{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1867\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library\u0026page=2","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1867\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library\u0026page=1","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1867\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library\u0026page=3","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1867\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library\u0026page=4"},"meta":{"pages":{"current_page":2,"next_page":3,"prev_page":1,"total_pages":4,"limit_value":10,"offset_value":10,"total_count":33,"first_page?":false,"last_page?":false}},"data":[{"id":"vircu_repositories_5_resources_649_c02","type":"File","attributes":{"title":"Frank Leslie's Illustrated Newspaper, 1858/1891","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_649_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eList of images\u003c/div\u003e\u003col\u003e\n\u003cli\u003eJuly 31, 1858 - \"Outside of the Warwick Mill, in which the city of Richmond Feasted the Seventh Regiment and Richmond Volunteers.\"\u003c/li\u003e\n\u003cli\u003eJune 24, 1865 - \"View of Belle Island on the James River, Opposite Richmond.\"\u003c/li\u003e\n\u003cli\u003eAugust 19, 1865 - \"The new market, Corner of Market and Sixth Street, Richmond, Va.\"\u003c/li\u003e\n\u003cli\u003eNovember 17, 1866 - \"The Misses Cooke's School Room, Freedman's Bureau, Richmond, Va.\"\u003c/li\u003e\n\u003cli\u003eMarch 30, 1867 - \"Provincial Government House, Richmond, Va.\"\u003c/li\u003e\n\u003cli\u003eApril 27, 1867 - \"Union Cemetery recently completed at Cold Harbor, Va.\"\u003c/li\u003e\n\u003cli\u003eJune 1, 1867 - \"The arrival of Jefferson Davis in Richmond, on Saturday, May 11th - Passing up Main Street under Escort of Gen. Burton and U.S. Calvary.\"\u003c/li\u003e\n\u003cli\u003eJune 1, 1867 - \"The arrival of Jefferson Davis on Board the Steamer John Sylvester, at Rockets's Landing, James River, Va., Saturday, May 11th.\"\u003c/li\u003e\n\u003cli\u003eFebruary 15, 1868 - \"The state convention at Richmond, VA., In Session.\"\u003c/li\u003e\n\u003cli\u003eJanuary 19, 1878 - \"Virginia. - The inauguration of Governor F.W.M. Holliday, At Richmond, January 1st.\"\u003c/li\u003e\n\u003cli\u003eMarch 16, 1878 - \"Virginia. - The Lewis Brooks Museum at the University of Virginia, In Charlottesville.\"\u003c/li\u003e\n\u003cli\u003eNovember 8, 1879 - \"Virginia. - Preliminary Celebration of the Centennial of Cornwallis's Surrender to Washington, at Yorktown, Oct. 23rd.\"\u003c/li\u003e\n\u003cli\u003eJune 17, 1882 - \"Virginia. - The home and Tomb of Thomas Jefferson at Monticello.\"\u003c/li\u003e\n\u003cli\u003eMarch 22, 1884 - \"Virginia - The terrible disaster at the Pocahontas coal mines, March 13th - A young wife discovers the dead body of her husband, blown from the mouth of the mine.\"\u003c/li\u003e\n\u003cli\u003eMarch 22, 1884 - \"Virginia - The frightful disaster at the Pocahontas Coal Mines, March 13th - Scenes at the mouth of the mines after the explosion.\"\u003c/li\u003e\n\u003cli\u003eMay 31, 1884 - \"The Virginia Battlefields - Visit of Members of the First Army Corps and Confederate officers to Fredericksburg, Chancellorsville and the Wilderness, May 15th-17th.\"\u003c/li\u003e\n\u003cli\u003eFebruary 21, 1885 - \"Virginia. - The unfinished monument of the mother of Washington, at Fredericksburg.\"\u003c/li\u003e\n\u003cli\u003eAugust 22, 1885 - \"Virginia. The Home of the Ex-Confederate soldiers and sailors at Richmond.\"; November 14, 1885 - \"Scenes and incidents of a tour through Virginia. - A 'Construction-Train' on the Norfolk and Western Railroad.\"\u003c/li\u003e\n\u003cli\u003eDecember 11, 1886 - \"Virginia. - Richmond College, as Completed, with its new dormitories, library, museum and art halls.\"\u003c/li\u003e\n\u003cli\u003eJanuary 8, 1887 - \"Virginia. - The new building of the Young Men's Christian Association, Richmond, just erected by the ladies of the city.\"\u003c/li\u003e\n\u003cli\u003eMay 21, 1887 - \"Virginia. - Dedication of a monument to General John Sedgwick on the battlefield of Spottsylvania, May 12th.\"\u003c/li\u003e\n\u003cli\u003eNovember 5, 1887 - \"Virginia. - Southern Honors to the memory of the great Confederate chieftain - laying of the corner stone of the Robert E. Lee Monument at Richmond, October 27th.\"\u003c/li\u003e\n\u003cli\u003eSeptember 8, 1888 - \"President Cleveland's fishing excursion to the headwaters of the James River - scene in New River Valley, one of the famous trouting resorts of the region.\"\u003c/li\u003e\n\u003c/ol\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_649_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_649_c02","ref_ssm":["vircu_repositories_5_resources_649_c02"],"id":"vircu_repositories_5_resources_649_c02","ead_ssi":"vircu_repositories_5_resources_649","_root_":"vircu_repositories_5_resources_649","_nest_parent_":"vircu_repositories_5_resources_649","parent_ssi":"vircu_repositories_5_resources_649","parent_ssim":["Virginia Maps and Prints Collection, 1858/1986"],"parent_ids_ssim":["vircu_repositories_5_resources_649"],"title_filing_ssi":"Frank Leslie's Illustrated Newspaper","title_ssm":["Frank Leslie's Illustrated Newspaper"],"title_tesim":["Frank Leslie's Illustrated Newspaper"],"normalized_title_ssm":["Frank Leslie's Illustrated Newspaper, 1858/1891"],"text":["Frank Leslie's Illustrated Newspaper, 1858/1891","Virginia Maps and Prints Collection, 1858/1986","folder 2","English.","List of imagesJuly 31, 1858 - \"Outside of the Warwick Mill, in which the city of Richmond Feasted the Seventh Regiment and Richmond Volunteers.\"June 24, 1865 - \"View of Belle Island on the James River, Opposite Richmond.\"August 19, 1865 - \"The new market, Corner of Market and Sixth Street, Richmond, Va.\"November 17, 1866 - \"The Misses Cooke's School Room, Freedman's Bureau, Richmond, Va.\"March 30, 1867 - \"Provincial Government House, Richmond, Va.\"April 27, 1867 - \"Union Cemetery recently completed at Cold Harbor, Va.\"June 1, 1867 - \"The arrival of Jefferson Davis in Richmond, on Saturday, May 11th - Passing up Main Street under Escort of Gen. Burton and U.S. Calvary.\"June 1, 1867 - \"The arrival of Jefferson Davis on Board the Steamer John Sylvester, at Rockets's Landing, James River, Va., Saturday, May 11th.\"February 15, 1868 - \"The state convention at Richmond, VA., In Session.\"January 19, 1878 - \"Virginia. - The inauguration of Governor F.W.M. Holliday, At Richmond, January 1st.\"March 16, 1878 - \"Virginia. - The Lewis Brooks Museum at the University of Virginia, In Charlottesville.\"November 8, 1879 - \"Virginia. - Preliminary Celebration of the Centennial of Cornwallis's Surrender to Washington, at Yorktown, Oct. 23rd.\"June 17, 1882 - \"Virginia. - The home and Tomb of Thomas Jefferson at Monticello.\"March 22, 1884 - \"Virginia - The terrible disaster at the Pocahontas coal mines, March 13th - A young wife discovers the dead body of her husband, blown from the mouth of the mine.\"March 22, 1884 - \"Virginia - The frightful disaster at the Pocahontas Coal Mines, March 13th - Scenes at the mouth of the mines after the explosion.\"May 31, 1884 - \"The Virginia Battlefields - Visit of Members of the First Army Corps and Confederate officers to Fredericksburg, Chancellorsville and the Wilderness, May 15th-17th.\"February 21, 1885 - \"Virginia. - The unfinished monument of the mother of Washington, at Fredericksburg.\"August 22, 1885 - \"Virginia. The Home of the Ex-Confederate soldiers and sailors at Richmond.\"; November 14, 1885 - \"Scenes and incidents of a tour through Virginia. - A 'Construction-Train' on the Norfolk and Western Railroad.\"December 11, 1886 - \"Virginia. - Richmond College, as Completed, with its new dormitories, library, museum and art halls.\"January 8, 1887 - \"Virginia. - The new building of the Young Men's Christian Association, Richmond, just erected by the ladies of the city.\"May 21, 1887 - \"Virginia. - Dedication of a monument to General John Sedgwick on the battlefield of Spottsylvania, May 12th.\"November 5, 1887 - \"Virginia. - Southern Honors to the memory of the great Confederate chieftain - laying of the corner stone of the Robert E. Lee Monument at Richmond, October 27th.\"September 8, 1888 - \"President Cleveland's fishing excursion to the headwaters of the James River - scene in New River Valley, one of the famous trouting resorts of the region.\""],"parent_unittitles_ssm":["Virginia Maps and Prints Collection, 1858/1986"],"parent_unittitles_tesim":["Virginia Maps and Prints Collection, 1858/1986"],"normalized_date_ssm":["1858/1891"],"unitdate_inclusive_ssm":["1858-1891"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":2,"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Virginia Maps and Prints Collection, 1858/1986"],"containers_ssim":["folder 2"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"language_ssim":["English."],"date_range_isim":[1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891],"scopecontent_html_tesm":["\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\u003chead\u003eList of images\u003c/head\u003e\u003citem\u003eJuly 31, 1858 - \"Outside of the Warwick Mill, in which the city of Richmond Feasted the Seventh Regiment and Richmond Volunteers.\"\u003c/item\u003e\u003citem\u003eJune 24, 1865 - \"View of Belle Island on the James River, Opposite Richmond.\"\u003c/item\u003e\u003citem\u003eAugust 19, 1865 - \"The new market, Corner of Market and Sixth Street, Richmond, Va.\"\u003c/item\u003e\u003citem\u003eNovember 17, 1866 - \"The Misses Cooke's School Room, Freedman's Bureau, Richmond, Va.\"\u003c/item\u003e\u003citem\u003eMarch 30, 1867 - \"Provincial Government House, Richmond, Va.\"\u003c/item\u003e\u003citem\u003eApril 27, 1867 - \"Union Cemetery recently completed at Cold Harbor, Va.\"\u003c/item\u003e\u003citem\u003eJune 1, 1867 - \"The arrival of Jefferson Davis in Richmond, on Saturday, May 11th - Passing up Main Street under Escort of Gen. Burton and U.S. Calvary.\"\u003c/item\u003e\u003citem\u003eJune 1, 1867 - \"The arrival of Jefferson Davis on Board the Steamer John Sylvester, at Rockets's Landing, James River, Va., Saturday, May 11th.\"\u003c/item\u003e\u003citem\u003eFebruary 15, 1868 - \"The state convention at Richmond, VA., In Session.\"\u003c/item\u003e\u003citem\u003eJanuary 19, 1878 - \"Virginia. - The inauguration of Governor F.W.M. Holliday, At Richmond, January 1st.\"\u003c/item\u003e\u003citem\u003eMarch 16, 1878 - \"Virginia. - The Lewis Brooks Museum at the University of Virginia, In Charlottesville.\"\u003c/item\u003e\u003citem\u003eNovember 8, 1879 - \"Virginia. - Preliminary Celebration of the Centennial of Cornwallis's Surrender to Washington, at Yorktown, Oct. 23rd.\"\u003c/item\u003e\u003citem\u003eJune 17, 1882 - \"Virginia. - The home and Tomb of Thomas Jefferson at Monticello.\"\u003c/item\u003e\u003citem\u003eMarch 22, 1884 - \"Virginia - The terrible disaster at the Pocahontas coal mines, March 13th - A young wife discovers the dead body of her husband, blown from the mouth of the mine.\"\u003c/item\u003e\u003citem\u003eMarch 22, 1884 - \"Virginia - The frightful disaster at the Pocahontas Coal Mines, March 13th - Scenes at the mouth of the mines after the explosion.\"\u003c/item\u003e\u003citem\u003eMay 31, 1884 - \"The Virginia Battlefields - Visit of Members of the First Army Corps and Confederate officers to Fredericksburg, Chancellorsville and the Wilderness, May 15th-17th.\"\u003c/item\u003e\u003citem\u003eFebruary 21, 1885 - \"Virginia. - The unfinished monument of the mother of Washington, at Fredericksburg.\"\u003c/item\u003e\u003citem\u003eAugust 22, 1885 - \"Virginia. The Home of the Ex-Confederate soldiers and sailors at Richmond.\"; November 14, 1885 - \"Scenes and incidents of a tour through Virginia. - A 'Construction-Train' on the Norfolk and Western Railroad.\"\u003c/item\u003e\u003citem\u003eDecember 11, 1886 - \"Virginia. - Richmond College, as Completed, with its new dormitories, library, museum and art halls.\"\u003c/item\u003e\u003citem\u003eJanuary 8, 1887 - \"Virginia. - The new building of the Young Men's Christian Association, Richmond, just erected by the ladies of the city.\"\u003c/item\u003e\u003citem\u003eMay 21, 1887 - \"Virginia. - Dedication of a monument to General John Sedgwick on the battlefield of Spottsylvania, May 12th.\"\u003c/item\u003e\u003citem\u003eNovember 5, 1887 - \"Virginia. - Southern Honors to the memory of the great Confederate chieftain - laying of the corner stone of the Robert E. Lee Monument at Richmond, October 27th.\"\u003c/item\u003e\u003citem\u003eSeptember 8, 1888 - \"President Cleveland's fishing excursion to the headwaters of the James River - scene in New River Valley, one of the famous trouting resorts of the region.\"\u003c/item\u003e\u003c/list\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["List of imagesJuly 31, 1858 - \"Outside of the Warwick Mill, in which the city of Richmond Feasted the Seventh Regiment and Richmond Volunteers.\"June 24, 1865 - \"View of Belle Island on the James River, Opposite Richmond.\"August 19, 1865 - \"The new market, Corner of Market and Sixth Street, Richmond, Va.\"November 17, 1866 - \"The Misses Cooke's School Room, Freedman's Bureau, Richmond, Va.\"March 30, 1867 - \"Provincial Government House, Richmond, Va.\"April 27, 1867 - \"Union Cemetery recently completed at Cold Harbor, Va.\"June 1, 1867 - \"The arrival of Jefferson Davis in Richmond, on Saturday, May 11th - Passing up Main Street under Escort of Gen. Burton and U.S. Calvary.\"June 1, 1867 - \"The arrival of Jefferson Davis on Board the Steamer John Sylvester, at Rockets's Landing, James River, Va., Saturday, May 11th.\"February 15, 1868 - \"The state convention at Richmond, VA., In Session.\"January 19, 1878 - \"Virginia. - The inauguration of Governor F.W.M. Holliday, At Richmond, January 1st.\"March 16, 1878 - \"Virginia. - The Lewis Brooks Museum at the University of Virginia, In Charlottesville.\"November 8, 1879 - \"Virginia. - Preliminary Celebration of the Centennial of Cornwallis's Surrender to Washington, at Yorktown, Oct. 23rd.\"June 17, 1882 - \"Virginia. - The home and Tomb of Thomas Jefferson at Monticello.\"March 22, 1884 - \"Virginia - The terrible disaster at the Pocahontas coal mines, March 13th - A young wife discovers the dead body of her husband, blown from the mouth of the mine.\"March 22, 1884 - \"Virginia - The frightful disaster at the Pocahontas Coal Mines, March 13th - Scenes at the mouth of the mines after the explosion.\"May 31, 1884 - \"The Virginia Battlefields - Visit of Members of the First Army Corps and Confederate officers to Fredericksburg, Chancellorsville and the Wilderness, May 15th-17th.\"February 21, 1885 - \"Virginia. - The unfinished monument of the mother of Washington, at Fredericksburg.\"August 22, 1885 - \"Virginia. The Home of the Ex-Confederate soldiers and sailors at Richmond.\"; November 14, 1885 - \"Scenes and incidents of a tour through Virginia. - A 'Construction-Train' on the Norfolk and Western Railroad.\"December 11, 1886 - \"Virginia. - Richmond College, as Completed, with its new dormitories, library, museum and art halls.\"January 8, 1887 - \"Virginia. - The new building of the Young Men's Christian Association, Richmond, just erected by the ladies of the city.\"May 21, 1887 - \"Virginia. - Dedication of a monument to General John Sedgwick on the battlefield of Spottsylvania, May 12th.\"November 5, 1887 - \"Virginia. - Southern Honors to the memory of the great Confederate chieftain - laying of the corner stone of the Robert E. Lee Monument at Richmond, October 27th.\"September 8, 1888 - \"President Cleveland's fishing excursion to the headwaters of the James River - scene in New River Valley, one of the famous trouting resorts of the region.\""],"_nest_path_":"/components#1","timestamp":"2026-08-14T22:40:16.668Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_649","ead_ssi":"vircu_repositories_5_resources_649","_root_":"vircu_repositories_5_resources_649","_nest_parent_":"vircu_repositories_5_resources_649","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_649.xml","title_filing_ssi":"Virginia Maps and Prints Collection","title_ssm":["Virginia Maps and Prints Collection"],"title_tesim":["Virginia Maps and Prints Collection"],"unitdate_ssm":["1858-1986"],"unitdate_inclusive_ssm":["1858-1986"],"normalized_date_ssm":["1858/1986"],"normalized_title_ssm":["Virginia Maps and Prints Collection, 1858/1986"],"text":["Virginia Maps and Prints Collection, 1858/1986","M 190","/repositories/5/resources/649","The collection is open to research.","The materials are arranged by type. Periodicals are arranged alphabetically by title, then chronologically from most recent to oldest. Maps are housed in a map drawer in no particular order.","The collection is made up of prints (nearly 120 images of Virginia and of Richmond taken from mid-to-late 19th century magazines, including Harper's Weekly and Frank Leslie's Illustrated Newspaper) and of 30 maps as well as other miscellaneous items.  The emphasis of the collection is images of Richmond. The collection ranges in date from 1833 through 1966 though the bulk of the collection is dated from the 1860s-1880s.  While some of the material in the collection was found in the department unidentified, other portions were purchased in 1984 and 1996.","There are no restrictions.","VCU James Branch Cabell Library","English\n."],"collection_title_tesim":["Virginia Maps and Prints Collection, 1858/1986"],"collection_ssim":["Virginia Maps and Prints Collection, 1858/1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 190","/repositories/5/resources/649"],"unitid_tesim":["M 190","/repositories/5/resources/649"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_corpname_ssim":["VCU James Branch Cabell Library"],"creators_ssim":["VCU James Branch Cabell Library"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["The materials in this collection were purchased in 1984 and 1996. Some items were received from unidentified donations to the department."],"has_online_content_ssim":["false"],"extent_ssm":["0 Linear Feet"],"extent_tesim":["0 Linear Feet"],"date_range_isim":[1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access restrictions"],"accessrestrict_tesim":["The collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThe materials are arranged by type. Periodicals are arranged alphabetically by title, then chronologically from most recent to oldest. Maps are housed in a map drawer in no particular order.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials are arranged by type. Periodicals are arranged alphabetically by title, then chronologically from most recent to oldest. Maps are housed in a map drawer in no particular order."],"prefercite_html_tesm":["\u003cp\u003eVirginia Maps and Prints Collection, 1858-1986, Collection # M 190, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e  "],"prefercite_tesim":["Virginia Maps and Prints Collection, 1858-1986, Collection # M 190, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is made up of prints (nearly 120 images of Virginia and of Richmond taken from mid-to-late 19th century magazines, including Harper's Weekly and Frank Leslie's Illustrated Newspaper) and of 30 maps as well as other miscellaneous items.  The emphasis of the collection is images of Richmond. The collection ranges in date from 1833 through 1966 though the bulk of the collection is dated from the 1860s-1880s.  While some of the material in the collection was found in the department unidentified, other portions were purchased in 1984 and 1996.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is made up of prints (nearly 120 images of Virginia and of Richmond taken from mid-to-late 19th century magazines, including Harper's Weekly and Frank Leslie's Illustrated Newspaper) and of 30 maps as well as other miscellaneous items.  The emphasis of the collection is images of Richmond. The collection ranges in date from 1833 through 1966 though the bulk of the collection is dated from the 1860s-1880s.  While some of the material in the collection was found in the department unidentified, other portions were purchased in 1984 and 1996."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"corpname_ssim":["VCU James Branch Cabell Library"],"names_ssim":["VCU James Branch Cabell Library"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:40:16.668Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_649_c02"}},{"id":"vircu_repositories_5_resources_87","type":"collection","attributes":{"title":"George Cruikshank collection, 1833/1872","creator":{"id":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_87#creator","type":"document_value","attributes":{"value":"Cruikshank, George, 1792-1878","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_87#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe collection is comprised of eight sketches and notes by Cruikshank dated 1833, 1845, 1852, 1874, and undated. The collection also contains seven autographed letters to Cruikshank, and one un-mailed mourning envelope addressed in Cruikshank's hand, with his signature for return address. The letters total 13 pages are on matters of business, arrangements for printing his drawings, passes to exhibits of his works, and the like, 1860-1872. Special Collections and Archives also has a significant collection of books illustrated by George Cruikshank -- many of which were published in the 19th century.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_87#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vircu_repositories_5_resources_87","ead_ssi":"vircu_repositories_5_resources_87","_root_":"vircu_repositories_5_resources_87","_nest_parent_":"vircu_repositories_5_resources_87","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_87.xml","title_filing_ssi":"Cruikshank, George, collection","title_ssm":["George Cruikshank collection"],"title_tesim":["George Cruikshank collection"],"unitdate_ssm":["1833-1872"],"unitdate_inclusive_ssm":["1833-1872"],"normalized_date_ssm":["1833/1872"],"normalized_title_ssm":["George Cruikshank collection, 1833/1872"],"text":["George Cruikshank collection, 1833/1872","M 193","/repositories/5/resources/87","Illustrators -- Great Britain","Collection is open to research.","George Cruikshank, son of caricaturist Isaac Cruikshank, was born in London, England in 1792 and died there in 1878. He began his career as a social/political caricaturist in 1811. Between 1819 and 1821, Cruikshank produced a series of colored etchings followed by a collection of comic stories in four volumes. He was considered the foremost illustrator of such classics as Grimms' Fairy Tales, Scott's novels and Dicken's Oliver Twist. In 66 years of work, Cruikshank illustrated more than 200 books. His work, wrote one reviewer of a biography of Cruikshank, \"recorded, commented on, and satirized his times to such an extent that they have frequently been used to represent the age.\"","The collection is comprised of eight sketches and notes by Cruikshank dated 1833, 1845, 1852, 1874, and undated. The collection also contains seven autographed letters to Cruikshank, and one un-mailed mourning envelope addressed in Cruikshank's hand, with his signature for return address. The letters total 13 pages are on matters of business, arrangements for printing his drawings, passes to exhibits of his works, and the like, 1860-1872. Special Collections and Archives also has a significant collection of books illustrated by George Cruikshank -- many of which were published in the 19th century.","There are no restrictions.","VCU James Branch Cabell Library","Cruikshank, George, 1792-1878","English\n."],"collection_title_tesim":["George Cruikshank collection, 1833/1872"],"collection_ssim":["George Cruikshank collection, 1833/1872"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 193","/repositories/5/resources/87"],"unitid_tesim":["M 193","/repositories/5/resources/87"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Cruikshank, George, 1792-1878"],"creator_ssim":["Cruikshank, George, 1792-1878"],"creator_persname_ssim":["Cruikshank, George, 1792-1878"],"creator_corpname_ssim":["VCU James Branch Cabell Library"],"creators_ssim":["Cruikshank, George, 1792-1878","VCU James Branch Cabell Library"],"access_terms_ssm":["There are no restrictions."],"access_subjects_ssim":["Illustrators -- Great Britain"],"access_subjects_ssm":["Illustrators -- Great Britain"],"has_online_content_ssim":["false"],"extent_ssm":["16 Items"],"extent_tesim":["16 Items"],"date_range_isim":[1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"bioghist_html_tesm":["\u003cp\u003eGeorge Cruikshank, son of caricaturist Isaac Cruikshank, was born in London, England in 1792 and died there in 1878. He began his career as a social/political caricaturist in 1811. Between 1819 and 1821, Cruikshank produced a series of colored etchings followed by a collection of comic stories in four volumes. He was considered the foremost illustrator of such classics as Grimms' Fairy Tales, Scott's novels and Dicken's Oliver Twist. In 66 years of work, Cruikshank illustrated more than 200 books. His work, wrote one reviewer of a biography of Cruikshank, \"recorded, commented on, and satirized his times to such an extent that they have frequently been used to represent the age.\"\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["George Cruikshank, son of caricaturist Isaac Cruikshank, was born in London, England in 1792 and died there in 1878. He began his career as a social/political caricaturist in 1811. Between 1819 and 1821, Cruikshank produced a series of colored etchings followed by a collection of comic stories in four volumes. He was considered the foremost illustrator of such classics as Grimms' Fairy Tales, Scott's novels and Dicken's Oliver Twist. In 66 years of work, Cruikshank illustrated more than 200 books. His work, wrote one reviewer of a biography of Cruikshank, \"recorded, commented on, and satirized his times to such an extent that they have frequently been used to represent the age.\""],"prefercite_html_tesm":["\u003cp\u003eGeorge Cruikshank collection, Collection # M 193, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e  "],"prefercite_tesim":["George Cruikshank collection, Collection # M 193, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is comprised of eight sketches and notes by Cruikshank dated 1833, 1845, 1852, 1874, and undated. The collection also contains seven autographed letters to Cruikshank, and one un-mailed mourning envelope addressed in Cruikshank's hand, with his signature for return address. The letters total 13 pages are on matters of business, arrangements for printing his drawings, passes to exhibits of his works, and the like, 1860-1872. Special Collections and Archives also has a significant collection of books illustrated by George Cruikshank -- many of which were published in the 19th century.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is comprised of eight sketches and notes by Cruikshank dated 1833, 1845, 1852, 1874, and undated. The collection also contains seven autographed letters to Cruikshank, and one un-mailed mourning envelope addressed in Cruikshank's hand, with his signature for return address. The letters total 13 pages are on matters of business, arrangements for printing his drawings, passes to exhibits of his works, and the like, 1860-1872. Special Collections and Archives also has a significant collection of books illustrated by George Cruikshank -- many of which were published in the 19th century."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"corpname_ssim":["VCU James Branch Cabell Library"],"persname_ssim":["Cruikshank, George, 1792-1878"],"names_ssim":["VCU James Branch Cabell Library","Cruikshank, George, 1792-1878"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":9,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:40:16.668Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_87","ead_ssi":"vircu_repositories_5_resources_87","_root_":"vircu_repositories_5_resources_87","_nest_parent_":"vircu_repositories_5_resources_87","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_87.xml","title_filing_ssi":"Cruikshank, George, collection","title_ssm":["George Cruikshank collection"],"title_tesim":["George Cruikshank collection"],"unitdate_ssm":["1833-1872"],"unitdate_inclusive_ssm":["1833-1872"],"normalized_date_ssm":["1833/1872"],"normalized_title_ssm":["George Cruikshank collection, 1833/1872"],"text":["George Cruikshank collection, 1833/1872","M 193","/repositories/5/resources/87","Illustrators -- Great Britain","Collection is open to research.","George Cruikshank, son of caricaturist Isaac Cruikshank, was born in London, England in 1792 and died there in 1878. He began his career as a social/political caricaturist in 1811. Between 1819 and 1821, Cruikshank produced a series of colored etchings followed by a collection of comic stories in four volumes. He was considered the foremost illustrator of such classics as Grimms' Fairy Tales, Scott's novels and Dicken's Oliver Twist. In 66 years of work, Cruikshank illustrated more than 200 books. His work, wrote one reviewer of a biography of Cruikshank, \"recorded, commented on, and satirized his times to such an extent that they have frequently been used to represent the age.\"","The collection is comprised of eight sketches and notes by Cruikshank dated 1833, 1845, 1852, 1874, and undated. The collection also contains seven autographed letters to Cruikshank, and one un-mailed mourning envelope addressed in Cruikshank's hand, with his signature for return address. The letters total 13 pages are on matters of business, arrangements for printing his drawings, passes to exhibits of his works, and the like, 1860-1872. Special Collections and Archives also has a significant collection of books illustrated by George Cruikshank -- many of which were published in the 19th century.","There are no restrictions.","VCU James Branch Cabell Library","Cruikshank, George, 1792-1878","English\n."],"collection_title_tesim":["George Cruikshank collection, 1833/1872"],"collection_ssim":["George Cruikshank collection, 1833/1872"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 193","/repositories/5/resources/87"],"unitid_tesim":["M 193","/repositories/5/resources/87"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Cruikshank, George, 1792-1878"],"creator_ssim":["Cruikshank, George, 1792-1878"],"creator_persname_ssim":["Cruikshank, George, 1792-1878"],"creator_corpname_ssim":["VCU James Branch Cabell Library"],"creators_ssim":["Cruikshank, George, 1792-1878","VCU James Branch Cabell Library"],"access_terms_ssm":["There are no restrictions."],"access_subjects_ssim":["Illustrators -- Great Britain"],"access_subjects_ssm":["Illustrators -- Great Britain"],"has_online_content_ssim":["false"],"extent_ssm":["16 Items"],"extent_tesim":["16 Items"],"date_range_isim":[1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"bioghist_html_tesm":["\u003cp\u003eGeorge Cruikshank, son of caricaturist Isaac Cruikshank, was born in London, England in 1792 and died there in 1878. He began his career as a social/political caricaturist in 1811. Between 1819 and 1821, Cruikshank produced a series of colored etchings followed by a collection of comic stories in four volumes. He was considered the foremost illustrator of such classics as Grimms' Fairy Tales, Scott's novels and Dicken's Oliver Twist. In 66 years of work, Cruikshank illustrated more than 200 books. His work, wrote one reviewer of a biography of Cruikshank, \"recorded, commented on, and satirized his times to such an extent that they have frequently been used to represent the age.\"\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["George Cruikshank, son of caricaturist Isaac Cruikshank, was born in London, England in 1792 and died there in 1878. He began his career as a social/political caricaturist in 1811. Between 1819 and 1821, Cruikshank produced a series of colored etchings followed by a collection of comic stories in four volumes. He was considered the foremost illustrator of such classics as Grimms' Fairy Tales, Scott's novels and Dicken's Oliver Twist. In 66 years of work, Cruikshank illustrated more than 200 books. His work, wrote one reviewer of a biography of Cruikshank, \"recorded, commented on, and satirized his times to such an extent that they have frequently been used to represent the age.\""],"prefercite_html_tesm":["\u003cp\u003eGeorge Cruikshank collection, Collection # M 193, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e  "],"prefercite_tesim":["George Cruikshank collection, Collection # M 193, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is comprised of eight sketches and notes by Cruikshank dated 1833, 1845, 1852, 1874, and undated. The collection also contains seven autographed letters to Cruikshank, and one un-mailed mourning envelope addressed in Cruikshank's hand, with his signature for return address. The letters total 13 pages are on matters of business, arrangements for printing his drawings, passes to exhibits of his works, and the like, 1860-1872. Special Collections and Archives also has a significant collection of books illustrated by George Cruikshank -- many of which were published in the 19th century.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is comprised of eight sketches and notes by Cruikshank dated 1833, 1845, 1852, 1874, and undated. The collection also contains seven autographed letters to Cruikshank, and one un-mailed mourning envelope addressed in Cruikshank's hand, with his signature for return address. The letters total 13 pages are on matters of business, arrangements for printing his drawings, passes to exhibits of his works, and the like, 1860-1872. Special Collections and Archives also has a significant collection of books illustrated by George Cruikshank -- many of which were published in the 19th century."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"corpname_ssim":["VCU James Branch Cabell Library"],"persname_ssim":["Cruikshank, George, 1792-1878"],"names_ssim":["VCU James Branch Cabell Library","Cruikshank, George, 1792-1878"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":9,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:40:16.668Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_87"}},{"id":"vircu_repositories_5_resources_96_c01_c102","type":"File","attributes":{"title":"Goldsmith, Alfred, 1860/1960","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_96_c01_c102#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_96_c01_c102","ref_ssm":["vircu_repositories_5_resources_96_c01_c102"],"id":"vircu_repositories_5_resources_96_c01_c102","ead_ssi":"vircu_repositories_5_resources_96","_root_":"vircu_repositories_5_resources_96","_nest_parent_":"vircu_repositories_5_resources_96_c01","parent_ssi":"vircu_repositories_5_resources_96_c01","parent_ssim":["James Branch Cabell collection, 1860/1971","Series I--Correspondence"],"parent_ids_ssim":["vircu_repositories_5_resources_96","vircu_repositories_5_resources_96_c01"],"title_filing_ssi":"Goldsmith, Alfred","title_ssm":["Goldsmith, Alfred"],"title_tesim":["Goldsmith, Alfred"],"normalized_title_ssm":["Goldsmith, Alfred, 1860/1960"],"text":["Goldsmith, Alfred, 1860/1960","James Branch Cabell collection, 1860/1971","Series I--Correspondence","box 1"],"parent_unittitles_ssm":["James Branch Cabell collection, 1860/1971","Series I--Correspondence"],"parent_unittitles_tesim":["James Branch Cabell collection, 1860/1971","Series I--Correspondence"],"normalized_date_ssm":["1860/1960"],"unitdate_inclusive_ssm":["undated"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":103,"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["James Branch Cabell collection, 1860/1971"],"containers_ssim":["box 1"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960],"_nest_path_":"/components#0/components#101","timestamp":"2026-08-14T22:40:16.668Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_96","ead_ssi":"vircu_repositories_5_resources_96","_root_":"vircu_repositories_5_resources_96","_nest_parent_":"vircu_repositories_5_resources_96","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_96.