{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1865\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=4","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1865\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=3","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1865\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=5","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1865\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=272"},"meta":{"pages":{"current_page":4,"next_page":5,"prev_page":3,"total_pages":272,"limit_value":10,"offset_value":30,"total_count":2717,"first_page?":false,"last_page?":false}},"data":[{"id":"viu_repositories_3_resources_1551","type":"collection","attributes":{"title":"African American man tintype portrait","creator":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1551#creator","type":"document_value","attributes":{"value":"Max Rambod","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1551#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection features one 2.25 X4\" tintype photograph of an unidentified African American man dressed in a three-piece suit with a bowtie, pocket square, and derby hat with a sash perched at a stylish angle on his head. The man leans against a marble column against a plain background in a studio. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1551#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1551","ead_ssi":"viu_repositories_3_resources_1551","_root_":"viu_repositories_3_resources_1551","_nest_parent_":"viu_repositories_3_resources_1551","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1551.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/190885","title_filing_ssi":"African American man tintype portrait","title_ssm":["African American man tintype portrait"],"title_tesim":["African American man tintype portrait"],"unitdate_ssm":["c. 1865-1900"],"unitdate_bulk_ssim":["c. 1865-1900"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["MSS 16795","Archival Resource Key","/repositories/3/resources/1551"],"text":["MSS 16795","Archival Resource Key","/repositories/3/resources/1551","African American man tintype portrait","African American young men","tintypes (prints)","The collection is open for research use.","\"African Americans' engagement with photography in the 19th century began a tradition for Black photographers' use of photography today to promote social change. African Americans, whether they are in front or behind the camera, create empowering images that define the beauty and resilience contained within the Black experience.\" (1)","\"To pose for a photograph became an empowering act for African Americans. It served as a way to counteract racist caricatures that distort facial features and mocked Black society. African Americans in urban and rural settings participated in photography to demonstrate dignity in the Black experience.\" (1)","\"For African Americans in particular, photographic portraits offered a means of self-representation and empowerment. The abolitionist Frederick Douglass—who was himself the most photographed man of the 19th century—consistently championed the medium for its capacity to affirm the humanity and dignity of its sitters and challenge dehumanizing, racist stereotypes. Other Black Americans, including native Virginian James Presley Ball (1825–1904), practiced and shaped the medium from its earliest years.\" (2)","Sources:\n\"How Black people in the 19th century used photography as a tool for social change\"\nhttps://www.si.umich.edu/about-umsi/news/how-black-people-19th-century-used-photography-tool-social-change","\"A Powerful Influence: Early Photographs of African Americans from the Collection of Dennis O. Williams\" Virginia Museum of Fine Arts. Dr. Sarah Kennel, curator. November 19, 2022- June 15 2023.\nhttps://vmfa.museum/exhibitions/exhibitions/powerful-influence-early-photographs-african-americans-collection-dennis-o-williams/","Tintypes were portable, cheap, and fast to make. They came onto the scene in 1853 and were used through 1930. Photographers could easily sell their services at fairs or travel to battlefields. Some of the most common subjects were Civil War fields and soldiers, who would send photos home to loved ones.","Tintype creates a photographic image on a thin sheet of metal or iron that has been coated with a dark lacquer or enamel.The metal plates are coated with chemicals, exposed to light in a camera, and processed with additional chemistry. This creates an underexposed negative image. When that negative is placed on a dark background, the transparent areas appear black, which makes the plate look like a positive image. ","This collection features one 2.25 X4\" tintype photograph of an unidentified African American man dressed in a three-piece suit with a bowtie, pocket square, and derby hat with a sash perched at a stylish angle on his head. The man leans against a marble column against a plain background in a studio. ","The tintype was invented in 1855, one decade before the emancipation of enslaved African Americans across the United States. His suit, medium, and background suggest a date roughly within the mid-to-late nineteenth century. ","These portraits come from a time just after emanicipation when African Americans were creating new lives for themselves. 