects to send full report and digest by mail or\nby \"delegation of our Association.\" S.L.C.] (mourning\nstationery)\u003c/p\u003e","\u003cp\u003eLetter from Harper \u0026amp; Brothers troubles him;\nhates memory of Charles H. Webb; knows of no such\nplay and will not let it be either published or\n\"played\"; asks him to find out about it quietly.\nS.L.C.] (mourning stationery)\u003c/p\u003e","\u003cp\u003eDeclines invitation. In Isabel V. Lyon's\nhandwriting.] (tipped in Bret Harte's and Mark\nTwain's \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eSketches of the\nSixties \u003c/title\u003e, Barrett PS1319 .A2 1926)\u003c/p\u003e","\u003cp\u003eDiscusses Plasmon legal business, law suit, and\nconspiracy to bankrupt American Plasmon and to take\nover English Plasmon patents; will go to Gilder's\nhouse if visitors want to. No signature.] (w/env)\u003c/p\u003e","\u003cp\u003eDeclines invitation. S.L.C.] (mourning\nstationery)\u003c/p\u003e","\u003cp\u003eOn postcard with picture of Mark Twain. Remarks\nhe sent her a postcard meant for an \"English girl\"\n(Miss D. Stuckey) but will send the girl a more\nrecent photograph instead.] (w/env)\u003c/p\u003e","\u003cp\u003eCover note for ALS 1906 May 22 Harriet Monroe to\nEditor of Collier's; asks his personal attention to\nher letter and if possible its printing.\u003c/p\u003e","\u003cp\u003eCorrects Samuel E. Moffett's piece in Collier's\nabout [Daniel Hudson] Burnham's plans for San\nFrancisco; points out the ground plan for the\nColumbian Exhibition ( Chicago World Fair 1890-91)\nwas not Burnham's but his partner's, John Wellborn\nRoot who died in 1891; mentions Burnham would be the\nlast person to deny his partner his share of\ncredit.\u003c/p\u003e","\u003cp\u003eRequest for an interview. With AN Mark Twain to\nIsabel V. Lyon declining request. S.L.C. With AN by\nIsabel V. Lyon stating request was one of many for an\ninterview and Twain's note was the basis for a form\nletter reply.\u003c/p\u003e","\u003cp\u003eReports that he is lonely because doctors have\nsent Clara, Jean, and [Isabel V.] Lyon to the\ncountry; will not go to Bermuda as ordered by doctors\nbecause Col. Harvey unable to go; has permanent\nbronchitis; acknowledges Plasmon check; glad he liked\nSusy's book; wishes he could go to England.]\n(w/env)\u003c/p\u003e","\u003cp\u003eThanks him. M.T. With AN in unknown hand saying\nthis was the way Twain declined an invitation to an\nafternoon reception. With AN from Robert Underwood\nJohnson saying previous note not true but that Twain\nthanked him for flowers sent on his birthday.]\n(calling card)\u003c/p\u003e","\u003cp\u003eHas found letter by Mark Twain; comments on\ntaking Twain's advice to sever connection with\nMcClure; includes copy of a letter from Twain to him;\nrecounts anecdote of Twain about poem Bynner wrote to\nClara; includes copy of poem by Twain and a copy of\nBynner's poem \"To Saint Mark\"; requests his help in\ngetting original copy.\u003c/p\u003e","\u003cp\u003eDescribes charades played by guests; mentions\nhearing piano music played over the telephone and\nplans for future similar performances; played\nbilliards; will sail for Bermuda soon; thanks her for\ngold studs. Father.] (w/env)\u003c/p\u003e","\u003cp\u003eIntroduces Robert Haver Schaeffler of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Century \u003c/title\u003ewho is\ngoing to Germany; says Schaeffler's trip promises to\nbe of value to both Germany and America; enjoyed\n[Lindau's] speech. S.L.C.\u003c/p\u003e","\u003cp\u003e Oxford University wishes to confer Doctor of\nLetters degree on Twain but personal presence\nrequired. With AN from Mark Twain to Unknown\naccepting with pleasure.\u003c/p\u003e","\u003cp\u003eInvitation to Windsor Castle party.\u003c/p\u003e","\u003cp\u003eThanks for his help; did find a program of the [\nMark Twain] Cooper Union lecture by good fortune;\nbelieves Fuller may be mistaken in thinking Edward\nHoward House wrote report of it for \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Tribune \u003c/title\u003e. \u003c/p\u003e","\u003cp\u003eThanks for his help and offers to lend him a\ncopyist; will call on him.\u003c/p\u003e","\u003cp\u003eThanks Shaw for Shaw's and William Morris '\nrecognition of his writing; praises Shaw's writing;\nmentions briefly seeing Morris once in a London\nstreet and that they never met; looks forward to\nseeing the Shaws in New York. \u003c/p\u003e","\u003cp\u003eHas induced Mark Twain \"to suppress those\nletters\" after relaying Davies and Mr. Soley's\nremarks; discusses Twain's loan request which had\nbeen turned down by the [Knickerbocker] Trust Company\nand his distrust of the directors; requests help in\nexpediting loan.\u003c/p\u003e","\u003cp\u003eHis Thanksgiving thought for 1907 was to be\nthankful he had only $51,000 in the Knickerbocker\nTrust when it failed rather than more. M.T.\u003c/p\u003e","\u003cp\u003eDoes have a copy of book in question but does not\nwish to sell it; has a collection of all the books he\nhas illustrated and has not sold any of them. With AN\nn.d. Frank E. Bliss to Unknown stating Bliss was a\n\"go-between\" trying to buy on original edition and\nthought Beard might be interested in selling.\u003c/p\u003e","\u003cp\u003eWarm thanks for the dedication which pleases him\n\"to the limit\"; anticipating great pleasure from the\nbook; has been ill but going to Bermuda has cured\nthat. S.L.C.\u003c/p\u003e","\u003cp\u003eEnjoying Phillpotts' \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Human Boy \u003c/title\u003eagain;\nhas read and re-read \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Mother of the\nMan \u003c/title\u003eand calls it \"a great book\"; wishes he\nhimself had energy to tackle one or two of his own\nhalf finished books but doubts he ever will.\nS.L.C.\u003c/p\u003e","\u003cp\u003ePlans to visit her; hiring new servants to\nreplace ones frightened away by burglars; says Mark\nTwain anxious to talk with her; expresses sympathy\nfor Samuel E. Moffett's death.] (w/env)\u003c/p\u003e","\u003cp\u003eConveys information requested; comments that Mr.\nPhayre is working to obtain list of books whose\ncopyright has been renewed in last ten years.\u003c/p\u003e","\u003cp\u003eThanks him for accepting the trust and\ncongratulates him upon his new Vice Presidency, sends\ngreetings to his wife and children, states that Miss\nLyon E. Ashcroft will arrange transfer of his\ntrust.\u003c/p\u003e","\u003cp\u003eThanks them for their note and wishes them a\nHappy New Year. M.T.\u003c/p\u003e","\u003cp\u003ePraises the new copyright law; says the bill\npassed March 4 so much better than bill he had\ntestified for in Washington 2 years earlier; inquires\nif Robert Underwood Johnson wrote bill; encloses copy\nof Johnson's article about the new law. Typed\nsignature S.L.C.\u003c/p\u003e","\u003cp\u003eAnswered note from Champ Clark; will send copy of\nTwain reply; sent Albert Bigelow Paine's copy of\nJohnson's Post article to Clark. Mark Twain]\n(w/env)\u003c/p\u003e","\u003cp\u003eHas learned that the ship \"Kaiserin Augusta\nVictoria\" is coming in earlier than expected; asks\nthey permit George O'Connor to retrieve the Clemens\ndog, which is on the ship, and to take care of\ncustoms requirements. S.L.C. and M.T.] (w/env)\u003c/p\u003e","\u003cp\u003eUnable because of age to attend \"the Fulton\nHudson pagentries\" but is sending daughters Clara and\nJean with his secretary Albert Bigelow Paine to\nrepresent him; asks that Dearborn and General\nWoodford take care of them.\u003c/p\u003e","\u003cp\u003eDiscusses mutual pain symptoms; his pain is at\n\"the center of the breastbone\"; mentions various\ncures he has tried. Typed signature S.L.C.\u003c/p\u003e","\u003cp\u003eWere able to buy for him manuscripts of the\n\"Invalid's Story\" and \"The Regular Toast.\"\u003c/p\u003e","\u003cp\u003ePrinted acknowledgement of sympathy expressed for\nJean's death.] (w/env) (mourning stationery)\u003c/p\u003e","\u003cp\u003ePrinted acknowledgement of sympathy expressed for\nJean's death. Unused.] (mourning stationery)\u003c/p\u003e","\u003cp\u003eFeeling fairly well after brief bronchitis;\ndiscusses financial matters; says she was right about\nIsabel V. Lyon and Lyon's faults; glad to know\nsuccess of Miss Jones's book and is proud of Clara\nfor championing her. Marcus] (w/env) (mourning\nstationery)\u003c/p\u003e","\u003cp\u003eThanks from him and Mark Twain for kind note and\nfood sent; says Twain very ill and Dr. Halsey and Dr.\nQuintard attending him.\u003c/p\u003e","\u003cp\u003eUnfinished note; \"You did not tell me, but I have\nfound out that you -\"\u003c/p\u003e","\u003cp\u003eBrief summary of Mark Twain's life and an\nestimate of his literary worth will appear in next\nSaturday's \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eHarper's Weekly \u003c/title\u003e;\narticle mentions Fuller.\u003c/p\u003e","\u003cp\u003eInquires for Clara Clemens Gabrilowitsch if she\never received an important letter Clara wrote her;\nrequests reply as soon as possible.] (w/env)\u003c/p\u003e","\u003cp\u003eHad not realized how ill little Anita was; will\nremain at Stormfield for the summer and leave for\nBerlin in October; hopes Anita will soon be better.]\n(w/mourning env) (mourning stationery)\u003c/p\u003e","\u003cp\u003eEnclosing check for $100 since she had sent only\n$500 rather than $600 previously; sorry her cousin\nhas been ill.] (w/mourning env) (mourning\nstationery)\u003c/p\u003e","\u003cp\u003eSends receipt to be signed by Moffett for money\nsent previously; hopes she is much better.]\n(w/mourning env) (mourning stationery)\u003c/p\u003e","\u003cp\u003eThanks him for his condolences after her father's\ndeath; says she feels very much alone with no family;\nglad she has her husband.] (w/env) (mourning\nstationery)\u003c/p\u003e","\u003cp\u003ePlans to see him again before returning to\nRedding; is writing day and night and under contract\nwith Harper \u0026amp; Brothers; requests any information\nFuller can give on Mark Twain and Twain's visits to\nhim, Sam Small, and Twain's \"Ohio sweetheart\nPauline.\"\u003c/p\u003e","\u003cp\u003eRecounts in detail the printing of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eDate 1601 \u003c/title\u003e; presents\ncopy to his brother; recalls anecdote about Mark\nTwain's visit.\u003c/p\u003e","\u003cp\u003eHas not been able to get information re Mark\nTwain's letters to Mary Mason Fairbanks; mention he\nhas heard how charming and intelligent she was; will\nsend more information soon.\u003c/p\u003e","\u003cp\u003eAsks on behalf of Albert Bigelow Paine if Bixby's\nfather ( Horace Bixby ) would allow Paine to have\ncopies of Mark Twain's letters for publication in \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eLetters of Mark Twain \u003c/title\u003e;\nPaine will pay expenses incurred; would present\nHorace Bixby with some pieces of Twain's original\nmanuscripts if he would like it.\u003c/p\u003e","\u003cp\u003eStill unable to get information; gives details of\nMary Mason Fairbanks ' life.\u003c/p\u003e","\u003cp\u003eApologizes for getting his name wrong; encloses\nletter for him (TLS 1912 December 4 copy Willis Vickery to\nW. [K.] Bixby ).\u003c/p\u003e","\u003cp\u003eThanks him for permitting Albert Bigelow Paine to\nuse any of his Mark Twain letters, except those to\nMary Mason Fairbanks; cautions Bixby to confirm his\nlegal ownership of the Fairbanks letters before\npublishing them for copyright purposes because the\nMark Twain Company and Albert Bigelow Paine may own\nactual copyrights to letters. (Fairbanks pencilled in\nover Williamson in letter.)