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=vcu-cab/vircu00065.xml","title_filing_ssi":"Cabell, James Branch, collection","title_ssm":["James Branch Cabell collection"],"title_tesim":["James Branch Cabell collection"],"unitdate_ssm":["1860-1971"],"unitdate_inclusive_ssm":["1860-1971"],"normalized_date_ssm":["1860/1971"],"normalized_title_ssm":["James Branch Cabell collection, 1860/1971"],"text":["James Branch Cabell collection, 1860/1971","M 214","/repositories/5/resources/96","Authors, American -- Virginia -- Richmond","Authors, American -- Manuscripts -- Virginia -- Richmond","The collection is open to research.","Collection is arranged alphabetically. Series I -- Correspondence (1860s-1960s); Series II -- Manuscripts; Series III -- Ephemera, printed material, illustrations, newspaper clippings, etc.; Series IV -- Cabell Society (1963- 1971); Series V -- Between Friends; Series VI -- Criticisms of Cabell's work; Series VII -- Periodicals (essays, reviews and fiction by Cabell); Series VIII -- Dramatic and musical interpretations of Cabell's work; Series IX -- Scrapbooks, notebooks and oversized items.","The collection includes materials removed from books in Cabell's personal library. When Jean Maurice Duke cataloged the book collection he assigned a number (written in pencil) to each item indicating what volume the materials was taken from. Please see James Branch Cabell's Library: A Catalogue by Duke, for reference.","Richmond author James Branch Cabell (1879-1958) is best known for his controversial book, Jurgen (1919), a fantasy set in Cabell's mythical medieval world of Poictesme (pronounced Pwa-tem). The New York Society for the Suppression of Vice contended the book was obscene. A trial over its content brought the reclusive writer national fame. Throughout the 1920s, Cabell's literary peers, including H.L. Mencken and Sinclair Lewis, praised his works.","Cabell was born April 14, 1879, at 101 E. Franklin St., the present site of the Richmond Public Library. His father was Robert Gamble Cabell, II (1847-1922), a physician; his mother Anne Harris (1859-1915), daughter of Col. and Mrs. James R. Branch. Cabell's great grandfather was William H. Cabell, governor of Virginia from 1805-1808. Cabell had two brothers, Robert Gamble Cabell, III (1881-1968) and John Lottier Cabell (1883-1946). His parents divorced in 1907.","After attending the College of William and Mary (1893-1898), where he taught courses in French and Greek while an undergraduate, Cabell worked briefly at the Richmond Times as a copyholder. In 1899 he moved to New York City and worked for the New York Herald as a social reporter.  He returned to Richmond in 1901 and worked several months on the staff of the Richmond News. During the next ten years, he performed genealogical research and wrote numerous short stories and articles, which he contributed to national magazines such as Harper's Monthly Magazine and the Saturday Evening Post.","In 1911, Cabell worked as a bookkeeper for his uncle James R. Branch's coal mine in West Virginia. Returning to Richmond in 1913, he married Rebecca Priscilla Bradley Shepherd (1874-1949), a widow with five children by her previous marriage. They had one son, Ballard Hartwell Cabell (1915-1980).","Although he had written for newspapers, Cabell's first published nonfiction work was \"The Comedies of William Congreve,\" which appeared in the April 1901 edition of International. He published his first book, The Eagle's Shadow, in the autumn of 1904 after it appeared serially in the Saturday Evening Post during that summer. His work was slow to draw critical attention. However, by 1918 he had published ten major works and began attracting critical admirers. In an article for the New York Evening Mail, H.L. Mencken described Cabell as \"the only first-rate literary craftsman that the whole South can show.\" Cabell's stature and fame as an author increased with the 1919 publication of Jurgen.","On January 14, 1920, the New York State Society for the Prevention of Vice charged Cabell's publishing editor, Guy Holt, with violating the anti-obscenity provisions of the New York State Penal Code by publishing Jurgen. The controversy over the charges and the attempt at censorship brought Cabell much notoriety. Writers defended the artistry of Jurgen and Cabell's right to publish it.","The obscenity trial over Jurgen began October 16, 1922, and ended three days later with an acquittal of all charges. The presiding judge, Charles C. Nott, stated in his decision \"...the most that can be said against the book is that certain passages therein may be considered suggestive in a veiled and subtle way of immorality, but such suggestions are delicately conveyed\" and that because of Cabell's writing style \"...it is doubtful if the book could be read or understood at all by more than a very limited number of readers.\"","Throughout the 1920s, he continued to publish in the style of Jurgen, a combination of satire, symbolism, and fantasy, set in a mythical medieval French province of Poictesme. The name was a compound of two provinces located in the South of France, Poitiers and Angouleme. Cabell blended an assortment of myths and legends laced with puns, anagrams, and allegories in these books. These works eventually became part of an eighteen-volume collection entitled The Biography of the Life of Manuel; the last volume was published in 1930.","Cabell had become well regarded by prominent writers of the period and maintained an extensive correspondence with a wide circle of literary artists and friends, including Mencken, Joseph Hergesheimer, Burton Rascoe, Theodore Dreiser, Sinclair Lewis, F. Scott Fitzgerald, Carl Van Vechten, and fellow Richmonder and close friend Ellen Glasgow (1873-1945). He had known Glasgow since his days at William and Mary. He served as editor of the Virginia War History Commission (1919-1926) and later joined Dreiser, Eugene O'Neil, and others on the editorial board of the American Spectator (1932-1935). In 1937, Cabell was elected to the American Academy of Arts and Sciences.","While the controversy over Jurgen ensured Cabell an audience throughout most of the 1920s, interest in his books dropped sharply in the New Deal era of the 1930s and continued to decline. In 1932, in an attempt to break away from his past, he began publishing under the name Branch Cabell. During the next three decades, he wrote and published nearly twenty more books. They were grouped in a series of trilogies. He returned as James Branch Cabell in 1947 with the publication of Let Me Lie. It was the first installment of his fifth and last trilogy, consisting mainly of semi-autobiographical essays filled with remembrances of Virginia.","Cabell continued to live and work in Richmond, residing at 3201 Monument Avenue. By 1935 he and his family began spending most of their winter months in St. Augustine, Florida, due to Cabell's reoccurring bouts of pneumonia. During their stay in Florida in 1949, his wife died of heart failure. In 1950, he married Margaret Waller Freeman (1893-1983), whom he had known for many years. Cabell suffered a cerebral hemorrhage in 1958, and on May 5, he died at his home in Richmond.","Cabell's writings, published in various magazines, newspapers, and anthologies, included numerous short stories, poetry, essays, book reviews, and one play. He authored more than 52 volumes of work, including three devoted to genealogy. Cabell is recognized as one of the first contemporary writers from the South. Like his friend, Ellen Glasgow, Cabell was not afraid to satirize what he saw as the South's contradictions. Others, noting Cabell's unique blending of classic myths and legends with his imagination, consider him a pioneer of fantasy writing.","Soon after the establishment of Virginia Commonwealth University (VCU) in 1968, created by the merger of the Medical College of Virginia (MCV) and Richmond Professional Institute (RPI), the University began construction for a new library on the Monroe Park Campus. RPI had already planned for a new library and approached Margaret Cabell about naming it for her husband. VCU approved the name, and in 1970, the James Branch Cabell Library opened its doors.","The collection contains James Branch Cabell's personal papers along with materials by other creators related to Cabell. Cabell corresponded with a number of American and British authors such as H.L. Mencken, Ellen Glasgow, Sinclair Lewis, and Theodore Dreiser, as well as with family, friends, editors and publishers. Other materials of note include his manuscripts with Cabells handwritten edits, his notebooks containing information about his published works along with poems and other writings, and the materials found inside the books of his personal library. The materials provide insight into Cabell's writings and personal interests based upon the content he placed within the books of his collection.","Series I contains correspondence between Cabell and his contemporaries in the literary world, family and friends.","Series II includes various Cabell manuscripts as story ideas, notes, early drafts, school work, essays and poems.","Series III is composed primarily of materials found placed inside Cabell's books and includes ephemera, pamphlets, newspaper clippings, etc.","Series IV are materials from the Cabell Society and contain correspondence between its founders and correspondence between Cabell and Nelson Bond and Cabell and Frederick Eddy.","Series V has materials related to the book Between Friends: Letters of James Branch Cabell and Others, edited by Padraic Colum and Margaret Freeman Cabell.","Series VI consists of various criticisms of Cabell's writings, most of which were collected by Jean Maurice Duke while writing James Branch Cabell: A Reference Guide.","Series VII includes works by Cabell printed in various periodicals. He often published essays, short stories, and other fiction in periodicals before later revising them into book form. The majority of this series is made up of bound volumes. Each volume is named for a published Cabell book and contains the full periodical where the content originally appeared before he developed it into a book.","Series VIII contains plays, poems, and other works inspired by Cabell's work.","Series IX includes scrapbooks and notebooks containing clippings, letters, notes, poems, and other writings by Cabell.","There are no restrictions.","VCU James Branch Cabell Library","Cabell, James Branch, 1879-1958","Flora, Joseph M.","English"],"collection_title_tesim":["James Branch Cabell collection, 1860/1971"],"collection_ssim":["James Branch Cabell collection, 1860/1971"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 214","/repositories/5/resources/96"],"unitid_tesim":["M 214","/repositories/5/resources/96"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"creator_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"creator_persname_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"creator_corpname_ssim":["VCU James Branch Cabell Library"],"creators_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M.","VCU James Branch Cabell Library"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Margaret Freeman Cabell in 1976."],"access_subjects_ssim":["Authors, American -- Virginia -- Richmond","Authors, American -- Manuscripts -- Virginia -- Richmond"],"access_subjects_ssm":["Authors, American -- Virginia -- Richmond","Authors, American -- Manuscripts -- Virginia -- Richmond"],"has_online_content_ssim":["false"],"extent_ssm":["10 Linear Feet Also includes 3000 volume library"],"extent_tesim":["10 Linear Feet Also includes 3000 volume library"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["The collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged alphabetically. Series I -- Correspondence (1860s-1960s); Series II -- Manuscripts; Series III -- Ephemera, printed material, illustrations, newspaper clippings, etc.; Series IV -- Cabell Society (1963- 1971); Series V -- Between Friends; Series VI -- Criticisms of Cabell's work; Series VII -- Periodicals (essays, reviews and fiction by Cabell); Series VIII -- Dramatic and musical interpretations of Cabell's work; Series IX -- Scrapbooks, notebooks and oversized items.\u003c/p\u003e","\u003cp\u003eThe collection includes materials removed from books in Cabell's personal library. When Jean Maurice Duke cataloged the book collection he assigned a number (written in pencil) to each item indicating what volume the materials was taken from. Please see James Branch Cabell's Library: A Catalogue by Duke, for reference.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged alphabetically. Series I -- Correspondence (1860s-1960s); Series II -- Manuscripts; Series III -- Ephemera, printed material, illustrations, newspaper clippings, etc.; Series IV -- Cabell Society (1963- 1971); Series V -- Between Friends; Series VI -- Criticisms of Cabell's work; Series VII -- Periodicals (essays, reviews and fiction by Cabell); Series VIII -- Dramatic and musical interpretations of Cabell's work; Series IX -- Scrapbooks, notebooks and oversized items.","The collection includes materials removed from books in Cabell's personal library. When Jean Maurice Duke cataloged the book collection he assigned a number (written in pencil) to each item indicating what volume the materials was taken from. Please see James Branch Cabell's Library: A Catalogue by Duke, for reference."],"bioghist_html_tesm":["\u003cp\u003eRichmond author James Branch Cabell (1879-1958) is best known for his controversial book, \u003ctitle\u003eJurgen\u003c/title\u003e (1919), a fantasy set in Cabell's mythical medieval world of Poictesme (pronounced Pwa-tem). The New York Society for the Suppression of Vice contended the book was obscene. A trial over its content brought the reclusive writer national fame. Throughout the 1920s, Cabell's literary peers, including H.L. Mencken and Sinclair Lewis, praised his works.\u003c/p\u003e","\u003cp\u003eCabell was born April 14, 1879, at 101 E. Franklin St., the present site of the Richmond Public Library. His father was Robert Gamble Cabell, II (1847-1922), a physician; his mother Anne Harris (1859-1915), daughter of Col. and Mrs. James R. Branch. Cabell's great grandfather was William H. Cabell, governor of Virginia from 1805-1808. Cabell had two brothers, Robert Gamble Cabell, III (1881-1968) and John Lottier Cabell (1883-1946). His parents divorced in 1907.\u003c/p\u003e","\u003cp\u003eAfter attending the College of William and Mary (1893-1898), where he taught courses in French and Greek while an undergraduate, Cabell worked briefly at the \u003ctitle\u003eRichmond Times\u003c/title\u003e as a copyholder. In 1899 he moved to New York City and worked for the \u003ctitle\u003eNew York Herald\u003c/title\u003e as a social reporter.  He returned to Richmond in 1901 and worked several months on the staff of the \u003ctitle\u003eRichmond News\u003c/title\u003e. During the next ten years, he performed genealogical research and wrote numerous short stories and articles, which he contributed to national magazines such as \u003ctitle\u003eHarper's Monthly Magazine\u003c/title\u003e and the \u003ctitle\u003eSaturday Evening Post\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eIn 1911, Cabell worked as a bookkeeper for his uncle James R. Branch's coal mine in West Virginia. Returning to Richmond in 1913, he married Rebecca Priscilla Bradley Shepherd (1874-1949), a widow with five children by her previous marriage. They had one son, Ballard Hartwell Cabell (1915-1980).\u003c/p\u003e","\u003cp\u003eAlthough he had written for newspapers, Cabell's first published nonfiction work was \"The Comedies of William Congreve,\" which appeared in the April 1901 edition of \u003ctitle\u003eInternational\u003c/title\u003e. He published his first book, \u003ctitle\u003eThe Eagle's Shadow\u003c/title\u003e, in the autumn of 1904 after it appeared serially in the \u003ctitle\u003eSaturday Evening Post\u003c/title\u003e during that summer. His work was slow to draw critical attention. However, by 1918 he had published ten major works and began attracting critical admirers. In an article for the \u003ctitle\u003eNew York Evening Mail\u003c/title\u003e, H.L. Mencken described Cabell as \"the only first-rate literary craftsman that the whole South can show.\" Cabell's stature and fame as an author increased with the 1919 publication of Jurgen.\u003c/p\u003e","\u003cp\u003eOn January 14, 1920, the New York State Society for the Prevention of Vice charged Cabell's publishing editor, Guy Holt, with violating the anti-obscenity provisions of the New York State Penal Code by publishing \u003ctitle\u003eJurgen\u003c/title\u003e. The controversy over the charges and the attempt at censorship brought Cabell much notoriety. Writers defended the artistry of Jurgen and Cabell's right to publish it.\u003c/p\u003e","\u003cp\u003eThe obscenity trial over Jurgen began October 16, 1922, and ended three days later with an acquittal of all charges. The presiding judge, Charles C. Nott, stated in his decision \"...the most that can be said against the book is that certain passages therein may be considered suggestive in a veiled and subtle way of immorality, but such suggestions are delicately conveyed\" and that because of Cabell's writing style \"...it is doubtful if the book could be read or understood at all by more than a very limited number of readers.\"\u003c/p\u003e","\u003cp\u003eThroughout the 1920s, he continued to publish in the style of \u003ctitle\u003eJurgen\u003c/title\u003e, a combination of satire, symbolism, and fantasy, set in a mythical medieval French province of Poictesme. The name was a compound of two provinces located in the South of France, Poitiers and Angouleme. Cabell blended an assortment of myths and legends laced with puns, anagrams, and allegories in these books. These works eventually became part of an eighteen-volume collection entitled \u003ctitle\u003eThe Biography of the Life of Manuel\u003c/title\u003e; the last volume was published in 1930.\u003c/p\u003e","\u003cp\u003eCabell had become well regarded by prominent writers of the period and maintained an extensive correspondence with a wide circle of literary artists and friends, including Mencken, Joseph Hergesheimer, Burton Rascoe, Theodore Dreiser, Sinclair Lewis, F. Scott Fitzgerald, Carl Van Vechten, and fellow Richmonder and close friend Ellen Glasgow (1873-1945). He had known Glasgow since his days at William and Mary. He served as editor of the Virginia War History Commission (1919-1926) and later joined Dreiser, Eugene O'Neil, and others on the editorial board of the \u003ctitle\u003eAmerican Spectator\u003c/title\u003e (1932-1935). In 1937, Cabell was elected to the American Academy of Arts and Sciences.\u003c/p\u003e","\u003cp\u003eWhile the controversy over \u003ctitle\u003eJurgen\u003c/title\u003e ensured Cabell an audience throughout most of the 1920s, interest in his books dropped sharply in the New Deal era of the 1930s and continued to decline. In 1932, in an attempt to break away from his past, he began publishing under the name Branch Cabell. During the next three decades, he wrote and published nearly twenty more books. They were grouped in a series of trilogies. He returned as James Branch Cabell in 1947 with the publication of \u003ctitle\u003eLet Me Lie\u003c/title\u003e. It was the first installment of his fifth and last trilogy, consisting mainly of semi-autobiographical essays filled with remembrances of Virginia.\u003c/p\u003e","\u003cp\u003eCabell continued to live and work in Richmond, residing at 3201 Monument Avenue. By 1935 he and his family began spending most of their winter months in St. Augustine, Florida, due to Cabell's reoccurring bouts of pneumonia. During their stay in Florida in 1949, his wife died of heart failure. In 1950, he married Margaret Waller Freeman (1893-1983), whom he had known for many years. Cabell suffered a cerebral hemorrhage in 1958, and on May 5, he died at his home in Richmond.\u003c/p\u003e","\u003cp\u003e\nCabell's writings, published in various magazines, newspapers, and anthologies, included numerous short stories, poetry, essays, book reviews, and one play. He authored more than 52 volumes of work, including three devoted to genealogy. Cabell is recognized as one of the first contemporary writers from the South. Like his friend, Ellen Glasgow, Cabell was not afraid to satirize what he saw as the South's contradictions. Others, noting Cabell's unique blending of classic myths and legends with his imagination, consider him a pioneer of fantasy writing. \u003c/p\u003e","\u003cp\u003eSoon after the establishment of Virginia Commonwealth University (VCU) in 1968, created by the merger of the Medical College of Virginia (MCV) and Richmond Professional Institute (RPI), the University began construction for a new library on the Monroe Park Campus. RPI had already planned for a new library and approached Margaret Cabell about naming it for her husband. VCU approved the name, and in 1970, the James Branch Cabell Library opened its doors.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richmond author James Branch Cabell (1879-1958) is best known for his controversial book, Jurgen (1919), a fantasy set in Cabell's mythical medieval world of Poictesme (pronounced Pwa-tem). The New York Society for the Suppression of Vice contended the book was obscene. A trial over its content brought the reclusive writer national fame. Throughout the 1920s, Cabell's literary peers, including H.L. Mencken and Sinclair Lewis, praised his works.","Cabell was born April 14, 1879, at 101 E. Franklin St., the present site of the Richmond Public Library. His father was Robert Gamble Cabell, II (1847-1922), a physician; his mother Anne Harris (1859-1915), daughter of Col. and Mrs. James R. Branch. Cabell's great grandfather was William H. Cabell, governor of Virginia from 1805-1808. Cabell had two brothers, Robert Gamble Cabell, III (1881-1968) and John Lottier Cabell (1883-1946). His parents divorced in 1907.","After attending the College of William and Mary (1893-1898), where he taught courses in French and Greek while an undergraduate, Cabell worked briefly at the Richmond Times as a copyholder. In 1899 he moved to New York City and worked for the New York Herald as a social reporter.  He returned to Richmond in 1901 and worked several months on the staff of the Richmond News. During the next ten years, he performed genealogical research and wrote numerous short stories and articles, which he contributed to national magazines such as Harper's Monthly Magazine and the Saturday Evening Post.","In 1911, Cabell worked as a bookkeeper for his uncle James R. Branch's coal mine in West Virginia. Returning to Richmond in 1913, he married Rebecca Priscilla Bradley Shepherd (1874-1949), a widow with five children by her previous marriage. They had one son, Ballard Hartwell Cabell (1915-1980).","Although he had written for newspapers, Cabell's first published nonfiction work was \"The Comedies of William Congreve,\" which appeared in the April 1901 edition of International. He published his first book, The Eagle's Shadow, in the autumn of 1904 after it appeared serially in the Saturday Evening Post during that summer. His work was slow to draw critical attention. However, by 1918 he had published ten major works and began attracting critical admirers. In an article for the New York Evening Mail, H.L. Mencken described Cabell as \"the only first-rate literary craftsman that the whole South can show.\" Cabell's stature and fame as an author increased with the 1919 publication of Jurgen.","On January 14, 1920, the New York State Society for the Prevention of Vice charged Cabell's publishing editor, Guy Holt, with violating the anti-obscenity provisions of the New York State Penal Code by publishing Jurgen. The controversy over the charges and the attempt at censorship brought Cabell much notoriety. Writers defended the artistry of Jurgen and Cabell's right to publish it.","The obscenity trial over Jurgen began October 16, 1922, and ended three days later with an acquittal of all charges. The presiding judge, Charles C. Nott, stated in his decision \"...the most that can be said against the book is that certain passages therein may be considered suggestive in a veiled and subtle way of immorality, but such suggestions are delicately conveyed\" and that because of Cabell's writing style \"...it is doubtful if the book could be read or understood at all by more than a very limited number of readers.\"","Throughout the 1920s, he continued to publish in the style of Jurgen, a combination of satire, symbolism, and fantasy, set in a mythical medieval French province of Poictesme. The name was a compound of two provinces located in the South of France, Poitiers and Angouleme. Cabell blended an assortment of myths and legends laced with puns, anagrams, and allegories in these books. These works eventually became part of an eighteen-volume collection entitled The Biography of the Life of Manuel; the last volume was published in 1930.","Cabell had become well regarded by prominent writers of the period and maintained an extensive correspondence with a wide circle of literary artists and friends, including Mencken, Joseph Hergesheimer, Burton Rascoe, Theodore Dreiser, Sinclair Lewis, F. Scott Fitzgerald, Carl Van Vechten, and fellow Richmonder and close friend Ellen Glasgow (1873-1945). He had known Glasgow since his days at William and Mary. He served as editor of the Virginia War History Commission (1919-1926) and later joined Dreiser, Eugene O'Neil, and others on the editorial board of the American Spectator (1932-1935). In 1937, Cabell was elected to the American Academy of Arts and Sciences.","While the controversy over Jurgen ensured Cabell an audience throughout most of the 1920s, interest in his books dropped sharply in the New Deal era of the 1930s and continued to decline. In 1932, in an attempt to break away from his past, he began publishing under the name Branch Cabell. During the next three decades, he wrote and published nearly twenty more books. They were grouped in a series of trilogies. He returned as James Branch Cabell in 1947 with the publication of Let Me Lie. It was the first installment of his fifth and last trilogy, consisting mainly of semi-autobiographical essays filled with remembrances of Virginia.","Cabell continued to live and work in Richmond, residing at 3201 Monument Avenue. By 1935 he and his family began spending most of their winter months in St. Augustine, Florida, due to Cabell's reoccurring bouts of pneumonia. During their stay in Florida in 1949, his wife died of heart failure. In 1950, he married Margaret Waller Freeman (1893-1983), whom he had known for many years. Cabell suffered a cerebral hemorrhage in 1958, and on May 5, he died at his home in Richmond.","Cabell's writings, published in various magazines, newspapers, and anthologies, included numerous short stories, poetry, essays, book reviews, and one play. He authored more than 52 volumes of work, including three devoted to genealogy. Cabell is recognized as one of the first contemporary writers from the South. Like his friend, Ellen Glasgow, Cabell was not afraid to satirize what he saw as the South's contradictions. Others, noting Cabell's unique blending of classic myths and legends with his imagination, consider him a pioneer of fantasy writing.","Soon after the establishment of Virginia Commonwealth University (VCU) in 1968, created by the merger of the Medical College of Virginia (MCV) and Richmond Professional Institute (RPI), the University began construction for a new library on the Monroe Park Campus. RPI had already planned for a new library and approached Margaret Cabell about naming it for her husband. VCU approved the name, and in 1970, the James Branch Cabell Library opened its doors."],"prefercite_html_tesm":["\u003cp\u003eJames Branch Cabell collection, Collection # M 214, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e  "],"prefercite_tesim":["James Branch Cabell collection, Collection # M 214, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains James Branch Cabell's personal papers along with materials by other creators related to Cabell. Cabell corresponded with a number of American and British authors such as H.L. Mencken, Ellen Glasgow, Sinclair Lewis, and Theodore Dreiser, as well as with family, friends, editors and publishers. Other materials of note include his manuscripts with Cabells handwritten edits, his notebooks containing information about his published works along with poems and other writings, and the materials found inside the books of his personal library. The materials provide insight into Cabell's writings and personal interests based upon the content he placed within the books of his collection.\u003c/p\u003e","\u003cp\u003eSeries I contains correspondence between Cabell and his contemporaries in the literary world, family and friends. \u003c/p\u003e","\u003cp\u003eSeries II includes various Cabell manuscripts as story ideas, notes, early drafts, school work, essays and poems.\u003c/p\u003e","\u003cp\u003eSeries III is composed primarily of materials found placed inside Cabell's books and includes ephemera, pamphlets, newspaper clippings, etc.\u003c/p\u003e","\u003cp\u003eSeries IV are materials from the Cabell Society and contain correspondence between its founders and correspondence between Cabell and Nelson Bond and Cabell and Frederick Eddy.\u003c/p\u003e","\u003cp\u003eSeries V has materials related to the book Between Friends: Letters of James Branch Cabell and Others, edited by Padraic Colum and Margaret Freeman Cabell.\u003c/p\u003e","\u003cp\u003eSeries VI consists of various criticisms of Cabell's writings, most of which were collected by Jean Maurice Duke while writing James Branch Cabell: A Reference Guide.\u003c/p\u003e","\u003cp\u003eSeries VII includes works by Cabell printed in various periodicals. He often published essays, short stories, and other fiction in periodicals before later revising them into book form. The majority of this series is made up of bound volumes. Each volume is named for a published Cabell book and contains the full periodical where the content originally appeared before he developed it into a book.\u003c/p\u003e","\u003cp\u003eSeries VIII contains plays, poems, and other works inspired by Cabell's work.\u003c/p\u003e","\u003cp\u003eSeries IX includes scrapbooks and notebooks containing clippings, letters, notes, poems, and other writings by Cabell.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains James Branch Cabell's personal papers along with materials by other creators related to Cabell. Cabell corresponded with a number of American and British authors such as H.L. Mencken, Ellen Glasgow, Sinclair Lewis, and Theodore Dreiser, as well as with family, friends, editors and publishers. Other materials of note include his manuscripts with Cabells handwritten edits, his notebooks containing information about his published works along with poems and other writings, and the materials found inside the books of his personal library. The materials provide insight into Cabell's writings and personal interests based upon the content he placed within the books of his collection.","Series I contains correspondence between Cabell and his contemporaries in the literary world, family and friends.","Series II includes various Cabell manuscripts as story ideas, notes, early drafts, school work, essays and poems.","Series III is composed primarily of materials found placed inside Cabell's books and includes ephemera, pamphlets, newspaper clippings, etc.","Series IV are materials from the Cabell Society and contain correspondence between its founders and correspondence between Cabell and Nelson Bond and Cabell and Frederick Eddy.","Series V has materials related to the book Between Friends: Letters of James Branch Cabell and Others, edited by Padraic Colum and Margaret Freeman Cabell.","Series VI consists of various criticisms of Cabell's writings, most of which were collected by Jean Maurice Duke while writing James Branch Cabell: A Reference Guide.","Series VII includes works by Cabell printed in various periodicals. He often published essays, short stories, and other fiction in periodicals before later revising them into book form. The majority of this series is made up of bound volumes. Each volume is named for a published Cabell book and contains the full periodical where the content originally appeared before he developed it into a book.","Series VIII contains plays, poems, and other works inspired by Cabell's work.","Series IX includes scrapbooks and notebooks containing clippings, letters, notes, poems, and other writings by Cabell."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"corpname_ssim":["VCU James Branch Cabell Library"],"persname_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"names_coll_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"names_ssim":["VCU James Branch Cabell Library","Cabell, James Branch, 1879-1958","Flora, Joseph M."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":493,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:40:16.668Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_96_c01_c102"}},{"id":"vircu_repositories_5_resources_649_c05","type":"File","attributes":{"title":"Harper's Weekly, 1865/1870","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_649_c05#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eList of images\u003c/div\u003e\u003col\u003e\n\u003cli\u003eOctober 21, 1865 - \"Tent of the American Union Commission, Capitol Square, Richmond, Virginia, July 4, 1865.\"\u003c/li\u003e\n\u003cli\u003eMay 25, 1867 - \"St. Philips Church, Richmond, Virginia - School for Colored Children.\"\u003c/li\u003e\n\u003cli\u003eJune 1, 1867 - \"Riot in Richmond, May 11, 1867 - The soldiers dispersing the mob.\"\u003c/li\u003e\n\u003cli\u003eAugust 17, 1867 - \"Hollywood Cemetery, Richmond, Virginia - Decorating the graves of the Rebel soldiers.\"\u003c/li\u003e\n\u003cli\u003eMay 2, 1868 - \"Sergeant Bates With The Flag Passing Through Richmond.\"\u003c/li\u003e\n\u003cli\u003eDecember 5, 1868 - \"Chain-Gang at Richmond.\" \u003c/li\u003e\n\u003cli\u003eMay 14, 1870 - \"View of Richmond, Virginia.\" Canal. \u003c/li\u003e\n\u003cli\u003eMay 14, 1870 - \"The Richmond Calamity - Removing the dead and wounded from the capitol.\"\u003c/li\u003e\n\u003cli\u003eMay 14, 1870 - \"The Richmond Calamity - Interior of Hall of Delegates - Getting out the dead and wounded.\"\u003c/li\u003e\n\u003cli\u003eMay 21, 1870 - \"A spring scene near Richmond, Virginia.\" \u003c/li\u003e\n\u003cli\u003eOctober 22, 1870 - \"The Flood in Virginia.