{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1874\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=9","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1874\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=8","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1874\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=10","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1874\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=14"},"meta":{"pages":{"current_page":9,"next_page":10,"prev_page":8,"total_pages":14,"limit_value":10,"offset_value":80,"total_count":137,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_354_c01_c04","type":"File","attributes":{"title":"New Mexico, 1869/1876","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_354_c01_c04#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003ePhotograph label on the back as \"Puelbo, New Mex\".\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_354_c01_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_354_c01_c04","ref_ssm":["vifgm_repositories_2_resources_354_c01_c04"],"id":"vifgm_repositories_2_resources_354_c01_c04","ead_ssi":"vifgm_repositories_2_resources_354","_root_":"vifgm_repositories_2_resources_354","_nest_parent_":"vifgm_repositories_2_resources_354_c01","parent_ssi":"vifgm_repositories_2_resources_354_c01","parent_ssim":["Donald Orth geological survey photograph collection, 1869/1876","Donald Orth geological survey, 1869/1876"],"parent_ids_ssim":["vifgm_repositories_2_resources_354","vifgm_repositories_2_resources_354_c01"],"title_filing_ssi":"New Mexico,","title_ssm":["New Mexico"],"title_tesim":["New Mexico"],"normalized_title_ssm":["New Mexico, 1869/1876"],"text":["New Mexico, 1869/1876","Donald Orth geological survey photograph collection, 1869/1876","Donald Orth geological survey, 1869/1876","box 1","folder 2","Photograph label on the back as \"Puelbo, New Mex\"."],"parent_unittitles_ssm":["Donald Orth geological survey photograph collection, 1869/1876","Donald Orth geological survey, 1869/1876"],"parent_unittitles_tesim":["Donald Orth geological survey photograph collection, 1869/1876","Donald Orth geological survey, 1869/1876"],"normalized_date_ssm":["1869/1876"],"unitdate_other_ssim":["circa 1869-1876"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":5,"repository_ssim":["George Mason University"],"collection_ssim":["Donald Orth geological survey photograph collection, 1869/1876"],"containers_ssim":["box 1","folder 2"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["No known copyright. 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Permission to publish material from the Donald Orth Geological Survey Photograph Collection must be obtained from Special Collections Research Center, George Mason University Libraries.\n\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Donald Orth Geological Survey Photograph Collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003e49 black and white copy photographs that document the exploration of the American West in the late 19th century.\u003c/abstract\u003e\n      "],"abstract_tesim":["49 black and white copy photographs that document the exploration of the American West in the late 19th century."],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives"],"persname_ssim":["Orth, Donald J.","Hayden, F. V. (Ferdinand Vandeveer), 1829-1887","Jackson, William Henry, 1843-1942"],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Orth, Donald J.","Hayden, F. V. (Ferdinand Vandeveer), 1829-1887","Jackson, William Henry, 1843-1942"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":11,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:11.369Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_orth_c01_c05"}},{"id":"vifgm_repositories_2_resources_354_c01_c05","type":"File","attributes":{"title":"Niagara Falls, 1869/1876","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_354_c01_c05#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eTwo photographs of Niagara Falls, unsure if photographs are taken of the United States (New York) or Canada (Ontario)\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_354_c01_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_354_c01_c05","ref_ssm":["vifgm_repositories_2_resources_354_c01_c05"],"id":"vifgm_repositories_2_resources_354_c01_c05","ead_ssi":"vifgm_repositories_2_resources_354","_root_":"vifgm_repositories_2_resources_354","_nest_parent_":"vifgm_repositories_2_resources_354_c01","parent_ssi":"vifgm_repositories_2_resources_354_c01","parent_ssim":["Donald Orth geological survey photograph collection, 1869/1876","Donald Orth geological survey, 1869/1876"],"parent_ids_ssim":["vifgm_repositories_2_resources_354","vifgm_repositories_2_resources_354_c01"],"title_filing_ssi":"Niagara Falls,","title_ssm":["Niagara Falls"],"title_tesim":["Niagara Falls"],"normalized_title_ssm":["Niagara Falls, 1869/1876"],"text":["Niagara Falls, 1869/1876","Donald Orth geological survey photograph collection, 1869/1876","Donald Orth geological survey, 1869/1876","box 1","folder 2","Two photographs of Niagara Falls, unsure if photographs are taken of the United States (New York) or Canada (Ontario)"],"parent_unittitles_ssm":["Donald Orth geological survey photograph collection, 1869/1876","Donald Orth geological survey, 1869/1876"],"parent_unittitles_tesim":["Donald Orth geological survey photograph collection, 1869/1876","Donald Orth geological survey, 1869/1876"],"normalized_date_ssm":["1869/1876"],"unitdate_other_ssim":["circa 1869-1876"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":6,"repository_ssim":["George Mason University"],"collection_ssim":["Donald Orth geological survey photograph collection, 1869/1876"],"containers_ssim":["box 1","folder 2"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"date_range_isim":[1869,1870,1871,1872,1873,1874,1875,1876],"scopecontent_html_tesm":["\u003cp\u003eTwo photographs of Niagara Falls, unsure if photographs are taken of the United States (New York) or Canada (Ontario)\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Two photographs of Niagara Falls, unsure if photographs are taken of the United States (New York) or Canada (Ontario)"],"_nest_path_":"/components#0/components#4","timestamp":"2026-08-14T22:34:41.796Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_354","ead_ssi":"vifgm_repositories_2_resources_354","_root_":"vifgm_repositories_2_resources_354","_nest_parent_":"vifgm_repositories_2_resources_354","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_354.xml","title_filing_ssi":"Donald Orth geological survey photograph collection","title_ssm":["Donald Orth geological survey photograph collection"],"title_tesim":["Donald Orth geological survey photograph collection"],"unitdate_ssm":["1869-1876"],"unitdate_inclusive_ssm":["1869-1876"],"normalized_date_ssm":["1869/1876"],"normalized_title_ssm":["Donald Orth geological survey photograph collection, 1869/1876"],"text":["Donald Orth geological survey photograph collection, 1869/1876","C0233","/repositories/2/resources/354","Arizona","Colorado","Montana","New Mexico","Niagara Falls (N.Y. and Ont.)","Utah","Wyoming","Washington (D.C.)","Photographic prints","There are no access restrictions.","The collection is arranged alphabetically by state with three exceptions: Niagara Falls, Portraits, and Unknown.","This collection consists of photographs that originated from the United States Geological Society, with the majority taken by William Henry Jackson. Most of the photographs depict the American West, with notable photograph subjects like Yellowstone National Park and Ferdinand Vandiveer Hayden, a geologist who served as the head of the United States Geological and Geographic Survey of the Territories in the late 19th century. Hayden, along with Jackson, were integral in documenting the landscape of the West and helping establish Yellowstone National Park. In addition to Jackson's photographs, there are photographs taken by John K. Hillers, who was also exploring the American West with Jhn Wesley Powell, particularly the Grand Canyon, around the same time. There are also photographs of Fridtjof Nansen, the Norwegian explorer and scientist, and his boat \"Fram\" which he used during his expedition to the Arctic in 1893.","Processing and EAD markup completed in November 2013 by Kerry Mitchell. Finding aid updated by Amanda Brent in April 2020.","The Special Collections Research Center also holds the  and the .","49 black and white copy photographs that document the exploration of the American West in the late 19th century. The photographs appear to be reprints of the originals made in 1869-1874 except for the photographs of Niagara Falls and Washington, D.C. that appear to be original. The collection is arranged alphabetically by state with three exceptions: Niagara Falls, Portraits, and Unknown.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","49 black and white copy photographs that document the exploration of the American West in the late 19th century.","George Mason University. Libraries. Special Collections Research Center","Geological Survey (U.S.)","Orth, Donald J. (Donald John), 1954-","Jackson, William Henry, 1843-1942","Hayden, F. V. (Ferdinand Vandeveer), 1829-1887","English"],"collection_title_tesim":["Donald Orth geological survey photograph collection, 1869/1876"],"collection_ssim":["Donald Orth geological survey photograph collection, 1869/1876"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0233","/repositories/2/resources/354"],"unitid_tesim":["C0233","/repositories/2/resources/354"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Arizona","Colorado","Montana","New Mexico","Niagara Falls (N.Y. and Ont.)","Utah","Wyoming","Washington (D.C.)"],"geogname_ssim":["Arizona","Colorado","Montana","New Mexico","Niagara Falls (N.Y. and Ont.)","Utah","Wyoming","Washington (D.C.)"],"places_ssim":["Arizona","Colorado","Montana","New Mexico","Niagara Falls (N.Y. and Ont.)","Utah","Wyoming","Washington (D.C.)"],"creator_ssm":["Orth, Donald J. (Donald John), 1954-","Jackson, William Henry, 1843-1942"],"creator_ssim":["Orth, Donald J. (Donald John), 1954-","Jackson, William Henry, 1843-1942"],"creator_persname_ssim":["Orth, Donald J. (Donald John), 1954-","Jackson, William Henry, 1843-1942","Hayden, F. V. (Ferdinand Vandeveer), 1829-1887"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Geological Survey (U.S.)"],"creators_ssim":["Orth, Donald J. (Donald John), 1954-","Jackson, William Henry, 1843-1942","Hayden, F. V. (Ferdinand Vandeveer), 1829-1887","George Mason University. Libraries. Special Collections Research Center","Geological Survey (U.S.)"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Donated by Donald Orth on June 10, 2013."],"access_subjects_ssim":["Photographic prints"],"access_subjects_ssm":["Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["0.25 Linear Feet 1 box"],"extent_tesim":["0.25 Linear Feet 1 box"],"genreform_ssim":["Photographic prints"],"date_range_isim":[1869,1870,1871,1872,1873,1874,1875,1876],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged alphabetically by state with three exceptions: Niagara Falls, Portraits, and Unknown.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged alphabetically by state with three exceptions: Niagara Falls, Portraits, and Unknown."],"bioghist_html_tesm":["\u003cp\u003eThis collection consists of photographs that originated from the United States Geological Society, with the majority taken by William Henry Jackson. Most of the photographs depict the American West, with notable photograph subjects like Yellowstone National Park and Ferdinand Vandiveer Hayden, a geologist who served as the head of the United States Geological and Geographic Survey of the Territories in the late 19th century. Hayden, along with Jackson, were integral in documenting the landscape of the West and helping establish Yellowstone National Park. In addition to Jackson's photographs, there are photographs taken by John K. Hillers, who was also exploring the American West with Jhn Wesley Powell, particularly the Grand Canyon, around the same time. There are also photographs of Fridtjof Nansen, the Norwegian explorer and scientist, and his boat \"Fram\" which he used during his expedition to the Arctic in 1893.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["This collection consists of photographs that originated from the United States Geological Society, with the majority taken by William Henry Jackson. Most of the photographs depict the American West, with notable photograph subjects like Yellowstone National Park and Ferdinand Vandiveer Hayden, a geologist who served as the head of the United States Geological and Geographic Survey of the Territories in the late 19th century. Hayden, along with Jackson, were integral in documenting the landscape of the West and helping establish Yellowstone National Park. In addition to Jackson's photographs, there are photographs taken by John K. Hillers, who was also exploring the American West with Jhn Wesley Powell, particularly the Grand Canyon, around the same time. There are also photographs of Fridtjof Nansen, the Norwegian explorer and scientist, and his boat \"Fram\" which he used during his expedition to the Arctic in 1893."],"prefercite_html_tesm":["\u003cp\u003eDonald Orth Geological survey photograph collection, C0233, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Donald Orth Geological survey photograph collection, C0233, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in November 2013 by Kerry Mitchell. Finding aid updated by Amanda Brent in April 2020.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in November 2013 by Kerry Mitchell. Finding aid updated by Amanda Brent in April 2020."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Harold T. Rib aerial photograph collection\" href=\"https://aspace.gmu.edu/repositories/2/resources/357\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Soil Conservation Service Prince William County aerial photograph collection\" href=\"https://aspace.gmu.edu/repositories/2/resources/398\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  and the ."],"scopecontent_html_tesm":["\u003cp\u003e49 black and white copy photographs that document the exploration of the American West in the late 19th century. The photographs appear to be reprints of the originals made in 1869-1874 except for the photographs of Niagara Falls and Washington, D.C. that appear to be original. The collection is arranged alphabetically by state with three exceptions: Niagara Falls, Portraits, and Unknown.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["49 black and white copy photographs that document the exploration of the American West in the late 19th century. The photographs appear to be reprints of the originals made in 1869-1874 except for the photographs of Niagara Falls and Washington, D.C. that appear to be original. The collection is arranged alphabetically by state with three exceptions: Niagara Falls, Portraits, and Unknown."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_30f9761c5ae8e52f3a7ee795eff8772a\" label=\"Abstract\"\u003e49 black and white copy photographs that document the exploration of the American West in the late 19th century.\u003c/abstract\u003e\n    "],"abstract_tesim":["49 black and white copy photographs that document the exploration of the American West in the late 19th century."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Geological Survey (U.S.)"],"names_coll_ssim":["Geological Survey (U.S.)","Hayden, F. V. (Ferdinand Vandeveer), 1829-1887"],"persname_ssim":["Orth, Donald J. (Donald John), 1954-","Jackson, William Henry, 1843-1942","Hayden, F. V. (Ferdinand Vandeveer), 1829-1887"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Geological Survey (U.S.)","Orth, Donald J. (Donald John), 1954-","Jackson, William Henry, 1843-1942","Hayden, F. V. (Ferdinand Vandeveer), 1829-1887"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":11,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:41.796Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_354_c01_c05"}},{"id":"vifgm_repositories_2_resources_144","type":"collection","attributes":{"title":"Northern Virginia Civil War images collection, 1853/1914","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_144#creator","type":"document_value","attributes":{"value":"George Mason University. Libraries. Special Collections Research Center","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_144#abstract_or_scope","type":"document_value","attributes":{"value":"The collection contains images and maps depicting Northern Virginia. A majority of the images are contemporary illustrations of the Civil War in Virginia. Formats include wood engravings, steel engravings, lithographs, chromolithographs, and a manuscript.