\u003c/p\u003e","\u003cp\u003eDiscusses possibility that Albert Bigelow Paine\nas owner of Mark Twain copyrights may insist on\nprinting Mary Mason Fairbanks letters; Paine would\nnot object to Bixby printing a volume of letters but\nhas not discussed matter with Paine; asks if he\nshould say Bixby refuses to let Paine use the\nFairbanks letters.\u003c/p\u003e","\u003cp\u003eWill send correspondence to Albert Bigelow Paine\nso that Paine may deal directly with Bixby; hopes\nthey will find a solution.\u003c/p\u003e","\u003cp\u003eHas received correspondence from Edward Breck;\nrecounts his understanding of the provenance of the\nMary Mason Fairbanks letters and history of attempted\npublication; mentions law requiring permission of\nheirs and trustees to publish letters; feels Clara\nClemens Gabrilowitsch, the trustees, and Harper \u0026amp;\nBrothers would prevent publication of a volume of\nFairbanks letters.\u003c/p\u003e","\u003cp\u003eHas the Mary Mason Fairbanks letters; had thought\nBixby could do as he felt with the letters legally;\ndiscusses his health, family news, and his\nhouse.\u003c/p\u003e","\u003cp\u003eInforms him that the literary rights of the\nletters belongs to the Mark Twain Company and the\ntrustees of the estate; heirs and trustees object to\nBixby's publication plans; cites prior cases\nregarding literary rights and private correspondence;\nhopes he will not recall his consent to publication\nof his other Mark Twain letters.\u003c/p\u003e","\u003cp\u003eSets forth history behind publishing volume of\nMark Twain letters collected by Twain and Albert\nBigelow Paine; hopes Bixby will provide copies of his\nletters to be included in book.\u003c/p\u003e","\u003cp\u003eCover for letter for legal opinion sent to Bixby\n(TLS 1913 February 18 F. W. Lehmann, St. Louis, MO, to W.\nK. Bixby, St. Louis, MO).\u003c/p\u003e","\u003cp\u003eLegal opinion about manuscripts, authors'\ncorrespondence and copyright for materials Bixby\nowns.\u003c/p\u003e","\u003cp\u003eCover letter for return of Stanchfield and Levy\nletter to Bixby.\u003c/p\u003e","\u003cp\u003eRegrets he has no autograph copies of Mark Twain\nor [James Whitcomb] Riley. \u003c/p\u003e","\u003cp\u003eExpects to be in Bronxville in April and will\ntalk over matters of mutual interest.\u003c/p\u003e","\u003cp\u003eReturning required proofs signed.\u003c/p\u003e","\u003cp\u003eThanks him for informing him of Walter's death\nand will write his wife immediately.\u003c/p\u003e","\u003cp\u003eSays offer for [James Whitcomb] Riley book\ninadequate, especially for a book with full page\noriginal drawing by Kemble next to his dedication to\nKemble.\u003c/p\u003e","\u003cp\u003e Harper \u0026amp; Brothers does not have the Mark\nTwain photogravure plates; suggests he try\nphotogravure printers Bliss used.\u003c/p\u003e","\u003cp\u003eIs sending him a letter written by Mark Twain to\nhim from Villa \"Sittignano\", Florence, Italy, in\nDecember 1892 as an addition to Ayer's\ncollection.\u003c/p\u003e","\u003cp\u003eAsks $3000 for group of 97 letters of Mark Twain\nand William Dean Howells, most of which were\npublished in a Mark Twain biography.\u003c/p\u003e","\u003cp\u003eHas discovered missing letters from collection\nAyer bought; will send them to owner of\ncollection.\u003c/p\u003e","\u003cp\u003eSends his brother's copy of\u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eDate 1601 \u003c/title\u003eto him;\nrecounts how got he got it from his brother. (on\nverso of ALS 1912 August 23 Charles Erskine Scott Wood\nto James MacIntosh Wood)\u003c/p\u003e","\u003cp\u003eDiscusses TLS 1882 February 21 Mark Twain to Charles\nErskine Scott Wood; mentions he returned the\nmanuscript to Twain; speculates who \"the charming\nKentucky girl\" may have been.\u003c/p\u003e","\u003cp\u003eCover letter for an ALS of Mark Twain's father he\nhopes will prove an addition to correspondent's\ncollection.\u003c/p\u003e","\u003cp\u003eDiscusses \n Clemens and \n Moffet family genealogies in depth;\nsays her Virginia relatives would know more than she\ndoes.\u003c/p\u003e","\u003cp\u003eGives him message for the Mark Twain Celebration;\nmentioning his enjoyment of Tom Sawyer and\nHuckleberry Finn.\u003c/p\u003e","\u003cp\u003eHas made corrections in interview ( \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAn Interview with John\nGalsworthy \u003c/title\u003e); wants it printed as revised;\nthanks for sending pamphlet.] (tipped in \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eInterview with John\nGalsworthy \u003c/title\u003e, Barrett PS 1343 .G3 1932)\u003c/p\u003e","\u003cp\u003eRecounts printing of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eDate 1601 \u003c/title\u003e; claims no\nauthorized small paper edition; ordered type\nredistributed but did not oversee the redistribution;\ndiscusses printing of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eDate 1601 \u003c/title\u003eby Grabhorn\nPress; says Edwin Grabhorn was to sell the Academy\ncopy and letters, but he is not sure if he did or\nnot.\u003c/p\u003e","\u003cp\u003eIs selling Morse collection as complete\ncollection; it contains a copy of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAdventures of Huckleberry\nFinn \u003c/title\u003ewith a copy of suppressed plate tipped\nin; has not put separate valuation on item.] (laid in\n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAdventures of Huckleberry\nFinn \u003c/title\u003e, Barrett PS 1305 .A1 1885a)\u003c/p\u003e","\u003cp\u003eDiscusses Glenn's \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAdventures of Huckleberry\nFinn \u003c/title\u003eprospectus with suppressed plate;\nmentions possible confusion for collectors and\ntherefore suggests private sale of prospectus.] (laid\nin \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAdventures of Huckleberry\nFinn \u003c/title\u003e, Barrett PS1305.A1 1885a)\u003c/p\u003e","\u003cp\u003eDiscusses Yale's copy of the \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAdventure of Huckleberry\nFinn \u003c/title\u003eprospectus and compares it to Randall's\ncopy.] (laid in \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAdventures of Huckleberry\nFinn \u003c/title\u003e, Barrett PS1305 .A1 1885a)\u003c/p\u003e","\u003cp\u003eDiscussion of the \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAdventures of Huckleberry\nFinn \u003c/title\u003eprospectus and comparisons of different\nstates.] (laid in \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAdventures of Huckleberry\nFinn \u003c/title\u003e, Barrett PS1305.A1 1885a)\u003c/p\u003e","\u003cp\u003eRecounts his interest in the excised illustration\nfrom \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAdventures of Huckleberry\nFinn \u003c/title\u003e; asks for information on plate.] (laid\nin \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAdventures of Huckleberry\nFinn \u003c/title\u003e, Barrett PS 1305. A1 1885a)\u003c/p\u003e","\u003cp\u003eComments on Barrett's collections seen at Grolier\nClub; is sending him pictures Frank J. Sprague took\nat the wedding of Ossip Gabrilowitsch and Clara\nClemens; says no photographer was present; encloses\ndata on Whitman concordance (not present).\u003c/p\u003e","\u003cp\u003eOffers him Dana S. Ayer's collection of Mark\nTwain material and letters; gives brief history of\nAyer collection.\u003c/p\u003e","\u003cp\u003eDiscusses the \"Langhorne\" part of Mark Twain's\nname with information about his father's friends, the\nthree \n Langhorne brothers, William,\nMaurice and Henry.\u003c/p\u003e","\u003cp\u003eConcerns death of Edith Colgate Salsbury who was\na trustee of the Mark Twain Memorial. \u003c/p\u003e","\u003cp\u003eFragment. Postscript of letter; discusses\nassessments he has paid; Olivia unable to write but\nwill send photographs later. No signature.\u003c/p\u003e","\u003cp\u003eMailed \"Play acting\" article; requests enclosed\nlines be added to article. M.T.\u003c/p\u003e","\u003cp\u003eThanks for the courtesy but there is nothing he\nwants to say publicly on these topics. S.L.C.\u003c/p\u003e","\u003cp\u003eRefuses invitation to a reading but hopes to come\nanother time.\u003c/p\u003e","\u003cp\u003eSays Olivia getting better and asks him to urge\nher to come next week; sorry her visit had to be\ncancelled but Olivia would hardly have been able to\nsee her. S.L.C.\u003c/p\u003e","\u003cp\u003eRegrets he will be unable to see her because of\nbusiness meeting at St. James Hotel; seems his\nbusiness always fills his New York visits.\nS.L.C.\u003c/p\u003e","\u003cp\u003eThanks him for his suggestions; draws many\nparallels with the story \"The Philosopher's Pendulum\"\nto his courtship of Olivia which he describes.\nS.L.C.\u003c/p\u003e","\u003cp\u003eRe family business matters.\u003c/p\u003e","\u003cp\u003eFragment. Has ordered two seats for his six\nlectures for correspondent but points out it will be\nthe same lecture \"word for word\" six times. M.T.]\n(tipped in \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eMark Twain's Speeches \u003c/title\u003e,\nBarrett PS1322 .S5 1910)\u003c/p\u003e","\u003cp\u003eHumorous notes and sketches.\u003c/p\u003e","\u003cp\u003ePolitely declines an invitation for an event in\nBoston. S.L.C.\u003c/p\u003e","\u003cp\u003eHas had neuralgia and dental work; discusses\nreading books and scripture.\u003c/p\u003e","\u003cp\u003eSays he and wife will come but the girls are\nunable.] (w/env) (mourning stationery)\u003c/p\u003e","\u003cp\u003eReceipt for balance due for town lots purchased\nfrom Clemens for the courthouse in Jamestown\n[Tennessee]. \u003c/p\u003e","\u003cp\u003eRoyalty check for $703.35.\u003c/p\u003e","\u003cp\u003eCopy of receipt for $308 from the American\nPublishing Company to be applied to Mark Twain's\naccount; sheet torn from account book with partial\ncopies of other receipts of American Publishing\nCompany. \u003c/p\u003e","\u003cp\u003eReceipt for lecture, \"Reminiscences of Some\nUncommonplace Characters I Have Chanced to\nMeet.\"\u003c/p\u003e","\u003cp\u003eRoyalty check from the American Publishing\nCompany with Mark Twain endorsement (S.L.C.\nsignature).\u003c/p\u003e","\u003cp\u003eTransfer of 200 shares of stock from Mark Twain\nto Frank E. Bliss. With DS 1881 May 24 attached.\u003c/p\u003e","\u003cp\u003eGrants power of attorney to Charles L. Webster to\nconduct Twain's business.\u003c/p\u003e","\u003cp\u003eRe: partnership in Charles L. Webster \u0026amp;\nCompany. With A additions.\u003c/p\u003e","\u003cp\u003eRoyalty check for $799.77.\u003c/p\u003e","\u003cp\u003eWith autograph additions and corrections; signed\nby S.L.C. and Frank Mayo. \u003c/p\u003e","\u003cp\u003eGrants power of attorney to Henry H. Rogers as\nadministrator of Twain's and Olivia L. Clemens '\naffairs while they are in Europe. \u003c/p\u003e","\u003cp\u003eAgreement gives Olivia L. Clemens all Mark\nTwain's rights, title and interest in various\ntype-setting machinery and Paige Compositor\nManufacturing Company and copyrights of his published\nworks. Signed for Twain by attorney Henry H. Rogers.\n\u003c/p\u003e","\u003cp\u003eRe dramatization of the \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eTragedy of Pudd'nhead\nWilson \u003c/title\u003e. \u003c/p\u003e","\u003cp\u003eRe debt owed to Colby.\u003c/p\u003e","\u003cp\u003eRe publication of a uniform edition of Mark\nTwain's works with reference to copyright, plates,\nroyalties, ownership of illustrations, and use of\nedition for school books.] (with ALS 1895 July 17\nCharles J. Langdon, New York, to Henry H. Rogers\n)\u003c/p\u003e","\u003cp\u003eRe uniform edition of Mark Twain works\u003c/p\u003e","\u003cp\u003eReceipt signed on account of Olivia L. Clemens.