{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1884\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=8","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1884\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=7","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1884\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=9","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1884\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=11"},"meta":{"pages":{"current_page":8,"next_page":9,"prev_page":7,"total_pages":11,"limit_value":10,"offset_value":70,"total_count":107,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_144","type":"collection","attributes":{"title":"Northern Virginia Civil War images collection, 1853/1914","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_144#creator","type":"document_value","attributes":{"value":"George Mason University. Libraries. Special Collections Research Center","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_144#abstract_or_scope","type":"document_value","attributes":{"value":"The collection contains images and maps depicting Northern Virginia. A majority of the images are contemporary illustrations of the Civil War in Virginia. Formats include wood engravings, steel engravings, lithographs, chromolithographs, and a manuscript.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_144#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_144","ead_ssi":"vifgm_repositories_2_resources_144","_root_":"vifgm_repositories_2_resources_144","_nest_parent_":"vifgm_repositories_2_resources_144","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_144.xml","title_filing_ssi":"Northern Virginia Civil War images collection","title_ssm":["Northern Virginia Civil War images collection"],"title_tesim":["Northern Virginia Civil War images collection"],"unitdate_ssm":["1853-1914"],"unitdate_inclusive_ssm":["1853-1914"],"normalized_date_ssm":["1853/1914"],"normalized_title_ssm":["Northern Virginia Civil War images collection, 1853/1914"],"text":["Northern Virginia Civil War images collection, 1853/1914","C0150","/repositories/2/resources/144","Virginia -- History -- Civil War, 1861-1865","Virginia, Northern","United States -- History -- Civil War, 1861-1865","Virginia, Northern -- History","Maps","Lithography","Chromolithography","Wood engravings","Steel engravings","There are no access restrictions.","This collection is arranged by locality of primary image.","The Illustrated London News was one of the first newspapers to employ wood engravings on a wide scale. One of its artists was Frank Vizetelly (1830-1883); he covered the Civil War for British readers. Early on, he illustrated the war from the Union side but was later allowed to draw from the Confederate side. Artists like Vizetelly sometimes did more than draw, though. He acted as a messenger for Confederate General James Longstreet at the battle of Chickamauga. Vizetelly was also a staff aide for the Confederates at the battle of Fredericksburg and was present at Charleston, South Carolina, when it was besieged. Because of such personal involvement by artists, many engravings were not made by detached observers, but by active participants in history unfolding.","Frank Leslie (1821-1880) was another artist who began his career as an engraver in 1842 and eventually published his own newspaper, which he titled, Frank Leslie's Illustrated Newspaper. The newspaper also covered the Civil War. Leslie used a large number of illustrations in his newspaper to increase circulation. Images from Frank Leslie's Illustrated Newspaper are well represented in Northern Virginia Images Collection, including several images from the German language edition of the newspaper.","Another popular periodical of the time was Harper's Weekly. It first appeared in 1857 and became one of the most important and influential periodicals in nineteenth century America, notably during the Civil War. Two prominent artists for Harper's Weekly during this period were Alfred Waud (1828-1891) and Thomas Nast (1840-1902). Engravings by both are included in Northern Virginia Images Collection. Waud was primarily assigned to the eastern front and covered the war from the Battle of First Manassas to the Confederacy's surrender at Appomattox Court House. Thomas Nast (who later became famous for creating the roly- poly figure in red we now know as Santa Claus) worked largely in New York for most of the war. One of the major exceptions to this was when he spent time in the Union camp during the Battle of Gettysburg. Nast's sympathies were for the Union side, which, naturally, bothered Southerners, who often sent threatening letters to Nast at the Harper's Weekly office. By and large, The Illustrated London News, Frank Leslie's Illustrated Newspaper, and Harper's Weekly illustrated the Civil War from the Northern point-of-view.","Many of today's Northern Virginia residents only know the area as a population outgrowth of Washington, D.C. Despite this cosmopolitan reputation, it was largely farm country at the time of the Civil War through World War II. Few realize that the area was the frequent battleground for large contending forces. Yet, many of the areas that are depicted in the images still exist today but under much different circumstances. Some of the areas included in these images have undergone radical cultural changes as well. An Islamic Mosque now occupies Munson Hill, which Confederate forces occupied under General J.E.B. Stuart during early days of the war.","Processed by Special Collections Research Center staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. EAD updated by Greta Kuriger in July 2011.","The Special Collections Research Center also holds the , the , and the WRLC digital collection . The  is available for GMU affiliated researchers.","The collection consists of nearly 200 images on various historical subjects in a variety of formats, including wood engravings, steel engravings, lithographs, chromolithographs, maps, and manuscripts. Most of the images depict battles and maps of the Civil War. The maps include the cities of Arlington and Alexandria and the counties of Fairfax, Loudoun and Prince William. Columbia Pike, Chain Bridge, Long Bridge, the Little River Turnpike, Centreville and Manassas all existed at the time of the Civil War and all of them are represented or referenced in these images.","Most of the Civil War images are from three periodicals: The Illustrated London News, Frank Leslie's Illustrated Newspaper, and Harper's Weekly. They are primarily wood engravings, several of which are hand colored. Though wood engraving was invented as an illustrative technique in the 1790s, it was the later appearance of the mass illustrated newspaper that took advantage of the technique to appeal to a wide readership.","Although pictorial images comprise the majority of images in the collection, there are also numerous maps, most of which were produced by lithography. A number were produced for military purposes and employed by both the North and South alike. Maps made during the Civil War were often exceedingly accurate; their usefulness carried on into the twentieth century.","Public domain. There are no known restrictions.","The collection contains images and maps depicting Northern Virginia. A majority of the images are contemporary illustrations of the Civil War in Virginia. Formats include wood engravings, steel engravings, lithographs, chromolithographs, and a manuscript.","Map Case 11.5, 23.5-24.5","George Mason University. Libraries. Special Collections Research Center","English"],"collection_title_tesim":["Northern Virginia Civil War images collection, 1853/1914"],"collection_ssim":["Northern Virginia Civil War images collection, 1853/1914"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0150","/repositories/2/resources/144"],"unitid_tesim":["C0150","/repositories/2/resources/144"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Virginia -- History -- Civil War, 1861-1865","Virginia, Northern","United States -- History -- Civil War, 1861-1865","Virginia, Northern -- History"],"geogname_ssim":["Virginia -- History -- Civil War, 1861-1865","Virginia, Northern","United States -- History -- Civil War, 1861-1865","Virginia, Northern -- History"],"places_ssim":["Virginia -- History -- Civil War, 1861-1865","Virginia, Northern","United States -- History -- Civil War, 1861-1865","Virginia, Northern -- History"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["Public domain. There are no known restrictions."],"acqinfo_ssim":["Purchased by Special Collections and Archives in 1997-2005 from Prints Old and Rare."],"access_subjects_ssim":["Maps","Lithography","Chromolithography","Wood engravings","Steel engravings"],"access_subjects_ssm":["Maps","Lithography","Chromolithography","Wood engravings","Steel engravings"],"has_online_content_ssim":["false"],"extent_ssm":["3 Linear Feet"],"extent_tesim":["3 Linear Feet"],"genreform_ssim":["Wood engravings","Steel engravings"],"date_range_isim":[1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by locality of primary image.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by locality of primary image."],"bioghist_html_tesm":["\u003cp\u003eThe Illustrated London News was one of the first newspapers to employ wood engravings on a wide scale. One of its artists was Frank Vizetelly (1830-1883); he covered the Civil War for British readers. Early on, he illustrated the war from the Union side but was later allowed to draw from the Confederate side. Artists like Vizetelly sometimes did more than draw, though. He acted as a messenger for Confederate General James Longstreet at the battle of Chickamauga. Vizetelly was also a staff aide for the Confederates at the battle of Fredericksburg and was present at Charleston, South Carolina, when it was besieged. Because of such personal involvement by artists, many engravings were not made by detached observers, but by active participants in history unfolding.\u003c/p\u003e","\u003cp\u003eFrank Leslie (1821-1880) was another artist who began his career as an engraver in 1842 and eventually published his own newspaper, which he titled, Frank Leslie's Illustrated Newspaper. The newspaper also covered the Civil War. 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Thomas Nast (who later became famous for creating the roly- poly figure in red we now know as Santa Claus) worked largely in New York for most of the war. One of the major exceptions to this was when he spent time in the Union camp during the Battle of Gettysburg. Nast's sympathies were for the Union side, which, naturally, bothered Southerners, who often sent threatening letters to Nast at the Harper's Weekly office. By and large, The Illustrated London News, Frank Leslie's Illustrated Newspaper, and Harper's Weekly illustrated the Civil War from the Northern point-of-view.\u003c/p\u003e","\u003cp\u003eMany of today's Northern Virginia residents only know the area as a population outgrowth of Washington, D.C. Despite this cosmopolitan reputation, it was largely farm country at the time of the Civil War through World War II. Few realize that the area was the frequent battleground for large contending forces. Yet, many of the areas that are depicted in the images still exist today but under much different circumstances. Some of the areas included in these images have undergone radical cultural changes as well. An Islamic Mosque now occupies Munson Hill, which Confederate forces occupied under General J.E.B. Stuart during early days of the war.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Illustrated London News was one of the first newspapers to employ wood engravings on a wide scale. One of its artists was Frank Vizetelly (1830-1883); he covered the Civil War for British readers. Early on, he illustrated the war from the Union side but was later allowed to draw from the Confederate side. Artists like Vizetelly sometimes did more than draw, though. He acted as a messenger for Confederate General James Longstreet at the battle of Chickamauga. Vizetelly was also a staff aide for the Confederates at the battle of Fredericksburg and was present at Charleston, South Carolina, when it was besieged. Because of such personal involvement by artists, many engravings were not made by detached observers, but by active participants in history unfolding.","Frank Leslie (1821-1880) was another artist who began his career as an engraver in 1842 and eventually published his own newspaper, which he titled, Frank Leslie's Illustrated Newspaper. The newspaper also covered the Civil War. Leslie used a large number of illustrations in his newspaper to increase circulation. Images from Frank Leslie's Illustrated Newspaper are well represented in Northern Virginia Images Collection, including several images from the German language edition of the newspaper.","Another popular periodical of the time was Harper's Weekly. It first appeared in 1857 and became one of the most important and influential periodicals in nineteenth century America, notably during the Civil War. Two prominent artists for Harper's Weekly during this period were Alfred Waud (1828-1891) and Thomas Nast (1840-1902). Engravings by both are included in Northern Virginia Images Collection. Waud was primarily assigned to the eastern front and covered the war from the Battle of First Manassas to the Confederacy's surrender at Appomattox Court House. Thomas Nast (who later became famous for creating the roly- poly figure in red we now know as Santa Claus) worked largely in New York for most of the war. One of the major exceptions to this was when he spent time in the Union camp during the Battle of Gettysburg. Nast's sympathies were for the Union side, which, naturally, bothered Southerners, who often sent threatening letters to Nast at the Harper's Weekly office. By and large, The Illustrated London News, Frank Leslie's Illustrated Newspaper, and Harper's Weekly illustrated the Civil War from the Northern point-of-view.","Many of today's Northern Virginia residents only know the area as a population outgrowth of Washington, D.C. Despite this cosmopolitan reputation, it was largely farm country at the time of the Civil War through World War II. Few realize that the area was the frequent battleground for large contending forces. Yet, many of the areas that are depicted in the images still exist today but under much different circumstances. Some of the areas included in these images have undergone radical cultural changes as well. An Islamic Mosque now occupies Munson Hill, which Confederate forces occupied under General J.E.B. Stuart during early days of the war."],"prefercite_html_tesm":["\u003cp\u003eNorthern Virginia Civil War images collection, C0150, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Northern Virginia Civil War images collection, C0150, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. EAD updated by Greta Kuriger in July 2011.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. EAD updated by Greta Kuriger in July 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Alexander Haight family collection\" href=\"https://aspace.gmu.edu/resources/c0159\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"Milton Barnes papers\" href=\"https://aspace.gmu.edu/resources/c0065\"\u003e\u003c/extptr\u003e, and the WRLC digital collection \u003cextptr show=\"new\" title=\"Virginia Civil War Archive\" href=\"http://www.aladin.wrlc.org/gsdl/collect/vacw/vacw.shtml\"\u003e\u003c/extptr\u003e. The \u003cextptr show=\"new\" title=\"digital version of Harper's Weekly\" href=\"http://app.harpweek.com/\"\u003e\u003c/extptr\u003e is available for GMU affiliated researchers.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the , the , and the WRLC digital collection . The  is available for GMU affiliated researchers."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of nearly 200 images on various historical subjects in a variety of formats, including wood engravings, steel engravings, lithographs, chromolithographs, maps, and manuscripts. Most of the images depict battles and maps of the Civil War. The maps include the cities of Arlington and Alexandria and the counties of Fairfax, Loudoun and Prince William. Columbia Pike, Chain Bridge, Long Bridge, the Little River Turnpike, Centreville and Manassas all existed at the time of the Civil War and all of them are represented or referenced in these images. \u003c/p\u003e","\u003cp\u003eMost of the Civil War images are from three periodicals: The Illustrated London News, Frank Leslie's Illustrated Newspaper, and Harper's Weekly. They are primarily wood engravings, several of which are hand colored. Though wood engraving was invented as an illustrative technique in the 1790s, it was the later appearance of the mass illustrated newspaper that took advantage of the technique to appeal to a wide readership.\u003c/p\u003e","\u003cp\u003eAlthough pictorial images comprise the majority of images in the collection, there are also numerous maps, most of which were produced by lithography. A number were produced for military purposes and employed by both the North and South alike. Maps made during the Civil War were often exceedingly accurate; their usefulness carried on into the twentieth century.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of nearly 200 images on various historical subjects in a variety of formats, including wood engravings, steel engravings, lithographs, chromolithographs, maps, and manuscripts. Most of the images depict battles and maps of the Civil War. The maps include the cities of Arlington and Alexandria and the counties of Fairfax, Loudoun and Prince William. Columbia Pike, Chain Bridge, Long Bridge, the Little River Turnpike, Centreville and Manassas all existed at the time of the Civil War and all of them are represented or referenced in these images.","Most of the Civil War images are from three periodicals: The Illustrated London News, Frank Leslie's Illustrated Newspaper, and Harper's Weekly. They are primarily wood engravings, several of which are hand colored. Though wood engraving was invented as an illustrative technique in the 1790s, it was the later appearance of the mass illustrated newspaper that took advantage of the technique to appeal to a wide readership.","Although pictorial images comprise the majority of images in the collection, there are also numerous maps, most of which were produced by lithography. A number were produced for military purposes and employed by both the North and South alike. Maps made during the Civil War were often exceedingly accurate; their usefulness carried on into the twentieth century."],"userestrict_html_tesm":["\u003cp\u003ePublic domain. There are no known restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_dbd7a4df24b2682fee1bc6ec071e507a\" label=\"Abstract\"\u003eThe collection contains images and maps depicting Northern Virginia. A majority of the images are contemporary illustrations of the Civil War in Virginia. Formats include wood engravings, steel engravings, lithographs, chromolithographs, and a manuscript.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection contains images and maps depicting Northern Virginia. A majority of the images are contemporary illustrations of the Civil War in Virginia. Formats include wood engravings, steel engravings, lithographs, chromolithographs, and a manuscript."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_a70d19fef0e8a7a6be4be2038580131d\"\u003eMap Case 11.5, 23.5-24.5\u003c/physloc\u003e\n    "],"physloc_tesim":["Map Case 11.5, 23.5-24.5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English"],"total_component_count_is":471,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:21.201Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_144","ead_ssi":"vifgm_repositories_2_resources_144","_root_":"vifgm_repositories_2_resources_144","_nest_parent_":"vifgm_repositories_2_resources_144","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_144.xml","title_filing_ssi":"Northern Virginia Civil War images collection","title_ssm":["Northern Virginia Civil War images collection"],"title_tesim":["Northern Virginia Civil War images collection"],"unitdate_ssm":["1853-1914"],"unitdate_inclusive_ssm":["1853-1914"],"normalized_date_ssm":["1853/1914"],"normalized_title_ssm":["Northern Virginia Civil War images collection, 1853/1914"],"text":["Northern Virginia Civil War images collection, 1853/1914","C0150","/repositories/2/resources/144","Virginia -- History -- Civil War, 1861-1865","Virginia, Northern","United States -- History -- Civil War, 1861-1865","Virginia, Northern -- History","Maps","Lithography","Chromolithography","Wood engravings","Steel engravings","There are no access restrictions.","This collection is arranged by locality of primary image.","The Illustrated London News was one of the first newspapers to employ wood engravings on a wide scale. One of its artists was Frank Vizetelly (1830-1883); he covered the Civil War for British readers. Early on, he illustrated the war from the Union side but was later allowed to draw from the Confederate side. Artists like Vizetelly sometimes did more than draw, though. He acted as a messenger for Confederate General James Longstreet at the battle of Chickamauga. Vizetelly was also a staff aide for the Confederates at the battle of Fredericksburg and was present at Charleston, South Carolina, when it was besieged. Because of such personal involvement by artists, many engravings were not made by detached observers, but by active participants in history unfolding.","Frank Leslie (1821-1880) was another artist who began his career as an engraver in 1842 and eventually published his own newspaper, which he titled, Frank Leslie's Illustrated Newspaper. The newspaper also covered the Civil War. Leslie used a large number of illustrations in his newspaper to increase circulation. Images from Frank Leslie's Illustrated Newspaper are well represented in Northern Virginia Images Collection, including several images from the German language edition of the newspaper.","Another popular periodical of the time was Harper's Weekly. It first appeared in 1857 and became one of the most important and influential periodicals in nineteenth century America, notably during the Civil War. Two prominent artists for Harper's Weekly during this period were Alfred Waud (1828-1891) and Thomas Nast (1840-1902). Engravings by both are included in Northern Virginia Images Collection. Waud was primarily assigned to the eastern front and covered the war from the Battle of First Manassas to the Confederacy's surrender at Appomattox Court House. Thomas Nast (who later became famous for creating the roly- poly figure in red we now know as Santa Claus) worked largely in New York for most of the war. One of the major exceptions to this was when he spent time in the Union camp during the Battle of Gettysburg. Nast's sympathies were for the Union side, which, naturally, bothered Southerners, who often sent threatening letters to Nast at the Harper's Weekly office. By and large, The Illustrated London News, Frank Leslie's Illustrated Newspaper, and Harper's Weekly illustrated the Civil War from the Northern point-of-view.","Many of today's Northern Virginia residents only know the area as a population outgrowth of Washington, D.C. Despite this cosmopolitan reputation, it was largely farm country at the time of the Civil War through World War II. Few realize that the area was the frequent battleground for large contending forces. Yet, many of the areas that are depicted in the images still exist today but under much different circumstances. Some of the areas included in these images have undergone radical cultural changes as well. An Islamic Mosque now occupies Munson Hill, which Confederate forces occupied under General J.E.B. Stuart during early days of the war.","Processed by Special Collections Research Center staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. EAD updated by Greta Kuriger in July 2011.","The Special Collections Research Center also holds the , the , and the WRLC digital collection . The  is available for GMU affiliated researchers.","The collection consists of nearly 200 images on various historical subjects in a variety of formats, including wood engravings, steel engravings, lithographs, chromolithographs, maps, and manuscripts. Most of the images depict battles and maps of the Civil War. The maps include the cities of Arlington and Alexandria and the counties of Fairfax, Loudoun and Prince William. Columbia Pike, Chain Bridge, Long Bridge, the Little River Turnpike, Centreville and Manassas all existed at the time of the Civil War and all of them are represented or referenced in these images.","Most of the Civil War images are from three periodicals: The Illustrated London News, Frank Leslie's Illustrated Newspaper, and Harper's Weekly. They are primarily wood engravings, several of which are hand colored. Though wood engraving was invented as an illustrative technique in the 1790s, it was the later appearance of the mass illustrated newspaper that took advantage of the technique to appeal to a wide readership.","Although pictorial images comprise the majority of images in the collection, there are also numerous maps, most of which were produced by lithography. A number were produced for military purposes and employed by both the North and South alike. Maps made during the Civil War were often exceedingly accurate; their usefulness carried on into the twentieth century.","Public domain. There are no known restrictions.","The collection contains images and maps depicting Northern Virginia. A majority of the images are contemporary illustrations of the Civil War in Virginia. Formats include wood engravings, steel engravings, lithographs, chromolithographs, and a manuscript.","Map Case 11.5, 23.5-24.5","George Mason University. Libraries. 