{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1874\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept.\u0026page=182","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1874\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept.\u0026page=181","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1874\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept.\u0026page=182"},"meta":{"pages":{"current_page":182,"next_page":null,"prev_page":181,"total_pages":182,"limit_value":10,"offset_value":1810,"total_count":1816,"first_page?":false,"last_page?":true}},"data":[{"id":"viu_repositories_3_resources_1581_c05_c02","type":"File","attributes":{"title":"Wrappings with Annotations","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1581_c05_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1581_c05_c02","ref_ssm":["viu_repositories_3_resources_1581_c05_c02"],"id":"viu_repositories_3_resources_1581_c05_c02","ead_ssi":"viu_repositories_3_resources_1581","_root_":"viu_repositories_3_resources_1581","_nest_parent_":"viu_repositories_3_resources_1581_c05","parent_ssi":"viu_repositories_3_resources_1581_c05","parent_ssim":["viu_repositories_3_resources_1581","viu_repositories_3_resources_1581_c05"],"parent_ids_ssim":["viu_repositories_3_resources_1581","viu_repositories_3_resources_1581_c05"],"parent_unittitles_ssm":["Morton-Halsey family papers","Series 5. Envelopes, Wrappings, and Fragments"],"parent_unittitles_tesim":["Morton-Halsey family papers","Series 5. Envelopes, Wrappings, and Fragments"],"text":["Morton-Halsey family papers","Series 5. Envelopes, Wrappings, and Fragments","Wrappings with Annotations","box 38","folder 13"],"title_filing_ssi":"Wrappings with Annotations","title_ssm":["Wrappings with Annotations"],"title_tesim":["Wrappings with Annotations"],"unitdate_inclusive_ssm":["circa 1800-1899"],"normalized_date_ssm":["1800/1899"],"normalized_title_ssm":["Wrappings with Annotations"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Morton-Halsey family papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":234,"parent_access_restrict_tesm":["The collection is open for research use."],"date_range_isim":[1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899],"containers_ssim":["box 38","folder 13"],"_nest_path_":"/components#4/components#1","timestamp":"2026-05-20T23:44:38.801Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1581","ead_ssi":"viu_repositories_3_resources_1581","_root_":"viu_repositories_3_resources_1581","_nest_parent_":"viu_repositories_3_resources_1581","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1581.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/191816","title_filing_ssi":"Morton-Halsey family papers ","title_ssm":["Morton-Halsey family papers"],"title_tesim":["Morton-Halsey family papers"],"unitdate_ssm":["ca. 1833-1951"],"unitdate_inclusive_ssm":["ca. 1833-1951"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 3995","Archival Resource Key","/repositories/3/resources/1581"],"text":["MSS 3995","Archival Resource Key","/repositories/3/resources/1581","Morton-Halsey family papers","The collection is open for research use.","\nJoseph Jackson Halsey (1820-1907) was born in New York to Samuel Beach Halsey (1796-1871) and Sarah Dubois Jackson (1803-1859) -no relation to Stonewall Jackson found- and raised in Morristown, New Jersey. He was educated at the College of New Jersey (now Princeton University)and accepted a teaching position in Fredericksburg, Virginia at the Classical and Scientific Athenaeum in 1842. While there he met and married Mildred \"Milly\"Morton (1825-1906?) in 1846, daughter of Jeremiah Morton (1799-1872) and Mary Eleanor \"Jane\" Smith Morton (1801-1876) from Morton Hall (\"The Hall\" near \"Lessland\") an estate in Racoon Ford, Orange County, Virginia. He was admitted into the bar in 1847 and moved to the Morton plantation to farm and practice law in Culpeper County, Virginia. ","He became an increasingly close friend and business associate of his father-in-law Jeremiah Morton. Halsey served as a captain in the 6th Virginia Calvalry Regiment during the Civil War. In 1863, in response to a charge that he had been away without leave, Halsey wrote an account of his wartime activities until that time: a cycle of activity, failing health, leave, recovery, and return. After the war, Halsey was a shareholder of the Orange, Alexandria and Manassas Railroad, owned a saw mill operation and mining operations, and was an Emigrant Aid and Homestead Company agent for the sale of large tracts of Virginia land. ","A large landowner and important political figure in the region, Jeremiah Morton lived at his nearby plantation \"The Hall\" (locally known as Morton Hall). . . According to family tradition, Morton christened the 441-acre tract Lessland because it contained 'less land' than his other properties Moreland and Stillmore.\"Lessland\" was damaged by fire in 1870 and was rebuilt in 1871 by J. J. Halsey who had purchased the land from his father-in-law in 1854. Halsey died at \"Lessland\" in 1907.","J. J. Halsey and Jeremiah Morton were strong supporters of the South and its institution of Enslavery. Halsey's correspondence with his brother Edmund Halsey and Samuel Halsey showed their different views of the North and South on subjects such as slavery, abolitionism, secession, the elections of Presidents Buchanan and Lincoln, the Missouri Compromise, the Kansas-Nebraska Act, reconstruction, and the impeachment of Andrew Johnson.","The Morton-Halsey family had many enslaved persons who are mentioned by first names, Douglass, Edmonia \"Monie,\" Jerdome, Lucas, Melinda, Judy, Linda, and George to name a few. There is an account in the correspondence that Joseph Morton \"Mort\" Halsey had an encounter with \"Lummie\" (Columbia Conway who was employed by the family) and she became pregnant with his child and took him to court. J. J. Halsey often writes negative accounts of African Americans.","Jeremiah Morton was born in Fredericksburg, Spotsylvania County, Virginia, on September 3, 1799. He was the son of Jeremiah Morton and Mildred Garnett Jackson. He was left without parents at a very young age. It is likely he was raised by his paternal grandmother, Jane Morton. He attended a private school and Washington College (now Washington and Lee University), in Lexington, Virginia from 1814 thru 1815. He graduated from the College of William and Mary in Williamsburg, Virginia in 1819, studied law, and was admitted to the bar. He practiced at Raccoon Ford, Virginia until sickness (probably from his earlier engagement in the war) ended his legal career. He then engaged in agricultural and political pursuits.","He was elected as a Whig to the Thirty-first Congress and served from March 4, 1849 until March 3, 1851. He was unsuccessful for reelection to the Thirty-second Congress and resumed agricultural pursuits. He was a member of the State secession convention in 1861 and was appointed as a colonel in the cavalry by Virginia Governor John Letcher. He attempted to amass food during the shortages of 1864. He was appointed trustee of the Theological Seminary of Virginia at Alexandria. He died at Lessland in Orange County, Virginia on November 28, 1878 and was buried in a private cemetery at his old home Morton Hall. He may have suffered later in life from failed ventures including the purchase of Sulpur White Springs. Several family members throughout his line struggled with mental illness and the ailment alcoholism.Family and business fortunes plummeted following the Confederate defeat. He wrote about it to his brother, Senator Jackson Morton of Milton, Florida; and Jackson's son, W. Chase Morton; and with Henry Ahrens, a Florida businessman.","J. J. Halsey and Milly Halsey were the parents of Fannie Morton Halsey Dickenson (1848-1936) who married James Cooper Dickenson, Annie (Nannie) Augusta Halsey Alexander (1850-1917) who married James Porter Alexander, Jeremiah Morton \"Mort\" Halsey (1852-1921) who married Irena Louisa Stearns (1854-1886), Robert Ogden Halsey (1854-1939) who married Ella Halsey, and Dr. Bee Bartow Halsey (1862-1918 born Thomas Jackson Halsey) who married Delia Halsey. ","Irena \"Rena\"Louisa Stearns died after childbirth in 1886. Mort Halsey suffered from severe alcoholism and was often absent as a single parent, while he was either uanble to stop drinking or at a hospital for treatment. He and Rena had three children, Caroline \"Virginia\" Halsey [Wilkinson] b. 1878 who was committed to Western State in Staunton, Virginia in 1900, Irena Louisa \"Lou\" Halsey b.1880 who attended Virginia Female Institute and seemed central in keeping her family together even though they were often sent in different directions, as they were raised by their grandparents, guardians and nurses, and Franklin Stearns \"Buddie\" Halsey b. 1881 who was very close with his sister Lou and married his first cousin Fannie Dickenson. Lou Halsey married Charles Palmer Stearns, (her first cousin).","Fannie Morton Halsey Dickenson and James Cooper Dickenson were the parents of Fannie Dickenson (b. 1884) married Franklin Stearns \"Buddie\" Halsey, James \"Short\" Halsey b. 1889, and step-children Hattie, Willie, and Anne \"Mate.\" \"Buddie\" struggled with alcohol, and Fannie Dickenson Halsey divorced him. (mention of domestic abuse also).","Annie Alexander and James Porter Alexander were the parents of Jamie Alexander who was engaged to [Georgie], Celia Alexander b. 1886, and Mildred Alexander (1877-1890).","Robert Ogden Halsey and his wife Ella were the parents of eight children including Nellie, Joe, Susan, Edmund, Morton, and Janie.","Dr. Bee Bartow Halsey (1862-1918) and his wife Delia were the parents of Helen Halsey and they lived in Prescott, Arizona. Dr. Halsey may have struggled with alcoholism later in life.","Also mentioned are the siblings of J. J. Halsey, his brother Abraham Halsey (1831-1900) who made his fortune in California, Ann Eliza Halsey (1827-1868), Susan Electa Halsey (1829-1899), Stephen Halsey, Samuel S. Halsey (1835-1889), Cornelia Van Wyck Halsey (1838-1915), and Edmund Drake Halsey (1840-1896)","Content Note: The correspondence particularly from J. J. Halsey contain references or imagery involving racism. In addition to the numerous enslaved persons in this family, J. J. Halsey and other family members often slur African Americans in correspondence throughout the collection.The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The Morton and Halsey family papers and addition (MSS 3995) contain family letters and some business letters, financial and legal papers, diaries, ledgers, printed items, and photographs belonging to the family of Jeremiah Morton (1899-1878), his wife Jane Smith Morton, and his son-in-law Joseph Jackson \"J. J.\" Halsey (1820-1907) Halseys' wife, Mildred Halsey and their children and grandchildren with the family papers spanning from 1838 to 1951 in Culpeper, and Orange County, Virginia as well as the Halsey branch of the family from New Jersey, and Abraham Halsey (J.J.'s brother) in California. ","\nThe collection contains documents, ledgers, and correspondence that Jeremiah Morton and J. J. Halsey owned and sold enslaved persons. Jeremiah Morton was involved in the internal slave trade between Virginia and Mobile, Alabama (ca. 1847-1863) with accounts, descriptions, and values placed upon enslaved persons including itemized tax receipts  This book doubles as a notebook of legal questions with page references and sections headed \"The Rights of Things,\" \"Toller's Law of Executors,\" and \"Reeves Domestic Relations.\"","\nContent Note: The correspondence particularly from J. J. Halsey contain references or imagery involving racism. In addition to the numerous enslaved persons in this family, J. J. Halsey and other family members often slur African Americans in correspondence throughout the collection.The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nThere is also an 1855 registration form for Andrew Johnson, \"a person of colour,\" indicating his status as \"born free in the County of Orange, Virginia,\" and identifying him by his color, stature and marks or scars upon his face, head or hands. ","\nTopics include the Civil War with J. J. Halsey fighting for the Confederacy and his brother Edmund fighting for the Union Army, reconstruction, African Americans holding office and politics, alcohol addiction, mental illness, agriculture, economy, coal, mining, White Sulphur Springs, and the Southern Pacific Railroad. Brief mention of the Spanish American War, moonshine, domestic abuse, divorce, education, Virginia Female Institute, Virginia Military Institute, Princeton University, University of Virginia, and Charlottesville, Virginia. ","There are Civil War accounts including the Stonewall Jackson Valley Campaign and the mention of many Generals such as Robert E. Lee,  [Richard Stoddart] Ewell,  William Tecumseh Sherman, and battles in Elk Run, Harrisonburg, New Market, Richmond, Mount Jackson and the surrender at Appomattox at Wilmer McLean's house. There are also two pages from the notebook of Mildred Halsey, which offer a day-by-day account of life while her husband is at war and Union forces occupy nearby areas. J. J. Halsey wrote that their house was between the \"cannon of both armies.\" ","\nMost of the letters include typed transcriptions which explain relationships of the family members which start with Jeremiah Morton through to his great-grandchildren, Louisa \"Lou\" Halsey b.1880, Caroline Virginia Halsey Stearns b.1878, and Frank \"Buddie\" Halsey b. 1881, Fannie Dickenson (b. 1884), James \"Short\" Halsey b. 1889, and step-children Hattie, Willie, and Anne \"Mate,\" Helen Halsey, Jamie Alexander (engaged to \"Georgie\",) Celia Alexander b. 1886, and Mildred Alexander 1877-1890, and step-children and eight children of Robert Ogden Halsey and Ella Halsey.","\nThere is a lengthy autobiographical account of the career of William \"Extra Billy\" Smith, written in 1873 when Smith was running for U. S. Senate. The account includes his election to public office as Virginia state senator (1836), governor (1845), and U. S. congressman (1853-1859), and describes some of his Civil War experiences. ","The correspondence of J. J. Halsey also includes letters and maps concerning the Knights of the Golden Horseshoe, and correspondence and papers related to Dr. Bee Bartow Halsey's case with the newly formed state board of medical examiners, contesting their right to license physicians. ","\nRelated materials include essays and verse by J. J. Halsey, materials relating to the rebuilding of \"Lessland,\" Dr. Bee Bartow Halsey's examinations at Williston Seminary, Virginia, and papers concerning tuition for Irena Louisa Halsey at Piedmont Female Institute. ","\nSeries 4: The ledger series of the collection consists of eighteen volumes from 1812-1882 including Jeremiah Morton's account book regarding the sales of enslaved persons, Dr. R. Brigs ledgers dated 1812-1819, contain medical procedures like pulling a tooth. Other ledgers are from residents of Madison, Orange, and Culpeper counties. Some are in the hand of J. J. Halsey, while other volumes bear the names of Charles B. Porter, John A. Porter, B. W. Brown, and Nalle, Fishback and Company. ","\nSelected list of correspondents: Jeremiah Morton: John B. Barbour, Jr., Robert Bolling, W. B. Caldwell, Allen T. Caperton, Reverend John Cole, R. H. Dulany, Frederick Gamble, Jedediah Hotchkiss, G. W. Leyburn, R. H. Maury, William Maury, A. M. Phillips, Riggs and Company, B. T. Sage, Slaughter, Franklin and Company, Alexander H. Stephens, George Terrill and B. R. Wellford. Joseph J. Halsey: John H. Antrim, J. L. Archer, Robert Bolling, W. C. Conrad, Peter V. Daniel, James Gaven Field, Dr. Jeptha Fowlker, A. J. Gordon, Colonel W. W. Gordon, Andrew Grinnan, Cornelia Grinnan, Ella Grinnan, M. G. Harman, General Eppa Hunton, General John D. Imboden, H. C. Marchant, Norton Marye, R. H. Maury, William Maury, B. T. Nalle, Phillip Nalle, Samuel H. Newbury, R.V. Richardson, William C. Rives, John Robertson, Taylor Scott, Francis H. Smith, John K. Taliaferro, Jacquelin P. Taylor, Tazewell Taylor, George Terrill, John Timberlake, C. S. Todd, Charles Wagner, Thomas P. Wallace, George Wederburn, and John Woolfolk.","\nThere are also Morton's or Halsey's personal records, including their accounts with area merchants and residents of Madison, Culpeper or Orange counties, Virginia, whose affairs were handled by J. J. Halsey. as a lawyer. Individuals and firms listed are: William C. Austin, Beechwood and Mallory, John Blackwell and Hannah Blackwell, Charles G. Britt and James Beckham, Bushrod Brown, Thomas Brown, Thomas, Frances Bunley and Susie Bunley, M. A. Carter, John Clark, James Clark and Reuben Clark, William D. Clark, Timothy Costello, J. W. Crittenden, Sarah A. Daniel, William P. Eliason, Adam Everheart, John Gaurd, John Glaspell and Mary Glaspell, Gray Family, Thomas I. Green, R. W. Hall, James Hansbrough, Jane Hansbrough and Peter Hansbrough, Eppa Hunton, Parchal Hutchenson, Philip Johnson, James Jones, Thomas A. Keith, George Morton, Thomas Morton, Martin Nalle and Philip Nalle, Lewis Nelson, George Pannill, Charles B. Payne, W. S. Peyton, Colonel John A. Porter, John C. Rayland, William Rixey, Reverend W. F. Robins, J. W. Shadrack and John H. Somerville, Samuel Shadrack, George A. Sleet, Daniel W. Smith, James Somerville, E. W. Stearns, Steeles Tavern, Augusta County, Virginia, James L. Stringfellow, John Terrill, C. R. Van Wyck and L. D. Winston, John Vaughan, C. S. Waugh and N. B. Waugh, [John] Thomas Morton Wharton, Wharton and Nalle, William Wharton, Colonel Bruce Williams, Walter C. Winston, Winston family, and Isaac Willis.","The collection also contains a land grant from Patrick Henry, as Governor of Virginia, to Uriel Mallory as assignee of William Morton, 1782 November 8 (in the existing collection)","Includes report cards and school work of Joseph J. Halsey","Albert and Shirley Small Special Collections Library","English"],"unitid_tesim":["MSS 3995","Archival Resource Key","/repositories/3/resources/1581"],"normalized_title_ssm":["Morton-Halsey family papers"],"collection_title_tesim":["Morton-Halsey family papers"],"collection_ssim":["Morton-Halsey family papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["This collection was a gift from Mildred E. Towe Tyner to the Small Special Collections Library at the University of Virginia Library on 24 June 2021."],"has_online_content_ssim":["false"],"extent_ssm":["22.4 Cubic Feet Two cubic boxes and one letter size document box added to 39 document boxes."],"extent_tesim":["22.4 Cubic Feet Two cubic boxes and one letter size document box added to 39 document boxes."],"date_range_isim":[1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"arrangement_heading_ssm":["Arrangement"],"bioghist_html_tesm":["\u003cp\u003e\nJoseph Jackson Halsey (1820-1907) was born in New York to Samuel Beach Halsey (1796-1871) and Sarah Dubois Jackson (1803-1859) -no relation to Stonewall Jackson found- and raised in Morristown, New Jersey. He was educated at the College of New Jersey (now Princeton University)and accepted a teaching position in Fredericksburg, Virginia at the Classical and Scientific Athenaeum in 1842. While there he met and married Mildred \"Milly\"Morton (1825-1906?) in 1846, daughter of Jeremiah Morton (1799-1872) and Mary Eleanor \"Jane\" Smith Morton (1801-1876) from Morton Hall (\"The Hall\" near \"Lessland\") an estate in Racoon Ford, Orange County, Virginia. He was admitted into the bar in 1847 and moved to the Morton plantation to farm and practice law in Culpeper County, Virginia. \u003c/p\u003e\n","\u003cp\u003eHe became an increasingly close friend and business associate of his father-in-law Jeremiah Morton. Halsey served as a captain in the 6th Virginia Calvalry Regiment during the Civil War. In 1863, in response to a charge that he had been away without leave, Halsey wrote an account of his wartime activities until that time: a cycle of activity, failing health, leave, recovery, and return. After the war, Halsey was a shareholder of the Orange, Alexandria and Manassas Railroad, owned a saw mill operation and mining operations, and was an Emigrant Aid and Homestead Company agent for the sale of large tracts of Virginia land. \u003c/p\u003e\n","\u003cp\u003eA large landowner and important political figure in the region, Jeremiah Morton lived at his nearby plantation \"The Hall\" (locally known as Morton Hall). . . According to family tradition, Morton christened the 441-acre tract Lessland because it contained 'less land' than his other properties Moreland and Stillmore.\"Lessland\" was damaged by fire in 1870 and was rebuilt in 1871 by J. J. Halsey who had purchased the land from his father-in-law in 1854. Halsey died at \"Lessland\" in 1907.\u003c/p\u003e\n","\u003cp\u003eJ. J. Halsey and Jeremiah Morton were strong supporters of the South and its institution of Enslavery. Halsey's correspondence with his brother Edmund Halsey and Samuel Halsey showed their different views of the North and South on subjects such as slavery, abolitionism, secession, the elections of Presidents Buchanan and Lincoln, the Missouri Compromise, the Kansas-Nebraska Act, reconstruction, and the impeachment of Andrew Johnson.\u003c/p\u003e\n","\u003cp\u003eThe Morton-Halsey family had many enslaved persons who are mentioned by first names, Douglass, Edmonia \"Monie,\" Jerdome, Lucas, Melinda, Judy, Linda, and George to name a few. There is an account in the correspondence that Joseph Morton \"Mort\" Halsey had an encounter with \"Lummie\" (Columbia Conway who was employed by the family) and she became pregnant with his child and took him to court. J. J. Halsey often writes negative accounts of African Americans.\u003c/p\u003e\n","\u003cp\u003eJeremiah Morton was born in Fredericksburg, Spotsylvania County, Virginia, on September 3, 1799. He was the son of Jeremiah Morton and Mildred Garnett Jackson. He was left without parents at a very young age. It is likely he was raised by his paternal grandmother, Jane Morton. He attended a private school and Washington College (now Washington and Lee University), in Lexington, Virginia from 1814 thru 1815. He graduated from the College of William and Mary in Williamsburg, Virginia in 1819, studied law, and was admitted to the bar. He practiced at Raccoon Ford, Virginia until sickness (probably from his earlier engagement in the war) ended his legal career. He then engaged in agricultural and political pursuits.\u003c/p\u003e\n","\u003cp\u003eHe was elected as a Whig to the Thirty-first Congress and served from March 4, 1849 until March 3, 1851. He was unsuccessful for reelection to the Thirty-second Congress and resumed agricultural pursuits. He was a member of the State secession convention in 1861 and was appointed as a colonel in the cavalry by Virginia Governor John Letcher. He attempted to amass food during the shortages of 1864. He was appointed trustee of the Theological Seminary of Virginia at Alexandria. He died at Lessland in Orange County, Virginia on November 28, 1878 and was buried in a private cemetery at his old home Morton Hall. He may have suffered later in life from failed ventures including the purchase of Sulpur White Springs. Several family members throughout his line struggled with mental illness and the ailment alcoholism.Family and business fortunes plummeted following the Confederate defeat. He wrote about it to his brother, Senator Jackson Morton of Milton, Florida; and Jackson's son, W. Chase Morton; and with Henry Ahrens, a Florida businessman.\u003c/p\u003e\n","\u003cp\u003eJ. J. Halsey and Milly Halsey were the parents of Fannie Morton Halsey Dickenson (1848-1936) who married James Cooper Dickenson, Annie (Nannie) Augusta Halsey Alexander (1850-1917) who married James Porter Alexander, Jeremiah Morton \"Mort\" Halsey (1852-1921) who married Irena Louisa Stearns (1854-1886), Robert Ogden Halsey (1854-1939) who married Ella Halsey, and Dr. Bee Bartow Halsey (1862-1918 born Thomas Jackson Halsey) who married Delia Halsey. \u003c/p\u003e\n","\u003cp\u003eIrena \"Rena\"Louisa Stearns died after childbirth in 1886. Mort Halsey suffered from severe alcoholism and was often absent as a single parent, while he was either uanble to stop drinking or at a hospital for treatment. He and Rena had three children, Caroline \"Virginia\" Halsey [Wilkinson] b. 1878 who was committed to Western State in Staunton, Virginia in 1900, Irena Louisa \"Lou\" Halsey b.1880 who attended Virginia Female Institute and seemed central in keeping her family together even though they were often sent in different directions, as they were raised by their grandparents, guardians and nurses, and Franklin Stearns \"Buddie\" Halsey b. 1881 who was very close with his sister Lou and married his first cousin Fannie Dickenson. Lou Halsey married Charles Palmer Stearns, (her first cousin).\u003c/p\u003e\n","\u003cp\u003eFannie Morton Halsey Dickenson and James Cooper Dickenson were the parents of Fannie Dickenson (b. 1884) married Franklin Stearns \"Buddie\" Halsey, James \"Short\" Halsey b. 1889, and step-children Hattie, Willie, and Anne \"Mate.\" \"Buddie\" struggled with alcohol, and Fannie Dickenson Halsey divorced him. (mention of domestic abuse also).\u003c/p\u003e\n","\u003cp\u003eAnnie Alexander and James Porter Alexander were the parents of Jamie Alexander who was engaged to [Georgie], Celia Alexander b. 1886, and Mildred Alexander (1877-1890).\u003c/p\u003e\n","\u003cp\u003eRobert Ogden Halsey and his wife Ella were the parents of eight children including Nellie, Joe, Susan, Edmund, Morton, and Janie.\u003c/p\u003e\n","\u003cp\u003eDr. Bee Bartow Halsey (1862-1918) and his wife Delia were the parents of Helen Halsey and they lived in Prescott, Arizona. Dr. Halsey may have struggled with alcoholism later in life.\u003c/p\u003e\n","\u003cp\u003eAlso mentioned are the siblings of J. J. Halsey, his brother Abraham Halsey (1831-1900) who made his fortune in California, Ann Eliza Halsey (1827-1868), Susan Electa Halsey (1829-1899), Stephen Halsey, Samuel S. Halsey (1835-1889), Cornelia Van Wyck Halsey (1838-1915), and Edmund Drake Halsey (1840-1896)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\nJoseph Jackson Halsey (1820-1907) was born in New York to Samuel Beach Halsey (1796-1871) and Sarah Dubois Jackson (1803-1859) -no relation to Stonewall Jackson found- and raised in Morristown, New Jersey. He was educated at the College of New Jersey (now Princeton University)and accepted a teaching position in Fredericksburg, Virginia at the Classical and Scientific Athenaeum in 1842. While there he met and married Mildred \"Milly\"Morton (1825-1906?) in 1846, daughter of Jeremiah Morton (1799-1872) and Mary Eleanor \"Jane\" Smith Morton (1801-1876) from Morton Hall (\"The Hall\" near \"Lessland\") an estate in Racoon Ford, Orange County, Virginia. He was admitted into the bar in 1847 and moved to the Morton plantation to farm and practice law in Culpeper County, Virginia. ","He became an increasingly close friend and business associate of his father-in-law Jeremiah Morton. Halsey served as a captain in the 6th Virginia Calvalry Regiment during the Civil War. In 1863, in response to a charge that he had been away without leave, Halsey wrote an account of his wartime activities until that time: a cycle of activity, failing health, leave, recovery, and return. After the war, Halsey was a shareholder of the Orange, Alexandria and Manassas Railroad, owned a saw mill operation and mining operations, and was an Emigrant Aid and Homestead Company agent for the sale of large tracts of Virginia land. ","A large landowner and important political figure in the region, Jeremiah Morton lived at his nearby plantation \"The Hall\" (locally known as Morton Hall). . . According to family tradition, Morton christened the 441-acre tract Lessland because it contained 'less land' than his other properties Moreland and Stillmore.\"Lessland\" was damaged by fire in 1870 and was rebuilt in 1871 by J. J. Halsey who had purchased the land from his father-in-law in 1854. Halsey died at \"Lessland\" in 1907.","J. J. Halsey and Jeremiah Morton were strong supporters of the South and its institution of Enslavery. Halsey's correspondence with his brother Edmund Halsey and Samuel Halsey showed their different views of the North and South on subjects such as slavery, abolitionism, secession, the elections of Presidents Buchanan and Lincoln, the Missouri Compromise, the Kansas-Nebraska Act, reconstruction, and the impeachment of Andrew Johnson.","The Morton-Halsey family had many enslaved persons who are mentioned by first names, Douglass, Edmonia \"Monie,\" Jerdome, Lucas, Melinda, Judy, Linda, and George to name a few. There is an account in the correspondence that Joseph Morton \"Mort\" Halsey had an encounter with \"Lummie\" (Columbia Conway who was employed by the family) and she became pregnant with his child and took him to court. J. J. Halsey often writes negative accounts of African Americans.","Jeremiah Morton was born in Fredericksburg, Spotsylvania County, Virginia, on September 3, 1799. He was the son of Jeremiah Morton and Mildred Garnett Jackson. He was left without parents at a very young age. It is likely he was raised by his paternal grandmother, Jane Morton. He attended a private school and Washington College (now Washington and Lee University), in Lexington, Virginia from 1814 thru 1815. He graduated from the College of William and Mary in Williamsburg, Virginia in 1819, studied law, and was admitted to the bar. He practiced at Raccoon Ford, Virginia until sickness (probably from his earlier engagement in the war) ended his legal career. He then engaged in agricultural and political pursuits.","He was elected as a Whig to the Thirty-first Congress and served from March 4, 1849 until March 3, 1851. He was unsuccessful for reelection to the Thirty-second Congress and resumed agricultural pursuits. He was a member of the State secession convention in 1861 and was appointed as a colonel in the cavalry by Virginia Governor John Letcher. He attempted to amass food during the shortages of 1864. He was appointed trustee of the Theological Seminary of Virginia at Alexandria. He died at Lessland in Orange County, Virginia on November 28, 1878 and was buried in a private cemetery at his old home Morton Hall. He may have suffered later in life from failed ventures including the purchase of Sulpur White Springs. Several family members throughout his line struggled with mental illness and the ailment alcoholism.Family and business fortunes plummeted following the Confederate defeat. He wrote about it to his brother, Senator Jackson Morton of Milton, Florida; and Jackson's son, W. Chase Morton; and with Henry Ahrens, a Florida businessman.","J. J. Halsey and Milly Halsey were the parents of Fannie Morton Halsey Dickenson (1848-1936) who married James Cooper Dickenson, Annie (Nannie) Augusta Halsey Alexander (1850-1917) who married James Porter Alexander, Jeremiah Morton \"Mort\" Halsey (1852-1921) who married Irena Louisa Stearns (1854-1886), Robert Ogden Halsey (1854-1939) who married Ella Halsey, and Dr. Bee Bartow Halsey (1862-1918 born Thomas Jackson Halsey) who married Delia Halsey. ","Irena \"Rena\"Louisa Stearns died after childbirth in 1886. Mort Halsey suffered from severe alcoholism and was often absent as a single parent, while he was either uanble to stop drinking or at a hospital for treatment. He and Rena had three children, Caroline \"Virginia\" Halsey [Wilkinson] b. 1878 who was committed to Western State in Staunton, Virginia in 1900, Irena Louisa \"Lou\" Halsey b.1880 who attended Virginia Female Institute and seemed central in keeping her family together even though they were often sent in different directions, as they were raised by their grandparents, guardians and nurses, and Franklin Stearns \"Buddie\" Halsey b. 1881 who was very close with his sister Lou and married his first cousin Fannie Dickenson. Lou Halsey married Charles Palmer Stearns, (her first cousin).","Fannie Morton Halsey Dickenson and James Cooper Dickenson were the parents of Fannie Dickenson (b. 1884) married Franklin Stearns \"Buddie\" Halsey, James \"Short\" Halsey b. 1889, and step-children Hattie, Willie, and Anne \"Mate.\" \"Buddie\" struggled with alcohol, and Fannie Dickenson Halsey divorced him. (mention of domestic abuse also).","Annie Alexander and James Porter Alexander were the parents of Jamie Alexander who was engaged to [Georgie], Celia Alexander b. 1886, and Mildred Alexander (1877-1890).","Robert Ogden Halsey and his wife Ella were the parents of eight children including Nellie, Joe, Susan, Edmund, Morton, and Janie.","Dr. Bee Bartow Halsey (1862-1918) and his wife Delia were the parents of Helen Halsey and they lived in Prescott, Arizona. Dr. Halsey may have struggled with alcoholism later in life.","Also mentioned are the siblings of J. J. Halsey, his brother Abraham Halsey (1831-1900) who made his fortune in California, Ann Eliza Halsey (1827-1868), Susan Electa Halsey (1829-1899), Stephen Halsey, Samuel S. Halsey (1835-1889), Cornelia Van Wyck Halsey (1838-1915), and Edmund Drake Halsey (1840-1896)"],"odd_html_tesm":["\u003cp\u003eContent Note: The correspondence particularly from J. J. Halsey contain references or imagery involving racism. In addition to the numerous enslaved persons in this family, J. J. Halsey and other family members often slur African Americans in correspondence throughout the collection.The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Content Note: The correspondence particularly from J. J. Halsey contain references or imagery involving racism. In addition to the numerous enslaved persons in this family, J. J. Halsey and other family members often slur African Americans in correspondence throughout the collection.The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials."],"prefercite_html_tesm":["\u003cp\u003eMSS 3995, Morton/Halsey family papers, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 3995, Morton/Halsey family papers, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThe Morton and Halsey family papers and addition (MSS 3995) contain family letters and some business letters, financial and legal papers, diaries, ledgers, printed items, and photographs belonging to the family of Jeremiah Morton (1899-1878), his wife Jane Smith Morton, and his son-in-law Joseph Jackson \"J. J.\" Halsey (1820-1907) Halseys' wife, Mildred Halsey and their children and grandchildren with the family papers spanning from 1838 to 1951 in Culpeper, and Orange County, Virginia as well as the Halsey branch of the family from New Jersey, and Abraham Halsey (J.J.'s brother) in California. \u003c/p\u003e\n","\u003cp\u003e\nThe collection contains documents, ledgers, and correspondence that Jeremiah Morton and J. J. Halsey owned and sold enslaved persons. Jeremiah Morton was involved in the internal slave trade between Virginia and Mobile, Alabama (ca. 1847-1863) with accounts, descriptions, and values placed upon enslaved persons including itemized tax receipts  This book doubles as a notebook of legal questions with page references and sections headed \"The Rights of Things,\" \"Toller's Law of Executors,\" and \"Reeves Domestic Relations.\"\u003c/p\u003e\n","\u003cp\u003e\nContent Note: The correspondence particularly from J. J. Halsey contain references or imagery involving racism. In addition to the numerous enslaved persons in this family, J. J. Halsey and other family members often slur African Americans in correspondence throughout the collection.The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e\n","\u003cp\u003e\nThere is also an 1855 registration form for Andrew Johnson, \"a person of colour,\" indicating his status as \"born free in the County of Orange, Virginia,\" and identifying him by his color, stature and marks or scars upon his face, head or hands. \u003c/p\u003e\n","\u003cp\u003e\nTopics include the Civil War with J. J. Halsey fighting for the Confederacy and his brother Edmund fighting for the Union Army, reconstruction, African Americans holding office and politics, alcohol addiction, mental illness, agriculture, economy, coal, mining, White Sulphur Springs, and the Southern Pacific Railroad. Brief mention of the Spanish American War, moonshine, domestic abuse, divorce, education, Virginia Female Institute, Virginia Military Institute, Princeton University, University of Virginia, and Charlottesville, Virginia. \u003c/p\u003e\n","\u003cp\u003eThere are Civil War accounts including the Stonewall Jackson Valley Campaign and the mention of many Generals such as Robert E. Lee,  [Richard Stoddart] Ewell,  William Tecumseh Sherman, and battles in Elk Run, Harrisonburg, New Market, Richmond, Mount Jackson and the surrender at Appomattox at Wilmer McLean's house. There are also two pages from the notebook of Mildred Halsey, which offer a day-by-day account of life while her husband is at war and Union forces occupy nearby areas. J. J. Halsey wrote that their house was between the \"cannon of both armies.\" \u003c/p\u003e\n","\u003cp\u003e\nMost of the letters include typed transcriptions which explain relationships of the family members which start with Jeremiah Morton through to his great-grandchildren, Louisa \"Lou\" Halsey b.1880, Caroline Virginia Halsey Stearns b.1878, and Frank \"Buddie\" Halsey b. 1881, Fannie Dickenson (b. 1884), James \"Short\" Halsey b. 1889, and step-children Hattie, Willie, and Anne \"Mate,\" Helen Halsey, Jamie Alexander (engaged to \"Georgie\",) Celia Alexander b. 1886, and Mildred Alexander 1877-1890, and step-children and eight children of Robert Ogden Halsey and Ella Halsey.\u003c/p\u003e\n","\u003cp\u003e\nThere is a lengthy autobiographical account of the career of William \"Extra Billy\" Smith, written in 1873 when Smith was running for U. S. Senate. The account includes his election to public office as Virginia state senator (1836), governor (1845), and U. S. congressman (1853-1859), and describes some of his Civil War experiences. \u003c/p\u003e\n","\u003cp\u003eThe correspondence of J. J. Halsey also includes letters and maps concerning the Knights of the Golden Horseshoe, and correspondence and papers related to Dr. Bee Bartow Halsey's case with the newly formed state board of medical examiners, contesting their right to license physicians. \u003c/p\u003e\n","\u003cp\u003e\nRelated materials include essays and verse by J. J. Halsey, materials relating to the rebuilding of \"Lessland,\" Dr. Bee Bartow Halsey's examinations at Williston Seminary, Virginia, and papers concerning tuition for Irena Louisa Halsey at Piedmont Female Institute. \u003c/p\u003e\n","\u003cp\u003e\nSeries 4: The ledger series of the collection consists of eighteen volumes from 1812-1882 including Jeremiah Morton's account book regarding the sales of enslaved persons, Dr. R. Brigs ledgers dated 1812-1819, contain medical procedures like pulling a tooth. Other ledgers are from residents of Madison, Orange, and Culpeper counties. Some are in the hand of J. J. Halsey, while other volumes bear the names of Charles B. Porter, John A. Porter, B. W. Brown, and Nalle, Fishback and Company. \u003c/p\u003e\n","\u003cp\u003e\nSelected list of correspondents: Jeremiah Morton: John B. Barbour, Jr., Robert Bolling, W. B. Caldwell, Allen T. Caperton, Reverend John Cole, R. H. Dulany, Frederick Gamble, Jedediah Hotchkiss, G. W. Leyburn, R. H. Maury, William Maury, A. M. Phillips, Riggs and Company, B. T. Sage, Slaughter, Franklin and Company, Alexander H. Stephens, George Terrill and B. R. Wellford. Joseph J. Halsey: John H. Antrim, J. L. Archer, Robert Bolling, W. C. Conrad, Peter V. Daniel, James Gaven Field, Dr. Jeptha Fowlker, A. J. Gordon, Colonel W. W. Gordon, Andrew Grinnan, Cornelia Grinnan, Ella Grinnan, M. G. Harman, General Eppa Hunton, General John D. Imboden, H. C. Marchant, Norton Marye, R. H. Maury, William Maury, B. T. Nalle, Phillip Nalle, Samuel H. Newbury, R.V. Richardson, William C. Rives, John Robertson, Taylor Scott, Francis H. Smith, John K. Taliaferro, Jacquelin P. Taylor, Tazewell Taylor, George Terrill, John Timberlake, C. S. Todd, Charles Wagner, Thomas P. Wallace, George Wederburn, and John Woolfolk.