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_144#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_144","ead_ssi":"vifgm_repositories_2_resources_144","_root_":"vifgm_repositories_2_resources_144","_nest_parent_":"vifgm_repositories_2_resources_144","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_144.xml","title_filing_ssi":"Northern Virginia Civil War images collection","title_ssm":["Northern Virginia Civil War images collection"],"title_tesim":["Northern Virginia Civil War images collection"],"unitdate_ssm":["1853-1914"],"unitdate_inclusive_ssm":["1853-1914"],"normalized_date_ssm":["1853/1914"],"normalized_title_ssm":["Northern Virginia Civil War images collection, 1853/1914"],"text":["Northern Virginia Civil War images collection, 1853/1914","C0150","/repositories/2/resources/144","Virginia -- History -- Civil War, 1861-1865","Virginia, Northern","United States -- History -- Civil War, 1861-1865","Virginia, Northern -- History","Maps","Lithography","Chromolithography","Wood engravings","Steel engravings","There are no access restrictions.","This collection is arranged by locality of primary image.","The Illustrated London News was one of the first newspapers to employ wood engravings on a wide scale. One of its artists was Frank Vizetelly (1830-1883); he covered the Civil War for British readers. Early on, he illustrated the war from the Union side but was later allowed to draw from the Confederate side. Artists like Vizetelly sometimes did more than draw, though. He acted as a messenger for Confederate General James Longstreet at the battle of Chickamauga. Vizetelly was also a staff aide for the Confederates at the battle of Fredericksburg and was present at Charleston, South Carolina, when it was besieged. Because of such personal involvement by artists, many engravings were not made by detached observers, but by active participants in history unfolding.","Frank Leslie (1821-1880) was another artist who began his career as an engraver in 1842 and eventually published his own newspaper, which he titled, Frank Leslie's Illustrated Newspaper. The newspaper also covered the Civil War. Leslie used a large number of illustrations in his newspaper to increase circulation. Images from Frank Leslie's Illustrated Newspaper are well represented in Northern Virginia Images Collection, including several images from the German language edition of the newspaper.","Another popular periodical of the time was Harper's Weekly. It first appeared in 1857 and became one of the most important and influential periodicals in nineteenth century America, notably during the Civil War. Two prominent artists for Harper's Weekly during this period were Alfred Waud (1828-1891) and Thomas Nast (1840-1902). Engravings by both are included in Northern Virginia Images Collection. Waud was primarily assigned to the eastern front and covered the war from the Battle of First Manassas to the Confederacy's surrender at Appomattox Court House. Thomas Nast (who later became famous for creating the roly- poly figure in red we now know as Santa Claus) worked largely in New York for most of the war. One of the major exceptions to this was when he spent time in the Union camp during the Battle of Gettysburg. Nast's sympathies were for the Union side, which, naturally, bothered Southerners, who often sent threatening letters to Nast at the Harper's Weekly office. By and large, The Illustrated London News, Frank Leslie's Illustrated Newspaper, and Harper's Weekly illustrated the Civil War from the Northern point-of-view.","Many of today's Northern Virginia residents only know the area as a population outgrowth of Washington, D.C. Despite this cosmopolitan reputation, it was largely farm country at the time of the Civil War through World War II. Few realize that the area was the frequent battleground for large contending forces. Yet, many of the areas that are depicted in the images still exist today but under much different circumstances. Some of the areas included in these images have undergone radical cultural changes as well. An Islamic Mosque now occupies Munson Hill, which Confederate forces occupied under General J.E.B. Stuart during early days of the war.","Processed by Special Collections Research Center staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. EAD updated by Greta Kuriger in July 2011.","The Special Collections Research Center also holds the , the , and the WRLC digital collection . The  is available for GMU affiliated researchers.","The collection consists of nearly 200 images on various historical subjects in a variety of formats, including wood engravings, steel engravings, lithographs, chromolithographs, maps, and manuscripts. Most of the images depict battles and maps of the Civil War. The maps include the cities of Arlington and Alexandria and the counties of Fairfax, Loudoun and Prince William. Columbia Pike, Chain Bridge, Long Bridge, the Little River Turnpike, Centreville and Manassas all existed at the time of the Civil War and all of them are represented or referenced in these images.","Most of the Civil War images are from three periodicals: The Illustrated London News, Frank Leslie's Illustrated Newspaper, and Harper's Weekly. They are primarily wood engravings, several of which are hand colored. Though wood engraving was invented as an illustrative technique in the 1790s, it was the later appearance of the mass illustrated newspaper that took advantage of the technique to appeal to a wide readership.","Although pictorial images comprise the majority of images in the collection, there are also numerous maps, most of which were produced by lithography. A number were produced for military purposes and employed by both the North and South alike. Maps made during the Civil War were often exceedingly accurate; their usefulness carried on into the twentieth century.","Public domain. There are no known restrictions.","The collection contains images and maps depicting Northern Virginia. A majority of the images are contemporary illustrations of the Civil War in Virginia. Formats include wood engravings, steel engravings, lithographs, chromolithographs, and a manuscript.","Map Case 11.5, 23.5-24.5","George Mason University. Libraries. Special Collections Research Center","English"],"collection_title_tesim":["Northern Virginia Civil War images collection, 1853/1914"],"collection_ssim":["Northern Virginia Civil War images collection, 1853/1914"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0150","/repositories/2/resources/144"],"unitid_tesim":["C0150","/repositories/2/resources/144"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Virginia -- History -- Civil War, 1861-1865","Virginia, Northern","United States -- History -- Civil War, 1861-1865","Virginia, Northern -- History"],"geogname_ssim":["Virginia -- History -- Civil War, 1861-1865","Virginia, Northern","United States -- History -- Civil War, 1861-1865","Virginia, Northern -- History"],"places_ssim":["Virginia -- History -- Civil War, 1861-1865","Virginia, Northern","United States -- History -- Civil War, 1861-1865","Virginia, Northern -- History"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["Public domain. There are no known restrictions."],"acqinfo_ssim":["Purchased by Special Collections and Archives in 1997-2005 from Prints Old and Rare."],"access_subjects_ssim":["Maps","Lithography","Chromolithography","Wood engravings","Steel engravings"],"access_subjects_ssm":["Maps","Lithography","Chromolithography","Wood engravings","Steel engravings"],"has_online_content_ssim":["false"],"extent_ssm":["3 Linear Feet"],"extent_tesim":["3 Linear Feet"],"genreform_ssim":["Wood engravings","Steel engravings"],"date_range_isim":[1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by locality of primary image.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by locality of primary image."],"bioghist_html_tesm":["\u003cp\u003eThe Illustrated London News was one of the first newspapers to employ wood engravings on a wide scale. One of its artists was Frank Vizetelly (1830-1883); he covered the Civil War for British readers. Early on, he illustrated the war from the Union side but was later allowed to draw from the Confederate side. Artists like Vizetelly sometimes did more than draw, though. He acted as a messenger for Confederate General James Longstreet at the battle of Chickamauga. Vizetelly was also a staff aide for the Confederates at the battle of Fredericksburg and was present at Charleston, South Carolina, when it was besieged. Because of such personal involvement by artists, many engravings were not made by detached observers, but by active participants in history unfolding.\u003c/p\u003e","\u003cp\u003eFrank Leslie (1821-1880) was another artist who began his career as an engraver in 1842 and eventually published his own newspaper, which he titled, Frank Leslie's Illustrated Newspaper. The newspaper also covered the Civil War. Leslie used a large number of illustrations in his newspaper to increase circulation. Images from Frank Leslie's Illustrated Newspaper are well represented in Northern Virginia Images Collection, including several images from the German language edition of the newspaper.\u003c/p\u003e","\u003cp\u003eAnother popular periodical of the time was Harper's Weekly. It first appeared in 1857 and became one of the most important and influential periodicals in nineteenth century America, notably during the Civil War. Two prominent artists for Harper's Weekly during this period were Alfred Waud (1828-1891) and Thomas Nast (1840-1902). Engravings by both are included in Northern Virginia Images Collection. Waud was primarily assigned to the eastern front and covered the war from the Battle of First Manassas to the Confederacy's surrender at Appomattox Court House. Thomas Nast (who later became famous for creating the roly- poly figure in red we now know as Santa Claus) worked largely in New York for most of the war. One of the major exceptions to this was when he spent time in the Union camp during the Battle of Gettysburg. Nast's sympathies were for the Union side, which, naturally, bothered Southerners, who often sent threatening letters to Nast at the Harper's Weekly office. By and large, The Illustrated London News, Frank Leslie's Illustrated Newspaper, and Harper's Weekly illustrated the Civil War from the Northern point-of-view.\u003c/p\u003e","\u003cp\u003eMany of today's Northern Virginia residents only know the area as a population outgrowth of Washington, D.C. Despite this cosmopolitan reputation, it was largely farm country at the time of the Civil War through World War II. Few realize that the area was the frequent battleground for large contending forces. Yet, many of the areas that are depicted in the images still exist today but under much different circumstances. Some of the areas included in these images have undergone radical cultural changes as well. An Islamic Mosque now occupies Munson Hill, which Confederate forces occupied under General J.E.B. Stuart during early days of the war.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Illustrated London News was one of the first newspapers to employ wood engravings on a wide scale. One of its artists was Frank Vizetelly (1830-1883); he covered the Civil War for British readers. Early on, he illustrated the war from the Union side but was later allowed to draw from the Confederate side. Artists like Vizetelly sometimes did more than draw, though. He acted as a messenger for Confederate General James Longstreet at the battle of Chickamauga. Vizetelly was also a staff aide for the Confederates at the battle of Fredericksburg and was present at Charleston, South Carolina, when it was besieged. Because of such personal involvement by artists, many engravings were not made by detached observers, but by active participants in history unfolding.","Frank Leslie (1821-1880) was another artist who began his career as an engraver in 1842 and eventually published his own newspaper, which he titled, Frank Leslie's Illustrated Newspaper. The newspaper also covered the Civil War. Leslie used a large number of illustrations in his newspaper to increase circulation. Images from Frank Leslie's Illustrated Newspaper are well represented in Northern Virginia Images Collection, including several images from the German language edition of the newspaper.","Another popular periodical of the time was Harper's Weekly. It first appeared in 1857 and became one of the most important and influential periodicals in nineteenth century America, notably during the Civil War. Two prominent artists for Harper's Weekly during this period were Alfred Waud (1828-1891) and Thomas Nast (1840-1902). Engravings by both are included in Northern Virginia Images Collection. Waud was primarily assigned to the eastern front and covered the war from the Battle of First Manassas to the Confederacy's surrender at Appomattox Court House. Thomas Nast (who later became famous for creating the roly- poly figure in red we now know as Santa Claus) worked largely in New York for most of the war. One of the major exceptions to this was when he spent time in the Union camp during the Battle of Gettysburg. Nast's sympathies were for the Union side, which, naturally, bothered Southerners, who often sent threatening letters to Nast at the Harper's Weekly office. By and large, The Illustrated London News, Frank Leslie's Illustrated Newspaper, and Harper's Weekly illustrated the Civil War from the Northern point-of-view.","Many of today's Northern Virginia residents only know the area as a population outgrowth of Washington, D.C. Despite this cosmopolitan reputation, it was largely farm country at the time of the Civil War through World War II. Few realize that the area was the frequent battleground for large contending forces. Yet, many of the areas that are depicted in the images still exist today but under much different circumstances. Some of the areas included in these images have undergone radical cultural changes as well. An Islamic Mosque now occupies Munson Hill, which Confederate forces occupied under General J.E.B. Stuart during early days of the war."],"prefercite_html_tesm":["\u003cp\u003eNorthern Virginia Civil War images collection, C0150, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Northern Virginia Civil War images collection, C0150, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. EAD updated by Greta Kuriger in July 2011.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. EAD updated by Greta Kuriger in July 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Alexander Haight family collection\" href=\"https://aspace.gmu.edu/resources/c0159\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"Milton Barnes papers\" href=\"https://aspace.gmu.edu/resources/c0065\"\u003e\u003c/extptr\u003e, and the WRLC digital collection \u003cextptr show=\"new\" title=\"Virginia Civil War Archive\" href=\"http://www.aladin.wrlc.org/gsdl/collect/vacw/vacw.shtml\"\u003e\u003c/extptr\u003e. The \u003cextptr show=\"new\" title=\"digital version of Harper's Weekly\" href=\"http://app.harpweek.com/\"\u003e\u003c/extptr\u003e is available for GMU affiliated researchers.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the , the , and the WRLC digital collection . The  is available for GMU affiliated researchers."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of nearly 200 images on various historical subjects in a variety of formats, including wood engravings, steel engravings, lithographs, chromolithographs, maps, and manuscripts. Most of the images depict battles and maps of the Civil War. The maps include the cities of Arlington and Alexandria and the counties of Fairfax, Loudoun and Prince William. Columbia Pike, Chain Bridge, Long Bridge, the Little River Turnpike, Centreville and Manassas all existed at the time of the Civil War and all of them are represented or referenced in these images. \u003c/p\u003e","\u003cp\u003eMost of the Civil War images are from three periodicals: The Illustrated London News, Frank Leslie's Illustrated Newspaper, and Harper's Weekly. They are primarily wood engravings, several of which are hand colored. Though wood engraving was invented as an illustrative technique in the 1790s, it was the later appearance of the mass illustrated newspaper that took advantage of the technique to appeal to a wide readership.\u003c/p\u003e","\u003cp\u003eAlthough pictorial images comprise the majority of images in the collection, there are also numerous maps, most of which were produced by lithography. A number were produced for military purposes and employed by both the North and South alike. Maps made during the Civil War were often exceedingly accurate; their usefulness carried on into the twentieth century.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of nearly 200 images on various historical subjects in a variety of formats, including wood engravings, steel engravings, lithographs, chromolithographs, maps, and manuscripts. Most of the images depict battles and maps of the Civil War. The maps include the cities of Arlington and Alexandria and the counties of Fairfax, Loudoun and Prince William. Columbia Pike, Chain Bridge, Long Bridge, the Little River Turnpike, Centreville and Manassas all existed at the time of the Civil War and all of them are represented or referenced in these images.","Most of the Civil War images are from three periodicals: The Illustrated London News, Frank Leslie's Illustrated Newspaper, and Harper's Weekly. They are primarily wood engravings, several of which are hand colored. Though wood engraving was invented as an illustrative technique in the 1790s, it was the later appearance of the mass illustrated newspaper that took advantage of the technique to appeal to a wide readership.","Although pictorial images comprise the majority of images in the collection, there are also numerous maps, most of which were produced by lithography. A number were produced for military purposes and employed by both the North and South alike. Maps made during the Civil War were often exceedingly accurate; their usefulness carried on into the twentieth century."],"userestrict_html_tesm":["\u003cp\u003ePublic domain. There are no known restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_dbd7a4df24b2682fee1bc6ec071e507a\" label=\"Abstract\"\u003eThe collection contains images and maps depicting Northern Virginia. A majority of the images are contemporary illustrations of the Civil War in Virginia. Formats include wood engravings, steel engravings, lithographs, chromolithographs, and a manuscript.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection contains images and maps depicting Northern Virginia. A majority of the images are contemporary illustrations of the Civil War in Virginia. Formats include wood engravings, steel engravings, lithographs, chromolithographs, and a manuscript."