\"\u003c/li\u003e\n\u003c/ol\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_649_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_649_c05","ref_ssm":["vircu_repositories_5_resources_649_c05"],"id":"vircu_repositories_5_resources_649_c05","ead_ssi":"vircu_repositories_5_resources_649","_root_":"vircu_repositories_5_resources_649","_nest_parent_":"vircu_repositories_5_resources_649","parent_ssi":"vircu_repositories_5_resources_649","parent_ssim":["Virginia Maps and Prints Collection, 1858/1986"],"parent_ids_ssim":["vircu_repositories_5_resources_649"],"title_filing_ssi":"Harper's Weekly","title_ssm":["Harper's Weekly"],"title_tesim":["Harper's Weekly"],"normalized_title_ssm":["Harper's Weekly, 1865/1870"],"text":["Harper's Weekly, 1865/1870","Virginia Maps and Prints Collection, 1858/1986","folder 5","English.","List of imagesOctober 21, 1865 - \"Tent of the American Union Commission, Capitol Square, Richmond, Virginia, July 4, 1865.\"May 25, 1867 - \"St. Philips Church, Richmond, Virginia - School for Colored Children.\"June 1, 1867 - \"Riot in Richmond, May 11, 1867 - The soldiers dispersing the mob.\"August 17, 1867 - \"Hollywood Cemetery, Richmond, Virginia - Decorating the graves of the Rebel soldiers.\"May 2, 1868 - \"Sergeant Bates With The Flag Passing Through Richmond.\"December 5, 1868 - \"Chain-Gang at Richmond.\" May 14, 1870 - \"View of Richmond, Virginia.\" Canal. May 14, 1870 - \"The Richmond Calamity - Removing the dead and wounded from the capitol.\"May 14, 1870 - \"The Richmond Calamity - Interior of Hall of Delegates - Getting out the dead and wounded.\"May 21, 1870 - \"A spring scene near Richmond, Virginia.\" October 22, 1870 - \"The Flood in Virginia.\""],"parent_unittitles_ssm":["Virginia Maps and Prints Collection, 1858/1986"],"parent_unittitles_tesim":["Virginia Maps and Prints Collection, 1858/1986"],"normalized_date_ssm":["1865/1870"],"unitdate_inclusive_ssm":["1865-1870"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":5,"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Virginia Maps and Prints Collection, 1858/1986"],"containers_ssim":["folder 5"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"language_ssim":["English."],"date_range_isim":[1865,1866,1867,1868,1869,1870],"scopecontent_html_tesm":["\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\u003chead\u003eList of images\u003c/head\u003e\u003citem\u003eOctober 21, 1865 - \"Tent of the American Union Commission, Capitol Square, Richmond, Virginia, July 4, 1865.\"\u003c/item\u003e\u003citem\u003eMay 25, 1867 - \"St. Philips Church, Richmond, Virginia - School for Colored Children.\"\u003c/item\u003e\u003citem\u003eJune 1, 1867 - \"Riot in Richmond, May 11, 1867 - The soldiers dispersing the mob.\"\u003c/item\u003e\u003citem\u003eAugust 17, 1867 - \"Hollywood Cemetery, Richmond, Virginia - Decorating the graves of the Rebel soldiers.\"\u003c/item\u003e\u003citem\u003eMay 2, 1868 - \"Sergeant Bates With The Flag Passing Through Richmond.\"\u003c/item\u003e\u003citem\u003eDecember 5, 1868 - \"Chain-Gang at Richmond.\" \u003c/item\u003e\u003citem\u003eMay 14, 1870 - \"View of Richmond, Virginia.\" Canal. \u003c/item\u003e\u003citem\u003eMay 14, 1870 - \"The Richmond Calamity - Removing the dead and wounded from the capitol.\"\u003c/item\u003e\u003citem\u003eMay 14, 1870 - \"The Richmond Calamity - Interior of Hall of Delegates - Getting out the dead and wounded.\"\u003c/item\u003e\u003citem\u003eMay 21, 1870 - \"A spring scene near Richmond, Virginia.\" \u003c/item\u003e\u003citem\u003eOctober 22, 1870 - \"The Flood in Virginia.\"\u003c/item\u003e\u003c/list\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["List of imagesOctober 21, 1865 - \"Tent of the American Union Commission, Capitol Square, Richmond, Virginia, July 4, 1865.\"May 25, 1867 - \"St. Philips Church, Richmond, Virginia - School for Colored Children.\"June 1, 1867 - \"Riot in Richmond, May 11, 1867 - The soldiers dispersing the mob.\"August 17, 1867 - \"Hollywood Cemetery, Richmond, Virginia - Decorating the graves of the Rebel soldiers.\"May 2, 1868 - \"Sergeant Bates With The Flag Passing Through Richmond.\"December 5, 1868 - \"Chain-Gang at Richmond.\" May 14, 1870 - \"View of Richmond, Virginia.\" Canal. May 14, 1870 - \"The Richmond Calamity - Removing the dead and wounded from the capitol.\"May 14, 1870 - \"The Richmond Calamity - Interior of Hall of Delegates - Getting out the dead and wounded.\"May 21, 1870 - \"A spring scene near Richmond, Virginia.\" October 22, 1870 - \"The Flood in Virginia.\""],"_nest_path_":"/components#4","timestamp":"2026-08-14T22:40:16.668Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_649","ead_ssi":"vircu_repositories_5_resources_649","_root_":"vircu_repositories_5_resources_649","_nest_parent_":"vircu_repositories_5_resources_649","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_649.xml","title_filing_ssi":"Virginia Maps and Prints Collection","title_ssm":["Virginia Maps and Prints Collection"],"title_tesim":["Virginia Maps and Prints Collection"],"unitdate_ssm":["1858-1986"],"unitdate_inclusive_ssm":["1858-1986"],"normalized_date_ssm":["1858/1986"],"normalized_title_ssm":["Virginia Maps and Prints Collection, 1858/1986"],"text":["Virginia Maps and Prints Collection, 1858/1986","M 190","/repositories/5/resources/649","The collection is open to research.","The materials are arranged by type. Periodicals are arranged alphabetically by title, then chronologically from most recent to oldest. Maps are housed in a map drawer in no particular order.","The collection is made up of prints (nearly 120 images of Virginia and of Richmond taken from mid-to-late 19th century magazines, including Harper's Weekly and Frank Leslie's Illustrated Newspaper) and of 30 maps as well as other miscellaneous items.  The emphasis of the collection is images of Richmond. The collection ranges in date from 1833 through 1966 though the bulk of the collection is dated from the 1860s-1880s.  While some of the material in the collection was found in the department unidentified, other portions were purchased in 1984 and 1996.","There are no restrictions.","VCU James Branch Cabell Library","English\n."],"collection_title_tesim":["Virginia Maps and Prints Collection, 1858/1986"],"collection_ssim":["Virginia Maps and Prints Collection, 1858/1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 190","/repositories/5/resources/649"],"unitid_tesim":["M 190","/repositories/5/resources/649"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_corpname_ssim":["VCU James Branch Cabell Library"],"creators_ssim":["VCU James Branch Cabell Library"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["The materials in this collection were purchased in 1984 and 1996. Some items were received from unidentified donations to the department."],"has_online_content_ssim":["false"],"extent_ssm":["0 Linear Feet"],"extent_tesim":["0 Linear Feet"],"date_range_isim":[1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access restrictions"],"accessrestrict_tesim":["The collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThe materials are arranged by type. Periodicals are arranged alphabetically by title, then chronologically from most recent to oldest. Maps are housed in a map drawer in no particular order.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials are arranged by type. Periodicals are arranged alphabetically by title, then chronologically from most recent to oldest. Maps are housed in a map drawer in no particular order."],"prefercite_html_tesm":["\u003cp\u003eVirginia Maps and Prints Collection, 1858-1986, Collection # M 190, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e  "],"prefercite_tesim":["Virginia Maps and Prints Collection, 1858-1986, Collection # M 190, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is made up of prints (nearly 120 images of Virginia and of Richmond taken from mid-to-late 19th century magazines, including Harper's Weekly and Frank Leslie's Illustrated Newspaper) and of 30 maps as well as other miscellaneous items.  The emphasis of the collection is images of Richmond. The collection ranges in date from 1833 through 1966 though the bulk of the collection is dated from the 1860s-1880s.  While some of the material in the collection was found in the department unidentified, other portions were purchased in 1984 and 1996.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is made up of prints (nearly 120 images of Virginia and of Richmond taken from mid-to-late 19th century magazines, including Harper's Weekly and Frank Leslie's Illustrated Newspaper) and of 30 maps as well as other miscellaneous items.  The emphasis of the collection is images of Richmond. The collection ranges in date from 1833 through 1966 though the bulk of the collection is dated from the 1860s-1880s.  While some of the material in the collection was found in the department unidentified, other portions were purchased in 1984 and 1996."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"corpname_ssim":["VCU James Branch Cabell Library"],"names_ssim":["VCU James Branch Cabell Library"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:40:16.668Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_649_c05"}},{"id":"vircu_repositories_5_resources_96_c01_c131","type":"File","attributes":{"title":"H.E. Janee, 1860/1960","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_96_c01_c131#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_96_c01_c131","ref_ssm":["vircu_repositories_5_resources_96_c01_c131"],"id":"vircu_repositories_5_resources_96_c01_c131","ead_ssi":"vircu_repositories_5_resources_96","_root_":"vircu_repositories_5_resources_96","_nest_parent_":"vircu_repositories_5_resources_96_c01","parent_ssi":"vircu_repositories_5_resources_96_c01","parent_ssim":["James Branch Cabell collection, 1860/1971","Series I--Correspondence"],"parent_ids_ssim":["vircu_repositories_5_resources_96","vircu_repositories_5_resources_96_c01"],"title_filing_ssi":"H.E. Janee","title_ssm":["H.E. Janee"],"title_tesim":["H.E. Janee"],"normalized_title_ssm":["H.E. Janee, 1860/1960"],"text":["H.E. Janee, 1860/1960","James Branch Cabell collection, 1860/1971","Series I--Correspondence","box 2"],"parent_unittitles_ssm":["James Branch Cabell collection, 1860/1971","Series I--Correspondence"],"parent_unittitles_tesim":["James Branch Cabell collection, 1860/1971","Series I--Correspondence"],"normalized_date_ssm":["1860/1960"],"unitdate_inclusive_ssm":["undated"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":132,"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["James Branch Cabell collection, 1860/1971"],"containers_ssim":["box 2"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960],"_nest_path_":"/components#0/components#130","timestamp":"2026-08-14T22:40:16.668Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_96","ead_ssi":"vircu_repositories_5_resources_96","_root_":"vircu_repositories_5_resources_96","_nest_parent_":"vircu_repositories_5_resources_96","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_96.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=vcu-cab/vircu00065.xml","title_filing_ssi":"Cabell, James Branch, collection","title_ssm":["James Branch Cabell collection"],"title_tesim":["James Branch Cabell collection"],"unitdate_ssm":["1860-1971"],"unitdate_inclusive_ssm":["1860-1971"],"normalized_date_ssm":["1860/1971"],"normalized_title_ssm":["James Branch Cabell collection, 1860/1971"],"text":["James Branch Cabell collection, 1860/1971","M 214","/repositories/5/resources/96","Authors, American -- Virginia -- Richmond","Authors, American -- Manuscripts -- Virginia -- Richmond","The collection is open to research.","Collection is arranged alphabetically. Series I -- Correspondence (1860s-1960s); Series II -- Manuscripts; Series III -- Ephemera, printed material, illustrations, newspaper clippings, etc.; Series IV -- Cabell Society (1963- 1971); Series V -- Between Friends; Series VI -- Criticisms of Cabell's work; Series VII -- Periodicals (essays, reviews and fiction by Cabell); Series VIII -- Dramatic and musical interpretations of Cabell's work; Series IX -- Scrapbooks, notebooks and oversized items.","The collection includes materials removed from books in Cabell's personal library. When Jean Maurice Duke cataloged the book collection he assigned a number (written in pencil) to each item indicating what volume the materials was taken from. Please see James Branch Cabell's Library: A Catalogue by Duke, for reference.","Richmond author James Branch Cabell (1879-1958) is best known for his controversial book, Jurgen (1919), a fantasy set in Cabell's mythical medieval world of Poictesme (pronounced Pwa-tem). The New York Society for the Suppression of Vice contended the book was obscene. A trial over its content brought the reclusive writer national fame. Throughout the 1920s, Cabell's literary peers, including H.L. Mencken and Sinclair Lewis, praised his works.","Cabell was born April 14, 1879, at 101 E. Franklin St., the present site of the Richmond Public Library. His father was Robert Gamble Cabell, II (1847-1922), a physician; his mother Anne Harris (1859-1915), daughter of Col. and Mrs. James R. Branch. Cabell's great grandfather was William H. Cabell, governor of Virginia from 1805-1808. Cabell had two brothers, Robert Gamble Cabell, III (1881-1968) and John Lottier Cabell (1883-1946). His parents divorced in 1907.","After attending the College of William and Mary (1893-1898), where he taught courses in French and Greek while an undergraduate, Cabell worked briefly at the Richmond Times as a copyholder. In 1899 he moved to New York City and worked for the New York Herald as a social reporter.  He returned to Richmond in 1901 and worked several months on the staff of the Richmond News. During the next ten years, he performed genealogical research and wrote numerous short stories and articles, which he contributed to national magazines such as Harper's Monthly Magazine and the Saturday Evening Post.","In 1911, Cabell worked as a bookkeeper for his uncle James R. Branch's coal mine in West Virginia. Returning to Richmond in 1913, he married Rebecca Priscilla Bradley Shepherd (1874-1949), a widow with five children by her previous marriage. They had one son, Ballard Hartwell Cabell (1915-1980).","Although he had written for newspapers, Cabell's first published nonfiction work was \"The Comedies of William Congreve,\" which appeared in the April 1901 edition of International. He published his first book, The Eagle's Shadow, in the autumn of 1904 after it appeared serially in the Saturday Evening Post during that summer. His work was slow to draw critical attention. However, by 1918 he had published ten major works and began attracting critical admirers. In an article for the New York Evening Mail, H.L. Mencken described Cabell as \"the only first-rate literary craftsman that the whole South can show.\" Cabell's stature and fame as an author increased with the 1919 publication of Jurgen.","On January 14, 1920, the New York State Society for the Prevention of Vice charged Cabell's publishing editor, Guy Holt, with violating the anti-obscenity provisions of the New York State Penal Code by publishing Jurgen. The controversy over the charges and the attempt at censorship brought Cabell much notoriety. Writers defended the artistry of Jurgen and Cabell's right to publish it.","The obscenity trial over Jurgen began October 16, 1922, and ended three days later with an acquittal of all charges. The presiding judge, Charles C. Nott, stated in his decision \"...the most that can be said against the book is that certain passages therein may be considered suggestive in a veiled and subtle way of immorality, but such suggestions are delicately conveyed\" and that because of Cabell's writing style \"...it is doubtful if the book could be read or understood at all by more than a very limited number of readers.\"","Throughout the 1920s, he continued to publish in the style of Jurgen, a combination of satire, symbolism, and fantasy, set in a mythical medieval French province of Poictesme. The name was a compound of two provinces located in the South of France, Poitiers and Angouleme. Cabell blended an assortment of myths and legends laced with puns, anagrams, and allegories in these books. These works eventually became part of an eighteen-volume collection entitled The Biography of the Life of Manuel; the last volume was published in 1930.","Cabell had become well regarded by prominent writers of the period and maintained an extensive correspondence with a wide circle of literary artists and friends, including Mencken, Joseph Hergesheimer, Burton Rascoe, Theodore Dreiser, Sinclair Lewis, F. Scott Fitzgerald, Carl Van Vechten, and fellow Richmonder and close friend Ellen Glasgow (1873-1945). He had known Glasgow since his days at William and Mary. He served as editor of the Virginia War History Commission (1919-1926) and later joined Dreiser, Eugene O'Neil, and others on the editorial board of the American Spectator (1932-1935). In 1937, Cabell was elected to the American Academy of Arts and Sciences.","While the controversy over Jurgen ensured Cabell an audience throughout most of the 1920s, interest in his books dropped sharply in the New Deal era of the 1930s and continued to decline. In 1932, in an attempt to break away from his past, he began publishing under the name Branch Cabell. During the next three decades, he wrote and published nearly twenty more books. They were grouped in a series of trilogies. He returned as James Branch Cabell in 1947 with the publication of Let Me Lie. It was the first installment of his fifth and last trilogy, consisting mainly of semi-autobiographical essays filled with remembrances of Virginia.","Cabell continued to live and work in Richmond, residing at 3201 Monument Avenue. By 1935 he and his family began spending most of their winter months in St. Augustine, Florida, due to Cabell's reoccurring bouts of pneumonia. During their stay in Florida in 1949, his wife died of heart failure. In 1950, he married Margaret Waller Freeman (1893-1983), whom he had known for many years. Cabell suffered a cerebral hemorrhage in 1958, and on May 5, he died at his home in Richmond.","Cabell's writings, published in various magazines, newspapers, and anthologies, included numerous short stories, poetry, essays, book reviews, and one play. He authored more than 52 volumes of work, including three devoted to genealogy. Cabell is recognized as one of the first contemporary writers from the South. Like his friend, Ellen Glasgow, Cabell was not afraid to satirize what he saw as the South's contradictions. Others, noting Cabell's unique blending of classic myths and legends with his imagination, consider him a pioneer of fantasy writing.","Soon after the establishment of Virginia Commonwealth University (VCU) in 1968, created by the merger of the Medical College of Virginia (MCV) and Richmond Professional Institute (RPI), the University began construction for a new library on the Monroe Park Campus. RPI had already planned for a new library and approached Margaret Cabell about naming it for her husband. VCU approved the name, and in 1970, the James Branch Cabell Library opened its doors.","The collection contains James Branch Cabell's personal papers along with materials by other creators related to Cabell. Cabell corresponded with a number of American and British authors such as H.L. Mencken, Ellen Glasgow, Sinclair Lewis, and Theodore Dreiser, as well as with family, friends, editors and publishers. Other materials of note include his manuscripts with Cabells handwritten edits, his notebooks containing information about his published works along with poems and other writings, and the materials found inside the books of his personal library. The materials provide insight into Cabell's writings and personal interests based upon the content he placed within the books of his collection.","Series I contains correspondence between Cabell and his contemporaries in the literary world, family and friends.","Series II includes various Cabell manuscripts as story ideas, notes, early drafts, school work, essays and poems.","Series III is composed primarily of materials found placed inside Cabell's books and includes ephemera, pamphlets, newspaper clippings, etc.","Series IV are materials from the Cabell Society and contain correspondence between its founders and correspondence between Cabell and Nelson Bond and Cabell and Frederick Eddy.","Series V has materials related to the book Between Friends: Letters of James Branch Cabell and Others, edited by Padraic Colum and Margaret Freeman Cabell.","Series VI consists of various criticisms of Cabell's writings, most of which were collected by Jean Maurice Duke while writing James Branch Cabell: A Reference Guide.","Series VII includes works by Cabell printed in various periodicals. He often published essays, short stories, and other fiction in periodicals before later revising them into book form. The majority of this series is made up of bound volumes. Each volume is named for a published Cabell book and contains the full periodical where the content originally appeared before he developed it into a book.","Series VIII contains plays, poems, and other works inspired by Cabell's work.","Series IX includes scrapbooks and notebooks containing clippings, letters, notes, poems, and other writings by Cabell.","There are no restrictions.","VCU James Branch Cabell Library","Cabell, James Branch, 1879-1958","Flora, Joseph M.","English"],"collection_title_tesim":["James Branch Cabell collection, 1860/1971"],"collection_ssim":["James Branch Cabell collection, 1860/1971"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 214","/repositories/5/resources/96"],"unitid_tesim":["M 214","/repositories/5/resources/96"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"creator_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"creator_persname_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"creator_corpname_ssim":["VCU James Branch Cabell Library"],"creators_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M.","VCU James Branch Cabell Library"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Margaret Freeman Cabell in 1976."],"access_subjects_ssim":["Authors, American -- Virginia -- Richmond","Authors, American -- Manuscripts -- Virginia -- Richmond"],"access_subjects_ssm":["Authors, American -- Virginia -- Richmond","Authors, American -- Manuscripts -- Virginia -- Richmond"],"has_online_content_ssim":["false"],"extent_ssm":["10 Linear Feet Also includes 3000 volume library"],"extent_tesim":["10 Linear Feet Also includes 3000 volume library"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["The collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged alphabetically. Series I -- Correspondence (1860s-1960s); Series II -- Manuscripts; Series III -- Ephemera, printed material, illustrations, newspaper clippings, etc.; Series IV -- Cabell Society (1963- 1971); Series V -- Between Friends; Series VI -- Criticisms of Cabell's work; Series VII -- Periodicals (essays, reviews and fiction by Cabell); Series VIII -- Dramatic and musical interpretations of Cabell's work; Series IX -- Scrapbooks, notebooks and oversized items.\u003c/p\u003e","\u003cp\u003eThe collection includes materials removed from books in Cabell's personal library. When Jean Maurice Duke cataloged the book collection he assigned a number (written in pencil) to each item indicating what volume the materials was taken from. Please see James Branch Cabell's Library: A Catalogue by Duke, for reference.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged alphabetically. Series I -- Correspondence (1860s-1960s); Series II -- Manuscripts; Series III -- Ephemera, printed material, illustrations, newspaper clippings, etc.; Series IV -- Cabell Society (1963- 1971); Series V -- Between Friends; Series VI -- Criticisms of Cabell's work; Series VII -- Periodicals (essays, reviews and fiction by Cabell); Series VIII -- Dramatic and musical interpretations of Cabell's work; Series IX -- Scrapbooks, notebooks and oversized items.","The collection includes materials removed from books in Cabell's personal library. When Jean Maurice Duke cataloged the book collection he assigned a number (written in pencil) to each item indicating what volume the materials was taken from. Please see James Branch Cabell's Library: A Catalogue by Duke, for reference."],"bioghist_html_tesm":["\u003cp\u003eRichmond author James Branch Cabell (1879-1958) is best known for his controversial book, \u003ctitle\u003eJurgen\u003c/title\u003e (1919), a fantasy set in Cabell's mythical medieval world of Poictesme (pronounced Pwa-tem). The New York Society for the Suppression of Vice contended the book was obscene. A trial over its content brought the reclusive writer national fame. Throughout the 1920s, Cabell's literary peers, including H.L. Mencken and Sinclair Lewis, praised his works.\u003c/p\u003e","\u003cp\u003eCabell was born April 14, 1879, at 101 E. Franklin St., the present site of the Richmond Public Library. His father was Robert Gamble Cabell, II (1847-1922), a physician; his mother Anne Harris (1859-1915), daughter of Col. and Mrs. James R. Branch. Cabell's great grandfather was William H. Cabell, governor of Virginia from 1805-1808. Cabell had two brothers, Robert Gamble Cabell, III (1881-1968) and John Lottier Cabell (1883-1946). His parents divorced in 1907.\u003c/p\u003e","\u003cp\u003eAfter attending the College of William and Mary (1893-1898), where he taught courses in French and Greek while an undergraduate, Cabell worked briefly at the \u003ctitle\u003eRichmond Times\u003c/title\u003e as a copyholder. In 1899 he moved to New York City and worked for the \u003ctitle\u003eNew York Herald\u003c/title\u003e as a social reporter.  He returned to Richmond in 1901 and worked several months on the staff of the \u003ctitle\u003eRichmond News\u003c/title\u003e. During the next ten years, he performed genealogical research and wrote numerous short stories and articles, which he contributed to national magazines such as \u003ctitle\u003eHarper's Monthly Magazine\u003c/title\u003e and the \u003ctitle\u003eSaturday Evening Post\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eIn 1911, Cabell worked as a bookkeeper for his uncle James R. Branch's coal mine in West Virginia. Returning to Richmond in 1913, he married Rebecca Priscilla Bradley Shepherd (1874-1949), a widow with five children by her previous marriage. They had one son, Ballard Hartwell Cabell (1915-1980).\u003c/p\u003e","\u003cp\u003eAlthough he had written for newspapers, Cabell's first published nonfiction work was \"The Comedies of William Congreve,\" which appeared in the April 1901 edition of \u003ctitle\u003eInternational\u003c/title\u003e. He published his first book, \u003ctitle\u003eThe Eagle's Shadow\u003c/title\u003e, in the autumn of 1904 after it appeared serially in the \u003ctitle\u003eSaturday Evening Post\u003c/title\u003e during that summer. His work was slow to draw critical attention. However, by 1918 he had published ten major works and began attracting critical admirers. In an article for the \u003ctitle\u003eNew York Evening Mail\u003c/title\u003e, H.L. Mencken described Cabell as \"the only first-rate literary craftsman that the whole South can show.\" Cabell's stature and fame as an author increased with the 1919 publication of Jurgen.\u003c/p\u003e","\u003cp\u003eOn January 14, 1920, the New York State Society for the Prevention of Vice charged Cabell's publishing editor, Guy Holt, with violating the anti-obscenity provisions of the New York State Penal Code by publishing \u003ctitle\u003eJurgen\u003c/title\u003e. The controversy over the charges and the attempt at censorship brought Cabell much notoriety. Writers defended the artistry of Jurgen and Cabell's right to publish it.\u003c/p\u003e","\u003cp\u003eThe obscenity trial over Jurgen began October 16, 1922, and ended three days later with an acquittal of all charges. The presiding judge, Charles C. Nott, stated in his decision \"...the most that can be said against the book is that certain passages therein may be considered suggestive in a veiled and subtle way of immorality, but such suggestions are delicately conveyed\" and that because of Cabell's writing style \"...it is doubtful if the book could be read or understood at all by more than a very limited number of readers.\"\u003c/p\u003e","\u003cp\u003eThroughout the 1920s, he continued to publish in the style of \u003ctitle\u003eJurgen\u003c/title\u003e, a combination of satire, symbolism, and fantasy, set in a mythical medieval French province of Poictesme. The name was a compound of two provinces located in the South of France, Poitiers and Angouleme. Cabell blended an assortment of myths and legends laced with puns, anagrams, and allegories in these books. These works eventually became part of an eighteen-volume collection entitled \u003ctitle\u003eThe Biography of the Life of Manuel\u003c/title\u003e; the last volume was published in 1930.\u003c/p\u003e","\u003cp\u003eCabell had become well regarded by prominent writers of the period and maintained an extensive correspondence with a wide circle of literary artists and friends, including Mencken, Joseph Hergesheimer, Burton Rascoe, Theodore Dreiser, Sinclair Lewis, F. Scott Fitzgerald, Carl Van Vechten, and fellow Richmonder and close friend Ellen Glasgow (1873-1945). He had known Glasgow since his days at William and Mary. He served as editor of the Virginia War History Commission (1919-1926) and later joined Dreiser, Eugene O'Neil, and others on the editorial board of the \u003ctitle\u003eAmerican Spectator\u003c/title\u003e (1932-1935). In 1937, Cabell was elected to the American Academy of Arts and Sciences.\u003c/p\u003e","\u003cp\u003eWhile the controversy over \u003ctitle\u003eJurgen\u003c/title\u003e ensured Cabell an audience throughout most of the 1920s, interest in his books dropped sharply in the New Deal era of the 1930s and continued to decline. In 1932, in an attempt to break away from his past, he began publishing under the name Branch Cabell. During the next three decades, he wrote and published nearly twenty more books. They were grouped in a series of trilogies. He returned as James Branch Cabell in 1947 with the publication of \u003ctitle\u003eLet Me Lie\u003c/title\u003e. It was the first installment of his fifth and last trilogy, consisting mainly of semi-autobiographical essays filled with remembrances of Virginia.\u003c/p\u003e","\u003cp\u003eCabell continued to live and work in Richmond, residing at 3201 Monument Avenue. By 1935 he and his family began spending most of their winter months in St. Augustine, Florida, due to Cabell's reoccurring bouts of pneumonia. During their stay in Florida in 1949, his wife died of heart failure. In 1950, he married Margaret Waller Freeman (1893-1983), whom he had known for many years. Cabell suffered a cerebral hemorrhage in 1958, and on May 5, he died at his home in Richmond.\u003c/p\u003e","\u003cp\u003e\nCabell's writings, published in various magazines, newspapers, and anthologies, included numerous short stories, poetry, essays, book reviews, and one play. He authored more than 52 volumes of work, including three devoted to genealogy. Cabell is recognized as one of the first contemporary writers from the South. Like his friend, Ellen Glasgow, Cabell was not afraid to satirize what he saw as the South's contradictions. Others, noting Cabell's unique blending of classic myths and legends with his imagination, consider him a pioneer of fantasy writing. \u003c/p\u003e","\u003cp\u003eSoon after the establishment of Virginia Commonwealth University (VCU) in 1968, created by the merger of the Medical College of Virginia (MCV) and Richmond Professional Institute (RPI), the University began construction for a new library on the Monroe Park Campus. RPI had already planned for a new library and approached Margaret Cabell about naming it for her husband. VCU approved the name, and in 1970, the James Branch Cabell Library opened its doors.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richmond author James Branch Cabell (1879-1958) is best known for his controversial book, Jurgen (1919), a fantasy set in Cabell's mythical medieval world of Poictesme (pronounced Pwa-tem). The New York Society for the Suppression of Vice contended the book was obscene. A trial over its content brought the reclusive writer national fame. Throughout the 1920s, Cabell's literary peers, including H.L. Mencken and Sinclair Lewis, praised his works.","Cabell was born April 14, 1879, at 101 E. Franklin St., the present site of the Richmond Public Library. His father was Robert Gamble Cabell, II (1847-1922), a physician; his mother Anne Harris (1859-1915), daughter of Col. and Mrs. James R. Branch. Cabell's great grandfather was William H. Cabell, governor of Virginia from 1805-1808. Cabell had two brothers, Robert Gamble Cabell, III (1881-1968) and John Lottier Cabell (1883-1946). His parents divorced in 1907.","After attending the College of William and Mary (1893-1898), where he taught courses in French and Greek while an undergraduate, Cabell worked briefly at the Richmond Times as a copyholder. In 1899 he moved to New York City and worked for the New York Herald as a social reporter.  He returned to Richmond in 1901 and worked several months on the staff of the Richmond News. During the next ten years, he performed genealogical research and wrote numerous short stories and articles, which he contributed to national magazines such as Harper's Monthly Magazine and the Saturday Evening Post.","In 1911, Cabell worked as a bookkeeper for his uncle James R. Branch's coal mine in West Virginia. Returning to Richmond in 1913, he married Rebecca Priscilla Bradley Shepherd (1874-1949), a widow with five children by her previous marriage. They had one son, Ballard Hartwell Cabell (1915-1980).","Although he had written for newspapers, Cabell's first published nonfiction work was \"The Comedies of William Congreve,\" which appeared in the April 1901 edition of International. He published his first book, The Eagle's Shadow, in the autumn of 1904 after it appeared serially in the Saturday Evening Post during that summer. His work was slow to draw critical attention. However, by 1918 he had published ten major works and began attracting critical admirers. In an article for the New York Evening Mail, H.L. Mencken described Cabell as \"the only first-rate literary craftsman that the whole South can show.\" Cabell's stature and fame as an author increased with the 1919 publication of Jurgen.","On January 14, 1920, the New York State Society for the Prevention of Vice charged Cabell's publishing editor, Guy Holt, with violating the anti-obscenity provisions of the New York State Penal Code by publishing Jurgen. The controversy over the charges and the attempt at censorship brought Cabell much notoriety. Writers defended the artistry of Jurgen and Cabell's right to publish it.","The obscenity trial over Jurgen began October 16, 1922, and ended three days later with an acquittal of all charges. The presiding judge, Charles C. Nott, stated in his decision \"...the most that can be said against the book is that certain passages therein may be considered suggestive in a veiled and subtle way of immorality, but such suggestions are delicately conveyed\" and that because of Cabell's writing style \"...it is doubtful if the book could be read or understood at all by more than a very limited number of readers.