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Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["Public domain. There are no known restrictions."],"acqinfo_ssim":["Purchased by Special Collections and Archives in 1997-2005 from Prints Old and Rare."],"access_subjects_ssim":["Maps","Lithography","Chromolithography","Wood engravings","Steel engravings"],"access_subjects_ssm":["Maps","Lithography","Chromolithography","Wood engravings","Steel engravings"],"has_online_content_ssim":["false"],"extent_ssm":["3 Linear Feet"],"extent_tesim":["3 Linear Feet"],"genreform_ssim":["Wood engravings","Steel engravings"],"date_range_isim":[1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by locality of primary image.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by locality of primary image."],"bioghist_html_tesm":["\u003cp\u003eThe Illustrated London News was one of the first newspapers to employ wood engravings on a wide scale. One of its artists was Frank Vizetelly (1830-1883); he covered the Civil War for British readers. Early on, he illustrated the war from the Union side but was later allowed to draw from the Confederate side. Artists like Vizetelly sometimes did more than draw, though. He acted as a messenger for Confederate General James Longstreet at the battle of Chickamauga. Vizetelly was also a staff aide for the Confederates at the battle of Fredericksburg and was present at Charleston, South Carolina, when it was besieged. Because of such personal involvement by artists, many engravings were not made by detached observers, but by active participants in history unfolding.\u003c/p\u003e","\u003cp\u003eFrank Leslie (1821-1880) was another artist who began his career as an engraver in 1842 and eventually published his own newspaper, which he titled, Frank Leslie's Illustrated Newspaper. The newspaper also covered the Civil War. Leslie used a large number of illustrations in his newspaper to increase circulation. Images from Frank Leslie's Illustrated Newspaper are well represented in Northern Virginia Images Collection, including several images from the German language edition of the newspaper.\u003c/p\u003e","\u003cp\u003eAnother popular periodical of the time was Harper's Weekly. It first appeared in 1857 and became one of the most important and influential periodicals in nineteenth century America, notably during the Civil War. Two prominent artists for Harper's Weekly during this period were Alfred Waud (1828-1891) and Thomas Nast (1840-1902). Engravings by both are included in Northern Virginia Images Collection. Waud was primarily assigned to the eastern front and covered the war from the Battle of First Manassas to the Confederacy's surrender at Appomattox Court House. Thomas Nast (who later became famous for creating the roly- poly figure in red we now know as Santa Claus) worked largely in New York for most of the war. One of the major exceptions to this was when he spent time in the Union camp during the Battle of Gettysburg. Nast's sympathies were for the Union side, which, naturally, bothered Southerners, who often sent threatening letters to Nast at the Harper's Weekly office. By and large, The Illustrated London News, Frank Leslie's Illustrated Newspaper, and Harper's Weekly illustrated the Civil War from the Northern point-of-view.\u003c/p\u003e","\u003cp\u003eMany of today's Northern Virginia residents only know the area as a population outgrowth of Washington, D.C. Despite this cosmopolitan reputation, it was largely farm country at the time of the Civil War through World War II. Few realize that the area was the frequent battleground for large contending forces. Yet, many of the areas that are depicted in the images still exist today but under much different circumstances. Some of the areas included in these images have undergone radical cultural changes as well. An Islamic Mosque now occupies Munson Hill, which Confederate forces occupied under General J.E.B. Stuart during early days of the war.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Illustrated London News was one of the first newspapers to employ wood engravings on a wide scale. One of its artists was Frank Vizetelly (1830-1883); he covered the Civil War for British readers. Early on, he illustrated the war from the Union side but was later allowed to draw from the Confederate side. Artists like Vizetelly sometimes did more than draw, though. He acted as a messenger for Confederate General James Longstreet at the battle of Chickamauga. Vizetelly was also a staff aide for the Confederates at the battle of Fredericksburg and was present at Charleston, South Carolina, when it was besieged. Because of such personal involvement by artists, many engravings were not made by detached observers, but by active participants in history unfolding.","Frank Leslie (1821-1880) was another artist who began his career as an engraver in 1842 and eventually published his own newspaper, which he titled, Frank Leslie's Illustrated Newspaper. The newspaper also covered the Civil War. Leslie used a large number of illustrations in his newspaper to increase circulation. Images from Frank Leslie's Illustrated Newspaper are well represented in Northern Virginia Images Collection, including several images from the German language edition of the newspaper.","Another popular periodical of the time was Harper's Weekly. It first appeared in 1857 and became one of the most important and influential periodicals in nineteenth century America, notably during the Civil War. Two prominent artists for Harper's Weekly during this period were Alfred Waud (1828-1891) and Thomas Nast (1840-1902). Engravings by both are included in Northern Virginia Images Collection. Waud was primarily assigned to the eastern front and covered the war from the Battle of First Manassas to the Confederacy's surrender at Appomattox Court House. Thomas Nast (who later became famous for creating the roly- poly figure in red we now know as Santa Claus) worked largely in New York for most of the war. One of the major exceptions to this was when he spent time in the Union camp during the Battle of Gettysburg. Nast's sympathies were for the Union side, which, naturally, bothered Southerners, who often sent threatening letters to Nast at the Harper's Weekly office. By and large, The Illustrated London News, Frank Leslie's Illustrated Newspaper, and Harper's Weekly illustrated the Civil War from the Northern point-of-view.","Many of today's Northern Virginia residents only know the area as a population outgrowth of Washington, D.C. Despite this cosmopolitan reputation, it was largely farm country at the time of the Civil War through World War II. Few realize that the area was the frequent battleground for large contending forces. Yet, many of the areas that are depicted in the images still exist today but under much different circumstances. Some of the areas included in these images have undergone radical cultural changes as well. An Islamic Mosque now occupies Munson Hill, which Confederate forces occupied under General J.E.B. Stuart during early days of the war."],"prefercite_html_tesm":["\u003cp\u003eNorthern Virginia Civil War images collection, C0150, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Northern Virginia Civil War images collection, C0150, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. EAD updated by Greta Kuriger in July 2011.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. EAD updated by Greta Kuriger in July 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Alexander Haight family collection\" href=\"https://aspace.gmu.edu/resources/c0159\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"Milton Barnes papers\" href=\"https://aspace.gmu.edu/resources/c0065\"\u003e\u003c/extptr\u003e, and the WRLC digital collection \u003cextptr show=\"new\" title=\"Virginia Civil War Archive\" href=\"http://www.aladin.wrlc.org/gsdl/collect/vacw/vacw.shtml\"\u003e\u003c/extptr\u003e. The \u003cextptr show=\"new\" title=\"digital version of Harper's Weekly\" href=\"http://app.harpweek.com/\"\u003e\u003c/extptr\u003e is available for GMU affiliated researchers.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the , the , and the WRLC digital collection . The  is available for GMU affiliated researchers."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of nearly 200 images on various historical subjects in a variety of formats, including wood engravings, steel engravings, lithographs, chromolithographs, maps, and manuscripts. Most of the images depict battles and maps of the Civil War. The maps include the cities of Arlington and Alexandria and the counties of Fairfax, Loudoun and Prince William. Columbia Pike, Chain Bridge, Long Bridge, the Little River Turnpike, Centreville and Manassas all existed at the time of the Civil War and all of them are represented or referenced in these images. \u003c/p\u003e","\u003cp\u003eMost of the Civil War images are from three periodicals: The Illustrated London News, Frank Leslie's Illustrated Newspaper, and Harper's Weekly. They are primarily wood engravings, several of which are hand colored. Though wood engraving was invented as an illustrative technique in the 1790s, it was the later appearance of the mass illustrated newspaper that took advantage of the technique to appeal to a wide readership.\u003c/p\u003e","\u003cp\u003eAlthough pictorial images comprise the majority of images in the collection, there are also numerous maps, most of which were produced by lithography. A number were produced for military purposes and employed by both the North and South alike. Maps made during the Civil War were often exceedingly accurate; their usefulness carried on into the twentieth century.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of nearly 200 images on various historical subjects in a variety of formats, including wood engravings, steel engravings, lithographs, chromolithographs, maps, and manuscripts. Most of the images depict battles and maps of the Civil War. The maps include the cities of Arlington and Alexandria and the counties of Fairfax, Loudoun and Prince William. Columbia Pike, Chain Bridge, Long Bridge, the Little River Turnpike, Centreville and Manassas all existed at the time of the Civil War and all of them are represented or referenced in these images.","Most of the Civil War images are from three periodicals: The Illustrated London News, Frank Leslie's Illustrated Newspaper, and Harper's Weekly. They are primarily wood engravings, several of which are hand colored. Though wood engraving was invented as an illustrative technique in the 1790s, it was the later appearance of the mass illustrated newspaper that took advantage of the technique to appeal to a wide readership.","Although pictorial images comprise the majority of images in the collection, there are also numerous maps, most of which were produced by lithography. A number were produced for military purposes and employed by both the North and South alike. Maps made during the Civil War were often exceedingly accurate; their usefulness carried on into the twentieth century."],"userestrict_html_tesm":["\u003cp\u003ePublic domain. There are no known restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_dbd7a4df24b2682fee1bc6ec071e507a\" label=\"Abstract\"\u003eThe collection contains images and maps depicting Northern Virginia. A majority of the images are contemporary illustrations of the Civil War in Virginia. Formats include wood engravings, steel engravings, lithographs, chromolithographs, and a manuscript.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection contains images and maps depicting Northern Virginia. A majority of the images are contemporary illustrations of the Civil War in Virginia. Formats include wood engravings, steel engravings, lithographs, chromolithographs, and a manuscript."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_a70d19fef0e8a7a6be4be2038580131d\"\u003eMap Case 11.5, 23.5-24.5\u003c/physloc\u003e\n    "],"physloc_tesim":["Map Case 11.5, 23.5-24.5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English"],"total_component_count_is":471,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:21.201Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_144"}},{"id":"vifgm_repositories_2_resources_132_c01","type":"File","attributes":{"title":"Notes and Letters of Appreciation, 1837/1896","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_132_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_132_c01","ref_ssm":["vifgm_repositories_2_resources_132_c01"],"id":"vifgm_repositories_2_resources_132_c01","ead_ssi":"vifgm_repositories_2_resources_132","_root_":"vifgm_repositories_2_resources_132","_nest_parent_":"vifgm_repositories_2_resources_132","parent_ssi":"vifgm_repositories_2_resources_132","parent_ssim":["Jean M. Lander collection"],"parent_ids_ssim":["vifgm_repositories_2_resources_132"],"title_filing_ssi":"Notes and Letters of Appreciation","title_ssm":["Notes and Letters of Appreciation"],"title_tesim":["Notes and Letters of Appreciation"],"normalized_title_ssm":["Notes and Letters of Appreciation, 1837/1896"],"text":["Notes and Letters of Appreciation, 1837/1896","Jean M. Lander collection","box 1","folder 1"],"parent_unittitles_ssm":["Jean M. Lander collection"],"parent_unittitles_tesim":["Jean M. Lander collection"],"normalized_date_ssm":["1837/1896"],"unitdate_inclusive_ssm":["1837-1896"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":1,"repository_ssim":["George Mason University"],"collection_ssim":["Jean M. Lander collection"],"containers_ssim":["box 1","folder 1"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"date_range_isim":[1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#0","timestamp":"2026-08-14T22:34:17.521Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_132","ead_ssi":"vifgm_repositories_2_resources_132","_root_":"vifgm_repositories_2_resources_132","_nest_parent_":"vifgm_repositories_2_resources_132","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_132.xml","title_filing_ssi":"Jean M. Lander collection","title_ssm":["Jean M. Lander collection"],"title_tesim":["Jean M. Lander collection"],"unitdate_ssm":["1837-1896"],"unitdate_inclusive_ssm":["1837-1896"],"normalized_title_ssm":["Jean M. Lander collection"],"text":["Jean M. Lander collection","C0118","/repositories/2/resources/132","England","Theater -- Washington (D.C.)","Theater","Actors -- United States","Acting","There are no access restrictions.","Arranged chronologically.","Jean Margaret Davenport Lander was a well-known 19th century actress. Born in England, she made her home in Washington, D.C., following her marriage to Fredrick W. Lander in 1860. She performed in plays in both the United States and Europe. Lander passed away on August 3, 1903 at her residence in Lynn, Massachusetts.","Processed by Special Collections Research Center staff. Partial transcription of letters by Leigh Norman in October 2017. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Reprocessed and EAD markup completed by Amy Blake in September 2018.","The Special Collections Research Center holds other collections containing personal letters, as well as many other theatre-focused collections.","This collection contains eleven hand-written letters from Jean M. Lander and others, as well as a partial transcript of the letters.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","This collection contains eleven hand-written letters from Jean M. Lander and others dated between the years of 1837-1896.","George Mason University. Libraries. Special Collections Research Center","Lander, J. M. (Jean Margaret), 1829-1903","English"],"collection_title_tesim":["Jean M. Lander collection"],"collection_ssim":["Jean M. Lander collection"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0118","/repositories/2/resources/132"],"unitid_tesim":["C0118","/repositories/2/resources/132"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["England"],"geogname_ssim":["England"],"places_ssim":["England"],"creator_ssm":["Lander, J. M. (Jean Margaret), 1829-1903"],"creator_ssim":["Lander, J. M. (Jean Margaret), 1829-1903"],"creator_persname_ssim":["Lander, J. M. (Jean Margaret), 1829-1903"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Lander, J. M. (Jean Margaret), 1829-1903","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["The donor is unknown."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Actors -- United States","Acting"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Actors -- United States","Acting"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Linear Feet 1 box"],"extent_tesim":["0.5 Linear Feet 1 box"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged chronologically.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003eJean Margaret Davenport Lander was a well-known 19th century actress. Born in England, she made her home in Washington, D.C., following her marriage to Fredrick W. Lander in 1860. She performed in plays in both the United States and Europe. Lander passed away on August 3, 1903 at her residence in Lynn, Massachusetts.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Jean Margaret Davenport Lander was a well-known 19th century actress. Born in England, she made her home in Washington, D.C., following her marriage to Fredrick W. Lander in 1860. She performed in plays in both the United States and Europe. Lander passed away on August 3, 1903 at her residence in Lynn, Massachusetts."],"prefercite_html_tesm":["\u003cp\u003eJean M. Lander collection, C0118, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Jean M. Lander collection, C0118, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. Partial transcription of letters by Leigh Norman in October 2017. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Reprocessed and EAD markup completed by Amy Blake in September 2018.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. Partial transcription of letters by Leigh Norman in October 2017. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Reprocessed and EAD markup completed by Amy Blake in September 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections containing personal letters, as well as many other theatre-focused collections.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections containing personal letters, as well as many other theatre-focused collections."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains eleven hand-written letters from Jean M. Lander and others, as well as a partial transcript of the letters.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains eleven hand-written letters from Jean M. Lander and others, as well as a partial transcript of the letters."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_63495ad6061b0ab0cdfd83580c5031cd\" label=\"Abstract\"\u003eThis collection contains eleven hand-written letters from Jean M. Lander and others dated between the years of 1837-1896.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains eleven hand-written letters from Jean M. Lander and others dated between the years of 1837-1896."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Lander, J. M. (Jean Margaret), 1829-1903"],"names_coll_ssim":["Lander, J. M. (Jean Margaret), 1829-1903"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Lander, J. M. (Jean Margaret), 1829-1903"],"language_ssim":["English"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:17.521Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_132_c01"}},{"id":"vifgm_repositories_2_resources_178_c01_c1529","type":"File","attributes":{"title":"Number of Banks, 1854/1934","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_178_c01_c1529#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_178_c01_c1529","ref_ssm":["vifgm_repositories_2_resources_178_c01_c1529"],"id":"vifgm_repositories_2_resources_178_c01_c1529","ead_ssi":"vifgm_repositories_2_resources_178","_root_":"vifgm_repositories_2_resources_178","_nest_parent_":"vifgm_repositories_2_resources_178_c01","parent_ssi":"vifgm_repositories_2_resources_178_c01","parent_ssim":["Clark E. Warburton papers, 1920/1979","Clark Warburton Papers"],"parent_ids_ssim":["vifgm_repositories_2_resources_178","vifgm_repositories_2_resources_178_c01"],"title_filing_ssi":"Number of Banks","title_ssm":["Number of Banks"],"title_tesim":["Number of Banks"],"normalized_title_ssm":["Number of Banks, 1854/1934"],"text":["Number of Banks, 1854/1934","Clark E. Warburton papers, 1920/1979","Clark Warburton Papers","folder 22","box 19"],"parent_unittitles_ssm":["Clark E. Warburton papers, 1920/1979","Clark Warburton Papers"],"parent_unittitles_tesim":["Clark E. Warburton papers, 1920/1979","Clark Warburton Papers"],"normalized_date_ssm":["1854/1934"],"unitdate_other_ssim":["1854-1934"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":1530,"repository_ssim":["George Mason University"],"collection_ssim":["Clark E. Warburton papers, 1920/1979"],"containers_ssim":["folder 22","box 19"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["This collection is housed at the WRLC Shared Collections Facility. Advance notice will be required to access any materials.","There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934],"_nest_path_":"/components#0/components#1528","timestamp":"2026-08-14T22:34:24.402Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_178","ead_ssi":"vifgm_repositories_2_resources_178","_root_":"vifgm_repositories_2_resources_178","_nest_parent_":"vifgm_repositories_2_resources_178","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_178.xml","title_filing_ssi":"Clark E. 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He retained that post until his retirement in 1965. Throughout his career, Warburton was well known for his support of the theory that monetary forces are the key cause of economic disturbances. He made numerous contributions to economics scholarship and practices during his long career.","Processed by Special Collections Research Center staff. 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In 1981, Rosenzweig accepted a position in the George Mason University History Department and became one of the most popular professors at the university until his death in 2007. He was a prolific writer, not only in print but also in many other forms of media, such as CD-ROMs, documentary film, and the Internet. In 1994, his strong interest in technology led to his founding of the Center for History and New Media at George Mason University, widely recognized in the history and humanities fields for producing ground-breaking educational and research communication technologies.","Processed by Kate Grauvogel in 2010-2011. EAD markup completed by Kate Grauvogel and Jordan Patty in 2011. This collection was processed in 2010-2011 using funds from a Research Library Program Grant provided by the Gladys Krieble Delmas Foundation. Finding aid updated by Amanda Menjivar in February 2024.","This collection has additional unprocessed accessions 2013-011, 2018.020, 2020.047, and 2021.174, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information.","The Special Collections Research Center also holds oral history collections as well as the George Mason University Archives.","There are several runs of rare history and humanities periodicals from the Rosenzweig collection that can be found through the GMU Libraries online catalog.","The collection largely documents his research and writing through articles, notes, and correspondence on New York Central Park, Worcester (Massachusetts), labor, and digital humanities work. In addition, the collection contains almost complete runs of rare history and humanities periodicals such as Radical History Review Newsletter, Historical Methods Newsletter, History Microcomputer Review, Radical Teacher, Cultural Correspondence, and Radical America. His interest and work with oral history is reflected in the Northern Virginia Oral History Project files. Although the collection dates from 1934, there are many facsimiles of documents, particularly on Central Park, that contain information prior to 1934.","Series 1 contains Roy Rosenzweig's academic correspondence from 1969-2007. Much of the series consists of correspondence regarding collaboration, panels, papers, letters of recommendation, awards, research permissions and conferences. This series is arranged alphabetically and then by date.","Series 2 contains books, pamphlets, newsclippings, papers, xeroxes, magazines and other research materials on labor history. This series contains the book Eight Hours for What We Will: Workers and Leisure in an Industrial City, 1870-1921. In addition to research about labor and leisure, this series contains research about the 1930s such as unemployment and The New Deal and Works Progress Administration (WPA). Topics such as unions, general worker's rights and radicalism also appear in this series. The series is arranged alphabetically and then by date.","The largest series in the collection, Series 3 contains magazines, pamphlets, government documents, books, newsclippings, papers, xeroxes and note cards about New York City and Central Park. A large portion of this research focuses on entertainment, public works, budgets, planning, landscape architecture, jobs, crime and events in Central Park and surrounding areas. This research culminated in Rosenzweig's acclaimed 1992 book (with co-author Elizabeth Blackmar) The Park and the People: A History of Central Park. This series is arranged alphabetically and then by date.","Series 4 contains research that culminated in Rosenzweig's 1998 book (with co-author David Thelen) The Presence of the Past: Popular Uses of History in American Life. Survey data regarding demographics, papers, reports, variables, public history, and information and research regarding the ways in which Americans interpret and apply the past is found in this series. This series is arranged alphabetically and then by date.","Series 5 contains pamphlets, guides, papers, articles, xeroxes and magazines about oral history such as oral history interviewing guides, recording guides, plans for oral history courses and the Northern Virginia Oral History Project. This series is arranged alphabetically and then by date.","Series 6 contains information about the Center for History and New Media as well as an array of research which culminated in Rosenzweig's 2006 book (with co-author Daniel Cohen) Digital History: A Guide to Gathering, Preserving, and Presenting the Past on the Web. In addition to research used for the book, the series contains both guides and ideas for using technology in the classroom and to enhance academic and popular research. This series is arranged alphabetically and then by date.","Series 7 contains CDs, DVDs, cassettes and computer disks used by Rosenzweig both to save writing and for instructional purposes. This series is arranged alphabetically and then by date.","Series 8 contains oversized materials such as photographs, prints, posters and an atlas. Of note in this series is a 1934 photograph of Franklin Roosevelt in leg braces. This series is arranged alphabetically and then by date.","Series 9 consists of three folders of electronic files that date from 1995-2007.  