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African Americans, whether they are in front or behind the camera, create empowering images that define the beauty and resilience contained within the Black experience.\" (1)\u003c/p\u003e\n","\u003cp\u003e\"To pose for a photograph became an empowering act for African Americans. It served as a way to counteract racist caricatures that distort facial features and mocked Black society. African Americans in urban and rural settings participated in photography to demonstrate dignity in the Black experience.\" (1)\u003c/p\u003e\n","\u003cp\u003e\"For African Americans in particular, photographic portraits offered a means of self-representation and empowerment. The abolitionist Frederick Douglass—who was himself the most photographed man of the 19th century—consistently championed the medium for its capacity to affirm the humanity and dignity of its sitters and challenge dehumanizing, racist stereotypes. Other Black Americans, including native Virginian James Presley Ball (1825–1904), practiced and shaped the medium from its earliest years.\" (2)\u003c/p\u003e\n","\u003cp\u003eSources:\n\"How Black people in the 19th century used photography as a tool for social change\"\nhttps://www.si.umich.edu/about-umsi/news/how-black-people-19th-century-used-photography-tool-social-change\u003c/p\u003e\n","\u003cp\u003e\"A Powerful Influence: Early Photographs of African Americans from the Collection of Dennis O. Williams\" Virginia Museum of Fine Arts. Dr. Sarah Kennel, curator. November 19, 2022- June 15 2023.\nhttps://vmfa.museum/exhibitions/exhibitions/powerful-influence-early-photographs-african-americans-collection-dennis-o-williams/\u003c/p\u003e\n","\u003cp\u003eTintypes were portable, cheap, and fast to make. They came onto the scene in 1853 and were used through 1930. Photographers could easily sell their services at fairs or travel to battlefields. Some of the most common subjects were Civil War fields and soldiers, who would send photos home to loved ones.\u003c/p\u003e\n","\u003cp\u003eTintype creates a photographic image on a thin sheet of metal or iron that has been coated with a dark lacquer or enamel.The metal plates are coated with chemicals, exposed to light in a camera, and processed with additional chemistry. This creates an underexposed negative image. When that negative is placed on a dark background, the transparent areas appear black, which makes the plate look like a positive image. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"African Americans' engagement with photography in the 19th century began a tradition for Black photographers' use of photography today to promote social change. African Americans, whether they are in front or behind the camera, create empowering images that define the beauty and resilience contained within the Black experience.\" (1)","\"To pose for a photograph became an empowering act for African Americans. It served as a way to counteract racist caricatures that distort facial features and mocked Black society. African Americans in urban and rural settings participated in photography to demonstrate dignity in the Black experience.\" (1)","\"For African Americans in particular, photographic portraits offered a means of self-representation and empowerment. The abolitionist Frederick Douglass—who was himself the most photographed man of the 19th century—consistently championed the medium for its capacity to affirm the humanity and dignity of its sitters and challenge dehumanizing, racist stereotypes. Other Black Americans, including native Virginian James Presley Ball (1825–1904), practiced and shaped the medium from its earliest years.\" (2)","Sources:\n\"How Black people in the 19th century used photography as a tool for social change\"\nhttps://www.si.umich.edu/about-umsi/news/how-black-people-19th-century-used-photography-tool-social-change","\"A Powerful Influence: Early Photographs of African Americans from the Collection of Dennis O. Williams\" Virginia Museum of Fine Arts. Dr. Sarah Kennel, curator. November 19, 2022- June 15 2023.