\"","Throughout the 1920s, he continued to publish in the style of Jurgen, a combination of satire, symbolism, and fantasy, set in a mythical medieval French province of Poictesme. The name was a compound of two provinces located in the South of France, Poitiers and Angouleme. Cabell blended an assortment of myths and legends laced with puns, anagrams, and allegories in these books. These works eventually became part of an eighteen-volume collection entitled The Biography of the Life of Manuel; the last volume was published in 1930.","Cabell had become well regarded by prominent writers of the period and maintained an extensive correspondence with a wide circle of literary artists and friends, including Mencken, Joseph Hergesheimer, Burton Rascoe, Theodore Dreiser, Sinclair Lewis, F. Scott Fitzgerald, Carl Van Vechten, and fellow Richmonder and close friend Ellen Glasgow (1873-1945). He had known Glasgow since his days at William and Mary. He served as editor of the Virginia War History Commission (1919-1926) and later joined Dreiser, Eugene O'Neil, and others on the editorial board of the American Spectator (1932-1935). In 1937, Cabell was elected to the American Academy of Arts and Sciences.","While the controversy over Jurgen ensured Cabell an audience throughout most of the 1920s, interest in his books dropped sharply in the New Deal era of the 1930s and continued to decline. In 1932, in an attempt to break away from his past, he began publishing under the name Branch Cabell. During the next three decades, he wrote and published nearly twenty more books. They were grouped in a series of trilogies. He returned as James Branch Cabell in 1947 with the publication of Let Me Lie. It was the first installment of his fifth and last trilogy, consisting mainly of semi-autobiographical essays filled with remembrances of Virginia.","Cabell continued to live and work in Richmond, residing at 3201 Monument Avenue. By 1935 he and his family began spending most of their winter months in St. Augustine, Florida, due to Cabell's reoccurring bouts of pneumonia. During their stay in Florida in 1949, his wife died of heart failure. In 1950, he married Margaret Waller Freeman (1893-1983), whom he had known for many years. Cabell suffered a cerebral hemorrhage in 1958, and on May 5, he died at his home in Richmond.","Cabell's writings, published in various magazines, newspapers, and anthologies, included numerous short stories, poetry, essays, book reviews, and one play. He authored more than 52 volumes of work, including three devoted to genealogy. Cabell is recognized as one of the first contemporary writers from the South. Like his friend, Ellen Glasgow, Cabell was not afraid to satirize what he saw as the South's contradictions. Others, noting Cabell's unique blending of classic myths and legends with his imagination, consider him a pioneer of fantasy writing.","Soon after the establishment of Virginia Commonwealth University (VCU) in 1968, created by the merger of the Medical College of Virginia (MCV) and Richmond Professional Institute (RPI), the University began construction for a new library on the Monroe Park Campus. RPI had already planned for a new library and approached Margaret Cabell about naming it for her husband. VCU approved the name, and in 1970, the James Branch Cabell Library opened its doors."],"prefercite_html_tesm":["\u003cp\u003eJames Branch Cabell collection, Collection # M 214, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e  "],"prefercite_tesim":["James Branch Cabell collection, Collection # M 214, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains James Branch Cabell's personal papers along with materials by other creators related to Cabell. Cabell corresponded with a number of American and British authors such as H.L. Mencken, Ellen Glasgow, Sinclair Lewis, and Theodore Dreiser, as well as with family, friends, editors and publishers. Other materials of note include his manuscripts with Cabells handwritten edits, his notebooks containing information about his published works along with poems and other writings, and the materials found inside the books of his personal library. The materials provide insight into Cabell's writings and personal interests based upon the content he placed within the books of his collection.\u003c/p\u003e","\u003cp\u003eSeries I contains correspondence between Cabell and his contemporaries in the literary world, family and friends. \u003c/p\u003e","\u003cp\u003eSeries II includes various Cabell manuscripts as story ideas, notes, early drafts, school work, essays and poems.\u003c/p\u003e","\u003cp\u003eSeries III is composed primarily of materials found placed inside Cabell's books and includes ephemera, pamphlets, newspaper clippings, etc.\u003c/p\u003e","\u003cp\u003eSeries IV are materials from the Cabell Society and contain correspondence between its founders and correspondence between Cabell and Nelson Bond and Cabell and Frederick Eddy.\u003c/p\u003e","\u003cp\u003eSeries V has materials related to the book Between Friends: Letters of James Branch Cabell and Others, edited by Padraic Colum and Margaret Freeman Cabell.\u003c/p\u003e","\u003cp\u003eSeries VI consists of various criticisms of Cabell's writings, most of which were collected by Jean Maurice Duke while writing James Branch Cabell: A Reference Guide.\u003c/p\u003e","\u003cp\u003eSeries VII includes works by Cabell printed in various periodicals. He often published essays, short stories, and other fiction in periodicals before later revising them into book form. The majority of this series is made up of bound volumes. Each volume is named for a published Cabell book and contains the full periodical where the content originally appeared before he developed it into a book.\u003c/p\u003e","\u003cp\u003eSeries VIII contains plays, poems, and other works inspired by Cabell's work.\u003c/p\u003e","\u003cp\u003eSeries IX includes scrapbooks and notebooks containing clippings, letters, notes, poems, and other writings by Cabell.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains James Branch Cabell's personal papers along with materials by other creators related to Cabell. Cabell corresponded with a number of American and British authors such as H.L. Mencken, Ellen Glasgow, Sinclair Lewis, and Theodore Dreiser, as well as with family, friends, editors and publishers. Other materials of note include his manuscripts with Cabells handwritten edits, his notebooks containing information about his published works along with poems and other writings, and the materials found inside the books of his personal library. The materials provide insight into Cabell's writings and personal interests based upon the content he placed within the books of his collection.","Series I contains correspondence between Cabell and his contemporaries in the literary world, family and friends.","Series II includes various Cabell manuscripts as story ideas, notes, early drafts, school work, essays and poems.","Series III is composed primarily of materials found placed inside Cabell's books and includes ephemera, pamphlets, newspaper clippings, etc.","Series IV are materials from the Cabell Society and contain correspondence between its founders and correspondence between Cabell and Nelson Bond and Cabell and Frederick Eddy.","Series V has materials related to the book Between Friends: Letters of James Branch Cabell and Others, edited by Padraic Colum and Margaret Freeman Cabell.","Series VI consists of various criticisms of Cabell's writings, most of which were collected by Jean Maurice Duke while writing James Branch Cabell: A Reference Guide.","Series VII includes works by Cabell printed in various periodicals. He often published essays, short stories, and other fiction in periodicals before later revising them into book form. The majority of this series is made up of bound volumes. Each volume is named for a published Cabell book and contains the full periodical where the content originally appeared before he developed it into a book.","Series VIII contains plays, poems, and other works inspired by Cabell's work.","Series IX includes scrapbooks and notebooks containing clippings, letters, notes, poems, and other writings by Cabell."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"corpname_ssim":["VCU James Branch Cabell Library"],"persname_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"names_coll_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"names_ssim":["VCU James Branch Cabell Library","Cabell, James Branch, 1879-1958","Flora, Joseph M."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":493,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:40:16.668Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_96_c01_c131"}},{"id":"vircu_repositories_5_resources_96_c01_c118","type":"File","attributes":{"title":"Helm, Florence, 1860/1960","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_96_c01_c118#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_96_c01_c118","ref_ssm":["vircu_repositories_5_resources_96_c01_c118"],"id":"vircu_repositories_5_resources_96_c01_c118","ead_ssi":"vircu_repositories_5_resources_96","_root_":"vircu_repositories_5_resources_96","_nest_parent_":"vircu_repositories_5_resources_96_c01","parent_ssi":"vircu_repositories_5_resources_96_c01","parent_ssim":["James Branch Cabell collection, 1860/1971","Series I--Correspondence"],"parent_ids_ssim":["vircu_repositories_5_resources_96","vircu_repositories_5_resources_96_c01"],"title_filing_ssi":"Helm, Florence","title_ssm":["Helm, Florence"],"title_tesim":["Helm, Florence"],"normalized_title_ssm":["Helm, Florence, 1860/1960"],"text":["Helm, Florence, 1860/1960","James Branch Cabell collection, 1860/1971","Series I--Correspondence","box 2"],"parent_unittitles_ssm":["James Branch Cabell collection, 1860/1971","Series I--Correspondence"],"parent_unittitles_tesim":["James Branch Cabell collection, 1860/1971","Series I--Correspondence"],"normalized_date_ssm":["1860/1960"],"unitdate_inclusive_ssm":["undated"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":119,"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["James Branch Cabell collection, 1860/1971"],"containers_ssim":["box 2"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960],"_nest_path_":"/components#0/components#117","timestamp":"2026-08-14T22:40:16.668Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_96","ead_ssi":"vircu_repositories_5_resources_96","_root_":"vircu_repositories_5_resources_96","_nest_parent_":"vircu_repositories_5_resources_96","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_96.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=vcu-cab/vircu00065.xml","title_filing_ssi":"Cabell, James Branch, collection","title_ssm":["James Branch Cabell collection"],"title_tesim":["James Branch Cabell collection"],"unitdate_ssm":["1860-1971"],"unitdate_inclusive_ssm":["1860-1971"],"normalized_date_ssm":["1860/1971"],"normalized_title_ssm":["James Branch Cabell collection, 1860/1971"],"text":["James Branch Cabell collection, 1860/1971","M 214","/repositories/5/resources/96","Authors, American -- Virginia -- Richmond","Authors, American -- Manuscripts -- Virginia -- Richmond","The collection is open to research.","Collection is arranged alphabetically. Series I -- Correspondence (1860s-1960s); Series II -- Manuscripts; Series III -- Ephemera, printed material, illustrations, newspaper clippings, etc.; Series IV -- Cabell Society (1963- 1971); Series V -- Between Friends; Series VI -- Criticisms of Cabell's work; Series VII -- Periodicals (essays, reviews and fiction by Cabell); Series VIII -- Dramatic and musical interpretations of Cabell's work; Series IX -- Scrapbooks, notebooks and oversized items.","The collection includes materials removed from books in Cabell's personal library. When Jean Maurice Duke cataloged the book collection he assigned a number (written in pencil) to each item indicating what volume the materials was taken from. Please see James Branch Cabell's Library: A Catalogue by Duke, for reference.","Richmond author James Branch Cabell (1879-1958) is best known for his controversial book, Jurgen (1919), a fantasy set in Cabell's mythical medieval world of Poictesme (pronounced Pwa-tem). The New York Society for the Suppression of Vice contended the book was obscene. A trial over its content brought the reclusive writer national fame. Throughout the 1920s, Cabell's literary peers, including H.L. Mencken and Sinclair Lewis, praised his works.","Cabell was born April 14, 1879, at 101 E. Franklin St., the present site of the Richmond Public Library. His father was Robert Gamble Cabell, II (1847-1922), a physician; his mother Anne Harris (1859-1915), daughter of Col. and Mrs. James R. Branch. Cabell's great grandfather was William H. Cabell, governor of Virginia from 1805-1808. Cabell had two brothers, Robert Gamble Cabell, III (1881-1968) and John Lottier Cabell (1883-1946). His parents divorced in 1907.","After attending the College of William and Mary (1893-1898), where he taught courses in French and Greek while an undergraduate, Cabell worked briefly at the Richmond Times as a copyholder. In 1899 he moved to New York City and worked for the New York Herald as a social reporter.  He returned to Richmond in 1901 and worked several months on the staff of the Richmond News. During the next ten years, he performed genealogical research and wrote numerous short stories and articles, which he contributed to national magazines such as Harper's Monthly Magazine and the Saturday Evening Post.","In 1911, Cabell worked as a bookkeeper for his uncle James R. Branch's coal mine in West Virginia. Returning to Richmond in 1913, he married Rebecca Priscilla Bradley Shepherd (1874-1949), a widow with five children by her previous marriage. They had one son, Ballard Hartwell Cabell (1915-1980).","Although he had written for newspapers, Cabell's first published nonfiction work was \"The Comedies of William Congreve,\" which appeared in the April 1901 edition of International. He published his first book, The Eagle's Shadow, in the autumn of 1904 after it appeared serially in the Saturday Evening Post during that summer. His work was slow to draw critical attention. However, by 1918 he had published ten major works and began attracting critical admirers. In an article for the New York Evening Mail, H.L. Mencken described Cabell as \"the only first-rate literary craftsman that the whole South can show.\" Cabell's stature and fame as an author increased with the 1919 publication of Jurgen.","On January 14, 1920, the New York State Society for the Prevention of Vice charged Cabell's publishing editor, Guy Holt, with violating the anti-obscenity provisions of the New York State Penal Code by publishing Jurgen. The controversy over the charges and the attempt at censorship brought Cabell much notoriety. Writers defended the artistry of Jurgen and Cabell's right to publish it.","The obscenity trial over Jurgen began October 16, 1922, and ended three days later with an acquittal of all charges. The presiding judge, Charles C. Nott, stated in his decision \"...the most that can be said against the book is that certain passages therein may be considered suggestive in a veiled and subtle way of immorality, but such suggestions are delicately conveyed\" and that because of Cabell's writing style \"...it is doubtful if the book could be read or understood at all by more than a very limited number of readers.\"","Throughout the 1920s, he continued to publish in the style of Jurgen, a combination of satire, symbolism, and fantasy, set in a mythical medieval French province of Poictesme. The name was a compound of two provinces located in the South of France, Poitiers and Angouleme. Cabell blended an assortment of myths and legends laced with puns, anagrams, and allegories in these books. These works eventually became part of an eighteen-volume collection entitled The Biography of the Life of Manuel; the last volume was published in 1930.","Cabell had become well regarded by prominent writers of the period and maintained an extensive correspondence with a wide circle of literary artists and friends, including Mencken, Joseph Hergesheimer, Burton Rascoe, Theodore Dreiser, Sinclair Lewis, F. Scott Fitzgerald, Carl Van Vechten, and fellow Richmonder and close friend Ellen Glasgow (1873-1945). He had known Glasgow since his days at William and Mary. He served as editor of the Virginia War History Commission (1919-1926) and later joined Dreiser, Eugene O'Neil, and others on the editorial board of the American Spectator (1932-1935). In 1937, Cabell was elected to the American Academy of Arts and Sciences.","While the controversy over Jurgen ensured Cabell an audience throughout most of the 1920s, interest in his books dropped sharply in the New Deal era of the 1930s and continued to decline. In 1932, in an attempt to break away from his past, he began publishing under the name Branch Cabell. During the next three decades, he wrote and published nearly twenty more books. They were grouped in a series of trilogies. He returned as James Branch Cabell in 1947 with the publication of Let Me Lie. It was the first installment of his fifth and last trilogy, consisting mainly of semi-autobiographical essays filled with remembrances of Virginia.","Cabell continued to live and work in Richmond, residing at 3201 Monument Avenue. By 1935 he and his family began spending most of their winter months in St. Augustine, Florida, due to Cabell's reoccurring bouts of pneumonia. During their stay in Florida in 1949, his wife died of heart failure. In 1950, he married Margaret Waller Freeman (1893-1983), whom he had known for many years. Cabell suffered a cerebral hemorrhage in 1958, and on May 5, he died at his home in Richmond.","Cabell's writings, published in various magazines, newspapers, and anthologies, included numerous short stories, poetry, essays, book reviews, and one play. He authored more than 52 volumes of work, including three devoted to genealogy. Cabell is recognized as one of the first contemporary writers from the South. Like his friend, Ellen Glasgow, Cabell was not afraid to satirize what he saw as the South's contradictions. Others, noting Cabell's unique blending of classic myths and legends with his imagination, consider him a pioneer of fantasy writing.","Soon after the establishment of Virginia Commonwealth University (VCU) in 1968, created by the merger of the Medical College of Virginia (MCV) and Richmond Professional Institute (RPI), the University began construction for a new library on the Monroe Park Campus. RPI had already planned for a new library and approached Margaret Cabell about naming it for her husband. VCU approved the name, and in 1970, the James Branch Cabell Library opened its doors.","The collection contains James Branch Cabell's personal papers along with materials by other creators related to Cabell. Cabell corresponded with a number of American and British authors such as H.L. Mencken, Ellen Glasgow, Sinclair Lewis, and Theodore Dreiser, as well as with family, friends, editors and publishers. Other materials of note include his manuscripts with Cabells handwritten edits, his notebooks containing information about his published works along with poems and other writings, and the materials found inside the books of his personal library. The materials provide insight into Cabell's writings and personal interests based upon the content he placed within the books of his collection.","Series I contains correspondence between Cabell and his contemporaries in the literary world, family and friends.","Series II includes various Cabell manuscripts as story ideas, notes, early drafts, school work, essays and poems.","Series III is composed primarily of materials found placed inside Cabell's books and includes ephemera, pamphlets, newspaper clippings, etc.","Series IV are materials from the Cabell Society and contain correspondence between its founders and correspondence between Cabell and Nelson Bond and Cabell and Frederick Eddy.","Series V has materials related to the book Between Friends: Letters of James Branch Cabell and Others, edited by Padraic Colum and Margaret Freeman Cabell.","Series VI consists of various criticisms of Cabell's writings, most of which were collected by Jean Maurice Duke while writing James Branch Cabell: A Reference Guide.","Series VII includes works by Cabell printed in various periodicals. He often published essays, short stories, and other fiction in periodicals before later revising them into book form. The majority of this series is made up of bound volumes. Each volume is named for a published Cabell book and contains the full periodical where the content originally appeared before he developed it into a book.","Series VIII contains plays, poems, and other works inspired by Cabell's work.","Series IX includes scrapbooks and notebooks containing clippings, letters, notes, poems, and other writings by Cabell.","There are no restrictions.","VCU James Branch Cabell Library","Cabell, James Branch, 1879-1958","Flora, Joseph M.","English"],"collection_title_tesim":["James Branch Cabell collection, 1860/1971"],"collection_ssim":["James Branch Cabell collection, 1860/1971"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 214","/repositories/5/resources/96"],"unitid_tesim":["M 214","/repositories/5/resources/96"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"creator_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"creator_persname_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"creator_corpname_ssim":["VCU James Branch Cabell Library"],"creators_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M.","VCU James Branch Cabell Library"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Margaret Freeman Cabell in 1976."],"access_subjects_ssim":["Authors, American -- Virginia -- Richmond","Authors, American -- Manuscripts -- Virginia -- Richmond"],"access_subjects_ssm":["Authors, American -- Virginia -- Richmond","Authors, American -- Manuscripts -- Virginia -- Richmond"],"has_online_content_ssim":["false"],"extent_ssm":["10 Linear Feet Also includes 3000 volume library"],"extent_tesim":["10 Linear Feet Also includes 3000 volume library"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["The collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged alphabetically. Series I -- Correspondence (1860s-1960s); Series II -- Manuscripts; Series III -- Ephemera, printed material, illustrations, newspaper clippings, etc.; Series IV -- Cabell Society (1963- 1971); Series V -- Between Friends; Series VI -- Criticisms of Cabell's work; Series VII -- Periodicals (essays, reviews and fiction by Cabell); Series VIII -- Dramatic and musical interpretations of Cabell's work; Series IX -- Scrapbooks, notebooks and oversized items.\u003c/p\u003e","\u003cp\u003eThe collection includes materials removed from books in Cabell's personal library. When Jean Maurice Duke cataloged the book collection he assigned a number (written in pencil) to each item indicating what volume the materials was taken from. Please see James Branch Cabell's Library: A Catalogue by Duke, for reference.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged alphabetically. Series I -- Correspondence (1860s-1960s); Series II -- Manuscripts; Series III -- Ephemera, printed material, illustrations, newspaper clippings, etc.; Series IV -- Cabell Society (1963- 1971); Series V -- Between Friends; Series VI -- Criticisms of Cabell's work; Series VII -- Periodicals (essays, reviews and fiction by Cabell); Series VIII -- Dramatic and musical interpretations of Cabell's work; Series IX -- Scrapbooks, notebooks and oversized items.","The collection includes materials removed from books in Cabell's personal library. When Jean Maurice Duke cataloged the book collection he assigned a number (written in pencil) to each item indicating what volume the materials was taken from. Please see James Branch Cabell's Library: A Catalogue by Duke, for reference."],"bioghist_html_tesm":["\u003cp\u003eRichmond author James Branch Cabell (1879-1958) is best known for his controversial book, \u003ctitle\u003eJurgen\u003c/title\u003e (1919), a fantasy set in Cabell's mythical medieval world of Poictesme (pronounced Pwa-tem). The New York Society for the Suppression of Vice contended the book was obscene. A trial over its content brought the reclusive writer national fame. Throughout the 1920s, Cabell's literary peers, including H.L. Mencken and Sinclair Lewis, praised his works.\u003c/p\u003e","\u003cp\u003eCabell was born April 14, 1879, at 101 E. Franklin St., the present site of the Richmond Public Library. His father was Robert Gamble Cabell, II (1847-1922), a physician; his mother Anne Harris (1859-1915), daughter of Col. and Mrs. James R. Branch. Cabell's great grandfather was William H. Cabell, governor of Virginia from 1805-1808. Cabell had two brothers, Robert Gamble Cabell, III (1881-1968) and John Lottier Cabell (1883-1946). His parents divorced in 1907.\u003c/p\u003e","\u003cp\u003eAfter attending the College of William and Mary (1893-1898), where he taught courses in French and Greek while an undergraduate, Cabell worked briefly at the \u003ctitle\u003eRichmond Times\u003c/title\u003e as a copyholder. In 1899 he moved to New York City and worked for the \u003ctitle\u003eNew York Herald\u003c/title\u003e as a social reporter.  He returned to Richmond in 1901 and worked several months on the staff of the \u003ctitle\u003eRichmond News\u003c/title\u003e. During the next ten years, he performed genealogical research and wrote numerous short stories and articles, which he contributed to national magazines such as \u003ctitle\u003eHarper's Monthly Magazine\u003c/title\u003e and the \u003ctitle\u003eSaturday Evening Post\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eIn 1911, Cabell worked as a bookkeeper for his uncle James R. Branch's coal mine in West Virginia. Returning to Richmond in 1913, he married Rebecca Priscilla Bradley Shepherd (1874-1949), a widow with five children by her previous marriage. They had one son, Ballard Hartwell Cabell (1915-1980).\u003c/p\u003e","\u003cp\u003eAlthough he had written for newspapers, Cabell's first published nonfiction work was \"The Comedies of William Congreve,\" which appeared in the April 1901 edition of \u003ctitle\u003eInternational\u003c/title\u003e. He published his first book, \u003ctitle\u003eThe Eagle's Shadow\u003c/title\u003e, in the autumn of 1904 after it appeared serially in the \u003ctitle\u003eSaturday Evening Post\u003c/title\u003e during that summer. His work was slow to draw critical attention. However, by 1918 he had published ten major works and began attracting critical admirers. In an article for the \u003ctitle\u003eNew York Evening Mail\u003c/title\u003e, H.L. Mencken described Cabell as \"the only first-rate literary craftsman that the whole South can show.\" Cabell's stature and fame as an author increased with the 1919 publication of Jurgen.\u003c/p\u003e","\u003cp\u003eOn January 14, 1920, the New York State Society for the Prevention of Vice charged Cabell's publishing editor, Guy Holt, with violating the anti-obscenity provisions of the New York State Penal Code by publishing \u003ctitle\u003eJurgen\u003c/title\u003e. The controversy over the charges and the attempt at censorship brought Cabell much notoriety. Writers defended the artistry of Jurgen and Cabell's right to publish it.\u003c/p\u003e","\u003cp\u003eThe obscenity trial over Jurgen began October 16, 1922, and ended three days later with an acquittal of all charges. The presiding judge, Charles C. Nott, stated in his decision \"...the most that can be said against the book is that certain passages therein may be considered suggestive in a veiled and subtle way of immorality, but such suggestions are delicately conveyed\" and that because of Cabell's writing style \"...it is doubtful if the book could be read or understood at all by more than a very limited number of readers.\"\u003c/p\u003e","\u003cp\u003eThroughout the 1920s, he continued to publish in the style of \u003ctitle\u003eJurgen\u003c/title\u003e, a combination of satire, symbolism, and fantasy, set in a mythical medieval French province of Poictesme. The name was a compound of two provinces located in the South of France, Poitiers and Angouleme. Cabell blended an assortment of myths and legends laced with puns, anagrams, and allegories in these books. These works eventually became part of an eighteen-volume collection entitled \u003ctitle\u003eThe Biography of the Life of Manuel\u003c/title\u003e; the last volume was published in 1930.\u003c/p\u003e","\u003cp\u003eCabell had become well regarded by prominent writers of the period and maintained an extensive correspondence with a wide circle of literary artists and friends, including Mencken, Joseph Hergesheimer, Burton Rascoe, Theodore Dreiser, Sinclair Lewis, F. Scott Fitzgerald, Carl Van Vechten, and fellow Richmonder and close friend Ellen Glasgow (1873-1945). He had known Glasgow since his days at William and Mary. He served as editor of the Virginia War History Commission (1919-1926) and later joined Dreiser, Eugene O'Neil, and others on the editorial board of the \u003ctitle\u003eAmerican Spectator\u003c/title\u003e (1932-1935). In 1937, Cabell was elected to the American Academy of Arts and Sciences.\u003c/p\u003e","\u003cp\u003eWhile the controversy over \u003ctitle\u003eJurgen\u003c/title\u003e ensured Cabell an audience throughout most of the 1920s, interest in his books dropped sharply in the New Deal era of the 1930s and continued to decline. In 1932, in an attempt to break away from his past, he began publishing under the name Branch Cabell. During the next three decades, he wrote and published nearly twenty more books. They were grouped in a series of trilogies. He returned as James Branch Cabell in 1947 with the publication of \u003ctitle\u003eLet Me Lie\u003c/title\u003e. It was the first installment of his fifth and last trilogy, consisting mainly of semi-autobiographical essays filled with remembrances of Virginia.\u003c/p\u003e","\u003cp\u003eCabell continued to live and work in Richmond, residing at 3201 Monument Avenue. By 1935 he and his family began spending most of their winter months in St. Augustine, Florida, due to Cabell's reoccurring bouts of pneumonia. During their stay in Florida in 1949, his wife died of heart failure. In 1950, he married Margaret Waller Freeman (1893-1983), whom he had known for many years. Cabell suffered a cerebral hemorrhage in 1958, and on May 5, he died at his home in Richmond.\u003c/p\u003e","\u003cp\u003e\nCabell's writings, published in various magazines, newspapers, and anthologies, included numerous short stories, poetry, essays, book reviews, and one play. He authored more than 52 volumes of work, including three devoted to genealogy. Cabell is recognized as one of the first contemporary writers from the South. Like his friend, Ellen Glasgow, Cabell was not afraid to satirize what he saw as the South's contradictions. Others, noting Cabell's unique blending of classic myths and legends with his imagination, consider him a pioneer of fantasy writing. \u003c/p\u003e","\u003cp\u003eSoon after the establishment of Virginia Commonwealth University (VCU) in 1968, created by the merger of the Medical College of Virginia (MCV) and Richmond Professional Institute (RPI), the University began construction for a new library on the Monroe Park Campus. RPI had already planned for a new library and approached Margaret Cabell about naming it for her husband. VCU approved the name, and in 1970, the James Branch Cabell Library opened its doors.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richmond author James Branch Cabell (1879-1958) is best known for his controversial book, Jurgen (1919), a fantasy set in Cabell's mythical medieval world of Poictesme (pronounced Pwa-tem). The New York Society for the Suppression of Vice contended the book was obscene. A trial over its content brought the reclusive writer national fame. Throughout the 1920s, Cabell's literary peers, including H.L. Mencken and Sinclair Lewis, praised his works.","Cabell was born April 14, 1879, at 101 E. Franklin St., the present site of the Richmond Public Library. His father was Robert Gamble Cabell, II (1847-1922), a physician; his mother Anne Harris (1859-1915), daughter of Col. and Mrs. James R. Branch. Cabell's great grandfather was William H. Cabell, governor of Virginia from 1805-1808. Cabell had two brothers, Robert Gamble Cabell, III (1881-1968) and John Lottier Cabell (1883-1946). His parents divorced in 1907.","After attending the College of William and Mary (1893-1898), where he taught courses in French and Greek while an undergraduate, Cabell worked briefly at the Richmond Times as a copyholder. In 1899 he moved to New York City and worked for the New York Herald as a social reporter.  He returned to Richmond in 1901 and worked several months on the staff of the Richmond News. During the next ten years, he performed genealogical research and wrote numerous short stories and articles, which he contributed to national magazines such as Harper's Monthly Magazine and the Saturday Evening Post.","In 1911, Cabell worked as a bookkeeper for his uncle James R. Branch's coal mine in West Virginia. Returning to Richmond in 1913, he married Rebecca Priscilla Bradley Shepherd (1874-1949), a widow with five children by her previous marriage. They had one son, Ballard Hartwell Cabell (1915-1980).","Although he had written for newspapers, Cabell's first published nonfiction work was \"The Comedies of William Congreve,\" which appeared in the April 1901 edition of International. He published his first book, The Eagle's Shadow, in the autumn of 1904 after it appeared serially in the Saturday Evening Post during that summer. His work was slow to draw critical attention. However, by 1918 he had published ten major works and began attracting critical admirers. In an article for the New York Evening Mail, H.L. Mencken described Cabell as \"the only first-rate literary craftsman that the whole South can show.\" Cabell's stature and fame as an author increased with the 1919 publication of Jurgen.","On January 14, 1920, the New York State Society for the Prevention of Vice charged Cabell's publishing editor, Guy Holt, with violating the anti-obscenity provisions of the New York State Penal Code by publishing Jurgen. The controversy over the charges and the attempt at censorship brought Cabell much notoriety. Writers defended the artistry of Jurgen and Cabell's right to publish it.","The obscenity trial over Jurgen began October 16, 1922, and ended three days later with an acquittal of all charges. The presiding judge, Charles C. Nott, stated in his decision \"...the most that can be said against the book is that certain passages therein may be considered suggestive in a veiled and subtle way of immorality, but such suggestions are delicately conveyed\" and that because of Cabell's writing style \"...it is doubtful if the book could be read or understood at all by more than a very limited number of readers.