\n\u003c/p\u003e","\u003cp\u003eSubpoena to New York Supreme Court in case of\nThomas Russell et al. versus Mark Twain re Charles L.\nWebster \u0026amp; Company. \u003c/p\u003e","\u003cp\u003eAdvertises sale of all assets of partnership,\nincluding script of the \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eTragedy of Pudd'nhead\nWilson \u003c/title\u003eby Mark Twain and Mayo, to be sold at\nauction September 1 1896.\u003c/p\u003e","\u003cp\u003eRe sales and publishing of Mark Twain books.\u003c/p\u003e","\u003cp\u003eRe uniform edition to be published by Frank E.\nBliss. With TLS December 15 1896 Frank E. Bliss to Henry\nH. Rogers re publishing of new book and uniform\nedition.\u003c/p\u003e","\u003cp\u003e5 copies of above contracts and letter.\u003c/p\u003e","\u003cp\u003eWith autograph memo pinned to certificate with\ninformation about Paige Compositor Manufacturing\nCompany and Regius Manufacturing Company shares for\nOlivia L. Clemens, [Henry] Irving, and [C. C.] Rice.\n\u003c/p\u003e","\u003cp\u003eReceipt for \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eFollowing the\nEquator \u003c/title\u003ecover design and three\nheadpieces.\u003c/p\u003e","\u003cp\u003eReceipt for 5 tailpieces for \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eFollowing the Equator \u003c/title\u003e.\n\u003c/p\u003e","\u003cp\u003eReceipt for 4 [unspecified] drawings.\u003c/p\u003e","\u003cp\u003eReceipt for 3 unspecified drawings.\u003c/p\u003e","\u003cp\u003eRoyalty check for $385.47\u003c/p\u003e","\u003cp\u003eRe publication of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eHow to Tell a Story and Other\nEssays \u003c/title\u003e, article on Austrian Parliament, and\n\"In Memoriam.\"\u003c/p\u003e","\u003cp\u003eCopy of above.\u003c/p\u003e","\u003cp\u003eReceipt for 6 drawings for \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eInnocents Abroad \u003c/title\u003e.\n\u003c/p\u003e","\u003cp\u003eReceipt for one drawing for \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Gilded Age \u003c/title\u003e. \u003c/p\u003e","\u003cp\u003eRe marketing the uniform set of Mark Twain\nworks.\u003c/p\u003e","\u003cp\u003eReceipt for 6 drawings for \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eRoughing It \u003c/title\u003eand for 2\nadditional drawings.\u003c/p\u003e","\u003cp\u003eReceipt for 6 drawings for \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eSketches New and Old \u003c/title\u003e.\n\u003c/p\u003e","\u003cp\u003eReceipt for 5 wash drawings made over old pen\ndrawings [for \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Connecticut\nYankee \u003c/title\u003e].\u003c/p\u003e","\u003cp\u003eReceipt for 2 drawings for \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eLife on the\nMississippi \u003c/title\u003e: \"An escaped Archangel\" and\n\"Steamboat a' comin.\"\u003c/p\u003e","\u003cp\u003eReceipt for 2 washed repainted illustrations for \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eTom Sawyer Abroad \u003c/title\u003eand\nphoto engraving plates.\u003c/p\u003e","\u003cp\u003eReceipt for 3 drawings for volume 23 of Mark\nTwain uniform set.\u003c/p\u003e","\u003cp\u003eRe publication of \"A Double-Barreled Detective\nStory.\"\u003c/p\u003e","\u003cp\u003eFor publication of \"The Man That Corrupted\nHadleyburg.\"\u003c/p\u003e","\u003cp\u003eListing of Harper \u0026amp; Brothers ' royalty\npayments to Mark Twain in 1901-02.\u003c/p\u003e","\u003cp\u003eReceipt for payment in full for \"Amended\nObituaries\" sold by MacAlister to \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eLloyd's Weekly \u003c/title\u003e.\n(originally enclosed with ALS 1903 April 7 and May 8\nMark Twain to John Young Walker MacAlister )\u003c/p\u003e","\u003cp\u003eNotes concerning publication of Mark Twain books\nwith AN concerning same.\u003c/p\u003e","\u003cp\u003eConcerns payments and publication rights between\nMark Twain and Olivia L. Clemens and Harper \u0026amp;\nBrothers and the American Publishing Company. \u003c/p\u003e","\u003cp\u003eRe leasing of Westchester County, New York,\nproperty to Gardiner.\u003c/p\u003e","\u003cp\u003eBill for commission on rental for 1 year to\nCharles A. Gardiner (for Westchester County, New\nYork, property).\u003c/p\u003e","\u003cp\u003eRe exclusive publishing rights for Harper \u0026amp;\nBrothers to: \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Adventures of Huckleberry\nFinn \u003c/title\u003e; \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eA Connecticut Yankee in King\nArthur's Court \u003c/title\u003e; \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eTom Sawyer Abroad \u003c/title\u003e; \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Prince and the\nPauper \u003c/title\u003e; \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eLife on the\nMississippi \u003c/title\u003e; \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Stolen White Elephant,\nEtc. \u003c/title\u003e; \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe £1,000,000 Bank\nNote \u003c/title\u003e; \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eLibrary of Wit and\nHumor \u003c/title\u003e; \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eA Californian's Tale \u003c/title\u003e; \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eTragedy of Pudd'nhead\nWilson \u003c/title\u003e; \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eInnocents Abroad \u003c/title\u003e; \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Gilded Age \u003c/title\u003e; \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eRoughing It \u003c/title\u003e; \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eA Tramp Abroad \u003c/title\u003e; \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eTom Sawyer Detective \u003c/title\u003e; \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eVolume of Short\nStories \u003c/title\u003e; \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eHow to Tell a Story \u003c/title\u003e; \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eA Double-Barreled Detective\nStory \u003c/title\u003e; \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Man That Corrupted\nHadleyburg \u003c/title\u003e; \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eFollowing the\nEquator \u003c/title\u003eand any of Mark Twain's other works\nnot listed; covers discount sales, royalties,\ncopyrights, and advertising. With T Memo that shifts\ndate to November 1 1903 for convenience of payment; copy\nof TL 1903 October 23 Mark Twain and Olivia L. Clemens to\nAmerican Publishing Company re contract with Harper\n\u0026amp; Brothers; and copy of TL 1903 October 23 Mark Twain\nand Olivia L. Clemens to Harper \u0026amp; Brothers\nauthorizing payment of 1/2 royalties for \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Gilded Age \u003c/title\u003eto\nestate of Charles Dudley Warner. \u003c/p\u003e","\u003cp\u003eReceipt for (unspecified) drawings.\u003c/p\u003e","\u003cp\u003eReceipt for one drawing of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eTheir Pilgrimage \u003c/title\u003e, vol.\nX.\u003c/p\u003e","\u003cp\u003eCheck for $100.\u003c/p\u003e","\u003cp\u003eReceipt for signing proofs.\u003c/p\u003e","\u003cp\u003eRe agreement to let Ashcroft supervise Twain's\nhousehold affairs and expenditures and his financial\naffairs in general. Notarized.\u003c/p\u003e","\u003cp\u003eRe agreement to make Ashcroft Twain's business\nmanager and financial manager of his household and\nThe Mark Twain Company. Notarized.\u003c/p\u003e","\u003cp\u003eAgreement for Isabel V. Lyon to be Twain's\nliterary and social secretary. Notarized.\u003c/p\u003e","\u003cp\u003eAgreement for Isabel V. Lyon to write \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eLife and Letters of Mark\nTwain \u003c/title\u003e. Notarized.\u003c/p\u003e","\u003cp\u003eReceived on approval one Mark Twain \"A Murder and\na Marriage.\"\u003c/p\u003e","\u003cp\u003eReceipt for drawing of Golden House.\u003c/p\u003e","\u003cp\u003eMounted on card with ALS 1895 June 13 Mark Twain\nto Frank Leslie. \u003c/p\u003e","\u003cp\u003eThe photographs document Clemens family life including Twain, Jane, Clara, and Livy Clemens, pets, servants, friends including Richard Watson Gilmer, residences and a tour to Florence and Rome. \u003cnum\u003e#6314-bc\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eFour notebooks numbered IV, VII, VII part 2, and\nVIII, concern the \" Tennessee lands\" owned by the Clemens family; they include\ncopies of deed listings, descriptions of physical\ncharacteristics and natural resources of the area\nnear Fentress County; a few comments about the people\nwho lived there; brief mentions of events and\nneighbors; discussion of genealogy, horse thieves,\nand Union and Confederate sympathizers; and recipes\nfor household needs, such as glue.\u003c/p\u003e","\u003cp\u003eFranked William M. Stewart in Mark Twain's\nhand.\u003c/p\u003e","\u003cp\u003eFranked William M. Stewart in Mark Twain's hand;\nwith pencilled notes across the envelope in unknown\nhand.\u003c/p\u003e","\u003cp\u003e\"Anyway the children are too young.\"\u003c/p\u003e","\u003cp\u003eAbout the coldest day in Keokuk, Iowa in 40\nyears; mentions William H. Bowman. \u003c/p\u003e","\u003cp\u003eWith AN on envelope, \"photo of child\nwhispering.\"\u003c/p\u003e","\u003cp\u003eIn unknown hands. In red ink \"More Tramps\nAbroad\"; in black ink, \"American (sic) like to be\nlatest Innocent Abroad\"; with notes about word count\nand instructions from Olivia L. Clemens. \u003c/p\u003e","\u003cp\u003eIn Mark Twain's hand; lists contracts, bonds, and\nstocks.\u003c/p\u003e","\u003cp\u003e\"Very truly yours S.L. Clemens ( Mark Twain )\".]\n2 signatures\u003c/p\u003e","\u003cp\u003ePrinted list with AN, \"This is not complete\";\nlist appears to be torn from a larger publication.\n(originally with TLS 1908 October 30 F. A. Nast to Isabel\nV. Lyon. \u003c/p\u003e","\u003cp\u003eWith AN in unknown hand.\u003c/p\u003e","\u003cp\u003eThe first radio version script for \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAdventures of Huckleberry\nFinn \u003c/title\u003efor Radioteatro de America. \u003c/p\u003e","\u003cp\u003eIncludes list of authors, title \"Want to know who\npublishes and at what prices\"; discussion of\npublication and copyright information concerning\nvarious popular authors, mostly American, and some\npopular works; cover note for list of books whose\ncopyrights have been extended (list not present);\nlist of questions, titled \"want to know,\" requesting\nname and addresses of authors whose books will be up\nfor renewal and what sort of works are covered by\ncopyright laws; and note expressing hopes of getting\nrequested authors, and all authors' leagues,\nincluding Dramatic League and the \" Music league, \"\nto agree to (unspecified) scheme. Some notes possibly\nin Mark Twain's hand.\u003c/p\u003e","\u003cp\u003eTypes list covers \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eInnocents Abroad \u003c/title\u003e, \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eRoughing It \u003c/title\u003e, \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Gilded Age \u003c/title\u003e, \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eA Tramp Abroad \u003c/title\u003e, \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eTragedy of Pudd'nhead\nWilson \u003c/title\u003e, \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAdventures of Tom\nSawyer \u003c/title\u003e, \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eSketches New and Old \u003c/title\u003e.\n\u003c/p\u003e","\u003cp\u003eForm letter re Mark Twain beginning repayment of\nclaims and his hopes to repay the full amount.