\u003c/p\u003e\n","\u003cp\u003e\nThere are also Morton's or Halsey's personal records, including their accounts with area merchants and residents of Madison, Culpeper or Orange counties, Virginia, whose affairs were handled by J. J. Halsey. as a lawyer. Individuals and firms listed are: William C. Austin, Beechwood and Mallory, John Blackwell and Hannah Blackwell, Charles G. Britt and James Beckham, Bushrod Brown, Thomas Brown, Thomas, Frances Bunley and Susie Bunley, M. A. Carter, John Clark, James Clark and Reuben Clark, William D. Clark, Timothy Costello, J. W. Crittenden, Sarah A. Daniel, William P. Eliason, Adam Everheart, John Gaurd, John Glaspell and Mary Glaspell, Gray Family, Thomas I. Green, R. W. Hall, James Hansbrough, Jane Hansbrough and Peter Hansbrough, Eppa Hunton, Parchal Hutchenson, Philip Johnson, James Jones, Thomas A. Keith, George Morton, Thomas Morton, Martin Nalle and Philip Nalle, Lewis Nelson, George Pannill, Charles B. Payne, W. S. Peyton, Colonel John A. Porter, John C. Rayland, William Rixey, Reverend W. F. Robins, J. W. Shadrack and John H. Somerville, Samuel Shadrack, George A. Sleet, Daniel W. Smith, James Somerville, E. W. Stearns, Steeles Tavern, Augusta County, Virginia, James L. Stringfellow, John Terrill, C. R. Van Wyck and L. D. Winston, John Vaughan, C. S. Waugh and N. B. Waugh, [John] Thomas Morton Wharton, Wharton and Nalle, William Wharton, Colonel Bruce Williams, Walter C. Winston, Winston family, and Isaac Willis.\u003c/p\u003e\n","\u003cp\u003eThe collection also contains a land grant from Patrick Henry, as Governor of Virginia, to Uriel Mallory as assignee of William Morton, 1782 November 8 (in the existing collection)\u003c/p\u003e","\u003cp\u003eIncludes report cards and school work of Joseph J. Halsey\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents"],"scopecontent_tesim":["The Morton and Halsey family papers and addition (MSS 3995) contain family letters and some business letters, financial and legal papers, diaries, ledgers, printed items, and photographs belonging to the family of Jeremiah Morton (1899-1878), his wife Jane Smith Morton, and his son-in-law Joseph Jackson \"J. J.\" Halsey (1820-1907) Halseys' wife, Mildred Halsey and their children and grandchildren with the family papers spanning from 1838 to 1951 in Culpeper, and Orange County, Virginia as well as the Halsey branch of the family from New Jersey, and Abraham Halsey (J.J.'s brother) in California. ","\nThe collection contains documents, ledgers, and correspondence that Jeremiah Morton and J. J. Halsey owned and sold enslaved persons. Jeremiah Morton was involved in the internal slave trade between Virginia and Mobile, Alabama (ca. 1847-1863) with accounts, descriptions, and values placed upon enslaved persons including itemized tax receipts  This book doubles as a notebook of legal questions with page references and sections headed \"The Rights of Things,\" \"Toller's Law of Executors,\" and \"Reeves Domestic Relations.\"","\nContent Note: The correspondence particularly from J. J. Halsey contain references or imagery involving racism. In addition to the numerous enslaved persons in this family, J. J. Halsey and other family members often slur African Americans in correspondence throughout the collection.The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nThere is also an 1855 registration form for Andrew Johnson, \"a person of colour,\" indicating his status as \"born free in the County of Orange, Virginia,\" and identifying him by his color, stature and marks or scars upon his face, head or hands. ","\nTopics include the Civil War with J. J. Halsey fighting for the Confederacy and his brother Edmund fighting for the Union Army, reconstruction, African Americans holding office and politics, alcohol addiction, mental illness, agriculture, economy, coal, mining, White Sulphur Springs, and the Southern Pacific Railroad. Brief mention of the Spanish American War, moonshine, domestic abuse, divorce, education, Virginia Female Institute, Virginia Military Institute, Princeton University, University of Virginia, and Charlottesville, Virginia. ","There are Civil War accounts including the Stonewall Jackson Valley Campaign and the mention of many Generals such as Robert E. Lee,  [Richard Stoddart] Ewell,  William Tecumseh Sherman, and battles in Elk Run, Harrisonburg, New Market, Richmond, Mount Jackson and the surrender at Appomattox at Wilmer McLean's house. There are also two pages from the notebook of Mildred Halsey, which offer a day-by-day account of life while her husband is at war and Union forces occupy nearby areas. J. J. Halsey wrote that their house was between the \"cannon of both armies.\" ","\nMost of the letters include typed transcriptions which explain relationships of the family members which start with Jeremiah Morton through to his great-grandchildren, Louisa \"Lou\" Halsey b.1880, Caroline Virginia Halsey Stearns b.1878, and Frank \"Buddie\" Halsey b. 1881, Fannie Dickenson (b. 1884), James \"Short\" Halsey b. 1889, and step-children Hattie, Willie, and Anne \"Mate,\" Helen Halsey, Jamie Alexander (engaged to \"Georgie\",) Celia Alexander b. 1886, and Mildred Alexander 1877-1890, and step-children and eight children of Robert Ogden Halsey and Ella Halsey.","\nThere is a lengthy autobiographical account of the career of William \"Extra Billy\" Smith, written in 1873 when Smith was running for U. S. Senate. The account includes his election to public office as Virginia state senator (1836), governor (1845), and U. S. congressman (1853-1859), and describes some of his Civil War experiences. ","The correspondence of J. J. Halsey also includes letters and maps concerning the Knights of the Golden Horseshoe, and correspondence and papers related to Dr. Bee Bartow Halsey's case with the newly formed state board of medical examiners, contesting their right to license physicians. ","\nRelated materials include essays and verse by J. J. Halsey, materials relating to the rebuilding of \"Lessland,\" Dr. Bee Bartow Halsey's examinations at Williston Seminary, Virginia, and papers concerning tuition for Irena Louisa Halsey at Piedmont Female Institute. ","\nSeries 4: The ledger series of the collection consists of eighteen volumes from 1812-1882 including Jeremiah Morton's account book regarding the sales of enslaved persons, Dr. R. Brigs ledgers dated 1812-1819, contain medical procedures like pulling a tooth. Other ledgers are from residents of Madison, Orange, and Culpeper counties. Some are in the hand of J. J. Halsey, while other volumes bear the names of Charles B. Porter, John A. Porter, B. W. Brown, and Nalle, Fishback and Company. ","\nSelected list of correspondents: Jeremiah Morton: John B. Barbour, Jr., Robert Bolling, W. B. Caldwell, Allen T. Caperton, Reverend John Cole, R. H. Dulany, Frederick Gamble, Jedediah Hotchkiss, G. W. Leyburn, R. H. Maury, William Maury, A. M. Phillips, Riggs and Company, B. T. Sage, Slaughter, Franklin and Company, Alexander H. Stephens, George Terrill and B. R. Wellford. Joseph J. Halsey: John H. Antrim, J. L. Archer, Robert Bolling, W. C. Conrad, Peter V. Daniel, James Gaven Field, Dr. Jeptha Fowlker, A. J. Gordon, Colonel W. W. Gordon, Andrew Grinnan, Cornelia Grinnan, Ella Grinnan, M. G. Harman, General Eppa Hunton, General John D. Imboden, H. C. Marchant, Norton Marye, R. H. Maury, William Maury, B. T. Nalle, Phillip Nalle, Samuel H. Newbury, R.V. Richardson, William C. Rives, John Robertson, Taylor Scott, Francis H. Smith, John K. Taliaferro, Jacquelin P. Taylor, Tazewell Taylor, George Terrill, John Timberlake, C. S. Todd, Charles Wagner, Thomas P. Wallace, George Wederburn, and John Woolfolk.","\nThere are also Morton's or Halsey's personal records, including their accounts with area merchants and residents of Madison, Culpeper or Orange counties, Virginia, whose affairs were handled by J. J. Halsey. as a lawyer. Individuals and firms listed are: William C. Austin, Beechwood and Mallory, John Blackwell and Hannah Blackwell, Charles G. Britt and James Beckham, Bushrod Brown, Thomas Brown, Thomas, Frances Bunley and Susie Bunley, M. A. Carter, John Clark, James Clark and Reuben Clark, William D. Clark, Timothy Costello, J. W. Crittenden, Sarah A. Daniel, William P. Eliason, Adam Everheart, John Gaurd, John Glaspell and Mary Glaspell, Gray Family, Thomas I. Green, R. W. Hall, James Hansbrough, Jane Hansbrough and Peter Hansbrough, Eppa Hunton, Parchal Hutchenson, Philip Johnson, James Jones, Thomas A. Keith, George Morton, Thomas Morton, Martin Nalle and Philip Nalle, Lewis Nelson, George Pannill, Charles B. Payne, W. S. Peyton, Colonel John A. Porter, John C. Rayland, William Rixey, Reverend W. F. Robins, J. W. Shadrack and John H. Somerville, Samuel Shadrack, George A. Sleet, Daniel W. Smith, James Somerville, E. W. Stearns, Steeles Tavern, Augusta County, Virginia, James L. Stringfellow, John Terrill, C. R. Van Wyck and L. D. Winston, John Vaughan, C. S. Waugh and N. B. Waugh, [John] Thomas Morton Wharton, Wharton and Nalle, William Wharton, Colonel Bruce Williams, Walter C. Winston, Winston family, and Isaac Willis.","The collection also contains a land grant from Patrick Henry, as Governor of Virginia, to Uriel Mallory as assignee of William Morton, 1782 November 8 (in the existing collection)","Includes report cards and school work of Joseph J. Halsey"],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":239,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:44:38.801Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1581_c05_c02"}},{"id":"viu_repositories_3_resources_1581_c05_c03","type":"File","attributes":{"title":"Wrappings with Annotations","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1581_c05_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1581_c05_c03","ref_ssm":["viu_repositories_3_resources_1581_c05_c03"],"id":"viu_repositories_3_resources_1581_c05_c03","ead_ssi":"viu_repositories_3_resources_1581","_root_":"viu_repositories_3_resources_1581","_nest_parent_":"viu_repositories_3_resources_1581_c05","parent_ssi":"viu_repositories_3_resources_1581_c05","parent_ssim":["viu_repositories_3_resources_1581","viu_repositories_3_resources_1581_c05"],"parent_ids_ssim":["viu_repositories_3_resources_1581","viu_repositories_3_resources_1581_c05"],"parent_unittitles_ssm":["Morton-Halsey family papers","Series 5. Envelopes, Wrappings, and Fragments"],"parent_unittitles_tesim":["Morton-Halsey family papers","Series 5. Envelopes, Wrappings, and Fragments"],"text":["Morton-Halsey family papers","Series 5. Envelopes, Wrappings, and Fragments","Wrappings with Annotations","box 39","folder 1"],"title_filing_ssi":"Wrappings with Annotations","title_ssm":["Wrappings with Annotations"],"title_tesim":["Wrappings with Annotations"],"unitdate_inclusive_ssm":["circa 1800-1899"],"normalized_date_ssm":["1800/1899"],"normalized_title_ssm":["Wrappings with Annotations"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Morton-Halsey family papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":235,"parent_access_restrict_tesm":["The collection is open for research use."],"date_range_isim":[1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899],"containers_ssim":["box 39","folder 1"],"_nest_path_":"/components#4/components#2","timestamp":"2026-05-20T23:44:38.801Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1581","ead_ssi":"viu_repositories_3_resources_1581","_root_":"viu_repositories_3_resources_1581","_nest_parent_":"viu_repositories_3_resources_1581","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1581.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/191816","title_filing_ssi":"Morton-Halsey family papers ","title_ssm":["Morton-Halsey family papers"],"title_tesim":["Morton-Halsey family papers"],"unitdate_ssm":["ca. 1833-1951"],"unitdate_inclusive_ssm":["ca. 1833-1951"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 3995","Archival Resource Key","/repositories/3/resources/1581"],"text":["MSS 3995","Archival Resource Key","/repositories/3/resources/1581","Morton-Halsey family papers","The collection is open for research use.","\nJoseph Jackson Halsey (1820-1907) was born in New York to Samuel Beach Halsey (1796-1871) and Sarah Dubois Jackson (1803-1859) -no relation to Stonewall Jackson found- and raised in Morristown, New Jersey. He was educated at the College of New Jersey (now Princeton University)and accepted a teaching position in Fredericksburg, Virginia at the Classical and Scientific Athenaeum in 1842. While there he met and married Mildred \"Milly\"Morton (1825-1906?) in 1846, daughter of Jeremiah Morton (1799-1872) and Mary Eleanor \"Jane\" Smith Morton (1801-1876) from Morton Hall (\"The Hall\" near \"Lessland\") an estate in Racoon Ford, Orange County, Virginia. He was admitted into the bar in 1847 and moved to the Morton plantation to farm and practice law in Culpeper County, Virginia. ","He became an increasingly close friend and business associate of his father-in-law Jeremiah Morton. Halsey served as a captain in the 6th Virginia Calvalry Regiment during the Civil War. In 1863, in response to a charge that he had been away without leave, Halsey wrote an account of his wartime activities until that time: a cycle of activity, failing health, leave, recovery, and return. After the war, Halsey was a shareholder of the Orange, Alexandria and Manassas Railroad, owned a saw mill operation and mining operations, and was an Emigrant Aid and Homestead Company agent for the sale of large tracts of Virginia land. ","A large landowner and important political figure in the region, Jeremiah Morton lived at his nearby plantation \"The Hall\" (locally known as Morton Hall). . . According to family tradition, Morton christened the 441-acre tract Lessland because it contained 'less land' than his other properties Moreland and Stillmore.\"Lessland\" was damaged by fire in 1870 and was rebuilt in 1871 by J. J. Halsey who had purchased the land from his father-in-law in 1854. Halsey died at \"Lessland\" in 1907.","J. J. Halsey and Jeremiah Morton were strong supporters of the South and its institution of Enslavery. Halsey's correspondence with his brother Edmund Halsey and Samuel Halsey showed their different views of the North and South on subjects such as slavery, abolitionism, secession, the elections of Presidents Buchanan and Lincoln, the Missouri Compromise, the Kansas-Nebraska Act, reconstruction, and the impeachment of Andrew Johnson.","The Morton-Halsey family had many enslaved persons who are mentioned by first names, Douglass, Edmonia \"Monie,\" Jerdome, Lucas, Melinda, Judy, Linda, and George to name a few. There is an account in the correspondence that Joseph Morton \"Mort\" Halsey had an encounter with \"Lummie\" (Columbia Conway who was employed by the family) and she became pregnant with his child and took him to court. J. J. Halsey often writes negative accounts of African Americans.","Jeremiah Morton was born in Fredericksburg, Spotsylvania County, Virginia, on September 3, 1799. He was the son of Jeremiah Morton and Mildred Garnett Jackson. He was left without parents at a very young age. It is likely he was raised by his paternal grandmother, Jane Morton. He attended a private school and Washington College (now Washington and Lee University), in Lexington, Virginia from 1814 thru 1815. He graduated from the College of William and Mary in Williamsburg, Virginia in 1819, studied law, and was admitted to the bar. He practiced at Raccoon Ford, Virginia until sickness (probably from his earlier engagement in the war) ended his legal career. He then engaged in agricultural and political pursuits.","He was elected as a Whig to the Thirty-first Congress and served from March 4, 1849 until March 3, 1851. He was unsuccessful for reelection to the Thirty-second Congress and resumed agricultural pursuits. He was a member of the State secession convention in 1861 and was appointed as a colonel in the cavalry by Virginia Governor John Letcher. He attempted to amass food during the shortages of 1864. He was appointed trustee of the Theological Seminary of Virginia at Alexandria. He died at Lessland in Orange County, Virginia on November 28, 1878 and was buried in a private cemetery at his old home Morton Hall. He may have suffered later in life from failed ventures including the purchase of Sulpur White Springs. Several family members throughout his line struggled with mental illness and the ailment alcoholism.Family and business fortunes plummeted following the Confederate defeat. He wrote about it to his brother, Senator Jackson Morton of Milton, Florida; and Jackson's son, W. Chase Morton; and with Henry Ahrens, a Florida businessman.","J. J. Halsey and Milly Halsey were the parents of Fannie Morton Halsey Dickenson (1848-1936) who married James Cooper Dickenson, Annie (Nannie) Augusta Halsey Alexander (1850-1917) who married James Porter Alexander, Jeremiah Morton \"Mort\" Halsey (1852-1921) who married Irena Louisa Stearns (1854-1886), Robert Ogden Halsey (1854-1939) who married Ella Halsey, and Dr. Bee Bartow Halsey (1862-1918 born Thomas Jackson Halsey) who married Delia Halsey. ","Irena \"Rena\"Louisa Stearns died after childbirth in 1886. Mort Halsey suffered from severe alcoholism and was often absent as a single parent, while he was either uanble to stop drinking or at a hospital for treatment. He and Rena had three children, Caroline \"Virginia\" Halsey [Wilkinson] b. 1878 who was committed to Western State in Staunton, Virginia in 1900, Irena Louisa \"Lou\" Halsey b.1880 who attended Virginia Female Institute and seemed central in keeping her family together even though they were often sent in different directions, as they were raised by their grandparents, guardians and nurses, and Franklin Stearns \"Buddie\" Halsey b. 1881 who was very close with his sister Lou and married his first cousin Fannie Dickenson. Lou Halsey married Charles Palmer Stearns, (her first cousin).","Fannie Morton Halsey Dickenson and James Cooper Dickenson were the parents of Fannie Dickenson (b. 1884) married Franklin Stearns \"Buddie\" Halsey, James \"Short\" Halsey b. 1889, and step-children Hattie, Willie, and Anne \"Mate.\" \"Buddie\" struggled with alcohol, and Fannie Dickenson Halsey divorced him. (mention of domestic abuse also).","Annie Alexander and James Porter Alexander were the parents of Jamie Alexander who was engaged to [Georgie], Celia Alexander b. 1886, and Mildred Alexander (1877-1890).","Robert Ogden Halsey and his wife Ella were the parents of eight children including Nellie, Joe, Susan, Edmund, Morton, and Janie.","Dr. Bee Bartow Halsey (1862-1918) and his wife Delia were the parents of Helen Halsey and they lived in Prescott, Arizona. Dr. Halsey may have struggled with alcoholism later in life.","Also mentioned are the siblings of J. J. Halsey, his brother Abraham Halsey (1831-1900) who made his fortune in California, Ann Eliza Halsey (1827-1868), Susan Electa Halsey (1829-1899), Stephen Halsey, Samuel S. Halsey (1835-1889), Cornelia Van Wyck Halsey (1838-1915), and Edmund Drake Halsey (1840-1896)","Content Note: The correspondence particularly from J. J. Halsey contain references or imagery involving racism. In addition to the numerous enslaved persons in this family, J. J. Halsey and other family members often slur African Americans in correspondence throughout the collection.The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The Morton and Halsey family papers and addition (MSS 3995) contain family letters and some business letters, financial and legal papers, diaries, ledgers, printed items, and photographs belonging to the family of Jeremiah Morton (1899-1878), his wife Jane Smith Morton, and his son-in-law Joseph Jackson \"J. J.\" Halsey (1820-1907) Halseys' wife, Mildred Halsey and their children and grandchildren with the family papers spanning from 1838 to 1951 in Culpeper, and Orange County, Virginia as well as the Halsey branch of the family from New Jersey, and Abraham Halsey (J.J.'s brother) in California. ","\nThe collection contains documents, ledgers, and correspondence that Jeremiah Morton and J. J. Halsey owned and sold enslaved persons. Jeremiah Morton was involved in the internal slave trade between Virginia and Mobile, Alabama (ca. 1847-1863) with accounts, descriptions, and values placed upon enslaved persons including itemized tax receipts  This book doubles as a notebook of legal questions with page references and sections headed \"The Rights of Things,\" \"Toller's Law of Executors,\" and \"Reeves Domestic Relations.\"","\nContent Note: The correspondence particularly from J. J. Halsey contain references or imagery involving racism. In addition to the numerous enslaved persons in this family, J. J. Halsey and other family members often slur African Americans in correspondence throughout the collection.The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nThere is also an 1855 registration form for Andrew Johnson, \"a person of colour,\" indicating his status as \"born free in the County of Orange, Virginia,\" and identifying him by his color, stature and marks or scars upon his face, head or hands. ","\nTopics include the Civil War with J. J. Halsey fighting for the Confederacy and his brother Edmund fighting for the Union Army, reconstruction, African Americans holding office and politics, alcohol addiction, mental illness, agriculture, economy, coal, mining, White Sulphur Springs, and the Southern Pacific Railroad. Brief mention of the Spanish American War, moonshine, domestic abuse, divorce, education, Virginia Female Institute, Virginia Military Institute, Princeton University, University of Virginia, and Charlottesville, Virginia. ","There are Civil War accounts including the Stonewall Jackson Valley Campaign and the mention of many Generals such as Robert E. Lee,  [Richard Stoddart] Ewell,  William Tecumseh Sherman, and battles in Elk Run, Harrisonburg, New Market, Richmond, Mount Jackson and the surrender at Appomattox at Wilmer McLean's house. There are also two pages from the notebook of Mildred Halsey, which offer a day-by-day account of life while her husband is at war and Union forces occupy nearby areas. J. J. Halsey wrote that their house was between the \"cannon of both armies.\" ","\nMost of the letters include typed transcriptions which explain relationships of the family members which start with Jeremiah Morton through to his great-grandchildren, Louisa \"Lou\" Halsey b.1880, Caroline Virginia Halsey Stearns b.1878, and Frank \"Buddie\" Halsey b. 1881, Fannie Dickenson (b. 1884), James \"Short\" Halsey b. 1889, and step-children Hattie, Willie, and Anne \"Mate,\" Helen Halsey, Jamie Alexander (engaged to \"Georgie\",) Celia Alexander b. 1886, and Mildred Alexander 1877-1890, and step-children and eight children of Robert Ogden Halsey and Ella Halsey.","\nThere is a lengthy autobiographical account of the career of William \"Extra Billy\" Smith, written in 1873 when Smith was running for U. S. Senate. The account includes his election to public office as Virginia state senator (1836), governor (1845), and U. S. congressman (1853-1859), and describes some of his Civil War experiences. ","The correspondence of J. J. Halsey also includes letters and maps concerning the Knights of the Golden Horseshoe, and correspondence and papers related to Dr. Bee Bartow Halsey's case with the newly formed state board of medical examiners, contesting their right to license physicians. ","\nRelated materials include essays and verse by J. J. Halsey, materials relating to the rebuilding of \"Lessland,\" Dr. Bee Bartow Halsey's examinations at Williston Seminary, Virginia, and papers concerning tuition for Irena Louisa Halsey at Piedmont Female Institute. ","\nSeries 4: The ledger series of the collection consists of eighteen volumes from 1812-1882 including Jeremiah Morton's account book regarding the sales of enslaved persons, Dr. R. Brigs ledgers dated 1812-1819, contain medical procedures like pulling a tooth. Other ledgers are from residents of Madison, Orange, and Culpeper counties. Some are in the hand of J. J. Halsey, while other volumes bear the names of Charles B. Porter, John A. Porter, B. W. Brown, and Nalle, Fishback and Company. ","\nSelected list of correspondents: Jeremiah Morton: John B. Barbour, Jr., Robert Bolling, W. B. Caldwell, Allen T. Caperton, Reverend John Cole, R. H. Dulany, Frederick Gamble, Jedediah Hotchkiss, G. W. Leyburn, R. H. Maury, William Maury, A. M. Phillips, Riggs and Company, B. T. Sage, Slaughter, Franklin and Company, Alexander H. Stephens, George Terrill and B. R. Wellford. Joseph J. Halsey: John H. Antrim, J. L. Archer, Robert Bolling, W. C. Conrad, Peter V. Daniel, James Gaven Field, Dr. Jeptha Fowlker, A. J. Gordon, Colonel W. W. Gordon, Andrew Grinnan, Cornelia Grinnan, Ella Grinnan, M. G. Harman, General Eppa Hunton, General John D. Imboden, H. C. Marchant, Norton Marye, R. H. Maury, William Maury, B. T. Nalle, Phillip Nalle, Samuel H. Newbury, R.V. Richardson, William C. Rives, John Robertson, Taylor Scott, Francis H. Smith, John K. Taliaferro, Jacquelin P. Taylor, Tazewell Taylor, George Terrill, John Timberlake, C. S. Todd, Charles Wagner, Thomas P. Wallace, George Wederburn, and John Woolfolk.","\nThere are also Morton's or Halsey's personal records, including their accounts with area merchants and residents of Madison, Culpeper or Orange counties, Virginia, whose affairs were handled by J. J. Halsey. as a lawyer. Individuals and firms listed are: William C. Austin, Beechwood and Mallory, John Blackwell and Hannah Blackwell, Charles G. Britt and James Beckham, Bushrod Brown, Thomas Brown, Thomas, Frances Bunley and Susie Bunley, M. A. Carter, John Clark, James Clark and Reuben Clark, William D. Clark, Timothy Costello, J. W. Crittenden, Sarah A. Daniel, William P. Eliason, Adam Everheart, John Gaurd, John Glaspell and Mary Glaspell, Gray Family, Thomas I. Green, R. W. Hall, James Hansbrough, Jane Hansbrough and Peter Hansbrough, Eppa Hunton, Parchal Hutchenson, Philip Johnson, James Jones, Thomas A. Keith, George Morton, Thomas Morton, Martin Nalle and Philip Nalle, Lewis Nelson, George Pannill, Charles B. Payne, W. S. Peyton, Colonel John A. Porter, John C. Rayland, William Rixey, Reverend W. F. Robins, J. W. Shadrack and John H. Somerville, Samuel Shadrack, George A. Sleet, Daniel W. Smith, James Somerville, E. W. Stearns, Steeles Tavern, Augusta County, Virginia, James L. Stringfellow, John Terrill, C. R. Van Wyck and L. D. Winston, John Vaughan, C. S. Waugh and N. B. Waugh, [John] Thomas Morton Wharton, Wharton and Nalle, William Wharton, Colonel Bruce Williams, Walter C. Winston, Winston family, and Isaac Willis.","The collection also contains a land grant from Patrick Henry, as Governor of Virginia, to Uriel Mallory as assignee of William Morton, 1782 November 8 (in the existing collection)","Includes report cards and school work of Joseph J. Halsey","Albert and Shirley Small Special Collections Library","English"],"unitid_tesim":["MSS 3995","Archival Resource Key","/repositories/3/resources/1581"],"normalized_title_ssm":["Morton-Halsey family papers"],"collection_title_tesim":["Morton-Halsey family papers"],"collection_ssim":["Morton-Halsey family papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["This collection was a gift from Mildred E. Towe Tyner to the Small Special Collections Library at the University of Virginia Library on 24 June 2021."],"has_online_content_ssim":["false"],"extent_ssm":["22.4 Cubic Feet Two cubic boxes and one letter size document box added to 39 document boxes."],"extent_tesim":["22.4 Cubic Feet Two cubic boxes and one letter size document box added to 39 document boxes."],"date_range_isim":[1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"arrangement_heading_ssm":["Arrangement"],"bioghist_html_tesm":["\u003cp\u003e\nJoseph Jackson Halsey (1820-1907) was born in New York to Samuel Beach Halsey (1796-1871) and Sarah Dubois Jackson (1803-1859) -no relation to Stonewall Jackson found- and raised in Morristown, New Jersey. He was educated at the College of New Jersey (now Princeton University)and accepted a teaching position in Fredericksburg, Virginia at the Classical and Scientific Athenaeum in 1842. While there he met and married Mildred \"Milly\"Morton (1825-1906?) in 1846, daughter of Jeremiah Morton (1799-1872) and Mary Eleanor \"Jane\" Smith Morton (1801-1876) from Morton Hall (\"The Hall\" near \"Lessland\") an estate in Racoon Ford, Orange County, Virginia. He was admitted into the bar in 1847 and moved to the Morton plantation to farm and practice law in Culpeper County, Virginia. \u003c/p\u003e\n","\u003cp\u003eHe became an increasingly close friend and business associate of his father-in-law Jeremiah Morton. Halsey served as a captain in the 6th Virginia Calvalry Regiment during the Civil War. In 1863, in response to a charge that he had been away without leave, Halsey wrote an account of his wartime activities until that time: a cycle of activity, failing health, leave, recovery, and return. After the war, Halsey was a shareholder of the Orange, Alexandria and Manassas Railroad, owned a saw mill operation and mining operations, and was an Emigrant Aid and Homestead Company agent for the sale of large tracts of Virginia land. \u003c/p\u003e\n","\u003cp\u003eA large landowner and important political figure in the region, Jeremiah Morton lived at his nearby plantation \"The Hall\" (locally known as Morton Hall). . . According to family tradition, Morton christened the 441-acre tract Lessland because it contained 'less land' than his other properties Moreland and Stillmore.\"Lessland\" was damaged by fire in 1870 and was rebuilt in 1871 by J. J. Halsey who had purchased the land from his father-in-law in 1854. Halsey died at \"Lessland\" in 1907.\u003c/p\u003e\n","\u003cp\u003eJ. J. Halsey and Jeremiah Morton were strong supporters of the South and its institution of Enslavery. Halsey's correspondence with his brother Edmund Halsey and Samuel Halsey showed their different views of the North and South on subjects such as slavery, abolitionism, secession, the elections of Presidents Buchanan and Lincoln, the Missouri Compromise, the Kansas-Nebraska Act, reconstruction, and the impeachment of Andrew Johnson.\u003c/p\u003e\n","\u003cp\u003eThe Morton-Halsey family had many enslaved persons who are mentioned by first names, Douglass, Edmonia \"Monie,\" Jerdome, Lucas, Melinda, Judy, Linda, and George to name a few. There is an account in the correspondence that Joseph Morton \"Mort\" Halsey had an encounter with \"Lummie\" (Columbia Conway who was employed by the family) and she became pregnant with his child and took him to court. J. J. Halsey often writes negative accounts of African Americans.\u003c/p\u003e\n","\u003cp\u003eJeremiah Morton was born in Fredericksburg, Spotsylvania County, Virginia, on September 3, 1799. He was the son of Jeremiah Morton and Mildred Garnett Jackson. He was left without parents at a very young age. It is likely he was raised by his paternal grandmother, Jane Morton. He attended a private school and Washington College (now Washington and Lee University), in Lexington, Virginia from 1814 thru 1815. He graduated from the College of William and Mary in Williamsburg, Virginia in 1819, studied law, and was admitted to the bar. He practiced at Raccoon Ford, Virginia until sickness (probably from his earlier engagement in the war) ended his legal career. He then engaged in agricultural and political pursuits.\u003c/p\u003e\n","\u003cp\u003eHe was elected as a Whig to the Thirty-first Congress and served from March 4, 1849 until March 3, 1851. He was unsuccessful for reelection to the Thirty-second Congress and resumed agricultural pursuits. He was a member of the State secession convention in 1861 and was appointed as a colonel in the cavalry by Virginia Governor John Letcher. He attempted to amass food during the shortages of 1864. He was appointed trustee of the Theological Seminary of Virginia at Alexandria. He died at Lessland in Orange County, Virginia on November 28, 1878 and was buried in a private cemetery at his old home Morton Hall. He may have suffered later in life from failed ventures including the purchase of Sulpur White Springs. Several family members throughout his line struggled with mental illness and the ailment alcoholism.Family and business fortunes plummeted following the Confederate defeat. He wrote about it to his brother, Senator Jackson Morton of Milton, Florida; and Jackson's son, W. Chase Morton; and with Henry Ahrens, a Florida businessman.\u003c/p\u003e\n","\u003cp\u003eJ. J. Halsey and Milly Halsey were the parents of Fannie Morton Halsey Dickenson (1848-1936) who married James Cooper Dickenson, Annie (Nannie) Augusta Halsey Alexander (1850-1917) who married James Porter Alexander, Jeremiah Morton \"Mort\" Halsey (1852-1921) who married Irena Louisa Stearns (1854-1886), Robert Ogden Halsey (1854-1939) who married Ella Halsey, and Dr. Bee Bartow Halsey (1862-1918 born Thomas Jackson Halsey) who married Delia Halsey. \u003c/p\u003e\n","\u003cp\u003eIrena \"Rena\"Louisa Stearns died after childbirth in 1886. Mort Halsey suffered from severe alcoholism and was often absent as a single parent, while he was either uanble to stop drinking or at a hospital for treatment. He and Rena had three children, Caroline \"Virginia\" Halsey [Wilkinson] b. 1878 who was committed to Western State in Staunton, Virginia in 1900, Irena Louisa \"Lou\" Halsey b.1880 who attended Virginia Female Institute and seemed central in keeping her family together even though they were often sent in different directions, as they were raised by their grandparents, guardians and nurses, and Franklin Stearns \"Buddie\" Halsey b. 1881 who was very close with his sister Lou and married his first cousin Fannie Dickenson. Lou Halsey married Charles Palmer Stearns, (her first cousin).\u003c/p\u003e\n","\u003cp\u003eFannie Morton Halsey Dickenson and James Cooper Dickenson were the parents of Fannie Dickenson (b. 1884) married Franklin Stearns \"Buddie\" Halsey, James \"Short\" Halsey b. 1889, and step-children Hattie, Willie, and Anne \"Mate.\" \"Buddie\" struggled with alcohol, and Fannie Dickenson Halsey divorced him. (mention of domestic abuse also).\u003c/p\u003e\n","\u003cp\u003eAnnie Alexander and James Porter Alexander were the parents of Jamie Alexander who was engaged to [Georgie], Celia Alexander b. 1886, and Mildred Alexander (1877-1890).\u003c/p\u003e\n","\u003cp\u003eRobert Ogden Halsey and his wife Ella were the parents of eight children including Nellie, Joe, Susan, Edmund, Morton, and Janie.\u003c/p\u003e\n","\u003cp\u003eDr. Bee Bartow Halsey (1862-1918) and his wife Delia were the parents of Helen Halsey and they lived in Prescott, Arizona. Dr. Halsey may have struggled with alcoholism later in life.\u003c/p\u003e\n","\u003cp\u003eAlso mentioned are the siblings of J. J. Halsey, his brother Abraham Halsey (1831-1900) who made his fortune in California, Ann Eliza Halsey (1827-1868), Susan Electa Halsey (1829-1899), Stephen Halsey, Samuel S. Halsey (1835-1889), Cornelia Van Wyck Halsey (1838-1915), and Edmund Drake Halsey (1840-1896)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\nJoseph Jackson Halsey (1820-1907) was born in New York to Samuel Beach Halsey (1796-1871) and Sarah Dubois Jackson (1803-1859) -no relation to Stonewall Jackson found- and raised in Morristown, New Jersey. He was educated at the College of New Jersey (now Princeton University)and accepted a teaching position in Fredericksburg, Virginia at the Classical and Scientific Athenaeum in 1842. While there he met and married Mildred \"Milly\"Morton (1825-1906?) in 1846, daughter of Jeremiah Morton (1799-1872) and Mary Eleanor \"Jane\" Smith Morton (1801-1876) from Morton Hall (\"The Hall\" near \"Lessland\") an estate in Racoon Ford, Orange County, Virginia. He was admitted into the bar in 1847 and moved to the Morton plantation to farm and practice law in Culpeper County, Virginia. ","He became an increasingly close friend and business associate of his father-in-law Jeremiah Morton. Halsey served as a captain in the 6th Virginia Calvalry Regiment during the Civil War. In 1863, in response to a charge that he had been away without leave, Halsey wrote an account of his wartime activities until that time: a cycle of activity, failing health, leave, recovery, and return. After the war, Halsey was a shareholder of the Orange, Alexandria and Manassas Railroad, owned a saw mill operation and mining operations, and was an Emigrant Aid and Homestead Company agent for the sale of large tracts of Virginia land. ","A large landowner and important political figure in the region, Jeremiah Morton lived at his nearby plantation \"The Hall\" (locally known as Morton Hall). . . According to family tradition, Morton christened the 441-acre tract Lessland because it contained 'less land' than his other properties Moreland and Stillmore.\"Lessland\" was damaged by fire in 1870 and was rebuilt in 1871 by J. J. Halsey who had purchased the land from his father-in-law in 1854. Halsey died at \"Lessland\" in 1907.","J. J. Halsey and Jeremiah Morton were strong supporters of the South and its institution of Enslavery. Halsey's correspondence with his brother Edmund Halsey and Samuel Halsey showed their different views of the North and South on subjects such as slavery, abolitionism, secession, the elections of Presidents Buchanan and Lincoln, the Missouri Compromise, the Kansas-Nebraska Act, reconstruction, and the impeachment of Andrew Johnson.","The Morton-Halsey family had many enslaved persons who are mentioned by first names, Douglass, Edmonia \"Monie,\" Jerdome, Lucas, Melinda, Judy, Linda, and George to name a few. There is an account in the correspondence that Joseph Morton \"Mort\" Halsey had an encounter with \"Lummie\" (Columbia Conway who was employed by the family) and she became pregnant with his child and took him to court. J. J. Halsey often writes negative accounts of African Americans.","Jeremiah Morton was born in Fredericksburg, Spotsylvania County, Virginia, on September 3, 1799. He was the son of Jeremiah Morton and Mildred Garnett Jackson. He was left without parents at a very young age. It is likely he was raised by his paternal grandmother, Jane Morton. He attended a private school and Washington College (now Washington and Lee University), in Lexington, Virginia from 1814 thru 1815. He graduated from the College of William and Mary in Williamsburg, Virginia in 1819, studied law, and was admitted to the bar. He practiced at Raccoon Ford, Virginia until sickness (probably from his earlier engagement in the war) ended his legal career. He then engaged in agricultural and political pursuits.","He was elected as a Whig to the Thirty-first Congress and served from March 4, 1849 until March 3, 1851. He was unsuccessful for reelection to the Thirty-second Congress and resumed agricultural pursuits. He was a member of the State secession convention in 1861 and was appointed as a colonel in the cavalry by Virginia Governor John Letcher. He attempted to amass food during the shortages of 1864. He was appointed trustee of the Theological Seminary of Virginia at Alexandria. He died at Lessland in Orange County, Virginia on November 28, 1878 and was buried in a private cemetery at his old home Morton Hall. He may have suffered later in life from failed ventures including the purchase of Sulpur White Springs. Several family members throughout his line struggled with mental illness and the ailment alcoholism.Family and business fortunes plummeted following the Confederate defeat. He wrote about it to his brother, Senator Jackson Morton of Milton, Florida; and Jackson's son, W. Chase Morton; and with Henry Ahrens, a Florida businessman.","J. J. Halsey and Milly Halsey were the parents of Fannie Morton Halsey Dickenson (1848-1936) who married James Cooper Dickenson, Annie (Nannie) Augusta Halsey Alexander (1850-1917) who married James Porter Alexander, Jeremiah Morton \"Mort\" Halsey (1852-1921) who married Irena Louisa Stearns (1854-1886), Robert Ogden Halsey (1854-1939) who married Ella Halsey, and Dr. Bee Bartow Halsey (1862-1918 born Thomas Jackson Halsey) who married Delia Halsey. ","Irena \"Rena\"Louisa Stearns died after childbirth in 1886. Mort Halsey suffered from severe alcoholism and was often absent as a single parent, while he was either uanble to stop drinking or at a hospital for treatment. He and Rena had three children, Caroline \"Virginia\" Halsey [Wilkinson] b. 1878 who was committed to Western State in Staunton, Virginia in 1900, Irena Louisa \"Lou\" Halsey b.1880 who attended Virginia Female Institute and seemed central in keeping her family together even though they were often sent in different directions, as they were raised by their grandparents, guardians and nurses, and Franklin Stearns \"Buddie\" Halsey b. 1881 who was very close with his sister Lou and married his first cousin Fannie Dickenson. Lou Halsey married Charles Palmer Stearns, (her first cousin).","Fannie Morton Halsey Dickenson and James Cooper Dickenson were the parents of Fannie Dickenson (b. 1884) married Franklin Stearns \"Buddie\" Halsey, James \"Short\" Halsey b. 1889, and step-children Hattie, Willie, and Anne \"Mate.