\"","Throughout the 1920s, he continued to publish in the style of Jurgen, a combination of satire, symbolism, and fantasy, set in a mythical medieval French province of Poictesme. The name was a compound of two provinces located in the South of France, Poitiers and Angouleme. Cabell blended an assortment of myths and legends laced with puns, anagrams, and allegories in these books. These works eventually became part of an eighteen-volume collection entitled The Biography of the Life of Manuel; the last volume was published in 1930.","Cabell had become well regarded by prominent writers of the period and maintained an extensive correspondence with a wide circle of literary artists and friends, including Mencken, Joseph Hergesheimer, Burton Rascoe, Theodore Dreiser, Sinclair Lewis, F. Scott Fitzgerald, Carl Van Vechten, and fellow Richmonder and close friend Ellen Glasgow (1873-1945). He had known Glasgow since his days at William and Mary. He served as editor of the Virginia War History Commission (1919-1926) and later joined Dreiser, Eugene O'Neil, and others on the editorial board of the American Spectator (1932-1935). In 1937, Cabell was elected to the American Academy of Arts and Sciences.","While the controversy over Jurgen ensured Cabell an audience throughout most of the 1920s, interest in his books dropped sharply in the New Deal era of the 1930s and continued to decline. In 1932, in an attempt to break away from his past, he began publishing under the name Branch Cabell. During the next three decades, he wrote and published nearly twenty more books. They were grouped in a series of trilogies. He returned as James Branch Cabell in 1947 with the publication of Let Me Lie. It was the first installment of his fifth and last trilogy, consisting mainly of semi-autobiographical essays filled with remembrances of Virginia.","Cabell continued to live and work in Richmond, residing at 3201 Monument Avenue. By 1935 he and his family began spending most of their winter months in St. Augustine, Florida, due to Cabell's reoccurring bouts of pneumonia. During their stay in Florida in 1949, his wife died of heart failure. In 1950, he married Margaret Waller Freeman (1893-1983), whom he had known for many years. Cabell suffered a cerebral hemorrhage in 1958, and on May 5, he died at his home in Richmond.","Cabell's writings, published in various magazines, newspapers, and anthologies, included numerous short stories, poetry, essays, book reviews, and one play. He authored more than 52 volumes of work, including three devoted to genealogy. Cabell is recognized as one of the first contemporary writers from the South. Like his friend, Ellen Glasgow, Cabell was not afraid to satirize what he saw as the South's contradictions. Others, noting Cabell's unique blending of classic myths and legends with his imagination, consider him a pioneer of fantasy writing.","Soon after the establishment of Virginia Commonwealth University (VCU) in 1968, created by the merger of the Medical College of Virginia (MCV) and Richmond Professional Institute (RPI), the University began construction for a new library on the Monroe Park Campus. RPI had already planned for a new library and approached Margaret Cabell about naming it for her husband. VCU approved the name, and in 1970, the James Branch Cabell Library opened its doors."],"prefercite_html_tesm":["\u003cp\u003eJames Branch Cabell collection, Collection # M 214, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e  "],"prefercite_tesim":["James Branch Cabell collection, Collection # M 214, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains James Branch Cabell's personal papers along with materials by other creators related to Cabell. Cabell corresponded with a number of American and British authors such as H.L. Mencken, Ellen Glasgow, Sinclair Lewis, and Theodore Dreiser, as well as with family, friends, editors and publishers. Other materials of note include his manuscripts with Cabells handwritten edits, his notebooks containing information about his published works along with poems and other writings, and the materials found inside the books of his personal library. The materials provide insight into Cabell's writings and personal interests based upon the content he placed within the books of his collection.\u003c/p\u003e","\u003cp\u003eSeries I contains correspondence between Cabell and his contemporaries in the literary world, family and friends. \u003c/p\u003e","\u003cp\u003eSeries II includes various Cabell manuscripts as story ideas, notes, early drafts, school work, essays and poems.\u003c/p\u003e","\u003cp\u003eSeries III is composed primarily of materials found placed inside Cabell's books and includes ephemera, pamphlets, newspaper clippings, etc.\u003c/p\u003e","\u003cp\u003eSeries IV are materials from the Cabell Society and contain correspondence between its founders and correspondence between Cabell and Nelson Bond and Cabell and Frederick Eddy.\u003c/p\u003e","\u003cp\u003eSeries V has materials related to the book Between Friends: Letters of James Branch Cabell and Others, edited by Padraic Colum and Margaret Freeman Cabell.\u003c/p\u003e","\u003cp\u003eSeries VI consists of various criticisms of Cabell's writings, most of which were collected by Jean Maurice Duke while writing James Branch Cabell: A Reference Guide.\u003c/p\u003e","\u003cp\u003eSeries VII includes works by Cabell printed in various periodicals. He often published essays, short stories, and other fiction in periodicals before later revising them into book form. The majority of this series is made up of bound volumes. Each volume is named for a published Cabell book and contains the full periodical where the content originally appeared before he developed it into a book.\u003c/p\u003e","\u003cp\u003eSeries VIII contains plays, poems, and other works inspired by Cabell's work.\u003c/p\u003e","\u003cp\u003eSeries IX includes scrapbooks and notebooks containing clippings, letters, notes, poems, and other writings by Cabell.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains James Branch Cabell's personal papers along with materials by other creators related to Cabell. Cabell corresponded with a number of American and British authors such as H.L. Mencken, Ellen Glasgow, Sinclair Lewis, and Theodore Dreiser, as well as with family, friends, editors and publishers. Other materials of note include his manuscripts with Cabells handwritten edits, his notebooks containing information about his published works along with poems and other writings, and the materials found inside the books of his personal library. The materials provide insight into Cabell's writings and personal interests based upon the content he placed within the books of his collection.","Series I contains correspondence between Cabell and his contemporaries in the literary world, family and friends.","Series II includes various Cabell manuscripts as story ideas, notes, early drafts, school work, essays and poems.","Series III is composed primarily of materials found placed inside Cabell's books and includes ephemera, pamphlets, newspaper clippings, etc.","Series IV are materials from the Cabell Society and contain correspondence between its founders and correspondence between Cabell and Nelson Bond and Cabell and Frederick Eddy.","Series V has materials related to the book Between Friends: Letters of James Branch Cabell and Others, edited by Padraic Colum and Margaret Freeman Cabell.","Series VI consists of various criticisms of Cabell's writings, most of which were collected by Jean Maurice Duke while writing James Branch Cabell: A Reference Guide.","Series VII includes works by Cabell printed in various periodicals. He often published essays, short stories, and other fiction in periodicals before later revising them into book form. The majority of this series is made up of bound volumes. Each volume is named for a published Cabell book and contains the full periodical where the content originally appeared before he developed it into a book.","Series VIII contains plays, poems, and other works inspired by Cabell's work.","Series IX includes scrapbooks and notebooks containing clippings, letters, notes, poems, and other writings by Cabell."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"corpname_ssim":["VCU James Branch Cabell Library"],"persname_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"names_coll_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"names_ssim":["VCU James Branch Cabell Library","Cabell, James Branch, 1879-1958","Flora, Joseph M."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":493,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:40:16.668Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_96_c01_c118"}},{"id":"vircu_repositories_5_resources_135_c05_c49","type":"File","attributes":{"title":"History of the Republican Party, 1854/1970","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_135_c05_c49#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_135_c05_c49","ref_ssm":["vircu_repositories_5_resources_135_c05_c49"],"id":"vircu_repositories_5_resources_135_c05_c49","ead_ssi":"vircu_repositories_5_resources_135","_root_":"vircu_repositories_5_resources_135","_nest_parent_":"vircu_repositories_5_resources_135_c05","parent_ssi":"vircu_repositories_5_resources_135_c05","parent_ssim":["Clarence L. Townes, Jr. papers, 1944/1988","Series 5: Publications, 1961/1973"],"parent_ids_ssim":["vircu_repositories_5_resources_135","vircu_repositories_5_resources_135_c05"],"title_filing_ssi":"History of the Republican Party","title_ssm":["History of the Republican Party"],"title_tesim":["History of the Republican Party"],"normalized_title_ssm":["History of the Republican Party, 1854/1970"],"text":["History of the Republican Party, 1854/1970","Clarence L. Townes, Jr. papers, 1944/1988","Series 5: Publications, 1961/1973","box 25"],"parent_unittitles_ssm":["Clarence L. Townes, Jr. papers, 1944/1988","Series 5: Publications, 1961/1973"],"parent_unittitles_tesim":["Clarence L. Townes, Jr. papers, 1944/1988","Series 5: Publications, 1961/1973"],"normalized_date_ssm":["1854/1970"],"unitdate_inclusive_ssm":["1854-1970"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":279,"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Clarence L. Townes, Jr. papers, 1944/1988"],"containers_ssim":["box 25"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["This collection is open for research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970],"_nest_path_":"/components#4/components#48","timestamp":"2026-08-14T22:40:02.399Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_135","ead_ssi":"vircu_repositories_5_resources_135","_root_":"vircu_repositories_5_resources_135","_nest_parent_":"vircu_repositories_5_resources_135","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_135.xml","title_filing_ssi":"Townes, Clarence L., papers","title_ssm":["Clarence L. Townes, Jr. papers"],"title_tesim":["Clarence L. Townes, Jr. papers"],"unitdate_ssm":["1944-1988"],"unitdate_inclusive_ssm":["1944-1988"],"normalized_date_ssm":["1944/1988"],"normalized_title_ssm":["Clarence L. Townes, Jr. papers, 1944/1988"],"text":["Clarence L. Townes, Jr. papers, 1944/1988","M 293","/repositories/5/resources/135","Richmond (Va.) -- Politics and government -- 20th century.","Richmond (Va.) -- Race relations","African Americans -- Virginia -- Richmond","Urban renewal -- Virginia -- Richmond.","African Americans -- Politics and government -- Virginia","Community development, Urban -- Virginia -- Richmond","This collection is open for research.","Materials have been separated into six series and arranged alphabetically and chronologically therein.","Series 1: Business and Civic Work, 1961-1972","Series 2: Republican Party, 1948-1972","Series 3: Joint Center for Political Studies, 1970-1987","Series 4: Richmond Renaissance, 1982-1987","Series 5: Publications, 1961-1973","Series 6: Ephemera and Photographs, 1940s-1970s","Clarence Lee Townes, Jr., was a businessman, political activist, and a significant contributor to the revitalization of Richmond, Virginia, spending much of his life working to broaden and increase economic and political opportunities for African Americans in the state. Townes was born January 1, 1928, to Alice Smith and Clarence L. Townes, Sr. He attended Richmond public schools, graduating from Armstrong High School in 1944. He attended Virginia Union University and graduated with a B.S. degree in Commerce. Townes married Grace Elizabeth Harris in 1951, and over their marriage, the couple had four children. Commissioned as a second lieutenant in the United States Army in 1952, he served in Korea, receiving an honorable discharge in 1953. Returning to Richmond, Townes was appointed Assistant Manager of the Richmond office of the Virginia Mutual Benefit Life Insurance Company, which his father had helped found. In 1964, he became director of training there.","Townes became active in the Republican Party during the late 1950s. Though many African Americans were beginning to turn away from the Republican Party at this time, he served in many roles both in Richmond and at the state level. He started as a member of the Richmond City Republican Committee from 1958-1961 and as a board member of the political action group Richmond Forward. From 1963 through 1966, he served as the commissioner of the Richmond Redevelopment and Housing Authority. Townes attended the 1964 Republican Convention as the first Black delegate from Virginia in modern times. Upon his return, he ran as the Republican candidate for the Richmond-Henrico seat in the Virginia House of Delegates. Although he ultimately lost the election, the race for the seat brought national attention to the south and its treatment of African Americans in the political process.","Townes continued serving in various positions for the Republican Party. He was the Special Assistant to the State Chairman for a year in 1965, and that same year organized and was treasurer of the National Negro Republican Assembly (NNRA). Partially as a result of his work, he became an assistant to the Chairman of the Republican National Committee (RNC) from 1966-1970, and then the Director of Minorities from 1967-1970, where he worked to increase Republican ties with minorities. After leaving the RNC in 1970, he helped found the Joint Center for Political Affairs (JCPA), an African American think-tank associated with Howard University. The JCPA assisted newly elected Black officials with the business of government, and Townes served as the Director of Governmental Affairs.","Townes was a founding member of the Jefferson Townhouse Corporation of Richmond, an African American-controlled enterprise that operates a housing complex in the city. In 1970 he joined the Board of Directors of the Consolidated Bank and Trust Company of Richmond, the oldest African American-controlled bank in the nation. Townes also worked as a consultant on federal programs to Virginia State College (now Virginia State University), and as a consultant to the Virginia Electric and Power Company for equal employment matters. He was also a consultant for the Manpower Administration at the U.S. Department of Labor, where he evaluated the agency's National Office Equal Opportunity Program. After commuting by bus from Richmond to Washington, D.C. for eight years, Townes returned to Richmond and established Metropolitan Coach in 1974. The company was one of Richmond's first African American-owned charter bus lines. It initially faced hardships, including lawsuits and investigations, but the business was ultimately successful.","In the 1980s, Townes chaired Richmond Renaissance, a non-profit, biracial corporation that fostered economic development in downtown Richmond. Townes served as the deputy director from 1982-1991 when he was appointed director. He continued his active engagement in the community into the 1990s through his early investment in the Richmond Free Press in 1992, and serving as head of the Richmond School Board, and as a board member of the VCU Board of Visitors, VCU Real Estate Foundation, and The Valentine Museum. He died on January 11, 2017","The collection includes correspondence, notes, newspaper and journal clippings, organizational minutes, reports and files, speech drafts, manuscripts and published materials dating from 1944 through 1988. The bulk of the collection dates from the early 1960s through the mid-1980s, focusing on Townes' interest in and involvement with issues concerning race, politics, and the revitalization of downtown Richmond, Virginia. The collection also includes a significant amount of material on the role of African American members of  the Virginia Republican Party during the 1960s and in the National Republican Party during the late 1960s and early 1970s.","Series 1: Business and Civic Work contains materials documenting Townes' numerous entrepreneurial and civic activities, mostly dating from the late 1950s through the early 1960s.","Series 2: Republican Party Materials contains the bulk of the collection and concerns the Virginia Republican Party (1963-1966) and the Republican National Committee (1966-1972). Correspondence, reports and publications, material from Townes' race for the Virginia General Assembly and his work with the National Negro Republican Assembly (1964-1966) are included in this series, in addition to various Republican  Party-related items.","Series 3: Joint Center for Political Studies consists of records from Townes' work with the Joint Center for Political Studies, dating from the early 1970s.","Series 4: Richmond Renaissance is composed of materials generated by Townes as deputy director in the early years of the Richmond Renaissance. These records focus on projects, particularly Sixth Street Marketplace and the Richmond Metro Visitors Center.","Series 5: Publications contains printed materials collected by Townes, many on urban and minority issues. The majority of the publications were distributed by the Republican Party (late 1960s-early 1970s). There are also publications by the U.S. government, the Joint Center for Political Studies, and publications about business, education, localities, civic organizations and public policy organizations.","Series 6: Photographs and Ephemera comprises ephemeral material, primarily related to the Republican Party, as well as tapes of speeches, business cards, address books, and business calendars. This series also contains photographs of Townes and others, mostly publicity photos taken during his campaign for the General Assembly in 1965 through his days at the Republican National Committee in the late 1960s and early 1970s.","There are no restrictions.","VCU James Branch Cabell Library","Republican Party (U.S. : 1854- ) -- Archives","Republican Party (Va.)","Townes, Clarence L. (Clarence Lee), 1928-","English"],"collection_title_tesim":["Clarence L. Townes, Jr. papers, 1944/1988"],"collection_ssim":["Clarence L. 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(Clarence Lee), 1928-"],"creator_corpname_ssim":["VCU James Branch Cabell Library","Republican Party (U.S. : 1854- ) -- Archives","Republican Party (Va.)"],"creators_ssim":["Townes, Clarence L. (Clarence Lee), 1928-","VCU James Branch Cabell Library","Republican Party (U.S. : 1854- ) -- Archives","Republican Party (Va.)"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["The collection was a gift to Special Collections and Archives from Clarence L. Townes, Jr. in 1991."],"access_subjects_ssim":["African Americans -- Virginia -- Richmond","Urban renewal -- Virginia -- Richmond.","African Americans -- Politics and government -- Virginia","Community development, Urban -- Virginia -- Richmond"],"access_subjects_ssm":["African Americans -- Virginia -- Richmond","Urban renewal -- Virginia -- Richmond.","African Americans -- Politics and government -- Virginia","Community development, Urban -- Virginia -- Richmond"],"has_online_content_ssim":["false"],"extent_ssm":["23.4 Linear Feet 23.4 linear feet"],"extent_tesim":["23.4 Linear Feet 23.4 linear feet"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["This collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eMaterials have been separated into six series and arranged alphabetically and chronologically therein. \u003c/p\u003e","\u003cp\u003eSeries 1: Business and Civic Work, 1961-1972\u003c/p\u003e","\u003cp\u003eSeries 2: Republican Party, 1948-1972\u003c/p\u003e","\u003cp\u003eSeries 3: Joint Center for Political Studies, 1970-1987\u003c/p\u003e","\u003cp\u003eSeries 4: Richmond Renaissance, 1982-1987\u003c/p\u003e","\u003cp\u003eSeries 5: Publications, 1961-1973\u003c/p\u003e","\u003cp\u003eSeries 6: Ephemera and Photographs, 1940s-1970s\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials have been separated into six series and arranged alphabetically and chronologically therein.","Series 1: Business and Civic Work, 1961-1972","Series 2: Republican Party, 1948-1972","Series 3: Joint Center for Political Studies, 1970-1987","Series 4: Richmond Renaissance, 1982-1987","Series 5: Publications, 1961-1973","Series 6: Ephemera and Photographs, 1940s-1970s"],"bioghist_html_tesm":["\u003cp\u003eClarence Lee Townes, Jr., was a businessman, political activist, and a significant contributor to the revitalization of Richmond, Virginia, spending much of his life working to broaden and increase economic and political opportunities for African Americans in the state. Townes was born January 1, 1928, to Alice Smith and Clarence L. Townes, Sr. He attended Richmond public schools, graduating from Armstrong High School in 1944. He attended Virginia Union University and graduated with a B.S. degree in Commerce. Townes married Grace Elizabeth Harris in 1951, and over their marriage, the couple had four children. Commissioned as a second lieutenant in the United States Army in 1952, he served in Korea, receiving an honorable discharge in 1953. Returning to Richmond, Townes was appointed Assistant Manager of the Richmond office of the Virginia Mutual Benefit Life Insurance Company, which his father had helped found. In 1964, he became director of training there. \u003c/p\u003e","\u003cp\u003eTownes became active in the Republican Party during the late 1950s. Though many African Americans were beginning to turn away from the Republican Party at this time, he served in many roles both in Richmond and at the state level. He started as a member of the Richmond City Republican Committee from 1958-1961 and as a board member of the political action group Richmond Forward. From 1963 through 1966, he served as the commissioner of the Richmond Redevelopment and Housing Authority. Townes attended the 1964 Republican Convention as the first Black delegate from Virginia in modern times. Upon his return, he ran as the Republican candidate for the Richmond-Henrico seat in the Virginia House of Delegates. Although he ultimately lost the election, the race for the seat brought national attention to the south and its treatment of African Americans in the political process. \u003c/p\u003e","\u003cp\u003eTownes continued serving in various positions for the Republican Party. He was the Special Assistant to the State Chairman for a year in 1965, and that same year organized and was treasurer of the National Negro Republican Assembly (NNRA). Partially as a result of his work, he became an assistant to the Chairman of the Republican National Committee (RNC) from 1966-1970, and then the Director of Minorities from 1967-1970, where he worked to increase Republican ties with minorities. After leaving the RNC in 1970, he helped found the Joint Center for Political Affairs (JCPA), an African American think-tank associated with Howard University. The JCPA assisted newly elected Black officials with the business of government, and Townes served as the Director of Governmental Affairs. \u003c/p\u003e","\u003cp\u003eTownes was a founding member of the Jefferson Townhouse Corporation of Richmond, an African American-controlled enterprise that operates a housing complex in the city. In 1970 he joined the Board of Directors of the Consolidated Bank and Trust Company of Richmond, the oldest African American-controlled bank in the nation. Townes also worked as a consultant on federal programs to Virginia State College (now Virginia State University), and as a consultant to the Virginia Electric and Power Company for equal employment matters. He was also a consultant for the Manpower Administration at the U.S. Department of Labor, where he evaluated the agency's National Office Equal Opportunity Program. After commuting by bus from Richmond to Washington, D.C. for eight years, Townes returned to Richmond and established Metropolitan Coach in 1974. The company was one of Richmond's first African American-owned charter bus lines. It initially faced hardships, including lawsuits and investigations, but the business was ultimately successful.\u003c/p\u003e","\u003cp\u003eIn the 1980s, Townes chaired Richmond Renaissance, a non-profit, biracial corporation that fostered economic development in downtown Richmond. Townes served as the deputy director from 1982-1991 when he was appointed director. He continued his active engagement in the community into the 1990s through his early investment in the Richmond Free Press in 1992, and serving as head of the Richmond School Board, and as a board member of the VCU Board of Visitors, VCU Real Estate Foundation, and The Valentine Museum. He died on January 11, 2017  \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Clarence Lee Townes, Jr., was a businessman, political activist, and a significant contributor to the revitalization of Richmond, Virginia, spending much of his life working to broaden and increase economic and political opportunities for African Americans in the state. Townes was born January 1, 1928, to Alice Smith and Clarence L. Townes, Sr. He attended Richmond public schools, graduating from Armstrong High School in 1944. He attended Virginia Union University and graduated with a B.S. degree in Commerce. Townes married Grace Elizabeth Harris in 1951, and over their marriage, the couple had four children. Commissioned as a second lieutenant in the United States Army in 1952, he served in Korea, receiving an honorable discharge in 1953. Returning to Richmond, Townes was appointed Assistant Manager of the Richmond office of the Virginia Mutual Benefit Life Insurance Company, which his father had helped found. In 1964, he became director of training there.","Townes became active in the Republican Party during the late 1950s. Though many African Americans were beginning to turn away from the Republican Party at this time, he served in many roles both in Richmond and at the state level. He started as a member of the Richmond City Republican Committee from 1958-1961 and as a board member of the political action group Richmond Forward. From 1963 through 1966, he served as the commissioner of the Richmond Redevelopment and Housing Authority. Townes attended the 1964 Republican Convention as the first Black delegate from Virginia in modern times. Upon his return, he ran as the Republican candidate for the Richmond-Henrico seat in the Virginia House of Delegates. Although he ultimately lost the election, the race for the seat brought national attention to the south and its treatment of African Americans in the political process.","Townes continued serving in various positions for the Republican Party. He was the Special Assistant to the State Chairman for a year in 1965, and that same year organized and was treasurer of the National Negro Republican Assembly (NNRA). Partially as a result of his work, he became an assistant to the Chairman of the Republican National Committee (RNC) from 1966-1970, and then the Director of Minorities from 1967-1970, where he worked to increase Republican ties with minorities. After leaving the RNC in 1970, he helped found the Joint Center for Political Affairs (JCPA), an African American think-tank associated with Howard University. The JCPA assisted newly elected Black officials with the business of government, and Townes served as the Director of Governmental Affairs.","Townes was a founding member of the Jefferson Townhouse Corporation of Richmond, an African American-controlled enterprise that operates a housing complex in the city. In 1970 he joined the Board of Directors of the Consolidated Bank and Trust Company of Richmond, the oldest African American-controlled bank in the nation. Townes also worked as a consultant on federal programs to Virginia State College (now Virginia State University), and as a consultant to the Virginia Electric and Power Company for equal employment matters. He was also a consultant for the Manpower Administration at the U.S. Department of Labor, where he evaluated the agency's National Office Equal Opportunity Program. After commuting by bus from Richmond to Washington, D.C. for eight years, Townes returned to Richmond and established Metropolitan Coach in 1974. The company was one of Richmond's first African American-owned charter bus lines. It initially faced hardships, including lawsuits and investigations, but the business was ultimately successful.","In the 1980s, Townes chaired Richmond Renaissance, a non-profit, biracial corporation that fostered economic development in downtown Richmond. Townes served as the deputy director from 1982-1991 when he was appointed director. He continued his active engagement in the community into the 1990s through his early investment in the Richmond Free Press in 1992, and serving as head of the Richmond School Board, and as a board member of the VCU Board of Visitors, VCU Real Estate Foundation, and The Valentine Museum. He died on January 11, 2017"],"prefercite_html_tesm":["\u003cp\u003eBox/Folder, Clarence L. Townes, Jr. Papers, M 293, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University\u003c/p\u003e  "],"prefercite_tesim":["Box/Folder, Clarence L. Townes, Jr. Papers, M 293, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University"],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes correspondence, notes, newspaper and journal clippings, organizational minutes, reports and files, speech drafts, manuscripts and published materials dating from 1944 through 1988. The bulk of the collection dates from the early 1960s through the mid-1980s, focusing on Townes' interest in and involvement with issues concerning race, politics, and the revitalization of downtown Richmond, Virginia. The collection also includes a significant amount of material on the role of African American members of  the Virginia Republican Party during the 1960s and in the National Republican Party during the late 1960s and early 1970s. \u003c/p\u003e","\u003cp\u003eSeries 1: Business and Civic Work contains materials documenting Townes' numerous entrepreneurial and civic activities, mostly dating from the late 1950s through the early 1960s. \u003c/p\u003e","\u003cp\u003eSeries 2: Republican Party Materials contains the bulk of the collection and concerns the Virginia Republican Party (1963-1966) and the Republican National Committee (1966-1972). Correspondence, reports and publications, material from Townes' race for the Virginia General Assembly and his work with the National Negro Republican Assembly (1964-1966) are included in this series, in addition to various Republican  Party-related items. \u003c/p\u003e","\u003cp\u003eSeries 3: Joint Center for Political Studies consists of records from Townes' work with the Joint Center for Political Studies, dating from the early 1970s. \u003c/p\u003e","\u003cp\u003eSeries 4: Richmond Renaissance is composed of materials generated by Townes as deputy director in the early years of the Richmond Renaissance. These records focus on projects, particularly Sixth Street Marketplace and the Richmond Metro Visitors Center.\u003c/p\u003e","\u003cp\u003eSeries 5: Publications contains printed materials collected by Townes, many on urban and minority issues. The majority of the publications were distributed by the Republican Party (late 1960s-early 1970s). There are also publications by the U.S. government, the Joint Center for Political Studies, and publications about business, education, localities, civic organizations and public policy organizations. \u003c/p\u003e","\u003cp\u003eSeries 6: Photographs and Ephemera comprises ephemeral material, primarily related to the Republican Party, as well as tapes of speeches, business cards, address books, and business calendars. This series also contains photographs of Townes and others, mostly publicity photos taken during his campaign for the General Assembly in 1965 through his days at the Republican National Committee in the late 1960s and early 1970s.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection includes correspondence, notes, newspaper and journal clippings, organizational minutes, reports and files, speech drafts, manuscripts and published materials dating from 1944 through 1988. The bulk of the collection dates from the early 1960s through the mid-1980s, focusing on Townes' interest in and involvement with issues concerning race, politics, and the revitalization of downtown Richmond, Virginia. The collection also includes a significant amount of material on the role of African American members of  the Virginia Republican Party during the 1960s and in the National Republican Party during the late 1960s and early 1970s.","Series 1: Business and Civic Work contains materials documenting Townes' numerous entrepreneurial and civic activities, mostly dating from the late 1950s through the early 1960s.","Series 2: Republican Party Materials contains the bulk of the collection and concerns the Virginia Republican Party (1963-1966) and the Republican National Committee (1966-1972). Correspondence, reports and publications, material from Townes' race for the Virginia General Assembly and his work with the National Negro Republican Assembly (1964-1966) are included in this series, in addition to various Republican  Party-related items.","Series 3: Joint Center for Political Studies consists of records from Townes' work with the Joint Center for Political Studies, dating from the early 1970s.","Series 4: Richmond Renaissance is composed of materials generated by Townes as deputy director in the early years of the Richmond Renaissance. These records focus on projects, particularly Sixth Street Marketplace and the Richmond Metro Visitors Center.","Series 5: Publications contains printed materials collected by Townes, many on urban and minority issues. The majority of the publications were distributed by the Republican Party (late 1960s-early 1970s). There are also publications by the U.S. government, the Joint Center for Political Studies, and publications about business, education, localities, civic organizations and public policy organizations.","Series 6: Photographs and Ephemera comprises ephemeral material, primarily related to the Republican Party, as well as tapes of speeches, business cards, address books, and business calendars. This series also contains photographs of Townes and others, mostly publicity photos taken during his campaign for the General Assembly in 1965 through his days at the Republican National Committee in the late 1960s and early 1970s."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"corpname_ssim":["VCU James Branch Cabell Library","Republican Party (U.S. : 1854- ) -- Archives","Republican Party (Va.)"],"names_coll_ssim":["Republican Party (U.S. : 1854- ) -- Archives","Republican Party (Va.)"],"persname_ssim":["Townes, Clarence L. (Clarence Lee), 1928-"],"names_ssim":["VCU James Branch Cabell Library","Republican Party (U.S. : 1854- ) -- Archives","Republican Party (Va.)","Townes, Clarence L. (Clarence Lee), 1928-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":554,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:40:02.399Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_135_c05_c49"}},{"id":"vircu_repositories_5_resources_96_c01_c128","type":"File","attributes":{"title":"Houdini, Beatrice, 1860/1960","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_96_c01_c128#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_96_c01_c128","ref_ssm":["vircu_repositories_5_resources_96_c01_c128"],"id":"vircu_repositories_5_resources_96_c01_c128","ead_ssi":"vircu_repositories_5_resources_96","_root_":"vircu_repositories_5_resources_96","_nest_parent_":"vircu_repositories_5_resources_96_c01","parent_ssi":"vircu_repositories_5_resources_96_c01","parent_ssim":["James Branch Cabell collection, 1860/1971","Series I--Correspondence"],"parent_ids_ssim":["vircu_repositories_5_resources_96","vircu_repositories_5_resources_96_c01"],"title_filing_ssi":"Houdini, Beatrice","title_ssm":["Houdini, Beatrice"],"title_tesim":["Houdini, Beatrice"],"normalized_title_ssm":["Houdini, Beatrice, 1860/1960"],"text":["Houdini, Beatrice, 1860/1960","James Branch Cabell collection, 1860/1971","Series I--Correspondence","box 2"],"parent_unittitles_ssm":["James Branch Cabell collection, 1860/1971","Series I--Correspondence"],"parent_unittitles_tesim":["James Branch Cabell collection, 1860/1971","Series I--Correspondence"],"normalized_date_ssm":["1860/1960"],"unitdate_inclusive_ssm":["undated"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":129,"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["James Branch Cabell collection, 1860/1971"],"containers_ssim":["box 2"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960],"_nest_path_":"/components#0/components#127","timestamp":"2026-08-14T22:40:16.668Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_96","ead_ssi":"vircu_repositories_5_resources_96","_root_":"vircu_repositories_5_resources_96","_nest_parent_":"vircu_repositories_5_resources_96","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_96.