\u003c/p\u003e","\u003cp\u003eReceipt for payment of Charles L. Webster \u0026amp;\nCompany debt on verso of 1897 December 6 Katherine I.\nHarrison to Lewis C. Lockwood re same subject.\u003c/p\u003e","\u003cp\u003eReceipt of payment on verso of Katherine I.\nHarrison to Union News Company. \u003c/p\u003e","\u003cp\u003eIs returning Mark Twain \"donation\" check since\ntheir claim had been settled.\u003c/p\u003e","\u003cp\u003eConsiders debt settled.\u003c/p\u003e","\u003cp\u003eConsiders claim settled.\u003c/p\u003e","\u003cp\u003eRequests readjustment of check amount.\u003c/p\u003e","\u003cp\u003eAcknowledges receipt but unable to determine why\ncheck was sent to him.\u003c/p\u003e","\u003cp\u003eRe readjustment of A. Filipini and Charles E.\nBarrow accounts.\u003c/p\u003e","\u003cp\u003eForm letter for all Charles L. Webster \u0026amp;\nCompany's creditors for final payment of all their\nclaims and creditors are to return letter as\nreceipt.\u003c/p\u003e","\u003cp\u003eReceipt for full claim.\u003c/p\u003e","\u003cp\u003eRe settlement of debt\u003c/p\u003e","\u003cp\u003eReturning receipted bill of Charles L. Webster\n\u0026amp; Company. \u003c/p\u003e","\u003cp\u003eRe bookkeeping corrections of account; with A\naddition.\u003c/p\u003e","\u003cp\u003eAcknowledges final payment receipt; does not know\nwhy he has received payments and is willing to return\nthe money to the appropriate party.\u003c/p\u003e","\u003cp\u003eReturning check because they consider account\nclosed.\u003c/p\u003e","\u003cp\u003eWill investigate the matter and, if same not for\nhim, will return amount received.\u003c/p\u003e","\u003cp\u003eInquires about December 6 letter with check in it sent\nto Oscar Marsh, who received her February 11 letter but\nnot the earlier one. With ANS 1898 March 21 J. H.\nArcher, Postmaster, Oakland, IA, to Katherine I.\nHarrison states Oscar Marsh not a resident and that\nthe letter may have been forwarded to his permanent\naddress.\u003c/p\u003e","\u003cp\u003eApology for \"blunder\" over remittance prior to\ntheir receivership.\u003c/p\u003e","\u003cp\u003eRequests information on date of first payment on\nCharles L. Webster \u0026amp; Company debt by Parker \u0026amp;\nScudder. \u003c/p\u003e","\u003cp\u003eRequests date Parker \u0026amp; Scudder was sent\n$12.90 payment from Charles L. Webster \u0026amp; Company.\n\u003c/p\u003e","\u003cp\u003eCover letter for return of $6.54 sent him by\nmistake.\u003c/p\u003e","\u003cp\u003eHas received last 2 payments for Charles L.\nWebster \u0026amp; Company debt but not one on May 18\n1897; has searched records thoroughly.\u003c/p\u003e","\u003cp\u003eAsks if he has any more information on P. J.\nWhite. AN 1898 June 3 Bainbridge Colby to Katherine I.\nHarrison says he knows no other way to reach P. J.\nWhite. \u003c/p\u003e","\u003cp\u003eReceived one check but not the other.\u003c/p\u003e","\u003cp\u003eList of creditors of Charles L. Webster \u0026amp;\nCompany who have returned receipts.\u003c/p\u003e","\u003cp\u003eMulvey, a page in the United States Senate, collected the signatures of many Senators as well as that of\nvisitor Mark Twain.\u003c/p\u003e","\u003cp\u003e\n                [1868]\t2 items\t1.\tPhotograph of Mark Twain, standing between Josh Billings (on the left) and Petroleum V. Nasby (on the right), by H.G. Smith of Boston, cut into oval shape; with note from Frank E. Bliss to unknown correspondent, scribbled on an envelope, about the ownership of the photograph (6314-q)\n                \n                [1870s]\t\t2.\tPhotograph of Mark Twain, head and shoulders, looking left, in a dark suit, oval with sepia tone [Prints01144] (6314-q)\n                \n                [1872 Sep]\t\t3.\tPhotograph of Mark Twain, head and shoulders, facing left, by Charles Watkins of London; autographed “Yours Truly, Samuel L. Clemens, Mark Twain” on reverse [Neg 4x5-1591-c, Prints09879] (6314-q)\n                \n                [1873]\t\t4.\tPhotograph of Mark Twain, head and shoulders, looking left, by Gurney of New York, brown tone [Prints09882] (6314-q)\n                \n                [1873]\t\t5.\tPhotograph of Mark Twain, head and shoulders, looking left, by Gurney of New York, brown tone; taken from Ellen B. Stuart Album of Historical Figures (7055)\t\n                \n                [1877-1878]\t\t6.\tPhotograph of a photograph of Olivia Clemens seated between Susy (on the left) and Clara (on the right), by Franz Hanfstaengl of Munich, Germany [Prints09889] (6314-j)\n                \n                1881 Feb 12\t\t7.\tPhotograph of Mark Twain, head and shoulders, facing right, oval with sepia tone by Warren’s Portraits of Boston; inscribed, “To Miss Koto- With kindest regards of hers truly, S. L. Clemens, Hartford, Feb 12, 1881” (PS1316.A1 1882 C.5)\n                \n                [1884]\t\t8.\tPhotograph of Mark Twain, head and shoulders, facing right; signed “truly yours, Mark Twain” [Neg 4x5-1591-d] (6314-q)\n                \n                [1884]\t\t9.\tPhotograph of Mark Twain, seated, facing right, in a white suit with sepia tone [Neg 4x5-393] (6314-q)\n                \n                1884\t\t10.\tPhotograph of Mark Twain with George Washington Cable, both standing, one hand in pocket, sepia tone, signed by both men, taken by Sarony of New York [Prints09853] (6314-p)\n                \n                1884\t\t11.\tPhotograph with of Mark Twain George Washington Cable, both standing, one hand in pocket, sepia tone, signed by both men, taken by Sarony of New York, damaged (6314-q)\n                \n                [post 1890]\t\t12.\tPhotograph of Mark Twain, seated in his study, in a dark suit with crossed legs, holding a cigar, by Pach Bros. of New York [Neg 4x5-392, Prints09884] (6314-q)\n                \n                1893\t2 items\t13.\tPhotograph of Olivia L. Clemens, full body, facing left, sepia tone, by Eddowes Bros. of New York [Prints09885] (6314-q)\n                \n                1893\t\t14.\tPhotograph of Olivia L. Clemens, full body, facing forward, sepia tone, by Eddowes Bros. of New York [Prints09886] (6314-q)\n                \n                1895-1897\t36 items\t15.\tPhotographs, black and white, of 1895 train trip from Cleveland to Vancouver, B.C. by Clemens family (Mark Twain, Olivia, and Clara) with James B. Pond. Photographs from the Clemens’ London home in 1897. Includes notes by James B. Pond on reverse. [Neg 4x5-888-j, Neg 4x5-394-a, Neg 4x5-1590, Neg 4x5-1590-a, Neg 4x5-888-k, Neg 4x5-888-n, Neg 4x5-888-m, Neg 4x5-888-l] (6314-t)\n                \n                1895\t\t16.\tLarge photograph of Mark Twain, head and shoulders, looking right, sepia tone, by Sarony of New York {OS Box L-7} (6314-p)\n                \n                1895 Sep\t\t17. \tPhotograph of Olivia L. Clemens, head and shoulders, looking left, sepia tone, by The Falk Studios, Melbourne; signed “very truly yours, Olivia L. Clemens” (6314-q)\n                \n                1896 Jan 24\t\t18.\tPhotograph of Mark Twain, head and shoulders, looking left, sepia tone, by The Falk Studios, Melbourne; inscribed “To Mr. Parday, in memory of a very pleasant day in Bombay. Sincerely yours, SL Clemens (Mark Twain)” [Prints09865] (6314-q)\n                \n                \n                [1896-1897]\t\t19.\tPhotograph of Mark Twain, full body, facing left, in suit with top hat, by Alfred Ellis of London, originally mounted with 3 others (folder 1 of 4) [Neg 35-79, Prints01140] (6314-p)\n                \n                [1896-1897]\t\t20.\tPhotograph of Mark Twain, head and shoulders, facing left, in suit, by Alfred Ellis of London, originally mounted with 3 others (folder 2 of 4) [Neg 4x5-394-a, Prints01143] (6314-p)\n                \n                [1896-1897]\t\t21.\tPhotograph of Mark Twain, seated, looking left, in suit with top hat, by Alfred Ellis of London, originally mounted with 3 others (folder 3 of 4) [Neg 4x5-394-b, Prints01142] (6314-p)    \n                \n                [1896-1897]\t\t22.\tPhotograph of Mark Twain, head and shoulders, facing forward, in suit with top hat, by Alfred Ellis of London, originally mounted with 3 others (folder 4 of 4) [Neg 4x5-888-b, Prints01141] (6314-p)\n                \n                1897 Jun\t2 items\t23.\tPhotograph of Mark Twain, seated, facing forward, in a suit, by Alfred Ellis of London, with Mark Twain’s signature; done especially for J. B. Pond, Twain’s agent {OS Box L-7} [Neg 4x5-888-h] (6314-p)\n                \n                1898 May 16 2 items\t24.\tPhotograph of Mark Twain, black and white, head and shoulders, looking right, by J. Löwy of Vienna; inscribed with “truly yours, Mark Twain” [Neg 4x5-888-g, Prints01145] (6314-q)\n                \n                1900\t\t25.\tPhotograph of a oil portrait of Mark Twain, head and shoulders, facing forward, by James MacNeil Whistler, with Whistler’s butterfly signature (6314-x)\n                \n                [1900s]\t\t26.\tPhotograph of Mark Twain, head and shoulders, facing forward with sepia tone, by Newsboy of New York (6314-q)\n                \n                1900 Apr 6\t4 items\t27.\tPhotograph of Mark Twain, sitting by window, sepia tone, by H. Walter Barnett of London, inscribed with “ To Sir William Des Voeux with warm regards of S. L. Clemens and the same from Mark Twain” [Prints09892] (6314-k)\n                \n                \n                \n                1902\t\t28.\tPhotograph of Mark Twain, framed in dark frame, seated, facing forward, in a dark suit, by Taber Photograph Co., signed at bottom by Mark Twain {back wall behind book stacks} (6663)\n                \n                [1902 Jun]\t\t29.\tPhotograph of a photograph of Mark Twain with Laura Hawkins Frazer, Twain’s inspiration for Becky Thatcher in The Adventures of Tom Sawyer [Prints09891] (6314-j)\n                \n                1904\t2 items\t30.\tPhotograph of Mark Twain, seated, facing forward, in a suit, by Apeda Studio of New York [Neg 4x5-888-f, Prints09855] (7267)\n                \n                [1906]\t\t31.\tPhotograph of Mark Twain, in bed, wearing white, reading a magazine [Prints01147] (6314-q)\n                \n                [1906-1910]\t\t32.\tPhotograph of Mark Twain with Dr. Edward Quintard, the family doctor; signed, “sincerely yours Mark Twain” at bottom {OS Box L-7} (6314-p)\n                \n                [post 1907 Jun 26]\t33.\tPhotograph of Mark Twain, seated on porch, wearing academic costume, woods in background [Prints09867] (6314-q)\n                \n                [post 1907 Jun 26]\t34.\tPhotograph of Mark Twain, standing on porch, wearing academic costume, house in background [Prints09869] (6314-q)\n                \n                [post 1907 Jun 26]\t35.\tPhotograph of Mark Twain, standing on porch, wearing academic costume, woods in background [Neg 4x5-1591-b] (6314-q)\n                \n                1907\t2 items\t36.\tPhotograph of Mark Twain, head and shoulders, facing forward, in a white suit with sepia tone, by A.F. Bradley of New York [Neg 4x5-888-e, Prints09887] (6314-d)\n                \n                [1907]\t\t37.\tPhotograph of Mark Twain, seated indoors with book, wearing white suit [Neg 4x5-1591-a, Prints09877] (6314-q)\n                \n                [1907]\t\t38.\tPhotograph of Mark Twain, seated on rock with kitten, wearing white suit [Prints09861] (6314-q)\n                \n                [1907]\t2 items\t39.\tPhotograph of Mark Twain, standing indoors beside window, wearing white suit, holding pipe [Neg 4x5-888-c, Prints09860] (6314-q)\n                \n                [1907]\t4 items\t40.