\" \"Buddie\" struggled with alcohol, and Fannie Dickenson Halsey divorced him. (mention of domestic abuse also).","Annie Alexander and James Porter Alexander were the parents of Jamie Alexander who was engaged to [Georgie], Celia Alexander b. 1886, and Mildred Alexander (1877-1890).","Robert Ogden Halsey and his wife Ella were the parents of eight children including Nellie, Joe, Susan, Edmund, Morton, and Janie.","Dr. Bee Bartow Halsey (1862-1918) and his wife Delia were the parents of Helen Halsey and they lived in Prescott, Arizona. Dr. Halsey may have struggled with alcoholism later in life.","Also mentioned are the siblings of J. J. Halsey, his brother Abraham Halsey (1831-1900) who made his fortune in California, Ann Eliza Halsey (1827-1868), Susan Electa Halsey (1829-1899), Stephen Halsey, Samuel S. Halsey (1835-1889), Cornelia Van Wyck Halsey (1838-1915), and Edmund Drake Halsey (1840-1896)"],"odd_html_tesm":["\u003cp\u003eContent Note: The correspondence particularly from J. J. Halsey contain references or imagery involving racism. In addition to the numerous enslaved persons in this family, J. J. Halsey and other family members often slur African Americans in correspondence throughout the collection.The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Content Note: The correspondence particularly from J. J. Halsey contain references or imagery involving racism. In addition to the numerous enslaved persons in this family, J. J. Halsey and other family members often slur African Americans in correspondence throughout the collection.The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials."],"prefercite_html_tesm":["\u003cp\u003eMSS 3995, Morton/Halsey family papers, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 3995, Morton/Halsey family papers, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThe Morton and Halsey family papers and addition (MSS 3995) contain family letters and some business letters, financial and legal papers, diaries, ledgers, printed items, and photographs belonging to the family of Jeremiah Morton (1899-1878), his wife Jane Smith Morton, and his son-in-law Joseph Jackson \"J. J.\" Halsey (1820-1907) Halseys' wife, Mildred Halsey and their children and grandchildren with the family papers spanning from 1838 to 1951 in Culpeper, and Orange County, Virginia as well as the Halsey branch of the family from New Jersey, and Abraham Halsey (J.J.'s brother) in California. \u003c/p\u003e\n","\u003cp\u003e\nThe collection contains documents, ledgers, and correspondence that Jeremiah Morton and J. J. Halsey owned and sold enslaved persons. Jeremiah Morton was involved in the internal slave trade between Virginia and Mobile, Alabama (ca. 1847-1863) with accounts, descriptions, and values placed upon enslaved persons including itemized tax receipts  This book doubles as a notebook of legal questions with page references and sections headed \"The Rights of Things,\" \"Toller's Law of Executors,\" and \"Reeves Domestic Relations.\"\u003c/p\u003e\n","\u003cp\u003e\nContent Note: The correspondence particularly from J. J. Halsey contain references or imagery involving racism. In addition to the numerous enslaved persons in this family, J. J. Halsey and other family members often slur African Americans in correspondence throughout the collection.The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e\n","\u003cp\u003e\nThere is also an 1855 registration form for Andrew Johnson, \"a person of colour,\" indicating his status as \"born free in the County of Orange, Virginia,\" and identifying him by his color, stature and marks or scars upon his face, head or hands. \u003c/p\u003e\n","\u003cp\u003e\nTopics include the Civil War with J. J. Halsey fighting for the Confederacy and his brother Edmund fighting for the Union Army, reconstruction, African Americans holding office and politics, alcohol addiction, mental illness, agriculture, economy, coal, mining, White Sulphur Springs, and the Southern Pacific Railroad. Brief mention of the Spanish American War, moonshine, domestic abuse, divorce, education, Virginia Female Institute, Virginia Military Institute, Princeton University, University of Virginia, and Charlottesville, Virginia. \u003c/p\u003e\n","\u003cp\u003eThere are Civil War accounts including the Stonewall Jackson Valley Campaign and the mention of many Generals such as Robert E. Lee,  [Richard Stoddart] Ewell,  William Tecumseh Sherman, and battles in Elk Run, Harrisonburg, New Market, Richmond, Mount Jackson and the surrender at Appomattox at Wilmer McLean's house. There are also two pages from the notebook of Mildred Halsey, which offer a day-by-day account of life while her husband is at war and Union forces occupy nearby areas. J. J. Halsey wrote that their house was between the \"cannon of both armies.\" \u003c/p\u003e\n","\u003cp\u003e\nMost of the letters include typed transcriptions which explain relationships of the family members which start with Jeremiah Morton through to his great-grandchildren, Louisa \"Lou\" Halsey b.1880, Caroline Virginia Halsey Stearns b.1878, and Frank \"Buddie\" Halsey b. 1881, Fannie Dickenson (b. 1884), James \"Short\" Halsey b. 1889, and step-children Hattie, Willie, and Anne \"Mate,\" Helen Halsey, Jamie Alexander (engaged to \"Georgie\",) Celia Alexander b. 1886, and Mildred Alexander 1877-1890, and step-children and eight children of Robert Ogden Halsey and Ella Halsey.\u003c/p\u003e\n","\u003cp\u003e\nThere is a lengthy autobiographical account of the career of William \"Extra Billy\" Smith, written in 1873 when Smith was running for U. S. Senate. The account includes his election to public office as Virginia state senator (1836), governor (1845), and U. S. congressman (1853-1859), and describes some of his Civil War experiences. \u003c/p\u003e\n","\u003cp\u003eThe correspondence of J. J. Halsey also includes letters and maps concerning the Knights of the Golden Horseshoe, and correspondence and papers related to Dr. Bee Bartow Halsey's case with the newly formed state board of medical examiners, contesting their right to license physicians. \u003c/p\u003e\n","\u003cp\u003e\nRelated materials include essays and verse by J. J. Halsey, materials relating to the rebuilding of \"Lessland,\" Dr. Bee Bartow Halsey's examinations at Williston Seminary, Virginia, and papers concerning tuition for Irena Louisa Halsey at Piedmont Female Institute. \u003c/p\u003e\n","\u003cp\u003e\nSeries 4: The ledger series of the collection consists of eighteen volumes from 1812-1882 including Jeremiah Morton's account book regarding the sales of enslaved persons, Dr. R. Brigs ledgers dated 1812-1819, contain medical procedures like pulling a tooth. Other ledgers are from residents of Madison, Orange, and Culpeper counties. Some are in the hand of J. J. Halsey, while other volumes bear the names of Charles B. Porter, John A. Porter, B. W. Brown, and Nalle, Fishback and Company. \u003c/p\u003e\n","\u003cp\u003e\nSelected list of correspondents: Jeremiah Morton: John B. Barbour, Jr., Robert Bolling, W. B. Caldwell, Allen T. Caperton, Reverend John Cole, R. H. Dulany, Frederick Gamble, Jedediah Hotchkiss, G. W. Leyburn, R. H. Maury, William Maury, A. M. Phillips, Riggs and Company, B. T. Sage, Slaughter, Franklin and Company, Alexander H. Stephens, George Terrill and B. R. Wellford. Joseph J. Halsey: John H. Antrim, J. L. Archer, Robert Bolling, W. C. Conrad, Peter V. Daniel, James Gaven Field, Dr. Jeptha Fowlker, A. J. Gordon, Colonel W. W. Gordon, Andrew Grinnan, Cornelia Grinnan, Ella Grinnan, M. G. Harman, General Eppa Hunton, General John D. Imboden, H. C. Marchant, Norton Marye, R. H. Maury, William Maury, B. T. Nalle, Phillip Nalle, Samuel H. Newbury, R.V. Richardson, William C. Rives, John Robertson, Taylor Scott, Francis H. Smith, John K. Taliaferro, Jacquelin P. Taylor, Tazewell Taylor, George Terrill, John Timberlake, C. S. Todd, Charles Wagner, Thomas P. Wallace, George Wederburn, and John Woolfolk.\u003c/p\u003e\n","\u003cp\u003e\nThere are also Morton's or Halsey's personal records, including their accounts with area merchants and residents of Madison, Culpeper or Orange counties, Virginia, whose affairs were handled by J. J. Halsey. as a lawyer. Individuals and firms listed are: William C. Austin, Beechwood and Mallory, John Blackwell and Hannah Blackwell, Charles G. Britt and James Beckham, Bushrod Brown, Thomas Brown, Thomas, Frances Bunley and Susie Bunley, M. A. Carter, John Clark, James Clark and Reuben Clark, William D. Clark, Timothy Costello, J. W. Crittenden, Sarah A. Daniel, William P. Eliason, Adam Everheart, John Gaurd, John Glaspell and Mary Glaspell, Gray Family, Thomas I. Green, R. W. Hall, James Hansbrough, Jane Hansbrough and Peter Hansbrough, Eppa Hunton, Parchal Hutchenson, Philip Johnson, James Jones, Thomas A. Keith, George Morton, Thomas Morton, Martin Nalle and Philip Nalle, Lewis Nelson, George Pannill, Charles B. Payne, W. S. Peyton, Colonel John A. Porter, John C. Rayland, William Rixey, Reverend W. F. Robins, J. W. Shadrack and John H. Somerville, Samuel Shadrack, George A. Sleet, Daniel W. Smith, James Somerville, E. W. Stearns, Steeles Tavern, Augusta County, Virginia, James L. Stringfellow, John Terrill, C. R. Van Wyck and L. D. Winston, John Vaughan, C. S. Waugh and N. B. Waugh, [John] Thomas Morton Wharton, Wharton and Nalle, William Wharton, Colonel Bruce Williams, Walter C. Winston, Winston family, and Isaac Willis.\u003c/p\u003e\n","\u003cp\u003eThe collection also contains a land grant from Patrick Henry, as Governor of Virginia, to Uriel Mallory as assignee of William Morton, 1782 November 8 (in the existing collection)\u003c/p\u003e","\u003cp\u003eIncludes report cards and school work of Joseph J. Halsey\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents"],"scopecontent_tesim":["The Morton and Halsey family papers and addition (MSS 3995) contain family letters and some business letters, financial and legal papers, diaries, ledgers, printed items, and photographs belonging to the family of Jeremiah Morton (1899-1878), his wife Jane Smith Morton, and his son-in-law Joseph Jackson \"J. J.\" Halsey (1820-1907) Halseys' wife, Mildred Halsey and their children and grandchildren with the family papers spanning from 1838 to 1951 in Culpeper, and Orange County, Virginia as well as the Halsey branch of the family from New Jersey, and Abraham Halsey (J.J.'s brother) in California. ","\nThe collection contains documents, ledgers, and correspondence that Jeremiah Morton and J. J. Halsey owned and sold enslaved persons. Jeremiah Morton was involved in the internal slave trade between Virginia and Mobile, Alabama (ca. 1847-1863) with accounts, descriptions, and values placed upon enslaved persons including itemized tax receipts  This book doubles as a notebook of legal questions with page references and sections headed \"The Rights of Things,\" \"Toller's Law of Executors,\" and \"Reeves Domestic Relations.\"","\nContent Note: The correspondence particularly from J. J. Halsey contain references or imagery involving racism. In addition to the numerous enslaved persons in this family, J. J. Halsey and other family members often slur African Americans in correspondence throughout the collection.The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nThere is also an 1855 registration form for Andrew Johnson, \"a person of colour,\" indicating his status as \"born free in the County of Orange, Virginia,\" and identifying him by his color, stature and marks or scars upon his face, head or hands. ","\nTopics include the Civil War with J. J. Halsey fighting for the Confederacy and his brother Edmund fighting for the Union Army, reconstruction, African Americans holding office and politics, alcohol addiction, mental illness, agriculture, economy, coal, mining, White Sulphur Springs, and the Southern Pacific Railroad. Brief mention of the Spanish American War, moonshine, domestic abuse, divorce, education, Virginia Female Institute, Virginia Military Institute, Princeton University, University of Virginia, and Charlottesville, Virginia. ","There are Civil War accounts including the Stonewall Jackson Valley Campaign and the mention of many Generals such as Robert E. Lee,  [Richard Stoddart] Ewell,  William Tecumseh Sherman, and battles in Elk Run, Harrisonburg, New Market, Richmond, Mount Jackson and the surrender at Appomattox at Wilmer McLean's house. There are also two pages from the notebook of Mildred Halsey, which offer a day-by-day account of life while her husband is at war and Union forces occupy nearby areas. J. J. Halsey wrote that their house was between the \"cannon of both armies.\" ","\nMost of the letters include typed transcriptions which explain relationships of the family members which start with Jeremiah Morton through to his great-grandchildren, Louisa \"Lou\" Halsey b.1880, Caroline Virginia Halsey Stearns b.1878, and Frank \"Buddie\" Halsey b. 1881, Fannie Dickenson (b. 1884), James \"Short\" Halsey b. 1889, and step-children Hattie, Willie, and Anne \"Mate,\" Helen Halsey, Jamie Alexander (engaged to \"Georgie\",) Celia Alexander b. 1886, and Mildred Alexander 1877-1890, and step-children and eight children of Robert Ogden Halsey and Ella Halsey.","\nThere is a lengthy autobiographical account of the career of William \"Extra Billy\" Smith, written in 1873 when Smith was running for U. S. Senate. The account includes his election to public office as Virginia state senator (1836), governor (1845), and U. S. congressman (1853-1859), and describes some of his Civil War experiences. ","The correspondence of J. J. Halsey also includes letters and maps concerning the Knights of the Golden Horseshoe, and correspondence and papers related to Dr. Bee Bartow Halsey's case with the newly formed state board of medical examiners, contesting their right to license physicians. ","\nRelated materials include essays and verse by J. J. Halsey, materials relating to the rebuilding of \"Lessland,\" Dr. Bee Bartow Halsey's examinations at Williston Seminary, Virginia, and papers concerning tuition for Irena Louisa Halsey at Piedmont Female Institute. ","\nSeries 4: The ledger series of the collection consists of eighteen volumes from 1812-1882 including Jeremiah Morton's account book regarding the sales of enslaved persons, Dr. R. Brigs ledgers dated 1812-1819, contain medical procedures like pulling a tooth. Other ledgers are from residents of Madison, Orange, and Culpeper counties. Some are in the hand of J. J. Halsey, while other volumes bear the names of Charles B. Porter, John A. Porter, B. W. Brown, and Nalle, Fishback and Company. ","\nSelected list of correspondents: Jeremiah Morton: John B. Barbour, Jr., Robert Bolling, W. B. Caldwell, Allen T. Caperton, Reverend John Cole, R. H. Dulany, Frederick Gamble, Jedediah Hotchkiss, G. W. Leyburn, R. H. Maury, William Maury, A. M. Phillips, Riggs and Company, B. T. Sage, Slaughter, Franklin and Company, Alexander H. Stephens, George Terrill and B. R. Wellford. Joseph J. Halsey: John H. Antrim, J. L. Archer, Robert Bolling, W. C. Conrad, Peter V. Daniel, James Gaven Field, Dr. Jeptha Fowlker, A. J. Gordon, Colonel W. W. Gordon, Andrew Grinnan, Cornelia Grinnan, Ella Grinnan, M. G. Harman, General Eppa Hunton, General John D. Imboden, H. C. Marchant, Norton Marye, R. H. Maury, William Maury, B. T. Nalle, Phillip Nalle, Samuel H. Newbury, R.V. Richardson, William C. Rives, John Robertson, Taylor Scott, Francis H. Smith, John K. Taliaferro, Jacquelin P. Taylor, Tazewell Taylor, George Terrill, John Timberlake, C. S. Todd, Charles Wagner, Thomas P. Wallace, George Wederburn, and John Woolfolk.","\nThere are also Morton's or Halsey's personal records, including their accounts with area merchants and residents of Madison, Culpeper or Orange counties, Virginia, whose affairs were handled by J. J. Halsey. as a lawyer. Individuals and firms listed are: William C. Austin, Beechwood and Mallory, John Blackwell and Hannah Blackwell, Charles G. Britt and James Beckham, Bushrod Brown, Thomas Brown, Thomas, Frances Bunley and Susie Bunley, M. A. Carter, John Clark, James Clark and Reuben Clark, William D. Clark, Timothy Costello, J. W. Crittenden, Sarah A. Daniel, William P. Eliason, Adam Everheart, John Gaurd, John Glaspell and Mary Glaspell, Gray Family, Thomas I. Green, R. W. Hall, James Hansbrough, Jane Hansbrough and Peter Hansbrough, Eppa Hunton, Parchal Hutchenson, Philip Johnson, James Jones, Thomas A. Keith, George Morton, Thomas Morton, Martin Nalle and Philip Nalle, Lewis Nelson, George Pannill, Charles B. Payne, W. S. Peyton, Colonel John A. Porter, John C. Rayland, William Rixey, Reverend W. F. Robins, J. W. Shadrack and John H. Somerville, Samuel Shadrack, George A. Sleet, Daniel W. Smith, James Somerville, E. W. Stearns, Steeles Tavern, Augusta County, Virginia, James L. Stringfellow, John Terrill, C. R. Van Wyck and L. D. Winston, John Vaughan, C. S. Waugh and N. B. Waugh, [John] Thomas Morton Wharton, Wharton and Nalle, William Wharton, Colonel Bruce Williams, Walter C. Winston, Winston family, and Isaac Willis.","The collection also contains a land grant from Patrick Henry, as Governor of Virginia, to Uriel Mallory as assignee of William Morton, 1782 November 8 (in the existing collection)","Includes report cards and school work of Joseph J. Halsey"],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":239,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:44:38.801Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1581_c05_c03"}},{"id":"viu_repositories_3_resources_980","type":"collection","attributes":{"title":"Writing slate collection","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_980#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains materials that document the evolution of the writing slate from stone book slate to native slate blackboards. This includes a slate book with 8 quartz paint pages with attached pencil holder,and another book with pencil holder and 6 quartz painted \"slates\". The cover of one is stamped in black and gold with a school scene and applied litho of two girls playing stick and ball. There is also a 1940 salesman kit with five loose photos of the National School Slate Co. They depict a couple of table top models with and without an abacus and a floor model with a picture scroll at the top. This is accompanied by a tri-fold price list for a vriety of slate and blackboard related products for the National School Slate Co., SLatington, PA.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_980#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_980","ead_ssi":"viu_repositories_3_resources_980","_root_":"viu_repositories_3_resources_980","_nest_parent_":"viu_repositories_3_resources_980","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_980.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/120140","title_filing_ssi":"Writing slate collection","title_ssm":["Writing slate collection"],"title_tesim":["Writing slate collection"],"unitdate_ssm":["1860-1940"],"unitdate_inclusive_ssm":["1860-1940"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16484","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/980"],"text":["MSS 16484","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/980","Writing slate collection","Writing materials and instruments","Good","This collection is open for research.","\"School Slate Works -- In 1884, E. L. Krauss (sic.) associated with Charles Nelson of New York, in establishing a plant at the western section of Slatington for the manufacture of school slate and black-boards and they carried on business until 1892. The management was subsequently changed several times and carried on until 1907, when Mr. Krause (sic.) and his brother, Arthur H., became the owners and they have since operated it in a successful manor. The plant covers two acres of ground, embraces eight one-story brick buildings and employs from 150 to 200 hands. It is commonly known as the National School Slate Co.\"","The History Committee of the Slatington 125 Celebration's \"Slatington and Surrounding Communities: A Volume of History, 1864-1989\" (Slatington 125 Celebration, 1989) notes that Arthur and E. L. Kraus owned the National School Slate Company until it was purchased by Babyak and Jacob Papay in 1950. The Papay family maintained its interest in the company until 1971.","School slates, individual or blackboard size, are made from a fine grain, soft slate that is darker in color than the light-gray slate used for roofing. After a school slate is split to its desired thickness, its edges are turned up by a small circular saw, face smoothed with a drawing knife and then rubbed with a cloth and fine dust compound, and eventually framed for individual use or utilized as part of a child's toy blackboard. Ruled slates generally were made for export to Continental Europe. If colored crayons were to be used in addition to chalk, one side of the slate was lacquered in white.","In 1941 there were only two school slates companies in the United States -- National School Slate Company and American Slate Works. Both were located in Slatington. National School Slate Company owned its own quarry, the Blue Ridge Quarries. It also purchased slate from other quarries in the region.","By 1941 the American market for school slates had vanished. Most Slatington school slates found their way to Central America, the Netherlands, East Indies, South Africa and South America. American sales focused largely on toy blackboards and bulletin boards sold primarily by chain stores.","Source:\nhttps://www.mcall.com/news/mc-xpm-1993-04-18-2922750-story.html\nHARRY L RINKER, THE MORNING CALL","A slate is a thin piece of hard flat material, such as the rock also called slate, that is used as a medium for writing. The rock is \"a metamorphic rock created by the recrystallization of the minerals in shale from clay to parallel-aligned, flat, flake-like minerals such as mica\".\n   ","The writing slate consisted of a piece of slate, typically either 4x6 inches or 7x10 inches, encased in a wooden frame.","A slate pencil was used to write on the slate board. It was made from a softer and lighter coloured stone such as shale or chalk.","Usually, a piece of cloth or slate sponge was used to clean it and this was sometimes attached with a string to the bottom of the writing slate.","Slate from 1894, used in Berlin, Germany, currently at the Museum Europäischer Kulturen","The exact origins of the writing slate remain unclear. References to its use can be found in the fourteenth century and evidence suggests that it was used in the sixteenth and seventeenth centuries. The central time period for the writing slate, however, \"appears to begin in the later eighteenth century, when developments in sea and land transport permitted the gradual expansion of slate quarrying in Wales and the growth of a substantial slate workshop industry.\"","By the nineteenth century, writing slates were used around the world in nearly every school and were a central part of the slate industry. At the dawn of the twentieth century, writing slates were the primary tool in the classroom for students. In the 1930s (or later) writing slates began to be replaced by more modern methods.[4] However, writing slates did not become obsolete. They are still made in the twenty-first century, though in small quantities.","The writing slate was sometimes used by industry workers to track goods and by sailors to calculate their geographical location at sea. Sometimes multiple pieces of slate were bound together into a \"book\" and horizontal lines were etched onto the slate surface as a guide for neat handwriting","Source:\nhttps://en.wikipedia.org/wiki/Slate_(writing)\nPeter Davies, \"Writing Slates and Schooling\", Australasian Historical Archaeology, Vol. 23 (2005), 63-64.\nRobert N. Pierport, \"Slate Roofing\", APT Bulletin, Vol. 19(2) (1987), 10.","This collection contains materials that document the evolution of the writing slate from stone book slate to native slate blackboards. This includes a slate book with 8 quartz paint pages with attached pencil holder,and another book with pencil holder and 6 quartz painted \"slates\". The cover of one is stamped in black and gold with a school scene and applied litho of two girls playing stick and ball.  There is also a 1940 salesman kit with five loose photos of the National School Slate Co. They depict a couple of table top models with and without an abacus and a floor model with a picture scroll at the top. This is accompanied by a tri-fold price list for a vriety of slate and blackboard related products for the National School Slate Co., SLatington, PA.","Albert and Shirley Small Special Collections Library","English"],"unitid_tesim":["MSS 16484","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/980"],"normalized_title_ssm":["Writing slate collection"],"collection_title_tesim":["Writing slate collection"],"collection_ssim":["Writing slate collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_subjects_ssim":["Writing materials and instruments"],"access_subjects_ssm":["Writing materials and instruments"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good"],"extent_ssm":["0.03 Cubic Feet 1 letter sized folder"],"extent_tesim":["0.03 Cubic Feet 1 letter sized folder"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"bioghist_html_tesm":["\u003cp\u003e\"School Slate Works -- In 1884, E. L. Krauss (sic.) associated with Charles Nelson of New York, in establishing a plant at the western section of Slatington for the manufacture of school slate and black-boards and they carried on business until 1892. The management was subsequently changed several times and carried on until 1907, when Mr. Krause (sic.) and his brother, Arthur H., became the owners and they have since operated it in a successful manor. The plant covers two acres of ground, embraces eight one-story brick buildings and employs from 150 to 200 hands. It is commonly known as the National School Slate Co.\"\u003c/p\u003e\n","\u003cp\u003eThe History Committee of the Slatington 125 Celebration's \"Slatington and Surrounding Communities: A Volume of History, 1864-1989\" (Slatington 125 Celebration, 1989) notes that Arthur and E. L. Kraus owned the National School Slate Company until it was purchased by Babyak and Jacob Papay in 1950. The Papay family maintained its interest in the company until 1971.\u003c/p\u003e\n","\u003cp\u003eSchool slates, individual or blackboard size, are made from a fine grain, soft slate that is darker in color than the light-gray slate used for roofing. After a school slate is split to its desired thickness, its edges are turned up by a small circular saw, face smoothed with a drawing knife and then rubbed with a cloth and fine dust compound, and eventually framed for individual use or utilized as part of a child's toy blackboard. Ruled slates generally were made for export to Continental Europe. If colored crayons were to be used in addition to chalk, one side of the slate was lacquered in white.\u003c/p\u003e\n","\u003cp\u003eIn 1941 there were only two school slates companies in the United States -- National School Slate Company and American Slate Works. Both were located in Slatington. National School Slate Company owned its own quarry, the Blue Ridge Quarries. It also purchased slate from other quarries in the region.\u003c/p\u003e\n","\u003cp\u003eBy 1941 the American market for school slates had vanished. Most Slatington school slates found their way to Central America, the Netherlands, East Indies, South Africa and South America. American sales focused largely on toy blackboards and bulletin boards sold primarily by chain stores.\u003c/p\u003e\n","\u003cp\u003eSource:\nhttps://www.mcall.com/news/mc-xpm-1993-04-18-2922750-story.html\nHARRY L RINKER, THE MORNING CALL\u003c/p\u003e\n","\u003cp\u003eA slate is a thin piece of hard flat material, such as the rock also called slate, that is used as a medium for writing. The rock is \"a metamorphic rock created by the recrystallization of the minerals in shale from clay to parallel-aligned, flat, flake-like minerals such as mica\".\n   \u003c/p\u003e\n","\u003cp\u003eThe writing slate consisted of a piece of slate, typically either 4x6 inches or 7x10 inches, encased in a wooden frame.\u003c/p\u003e\n","\u003cp\u003eA slate pencil was used to write on the slate board. It was made from a softer and lighter coloured stone such as shale or chalk.\u003c/p\u003e\n","\u003cp\u003eUsually, a piece of cloth or slate sponge was used to clean it and this was sometimes attached with a string to the bottom of the writing slate.\u003c/p\u003e\n","\u003cp\u003eSlate from 1894, used in Berlin, Germany, currently at the Museum Europäischer Kulturen\u003c/p\u003e\n","\u003cp\u003eThe exact origins of the writing slate remain unclear. References to its use can be found in the fourteenth century and evidence suggests that it was used in the sixteenth and seventeenth centuries. The central time period for the writing slate, however, \"appears to begin in the later eighteenth century, when developments in sea and land transport permitted the gradual expansion of slate quarrying in Wales and the growth of a substantial slate workshop industry.\"\u003c/p\u003e\n","\u003cp\u003eBy the nineteenth century, writing slates were used around the world in nearly every school and were a central part of the slate industry. At the dawn of the twentieth century, writing slates were the primary tool in the classroom for students. In the 1930s (or later) writing slates began to be replaced by more modern methods.[4] However, writing slates did not become obsolete. They are still made in the twenty-first century, though in small quantities.\u003c/p\u003e\n","\u003cp\u003eThe writing slate was sometimes used by industry workers to track goods and by sailors to calculate their geographical location at sea. Sometimes multiple pieces of slate were bound together into a \"book\" and horizontal lines were etched onto the slate surface as a guide for neat handwriting\u003c/p\u003e\n","\u003cp\u003eSource:\nhttps://en.wikipedia.org/wiki/Slate_(writing)\nPeter Davies, \"Writing Slates and Schooling\", Australasian Historical Archaeology, Vol. 23 (2005), 63-64.\nRobert N. Pierport, \"Slate Roofing\", APT Bulletin, Vol. 19(2) (1987), 10.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"School Slate Works -- In 1884, E. L. Krauss (sic.) associated with Charles Nelson of New York, in establishing a plant at the western section of Slatington for the manufacture of school slate and black-boards and they carried on business until 1892. The management was subsequently changed several times and carried on until 1907, when Mr. Krause (sic.) and his brother, Arthur H., became the owners and they have since operated it in a successful manor. The plant covers two acres of ground, embraces eight one-story brick buildings and employs from 150 to 200 hands. It is commonly known as the National School Slate Co.\"","The History Committee of the Slatington 125 Celebration's \"Slatington and Surrounding Communities: A Volume of History, 1864-1989\" (Slatington 125 Celebration, 1989) notes that Arthur and E. L. Kraus owned the National School Slate Company until it was purchased by Babyak and Jacob Papay in 1950. The Papay family maintained its interest in the company until 1971.","School slates, individual or blackboard size, are made from a fine grain, soft slate that is darker in color than the light-gray slate used for roofing. After a school slate is split to its desired thickness, its edges are turned up by a small circular saw, face smoothed with a drawing knife and then rubbed with a cloth and fine dust compound, and eventually framed for individual use or utilized as part of a child's toy blackboard. Ruled slates generally were made for export to Continental Europe. If colored crayons were to be used in addition to chalk, one side of the slate was lacquered in white.","In 1941 there were only two school slates companies in the United States -- National School Slate Company and American Slate Works. Both were located in Slatington. National School Slate Company owned its own quarry, the Blue Ridge Quarries. It also purchased slate from other quarries in the region.","By 1941 the American market for school slates had vanished. Most Slatington school slates found their way to Central America, the Netherlands, East Indies, South Africa and South America. American sales focused largely on toy blackboards and bulletin boards sold primarily by chain stores.","Source:\nhttps://www.mcall.com/news/mc-xpm-1993-04-18-2922750-story.html\nHARRY L RINKER, THE MORNING CALL","A slate is a thin piece of hard flat material, such as the rock also called slate, that is used as a medium for writing. The rock is \"a metamorphic rock created by the recrystallization of the minerals in shale from clay to parallel-aligned, flat, flake-like minerals such as mica\".\n   ","The writing slate consisted of a piece of slate, typically either 4x6 inches or 7x10 inches, encased in a wooden frame.","A slate pencil was used to write on the slate board. It was made from a softer and lighter coloured stone such as shale or chalk.","Usually, a piece of cloth or slate sponge was used to clean it and this was sometimes attached with a string to the bottom of the writing slate.","Slate from 1894, used in Berlin, Germany, currently at the Museum Europäischer Kulturen","The exact origins of the writing slate remain unclear. References to its use can be found in the fourteenth century and evidence suggests that it was used in the sixteenth and seventeenth centuries. The central time period for the writing slate, however, \"appears to begin in the later eighteenth century, when developments in sea and land transport permitted the gradual expansion of slate quarrying in Wales and the growth of a substantial slate workshop industry.\"","By the nineteenth century, writing slates were used around the world in nearly every school and were a central part of the slate industry. At the dawn of the twentieth century, writing slates were the primary tool in the classroom for students. In the 1930s (or later) writing slates began to be replaced by more modern methods.[4] However, writing slates did not become obsolete. They are still made in the twenty-first century, though in small quantities.","The writing slate was sometimes used by industry workers to track goods and by sailors to calculate their geographical location at sea. Sometimes multiple pieces of slate were bound together into a \"book\" and horizontal lines were etched onto the slate surface as a guide for neat handwriting","Source:\nhttps://en.wikipedia.org/wiki/Slate_(writing)\nPeter Davies, \"Writing Slates and Schooling\", Australasian Historical Archaeology, Vol. 23 (2005), 63-64.\nRobert N. Pierport, \"Slate Roofing\", APT Bulletin, Vol. 19(2) (1987), 10."],"prefercite_html_tesm":["\u003cp\u003eMSS 16484, Writing Slate Collection, Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 16484, Writing Slate Collection, Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials that document the evolution of the writing slate from stone book slate to native slate blackboards. This includes a slate book with 8 quartz paint pages with attached pencil holder,and another book with pencil holder and 6 quartz painted \"slates\". The cover of one is stamped in black and gold with a school scene and applied litho of two girls playing stick and ball.  There is also a 1940 salesman kit with five loose photos of the National School Slate Co. They depict a couple of table top models with and without an abacus and a floor model with a picture scroll at the top. This is accompanied by a tri-fold price list for a vriety of slate and blackboard related products for the National School Slate Co., SLatington, PA.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains materials that document the evolution of the writing slate from stone book slate to native slate blackboards. This includes a slate book with 8 quartz paint pages with attached pencil holder,and another book with pencil holder and 6 quartz painted \"slates\". The cover of one is stamped in black and gold with a school scene and applied litho of two girls playing stick and ball.  There is also a 1940 salesman kit with five loose photos of the National School Slate Co. They depict a couple of table top models with and without an abacus and a floor model with a picture scroll at the top. This is accompanied by a tri-fold price list for a vriety of slate and blackboard related products for the National School Slate Co., SLatington, PA."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:50:00.935Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_980","ead_ssi":"viu_repositories_3_resources_980","_root_":"viu_repositories_3_resources_980","_nest_parent_":"viu_repositories_3_resources_980","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_980.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/120140","title_filing_ssi":"Writing slate collection","title_ssm":["Writing slate collection"],"title_tesim":["Writing slate collection"],"unitdate_ssm":["1860-1940"],"unitdate_inclusive_ssm":["1860-1940"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16484","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/980"],"text":["MSS 16484","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/980","Writing slate collection","Writing materials and instruments","Good","This collection is open for research.","\"School Slate Works -- In 1884, E. L. Krauss (sic.) associated with Charles Nelson of New York, in establishing a plant at the western section of Slatington for the manufacture of school slate and black-boards and they carried on business until 1892. The management was subsequently changed several times and carried on until 1907, when Mr. Krause (sic.) and his brother, Arthur H., became the owners and they have since operated it in a successful manor. The plant covers two acres of ground, embraces eight one-story brick buildings and employs from 150 to 200 hands. It is commonly known as the National School Slate Co.