\nhttps://vmfa.museum/exhibitions/exhibitions/powerful-influence-early-photographs-african-americans-collection-dennis-o-williams/","Tintypes were portable, cheap, and fast to make. They came onto the scene in 1853 and were used through 1930. Photographers could easily sell their services at fairs or travel to battlefields. Some of the most common subjects were Civil War fields and soldiers, who would send photos home to loved ones.","Tintype creates a photographic image on a thin sheet of metal or iron that has been coated with a dark lacquer or enamel.The metal plates are coated with chemicals, exposed to light in a camera, and processed with additional chemistry. This creates an underexposed negative image. When that negative is placed on a dark background, the transparent areas appear black, which makes the plate look like a positive image. "],"prefercite_html_tesm":["\u003cp\u003eMSS 16795, African American man tintype portrait, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 16795, African American man tintype portrait, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThis collection features one 2.25 X4\" tintype photograph of an unidentified African American man dressed in a three-piece suit with a bowtie, pocket square, and derby hat with a sash perched at a stylish angle on his head. The man leans against a marble column against a plain background in a studio. \u003c/p\u003e\n","\u003cp\u003eThe tintype was invented in 1855, one decade before the emancipation of enslaved African Americans across the United States. His suit, medium, and background suggest a date roughly within the mid-to-late nineteenth century. \u003c/p\u003e\n","\u003cp\u003eThese portraits come from a time just after emanicipation when African Americans were creating new lives for themselves. Photography was one way to commemorate freedom and memorialize prosperity.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection features one 2.25 X4\" tintype photograph of an unidentified African American man dressed in a three-piece suit with a bowtie, pocket square, and derby hat with a sash perched at a stylish angle on his head. The man leans against a marble column against a plain background in a studio. ","The tintype was invented in 1855, one decade before the emancipation of enslaved African Americans across the United States. His suit, medium, and background suggest a date roughly within the mid-to-late nineteenth century. ","These portraits come from a time just after emanicipation when African Americans were creating new lives for themselves. Photography was one way to commemorate freedom and memorialize prosperity."],"names_coll_ssim":["Max Rambod"],"names_ssim":["Albert and Shirley Small Special Collections Library","Max Rambod"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Max Rambod"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:41:37.131Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1551","ead_ssi":"viu_repositories_3_resources_1551","_root_":"viu_repositories_3_resources_1551","_nest_parent_":"viu_repositories_3_resources_1551","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1551.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/190885","title_filing_ssi":"African American man tintype portrait","title_ssm":["African American man tintype portrait"],"title_tesim":["African American man tintype portrait"],"unitdate_ssm":["c. 1865-1900"],"unitdate_bulk_ssim":["c. 1865-1900"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["MSS 16795","Archival Resource Key","/repositories/3/resources/1551"],"text":["MSS 16795","Archival Resource Key","/repositories/3/resources/1551","African American man tintype portrait","African American young men","tintypes (prints)","The collection is open for research use.","\"African Americans' engagement with photography in the 19th century began a tradition for Black photographers' use of photography today to promote social change. African Americans, whether they are in front or behind the camera, create empowering images that define the beauty and resilience contained within the Black experience.\" (1)","\"To pose for a photograph became an empowering act for African Americans. It served as a way to counteract racist caricatures that distort facial features and mocked Black society. African Americans in urban and rural settings participated in photography to demonstrate dignity in the Black experience.\" (1)","\"For African Americans in particular, photographic portraits offered a means of self-representation and empowerment. The abolitionist Frederick Douglass—who was himself the most photographed man of the 19th century—consistently championed the medium for its capacity to affirm the humanity and dignity of its sitters and challenge dehumanizing, racist stereotypes. Other Black Americans, including native Virginian James Presley Ball (1825–1904), practiced and shaped the medium from its earliest years.\" (2)","Sources:\n\"How Black people in the 19th century used photography as a tool for social change\"\nhttps://www.si.umich.edu/about-umsi/news/how-black-people-19th-century-used-photography-tool-social-change","\"A Powerful Influence: Early Photographs of African Americans from the Collection of Dennis O. Williams\" Virginia Museum of Fine Arts. Dr. Sarah Kennel, curator. November 19, 2022- June 15 2023.