The first folder \"files archived 2003-2006\" contains files on his work at the Center for History and New Media, including digital history projects, grant proposals, and materials for Clio Wired, the digital history course he taught.  There is also a folder of attachments that appears to be documents that were attached to email messages.  The second folder consists of research and drafts for a book project \"The Future of the Past\" that was published posthumously.  The third file contains \"writings,\" and the files mostly consist of research for publications, both digital and hardcopy,  There are also a number of documents on the functioning of the CHNM, including meetings, budgets, and presentations.  These files are restricted.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The collection largely documents his research and writing through articles, notes, and correspondence on New York Central Park, Worcester (Massachusetts), labor, and digital humanities work. Although the collection dates from 1934, there are many facsimiles of documents, particularly on Central Park, that contain information prior to 1934.","George Mason University. Libraries. Special Collections Research Center","George Mason University. Center for History and New Media","Northern Virginia Oral History Project","Rosenzweig, Roy","English"],"collection_title_tesim":["Roy Rosenzweig papers, 1934/2007"],"collection_ssim":["Roy Rosenzweig papers, 1934/2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0038","/repositories/2/resources/153"],"unitid_tesim":["C0038","/repositories/2/resources/153"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Central Park (New York, N.Y.)","Worcester (Mass.)"],"geogname_ssim":["Central Park (New York, N.Y.)","Worcester (Mass.)"],"places_ssim":["Central Park (New York, N.Y.)","Worcester (Mass.)"],"creator_ssm":["Rosenzweig, Roy"],"creator_ssim":["Rosenzweig, Roy"],"creator_persname_ssim":["Rosenzweig, Roy"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Center for History and New Media","Northern Virginia Oral History Project"],"creators_ssim":["Rosenzweig, Roy","George Mason University. Libraries. Special Collections Research Center","George Mason University. Center for History and New Media","Northern Virginia Oral History Project"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Deborah Kaplan in 2008-2009."],"access_subjects_ssim":["Digital humanities centers","Oral history","Labor -- History","History -- Study and teaching (Higher) -- United States","Newsletters","Correspondence"],"access_subjects_ssm":["Digital humanities centers","Oral history","Labor -- History","History -- Study and teaching (Higher) -- United States","Newsletters","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["49.5 Linear Feet 98 boxes;  9,776 electronic files"],"extent_tesim":["49.5 Linear Feet 98 boxes;  9,776 electronic files"],"genreform_ssim":["Correspondence"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into eight series.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence, 1969-2007\u003c/item\u003e\n      \u003citem\u003eSeries 2: Labor History, 1960-1990\u003c/item\u003e\n      \u003citem\u003eSeries 3: The Park and the People, 1980s-1990s\u003c/item\u003e\n      \u003citem\u003eSeries 4: The Presence of the Past, 1990-1999\u003c/item\u003e\n      \u003citem\u003eSeries 5: Oral History, 1970-2007\u003c/item\u003e\n      \u003citem\u003eSeries 6: Digital History, 1988-2007\u003c/item\u003e\n      \u003citem\u003eSeries 7: Media, 1980s-2007\u003c/item\u003e\n      \u003citem\u003eSeries 8: Oversize, 1934-1972\u003c/item\u003e\n      \u003citem\u003eSeries 9: Electronic Files, 1995-2007\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into eight series.","Series\n      Series 1: Correspondence, 1969-2007\n      Series 2: Labor History, 1960-1990\n      Series 3: The Park and the People, 1980s-1990s\n      Series 4: The Presence of the Past, 1990-1999\n      Series 5: Oral History, 1970-2007\n      Series 6: Digital History, 1988-2007\n      Series 7: Media, 1980s-2007\n      Series 8: Oversize, 1934-1972\n      Series 9: Electronic Files, 1995-2007"],"bioghist_html_tesm":["\u003cp\u003eRoy Alan Rosenzweig received his Ph.D. in history from Harvard University in 1978. In 1981, Rosenzweig accepted a position in the George Mason University History Department and became one of the most popular professors at the university until his death in 2007. He was a prolific writer, not only in print but also in many other forms of media, such as CD-ROMs, documentary film, and the Internet. In 1994, his strong interest in technology led to his founding of the Center for History and New Media at George Mason University, widely recognized in the history and humanities fields for producing ground-breaking educational and research communication technologies.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Roy Alan Rosenzweig received his Ph.D. in history from Harvard University in 1978. In 1981, Rosenzweig accepted a position in the George Mason University History Department and became one of the most popular professors at the university until his death in 2007. He was a prolific writer, not only in print but also in many other forms of media, such as CD-ROMs, documentary film, and the Internet. In 1994, his strong interest in technology led to his founding of the Center for History and New Media at George Mason University, widely recognized in the history and humanities fields for producing ground-breaking educational and research communication technologies."],"prefercite_html_tesm":["\u003cp\u003eRoy Rosenzweig papers, C0038, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Roy Rosenzweig papers, C0038, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kate Grauvogel in 2010-2011. EAD markup completed by Kate Grauvogel and Jordan Patty in 2011. This collection was processed in 2010-2011 using funds from a Research Library Program Grant provided by the Gladys Krieble Delmas Foundation. Finding aid updated by Amanda Menjivar in February 2024.\u003c/p\u003e","\u003cp\u003eThis collection has additional unprocessed accessions 2013-011, 2018.020, 2020.047, and 2021.174, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Kate Grauvogel in 2010-2011. EAD markup completed by Kate Grauvogel and Jordan Patty in 2011. This collection was processed in 2010-2011 using funds from a Research Library Program Grant provided by the Gladys Krieble Delmas Foundation. Finding aid updated by Amanda Menjivar in February 2024.","This collection has additional unprocessed accessions 2013-011, 2018.020, 2020.047, and 2021.174, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds oral history collections as well as the George Mason University Archives.\u003c/p\u003e","\u003cp\u003eThere are several runs of rare history and humanities periodicals from the Rosenzweig collection that can be found through the GMU Libraries online catalog. \u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds oral history collections as well as the George Mason University Archives.","There are several runs of rare history and humanities periodicals from the Rosenzweig collection that can be found through the GMU Libraries online catalog."],"scopecontent_html_tesm":["\u003cp\u003eThe collection largely documents his research and writing through articles, notes, and correspondence on New York Central Park, Worcester (Massachusetts), labor, and digital humanities work. In addition, the collection contains almost complete runs of rare history and humanities periodicals such as Radical History Review Newsletter, Historical Methods Newsletter, History Microcomputer Review, Radical Teacher, Cultural Correspondence, and Radical America. His interest and work with oral history is reflected in the Northern Virginia Oral History Project files. Although the collection dates from 1934, there are many facsimiles of documents, particularly on Central Park, that contain information prior to 1934.\u003c/p\u003e","\u003cp\u003eSeries 1 contains Roy Rosenzweig's academic correspondence from 1969-2007. Much of the series consists of correspondence regarding collaboration, panels, papers, letters of recommendation, awards, research permissions and conferences. This series is arranged alphabetically and then by date.\u003c/p\u003e","\u003cp\u003eSeries 2 contains books, pamphlets, newsclippings, papers, xeroxes, magazines and other research materials on labor history. This series contains the book Eight Hours for What We Will: Workers and Leisure in an Industrial City, 1870-1921. In addition to research about labor and leisure, this series contains research about the 1930s such as unemployment and The New Deal and Works Progress Administration (WPA). Topics such as unions, general worker's rights and radicalism also appear in this series. The series is arranged alphabetically and then by date.\u003c/p\u003e","\u003cp\u003eThe largest series in the collection, Series 3 contains magazines, pamphlets, government documents, books, newsclippings, papers, xeroxes and note cards about New York City and Central Park. A large portion of this research focuses on entertainment, public works, budgets, planning, landscape architecture, jobs, crime and events in Central Park and surrounding areas. This research culminated in Rosenzweig's acclaimed 1992 book (with co-author Elizabeth Blackmar) The Park and the People: A History of Central Park. This series is arranged alphabetically and then by date.\u003c/p\u003e","\u003cp\u003eSeries 4 contains research that culminated in Rosenzweig's 1998 book (with co-author David Thelen) The Presence of the Past: Popular Uses of History in American Life. Survey data regarding demographics, papers, reports, variables, public history, and information and research regarding the ways in which Americans interpret and apply the past is found in this series. This series is arranged alphabetically and then by date.\u003c/p\u003e","\u003cp\u003eSeries 5 contains pamphlets, guides, papers, articles, xeroxes and magazines about oral history such as oral history interviewing guides, recording guides, plans for oral history courses and the Northern Virginia Oral History Project. This series is arranged alphabetically and then by date. \u003c/p\u003e","\u003cp\u003eSeries 6 contains information about the Center for History and New Media as well as an array of research which culminated in Rosenzweig's 2006 book (with co-author Daniel Cohen) Digital History: A Guide to Gathering, Preserving, and Presenting the Past on the Web. In addition to research used for the book, the series contains both guides and ideas for using technology in the classroom and to enhance academic and popular research. This series is arranged alphabetically and then by date.\u003c/p\u003e","\u003cp\u003eSeries 7 contains CDs, DVDs, cassettes and computer disks used by Rosenzweig both to save writing and for instructional purposes. This series is arranged alphabetically and then by date.\u003c/p\u003e","\u003cp\u003eSeries 8 contains oversized materials such as photographs, prints, posters and an atlas. Of note in this series is a 1934 photograph of Franklin Roosevelt in leg braces. This series is arranged alphabetically and then by date.\u003c/p\u003e","\u003cp\u003eSeries 9 consists of three folders of electronic files that date from 1995-2007.  The first folder \"files archived 2003-2006\" contains files on his work at the Center for History and New Media, including digital history projects, grant proposals, and materials for Clio Wired, the digital history course he taught.  There is also a folder of attachments that appears to be documents that were attached to email messages.  The second folder consists of research and drafts for a book project \"The Future of the Past\" that was published posthumously.  The third file contains \"writings,\" and the files mostly consist of research for publications, both digital and hardcopy,  There are also a number of documents on the functioning of the CHNM, including meetings, budgets, and presentations.  These files are restricted.  \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection largely documents his research and writing through articles, notes, and correspondence on New York Central Park, Worcester (Massachusetts), labor, and digital humanities work. In addition, the collection contains almost complete runs of rare history and humanities periodicals such as Radical History Review Newsletter, Historical Methods Newsletter, History Microcomputer Review, Radical Teacher, Cultural Correspondence, and Radical America. His interest and work with oral history is reflected in the Northern Virginia Oral History Project files. Although the collection dates from 1934, there are many facsimiles of documents, particularly on Central Park, that contain information prior to 1934.","Series 1 contains Roy Rosenzweig's academic correspondence from 1969-2007. Much of the series consists of correspondence regarding collaboration, panels, papers, letters of recommendation, awards, research permissions and conferences. This series is arranged alphabetically and then by date.","Series 2 contains books, pamphlets, newsclippings, papers, xeroxes, magazines and other research materials on labor history. This series contains the book Eight Hours for What We Will: Workers and Leisure in an Industrial City, 1870-1921. In addition to research about labor and leisure, this series contains research about the 1930s such as unemployment and The New Deal and Works Progress Administration (WPA). Topics such as unions, general worker's rights and radicalism also appear in this series. The series is arranged alphabetically and then by date.","The largest series in the collection, Series 3 contains magazines, pamphlets, government documents, books, newsclippings, papers, xeroxes and note cards about New York City and Central Park. A large portion of this research focuses on entertainment, public works, budgets, planning, landscape architecture, jobs, crime and events in Central Park and surrounding areas. This research culminated in Rosenzweig's acclaimed 1992 book (with co-author Elizabeth Blackmar) The Park and the People: A History of Central Park. This series is arranged alphabetically and then by date.","Series 4 contains research that culminated in Rosenzweig's 1998 book (with co-author David Thelen) The Presence of the Past: Popular Uses of History in American Life. Survey data regarding demographics, papers, reports, variables, public history, and information and research regarding the ways in which Americans interpret and apply the past is found in this series. This series is arranged alphabetically and then by date.","Series 5 contains pamphlets, guides, papers, articles, xeroxes and magazines about oral history such as oral history interviewing guides, recording guides, plans for oral history courses and the Northern Virginia Oral History Project. This series is arranged alphabetically and then by date.","Series 6 contains information about the Center for History and New Media as well as an array of research which culminated in Rosenzweig's 2006 book (with co-author Daniel Cohen) Digital History: A Guide to Gathering, Preserving, and Presenting the Past on the Web. In addition to research used for the book, the series contains both guides and ideas for using technology in the classroom and to enhance academic and popular research. This series is arranged alphabetically and then by date.","Series 7 contains CDs, DVDs, cassettes and computer disks used by Rosenzweig both to save writing and for instructional purposes. This series is arranged alphabetically and then by date.","Series 8 contains oversized materials such as photographs, prints, posters and an atlas. Of note in this series is a 1934 photograph of Franklin Roosevelt in leg braces. This series is arranged alphabetically and then by date.","Series 9 consists of three folders of electronic files that date from 1995-2007.  The first folder \"files archived 2003-2006\" contains files on his work at the Center for History and New Media, including digital history projects, grant proposals, and materials for Clio Wired, the digital history course he taught.  There is also a folder of attachments that appears to be documents that were attached to email messages.  The second folder consists of research and drafts for a book project \"The Future of the Past\" that was published posthumously.  The third file contains \"writings,\" and the files mostly consist of research for publications, both digital and hardcopy,  There are also a number of documents on the functioning of the CHNM, including meetings, budgets, and presentations.  These files are restricted."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e\n\n\n  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_9130371c4317e5403958317abe596843\" label=\"Abstract\"\u003eThe collection largely documents his research and writing through articles, notes, and correspondence on New York Central Park, Worcester (Massachusetts), labor, and digital humanities work. Although the collection dates from 1934, there are many facsimiles of documents, particularly on Central Park, that contain information prior to 1934.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection largely documents his research and writing through articles, notes, and correspondence on New York Central Park, Worcester (Massachusetts), labor, and digital humanities work. Although the collection dates from 1934, there are many facsimiles of documents, particularly on Central Park, that contain information prior to 1934."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Center for History and New Media","Northern Virginia Oral History Project"],"names_coll_ssim":["George Mason University. Center for History and New Media","Northern Virginia Oral History Project"],"persname_ssim":["Rosenzweig, Roy"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Center for History and New Media","Northern Virginia Oral History Project","Rosenzweig, Roy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":949,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:21.201Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_153_c03_c201"}},{"id":"vifgm_repositories_2_resources_460_c02_c19","type":"File","attributes":{"title":"Photographs and illustrations of Fairfax Courthouse, 1863/2012","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_460_c02_c19#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_460_c02_c19","ref_ssm":["vifgm_repositories_2_resources_460_c02_c19"],"id":"vifgm_repositories_2_resources_460_c02_c19","ead_ssi":"vifgm_repositories_2_resources_460","_root_":"vifgm_repositories_2_resources_460","_nest_parent_":"vifgm_repositories_2_resources_460_c02","parent_ssi":"vifgm_repositories_2_resources_460_c02","parent_ssim":["Randolph H. Lytton historical Virginia collection","Series 2: Civil War Materials, 1861/1914"],"parent_ids_ssim":["vifgm_repositories_2_resources_460","vifgm_repositories_2_resources_460_c02"],"title_filing_ssi":"Photographs and illustrations of Fairfax Courthouse","title_ssm":["Photographs and illustrations of Fairfax Courthouse"],"title_tesim":["Photographs and illustrations of Fairfax Courthouse"],"normalized_title_ssm":["Photographs and illustrations of Fairfax Courthouse, 1863/2012"],"text":["Photographs and illustrations of Fairfax Courthouse, 1863/2012","Randolph H. Lytton historical Virginia collection","Series 2: Civil War Materials, 1861/1914","box 3","folder 2"],"parent_unittitles_ssm":["Randolph H. Lytton historical Virginia collection","Series 2: Civil War Materials, 1861/1914"],"parent_unittitles_tesim":["Randolph H. Lytton historical Virginia collection","Series 2: Civil War Materials, 1861/1914"],"normalized_date_ssm":["1863/2012"],"unitdate_other_ssim":["1863;1925-2012"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":43,"repository_ssim":["George Mason University"],"collection_ssim":["Randolph H. Lytton historical Virginia collection"],"containers_ssim":["box 3","folder 2"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["For materials created before 1900: No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","For materials created after 1900: The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#1/components#18","timestamp":"2026-08-14T22:34:53.150Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_460","ead_ssi":"vifgm_repositories_2_resources_460","_root_":"vifgm_repositories_2_resources_460","_nest_parent_":"vifgm_repositories_2_resources_460","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_460.xml","title_ssm":["Randolph H. Lytton historical Virginia collection"],"title_tesim":["Randolph H. Lytton historical Virginia collection"],"unitdate_ssm":["1670 - 2004"],"unitdate_inclusive_ssm":["1670 - 2004"],"normalized_title_ssm":["Randolph H. Lytton historical Virginia collection"],"text":["Randolph H. Lytton historical Virginia collection","C0311","/repositories/2/resources/460","United States -- History -- Civil War, 1861-1865","Virginia -- History -- Civil War, 1861-1865","Virginia, Northern -- History","Letters","Maps","Newspapers","Photography","Presidents -- United States","Slides (Photography)","Correspondence","Photographs","Photographic prints","Reproductions","Tintypes","There are no access restrictions.","A portion of this collection was digitized and is available to view  and","This collection is arranged by subject.","Series\n      Series 1: Postcards, 1903-1982 (Boxes 1-2)\n      Series 2: Civil War Era Materials, 1861-1914 (Boxes 2-5)\n      Series 3: George Washington, circa 1700-1960 (Box 5)\n      Series 4: Fairfax Family, 1670-1975 (Box 6)\n      Series 5: Mixed Media, 1712-2004 (Boxes 7-11)","Fairfax County Economic Development Authority. https://www.fairfaxcountyeda.org/history-fairfax-county-virginia (Accessed September 6, 2018)","City of Fairfax Virginia. https://www.fairfaxva.gov/government/historic-resources/city-history (Accessed September 6, 2018)","Fairfax County was originally granted to Thomas Fairfax, Sixth Lord Fairfax of Cameron by Charles II in 1719. It was not until 1742 that the Virginia Assembly officially established Fairfax as a county. Throughout the 18th century, Fairfax modernized in the form of industry and trade. With modernization, Fairfax County was fractured into Alexandria, Arlington, Falls Church, and Loudon. It was also during the time period that the Fairfax Courthouse was constructed with the financial aid of Richard Ratcliffe.","The 19th century brought conflict and subsequent growth to Fairfax County. Many Civil War battles took place within the county as well as the first land engagement of the American Civil War, which took place on June 1, 1861. During the war, Fairfax Courthouse changed hands many times between the Union and Confederacy. After the war, Fairfax experienced economic growth but also remained an agrarian-driven area. By the mid-20th century, Fairfax had experienced a massive population boom, largely as a result of President Roosevelt's increase in government programs, which produced large numbers of new citizens within Fairfax itself. The growth within Fairfax continues today.","Processed by Bill Keeler in August 2018. EAD markup completed by Bill Keeler in September 2018.","The collection includes artwork, campaign materials, correspondence, envelopes, indentures, maps, military paperwork, newspapers, paper currency, photographs, postcards, and publications on Virginia, particularly Fairfax County. The items in the collection were collected by George Mason University Emeritus Faculty member Randolph H. Lytton. The collection is arranged into five series:","Series 1: Postcards (1903-1982). This series includes postcards from Virginia.","Series 2: Civil War Era Materials (1861-1914). This series includes artwork, letters, maps, military paperwork, newspapers, paper currency, and photographs.","Series 3: George Washington (circa 1700-1960). This series includes artwork, envelopes, maps, photographs and postcards.","Series 4: Fairfax Family (1670-1975). This series includes artwork, correspondence, indentures, photographs, postcards, and stamps.","Series 5: Mixed Media (1712-2004). This series includes advertisements, campaign materials, maps, money orders, photographs, and publications.","For materials created before 1900: No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","For materials created after 1900: The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)","The collection includes artwork, campaign materials, correspondence, envelopes, indentures, maps, military paperwork, newspapers, paper currency, photographs, postcards, and publications on Virginia, particularly Fairfax County.","R54, C2, S7-C3, S2\nMap Case 13.4, 13.5, 15.1","George Mason University. Libraries. Special Collections Research Center","Lytton, Randolph Hoopes, 1944-","English"],"collection_title_tesim":["Randolph H. Lytton historical Virginia collection"],"collection_ssim":["Randolph H. Lytton historical Virginia collection"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0311","/repositories/2/resources/460"],"unitid_tesim":["C0311","/repositories/2/resources/460"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["United States -- History -- Civil War, 1861-1865","Virginia -- History -- Civil War, 1861-1865","Virginia, Northern -- History"],"geogname_ssim":["United States -- History -- Civil War, 1861-1865","Virginia -- History -- Civil War, 1861-1865","Virginia, Northern -- History"],"places_ssim":["United States -- History -- Civil War, 1861-1865","Virginia -- History -- Civil War, 1861-1865","Virginia, Northern -- History"],"creator_ssm":["Lytton, Randolph Hoopes, 1944-"],"creator_ssim":["Lytton, Randolph Hoopes, 1944-"],"creator_persname_ssim":["Lytton, Randolph Hoopes, 1944-"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Lytton, Randolph Hoopes, 1944-","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["For materials created before 1900: No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","For materials created after 1900: The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by George Mason University Emeritus Faculty member Randolph H. Lytton from 2004 to 2015."],"access_subjects_ssim":["Letters","Maps","Newspapers","Photography","Presidents -- United States","Slides (Photography)","Correspondence","Photographs","Photographic prints","Reproductions","Tintypes"],"access_subjects_ssm":["Letters","Maps","Newspapers","Photography","Presidents -- United States","Slides (Photography)","Correspondence","Photographs","Photographic prints","Reproductions","Tintypes"],"has_online_content_ssim":["false"],"extent_ssm":["15 Linear Feet 11 boxes"],"extent_tesim":["15 Linear Feet 11 boxes"],"genreform_ssim":["Correspondence","Photographs","Photographic prints","Reproductions","Tintypes"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eA portion of this collection was digitized and is available to view \u003cextptr show=\"new\" title=\"here\" href=\"https://images.gmu.edu/luna/servlet/GMU~15~15\"\u003e\u003c/extptr\u003e and \u003cextptr show=\"new\" title=\"here.