\tPhotograph of a photograph of Mark Twain, seated indoors with book, wearing white suit [Neg 4x5-888-a] (6314-j)\n                \n                [1907]\t2 items\t41.\tPhotograph of a photograph of Mark Twain, seated indoors with newspaper, wearing dark suit [Neg 35-81-b] (6314-j)\n                \n                [1907]\t1 item\t41a.\tPhotograph print from the original Mark Twain glass plate negative taken in England showing Twain seated in his Oxford robes. Standing next to him is Frances Nunnally, one of the \"angelfish\" in his \"Aquarium Club.\" (6314-aw)\n                \n                [1908 Jan]\t2 items\t42.\tPhotograph of Mark Twain, playing billiards, brown tone [Neg 4x5-888-d] (6314-q)\n                \n                [1908-1910]\t\t43.\tPhotograph, playing cards with Clara Clemens [Neg 4x5-888-i, Prints01146] (6314-q)\n                \n                [1908-1910]\t\t44.\tPhotograph of Mark Twain, seated at piano, with Clara Clemens and Miss Nicol [Prints09862] (6314-q)\n                \n                1909 Oct 6\t\t45.\tPhotograph of Mark Twain at Wedding of Clara Clemens to Ossif Gabrilowitsch: (left to right) Mark Twain, Jervis Langdon, Jean Clemens, Ossif Garbrilsowitsch, Clara Clemens, Rev. Dr. Joseph H. Twitchell; by Frank J. Sprague (6314-q)\n                \n                1909 Oct 6\t\t46.\tPhotograph of Mark Twain at Wedding of Clara Clemens, standing outdoors, wearing academic consume [Prints09864] (6314-q)\n                \n                1909 Nov 16\t\t47.\tFramed photograph of Mark Twain, writing in bed, in dark wooden frame; includes letter to Vice President Zoheth Freeman and two plaques, one of the letter and one of its importance {OS Box F-9} (6314-ar)\n                \n                n.d.\t\t48.\tPhotograph of Mark Twain, profile view, in a photograph album in the papers of Walt Whitman (3829-t, Box 5, Folder 35, page 12)\n                \n                n.d.\t\t49.\tPhotograph of an unidentified girl, possibly one of Mark Twain’s daughters, 3 views, by Webster Art Gallery of Oakland, CA (6314-q)\n                \n                \n                               \n                1859-1894\t5 items\t50.\t16 Prints of photographs at various ages, in various poses (6314-q)\n                \n                1871\t2 items\t51.\tPrint of etching of Mark Twain, head and shoulders, looking right, by W.H.W. Bicknell [Prints09883] (6314-q)\n                \n                1877\t\t52.\tPrint of etching of Mark Twain, seating between Clara (on the left) and Susy (on the right), by W.H.W. Bicknell [Neg 4x5-888-p, Prints09880] (6314-q)\n                \n                1883 Jan 5\t\t53.\tPrint of a photograph of Mark Twain, head and shoulders, facing right, oval with sepia tone [Prints09868] (6314-q)\n                \n                1884\t3 items\t54.\tPrint of a bust of Mark Twain, by Karl Gerhardt, one signed by Mark Twain (6314-q)\n                \n                1884\t\t55.\tPrint of a photograph of Mark Twain, head and shoulders, facing right, in a white suit, printed signature [Prints09881] (6314-q)\n                \n                [1884]\t\t56.\tPrint of a photograph of the Clemens family: (left to right) Susy, Mark Twain, Jean, Olivia, Clara; on the porch of their Hartford, CT home [Prints09890] (6314-j)\n                \n                1891\t2 items\t57.\tPrint of a portrait of Mark Twain, seated, facing forward by Elson of Boston, one signed by Twain (6314-q)\n                \n                [1894]\t\t58.\tPrint of a photograph of Mark Twain originally by Sarony, by N.Y. Photogravure Co., head and shoulders, facing forward (6314-q)\n                \n                1895 Aug 22\t\t59.\tPrint of a photograph of Mark Twain, facing forward on a rustic porch, captioned “Announcement Without Words,” signed “truly yours Mark Twain” (6314-p)\n                \n                1898\t2 items\t60.\tPrint of an oil portrait of Mark Twain originally by Spiridon, head and shoulders, facing right, one signed by Twain (6314-q)\n                \n                1899\t\t61. \tPrint of a oil portrait of Mark Twain originally by Spiridon, head and shoulders, facing right, in Portrait Series No 283 in The Book News Monthly [Prints09863] (6314-q)\n                \n                1899\t2 items\t62.\tPrint from a photograph, head and shoulders, looking right, by Elson of Boston, one signed by Twain (6314-q)\n                \n                1905\t\t63.\tPrint from watercolor portrait of Mark Twain entitled “Mark Twain Pilot,” at helm of riverboat, “American Humor,” in Life Magazine [Prints09854] (6314-q)\n                \n                1906 Sep\t\t64.\tPrints of photographs of Mark Twain in rocking chair, wearing a white suit, with a commentary on moral progress by Twain [Prints09870-09876] (6314-q)\n                \n                1906 Sep\t\t65.\tFramed prints of 8 photographs of Mark Twain; 7 in rocking chair, wearing white suit, with commentary on moral progress by Twain; 1 shooting billiards in white suit with Albert Bigelow Paine {OS Box F-1} (6314-aa)\n                \n                1934\t\t66.\tPrint from portrait of Mark Twain, by Frank A. Nankiwell, head and shoulders, facing forward, signed by artist (6314-q)\n                \n                n.d.\t\t67.\tPrint from etching of Mark Twain, head and shoulders, looking right (6314-q)\n                \n                n.d.\t\t68.\tPrint of Mark Twain, head and shoulders, facing left, printed signature [Neg 35-82-a] (6314-q)\n            \u003c/p\u003e","\u003cp\u003e\n                        \n                        [1897 Jun]\t\t1.\tClipping of Mark Twain, head and shoulders, facing left, originally from a photograph by Ellis of London, formerly with a card from Twain to J.R. Osgood and Co. (6314-j)\n                        \n                        1898 Oct\t\t2.\tClipping of Mark Twain, head and shoulders, facing forward, originally by Marceau of Boston [Prints09866] (6314-q)\n                        \n                        1903 Nov\t2 items\t3.\tClipping of Mark Twain from series, “Three Famous Authors Outdoors” in Ladies Home Journal: “Mark Twain at Quarry Hill Farm,” “Even Mark Twain Sometimes  Nods,” “Mark  Twain and an Old Family Friend,” and “Mark Twain and His Porcelain Cat” (6314-q)\n                        \n                        [post 1904] \t\t4.\tClipping of Mark Twain, head and shoulders, looking right, originally by Walter Barnett; captioned “Mark Twain: Born November 30, 1835” (6314-q)\n                        \n                        [1906 Feb]\t\t5.\tClipping of Mark Twain, head and shoulders, looking right in a suit, by Florian; in the center of clipping, “Mark Twain’s Loving Tribute to His Wife” (6314-q)\n                        \n                        1907\t\t6.\tClipping of a print of a stereograph of Mark Twain, standing with a pipe, originally by Underwood and Underwood (6314-q)\n                        \n                        [1907]\t2 items\t7.\tClipping of Mark Twain, seated, in a white suit, in carved armchair with sepia tone [Neg 35-82, Prints09888] (6314-d)\n                        \n                        1910\t\t8.\tClipping of Mark Twain, seated, facing right, originally by Histed; captioned “Mark Twain, died April 21st” (6314-q)\n                        \n                        n.d\t\t9.\tSmall clipping of Mark Twain, seated, facing forward, in a dark suit (6314-j)\n                        \n                        Postcards of Mark Twain (Samuel Clemens) (chronological)\n                        \n                        1906\t\t10.\tPostcard of Mark Twain, color, lying in bed, with caption “Mark Twain’s Muse” [Prints09878] (6314-q)\n                        \n                        1906\t2 items\t11.\tPostcard of Mark Twain, lying in bed, smoking [Neg 4x5-888-o] (6314-j)\n                        \n                        1906\t\t12.\tPostcard of Mark Twain, lying in bed, writing (7267-a)\n                        \n                        n.d.\t3 items\t13.\tPostcards, featuring a photo of Mark Twain along with a quotation from Pudd’nhead Wilson or Following the Equator (6314-ay)\n                        \n                        Artwork associated with Mark Twain (Samuel Clemens) (chronological)\n                        \n                        1859 Apr 9\tphoto\t14.\tPhotograph of pilot’s certificate issued to Mark Twain (6314-ae)\n                        \n                        1899\tbust\t15.\tBronze bust of Mark Twain, facing slightly left, on wood pedestal, inscribed with Mark Twain across lower front, by A. Weinert; back of the bust marked “The Henry Bonard Bronze Co. Founders N.Y. 1899;” with one photograph {left alcove of reading room} (6314-p)\n                        \n                        1906-1921\tengrav\t16.\tEngraving of Mark Twain in profile by Bernhardt Wall, signed by artist [Neg 35-204-g] (10602, Item No. 6)\n                        \n                        1906-1921\tphoto\t17.\tPhotograph of engraving of Mark Twain in profile by Bernhardt Wall [Neg 35-204-g] (6314-n)\n                        \n                        1935\tmedal\t18.\t2 Centennial Medallions of Mark Twain by Kilney; sculpted relief facing right inscribed “Samuel Langhorne Clemens, Mark Twain Centennial 1835-1935,” “Kilney” on bottom left; mounted together on black velvet. With photograph of medallions. {OS Box O-2) [Neg 4x5-1608-b] (10602, Item No. 18)\n                        \n                        1935\tmedal\t19.\tCentennial Medallion of Mark Twain by Kilney; sculpted relief facing right inscribed “Samuel Langhorne Clemens, Mark Twain Centennial 1835-1935,” “Kilney” on bottom left, and “Robbins and Co, Attleboro” on back. With scanned copy of medallion. {OS Box AB-1, cell AD} (6314-n)\n                        \n                        [1970s?]\tphoto\t20.\t4 photographs of places associated with Mark Twain: “Mark Twain Museum, Hannibal, Missouri;” “Mark Twain’s mother’s bedroom, Hannibal, Missouri;” “Cardiff Hill, Hannibal, Missouri;” “Jervis Langdon, owner of Quarry Hill Farm, Elmira, New York;” stamped “Life Photo by Dmitri Kessel; Mark Twain’s America” {OS Box L-7} (6314-ab)\n                        \n                        n.d.\tplaque\t21.\tClay plaque of Mark Twain and George Washington Cable, by Karl Gerhardt, inlaid with velvet {OS Box R-3} (7267, UVA Art Item No. 85)\n                        \n                        n.d.\tengrav\t22.\tColor engraving of Mark Twain, framed, facing right; with inscription, “Truth is the most valuable thing we have. Let us economize it. Truly yours Mark Twain.” {OS Box F-1} (6314-aj)\n                        \n                        n.d.\tengrav\t23.\tEngraving proof of Mark Twain, head and shoulders, facing right, engraving by Timothy Cole after a portrait by Abbott Henderson Thayer, with print of Mark Twain’s signature (6314-q)\n                        \n                        n.d.\tpainting\t24.\tOil painting of Mark Twain, seated facing slightly left, cigar in left hand, with watch chain, by Mrs. Edward Ward, in heavy gold frame. With photograph copy. {back wall of reading room} [Neg 4x5-534] (6314-p)\n                        \n                        n.d.\tsketch\t25.\tPen and ink caricature of Mark Twain as a yachtsman by Harry Furness, signed by the artist (6314-q)\n                        \n                        n.d.\tsketch\t26.\tPen and ink sketch of Mark Twain, facing left, by Ben Morse, signed “Sincerely yours Mark Twain” (6314-j)\n                        \n                        n.d.\tphoto\t27.\tPhotograph of drawing of Mark Twain in flames above an urn (6314-j)\n                        \n                        n.d.\tprint\t28.