\"","The History Committee of the Slatington 125 Celebration's \"Slatington and Surrounding Communities: A Volume of History, 1864-1989\" (Slatington 125 Celebration, 1989) notes that Arthur and E. L. Kraus owned the National School Slate Company until it was purchased by Babyak and Jacob Papay in 1950. The Papay family maintained its interest in the company until 1971.","School slates, individual or blackboard size, are made from a fine grain, soft slate that is darker in color than the light-gray slate used for roofing. After a school slate is split to its desired thickness, its edges are turned up by a small circular saw, face smoothed with a drawing knife and then rubbed with a cloth and fine dust compound, and eventually framed for individual use or utilized as part of a child's toy blackboard. Ruled slates generally were made for export to Continental Europe. If colored crayons were to be used in addition to chalk, one side of the slate was lacquered in white.","In 1941 there were only two school slates companies in the United States -- National School Slate Company and American Slate Works. Both were located in Slatington. National School Slate Company owned its own quarry, the Blue Ridge Quarries. It also purchased slate from other quarries in the region.","By 1941 the American market for school slates had vanished. Most Slatington school slates found their way to Central America, the Netherlands, East Indies, South Africa and South America. American sales focused largely on toy blackboards and bulletin boards sold primarily by chain stores.","Source:\nhttps://www.mcall.com/news/mc-xpm-1993-04-18-2922750-story.html\nHARRY L RINKER, THE MORNING CALL","A slate is a thin piece of hard flat material, such as the rock also called slate, that is used as a medium for writing. The rock is \"a metamorphic rock created by the recrystallization of the minerals in shale from clay to parallel-aligned, flat, flake-like minerals such as mica\".\n   ","The writing slate consisted of a piece of slate, typically either 4x6 inches or 7x10 inches, encased in a wooden frame.","A slate pencil was used to write on the slate board. It was made from a softer and lighter coloured stone such as shale or chalk.","Usually, a piece of cloth or slate sponge was used to clean it and this was sometimes attached with a string to the bottom of the writing slate.","Slate from 1894, used in Berlin, Germany, currently at the Museum Europäischer Kulturen","The exact origins of the writing slate remain unclear. References to its use can be found in the fourteenth century and evidence suggests that it was used in the sixteenth and seventeenth centuries. The central time period for the writing slate, however, \"appears to begin in the later eighteenth century, when developments in sea and land transport permitted the gradual expansion of slate quarrying in Wales and the growth of a substantial slate workshop industry.\"","By the nineteenth century, writing slates were used around the world in nearly every school and were a central part of the slate industry. At the dawn of the twentieth century, writing slates were the primary tool in the classroom for students. In the 1930s (or later) writing slates began to be replaced by more modern methods.[4] However, writing slates did not become obsolete. They are still made in the twenty-first century, though in small quantities.","The writing slate was sometimes used by industry workers to track goods and by sailors to calculate their geographical location at sea. Sometimes multiple pieces of slate were bound together into a \"book\" and horizontal lines were etched onto the slate surface as a guide for neat handwriting","Source:\nhttps://en.wikipedia.org/wiki/Slate_(writing)\nPeter Davies, \"Writing Slates and Schooling\", Australasian Historical Archaeology, Vol. 23 (2005), 63-64.\nRobert N. Pierport, \"Slate Roofing\", APT Bulletin, Vol. 19(2) (1987), 10.","This collection contains materials that document the evolution of the writing slate from stone book slate to native slate blackboards. This includes a slate book with 8 quartz paint pages with attached pencil holder,and another book with pencil holder and 6 quartz painted \"slates\". The cover of one is stamped in black and gold with a school scene and applied litho of two girls playing stick and ball.  There is also a 1940 salesman kit with five loose photos of the National School Slate Co. They depict a couple of table top models with and without an abacus and a floor model with a picture scroll at the top. This is accompanied by a tri-fold price list for a vriety of slate and blackboard related products for the National School Slate Co., SLatington, PA.","Albert and Shirley Small Special Collections Library","English"],"unitid_tesim":["MSS 16484","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/980"],"normalized_title_ssm":["Writing slate collection"],"collection_title_tesim":["Writing slate collection"],"collection_ssim":["Writing slate collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_subjects_ssim":["Writing materials and instruments"],"access_subjects_ssm":["Writing materials and instruments"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good"],"extent_ssm":["0.03 Cubic Feet 1 letter sized folder"],"extent_tesim":["0.03 Cubic Feet 1 letter sized folder"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"bioghist_html_tesm":["\u003cp\u003e\"School Slate Works -- In 1884, E. L. Krauss (sic.) associated with Charles Nelson of New York, in establishing a plant at the western section of Slatington for the manufacture of school slate and black-boards and they carried on business until 1892. The management was subsequently changed several times and carried on until 1907, when Mr. Krause (sic.) and his brother, Arthur H., became the owners and they have since operated it in a successful manor. The plant covers two acres of ground, embraces eight one-story brick buildings and employs from 150 to 200 hands. It is commonly known as the National School Slate Co.\"\u003c/p\u003e\n","\u003cp\u003eThe History Committee of the Slatington 125 Celebration's \"Slatington and Surrounding Communities: A Volume of History, 1864-1989\" (Slatington 125 Celebration, 1989) notes that Arthur and E. L. Kraus owned the National School Slate Company until it was purchased by Babyak and Jacob Papay in 1950. The Papay family maintained its interest in the company until 1971.\u003c/p\u003e\n","\u003cp\u003eSchool slates, individual or blackboard size, are made from a fine grain, soft slate that is darker in color than the light-gray slate used for roofing. After a school slate is split to its desired thickness, its edges are turned up by a small circular saw, face smoothed with a drawing knife and then rubbed with a cloth and fine dust compound, and eventually framed for individual use or utilized as part of a child's toy blackboard. Ruled slates generally were made for export to Continental Europe. If colored crayons were to be used in addition to chalk, one side of the slate was lacquered in white.\u003c/p\u003e\n","\u003cp\u003eIn 1941 there were only two school slates companies in the United States -- National School Slate Company and American Slate Works. Both were located in Slatington. National School Slate Company owned its own quarry, the Blue Ridge Quarries. It also purchased slate from other quarries in the region.\u003c/p\u003e\n","\u003cp\u003eBy 1941 the American market for school slates had vanished. Most Slatington school slates found their way to Central America, the Netherlands, East Indies, South Africa and South America. American sales focused largely on toy blackboards and bulletin boards sold primarily by chain stores.\u003c/p\u003e\n","\u003cp\u003eSource:\nhttps://www.mcall.com/news/mc-xpm-1993-04-18-2922750-story.html\nHARRY L RINKER, THE MORNING CALL\u003c/p\u003e\n","\u003cp\u003eA slate is a thin piece of hard flat material, such as the rock also called slate, that is used as a medium for writing. The rock is \"a metamorphic rock created by the recrystallization of the minerals in shale from clay to parallel-aligned, flat, flake-like minerals such as mica\".\n   \u003c/p\u003e\n","\u003cp\u003eThe writing slate consisted of a piece of slate, typically either 4x6 inches or 7x10 inches, encased in a wooden frame.\u003c/p\u003e\n","\u003cp\u003eA slate pencil was used to write on the slate board. It was made from a softer and lighter coloured stone such as shale or chalk.\u003c/p\u003e\n","\u003cp\u003eUsually, a piece of cloth or slate sponge was used to clean it and this was sometimes attached with a string to the bottom of the writing slate.\u003c/p\u003e\n","\u003cp\u003eSlate from 1894, used in Berlin, Germany, currently at the Museum Europäischer Kulturen\u003c/p\u003e\n","\u003cp\u003eThe exact origins of the writing slate remain unclear. References to its use can be found in the fourteenth century and evidence suggests that it was used in the sixteenth and seventeenth centuries. The central time period for the writing slate, however, \"appears to begin in the later eighteenth century, when developments in sea and land transport permitted the gradual expansion of slate quarrying in Wales and the growth of a substantial slate workshop industry.\"\u003c/p\u003e\n","\u003cp\u003eBy the nineteenth century, writing slates were used around the world in nearly every school and were a central part of the slate industry. At the dawn of the twentieth century, writing slates were the primary tool in the classroom for students. In the 1930s (or later) writing slates began to be replaced by more modern methods.[4] However, writing slates did not become obsolete. They are still made in the twenty-first century, though in small quantities.\u003c/p\u003e\n","\u003cp\u003eThe writing slate was sometimes used by industry workers to track goods and by sailors to calculate their geographical location at sea. Sometimes multiple pieces of slate were bound together into a \"book\" and horizontal lines were etched onto the slate surface as a guide for neat handwriting\u003c/p\u003e\n","\u003cp\u003eSource:\nhttps://en.wikipedia.org/wiki/Slate_(writing)\nPeter Davies, \"Writing Slates and Schooling\", Australasian Historical Archaeology, Vol. 23 (2005), 63-64.\nRobert N. Pierport, \"Slate Roofing\", APT Bulletin, Vol. 19(2) (1987), 10.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"School Slate Works -- In 1884, E. L. Krauss (sic.) associated with Charles Nelson of New York, in establishing a plant at the western section of Slatington for the manufacture of school slate and black-boards and they carried on business until 1892. The management was subsequently changed several times and carried on until 1907, when Mr. Krause (sic.) and his brother, Arthur H., became the owners and they have since operated it in a successful manor. The plant covers two acres of ground, embraces eight one-story brick buildings and employs from 150 to 200 hands. It is commonly known as the National School Slate Co.\"","The History Committee of the Slatington 125 Celebration's \"Slatington and Surrounding Communities: A Volume of History, 1864-1989\" (Slatington 125 Celebration, 1989) notes that Arthur and E. L. Kraus owned the National School Slate Company until it was purchased by Babyak and Jacob Papay in 1950. The Papay family maintained its interest in the company until 1971.","School slates, individual or blackboard size, are made from a fine grain, soft slate that is darker in color than the light-gray slate used for roofing. After a school slate is split to its desired thickness, its edges are turned up by a small circular saw, face smoothed with a drawing knife and then rubbed with a cloth and fine dust compound, and eventually framed for individual use or utilized as part of a child's toy blackboard. Ruled slates generally were made for export to Continental Europe. If colored crayons were to be used in addition to chalk, one side of the slate was lacquered in white.","In 1941 there were only two school slates companies in the United States -- National School Slate Company and American Slate Works. Both were located in Slatington. National School Slate Company owned its own quarry, the Blue Ridge Quarries. It also purchased slate from other quarries in the region.","By 1941 the American market for school slates had vanished. Most Slatington school slates found their way to Central America, the Netherlands, East Indies, South Africa and South America. American sales focused largely on toy blackboards and bulletin boards sold primarily by chain stores.","Source:\nhttps://www.mcall.com/news/mc-xpm-1993-04-18-2922750-story.html\nHARRY L RINKER, THE MORNING CALL","A slate is a thin piece of hard flat material, such as the rock also called slate, that is used as a medium for writing. The rock is \"a metamorphic rock created by the recrystallization of the minerals in shale from clay to parallel-aligned, flat, flake-like minerals such as mica\".\n   ","The writing slate consisted of a piece of slate, typically either 4x6 inches or 7x10 inches, encased in a wooden frame.","A slate pencil was used to write on the slate board. It was made from a softer and lighter coloured stone such as shale or chalk.","Usually, a piece of cloth or slate sponge was used to clean it and this was sometimes attached with a string to the bottom of the writing slate.","Slate from 1894, used in Berlin, Germany, currently at the Museum Europäischer Kulturen","The exact origins of the writing slate remain unclear. References to its use can be found in the fourteenth century and evidence suggests that it was used in the sixteenth and seventeenth centuries. The central time period for the writing slate, however, \"appears to begin in the later eighteenth century, when developments in sea and land transport permitted the gradual expansion of slate quarrying in Wales and the growth of a substantial slate workshop industry.\"","By the nineteenth century, writing slates were used around the world in nearly every school and were a central part of the slate industry. At the dawn of the twentieth century, writing slates were the primary tool in the classroom for students. In the 1930s (or later) writing slates began to be replaced by more modern methods.[4] However, writing slates did not become obsolete. They are still made in the twenty-first century, though in small quantities.","The writing slate was sometimes used by industry workers to track goods and by sailors to calculate their geographical location at sea. Sometimes multiple pieces of slate were bound together into a \"book\" and horizontal lines were etched onto the slate surface as a guide for neat handwriting","Source:\nhttps://en.wikipedia.org/wiki/Slate_(writing)\nPeter Davies, \"Writing Slates and Schooling\", Australasian Historical Archaeology, Vol. 23 (2005), 63-64.\nRobert N. Pierport, \"Slate Roofing\", APT Bulletin, Vol. 19(2) (1987), 10."],"prefercite_html_tesm":["\u003cp\u003eMSS 16484, Writing Slate Collection, Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 16484, Writing Slate Collection, Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials that document the evolution of the writing slate from stone book slate to native slate blackboards. This includes a slate book with 8 quartz paint pages with attached pencil holder,and another book with pencil holder and 6 quartz painted \"slates\". The cover of one is stamped in black and gold with a school scene and applied litho of two girls playing stick and ball.  There is also a 1940 salesman kit with five loose photos of the National School Slate Co. They depict a couple of table top models with and without an abacus and a floor model with a picture scroll at the top. This is accompanied by a tri-fold price list for a vriety of slate and blackboard related products for the National School Slate Co., SLatington, PA.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains materials that document the evolution of the writing slate from stone book slate to native slate blackboards. This includes a slate book with 8 quartz paint pages with attached pencil holder,and another book with pencil holder and 6 quartz painted \"slates\". The cover of one is stamped in black and gold with a school scene and applied litho of two girls playing stick and ball.  There is also a 1940 salesman kit with five loose photos of the National School Slate Co. They depict a couple of table top models with and without an abacus and a floor model with a picture scroll at the top. This is accompanied by a tri-fold price list for a vriety of slate and blackboard related products for the National School Slate Co., SLatington, PA."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:50:00.935Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_980"}},{"id":"viu_viu00118_c03_c20","type":"Item","attributes":{"title":"Wythe County: Early Social\n                  Life","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_viu00118_c03_c20#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu00118_c03_c20","ref_ssm":["viu_viu00118_c03_c20"],"id":"viu_viu00118_c03_c20","ead_ssi":"viu_viu00118","_root_":"viu_viu00118","_nest_parent_":"viu_viu00118_c03","parent_ssi":"viu_viu00118_c03","parent_ssim":["viu_viu00118","viu_viu00118_c03"],"parent_ids_ssim":["viu_viu00118","viu_viu00118_c03"],"parent_unittitles_ssm":["Graham, Tate and related families\n         Papers \n         1844\n         (1920-1990)","Research Papers of Agnes Graham Sanders\n               Riley"],"parent_unittitles_tesim":["Graham, Tate and related families\n         Papers \n         1844\n         (1920-1990)","Research Papers of Agnes Graham Sanders\n               Riley"],"text":["Graham, Tate and related families\n         Papers \n         1844\n         (1920-1990)","Research Papers of Agnes Graham Sanders\n               Riley","Wythe County: Early Social\n                  Life","Box Box 3"],"title_filing_ssi":"Wythe County : Early Social\n                  Life","title_ssm":["Wythe County: Early Social\n                  Life"],"title_tesim":["Wythe County: Early Social\n                  Life"],"unitdate_other_ssim":["1870, 1977-1985"],"normalized_date_ssm":["1870/1985"],"normalized_title_ssm":["Wythe County: Early Social\n                  Life"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Graham, Tate and related families\n         Papers \n         1844\n         (1920-1990)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":37,"date_range_isim":[1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985],"containers_ssim":["Box Box 3"],"_nest_path_":"/components#2/components#19","timestamp":"2026-05-21T12:49:12.373Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu00118","ead_ssi":"viu_viu00118","_root_":"viu_viu00118","_nest_parent_":"viu_viu00118","ead_source_url_ssi":"data/uva-sc/viu00118.xml","title_ssm":["Graham, Tate and related families\n         Papers \n         1844\n         (1920-1990)"],"title_tesim":["Graham, Tate and related families\n         Papers \n         1844\n         (1920-1990)"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["9232-p"],"text":["9232-p","Graham, Tate and related families\n         Papers \n         1844\n         (1920-1990)","ca. 1,000 items","Collection is open to research.","Funded in part by a grant from the National Endowment\n            for the Humanities","This collection consists of ca. 1,000 items, 1844\n         (1920-1990), including correspondence, personal and\n         professional papers, genealogy and local history research\n         files, photographs, and printed material, pertaining to the \n          Graham , \n          Sanders , and \n          Tate families, and \n          Wythe County, Virginia . Among the\n         correspondence are letters, 1955-1956, from \n          Agnes Graham Sanders Riley while in \n          South Africa , and letters from \n          Andrew Trigg Sanders and \n          Friel Tate Sanders while serving as \n          U. S. Army officers during World War\n         II.","Letters, 1955-1956, written by \n          Agnes Graham Sanders Riley from \n          South Africa reveal cultural customs,\n         including labor, social, educational, and religious; life for\n         the American family; and limited historical and political news\n         (due to censorship). \n          Edward Thompson Wailes , Ambassador to the\n          Union of South Africa , is mentioned in\n         letters of August 21 \u0026 25 and September 6, 1955 and\n         February 9, 1956. \n          Park Riley 's education and the school\n         system are discussed in letters of September 2 \u0026 6 and\n         October 31, 1955 and January 13, 18, \u0026 21, 1956. There is\n         mention of the Eisenhowers and/or U. S. politics in letters of\n         September 27, October 18, and November 23 \u0026 29, 1955.","Highlights of the letters from South Africa are as follows:\n          1955 Aug 1 \u0026 3 --Onboard R.M.S. \"Queen Mary\" and\n            arrival in \n             London, England 1955 Aug 16 --Near \n             Capetown, Cape of Good Hope, South\n            Africa , family news 1955 Aug 21 -- \n             Pretoria, S.A. , arrived and taken to\n            meet the American Consul, invitation for dinner at the home\n            of the American Ambassador who graduated in Herbert's class\n            at \n             Oak Ridge , legislature in session\n            putting hardship on housing conditions 1955 Aug 25 -- \n             Pretoria, S.A. , dined with Ambassador\n            Wailes, government in session 1955 Sep 2 -- \n             Pretoria, S.A. , son Park's school\n            attire, school run by Christian Brothers 1955 Sep 6 -- \n             Pretoria, S.A. , to \n             Margaret Faust , Ambassador and Mrs.\n            Wailes, their own 20th wedding anniversary on August 25,\n            British-Boer division, problems of school and housing,\n            private school run by Christian Brothers, some customs and\n            views in \n             South Africa 1955 Sep 8 -- \n             Pretoria, S.A. , strict customs, a\n            visit to a Presbyterian church, a school house in \n             Pretoria in which Churchill was held\n            prisoner during the British-Boer War 1955 Sep 21 -- \n             Pretoria, S.A. , attended a memorial\n            for the Battle of \n             Britain at the Cathedral, a meeting of\n            the \n             Prebyterian Church of the Province of South\n            Africa 1955 Sep 27 -- \n             Pretoria, S.A. , concern for Eisenhower\n            and his illness and burdens 1955 Oct 12 -- \n             Pretoria, S.A. , hotel life, being\n            invited to so many social functions, Herbert being a public\n            figure and probably being transferred to the \n             University of Cape Town 1955 Oct 18 -- \n             Pretoria, S.A. , politics -- \n             [William Averell] Harriman , weather,\n            meeting people from \n             Holland 1955 Oct 24 -- \n             Pretoria, S.A. , beauty of jacaranda\n            trees, city celebrating its 100th anniversary,\n            weather 1955 Oct 31 -- \n             Pretoria, S.A. , Park's school work,\n            Herbert going to \n             Rhodes University 1955 Oct-Nov -- \n             Livingstone, North Rhodesia , visiting \n             Victoria Falls , \n             [David] Livingstone 's discovery of the\n            falls in 1855, wild animals in the game reserve 1955 Nov 11 -- \n             Pretoria, S.A. , Herbert at \n             Rhodes University in \n             Grahamstown , English part of the\n            Union 1955 Nov 17 -- \n             Pretoria, S.A. , centenary\n            celebration--bazaars for charity 1955 Nov 23 -- \n             Pretoria, S.A. , moving to \n             Cape Town soon, \n             Mamie's [Eisenhower] troubles 1955 Nov 29 -- \n             Pretoria, S.A. , Anglican Church\n            service for Americans, Eisenhower's recovery, voting age in\n             Kentucky being lowered to 18 1955 Dec 4 -- \n             Pretoria, S.A. , life in \n             South Africa --winter clothes being\n            packed, Herbert's talk at the \n             South African National Laboratory ,\n            America-South Africa amateur baseball game 1955 Dec 11 -- \n             Durban, S.A. , traveling to \n             Cape Town , from \n             Johannesburg to \n             Durban was a 6,000 foot drop 1955 Dec 14-16 -- \n             East London, S.A. , travelled through\n            native reserve country; \n             Port Elizabeth, S.A. , snake farm,\n            pineapple and banana farms, visiting baseball team from\n            America 1955 Dec 22 -- \n             Cape Town, S.A. , temporary living\n            arrangements near the University 1955 Dec 29 -- \n             Cape Town, S.A. , Christmas celebration\n            at home and church service 1955 Dec 31 -- \n             Cape Town, S.A. , concern for\n            mother 1956 Jan 6 -- \n             Cape Town, S.A. , concern for mother,\n            Park's new friends 1956 Jan 8 -- \n             Cape Town, S.A. , \n             Nannie Graham 's birthday,\n            congregational church service 1956 Jan 13 -- \n             Cape Town, S.A. , saw Governor General\n            ride to open parliament, problems finding a school for Park\n            due to overcrowded conditions 1956 Jan 18 -- \n             Cape Town, S.A. , mails, university\n            president's wife got Park in a good school--Anglican 1956 Jan 2 -- \n             Cape Town, S.A. , Park's school, less\n            American friends here than in \n             Pretoria 1956 Jan 25 -- \n             Cape Town, S.A. , view from window of \n             Table Mountain , the University, and\n            Rhodes Memorial, invited to Parliament--beautiful\n            buildings 1956 Feb 1 -- \n             Cape Town, S.A. , plans to return home,\n            toured \n             Cape Town , a beautiful city 1956 Feb 9 -- \n             Cape Town, S.A. , Ambassador and Mrs.\n            Wailes in town and inviting them to dinner 1956 Feb 13 -- \n             Cape Town, S.A. , went onboard British\n            luxury liner Coronia, had luncheon in the dining room of\n            the Houses of Parliament (former student's uncle a member\n            of Parliament) 1956 Feb 20 -- \n             Cape Town, S.A. , comparison of people\n            in \n             Pretoria and \n             Cape Town , attended the celebration of\n            the World Day of Prayer 1956 Feb 27 -- \n             Cape Town, S.A. , plans to leave for\n            home, bought plants to send to \n             Kentucky 1956 Mar 7 -- \n             Cape Town, S.A. , heard bad news about \n             Charlie Graham , careful not to comment\n            on South African politics 1957 --Typed manuscript: \"The Republic of \n             South Africa \" by \n             Agnes S. Riley . History accompanying\n            Herbert's slide presentation.","During 1942-1947, \n          Andrew Trigg Sanders (1910-) wrote about\n         life in \n          North Africa during World War II, general\n         news about the war and conditions, and family and other news\n         from home. On February 27, 1942, he wrote about camp life\n         [probably in North Africa]. During October through December\n         1942, he was at \n          Camp Pickett, Virginia , the location of\n         new headquarters. During 1943, he wrote from North Africa.\n         There are letters revealing his work in the supply section and\n         with the Special Services branch, planning athletic and\n         entertainment programs, and commenting on Arab lifestyles\n         (March 16); mentioning news of a friend \"Jean,\" who had her\n         picture taken with \n          Walt Disney and that two Virginia medical\n         units are nearby (April 24); discussing organizational changes\n         and inquiring about rationing at home (May 17); referring to\n         his teaching school, a class for 2nd lieutenants and enlisted\n         men (July 9); remarking that recent developments make it\n         harder to identify friend or enemy (October 3); and, relating\n         news of the death of young Graham, son of Dave and Verna and\n         the sale of the Graham farm (October 3, November 10). From\n         November 1943 until October 30, 1945, he was in \n          Italy . On November 27, 1943, he wrote,\n         after arriving, that the people and the country were quite\n         different than in \n          North Africa , that fruits and nuts were\n         plentiful but that there was a shortage of other foods, that\n         the land was more fertile but that the destruction greater,\n         and that the people were easier to talk to than the French. On\n         May 29, 1944, he reported that he was doing special work away\n         from his unit and having a chance to see more of the country.\n         By June 23, 1944, he returned to his unit and found many\n         changes, which he also mentioned in his letter of August 18,\n         1944. In his letter of September 19, 1944, he speculated as to\n         when the war would be over and whether they would go to the \n          Pacific ; mentioned casting his vote for\n         Roosevelt; and being sent to \n          Rome in charge of a group of men going\n         there to rest, where he got the chance to tour certain points\n         of interest. There are several letters following that discuss\n         general news about the war and his family at home. On May 9,\n         1945, he was anxious to hear about the point system and\n         expected to remain in \n          Naples for six or eight months. And, on\n         May 25, he wrote that service troops would be the last to\n         return home. On July 12, 1945, he wrote that they are now\n         preparing equipment for the East, that there were 3,000\n         soldiers, civilians, and POWs in one shop, and that he was now\n         executive officer. Through the end of 1945, his letters are\n         filled with hopes of returning home. There is also a letter,\n         January 31, 1947, concerning a training session re: crude\n         petroleum.","Letters, 1926-1947, from \n          Edwin Hanson Sanders (1871-1948), and\n         related correspondence, discuss family and business matters.\n         There is a letter, April 5, 1929, from \n          Shipton Kincannon Curran Sanders (his\n         mother) to \n          William E. Fulton concerning family news.\n         A letter of August 18, 1933, from Rev. \n          H. G. Allen discusses the death of \n          Shipton K. C. Sanders . \n          Edwin Hanson Sanders wrote from the \n          Department of Agriculture and Immigration,\n         discussing breed of cattle and mentioning the effect of the\n         war or prospects for war on farm products (November 10, 1939);\n         and, giving a comparison of the business boom during the\n         Spanish-American War, World War I, and the current one,\n         mentioning the growing business activity at Radford with some\n         eight thousand working, and commenting on low patriotism,\n         partly due to salary conflicts.","Letters, 1924-1925, from \n          Edwin Hanson Sanders, Jr. discuss life at \n          Hampden-Sidney . Letters of March 1 and 22\n         refer to his bid to an honorary fraternity [ \n          The 13 Society ], which chose \"all round\n         good men,\" who were then only known as members during their\n         senior year.","Letters, 1939-1946, from \n          Friel Tate Sanders (1915-1959) cover\n         chiefly the period during World War II. During February 1943\n         through April 1945, he was stationed in China. On March 20, he\n         wrote that he arrived at his assigned post and was living in a\n         private home and described life there. His letter of July 20,\n         1943 mentioned that the foods were similar, such as new\n         potatoes, beans, tomatoes, corn, chicken, and watermelon. On\n         July 31, 1944, he has heard good news and broadcasts about the\n         Germans and Japanese. On November 28, 1944, he wrote that he\n         has been moved to a new station; and, on March 20, 1945, he\n         wrote that he is awaiting orders to go home. He wrote, from \n          Miami Beach, Florida , on May 18, 1945,\n         that the war was over, that he has finished processing and is\n         awaiting a new assignment, that some materials are being\n         released, such as tires, and that there is a possibility of an\n         increase in gas allowance. During June through August 1945, he\n         wrote from \n          Stuttgart, Arkansas , concerning work and\n         continuing studies under the G.I. Bill. Letters of October 31\n         and December 19, 1946, are concerned with his marriage to \n          Nelda Rose Hunter .","Other correspondents or topics of interest are: \" \n          Hollins College \" folder -- \n          E. Lee Trinkle (May 24, 1924); \n          Eleanor \"Siddy\" Wilson (October 20, 1930);\n          Bessie Carter Randolph , President of \n          Hollins College (January 10 and March 5,\n         1938). \"Kentucky, University of\" folder -- \n          John Canaday (January 30, 1964), \n          Mills E. Godwin, Jr. (November 13, 1969).\n         \"Personal Papers\" folders -- \n          Leslie Hellerman re method of testing\n         stability of diazomium compounds (February 7, 1935); wedding\n         announcements and photographs (August 21, 1935); war ration\n         book (1943); \n          John A. Logan, Jr. , President of \n          Hollins College (April 5, 1971 and June\n         26, 1974); \n          W. R. Chitwood (December 2, 1974); \n          Paula P. Brownlee , President of \n          Hollins College (July 18, 1981, December\n         4, 1983, and May 5, 1986); and, an obituary/memorial to \n          Herbert Parkes Riley (March 22, 1988).\n         \"Southwest Virginia\" folder -- \n          W. Edwin Hemphill (January 21, 1964); \n          Ralph McGill (September 29, 1967); \n          William H. Dumont (July 9, 1968); \n          John Melville Jennings (January 14, 1970);\n          W. R. Chitwood (March 2, 1971; November\n         24, 1975; June 20 \u0026 28, 1985); \n          William M. E. Rachel (1971-1972); \n          Harrison E. Salisbury (August 20, 1973);\n         and \n          Paul C. Nagel (September 23, 1985).","See the \n             \n            University of Virginia Library’s use policy.","","University of Virginia. Library. Special\n            Collections Dept.","U. S. Army","South Africa","Union of South Africa","Oak Ridge","Prebyterian Church of the Province of South\n            Africa","University of Cape Town","Rhodes University","South African National Laboratory","Department of Agriculture","Hampden-Sidney","The 13 Society","Hollins College","Kentucky, University of","Graham","Sanders","Tate","Graham Family","Tate Family","Sanders Family","Trigg Family","Calhoun Family","Agnes Graham Sanders Riley","Andrew Trigg Sanders","Friel Tate Sanders","Edward Thompson Wailes","Park Riley","Margaret Faust","[William Averell] Harriman","[David] Livingstone","Mamie's [Eisenhower]","Nannie Graham","Charlie Graham","Agnes S. Riley","Walt Disney","Edwin Hanson Sanders","Shipton Kincannon Curran Sanders","William E. Fulton","H. G. Allen","Shipton K. C. Sanders","Edwin Hanson Sanders, Jr.","Nelda Rose Hunter","E. Lee Trinkle","Eleanor \"Siddy\" Wilson","Bessie Carter Randolph","John Canaday","Mills E. Godwin, Jr.","Leslie Hellerman","John A. Logan, Jr.","W. R. Chitwood","Paula P. Brownlee","Herbert Parkes Riley","W. Edwin Hemphill","Ralph McGill","William H. Dumont","John Melville Jennings","William M. E. Rachel","Harrison E. Salisbury","Paul C. Nagel","Nannie Montgomery\n                  Graham","William Tate Graham","Edwin Hanson Sanders,\n                  Jr.","Elizabeth Graham\n                  Sanders","William Campbell","Robert Graham","David Graham","David Peirce Graham","David Graham Sanders","Elizabeth Graham Sanders","John Thompson","Edith Bolling Wilson","John Montgomery","English"],"unitid_tesim":["9232-p"],"normalized_title_ssm":["Graham, Tate and related families\n         Papers \n         1844\n         (1920-1990)"],"collection_title_tesim":["Graham, Tate and related families\n         Papers \n         1844\n         (1920-1990)"],"collection_ssim":["Graham, Tate and related families\n         Papers \n         1844\n         (1920-1990)"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Agnes Graham Sanders\n         Riley"],"creator_ssim":["Agnes Graham Sanders\n         Riley"],"acqinfo_ssim":["This collection was a gift to the Library from Mrs.\n            Agnes Graham Sanders Riley of Lexington, Kentucky, on June\n            21, 1990."],"has_online_content_ssim":["false"],"physdesc_tesim":["ca. 1,000 items"],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"prefercite_html_tesm":["\u003cp\u003eGraham, Tate and related\n            families Papers, Accession 9232-p, Special Collections Department, University of\n         Virginia Library\u003c/p\u003e"],"prefercite_tesim":["Graham, Tate and related\n            families Papers, Accession 9232-p, Special Collections Department, University of\n         Virginia Library"],"processinfo_html_tesm":["\u003cp\u003eFunded in part by a grant from the National Endowment\n            for the Humanities\u003c/p\u003e"],"processinfo_heading_ssm":["Funding Note"],"processinfo_tesim":["Funded in part by a grant from the National Endowment\n            for the Humanities"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of ca. 1,000 items, 1844\n         (1920-1990), including correspondence, personal and\n         professional papers, genealogy and local history research\n         files, photographs, and printed material, pertaining to the \n          Graham , \n          Sanders , and \n          Tate families, and \n          Wythe County, Virginia . Among the\n         correspondence are letters, 1955-1956, from \n          Agnes Graham Sanders Riley while in \n          South Africa , and letters from \n          Andrew Trigg Sanders and \n          Friel Tate Sanders while serving as \n          U. S. Army officers during World War\n         II.","Letters, 1955-1956, written by \n          Agnes Graham Sanders Riley from \n          South Africa reveal cultural customs,\n         including labor, social, educational, and religious; life for\n         the American family; and limited historical and political news\n         (due to censorship). \n          Edward Thompson Wailes , Ambassador to the\n          Union of South Africa , is mentioned in\n         letters of August 21 \u0026 25 and September 6, 1955 and\n         February 9, 1956. \n          Park Riley 's education and the school\n         system are discussed in letters of September 2 \u0026 6 and\n         October 31, 1955 and January 13, 18, \u0026 21, 1956. There is\n         mention of the Eisenhowers and/or U. S. politics in letters of\n         September 27, October 18, and November 23 \u0026 29, 1955.","Highlights of the letters from South Africa are as follows:\n          1955 Aug 1 \u0026 3 --Onboard R.M.S. \"Queen Mary\" and\n            arrival in \n             London, England 1955 Aug 16 --Near \n             Capetown, Cape of Good Hope, South\n            Africa , family news 1955 Aug 21 -- \n             Pretoria, S.A. , arrived and taken to\n            meet the American Consul, invitation for dinner at the home\n            of the American Ambassador who graduated in Herbert's class\n            at \n             Oak Ridge , legislature in session\n            putting hardship on housing conditions 1955 Aug 25 -- \n             Pretoria, S.A. , dined with Ambassador\n            Wailes, government in session 1955 Sep 2 -- \n             Pretoria, S.A. , son Park's school\n            attire, school run by Christian Brothers 1955 Sep 6 -- \n             Pretoria, S.A. , to \n             Margaret Faust , Ambassador and Mrs.