\" href=\"https://mars.gmu.edu/handle/1920/5111\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["A portion of this collection was digitized and is available to view  and"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Postcards, 1903-1982 (Boxes 1-2)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Civil War Era Materials, 1861-1914 (Boxes 2-5)\u003c/item\u003e\n      \u003citem\u003eSeries 3: George Washington, circa 1700-1960 (Box 5)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Fairfax Family, 1670-1975 (Box 6)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Mixed Media, 1712-2004 (Boxes 7-11)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject.","Series\n      Series 1: Postcards, 1903-1982 (Boxes 1-2)\n      Series 2: Civil War Era Materials, 1861-1914 (Boxes 2-5)\n      Series 3: George Washington, circa 1700-1960 (Box 5)\n      Series 4: Fairfax Family, 1670-1975 (Box 6)\n      Series 5: Mixed Media, 1712-2004 (Boxes 7-11)"],"bibliography_html_tesm":["\u003cp\u003eFairfax County Economic Development Authority. https://www.fairfaxcountyeda.org/history-fairfax-county-virginia (Accessed September 6, 2018)\u003c/p\u003e","\u003cp\u003eCity of Fairfax Virginia. https://www.fairfaxva.gov/government/historic-resources/city-history (Accessed September 6, 2018)\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Fairfax County Economic Development Authority. https://www.fairfaxcountyeda.org/history-fairfax-county-virginia (Accessed September 6, 2018)","City of Fairfax Virginia. https://www.fairfaxva.gov/government/historic-resources/city-history (Accessed September 6, 2018)"],"bioghist_html_tesm":["\u003cp\u003eFairfax County was originally granted to Thomas Fairfax, Sixth Lord Fairfax of Cameron by Charles II in 1719. It was not until 1742 that the Virginia Assembly officially established Fairfax as a county. Throughout the 18th century, Fairfax modernized in the form of industry and trade. With modernization, Fairfax County was fractured into Alexandria, Arlington, Falls Church, and Loudon. It was also during the time period that the Fairfax Courthouse was constructed with the financial aid of Richard Ratcliffe.\u003c/p\u003e","\u003cp\u003eThe 19th century brought conflict and subsequent growth to Fairfax County. Many Civil War battles took place within the county as well as the first land engagement of the American Civil War, which took place on June 1, 1861. During the war, Fairfax Courthouse changed hands many times between the Union and Confederacy. After the war, Fairfax experienced economic growth but also remained an agrarian-driven area. By the mid-20th century, Fairfax had experienced a massive population boom, largely as a result of President Roosevelt's increase in government programs, which produced large numbers of new citizens within Fairfax itself. The growth within Fairfax continues today. \u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Fairfax County was originally granted to Thomas Fairfax, Sixth Lord Fairfax of Cameron by Charles II in 1719. It was not until 1742 that the Virginia Assembly officially established Fairfax as a county. Throughout the 18th century, Fairfax modernized in the form of industry and trade. With modernization, Fairfax County was fractured into Alexandria, Arlington, Falls Church, and Loudon. It was also during the time period that the Fairfax Courthouse was constructed with the financial aid of Richard Ratcliffe.","The 19th century brought conflict and subsequent growth to Fairfax County. Many Civil War battles took place within the county as well as the first land engagement of the American Civil War, which took place on June 1, 1861. During the war, Fairfax Courthouse changed hands many times between the Union and Confederacy. After the war, Fairfax experienced economic growth but also remained an agrarian-driven area. By the mid-20th century, Fairfax had experienced a massive population boom, largely as a result of President Roosevelt's increase in government programs, which produced large numbers of new citizens within Fairfax itself. The growth within Fairfax continues today."],"prefercite_html_tesm":["\u003cp\u003eRandolph H. Lytton historical Virginia collection, C0311, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Randolph H. Lytton historical Virginia collection, C0311, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Bill Keeler in August 2018. EAD markup completed by Bill Keeler in September 2018.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Bill Keeler in August 2018. EAD markup completed by Bill Keeler in September 2018."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes artwork, campaign materials, correspondence, envelopes, indentures, maps, military paperwork, newspapers, paper currency, photographs, postcards, and publications on Virginia, particularly Fairfax County. The items in the collection were collected by George Mason University Emeritus Faculty member Randolph H. Lytton. The collection is arranged into five series: \u003c/p\u003e","\u003cp\u003eSeries 1: Postcards (1903-1982). This series includes postcards from Virginia. \u003c/p\u003e","\u003cp\u003eSeries 2: Civil War Era Materials (1861-1914). This series includes artwork, letters, maps, military paperwork, newspapers, paper currency, and photographs. \u003c/p\u003e","\u003cp\u003eSeries 3: George Washington (circa 1700-1960). This series includes artwork, envelopes, maps, photographs and postcards. \u003c/p\u003e","\u003cp\u003eSeries 4: Fairfax Family (1670-1975). This series includes artwork, correspondence, indentures, photographs, postcards, and stamps. \u003c/p\u003e","\u003cp\u003eSeries 5: Mixed Media (1712-2004). This series includes advertisements, campaign materials, maps, money orders, photographs, and publications. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection includes artwork, campaign materials, correspondence, envelopes, indentures, maps, military paperwork, newspapers, paper currency, photographs, postcards, and publications on Virginia, particularly Fairfax County. The items in the collection were collected by George Mason University Emeritus Faculty member Randolph H. Lytton. The collection is arranged into five series:","Series 1: Postcards (1903-1982). This series includes postcards from Virginia.","Series 2: Civil War Era Materials (1861-1914). This series includes artwork, letters, maps, military paperwork, newspapers, paper currency, and photographs.","Series 3: George Washington (circa 1700-1960). This series includes artwork, envelopes, maps, photographs and postcards.","Series 4: Fairfax Family (1670-1975). This series includes artwork, correspondence, indentures, photographs, postcards, and stamps.","Series 5: Mixed Media (1712-2004). This series includes advertisements, campaign materials, maps, money orders, photographs, and publications."],"userestrict_html_tesm":["\u003cp\u003eFor materials created before 1900: No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e","\u003cp\u003eFor materials created after 1900: The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["For materials created before 1900: No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","For materials created after 1900: The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_dbce34e7d3c1b76f0548428cd9e54373\" label=\"Abstract\"\u003eThe collection includes artwork, campaign materials, correspondence, envelopes, indentures, maps, military paperwork, newspapers, paper currency, photographs, postcards, and publications on Virginia, particularly Fairfax County.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection includes artwork, campaign materials, correspondence, envelopes, indentures, maps, military paperwork, newspapers, paper currency, photographs, postcards, and publications on Virginia, particularly Fairfax County."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_565b698cd913a18e3d78aafff8fb538f\"\u003eR54, C2, S7-C3, S2\nMap Case 13.4, 13.5, 15.1\u003c/physloc\u003e\n    "],"physloc_tesim":["R54, C2, S7-C3, S2\nMap Case 13.4, 13.5, 15.1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Lytton, Randolph Hoopes, 1944-"],"names_coll_ssim":["Lytton, Randolph Hoopes, 1944-"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Lytton, Randolph Hoopes, 1944-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":224,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:53.150Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_460_c02_c19"}},{"id":"vifgm_repositories_2_resources_440","type":"collection","attributes":{"title":"Prince William County historic newspapers collection, 1851/1992","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_440#creator","type":"document_value","attributes":{"value":"Prince William County Library","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_440#abstract_or_scope","type":"document_value","attributes":{"value":"Prince William County newspapers dating from 1851 to 1992.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_440#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_440","ead_ssi":"vifgm_repositories_2_resources_440","_root_":"vifgm_repositories_2_resources_440","_nest_parent_":"vifgm_repositories_2_resources_440","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_440.xml","title_filing_ssi":"Prince William County historic newspapers collection","title_ssm":["Prince William County historic newspapers collection"],"title_tesim":["Prince William County historic newspapers collection"],"unitdate_ssm":["1851-1992"],"unitdate_inclusive_ssm":["1851-1992"],"normalized_date_ssm":["1851/1992"],"normalized_title_ssm":["Prince William County historic newspapers collection, 1851/1992"],"text":["Prince William County historic newspapers collection, 1851/1992","C0301","/repositories/2/resources/440","Alexandria County (Va.) -- Newspapers","Manassas (Va.)","Prince William County (Va.)","Newspapers","There are no access restrictions.","Series\n      Series 1: The Manassas Journal, 1904-1951 (Oversize Box 1)\n      Series 2: The Prince William News, 1921-1923 (Oversize Box 2)\n      Series 3: The Manassas Messenger, 1945-1951 (Oversize Box 3)\n      Series 4: The Journal Messenger, 1951-1986 (Oversize Boxes 4-7)\n      Series 5: Potomac News, 1972-1988 (Oversize Box 8)\n      Series 6: Miscellaneous, 1851-1992 (Oversize Box 9)","The Manassas Journal began under W.H.W. Moran \u0026 Co. in 1895. In 1945, the Manassas Messenger was created, and on November 22, 1951, the two publications merged into the Journal Messenger. The Journal Messenger existed until 1997 and leaned Democratic. The Prince William News, published under Clarence W. Wagener, was a weekly paper from 1921 to 1923. Potomac News began in 1959 in Dumfries, VA and in 1979 moved to Woodbridge, VA until it ended in 2008.","The miscellaneous series contains issues from other Virginia newspapers, such as the Richmond News Leader (circa 1896-1992), Richmond Times-Dispatch (circa 1903-1992), the Fauquier Democrat (1905-1989), and the Alexandria Gazette, (1834-1974) among others.","Processing completed by Brittney Falter in February 2017. EAD markup completed by Brittney Falter in February 2017. Finding aid updated by Amanda Menjivar in January 2023.","The Special Collections Research Center holds other collections related to Prince William County and other newspaper collections such as the  and .","Several newspapers from Prince William County, VA and other Virginia areas such as the Manassas Journal, Manassas Messenger, Potomac News, the Prince William News, and the Journal Messenger. Also included are issues from the Alexandria Gazette, the Richmond News Leader, Richmond Times-Dispatch, and other news clippings. The papers in this collection date roughly from 1861 to 1992.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Prince William County newspapers dating from 1851 to 1992.","OS R 2, C 2, S 6\nOS R 2, C 5, S 7\nOS R 3, C 1, S 7","George Mason University. Libraries. Special Collections Research Center","Prince William County Library","English"],"collection_title_tesim":["Prince William County historic newspapers collection, 1851/1992"],"collection_ssim":["Prince William County historic newspapers collection, 1851/1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0301","/repositories/2/resources/440"],"unitid_tesim":["C0301","/repositories/2/resources/440"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Alexandria County (Va.) -- Newspapers","Manassas (Va.)","Prince William County (Va.)"],"geogname_ssim":["Alexandria County (Va.) -- Newspapers","Manassas (Va.)","Prince William County (Va.)"],"places_ssim":["Alexandria County (Va.) -- Newspapers","Manassas (Va.)","Prince William County (Va.)"],"creator_ssm":["Prince William County Library"],"creator_ssim":["Prince William County Library"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Prince William County Library"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","Prince William County Library"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Prince William Public Libraries in November 2016."],"access_subjects_ssim":["Newspapers"],"access_subjects_ssm":["Newspapers"],"has_online_content_ssim":["false"],"extent_ssm":["3 Linear Feet 9 boxes"],"extent_tesim":["3 Linear Feet 9 boxes"],"date_range_isim":[1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: The Manassas Journal, 1904-1951 (Oversize Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 2: The Prince William News, 1921-1923 (Oversize Box 2)\u003c/item\u003e\n      \u003citem\u003eSeries 3: The Manassas Messenger, 1945-1951 (Oversize Box 3)\u003c/item\u003e\n      \u003citem\u003eSeries 4: The Journal Messenger, 1951-1986 (Oversize Boxes 4-7)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Potomac News, 1972-1988 (Oversize Box 8)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Miscellaneous, 1851-1992 (Oversize Box 9)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series\n      Series 1: The Manassas Journal, 1904-1951 (Oversize Box 1)\n      Series 2: The Prince William News, 1921-1923 (Oversize Box 2)\n      Series 3: The Manassas Messenger, 1945-1951 (Oversize Box 3)\n      Series 4: The Journal Messenger, 1951-1986 (Oversize Boxes 4-7)\n      Series 5: Potomac News, 1972-1988 (Oversize Box 8)\n      Series 6: Miscellaneous, 1851-1992 (Oversize Box 9)"],"bioghist_html_tesm":["\u003cp\u003eThe \u003ctitle\u003eManassas Journal\u003c/title\u003e began under W.H.W. Moran \u0026amp; Co. in 1895. In 1945, the \u003ctitle\u003eManassas Messenger\u003c/title\u003e was created, and on November 22, 1951, the two publications merged into the \u003ctitle\u003eJournal Messenger\u003c/title\u003e. The \u003ctitle\u003eJournal Messenger\u003c/title\u003e existed until 1997 and leaned Democratic. The \u003ctitle\u003ePrince William News\u003c/title\u003e, published under Clarence W. Wagener, was a weekly paper from 1921 to 1923. \u003ctitle\u003ePotomac News\u003c/title\u003e began in 1959 in Dumfries, VA and in 1979 moved to Woodbridge, VA until it ended in 2008. \u003c/p\u003e","\u003cp\u003eThe miscellaneous series contains issues from other Virginia newspapers, such as the \u003ctitle\u003eRichmond News Leader\u003c/title\u003e (circa 1896-1992), \u003ctitle\u003eRichmond Times-Dispatch\u003c/title\u003e (circa 1903-1992), the \u003ctitle\u003eFauquier Democrat\u003c/title\u003e (1905-1989), and the \u003ctitle\u003eAlexandria Gazette\u003c/title\u003e, (1834-1974) among others.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Manassas Journal began under W.H.W. Moran \u0026 Co. in 1895. In 1945, the Manassas Messenger was created, and on November 22, 1951, the two publications merged into the Journal Messenger. The Journal Messenger existed until 1997 and leaned Democratic. The Prince William News, published under Clarence W. Wagener, was a weekly paper from 1921 to 1923. Potomac News began in 1959 in Dumfries, VA and in 1979 moved to Woodbridge, VA until it ended in 2008.","The miscellaneous series contains issues from other Virginia newspapers, such as the Richmond News Leader (circa 1896-1992), Richmond Times-Dispatch (circa 1903-1992), the Fauquier Democrat (1905-1989), and the Alexandria Gazette, (1834-1974) among others."],"prefercite_html_tesm":["\u003cp\u003ePrince William County historic newspapers collection, C0301, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Prince William County historic newspapers collection, C0301, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Brittney Falter in February 2017. EAD markup completed by Brittney Falter in February 2017. Finding aid updated by Amanda Menjivar in January 2023.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Brittney Falter in February 2017. EAD markup completed by Brittney Falter in February 2017. Finding aid updated by Amanda Menjivar in January 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections related to Prince William County and other newspaper collections such as the \u003cextptr show=\"new\" title=\"Prince William Cultural Arts Federation papers\" href=\"https://aspace.gmu.edu/resources/c0297\"\u003e\u003c/extptr\u003e and \u003cextptr show=\"new\" title=\" Edward M. Peach historical newspaper collection\" href=\"https://aspace.gmu.edu/resources/c0103\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections related to Prince William County and other newspaper collections such as the  and ."],"scopecontent_html_tesm":["\u003cp\u003eSeveral newspapers from Prince William County, VA and other Virginia areas such as the \u003ctitle\u003eManassas Journal\u003c/title\u003e, \u003ctitle\u003eManassas Messenger\u003c/title\u003e, \u003ctitle\u003ePotomac News\u003c/title\u003e, the \u003ctitle\u003ePrince William News\u003c/title\u003e, and the \u003ctitle\u003eJournal Messenger\u003c/title\u003e. Also included are issues from the \u003ctitle\u003eAlexandria Gazette\u003c/title\u003e, the \u003ctitle\u003eRichmond News Leader\u003c/title\u003e, \u003ctitle\u003eRichmond Times-Dispatch\u003c/title\u003e, and other news clippings. The papers in this collection date roughly from 1861 to 1992.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Several newspapers from Prince William County, VA and other Virginia areas such as the Manassas Journal, Manassas Messenger, Potomac News, the Prince William News, and the Journal Messenger. Also included are issues from the Alexandria Gazette, the Richmond News Leader, Richmond Times-Dispatch, and other news clippings. The papers in this collection date roughly from 1861 to 1992."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_2b01f8e4b4368cd2609142af64b263df\" label=\"Abstract\"\u003ePrince William County newspapers dating from 1851 to 1992.\u003c/abstract\u003e\n    "],"abstract_tesim":["Prince William County newspapers dating from 1851 to 1992."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d4c58b544fe4d2f5103ee38f57c9eb67\"\u003eOS R 2, C 2, S 6\nOS R 2, C 5, S 7\nOS R 3, C 1, S 7\u003c/physloc\u003e\n    "],"physloc_tesim":["OS R 2, C 2, S 6\nOS R 2, C 5, S 7\nOS R 3, C 1, S 7"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Prince William County Library"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Prince William County Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":479,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:53.150Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_440","ead_ssi":"vifgm_repositories_2_resources_440","_root_":"vifgm_repositories_2_resources_440","_nest_parent_":"vifgm_repositories_2_resources_440","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_440.xml","title_filing_ssi":"Prince William County historic newspapers collection","title_ssm":["Prince William County historic newspapers collection"],"title_tesim":["Prince William County historic newspapers collection"],"unitdate_ssm":["1851-1992"],"unitdate_inclusive_ssm":["1851-1992"],"normalized_date_ssm":["1851/1992"],"normalized_title_ssm":["Prince William County historic newspapers collection, 1851/1992"],"text":["Prince William County historic newspapers collection, 1851/1992","C0301","/repositories/2/resources/440","Alexandria County (Va.) -- Newspapers","Manassas (Va.)","Prince William County (Va.)","Newspapers","There are no access restrictions.","Series\n      Series 1: The Manassas Journal, 1904-1951 (Oversize Box 1)\n      Series 2: The Prince William News, 1921-1923 (Oversize Box 2)\n      Series 3: The Manassas Messenger, 1945-1951 (Oversize Box 3)\n      Series 4: The Journal Messenger, 1951-1986 (Oversize Boxes 4-7)\n      Series 5: Potomac News, 1972-1988 (Oversize Box 8)\n      Series 6: Miscellaneous, 1851-1992 (Oversize Box 9)","The Manassas Journal began under W.H.W. Moran \u0026 Co. in 1895. In 1945, the Manassas Messenger was created, and on November 22, 1951, the two publications merged into the Journal Messenger. The Journal Messenger existed until 1997 and leaned Democratic. The Prince William News, published under Clarence W. Wagener, was a weekly paper from 1921 to 1923. Potomac News began in 1959 in Dumfries, VA and in 1979 moved to Woodbridge, VA until it ended in 2008.","The miscellaneous series contains issues from other Virginia newspapers, such as the Richmond News Leader (circa 1896-1992), Richmond Times-Dispatch (circa 1903-1992), the Fauquier Democrat (1905-1989), and the Alexandria Gazette, (1834-1974) among others.","Processing completed by Brittney Falter in February 2017. EAD markup completed by Brittney Falter in February 2017. Finding aid updated by Amanda Menjivar in January 2023.","The Special Collections Research Center holds other collections related to Prince William County and other newspaper collections such as the  and .","Several newspapers from Prince William County, VA and other Virginia areas such as the Manassas Journal, Manassas Messenger, Potomac News, the Prince William News, and the Journal Messenger. Also included are issues from the Alexandria Gazette, the Richmond News Leader, Richmond Times-Dispatch, and other news clippings. The papers in this collection date roughly from 1861 to 1992.