\tPrint of a caricature of Mark Twain, by “Spy” in Vanity Fair Magazine [Neg 4x5-833] (6314-q)\n                        \n                        n.d.\tsketch\t29.\tWatercolor caricature of Mark Twain, by Fudge, smoking a cigar {OS Box F-1} (6314-aj)\n                        \n                        n.d.               plaque     29a.\tBronze Wall Plaque of Mark Twain, sculpted by “F.E.C.” (6314-m) [stacks, Range L.1]\n                        \n                        \n                        Illustrations of Mark Twain’s (Samuel Clemens’) Works (chronological)\n                        \n                        [1867]\tdrawing\t30.\tPen and ink drawing of woman combing her hair by an unidentified artist from “Concerning Chambermaids” in The Celebrated Jumping Frog of Calaveras County and Other Sketches (6314-av)\n                        \n                        1889\tdrawing\t31.\t“Three Years After the Battle,” pen drawing by Daniel Carter Beard from A Connecticut Yankee in King Arthur’s Court {OS Box L-7} (6314-p)\n                        \n                        [1897]\tprint\t32.\t“The mate’s shadow froze to the deck,” print by Arthur Burdett Frost from Following the Equator (6314-q)\n                        \n                        1898\tdrawing\t33.\t“Buckstone was training with the rum party,” pen and ink drawing by Edward Windsor Kemble from Pudd’nhead Wilson {OS Box W-2} (6314-av)\n                        \n                        1899\tdrawing\t34.\t“The Assembly Was Dispossessed [Dispersed],” black and white wash by B. West Clinedinst from Roughing It. With negative copy. {OS Box L-7} (6314-q)\n                        \n                        1899\tdrawing\t35.\t“The Bathers at Leuk,” black and white wash by  Thure de Thulstrup from A Tramp Abroad. With negative copy. {OS Box L-7} (6314-q)\n                        \n                        1899\tdrawing\t36.\t“The Caravan,” black and white wash by Thure de Thulstrup from A Tramp Abroad. With negative copy. {OS Box L-7} (6314-q)\n                        \n                        1899\t2 prints\t37.\t“Flies, Dan’l, Flies!” by Frederick Burr Opper from Sketches Old and New (“The Celebrated Jumping Frog of Calaveras County”), one signed by artist (6314-q)\n                        \n                        1899\tprint\t38.\tPen and Ink print of Huck Finn in a Dress with Jim in Background, by Edward Windsor Kemble from Adventures of Huckleberry Finn (6314-q)\n                        \n                        1899\tpainting\t39.\t“Tom Sawyer’s Aunt,” black and white oil painting of Aunt Polly, by J.G. Brown, from The Adventures of Tom Sawyer {back wall behind book stacks}[UVA Art Item No. 77] (6314-ad)\n                        \n                        1899\tdrawing\t40.\t“An Unexpected Acquaintance,” black and white wash by Thure de Thulstrup from A Tramp Abroad. With negative copy. {OS Box L-7} (6314-q)\n                        \n                        1905 Dec 21\tdrawing\t41.\t“I am the Dauphin, the rightful King of France,” ink and watercolor drawing of the older of the two swindlers by W.A. Rogers from Adventures of Huckleberry Finn (6314-q)\n                        \n                        [1906]\tdrawing\t42.\tPen and Ink illustration of starry night sky by Lester Ralph, from Eve’s Diary (6314-q)\n                        \n                        [1935]\tdrawing\t43.\tWatercolor and Ink illustrations from Slovenly Peter, translated by Mark Twain, by Fritz Kredel (6314-q)\n                        \n                        n.d.\tprint\t44.\tColored print of an American tourist in Middle Eastern market by C.D. Weedon from Innocents Abroad, signed by the artist (6314-q)\n                        \n                        n.d.\tdrawing\t45.\tInk and Watercolor drawing of Huck Finn and Jim, by F. Richardson from Adventures of Huckleberry Finn; autographs on drawing include Mark Twain, Dan Beard, Bayard Jones, A.W. Drake, C. Word Blaisdell, A.B. Wengell, Edwin B. Child, and others (6314-q)\n                        \n                        n.d.\tprint\t46.\tPrint of a couple kissing by Seymour M. Stone from an unknown work, signed by the artist (6314-q)\n                        \n                        n.d.\tprint\t47.\tPrint of etching of riverside scene with cotton bales, two boys, and a steamship by Edmund H. Garrett, possibly for The Adventures of Tom Sawyer or Adventures of Huckleberry Finn, signed by artist (6314-q)\n                        \n                        n.d.\tprint\t48.\tPrint of kitchen scene with black man, old man, woman, and two boys by Arthur Burdett Frost, possibly for The Adventures of Tom Sawyer or Adventures of Huckleberry Finn (6314-q)\n                        \n                        n.d.\t7 prints\t49.\tPrint of Mark Twain leaning against a column reading an inscription by Peter Newell from Innocents Abroad, signed by the artist (6314-q)\n                        \n                                                                    \u003c/p\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_viu00005_c05_c08"}},{"id":"vihart_repositories_4_resources_275_c02_c01","type":"File","attributes":{"title":"Zigler family accounts","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_275_c02_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_275_c02_c01","ref_ssm":["vihart_repositories_4_resources_275_c02_c01"],"id":"vihart_repositories_4_resources_275_c02_c01","ead_ssi":"vihart_repositories_4_resources_275","_root_":"vihart_repositories_4_resources_275","_nest_parent_":"vihart_repositories_4_resources_275_c02","parent_ssi":"vihart_repositories_4_resources_275_c02","parent_ssim":["vihart_repositories_4_resources_275","vihart_repositories_4_resources_275_c02"],"parent_ids_ssim":["vihart_repositories_4_resources_275","vihart_repositories_4_resources_275_c02"],"parent_unittitles_ssm":["Robert H. and Lorraine Strickler Collection of John Zigler Daybooks","Unbound Material"],"parent_unittitles_tesim":["Robert H. and Lorraine Strickler Collection of John Zigler Daybooks","Unbound Material"],"text":["Robert H. and Lorraine Strickler Collection of John Zigler Daybooks","Unbound Material","Zigler family accounts","box 6","folder 3"],"title_filing_ssi":"Zigler family accounts","title_ssm":["Zigler family accounts"],"title_tesim":["Zigler family accounts"],"unitdate_inclusive_ssm":["1843-1893"],"normalized_date_ssm":["1843/1893"],"normalized_title_ssm":["Zigler family accounts"],"component_level_isim":[2],"repository_ssim":["James Madison University"],"collection_ssim":["Robert H. and Lorraine Strickler Collection of John Zigler Daybooks"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":22,"parent_access_restrict_tesm":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893],"containers_ssim":["box 6","folder 3"],"_nest_path_":"/components#1/components#0","timestamp":"2026-05-21T00:22:27.919Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_275","ead_ssi":"vihart_repositories_4_resources_275","_root_":"vihart_repositories_4_resources_275","_nest_parent_":"vihart_repositories_4_resources_275","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_275.xml","title_ssm":["Robert H. and Lorraine Strickler Collection of John Zigler Daybooks"],"title_tesim":["Robert H. and Lorraine Strickler Collection of John Zigler Daybooks"],"unitdate_ssm":["1816-1903"],"unitdate_inclusive_ssm":["1816-1903"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0128","/repositories/4/resources/275"],"text":["SC 0128","/repositories/4/resources/275","Robert H. and Lorraine Strickler Collection of John Zigler Daybooks","Timberville (Va.) -- History","Timberville (Va.) -- Economic conditions -- Sources","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Economic conditions -- Sources","Shenandoah River Valley (Va. and W. Va.) -- History","Shenandoah River Valley (Va. and W. Va.) -- Economic conditions -- Sources","Virginia -- History, Local","Account books -- Virginia -- Rockingham County","Tanners -- Virginia -- Rockingham County","Tanneries -- Virginia -- Rockingham County","African Americans -- Virginia -- History -- 19th century","Farm supply industries -- Virginia -- Rockingham County","General stores -- Virginia -- Rockingham County","Agricultural industries -- Virginia -- Rockingham County","Leather industry and trade -- Virginia -- Rockingham County","Hides and skins -- Virginia -- Rockingham County","Bark -- Virginia -- Rockingham County","Hemp -- Virginia -- Rockingham County","Pottery, American -- Virginia -- Rockingham County","Pottery kilns -- Virginia -- Rockingham County","Blacksmithing -- Virginia -- Rockingham County","Shoe industry -- Virginia -- Rockingham County","Sawmills -- Virginia -- Rockingham County","Mills and mill-work -- Virginia -- Rockingham County","Industries -- Virginia -- Timberville -- Sources","Industries -- Virginia -- Rockingham County","Industries -- Shenandoah River Valley (Va. and W. Va.) -- Sources","Daybooks","Ledgers (account books)","Business records","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","This collection is arranged in two series:","Daybooks and ledgers, 1816-1903 Unbound material, 1843-1893","Jonassen, Diane.  German Influences on the Early Arts in the Shenandoah Valley . Harrisonburg: James Madison University, 1981.","Miller, Gordon.  Rockingham: An Annotated Bibliography of a Virginia County . Harrisonburg: Harrisonburg-Rockingham Historical Society, 1989.","Wayland, John W.  A History of Rockingham County . Dayton: Ruebush-Elkins, 1912.","John Zigler (b. 1786) moved to Timberville in Rockingham County, Virginia in 1814. In this year, he also opened a tannery, which was known as the largest and best in the Shenandoah Valley by the year of his death in 1856. Along with his tannery, he also started a pottery business in 1830, and later opened a hemp mill. John Zigler was also part of a project to build a free bridge across the Shenandoah River in 1833. Zigler and his family were also affiliated with the Church of the Brethern (Dunkers).","The Stricklers purchased the John Zigler daybooks at the M. Otto Zigler estate sale held by Green Valley Auctions, Inc. on August 11, 1990.","In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017.  This collection was previously cataloged as SC 3025.","The ledger acquired from Crown Collectibles was added to the collection in April 2022.","The Robert H. and Lorraine Strickler Collection of John Zigler Daybooks, 1816-1903, consists consists primarily of 19 daybooks and ledgers from the John Zigler tannery and pottery businesses in Timberville in Rockingham County, Virginia. Additional materials include photographs, notes, letters, and loose financial accounts.","Series 1: Daybooks and Ledgers, 1816-1903, contains daybooks and ledgers numbered consecutively according to date. These daybooks include references to Henry Jordan as tanner, Andrew Coffman as potter, use of dollars and pounds, references to hauling hides from Winchester, references to milling hemp, reference to death of John Zigler Sr., and references to the pottery kiln, saw mill, and tons of hay. Daybooks record transactions chronologically; ledgers group transactions under individual account names. Entries made throughout ledgers and daybooks refer to the purchasing of hides and bark. Entries relating to purchasing hemp begin around 1826; entries mentioning pottery and a saw mill begin around 1830. Entries relating to the \"sharping\" of shovels and removing of shoes suggest the presence of a blacksmith. Many entries also suggest the presence of a shoemaker. The later years of the ledgers seem to document a change to a farm supply or general store. Many entries relate to dry goods or to agricultural products and methods such as hay and threshing. Of particular interest is the simultaneous use of both pounds and dollars until around 1845. Also, two types of entries can be found throughout the ledgers and daybooks relating to African Americans. The name of a person is sometimes followed by \"black\" or \"blackman;\" or a name may be followed by \"by his blackman\" or \"blackboy.