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_a70d19fef0e8a7a6be4be2038580131d\"\u003eMap Case 11.5, 23.5-24.5\u003c/physloc\u003e\n    "],"physloc_tesim":["Map Case 11.5, 23.5-24.5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English"],"total_component_count_is":471,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:21.201Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_144","ead_ssi":"vifgm_repositories_2_resources_144","_root_":"vifgm_repositories_2_resources_144","_nest_parent_":"vifgm_repositories_2_resources_144","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_144.xml","title_filing_ssi":"Northern Virginia Civil War images collection","title_ssm":["Northern Virginia Civil War images collection"],"title_tesim":["Northern Virginia Civil War images collection"],"unitdate_ssm":["1853-1914"],"unitdate_inclusive_ssm":["1853-1914"],"normalized_date_ssm":["1853/1914"],"normalized_title_ssm":["Northern Virginia Civil War images collection, 1853/1914"],"text":["Northern Virginia Civil War images collection, 1853/1914","C0150","/repositories/2/resources/144","Virginia -- History -- Civil War, 1861-1865","Virginia, Northern","United States -- History -- Civil War, 1861-1865","Virginia, Northern -- History","Maps","Lithography","Chromolithography","Wood engravings","Steel engravings","There are no access restrictions.","This collection is arranged by locality of primary image.","The Illustrated London News was one of the first newspapers to employ wood engravings on a wide scale. One of its artists was Frank Vizetelly (1830-1883); he covered the Civil War for British readers. Early on, he illustrated the war from the Union side but was later allowed to draw from the Confederate side. Artists like Vizetelly sometimes did more than draw, though. He acted as a messenger for Confederate General James Longstreet at the battle of Chickamauga. Vizetelly was also a staff aide for the Confederates at the battle of Fredericksburg and was present at Charleston, South Carolina, when it was besieged. Because of such personal involvement by artists, many engravings were not made by detached observers, but by active participants in history unfolding.","Frank Leslie (1821-1880) was another artist who began his career as an engraver in 1842 and eventually published his own newspaper, which he titled, Frank Leslie's Illustrated Newspaper. The newspaper also covered the Civil War. Leslie used a large number of illustrations in his newspaper to increase circulation. Images from Frank Leslie's Illustrated Newspaper are well represented in Northern Virginia Images Collection, including several images from the German language edition of the newspaper.","Another popular periodical of the time was Harper's Weekly. It first appeared in 1857 and became one of the most important and influential periodicals in nineteenth century America, notably during the Civil War. Two prominent artists for Harper's Weekly during this period were Alfred Waud (1828-1891) and Thomas Nast (1840-1902). Engravings by both are included in Northern Virginia Images Collection. Waud was primarily assigned to the eastern front and covered the war from the Battle of First Manassas to the Confederacy's surrender at Appomattox Court House. Thomas Nast (who later became famous for creating the roly- poly figure in red we now know as Santa Claus) worked largely in New York for most of the war. One of the major exceptions to this was when he spent time in the Union camp during the Battle of Gettysburg. Nast's sympathies were for the Union side, which, naturally, bothered Southerners, who often sent threatening letters to Nast at the Harper's Weekly office. By and large, The Illustrated London News, Frank Leslie's Illustrated Newspaper, and Harper's Weekly illustrated the Civil War from the Northern point-of-view.","Many of today's Northern Virginia residents only know the area as a population outgrowth of Washington, D.C. Despite this cosmopolitan reputation, it was largely farm country at the time of the Civil War through World War II. Few realize that the area was the frequent battleground for large contending forces. Yet, many of the areas that are depicted in the images still exist today but under much different circumstances. Some of the areas included in these images have undergone radical cultural changes as well. An Islamic Mosque now occupies Munson Hill, which Confederate forces occupied under General J.E.B. Stuart during early days of the war.","Processed by Special Collections Research Center staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. EAD updated by Greta Kuriger in July 2011.","The Special Collections Research Center also holds the , the , and the WRLC digital collection . The  is available for GMU affiliated researchers.","The collection consists of nearly 200 images on various historical subjects in a variety of formats, including wood engravings, steel engravings, lithographs, chromolithographs, maps, and manuscripts. Most of the images depict battles and maps of the Civil War. The maps include the cities of Arlington and Alexandria and the counties of Fairfax, Loudoun and Prince William. Columbia Pike, Chain Bridge, Long Bridge, the Little River Turnpike, Centreville and Manassas all existed at the time of the Civil War and all of them are represented or referenced in these images.","Most of the Civil War images are from three periodicals: The Illustrated London News, Frank Leslie's Illustrated Newspaper, and Harper's Weekly. They are primarily wood engravings, several of which are hand colored. Though wood engraving was invented as an illustrative technique in the 1790s, it was the later appearance of the mass illustrated newspaper that took advantage of the technique to appeal to a wide readership.","Although pictorial images comprise the majority of images in the collection, there are also numerous maps, most of which were produced by lithography. A number were produced for military purposes and employed by both the North and South alike. Maps made during the Civil War were often exceedingly accurate; their usefulness carried on into the twentieth century.","Public domain. There are no known restrictions.","The collection contains images and maps depicting Northern Virginia. A majority of the images are contemporary illustrations of the Civil War in Virginia. Formats include wood engravings, steel engravings, lithographs, chromolithographs, and a manuscript.","Map Case 11.5, 23.5-24.5","George Mason University. Libraries. Special Collections Research Center","English"],"collection_title_tesim":["Northern Virginia Civil War images collection, 1853/1914"],"collection_ssim":["Northern Virginia Civil War images collection, 1853/1914"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0150","/repositories/2/resources/144"],"unitid_tesim":["C0150","/repositories/2/resources/144"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Virginia -- History -- Civil War, 1861-1865","Virginia, Northern","United States -- History -- Civil War, 1861-1865","Virginia, Northern -- History"],"geogname_ssim":["Virginia -- History -- Civil War, 1861-1865","Virginia, Northern","United States -- History -- Civil War, 1861-1865","Virginia, Northern -- History"],"places_ssim":["Virginia -- History -- Civil War, 1861-1865","Virginia, Northern","United States -- History -- Civil War, 1861-1865","Virginia, Northern -- History"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["Public domain. There are no known restrictions."],"acqinfo_ssim":["Purchased by Special Collections and Archives in 1997-2005 from Prints Old and Rare."],"access_subjects_ssim":["Maps","Lithography","Chromolithography","Wood engravings","Steel engravings"],"access_subjects_ssm":["Maps","Lithography","Chromolithography","Wood engravings","Steel engravings"],"has_online_content_ssim":["false"],"extent_ssm":["3 Linear Feet"],"extent_tesim":["3 Linear Feet"],"genreform_ssim":["Wood engravings","Steel engravings"],"date_range_isim":[1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by locality of primary image.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by locality of primary image."],"bioghist_html_tesm":["\u003cp\u003eThe Illustrated London News was one of the first newspapers to employ wood engravings on a wide scale. One of its artists was Frank Vizetelly (1830-1883); he covered the Civil War for British readers. Early on, he illustrated the war from the Union side but was later allowed to draw from the Confederate side. Artists like Vizetelly sometimes did more than draw, though. He acted as a messenger for Confederate General James Longstreet at the battle of Chickamauga. Vizetelly was also a staff aide for the Confederates at the battle of Fredericksburg and was present at Charleston, South Carolina, when it was besieged. Because of such personal involvement by artists, many engravings were not made by detached observers, but by active participants in history unfolding.\u003c/p\u003e","\u003cp\u003eFrank Leslie (1821-1880) was another artist who began his career as an engraver in 1842 and eventually published his own newspaper, which he titled, Frank Leslie's Illustrated Newspaper. The newspaper also covered the Civil War. Leslie used a large number of illustrations in his newspaper to increase circulation. Images from Frank Leslie's Illustrated Newspaper are well represented in Northern Virginia Images Collection, including several images from the German language edition of the newspaper.\u003c/p\u003e","\u003cp\u003eAnother popular periodical of the time was Harper's Weekly. It first appeared in 1857 and became one of the most important and influential periodicals in nineteenth century America, notably during the Civil War. Two prominent artists for Harper's Weekly during this period were Alfred Waud (1828-1891) and Thomas Nast (1840-1902). Engravings by both are included in Northern Virginia Images Collection. Waud was primarily assigned to the eastern front and covered the war from the Battle of First Manassas to the Confederacy's surrender at Appomattox Court House. Thomas Nast (who later became famous for creating the roly- poly figure in red we now know as Santa Claus) worked largely in New York for most of the war. One of the major exceptions to this was when he spent time in the Union camp during the Battle of Gettysburg. Nast's sympathies were for the Union side, which, naturally, bothered Southerners, who often sent threatening letters to Nast at the Harper's Weekly office. By and large, The Illustrated London News, Frank Leslie's Illustrated Newspaper, and Harper's Weekly illustrated the Civil War from the Northern point-of-view.\u003c/p\u003e","\u003cp\u003eMany of today's Northern Virginia residents only know the area as a population outgrowth of Washington, D.C. Despite this cosmopolitan reputation, it was largely farm country at the time of the Civil War through World War II. Few realize that the area was the frequent battleground for large contending forces. Yet, many of the areas that are depicted in the images still exist today but under much different circumstances. Some of the areas included in these images have undergone radical cultural changes as well. An Islamic Mosque now occupies Munson Hill, which Confederate forces occupied under General J.E.B. Stuart during early days of the war.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Illustrated London News was one of the first newspapers to employ wood engravings on a wide scale. One of its artists was Frank Vizetelly (1830-1883); he covered the Civil War for British readers. Early on, he illustrated the war from the Union side but was later allowed to draw from the Confederate side. Artists like Vizetelly sometimes did more than draw, though. He acted as a messenger for Confederate General James Longstreet at the battle of Chickamauga. Vizetelly was also a staff aide for the Confederates at the battle of Fredericksburg and was present at Charleston, South Carolina, when it was besieged. Because of such personal involvement by artists, many engravings were not made by detached observers, but by active participants in history unfolding.","Frank Leslie (1821-1880) was another artist who began his career as an engraver in 1842 and eventually published his own newspaper, which he titled, Frank Leslie's Illustrated Newspaper. The newspaper also covered the Civil War. Leslie used a large number of illustrations in his newspaper to increase circulation. Images from Frank Leslie's Illustrated Newspaper are well represented in Northern Virginia Images Collection, including several images from the German language edition of the newspaper.","Another popular periodical of the time was Harper's Weekly. It first appeared in 1857 and became one of the most important and influential periodicals in nineteenth century America, notably during the Civil War. Two prominent artists for Harper's Weekly during this period were Alfred Waud (1828-1891) and Thomas Nast (1840-1902). Engravings by both are included in Northern Virginia Images Collection. Waud was primarily assigned to the eastern front and covered the war from the Battle of First Manassas to the Confederacy's surrender at Appomattox Court House. Thomas Nast (who later became famous for creating the roly- poly figure in red we now know as Santa Claus) worked largely in New York for most of the war. One of the major exceptions to this was when he spent time in the Union camp during the Battle of Gettysburg. Nast's sympathies were for the Union side, which, naturally, bothered Southerners, who often sent threatening letters to Nast at the Harper's Weekly office. By and large, The Illustrated London News, Frank Leslie's Illustrated Newspaper, and Harper's Weekly illustrated the Civil War from the Northern point-of-view.","Many of today's Northern Virginia residents only know the area as a population outgrowth of Washington, D.C. Despite this cosmopolitan reputation, it was largely farm country at the time of the Civil War through World War II. Few realize that the area was the frequent battleground for large contending forces. Yet, many of the areas that are depicted in the images still exist today but under much different circumstances. Some of the areas included in these images have undergone radical cultural changes as well. An Islamic Mosque now occupies Munson Hill, which Confederate forces occupied under General J.E.B. Stuart during early days of the war."],"prefercite_html_tesm":["\u003cp\u003eNorthern Virginia Civil War images collection, C0150, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Northern Virginia Civil War images collection, C0150, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. EAD updated by Greta Kuriger in July 2011.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. EAD updated by Greta Kuriger in July 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Alexander Haight family collection\" href=\"https://aspace.gmu.edu/resources/c0159\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"Milton Barnes papers\" href=\"https://aspace.gmu.edu/resources/c0065\"\u003e\u003c/extptr\u003e, and the WRLC digital collection \u003cextptr show=\"new\" title=\"Virginia Civil War Archive\" href=\"http://www.aladin.wrlc.org/gsdl/collect/vacw/vacw.shtml\"\u003e\u003c/extptr\u003e. The \u003cextptr show=\"new\" title=\"digital version of Harper's Weekly\" href=\"http://app.harpweek.com/\"\u003e\u003c/extptr\u003e is available for GMU affiliated researchers.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the , the , and the WRLC digital collection . The  is available for GMU affiliated researchers."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of nearly 200 images on various historical subjects in a variety of formats, including wood engravings, steel engravings, lithographs, chromolithographs, maps, and manuscripts. Most of the images depict battles and maps of the Civil War. The maps include the cities of Arlington and Alexandria and the counties of Fairfax, Loudoun and Prince William. Columbia Pike, Chain Bridge, Long Bridge, the Little River Turnpike, Centreville and Manassas all existed at the time of the Civil War and all of them are represented or referenced in these images. \u003c/p\u003e","\u003cp\u003eMost of the Civil War images are from three periodicals: The Illustrated London News, Frank Leslie's Illustrated Newspaper, and Harper's Weekly. They are primarily wood engravings, several of which are hand colored. Though wood engraving was invented as an illustrative technique in the 1790s, it was the later appearance of the mass illustrated newspaper that took advantage of the technique to appeal to a wide readership.\u003c/p\u003e","\u003cp\u003eAlthough pictorial images comprise the majority of images in the collection, there are also numerous maps, most of which were produced by lithography. A number were produced for military purposes and employed by both the North and South alike. Maps made during the Civil War were often exceedingly accurate; their usefulness carried on into the twentieth century.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of nearly 200 images on various historical subjects in a variety of formats, including wood engravings, steel engravings, lithographs, chromolithographs, maps, and manuscripts. Most of the images depict battles and maps of the Civil War. The maps include the cities of Arlington and Alexandria and the counties of Fairfax, Loudoun and Prince William. Columbia Pike, Chain Bridge, Long Bridge, the Little River Turnpike, Centreville and Manassas all existed at the time of the Civil War and all of them are represented or referenced in these images.","Most of the Civil War images are from three periodicals: The Illustrated London News, Frank Leslie's Illustrated Newspaper, and Harper's Weekly. They are primarily wood engravings, several of which are hand colored. Though wood engraving was invented as an illustrative technique in the 1790s, it was the later appearance of the mass illustrated newspaper that took advantage of the technique to appeal to a wide readership.","Although pictorial images comprise the majority of images in the collection, there are also numerous maps, most of which were produced by lithography. A number were produced for military purposes and employed by both the North and South alike. Maps made during the Civil War were often exceedingly accurate; their usefulness carried on into the twentieth century."],"userestrict_html_tesm":["\u003cp\u003ePublic domain. There are no known restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_dbd7a4df24b2682fee1bc6ec071e507a\" label=\"Abstract\"\u003eThe collection contains images and maps depicting Northern Virginia. A majority of the images are contemporary illustrations of the Civil War in Virginia. Formats include wood engravings, steel engravings, lithographs, chromolithographs, and a manuscript.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection contains images and maps depicting Northern Virginia. A majority of the images are contemporary illustrations of the Civil War in Virginia. Formats include wood engravings, steel engravings, lithographs, chromolithographs, and a manuscript."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_a70d19fef0e8a7a6be4be2038580131d\"\u003eMap Case 11.5, 23.5-24.5\u003c/physloc\u003e\n    "],"physloc_tesim":["Map Case 11.5, 23.5-24.5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English"],"total_component_count_is":471,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:21.201Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_144"}},{"id":"vifgm_vifgm00014","type":"collection","attributes":{"title":"Northern Virginia Civil War images collection, 1853/1914","creator":{"id":"https://arvasarchive.org/catalog/vifgm_vifgm00014#creator","type":"document_value","attributes":{"value":"George Mason University. Special Collections and Archives.","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_vifgm00014#abstract_or_scope","type":"document_value","attributes":{"value":"The collection contains images and maps depicting Northern Virginia. A majority of the images are contemporary illustrations of the Civil War in Virginia. Formats include wood engravings, steel engravings, lithographs, chromolithographs, and a manuscript. ","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_vifgm00014#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_vifgm00014","ead_ssi":"vifgm_vifgm00014","_root_":"vifgm_vifgm00014","_nest_parent_":"vifgm_vifgm00014","ead_source_url_ssi":"data/gmu/vifgm00014.