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Prince William County newspapers dating from 1851 to 1992.","OS R 2, C 2, S 6\nOS R 2, C 5, S 7\nOS R 3, C 1, S 7","George Mason University. Libraries. Special Collections Research Center","Prince William County Library","English"],"collection_title_tesim":["Prince William County historic newspapers collection, 1851/1992"],"collection_ssim":["Prince William County historic newspapers collection, 1851/1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0301","/repositories/2/resources/440"],"unitid_tesim":["C0301","/repositories/2/resources/440"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Alexandria County (Va.) -- Newspapers","Manassas (Va.)","Prince William County (Va.)"],"geogname_ssim":["Alexandria County (Va.) -- Newspapers","Manassas (Va.)","Prince William County (Va.)"],"places_ssim":["Alexandria County (Va.) -- Newspapers","Manassas (Va.)","Prince William County (Va.)"],"creator_ssm":["Prince William County Library"],"creator_ssim":["Prince William County Library"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Prince William County Library"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","Prince William County Library"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Prince William Public Libraries in November 2016."],"access_subjects_ssim":["Newspapers"],"access_subjects_ssm":["Newspapers"],"has_online_content_ssim":["false"],"extent_ssm":["3 Linear Feet 9 boxes"],"extent_tesim":["3 Linear Feet 9 boxes"],"date_range_isim":[1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: The Manassas Journal, 1904-1951 (Oversize Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 2: The Prince William News, 1921-1923 (Oversize Box 2)\u003c/item\u003e\n      \u003citem\u003eSeries 3: The Manassas Messenger, 1945-1951 (Oversize Box 3)\u003c/item\u003e\n      \u003citem\u003eSeries 4: The Journal Messenger, 1951-1986 (Oversize Boxes 4-7)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Potomac News, 1972-1988 (Oversize Box 8)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Miscellaneous, 1851-1992 (Oversize Box 9)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series\n      Series 1: The Manassas Journal, 1904-1951 (Oversize Box 1)\n      Series 2: The Prince William News, 1921-1923 (Oversize Box 2)\n      Series 3: The Manassas Messenger, 1945-1951 (Oversize Box 3)\n      Series 4: The Journal Messenger, 1951-1986 (Oversize Boxes 4-7)\n      Series 5: Potomac News, 1972-1988 (Oversize Box 8)\n      Series 6: Miscellaneous, 1851-1992 (Oversize Box 9)"],"bioghist_html_tesm":["\u003cp\u003eThe \u003ctitle\u003eManassas Journal\u003c/title\u003e began under W.H.W. Moran \u0026amp; Co. in 1895. In 1945, the \u003ctitle\u003eManassas Messenger\u003c/title\u003e was created, and on November 22, 1951, the two publications merged into the \u003ctitle\u003eJournal Messenger\u003c/title\u003e. The \u003ctitle\u003eJournal Messenger\u003c/title\u003e existed until 1997 and leaned Democratic. The \u003ctitle\u003ePrince William News\u003c/title\u003e, published under Clarence W. Wagener, was a weekly paper from 1921 to 1923. \u003ctitle\u003ePotomac News\u003c/title\u003e began in 1959 in Dumfries, VA and in 1979 moved to Woodbridge, VA until it ended in 2008. \u003c/p\u003e","\u003cp\u003eThe miscellaneous series contains issues from other Virginia newspapers, such as the \u003ctitle\u003eRichmond News Leader\u003c/title\u003e (circa 1896-1992), \u003ctitle\u003eRichmond Times-Dispatch\u003c/title\u003e (circa 1903-1992), the \u003ctitle\u003eFauquier Democrat\u003c/title\u003e (1905-1989), and the \u003ctitle\u003eAlexandria Gazette\u003c/title\u003e, (1834-1974) among others.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Manassas Journal began under W.H.W. Moran \u0026 Co. in 1895. In 1945, the Manassas Messenger was created, and on November 22, 1951, the two publications merged into the Journal Messenger. The Journal Messenger existed until 1997 and leaned Democratic. The Prince William News, published under Clarence W. Wagener, was a weekly paper from 1921 to 1923. Potomac News began in 1959 in Dumfries, VA and in 1979 moved to Woodbridge, VA until it ended in 2008.","The miscellaneous series contains issues from other Virginia newspapers, such as the Richmond News Leader (circa 1896-1992), Richmond Times-Dispatch (circa 1903-1992), the Fauquier Democrat (1905-1989), and the Alexandria Gazette, (1834-1974) among others."],"prefercite_html_tesm":["\u003cp\u003ePrince William County historic newspapers collection, C0301, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Prince William County historic newspapers collection, C0301, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Brittney Falter in February 2017. EAD markup completed by Brittney Falter in February 2017. Finding aid updated by Amanda Menjivar in January 2023.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Brittney Falter in February 2017. EAD markup completed by Brittney Falter in February 2017. Finding aid updated by Amanda Menjivar in January 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections related to Prince William County and other newspaper collections such as the \u003cextptr show=\"new\" title=\"Prince William Cultural Arts Federation papers\" href=\"https://aspace.gmu.edu/resources/c0297\"\u003e\u003c/extptr\u003e and \u003cextptr show=\"new\" title=\" Edward M. Peach historical newspaper collection\" href=\"https://aspace.gmu.edu/resources/c0103\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections related to Prince William County and other newspaper collections such as the  and ."],"scopecontent_html_tesm":["\u003cp\u003eSeveral newspapers from Prince William County, VA and other Virginia areas such as the \u003ctitle\u003eManassas Journal\u003c/title\u003e, \u003ctitle\u003eManassas Messenger\u003c/title\u003e, \u003ctitle\u003ePotomac News\u003c/title\u003e, the \u003ctitle\u003ePrince William News\u003c/title\u003e, and the \u003ctitle\u003eJournal Messenger\u003c/title\u003e. Also included are issues from the \u003ctitle\u003eAlexandria Gazette\u003c/title\u003e, the \u003ctitle\u003eRichmond News Leader\u003c/title\u003e, \u003ctitle\u003eRichmond Times-Dispatch\u003c/title\u003e, and other news clippings. The papers in this collection date roughly from 1861 to 1992.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Several newspapers from Prince William County, VA and other Virginia areas such as the Manassas Journal, Manassas Messenger, Potomac News, the Prince William News, and the Journal Messenger. Also included are issues from the Alexandria Gazette, the Richmond News Leader, Richmond Times-Dispatch, and other news clippings. The papers in this collection date roughly from 1861 to 1992."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_2b01f8e4b4368cd2609142af64b263df\" label=\"Abstract\"\u003ePrince William County newspapers dating from 1851 to 1992.\u003c/abstract\u003e\n    "],"abstract_tesim":["Prince William County newspapers dating from 1851 to 1992."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d4c58b544fe4d2f5103ee38f57c9eb67\"\u003eOS R 2, C 2, S 6\nOS R 2, C 5, S 7\nOS R 3, C 1, S 7\u003c/physloc\u003e\n    "],"physloc_tesim":["OS R 2, C 2, S 6\nOS R 2, C 5, S 7\nOS R 3, C 1, S 7"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Prince William County Library"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Prince William County Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":479,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:53.150Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_440"}},{"id":"vifgm_repositories_2_resources_92_c03_c02_c18","type":"File","attributes":{"title":"Programs and pamphlets, 1882/1967","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_92_c03_c02_c18#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_92_c03_c02_c18","ref_ssm":["vifgm_repositories_2_resources_92_c03_c02_c18"],"id":"vifgm_repositories_2_resources_92_c03_c02_c18","ead_ssi":"vifgm_repositories_2_resources_92","_root_":"vifgm_repositories_2_resources_92","_nest_parent_":"vifgm_repositories_2_resources_92_c03_c02","parent_ssi":"vifgm_repositories_2_resources_92_c03_c02","parent_ssim":["Alexander Haight family collection, 1764/1976","Series 3: Photographs and ephemera, 1976","Sub-series 2: Records and ephemera, 1862/1976"],"parent_ids_ssim":["vifgm_repositories_2_resources_92","vifgm_repositories_2_resources_92_c03","vifgm_repositories_2_resources_92_c03_c02"],"title_filing_ssi":"Programs and pamphlets","title_ssm":["Programs and pamphlets"],"title_tesim":["Programs and pamphlets"],"normalized_title_ssm":["Programs and pamphlets, 1882/1967"],"text":["Programs and pamphlets, 1882/1967","Alexander Haight family collection, 1764/1976","Series 3: Photographs and ephemera, 1976","Sub-series 2: Records and ephemera, 1862/1976","box 4","folder 20"],"parent_unittitles_ssm":["Alexander Haight family collection, 1764/1976","Series 3: Photographs and ephemera, 1976","Sub-series 2: Records and ephemera, 1862/1976"],"parent_unittitles_tesim":["Alexander Haight family collection, 1764/1976","Series 3: Photographs and ephemera, 1976","Sub-series 2: Records and ephemera, 1862/1976"],"normalized_date_ssm":["1882/1967"],"unitdate_inclusive_ssm":["circa 1882-1967"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":154,"repository_ssim":["George Mason University"],"collection_ssim":["Alexander Haight family collection, 1764/1976"],"containers_ssim":["box 4","folder 20"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"date_range_isim":[1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967],"_nest_path_":"/components#2/components#1/components#17","timestamp":"2026-08-14T22:35:20.288Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_92","ead_ssi":"vifgm_repositories_2_resources_92","_root_":"vifgm_repositories_2_resources_92","_nest_parent_":"vifgm_repositories_2_resources_92","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_92.xml","title_filing_ssi":"Alexander Haight family collection","title_ssm":["Alexander Haight family collection"],"title_tesim":["Alexander Haight family collection"],"unitdate_ssm":["circa 1764-1976"],"unitdate_inclusive_ssm":["circa 1764-1976"],"normalized_date_ssm":["1764/1976"],"normalized_title_ssm":["Alexander Haight family collection, 1764/1976"],"text":["Alexander Haight family collection, 1764/1976","C0159","/repositories/2/resources/92","United States -- History -- Civil War, 1861-1865","Sully Plantation","Northern Virginia","Virginia, Northern -- History","Fairfax County (Va.)","Fairfax County (Va.) -- History","Confederate States of America","Daguerreotype","Photography -- Negatives","World War, 1914-1918","Paper money","Account books","Photographic prints","Reproductions","Tintypes","Correspondence","Photographs","Newspapers","There are no access restrictions.","Digitized selections from this collection appear in the  Sesquicentennial Civil War Documents Project  hosted on Mason Archival Repository Service (MARS).","The collection is arranged into three series.","Series\n      Series 1: Correspondence\n      Series 2: Legal and financial documents\n      Series 3: Photographs and ephemera","Fairfax County: Park Authority. n.d. \"Sully Historic Site History.\" Accessed November 12, 2025. https://www.fairfaxcounty.gov/parks/sully-historic-site/site-history.","Find a Grave. n.d.-a. \"Alexander Haight (1822-1880).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313800/alexander-haight.","Find a Grave. n.d.-b. \"Alexander Levi Haight (1891-1981).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313806/alexander_levi-haight.","Find a Grave. n.d.-c. \"Emma Jane Young Haight (1858-1939).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313803/emma_jane-haight.","Find a Grave. n.d.-d. \"Henry Clement Haight (1859-1936).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313802/henry_clement-haight.","Wikipedia. 2025. \"Sully Historic Site.\" July 20. https://en.wikipedia.org/w/index.php?title=Sully_Historic_Site\u0026oldid=1301635745#Chain_of_ownership.","Alexander Haight was born on February 8, 1822 in Dutchess County, New York to Quaker farmers Jacob (1782-1862) and Amy Clement Haight (1787-1863). In 1842, Jacob and Amy purchased the property known as Sully Plantation in Chantilly, Virginia, which was built by Richard Bland Lee between 1787-1794, and soon after invited Alexander to leave New York and help with the running of the property in Virginia. After moving to Sully, Alexander married Pheobe (also spelled \"Phebe\") Sweet (1824-1898) in 1845 and finished construction of their new home, known as \"Little Sully,\" in 1851. The couple would go on to have four children. Eldest daughter Margaret Amy (also known as Maggie) was born in 1848 and married Thomas W. Lee in 1873, Stephen Sweet was born in 1857 and married Henrietta Lucas in 1891, Henry Clement was born in 1859, and youngest George Alexander was born in 1867.","Despite belonging to the Quaker faith (also known as The Religious Society of Friends), whose members actively fought for abolition, records indicate that the Haight family used enslaved labor during their time at Sully. Ownership of the property remained in the Haight family, although transferring formally to Alexander's sister Maria and her husband James Barlow in 1852, and remained so throughout the Civil War, during which both Union and Confederate soldiers crossed the property. In 1869, the family sold Sully to Stephen Shear, but most members of Alexander and Phoebe's branch of the Haight family remained in and around Fairfax County.","In 1886, Jacob and Amy's son Henry Clement married Emma Jane Young, daughter of Union Soldier John M. Young (1831-1865), and the couple would go on to have four children of their own: Helen Hill (1887-1977), Elizabeth Barlow [later Hamill] (1889-1974), Mary [later Millan] (1890–1964), and Alexander Levi (1891-1981).","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Finding aid updated by Amanda Brent in April 2022.","Collection reprocessed by Meghan Glasbrenner from February-October 2025. Finding aid updated by Meghan Glasbrenner from October-November 2025.","The Special Collections Research Center holds other collections related to the history of Fairfax County and Northern Virginia, such as the Randolph H. Lytton historical Virginia collection.","The Special Collections Research Center also holds other collections related to the Civil War, such as the William Darke Briscoe Civil War diaries collection, and World War I, including the Diary of World War I Red Cross Canteen worker Florence Bishop.","The Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I. The collection contains 3 series.","Series 1: Correspondence (1838-1920) includes sent and received personal and professional correspondence, including letters, cards, and postcards. The bulk of the correspondence represents personal communications between members of the Haight family, both with each other and with family friends, including a number of letters sent by Helen Hill Haight during her time volunteering with the American Red Cross during World War I. Additional correspondence includes communications concerning business matters, such as correspondence to and from legal representatives, and a mix of original and reproduction copy letters sent by Union soldier John M. Young during the Civil War. This series is arranged alphabetically by non-Haight correspondent last name. In cases where a member of the Haight family sent a letter to another Haight, and both are already represented elsewhere in the series, letters are arranged alphabetically by the name of the recipient.","Series 2: Legal and financial documents (circa 1764-1948) includes personal and professional legal and financial records, most connected to members of the Haight family, including account ledgers, bank, registered letter, and tax receipts, formal and informal contracts and agreements, and other legal documents created by organizations within Fairfax County. Additional documents include Union Army passes issued to Alexander Haight during the Civil War, Alexander Levi Haight's Fairfax County draft classification card issued during World War I, a New York court summons for Stephen Sweet Haight, a California gold dig payment issued to George Sweet (brother of Phoebe Haight), currency notes, including Confederate paper money, and military orders issued during the Civil War. This series is arranged alphabetically either by last name of the subject or creator of the document or by title of the document.","Series 3: Photographs and ephemera (circa 1850s-1976) includes photographs, personal records, mementoes, and general ephemera created or collected by members of the Haight family. It is further divided into two subseries. Sub-series 1: Photographs (circa 1850s-1960s) includes original and reproduction photographic prints, including daguerreotypes and tintypes, with subjects including Sully Plantation, formal and informal portraits of members of the Haight family, Alexander Haight's prize horse, a portrait of a girl enslaved on Sully Plantation identified as Clio, and various locations and individuals in and around Fairfax County. Items are arranged chronologically by year of creation. Sub-series 2: Records and ephemera (circa 1862-1976) includes personal records and mementoes including programs, booklets, newspapers and clippings, poems, manuscripts, postcards, scrapbooks, and general ephemera items. Items are arranged chronologically by year of creation and grouped by material type or function.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","The Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I.","R 42, C 3, S 1-2\n\nR 42, C 4, S 1\n\nMap Case 27.2","George Mason University. Libraries. Special Collections Research Center","Haight, Alexander Levi, 1891-1981","Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864","English"],"collection_title_tesim":["Alexander Haight family collection, 1764/1976"],"collection_ssim":["Alexander Haight family collection, 1764/1976"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0159","/repositories/2/resources/92"],"unitid_tesim":["C0159","/repositories/2/resources/92"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["United States -- History -- Civil War, 1861-1865","Sully Plantation","Northern Virginia","Virginia, Northern -- History","Fairfax County (Va.)","Fairfax County (Va.) -- History","Confederate States of America"],"geogname_ssim":["United States -- History -- Civil War, 1861-1865","Sully Plantation","Northern Virginia","Virginia, Northern -- History","Fairfax County (Va.)","Fairfax County (Va.) -- History","Confederate States of America"],"places_ssim":["United States -- History -- Civil War, 1861-1865","Sully Plantation","Northern Virginia","Virginia, Northern -- History","Fairfax County (Va.)","Fairfax County (Va.) -- History","Confederate States of America"],"creator_ssm":["Haight, Alexander Levi, 1891-1981"],"creator_ssim":["Haight, Alexander Levi, 1891-1981"],"creator_persname_ssim":["Haight, Alexander Levi, 1891-1981","Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Haight, Alexander Levi, 1891-1981","Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"acqinfo_ssim":["Donated by Alexander Levi Haight in 1978."],"access_subjects_ssim":["Daguerreotype","Photography -- Negatives","World War, 1914-1918","Paper money","Account books","Photographic prints","Reproductions","Tintypes","Correspondence","Photographs","Newspapers"],"access_subjects_ssm":["Daguerreotype","Photography -- Negatives","World War, 1914-1918","Paper money","Account books","Photographic prints","Reproductions","Tintypes","Correspondence","Photographs","Newspapers"],"has_online_content_ssim":["false"],"extent_ssm":["7 Linear Feet 7 boxes, 1 map case"],"extent_tesim":["7 Linear Feet 7 boxes, 1 map case"],"genreform_ssim":["Photographic prints","Reproductions","Tintypes","Correspondence","Photographs","Newspapers"],"date_range_isim":[1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eDigitized selections from this collection appear in the \u003ca href=\"http://mars.gmu.edu/handle/1920/6210\"\u003e Sesquicentennial Civil War Documents Project \u003c/a\u003e hosted on Mason Archival Repository Service (MARS).\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternate Form Available"],"altformavail_tesim":["Digitized selections from this collection appear in the  Sesquicentennial Civil War Documents Project  hosted on Mason Archival Repository Service (MARS)."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into three series.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence\u003c/item\u003e\n      \u003citem\u003eSeries 2: Legal and financial documents\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs and ephemera\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into three series.","Series\n      Series 1: Correspondence\n      Series 2: Legal and financial documents\n      Series 3: Photographs and ephemera"],"bibliography_html_tesm":["\u003cp\u003eFairfax County: Park Authority. n.d. \"Sully Historic Site History.\" Accessed November 12, 2025. https://www.fairfaxcounty.gov/parks/sully-historic-site/site-history.\u003c/p\u003e","\u003cp\u003eFind a Grave. n.d.-a. \"Alexander Haight (1822-1880).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313800/alexander-haight.\u003c/p\u003e","\u003cp\u003eFind a Grave. n.d.-b. \"Alexander Levi Haight (1891-1981).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313806/alexander_levi-haight.\u003c/p\u003e","\u003cp\u003eFind a Grave. n.d.-c. \"Emma Jane Young Haight (1858-1939).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313803/emma_jane-haight.\u003c/p\u003e","\u003cp\u003eFind a Grave. n.d.-d. \"Henry Clement Haight (1859-1936).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313802/henry_clement-haight.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eWikipedia\u003c/title\u003e. 2025. \"Sully Historic Site.\" July 20. https://en.wikipedia.org/w/index.php?title=Sully_Historic_Site\u0026amp;oldid=1301635745#Chain_of_ownership.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Fairfax County: Park Authority. n.d. \"Sully Historic Site History.\" Accessed November 12, 2025. https://www.fairfaxcounty.gov/parks/sully-historic-site/site-history.","Find a Grave. n.d.-a. \"Alexander Haight (1822-1880).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313800/alexander-haight.","Find a Grave. n.d.-b. \"Alexander Levi Haight (1891-1981).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313806/alexander_levi-haight.","Find a Grave. n.d.-c. \"Emma Jane Young Haight (1858-1939).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313803/emma_jane-haight.","Find a Grave. n.d.-d. \"Henry Clement Haight (1859-1936).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313802/henry_clement-haight.","Wikipedia. 2025. \"Sully Historic Site.\" July 20. https://en.wikipedia.org/w/index.php?title=Sully_Historic_Site\u0026oldid=1301635745#Chain_of_ownership."],"bioghist_html_tesm":["\u003cp\u003eAlexander Haight was born on February 8, 1822 in Dutchess County, New York to Quaker farmers Jacob (1782-1862) and Amy Clement Haight (1787-1863). In 1842, Jacob and Amy purchased the property known as Sully Plantation in Chantilly, Virginia, which was built by Richard Bland Lee between 1787-1794, and soon after invited Alexander to leave New York and help with the running of the property in Virginia. After moving to Sully, Alexander married Pheobe (also spelled \"Phebe\") Sweet (1824-1898) in 1845 and finished construction of their new home, known as \"Little Sully,\" in 1851. The couple would go on to have four children. Eldest daughter Margaret Amy (also known as Maggie) was born in 1848 and married Thomas W. Lee in 1873, Stephen Sweet was born in 1857 and married Henrietta Lucas in 1891, Henry Clement was born in 1859, and youngest George Alexander was born in 1867.\u003c/p\u003e","\u003cp\u003eDespite belonging to the Quaker faith (also known as The Religious Society of Friends), whose members actively fought for abolition, records indicate that the Haight family used enslaved labor during their time at Sully. Ownership of the property remained in the Haight family, although transferring formally to Alexander's sister Maria and her husband James Barlow in 1852, and remained so throughout the Civil War, during which both Union and Confederate soldiers crossed the property. In 1869, the family sold Sully to Stephen Shear, but most members of Alexander and Phoebe's branch of the Haight family remained in and around Fairfax County.\u003c/p\u003e","\u003cp\u003eIn 1886, Jacob and Amy's son Henry Clement married Emma Jane Young, daughter of Union Soldier John M. Young (1831-1865), and the couple would go on to have four children of their own: Helen Hill (1887-1977), Elizabeth Barlow [later Hamill] (1889-1974), Mary [later Millan] (1890–1964), and Alexander Levi (1891-1981).\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Alexander Haight was born on February 8, 1822 in Dutchess County, New York to Quaker farmers Jacob (1782-1862) and Amy Clement Haight (1787-1863). In 1842, Jacob and Amy purchased the property known as Sully Plantation in Chantilly, Virginia, which was built by Richard Bland Lee between 1787-1794, and soon after invited Alexander to leave New York and help with the running of the property in Virginia. After moving to Sully, Alexander married Pheobe (also spelled \"Phebe\") Sweet (1824-1898) in 1845 and finished construction of their new home, known as \"Little Sully,\" in 1851. The couple would go on to have four children. Eldest daughter Margaret Amy (also known as Maggie) was born in 1848 and married Thomas W. Lee in 1873, Stephen Sweet was born in 1857 and married Henrietta Lucas in 1891, Henry Clement was born in 1859, and youngest George Alexander was born in 1867.","Despite belonging to the Quaker faith (also known as The Religious Society of Friends), whose members actively fought for abolition, records indicate that the Haight family used enslaved labor during their time at Sully. Ownership of the property remained in the Haight family, although transferring formally to Alexander's sister Maria and her husband James Barlow in 1852, and remained so throughout the Civil War, during which both Union and Confederate soldiers crossed the property. In 1869, the family sold Sully to Stephen Shear, but most members of Alexander and Phoebe's branch of the Haight family remained in and around Fairfax County.","In 1886, Jacob and Amy's son Henry Clement married Emma Jane Young, daughter of Union Soldier John M. Young (1831-1865), and the couple would go on to have four children of their own: Helen Hill (1887-1977), Elizabeth Barlow [later Hamill] (1889-1974), Mary [later Millan] (1890–1964), and Alexander Levi (1891-1981)."],"prefercite_html_tesm":["\u003cp\u003eAlexander Haight family collection, C0159, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e  "],"prefercite_tesim":["Alexander Haight family collection, C0159, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Finding aid updated by Amanda Brent in April 2022.