\n            Wailes, their own 20th wedding anniversary on August 25,\n            British-Boer division, problems of school and housing,\n            private school run by Christian Brothers, some customs and\n            views in \n             South Africa 1955 Sep 8 -- \n             Pretoria, S.A. , strict customs, a\n            visit to a Presbyterian church, a school house in \n             Pretoria in which Churchill was held\n            prisoner during the British-Boer War 1955 Sep 21 -- \n             Pretoria, S.A. , attended a memorial\n            for the Battle of \n             Britain at the Cathedral, a meeting of\n            the \n             Prebyterian Church of the Province of South\n            Africa 1955 Sep 27 -- \n             Pretoria, S.A. , concern for Eisenhower\n            and his illness and burdens 1955 Oct 12 -- \n             Pretoria, S.A. , hotel life, being\n            invited to so many social functions, Herbert being a public\n            figure and probably being transferred to the \n             University of Cape Town 1955 Oct 18 -- \n             Pretoria, S.A. , politics -- \n             [William Averell] Harriman , weather,\n            meeting people from \n             Holland 1955 Oct 24 -- \n             Pretoria, S.A. , beauty of jacaranda\n            trees, city celebrating its 100th anniversary,\n            weather 1955 Oct 31 -- \n             Pretoria, S.A. , Park's school work,\n            Herbert going to \n             Rhodes University 1955 Oct-Nov -- \n             Livingstone, North Rhodesia , visiting \n             Victoria Falls , \n             [David] Livingstone 's discovery of the\n            falls in 1855, wild animals in the game reserve 1955 Nov 11 -- \n             Pretoria, S.A. , Herbert at \n             Rhodes University in \n             Grahamstown , English part of the\n            Union 1955 Nov 17 -- \n             Pretoria, S.A. , centenary\n            celebration--bazaars for charity 1955 Nov 23 -- \n             Pretoria, S.A. , moving to \n             Cape Town soon, \n             Mamie's [Eisenhower] troubles 1955 Nov 29 -- \n             Pretoria, S.A. , Anglican Church\n            service for Americans, Eisenhower's recovery, voting age in\n             Kentucky being lowered to 18 1955 Dec 4 -- \n             Pretoria, S.A. , life in \n             South Africa --winter clothes being\n            packed, Herbert's talk at the \n             South African National Laboratory ,\n            America-South Africa amateur baseball game 1955 Dec 11 -- \n             Durban, S.A. , traveling to \n             Cape Town , from \n             Johannesburg to \n             Durban was a 6,000 foot drop 1955 Dec 14-16 -- \n             East London, S.A. , travelled through\n            native reserve country; \n             Port Elizabeth, S.A. , snake farm,\n            pineapple and banana farms, visiting baseball team from\n            America 1955 Dec 22 -- \n             Cape Town, S.A. , temporary living\n            arrangements near the University 1955 Dec 29 -- \n             Cape Town, S.A. , Christmas celebration\n            at home and church service 1955 Dec 31 -- \n             Cape Town, S.A. , concern for\n            mother 1956 Jan 6 -- \n             Cape Town, S.A. , concern for mother,\n            Park's new friends 1956 Jan 8 -- \n             Cape Town, S.A. , \n             Nannie Graham 's birthday,\n            congregational church service 1956 Jan 13 -- \n             Cape Town, S.A. , saw Governor General\n            ride to open parliament, problems finding a school for Park\n            due to overcrowded conditions 1956 Jan 18 -- \n             Cape Town, S.A. , mails, university\n            president's wife got Park in a good school--Anglican 1956 Jan 2 -- \n             Cape Town, S.A. , Park's school, less\n            American friends here than in \n             Pretoria 1956 Jan 25 -- \n             Cape Town, S.A. , view from window of \n             Table Mountain , the University, and\n            Rhodes Memorial, invited to Parliament--beautiful\n            buildings 1956 Feb 1 -- \n             Cape Town, S.A. , plans to return home,\n            toured \n             Cape Town , a beautiful city 1956 Feb 9 -- \n             Cape Town, S.A. , Ambassador and Mrs.\n            Wailes in town and inviting them to dinner 1956 Feb 13 -- \n             Cape Town, S.A. , went onboard British\n            luxury liner Coronia, had luncheon in the dining room of\n            the Houses of Parliament (former student's uncle a member\n            of Parliament) 1956 Feb 20 -- \n             Cape Town, S.A. , comparison of people\n            in \n             Pretoria and \n             Cape Town , attended the celebration of\n            the World Day of Prayer 1956 Feb 27 -- \n             Cape Town, S.A. , plans to leave for\n            home, bought plants to send to \n             Kentucky 1956 Mar 7 -- \n             Cape Town, S.A. , heard bad news about \n             Charlie Graham , careful not to comment\n            on South African politics 1957 --Typed manuscript: \"The Republic of \n             South Africa \" by \n             Agnes S. Riley . History accompanying\n            Herbert's slide presentation.","During 1942-1947, \n          Andrew Trigg Sanders (1910-) wrote about\n         life in \n          North Africa during World War II, general\n         news about the war and conditions, and family and other news\n         from home. On February 27, 1942, he wrote about camp life\n         [probably in North Africa]. During October through December\n         1942, he was at \n          Camp Pickett, Virginia , the location of\n         new headquarters. During 1943, he wrote from North Africa.\n         There are letters revealing his work in the supply section and\n         with the Special Services branch, planning athletic and\n         entertainment programs, and commenting on Arab lifestyles\n         (March 16); mentioning news of a friend \"Jean,\" who had her\n         picture taken with \n          Walt Disney and that two Virginia medical\n         units are nearby (April 24); discussing organizational changes\n         and inquiring about rationing at home (May 17); referring to\n         his teaching school, a class for 2nd lieutenants and enlisted\n         men (July 9); remarking that recent developments make it\n         harder to identify friend or enemy (October 3); and, relating\n         news of the death of young Graham, son of Dave and Verna and\n         the sale of the Graham farm (October 3, November 10). From\n         November 1943 until October 30, 1945, he was in \n          Italy . On November 27, 1943, he wrote,\n         after arriving, that the people and the country were quite\n         different than in \n          North Africa , that fruits and nuts were\n         plentiful but that there was a shortage of other foods, that\n         the land was more fertile but that the destruction greater,\n         and that the people were easier to talk to than the French. On\n         May 29, 1944, he reported that he was doing special work away\n         from his unit and having a chance to see more of the country.\n         By June 23, 1944, he returned to his unit and found many\n         changes, which he also mentioned in his letter of August 18,\n         1944. In his letter of September 19, 1944, he speculated as to\n         when the war would be over and whether they would go to the \n          Pacific ; mentioned casting his vote for\n         Roosevelt; and being sent to \n          Rome in charge of a group of men going\n         there to rest, where he got the chance to tour certain points\n         of interest. There are several letters following that discuss\n         general news about the war and his family at home. On May 9,\n         1945, he was anxious to hear about the point system and\n         expected to remain in \n          Naples for six or eight months. And, on\n         May 25, he wrote that service troops would be the last to\n         return home. On July 12, 1945, he wrote that they are now\n         preparing equipment for the East, that there were 3,000\n         soldiers, civilians, and POWs in one shop, and that he was now\n         executive officer. Through the end of 1945, his letters are\n         filled with hopes of returning home. There is also a letter,\n         January 31, 1947, concerning a training session re: crude\n         petroleum.","Letters, 1926-1947, from \n          Edwin Hanson Sanders (1871-1948), and\n         related correspondence, discuss family and business matters.\n         There is a letter, April 5, 1929, from \n          Shipton Kincannon Curran Sanders (his\n         mother) to \n          William E. Fulton concerning family news.\n         A letter of August 18, 1933, from Rev. \n          H. G. Allen discusses the death of \n          Shipton K. C. Sanders . \n          Edwin Hanson Sanders wrote from the \n          Department of Agriculture and Immigration,\n         discussing breed of cattle and mentioning the effect of the\n         war or prospects for war on farm products (November 10, 1939);\n         and, giving a comparison of the business boom during the\n         Spanish-American War, World War I, and the current one,\n         mentioning the growing business activity at Radford with some\n         eight thousand working, and commenting on low patriotism,\n         partly due to salary conflicts.","Letters, 1924-1925, from \n          Edwin Hanson Sanders, Jr. discuss life at \n          Hampden-Sidney . Letters of March 1 and 22\n         refer to his bid to an honorary fraternity [ \n          The 13 Society ], which chose \"all round\n         good men,\" who were then only known as members during their\n         senior year.","Letters, 1939-1946, from \n          Friel Tate Sanders (1915-1959) cover\n         chiefly the period during World War II. During February 1943\n         through April 1945, he was stationed in China. On March 20, he\n         wrote that he arrived at his assigned post and was living in a\n         private home and described life there. His letter of July 20,\n         1943 mentioned that the foods were similar, such as new\n         potatoes, beans, tomatoes, corn, chicken, and watermelon. On\n         July 31, 1944, he has heard good news and broadcasts about the\n         Germans and Japanese. On November 28, 1944, he wrote that he\n         has been moved to a new station; and, on March 20, 1945, he\n         wrote that he is awaiting orders to go home. He wrote, from \n          Miami Beach, Florida , on May 18, 1945,\n         that the war was over, that he has finished processing and is\n         awaiting a new assignment, that some materials are being\n         released, such as tires, and that there is a possibility of an\n         increase in gas allowance. During June through August 1945, he\n         wrote from \n          Stuttgart, Arkansas , concerning work and\n         continuing studies under the G.I. Bill. Letters of October 31\n         and December 19, 1946, are concerned with his marriage to \n          Nelda Rose Hunter .","Other correspondents or topics of interest are: \" \n          Hollins College \" folder -- \n          E. Lee Trinkle (May 24, 1924); \n          Eleanor \"Siddy\" Wilson (October 20, 1930);\n          Bessie Carter Randolph , President of \n          Hollins College (January 10 and March 5,\n         1938). \"Kentucky, University of\" folder -- \n          John Canaday (January 30, 1964), \n          Mills E. Godwin, Jr. (November 13, 1969).\n         \"Personal Papers\" folders -- \n          Leslie Hellerman re method of testing\n         stability of diazomium compounds (February 7, 1935); wedding\n         announcements and photographs (August 21, 1935); war ration\n         book (1943); \n          John A. Logan, Jr. , President of \n          Hollins College (April 5, 1971 and June\n         26, 1974); \n          W. R. Chitwood (December 2, 1974); \n          Paula P. Brownlee , President of \n          Hollins College (July 18, 1981, December\n         4, 1983, and May 5, 1986); and, an obituary/memorial to \n          Herbert Parkes Riley (March 22, 1988).\n         \"Southwest Virginia\" folder -- \n          W. Edwin Hemphill (January 21, 1964); \n          Ralph McGill (September 29, 1967); \n          William H. Dumont (July 9, 1968); \n          John Melville Jennings (January 14, 1970);\n          W. R. Chitwood (March 2, 1971; November\n         24, 1975; June 20 \u0026 28, 1985); \n          William M. E. Rachel (1971-1972); \n          Harrison E. Salisbury (August 20, 1973);\n         and \n          Paul C. Nagel (September 23, 1985)."],"userestrict_html_tesm":["\u003cp\u003eSee the \n            \u003cextref type=\"simple\" href=\"https://www.library.virginia.edu/policies/use-of-materials\"\u003e\n            University of Virginia Library’s use policy.\u003c/extref\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["See the \n             \n            University of Virginia Library’s use policy."],"physloc_html_tesm":["\u003cphysloc/\u003e"],"physloc_tesim":[""],"names_ssim":["University of Virginia. Library. Special\n            Collections Dept.","U. S. Army","South Africa","Union of South Africa","Oak Ridge","Prebyterian Church of the Province of South\n            Africa","University of Cape Town","Rhodes University","South African National Laboratory","Department of Agriculture","Hampden-Sidney","The 13 Society","Hollins College","Kentucky, University of","Graham","Sanders","Tate","Graham Family","Tate Family","Sanders Family","Trigg Family","Calhoun Family","Agnes Graham Sanders Riley","Andrew Trigg Sanders","Friel Tate Sanders","Edward Thompson Wailes","Park Riley","Margaret Faust","[William Averell] Harriman","[David] Livingstone","Mamie's [Eisenhower]","Nannie Graham","Charlie Graham","Agnes S. Riley","Walt Disney","Edwin Hanson Sanders","Shipton Kincannon Curran Sanders","William E. Fulton","H. G. Allen","Shipton K. C. Sanders","Edwin Hanson Sanders, Jr.","Nelda Rose Hunter","E. Lee Trinkle","Eleanor \"Siddy\" Wilson","Bessie Carter Randolph","John Canaday","Mills E. Godwin, Jr.","Leslie Hellerman","John A. Logan, Jr.","W. R. Chitwood","Paula P. Brownlee","Herbert Parkes Riley","W. Edwin Hemphill","Ralph McGill","William H. Dumont","John Melville Jennings","William M. E. Rachel","Harrison E. Salisbury","Paul C. Nagel","Nannie Montgomery\n                  Graham","William Tate Graham","Edwin Hanson Sanders,\n                  Jr.","Elizabeth Graham\n                  Sanders","William Campbell","Robert Graham","David Graham","David Peirce Graham","David Graham Sanders","Elizabeth Graham Sanders","John Thompson","Edith Bolling Wilson","John Montgomery"],"corpname_ssim":["University of Virginia. Library. Special\n            Collections Dept.","U. S. Army","South Africa","Union of South Africa","Oak Ridge","Prebyterian Church of the Province of South\n            Africa","University of Cape Town","Rhodes University","South African National Laboratory","Department of Agriculture","Hampden-Sidney","The 13 Society","Hollins College","Kentucky, University of"],"famname_ssim":["Graham","Sanders","Tate","Graham Family","Tate Family","Sanders Family","Trigg Family","Calhoun Family"],"persname_ssim":["Agnes Graham Sanders Riley","Andrew Trigg Sanders","Friel Tate Sanders","Edward Thompson Wailes","Park Riley","Margaret Faust","[William Averell] Harriman","[David] Livingstone","Mamie's [Eisenhower]","Nannie Graham","Charlie Graham","Agnes S. Riley","Walt Disney","Edwin Hanson Sanders","Shipton Kincannon Curran Sanders","William E. Fulton","H. G. Allen","Shipton K. C. Sanders","Edwin Hanson Sanders, Jr.","Nelda Rose Hunter","E. Lee Trinkle","Eleanor \"Siddy\" Wilson","Bessie Carter Randolph","John Canaday","Mills E. Godwin, Jr.","Leslie Hellerman","John A. Logan, Jr.","W. R. Chitwood","Paula P. Brownlee","Herbert Parkes Riley","W. Edwin Hemphill","Ralph McGill","William H. Dumont","John Melville Jennings","William M. E. Rachel","Harrison E. Salisbury","Paul C. Nagel","Nannie Montgomery\n                  Graham","William Tate Graham","Edwin Hanson Sanders,\n                  Jr.","Elizabeth Graham\n                  Sanders","William Campbell","Robert Graham","David Graham","David Peirce Graham","David Graham Sanders","Elizabeth Graham Sanders","John Thompson","Edith Bolling Wilson","John Montgomery"],"language_ssim":["English"],"total_component_count_is":44,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T12:49:12.373Z","scopecontent_html_tesm":["\u003cp\u003eThis collection consists of ca. 1,000 items, 1844\n         (1920-1990), including correspondence, personal and\n         professional papers, genealogy and local history research\n         files, photographs, and printed material, pertaining to the \n         \u003cfamname\u003eGraham\u003c/famname\u003e, \n         \u003cfamname\u003eSanders\u003c/famname\u003e, and \n         \u003cfamname\u003eTate\u003c/famname\u003efamilies, and \n         \u003cgeogname\u003eWythe County, Virginia\u003c/geogname\u003e. Among the\n         correspondence are letters, 1955-1956, from \n         \u003cpersname\u003eAgnes Graham Sanders Riley\u003c/persname\u003ewhile in \n         \u003cgeogname\u003eSouth Africa\u003c/geogname\u003e, and letters from \n         \u003cpersname\u003eAndrew Trigg Sanders\u003c/persname\u003eand \n         \u003cpersname\u003eFriel Tate Sanders\u003c/persname\u003ewhile serving as \n         \u003ccorpname\u003eU. S. Army\u003c/corpname\u003eofficers during World War\n         II.\u003c/p\u003e","\u003cp\u003eLetters, 1955-1956, written by \n         \u003cpersname\u003eAgnes Graham Sanders Riley\u003c/persname\u003efrom \n         \u003ccorpname\u003eSouth Africa\u003c/corpname\u003ereveal cultural customs,\n         including labor, social, educational, and religious; life for\n         the American family; and limited historical and political news\n         (due to censorship). \n         \u003cpersname\u003eEdward Thompson Wailes\u003c/persname\u003e, Ambassador to the\n         \u003ccorpname\u003eUnion of South Africa\u003c/corpname\u003e, is mentioned in\n         letters of August 21 \u0026amp; 25 and September 6, 1955 and\n         February 9, 1956. \n         \u003cpersname\u003ePark Riley\u003c/persname\u003e's education and the school\n         system are discussed in letters of September 2 \u0026amp; 6 and\n         October 31, 1955 and January 13, 18, \u0026amp; 21, 1956. There is\n         mention of the Eisenhowers and/or U. S. politics in letters of\n         September 27, October 18, and November 23 \u0026amp; 29, 1955.\u003c/p\u003e","\u003cp\u003eHighlights of the letters from South Africa are as follows:\n         \u003clist type=\"simple\"\u003e\u003citem\u003e1955 Aug 1 \u0026amp; 3 --Onboard R.M.S. \"Queen Mary\" and\n            arrival in \n            \u003cgeogname\u003eLondon, England\u003c/geogname\u003e\u003c/item\u003e\u003citem\u003e1955 Aug 16 --Near \n            \u003cgeogname\u003eCapetown, Cape of Good Hope, South\n            Africa\u003c/geogname\u003e, family news\u003c/item\u003e\u003citem\u003e1955 Aug 21 -- \n            \u003cgeogname\u003ePretoria, S.A.\u003c/geogname\u003e, arrived and taken to\n            meet the American Consul, invitation for dinner at the home\n            of the American Ambassador who graduated in Herbert's class\n            at \n            \u003ccorpname\u003eOak Ridge\u003c/corpname\u003e, legislature in session\n            putting hardship on housing conditions\u003c/item\u003e\u003citem\u003e1955 Aug 25 -- \n            \u003cgeogname\u003ePretoria, S.A.\u003c/geogname\u003e, dined with Ambassador\n            Wailes, government in session\u003c/item\u003e\u003citem\u003e1955 Sep 2 -- \n            \u003cgeogname\u003ePretoria, S.A.\u003c/geogname\u003e, son Park's school\n            attire, school run by Christian Brothers\u003c/item\u003e\u003citem\u003e1955 Sep 6 -- \n            \u003cgeogname\u003ePretoria, S.A.\u003c/geogname\u003e, to \n            \u003cpersname\u003eMargaret Faust\u003c/persname\u003e, Ambassador and Mrs.\n            Wailes, their own 20th wedding anniversary on August 25,\n            British-Boer division, problems of school and housing,\n            private school run by Christian Brothers, some customs and\n            views in \n            \u003cgeogname\u003eSouth Africa\u003c/geogname\u003e\u003c/item\u003e\u003citem\u003e1955 Sep 8 -- \n            \u003cgeogname\u003ePretoria, S.A.\u003c/geogname\u003e, strict customs, a\n            visit to a Presbyterian church, a school house in \n            \u003cgeogname\u003ePretoria\u003c/geogname\u003ein which Churchill was held\n            prisoner during the British-Boer War\u003c/item\u003e\u003citem\u003e1955 Sep 21 -- \n            \u003cgeogname\u003ePretoria, S.A.\u003c/geogname\u003e, attended a memorial\n            for the Battle of \n            \u003cgeogname\u003eBritain\u003c/geogname\u003eat the Cathedral, a meeting of\n            the \n            \u003ccorpname\u003ePrebyterian Church of the Province of South\n            Africa\u003c/corpname\u003e\u003c/item\u003e\u003citem\u003e1955 Sep 27 -- \n            \u003cgeogname\u003ePretoria, S.A.\u003c/geogname\u003e, concern for Eisenhower\n            and his illness and burdens\u003c/item\u003e\u003citem\u003e1955 Oct 12 -- \n            \u003cgeogname\u003ePretoria, S.A.\u003c/geogname\u003e, hotel life, being\n            invited to so many social functions, Herbert being a public\n            figure and probably being transferred to the \n            \u003ccorpname\u003eUniversity of Cape Town\u003c/corpname\u003e\u003c/item\u003e\u003citem\u003e1955 Oct 18 -- \n            \u003cgeogname\u003ePretoria, S.A.\u003c/geogname\u003e, politics -- \n            \u003cpersname\u003e[William Averell] Harriman\u003c/persname\u003e, weather,\n            meeting people from \n            \u003cgeogname\u003eHolland\u003c/geogname\u003e\u003c/item\u003e\u003citem\u003e1955 Oct 24 -- \n            \u003cgeogname\u003ePretoria, S.A.\u003c/geogname\u003e, beauty of jacaranda\n            trees, city celebrating its 100th anniversary,\n            weather\u003c/item\u003e\u003citem\u003e1955 Oct 31 -- \n            \u003cgeogname\u003ePretoria, S.A.\u003c/geogname\u003e, Park's school work,\n            Herbert going to \n            \u003ccorpname\u003eRhodes University\u003c/corpname\u003e\u003c/item\u003e\u003citem\u003e1955 Oct-Nov -- \n            \u003cgeogname\u003eLivingstone, North Rhodesia\u003c/geogname\u003e, visiting \n            \u003cgeogname\u003eVictoria Falls\u003c/geogname\u003e, \n            \u003cpersname\u003e[David] Livingstone\u003c/persname\u003e's discovery of the\n            falls in 1855, wild animals in the game reserve\u003c/item\u003e\u003citem\u003e1955 Nov 11 -- \n            \u003cgeogname\u003ePretoria, S.A.\u003c/geogname\u003e, Herbert at \n            \u003ccorpname\u003eRhodes University\u003c/corpname\u003ein \n            \u003cgeogname\u003eGrahamstown\u003c/geogname\u003e, English part of the\n            Union\u003c/item\u003e\u003citem\u003e1955 Nov 17 -- \n            \u003cgeogname\u003ePretoria, S.A.\u003c/geogname\u003e, centenary\n            celebration--bazaars for charity\u003c/item\u003e\u003citem\u003e1955 Nov 23 -- \n            \u003cgeogname\u003ePretoria, S.A.\u003c/geogname\u003e, moving to \n            \u003cgeogname\u003eCape Town\u003c/geogname\u003esoon, \n            \u003cpersname\u003eMamie's [Eisenhower]\u003c/persname\u003etroubles\u003c/item\u003e\u003citem\u003e1955 Nov 29 -- \n            \u003cgeogname\u003ePretoria, S.A.\u003c/geogname\u003e, Anglican Church\n            service for Americans, Eisenhower's recovery, voting age in\n            \u003cgeogname\u003eKentucky\u003c/geogname\u003ebeing lowered to 18\u003c/item\u003e\u003citem\u003e1955 Dec 4 -- \n            \u003cgeogname\u003ePretoria, S.A.\u003c/geogname\u003e, life in \n            \u003cgeogname\u003eSouth Africa\u003c/geogname\u003e--winter clothes being\n            packed, Herbert's talk at the \n            \u003ccorpname\u003eSouth African National Laboratory\u003c/corpname\u003e,\n            America-South Africa amateur baseball game\u003c/item\u003e\u003citem\u003e1955 Dec 11 -- \n            \u003cgeogname\u003eDurban, S.A.\u003c/geogname\u003e, traveling to \n            \u003cgeogname\u003eCape Town\u003c/geogname\u003e, from \n            \u003cgeogname\u003eJohannesburg\u003c/geogname\u003eto \n            \u003cgeogname\u003eDurban\u003c/geogname\u003ewas a 6,000 foot drop\u003c/item\u003e\u003citem\u003e1955 Dec 14-16 -- \n            \u003cgeogname\u003eEast London, S.A.\u003c/geogname\u003e, travelled through\n            native reserve country; \n            \u003cgeogname\u003ePort Elizabeth, S.A.\u003c/geogname\u003e, snake farm,\n            pineapple and banana farms, visiting baseball team from\n            America\u003c/item\u003e\u003citem\u003e1955 Dec 22 -- \n            \u003cgeogname\u003eCape Town, S.A.\u003c/geogname\u003e, temporary living\n            arrangements near the University\u003c/item\u003e\u003citem\u003e1955 Dec 29 -- \n            \u003cgeogname\u003eCape Town, S.A.\u003c/geogname\u003e, Christmas celebration\n            at home and church service\u003c/item\u003e\u003citem\u003e1955 Dec 31 -- \n            \u003cgeogname\u003eCape Town, S.A.\u003c/geogname\u003e, concern for\n            mother\u003c/item\u003e\u003citem\u003e1956 Jan 6 -- \n            \u003cgeogname\u003eCape Town, S.A.\u003c/geogname\u003e, concern for mother,\n            Park's new friends\u003c/item\u003e\u003citem\u003e1956 Jan 8 -- \n            \u003cgeogname\u003eCape Town, S.A.\u003c/geogname\u003e, \n            \u003cpersname\u003eNannie Graham\u003c/persname\u003e's birthday,\n            congregational church service\u003c/item\u003e\u003citem\u003e1956 Jan 13 -- \n            \u003cgeogname\u003eCape Town, S.A.\u003c/geogname\u003e, saw Governor General\n            ride to open parliament, problems finding a school for Park\n            due to overcrowded conditions\u003c/item\u003e\u003citem\u003e1956 Jan 18 -- \n            \u003cgeogname\u003eCape Town, S.A.\u003c/geogname\u003e, mails, university\n            president's wife got Park in a good school--Anglican\u003c/item\u003e\u003citem\u003e1956 Jan 2 -- \n            \u003cgeogname\u003eCape Town, S.A.\u003c/geogname\u003e, Park's school, less\n            American friends here than in \n            \u003cgeogname\u003ePretoria\u003c/geogname\u003e\u003c/item\u003e\u003citem\u003e1956 Jan 25 -- \n            \u003cgeogname\u003eCape Town, S.A.\u003c/geogname\u003e, view from window of \n            \u003cgeogname\u003eTable Mountain\u003c/geogname\u003e, the University, and\n            Rhodes Memorial, invited to Parliament--beautiful\n            buildings\u003c/item\u003e\u003citem\u003e1956 Feb 1 -- \n            \u003cgeogname\u003eCape Town, S.A.\u003c/geogname\u003e, plans to return home,\n            toured \n            \u003cgeogname\u003eCape Town\u003c/geogname\u003e, a beautiful city\u003c/item\u003e\u003citem\u003e1956 Feb 9 -- \n            \u003cgeogname\u003eCape Town, S.A.\u003c/geogname\u003e, Ambassador and Mrs.\n            Wailes in town and inviting them to dinner\u003c/item\u003e\u003citem\u003e1956 Feb 13 -- \n            \u003cgeogname\u003eCape Town, S.A.\u003c/geogname\u003e, went onboard British\n            luxury liner Coronia, had luncheon in the dining room of\n            the Houses of Parliament (former student's uncle a member\n            of Parliament)\u003c/item\u003e\u003citem\u003e1956 Feb 20 -- \n            \u003cgeogname\u003eCape Town, S.A.\u003c/geogname\u003e, comparison of people\n            in \n            \u003cgeogname\u003ePretoria\u003c/geogname\u003eand \n            \u003cgeogname\u003eCape Town\u003c/geogname\u003e, attended the celebration of\n            the World Day of Prayer\u003c/item\u003e\u003citem\u003e1956 Feb 27 -- \n            \u003cgeogname\u003eCape Town, S.A.\u003c/geogname\u003e, plans to leave for\n            home, bought plants to send to \n            \u003cgeogname\u003eKentucky\u003c/geogname\u003e\u003c/item\u003e\u003citem\u003e1956 Mar 7 -- \n            \u003cgeogname\u003eCape Town, S.A.\u003c/geogname\u003e, heard bad news about \n            \u003cpersname\u003eCharlie Graham\u003c/persname\u003e, careful not to comment\n            on South African politics\u003c/item\u003e\u003citem\u003e1957 --Typed manuscript: \"The Republic of \n            \u003cgeogname\u003eSouth Africa\u003c/geogname\u003e\" by \n            \u003cpersname\u003eAgnes S. Riley\u003c/persname\u003e. History accompanying\n            Herbert's slide presentation.\u003c/item\u003e\u003c/list\u003e\u003c/p\u003e","\u003cp\u003eDuring 1942-1947, \n         \u003cpersname\u003eAndrew Trigg Sanders\u003c/persname\u003e(1910-) wrote about\n         life in \n         \u003cgeogname\u003eNorth Africa\u003c/geogname\u003eduring World War II, general\n         news about the war and conditions, and family and other news\n         from home. On February 27, 1942, he wrote about camp life\n         [probably in North Africa]. During October through December\n         1942, he was at \n         \u003cgeogname\u003eCamp Pickett, Virginia\u003c/geogname\u003e, the location of\n         new headquarters. During 1943, he wrote from North Africa.\n         There are letters revealing his work in the supply section and\n         with the Special Services branch, planning athletic and\n         entertainment programs, and commenting on Arab lifestyles\n         (March 16); mentioning news of a friend \"Jean,\" who had her\n         picture taken with \n         \u003cpersname\u003eWalt Disney\u003c/persname\u003eand that two Virginia medical\n         units are nearby (April 24); discussing organizational changes\n         and inquiring about rationing at home (May 17); referring to\n         his teaching school, a class for 2nd lieutenants and enlisted\n         men (July 9); remarking that recent developments make it\n         harder to identify friend or enemy (October 3); and, relating\n         news of the death of young Graham, son of Dave and Verna and\n         the sale of the Graham farm (October 3, November 10). From\n         November 1943 until October 30, 1945, he was in \n         \u003cgeogname\u003eItaly\u003c/geogname\u003e. On November 27, 1943, he wrote,\n         after arriving, that the people and the country were quite\n         different than in \n         \u003cgeogname\u003eNorth Africa\u003c/geogname\u003e, that fruits and nuts were\n         plentiful but that there was a shortage of other foods, that\n         the land was more fertile but that the destruction greater,\n         and that the people were easier to talk to than the French. On\n         May 29, 1944, he reported that he was doing special work away\n         from his unit and having a chance to see more of the country.\n         By June 23, 1944, he returned to his unit and found many\n         changes, which he also mentioned in his letter of August 18,\n         1944. In his letter of September 19, 1944, he speculated as to\n         when the war would be over and whether they would go to the \n         \u003cgeogname\u003ePacific\u003c/geogname\u003e; mentioned casting his vote for\n         Roosevelt; and being sent to \n         \u003cgeogname\u003eRome\u003c/geogname\u003ein charge of a group of men going\n         there to rest, where he got the chance to tour certain points\n         of interest. There are several letters following that discuss\n         general news about the war and his family at home. On May 9,\n         1945, he was anxious to hear about the point system and\n         expected to remain in \n         \u003cgeogname\u003eNaples\u003c/geogname\u003efor six or eight months. And, on\n         May 25, he wrote that service troops would be the last to\n         return home. On July 12, 1945, he wrote that they are now\n         preparing equipment for the East, that there were 3,000\n         soldiers, civilians, and POWs in one shop, and that he was now\n         executive officer. Through the end of 1945, his letters are\n         filled with hopes of returning home. There is also a letter,\n         January 31, 1947, concerning a training session re: crude\n         petroleum.\u003c/p\u003e","\u003cp\u003eLetters, 1926-1947, from \n         \u003cpersname\u003eEdwin Hanson Sanders\u003c/persname\u003e(1871-1948), and\n         related correspondence, discuss family and business matters.\n         There is a letter, April 5, 1929, from \n         \u003cpersname\u003eShipton Kincannon Curran Sanders\u003c/persname\u003e(his\n         mother) to \n         \u003cpersname\u003eWilliam E. Fulton\u003c/persname\u003econcerning family news.\n         A letter of August 18, 1933, from Rev. \n         \u003cpersname\u003eH. G. Allen\u003c/persname\u003ediscusses the death of \n         \u003cpersname\u003eShipton K. C. Sanders\u003c/persname\u003e. \n         \u003cpersname\u003eEdwin Hanson Sanders\u003c/persname\u003ewrote from the \n         \u003ccorpname\u003eDepartment of Agriculture\u003c/corpname\u003eand Immigration,\n         discussing breed of cattle and mentioning the effect of the\n         war or prospects for war on farm products (November 10, 1939);\n         and, giving a comparison of the business boom during the\n         Spanish-American War, World War I, and the current one,\n         mentioning the growing business activity at Radford with some\n         eight thousand working, and commenting on low patriotism,\n         partly due to salary conflicts.\u003c/p\u003e","\u003cp\u003eLetters, 1924-1925, from \n         \u003cpersname\u003eEdwin Hanson Sanders, Jr.\u003c/persname\u003ediscuss life at \n         \u003ccorpname\u003eHampden-Sidney\u003c/corpname\u003e. Letters of March 1 and 22\n         refer to his bid to an honorary fraternity [ \n         \u003ccorpname\u003eThe 13 Society\u003c/corpname\u003e], which chose \"all round\n         good men,\" who were then only known as members during their\n         senior year.\u003c/p\u003e","\u003cp\u003eLetters, 1939-1946, from \n         \u003cpersname\u003eFriel Tate Sanders\u003c/persname\u003e(1915-1959) cover\n         chiefly the period during World War II. During February 1943\n         through April 1945, he was stationed in China. On March 20, he\n         wrote that he arrived at his assigned post and was living in a\n         private home and described life there. His letter of July 20,\n         1943 mentioned that the foods were similar, such as new\n         potatoes, beans, tomatoes, corn, chicken, and watermelon. On\n         July 31, 1944, he has heard good news and broadcasts about the\n         Germans and Japanese. On November 28, 1944, he wrote that he\n         has been moved to a new station; and, on March 20, 1945, he\n         wrote that he is awaiting orders to go home. He wrote, from \n         \u003cgeogname\u003eMiami Beach, Florida\u003c/geogname\u003e, on May 18, 1945,\n         that the war was over, that he has finished processing and is\n         awaiting a new assignment, that some materials are being\n         released, such as tires, and that there is a possibility of an\n         increase in gas allowance. During June through August 1945, he\n         wrote from \n         \u003cgeogname\u003eStuttgart, Arkansas\u003c/geogname\u003e, concerning work and\n         continuing studies under the G.I. Bill. Letters of October 31\n         and December 19, 1946, are concerned with his marriage to \n         \u003cpersname\u003eNelda Rose Hunter\u003c/persname\u003e.\u003c/p\u003e","\u003cp\u003eOther correspondents or topics of interest are: \" \n         \u003ccorpname\u003eHollins College\u003c/corpname\u003e\" folder -- \n         \u003cpersname\u003eE. Lee Trinkle\u003c/persname\u003e(May 24, 1924); \n         \u003cpersname\u003eEleanor \"Siddy\" Wilson\u003c/persname\u003e(October 20, 1930);\n         \u003cpersname\u003eBessie Carter Randolph\u003c/persname\u003e, President of \n         \u003ccorpname\u003eHollins College\u003c/corpname\u003e(January 10 and March 5,\n         1938). \"Kentucky, University of\" folder -- \n         \u003cpersname\u003eJohn Canaday\u003c/persname\u003e(January 30, 1964), \n         \u003cpersname\u003eMills E. Godwin, Jr.\u003c/persname\u003e(November 13, 1969).\n         \"Personal Papers\" folders -- \n         \u003cpersname\u003eLeslie Hellerman\u003c/persname\u003ere method of testing\n         stability of diazomium compounds (February 7, 1935); wedding\n         announcements and photographs (August 21, 1935); war ration\n         book (1943); \n         \u003cpersname\u003eJohn A. Logan, Jr.\u003c/persname\u003e, President of \n         \u003ccorpname\u003eHollins College\u003c/corpname\u003e(April 5, 1971 and June\n         26, 1974); \n         \u003cpersname\u003eW. R. Chitwood\u003c/persname\u003e(December 2, 1974); \n         \u003cpersname\u003ePaula P. Brownlee\u003c/persname\u003e, President of \n         \u003ccorpname\u003eHollins College\u003c/corpname\u003e(July 18, 1981, December\n         4, 1983, and May 5, 1986); and, an obituary/memorial to \n         \u003cpersname\u003eHerbert Parkes Riley\u003c/persname\u003e(March 22, 1988).\n         \"Southwest Virginia\" folder -- \n         \u003cpersname\u003eW. Edwin Hemphill\u003c/persname\u003e(January 21, 1964); \n         \u003cpersname\u003eRalph McGill\u003c/persname\u003e(September 29, 1967); \n         \u003cpersname\u003eWilliam H. Dumont\u003c/persname\u003e(July 9, 1968); \n         \u003cpersname\u003eJohn Melville Jennings\u003c/persname\u003e(January 14, 1970);\n         \u003cpersname\u003eW. R. Chitwood\u003c/persname\u003e(March 2, 1971; November\n         24, 1975; June 20 \u0026amp; 28, 1985); \n         \u003cpersname\u003eWilliam M. E. Rachel\u003c/persname\u003e(1971-1972); \n         \u003cpersname\u003eHarrison E. Salisbury\u003c/persname\u003e(August 20, 1973);\n         and \n         \u003cpersname\u003ePaul C. Nagel\u003c/persname\u003e(September 23, 1985).