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["Northern Virginia Civil War images collection"],"title_tesim":["Northern Virginia Civil War images collection"],"unitdate_ssm":["1853-1914"],"unitdate_inclusive_ssm":["1853-1914"],"normalized_date_ssm":["1853/1914"],"normalized_title_ssm":["Northern Virginia Civil War images collection, 1853/1914"],"text":["Northern Virginia Civil War images collection, 1853/1914","C0150","Virginia--History--Civil War, 1861-1865--Maps.","Virginia--History--Civil War, 1861-1865--Pictorial works.","Chromolithographs.","Lithographs.","Maps.","Steel engravings.","Wood engravings.","Collection is open to research.","This collection is arranged by locality of primary image.","The Illustrated London News was one of the first newspapers\n         to employ wood engravings on a wide scale. One of its artists\n         was Frank Vizetelly (1830-1883); he covered the Civil War for\n         British readers. Early on, he illustrated the war from the\n         Union side but was later allowed to draw from the Confederate\n         side. Artists like Vizetelly sometimes did more than draw,\n         though. He acted as a messenger for Confederate General James\n         Longstreet at the battle of Chickamauga. Vizetelly was also a\n         staff aide for the Confederates at the battle of\n         Fredericksburg and was present at Charleston, South Carolina,\n         when it was besieged. Because of such personal involvement by\n         artists, many engravings were not made by detached observers,\n         but by active participants in history unfolding.","Frank Leslie (1821-1880) was another artist who began his\n         career as an engraver in 1842 and eventually published his own\n         newspaper, which he titled, Frank Leslie's Illustrated\n         Newspaper. The newspaper also covered the Civil War. Leslie\n         used a large number of illustrations in his newspaper to\n         increase circulation. Images from Frank Leslie's Illustrated\n         Newspaper are well represented in Northern Virginia Images\n         Collection, including several images from the German language\n         edition of the newspaper.","Another popular periodical of the time was Harper's Weekly.\n         It first appeared in 1857 and became one of the most important\n         and influential periodicals in nineteenth century America,\n         notably during the Civil War. Two prominent artists for\n         Harper's Weekly during this period were Alfred Waud\n         (1828-1891) and Thomas Nast (1840-1902). Engravings by both\n         are included in Northern Virginia Images Collection. Waud was\n         primarily assigned to the eastern front and covered the war\n         from the Battle of First Manassas to the Confederacy's\n         surrender at Appomattox Court House. Thomas Nast (who later\n         became famous for creating the roly- poly figure in red we now\n         know as Santa Claus) worked largely in New York for most of\n         the war. One of the major exceptions to this was when he spent\n         time in the Union camp during the Battle of Gettysburg. Nast's\n         sympathies were for the Union side, which, naturally, bothered\n         Southerners, who often sent threatening letters to Nast at the\n         Harper's Weekly office. By and large, The Illustrated London\n         News, Frank Leslie's Illustrated Newspaper, and Harper's\n         Weekly illustrated the Civil War from the Northern\n         point-of-view.","Many of today's\n         Northern Virginia residents only know the area as a population\n         outgrowth of Washington, D.C. Despite this cosmopolitan\n         reputation, it was largely farm country at the time of the\n         Civil War through World War II. Few realize that the area was\n         the frequent battleground for large contending forces. Yet,\n         many of the areas that are depicted in the images still exist\n         today but under much different circumstances. Some of the areas included in these images have\n         undergone radical cultural changes as well. An Islamic Mosque\n         now occupies Munson Hill, which Confederate forces occupied\n         under General J.E.B. Stuart during early days of the war.","Processed by Special Collections and Archives staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. Finding aid updated by Greta Kuriger in July 2011.","Special Collections and Archives also holds the , the , and the the WRLC digital collection . The  is available for GMU affiliated researchers.","The collection \n         consists of nearly 200 images on various historical subjects\n         in a variety of formats, including wood engravings, steel\n         engravings, lithographs, chromolithographs, maps, and\n         manuscripts. Most of the images depict battles and maps\n         of the Civil War. The maps include the cities of Arlington and\n         Alexandria and the counties of Fairfax, Loudoun and Prince\n         William. Columbia Pike,\n         Chain Bridge, Long Bridge, the Little River Turnpike,\n         Centreville and Manassas all existed at the time of the Civil\n         War and all of them are represented or referenced in these\n         images.","Most of the Civil War images are from three periodicals:\n         The Illustrated London News, Frank Leslie's Illustrated\n         Newspaper, and Harper's Weekly. They are primarily wood\n         engravings, several of which are hand colored. Though wood\n         engraving was invented as an illustrative technique in the\n         1790s, it was the later appearance of the mass illustrated\n         newspaper that took advantage of the technique to appeal to a\n         wide readership.","Although pictorial images comprise the majority of images\n         in the collection, there are also numerous maps, most of which\n         were produced by lithography. A number were produced for\n         military purposes and employed by both the North and South\n         alike. Maps made during the Civil War were often exceedingly\n         accurate; their usefulness carried on into the twentieth\n         century.","There are no restrictions.","The collection contains images and maps depicting Northern Virginia. A majority of the images are contemporary illustrations of the Civil War in Virginia. Formats include wood engravings, steel engravings, lithographs, chromolithographs, and a manuscript.","George Mason University. Special Collections and Archives.","English"],"collection_title_tesim":["Northern Virginia Civil War images collection, 1853/1914"],"collection_ssim":["Northern Virginia Civil War images collection, 1853/1914"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0150"],"unitid_tesim":["C0150"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Special Collections and Archives."],"creator_ssim":["George Mason University. Special Collections and Archives."],"creator_corpname_ssim":["George Mason University. Special Collections and Archives."],"creators_ssim":["George Mason University. Special Collections and Archives."],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Purchased by Special Collections and Archives in 1997-2005 from Prints Old and Rare."],"access_subjects_ssim":["Virginia--History--Civil War, 1861-1865--Maps.","Virginia--History--Civil War, 1861-1865--Pictorial works.","Chromolithographs.","Lithographs.","Maps.","Steel engravings.","Wood engravings."],"access_subjects_ssm":["Virginia--History--Civil War, 1861-1865--Maps.","Virginia--History--Civil War, 1861-1865--Pictorial works.","Chromolithographs.","Lithographs.","Maps.","Steel engravings.","Wood engravings."],"has_online_content_ssim":["false"],"extent_ssm":["3 linear feet"],"extent_tesim":["3 linear feet"],"date_range_isim":[1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\n\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by locality of primary image.\n\u003c/p\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by locality of primary image."],"bioghist_html_tesm":["\u003cp\u003eThe Illustrated London News was one of the first newspapers\n         to employ wood engravings on a wide scale. One of its artists\n         was Frank Vizetelly (1830-1883); he covered the Civil War for\n         British readers. Early on, he illustrated the war from the\n         Union side but was later allowed to draw from the Confederate\n         side. Artists like Vizetelly sometimes did more than draw,\n         though. He acted as a messenger for Confederate General James\n         Longstreet at the battle of Chickamauga. Vizetelly was also a\n         staff aide for the Confederates at the battle of\n         Fredericksburg and was present at Charleston, South Carolina,\n         when it was besieged. Because of such personal involvement by\n         artists, many engravings were not made by detached observers,\n         but by active participants in history unfolding.\u003c/p\u003e\n      ","\u003cp\u003eFrank Leslie (1821-1880) was another artist who began his\n         career as an engraver in 1842 and eventually published his own\n         newspaper, which he titled, Frank Leslie's Illustrated\n         Newspaper. The newspaper also covered the Civil War. Leslie\n         used a large number of illustrations in his newspaper to\n         increase circulation. Images from Frank Leslie's Illustrated\n         Newspaper are well represented in Northern Virginia Images\n         Collection, including several images from the German language\n         edition of the newspaper.\u003c/p\u003e\n      ","\u003cp\u003eAnother popular periodical of the time was Harper's Weekly.\n         It first appeared in 1857 and became one of the most important\n         and influential periodicals in nineteenth century America,\n         notably during the Civil War. Two prominent artists for\n         Harper's Weekly during this period were Alfred Waud\n         (1828-1891) and Thomas Nast (1840-1902). Engravings by both\n         are included in Northern Virginia Images Collection. Waud was\n         primarily assigned to the eastern front and covered the war\n         from the Battle of First Manassas to the Confederacy's\n         surrender at Appomattox Court House. Thomas Nast (who later\n         became famous for creating the roly- poly figure in red we now\n         know as Santa Claus) worked largely in New York for most of\n         the war. One of the major exceptions to this was when he spent\n         time in the Union camp during the Battle of Gettysburg. Nast's\n         sympathies were for the Union side, which, naturally, bothered\n         Southerners, who often sent threatening letters to Nast at the\n         Harper's Weekly office. By and large, The Illustrated London\n         News, Frank Leslie's Illustrated Newspaper, and Harper's\n         Weekly illustrated the Civil War from the Northern\n         point-of-view.\u003c/p\u003e\n      ","\u003cp\u003eMany of today's\n         Northern Virginia residents only know the area as a population\n         outgrowth of Washington, D.C. Despite this cosmopolitan\n         reputation, it was largely farm country at the time of the\n         Civil War through World War II. Few realize that the area was\n         the frequent battleground for large contending forces. Yet,\n         many of the areas that are depicted in the images still exist\n         today but under much different circumstances. Some of the areas included in these images have\n         undergone radical cultural changes as well. An Islamic Mosque\n         now occupies Munson Hill, which Confederate forces occupied\n         under General J.E.B. Stuart during early days of the war.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Illustrated London News was one of the first newspapers\n         to employ wood engravings on a wide scale. One of its artists\n         was Frank Vizetelly (1830-1883); he covered the Civil War for\n         British readers. Early on, he illustrated the war from the\n         Union side but was later allowed to draw from the Confederate\n         side. Artists like Vizetelly sometimes did more than draw,\n         though. He acted as a messenger for Confederate General James\n         Longstreet at the battle of Chickamauga. Vizetelly was also a\n         staff aide for the Confederates at the battle of\n         Fredericksburg and was present at Charleston, South Carolina,\n         when it was besieged. Because of such personal involvement by\n         artists, many engravings were not made by detached observers,\n         but by active participants in history unfolding.","Frank Leslie (1821-1880) was another artist who began his\n         career as an engraver in 1842 and eventually published his own\n         newspaper, which he titled, Frank Leslie's Illustrated\n         Newspaper. The newspaper also covered the Civil War. Leslie\n         used a large number of illustrations in his newspaper to\n         increase circulation. Images from Frank Leslie's Illustrated\n         Newspaper are well represented in Northern Virginia Images\n         Collection, including several images from the German language\n         edition of the newspaper.","Another popular periodical of the time was Harper's Weekly.\n         It first appeared in 1857 and became one of the most important\n         and influential periodicals in nineteenth century America,\n         notably during the Civil War. Two prominent artists for\n         Harper's Weekly during this period were Alfred Waud\n         (1828-1891) and Thomas Nast (1840-1902). Engravings by both\n         are included in Northern Virginia Images Collection. Waud was\n         primarily assigned to the eastern front and covered the war\n         from the Battle of First Manassas to the Confederacy's\n         surrender at Appomattox Court House. Thomas Nast (who later\n         became famous for creating the roly- poly figure in red we now\n         know as Santa Claus) worked largely in New York for most of\n         the war. One of the major exceptions to this was when he spent\n         time in the Union camp during the Battle of Gettysburg. Nast's\n         sympathies were for the Union side, which, naturally, bothered\n         Southerners, who often sent threatening letters to Nast at the\n         Harper's Weekly office. By and large, The Illustrated London\n         News, Frank Leslie's Illustrated Newspaper, and Harper's\n         Weekly illustrated the Civil War from the Northern\n         point-of-view.","Many of today's\n         Northern Virginia residents only know the area as a population\n         outgrowth of Washington, D.C. Despite this cosmopolitan\n         reputation, it was largely farm country at the time of the\n         Civil War through World War II. Few realize that the area was\n         the frequent battleground for large contending forces. Yet,\n         many of the areas that are depicted in the images still exist\n         today but under much different circumstances. Some of the areas included in these images have\n         undergone radical cultural changes as well. An Islamic Mosque\n         now occupies Munson Hill, which Confederate forces occupied\n         under General J.E.B. Stuart during early days of the war."],"prefercite_html_tesm":["\u003cp\u003eNorthern Virginia Civil War images collection, Collection #C0150, Special Collections and Archives, George Mason University.\n\u003c/p\u003e\n      "],"prefercite_tesim":["Northern Virginia Civil War images collection, Collection #C0150, Special Collections and Archives, George Mason University."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections and Archives staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. Finding aid updated by Greta Kuriger in July 2011.\n\u003c/p\u003e\n      "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections and Archives staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. Finding aid updated by Greta Kuriger in July 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the \u003cextptr type=\"simple\" title=\"Alexander Haight family collection\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/haight.html\"\u003e\u003c/extptr\u003e, the \u003cextptr type=\"simple\" title=\"Milton Barnes papers\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/barnes.html\"\u003e\u003c/extptr\u003e, and the the WRLC digital collection \u003cextptr type=\"simple\" title=\"Virginia Civil War Archive\" show=\"new\" href=\"http://www.aladin.wrlc.org/gsdl/collect/vacw/vacw.shtml\"\u003e\u003c/extptr\u003e. The \u003cextptr type=\"simple\" title=\"digital version of Harper's Weekly\" show=\"new\" href=\"http://app.harpweek.com/\"\u003e\u003c/extptr\u003e is available for GMU affiliated researchers.  \n\u003c/p\u003e\n      "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds the , the , and the the WRLC digital collection . The  is available for GMU affiliated researchers."],"scopecontent_html_tesm":["\u003cp\u003eThe collection \n         consists of nearly 200 images on various historical subjects\n         in a variety of formats, including wood engravings, steel\n         engravings, lithographs, chromolithographs, maps, and\n         manuscripts. Most of the images depict battles and maps\n         of the Civil War. The maps include the cities of Arlington and\n         Alexandria and the counties of Fairfax, Loudoun and Prince\n         William. Columbia Pike,\n         Chain Bridge, Long Bridge, the Little River Turnpike,\n         Centreville and Manassas all existed at the time of the Civil\n         War and all of them are represented or referenced in these\n         images. \u003c/p\u003e\n      ","\u003cp\u003eMost of the Civil War images are from three periodicals:\n         The Illustrated London News, Frank Leslie's Illustrated\n         Newspaper, and Harper's Weekly. They are primarily wood\n         engravings, several of which are hand colored. Though wood\n         engraving was invented as an illustrative technique in the\n         1790s, it was the later appearance of the mass illustrated\n         newspaper that took advantage of the technique to appeal to a\n         wide readership.\u003c/p\u003e\n      ","\u003cp\u003eAlthough pictorial images comprise the majority of images\n         in the collection, there are also numerous maps, most of which\n         were produced by lithography. A number were produced for\n         military purposes and employed by both the North and South\n         alike. Maps made during the Civil War were often exceedingly\n         accurate; their usefulness carried on into the twentieth\n         century.