\u003c/p\u003e","\u003cp\u003eCollection reprocessed by Meghan Glasbrenner from February-October 2025. Finding aid updated by Meghan Glasbrenner from October-November 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Finding aid updated by Amanda Brent in April 2022.","Collection reprocessed by Meghan Glasbrenner from February-October 2025. Finding aid updated by Meghan Glasbrenner from October-November 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections related to the history of \u003ca href=\"https://aspace.gmu.edu/subjects/n79043615\"\u003eFairfax County\u003c/a\u003e and \u003ca href=\"https://aspace.gmu.edu/subjects/1619\"\u003eNorthern Virginia\u003c/a\u003e, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0311\"\u003eRandolph H. Lytton historical Virginia collection\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eThe Special Collections Research Center also holds other collections related to the \u003ca href=\"https://aspace.gmu.edu/subjects/sh85140205\"\u003eCivil War\u003c/a\u003e, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0239\"\u003eWilliam Darke Briscoe Civil War diaries collection\u003c/a\u003e, and \u003ca href=\"https://aspace.gmu.edu/subjects/sh85148236\"\u003eWorld War I\u003c/a\u003e, including the \u003ca href=\"https://aspace.gmu.edu/resources/c0393\"\u003eDiary of World War I Red Cross Canteen worker Florence Bishop\u003c/a\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections related to the history of Fairfax County and Northern Virginia, such as the Randolph H. Lytton historical Virginia collection.","The Special Collections Research Center also holds other collections related to the Civil War, such as the William Darke Briscoe Civil War diaries collection, and World War I, including the Diary of World War I Red Cross Canteen worker Florence Bishop."],"scopecontent_html_tesm":["\u003cp\u003eThe Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I. The collection contains 3 series.\u003c/p\u003e","\u003cp\u003eSeries 1: Correspondence (1838-1920) includes sent and received personal and professional correspondence, including letters, cards, and postcards. The bulk of the correspondence represents personal communications between members of the Haight family, both with each other and with family friends, including a number of letters sent by Helen Hill Haight during her time volunteering with the American Red Cross during World War I. Additional correspondence includes communications concerning business matters, such as correspondence to and from legal representatives, and a mix of original and reproduction copy letters sent by Union soldier John M. Young during the Civil War. This series is arranged alphabetically by non-Haight correspondent last name. In cases where a member of the Haight family sent a letter to another Haight, and both are already represented elsewhere in the series, letters are arranged alphabetically by the name of the recipient.\u003c/p\u003e","\u003cp\u003eSeries 2: Legal and financial documents (circa 1764-1948) includes personal and professional legal and financial records, most connected to members of the Haight family, including account ledgers, bank, registered letter, and tax receipts, formal and informal contracts and agreements, and other legal documents created by organizations within Fairfax County. Additional documents include Union Army passes issued to Alexander Haight during the Civil War, Alexander Levi Haight's Fairfax County draft classification card issued during World War I, a New York court summons for Stephen Sweet Haight, a California gold dig payment issued to George Sweet (brother of Phoebe Haight), currency notes, including Confederate paper money, and military orders issued during the Civil War. This series is arranged alphabetically either by last name of the subject or creator of the document or by title of the document.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs and ephemera (circa 1850s-1976) includes photographs, personal records, mementoes, and general ephemera created or collected by members of the Haight family. It is further divided into two subseries. Sub-series 1: Photographs (circa 1850s-1960s) includes original and reproduction photographic prints, including daguerreotypes and tintypes, with subjects including Sully Plantation, formal and informal portraits of members of the Haight family, Alexander Haight's prize horse, a portrait of a girl enslaved on Sully Plantation identified as Clio, and various locations and individuals in and around Fairfax County. Items are arranged chronologically by year of creation. Sub-series 2: Records and ephemera (circa 1862-1976) includes personal records and mementoes including programs, booklets, newspapers and clippings, poems, manuscripts, postcards, scrapbooks, and general ephemera items. Items are arranged chronologically by year of creation and grouped by material type or function.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I. The collection contains 3 series.","Series 1: Correspondence (1838-1920) includes sent and received personal and professional correspondence, including letters, cards, and postcards. The bulk of the correspondence represents personal communications between members of the Haight family, both with each other and with family friends, including a number of letters sent by Helen Hill Haight during her time volunteering with the American Red Cross during World War I. Additional correspondence includes communications concerning business matters, such as correspondence to and from legal representatives, and a mix of original and reproduction copy letters sent by Union soldier John M. Young during the Civil War. This series is arranged alphabetically by non-Haight correspondent last name. In cases where a member of the Haight family sent a letter to another Haight, and both are already represented elsewhere in the series, letters are arranged alphabetically by the name of the recipient.","Series 2: Legal and financial documents (circa 1764-1948) includes personal and professional legal and financial records, most connected to members of the Haight family, including account ledgers, bank, registered letter, and tax receipts, formal and informal contracts and agreements, and other legal documents created by organizations within Fairfax County. Additional documents include Union Army passes issued to Alexander Haight during the Civil War, Alexander Levi Haight's Fairfax County draft classification card issued during World War I, a New York court summons for Stephen Sweet Haight, a California gold dig payment issued to George Sweet (brother of Phoebe Haight), currency notes, including Confederate paper money, and military orders issued during the Civil War. This series is arranged alphabetically either by last name of the subject or creator of the document or by title of the document.","Series 3: Photographs and ephemera (circa 1850s-1976) includes photographs, personal records, mementoes, and general ephemera created or collected by members of the Haight family. It is further divided into two subseries. Sub-series 1: Photographs (circa 1850s-1960s) includes original and reproduction photographic prints, including daguerreotypes and tintypes, with subjects including Sully Plantation, formal and informal portraits of members of the Haight family, Alexander Haight's prize horse, a portrait of a girl enslaved on Sully Plantation identified as Clio, and various locations and individuals in and around Fairfax County. Items are arranged chronologically by year of creation. Sub-series 2: Records and ephemera (circa 1862-1976) includes personal records and mementoes including programs, booklets, newspapers and clippings, poems, manuscripts, postcards, scrapbooks, and general ephemera items. Items are arranged chronologically by year of creation and grouped by material type or function."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1a9c21db7465505ff5fd6fb4dd32382c\"\u003eThe Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_cca8c73795be2609e42bfc24f7715bf9\"\u003eR 42, C 3, S 1-2\n\nR 42, C 4, S 1\n\nMap Case 27.2\u003c/physloc\u003e\n    "],"physloc_tesim":["R 42, C 3, S 1-2\n\nR 42, C 4, S 1\n\nMap Case 27.2"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Haight, Alexander Levi, 1891-1981","Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864"],"names_coll_ssim":["Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Haight, Alexander Levi, 1891-1981","Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":156,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:20.288Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_92_c03_c02_c18"}},{"id":"vifgm_repositories_2_resources_521","type":"collection","attributes":{"title":"Robert and Wilva Breen papers, 1831/2000","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_521#creator","type":"document_value","attributes":{"value":"Breen, Robert","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_521#abstract_or_scope","type":"document_value","attributes":{"value":"The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization. The bulk of the collection originates from 1933 - 2000s, with an outlier date of 1834 from an antique newspaper.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_521#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_521","ead_ssi":"vifgm_repositories_2_resources_521","_root_":"vifgm_repositories_2_resources_521","_nest_parent_":"vifgm_repositories_2_resources_521","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_521.xml","title_ssm":["Robert and Wilva Breen papers"],"title_tesim":["Robert and Wilva Breen papers"],"unitdate_ssm":["1834, 1933-2000s"],"unitdate_inclusive_ssm":["1834, 1933-2000s"],"normalized_date_ssm":["1831/2000"],"normalized_title_ssm":["Robert and Wilva Breen papers, 1831/2000"],"text":["Robert and Wilva Breen papers, 1831/2000","C0004","/repositories/2/resources/521","Helsingør (Denmark)","Broadway (New York, N.Y.)","Ballet","Theater and society","Theater -- Europe -- History -- 20th century","Theater -- New York (State) -- New York","Theater -- United States -- History -- 20th century","Theater -- United States","World War, 1939-1945 -- Theater and the war","Theater programs","Experimental theater -- United States","Theater -- Europe","Theater -- Production and direction","Performing arts","Theater","Theatrical posters","Photographs","Box 35, Folder 12; Box 36, Folder 1; and Box 70, Folder 18 are restricted due to their physical fragility.","Box 89, Folder 8 and 9 are restricted due to personally identifiable information.","There are no other access restrictions.","Many of the audiotape reels found in this collection were converted to digital format and are available for use. Please contact SCRC for more information.","The collection was originally arranged by subject and then topic. Additional accessions were added and arranged in the order they arrived in Special Collections Research Center.","Strom, Stephanie. \"Robert Breen, 80, Arts Executive And Theatrical Producer, Is Dead.\" Nytimes.com.  (accessed December 12, 2018).","Oliver, Myrna. \"Robert Breen; Initiated Cultural Exchanges.\" Articles.latimes.com.  (accessed December 12, 2018).","Riedel, Michael. \"This theater's chaotic history includes a Titanic survivor, the 'Tonight' show and porn.\" Nypost.com.  (accessed December 12, 2018).","ANTA West records (Collection 1965). UCLA Library Special Collections, Charles E. Young Research Library, UCLA.  (accessed December 12, 2018).","Robert Breen, born December 26, 1909 in Hibbing, Minnesota, served as the Executive Secretary of the American National Theatre and Academy (ANTA) from 1946-1952, and was instrumental in much of the organization's success, both domestically and internationally. In addition to serving in the U.S. Army Air Corps, Breen had an extensive background in theater. Prior to joining ANTA, Breen founded a theater program at the College of St. Thomas in Saint Paul, Minnesota, as well as established the Chicago unit for the Works Progress Administration's Federal Theatre Project with his wife, Wilva Davis Breen. Wilva herself was instrumental in promoting and guiding ANTA's many and varied operations, and getting the organization off the ground. The Breens' apartment home - situated above the Hudson Theatre in New York City, NY - served as ANTA's early headquarters. Davis Breen served as Breen's constant support and collaborator until he passed away on March 31, 1990.","The American National Theatre and Academy (ANTA) was the United States' first national theater and dance organization, in the tradition of European national theaters. Originating in 1935 with a charter from the U.S. Congress, ANTA continued until 1966 when the National Endowment for the Arts came into being. ANTA was responsible for both the presentation of American theater in the U.S. and abroad.","Although officially formed in 1935, ANTA did not begin actual operation until 1946 due to a variety of factors, including the Great Depression and World War II. During the depression, federal funding was funnelled towards the Works Progress Administration's Federal Theatre Project, another national performing arts program. In addition to these setbacks, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA. Eventually, Robert Breen and Robert Porterfield, two men with Army and theater backgrounds, took the reins of ANTA and initiated its revitalization. Porterfield and Breen developed ANTA's \"Foundation Plan,\" with the intention of having ANTA become the foundation for and driving force behind the stimulation of growth of American theater. The plan, successfully undertaken by Breen, Porterfield, and Breen's wife Wilva Davis Breen, called for a National Foundation to make loans and grants, insure theater projects against loss, as well as a National Service Bureau to provide technical assistance for acting companies, as well as a national clearing house for theater information. The plan was adopted by the ANTA Board in 1946.","Under the guidance of Breen, ANTA produced several projects in the U.S. with successful results during the postwar years. From 1946 - 1948, ANTA sponsored a series of plays called the Experimental Theatre. Its goal was to \"present new, interesting plays which would not see production on Broadway due to present high costs.\" Admittedly, the plays were \"not necessarily perfect\" but \"worthy of a trial production in a simplified fashion\" according to an ANTA letter offering subscription to the series, which included high profile playwrights and actors. During the late 1940s and early 1950s ANTA sponsored a number of drama festivals across the U.S., featuring well-known actors. ANTA also featured a televised production of short plays for NBC television. With the intention of promoting theater growth in the U.S. and showcasing new talent, ANTA produced, supported, and promoted theater projects all across the United States.","Internationally, ANTA promoted artistic exchange between the U.S. and Europe, and entertained American troops there. This was initiated with a 1949 tour of William Shakespeare's \"Hamlet\" throughout Europe, produced by and starring Breen in the titular role. This tour famously culminated in a performance at Elsinore Castle in Denmark - the actual setting of the play. Perhaps ANTA's, as well as Breen's, greatest success came with the international tour of George Gershwin's \"Porgy and Bess\" (produced with Blevins Davis), which toured from 1952-1956, visiting 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. ANTA also sponsored the American National Ballet Theatre's tour of Europe in 1950, performing in eighteen cities and eight countries. The tour lasted from August to December of 1950 and played to an audience of over 150,000, and was the first international tour of any American ballet company.","ANTA also produced a number of Broadway plays and musicals out of the formerly named Guild Hall Theatre, renamed the ANTA Theatre in the 1960s and 1970s. ANTA West, which grew out of the Greater Los Angeles Chapter of ANTA in 1957, promoted and facilitated the growth of theater in the Southern California region.","Part of the Robert and Wilva Breen papers was donated to The Ohio State University.","The Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the Robert and Wilva Breen papers. Additional time and money may be required to digitize this material for access.","Processed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Jordan Patty. Reprocessed by Amanda Brent from 2017-2018. EAD markup completed by Amanda Brent in December 2018.","Special Collections Research Center also holds the , the , the , and many other","The Ohio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds the","The UCLA Library Special Collections, Charles E. Young Research Library holds the","The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization from 1944 through the 1950s. The collection also contains many photographs of theaters and theatrical performances from across the United States, including from Broadway and Off-Broadway theaters and shows, as well as numerous colleges, universities, high schools, and local children's theaters. The bulk of the collection originates from the 1940s - 2000s, with an outlier date of 1834 from an antique newspaper.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization. The bulk of the collection originates from 1933 - 2000s, with an outlier date of 1834 from an antique newspaper.","R2, C9, S3- C11, S7\nR3 C1 S1 - C2, S5\nOSR3, C4, S4\nMap Case 8.1-8.2, 9.1","George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)","Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971","English"],"collection_title_tesim":["Robert and Wilva Breen papers, 1831/2000"],"collection_ssim":["Robert and Wilva Breen papers, 1831/2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0004","/repositories/2/resources/521"],"unitid_tesim":["C0004","/repositories/2/resources/521"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Helsingør (Denmark)","Broadway (New York, N.Y.)"],"geogname_ssim":["Helsingør (Denmark)","Broadway (New York, N.Y.)"],"places_ssim":["Helsingør (Denmark)","Broadway (New York, N.Y.)"],"creator_ssm":["Breen, Robert","Breen, Wilva"],"creator_ssim":["Breen, Robert","Breen, Wilva"],"creator_persname_ssim":["Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)"],"creators_ssim":["Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971","George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"acqinfo_ssim":["This collection was donated by the trustees of the Robert and Wilva Breen papers in 1988, and Wilva Breen and The Ohio State University in 1989. There were multiple accessions of materials throughout the 1990s. Additional materials were donated by Diana Lawrence and Mike Timoney in 2011."],"access_subjects_ssim":["Ballet","Theater and society","Theater -- Europe -- History -- 20th century","Theater -- New York (State) -- New York","Theater -- United States -- History -- 20th century","Theater -- United States","World War, 1939-1945 -- Theater and the war","Theater programs","Experimental theater -- United States","Theater -- Europe","Theater -- Production and direction","Performing arts","Theater","Theatrical posters","Photographs"],"access_subjects_ssm":["Ballet","Theater and society","Theater -- Europe -- History -- 20th century","Theater -- New York (State) -- New York","Theater -- United States -- History -- 20th century","Theater -- United States","World War, 1939-1945 -- Theater and the war","Theater programs","Experimental theater -- United States","Theater -- Europe","Theater -- Production and direction","Performing arts","Theater","Theatrical posters","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["80.5 Linear Feet 207 boxes, 1 map case"],"extent_tesim":["80.5 Linear Feet 207 boxes, 1 map case"],"genreform_ssim":["Theatrical posters","Photographs"],"date_range_isim":[1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eBox 35, Folder 12; Box 36, Folder 1; and Box 70, Folder 18 are restricted due to their physical fragility.\u003c/p\u003e","\u003cp\u003eBox 89, Folder 8 and 9 are restricted due to personally identifiable information.\u003c/p\u003e","\u003cp\u003eThere are no other access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Box 35, Folder 12; Box 36, Folder 1; and Box 70, Folder 18 are restricted due to their physical fragility.","Box 89, Folder 8 and 9 are restricted due to personally identifiable information.","There are no other access restrictions."],"altformavail_html_tesm":["\u003cp\u003eMany of the audiotape reels found in this collection were converted to digital format and are available for use. Please contact SCRC for more information.\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Many of the audiotape reels found in this collection were converted to digital format and are available for use. Please contact SCRC for more information."],"arrangement_html_tesm":["\u003cp\u003eThe collection was originally arranged by subject and then topic. Additional accessions were added and arranged in the order they arrived in Special Collections Research Center.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection was originally arranged by subject and then topic. Additional accessions were added and arranged in the order they arrived in Special Collections Research Center."],"bibliography_html_tesm":["\u003cp\u003eStrom, Stephanie. \"Robert Breen, 80, Arts Executive And Theatrical Producer, Is Dead.\" Nytimes.com. \u003cbibref\u003e\u003cextptr href=\"https://www.nytimes.com/1990/04/02/obituaries/robert-breen-80-arts-executive-and-theatrical-producer-is-dead.html\" title=\"https://www.nytimes.com/1990/04/02/obituaries/robert-breen-80-arts-executive-and-theatrical-producer-is-dead.html\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e","\u003cp\u003eOliver, Myrna. \"Robert Breen; Initiated Cultural Exchanges.\" Articles.latimes.com. \u003cbibref\u003e\u003cextptr href=\"http://articles.latimes.com/1990-04-05/news/mn-617_1_robert-breen\" title=\"http://articles.latimes.com/1990-04-05/news/mn-617_1_robert-breen\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e","\u003cp\u003eRiedel, Michael. \"This theater's chaotic history includes a Titanic survivor, the 'Tonight' show and porn.\" Nypost.com. \u003cbibref\u003e\u003cextptr href=\"https://nypost.com/2017/03/28/this-theaters-chaotic-history-includes-a-titanic-survivor-the-tonight-show-and-porn/\" title=\"https://nypost.com/2017/03/28/this-theaters-chaotic-history-includes-a-titanic-survivor-the-tonight-show-and-porn/\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e","\u003cp\u003eANTA West records (Collection 1965). UCLA Library Special Collections, Charles E. Young Research Library, UCLA. \u003cbibref\u003e\u003cextptr href=\"https://oac.cdlib.org/findaid/ark:/13030/c8fn1762/\" title=\"https://oac.cdlib.org/findaid/ark:/13030/c8fn1762/\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Strom, Stephanie. \"Robert Breen, 80, Arts Executive And Theatrical Producer, Is Dead.\" Nytimes.com.  (accessed December 12, 2018).","Oliver, Myrna. \"Robert Breen; Initiated Cultural Exchanges.\" Articles.latimes.com.  (accessed December 12, 2018).","Riedel, Michael. \"This theater's chaotic history includes a Titanic survivor, the 'Tonight' show and porn.\" Nypost.com.  (accessed December 12, 2018).","ANTA West records (Collection 1965). UCLA Library Special Collections, Charles E. Young Research Library, UCLA.  (accessed December 12, 2018)."],"bioghist_html_tesm":["\u003cp\u003eRobert Breen, born December 26, 1909 in Hibbing, Minnesota, served as the Executive Secretary of the American National Theatre and Academy (ANTA) from 1946-1952, and was instrumental in much of the organization's success, both domestically and internationally. In addition to serving in the U.S. Army Air Corps, Breen had an extensive background in theater. Prior to joining ANTA, Breen founded a theater program at the College of St. Thomas in Saint Paul, Minnesota, as well as established the Chicago unit for the Works Progress Administration's Federal Theatre Project with his wife, Wilva Davis Breen. Wilva herself was instrumental in promoting and guiding ANTA's many and varied operations, and getting the organization off the ground. The Breens' apartment home - situated above the Hudson Theatre in New York City, NY - served as ANTA's early headquarters. Davis Breen served as Breen's constant support and collaborator until he passed away on March 31, 1990.\u003c/p\u003e","\u003cp\u003e The American National Theatre and Academy (ANTA) was the United States' first national theater and dance organization, in the tradition of European national theaters. Originating in 1935 with a charter from the U.S. Congress, ANTA continued until 1966 when the National Endowment for the Arts came into being. ANTA was responsible for both the presentation of American theater in the U.S. and abroad.