\u003c/p\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_viu00118_c03_c20"}},{"id":"viu_repositories_3_resources_941_c01_c01_c5288","type":"File","attributes":{"title":"Young, George W. - DL1310","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_941_c01_c01_c5288#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_941_c01_c01_c5288","ref_ssm":["viu_repositories_3_resources_941_c01_c01_c5288"],"id":"viu_repositories_3_resources_941_c01_c01_c5288","ead_ssi":"viu_repositories_3_resources_941","_root_":"viu_repositories_3_resources_941","_nest_parent_":"viu_repositories_3_resources_941_c01_c01","parent_ssi":"viu_repositories_3_resources_941_c01_c01","parent_ssim":["viu_repositories_3_resources_941","viu_repositories_3_resources_941_c01","viu_repositories_3_resources_941_c01_c01"],"parent_ids_ssim":["viu_repositories_3_resources_941","viu_repositories_3_resources_941_c01","viu_repositories_3_resources_941_c01_c01"],"parent_unittitles_ssm":["John L. Nau III Civil War History Collection","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians","Subseries A: Personal Papers, Service Records, and Artifacts"],"parent_unittitles_tesim":["John L. Nau III Civil War History Collection","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians","Subseries A: Personal Papers, Service Records, and Artifacts"],"text":["John L. Nau III Civil War History Collection","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians","Subseries A: Personal Papers, Service Records, and Artifacts","Young, George W. - DL1310","box 124 VLT_PRTCL","folder 8"],"title_filing_ssi":"Young, George W. - DL1310","title_ssm":["Young, George W. - DL1310"],"title_tesim":["Young, George W. - DL1310"],"unitdate_inclusive_ssm":["September 1863-January 1878"],"normalized_date_ssm":["1863/1878"],"normalized_title_ssm":["Young, George W. - DL1310"],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["John L. 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Key","Previous Archival Resource Key","/repositories/3/resources/941"],"text":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource 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Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941","John L. Nau III Civil War History Collection","United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives","letters (correspondence)","Photograph albums","photographs","newspapers","Good.","The collection is open for research.","The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. ","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch","The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. ","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). ","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). ","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following: ","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.","The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online  Civil War Soldiers and Sailors Database  (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's  Confederate and Southern State Currency , vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's  Civil War High Commands  (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. ","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. ","The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. ","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). ","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.","Albert and Shirley Small Special Collections Library","The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"unitid_tesim":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941"],"normalized_title_ssm":["John L. Nau III Civil War History Collection"],"collection_title_tesim":["John L. Nau III Civil War History Collection"],"collection_ssim":["John L. Nau III Civil War History Collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"geogname_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"places_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"acqinfo_ssim":["The John L. Nau III Civil War History Collection was acquired and donated by John L. Nau III. It was accessioned by the Albert and Shirley Small Special Collections Library on September 3, 2019 (2019-0149) and in an additional accession in October 2019 (2019-0231)."],"access_subjects_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"access_subjects_ssm":["letters (correspondence)","Photograph albums","photographs","newspapers"],"has_online_content_ssim":["true"],"physdesc_tesim":["Good."],"extent_ssm":["133 Cubic Feet 255 boxes; 9 framed items"],"extent_tesim":["133 Cubic Feet 255 boxes; 9 framed items"],"genreform_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).\u003c/p\u003e","\u003cp\u003eSeries 1 is arranged in three subseries.\u003c/p\u003e\n","\u003cp\u003eSubseries A: Personal Papers, Service Records, and Artifacts, 1806-1988\u003c/p\u003e\n","\u003cp\u003eThe arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. \u003c/p\u003e\n","\u003cp\u003eThe above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). \u003c/p\u003e\n","\u003cp\u003eSubseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.\u003c/p\u003e\n","\u003cp\u003eSubseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. \u003c/p\u003e","\u003cp\u003eSeries 2 is arranged in the following subseries.\u003c/p\u003e\n","\u003cp\u003eSubseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.\u003c/p\u003e\n","\u003cp\u003eSubseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities\u003c/p\u003e","\u003cp\u003eSeries 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. ","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Petty, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Whitehurst \u0026amp; Co., Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knowles \u0026amp; Hillman, New Bedford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearus, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gooding, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by Handy, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bocardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. W. Barker, Canton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wing's Gallery, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Varriell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. K. Brown, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry M. Wells, Cambridge, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lewis and Kane, Victoria, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003eFrench \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts, and Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Walzl, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co. of New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Bros., Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Pratt, Aurora, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Worms \u0026amp; Co. 383 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Cramer, Carondelet, Missouri\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Williams Gallery; Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Beach, Hastings, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks and Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conaut, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hesler Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallett, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eB. F. Smith and Son, Portland, Maine\u003c/p\u003e","\u003cp\u003eJ. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Beaumont, Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wells and Collins, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. Moses, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Morgan, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. L. Bergstresser, Army of the Potomac\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Jenks, Paterson, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bett's and Prusia, Dansville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stone Bros., Trumansburch, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck's, Elsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. J. Pierce, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003eLe Rue Lemer, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gibbon, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson of New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026amp; New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washburn's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenney, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Benjamin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Watson, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burnite \u0026amp; Weldon, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William C. North, Cleveland, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Th. Gubelman, Puliski, TN\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hermos, Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by W.V. Lane, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Tombarger, Lancaster, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. P. Howe, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cooley \u0026amp; Becket, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. G. Montgomery of Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cushing \u0026amp; King Photographers, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. C. Brown, Norwich, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Marse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Silli, Nice, France\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. E. Mosely, Newburyport\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Burnite \u0026amp; Co., Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. B. Brown's, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Tait, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conant and Johnson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Durgan, Farmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C.H. Freeman, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kilgore's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePublished by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003eBarr \u0026amp; Young, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Marks, Austin, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Rhodes, St. Law Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Munger \u0026amp; Stone, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Cross, Belvidere, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Emery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. McHenry, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. P. Smith, Kankakee City, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.T. Bradshaw \u0026amp; Co., successors to G. Moses, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Braisted, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce, Galena, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. \u0026amp; F. W. Hardy, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slagle, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slee Brothers, Poughkeepsie, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Lewis Wires, Milford\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. Evans, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. B. Jones, Davenport, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. H. Black, Natchez, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of The Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George B. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joseph Ward, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pein \u0026amp; Co., Washington City\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Good \u0026amp; Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacob's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. \u0026amp; J. L. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Layton's, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bachrach \u0026amp; Bro, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cross and Franke, Arlington, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Watson, Raleigh, North Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Julius Brill, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Weiss, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Cadwallader, Toledo, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Jennings, artist, The New \u0026amp; Reliable Gallery, Lancaster, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow and Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thomas and Pearson, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew B. Brady\u003c/p\u003e","\u003cp\u003eWilliam Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. P. H. Capron \u0026amp; Bros. , Springfield, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Giers \u0026amp; Co., Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney and Paradise, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: August Morand, Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Davis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler and King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, El Mira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Guay and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George D. Puffer, Nashua, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Murphy Bros., Alton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Godshaw \u0026amp; Flexner, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moffat and Simpson, Key West, Florida\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. P. Ayer, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William F. Blunt, North Anson, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anson's\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassetts Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gardner, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Meade Brothers, Astor, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alex. Gardner, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Watson's, Raleigh, NC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. Thompson, Norwich, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenny, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mason \u0026amp; Gardner, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Outley's, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bragy Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank E. Stanley, Auburn, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Browne, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs \u0026amp; Company, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask \u0026amp; Lewis\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles K. Bill's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wilder Brothers, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Alex Gardner; Published by Philp \u0026amp; Solomons, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Smith, Utica, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Dunshee's, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Adams, Nashville, Tenn.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. I. Prince, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Nims, Photographer, Fort Edward, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Summerhays\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Filley \u0026amp; Gilbert, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. N. Medernach, Danville, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thompson Gallery, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. G. Fetters, Peru, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: New Orleans Photographic Co.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees of Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.L. Winner, Annapolis, MD\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Photographers, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Conant, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Paige, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Powelson's, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePublished by Vannerson \u0026amp; Jones, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Jewett, Lebanon, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: James S. Earle \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Havens, Jacksonville, FL\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.C. Benjamin, Newark, N. J.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brendann Bros., Baltimore\u003c/p\u003e","\u003cp\u003ePhotographed by Wenderoth \u0026amp; Taylor; Published by McAllister \u0026amp; Bro., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; Smith, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. R. Davis, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003eBrady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. Brown, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredericks and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowers, Lynn, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kin, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Piper \u0026amp; Sanborn, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Ames, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. D. Phillips, 14th Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. K. Marshall, Circleville, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. German, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hawkins \u0026amp; Philpot, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. De Camp, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003eUnknown Photographer; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pratt's Gallery, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schreiber \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Erekson \u0026amp; Bodurtha, Bridgeport, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abraham Fisher, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Wilson, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Birney Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Louis Walzl\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. A. Turner, D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. White, Jacksonport, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Col, Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brooks \u0026amp; Blauvelt, Port Hudson, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Evans and Prince, York, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Clark, Ionia, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. C. Giers, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. R. Bideout \u0026amp; Co., Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eJ. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. B. King, Taunton, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  L. D. Cox, Ludlow, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Davis, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Brainstead, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Tyler \u0026amp; Co., Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George C. White, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McLure, Allen P.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow \u0026amp; Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nollen \u0026amp; Van Grieken, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. L. Jackson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. G. Carleton, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gilbert's, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Curtis, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Campbell \u0026amp; Ecker, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce \u0026amp; Cogswell, Rochelle, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, Lawrence, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kennedy \u0026amp; Schenck, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morell, George Webb\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, South Royalton, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New Yor\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer's, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. L. Eaton, Omaha, Nebraska\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hagaman, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Reimer, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hanford, New London, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Carr, Old Town, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Fassett, Dexter, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kertson \u0026amp; Barker, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball \u0026amp; Sons, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by A. A. Turner; Published by D. Appleton \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Taylor and Seavey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Milton Lapham, Decatur, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, \u0026amp; Co, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. I. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haseltine, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Evans, Norfolk, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M' Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole of Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. F. Ryder, Cleveland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenny, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Tapley, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. E. Gibbs, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lutges, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney and Son, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George E. Collins; Bucksport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quicks, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Porter's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. J. Thompson \u0026amp; Co., Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Stevens, Richmond, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rivers', St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Rockwood, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burwell \u0026amp; Homan, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Magnolia, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith \u0026amp; Wybrant, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Weitfle \u0026amp; Wright, 1st Division, 6th Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles S. Hart, Watertown, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C.H. Smedley \u0026amp; Co., Middletown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. A. Lewis, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Moses \u0026amp; Co., Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. F. Child, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimberly Brothers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel Masury, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, Habana, Paris\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hopkins, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Churchill \u0026amp; Dennison, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster and Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. L. Heath, Norwalk, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck, Ellsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crocket, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Field, Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Greenwald, Newark, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorham and Co, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinton \u0026amp; Cleary's, Montgomery, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. Yung\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Brown, Photographer of the Army of Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Davis, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Butler, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cahill, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George H. Wood, Towanda, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: by H. Glosser, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Turner, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Case, Halifax, Nova Scotia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Balkan Studio, Wartham, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jordan \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. A. Colley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Burgan, Yarmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's Art Palace, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Thurlow, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith, Southbridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Photographers Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knight, Batavia, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bradley \u0026amp; Rulofson, San Francisco, California\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. Loud, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Klauber \u0026amp; Campbell, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler \u0026amp; Smetters, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassett's Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney \u0026amp; Paradise, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony,  New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Brown's, Waldoboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bailey \u0026amp; Silver's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Piper, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Troxell, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wykes \u0026amp; Brown, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lamson, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Wing's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Case and Getchell, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell \u0026amp; Brother, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Paul, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Estabrook's Ferrotypes, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, 363 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Otto Wagner, 385 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Johnson's, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton, and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026amp; Brother, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Williamson's Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. G. Trask, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallet, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sumner \u0026amp; Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lomas, Eastport Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. M. Fassett, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. Sellers, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Aiken, Ware, Massachusetts\u003c/p\u003e","\u003cp\u003eLithograph by Murray \u0026amp; Goodwin, Albany, New York; Published by G. H. Treadwell, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Theodore Harris, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Wearn, Columbia, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keenan, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. R. Phipps, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Frank Browne\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Royan M. Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Quimby of Charleston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Maynard \u0026amp; Willis, Milford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pa.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Daily, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor \u0026amp; Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lupton \u0026amp; Brown, Winchester, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Richardson of Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Holt, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Orcutt's, Cambridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Victor Piard, Jersey City, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Borthers, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hunting's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Frederick, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. L. Averill, Oldtown, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ball \u0026amp; Thomas, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Price, New Philadelphia, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. N. Blanchard, Barre, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. M. Vanaken, Lowville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Goben, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank Winter, Fort Shaw, Montana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. J. Tate, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. F. King\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M. Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis \u0026amp; Cosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hunting's Belfast, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brooks \u0026amp; Blauvelt, Port Hudson, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Platt, Oberlin, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. E. Prall, Knoxville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. Worms \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Roth, Freehold, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Barker, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Knecht, Easton, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Victory Piard, Jersey City, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by G. L. Collins, Paola, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ullary \u0026amp; Perry, Greenville, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Roberts, Cleveland, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. B. Zay, Findlay, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: V. B. Massey, Lancaster, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Kasten, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Aldridge \u0026amp; Merriman, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. R. Rees \u0026amp; Bros., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Pope, Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Klauber, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. J. Jacobs, New Orleans\u003c/p\u003e","\u003cp\u003ePublished by Keystone View Company\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: D. P. Barr, Army Photographer, Vicksburg, Miss.\u003c/p\u003e","\u003cp\u003ePhotographer: French \u0026amp; Co., Vicksburg, Miss.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Barr \u0026amp; Young, Army Photographers, Fort Pickering, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographed and Published by B. W. Kilburn, Littleton, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed and Published by Kilburn Brothers, Littleton, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rollins \u0026amp; Linn\u003c/p\u003e","\u003cp\u003ePublished by Keystone View Company\u003c/p\u003e","\u003cp\u003ePhotographed by Brady \u0026amp; Co., Washington, D.C.; Published by E. \u0026amp; H. T. Anthony \u0026amp; Co.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., Negative by Brady \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., Negative by Brady \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed and Published by Bell \u0026amp; Bro., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., New York; Negative by Brady \u0026amp; Co.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., American and Foreign Stereoscopic Emporium,  New York, NY\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., American and Foreign Stereoscopic Emporium,  New York, NY\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., American and Foreign Stereoscopic Emporium,  New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marks, Houston, Texas\u003c/p\u003e","\u003cp\u003ePublished by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026amp; Picture Frames, 810 Washington St. Boston, Mass\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Main\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. R. Rideout, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. B. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. P. \u0026amp; F. W. Hardy, Ranger, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. S. Dunshee, Rochester, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. B. Conant, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Piper, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's Art Palace, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePainted by Robt. W. Weit; Engraved by Geo. W. Watch\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / 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Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch"],"odd_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eThe donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. \u003c/p\u003e\n","\u003cp\u003eDonor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).\u003c/p\u003e\n","\u003cp\u003eThese donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eAbout External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eUpon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.\u003c/p\u003e\n","\u003cp\u003ePlease note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). \u003c/p\u003e\n","\u003cp\u003ePlease also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eSuggestions for Using the Donation Listing Spreadsheet\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eMaterials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). \u003c/p\u003e\n","\u003cp\u003ePlease note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.\u003c/p\u003e\n","\u003cp\u003eResearchers can use the spreadsheet to explore the collection in many ways, including the following: \u003c/p\u003e\n","\u003cp\u003e- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).\u003c/p\u003e\n","\u003cp\u003e- To identify photographs of women, Black soldiers, and Native American soldiers.\u003c/p\u003e\n","\u003cp\u003e- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.\u003c/p\u003e\n","\u003cp\u003e- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.\u003c/p\u003e\n","\u003cp\u003e- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAbout External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eTranscript files are titled by donor accession number. (See above note titled Alphanumeric Designations).\u003c/p\u003e\n","\u003cp\u003ePlease be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eAdditional materials relating to Fitzhugh Lee are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eAdditional materials related to William S. Rosecrans are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to States Rights Gist are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003eThis photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional Materials relating to Fitzhugh Lee are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0342.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0371.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThis case contains portraits of the same unknown soldier in both ambrotype and tintype formats.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003ePT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.\u003c/p\u003e","\u003cp\u003eImage was accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eAccessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThis photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003e34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eCarte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Alphanumeric Designations","Important Information about External Documents","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. ","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). ","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). ","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following: ","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs."],"prefercite_html_tesm":["\u003cp\u003eJohn L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["John L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online \u003cemph render=\"italic\"\u003eCivil War Soldiers and Sailors Database\u003c/emph\u003e (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's \u003cemph render=\"italic\"\u003eConfederate and Southern State Currency\u003c/emph\u003e, vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's \u003cemph render=\"italic\"\u003eCivil War High Commands\u003c/emph\u003e (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).\u003c/p\u003e","\u003cp\u003eEfforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. \u003c/p\u003e","\u003cp\u003eFile titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online  Civil War Soldiers and Sailors Database  (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's  Confederate and Southern State Currency , vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's  Civil War High Commands  (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. ","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. "],"scopecontent_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. \u003c/p\u003e\n","\u003cp\u003eThe collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). \u003c/p\u003e","\u003cp\u003eSeries 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).\u003c/p\u003e","\u003cp\u003eSeries 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.\u003c/p\u003e","\u003cp\u003eSeries 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.\u003c/p\u003e","\u003cp\u003eSeries 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.