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=vcu-cab/vircu00065.xml","title_filing_ssi":"Cabell, James Branch, collection","title_ssm":["James Branch Cabell collection"],"title_tesim":["James Branch Cabell collection"],"unitdate_ssm":["1860-1971"],"unitdate_inclusive_ssm":["1860-1971"],"normalized_date_ssm":["1860/1971"],"normalized_title_ssm":["James Branch Cabell collection, 1860/1971"],"text":["James Branch Cabell collection, 1860/1971","M 214","/repositories/5/resources/96","Authors, American -- Virginia -- Richmond","Authors, American -- Manuscripts -- Virginia -- Richmond","The collection is open to research.","Collection is arranged alphabetically. Series I -- Correspondence (1860s-1960s); Series II -- Manuscripts; Series III -- Ephemera, printed material, illustrations, newspaper clippings, etc.; Series IV -- Cabell Society (1963- 1971); Series V -- Between Friends; Series VI -- Criticisms of Cabell's work; Series VII -- Periodicals (essays, reviews and fiction by Cabell); Series VIII -- Dramatic and musical interpretations of Cabell's work; Series IX -- Scrapbooks, notebooks and oversized items.","The collection includes materials removed from books in Cabell's personal library. When Jean Maurice Duke cataloged the book collection he assigned a number (written in pencil) to each item indicating what volume the materials was taken from. Please see James Branch Cabell's Library: A Catalogue by Duke, for reference.","Richmond author James Branch Cabell (1879-1958) is best known for his controversial book, Jurgen (1919), a fantasy set in Cabell's mythical medieval world of Poictesme (pronounced Pwa-tem). The New York Society for the Suppression of Vice contended the book was obscene. A trial over its content brought the reclusive writer national fame. Throughout the 1920s, Cabell's literary peers, including H.L. Mencken and Sinclair Lewis, praised his works.","Cabell was born April 14, 1879, at 101 E. Franklin St., the present site of the Richmond Public Library. His father was Robert Gamble Cabell, II (1847-1922), a physician; his mother Anne Harris (1859-1915), daughter of Col. and Mrs. James R. Branch. Cabell's great grandfather was William H. Cabell, governor of Virginia from 1805-1808. Cabell had two brothers, Robert Gamble Cabell, III (1881-1968) and John Lottier Cabell (1883-1946). His parents divorced in 1907.","After attending the College of William and Mary (1893-1898), where he taught courses in French and Greek while an undergraduate, Cabell worked briefly at the Richmond Times as a copyholder. In 1899 he moved to New York City and worked for the New York Herald as a social reporter.  He returned to Richmond in 1901 and worked several months on the staff of the Richmond News. During the next ten years, he performed genealogical research and wrote numerous short stories and articles, which he contributed to national magazines such as Harper's Monthly Magazine and the Saturday Evening Post.","In 1911, Cabell worked as a bookkeeper for his uncle James R. Branch's coal mine in West Virginia. Returning to Richmond in 1913, he married Rebecca Priscilla Bradley Shepherd (1874-1949), a widow with five children by her previous marriage. They had one son, Ballard Hartwell Cabell (1915-1980).","Although he had written for newspapers, Cabell's first published nonfiction work was \"The Comedies of William Congreve,\" which appeared in the April 1901 edition of International. He published his first book, The Eagle's Shadow, in the autumn of 1904 after it appeared serially in the Saturday Evening Post during that summer. His work was slow to draw critical attention. However, by 1918 he had published ten major works and began attracting critical admirers. In an article for the New York Evening Mail, H.L. Mencken described Cabell as \"the only first-rate literary craftsman that the whole South can show.\" Cabell's stature and fame as an author increased with the 1919 publication of Jurgen.","On January 14, 1920, the New York State Society for the Prevention of Vice charged Cabell's publishing editor, Guy Holt, with violating the anti-obscenity provisions of the New York State Penal Code by publishing Jurgen. The controversy over the charges and the attempt at censorship brought Cabell much notoriety. Writers defended the artistry of Jurgen and Cabell's right to publish it.","The obscenity trial over Jurgen began October 16, 1922, and ended three days later with an acquittal of all charges. The presiding judge, Charles C. Nott, stated in his decision \"...the most that can be said against the book is that certain passages therein may be considered suggestive in a veiled and subtle way of immorality, but such suggestions are delicately conveyed\" and that because of Cabell's writing style \"...it is doubtful if the book could be read or understood at all by more than a very limited number of readers.\"","Throughout the 1920s, he continued to publish in the style of Jurgen, a combination of satire, symbolism, and fantasy, set in a mythical medieval French province of Poictesme. The name was a compound of two provinces located in the South of France, Poitiers and Angouleme. Cabell blended an assortment of myths and legends laced with puns, anagrams, and allegories in these books. These works eventually became part of an eighteen-volume collection entitled The Biography of the Life of Manuel; the last volume was published in 1930.","Cabell had become well regarded by prominent writers of the period and maintained an extensive correspondence with a wide circle of literary artists and friends, including Mencken, Joseph Hergesheimer, Burton Rascoe, Theodore Dreiser, Sinclair Lewis, F. Scott Fitzgerald, Carl Van Vechten, and fellow Richmonder and close friend Ellen Glasgow (1873-1945). He had known Glasgow since his days at William and Mary. He served as editor of the Virginia War History Commission (1919-1926) and later joined Dreiser, Eugene O'Neil, and others on the editorial board of the American Spectator (1932-1935). In 1937, Cabell was elected to the American Academy of Arts and Sciences.","While the controversy over Jurgen ensured Cabell an audience throughout most of the 1920s, interest in his books dropped sharply in the New Deal era of the 1930s and continued to decline. In 1932, in an attempt to break away from his past, he began publishing under the name Branch Cabell. During the next three decades, he wrote and published nearly twenty more books. They were grouped in a series of trilogies. He returned as James Branch Cabell in 1947 with the publication of Let Me Lie. It was the first installment of his fifth and last trilogy, consisting mainly of semi-autobiographical essays filled with remembrances of Virginia.","Cabell continued to live and work in Richmond, residing at 3201 Monument Avenue. By 1935 he and his family began spending most of their winter months in St. Augustine, Florida, due to Cabell's reoccurring bouts of pneumonia. During their stay in Florida in 1949, his wife died of heart failure. In 1950, he married Margaret Waller Freeman (1893-1983), whom he had known for many years. Cabell suffered a cerebral hemorrhage in 1958, and on May 5, he died at his home in Richmond.","Cabell's writings, published in various magazines, newspapers, and anthologies, included numerous short stories, poetry, essays, book reviews, and one play. He authored more than 52 volumes of work, including three devoted to genealogy. Cabell is recognized as one of the first contemporary writers from the South. Like his friend, Ellen Glasgow, Cabell was not afraid to satirize what he saw as the South's contradictions. Others, noting Cabell's unique blending of classic myths and legends with his imagination, consider him a pioneer of fantasy writing.","Soon after the establishment of Virginia Commonwealth University (VCU) in 1968, created by the merger of the Medical College of Virginia (MCV) and Richmond Professional Institute (RPI), the University began construction for a new library on the Monroe Park Campus. RPI had already planned for a new library and approached Margaret Cabell about naming it for her husband. VCU approved the name, and in 1970, the James Branch Cabell Library opened its doors.","The collection contains James Branch Cabell's personal papers along with materials by other creators related to Cabell. Cabell corresponded with a number of American and British authors such as H.L. Mencken, Ellen Glasgow, Sinclair Lewis, and Theodore Dreiser, as well as with family, friends, editors and publishers. Other materials of note include his manuscripts with Cabells handwritten edits, his notebooks containing information about his published works along with poems and other writings, and the materials found inside the books of his personal library. The materials provide insight into Cabell's writings and personal interests based upon the content he placed within the books of his collection.","Series I contains correspondence between Cabell and his contemporaries in the literary world, family and friends.","Series II includes various Cabell manuscripts as story ideas, notes, early drafts, school work, essays and poems.","Series III is composed primarily of materials found placed inside Cabell's books and includes ephemera, pamphlets, newspaper clippings, etc.","Series IV are materials from the Cabell Society and contain correspondence between its founders and correspondence between Cabell and Nelson Bond and Cabell and Frederick Eddy.","Series V has materials related to the book Between Friends: Letters of James Branch Cabell and Others, edited by Padraic Colum and Margaret Freeman Cabell.","Series VI consists of various criticisms of Cabell's writings, most of which were collected by Jean Maurice Duke while writing James Branch Cabell: A Reference Guide.","Series VII includes works by Cabell printed in various periodicals. He often published essays, short stories, and other fiction in periodicals before later revising them into book form. The majority of this series is made up of bound volumes. Each volume is named for a published Cabell book and contains the full periodical where the content originally appeared before he developed it into a book.","Series VIII contains plays, poems, and other works inspired by Cabell's work.","Series IX includes scrapbooks and notebooks containing clippings, letters, notes, poems, and other writings by Cabell.","There are no restrictions.","VCU James Branch Cabell Library","Cabell, James Branch, 1879-1958","Flora, Joseph M.","English"],"collection_title_tesim":["James Branch Cabell collection, 1860/1971"],"collection_ssim":["James Branch Cabell collection, 1860/1971"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 214","/repositories/5/resources/96"],"unitid_tesim":["M 214","/repositories/5/resources/96"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"creator_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"creator_persname_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"creator_corpname_ssim":["VCU James Branch Cabell Library"],"creators_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M.","VCU James Branch Cabell Library"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Margaret Freeman Cabell in 1976."],"access_subjects_ssim":["Authors, American -- Virginia -- Richmond","Authors, American -- Manuscripts -- Virginia -- Richmond"],"access_subjects_ssm":["Authors, American -- Virginia -- Richmond","Authors, American -- Manuscripts -- Virginia -- Richmond"],"has_online_content_ssim":["false"],"extent_ssm":["10 Linear Feet Also includes 3000 volume library"],"extent_tesim":["10 Linear Feet Also includes 3000 volume library"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["The collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged alphabetically. Series I -- Correspondence (1860s-1960s); Series II -- Manuscripts; Series III -- Ephemera, printed material, illustrations, newspaper clippings, etc.; Series IV -- Cabell Society (1963- 1971); Series V -- Between Friends; Series VI -- Criticisms of Cabell's work; Series VII -- Periodicals (essays, reviews and fiction by Cabell); Series VIII -- Dramatic and musical interpretations of Cabell's work; Series IX -- Scrapbooks, notebooks and oversized items.\u003c/p\u003e","\u003cp\u003eThe collection includes materials removed from books in Cabell's personal library. When Jean Maurice Duke cataloged the book collection he assigned a number (written in pencil) to each item indicating what volume the materials was taken from. Please see James Branch Cabell's Library: A Catalogue by Duke, for reference.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged alphabetically. Series I -- Correspondence (1860s-1960s); Series II -- Manuscripts; Series III -- Ephemera, printed material, illustrations, newspaper clippings, etc.; Series IV -- Cabell Society (1963- 1971); Series V -- Between Friends; Series VI -- Criticisms of Cabell's work; Series VII -- Periodicals (essays, reviews and fiction by Cabell); Series VIII -- Dramatic and musical interpretations of Cabell's work; Series IX -- Scrapbooks, notebooks and oversized items.","The collection includes materials removed from books in Cabell's personal library. When Jean Maurice Duke cataloged the book collection he assigned a number (written in pencil) to each item indicating what volume the materials was taken from. Please see James Branch Cabell's Library: A Catalogue by Duke, for reference."],"bioghist_html_tesm":["\u003cp\u003eRichmond author James Branch Cabell (1879-1958) is best known for his controversial book, \u003ctitle\u003eJurgen\u003c/title\u003e (1919), a fantasy set in Cabell's mythical medieval world of Poictesme (pronounced Pwa-tem). The New York Society for the Suppression of Vice contended the book was obscene. A trial over its content brought the reclusive writer national fame. Throughout the 1920s, Cabell's literary peers, including H.L. Mencken and Sinclair Lewis, praised his works.\u003c/p\u003e","\u003cp\u003eCabell was born April 14, 1879, at 101 E. Franklin St., the present site of the Richmond Public Library. His father was Robert Gamble Cabell, II (1847-1922), a physician; his mother Anne Harris (1859-1915), daughter of Col. and Mrs. James R. Branch. Cabell's great grandfather was William H. Cabell, governor of Virginia from 1805-1808. Cabell had two brothers, Robert Gamble Cabell, III (1881-1968) and John Lottier Cabell (1883-1946). His parents divorced in 1907.\u003c/p\u003e","\u003cp\u003eAfter attending the College of William and Mary (1893-1898), where he taught courses in French and Greek while an undergraduate, Cabell worked briefly at the \u003ctitle\u003eRichmond Times\u003c/title\u003e as a copyholder. In 1899 he moved to New York City and worked for the \u003ctitle\u003eNew York Herald\u003c/title\u003e as a social reporter.  He returned to Richmond in 1901 and worked several months on the staff of the \u003ctitle\u003eRichmond News\u003c/title\u003e. During the next ten years, he performed genealogical research and wrote numerous short stories and articles, which he contributed to national magazines such as \u003ctitle\u003eHarper's Monthly Magazine\u003c/title\u003e and the \u003ctitle\u003eSaturday Evening Post\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eIn 1911, Cabell worked as a bookkeeper for his uncle James R. Branch's coal mine in West Virginia. Returning to Richmond in 1913, he married Rebecca Priscilla Bradley Shepherd (1874-1949), a widow with five children by her previous marriage. They had one son, Ballard Hartwell Cabell (1915-1980).\u003c/p\u003e","\u003cp\u003eAlthough he had written for newspapers, Cabell's first published nonfiction work was \"The Comedies of William Congreve,\" which appeared in the April 1901 edition of \u003ctitle\u003eInternational\u003c/title\u003e. He published his first book, \u003ctitle\u003eThe Eagle's Shadow\u003c/title\u003e, in the autumn of 1904 after it appeared serially in the \u003ctitle\u003eSaturday Evening Post\u003c/title\u003e during that summer. His work was slow to draw critical attention. However, by 1918 he had published ten major works and began attracting critical admirers. In an article for the \u003ctitle\u003eNew York Evening Mail\u003c/title\u003e, H.L. Mencken described Cabell as \"the only first-rate literary craftsman that the whole South can show.\" Cabell's stature and fame as an author increased with the 1919 publication of Jurgen.\u003c/p\u003e","\u003cp\u003eOn January 14, 1920, the New York State Society for the Prevention of Vice charged Cabell's publishing editor, Guy Holt, with violating the anti-obscenity provisions of the New York State Penal Code by publishing \u003ctitle\u003eJurgen\u003c/title\u003e. The controversy over the charges and the attempt at censorship brought Cabell much notoriety. Writers defended the artistry of Jurgen and Cabell's right to publish it.\u003c/p\u003e","\u003cp\u003eThe obscenity trial over Jurgen began October 16, 1922, and ended three days later with an acquittal of all charges. The presiding judge, Charles C. Nott, stated in his decision \"...the most that can be said against the book is that certain passages therein may be considered suggestive in a veiled and subtle way of immorality, but such suggestions are delicately conveyed\" and that because of Cabell's writing style \"...it is doubtful if the book could be read or understood at all by more than a very limited number of readers.\"\u003c/p\u003e","\u003cp\u003eThroughout the 1920s, he continued to publish in the style of \u003ctitle\u003eJurgen\u003c/title\u003e, a combination of satire, symbolism, and fantasy, set in a mythical medieval French province of Poictesme. The name was a compound of two provinces located in the South of France, Poitiers and Angouleme. Cabell blended an assortment of myths and legends laced with puns, anagrams, and allegories in these books. These works eventually became part of an eighteen-volume collection entitled \u003ctitle\u003eThe Biography of the Life of Manuel\u003c/title\u003e; the last volume was published in 1930.\u003c/p\u003e","\u003cp\u003eCabell had become well regarded by prominent writers of the period and maintained an extensive correspondence with a wide circle of literary artists and friends, including Mencken, Joseph Hergesheimer, Burton Rascoe, Theodore Dreiser, Sinclair Lewis, F. Scott Fitzgerald, Carl Van Vechten, and fellow Richmonder and close friend Ellen Glasgow (1873-1945). He had known Glasgow since his days at William and Mary. He served as editor of the Virginia War History Commission (1919-1926) and later joined Dreiser, Eugene O'Neil, and others on the editorial board of the \u003ctitle\u003eAmerican Spectator\u003c/title\u003e (1932-1935). In 1937, Cabell was elected to the American Academy of Arts and Sciences.\u003c/p\u003e","\u003cp\u003eWhile the controversy over \u003ctitle\u003eJurgen\u003c/title\u003e ensured Cabell an audience throughout most of the 1920s, interest in his books dropped sharply in the New Deal era of the 1930s and continued to decline. In 1932, in an attempt to break away from his past, he began publishing under the name Branch Cabell. During the next three decades, he wrote and published nearly twenty more books. They were grouped in a series of trilogies. He returned as James Branch Cabell in 1947 with the publication of \u003ctitle\u003eLet Me Lie\u003c/title\u003e. It was the first installment of his fifth and last trilogy, consisting mainly of semi-autobiographical essays filled with remembrances of Virginia.\u003c/p\u003e","\u003cp\u003eCabell continued to live and work in Richmond, residing at 3201 Monument Avenue. By 1935 he and his family began spending most of their winter months in St. Augustine, Florida, due to Cabell's reoccurring bouts of pneumonia. During their stay in Florida in 1949, his wife died of heart failure. In 1950, he married Margaret Waller Freeman (1893-1983), whom he had known for many years. Cabell suffered a cerebral hemorrhage in 1958, and on May 5, he died at his home in Richmond.\u003c/p\u003e","\u003cp\u003e\nCabell's writings, published in various magazines, newspapers, and anthologies, included numerous short stories, poetry, essays, book reviews, and one play. He authored more than 52 volumes of work, including three devoted to genealogy. Cabell is recognized as one of the first contemporary writers from the South. Like his friend, Ellen Glasgow, Cabell was not afraid to satirize what he saw as the South's contradictions. Others, noting Cabell's unique blending of classic myths and legends with his imagination, consider him a pioneer of fantasy writing. \u003c/p\u003e","\u003cp\u003eSoon after the establishment of Virginia Commonwealth University (VCU) in 1968, created by the merger of the Medical College of Virginia (MCV) and Richmond Professional Institute (RPI), the University began construction for a new library on the Monroe Park Campus. RPI had already planned for a new library and approached Margaret Cabell about naming it for her husband. VCU approved the name, and in 1970, the James Branch Cabell Library opened its doors.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richmond author James Branch Cabell (1879-1958) is best known for his controversial book, Jurgen (1919), a fantasy set in Cabell's mythical medieval world of Poictesme (pronounced Pwa-tem). The New York Society for the Suppression of Vice contended the book was obscene. A trial over its content brought the reclusive writer national fame. Throughout the 1920s, Cabell's literary peers, including H.L. Mencken and Sinclair Lewis, praised his works.","Cabell was born April 14, 1879, at 101 E. Franklin St., the present site of the Richmond Public Library. His father was Robert Gamble Cabell, II (1847-1922), a physician; his mother Anne Harris (1859-1915), daughter of Col. and Mrs. James R. Branch. Cabell's great grandfather was William H. Cabell, governor of Virginia from 1805-1808. Cabell had two brothers, Robert Gamble Cabell, III (1881-1968) and John Lottier Cabell (1883-1946). His parents divorced in 1907.","After attending the College of William and Mary (1893-1898), where he taught courses in French and Greek while an undergraduate, Cabell worked briefly at the Richmond Times as a copyholder. In 1899 he moved to New York City and worked for the New York Herald as a social reporter.  He returned to Richmond in 1901 and worked several months on the staff of the Richmond News. During the next ten years, he performed genealogical research and wrote numerous short stories and articles, which he contributed to national magazines such as Harper's Monthly Magazine and the Saturday Evening Post.","In 1911, Cabell worked as a bookkeeper for his uncle James R. Branch's coal mine in West Virginia. Returning to Richmond in 1913, he married Rebecca Priscilla Bradley Shepherd (1874-1949), a widow with five children by her previous marriage. They had one son, Ballard Hartwell Cabell (1915-1980).","Although he had written for newspapers, Cabell's first published nonfiction work was \"The Comedies of William Congreve,\" which appeared in the April 1901 edition of International. He published his first book, The Eagle's Shadow, in the autumn of 1904 after it appeared serially in the Saturday Evening Post during that summer. His work was slow to draw critical attention. However, by 1918 he had published ten major works and began attracting critical admirers. In an article for the New York Evening Mail, H.L. Mencken described Cabell as \"the only first-rate literary craftsman that the whole South can show.\" Cabell's stature and fame as an author increased with the 1919 publication of Jurgen.","On January 14, 1920, the New York State Society for the Prevention of Vice charged Cabell's publishing editor, Guy Holt, with violating the anti-obscenity provisions of the New York State Penal Code by publishing Jurgen. The controversy over the charges and the attempt at censorship brought Cabell much notoriety. Writers defended the artistry of Jurgen and Cabell's right to publish it.","The obscenity trial over Jurgen began October 16, 1922, and ended three days later with an acquittal of all charges. The presiding judge, Charles C. Nott, stated in his decision \"...the most that can be said against the book is that certain passages therein may be considered suggestive in a veiled and subtle way of immorality, but such suggestions are delicately conveyed\" and that because of Cabell's writing style \"...it is doubtful if the book could be read or understood at all by more than a very limited number of readers.\"","Throughout the 1920s, he continued to publish in the style of Jurgen, a combination of satire, symbolism, and fantasy, set in a mythical medieval French province of Poictesme. The name was a compound of two provinces located in the South of France, Poitiers and Angouleme. Cabell blended an assortment of myths and legends laced with puns, anagrams, and allegories in these books. These works eventually became part of an eighteen-volume collection entitled The Biography of the Life of Manuel; the last volume was published in 1930.","Cabell had become well regarded by prominent writers of the period and maintained an extensive correspondence with a wide circle of literary artists and friends, including Mencken, Joseph Hergesheimer, Burton Rascoe, Theodore Dreiser, Sinclair Lewis, F. Scott Fitzgerald, Carl Van Vechten, and fellow Richmonder and close friend Ellen Glasgow (1873-1945). He had known Glasgow since his days at William and Mary. He served as editor of the Virginia War History Commission (1919-1926) and later joined Dreiser, Eugene O'Neil, and others on the editorial board of the American Spectator (1932-1935). In 1937, Cabell was elected to the American Academy of Arts and Sciences.","While the controversy over Jurgen ensured Cabell an audience throughout most of the 1920s, interest in his books dropped sharply in the New Deal era of the 1930s and continued to decline. In 1932, in an attempt to break away from his past, he began publishing under the name Branch Cabell. During the next three decades, he wrote and published nearly twenty more books. They were grouped in a series of trilogies. He returned as James Branch Cabell in 1947 with the publication of Let Me Lie. It was the first installment of his fifth and last trilogy, consisting mainly of semi-autobiographical essays filled with remembrances of Virginia.","Cabell continued to live and work in Richmond, residing at 3201 Monument Avenue. By 1935 he and his family began spending most of their winter months in St. Augustine, Florida, due to Cabell's reoccurring bouts of pneumonia. During their stay in Florida in 1949, his wife died of heart failure. In 1950, he married Margaret Waller Freeman (1893-1983), whom he had known for many years. Cabell suffered a cerebral hemorrhage in 1958, and on May 5, he died at his home in Richmond.","Cabell's writings, published in various magazines, newspapers, and anthologies, included numerous short stories, poetry, essays, book reviews, and one play. He authored more than 52 volumes of work, including three devoted to genealogy. Cabell is recognized as one of the first contemporary writers from the South. Like his friend, Ellen Glasgow, Cabell was not afraid to satirize what he saw as the South's contradictions. Others, noting Cabell's unique blending of classic myths and legends with his imagination, consider him a pioneer of fantasy writing.","Soon after the establishment of Virginia Commonwealth University (VCU) in 1968, created by the merger of the Medical College of Virginia (MCV) and Richmond Professional Institute (RPI), the University began construction for a new library on the Monroe Park Campus. RPI had already planned for a new library and approached Margaret Cabell about naming it for her husband. VCU approved the name, and in 1970, the James Branch Cabell Library opened its doors."],"prefercite_html_tesm":["\u003cp\u003eJames Branch Cabell collection, Collection # M 214, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e  "],"prefercite_tesim":["James Branch Cabell collection, Collection # M 214, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains James Branch Cabell's personal papers along with materials by other creators related to Cabell. Cabell corresponded with a number of American and British authors such as H.L. Mencken, Ellen Glasgow, Sinclair Lewis, and Theodore Dreiser, as well as with family, friends, editors and publishers. Other materials of note include his manuscripts with Cabells handwritten edits, his notebooks containing information about his published works along with poems and other writings, and the materials found inside the books of his personal library. The materials provide insight into Cabell's writings and personal interests based upon the content he placed within the books of his collection.\u003c/p\u003e","\u003cp\u003eSeries I contains correspondence between Cabell and his contemporaries in the literary world, family and friends. \u003c/p\u003e","\u003cp\u003eSeries II includes various Cabell manuscripts as story ideas, notes, early drafts, school work, essays and poems.\u003c/p\u003e","\u003cp\u003eSeries III is composed primarily of materials found placed inside Cabell's books and includes ephemera, pamphlets, newspaper clippings, etc.\u003c/p\u003e","\u003cp\u003eSeries IV are materials from the Cabell Society and contain correspondence between its founders and correspondence between Cabell and Nelson Bond and Cabell and Frederick Eddy.\u003c/p\u003e","\u003cp\u003eSeries V has materials related to the book Between Friends: Letters of James Branch Cabell and Others, edited by Padraic Colum and Margaret Freeman Cabell.\u003c/p\u003e","\u003cp\u003eSeries VI consists of various criticisms of Cabell's writings, most of which were collected by Jean Maurice Duke while writing James Branch Cabell: A Reference Guide.\u003c/p\u003e","\u003cp\u003eSeries VII includes works by Cabell printed in various periodicals. He often published essays, short stories, and other fiction in periodicals before later revising them into book form. The majority of this series is made up of bound volumes. Each volume is named for a published Cabell book and contains the full periodical where the content originally appeared before he developed it into a book.\u003c/p\u003e","\u003cp\u003eSeries VIII contains plays, poems, and other works inspired by Cabell's work.\u003c/p\u003e","\u003cp\u003eSeries IX includes scrapbooks and notebooks containing clippings, letters, notes, poems, and other writings by Cabell.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains James Branch Cabell's personal papers along with materials by other creators related to Cabell. Cabell corresponded with a number of American and British authors such as H.L. Mencken, Ellen Glasgow, Sinclair Lewis, and Theodore Dreiser, as well as with family, friends, editors and publishers. Other materials of note include his manuscripts with Cabells handwritten edits, his notebooks containing information about his published works along with poems and other writings, and the materials found inside the books of his personal library. The materials provide insight into Cabell's writings and personal interests based upon the content he placed within the books of his collection.","Series I contains correspondence between Cabell and his contemporaries in the literary world, family and friends.","Series II includes various Cabell manuscripts as story ideas, notes, early drafts, school work, essays and poems.","Series III is composed primarily of materials found placed inside Cabell's books and includes ephemera, pamphlets, newspaper clippings, etc.","Series IV are materials from the Cabell Society and contain correspondence between its founders and correspondence between Cabell and Nelson Bond and Cabell and Frederick Eddy.","Series V has materials related to the book Between Friends: Letters of James Branch Cabell and Others, edited by Padraic Colum and Margaret Freeman Cabell.","Series VI consists of various criticisms of Cabell's writings, most of which were collected by Jean Maurice Duke while writing James Branch Cabell: A Reference Guide.","Series VII includes works by Cabell printed in various periodicals. He often published essays, short stories, and other fiction in periodicals before later revising them into book form. The majority of this series is made up of bound volumes. Each volume is named for a published Cabell book and contains the full periodical where the content originally appeared before he developed it into a book.","Series VIII contains plays, poems, and other works inspired by Cabell's work.","Series IX includes scrapbooks and notebooks containing clippings, letters, notes, poems, and other writings by Cabell."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"corpname_ssim":["VCU James Branch Cabell Library"],"persname_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"names_coll_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"names_ssim":["VCU James Branch Cabell Library","Cabell, James Branch, 1879-1958","Flora, Joseph M."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":493,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:40:16.668Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_96_c01_c128"}},{"id":"vircu_repositories_5_resources_96","type":"collection","attributes":{"title":"James Branch Cabell collection, 1860/1971","creator":{"id":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_96#creator","type":"document_value","attributes":{"value":"Cabell, James Branch, 1879-1958","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_96#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe collection contains James Branch Cabell's personal papers along with materials by other creators related to Cabell. Cabell corresponded with a number of American and British authors such as H.L. Mencken, Ellen Glasgow, Sinclair Lewis, and Theodore Dreiser, as well as with family, friends, editors and publishers. Other materials of note include his manuscripts with Cabells handwritten edits, his notebooks containing information about his published works along with poems and other writings, and the materials found inside the books of his personal library. The materials provide insight into Cabell's writings and personal interests based upon the content he placed within the books of his collection.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_96#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vircu_repositories_5_resources_96","ead_ssi":"vircu_repositories_5_resources_96","_root_":"vircu_repositories_5_resources_96","_nest_parent_":"vircu_repositories_5_resources_96","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_96.