\u003c/p\u003e","\u003cp\u003e Although officially formed in 1935, ANTA did not begin actual operation until 1946 due to a variety of factors, including the Great Depression and World War II. During the depression, federal funding was funnelled towards the Works Progress Administration's Federal Theatre Project, another national performing arts program. In addition to these setbacks, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA. Eventually, Robert Breen and Robert Porterfield, two men with Army and theater backgrounds, took the reins of ANTA and initiated its revitalization. Porterfield and Breen developed ANTA's \"Foundation Plan,\" with the intention of having ANTA become the foundation for and driving force behind the stimulation of growth of American theater. The plan, successfully undertaken by Breen, Porterfield, and Breen's wife Wilva Davis Breen, called for a National Foundation to make loans and grants, insure theater projects against loss, as well as a National Service Bureau to provide technical assistance for acting companies, as well as a national clearing house for theater information. The plan was adopted by the ANTA Board in 1946.\u003c/p\u003e","\u003cp\u003e Under the guidance of Breen, ANTA produced several projects in the U.S. with successful results during the postwar years. From 1946 - 1948, ANTA sponsored a series of plays called the Experimental Theatre. Its goal was to \"present new, interesting plays which would not see production on Broadway due to present high costs.\" Admittedly, the plays were \"not necessarily perfect\" but \"worthy of a trial production in a simplified fashion\" according to an ANTA letter offering subscription to the series, which included high profile playwrights and actors. During the late 1940s and early 1950s ANTA sponsored a number of drama festivals across the U.S., featuring well-known actors. ANTA also featured a televised production of short plays for NBC television. With the intention of promoting theater growth in the U.S. and showcasing new talent, ANTA produced, supported, and promoted theater projects all across the United States.\u003c/p\u003e","\u003cp\u003e Internationally, ANTA promoted artistic exchange between the U.S. and Europe, and entertained American troops there. This was initiated with a 1949 tour of William Shakespeare's \"Hamlet\" throughout Europe, produced by and starring Breen in the titular role. This tour famously culminated in a performance at Elsinore Castle in Denmark - the actual setting of the play. Perhaps ANTA's, as well as Breen's, greatest success came with the international tour of George Gershwin's \"Porgy and Bess\" (produced with Blevins Davis), which toured from 1952-1956, visiting 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. ANTA also sponsored the American National Ballet Theatre's tour of Europe in 1950, performing in eighteen cities and eight countries. The tour lasted from August to December of 1950 and played to an audience of over 150,000, and was the first international tour of any American ballet company.\u003c/p\u003e","\u003cp\u003e ANTA also produced a number of Broadway plays and musicals out of the formerly named Guild Hall Theatre, renamed the ANTA Theatre in the 1960s and 1970s. ANTA West, which grew out of the Greater Los Angeles Chapter of ANTA in 1957, promoted and facilitated the growth of theater in the Southern California region.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical and Historical Note"],"bioghist_tesim":["Robert Breen, born December 26, 1909 in Hibbing, Minnesota, served as the Executive Secretary of the American National Theatre and Academy (ANTA) from 1946-1952, and was instrumental in much of the organization's success, both domestically and internationally. In addition to serving in the U.S. Army Air Corps, Breen had an extensive background in theater. Prior to joining ANTA, Breen founded a theater program at the College of St. Thomas in Saint Paul, Minnesota, as well as established the Chicago unit for the Works Progress Administration's Federal Theatre Project with his wife, Wilva Davis Breen. Wilva herself was instrumental in promoting and guiding ANTA's many and varied operations, and getting the organization off the ground. The Breens' apartment home - situated above the Hudson Theatre in New York City, NY - served as ANTA's early headquarters. Davis Breen served as Breen's constant support and collaborator until he passed away on March 31, 1990.","The American National Theatre and Academy (ANTA) was the United States' first national theater and dance organization, in the tradition of European national theaters. Originating in 1935 with a charter from the U.S. Congress, ANTA continued until 1966 when the National Endowment for the Arts came into being. ANTA was responsible for both the presentation of American theater in the U.S. and abroad.","Although officially formed in 1935, ANTA did not begin actual operation until 1946 due to a variety of factors, including the Great Depression and World War II. During the depression, federal funding was funnelled towards the Works Progress Administration's Federal Theatre Project, another national performing arts program. In addition to these setbacks, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA. Eventually, Robert Breen and Robert Porterfield, two men with Army and theater backgrounds, took the reins of ANTA and initiated its revitalization. Porterfield and Breen developed ANTA's \"Foundation Plan,\" with the intention of having ANTA become the foundation for and driving force behind the stimulation of growth of American theater. The plan, successfully undertaken by Breen, Porterfield, and Breen's wife Wilva Davis Breen, called for a National Foundation to make loans and grants, insure theater projects against loss, as well as a National Service Bureau to provide technical assistance for acting companies, as well as a national clearing house for theater information. The plan was adopted by the ANTA Board in 1946.","Under the guidance of Breen, ANTA produced several projects in the U.S. with successful results during the postwar years. From 1946 - 1948, ANTA sponsored a series of plays called the Experimental Theatre. Its goal was to \"present new, interesting plays which would not see production on Broadway due to present high costs.\" Admittedly, the plays were \"not necessarily perfect\" but \"worthy of a trial production in a simplified fashion\" according to an ANTA letter offering subscription to the series, which included high profile playwrights and actors. During the late 1940s and early 1950s ANTA sponsored a number of drama festivals across the U.S., featuring well-known actors. ANTA also featured a televised production of short plays for NBC television. With the intention of promoting theater growth in the U.S. and showcasing new talent, ANTA produced, supported, and promoted theater projects all across the United States.","Internationally, ANTA promoted artistic exchange between the U.S. and Europe, and entertained American troops there. This was initiated with a 1949 tour of William Shakespeare's \"Hamlet\" throughout Europe, produced by and starring Breen in the titular role. This tour famously culminated in a performance at Elsinore Castle in Denmark - the actual setting of the play. Perhaps ANTA's, as well as Breen's, greatest success came with the international tour of George Gershwin's \"Porgy and Bess\" (produced with Blevins Davis), which toured from 1952-1956, visiting 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. ANTA also sponsored the American National Ballet Theatre's tour of Europe in 1950, performing in eighteen cities and eight countries. The tour lasted from August to December of 1950 and played to an audience of over 150,000, and was the first international tour of any American ballet company.","ANTA also produced a number of Broadway plays and musicals out of the formerly named Guild Hall Theatre, renamed the ANTA Theatre in the 1960s and 1970s. ANTA West, which grew out of the Greater Los Angeles Chapter of ANTA in 1957, promoted and facilitated the growth of theater in the Southern California region."],"custodhist_html_tesm":["\u003cp\u003ePart of the Robert and Wilva Breen papers was donated to The Ohio State University.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Part of the Robert and Wilva Breen papers was donated to The Ohio State University."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the Robert and Wilva Breen papers. Additional time and money may be required to digitize this material for access.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the Robert and Wilva Breen papers. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eRobert and Wilva Breen papers, C0004, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Robert and Wilva Breen papers, C0004, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Jordan Patty. Reprocessed by Amanda Brent from 2017-2018. EAD markup completed by Amanda Brent in December 2018.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Jordan Patty. Reprocessed by Amanda Brent from 2017-2018. EAD markup completed by Amanda Brent in December 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center also holds the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0145\" title=\"Porgy and Bess poster collection\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0002\" title=\"Federal Theatre Project collection\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0043\" title=\"Robert C. Schnitzer papers\" show=\"new\"\u003e\u003c/extptr\u003e, and many other \u003cextptr href=\"https://scrc.gmu.edu/collections-subject.php#THEATRE\" title=\"performing arts collections.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e","\u003cp\u003e The Ohio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds the \u003cextptr href=\"https://library.osu.edu/collections/spec.tri.rb\" title=\"Robert Breen and Wilva papers.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e","\u003cp\u003e The UCLA Library Special Collections, Charles E. Young Research Library holds the \u003cextptr href=\"https://oac.cdlib.org/findaid/ark:/13030/c8fn1762/\" title=\"ANTA West records.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center also holds the , the , the , and many other","The Ohio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds the","The UCLA Library Special Collections, Charles E. Young Research Library holds the"],"scopecontent_html_tesm":["\u003cp\u003eThe Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization from 1944 through the 1950s. The collection also contains many photographs of theaters and theatrical performances from across the United States, including from Broadway and Off-Broadway theaters and shows, as well as numerous colleges, universities, high schools, and local children's theaters. The bulk of the collection originates from the 1940s - 2000s, with an outlier date of 1834 from an antique newspaper.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization from 1944 through the 1950s. The collection also contains many photographs of theaters and theatrical performances from across the United States, including from Broadway and Off-Broadway theaters and shows, as well as numerous colleges, universities, high schools, and local children's theaters. The bulk of the collection originates from the 1940s - 2000s, with an outlier date of 1834 from an antique newspaper."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization. The bulk of the collection originates from 1933 - 2000s, with an outlier date of 1834 from an antique newspaper.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization. The bulk of the collection originates from 1933 - 2000s, with an outlier date of 1834 from an antique newspaper."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ddb931edc4f44bf997d326b2923a7505\"\u003eR2, C9, S3- C11, S7\nR3 C1 S1 - C2, S5\nOSR3, C4, S4\nMap Case 8.1-8.2, 9.1\u003c/physloc\u003e\n    "],"physloc_tesim":["R2, C9, S3- C11, S7\nR3 C1 S1 - C2, S5\nOSR3, C4, S4\nMap Case 8.1-8.2, 9.1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)"],"names_coll_ssim":["American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)","Porterfield, Robert, 1905-1971"],"persname_ssim":["Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)","Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3014,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:01.774Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_521","ead_ssi":"vifgm_repositories_2_resources_521","_root_":"vifgm_repositories_2_resources_521","_nest_parent_":"vifgm_repositories_2_resources_521","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_521.xml","title_ssm":["Robert and Wilva Breen papers"],"title_tesim":["Robert and Wilva Breen papers"],"unitdate_ssm":["1834, 1933-2000s"],"unitdate_inclusive_ssm":["1834, 1933-2000s"],"normalized_date_ssm":["1831/2000"],"normalized_title_ssm":["Robert and Wilva Breen papers, 1831/2000"],"text":["Robert and Wilva Breen papers, 1831/2000","C0004","/repositories/2/resources/521","Helsingør (Denmark)","Broadway (New York, N.Y.)","Ballet","Theater and society","Theater -- Europe -- History -- 20th century","Theater -- New York (State) -- New York","Theater -- United States -- History -- 20th century","Theater -- United States","World War, 1939-1945 -- Theater and the war","Theater programs","Experimental theater -- United States","Theater -- Europe","Theater -- Production and direction","Performing arts","Theater","Theatrical posters","Photographs","Box 35, Folder 12; Box 36, Folder 1; and Box 70, Folder 18 are restricted due to their physical fragility.","Box 89, Folder 8 and 9 are restricted due to personally identifiable information.","There are no other access restrictions.","Many of the audiotape reels found in this collection were converted to digital format and are available for use. Please contact SCRC for more information.","The collection was originally arranged by subject and then topic. Additional accessions were added and arranged in the order they arrived in Special Collections Research Center.","Strom, Stephanie. \"Robert Breen, 80, Arts Executive And Theatrical Producer, Is Dead.\" Nytimes.com.  (accessed December 12, 2018).","Oliver, Myrna. \"Robert Breen; Initiated Cultural Exchanges.\" Articles.latimes.com.  (accessed December 12, 2018).","Riedel, Michael. \"This theater's chaotic history includes a Titanic survivor, the 'Tonight' show and porn.\" Nypost.com.  (accessed December 12, 2018).","ANTA West records (Collection 1965). UCLA Library Special Collections, Charles E. Young Research Library, UCLA.  (accessed December 12, 2018).","Robert Breen, born December 26, 1909 in Hibbing, Minnesota, served as the Executive Secretary of the American National Theatre and Academy (ANTA) from 1946-1952, and was instrumental in much of the organization's success, both domestically and internationally. In addition to serving in the U.S. Army Air Corps, Breen had an extensive background in theater. Prior to joining ANTA, Breen founded a theater program at the College of St. Thomas in Saint Paul, Minnesota, as well as established the Chicago unit for the Works Progress Administration's Federal Theatre Project with his wife, Wilva Davis Breen. Wilva herself was instrumental in promoting and guiding ANTA's many and varied operations, and getting the organization off the ground. The Breens' apartment home - situated above the Hudson Theatre in New York City, NY - served as ANTA's early headquarters. Davis Breen served as Breen's constant support and collaborator until he passed away on March 31, 1990.","The American National Theatre and Academy (ANTA) was the United States' first national theater and dance organization, in the tradition of European national theaters. Originating in 1935 with a charter from the U.S. Congress, ANTA continued until 1966 when the National Endowment for the Arts came into being. ANTA was responsible for both the presentation of American theater in the U.S. and abroad.","Although officially formed in 1935, ANTA did not begin actual operation until 1946 due to a variety of factors, including the Great Depression and World War II. During the depression, federal funding was funnelled towards the Works Progress Administration's Federal Theatre Project, another national performing arts program. In addition to these setbacks, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA. Eventually, Robert Breen and Robert Porterfield, two men with Army and theater backgrounds, took the reins of ANTA and initiated its revitalization. Porterfield and Breen developed ANTA's \"Foundation Plan,\" with the intention of having ANTA become the foundation for and driving force behind the stimulation of growth of American theater. The plan, successfully undertaken by Breen, Porterfield, and Breen's wife Wilva Davis Breen, called for a National Foundation to make loans and grants, insure theater projects against loss, as well as a National Service Bureau to provide technical assistance for acting companies, as well as a national clearing house for theater information. The plan was adopted by the ANTA Board in 1946.","Under the guidance of Breen, ANTA produced several projects in the U.S. with successful results during the postwar years. From 1946 - 1948, ANTA sponsored a series of plays called the Experimental Theatre. Its goal was to \"present new, interesting plays which would not see production on Broadway due to present high costs.\" Admittedly, the plays were \"not necessarily perfect\" but \"worthy of a trial production in a simplified fashion\" according to an ANTA letter offering subscription to the series, which included high profile playwrights and actors. During the late 1940s and early 1950s ANTA sponsored a number of drama festivals across the U.S., featuring well-known actors. ANTA also featured a televised production of short plays for NBC television. With the intention of promoting theater growth in the U.S. and showcasing new talent, ANTA produced, supported, and promoted theater projects all across the United States.","Internationally, ANTA promoted artistic exchange between the U.S. and Europe, and entertained American troops there. This was initiated with a 1949 tour of William Shakespeare's \"Hamlet\" throughout Europe, produced by and starring Breen in the titular role. This tour famously culminated in a performance at Elsinore Castle in Denmark - the actual setting of the play. Perhaps ANTA's, as well as Breen's, greatest success came with the international tour of George Gershwin's \"Porgy and Bess\" (produced with Blevins Davis), which toured from 1952-1956, visiting 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. ANTA also sponsored the American National Ballet Theatre's tour of Europe in 1950, performing in eighteen cities and eight countries. The tour lasted from August to December of 1950 and played to an audience of over 150,000, and was the first international tour of any American ballet company.","ANTA also produced a number of Broadway plays and musicals out of the formerly named Guild Hall Theatre, renamed the ANTA Theatre in the 1960s and 1970s. ANTA West, which grew out of the Greater Los Angeles Chapter of ANTA in 1957, promoted and facilitated the growth of theater in the Southern California region.","Part of the Robert and Wilva Breen papers was donated to The Ohio State University.","The Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the Robert and Wilva Breen papers. Additional time and money may be required to digitize this material for access.","Processed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Jordan Patty. Reprocessed by Amanda Brent from 2017-2018. EAD markup completed by Amanda Brent in December 2018.","Special Collections Research Center also holds the , the , the , and many other","The Ohio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds the","The UCLA Library Special Collections, Charles E. Young Research Library holds the","The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization from 1944 through the 1950s. The collection also contains many photographs of theaters and theatrical performances from across the United States, including from Broadway and Off-Broadway theaters and shows, as well as numerous colleges, universities, high schools, and local children's theaters. The bulk of the collection originates from the 1940s - 2000s, with an outlier date of 1834 from an antique newspaper.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization. The bulk of the collection originates from 1933 - 2000s, with an outlier date of 1834 from an antique newspaper.","R2, C9, S3- C11, S7\nR3 C1 S1 - C2, S5\nOSR3, C4, S4\nMap Case 8.1-8.2, 9.1","George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)","Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971","English"],"collection_title_tesim":["Robert and Wilva Breen papers, 1831/2000"],"collection_ssim":["Robert and Wilva Breen papers, 1831/2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0004","/repositories/2/resources/521"],"unitid_tesim":["C0004","/repositories/2/resources/521"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Helsingør (Denmark)","Broadway (New York, N.Y.)"],"geogname_ssim":["Helsingør (Denmark)","Broadway (New York, N.Y.)"],"places_ssim":["Helsingør (Denmark)","Broadway (New York, N.Y.)"],"creator_ssm":["Breen, Robert","Breen, Wilva"],"creator_ssim":["Breen, Robert","Breen, Wilva"],"creator_persname_ssim":["Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)"],"creators_ssim":["Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971","George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"acqinfo_ssim":["This collection was donated by the trustees of the Robert and Wilva Breen papers in 1988, and Wilva Breen and The Ohio State University in 1989. There were multiple accessions of materials throughout the 1990s. Additional materials were donated by Diana Lawrence and Mike Timoney in 2011."],"access_subjects_ssim":["Ballet","Theater and society","Theater -- Europe -- History -- 20th century","Theater -- New York (State) -- New York","Theater -- United States -- History -- 20th century","Theater -- United States","World War, 1939-1945 -- Theater and the war","Theater programs","Experimental theater -- United States","Theater -- Europe","Theater -- Production and direction","Performing arts","Theater","Theatrical posters","Photographs"],"access_subjects_ssm":["Ballet","Theater and society","Theater -- Europe -- History -- 20th century","Theater -- New York (State) -- New York","Theater -- United States -- History -- 20th century","Theater -- United States","World War, 1939-1945 -- Theater and the war","Theater programs","Experimental theater -- United States","Theater -- Europe","Theater -- Production and direction","Performing arts","Theater","Theatrical posters","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["80.5 Linear Feet 207 boxes, 1 map case"],"extent_tesim":["80.5 Linear Feet 207 boxes, 1 map case"],"genreform_ssim":["Theatrical posters","Photographs"],"date_range_isim":[1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eBox 35, Folder 12; Box 36, Folder 1; and Box 70, Folder 18 are restricted due to their physical fragility.\u003c/p\u003e","\u003cp\u003eBox 89, Folder 8 and 9 are restricted due to personally identifiable information.\u003c/p\u003e","\u003cp\u003eThere are no other access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Box 35, Folder 12; Box 36, Folder 1; and Box 70, Folder 18 are restricted due to their physical fragility.","Box 89, Folder 8 and 9 are restricted due to personally identifiable information.","There are no other access restrictions."],"altformavail_html_tesm":["\u003cp\u003eMany of the audiotape reels found in this collection were converted to digital format and are available for use. Please contact SCRC for more information.\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Many of the audiotape reels found in this collection were converted to digital format and are available for use. Please contact SCRC for more information."],"arrangement_html_tesm":["\u003cp\u003eThe collection was originally arranged by subject and then topic. Additional accessions were added and arranged in the order they arrived in Special Collections Research Center.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection was originally arranged by subject and then topic. Additional accessions were added and arranged in the order they arrived in Special Collections Research Center."],"bibliography_html_tesm":["\u003cp\u003eStrom, Stephanie. \"Robert Breen, 80, Arts Executive And Theatrical Producer, Is Dead.\" Nytimes.com. \u003cbibref\u003e\u003cextptr href=\"https://www.nytimes.com/1990/04/02/obituaries/robert-breen-80-arts-executive-and-theatrical-producer-is-dead.html\" title=\"https://www.nytimes.com/1990/04/02/obituaries/robert-breen-80-arts-executive-and-theatrical-producer-is-dead.html\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e","\u003cp\u003eOliver, Myrna. \"Robert Breen; Initiated Cultural Exchanges.\" Articles.latimes.com. \u003cbibref\u003e\u003cextptr href=\"http://articles.latimes.com/1990-04-05/news/mn-617_1_robert-breen\" title=\"http://articles.latimes.com/1990-04-05/news/mn-617_1_robert-breen\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e","\u003cp\u003eRiedel, Michael. \"This theater's chaotic history includes a Titanic survivor, the 'Tonight' show and porn.