\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection \n         consists of nearly 200 images on various historical subjects\n         in a variety of formats, including wood engravings, steel\n         engravings, lithographs, chromolithographs, maps, and\n         manuscripts. Most of the images depict battles and maps\n         of the Civil War. The maps include the cities of Arlington and\n         Alexandria and the counties of Fairfax, Loudoun and Prince\n         William. Columbia Pike,\n         Chain Bridge, Long Bridge, the Little River Turnpike,\n         Centreville and Manassas all existed at the time of the Civil\n         War and all of them are represented or referenced in these\n         images.","Most of the Civil War images are from three periodicals:\n         The Illustrated London News, Frank Leslie's Illustrated\n         Newspaper, and Harper's Weekly. They are primarily wood\n         engravings, several of which are hand colored. Though wood\n         engraving was invented as an illustrative technique in the\n         1790s, it was the later appearance of the mass illustrated\n         newspaper that took advantage of the technique to appeal to a\n         wide readership.","Although pictorial images comprise the majority of images\n         in the collection, there are also numerous maps, most of which\n         were produced by lithography. A number were produced for\n         military purposes and employed by both the North and South\n         alike. Maps made during the Civil War were often exceedingly\n         accurate; their usefulness carried on into the twentieth\n         century."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\n\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe collection contains images and maps depicting Northern Virginia. A majority of the images are contemporary illustrations of the Civil War in Virginia. Formats include wood engravings, steel engravings, lithographs, chromolithographs, and a manuscript.\n\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection contains images and maps depicting Northern Virginia. A majority of the images are contemporary illustrations of the Civil War in Virginia. Formats include wood engravings, steel engravings, lithographs, chromolithographs, and a manuscript."],"corpname_ssim":["George Mason University. Special Collections and Archives."],"names_ssim":["George Mason University. Special Collections and Archives."],"language_ssim":["English"],"total_component_count_is":471,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:29.729Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_vifgm00014","ead_ssi":"vifgm_vifgm00014","_root_":"vifgm_vifgm00014","_nest_parent_":"vifgm_vifgm00014","ead_source_url_ssi":"data/gmu/vifgm00014.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["Northern Virginia Civil War images collection"],"title_tesim":["Northern Virginia Civil War images collection"],"unitdate_ssm":["1853-1914"],"unitdate_inclusive_ssm":["1853-1914"],"normalized_date_ssm":["1853/1914"],"normalized_title_ssm":["Northern Virginia Civil War images collection, 1853/1914"],"text":["Northern Virginia Civil War images collection, 1853/1914","C0150","Virginia--History--Civil War, 1861-1865--Maps.","Virginia--History--Civil War, 1861-1865--Pictorial works.","Chromolithographs.","Lithographs.","Maps.","Steel engravings.","Wood engravings.","Collection is open to research.","This collection is arranged by locality of primary image.","The Illustrated London News was one of the first newspapers\n         to employ wood engravings on a wide scale. One of its artists\n         was Frank Vizetelly (1830-1883); he covered the Civil War for\n         British readers. Early on, he illustrated the war from the\n         Union side but was later allowed to draw from the Confederate\n         side. Artists like Vizetelly sometimes did more than draw,\n         though. He acted as a messenger for Confederate General James\n         Longstreet at the battle of Chickamauga. Vizetelly was also a\n         staff aide for the Confederates at the battle of\n         Fredericksburg and was present at Charleston, South Carolina,\n         when it was besieged. Because of such personal involvement by\n         artists, many engravings were not made by detached observers,\n         but by active participants in history unfolding.","Frank Leslie (1821-1880) was another artist who began his\n         career as an engraver in 1842 and eventually published his own\n         newspaper, which he titled, Frank Leslie's Illustrated\n         Newspaper. The newspaper also covered the Civil War. Leslie\n         used a large number of illustrations in his newspaper to\n         increase circulation. Images from Frank Leslie's Illustrated\n         Newspaper are well represented in Northern Virginia Images\n         Collection, including several images from the German language\n         edition of the newspaper.","Another popular periodical of the time was Harper's Weekly.\n         It first appeared in 1857 and became one of the most important\n         and influential periodicals in nineteenth century America,\n         notably during the Civil War. Two prominent artists for\n         Harper's Weekly during this period were Alfred Waud\n         (1828-1891) and Thomas Nast (1840-1902). Engravings by both\n         are included in Northern Virginia Images Collection. Waud was\n         primarily assigned to the eastern front and covered the war\n         from the Battle of First Manassas to the Confederacy's\n         surrender at Appomattox Court House. Thomas Nast (who later\n         became famous for creating the roly- poly figure in red we now\n         know as Santa Claus) worked largely in New York for most of\n         the war. One of the major exceptions to this was when he spent\n         time in the Union camp during the Battle of Gettysburg. Nast's\n         sympathies were for the Union side, which, naturally, bothered\n         Southerners, who often sent threatening letters to Nast at the\n         Harper's Weekly office. By and large, The Illustrated London\n         News, Frank Leslie's Illustrated Newspaper, and Harper's\n         Weekly illustrated the Civil War from the Northern\n         point-of-view.","Many of today's\n         Northern Virginia residents only know the area as a population\n         outgrowth of Washington, D.C. Despite this cosmopolitan\n         reputation, it was largely farm country at the time of the\n         Civil War through World War II. Few realize that the area was\n         the frequent battleground for large contending forces. Yet,\n         many of the areas that are depicted in the images still exist\n         today but under much different circumstances. Some of the areas included in these images have\n         undergone radical cultural changes as well. An Islamic Mosque\n         now occupies Munson Hill, which Confederate forces occupied\n         under General J.E.B. Stuart during early days of the war.","Processed by Special Collections and Archives staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. Finding aid updated by Greta Kuriger in July 2011.","Special Collections and Archives also holds the , the , and the the WRLC digital collection . The  is available for GMU affiliated researchers.","The collection \n         consists of nearly 200 images on various historical subjects\n         in a variety of formats, including wood engravings, steel\n         engravings, lithographs, chromolithographs, maps, and\n         manuscripts. Most of the images depict battles and maps\n         of the Civil War. The maps include the cities of Arlington and\n         Alexandria and the counties of Fairfax, Loudoun and Prince\n         William. Columbia Pike,\n         Chain Bridge, Long Bridge, the Little River Turnpike,\n         Centreville and Manassas all existed at the time of the Civil\n         War and all of them are represented or referenced in these\n         images.","Most of the Civil War images are from three periodicals:\n         The Illustrated London News, Frank Leslie's Illustrated\n         Newspaper, and Harper's Weekly. They are primarily wood\n         engravings, several of which are hand colored. Though wood\n         engraving was invented as an illustrative technique in the\n         1790s, it was the later appearance of the mass illustrated\n         newspaper that took advantage of the technique to appeal to a\n         wide readership.","Although pictorial images comprise the majority of images\n         in the collection, there are also numerous maps, most of which\n         were produced by lithography. A number were produced for\n         military purposes and employed by both the North and South\n         alike. Maps made during the Civil War were often exceedingly\n         accurate; their usefulness carried on into the twentieth\n         century.","There are no restrictions.","The collection contains images and maps depicting Northern Virginia. A majority of the images are contemporary illustrations of the Civil War in Virginia. Formats include wood engravings, steel engravings, lithographs, chromolithographs, and a manuscript.","George Mason University. Special Collections and Archives.","English"],"collection_title_tesim":["Northern Virginia Civil War images collection, 1853/1914"],"collection_ssim":["Northern Virginia Civil War images collection, 1853/1914"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0150"],"unitid_tesim":["C0150"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Special Collections and Archives."],"creator_ssim":["George Mason University. Special Collections and Archives."],"creator_corpname_ssim":["George Mason University. Special Collections and Archives."],"creators_ssim":["George Mason University. Special Collections and Archives."],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Purchased by Special Collections and Archives in 1997-2005 from Prints Old and Rare."],"access_subjects_ssim":["Virginia--History--Civil War, 1861-1865--Maps.","Virginia--History--Civil War, 1861-1865--Pictorial works.","Chromolithographs.","Lithographs.","Maps.","Steel engravings.","Wood engravings."],"access_subjects_ssm":["Virginia--History--Civil War, 1861-1865--Maps.","Virginia--History--Civil War, 1861-1865--Pictorial works.","Chromolithographs.","Lithographs.","Maps.","Steel engravings.","Wood engravings."],"has_online_content_ssim":["false"],"extent_ssm":["3 linear feet"],"extent_tesim":["3 linear feet"],"date_range_isim":[1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\n\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by locality of primary image.\n\u003c/p\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by locality of primary image."],"bioghist_html_tesm":["\u003cp\u003eThe Illustrated London News was one of the first newspapers\n         to employ wood engravings on a wide scale. One of its artists\n         was Frank Vizetelly (1830-1883); he covered the Civil War for\n         British readers. Early on, he illustrated the war from the\n         Union side but was later allowed to draw from the Confederate\n         side. Artists like Vizetelly sometimes did more than draw,\n         though. He acted as a messenger for Confederate General James\n         Longstreet at the battle of Chickamauga. Vizetelly was also a\n         staff aide for the Confederates at the battle of\n         Fredericksburg and was present at Charleston, South Carolina,\n         when it was besieged. Because of such personal involvement by\n         artists, many engravings were not made by detached observers,\n         but by active participants in history unfolding.\u003c/p\u003e\n      ","\u003cp\u003eFrank Leslie (1821-1880) was another artist who began his\n         career as an engraver in 1842 and eventually published his own\n         newspaper, which he titled, Frank Leslie's Illustrated\n         Newspaper. The newspaper also covered the Civil War. Leslie\n         used a large number of illustrations in his newspaper to\n         increase circulation. Images from Frank Leslie's Illustrated\n         Newspaper are well represented in Northern Virginia Images\n         Collection, including several images from the German language\n         edition of the newspaper.\u003c/p\u003e\n      ","\u003cp\u003eAnother popular periodical of the time was Harper's Weekly.\n         It first appeared in 1857 and became one of the most important\n         and influential periodicals in nineteenth century America,\n         notably during the Civil War. Two prominent artists for\n         Harper's Weekly during this period were Alfred Waud\n         (1828-1891) and Thomas Nast (1840-1902). Engravings by both\n         are included in Northern Virginia Images Collection. Waud was\n         primarily assigned to the eastern front and covered the war\n         from the Battle of First Manassas to the Confederacy's\n         surrender at Appomattox Court House. Thomas Nast (who later\n         became famous for creating the roly- poly figure in red we now\n         know as Santa Claus) worked largely in New York for most of\n         the war. One of the major exceptions to this was when he spent\n         time in the Union camp during the Battle of Gettysburg. Nast's\n         sympathies were for the Union side, which, naturally, bothered\n         Southerners, who often sent threatening letters to Nast at the\n         Harper's Weekly office. By and large, The Illustrated London\n         News, Frank Leslie's Illustrated Newspaper, and Harper's\n         Weekly illustrated the Civil War from the Northern\n         point-of-view.\u003c/p\u003e\n      ","\u003cp\u003eMany of today's\n         Northern Virginia residents only know the area as a population\n         outgrowth of Washington, D.C. Despite this cosmopolitan\n         reputation, it was largely farm country at the time of the\n         Civil War through World War II. Few realize that the area was\n         the frequent battleground for large contending forces. Yet,\n         many of the areas that are depicted in the images still exist\n         today but under much different circumstances. Some of the areas included in these images have\n         undergone radical cultural changes as well. An Islamic Mosque\n         now occupies Munson Hill, which Confederate forces occupied\n         under General J.E.B. Stuart during early days of the war.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Illustrated London News was one of the first newspapers\n         to employ wood engravings on a wide scale. One of its artists\n         was Frank Vizetelly (1830-1883); he covered the Civil War for\n         British readers. Early on, he illustrated the war from the\n         Union side but was later allowed to draw from the Confederate\n         side. Artists like Vizetelly sometimes did more than draw,\n         though. He acted as a messenger for Confederate General James\n         Longstreet at the battle of Chickamauga. Vizetelly was also a\n         staff aide for the Confederates at the battle of\n         Fredericksburg and was present at Charleston, South Carolina,\n         when it was besieged. Because of such personal involvement by\n         artists, many engravings were not made by detached observers,\n         but by active participants in history unfolding.","Frank Leslie (1821-1880) was another artist who began his\n         career as an engraver in 1842 and eventually published his own\n         newspaper, which he titled, Frank Leslie's Illustrated\n         Newspaper. The newspaper also covered the Civil War. Leslie\n         used a large number of illustrations in his newspaper to\n         increase circulation. Images from Frank Leslie's Illustrated\n         Newspaper are well represented in Northern Virginia Images\n         Collection, including several images from the German language\n         edition of the newspaper.","Another popular periodical of the time was Harper's Weekly.\n         It first appeared in 1857 and became one of the most important\n         and influential periodicals in nineteenth century America,\n         notably during the Civil War. Two prominent artists for\n         Harper's Weekly during this period were Alfred Waud\n         (1828-1891) and Thomas Nast (1840-1902). Engravings by both\n         are included in Northern Virginia Images Collection. Waud was\n         primarily assigned to the eastern front and covered the war\n         from the Battle of First Manassas to the Confederacy's\n         surrender at Appomattox Court House. Thomas Nast (who later\n         became famous for creating the roly- poly figure in red we now\n         know as Santa Claus) worked largely in New York for most of\n         the war. One of the major exceptions to this was when he spent\n         time in the Union camp during the Battle of Gettysburg. Nast's\n         sympathies were for the Union side, which, naturally, bothered\n         Southerners, who often sent threatening letters to Nast at the\n         Harper's Weekly office. By and large, The Illustrated London\n         News, Frank Leslie's Illustrated Newspaper, and Harper's\n         Weekly illustrated the Civil War from the Northern\n         point-of-view.","Many of today's\n         Northern Virginia residents only know the area as a population\n         outgrowth of Washington, D.C. Despite this cosmopolitan\n         reputation, it was largely farm country at the time of the\n         Civil War through World War II. Few realize that the area was\n         the frequent battleground for large contending forces. Yet,\n         many of the areas that are depicted in the images still exist\n         today but under much different circumstances. Some of the areas included in these images have\n         undergone radical cultural changes as well. An Islamic Mosque\n         now occupies Munson Hill, which Confederate forces occupied\n         under General J.E.B. Stuart during early days of the war."],"prefercite_html_tesm":["\u003cp\u003eNorthern Virginia Civil War images collection, Collection #C0150, Special Collections and Archives, George Mason University.\n\u003c/p\u003e\n      "],"prefercite_tesim":["Northern Virginia Civil War images collection, Collection #C0150, Special Collections and Archives, George Mason University."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections and Archives staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. Finding aid updated by Greta Kuriger in July 2011.