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=vcu-cab/vircu00065.xml","title_filing_ssi":"Cabell, James Branch, collection","title_ssm":["James Branch Cabell collection"],"title_tesim":["James Branch Cabell collection"],"unitdate_ssm":["1860-1971"],"unitdate_inclusive_ssm":["1860-1971"],"normalized_date_ssm":["1860/1971"],"normalized_title_ssm":["James Branch Cabell collection, 1860/1971"],"text":["James Branch Cabell collection, 1860/1971","M 214","/repositories/5/resources/96","Authors, American -- Virginia -- Richmond","Authors, American -- Manuscripts -- Virginia -- Richmond","The collection is open to research.","Collection is arranged alphabetically. Series I -- Correspondence (1860s-1960s); Series II -- Manuscripts; Series III -- Ephemera, printed material, illustrations, newspaper clippings, etc.; Series IV -- Cabell Society (1963- 1971); Series V -- Between Friends; Series VI -- Criticisms of Cabell's work; Series VII -- Periodicals (essays, reviews and fiction by Cabell); Series VIII -- Dramatic and musical interpretations of Cabell's work; Series IX -- Scrapbooks, notebooks and oversized items.","The collection includes materials removed from books in Cabell's personal library. When Jean Maurice Duke cataloged the book collection he assigned a number (written in pencil) to each item indicating what volume the materials was taken from. Please see James Branch Cabell's Library: A Catalogue by Duke, for reference.","Richmond author James Branch Cabell (1879-1958) is best known for his controversial book, Jurgen (1919), a fantasy set in Cabell's mythical medieval world of Poictesme (pronounced Pwa-tem). The New York Society for the Suppression of Vice contended the book was obscene. A trial over its content brought the reclusive writer national fame. Throughout the 1920s, Cabell's literary peers, including H.L. Mencken and Sinclair Lewis, praised his works.","Cabell was born April 14, 1879, at 101 E. Franklin St., the present site of the Richmond Public Library. His father was Robert Gamble Cabell, II (1847-1922), a physician; his mother Anne Harris (1859-1915), daughter of Col. and Mrs. James R. Branch. Cabell's great grandfather was William H. Cabell, governor of Virginia from 1805-1808. Cabell had two brothers, Robert Gamble Cabell, III (1881-1968) and John Lottier Cabell (1883-1946). His parents divorced in 1907.","After attending the College of William and Mary (1893-1898), where he taught courses in French and Greek while an undergraduate, Cabell worked briefly at the Richmond Times as a copyholder. In 1899 he moved to New York City and worked for the New York Herald as a social reporter.  He returned to Richmond in 1901 and worked several months on the staff of the Richmond News. During the next ten years, he performed genealogical research and wrote numerous short stories and articles, which he contributed to national magazines such as Harper's Monthly Magazine and the Saturday Evening Post.","In 1911, Cabell worked as a bookkeeper for his uncle James R. Branch's coal mine in West Virginia. Returning to Richmond in 1913, he married Rebecca Priscilla Bradley Shepherd (1874-1949), a widow with five children by her previous marriage. They had one son, Ballard Hartwell Cabell (1915-1980).","Although he had written for newspapers, Cabell's first published nonfiction work was \"The Comedies of William Congreve,\" which appeared in the April 1901 edition of International. He published his first book, The Eagle's Shadow, in the autumn of 1904 after it appeared serially in the Saturday Evening Post during that summer. His work was slow to draw critical attention. However, by 1918 he had published ten major works and began attracting critical admirers. In an article for the New York Evening Mail, H.L. Mencken described Cabell as \"the only first-rate literary craftsman that the whole South can show.\" Cabell's stature and fame as an author increased with the 1919 publication of Jurgen.","On January 14, 1920, the New York State Society for the Prevention of Vice charged Cabell's publishing editor, Guy Holt, with violating the anti-obscenity provisions of the New York State Penal Code by publishing Jurgen. The controversy over the charges and the attempt at censorship brought Cabell much notoriety. Writers defended the artistry of Jurgen and Cabell's right to publish it.","The obscenity trial over Jurgen began October 16, 1922, and ended three days later with an acquittal of all charges. The presiding judge, Charles C. Nott, stated in his decision \"...the most that can be said against the book is that certain passages therein may be considered suggestive in a veiled and subtle way of immorality, but such suggestions are delicately conveyed\" and that because of Cabell's writing style \"...it is doubtful if the book could be read or understood at all by more than a very limited number of readers.\"","Throughout the 1920s, he continued to publish in the style of Jurgen, a combination of satire, symbolism, and fantasy, set in a mythical medieval French province of Poictesme. The name was a compound of two provinces located in the South of France, Poitiers and Angouleme. Cabell blended an assortment of myths and legends laced with puns, anagrams, and allegories in these books. These works eventually became part of an eighteen-volume collection entitled The Biography of the Life of Manuel; the last volume was published in 1930.","Cabell had become well regarded by prominent writers of the period and maintained an extensive correspondence with a wide circle of literary artists and friends, including Mencken, Joseph Hergesheimer, Burton Rascoe, Theodore Dreiser, Sinclair Lewis, F. Scott Fitzgerald, Carl Van Vechten, and fellow Richmonder and close friend Ellen Glasgow (1873-1945). He had known Glasgow since his days at William and Mary. He served as editor of the Virginia War History Commission (1919-1926) and later joined Dreiser, Eugene O'Neil, and others on the editorial board of the American Spectator (1932-1935). In 1937, Cabell was elected to the American Academy of Arts and Sciences.","While the controversy over Jurgen ensured Cabell an audience throughout most of the 1920s, interest in his books dropped sharply in the New Deal era of the 1930s and continued to decline. In 1932, in an attempt to break away from his past, he began publishing under the name Branch Cabell. During the next three decades, he wrote and published nearly twenty more books. They were grouped in a series of trilogies. He returned as James Branch Cabell in 1947 with the publication of Let Me Lie. It was the first installment of his fifth and last trilogy, consisting mainly of semi-autobiographical essays filled with remembrances of Virginia.","Cabell continued to live and work in Richmond, residing at 3201 Monument Avenue. By 1935 he and his family began spending most of their winter months in St. Augustine, Florida, due to Cabell's reoccurring bouts of pneumonia. During their stay in Florida in 1949, his wife died of heart failure. In 1950, he married Margaret Waller Freeman (1893-1983), whom he had known for many years. Cabell suffered a cerebral hemorrhage in 1958, and on May 5, he died at his home in Richmond.","Cabell's writings, published in various magazines, newspapers, and anthologies, included numerous short stories, poetry, essays, book reviews, and one play. He authored more than 52 volumes of work, including three devoted to genealogy. Cabell is recognized as one of the first contemporary writers from the South. Like his friend, Ellen Glasgow, Cabell was not afraid to satirize what he saw as the South's contradictions. Others, noting Cabell's unique blending of classic myths and legends with his imagination, consider him a pioneer of fantasy writing.","Soon after the establishment of Virginia Commonwealth University (VCU) in 1968, created by the merger of the Medical College of Virginia (MCV) and Richmond Professional Institute (RPI), the University began construction for a new library on the Monroe Park Campus. RPI had already planned for a new library and approached Margaret Cabell about naming it for her husband. VCU approved the name, and in 1970, the James Branch Cabell Library opened its doors.","The collection contains James Branch Cabell's personal papers along with materials by other creators related to Cabell. Cabell corresponded with a number of American and British authors such as H.L. Mencken, Ellen Glasgow, Sinclair Lewis, and Theodore Dreiser, as well as with family, friends, editors and publishers. Other materials of note include his manuscripts with Cabells handwritten edits, his notebooks containing information about his published works along with poems and other writings, and the materials found inside the books of his personal library. The materials provide insight into Cabell's writings and personal interests based upon the content he placed within the books of his collection.","Series I contains correspondence between Cabell and his contemporaries in the literary world, family and friends.","Series II includes various Cabell manuscripts as story ideas, notes, early drafts, school work, essays and poems.","Series III is composed primarily of materials found placed inside Cabell's books and includes ephemera, pamphlets, newspaper clippings, etc.","Series IV are materials from the Cabell Society and contain correspondence between its founders and correspondence between Cabell and Nelson Bond and Cabell and Frederick Eddy.","Series V has materials related to the book Between Friends: Letters of James Branch Cabell and Others, edited by Padraic Colum and Margaret Freeman Cabell.","Series VI consists of various criticisms of Cabell's writings, most of which were collected by Jean Maurice Duke while writing James Branch Cabell: A Reference Guide.","Series VII includes works by Cabell printed in various periodicals. He often published essays, short stories, and other fiction in periodicals before later revising them into book form. The majority of this series is made up of bound volumes. Each volume is named for a published Cabell book and contains the full periodical where the content originally appeared before he developed it into a book.","Series VIII contains plays, poems, and other works inspired by Cabell's work.","Series IX includes scrapbooks and notebooks containing clippings, letters, notes, poems, and other writings by Cabell.","There are no restrictions.","VCU James Branch Cabell Library","Cabell, James Branch, 1879-1958","Flora, Joseph M.","English"],"collection_title_tesim":["James Branch Cabell collection, 1860/1971"],"collection_ssim":["James Branch Cabell collection, 1860/1971"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 214","/repositories/5/resources/96"],"unitid_tesim":["M 214","/repositories/5/resources/96"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"creator_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"creator_persname_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"creator_corpname_ssim":["VCU James Branch Cabell Library"],"creators_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M.","VCU James Branch Cabell Library"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Margaret Freeman Cabell in 1976."],"access_subjects_ssim":["Authors, American -- Virginia -- Richmond","Authors, American -- Manuscripts -- Virginia -- Richmond"],"access_subjects_ssm":["Authors, American -- Virginia -- Richmond","Authors, American -- Manuscripts -- Virginia -- Richmond"],"has_online_content_ssim":["false"],"extent_ssm":["10 Linear Feet Also includes 3000 volume library"],"extent_tesim":["10 Linear Feet Also includes 3000 volume library"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["The collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged alphabetically. Series I -- Correspondence (1860s-1960s); Series II -- Manuscripts; Series III -- Ephemera, printed material, illustrations, newspaper clippings, etc.; Series IV -- Cabell Society (1963- 1971); Series V -- Between Friends; Series VI -- Criticisms of Cabell's work; Series VII -- Periodicals (essays, reviews and fiction by Cabell); Series VIII -- Dramatic and musical interpretations of Cabell's work; Series IX -- Scrapbooks, notebooks and oversized items.\u003c/p\u003e","\u003cp\u003eThe collection includes materials removed from books in Cabell's personal library. When Jean Maurice Duke cataloged the book collection he assigned a number (written in pencil) to each item indicating what volume the materials was taken from. Please see James Branch Cabell's Library: A Catalogue by Duke, for reference.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged alphabetically. Series I -- Correspondence (1860s-1960s); Series II -- Manuscripts; Series III -- Ephemera, printed material, illustrations, newspaper clippings, etc.; Series IV -- Cabell Society (1963- 1971); Series V -- Between Friends; Series VI -- Criticisms of Cabell's work; Series VII -- Periodicals (essays, reviews and fiction by Cabell); Series VIII -- Dramatic and musical interpretations of Cabell's work; Series IX -- Scrapbooks, notebooks and oversized items.","The collection includes materials removed from books in Cabell's personal library. When Jean Maurice Duke cataloged the book collection he assigned a number (written in pencil) to each item indicating what volume the materials was taken from. Please see James Branch Cabell's Library: A Catalogue by Duke, for reference."],"bioghist_html_tesm":["\u003cp\u003eRichmond author James Branch Cabell (1879-1958) is best known for his controversial book, \u003ctitle\u003eJurgen\u003c/title\u003e (1919), a fantasy set in Cabell's mythical medieval world of Poictesme (pronounced Pwa-tem). The New York Society for the Suppression of Vice contended the book was obscene. A trial over its content brought the reclusive writer national fame. Throughout the 1920s, Cabell's literary peers, including H.L. Mencken and Sinclair Lewis, praised his works.\u003c/p\u003e","\u003cp\u003eCabell was born April 14, 1879, at 101 E. Franklin St., the present site of the Richmond Public Library. His father was Robert Gamble Cabell, II (1847-1922), a physician; his mother Anne Harris (1859-1915), daughter of Col. and Mrs. James R. Branch. Cabell's great grandfather was William H. Cabell, governor of Virginia from 1805-1808. Cabell had two brothers, Robert Gamble Cabell, III (1881-1968) and John Lottier Cabell (1883-1946). His parents divorced in 1907.\u003c/p\u003e","\u003cp\u003eAfter attending the College of William and Mary (1893-1898), where he taught courses in French and Greek while an undergraduate, Cabell worked briefly at the \u003ctitle\u003eRichmond Times\u003c/title\u003e as a copyholder. In 1899 he moved to New York City and worked for the \u003ctitle\u003eNew York Herald\u003c/title\u003e as a social reporter.  He returned to Richmond in 1901 and worked several months on the staff of the \u003ctitle\u003eRichmond News\u003c/title\u003e. During the next ten years, he performed genealogical research and wrote numerous short stories and articles, which he contributed to national magazines such as \u003ctitle\u003eHarper's Monthly Magazine\u003c/title\u003e and the \u003ctitle\u003eSaturday Evening Post\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eIn 1911, Cabell worked as a bookkeeper for his uncle James R. Branch's coal mine in West Virginia. Returning to Richmond in 1913, he married Rebecca Priscilla Bradley Shepherd (1874-1949), a widow with five children by her previous marriage. They had one son, Ballard Hartwell Cabell (1915-1980).\u003c/p\u003e","\u003cp\u003eAlthough he had written for newspapers, Cabell's first published nonfiction work was \"The Comedies of William Congreve,\" which appeared in the April 1901 edition of \u003ctitle\u003eInternational\u003c/title\u003e. He published his first book, \u003ctitle\u003eThe Eagle's Shadow\u003c/title\u003e, in the autumn of 1904 after it appeared serially in the \u003ctitle\u003eSaturday Evening Post\u003c/title\u003e during that summer. His work was slow to draw critical attention. However, by 1918 he had published ten major works and began attracting critical admirers. In an article for the \u003ctitle\u003eNew York Evening Mail\u003c/title\u003e, H.L. Mencken described Cabell as \"the only first-rate literary craftsman that the whole South can show.\" Cabell's stature and fame as an author increased with the 1919 publication of Jurgen.\u003c/p\u003e","\u003cp\u003eOn January 14, 1920, the New York State Society for the Prevention of Vice charged Cabell's publishing editor, Guy Holt, with violating the anti-obscenity provisions of the New York State Penal Code by publishing \u003ctitle\u003eJurgen\u003c/title\u003e. The controversy over the charges and the attempt at censorship brought Cabell much notoriety. Writers defended the artistry of Jurgen and Cabell's right to publish it.\u003c/p\u003e","\u003cp\u003eThe obscenity trial over Jurgen began October 16, 1922, and ended three days later with an acquittal of all charges. The presiding judge, Charles C. Nott, stated in his decision \"...the most that can be said against the book is that certain passages therein may be considered suggestive in a veiled and subtle way of immorality, but such suggestions are delicately conveyed\" and that because of Cabell's writing style \"...it is doubtful if the book could be read or understood at all by more than a very limited number of readers.\"\u003c/p\u003e","\u003cp\u003eThroughout the 1920s, he continued to publish in the style of \u003ctitle\u003eJurgen\u003c/title\u003e, a combination of satire, symbolism, and fantasy, set in a mythical medieval French province of Poictesme. The name was a compound of two provinces located in the South of France, Poitiers and Angouleme. Cabell blended an assortment of myths and legends laced with puns, anagrams, and allegories in these books. These works eventually became part of an eighteen-volume collection entitled \u003ctitle\u003eThe Biography of the Life of Manuel\u003c/title\u003e; the last volume was published in 1930.\u003c/p\u003e","\u003cp\u003eCabell had become well regarded by prominent writers of the period and maintained an extensive correspondence with a wide circle of literary artists and friends, including Mencken, Joseph Hergesheimer, Burton Rascoe, Theodore Dreiser, Sinclair Lewis, F. Scott Fitzgerald, Carl Van Vechten, and fellow Richmonder and close friend Ellen Glasgow (1873-1945). He had known Glasgow since his days at William and Mary. He served as editor of the Virginia War History Commission (1919-1926) and later joined Dreiser, Eugene O'Neil, and others on the editorial board of the \u003ctitle\u003eAmerican Spectator\u003c/title\u003e (1932-1935). In 1937, Cabell was elected to the American Academy of Arts and Sciences.\u003c/p\u003e","\u003cp\u003eWhile the controversy over \u003ctitle\u003eJurgen\u003c/title\u003e ensured Cabell an audience throughout most of the 1920s, interest in his books dropped sharply in the New Deal era of the 1930s and continued to decline. In 1932, in an attempt to break away from his past, he began publishing under the name Branch Cabell. During the next three decades, he wrote and published nearly twenty more books. They were grouped in a series of trilogies. He returned as James Branch Cabell in 1947 with the publication of \u003ctitle\u003eLet Me Lie\u003c/title\u003e. It was the first installment of his fifth and last trilogy, consisting mainly of semi-autobiographical essays filled with remembrances of Virginia.\u003c/p\u003e","\u003cp\u003eCabell continued to live and work in Richmond, residing at 3201 Monument Avenue. By 1935 he and his family began spending most of their winter months in St. Augustine, Florida, due to Cabell's reoccurring bouts of pneumonia. During their stay in Florida in 1949, his wife died of heart failure. In 1950, he married Margaret Waller Freeman (1893-1983), whom he had known for many years. Cabell suffered a cerebral hemorrhage in 1958, and on May 5, he died at his home in Richmond.\u003c/p\u003e","\u003cp\u003e\nCabell's writings, published in various magazines, newspapers, and anthologies, included numerous short stories, poetry, essays, book reviews, and one play. He authored more than 52 volumes of work, including three devoted to genealogy. Cabell is recognized as one of the first contemporary writers from the South. Like his friend, Ellen Glasgow, Cabell was not afraid to satirize what he saw as the South's contradictions. Others, noting Cabell's unique blending of classic myths and legends with his imagination, consider him a pioneer of fantasy writing. \u003c/p\u003e","\u003cp\u003eSoon after the establishment of Virginia Commonwealth University (VCU) in 1968, created by the merger of the Medical College of Virginia (MCV) and Richmond Professional Institute (RPI), the University began construction for a new library on the Monroe Park Campus. RPI had already planned for a new library and approached Margaret Cabell about naming it for her husband. VCU approved the name, and in 1970, the James Branch Cabell Library opened its doors.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richmond author James Branch Cabell (1879-1958) is best known for his controversial book, Jurgen (1919), a fantasy set in Cabell's mythical medieval world of Poictesme (pronounced Pwa-tem). The New York Society for the Suppression of Vice contended the book was obscene. A trial over its content brought the reclusive writer national fame. Throughout the 1920s, Cabell's literary peers, including H.L. Mencken and Sinclair Lewis, praised his works.","Cabell was born April 14, 1879, at 101 E. Franklin St., the present site of the Richmond Public Library. His father was Robert Gamble Cabell, II (1847-1922), a physician; his mother Anne Harris (1859-1915), daughter of Col. and Mrs. James R. Branch. Cabell's great grandfather was William H. Cabell, governor of Virginia from 1805-1808. Cabell had two brothers, Robert Gamble Cabell, III (1881-1968) and John Lottier Cabell (1883-1946). His parents divorced in 1907.","After attending the College of William and Mary (1893-1898), where he taught courses in French and Greek while an undergraduate, Cabell worked briefly at the Richmond Times as a copyholder. In 1899 he moved to New York City and worked for the New York Herald as a social reporter.  He returned to Richmond in 1901 and worked several months on the staff of the Richmond News. During the next ten years, he performed genealogical research and wrote numerous short stories and articles, which he contributed to national magazines such as Harper's Monthly Magazine and the Saturday Evening Post.","In 1911, Cabell worked as a bookkeeper for his uncle James R. Branch's coal mine in West Virginia. Returning to Richmond in 1913, he married Rebecca Priscilla Bradley Shepherd (1874-1949), a widow with five children by her previous marriage. They had one son, Ballard Hartwell Cabell (1915-1980).","Although he had written for newspapers, Cabell's first published nonfiction work was \"The Comedies of William Congreve,\" which appeared in the April 1901 edition of International. He published his first book, The Eagle's Shadow, in the autumn of 1904 after it appeared serially in the Saturday Evening Post during that summer. His work was slow to draw critical attention. However, by 1918 he had published ten major works and began attracting critical admirers. In an article for the New York Evening Mail, H.L. Mencken described Cabell as \"the only first-rate literary craftsman that the whole South can show.\" Cabell's stature and fame as an author increased with the 1919 publication of Jurgen.","On January 14, 1920, the New York State Society for the Prevention of Vice charged Cabell's publishing editor, Guy Holt, with violating the anti-obscenity provisions of the New York State Penal Code by publishing Jurgen. The controversy over the charges and the attempt at censorship brought Cabell much notoriety. Writers defended the artistry of Jurgen and Cabell's right to publish it.","The obscenity trial over Jurgen began October 16, 1922, and ended three days later with an acquittal of all charges. The presiding judge, Charles C. Nott, stated in his decision \"...the most that can be said against the book is that certain passages therein may be considered suggestive in a veiled and subtle way of immorality, but such suggestions are delicately conveyed\" and that because of Cabell's writing style \"...it is doubtful if the book could be read or understood at all by more than a very limited number of readers.\"","Throughout the 1920s, he continued to publish in the style of Jurgen, a combination of satire, symbolism, and fantasy, set in a mythical medieval French province of Poictesme. The name was a compound of two provinces located in the South of France, Poitiers and Angouleme. Cabell blended an assortment of myths and legends laced with puns, anagrams, and allegories in these books. These works eventually became part of an eighteen-volume collection entitled The Biography of the Life of Manuel; the last volume was published in 1930.","Cabell had become well regarded by prominent writers of the period and maintained an extensive correspondence with a wide circle of literary artists and friends, including Mencken, Joseph Hergesheimer, Burton Rascoe, Theodore Dreiser, Sinclair Lewis, F. Scott Fitzgerald, Carl Van Vechten, and fellow Richmonder and close friend Ellen Glasgow (1873-1945). He had known Glasgow since his days at William and Mary. He served as editor of the Virginia War History Commission (1919-1926) and later joined Dreiser, Eugene O'Neil, and others on the editorial board of the American Spectator (1932-1935). In 1937, Cabell was elected to the American Academy of Arts and Sciences.","While the controversy over Jurgen ensured Cabell an audience throughout most of the 1920s, interest in his books dropped sharply in the New Deal era of the 1930s and continued to decline. In 1932, in an attempt to break away from his past, he began publishing under the name Branch Cabell. During the next three decades, he wrote and published nearly twenty more books. They were grouped in a series of trilogies. He returned as James Branch Cabell in 1947 with the publication of Let Me Lie. It was the first installment of his fifth and last trilogy, consisting mainly of semi-autobiographical essays filled with remembrances of Virginia.","Cabell continued to live and work in Richmond, residing at 3201 Monument Avenue. By 1935 he and his family began spending most of their winter months in St. Augustine, Florida, due to Cabell's reoccurring bouts of pneumonia. During their stay in Florida in 1949, his wife died of heart failure. In 1950, he married Margaret Waller Freeman (1893-1983), whom he had known for many years. Cabell suffered a cerebral hemorrhage in 1958, and on May 5, he died at his home in Richmond.","Cabell's writings, published in various magazines, newspapers, and anthologies, included numerous short stories, poetry, essays, book reviews, and one play. He authored more than 52 volumes of work, including three devoted to genealogy. Cabell is recognized as one of the first contemporary writers from the South. Like his friend, Ellen Glasgow, Cabell was not afraid to satirize what he saw as the South's contradictions. Others, noting Cabell's unique blending of classic myths and legends with his imagination, consider him a pioneer of fantasy writing.","Soon after the establishment of Virginia Commonwealth University (VCU) in 1968, created by the merger of the Medical College of Virginia (MCV) and Richmond Professional Institute (RPI), the University began construction for a new library on the Monroe Park Campus. RPI had already planned for a new library and approached Margaret Cabell about naming it for her husband. VCU approved the name, and in 1970, the James Branch Cabell Library opened its doors."],"prefercite_html_tesm":["\u003cp\u003eJames Branch Cabell collection, Collection # M 214, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e  "],"prefercite_tesim":["James Branch Cabell collection, Collection # M 214, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains James Branch Cabell's personal papers along with materials by other creators related to Cabell. Cabell corresponded with a number of American and British authors such as H.L. Mencken, Ellen Glasgow, Sinclair Lewis, and Theodore Dreiser, as well as with family, friends, editors and publishers. Other materials of note include his manuscripts with Cabells handwritten edits, his notebooks containing information about his published works along with poems and other writings, and the materials found inside the books of his personal library. The materials provide insight into Cabell's writings and personal interests based upon the content he placed within the books of his collection.\u003c/p\u003e","\u003cp\u003eSeries I contains correspondence between Cabell and his contemporaries in the literary world, family and friends. \u003c/p\u003e","\u003cp\u003eSeries II includes various Cabell manuscripts as story ideas, notes, early drafts, school work, essays and poems.\u003c/p\u003e","\u003cp\u003eSeries III is composed primarily of materials found placed inside Cabell's books and includes ephemera, pamphlets, newspaper clippings, etc.\u003c/p\u003e","\u003cp\u003eSeries IV are materials from the Cabell Society and contain correspondence between its founders and correspondence between Cabell and Nelson Bond and Cabell and Frederick Eddy.\u003c/p\u003e","\u003cp\u003eSeries V has materials related to the book Between Friends: Letters of James Branch Cabell and Others, edited by Padraic Colum and Margaret Freeman Cabell.\u003c/p\u003e","\u003cp\u003eSeries VI consists of various criticisms of Cabell's writings, most of which were collected by Jean Maurice Duke while writing James Branch Cabell: A Reference Guide.\u003c/p\u003e","\u003cp\u003eSeries VII includes works by Cabell printed in various periodicals. He often published essays, short stories, and other fiction in periodicals before later revising them into book form. The majority of this series is made up of bound volumes. Each volume is named for a published Cabell book and contains the full periodical where the content originally appeared before he developed it into a book.\u003c/p\u003e","\u003cp\u003eSeries VIII contains plays, poems, and other works inspired by Cabell's work.\u003c/p\u003e","\u003cp\u003eSeries IX includes scrapbooks and notebooks containing clippings, letters, notes, poems, and other writings by Cabell.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains James Branch Cabell's personal papers along with materials by other creators related to Cabell. Cabell corresponded with a number of American and British authors such as H.L. Mencken, Ellen Glasgow, Sinclair Lewis, and Theodore Dreiser, as well as with family, friends, editors and publishers. Other materials of note include his manuscripts with Cabells handwritten edits, his notebooks containing information about his published works along with poems and other writings, and the materials found inside the books of his personal library. The materials provide insight into Cabell's writings and personal interests based upon the content he placed within the books of his collection.","Series I contains correspondence between Cabell and his contemporaries in the literary world, family and friends.","Series II includes various Cabell manuscripts as story ideas, notes, early drafts, school work, essays and poems.","Series III is composed primarily of materials found placed inside Cabell's books and includes ephemera, pamphlets, newspaper clippings, etc.","Series IV are materials from the Cabell Society and contain correspondence between its founders and correspondence between Cabell and Nelson Bond and Cabell and Frederick Eddy.","Series V has materials related to the book Between Friends: Letters of James Branch Cabell and Others, edited by Padraic Colum and Margaret Freeman Cabell.","Series VI consists of various criticisms of Cabell's writings, most of which were collected by Jean Maurice Duke while writing James Branch Cabell: A Reference Guide.","Series VII includes works by Cabell printed in various periodicals. He often published essays, short stories, and other fiction in periodicals before later revising them into book form. The majority of this series is made up of bound volumes. Each volume is named for a published Cabell book and contains the full periodical where the content originally appeared before he developed it into a book.","Series VIII contains plays, poems, and other works inspired by Cabell's work.","Series IX includes scrapbooks and notebooks containing clippings, letters, notes, poems, and other writings by Cabell."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"corpname_ssim":["VCU James Branch Cabell Library"],"persname_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"names_coll_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"names_ssim":["VCU James Branch Cabell Library","Cabell, James Branch, 1879-1958","Flora, Joseph M."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":493,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:40:16.668Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_96","ead_ssi":"vircu_repositories_5_resources_96","_root_":"vircu_repositories_5_resources_96","_nest_parent_":"vircu_repositories_5_resources_96","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_96.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=vcu-cab/vircu00065.xml","title_filing_ssi":"Cabell, James Branch, collection","title_ssm":["James Branch Cabell collection"],"title_tesim":["James Branch Cabell collection"],"unitdate_ssm":["1860-1971"],"unitdate_inclusive_ssm":["1860-1971"],"normalized_date_ssm":["1860/1971"],"normalized_title_ssm":["James Branch Cabell collection, 1860/1971"],"text":["James Branch Cabell collection, 1860/1971","M 214","/repositories/5/resources/96","Authors, American -- Virginia -- Richmond","Authors, American -- Manuscripts -- Virginia -- Richmond","The collection is open to research.","Collection is arranged alphabetically. Series I -- Correspondence (1860s-1960s); Series II -- Manuscripts; Series III -- Ephemera, printed material, illustrations, newspaper clippings, etc.; Series IV -- Cabell Society (1963- 1971); Series V -- Between Friends; Series VI -- Criticisms of Cabell's work; Series VII -- Periodicals (essays, reviews and fiction by Cabell); Series VIII -- Dramatic and musical interpretations of Cabell's work; Series IX -- Scrapbooks, notebooks and oversized items.","The collection includes materials removed from books in Cabell's personal library. When Jean Maurice Duke cataloged the book collection he assigned a number (written in pencil) to each item indicating what volume the materials was taken from. Please see James Branch Cabell's Library: A Catalogue by Duke, for reference.","Richmond author James Branch Cabell (1879-1958) is best known for his controversial book, Jurgen (1919), a fantasy set in Cabell's mythical medieval world of Poictesme (pronounced Pwa-tem). The New York Society for the Suppression of Vice contended the book was obscene. A trial over its content brought the reclusive writer national fame. Throughout the 1920s, Cabell's literary peers, including H.L. Mencken and Sinclair Lewis, praised his works.","Cabell was born April 14, 1879, at 101 E. Franklin St., the present site of the Richmond Public Library. His father was Robert Gamble Cabell, II (1847-1922), a physician; his mother Anne Harris (1859-1915), daughter of Col. and Mrs. James R. Branch. Cabell's great grandfather was William H. Cabell, governor of Virginia from 1805-1808. Cabell had two brothers, Robert Gamble Cabell, III (1881-1968) and John Lottier Cabell (1883-1946). His parents divorced in 1907.","After attending the College of William and Mary (1893-1898), where he taught courses in French and Greek while an undergraduate, Cabell worked briefly at the Richmond Times as a copyholder. In 1899 he moved to New York City and worked for the New York Herald as a social reporter.  