\u003c/p\u003e","\u003cp\u003eSeries 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. ","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). ","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10302,"online_item_count_is":5,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T14:31:55.729Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_941_c01_c01_c5288"}},{"id":"viu_viu00187_c03_c12","type":"Item","attributes":{"title":"Zeta Psi Brothers and University of\n                  Virginia Friends","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_viu00187_c03_c12#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu00187_c03_c12","ref_ssm":["viu_viu00187_c03_c12"],"id":"viu_viu00187_c03_c12","ead_ssi":"viu_viu00187","_root_":"viu_viu00187","_nest_parent_":"viu_viu00187_c03","parent_ssi":"viu_viu00187_c03","parent_ssim":["viu_viu00187","viu_viu00187_c03"],"parent_ids_ssim":["viu_viu00187","viu_viu00187_c03"],"parent_unittitles_ssm":["Duke Family Papers \n         1764-1983","SERIES III: PHOTOGRAPHS"],"parent_unittitles_tesim":["Duke Family Papers \n         1764-1983","SERIES III: PHOTOGRAPHS"],"text":["Duke Family Papers \n         1764-1983","SERIES III: PHOTOGRAPHS","Zeta Psi Brothers and University of\n                  Virginia Friends","Box Box 32"],"title_filing_ssi":"Zeta Psi Brothers and University of\n                  Virginia Friends","title_ssm":["Zeta Psi Brothers and University of\n                  Virginia Friends"],"title_tesim":["Zeta Psi Brothers and University of\n                  Virginia Friends"],"unitdate_other_ssim":["1872-1881"],"normalized_date_ssm":["1872/1881"],"normalized_title_ssm":["Zeta Psi Brothers and University of\n                  Virginia Friends"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Duke Family Papers \n         1764-1983"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":148,"date_range_isim":[1872,1873,1874,1875,1876,1877,1878,1879,1880,1881],"containers_ssim":["Box Box 32"],"_nest_path_":"/components#2/components#11","timestamp":"2026-05-21T12:52:51.060Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu00187","ead_ssi":"viu_viu00187","_root_":"viu_viu00187","_nest_parent_":"viu_viu00187","ead_source_url_ssi":"data/uva-sc/viu00187.xml","title_ssm":["Duke Family Papers \n         1764-1983"],"title_tesim":["Duke Family Papers \n         1764-1983"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["9521-h"],"text":["9521-h","Duke Family Papers \n         1764-1983","ca. 10,400 items","There are no restrictions.","Because this collection was not received by the Library in\n         any discernible order, the material has been arbitrarily\n         placed into seven different series. These include: I)\n         Correspondence; II) Manuscripts and Miscellaneous Papers; III)\n         Photographs; IV) Bound Volumes and Notebooks; V) Postcards;\n         VI) Papers from the Duke and Duke law firm; and VII) Oversize\n         Items.","Due to the large amount of correspondence present in this\n         collection, the correspondence series has been further broken\n         down into seven subseries: A) Letters to \n          R. T. W. Duke, Jr. (boxes 1-9); B) Letters\n         to \n          Edith Duke (boxes 10-11); C) Letters from \n          R. T. W. Duke, Jr. and \n          Edith Duke (box 12); D) Letters to and\n         from the children of \n          R. T. W. Duke, Jr. (boxes 13-20); E) \n          Slaughter Family Correspondence (boxes\n         20-22); F) Miscellaneous Correspondence (box 23); G) Topical\n         Correspondence (box 24)","\n         Slaughter Family \n      "," Edith Ridgeway married \n          Charles M. Harker (d. 1876), and their\n         daughter \n          Mary Haines Harker (d. 1897) married\n         (1853) \n          John Flavel Slaughter, Sr. (1828-1893),\n         son of \n          Robert Harrison Slaughter , and \n          Mary Rice Garland , whom he married in\n         1818. Seven of \n          Mary Harker and \n          John Flavel Slaughter 's children survived\n         to adulthood. The following genealogical information is\n         incomplete.","A. \n                Charles Slaughter , M.D. \n                m. (1) \n                   Mary Willoughby Duke (1857-1883) \n                   a. \n                      Mary Willoughby m. \n                      Claude Marshall Lee  m. (2) \n                   Hattie Gray  a \n                      Charles Slaughter,\n                     Jr. (1887-1953) b. \n                      John\n                     Slaughter (1888-1889) c. \n                      Susan Gray\n                     Slaughter (1890-?) B. \n                John Flavel Slaughter,\n               Jr. (1856-?) C. \n                Robert Slaughter m. 1890 \n                Augusta Bannister  a. \n                   Robert Slaughter,\n                  Jr. (1890-?) b. \n                   M. Bannister (1895-?) D. \n                Samuel Garland Slaughter m. 1890 \n                Mary Wall Richardson (\"Maymee\") \n                a. \n                   Rosalie Slaughter (1892-?) m. \n                   William Dulaney Anderson  b. \n                   Lillas (?) Richardson\n                  Slaughter (1895-?) c. \n                   Samuel Garland Slaughter, Jr. m. \n                   Rhoda Howard  E. \n                William Austin\n               Slaughter (1873-?) F. \n                Blanche Rosalie Slaughter (1871-?)\n               m. 1905 \n                George Baxter Morton, Jr. (?\n               -1912) G. \n                Edith Ridgeway Slaughter (1863-1921)\n               m. 1884 \n                Richard Thomas Walker Duke,\n               Jr. (1853-1926) (For children see under \n                Duke family )","\n         Duke Family \n      "," Richard Thomas Walker Duke,\n         Sr. (1822-1898), son of \n          Richard Duke and \n          Maria Walker , married (1846) \n          Elizabeth Scott Eskridge (1820-1896),\n         daughter of \n          William Scott Eskridge and \n          Margaret Frances Brown . Their children\n         were:","A. \n                William Richard Duke (1848-1929) m.\n               (1894) \n                Edith May Colemann (1873-1943) \n                a. \n                   Elizabeth Eskridge\n                  Duke (1898-1899) b. \n                   Cammann Coleman Duke (1900-?) m.\n                  (1933) \n                   Mary Perrin\n                  White (1904-1984) c. \n                   William Richard Duke,\n                  Jr. (1902-?) m. (1933) \n                   Nancy Montgomery\n                  Wood (1902-?) B. \n                Margaret Brown\n               Duke (1850-1851) C. \n                Richard Thomas Walker Duke,\n               Jr. (1853-1926) \n                m. (1884) (1) \n                   Edith Ridgeway\n                  Slaughter (1863-1921) \n                   a. \n                      Mary Willoughby\n                     Duke (1885-1966) b. \n                      Richard Thomas Walker Duke\n                     III (1887-1960) \n                      m. (1917) \n                         Myrtle Judson (?\n                        -1941) m. (1942) \n                         Cecile Grotta  (1947) \n                         Florence\n                        Watts (\"Jeri\") c. \n                      John Flavel Slaughter\n                     Duke (1889-1933) m. \n                      Kathleen Timmons (?\n                     -1940) d. \n                      William Eskridge\n                     Duke (1893-1959) m. (1923) \n                      Lucy Marshall Lee  (i) \n                         R.T.W. Duke\n                        IV (1924-1926) (ii) \n                         William Eskridge Duke,\n                        Jr. , (\"Bill\") (1927-) m. \n                         Frances Armistead\n                        Marston  (iii) \n                         Lucy Marshall Duke (1931-)\n                        m. \n                         Gerald Kinne  e. \n                      Helen Risdon\n                     Duke (1895-1984) f. \n                      Edwin Ellicott\n                     Duke (1899-1900) m. (1923) (2) \n                   Mary Richardson\n                  Slaughter (\"Maymee\") D. \n                Maria Walker Duke (1855-1856) E. \n                Mary Willoughby Duke (1857-1883) m.\n               (1882) Dr. \n                Charles Slaughter  a. \n                   Mary Willoughby\n                  Slaughter (1883-?) m. (1905) \n                   Claude Marshall Lee (1882-?) \n                   (i) \n                      Martha Eskridge Lee\n                     Poston (1906-?) (ii) \n                      Mary Willoughby\n                     Lee (1908-1918) (iii) \n                      Lucy Ambler Lee\n                     Roberts (1910-) (iv) \n                      Claude Marshall Lee,\n                     Jr. (1911-) (v) \n                      Charlotte Slaughter Lee\n                     Lauck (1913-) (vi) \n                      Elizabeth Duke Lee\n                     Kopper (1919-) (vii) \n                      Mary Cary Lee (1926-)","This addition to the \n          Duke family papers contains ca. 10,400 items\n         (38 Hollinger boxes, 12 linear shelf feet), 1764-1983, chiefly\n         personal and topical correspondence, business papers, and\n         legal papers of this prominent \n          Charlottesville family, and the related \n          Slaughter family of \n          Lynchburg, Virginia . The collection also\n         has genealogical material, invitations (arranged by year),\n         literary manuscripts and poetry by \n          R. T. W. Duke, Jr. (1853-1926),\n         miscellaneous papers, printed material, school records and\n         papers, photographs, diaries, account books, notebooks and\n         other bound volumes, postcards and papers concerning a few\n         legal clients of the \n          Duke and Duke law firm.","The overwhelming bulk of the correspondence consists of\n         letters to and from \n          R. T. W. Duke, Jr. , \n          Edith Slaughter Duke (1863-1921), his\n         wife, and their children, \n          Mary Willoughby Duke (1885-1966); \n          Richard Thomas Walker Duke,\n         III (1887-1960); \n          John Flavel Slaughter Duke , \"Jack\"\n         (1889-1933); \n          William Eskridge Duke (1893-1959); and \n          Helen Risdon Duke (1895-1984).","The correspondence subseries devoted to letters written to \n          R. T. W. Duke, Jr. contains three\n         different groups of material: 1) letters from his wife, \n          Edith Slaughter Duke ; 2) an\n         alphabetically arranged group of miscellaneous correspondents;\n         and 3) a group of individual correspondents, each with his own\n         folder.","The letters from Edith to \n          Tom Duke , 1882-1921, were written\n         whenever they were separated during their courtship, family\n         visits, vacations, and business trips. As could be expected,\n         most of these letters contain plans for furnishing their new\n         home, family news, and personal messages, all of which\n         chronicles the growth of the \n          Duke family .","The alphabetical miscellaneous correspondence file has\n         letters from college, fraternity and Masonic friends, business\n         associates, and other acquaintances and includes merchandise\n         orders, requests for speaking engagements, business matters,\n         literary concerns, letters of sympathy and personal news.","Letters of note in this group include the following\n         correspondents and topics: \n          S. A. Duke (Dec. 9, 1908) re\n         reconstruction and \"the great negro question;\" \n          A. Ranken Ford (Nov.23, 1914) re America's\n         Civil War, \n          England 's preparation for World War I and\n          Germany 's spying activities prior to the\n         war; \n          George Gilmer (Jul. 28, 1918) re the\n         important role of the \n          Y.M.C.A. in keeping up the morale of the\n         American soldier in \n          Europe ; \n          T. H. Harrison (Apr. 21 and Jun. 25, 1916)\n         re Canadian involvement in World War I; \n          H. C. Marchant (Sep.[15], 1895) re vestry\n         records of \n          Christ Episcopal Church ; and \n          Jessie Uppleby (Apr. 18, Jul. 5, Aug. 19,\n         Nov. 22, 1917, and Aug. 29 [n.y.]) re World War I war news\n         from \n          Scotland .","The group of individual correspondents to \n          R. T. W. Duke, Jr. include the following\n         people: \n          B. Johnson Barbour , \n          Mary Carey , \n          J. E. Creary , \n          John Singleton Diggs , \n          Elizabeth Eskridge Duke , \n          Maymee R. Slaughter Duke , \n          Myrtle Judson Duke , \n          R. T. W. Duke, Sr. , \n          William R. Duke , \n          Eugene Ellicott , fraternity brothers, \n          Kate Gunther , \n          Lizzie Gunther , and \n          Maude Gunther , \n          Paul Jones and \n          Peter Tudor Jones , \n          Luther Kountze , \n          Nancy Leary , \n          Thomas Nelson Page , \n          Thomas D. Ransom , \n          Schele De Vere , \n          John F. Slaughter, Sr. , \n          John F. Slaughter, Jr. , \n          Mary Harker Slaughter and \n          Mary Willoughby Duke Slaughter .","The letters to \n          Edith Duke include correspondence from \n          Myrtle Judson Duke , \n          R. T. W. Duke, Jr. , \n          Susan Harker Risdon and miscellaneous\n         letters from friends and family, excluding her children.","A third subseries of correspondence consists of letters\n         from \n          R. T. W. Duke, Jr. and \n          Edith Duke to their children, Mr. and Mrs.\n          R. T. W. Duke, Sr. and miscellaneous\n         correspondents. Of note in this group is a volume of \n          R. T. W. Duke, Jr. 's letters from \n          Europe which contains transcripts of his\n         letters home during his European tour of 1882. Duke describes\n         his voyage over on a ship \"Egypt,\" his companions and\n         acquaintances, his itinerary in \n          England , \n          Holland , \n          Germany , \n          Switzerland , and \n          France , and the many museums, historic\n         sites, and towns which he visited.","The fourth subseries contains letters to and from the\n         children of \n          R. T. W. Duke, Jr. , including\n         correspondence with their parents and with each other. The\n         sons of \n          R. T. W. Duke, Jr. , Walker, Jack, and\n         Eskridge, were all in the armed forces during World War I, and\n         their letters that decribe camp life and their war experiences\n         are in the correspondence to their parents, 1917-1919.","Jack \n          (John Flavel) Duke was an Air Service\n         officer stationed at \n          Post Field, Sill, Oklahoma , and at \n          Ft. Leavenworth, Kansas , and his\n         correspondence, 1917-1919, and no date, describes his flying\n         experiences. Although \n          Eskridge Duke attended the \n          U.S. Naval Academy preparatory school at \n          Annapolis, Maryland and sailed as a\n         midshipman on the U.S.S. Illinois from 1911-1913, he served\n         during World War I in \n          France as an army officer with the \n          American Expeditionary Forces , from\n         September of 1918 until May of 1919."," R. T. Walker Duke 's letters to his\n         parents from 1908-1911 describe his experiences in \n          Montana as a cowboy, his interest in\n         homesteading, bronco riding, and his work as a printer. In\n         1917, Walker was assigned to the \n          5th Illinois Company , \n          Ft. Sheridan, Illinois . His letters\n         written during his service in \n          Europe run from October 1918 to March\n         1919. After the conclusion of the war, Walker served with the \n          Judge Advocate General Department in \n          Washington, D.C. (letters to his parents,\n         1920-1925)."," Mary Duke 's letters to her parents,\n         1918-1926, and no date, describe her nursing experiences and\n         other charitable work in the \n          Archdeaconry of Southwest Virginia with\n         Mrs. \n          Hugh F. Binns at \n          Nora, Dickinson County, Virginia .","Another interesting group of letters in this subseries are\n         those of \n          William Eskridge Duke, Jr. to his family\n         and to his aunts, \n          Mary Duke and \n          Helen Duke . \n          Bill Duke served in the navy during the\n         Korean War and his letters describe the places which he\n         visited on his tours of duty, such as \n          Naples , \n          Athens , \n          Marseilles , \n          Guam , and \n          Yokosuka, Japan , 1949-1951.","The correspondence of the Duke brothers and sisters to each\n         other consists almost entirely of carbons or originals of\n         letters concerning the personal business transactions of the\n         family. It also reveals the financial difficulties of various\n         family members during the Depression years.","The \n          Slaughter family correspondence comprises\n         the fifth subseries of correspondence and contains letters to\n         and from members of \n          Edith Slaughter Duke 's family, including\n         her parents, \n          Mary Harker and \n          John Flavel Slaughter, Sr. , and her\n         brothers and sisters. The letters from Dr. \n          Blanche Rosalie Slaughter Morton , a\n         graduate of the \n          Women's Medical College of\n         Pennsylvania (1897) and practicing surgeon, form one\n         of the most interesting sections of this correspondence. She\n         describes her travels in \n          Europe (May 11, September 19, and 24,\n         1899); her concern for the \n          Lee family in \n          China during the struggle of the\n         Kuomintang with the warlords for political supremacy (March\n         29, 1927); her trip to \n          Mexico (July 25, 1928) and the \n          Middle East (November 4, 1935).","Most of the Slaughter correspondence concerns either\n         business matters or family news with a few exceptions. \n          Charles Slaughter, Sr. writes concerning a\n         strike and riot in \n          Duluth, Minnesota (July 7, 1889); \n          Charles M. Harker, Sr. describes the\n         meeting of the American Convention ( \n          Know-Nothing Party ) in \n          Philadelphia (June 10, 1855); Mary B[?]\n         R[?]'s letters, 1861-1862, provide a woman's view of the Civil\n         War; and \n          Samuel Slaughter describes his trip to \n          Ireland , \n          Scotland , and \n          England (July 24, August 1 \u0026 5, 1889).\n         Members of the \n          Garland family write concerning family news,\n         Dr. \n          [Erasmus] Darwin 's theory of the earth,\n         and the significance of fossils, and General Hull's activities\n         at \n          Sandwich in \n          Canada during the beginning of the War of\n         1812 (August 4, 1812); and a trip to \n          Boston and \n          Montreal (August 1 \u0026 11, 1851).","Of note among the miscellaneous correspondence are two\n         letters from \n          John Singleton Mosby , one to \n          R. T. W. Duke, Jr. (September 27, 1915)\n         acknowledging Duke's letter of sympathy on the loss of Mosby's\n         son, and another to Captain \n          Sam Chapman (September 30, 1919)\n         concerning the manifesto of the \"Stonewall Jackson Camp\" at \n          Staunton about the role of Southern\n         soldiers in the Civil War.","Also of interest are the letters, 1895-1954, from \n          Mary Lee and \n          Claude Lee , an Episcopal medical\n         missionary family in \n          Wisuh, China . They ran a hospital and\n         dispensary from 1908 until ca. 1947. Although their letters\n         reveal various aspects of missionary life and personal family\n         news, they contain little of Chinese events. One letter by \n          Claude Lee (October 13, 1918) speaks of\n         the participation of the \n          8th Czecho-Slovak Regiment in a battle\n         against the Bolsheviks in the \n          Ural Mountains near \n          [Tagelove ?], Russia , during World War\n         I.","The last subseries of correspondence consists of topical\n         files concerning the American Legion and World War I; business\n         correspondence of \n          R. T. W. Duke, Jr. ; the publication of\n         the poetry of \n          R. T. W. Duke, Jr. ; the rental of the\n         Duke's Park Street house; the will of \n          R. T. W. Duke, Jr. ; and the \n          St. Paul's Memorial Building Fund .","The other six non-correspondence series comprise about a\n         third of the collection and include: manuscripts and\n         miscellaneous papers, photographs, bound volumes and\n         notebooks, postcards, papers from the \n          Duke and Duke law firm and oversize\n         items.","The manuscripts and miscellaneous papers series contain the\n         personal business papers of the \n          Duke and related families, especially the \n          Slaughter family . There is also a sizeable\n         amount of family financial material in the Papers of the \n          Duke and Duke Law Firm at the \n          University of Virginia Law Library .","Other types of material in this series include;\n         genealogical material, with a typescript about \n          Mary Harker Slaughter by her son, \n          William A. Slaughter ; invitations; legal\n         papers, including indentures, deeds, agreements, land surveys,\n         etc.; manuscripts by \n          R. T. W. Duke, Jr. , both poetry and\n         prose, including \"Albemarle County and the City of\n         Charlottesville in War Time,\" \"Libraries and Their Contents,\"\n         \"Pearls and Pebbles,\" typescripts of portions of his\n         \"Recollections,\" (the whole five volumes of Duke's\n         \"Recollections\" of his life can be found in 9521-i); printed\n         material, including Masonic items and an undated political\n         pamphlet entitled \"Mahoneism Unveiled!\"; and Duke family\n         school records and papers.","The photographic series consists of both identified and\n         unidentified photographs. Identified photographs contain the\n         following categories: Judge \n          R. T. W. Duke, Jr. , \n          R. T. W. Duke, Sr. , men and women in the \n          Duke and related families, \n          Rosalie Slaughter Morton , miscellaneous\n         men and women, European scenes, places, photographs of a trip,\n          University of Virginia , and \n          Zeta Psi Brothers and \n          University of Virginia friends.\n         Unidentified photographs have been placed in the following\n         groups: animals, children, groups and families, men, places,\n         and women.","Series four, consisting of bound volumes and notebooks,\n         contains primarily diaries and notebooks of the immediate \n          Duke family members. The fifth series has \n          United States , foreign, and topical\n         postcards. The \n          United States postcards are separated\n         first by state and then by city or county; the foreign by\n         country only, and the topicals are grouped together.","The papers of the \n          Duke and Duke law firm contain incomplete\n         case files handled by the family law firm. Among these are \n          Maria Carter v. \n          Roy Brown ; \n          J. E. Costan v. \n          Downing L. Smith ; Dr. Funsten v. \n          W. Ed. Pickering ; \n          Insurance Company of Charlottesville v. \n          V. W. F. Carter, Jr. ; the \n          Kentucky Coal Company , \n          Pike County Coal Company , and \n          Ohio and Big Sandy Coal Company ; \n          Jefferson M. Levy Legal Papers; \n          Piedmont Gas and Oil Corporation v. \n          R. S. Duncan ; and Snyder v. \n          University of Virginia . Most of the law\n         firm's papers are located in the \n          University of Virginia Law Library .","The last series consists of oversize documents and\n         photographs.","Florida -New Smyrna Maine -Boothbay Harbor and\n                        Portland Massachusetts -Plymouth New Jersey -Atlantic City New York -Long Island; Manhattan; Niagara\n                        Falls; Tonawanda; New York City Booklets North Carolina -Black Mountain and\n                        Roanoke Rapids South Carolina -Charleston Texas -San Antonio Vermont -Montpelier Virginia -Afton; Alexandria; Annapolis;\n                        Appomattox; Arlington; Charlottesville;\n                        General; Giles County; Hampton; Hopewell;\n                        Monticello; Natural Bridge; Newport News;\n                        Richmond; Skyline Drive; Staunton; University\n                        of Virginia; Virginia Beach; Williamsburg;\n                        Winchester Washington, D.C.","Algeria Canada Carthage (Ancient) China Egypt France Germany Gibraltar Great Britain Greece Israel Italy Monaco Portugal (Madeira) Spain Tunisia Turkey Unidentified","See the \n             \n            University of Virginia Library’s use policy.","","English"],"unitid_tesim":["9521-h"],"normalized_title_ssm":["Duke Family Papers \n         1764-1983"],"collection_title_tesim":["Duke Family Papers \n         1764-1983"],"collection_ssim":["Duke Family Papers \n         1764-1983"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["The Duke family papers were given to the Library by Mrs. Gerald Kinne of Setauket, New York, and Mr. William E. Duke\n            of Richmond, Virginia, on August 20, 1985."],"has_online_content_ssim":["false"],"physdesc_tesim":["ca. 10,400 items"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no restrictions."],"arrangement_html_tesm":["\u003cp\u003eBecause this collection was not received by the Library in\n         any discernible order, the material has been arbitrarily\n         placed into seven different series. These include: I)\n         Correspondence; II) Manuscripts and Miscellaneous Papers; III)\n         Photographs; IV) Bound Volumes and Notebooks; V) Postcards;\n         VI) Papers from the Duke and Duke law firm; and VII) Oversize\n         Items.\u003c/p\u003e","\u003cp\u003eDue to the large amount of correspondence present in this\n         collection, the correspondence series has been further broken\n         down into seven subseries: A) Letters to \n          R. T. W. Duke, Jr. (boxes 1-9); B) Letters\n         to \n          Edith Duke (boxes 10-11); C) Letters from \n          R. T. W. Duke, Jr. and \n          Edith Duke (box 12); D) Letters to and\n         from the children of \n          R. T. W. Duke, Jr. (boxes 13-20); E) \n          Slaughter Family Correspondence (boxes\n         20-22); F) Miscellaneous Correspondence (box 23); G) Topical\n         Correspondence (box 24)\u003c/p\u003e"],"arrangement_heading_ssm":["Organization"],"arrangement_tesim":["Because this collection was not received by the Library in\n         any discernible order, the material has been arbitrarily\n         placed into seven different series. These include: I)\n         Correspondence; II) Manuscripts and Miscellaneous Papers; III)\n         Photographs; IV) Bound Volumes and Notebooks; V) Postcards;\n         VI) Papers from the Duke and Duke law firm; and VII) Oversize\n         Items.","Due to the large amount of correspondence present in this\n         collection, the correspondence series has been further broken\n         down into seven subseries: A) Letters to \n          R. T. W. Duke, Jr. (boxes 1-9); B) Letters\n         to \n          Edith Duke (boxes 10-11); C) Letters from \n          R. T. W. Duke, Jr. and \n          Edith Duke (box 12); D) Letters to and\n         from the children of \n          R. T. W. Duke, Jr. (boxes 13-20); E) \n          Slaughter Family Correspondence (boxes\n         20-22); F) Miscellaneous Correspondence (box 23); G) Topical\n         Correspondence (box 24)"],"bioghist_html_tesm":["\u003cp\u003e\n         Slaughter Family \n      \u003c/p\u003e","\u003cp\u003e Edith Ridgeway married \n          Charles M. Harker (d. 1876), and their\n         daughter \n          Mary Haines Harker (d. 1897) married\n         (1853) \n          John Flavel Slaughter, Sr. (1828-1893),\n         son of \n          Robert Harrison Slaughter , and \n          Mary Rice Garland , whom he married in\n         1818. Seven of \n          Mary Harker and \n          John Flavel Slaughter 's children survived\n         to adulthood. The following genealogical information is\n         incomplete.\u003c/p\u003e","\u003cp\u003e\n        \u003clist type=\"simple\"\u003e\n          \u003citem\u003eA. \n                Charles Slaughter , M.D. \n               \u003clist type=\"simple\"\u003e\u003citem\u003em. (1) \n                   Mary Willoughby Duke (1857-1883) \n                  \u003clist type=\"simple\"\u003e\u003citem\u003ea. \n                      Mary Willoughby m. \n                      Claude Marshall Lee \u003c/item\u003e\u003c/list\u003e\u003c/item\u003e\u003citem\u003em. (2) \n                   Hattie Gray \u003clist type=\"simple\"\u003e\u003citem\u003ea \n                      Charles Slaughter,\n                     Jr. (1887-1953)\u003c/item\u003e\u003citem\u003eb. \n                      John\n                     Slaughter (1888-1889)\u003c/item\u003e\u003citem\u003ec. \n                      Susan Gray\n                     Slaughter (1890-?)\u003c/item\u003e\u003c/list\u003e\u003c/item\u003e\u003c/list\u003e\u003c/item\u003e\n          \u003citem\u003eB. \n                John Flavel Slaughter,\n               Jr. (1856-?)\u003c/item\u003e\n          \u003citem\u003eC. \n                Robert Slaughter m. 1890 \n                Augusta Bannister \u003clist type=\"simple\"\u003e\u003citem\u003ea. \n                   Robert Slaughter,\n                  Jr. (1890-?)\u003c/item\u003e\u003citem\u003eb. \n                   M. Bannister (1895-?)\u003c/item\u003e\u003c/list\u003e\u003c/item\u003e\n          \u003citem\u003eD. \n                Samuel Garland Slaughter m. 1890 \n                Mary Wall Richardson (\"Maymee\") \n               \u003clist type=\"simple\"\u003e\u003citem\u003ea. \n                   Rosalie Slaughter (1892-?) m. \n                   William Dulaney Anderson \u003c/item\u003e\u003citem\u003eb. \n                   Lillas (?) Richardson\n                  Slaughter (1895-?)\u003c/item\u003e\u003citem\u003ec. \n                   Samuel Garland Slaughter, Jr. m. \n                   Rhoda Howard \u003c/item\u003e\u003c/list\u003e\u003c/item\u003e\n          \u003citem\u003eE. \n                William Austin\n               Slaughter (1873-?)\u003c/item\u003e\n          \u003citem\u003eF. \n                Blanche Rosalie Slaughter (1871-?)\n               m. 1905 \n                George Baxter Morton, Jr. (?\n               -1912)\u003c/item\u003e\n          \u003citem\u003eG. \n                Edith Ridgeway Slaughter (1863-1921)\n               m. 1884 \n                Richard Thomas Walker Duke,\n               Jr. (1853-1926) (For children see under \n                Duke family )\u003c/item\u003e\n        \u003c/list\u003e\n      \u003c/p\u003e","\u003cp\u003e\n         Duke Family \n      \u003c/p\u003e","\u003cp\u003e Richard Thomas Walker Duke,\n         Sr. (1822-1898), son of \n          Richard Duke and \n          Maria Walker , married (1846) \n          Elizabeth Scott Eskridge (1820-1896),\n         daughter of \n          William Scott Eskridge and \n          Margaret Frances Brown . Their children\n         were:\u003c/p\u003e","\u003cp\u003e\n        \u003clist type=\"simple\"\u003e\n          \u003citem\u003eA. \n                William Richard Duke (1848-1929) m.\n               (1894) \n                Edith May Colemann (1873-1943) \n               \u003clist type=\"simple\"\u003e\u003citem\u003ea. \n                   Elizabeth Eskridge\n                  Duke (1898-1899)\u003c/item\u003e\u003citem\u003eb. \n                   Cammann Coleman Duke (1900-?) m.\n                  (1933) \n                   Mary Perrin\n                  White (1904-1984)\u003c/item\u003e\u003citem\u003ec. \n                   William Richard Duke,\n                  Jr. (1902-?) m. (1933) \n                   Nancy Montgomery\n                  Wood (1902-?)\u003c/item\u003e\u003c/list\u003e\u003c/item\u003e\n          \u003citem\u003eB. \n                Margaret Brown\n               Duke (1850-1851)\u003c/item\u003e\n          \u003citem\u003eC. \n                Richard Thomas Walker Duke,\n               Jr. (1853-1926) \n               \u003clist type=\"simple\"\u003e\u003citem\u003em. (1884) (1) \n                   Edith Ridgeway\n                  Slaughter (1863-1921) \n                  \u003clist type=\"simple\"\u003e\u003citem\u003ea. \n                      Mary Willoughby\n                     Duke (1885-1966)\u003c/item\u003e\u003citem\u003eb. \n                      Richard Thomas Walker Duke\n                     III (1887-1960) \n                     \u003clist type=\"simple\"\u003e\u003citem\u003em. (1917) \n                         Myrtle Judson (?\n                        -1941)\u003c/item\u003e\u003citem\u003em. (1942) \n                         Cecile Grotta \u003c/item\u003e\u003citem\u003e(1947) \n                         Florence\n                        Watts (\"Jeri\")\u003c/item\u003e\u003c/list\u003e\u003c/item\u003e\u003citem\u003ec. \n                      John Flavel Slaughter\n                     Duke (1889-1933) m. \n                      Kathleen Timmons (?\n                     -1940)\u003c/item\u003e\u003citem\u003ed. \n                      William Eskridge\n                     Duke (1893-1959) m. (1923) \n                      Lucy Marshall Lee \u003clist type=\"simple\"\u003e\u003citem\u003e(i) \n                         R.T.W. Duke\n                        IV (1924-1926)\u003c/item\u003e\u003citem\u003e(ii) \n                         William Eskridge Duke,\n                        Jr. , (\"Bill\") (1927-) m. \n                         Frances Armistead\n                        Marston \u003c/item\u003e\u003citem\u003e(iii) \n                         Lucy Marshall Duke (1931-)\n                        m. \n                         Gerald Kinne \u003c/item\u003e\u003c/list\u003e\u003c/item\u003e\u003citem\u003ee. \n                      Helen Risdon\n                     Duke (1895-1984)\u003c/item\u003e\u003citem\u003ef. \n                      Edwin Ellicott\n                     Duke (1899-1900)\u003c/item\u003e\u003c/list\u003e\u003c/item\u003e\u003citem\u003em. (1923) (2) \n                   Mary Richardson\n                  Slaughter (\"Maymee\")\u003c/item\u003e\u003c/list\u003e\u003c/item\u003e\n          \u003citem\u003eD. \n                Maria Walker Duke (1855-1856)\u003c/item\u003e\n          \u003citem\u003eE. \n                Mary Willoughby Duke (1857-1883) m.\n               (1882) Dr. \n                Charles Slaughter \u003clist type=\"simple\"\u003e\u003citem\u003ea. \n                   Mary Willoughby\n                  Slaughter (1883-?) m. (1905) \n                   Claude Marshall Lee (1882-?) \n                  \u003clist type=\"simple\"\u003e\u003citem\u003e(i) \n                      Martha Eskridge Lee\n                     Poston (1906-?)\u003c/item\u003e\u003citem\u003e(ii) \n                      Mary Willoughby\n                     Lee (1908-1918)\u003c/item\u003e\u003citem\u003e(iii) \n                      Lucy Ambler Lee\n                     Roberts (1910-)\u003c/item\u003e\u003citem\u003e(iv) \n                      Claude Marshall Lee,\n                     Jr. (1911-)\u003c/item\u003e\u003citem\u003e(v) \n                      Charlotte Slaughter Lee\n                     Lauck (1913-)\u003c/item\u003e\u003citem\u003e(vi) \n                      Elizabeth Duke Lee\n                     Kopper (1919-)\u003c/item\u003e\u003citem\u003e(vii) \n                      Mary Cary Lee (1926-)\u003c/item\u003e\u003c/list\u003e\u003c/item\u003e\u003c/list\u003e\u003c/item\u003e\n        \u003c/list\u003e\n      \u003c/p\u003e"],"bioghist_heading_ssm":["Genealogical Information"],"bioghist_tesim":["\n         Slaughter Family \n      "," Edith Ridgeway married \n          Charles M. Harker (d. 1876), and their\n         daughter \n          Mary Haines Harker (d. 1897) married\n         (1853) \n          John Flavel Slaughter, Sr. (1828-1893),\n         son of \n          Robert Harrison Slaughter , and \n          Mary Rice Garland , whom he married in\n         1818. Seven of \n          Mary Harker and \n          John Flavel Slaughter 's children survived\n         to adulthood. The following genealogical information is\n         incomplete.","A. \n                Charles Slaughter , M.D. \n                m. (1) \n                   Mary Willoughby Duke (1857-1883) \n                   a. \n                      Mary Willoughby m. \n                      Claude Marshall Lee  m. (2) \n                   Hattie Gray  a \n                      Charles Slaughter,\n                     Jr. (1887-1953) b. \n                      John\n                     Slaughter (1888-1889) c. \n                      Susan Gray\n                     Slaughter (1890-?) B. \n                John Flavel Slaughter,\n               Jr. (1856-?) C. \n                Robert Slaughter m. 1890 \n                Augusta Bannister  a. \n                   Robert Slaughter,\n                  Jr. (1890-?) b. \n                   M. Bannister (1895-?) D. \n                Samuel Garland Slaughter m. 1890 \n                Mary Wall Richardson (\"Maymee\") \n                a. \n                   Rosalie Slaughter (1892-?) m. \n                   William Dulaney Anderson  b. \n                   Lillas (?) Richardson\n                  Slaughter (1895-?) c. \n                   Samuel Garland Slaughter, Jr. m. \n                   Rhoda Howard  E. \n                William Austin\n               Slaughter (1873-?) F. \n                Blanche Rosalie Slaughter (1871-?)\n               m. 1905 \n                George Baxter Morton, Jr. (?\n               -1912) G. \n                Edith Ridgeway Slaughter (1863-1921)\n               m. 1884 \n                Richard Thomas Walker Duke,\n               Jr. (1853-1926) (For children see under \n                Duke family )","\n         Duke Family \n      "," Richard Thomas Walker Duke,\n         Sr. (1822-1898), son of \n          Richard Duke and \n          Maria Walker , married (1846) \n          Elizabeth Scott Eskridge (1820-1896),\n         daughter of \n          William Scott Eskridge and \n          Margaret Frances Brown . Their children\n         were:","A. \n                William Richard Duke (1848-1929) m.\n               (1894) \n                Edith May Colemann (1873-1943) \n                a. \n                   Elizabeth Eskridge\n                  Duke (1898-1899) b. \n                   Cammann Coleman Duke (1900-?) m.\n                  (1933) \n                   Mary Perrin\n                  White (1904-1984) c. \n                   William Richard Duke,\n                  Jr. (1902-?) m. (1933) \n                   Nancy Montgomery\n                  Wood (1902-?) B. \n                Margaret Brown\n               Duke (1850-1851) C. \n                Richard Thomas Walker Duke,\n               Jr. (1853-1926) \n                m. (1884) (1) \n                   Edith Ridgeway\n                  Slaughter (1863-1921) \n                   a. \n                      Mary Willoughby\n                     Duke (1885-1966) b. \n                      Richard Thomas Walker Duke\n                     III (1887-1960) \n                      m. (1917) \n                         Myrtle Judson (?\n                        -1941) m. (1942) \n                         Cecile Grotta  (1947) \n                         Florence\n                        Watts (\"Jeri\") c. \n                      John Flavel Slaughter\n                     Duke (1889-1933) m. \n                      Kathleen Timmons (?\n                     -1940) d. \n                      William Eskridge\n                     Duke (1893-1959) m. (1923) \n                      Lucy Marshall Lee  (i) \n                         R.T.W. Duke\n                        IV (1924-1926) (ii) \n                         William Eskridge Duke,\n                        Jr. , (\"Bill\") (1927-) m. \n                         Frances Armistead\n                        Marston  (iii) \n                         Lucy Marshall Duke (1931-)\n                        m. \n                         Gerald Kinne  e. \n                      Helen Risdon\n                     Duke (1895-1984) f. \n                      Edwin Ellicott\n                     Duke (1899-1900) m. (1923) (2) \n                   Mary Richardson\n                  Slaughter (\"Maymee\") D. \n                Maria Walker Duke (1855-1856) E. \n                Mary Willoughby Duke (1857-1883) m.