\" Many inserts were found in apparently random order in the daybooks and ledgers. Some were merely scraps for calculating numbers, while others contained account information. Unless there was a connection between an insert and the pages where it was found, it was filed in a folder. There is also one undated photograph thought to be of the kiln. Oversize daybooks are included in this series and contain accounts of Daniel Zigler and references to buying calfskins in Baltimore.","Series 2: Unbound Material, 1843-1893, consists of financial accounts of the Zigler family, notes, memos, and a photograph of Zigler's Timberville kiln.","Ledger records quantity, weight, and value of hides being purchased at Zigler's tannery. Also included are sixteen pages of Notes Outstanding Against John Zigler. An Abraham Lincoln is listed as part of these notes (pg. 115). This likely refers to Abraham Lincoln (1799-1851), son of Jacob and Dorcas Robinson Lincoln, who was President Abraham Lincoln's first cousin once removed. Common Rockingham County surnames are present throughout and include Hoover, Kline, Shaver, Miller, Garber, Kratzer, Holsinger, Sites, Gochenour, and others. Also includes four recipes (pgs. 30-31).","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Robert H. and Lorraine Strickler Collection of John Zigler Daybooks, 1816-1903, consists chiefly of daybooks and ledgers related to the John Zigler tannery and pottery businesses in Rockingham County, Virginia. Additional materials include photographs, notes, letters, and loose accounts.","James Madison University Libraries Special Collections","Crown Collectibles","Zigler Tannery (Timberville, Va.)","Zigler family","Zigler, John, 1786-1856","Strickler, Robert H. (Robert \"Twig\" Hopkins), 1928-2019","Strickler, Lorraine Warren, 1932-","English"],"unitid_tesim":["SC 0128","/repositories/4/resources/275"],"normalized_title_ssm":["Robert H. and Lorraine Strickler Collection of John Zigler Daybooks"],"collection_title_tesim":["Robert H. and Lorraine Strickler Collection of John Zigler Daybooks"],"collection_ssim":["Robert H. and Lorraine Strickler Collection of John Zigler Daybooks"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Timberville (Va.) -- History","Timberville (Va.) -- Economic conditions -- Sources","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Economic conditions -- Sources","Shenandoah River Valley (Va. and W. Va.) -- History","Shenandoah River Valley (Va. and W. Va.) -- Economic conditions -- Sources","Virginia -- History, Local"],"geogname_ssim":["Timberville (Va.) -- History","Timberville (Va.) -- Economic conditions -- Sources","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Economic conditions -- Sources","Shenandoah River Valley (Va. and W. Va.) -- History","Shenandoah River Valley (Va. and W. Va.) -- Economic conditions -- Sources","Virginia -- History, Local"],"creator_ssm":["Zigler, John, 1786-1856","Strickler, Robert H. (Robert \"Twig\" Hopkins), 1928-2019","Strickler, Lorraine Warren, 1932-","Crown Collectibles"],"creator_ssim":["Zigler, John, 1786-1856","Strickler, Robert H. (Robert \"Twig\" Hopkins), 1928-2019","Strickler, Lorraine Warren, 1932-","Crown Collectibles"],"creator_persname_ssim":["Zigler, John, 1786-1856","Strickler, Robert H. (Robert \"Twig\" Hopkins), 1928-2019","Strickler, Lorraine Warren, 1932-"],"creator_corpname_ssim":["Crown Collectibles"],"creators_ssim":["Zigler, John, 1786-1856","Strickler, Robert H. (Robert \"Twig\" Hopkins), 1928-2019","Strickler, Lorraine Warren, 1932-","Crown Collectibles"],"places_ssim":["Timberville (Va.) -- History","Timberville (Va.) -- Economic conditions -- Sources","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Economic conditions -- Sources","Shenandoah River Valley (Va. and W. Va.) -- History","Shenandoah River Valley (Va. and W. Va.) -- Economic conditions -- Sources","Virginia -- History, Local"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Robert H. \"Twig\" and Lorraine Strickler donated this collection to Carrier Library in December 1990.","In March 2022, Special Collections aquired from Crown Collectibles a ledger/daybook (Daybook/Ledger 19) belonging to the same John Zigler."],"access_subjects_ssim":["Account books -- Virginia -- Rockingham County","Tanners -- Virginia -- Rockingham County","Tanneries -- Virginia -- Rockingham County","African Americans -- Virginia -- History -- 19th century","Farm supply industries -- Virginia -- Rockingham County","General stores -- Virginia -- Rockingham County","Agricultural industries -- Virginia -- Rockingham County","Leather industry and trade -- Virginia -- Rockingham County","Hides and skins -- Virginia -- Rockingham County","Bark -- Virginia -- Rockingham County","Hemp -- Virginia -- Rockingham County","Pottery, American -- Virginia -- Rockingham County","Pottery kilns -- Virginia -- Rockingham County","Blacksmithing -- Virginia -- Rockingham County","Shoe industry -- Virginia -- Rockingham County","Sawmills -- Virginia -- Rockingham County","Mills and mill-work -- Virginia -- Rockingham County","Industries -- Virginia -- Timberville -- Sources","Industries -- Virginia -- Rockingham County","Industries -- Shenandoah River Valley (Va. and W. Va.) -- Sources","Daybooks","Ledgers (account books)","Business records"],"access_subjects_ssm":["Account books -- Virginia -- Rockingham County","Tanners -- Virginia -- Rockingham County","Tanneries -- Virginia -- Rockingham County","African Americans -- Virginia -- History -- 19th century","Farm supply industries -- Virginia -- Rockingham County","General stores -- Virginia -- Rockingham County","Agricultural industries -- Virginia -- Rockingham County","Leather industry and trade -- Virginia -- Rockingham County","Hides and skins -- Virginia -- Rockingham County","Bark -- Virginia -- Rockingham County","Hemp -- Virginia -- Rockingham County","Pottery, American -- Virginia -- Rockingham County","Pottery kilns -- Virginia -- Rockingham County","Blacksmithing -- Virginia -- Rockingham County","Shoe industry -- Virginia -- Rockingham County","Sawmills -- Virginia -- Rockingham County","Mills and mill-work -- Virginia -- Rockingham County","Industries -- Virginia -- Timberville -- Sources","Industries -- Virginia -- Rockingham County","Industries -- Shenandoah River Valley (Va. and W. Va.) -- Sources","Daybooks","Ledgers (account books)","Business records"],"has_online_content_ssim":["false"],"extent_ssm":["2.9 cubic feet 7 boxes"],"extent_tesim":["2.9 cubic feet 7 boxes"],"genreform_ssim":["Daybooks","Ledgers (account books)","Business records"],"date_range_isim":[1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in two series:\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eDaybooks and ledgers, 1816-1903\u003c/item\u003e\n      \u003citem\u003eUnbound material, 1843-1893\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in two series:","Daybooks and ledgers, 1816-1903 Unbound material, 1843-1893"],"bibliography_html_tesm":["\u003cbibref\u003eJonassen, Diane. \u003cemph render=\"italic\"\u003eGerman Influences on the Early Arts in the Shenandoah Valley\u003c/emph\u003e. Harrisonburg: James Madison University, 1981.\u003c/bibref\u003e","\u003cbibref\u003eMiller, Gordon. \u003cemph render=\"italic\"\u003eRockingham: An Annotated Bibliography of a Virginia County\u003c/emph\u003e. Harrisonburg: Harrisonburg-Rockingham Historical Society, 1989.\u003c/bibref\u003e","\u003cbibref\u003eWayland, John W. \u003cemph render=\"italic\"\u003eA History of Rockingham County\u003c/emph\u003e. Dayton: Ruebush-Elkins, 1912.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Jonassen, Diane.  German Influences on the Early Arts in the Shenandoah Valley . Harrisonburg: James Madison University, 1981.","Miller, Gordon.  Rockingham: An Annotated Bibliography of a Virginia County . Harrisonburg: Harrisonburg-Rockingham Historical Society, 1989.","Wayland, John W.  A History of Rockingham County . Dayton: Ruebush-Elkins, 1912."],"bioghist_html_tesm":["\u003cp\u003eJohn Zigler (b. 1786) moved to Timberville in Rockingham County, Virginia in 1814. In this year, he also opened a tannery, which was known as the largest and best in the Shenandoah Valley by the year of his death in 1856. Along with his tannery, he also started a pottery business in 1830, and later opened a hemp mill. John Zigler was also part of a project to build a free bridge across the Shenandoah River in 1833. Zigler and his family were also affiliated with the Church of the Brethern (Dunkers).\u003c/p\u003e"],"bioghist_heading_ssm":["Bio/Historical Note"],"bioghist_tesim":["John Zigler (b. 1786) moved to Timberville in Rockingham County, Virginia in 1814. In this year, he also opened a tannery, which was known as the largest and best in the Shenandoah Valley by the year of his death in 1856. Along with his tannery, he also started a pottery business in 1830, and later opened a hemp mill. John Zigler was also part of a project to build a free bridge across the Shenandoah River in 1833. Zigler and his family were also affiliated with the Church of the Brethern (Dunkers)."],"custodhist_html_tesm":["\u003cp\u003eThe Stricklers purchased the John Zigler daybooks at the M. Otto Zigler estate sale held by Green Valley Auctions, Inc. on August 11, 1990.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["The Stricklers purchased the John Zigler daybooks at the M. Otto Zigler estate sale held by Green Valley Auctions, Inc. on August 11, 1990."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Robert H. and Lorraine Strickler Collection of John Zigler Daybooks, 1816-1903, SC 0128, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Robert H. and Lorraine Strickler Collection of John Zigler Daybooks, 1816-1903, SC 0128, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eIn order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017. \u003cemph render=\"bold\"\u003eThis collection was previously cataloged as SC 3025.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eThe ledger acquired from Crown Collectibles was added to the collection in April 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017.  This collection was previously cataloged as SC 3025.","The ledger acquired from Crown Collectibles was added to the collection in April 2022."],"scopecontent_html_tesm":["\u003cp\u003eThe Robert H. and Lorraine Strickler Collection of John Zigler Daybooks, 1816-1903, consists consists primarily of 19 daybooks and ledgers from the John Zigler tannery and pottery businesses in Timberville in Rockingham County, Virginia. Additional materials include photographs, notes, letters, and loose financial accounts.