He returned to Richmond in 1901 and worked several months on the staff of the Richmond News. During the next ten years, he performed genealogical research and wrote numerous short stories and articles, which he contributed to national magazines such as Harper's Monthly Magazine and the Saturday Evening Post.","In 1911, Cabell worked as a bookkeeper for his uncle James R. Branch's coal mine in West Virginia. Returning to Richmond in 1913, he married Rebecca Priscilla Bradley Shepherd (1874-1949), a widow with five children by her previous marriage. They had one son, Ballard Hartwell Cabell (1915-1980).","Although he had written for newspapers, Cabell's first published nonfiction work was \"The Comedies of William Congreve,\" which appeared in the April 1901 edition of International. He published his first book, The Eagle's Shadow, in the autumn of 1904 after it appeared serially in the Saturday Evening Post during that summer. His work was slow to draw critical attention. However, by 1918 he had published ten major works and began attracting critical admirers. In an article for the New York Evening Mail, H.L. Mencken described Cabell as \"the only first-rate literary craftsman that the whole South can show.\" Cabell's stature and fame as an author increased with the 1919 publication of Jurgen.","On January 14, 1920, the New York State Society for the Prevention of Vice charged Cabell's publishing editor, Guy Holt, with violating the anti-obscenity provisions of the New York State Penal Code by publishing Jurgen. The controversy over the charges and the attempt at censorship brought Cabell much notoriety. Writers defended the artistry of Jurgen and Cabell's right to publish it.","The obscenity trial over Jurgen began October 16, 1922, and ended three days later with an acquittal of all charges. The presiding judge, Charles C. Nott, stated in his decision \"...the most that can be said against the book is that certain passages therein may be considered suggestive in a veiled and subtle way of immorality, but such suggestions are delicately conveyed\" and that because of Cabell's writing style \"...it is doubtful if the book could be read or understood at all by more than a very limited number of readers.\"","Throughout the 1920s, he continued to publish in the style of Jurgen, a combination of satire, symbolism, and fantasy, set in a mythical medieval French province of Poictesme. The name was a compound of two provinces located in the South of France, Poitiers and Angouleme. Cabell blended an assortment of myths and legends laced with puns, anagrams, and allegories in these books. These works eventually became part of an eighteen-volume collection entitled The Biography of the Life of Manuel; the last volume was published in 1930.","Cabell had become well regarded by prominent writers of the period and maintained an extensive correspondence with a wide circle of literary artists and friends, including Mencken, Joseph Hergesheimer, Burton Rascoe, Theodore Dreiser, Sinclair Lewis, F. Scott Fitzgerald, Carl Van Vechten, and fellow Richmonder and close friend Ellen Glasgow (1873-1945). He had known Glasgow since his days at William and Mary. He served as editor of the Virginia War History Commission (1919-1926) and later joined Dreiser, Eugene O'Neil, and others on the editorial board of the American Spectator (1932-1935). In 1937, Cabell was elected to the American Academy of Arts and Sciences.","While the controversy over Jurgen ensured Cabell an audience throughout most of the 1920s, interest in his books dropped sharply in the New Deal era of the 1930s and continued to decline. In 1932, in an attempt to break away from his past, he began publishing under the name Branch Cabell. During the next three decades, he wrote and published nearly twenty more books. They were grouped in a series of trilogies. He returned as James Branch Cabell in 1947 with the publication of Let Me Lie. It was the first installment of his fifth and last trilogy, consisting mainly of semi-autobiographical essays filled with remembrances of Virginia.","Cabell continued to live and work in Richmond, residing at 3201 Monument Avenue. By 1935 he and his family began spending most of their winter months in St. Augustine, Florida, due to Cabell's reoccurring bouts of pneumonia. During their stay in Florida in 1949, his wife died of heart failure. In 1950, he married Margaret Waller Freeman (1893-1983), whom he had known for many years. Cabell suffered a cerebral hemorrhage in 1958, and on May 5, he died at his home in Richmond.","Cabell's writings, published in various magazines, newspapers, and anthologies, included numerous short stories, poetry, essays, book reviews, and one play. He authored more than 52 volumes of work, including three devoted to genealogy. Cabell is recognized as one of the first contemporary writers from the South. Like his friend, Ellen Glasgow, Cabell was not afraid to satirize what he saw as the South's contradictions. Others, noting Cabell's unique blending of classic myths and legends with his imagination, consider him a pioneer of fantasy writing.","Soon after the establishment of Virginia Commonwealth University (VCU) in 1968, created by the merger of the Medical College of Virginia (MCV) and Richmond Professional Institute (RPI), the University began construction for a new library on the Monroe Park Campus. RPI had already planned for a new library and approached Margaret Cabell about naming it for her husband. VCU approved the name, and in 1970, the James Branch Cabell Library opened its doors.","The collection contains James Branch Cabell's personal papers along with materials by other creators related to Cabell. Cabell corresponded with a number of American and British authors such as H.L. Mencken, Ellen Glasgow, Sinclair Lewis, and Theodore Dreiser, as well as with family, friends, editors and publishers. Other materials of note include his manuscripts with Cabells handwritten edits, his notebooks containing information about his published works along with poems and other writings, and the materials found inside the books of his personal library. The materials provide insight into Cabell's writings and personal interests based upon the content he placed within the books of his collection.","Series I contains correspondence between Cabell and his contemporaries in the literary world, family and friends.","Series II includes various Cabell manuscripts as story ideas, notes, early drafts, school work, essays and poems.","Series III is composed primarily of materials found placed inside Cabell's books and includes ephemera, pamphlets, newspaper clippings, etc.","Series IV are materials from the Cabell Society and contain correspondence between its founders and correspondence between Cabell and Nelson Bond and Cabell and Frederick Eddy.","Series V has materials related to the book Between Friends: Letters of James Branch Cabell and Others, edited by Padraic Colum and Margaret Freeman Cabell.","Series VI consists of various criticisms of Cabell's writings, most of which were collected by Jean Maurice Duke while writing James Branch Cabell: A Reference Guide.","Series VII includes works by Cabell printed in various periodicals. He often published essays, short stories, and other fiction in periodicals before later revising them into book form. The majority of this series is made up of bound volumes. Each volume is named for a published Cabell book and contains the full periodical where the content originally appeared before he developed it into a book.","Series VIII contains plays, poems, and other works inspired by Cabell's work.","Series IX includes scrapbooks and notebooks containing clippings, letters, notes, poems, and other writings by Cabell.","There are no restrictions.","VCU James Branch Cabell Library","Cabell, James Branch, 1879-1958","Flora, Joseph M.","English"],"collection_title_tesim":["James Branch Cabell collection, 1860/1971"],"collection_ssim":["James Branch Cabell collection, 1860/1971"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 214","/repositories/5/resources/96"],"unitid_tesim":["M 214","/repositories/5/resources/96"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"creator_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"creator_persname_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"creator_corpname_ssim":["VCU James Branch Cabell Library"],"creators_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M.","VCU James Branch Cabell Library"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Margaret Freeman Cabell in 1976."],"access_subjects_ssim":["Authors, American -- Virginia -- Richmond","Authors, American -- Manuscripts -- Virginia -- Richmond"],"access_subjects_ssm":["Authors, American -- Virginia -- Richmond","Authors, American -- Manuscripts -- Virginia -- Richmond"],"has_online_content_ssim":["false"],"extent_ssm":["10 Linear Feet Also includes 3000 volume library"],"extent_tesim":["10 Linear Feet Also includes 3000 volume library"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["The collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged alphabetically. Series I -- Correspondence (1860s-1960s); Series II -- Manuscripts; Series III -- Ephemera, printed material, illustrations, newspaper clippings, etc.; Series IV -- Cabell Society (1963- 1971); Series V -- Between Friends; Series VI -- Criticisms of Cabell's work; Series VII -- Periodicals (essays, reviews and fiction by Cabell); Series VIII -- Dramatic and musical interpretations of Cabell's work; Series IX -- Scrapbooks, notebooks and oversized items.\u003c/p\u003e","\u003cp\u003eThe collection includes materials removed from books in Cabell's personal library. When Jean Maurice Duke cataloged the book collection he assigned a number (written in pencil) to each item indicating what volume the materials was taken from. Please see James Branch Cabell's Library: A Catalogue by Duke, for reference.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged alphabetically. Series I -- Correspondence (1860s-1960s); Series II -- Manuscripts; Series III -- Ephemera, printed material, illustrations, newspaper clippings, etc.; Series IV -- Cabell Society (1963- 1971); Series V -- Between Friends; Series VI -- Criticisms of Cabell's work; Series VII -- Periodicals (essays, reviews and fiction by Cabell); Series VIII -- Dramatic and musical interpretations of Cabell's work; Series IX -- Scrapbooks, notebooks and oversized items.","The collection includes materials removed from books in Cabell's personal library. When Jean Maurice Duke cataloged the book collection he assigned a number (written in pencil) to each item indicating what volume the materials was taken from. Please see James Branch Cabell's Library: A Catalogue by Duke, for reference."],"bioghist_html_tesm":["\u003cp\u003eRichmond author James Branch Cabell (1879-1958) is best known for his controversial book, \u003ctitle\u003eJurgen\u003c/title\u003e (1919), a fantasy set in Cabell's mythical medieval world of Poictesme (pronounced Pwa-tem). The New York Society for the Suppression of Vice contended the book was obscene. A trial over its content brought the reclusive writer national fame. Throughout the 1920s, Cabell's literary peers, including H.L. Mencken and Sinclair Lewis, praised his works.\u003c/p\u003e","\u003cp\u003eCabell was born April 14, 1879, at 101 E. Franklin St., the present site of the Richmond Public Library. His father was Robert Gamble Cabell, II (1847-1922), a physician; his mother Anne Harris (1859-1915), daughter of Col. and Mrs. James R. Branch. Cabell's great grandfather was William H. Cabell, governor of Virginia from 1805-1808. Cabell had two brothers, Robert Gamble Cabell, III (1881-1968) and John Lottier Cabell (1883-1946). His parents divorced in 1907.\u003c/p\u003e","\u003cp\u003eAfter attending the College of William and Mary (1893-1898), where he taught courses in French and Greek while an undergraduate, Cabell worked briefly at the \u003ctitle\u003eRichmond Times\u003c/title\u003e as a copyholder. In 1899 he moved to New York City and worked for the \u003ctitle\u003eNew York Herald\u003c/title\u003e as a social reporter.  He returned to Richmond in 1901 and worked several months on the staff of the \u003ctitle\u003eRichmond News\u003c/title\u003e. During the next ten years, he performed genealogical research and wrote numerous short stories and articles, which he contributed to national magazines such as \u003ctitle\u003eHarper's Monthly Magazine\u003c/title\u003e and the \u003ctitle\u003eSaturday Evening Post\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eIn 1911, Cabell worked as a bookkeeper for his uncle James R. Branch's coal mine in West Virginia. Returning to Richmond in 1913, he married Rebecca Priscilla Bradley Shepherd (1874-1949), a widow with five children by her previous marriage. They had one son, Ballard Hartwell Cabell (1915-1980).\u003c/p\u003e","\u003cp\u003eAlthough he had written for newspapers, Cabell's first published nonfiction work was \"The Comedies of William Congreve,\" which appeared in the April 1901 edition of \u003ctitle\u003eInternational\u003c/title\u003e. He published his first book, \u003ctitle\u003eThe Eagle's Shadow\u003c/title\u003e, in the autumn of 1904 after it appeared serially in the \u003ctitle\u003eSaturday Evening Post\u003c/title\u003e during that summer. His work was slow to draw critical attention. However, by 1918 he had published ten major works and began attracting critical admirers. In an article for the \u003ctitle\u003eNew York Evening Mail\u003c/title\u003e, H.L. Mencken described Cabell as \"the only first-rate literary craftsman that the whole South can show.\" Cabell's stature and fame as an author increased with the 1919 publication of Jurgen.\u003c/p\u003e","\u003cp\u003eOn January 14, 1920, the New York State Society for the Prevention of Vice charged Cabell's publishing editor, Guy Holt, with violating the anti-obscenity provisions of the New York State Penal Code by publishing \u003ctitle\u003eJurgen\u003c/title\u003e. The controversy over the charges and the attempt at censorship brought Cabell much notoriety. Writers defended the artistry of Jurgen and Cabell's right to publish it.\u003c/p\u003e","\u003cp\u003eThe obscenity trial over Jurgen began October 16, 1922, and ended three days later with an acquittal of all charges. The presiding judge, Charles C. Nott, stated in his decision \"...the most that can be said against the book is that certain passages therein may be considered suggestive in a veiled and subtle way of immorality, but such suggestions are delicately conveyed\" and that because of Cabell's writing style \"...it is doubtful if the book could be read or understood at all by more than a very limited number of readers.\"\u003c/p\u003e","\u003cp\u003eThroughout the 1920s, he continued to publish in the style of \u003ctitle\u003eJurgen\u003c/title\u003e, a combination of satire, symbolism, and fantasy, set in a mythical medieval French province of Poictesme. The name was a compound of two provinces located in the South of France, Poitiers and Angouleme. Cabell blended an assortment of myths and legends laced with puns, anagrams, and allegories in these books. These works eventually became part of an eighteen-volume collection entitled \u003ctitle\u003eThe Biography of the Life of Manuel\u003c/title\u003e; the last volume was published in 1930.\u003c/p\u003e","\u003cp\u003eCabell had become well regarded by prominent writers of the period and maintained an extensive correspondence with a wide circle of literary artists and friends, including Mencken, Joseph Hergesheimer, Burton Rascoe, Theodore Dreiser, Sinclair Lewis, F. Scott Fitzgerald, Carl Van Vechten, and fellow Richmonder and close friend Ellen Glasgow (1873-1945). He had known Glasgow since his days at William and Mary. He served as editor of the Virginia War History Commission (1919-1926) and later joined Dreiser, Eugene O'Neil, and others on the editorial board of the \u003ctitle\u003eAmerican Spectator\u003c/title\u003e (1932-1935). In 1937, Cabell was elected to the American Academy of Arts and Sciences.\u003c/p\u003e","\u003cp\u003eWhile the controversy over \u003ctitle\u003eJurgen\u003c/title\u003e ensured Cabell an audience throughout most of the 1920s, interest in his books dropped sharply in the New Deal era of the 1930s and continued to decline. In 1932, in an attempt to break away from his past, he began publishing under the name Branch Cabell. During the next three decades, he wrote and published nearly twenty more books. They were grouped in a series of trilogies. He returned as James Branch Cabell in 1947 with the publication of \u003ctitle\u003eLet Me Lie\u003c/title\u003e. It was the first installment of his fifth and last trilogy, consisting mainly of semi-autobiographical essays filled with remembrances of Virginia.\u003c/p\u003e","\u003cp\u003eCabell continued to live and work in Richmond, residing at 3201 Monument Avenue. By 1935 he and his family began spending most of their winter months in St. Augustine, Florida, due to Cabell's reoccurring bouts of pneumonia. During their stay in Florida in 1949, his wife died of heart failure. In 1950, he married Margaret Waller Freeman (1893-1983), whom he had known for many years. Cabell suffered a cerebral hemorrhage in 1958, and on May 5, he died at his home in Richmond.\u003c/p\u003e","\u003cp\u003e\nCabell's writings, published in various magazines, newspapers, and anthologies, included numerous short stories, poetry, essays, book reviews, and one play. He authored more than 52 volumes of work, including three devoted to genealogy. Cabell is recognized as one of the first contemporary writers from the South. Like his friend, Ellen Glasgow, Cabell was not afraid to satirize what he saw as the South's contradictions. Others, noting Cabell's unique blending of classic myths and legends with his imagination, consider him a pioneer of fantasy writing. \u003c/p\u003e","\u003cp\u003eSoon after the establishment of Virginia Commonwealth University (VCU) in 1968, created by the merger of the Medical College of Virginia (MCV) and Richmond Professional Institute (RPI), the University began construction for a new library on the Monroe Park Campus. RPI had already planned for a new library and approached Margaret Cabell about naming it for her husband. VCU approved the name, and in 1970, the James Branch Cabell Library opened its doors.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richmond author James Branch Cabell (1879-1958) is best known for his controversial book, Jurgen (1919), a fantasy set in Cabell's mythical medieval world of Poictesme (pronounced Pwa-tem). The New York Society for the Suppression of Vice contended the book was obscene. A trial over its content brought the reclusive writer national fame. Throughout the 1920s, Cabell's literary peers, including H.L. Mencken and Sinclair Lewis, praised his works.","Cabell was born April 14, 1879, at 101 E. Franklin St., the present site of the Richmond Public Library. His father was Robert Gamble Cabell, II (1847-1922), a physician; his mother Anne Harris (1859-1915), daughter of Col. and Mrs. James R. Branch. Cabell's great grandfather was William H. Cabell, governor of Virginia from 1805-1808. Cabell had two brothers, Robert Gamble Cabell, III (1881-1968) and John Lottier Cabell (1883-1946). His parents divorced in 1907.","After attending the College of William and Mary (1893-1898), where he taught courses in French and Greek while an undergraduate, Cabell worked briefly at the Richmond Times as a copyholder. In 1899 he moved to New York City and worked for the New York Herald as a social reporter.  He returned to Richmond in 1901 and worked several months on the staff of the Richmond News. During the next ten years, he performed genealogical research and wrote numerous short stories and articles, which he contributed to national magazines such as Harper's Monthly Magazine and the Saturday Evening Post.","In 1911, Cabell worked as a bookkeeper for his uncle James R. Branch's coal mine in West Virginia. Returning to Richmond in 1913, he married Rebecca Priscilla Bradley Shepherd (1874-1949), a widow with five children by her previous marriage. They had one son, Ballard Hartwell Cabell (1915-1980).","Although he had written for newspapers, Cabell's first published nonfiction work was \"The Comedies of William Congreve,\" which appeared in the April 1901 edition of International. He published his first book, The Eagle's Shadow, in the autumn of 1904 after it appeared serially in the Saturday Evening Post during that summer. His work was slow to draw critical attention. However, by 1918 he had published ten major works and began attracting critical admirers. In an article for the New York Evening Mail, H.L. Mencken described Cabell as \"the only first-rate literary craftsman that the whole South can show.\" Cabell's stature and fame as an author increased with the 1919 publication of Jurgen.","On January 14, 1920, the New York State Society for the Prevention of Vice charged Cabell's publishing editor, Guy Holt, with violating the anti-obscenity provisions of the New York State Penal Code by publishing Jurgen. The controversy over the charges and the attempt at censorship brought Cabell much notoriety. Writers defended the artistry of Jurgen and Cabell's right to publish it.","The obscenity trial over Jurgen began October 16, 1922, and ended three days later with an acquittal of all charges. The presiding judge, Charles C. Nott, stated in his decision \"...the most that can be said against the book is that certain passages therein may be considered suggestive in a veiled and subtle way of immorality, but such suggestions are delicately conveyed\" and that because of Cabell's writing style \"...it is doubtful if the book could be read or understood at all by more than a very limited number of readers.\"","Throughout the 1920s, he continued to publish in the style of Jurgen, a combination of satire, symbolism, and fantasy, set in a mythical medieval French province of Poictesme. The name was a compound of two provinces located in the South of France, Poitiers and Angouleme. Cabell blended an assortment of myths and legends laced with puns, anagrams, and allegories in these books. These works eventually became part of an eighteen-volume collection entitled The Biography of the Life of Manuel; the last volume was published in 1930.","Cabell had become well regarded by prominent writers of the period and maintained an extensive correspondence with a wide circle of literary artists and friends, including Mencken, Joseph Hergesheimer, Burton Rascoe, Theodore Dreiser, Sinclair Lewis, F. Scott Fitzgerald, Carl Van Vechten, and fellow Richmonder and close friend Ellen Glasgow (1873-1945). He had known Glasgow since his days at William and Mary. He served as editor of the Virginia War History Commission (1919-1926) and later joined Dreiser, Eugene O'Neil, and others on the editorial board of the American Spectator (1932-1935). In 1937, Cabell was elected to the American Academy of Arts and Sciences.","While the controversy over Jurgen ensured Cabell an audience throughout most of the 1920s, interest in his books dropped sharply in the New Deal era of the 1930s and continued to decline. In 1932, in an attempt to break away from his past, he began publishing under the name Branch Cabell. During the next three decades, he wrote and published nearly twenty more books. They were grouped in a series of trilogies. He returned as James Branch Cabell in 1947 with the publication of Let Me Lie. It was the first installment of his fifth and last trilogy, consisting mainly of semi-autobiographical essays filled with remembrances of Virginia.","Cabell continued to live and work in Richmond, residing at 3201 Monument Avenue. By 1935 he and his family began spending most of their winter months in St. Augustine, Florida, due to Cabell's reoccurring bouts of pneumonia. During their stay in Florida in 1949, his wife died of heart failure. In 1950, he married Margaret Waller Freeman (1893-1983), whom he had known for many years. Cabell suffered a cerebral hemorrhage in 1958, and on May 5, he died at his home in Richmond.","Cabell's writings, published in various magazines, newspapers, and anthologies, included numerous short stories, poetry, essays, book reviews, and one play. He authored more than 52 volumes of work, including three devoted to genealogy. Cabell is recognized as one of the first contemporary writers from the South. Like his friend, Ellen Glasgow, Cabell was not afraid to satirize what he saw as the South's contradictions. Others, noting Cabell's unique blending of classic myths and legends with his imagination, consider him a pioneer of fantasy writing.","Soon after the establishment of Virginia Commonwealth University (VCU) in 1968, created by the merger of the Medical College of Virginia (MCV) and Richmond Professional Institute (RPI), the University began construction for a new library on the Monroe Park Campus. RPI had already planned for a new library and approached Margaret Cabell about naming it for her husband. VCU approved the name, and in 1970, the James Branch Cabell Library opened its doors."],"prefercite_html_tesm":["\u003cp\u003eJames Branch Cabell collection, Collection # M 214, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e  "],"prefercite_tesim":["James Branch Cabell collection, Collection # M 214, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains James Branch Cabell's personal papers along with materials by other creators related to Cabell. Cabell corresponded with a number of American and British authors such as H.L. Mencken, Ellen Glasgow, Sinclair Lewis, and Theodore Dreiser, as well as with family, friends, editors and publishers. Other materials of note include his manuscripts with Cabells handwritten edits, his notebooks containing information about his published works along with poems and other writings, and the materials found inside the books of his personal library. The materials provide insight into Cabell's writings and personal interests based upon the content he placed within the books of his collection.\u003c/p\u003e","\u003cp\u003eSeries I contains correspondence between Cabell and his contemporaries in the literary world, family and friends. \u003c/p\u003e","\u003cp\u003eSeries II includes various Cabell manuscripts as story ideas, notes, early drafts, school work, essays and poems.\u003c/p\u003e","\u003cp\u003eSeries III is composed primarily of materials found placed inside Cabell's books and includes ephemera, pamphlets, newspaper clippings, etc.\u003c/p\u003e","\u003cp\u003eSeries IV are materials from the Cabell Society and contain correspondence between its founders and correspondence between Cabell and Nelson Bond and Cabell and Frederick Eddy.\u003c/p\u003e","\u003cp\u003eSeries V has materials related to the book Between Friends: Letters of James Branch Cabell and Others, edited by Padraic Colum and Margaret Freeman Cabell.\u003c/p\u003e","\u003cp\u003eSeries VI consists of various criticisms of Cabell's writings, most of which were collected by Jean Maurice Duke while writing James Branch Cabell: A Reference Guide.\u003c/p\u003e","\u003cp\u003eSeries VII includes works by Cabell printed in various periodicals. He often published essays, short stories, and other fiction in periodicals before later revising them into book form. The majority of this series is made up of bound volumes. Each volume is named for a published Cabell book and contains the full periodical where the content originally appeared before he developed it into a book.\u003c/p\u003e","\u003cp\u003eSeries VIII contains plays, poems, and other works inspired by Cabell's work.\u003c/p\u003e","\u003cp\u003eSeries IX includes scrapbooks and notebooks containing clippings, letters, notes, poems, and other writings by Cabell.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains James Branch Cabell's personal papers along with materials by other creators related to Cabell. Cabell corresponded with a number of American and British authors such as H.L. Mencken, Ellen Glasgow, Sinclair Lewis, and Theodore Dreiser, as well as with family, friends, editors and publishers. Other materials of note include his manuscripts with Cabells handwritten edits, his notebooks containing information about his published works along with poems and other writings, and the materials found inside the books of his personal library. The materials provide insight into Cabell's writings and personal interests based upon the content he placed within the books of his collection.","Series I contains correspondence between Cabell and his contemporaries in the literary world, family and friends.","Series II includes various Cabell manuscripts as story ideas, notes, early drafts, school work, essays and poems.","Series III is composed primarily of materials found placed inside Cabell's books and includes ephemera, pamphlets, newspaper clippings, etc.","Series IV are materials from the Cabell Society and contain correspondence between its founders and correspondence between Cabell and Nelson Bond and Cabell and Frederick Eddy.","Series V has materials related to the book Between Friends: Letters of James Branch Cabell and Others, edited by Padraic Colum and Margaret Freeman Cabell.","Series VI consists of various criticisms of Cabell's writings, most of which were collected by Jean Maurice Duke while writing James Branch Cabell: A Reference Guide.","Series VII includes works by Cabell printed in various periodicals. He often published essays, short stories, and other fiction in periodicals before later revising them into book form. The majority of this series is made up of bound volumes. Each volume is named for a published Cabell book and contains the full periodical where the content originally appeared before he developed it into a book.","Series VIII contains plays, poems, and other works inspired by Cabell's work.","Series IX includes scrapbooks and notebooks containing clippings, letters, notes, poems, and other writings by Cabell."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"corpname_ssim":["VCU James Branch Cabell Library"],"persname_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"names_coll_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"names_ssim":["VCU James Branch Cabell Library","Cabell, James Branch, 1879-1958","Flora, Joseph M."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":493,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:40:16.668Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_96"}},{"id":"vircu_repositories_3_resources_51_c09_c01","type":"File","attributes":{"title":"Miscellaneous artifacts, 1828/1892","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vircu_repositories_3_resources_51_c09_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis folder contains a special tax receipt for a dentist office from the Internal Revenue Service, 1868. A ticket for the 1892 Democratic Convention, and a dental school text dated 1828.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vircu_repositories_3_resources_51_c09_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_3_resources_51_c09_c01","ref_ssm":["vircu_repositories_3_resources_51_c09_c01"],"id":"vircu_repositories_3_resources_51_c09_c01","ead_ssi":"vircu_repositories_3_resources_51","_root_":"vircu_repositories_3_resources_51","_nest_parent_":"vircu_repositories_3_resources_51_c09","parent_ssi":"vircu_repositories_3_resources_51_c09","parent_ssim":["Harry Lyons papers, 1948/1987","Artifact and Award Collection"],"parent_ids_ssim":["vircu_repositories_3_resources_51","vircu_repositories_3_resources_51_c09"],"title_filing_ssi":"Miscellaneous artifacts","title_ssm":["Miscellaneous artifacts"],"title_tesim":["Miscellaneous artifacts"],"normalized_title_ssm":["Miscellaneous artifacts, 1828/1892"],"text":["Miscellaneous artifacts, 1828/1892","Harry Lyons papers, 1948/1987","Artifact and Award Collection","Box-folder 9.1","This folder contains a special tax receipt for a dentist office from the Internal Revenue Service, 1868. A ticket for the 1892 Democratic Convention, and a dental school text dated 1828."],"parent_unittitles_ssm":["Harry Lyons papers, 1948/1987","Artifact and Award Collection"],"parent_unittitles_tesim":["Harry Lyons papers, 1948/1987","Artifact and Award Collection"],"normalized_date_ssm":["1828/1892"],"unitdate_inclusive_ssm":["1828, 1868, 1892"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":221,"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Harry Lyons papers, 1948/1987"],"containers_ssim":["Box-folder 9.1"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892],"scopecontent_html_tesm":["\u003cp\u003eThis folder contains a special tax receipt for a dentist office from the Internal Revenue Service, 1868. A ticket for the 1892 Democratic Convention, and a dental school text dated 1828.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This folder contains a special tax receipt for a dentist office from the Internal Revenue Service, 1868. A ticket for the 1892 Democratic Convention, and a dental school text dated 1828."],"_nest_path_":"/components#8/components#0","timestamp":"2026-08-14T22:39:57.621Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_3_resources_51","ead_ssi":"vircu_repositories_3_resources_51","_root_":"vircu_repositories_3_resources_51","_nest_parent_":"vircu_repositories_3_resources_51","ead_source_url_ssi":"data/oai/VCU/repositories_3_resources_51.xml","title_filing_ssi":"Lyons, Harry, papers","title_ssm":["Harry Lyons papers"],"title_tesim":["Harry Lyons papers"],"unitdate_ssm":["1948-1987"],"unitdate_inclusive_ssm":["1948-1987"],"normalized_date_ssm":["1948/1987"],"normalized_title_ssm":["Harry Lyons papers, 1948/1987"],"text":["Harry Lyons papers, 1948/1987","Acc. 23","/repositories/3/resources/51","Periodontists -- Virginia -- Richmond","Philanthropists -- Virginia -- Richmond","Periodontics.","Dentistry -- Study and teaching.","Collection is open to research.","Records are arranged in chronological order.","Dr. Harry Lyons was born in Washington DC on March 18, 1900. 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He continued to teach part time until 1950, progressing through the academic ranks to become a professor of periodontia and oral pathology. He would eventually become the periodontal department chair. Then in 1951, he accepted a challenge from MCV President Dr. William Sanger, to create the best dental school in the country, and became Dean of the School of Dentistry.","Lyons was active professionally and served as president of several state and national dental associations including the American Academy of Periodontology, the American Association of Dental Schools, and the American Dental Association. It was during his tenure as President of the ADA that the issue of fluoridation of water became a national debate. Lyons was frequently quoted in the press advocating the benefits of fluoridation. He was called to testify before several state legislatures as well as the United State Congress. 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