\n\u003c/p\u003e\n      "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections and Archives staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. Finding aid updated by Greta Kuriger in July 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the \u003cextptr type=\"simple\" title=\"Alexander Haight family collection\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/haight.html\"\u003e\u003c/extptr\u003e, the \u003cextptr type=\"simple\" title=\"Milton Barnes papers\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/barnes.html\"\u003e\u003c/extptr\u003e, and the the WRLC digital collection \u003cextptr type=\"simple\" title=\"Virginia Civil War Archive\" show=\"new\" href=\"http://www.aladin.wrlc.org/gsdl/collect/vacw/vacw.shtml\"\u003e\u003c/extptr\u003e. The \u003cextptr type=\"simple\" title=\"digital version of Harper's Weekly\" show=\"new\" href=\"http://app.harpweek.com/\"\u003e\u003c/extptr\u003e is available for GMU affiliated researchers.  \n\u003c/p\u003e\n      "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds the , the , and the the WRLC digital collection . The  is available for GMU affiliated researchers."],"scopecontent_html_tesm":["\u003cp\u003eThe collection \n         consists of nearly 200 images on various historical subjects\n         in a variety of formats, including wood engravings, steel\n         engravings, lithographs, chromolithographs, maps, and\n         manuscripts. Most of the images depict battles and maps\n         of the Civil War. The maps include the cities of Arlington and\n         Alexandria and the counties of Fairfax, Loudoun and Prince\n         William. Columbia Pike,\n         Chain Bridge, Long Bridge, the Little River Turnpike,\n         Centreville and Manassas all existed at the time of the Civil\n         War and all of them are represented or referenced in these\n         images. \u003c/p\u003e\n      ","\u003cp\u003eMost of the Civil War images are from three periodicals:\n         The Illustrated London News, Frank Leslie's Illustrated\n         Newspaper, and Harper's Weekly. They are primarily wood\n         engravings, several of which are hand colored. Though wood\n         engraving was invented as an illustrative technique in the\n         1790s, it was the later appearance of the mass illustrated\n         newspaper that took advantage of the technique to appeal to a\n         wide readership.\u003c/p\u003e\n      ","\u003cp\u003eAlthough pictorial images comprise the majority of images\n         in the collection, there are also numerous maps, most of which\n         were produced by lithography. A number were produced for\n         military purposes and employed by both the North and South\n         alike. Maps made during the Civil War were often exceedingly\n         accurate; their usefulness carried on into the twentieth\n         century.\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection \n         consists of nearly 200 images on various historical subjects\n         in a variety of formats, including wood engravings, steel\n         engravings, lithographs, chromolithographs, maps, and\n         manuscripts. Most of the images depict battles and maps\n         of the Civil War. The maps include the cities of Arlington and\n         Alexandria and the counties of Fairfax, Loudoun and Prince\n         William. Columbia Pike,\n         Chain Bridge, Long Bridge, the Little River Turnpike,\n         Centreville and Manassas all existed at the time of the Civil\n         War and all of them are represented or referenced in these\n         images.","Most of the Civil War images are from three periodicals:\n         The Illustrated London News, Frank Leslie's Illustrated\n         Newspaper, and Harper's Weekly. They are primarily wood\n         engravings, several of which are hand colored. Though wood\n         engraving was invented as an illustrative technique in the\n         1790s, it was the later appearance of the mass illustrated\n         newspaper that took advantage of the technique to appeal to a\n         wide readership.","Although pictorial images comprise the majority of images\n         in the collection, there are also numerous maps, most of which\n         were produced by lithography. A number were produced for\n         military purposes and employed by both the North and South\n         alike. Maps made during the Civil War were often exceedingly\n         accurate; their usefulness carried on into the twentieth\n         century."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\n\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe collection contains images and maps depicting Northern Virginia. A majority of the images are contemporary illustrations of the Civil War in Virginia. Formats include wood engravings, steel engravings, lithographs, chromolithographs, and a manuscript.\n\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection contains images and maps depicting Northern Virginia. A majority of the images are contemporary illustrations of the Civil War in Virginia. Formats include wood engravings, steel engravings, lithographs, chromolithographs, and a manuscript."],"corpname_ssim":["George Mason University. Special Collections and Archives."],"names_ssim":["George Mason University. Special Collections and Archives."],"language_ssim":["English"],"total_component_count_is":471,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:29.729Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_vifgm00014"}},{"id":"vifgm_lander_c01","type":"File","attributes":{"title":"Notes and Letters of Appreciation, 1837/1896","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_lander_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_lander_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_lander_c01","ref_ssm":["vifgm_lander_c01"],"id":"vifgm_lander_c01","ead_ssi":"vifgm_lander","_root_":"vifgm_lander","_nest_parent_":"vifgm_lander","parent_ssi":"vifgm_lander","parent_ssim":["George Mason University Jean M. Lander collection, 1837/1896"],"parent_ids_ssim":["vifgm_lander"],"title_filing_ssi":"Notes and Letters of Appreciation,","title_ssm":["Notes and Letters of Appreciation"],"title_tesim":["Notes and Letters of Appreciation"],"normalized_title_ssm":["Notes and Letters of Appreciation, 1837/1896"],"text":["Notes and Letters of Appreciation, 1837/1896","George Mason University Jean M. Lander collection, 1837/1896","Box 1","Folder 1"],"parent_unittitles_ssm":["George Mason University Jean M. Lander collection, 1837/1896"],"parent_unittitles_tesim":["George Mason University Jean M. Lander collection, 1837/1896"],"normalized_date_ssm":["1837/1896"],"unitdate_other_ssim":["1837-1896"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":1,"repository_ssim":["George Mason University"],"collection_ssim":["George Mason University Jean M. Lander collection, 1837/1896"],"containers_ssim":["Box 1","Folder 1"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896],"scopecontent_html_tesm":["\u003cp\u003e\u003c/p\u003e\n        "],"_nest_path_":"/components#0","timestamp":"2026-08-14T22:34:06.766Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_lander","ead_ssi":"vifgm_lander","_root_":"vifgm_lander","_nest_parent_":"vifgm_lander","ead_source_url_ssi":"data/gmu/lander.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/landers.html","title_ssm":["George Mason University Jean M. Lander collection"],"title_tesim":["George Mason University Jean M. Lander collection"],"unitdate_ssm":["1837-1896"],"unitdate_inclusive_ssm":["1837-1896"],"normalized_date_ssm":["1837/1896"],"normalized_title_ssm":["George Mason University Jean M. Lander collection, 1837/1896"],"text":["George Mason University Jean M. Lander collection, 1837/1896","C0118","Acting.","Actors--United States.","England.","Theater--Washington (D.C.)","Theater.","Collection is open to research.","Arranged chronologically.","Jean Margaret Davenport Lander was a well-known 19th century actress. Born in England, she made her home in Washington, D.C., following her marriage to Fredrick W. Lander in 1860. She performed in plays in both the United States and Europe. Lander passed away on August 3, 1903 at her residence in Lynn, Massachusetts.","Processed by Special Collections Research center staff.  EAD markup completed by Eron Ackerman and Jordan Patty in August 2009.  Partial transcription of letters by Leigh Norman in October 2017. Reprocessed by Amy Blake in September 2018. EAD markup updated by Amy Blake in September 2018.","The Special Collections Research Center also holds many other , and several other 19th century correspondence collections such as the \n                 and the .","This collection contains eleven hand-written letters from Jean Lander and others, as well as a partial transcript of the letters.","There are no restrictions.","This collection contains eleven handwritten letters from Jean Lander and others dated between 1837 - 1896.","George Mason University. Libraries. Special Collections Research Center","Lander, J.M. (Jean Margaret), 1829-1903","Lander, Jean Margaret","English"],"collection_title_tesim":["George Mason University Jean M. Lander collection, 1837/1896"],"collection_ssim":["George Mason University Jean M. Lander collection, 1837/1896"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0118"],"unitid_tesim":["C0118"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Lander, J.M. (Jean Margaret), 1829-1903"],"creator_ssim":["Lander, J.M. (Jean Margaret), 1829-1903"],"creator_persname_ssim":["Lander, J.M. (Jean Margaret), 1829-1903","Lander, Jean Margaret"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Lander, J.M. (Jean Margaret), 1829-1903","Lander, Jean Margaret","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donor unknown."],"access_subjects_ssim":["Acting.","Actors--United States.","England.","Theater--Washington (D.C.)","Theater."],"access_subjects_ssm":["Acting.","Actors--United States.","England.","Theater--Washington (D.C.)","Theater."],"has_online_content_ssim":["false"],"extent_ssm":["0.25 linear feet (1 box)"],"extent_tesim":["0.25 linear feet (1 box)"],"date_range_isim":[1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e\n    "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eArranged chronologically.\u003c/p\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003eJean Margaret Davenport Lander was a well-known 19th century actress. Born in England, she made her home in Washington, D.C., following her marriage to Fredrick W. Lander in 1860. She performed in plays in both the United States and Europe. Lander passed away on August 3, 1903 at her residence in Lynn, Massachusetts.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Jean Margaret Davenport Lander was a well-known 19th century actress. Born in England, she made her home in Washington, D.C., following her marriage to Fredrick W. Lander in 1860. She performed in plays in both the United States and Europe. Lander passed away on August 3, 1903 at her residence in Lynn, Massachusetts."],"prefercite_html_tesm":["\u003cp\u003eJean M. Landers collection, C0118, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["Jean M. Landers collection, C0118, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research center staff.  EAD markup completed by Eron Ackerman and Jordan Patty in August 2009.  Partial transcription of letters by Leigh Norman in October 2017. Reprocessed by Amy Blake in September 2018. EAD markup updated by Amy Blake in September 2018.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research center staff.  EAD markup completed by Eron Ackerman and Jordan Patty in August 2009.  Partial transcription of letters by Leigh Norman in October 2017. Reprocessed by Amy Blake in September 2018. EAD markup updated by Amy Blake in September 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds many other \u003cextptr type=\"simple\" title=\"performing arts collections\" show=\"new\" href=\"http://scrc.gmu.edu/collections-subject.php#THEATRE\"\u003e\u003c/extptr\u003e, and several other 19th century correspondence collections such as the \n                \u003cextptr type=\"simple\" title=\"Milton Barnes papers\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/barnes.html\"\u003e\u003c/extptr\u003e and the \u003cextptr type=\"simple\" title=\"Alexander Haight family collection\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/haight.html\"\u003e\u003c/extptr\u003e.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds many other , and several other 19th century correspondence collections such as the \n                 and the ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains eleven hand-written letters from Jean Lander and others, as well as a partial transcript of the letters.\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains eleven hand-written letters from Jean Lander and others, as well as a partial transcript of the letters."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract id=\"ref348\" label=\"Abstract\"\u003eThis collection contains eleven handwritten letters from Jean Lander and others dated between 1837 - 1896.\u003c/abstract\u003e\n      "],"abstract_tesim":["This collection contains eleven handwritten letters from Jean Lander and others dated between 1837 - 1896."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Lander, J.M. (Jean Margaret), 1829-1903","Lander, Jean Margaret"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Lander, J.M. (Jean Margaret), 1829-1903","Lander, Jean Margaret"],"language_ssim":["English"],"total_component_count_is":2,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:06.766Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_lander_c01"}},{"id":"vifgm_repositories_2_resources_132_c01","type":"File","attributes":{"title":"Notes and Letters of Appreciation, 1837/1896","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_132_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_132_c01","ref_ssm":["vifgm_repositories_2_resources_132_c01"],"id":"vifgm_repositories_2_resources_132_c01","ead_ssi":"vifgm_repositories_2_resources_132","_root_":"vifgm_repositories_2_resources_132","_nest_parent_":"vifgm_repositories_2_resources_132","parent_ssi":"vifgm_repositories_2_resources_132","parent_ssim":["Jean M. Lander collection"],"parent_ids_ssim":["vifgm_repositories_2_resources_132"],"title_filing_ssi":"Notes and Letters of Appreciation","title_ssm":["Notes and Letters of Appreciation"],"title_tesim":["Notes and Letters of Appreciation"],"normalized_title_ssm":["Notes and Letters of Appreciation, 1837/1896"],"text":["Notes and Letters of Appreciation, 1837/1896","Jean M. Lander collection","box 1","folder 1"],"parent_unittitles_ssm":["Jean M. Lander collection"],"parent_unittitles_tesim":["Jean M. Lander collection"],"normalized_date_ssm":["1837/1896"],"unitdate_inclusive_ssm":["1837-1896"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":1,"repository_ssim":["George Mason University"],"collection_ssim":["Jean M. Lander collection"],"containers_ssim":["box 1","folder 1"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. 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Warburton papers"],"title_tesim":["Clark E. Warburton papers"],"unitdate_ssm":["1920-1979"],"unitdate_inclusive_ssm":["1920-1979"],"normalized_date_ssm":["1920/1979"],"normalized_title_ssm":["Clark E. Warburton papers, 1920/1979"],"text":["Clark E. Warburton papers, 1920/1979","C0110","/repositories/2/resources/178","Banks and banking, American","Finance -- United States","Economics","This collection is housed at the WRLC Shared Collections Facility. Advance notice will be required to access any materials.","There are no access restrictions.","This collection is arranged alphabetically and chronologically by subject.","Born in Shady Grove, New York on January 27, 1896, Clark E. Warburton taught at several colleges and universities in the United States and India before joining the Federal Deposit Insurance Corporation (FDIC) in 1934. He eventually became Chief of the Banking and Business Section of the Division of Research and Statistics. He retained that post until his retirement in 1965. Throughout his career, Warburton was well known for his support of the theory that monetary forces are the key cause of economic disturbances. He made numerous contributions to economics scholarship and practices during his long career.","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009.","The Special Collections Research Center created a digital collection about the  hosted by GMU Libraries in 2008.","holds additional Clark Warburton papers in Record Group 34: Records of the Federal Deposit Insurance Corporation, 1920-1993.","The collection consists of correspondence, published and unpublished Warburton manuscripts (such as Warburton's unpublished history of monetary disequilibrium), printed matter, and subject files.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The collection consists of correspondence, published and unpublished Warburton manuscripts (such as Warburton's unpublished history of monetary disequilibrium), printed matter, and subject files.","This collection is housed at the WRLC Shared Collections Facility.","George Mason University. Libraries. Special Collections Research Center","Federal Deposit Insurance Corporation","Warburton, Clark, 1896-","English"],"collection_title_tesim":["Clark E. Warburton papers, 1920/1979"],"collection_ssim":["Clark E. Warburton papers, 1920/1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0110","/repositories/2/resources/178"],"unitid_tesim":["C0110","/repositories/2/resources/178"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Warburton, Clark, 1896-"],"creator_ssim":["Warburton, Clark, 1896-"],"creator_persname_ssim":["Warburton, Clark, 1896-"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Deposit Insurance Corporation"],"creators_ssim":["Warburton, Clark, 1896-","George Mason University. Libraries. Special Collections Research Center","Federal Deposit Insurance Corporation"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Clark E. Warburton in 1979."],"access_subjects_ssim":["Banks and banking, American","Finance -- United States","Economics"],"access_subjects_ssm":["Banks and banking, American","Finance -- United States","Economics"],"has_online_content_ssim":["false"],"extent_ssm":["161.25 Linear Feet 119 boxes"],"extent_tesim":["161.25 Linear Feet 119 boxes"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is housed at the WRLC Shared Collections Facility. Advance notice will be required to access any materials.\u003c/p\u003e","\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["This collection is housed at the WRLC Shared Collections Facility. Advance notice will be required to access any materials.","There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically and chronologically by subject.