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Daybooks and Ledgers, 1816-1903, contains daybooks and ledgers numbered consecutively according to date. These daybooks include references to Henry Jordan as tanner, Andrew Coffman as potter, use of dollars and pounds, references to hauling hides from Winchester, references to milling hemp, reference to death of John Zigler Sr., and references to the pottery kiln, saw mill, and tons of hay. Daybooks record transactions chronologically; ledgers group transactions under individual account names. Entries made throughout ledgers and daybooks refer to the purchasing of hides and bark. Entries relating to purchasing hemp begin around 1826; entries mentioning pottery and a saw mill begin around 1830. Entries relating to the \"sharping\" of shovels and removing of shoes suggest the presence of a blacksmith. Many entries also suggest the presence of a shoemaker. The later years of the ledgers seem to document a change to a farm supply or general store. Many entries relate to dry goods or to agricultural products and methods such as hay and threshing. Of particular interest is the simultaneous use of both pounds and dollars until around 1845. Also, two types of entries can be found throughout the ledgers and daybooks relating to African Americans. The name of a person is sometimes followed by \"black\" or \"blackman;\" or a name may be followed by \"by his blackman\" or \"blackboy.\" Many inserts were found in apparently random order in the daybooks and ledgers. Some were merely scraps for calculating numbers, while others contained account information. Unless there was a connection between an insert and the pages where it was found, it was filed in a folder. There is also one undated photograph thought to be of the kiln. Oversize daybooks are included in this series and contain accounts of Daniel Zigler and references to buying calfskins in Baltimore.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Unbound Material, 1843-1893, consists of financial accounts of the Zigler family, notes, memos, and a photograph of Zigler's Timberville kiln.\u003c/p\u003e","\u003cp\u003eLedger records quantity, weight, and value of hides being purchased at Zigler's tannery. Also included are sixteen pages of Notes Outstanding Against John Zigler. An Abraham Lincoln is listed as part of these notes (pg. 115). This likely refers to Abraham Lincoln (1799-1851), son of Jacob and Dorcas Robinson Lincoln, who was President Abraham Lincoln's first cousin once removed. Common Rockingham County surnames are present throughout and include Hoover, Kline, Shaver, Miller, Garber, Kratzer, Holsinger, Sites, Gochenour, and others. Also includes four recipes (pgs. 30-31).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content"],"scopecontent_tesim":["The Robert H. and Lorraine Strickler Collection of John Zigler Daybooks, 1816-1903, consists consists primarily of 19 daybooks and ledgers from the John Zigler tannery and pottery businesses in Timberville in Rockingham County, Virginia. Additional materials include photographs, notes, letters, and loose financial accounts.","Series 1: Daybooks and Ledgers, 1816-1903, contains daybooks and ledgers numbered consecutively according to date. These daybooks include references to Henry Jordan as tanner, Andrew Coffman as potter, use of dollars and pounds, references to hauling hides from Winchester, references to milling hemp, reference to death of John Zigler Sr., and references to the pottery kiln, saw mill, and tons of hay. Daybooks record transactions chronologically; ledgers group transactions under individual account names. Entries made throughout ledgers and daybooks refer to the purchasing of hides and bark. Entries relating to purchasing hemp begin around 1826; entries mentioning pottery and a saw mill begin around 1830. Entries relating to the \"sharping\" of shovels and removing of shoes suggest the presence of a blacksmith. Many entries also suggest the presence of a shoemaker. The later years of the ledgers seem to document a change to a farm supply or general store. Many entries relate to dry goods or to agricultural products and methods such as hay and threshing. Of particular interest is the simultaneous use of both pounds and dollars until around 1845. Also, two types of entries can be found throughout the ledgers and daybooks relating to African Americans. The name of a person is sometimes followed by \"black\" or \"blackman;\" or a name may be followed by \"by his blackman\" or \"blackboy.\" Many inserts were found in apparently random order in the daybooks and ledgers. Some were merely scraps for calculating numbers, while others contained account information. Unless there was a connection between an insert and the pages where it was found, it was filed in a folder. There is also one undated photograph thought to be of the kiln. Oversize daybooks are included in this series and contain accounts of Daniel Zigler and references to buying calfskins in Baltimore.","Series 2: Unbound Material, 1843-1893, consists of financial accounts of the Zigler family, notes, memos, and a photograph of Zigler's Timberville kiln.","Ledger records quantity, weight, and value of hides being purchased at Zigler's tannery. Also included are sixteen pages of Notes Outstanding Against John Zigler. An Abraham Lincoln is listed as part of these notes (pg. 115). This likely refers to Abraham Lincoln (1799-1851), son of Jacob and Dorcas Robinson Lincoln, who was President Abraham Lincoln's first cousin once removed. Common Rockingham County surnames are present throughout and include Hoover, Kline, Shaver, Miller, Garber, Kratzer, Holsinger, Sites, Gochenour, and others. Also includes four recipes (pgs. 30-31)."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0f17978a4786b00a8c40e38435169af3\"\u003eThe Robert H. and Lorraine Strickler Collection of John Zigler Daybooks, 1816-1903, consists chiefly of daybooks and ledgers related to the John Zigler tannery and pottery businesses in Rockingham County, Virginia. Additional materials include photographs, notes, letters, and loose accounts.\u003c/abstract\u003e"],"abstract_tesim":["The Robert H. and Lorraine Strickler Collection of John Zigler Daybooks, 1816-1903, consists chiefly of daybooks and ledgers related to the John Zigler tannery and pottery businesses in Rockingham County, Virginia. Additional materials include photographs, notes, letters, and loose accounts."],"names_coll_ssim":["Crown Collectibles","Zigler Tannery (Timberville, Va.)","Zigler family","Strickler, Robert H. (Robert \"Twig\" Hopkins), 1928-2019","Strickler, Lorraine Warren, 1932-"],"names_ssim":["James Madison University Libraries Special Collections","Crown Collectibles","Zigler Tannery (Timberville, Va.)","Zigler family","Zigler, John, 1786-1856","Strickler, Robert H. (Robert \"Twig\" Hopkins), 1928-2019","Strickler, Lorraine Warren, 1932-"],"corpname_ssim":["James Madison University Libraries Special Collections","Crown Collectibles","Zigler Tannery (Timberville, Va.)"],"famname_ssim":["Zigler family"],"persname_ssim":["Zigler, John, 1786-1856","Strickler, Robert H. (Robert \"Twig\" Hopkins), 1928-2019","Strickler, Lorraine Warren, 1932-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":25,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:22:27.919Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_275_c02_c01"}},{"id":"wvmturhc_repositories_2_resources_1513","type":"collection","attributes":{"title":"Zinn Family Genealogy","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1513#creator","type":"document_value","attributes":{"value":"Zinn family","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1513#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eGenealogical information compiled by the donor and documents of the Zinn family of north central West Virginia. The family is traced back to George Zinn, a German immigrant from Darstadt and a Revolutionary War veteran who settled after the American Revolution in Monongalia County. There is mention of various of his descendents, mainly West Virginians, but most of the information is on the line of the Civil War veteran George Harrison Zinn and his son Frank Garfield Zinn. Most of the documents are the financial records of George D. Zinn and his business transactions in the vicinity of Morgantown. There are a few other items on Morgantown history and a letter from John Malcom to William and Jane Wilson about land in the frontier Mid-West.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1513#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_1513","ead_ssi":"wvmturhc_repositories_2_resources_1513","_root_":"wvmturhc_repositories_2_resources_1513","_nest_parent_":"wvmturhc_repositories_2_resources_1513","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1513.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195792","title_ssm":["Zinn Family Genealogy"],"title_tesim":["Zinn Family Genealogy"],"unitdate_ssm":["1808-1994","1832-1888"],"unitdate_bulk_ssim":["1832-1888"],"unitdate_inclusive_ssm":["1808-1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3213","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1513"],"text":["A\u0026M 3213","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1513","Zinn Family Genealogy","Monongalia County (W. Va.)","Genealogy","Frontier and pioneer life","No special access restriction applies.","Genealogical information compiled by the donor and documents of the Zinn family of north central West Virginia. The family is traced back to George Zinn, a German immigrant from Darstadt and a Revolutionary War veteran who settled after the American Revolution in Monongalia County. There is mention of various of his descendents, mainly West Virginians, but most of the information is on the line of the Civil War veteran George Harrison Zinn and his son Frank Garfield Zinn. Most of the documents are the financial records of George D. Zinn and his business transactions in the vicinity of Morgantown. There are a few other items on Morgantown history and a letter from John Malcom to William and Jane Wilson about land in the frontier Mid-West.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Zinn family","Malcom, John.","Wilson, Jane.","Wilson, William.","Zinn, Frank Garfield.","Zinn, George D.","English"],"unitid_tesim":["A\u0026M 3213","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1513"],"normalized_title_ssm":["Zinn Family Genealogy"],"collection_title_tesim":["Zinn Family Genealogy"],"collection_ssim":["Zinn Family Genealogy"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Monongalia County (W. Va.)"],"geogname_ssim":["Monongalia County (W. 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The family is traced back to George Zinn, a German immigrant from Darstadt and a Revolutionary War veteran who settled after the American Revolution in Monongalia County. There is mention of various of his descendents, mainly West Virginians, but most of the information is on the line of the Civil War veteran George Harrison Zinn and his son Frank Garfield Zinn. Most of the documents are the financial records of George D. Zinn and his business transactions in the vicinity of Morgantown. There are a few other items on Morgantown history and a letter from John Malcom to William and Jane Wilson about land in the frontier Mid-West.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Genealogical information compiled by the donor and documents of the Zinn family of north central West Virginia. The family is traced back to George Zinn, a German immigrant from Darstadt and a Revolutionary War veteran who settled after the American Revolution in Monongalia County. There is mention of various of his descendents, mainly West Virginians, but most of the information is on the line of the Civil War veteran George Harrison Zinn and his son Frank Garfield Zinn. Most of the documents are the financial records of George D. Zinn and his business transactions in the vicinity of Morgantown. There are a few other items on Morgantown history and a letter from John Malcom to William and Jane Wilson about land in the frontier Mid-West."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_8b95e4e2fa57840fd986296ca638e826\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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