\n               (1882) Dr. \n                Charles Slaughter  a. \n                   Mary Willoughby\n                  Slaughter (1883-?) m. (1905) \n                   Claude Marshall Lee (1882-?) \n                   (i) \n                      Martha Eskridge Lee\n                     Poston (1906-?) (ii) \n                      Mary Willoughby\n                     Lee (1908-1918) (iii) \n                      Lucy Ambler Lee\n                     Roberts (1910-) (iv) \n                      Claude Marshall Lee,\n                     Jr. (1911-) (v) \n                      Charlotte Slaughter Lee\n                     Lauck (1913-) (vi) \n                      Elizabeth Duke Lee\n                     Kopper (1919-) (vii) \n                      Mary Cary Lee (1926-)"],"prefercite_html_tesm":["\u003cp\u003eDuke Family Papers, Accession #9521-h, Special Collections, University of Virginia Library, Charlottessville, Va.\u003c/p\u003e"],"prefercite_tesim":["Duke Family Papers, Accession #9521-h, Special Collections, University of Virginia Library, Charlottessville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThis addition to the \n          Duke family papers contains ca. 10,400 items\n         (38 Hollinger boxes, 12 linear shelf feet), 1764-1983, chiefly\n         personal and topical correspondence, business papers, and\n         legal papers of this prominent \n         \u003cgeogname\u003eCharlottesville\u003c/geogname\u003efamily, and the related \n          Slaughter family of \n         \u003cgeogname\u003eLynchburg, Virginia\u003c/geogname\u003e. The collection also\n         has genealogical material, invitations (arranged by year),\n         literary manuscripts and poetry by \n          R. T. W. Duke, Jr. (1853-1926),\n         miscellaneous papers, printed material, school records and\n         papers, photographs, diaries, account books, notebooks and\n         other bound volumes, postcards and papers concerning a few\n         legal clients of the \n          Duke and Duke law firm.\u003c/p\u003e","\u003cp\u003eThe overwhelming bulk of the correspondence consists of\n         letters to and from \n          R. T. W. Duke, Jr. , \n          Edith Slaughter Duke (1863-1921), his\n         wife, and their children, \n          Mary Willoughby Duke (1885-1966); \n          Richard Thomas Walker Duke,\n         III (1887-1960); \n          John Flavel Slaughter Duke , \"Jack\"\n         (1889-1933); \n          William Eskridge Duke (1893-1959); and \n          Helen Risdon Duke (1895-1984).\u003c/p\u003e","\u003cp\u003eThe correspondence subseries devoted to letters written to \n          R. T. W. Duke, Jr. contains three\n         different groups of material: 1) letters from his wife, \n          Edith Slaughter Duke ; 2) an\n         alphabetically arranged group of miscellaneous correspondents;\n         and 3) a group of individual correspondents, each with his own\n         folder.\u003c/p\u003e","\u003cp\u003eThe letters from Edith to \n          Tom Duke , 1882-1921, were written\n         whenever they were separated during their courtship, family\n         visits, vacations, and business trips. As could be expected,\n         most of these letters contain plans for furnishing their new\n         home, family news, and personal messages, all of which\n         chronicles the growth of the \n          Duke family .\u003c/p\u003e","\u003cp\u003eThe alphabetical miscellaneous correspondence file has\n         letters from college, fraternity and Masonic friends, business\n         associates, and other acquaintances and includes merchandise\n         orders, requests for speaking engagements, business matters,\n         literary concerns, letters of sympathy and personal news.\u003c/p\u003e","\u003cp\u003eLetters of note in this group include the following\n         correspondents and topics: \n          S. A. Duke (Dec. 9, 1908) re\n         reconstruction and \"the great negro question;\" \n          A. Ranken Ford (Nov.23, 1914) re America's\n         Civil War, \n         \u003cgeogname\u003eEngland\u003c/geogname\u003e's preparation for World War I and\n         \u003cgeogname\u003eGermany\u003c/geogname\u003e's spying activities prior to the\n         war; \n          George Gilmer (Jul. 28, 1918) re the\n         important role of the \n          Y.M.C.A. in keeping up the morale of the\n         American soldier in \n         \u003cgeogname\u003eEurope\u003c/geogname\u003e; \n          T. H. Harrison (Apr. 21 and Jun. 25, 1916)\n         re Canadian involvement in World War I; \n          H. C. Marchant (Sep.[15], 1895) re vestry\n         records of \n          Christ Episcopal Church ; and \n          Jessie Uppleby (Apr. 18, Jul. 5, Aug. 19,\n         Nov. 22, 1917, and Aug. 29 [n.y.]) re World War I war news\n         from \n         \u003cgeogname\u003eScotland\u003c/geogname\u003e.\u003c/p\u003e","\u003cp\u003eThe group of individual correspondents to \n          R. T. W. Duke, Jr. include the following\n         people: \n          B. Johnson Barbour , \n          Mary Carey , \n          J. E. Creary , \n          John Singleton Diggs , \n          Elizabeth Eskridge Duke , \n          Maymee R. Slaughter Duke , \n          Myrtle Judson Duke , \n          R. T. W. Duke, Sr. , \n          William R. Duke , \n          Eugene Ellicott , fraternity brothers, \n          Kate Gunther , \n          Lizzie Gunther , and \n          Maude Gunther , \n          Paul Jones and \n          Peter Tudor Jones , \n          Luther Kountze , \n          Nancy Leary , \n          Thomas Nelson Page , \n          Thomas D. Ransom , \n          Schele De Vere , \n          John F. Slaughter, Sr. , \n          John F. Slaughter, Jr. , \n          Mary Harker Slaughter and \n          Mary Willoughby Duke Slaughter .\u003c/p\u003e","\u003cp\u003eThe letters to \n          Edith Duke include correspondence from \n          Myrtle Judson Duke , \n          R. T. W. Duke, Jr. , \n          Susan Harker Risdon and miscellaneous\n         letters from friends and family, excluding her children.\u003c/p\u003e","\u003cp\u003eA third subseries of correspondence consists of letters\n         from \n          R. T. W. Duke, Jr. and \n          Edith Duke to their children, Mr. and Mrs.\n          R. T. W. Duke, Sr. and miscellaneous\n         correspondents. Of note in this group is a volume of \n          R. T. W. Duke, Jr. 's letters from \n         \u003cgeogname\u003eEurope\u003c/geogname\u003ewhich contains transcripts of his\n         letters home during his European tour of 1882. Duke describes\n         his voyage over on a ship \"Egypt,\" his companions and\n         acquaintances, his itinerary in \n         \u003cgeogname\u003eEngland\u003c/geogname\u003e, \n         \u003cgeogname\u003eHolland\u003c/geogname\u003e, \n         \u003cgeogname\u003eGermany\u003c/geogname\u003e, \n         \u003cgeogname\u003eSwitzerland\u003c/geogname\u003e, and \n         \u003cgeogname\u003eFrance\u003c/geogname\u003e, and the many museums, historic\n         sites, and towns which he visited.\u003c/p\u003e","\u003cp\u003eThe fourth subseries contains letters to and from the\n         children of \n          R. T. W. Duke, Jr. , including\n         correspondence with their parents and with each other. The\n         sons of \n          R. T. W. Duke, Jr. , Walker, Jack, and\n         Eskridge, were all in the armed forces during World War I, and\n         their letters that decribe camp life and their war experiences\n         are in the correspondence to their parents, 1917-1919.\u003c/p\u003e","\u003cp\u003eJack \n          (John Flavel) Duke was an Air Service\n         officer stationed at \n         \u003cgeogname\u003ePost Field, Sill, Oklahoma\u003c/geogname\u003e, and at \n         \u003cgeogname\u003eFt. Leavenworth, Kansas\u003c/geogname\u003e, and his\n         correspondence, 1917-1919, and no date, describes his flying\n         experiences. Although \n          Eskridge Duke attended the \n          U.S. Naval Academy preparatory school at \n         \u003cgeogname\u003eAnnapolis, Maryland\u003c/geogname\u003eand sailed as a\n         midshipman on the U.S.S. Illinois from 1911-1913, he served\n         during World War I in \n         \u003cgeogname\u003eFrance\u003c/geogname\u003eas an army officer with the \n          American Expeditionary Forces , from\n         September of 1918 until May of 1919.\u003c/p\u003e","\u003cp\u003e R. T. Walker Duke 's letters to his\n         parents from 1908-1911 describe his experiences in \n          Montana as a cowboy, his interest in\n         homesteading, bronco riding, and his work as a printer. In\n         1917, Walker was assigned to the \n          5th Illinois Company , \n         \u003cgeogname\u003eFt. Sheridan, Illinois\u003c/geogname\u003e. His letters\n         written during his service in \n         \u003cgeogname\u003eEurope\u003c/geogname\u003erun from October 1918 to March\n         1919. After the conclusion of the war, Walker served with the \n          Judge Advocate General Department in \n         \u003cgeogname\u003eWashington, D.C.\u003c/geogname\u003e(letters to his parents,\n         1920-1925).\u003c/p\u003e","\u003cp\u003e Mary Duke 's letters to her parents,\n         1918-1926, and no date, describe her nursing experiences and\n         other charitable work in the \n          Archdeaconry of Southwest Virginia with\n         Mrs. \n          Hugh F. Binns at \n          Nora, Dickinson County, Virginia .\u003c/p\u003e","\u003cp\u003eAnother interesting group of letters in this subseries are\n         those of \n          William Eskridge Duke, Jr. to his family\n         and to his aunts, \n          Mary Duke and \n          Helen Duke . \n          Bill Duke served in the navy during the\n         Korean War and his letters describe the places which he\n         visited on his tours of duty, such as \n         \u003cgeogname\u003eNaples\u003c/geogname\u003e, \n         \u003cgeogname\u003eAthens\u003c/geogname\u003e, \n         \u003cgeogname\u003eMarseilles\u003c/geogname\u003e, \n         \u003cgeogname\u003eGuam\u003c/geogname\u003e, and \n         \u003cgeogname\u003eYokosuka, Japan\u003c/geogname\u003e, 1949-1951.\u003c/p\u003e","\u003cp\u003eThe correspondence of the Duke brothers and sisters to each\n         other consists almost entirely of carbons or originals of\n         letters concerning the personal business transactions of the\n         family. It also reveals the financial difficulties of various\n         family members during the Depression years.\u003c/p\u003e","\u003cp\u003eThe \n          Slaughter family correspondence comprises\n         the fifth subseries of correspondence and contains letters to\n         and from members of \n          Edith Slaughter Duke 's family, including\n         her parents, \n          Mary Harker and \n          John Flavel Slaughter, Sr. , and her\n         brothers and sisters. The letters from Dr. \n          Blanche Rosalie Slaughter Morton , a\n         graduate of the \n          Women's Medical College of\n         Pennsylvania (1897) and practicing surgeon, form one\n         of the most interesting sections of this correspondence. She\n         describes her travels in \n         \u003cgeogname\u003eEurope\u003c/geogname\u003e(May 11, September 19, and 24,\n         1899); her concern for the \n          Lee family in \n         \u003cgeogname\u003eChina\u003c/geogname\u003eduring the struggle of the\n         Kuomintang with the warlords for political supremacy (March\n         29, 1927); her trip to \n         \u003cgeogname\u003eMexico\u003c/geogname\u003e(July 25, 1928) and the \n         \u003cgeogname\u003eMiddle East\u003c/geogname\u003e(November 4, 1935).\u003c/p\u003e","\u003cp\u003eMost of the Slaughter correspondence concerns either\n         business matters or family news with a few exceptions. \n          Charles Slaughter, Sr. writes concerning a\n         strike and riot in \n         \u003cgeogname\u003eDuluth, Minnesota\u003c/geogname\u003e(July 7, 1889); \n          Charles M. Harker, Sr. describes the\n         meeting of the American Convention ( \n          Know-Nothing Party ) in \n         \u003cgeogname\u003ePhiladelphia\u003c/geogname\u003e(June 10, 1855); Mary B[?]\n         R[?]'s letters, 1861-1862, provide a woman's view of the Civil\n         War; and \n          Samuel Slaughter describes his trip to \n         \u003cgeogname\u003eIreland\u003c/geogname\u003e, \n         \u003cgeogname\u003eScotland\u003c/geogname\u003e, and \n         \u003cgeogname\u003eEngland\u003c/geogname\u003e(July 24, August 1 \u0026amp; 5, 1889).\n         Members of the \n          Garland family write concerning family news,\n         Dr. \n          [Erasmus] Darwin 's theory of the earth,\n         and the significance of fossils, and General Hull's activities\n         at \n         \u003cgeogname\u003eSandwich\u003c/geogname\u003ein \n         \u003cgeogname\u003eCanada\u003c/geogname\u003eduring the beginning of the War of\n         1812 (August 4, 1812); and a trip to \n         \u003cgeogname\u003eBoston\u003c/geogname\u003eand \n         \u003cgeogname\u003eMontreal\u003c/geogname\u003e(August 1 \u0026amp; 11, 1851).\u003c/p\u003e","\u003cp\u003eOf note among the miscellaneous correspondence are two\n         letters from \n          John Singleton Mosby , one to \n          R. T. W. Duke, Jr. (September 27, 1915)\n         acknowledging Duke's letter of sympathy on the loss of Mosby's\n         son, and another to Captain \n          Sam Chapman (September 30, 1919)\n         concerning the manifesto of the \"Stonewall Jackson Camp\" at \n         \u003cgeogname\u003eStaunton\u003c/geogname\u003eabout the role of Southern\n         soldiers in the Civil War.\u003c/p\u003e","\u003cp\u003eAlso of interest are the letters, 1895-1954, from \n          Mary Lee and \n          Claude Lee , an Episcopal medical\n         missionary family in \n         \u003cgeogname\u003eWisuh, China\u003c/geogname\u003e. They ran a hospital and\n         dispensary from 1908 until ca. 1947. Although their letters\n         reveal various aspects of missionary life and personal family\n         news, they contain little of Chinese events. One letter by \n          Claude Lee (October 13, 1918) speaks of\n         the participation of the \n          8th Czecho-Slovak Regiment in a battle\n         against the Bolsheviks in the \n         \u003cgeogname\u003eUral Mountains\u003c/geogname\u003enear \n         \u003cgeogname\u003e[Tagelove ?], Russia\u003c/geogname\u003e, during World War\n         I.\u003c/p\u003e","\u003cp\u003eThe last subseries of correspondence consists of topical\n         files concerning the American Legion and World War I; business\n         correspondence of \n          R. T. W. Duke, Jr. ; the publication of\n         the poetry of \n          R. T. W. Duke, Jr. ; the rental of the\n         Duke's Park Street house; the will of \n          R. T. W. Duke, Jr. ; and the \n          St. Paul's Memorial Building Fund .\u003c/p\u003e","\u003cp\u003eThe other six non-correspondence series comprise about a\n         third of the collection and include: manuscripts and\n         miscellaneous papers, photographs, bound volumes and\n         notebooks, postcards, papers from the \n          Duke and Duke law firm and oversize\n         items.\u003c/p\u003e","\u003cp\u003eThe manuscripts and miscellaneous papers series contain the\n         personal business papers of the \n          Duke and related families, especially the \n          Slaughter family . There is also a sizeable\n         amount of family financial material in the Papers of the \n          Duke and Duke Law Firm at the \n          University of Virginia Law Library .\u003c/p\u003e","\u003cp\u003eOther types of material in this series include;\n         genealogical material, with a typescript about \n          Mary Harker Slaughter by her son, \n          William A. Slaughter ; invitations; legal\n         papers, including indentures, deeds, agreements, land surveys,\n         etc.; manuscripts by \n          R. T. W. Duke, Jr. , both poetry and\n         prose, including \"Albemarle County and the City of\n         Charlottesville in War Time,\" \"Libraries and Their Contents,\"\n         \"Pearls and Pebbles,\" typescripts of portions of his\n         \"Recollections,\" (the whole five volumes of Duke's\n         \"Recollections\" of his life can be found in 9521-i); printed\n         material, including Masonic items and an undated political\n         pamphlet entitled \"Mahoneism Unveiled!\"; and Duke family\n         school records and papers.\u003c/p\u003e","\u003cp\u003eThe photographic series consists of both identified and\n         unidentified photographs. Identified photographs contain the\n         following categories: Judge \n          R. T. W. Duke, Jr. , \n          R. T. W. Duke, Sr. , men and women in the \n          Duke and related families, \n          Rosalie Slaughter Morton , miscellaneous\n         men and women, European scenes, places, photographs of a trip,\n          University of Virginia , and \n          Zeta Psi Brothers and \n          University of Virginia friends.\n         Unidentified photographs have been placed in the following\n         groups: animals, children, groups and families, men, places,\n         and women.\u003c/p\u003e","\u003cp\u003eSeries four, consisting of bound volumes and notebooks,\n         contains primarily diaries and notebooks of the immediate \n          Duke family members. The fifth series has \n         \u003cgeogname\u003eUnited States\u003c/geogname\u003e, foreign, and topical\n         postcards. The \n         \u003cgeogname\u003eUnited States\u003c/geogname\u003epostcards are separated\n         first by state and then by city or county; the foreign by\n         country only, and the topicals are grouped together.\u003c/p\u003e","\u003cp\u003eThe papers of the \n          Duke and Duke law firm contain incomplete\n         case files handled by the family law firm. Among these are \n          Maria Carter v. \n          Roy Brown ; \n          J. E. Costan v. \n          Downing L. Smith ; Dr. Funsten v. \n          W. Ed. Pickering ; \n          Insurance Company of Charlottesville v. \n          V. W. F. Carter, Jr. ; the \n          Kentucky Coal Company , \n          Pike County Coal Company , and \n          Ohio and Big Sandy Coal Company ; \n          Jefferson M. Levy Legal Papers; \n          Piedmont Gas and Oil Corporation v. \n          R. S. Duncan ; and Snyder v. \n          University of Virginia . Most of the law\n         firm's papers are located in the \n          University of Virginia Law Library .\u003c/p\u003e","\u003cp\u003eThe last series consists of oversize documents and\n         photographs.\u003c/p\u003e","\u003cp\u003e\n              \u003clist type=\"simple\"\u003e\n                \u003citem\u003eFlorida -New Smyrna\u003c/item\u003e\n                \u003citem\u003eMaine -Boothbay Harbor and\n                        Portland\u003c/item\u003e\n                \u003citem\u003eMassachusetts -Plymouth\u003c/item\u003e\n                \u003citem\u003eNew Jersey -Atlantic City\u003c/item\u003e\n                \u003citem\u003eNew York -Long Island; Manhattan; Niagara\n                        Falls; Tonawanda; New York City Booklets\u003c/item\u003e\n                \u003citem\u003eNorth Carolina -Black Mountain and\n                        Roanoke Rapids\u003c/item\u003e\n                \u003citem\u003eSouth Carolina -Charleston\u003c/item\u003e\n                \u003citem\u003eTexas -San Antonio\u003c/item\u003e\n                \u003citem\u003eVermont -Montpelier\u003c/item\u003e\n                \u003citem\u003eVirginia -Afton; Alexandria; Annapolis;\n                        Appomattox; Arlington; Charlottesville;\n                        General; Giles County; Hampton; Hopewell;\n                        Monticello; Natural Bridge; Newport News;\n                        Richmond; Skyline Drive; Staunton; University\n                        of Virginia; Virginia Beach; Williamsburg;\n                        Winchester\u003c/item\u003e\n                \u003citem\u003eWashington, D.C.\u003c/item\u003e\n              \u003c/list\u003e\n            \u003c/p\u003e","\u003cp\u003e\n              \u003clist type=\"simple\"\u003e\n                \u003citem\u003eAlgeria\u003c/item\u003e\n                \u003citem\u003eCanada\u003c/item\u003e\n                \u003citem\u003eCarthage (Ancient)\u003c/item\u003e\n                \u003citem\u003eChina\u003c/item\u003e\n                \u003citem\u003eEgypt\u003c/item\u003e\n                \u003citem\u003eFrance\u003c/item\u003e\n                \u003citem\u003eGermany\u003c/item\u003e\n                \u003citem\u003eGibraltar\u003c/item\u003e\n                \u003citem\u003eGreat Britain\u003c/item\u003e\n                \u003citem\u003eGreece\u003c/item\u003e\n                \u003citem\u003eIsrael\u003c/item\u003e\n                \u003citem\u003eItaly\u003c/item\u003e\n                \u003citem\u003eMonaco\u003c/item\u003e\n                \u003citem\u003ePortugal (Madeira)\u003c/item\u003e\n                \u003citem\u003eSpain\u003c/item\u003e\n                \u003citem\u003eTunisia\u003c/item\u003e\n                \u003citem\u003eTurkey\u003c/item\u003e\n                \u003citem\u003eUnidentified\u003c/item\u003e\n              \u003c/list\u003e\n            \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This addition to the \n          Duke family papers contains ca. 10,400 items\n         (38 Hollinger boxes, 12 linear shelf feet), 1764-1983, chiefly\n         personal and topical correspondence, business papers, and\n         legal papers of this prominent \n          Charlottesville family, and the related \n          Slaughter family of \n          Lynchburg, Virginia . The collection also\n         has genealogical material, invitations (arranged by year),\n         literary manuscripts and poetry by \n          R. T. W. Duke, Jr. (1853-1926),\n         miscellaneous papers, printed material, school records and\n         papers, photographs, diaries, account books, notebooks and\n         other bound volumes, postcards and papers concerning a few\n         legal clients of the \n          Duke and Duke law firm.","The overwhelming bulk of the correspondence consists of\n         letters to and from \n          R. T. W. Duke, Jr. , \n          Edith Slaughter Duke (1863-1921), his\n         wife, and their children, \n          Mary Willoughby Duke (1885-1966); \n          Richard Thomas Walker Duke,\n         III (1887-1960); \n          John Flavel Slaughter Duke , \"Jack\"\n         (1889-1933); \n          William Eskridge Duke (1893-1959); and \n          Helen Risdon Duke (1895-1984).","The correspondence subseries devoted to letters written to \n          R. T. W. Duke, Jr. contains three\n         different groups of material: 1) letters from his wife, \n          Edith Slaughter Duke ; 2) an\n         alphabetically arranged group of miscellaneous correspondents;\n         and 3) a group of individual correspondents, each with his own\n         folder.","The letters from Edith to \n          Tom Duke , 1882-1921, were written\n         whenever they were separated during their courtship, family\n         visits, vacations, and business trips. As could be expected,\n         most of these letters contain plans for furnishing their new\n         home, family news, and personal messages, all of which\n         chronicles the growth of the \n          Duke family .","The alphabetical miscellaneous correspondence file has\n         letters from college, fraternity and Masonic friends, business\n         associates, and other acquaintances and includes merchandise\n         orders, requests for speaking engagements, business matters,\n         literary concerns, letters of sympathy and personal news.","Letters of note in this group include the following\n         correspondents and topics: \n          S. A. Duke (Dec. 9, 1908) re\n         reconstruction and \"the great negro question;\" \n          A. Ranken Ford (Nov.23, 1914) re America's\n         Civil War, \n          England 's preparation for World War I and\n          Germany 's spying activities prior to the\n         war; \n          George Gilmer (Jul. 28, 1918) re the\n         important role of the \n          Y.M.C.A. in keeping up the morale of the\n         American soldier in \n          Europe ; \n          T. H. Harrison (Apr. 21 and Jun. 25, 1916)\n         re Canadian involvement in World War I; \n          H. C. Marchant (Sep.[15], 1895) re vestry\n         records of \n          Christ Episcopal Church ; and \n          Jessie Uppleby (Apr. 18, Jul. 5, Aug. 19,\n         Nov. 22, 1917, and Aug. 29 [n.y.]) re World War I war news\n         from \n          Scotland .","The group of individual correspondents to \n          R. T. W. Duke, Jr. include the following\n         people: \n          B. Johnson Barbour , \n          Mary Carey , \n          J. E. Creary , \n          John Singleton Diggs , \n          Elizabeth Eskridge Duke , \n          Maymee R. Slaughter Duke , \n          Myrtle Judson Duke , \n          R. T. W. Duke, Sr. , \n          William R. Duke , \n          Eugene Ellicott , fraternity brothers, \n          Kate Gunther , \n          Lizzie Gunther , and \n          Maude Gunther , \n          Paul Jones and \n          Peter Tudor Jones , \n          Luther Kountze , \n          Nancy Leary , \n          Thomas Nelson Page , \n          Thomas D. Ransom , \n          Schele De Vere , \n          John F. Slaughter, Sr. , \n          John F. Slaughter, Jr. , \n          Mary Harker Slaughter and \n          Mary Willoughby Duke Slaughter .","The letters to \n          Edith Duke include correspondence from \n          Myrtle Judson Duke , \n          R. T. W. Duke, Jr. , \n          Susan Harker Risdon and miscellaneous\n         letters from friends and family, excluding her children.","A third subseries of correspondence consists of letters\n         from \n          R. T. W. Duke, Jr. and \n          Edith Duke to their children, Mr. and Mrs.\n          R. T. W. Duke, Sr. and miscellaneous\n         correspondents. Of note in this group is a volume of \n          R. T. W. Duke, Jr. 's letters from \n          Europe which contains transcripts of his\n         letters home during his European tour of 1882. Duke describes\n         his voyage over on a ship \"Egypt,\" his companions and\n         acquaintances, his itinerary in \n          England , \n          Holland , \n          Germany , \n          Switzerland , and \n          France , and the many museums, historic\n         sites, and towns which he visited.","The fourth subseries contains letters to and from the\n         children of \n          R. T. W. Duke, Jr. , including\n         correspondence with their parents and with each other. The\n         sons of \n          R. T. W. Duke, Jr. , Walker, Jack, and\n         Eskridge, were all in the armed forces during World War I, and\n         their letters that decribe camp life and their war experiences\n         are in the correspondence to their parents, 1917-1919.","Jack \n          (John Flavel) Duke was an Air Service\n         officer stationed at \n          Post Field, Sill, Oklahoma , and at \n          Ft. Leavenworth, Kansas , and his\n         correspondence, 1917-1919, and no date, describes his flying\n         experiences. Although \n          Eskridge Duke attended the \n          U.S. Naval Academy preparatory school at \n          Annapolis, Maryland and sailed as a\n         midshipman on the U.S.S. Illinois from 1911-1913, he served\n         during World War I in \n          France as an army officer with the \n          American Expeditionary Forces , from\n         September of 1918 until May of 1919."," R. T. Walker Duke 's letters to his\n         parents from 1908-1911 describe his experiences in \n          Montana as a cowboy, his interest in\n         homesteading, bronco riding, and his work as a printer. In\n         1917, Walker was assigned to the \n          5th Illinois Company , \n          Ft. Sheridan, Illinois . His letters\n         written during his service in \n          Europe run from October 1918 to March\n         1919. After the conclusion of the war, Walker served with the \n          Judge Advocate General Department in \n          Washington, D.C. (letters to his parents,\n         1920-1925)."," Mary Duke 's letters to her parents,\n         1918-1926, and no date, describe her nursing experiences and\n         other charitable work in the \n          Archdeaconry of Southwest Virginia with\n         Mrs. \n          Hugh F. Binns at \n          Nora, Dickinson County, Virginia .","Another interesting group of letters in this subseries are\n         those of \n          William Eskridge Duke, Jr. to his family\n         and to his aunts, \n          Mary Duke and \n          Helen Duke . \n          Bill Duke served in the navy during the\n         Korean War and his letters describe the places which he\n         visited on his tours of duty, such as \n          Naples , \n          Athens , \n          Marseilles , \n          Guam , and \n          Yokosuka, Japan , 1949-1951.","The correspondence of the Duke brothers and sisters to each\n         other consists almost entirely of carbons or originals of\n         letters concerning the personal business transactions of the\n         family. It also reveals the financial difficulties of various\n         family members during the Depression years.","The \n          Slaughter family correspondence comprises\n         the fifth subseries of correspondence and contains letters to\n         and from members of \n          Edith Slaughter Duke 's family, including\n         her parents, \n          Mary Harker and \n          John Flavel Slaughter, Sr. , and her\n         brothers and sisters. The letters from Dr. \n          Blanche Rosalie Slaughter Morton , a\n         graduate of the \n          Women's Medical College of\n         Pennsylvania (1897) and practicing surgeon, form one\n         of the most interesting sections of this correspondence. She\n         describes her travels in \n          Europe (May 11, September 19, and 24,\n         1899); her concern for the \n          Lee family in \n          China during the struggle of the\n         Kuomintang with the warlords for political supremacy (March\n         29, 1927); her trip to \n          Mexico (July 25, 1928) and the \n          Middle East (November 4, 1935).","Most of the Slaughter correspondence concerns either\n         business matters or family news with a few exceptions. \n          Charles Slaughter, Sr. writes concerning a\n         strike and riot in \n          Duluth, Minnesota (July 7, 1889); \n          Charles M. Harker, Sr. describes the\n         meeting of the American Convention ( \n          Know-Nothing Party ) in \n          Philadelphia (June 10, 1855); Mary B[?]\n         R[?]'s letters, 1861-1862, provide a woman's view of the Civil\n         War; and \n          Samuel Slaughter describes his trip to \n          Ireland , \n          Scotland , and \n          England (July 24, August 1 \u0026 5, 1889).\n         Members of the \n          Garland family write concerning family news,\n         Dr. \n          [Erasmus] Darwin 's theory of the earth,\n         and the significance of fossils, and General Hull's activities\n         at \n          Sandwich in \n          Canada during the beginning of the War of\n         1812 (August 4, 1812); and a trip to \n          Boston and \n          Montreal (August 1 \u0026 11, 1851).","Of note among the miscellaneous correspondence are two\n         letters from \n          John Singleton Mosby , one to \n          R. T. W. Duke, Jr. (September 27, 1915)\n         acknowledging Duke's letter of sympathy on the loss of Mosby's\n         son, and another to Captain \n          Sam Chapman (September 30, 1919)\n         concerning the manifesto of the \"Stonewall Jackson Camp\" at \n          Staunton about the role of Southern\n         soldiers in the Civil War.","Also of interest are the letters, 1895-1954, from \n          Mary Lee and \n          Claude Lee , an Episcopal medical\n         missionary family in \n          Wisuh, China . They ran a hospital and\n         dispensary from 1908 until ca. 1947. Although their letters\n         reveal various aspects of missionary life and personal family\n         news, they contain little of Chinese events. One letter by \n          Claude Lee (October 13, 1918) speaks of\n         the participation of the \n          8th Czecho-Slovak Regiment in a battle\n         against the Bolsheviks in the \n          Ural Mountains near \n          [Tagelove ?], Russia , during World War\n         I.","The last subseries of correspondence consists of topical\n         files concerning the American Legion and World War I; business\n         correspondence of \n          R. T. W. Duke, Jr. ; the publication of\n         the poetry of \n          R. T. W. Duke, Jr. ; the rental of the\n         Duke's Park Street house; the will of \n          R. T. W. Duke, Jr. ; and the \n          St. Paul's Memorial Building Fund .","The other six non-correspondence series comprise about a\n         third of the collection and include: manuscripts and\n         miscellaneous papers, photographs, bound volumes and\n         notebooks, postcards, papers from the \n          Duke and Duke law firm and oversize\n         items.","The manuscripts and miscellaneous papers series contain the\n         personal business papers of the \n          Duke and related families, especially the \n          Slaughter family . There is also a sizeable\n         amount of family financial material in the Papers of the \n          Duke and Duke Law Firm at the \n          University of Virginia Law Library .","Other types of material in this series include;\n         genealogical material, with a typescript about \n          Mary Harker Slaughter by her son, \n          William A. Slaughter ; invitations; legal\n         papers, including indentures, deeds, agreements, land surveys,\n         etc.; manuscripts by \n          R. T. W. Duke, Jr. , both poetry and\n         prose, including \"Albemarle County and the City of\n         Charlottesville in War Time,\" \"Libraries and Their Contents,\"\n         \"Pearls and Pebbles,\" typescripts of portions of his\n         \"Recollections,\" (the whole five volumes of Duke's\n         \"Recollections\" of his life can be found in 9521-i); printed\n         material, including Masonic items and an undated political\n         pamphlet entitled \"Mahoneism Unveiled!\"; and Duke family\n         school records and papers.","The photographic series consists of both identified and\n         unidentified photographs. Identified photographs contain the\n         following categories: Judge \n          R. T. W. Duke, Jr. , \n          R. T. W. Duke, Sr. , men and women in the \n          Duke and related families, \n          Rosalie Slaughter Morton , miscellaneous\n         men and women, European scenes, places, photographs of a trip,\n          University of Virginia , and \n          Zeta Psi Brothers and \n          University of Virginia friends.\n         Unidentified photographs have been placed in the following\n         groups: animals, children, groups and families, men, places,\n         and women.","Series four, consisting of bound volumes and notebooks,\n         contains primarily diaries and notebooks of the immediate \n          Duke family members. The fifth series has \n          United States , foreign, and topical\n         postcards. The \n          United States postcards are separated\n         first by state and then by city or county; the foreign by\n         country only, and the topicals are grouped together.","The papers of the \n          Duke and Duke law firm contain incomplete\n         case files handled by the family law firm. Among these are \n          Maria Carter v. \n          Roy Brown ; \n          J. E. Costan v. \n          Downing L. Smith ; Dr. Funsten v. \n          W. Ed. Pickering ; \n          Insurance Company of Charlottesville v. \n          V. W. F. Carter, Jr. ; the \n          Kentucky Coal Company , \n          Pike County Coal Company , and \n          Ohio and Big Sandy Coal Company ; \n          Jefferson M. Levy Legal Papers; \n          Piedmont Gas and Oil Corporation v. \n          R. S. Duncan ; and Snyder v. \n          University of Virginia . Most of the law\n         firm's papers are located in the \n          University of Virginia Law Library .","The last series consists of oversize documents and\n         photographs.","Florida -New Smyrna Maine -Boothbay Harbor and\n                        Portland Massachusetts -Plymouth New Jersey -Atlantic City New York -Long Island; Manhattan; Niagara\n                        Falls; Tonawanda; New York City Booklets North Carolina -Black Mountain and\n                        Roanoke Rapids South Carolina -Charleston Texas -San Antonio Vermont -Montpelier Virginia -Afton; Alexandria; Annapolis;\n                        Appomattox; Arlington; Charlottesville;\n                        General; Giles County; Hampton; Hopewell;\n                        Monticello; Natural Bridge; Newport News;\n                        Richmond; Skyline Drive; Staunton; University\n                        of Virginia; Virginia Beach; Williamsburg;\n                        Winchester Washington, D.C.","Algeria Canada Carthage (Ancient) China Egypt France Germany Gibraltar Great Britain Greece Israel Italy Monaco Portugal (Madeira) Spain Tunisia Turkey Unidentified"],"userestrict_html_tesm":["\u003cp\u003eSee the \n            \u003cextref type=\"simple\" href=\"https://www.library.virginia.edu/policies/use-of-materials\"\u003e\n            University of Virginia Library’s use policy.\u003c/extref\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["See the \n             \n            University of Virginia Library’s use policy."],"physloc_html_tesm":["\u003cphysloc/\u003e"],"physloc_tesim":[""],"language_ssim":["English"],"total_component_count_is":229,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T12:52:51.060Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_viu00187_c03_c12"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"University of Virginia, Special Collections Dept.","value":"University of Virginia, Special Collections Dept.","hits":1816},"links":{"remove":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1874\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept."}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=1874\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept."}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"\"What are you Like?\" Victorian parlor game","value":"\"What are you Like?\" Victorian parlor game","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22What+are+you+Like%3F%22+Victorian+parlor+game\u0026f%5Bdate_range%5D%5B%5D=1874\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept."}},{"attributes":{"label":"A. 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