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically and chronologically by subject."],"bioghist_html_tesm":["\u003cp\u003eBorn in Shady Grove, New York on January 27, 1896, Clark E. Warburton taught at several colleges and universities in the United States and India before joining the Federal Deposit Insurance Corporation (FDIC) in 1934. He eventually became Chief of the Banking and Business Section of the Division of Research and Statistics. He retained that post until his retirement in 1965. Throughout his career, Warburton was well known for his support of the theory that monetary forces are the key cause of economic disturbances. He made numerous contributions to economics scholarship and practices during his long career.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Born in Shady Grove, New York on January 27, 1896, Clark E. Warburton taught at several colleges and universities in the United States and India before joining the Federal Deposit Insurance Corporation (FDIC) in 1934. He eventually became Chief of the Banking and Business Section of the Division of Research and Statistics. He retained that post until his retirement in 1965. Throughout his career, Warburton was well known for his support of the theory that monetary forces are the key cause of economic disturbances. He made numerous contributions to economics scholarship and practices during his long career."],"prefercite_html_tesm":["\u003cp\u003eClark E. Warburton papers, C0110, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Clark E. Warburton papers, C0110, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center created a digital collection about the \u003cextptr show=\"new\" title=\"James M. Buchanan Lecture\" href=\"http://mars.gmu.edu/handle/1920/4497\"\u003e\u003c/extptr\u003e hosted by GMU Libraries in 2008. \u003c/p\u003e","\u003cp\u003e\u003cextptr show=\"new\" title=\"The National Archives and Records Administration\" href=\"https://catalog.archives.gov/search?q=Clark+Warburton\u0026amp;rows=20\"\u003e\u003c/extptr\u003e holds additional Clark Warburton papers in Record Group 34: Records of the Federal Deposit Insurance Corporation, 1920-1993. \u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center created a digital collection about the  hosted by GMU Libraries in 2008.","holds additional Clark Warburton papers in Record Group 34: Records of the Federal Deposit Insurance Corporation, 1920-1993."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of correspondence, published and unpublished Warburton manuscripts (such as Warburton's unpublished history of monetary disequilibrium), printed matter, and subject files.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of correspondence, published and unpublished Warburton manuscripts (such as Warburton's unpublished history of monetary disequilibrium), printed matter, and subject files."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_410ea6559af51c2c614e8d2c2a6fea1e\" label=\"Abstract\"\u003eThe collection consists of correspondence, published and unpublished Warburton manuscripts (such as Warburton's unpublished history of monetary disequilibrium), printed matter, and subject files.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection consists of correspondence, published and unpublished Warburton manuscripts (such as Warburton's unpublished history of monetary disequilibrium), printed matter, and subject files."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_64aee605f2331e78e2ed49ba9915a914\"\u003eThis collection is housed at the WRLC Shared Collections Facility.\u003c/physloc\u003e\n    "],"physloc_tesim":["This collection is housed at the WRLC Shared Collections Facility."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Deposit Insurance Corporation"],"names_coll_ssim":["Federal Deposit Insurance Corporation","Warburton, Clark, 1896-"],"persname_ssim":["Warburton, Clark, 1896-"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Deposit Insurance Corporation","Warburton, Clark, 1896-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3042,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:24.402Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_178_c01_c1547"}},{"id":"vifgm_performingartsmanuscripts","type":"collection","attributes":{"title":"Performing arts manuscripts collection, 1475/1984","creator":{"id":"https://arvasarchive.org/catalog/vifgm_performingartsmanuscripts#creator","type":"document_value","attributes":{"value":"Gerber, Steven K.","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_performingartsmanuscripts#abstract_or_scope","type":"document_value","attributes":{"value":"Collection consists of photographic prints, lithographs, drawings, and written manuscripts pertaining to significant musicians, composers, dancers, and their works.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_performingartsmanuscripts#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_performingartsmanuscripts","ead_ssi":"vifgm_performingartsmanuscripts","_root_":"vifgm_performingartsmanuscripts","_nest_parent_":"vifgm_performingartsmanuscripts","ead_source_url_ssi":"data/gmu/performingartsmanuscripts.xml","aspace_url_ssi":"http://scrc.gmu.edu/finding_aids/performingartsmanuscripts.html","title_ssm":["Performing arts manuscripts collection"],"title_tesim":["Performing arts manuscripts collection"],"unitdate_ssm":["circa 1475-1984"],"unitdate_inclusive_ssm":["circa 1475-1984"],"normalized_date_ssm":["1475/1984"],"normalized_title_ssm":["Performing arts manuscripts collection, 1475/1984"],"text":["Performing arts manuscripts collection, 1475/1984","C0215","Ballet--Pictorial works.","Costume design.","Dance","Hitler Youth--Photographs.","Minstrel shows","Music.","No","Opera.","Performing arts.","Sheet music.","Stage guides","Theater.","Tom and Jerry (Television program)","Lithographs.","Etchings.","Photographic prints.","There are no access restrictions.","The collection is arranged in three series. Each series is arranged chronologically by order of acquisition.","Series 1: Graphic Materials, 1610-1940 (Boxes 1-4)","Series 2: Manuscripts, circa 1475-1929 (Boxes 1, 3)","Series 3: Photographs, 1900-1984 (Boxes 1-3)","The Performing arts manuscripts collection consists of items selected by Steven Gerber, the Music, Theater, and Philosophy Librarian at George Mason University (GMU). In addition to his librarian duties, Gerber teaches courses on music research and bibliography at GMU. He developed this collection to serve as a resource for his courses and to provide research access for GMU performing arts faculty and students.","Processed by Jordan Patty in 2012. EAD markup completed by Jordan Patty in 2013. Collection reprocessed and finding aid revised by Lana Mason in January 2019.","Special Collections Research Center holds published materials related to music and the performing arts which can be found through the George Mason University library catalog. Special Collections Research Center also holds many other","This collection consists of photographic prints, lithographs, and drawings of significant musicians, composers, and dancers. The photographs depict portraits and images of professional performing artists at work. The drawings and lithographs are primarily portraits of notable performing arts professionals, or feature subject matter related to the performing arts, including costume design and scenes from various stage sets and performances. The collection also contains several manuscripts, including a folio of musical instruments, a stage guide and score for the musical \"My Maryland,\" and hand-written sheet music.","There are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries.","Collection consists of photographic prints, lithographs, drawings, and written manuscripts pertaining to significant musicians, composers, dancers, and their works.","George Mason University. Libraries. Special Collections Research Center","Germania Musical Society. -- Pictorial works","Ballet Russe de Monte-Carlo.","Ballets russes.","Gerber, Steven K.","Ailey, Alvin -- Photographs","Arne, Thomas Augustine, 1710-1778  -- Pictorial works","Balanchine, George -- Photographs","Basili, Francesco, 1767-1850","Bernstein, Leonard, 1918-1990  -- Photographs","Bolm, Adolf , 1884-1951  -- Photographs","Cage, John -- Photographs","Cherubini, Luigi, 1760-1842  -- Pictorial works","Danilova, Alexandra, 1907-1997","Dello Joio, Norman, 1913-2008 -- Photographs","Didelot, Rose Colinette -- Pictorial works","Duncan, Isadora, 1877-1927 -- Photographs","Eglevsky, Andre -- Photographs","Fuller, Loie, 1862-1928  -- Photographs","Graham, Martha -- Photographs","Griffith, Robert E. -- Photographs","Kabalevsky, Dmitry Borisovich, 1904-1987  -- Photographs","Kodaly, Zoltan, 1882-1967 -- Photographs","Laurents, Arthur -- Photographs","Lifar, Serge, 1905-1986 -- Photographs","Mascagni, Pietro, 1863-1945","Massenet, Jules, 1842-1912","Mitchell, Arthur, 1934-  -- Photographs","Mumma, Gordon, 1935-  -- Photographs","Novikoff, Laurent -- Photographs","Partch, Harry, 1901-1974  -- Photographs","Pavlova, Anna, 1881-1931 -- Pictorial works","Prince, Harold, 1928-  -- Photographs","Ram Gopal, 1917- -- Photographs","Robbins, Jerome -- Photographs","Romberg, Sigmund, 1887-1951","Rossini, Gioachino, 1792-1868","Sandburg, Carl, 1878-1967  -- Photographs","Sondheim, Stephen -- Photographs","Tudor, David, 1926-1996  -- Photographs","Viardot-Garcia, Pauline, 1821-1910","Primarily English. Some materials are in Latin, French, or Italian."],"collection_title_tesim":["Performing arts manuscripts collection, 1475/1984"],"collection_ssim":["Performing arts manuscripts collection, 1475/1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0215"],"unitid_tesim":["C0215"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Gerber, Steven K."],"creator_ssim":["Gerber, Steven K."],"creator_persname_ssim":["Gerber, Steven K.","Ailey, Alvin -- Photographs","Arne, Thomas Augustine, 1710-1778  -- Pictorial works","Balanchine, George -- Photographs","Basili, Francesco, 1767-1850","Bernstein, Leonard, 1918-1990  -- Photographs","Bolm, Adolf , 1884-1951  -- Photographs","Cage, John -- Photographs","Cherubini, Luigi, 1760-1842  -- Pictorial works","Danilova, Alexandra, 1907-1997","Dello Joio, Norman, 1913-2008 -- Photographs","Didelot, Rose Colinette -- Pictorial works","Duncan, Isadora, 1877-1927 -- Photographs","Eglevsky, Andre -- Photographs","Fuller, Loie, 1862-1928  -- Photographs","Graham, Martha -- Photographs","Griffith, Robert E. -- Photographs","Kabalevsky, Dmitry Borisovich, 1904-1987  -- Photographs","Kodaly, Zoltan, 1882-1967 -- Photographs","Laurents, Arthur -- Photographs","Lifar, Serge, 1905-1986 -- Photographs","Mascagni, Pietro, 1863-1945","Massenet, Jules, 1842-1912","Mitchell, Arthur, 1934-  -- Photographs","Mumma, Gordon, 1935-  -- Photographs","Novikoff, Laurent -- Photographs","Partch, Harry, 1901-1974  -- Photographs","Pavlova, Anna, 1881-1931 -- Pictorial works","Prince, Harold, 1928-  -- Photographs","Ram Gopal, 1917- -- Photographs","Robbins, Jerome -- Photographs","Romberg, Sigmund, 1887-1951","Rossini, Gioachino, 1792-1868","Sandburg, Carl, 1878-1967  -- Photographs","Sondheim, Stephen -- Photographs","Tudor, David, 1926-1996  -- Photographs","Viardot-Garcia, Pauline, 1821-1910"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Germania Musical Society. -- Pictorial works","Ballet Russe de Monte-Carlo.","Ballets russes."],"creators_ssim":["Gerber, Steven K.","Ailey, Alvin -- Photographs","Arne, Thomas Augustine, 1710-1778  -- Pictorial works","Balanchine, George -- Photographs","Basili, Francesco, 1767-1850","Bernstein, Leonard, 1918-1990  -- Photographs","Bolm, Adolf , 1884-1951  -- Photographs","Cage, John -- Photographs","Cherubini, Luigi, 1760-1842  -- Pictorial works","Danilova, Alexandra, 1907-1997","Dello Joio, Norman, 1913-2008 -- Photographs","Didelot, Rose Colinette -- Pictorial works","Duncan, Isadora, 1877-1927 -- Photographs","Eglevsky, Andre -- Photographs","Fuller, Loie, 1862-1928  -- Photographs","Graham, Martha -- Photographs","Griffith, Robert E. -- Photographs","Kabalevsky, Dmitry Borisovich, 1904-1987  -- Photographs","Kodaly, Zoltan, 1882-1967 -- Photographs","Laurents, Arthur -- Photographs","Lifar, Serge, 1905-1986 -- Photographs","Mascagni, Pietro, 1863-1945","Massenet, Jules, 1842-1912","Mitchell, Arthur, 1934-  -- Photographs","Mumma, Gordon, 1935-  -- Photographs","Novikoff, Laurent -- Photographs","Partch, Harry, 1901-1974  -- Photographs","Pavlova, Anna, 1881-1931 -- Pictorial works","Prince, Harold, 1928-  -- Photographs","Ram Gopal, 1917- -- Photographs","Robbins, Jerome -- Photographs","Romberg, Sigmund, 1887-1951","Rossini, Gioachino, 1792-1868","Sandburg, Carl, 1878-1967  -- Photographs","Sondheim, Stephen -- Photographs","Tudor, David, 1926-1996  -- Photographs","Viardot-Garcia, Pauline, 1821-1910","George Mason University. Libraries. Special Collections Research Center","Germania Musical Society. -- Pictorial works","Ballet Russe de Monte-Carlo.","Ballets russes."],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Collection materials were purchased from a variety of rare book and manuscript dealers from 2009 through the present."],"access_subjects_ssim":["Ballet--Pictorial works.","Costume design.","Dance","Hitler Youth--Photographs.","Minstrel shows","Music.","No","Opera.","Performing arts.","Sheet music.","Stage guides","Theater.","Tom and Jerry (Television program)","Lithographs.","Etchings.","Photographic prints."],"access_subjects_ssm":["Ballet--Pictorial works.","Costume design.","Dance","Hitler Youth--Photographs.","Minstrel shows","Music.","No","Opera.","Performing arts.","Sheet music.","Stage guides","Theater.","Tom and Jerry (Television program)","Lithographs.","Etchings.","Photographic prints."],"has_online_content_ssim":["false"],"extent_ssm":["4.0 linear feet (4 boxes)"],"extent_tesim":["4.0 linear feet (4 boxes)"],"date_range_isim":[1475,1476,1477,1478,1479,1480,1481,1482,1483,1484,1485,1486,1487,1488,1489,1490,1491,1492,1493,1494,1495,1496,1497,1498,1499,1500,1501,1502,1503,1504,1505,1506,1507,1508,1509,1510,1511,1512,1513,1514,1515,1516,1517,1518,1519,1520,1521,1522,1523,1524,1525,1526,1527,1528,1529,1530,1531,1532,1533,1534,1535,1536,1537,1538,1539,1540,1541,1542,1543,1544,1545,1546,1547,1548,1549,1550,1551,1552,1553,1554,1555,1556,1557,1558,1559,1560,1561,1562,1563,1564,1565,1566,1567,1568,1569,1570,1571,1572,1573,1574,1575,1576,1577,1578,1579,1580,1581,1582,1583,1584,1585,1586,1587,1588,1589,1590,1591,1592,1593,1594,1595,1596,1597,1598,1599,1600,1601,1602,1603,1604,1605,1606,1607,1608,1609,1610,1611,1612,1613,1614,1615,1616,1617,1618,1619,1620,1621,1622,1623,1624,1625,1626,1627,1628,1629,1630,1631,1632,1633,1634,1635,1636,1637,1638,1639,1640,1641,1642,1643,1644,1645,1646,1647,1648,1649,1650,1651,1652,1653,1654,1655,1656,1657,1658,1659,1660,1661,1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e\n    "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in three series. Each series is arranged chronologically by order of acquisition.\u003c/p\u003e\n      ","\u003cp\u003eSeries 1: Graphic Materials, 1610-1940 (Boxes 1-4)\u003c/p\u003e\n      ","\u003cp\u003eSeries 2: Manuscripts, circa 1475-1929 (Boxes 1, 3)\u003c/p\u003e\n      ","\u003cp\u003eSeries 3: Photographs, 1900-1984 (Boxes 1-3)\u003c/p\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in three series. Each series is arranged chronologically by order of acquisition.","Series 1: Graphic Materials, 1610-1940 (Boxes 1-4)","Series 2: Manuscripts, circa 1475-1929 (Boxes 1, 3)","Series 3: Photographs, 1900-1984 (Boxes 1-3)"],"bioghist_html_tesm":["\u003cp\u003eThe Performing arts manuscripts collection consists of items selected by Steven Gerber, the Music, Theater, and Philosophy Librarian at George Mason University (GMU). In addition to his librarian duties, Gerber teaches courses on music research and bibliography at GMU. He developed this collection to serve as a resource for his courses and to provide research access for GMU performing arts faculty and students.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Performing arts manuscripts collection consists of items selected by Steven Gerber, the Music, Theater, and Philosophy Librarian at George Mason University (GMU). In addition to his librarian duties, Gerber teaches courses on music research and bibliography at GMU. He developed this collection to serve as a resource for his courses and to provide research access for GMU performing arts faculty and students."],"prefercite_html_tesm":["\u003cp\u003ePerforming arts manuscripts collection, C0215, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["Performing arts manuscripts collection, C0215, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Jordan Patty in 2012. EAD markup completed by Jordan Patty in 2013. Collection reprocessed and finding aid revised by Lana Mason in January 2019.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Jordan Patty in 2012. EAD markup completed by Jordan Patty in 2013. Collection reprocessed and finding aid revised by Lana Mason in January 2019."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center holds published materials related to music and the performing arts which can be found through the George Mason University library catalog. Special Collections Research Center also holds many other \u003cextptr type=\"simple\" title=\"performing arts collections.\" show=\"new\" href=\"https://scrc.gmu.edu/collections-subject.php#THEATRE\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center holds published materials related to music and the performing arts which can be found through the George Mason University library catalog. Special Collections Research Center also holds many other"],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of photographic prints, lithographs, and drawings of significant musicians, composers, and dancers. The photographs depict portraits and images of professional performing artists at work. The drawings and lithographs are primarily portraits of notable performing arts professionals, or feature subject matter related to the performing arts, including costume design and scenes from various stage sets and performances. The collection also contains several manuscripts, including a folio of musical instruments, a stage guide and score for the musical \"My Maryland,\" and hand-written sheet music.\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of photographic prints, lithographs, and drawings of significant musicians, composers, and dancers. The photographs depict portraits and images of professional performing artists at work. The drawings and lithographs are primarily portraits of notable performing arts professionals, or feature subject matter related to the performing arts, including costume design and scenes from various stage sets and performances. The collection also contains several manuscripts, including a folio of musical instruments, a stage guide and score for the musical \"My Maryland,\" and hand-written sheet music."