\" Nypost.com. \u003cbibref\u003e\u003cextptr href=\"https://nypost.com/2017/03/28/this-theaters-chaotic-history-includes-a-titanic-survivor-the-tonight-show-and-porn/\" title=\"https://nypost.com/2017/03/28/this-theaters-chaotic-history-includes-a-titanic-survivor-the-tonight-show-and-porn/\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e","\u003cp\u003eANTA West records (Collection 1965). UCLA Library Special Collections, Charles E. Young Research Library, UCLA. \u003cbibref\u003e\u003cextptr href=\"https://oac.cdlib.org/findaid/ark:/13030/c8fn1762/\" title=\"https://oac.cdlib.org/findaid/ark:/13030/c8fn1762/\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Strom, Stephanie. \"Robert Breen, 80, Arts Executive And Theatrical Producer, Is Dead.\" Nytimes.com.  (accessed December 12, 2018).","Oliver, Myrna. \"Robert Breen; Initiated Cultural Exchanges.\" Articles.latimes.com.  (accessed December 12, 2018).","Riedel, Michael. \"This theater's chaotic history includes a Titanic survivor, the 'Tonight' show and porn.\" Nypost.com.  (accessed December 12, 2018).","ANTA West records (Collection 1965). UCLA Library Special Collections, Charles E. Young Research Library, UCLA.  (accessed December 12, 2018)."],"bioghist_html_tesm":["\u003cp\u003eRobert Breen, born December 26, 1909 in Hibbing, Minnesota, served as the Executive Secretary of the American National Theatre and Academy (ANTA) from 1946-1952, and was instrumental in much of the organization's success, both domestically and internationally. In addition to serving in the U.S. Army Air Corps, Breen had an extensive background in theater. Prior to joining ANTA, Breen founded a theater program at the College of St. Thomas in Saint Paul, Minnesota, as well as established the Chicago unit for the Works Progress Administration's Federal Theatre Project with his wife, Wilva Davis Breen. Wilva herself was instrumental in promoting and guiding ANTA's many and varied operations, and getting the organization off the ground. The Breens' apartment home - situated above the Hudson Theatre in New York City, NY - served as ANTA's early headquarters. Davis Breen served as Breen's constant support and collaborator until he passed away on March 31, 1990.\u003c/p\u003e","\u003cp\u003e The American National Theatre and Academy (ANTA) was the United States' first national theater and dance organization, in the tradition of European national theaters. Originating in 1935 with a charter from the U.S. Congress, ANTA continued until 1966 when the National Endowment for the Arts came into being. ANTA was responsible for both the presentation of American theater in the U.S. and abroad.\u003c/p\u003e","\u003cp\u003e Although officially formed in 1935, ANTA did not begin actual operation until 1946 due to a variety of factors, including the Great Depression and World War II. During the depression, federal funding was funnelled towards the Works Progress Administration's Federal Theatre Project, another national performing arts program. In addition to these setbacks, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA. Eventually, Robert Breen and Robert Porterfield, two men with Army and theater backgrounds, took the reins of ANTA and initiated its revitalization. Porterfield and Breen developed ANTA's \"Foundation Plan,\" with the intention of having ANTA become the foundation for and driving force behind the stimulation of growth of American theater. The plan, successfully undertaken by Breen, Porterfield, and Breen's wife Wilva Davis Breen, called for a National Foundation to make loans and grants, insure theater projects against loss, as well as a National Service Bureau to provide technical assistance for acting companies, as well as a national clearing house for theater information. The plan was adopted by the ANTA Board in 1946.\u003c/p\u003e","\u003cp\u003e Under the guidance of Breen, ANTA produced several projects in the U.S. with successful results during the postwar years. From 1946 - 1948, ANTA sponsored a series of plays called the Experimental Theatre. Its goal was to \"present new, interesting plays which would not see production on Broadway due to present high costs.\" Admittedly, the plays were \"not necessarily perfect\" but \"worthy of a trial production in a simplified fashion\" according to an ANTA letter offering subscription to the series, which included high profile playwrights and actors. During the late 1940s and early 1950s ANTA sponsored a number of drama festivals across the U.S., featuring well-known actors. ANTA also featured a televised production of short plays for NBC television. With the intention of promoting theater growth in the U.S. and showcasing new talent, ANTA produced, supported, and promoted theater projects all across the United States.\u003c/p\u003e","\u003cp\u003e Internationally, ANTA promoted artistic exchange between the U.S. and Europe, and entertained American troops there. This was initiated with a 1949 tour of William Shakespeare's \"Hamlet\" throughout Europe, produced by and starring Breen in the titular role. This tour famously culminated in a performance at Elsinore Castle in Denmark - the actual setting of the play. Perhaps ANTA's, as well as Breen's, greatest success came with the international tour of George Gershwin's \"Porgy and Bess\" (produced with Blevins Davis), which toured from 1952-1956, visiting 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. ANTA also sponsored the American National Ballet Theatre's tour of Europe in 1950, performing in eighteen cities and eight countries. The tour lasted from August to December of 1950 and played to an audience of over 150,000, and was the first international tour of any American ballet company.\u003c/p\u003e","\u003cp\u003e ANTA also produced a number of Broadway plays and musicals out of the formerly named Guild Hall Theatre, renamed the ANTA Theatre in the 1960s and 1970s. ANTA West, which grew out of the Greater Los Angeles Chapter of ANTA in 1957, promoted and facilitated the growth of theater in the Southern California region.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical and Historical Note"],"bioghist_tesim":["Robert Breen, born December 26, 1909 in Hibbing, Minnesota, served as the Executive Secretary of the American National Theatre and Academy (ANTA) from 1946-1952, and was instrumental in much of the organization's success, both domestically and internationally. In addition to serving in the U.S. Army Air Corps, Breen had an extensive background in theater. Prior to joining ANTA, Breen founded a theater program at the College of St. Thomas in Saint Paul, Minnesota, as well as established the Chicago unit for the Works Progress Administration's Federal Theatre Project with his wife, Wilva Davis Breen. Wilva herself was instrumental in promoting and guiding ANTA's many and varied operations, and getting the organization off the ground. The Breens' apartment home - situated above the Hudson Theatre in New York City, NY - served as ANTA's early headquarters. Davis Breen served as Breen's constant support and collaborator until he passed away on March 31, 1990.","The American National Theatre and Academy (ANTA) was the United States' first national theater and dance organization, in the tradition of European national theaters. Originating in 1935 with a charter from the U.S. Congress, ANTA continued until 1966 when the National Endowment for the Arts came into being. ANTA was responsible for both the presentation of American theater in the U.S. and abroad.","Although officially formed in 1935, ANTA did not begin actual operation until 1946 due to a variety of factors, including the Great Depression and World War II. During the depression, federal funding was funnelled towards the Works Progress Administration's Federal Theatre Project, another national performing arts program. In addition to these setbacks, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA. Eventually, Robert Breen and Robert Porterfield, two men with Army and theater backgrounds, took the reins of ANTA and initiated its revitalization. Porterfield and Breen developed ANTA's \"Foundation Plan,\" with the intention of having ANTA become the foundation for and driving force behind the stimulation of growth of American theater. The plan, successfully undertaken by Breen, Porterfield, and Breen's wife Wilva Davis Breen, called for a National Foundation to make loans and grants, insure theater projects against loss, as well as a National Service Bureau to provide technical assistance for acting companies, as well as a national clearing house for theater information. The plan was adopted by the ANTA Board in 1946.","Under the guidance of Breen, ANTA produced several projects in the U.S. with successful results during the postwar years. From 1946 - 1948, ANTA sponsored a series of plays called the Experimental Theatre. Its goal was to \"present new, interesting plays which would not see production on Broadway due to present high costs.\" Admittedly, the plays were \"not necessarily perfect\" but \"worthy of a trial production in a simplified fashion\" according to an ANTA letter offering subscription to the series, which included high profile playwrights and actors. During the late 1940s and early 1950s ANTA sponsored a number of drama festivals across the U.S., featuring well-known actors. ANTA also featured a televised production of short plays for NBC television. With the intention of promoting theater growth in the U.S. and showcasing new talent, ANTA produced, supported, and promoted theater projects all across the United States.","Internationally, ANTA promoted artistic exchange between the U.S. and Europe, and entertained American troops there. This was initiated with a 1949 tour of William Shakespeare's \"Hamlet\" throughout Europe, produced by and starring Breen in the titular role. This tour famously culminated in a performance at Elsinore Castle in Denmark - the actual setting of the play. Perhaps ANTA's, as well as Breen's, greatest success came with the international tour of George Gershwin's \"Porgy and Bess\" (produced with Blevins Davis), which toured from 1952-1956, visiting 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. ANTA also sponsored the American National Ballet Theatre's tour of Europe in 1950, performing in eighteen cities and eight countries. The tour lasted from August to December of 1950 and played to an audience of over 150,000, and was the first international tour of any American ballet company.","ANTA also produced a number of Broadway plays and musicals out of the formerly named Guild Hall Theatre, renamed the ANTA Theatre in the 1960s and 1970s. ANTA West, which grew out of the Greater Los Angeles Chapter of ANTA in 1957, promoted and facilitated the growth of theater in the Southern California region."],"custodhist_html_tesm":["\u003cp\u003ePart of the Robert and Wilva Breen papers was donated to The Ohio State University.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Part of the Robert and Wilva Breen papers was donated to The Ohio State University."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the Robert and Wilva Breen papers. Additional time and money may be required to digitize this material for access.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the Robert and Wilva Breen papers. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eRobert and Wilva Breen papers, C0004, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Robert and Wilva Breen papers, C0004, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Jordan Patty. Reprocessed by Amanda Brent from 2017-2018. EAD markup completed by Amanda Brent in December 2018.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Jordan Patty. Reprocessed by Amanda Brent from 2017-2018. EAD markup completed by Amanda Brent in December 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center also holds the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0145\" title=\"Porgy and Bess poster collection\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0002\" title=\"Federal Theatre Project collection\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0043\" title=\"Robert C. Schnitzer papers\" show=\"new\"\u003e\u003c/extptr\u003e, and many other \u003cextptr href=\"https://scrc.gmu.edu/collections-subject.php#THEATRE\" title=\"performing arts collections.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e","\u003cp\u003e The Ohio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds the \u003cextptr href=\"https://library.osu.edu/collections/spec.tri.rb\" title=\"Robert Breen and Wilva papers.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e","\u003cp\u003e The UCLA Library Special Collections, Charles E. Young Research Library holds the \u003cextptr href=\"https://oac.cdlib.org/findaid/ark:/13030/c8fn1762/\" title=\"ANTA West records.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center also holds the , the , the , and many other","The Ohio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds the","The UCLA Library Special Collections, Charles E. Young Research Library holds the"],"scopecontent_html_tesm":["\u003cp\u003eThe Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization from 1944 through the 1950s. The collection also contains many photographs of theaters and theatrical performances from across the United States, including from Broadway and Off-Broadway theaters and shows, as well as numerous colleges, universities, high schools, and local children's theaters. The bulk of the collection originates from the 1940s - 2000s, with an outlier date of 1834 from an antique newspaper.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization from 1944 through the 1950s. The collection also contains many photographs of theaters and theatrical performances from across the United States, including from Broadway and Off-Broadway theaters and shows, as well as numerous colleges, universities, high schools, and local children's theaters. The bulk of the collection originates from the 1940s - 2000s, with an outlier date of 1834 from an antique newspaper."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization. The bulk of the collection originates from 1933 - 2000s, with an outlier date of 1834 from an antique newspaper.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization. The bulk of the collection originates from 1933 - 2000s, with an outlier date of 1834 from an antique newspaper."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ddb931edc4f44bf997d326b2923a7505\"\u003eR2, C9, S3- C11, S7\nR3 C1 S1 - C2, S5\nOSR3, C4, S4\nMap Case 8.1-8.2, 9.1\u003c/physloc\u003e\n    "],"physloc_tesim":["R2, C9, S3- C11, S7\nR3 C1 S1 - C2, S5\nOSR3, C4, S4\nMap Case 8.1-8.2, 9.1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)"],"names_coll_ssim":["American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)","Porterfield, Robert, 1905-1971"],"persname_ssim":["Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)","Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3014,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:01.774Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_521"}},{"id":"vifgm_repositories_2_resources_400_c01","type":"Series","attributes":{"title":"Robert Truax Washington, D.C., transportation collection, 1880/1985","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_400_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_400_c01","ref_ssm":["vifgm_repositories_2_resources_400_c01"],"id":"vifgm_repositories_2_resources_400_c01","ead_ssi":"vifgm_repositories_2_resources_400","_root_":"vifgm_repositories_2_resources_400","_nest_parent_":"vifgm_repositories_2_resources_400","parent_ssi":"vifgm_repositories_2_resources_400","parent_ssim":["Robert Truax Washington, D.C. transportation collection, 1880/1985"],"parent_ids_ssim":["vifgm_repositories_2_resources_400"],"title_filing_ssi":"Robert Truax Washington, D.C., transportation collection","title_ssm":["Robert Truax Washington, D.C., transportation collection"],"title_tesim":["Robert Truax Washington, D.C., transportation collection"],"normalized_title_ssm":["Robert Truax Washington, D.C., transportation collection, 1880/1985"],"text":["Robert Truax Washington, D.C., transportation collection, 1880/1985","Robert Truax Washington, D.C. transportation collection, 1880/1985"],"parent_unittitles_ssm":["Robert Truax Washington, D.C. transportation collection, 1880/1985"],"parent_unittitles_tesim":["Robert Truax Washington, D.C. transportation collection, 1880/1985"],"normalized_date_ssm":["1880/1985"],"unitdate_other_ssim":["1880-1985"],"level_ssm":["Series"],"level_ssim":["Series"],"component_level_isim":[1],"sort_isi":1,"repository_ssim":["George Mason University"],"collection_ssim":["Robert Truax Washington, D.C. transportation collection, 1880/1985"],"has_online_content_ssim":["false"],"child_component_count_isi":14,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985],"_nest_path_":"/components#0","timestamp":"2026-08-14T22:34:46.203Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_400","ead_ssi":"vifgm_repositories_2_resources_400","_root_":"vifgm_repositories_2_resources_400","_nest_parent_":"vifgm_repositories_2_resources_400","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_400.xml","title_ssm":["Robert Truax Washington, D.C. transportation collection"],"title_tesim":["Robert Truax Washington, D.C. transportation collection"],"unitdate_ssm":["1880 - 1985"],"unitdate_inclusive_ssm":["1880 - 1985"],"normalized_date_ssm":["1880/1985"],"normalized_title_ssm":["Robert Truax Washington, D.C. transportation collection, 1880/1985"],"text":["Robert Truax Washington, D.C. transportation collection, 1880/1985","C0273","/repositories/2/resources/400","Washington (D.C.)","Maps","Urban transportation","Postcards","There are no access restrictions.","Arranged by subject and date.","Britannica, T. Editors of Encyclopaedia. \"streetcar.\" Encyclopedia Britannica, October 29, 2018. https://www.britannica.com/technology/streetcar.","Streetcars, also known as trolleys and trams, were a popular mode of transporation in the late 19th and early 20th centuries. Often, streetcars were powered by electricity and moved along a track laid in streets. Streetcars were popular in metropolitan cities, including Washington, D.C., which boasted more than 200 miles of track for its streetcars. The last day of streetcar service in Washington, D.C. was on January 28, 1962.","Processing completed by Michael Hogan in July 2015. EAD markup completed by Jordan Patty in July 2015. Finding aid updated by Amanda Menjivar in February 2019 and November 2022.","Special Collections Research Center holds many other transportation-related collections.","Collection consists of a variety of transportation-related documents, maps, and images. There are 150 postcards of Washington, D.C. many of which include streetcars as well as famous streets and buildings. The collection also includes approximately 12 maps of Washington, D.C. street railway and bus routes from 1880 and the 1940s. There are rolling stock inventories from the 1930s and conductor leave of absence reports from the 1920s. There are also a small number of World War II letters unrelated to the rest of the collection. There are also two glass plate negatives approximately 6.5 x 8.5\" that contain images of Luna Park in Arlington, Virginia, and a railroad track and train in Harper's Ferry Virginia. Both images date from around 1900 to 1915. There are also a small number of materials related the postal service and stamps. Finally, there are two oversize volumes: one volume of passenger receipts from 1909. and one volume of conductor receipts from 1898.","The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)","Collection consists of a variety of transportation-related documents, maps, and images. The most numerous group in the collection is approximately 150 postcards of Washington, D.C. from the early to mid-20th century, many of which include streetcars as well as famous streets and buildings.","Map Case 17.1","George Mason University. Libraries. Special Collections Research Center","Truax, Robert A.","English"],"collection_title_tesim":["Robert Truax Washington, D.C. transportation collection, 1880/1985"],"collection_ssim":["Robert Truax Washington, D.C. transportation collection, 1880/1985"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0273","/repositories/2/resources/400"],"unitid_tesim":["C0273","/repositories/2/resources/400"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Washington (D.C.)"],"geogname_ssim":["Washington (D.C.)"],"places_ssim":["Washington (D.C.)"],"creator_ssm":["Truax, Robert A."],"creator_ssim":["Truax, Robert A."],"creator_persname_ssim":["Truax, Robert A."],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Truax, Robert A.","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Jeff Haggquist and Heidi Worley in August 2014."],"access_subjects_ssim":["Maps","Urban transportation","Postcards"],"access_subjects_ssm":["Maps","Urban transportation","Postcards"],"has_online_content_ssim":["false"],"extent_ssm":["6 Linear Feet 4 boxes, 1 oversize folder"],"extent_tesim":["6 Linear Feet 4 boxes, 1 oversize folder"],"genreform_ssim":["Postcards"],"date_range_isim":[1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged by subject and date.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by subject and date."],"bibliography_html_tesm":["\u003cp\u003eBritannica, T. Editors of Encyclopaedia. \"streetcar.\" Encyclopedia Britannica, October 29, 2018. https://www.britannica.com/technology/streetcar.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Britannica, T. Editors of Encyclopaedia. \"streetcar.\" Encyclopedia Britannica, October 29, 2018. https://www.britannica.com/technology/streetcar."],"bioghist_html_tesm":["\u003cp\u003eStreetcars, also known as trolleys and trams, were a popular mode of transporation in the late 19th and early 20th centuries. Often, streetcars were powered by electricity and moved along a track laid in streets. Streetcars were popular in metropolitan cities, including Washington, D.C., which boasted more than 200 miles of track for its streetcars. The last day of streetcar service in Washington, D.C. was on January 28, 1962.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Streetcars, also known as trolleys and trams, were a popular mode of transporation in the late 19th and early 20th centuries. Often, streetcars were powered by electricity and moved along a track laid in streets. Streetcars were popular in metropolitan cities, including Washington, D.C., which boasted more than 200 miles of track for its streetcars. The last day of streetcar service in Washington, D.C. was on January 28, 1962."],"prefercite_html_tesm":["\u003cp\u003eRobert Truax Washington, D.C. transportation collection, C0273, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Robert Truax Washington, D.C. transportation collection, C0273, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Michael Hogan in July 2015. EAD markup completed by Jordan Patty in July 2015. Finding aid updated by Amanda Menjivar in February 2019 and November 2022.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Michael Hogan in July 2015. EAD markup completed by Jordan Patty in July 2015. Finding aid updated by Amanda Menjivar in February 2019 and November 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center holds many other transportation-related collections.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center holds many other transportation-related collections."],"scopecontent_html_tesm":["\u003cp\u003eCollection consists of a variety of transportation-related documents, maps, and images. There are 150 postcards of Washington, D.C. many of which include streetcars as well as famous streets and buildings. The collection also includes approximately 12 maps of Washington, D.C. street railway and bus routes from 1880 and the 1940s. There are rolling stock inventories from the 1930s and conductor leave of absence reports from the 1920s. There are also a small number of World War II letters unrelated to the rest of the collection. There are also two glass plate negatives approximately 6.5 x 8.5\" that contain images of Luna Park in Arlington, Virginia, and a railroad track and train in Harper's Ferry Virginia. Both images date from around 1900 to 1915. There are also a small number of materials related the postal service and stamps. Finally, there are two oversize volumes: one volume of passenger receipts from 1909. and one volume of conductor receipts from 1898.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Collection consists of a variety of transportation-related documents, maps, and images. There are 150 postcards of Washington, D.C. many of which include streetcars as well as famous streets and buildings. The collection also includes approximately 12 maps of Washington, D.C. street railway and bus routes from 1880 and the 1940s. There are rolling stock inventories from the 1930s and conductor leave of absence reports from the 1920s. There are also a small number of World War II letters unrelated to the rest of the collection. There are also two glass plate negatives approximately 6.5 x 8.5\" that contain images of Luna Park in Arlington, Virginia, and a railroad track and train in Harper's Ferry Virginia. Both images date from around 1900 to 1915. There are also a small number of materials related the postal service and stamps. Finally, there are two oversize volumes: one volume of passenger receipts from 1909. and one volume of conductor receipts from 1898."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated. 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