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref45\" label=\"Abstract\"\u003eCollection consists of photographic prints, lithographs, drawings, and written manuscripts pertaining to significant musicians, composers, dancers, and their works.\u003c/abstract\u003e\n      "],"abstract_tesim":["Collection consists of photographic prints, lithographs, drawings, and written manuscripts pertaining to significant musicians, composers, dancers, and their works."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Germania Musical Society. -- Pictorial works","Ballet Russe de Monte-Carlo.","Ballets russes."],"persname_ssim":["Gerber, Steven K.","Ailey, Alvin -- Photographs","Arne, Thomas Augustine, 1710-1778  -- Pictorial works","Balanchine, George -- Photographs","Basili, Francesco, 1767-1850","Bernstein, Leonard, 1918-1990  -- Photographs","Bolm, Adolf , 1884-1951  -- Photographs","Cage, John -- Photographs","Cherubini, Luigi, 1760-1842  -- Pictorial works","Danilova, Alexandra, 1907-1997","Dello Joio, Norman, 1913-2008 -- Photographs","Didelot, Rose Colinette -- Pictorial works","Duncan, Isadora, 1877-1927 -- Photographs","Eglevsky, Andre -- Photographs","Fuller, Loie, 1862-1928  -- Photographs","Graham, Martha -- Photographs","Griffith, Robert E. -- Photographs","Kabalevsky, Dmitry Borisovich, 1904-1987  -- Photographs","Kodaly, Zoltan, 1882-1967 -- Photographs","Laurents, Arthur -- Photographs","Lifar, Serge, 1905-1986 -- Photographs","Mascagni, Pietro, 1863-1945","Massenet, Jules, 1842-1912","Mitchell, Arthur, 1934-  -- Photographs","Mumma, Gordon, 1935-  -- Photographs","Novikoff, Laurent -- Photographs","Partch, Harry, 1901-1974  -- Photographs","Pavlova, Anna, 1881-1931 -- Pictorial works","Prince, Harold, 1928-  -- Photographs","Ram Gopal, 1917- -- Photographs","Robbins, Jerome -- Photographs","Romberg, Sigmund, 1887-1951","Rossini, Gioachino, 1792-1868","Sandburg, Carl, 1878-1967  -- Photographs","Sondheim, Stephen -- Photographs","Tudor, David, 1926-1996  -- Photographs","Viardot-Garcia, Pauline, 1821-1910"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Germania Musical Society. -- Pictorial works","Ballet Russe de Monte-Carlo.","Ballets russes.","Gerber, Steven K.","Ailey, Alvin -- Photographs","Arne, Thomas Augustine, 1710-1778  -- Pictorial works","Balanchine, George -- Photographs","Basili, Francesco, 1767-1850","Bernstein, Leonard, 1918-1990  -- Photographs","Bolm, Adolf , 1884-1951  -- Photographs","Cage, John -- Photographs","Cherubini, Luigi, 1760-1842  -- Pictorial works","Danilova, Alexandra, 1907-1997","Dello Joio, Norman, 1913-2008 -- Photographs","Didelot, Rose Colinette -- Pictorial works","Duncan, Isadora, 1877-1927 -- Photographs","Eglevsky, Andre -- Photographs","Fuller, Loie, 1862-1928  -- Photographs","Graham, Martha -- Photographs","Griffith, Robert E. -- Photographs","Kabalevsky, Dmitry Borisovich, 1904-1987  -- Photographs","Kodaly, Zoltan, 1882-1967 -- Photographs","Laurents, Arthur -- Photographs","Lifar, Serge, 1905-1986 -- Photographs","Mascagni, Pietro, 1863-1945","Massenet, Jules, 1842-1912","Mitchell, Arthur, 1934-  -- Photographs","Mumma, Gordon, 1935-  -- Photographs","Novikoff, Laurent -- Photographs","Partch, Harry, 1901-1974  -- Photographs","Pavlova, Anna, 1881-1931 -- Pictorial works","Prince, Harold, 1928-  -- Photographs","Ram Gopal, 1917- -- Photographs","Robbins, Jerome -- Photographs","Romberg, Sigmund, 1887-1951","Rossini, Gioachino, 1792-1868","Sandburg, Carl, 1878-1967  -- Photographs","Sondheim, Stephen -- Photographs","Tudor, David, 1926-1996  -- Photographs","Viardot-Garcia, Pauline, 1821-1910"],"language_ssim":["Primarily English. Some materials are in Latin, French, or Italian."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":56,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:11.369Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_performingartsmanuscripts","ead_ssi":"vifgm_performingartsmanuscripts","_root_":"vifgm_performingartsmanuscripts","_nest_parent_":"vifgm_performingartsmanuscripts","ead_source_url_ssi":"data/gmu/performingartsmanuscripts.xml","aspace_url_ssi":"http://scrc.gmu.edu/finding_aids/performingartsmanuscripts.html","title_ssm":["Performing arts manuscripts collection"],"title_tesim":["Performing arts manuscripts collection"],"unitdate_ssm":["circa 1475-1984"],"unitdate_inclusive_ssm":["circa 1475-1984"],"normalized_date_ssm":["1475/1984"],"normalized_title_ssm":["Performing arts manuscripts collection, 1475/1984"],"text":["Performing arts manuscripts collection, 1475/1984","C0215","Ballet--Pictorial works.","Costume design.","Dance","Hitler Youth--Photographs.","Minstrel shows","Music.","No","Opera.","Performing arts.","Sheet music.","Stage guides","Theater.","Tom and Jerry (Television program)","Lithographs.","Etchings.","Photographic prints.","There are no access restrictions.","The collection is arranged in three series. Each series is arranged chronologically by order of acquisition.","Series 1: Graphic Materials, 1610-1940 (Boxes 1-4)","Series 2: Manuscripts, circa 1475-1929 (Boxes 1, 3)","Series 3: Photographs, 1900-1984 (Boxes 1-3)","The Performing arts manuscripts collection consists of items selected by Steven Gerber, the Music, Theater, and Philosophy Librarian at George Mason University (GMU). In addition to his librarian duties, Gerber teaches courses on music research and bibliography at GMU. He developed this collection to serve as a resource for his courses and to provide research access for GMU performing arts faculty and students.","Processed by Jordan Patty in 2012. EAD markup completed by Jordan Patty in 2013. Collection reprocessed and finding aid revised by Lana Mason in January 2019.","Special Collections Research Center holds published materials related to music and the performing arts which can be found through the George Mason University library catalog. Special Collections Research Center also holds many other","This collection consists of photographic prints, lithographs, and drawings of significant musicians, composers, and dancers. The photographs depict portraits and images of professional performing artists at work. The drawings and lithographs are primarily portraits of notable performing arts professionals, or feature subject matter related to the performing arts, including costume design and scenes from various stage sets and performances. The collection also contains several manuscripts, including a folio of musical instruments, a stage guide and score for the musical \"My Maryland,\" and hand-written sheet music.","There are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries.","Collection consists of photographic prints, lithographs, drawings, and written manuscripts pertaining to significant musicians, composers, dancers, and their works.","George Mason University. Libraries. Special Collections Research Center","Germania Musical Society. -- Pictorial works","Ballet Russe de Monte-Carlo.","Ballets russes.","Gerber, Steven K.","Ailey, Alvin -- Photographs","Arne, Thomas Augustine, 1710-1778  -- Pictorial works","Balanchine, George -- Photographs","Basili, Francesco, 1767-1850","Bernstein, Leonard, 1918-1990  -- Photographs","Bolm, Adolf , 1884-1951  -- Photographs","Cage, John -- Photographs","Cherubini, Luigi, 1760-1842  -- Pictorial works","Danilova, Alexandra, 1907-1997","Dello Joio, Norman, 1913-2008 -- Photographs","Didelot, Rose Colinette -- Pictorial works","Duncan, Isadora, 1877-1927 -- Photographs","Eglevsky, Andre -- Photographs","Fuller, Loie, 1862-1928  -- Photographs","Graham, Martha -- Photographs","Griffith, Robert E. -- Photographs","Kabalevsky, Dmitry Borisovich, 1904-1987  -- Photographs","Kodaly, Zoltan, 1882-1967 -- Photographs","Laurents, Arthur -- Photographs","Lifar, Serge, 1905-1986 -- Photographs","Mascagni, Pietro, 1863-1945","Massenet, Jules, 1842-1912","Mitchell, Arthur, 1934-  -- Photographs","Mumma, Gordon, 1935-  -- Photographs","Novikoff, Laurent -- Photographs","Partch, Harry, 1901-1974  -- Photographs","Pavlova, Anna, 1881-1931 -- Pictorial works","Prince, Harold, 1928-  -- Photographs","Ram Gopal, 1917- -- Photographs","Robbins, Jerome -- Photographs","Romberg, Sigmund, 1887-1951","Rossini, Gioachino, 1792-1868","Sandburg, Carl, 1878-1967  -- Photographs","Sondheim, Stephen -- Photographs","Tudor, David, 1926-1996  -- Photographs","Viardot-Garcia, Pauline, 1821-1910","Primarily English. Some materials are in Latin, French, or Italian."],"collection_title_tesim":["Performing arts manuscripts collection, 1475/1984"],"collection_ssim":["Performing arts manuscripts collection, 1475/1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0215"],"unitid_tesim":["C0215"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Gerber, Steven K."],"creator_ssim":["Gerber, Steven K."],"creator_persname_ssim":["Gerber, Steven K.","Ailey, Alvin -- Photographs","Arne, Thomas Augustine, 1710-1778  -- Pictorial works","Balanchine, George -- Photographs","Basili, Francesco, 1767-1850","Bernstein, Leonard, 1918-1990  -- Photographs","Bolm, Adolf , 1884-1951  -- Photographs","Cage, John -- Photographs","Cherubini, Luigi, 1760-1842  -- Pictorial works","Danilova, Alexandra, 1907-1997","Dello Joio, Norman, 1913-2008 -- Photographs","Didelot, Rose Colinette -- Pictorial works","Duncan, Isadora, 1877-1927 -- Photographs","Eglevsky, Andre -- Photographs","Fuller, Loie, 1862-1928  -- Photographs","Graham, Martha -- Photographs","Griffith, Robert E. -- Photographs","Kabalevsky, Dmitry Borisovich, 1904-1987  -- Photographs","Kodaly, Zoltan, 1882-1967 -- Photographs","Laurents, Arthur -- Photographs","Lifar, Serge, 1905-1986 -- Photographs","Mascagni, Pietro, 1863-1945","Massenet, Jules, 1842-1912","Mitchell, Arthur, 1934-  -- Photographs","Mumma, Gordon, 1935-  -- Photographs","Novikoff, Laurent -- Photographs","Partch, Harry, 1901-1974  -- Photographs","Pavlova, Anna, 1881-1931 -- Pictorial works","Prince, Harold, 1928-  -- Photographs","Ram Gopal, 1917- -- Photographs","Robbins, Jerome -- Photographs","Romberg, Sigmund, 1887-1951","Rossini, Gioachino, 1792-1868","Sandburg, Carl, 1878-1967  -- Photographs","Sondheim, Stephen -- Photographs","Tudor, David, 1926-1996  -- Photographs","Viardot-Garcia, Pauline, 1821-1910"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Germania Musical Society. -- Pictorial works","Ballet Russe de Monte-Carlo.","Ballets russes."],"creators_ssim":["Gerber, Steven K.","Ailey, Alvin -- Photographs","Arne, Thomas Augustine, 1710-1778  -- Pictorial works","Balanchine, George -- Photographs","Basili, Francesco, 1767-1850","Bernstein, Leonard, 1918-1990  -- Photographs","Bolm, Adolf , 1884-1951  -- Photographs","Cage, John -- Photographs","Cherubini, Luigi, 1760-1842  -- Pictorial works","Danilova, Alexandra, 1907-1997","Dello Joio, Norman, 1913-2008 -- Photographs","Didelot, Rose Colinette -- Pictorial works","Duncan, Isadora, 1877-1927 -- Photographs","Eglevsky, Andre -- Photographs","Fuller, Loie, 1862-1928  -- Photographs","Graham, Martha -- Photographs","Griffith, Robert E. -- Photographs","Kabalevsky, Dmitry Borisovich, 1904-1987  -- Photographs","Kodaly, Zoltan, 1882-1967 -- Photographs","Laurents, Arthur -- Photographs","Lifar, Serge, 1905-1986 -- Photographs","Mascagni, Pietro, 1863-1945","Massenet, Jules, 1842-1912","Mitchell, Arthur, 1934-  -- Photographs","Mumma, Gordon, 1935-  -- Photographs","Novikoff, Laurent -- Photographs","Partch, Harry, 1901-1974  -- Photographs","Pavlova, Anna, 1881-1931 -- Pictorial works","Prince, Harold, 1928-  -- Photographs","Ram Gopal, 1917- -- Photographs","Robbins, Jerome -- Photographs","Romberg, Sigmund, 1887-1951","Rossini, Gioachino, 1792-1868","Sandburg, Carl, 1878-1967  -- Photographs","Sondheim, Stephen -- Photographs","Tudor, David, 1926-1996  -- Photographs","Viardot-Garcia, Pauline, 1821-1910","George Mason University. Libraries. Special Collections Research Center","Germania Musical Society. -- Pictorial works","Ballet Russe de Monte-Carlo.","Ballets russes."],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Collection materials were purchased from a variety of rare book and manuscript dealers from 2009 through the present."],"access_subjects_ssim":["Ballet--Pictorial works.","Costume design.","Dance","Hitler Youth--Photographs.","Minstrel shows","Music.","No","Opera.","Performing arts.","Sheet music.","Stage guides","Theater.","Tom and Jerry (Television program)","Lithographs.","Etchings.","Photographic prints."],"access_subjects_ssm":["Ballet--Pictorial works.","Costume design.","Dance","Hitler Youth--Photographs.","Minstrel shows","Music.","No","Opera.","Performing arts.","Sheet music.","Stage guides","Theater.","Tom and Jerry (Television program)","Lithographs.","Etchings.","Photographic prints."],"has_online_content_ssim":["false"],"extent_ssm":["4.0 linear feet (4 boxes)"],"extent_tesim":["4.0 linear feet (4 boxes)"],"date_range_isim":[1475,1476,1477,1478,1479,1480,1481,1482,1483,1484,1485,1486,1487,1488,1489,1490,1491,1492,1493,1494,1495,1496,1497,1498,1499,1500,1501,1502,1503,1504,1505,1506,1507,1508,1509,1510,1511,1512,1513,1514,1515,1516,1517,1518,1519,1520,1521,1522,1523,1524,1525,1526,1527,1528,1529,1530,1531,1532,1533,1534,1535,1536,1537,1538,1539,1540,1541,1542,1543,1544,1545,1546,1547,1548,1549,1550,1551,1552,1553,1554,1555,1556,1557,1558,1559,1560,1561,1562,1563,1564,1565,1566,1567,1568,1569,1570,1571,1572,1573,1574,1575,1576,1577,1578,1579,1580,1581,1582,1583,1584,1585,1586,1587,1588,1589,1590,1591,1592,1593,1594,1595,1596,1597,1598,1599,1600,1601,1602,1603,1604,1605,1606,1607,1608,1609,1610,1611,1612,1613,1614,1615,1616,1617,1618,1619,1620,1621,1622,1623,1624,1625,1626,1627,1628,1629,1630,1631,1632,1633,1634,1635,1636,1637,1638,1639,1640,1641,1642,1643,1644,1645,1646,1647,1648,1649,1650,1651,1652,1653,1654,1655,1656,1657,1658,1659,1660,1661,1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e\n    "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in three series. Each series is arranged chronologically by order of acquisition.\u003c/p\u003e\n      ","\u003cp\u003eSeries 1: Graphic Materials, 1610-1940 (Boxes 1-4)\u003c/p\u003e\n      ","\u003cp\u003eSeries 2: Manuscripts, circa 1475-1929 (Boxes 1, 3)\u003c/p\u003e\n      ","\u003cp\u003eSeries 3: Photographs, 1900-1984 (Boxes 1-3)\u003c/p\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in three series. Each series is arranged chronologically by order of acquisition.","Series 1: Graphic Materials, 1610-1940 (Boxes 1-4)","Series 2: Manuscripts, circa 1475-1929 (Boxes 1, 3)","Series 3: Photographs, 1900-1984 (Boxes 1-3)"],"bioghist_html_tesm":["\u003cp\u003eThe Performing arts manuscripts collection consists of items selected by Steven Gerber, the Music, Theater, and Philosophy Librarian at George Mason University (GMU). In addition to his librarian duties, Gerber teaches courses on music research and bibliography at GMU. He developed this collection to serve as a resource for his courses and to provide research access for GMU performing arts faculty and students.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Performing arts manuscripts collection consists of items selected by Steven Gerber, the Music, Theater, and Philosophy Librarian at George Mason University (GMU). In addition to his librarian duties, Gerber teaches courses on music research and bibliography at GMU. He developed this collection to serve as a resource for his courses and to provide research access for GMU performing arts faculty and students."],"prefercite_html_tesm":["\u003cp\u003ePerforming arts manuscripts collection, C0215, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["Performing arts manuscripts collection, C0215, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Jordan Patty in 2012. EAD markup completed by Jordan Patty in 2013. Collection reprocessed and finding aid revised by Lana Mason in January 2019.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Jordan Patty in 2012. EAD markup completed by Jordan Patty in 2013. Collection reprocessed and finding aid revised by Lana Mason in January 2019."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center holds published materials related to music and the performing arts which can be found through the George Mason University library catalog. Special Collections Research Center also holds many other \u003cextptr type=\"simple\" title=\"performing arts collections.\" show=\"new\" href=\"https://scrc.gmu.edu/collections-subject.php#THEATRE\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center holds published materials related to music and the performing arts which can be found through the George Mason University library catalog. Special Collections Research Center also holds many other"],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of photographic prints, lithographs, and drawings of significant musicians, composers, and dancers. The photographs depict portraits and images of professional performing artists at work. The drawings and lithographs are primarily portraits of notable performing arts professionals, or feature subject matter related to the performing arts, including costume design and scenes from various stage sets and performances. The collection also contains several manuscripts, including a folio of musical instruments, a stage guide and score for the musical \"My Maryland,\" and hand-written sheet music.\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of photographic prints, lithographs, and drawings of significant musicians, composers, and dancers. The photographs depict portraits and images of professional performing artists at work. The drawings and lithographs are primarily portraits of notable performing arts professionals, or feature subject matter related to the performing arts, including costume design and scenes from various stage sets and performances. The collection also contains several manuscripts, including a folio of musical instruments, a stage guide and score for the musical \"My Maryland,\" and hand-written sheet music."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref45\" label=\"Abstract\"\u003eCollection consists of photographic prints, lithographs, drawings, and written manuscripts pertaining to significant musicians, composers, dancers, and their works.\u003c/abstract\u003e\n      "],"abstract_tesim":["Collection consists of photographic prints, lithographs, drawings, and written manuscripts pertaining to significant musicians, composers, dancers, and their works."],"corpname_ssim":["George Mason University. Libraries. 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