\nhttps://vmfa.museum/exhibitions/exhibitions/powerful-influence-early-photographs-african-americans-collection-dennis-o-williams/","Tintypes were portable, cheap, and fast to make. They came onto the scene in 1853 and were used through 1930. Photographers could easily sell their services at fairs or travel to battlefields. Some of the most common subjects were Civil War fields and soldiers, who would send photos home to loved ones.","Tintype creates a photographic image on a thin sheet of metal or iron that has been coated with a dark lacquer or enamel.The metal plates are coated with chemicals, exposed to light in a camera, and processed with additional chemistry. This creates an underexposed negative image. When that negative is placed on a dark background, the transparent areas appear black, which makes the plate look like a positive image. ","This collection features one 2.25 X4\" tintype photograph of an unidentified African American man dressed in a three-piece suit with a bowtie, pocket square, and derby hat with a sash perched at a stylish angle on his head. The man leans against a marble column against a plain background in a studio. ","The tintype was invented in 1855, one decade before the emancipation of enslaved African Americans across the United States. His suit, medium, and background suggest a date roughly within the mid-to-late nineteenth century. ","These portraits come from a time just after emanicipation when African Americans were creating new lives for themselves. Photography was one way to commemorate freedom and memorialize prosperity.","Albert and Shirley Small Special Collections Library","Max Rambod","English"],"unitid_tesim":["MSS 16795","Archival Resource Key","/repositories/3/resources/1551"],"normalized_title_ssm":["African American man tintype portrait"],"collection_title_tesim":["African American man tintype portrait"],"collection_ssim":["African American man tintype portrait"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Max Rambod"],"creator_ssim":["Max Rambod"],"creator_corpname_ssim":["Max Rambod"],"creators_ssim":["Max Rambod"],"acqinfo_ssim":["This collection was purchased from Max Rambod, Inc. by the Small Special Collections Library at the University of Virginia Library on 1 March 2023."],"access_subjects_ssim":["African American young men","tintypes (prints)"],"access_subjects_ssm":["African American young men","tintypes (prints)"],"has_online_content_ssim":["false"],"extent_ssm":["0.03 Cubic Feet One letter-sized folder."],"extent_tesim":["0.03 Cubic Feet One letter-sized folder."],"genreform_ssim":["tintypes (prints)"],"date_range_isim":[1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003e\"African Americans' engagement with photography in the 19th century began a tradition for Black photographers' use of photography today to promote social change. African Americans, whether they are in front or behind the camera, create empowering images that define the beauty and resilience contained within the Black experience.\" (1)\u003c/p\u003e\n","\u003cp\u003e\"To pose for a photograph became an empowering act for African Americans. It served as a way to counteract racist caricatures that distort facial features and mocked Black society. African Americans in urban and rural settings participated in photography to demonstrate dignity in the Black experience.\" (1)\u003c/p\u003e\n","\u003cp\u003e\"For African Americans in particular, photographic portraits offered a means of self-representation and empowerment. The abolitionist Frederick Douglass—who was himself the most photographed man of the 19th century—consistently championed the medium for its capacity to affirm the humanity and dignity of its sitters and challenge dehumanizing, racist stereotypes. Other Black Americans, including native Virginian James Presley Ball (1825–1904), practiced and shaped the medium from its earliest years.\" (2)\u003c/p\u003e\n","\u003cp\u003eSources:\n\"How Black people in the 19th century used photography as a tool for social change\"\nhttps://www.si.umich.edu/about-umsi/news/how-black-people-19th-century-used-photography-tool-social-change\u003c/p\u003e\n","\u003cp\u003e\"A Powerful Influence: Early Photographs of African Americans from the Collection of Dennis O. Williams\" Virginia Museum of Fine Arts. Dr. Sarah Kennel, curator. November 19, 2022- June 15 2023.\nhttps://vmfa.museum/exhibitions/exhibitions/powerful-influence-early-photographs-african-americans-collection-dennis-o-williams/\u003c/p\u003e\n","\u003cp\u003eTintypes were portable, cheap, and fast to make. They came onto the scene in 1853 and were used through 1930. Photographers could easily sell their services at fairs or travel to battlefields. Some of the most common subjects were Civil War fields and soldiers, who would send photos home to loved ones.\u003c/p\u003e\n","\u003cp\u003eTintype creates a photographic image on a thin sheet of metal or iron that has been coated with a dark lacquer or enamel.The metal plates are coated with chemicals, exposed to light in a camera, and processed with additional chemistry. This creates an underexposed negative image. When that negative is placed on a dark background, the transparent areas appear black, which makes the plate look like a positive image. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"African Americans' engagement with photography in the 19th century began a tradition for Black photographers' use of photography today to promote social change. African Americans, whether they are in front or behind the camera, create empowering images that define the beauty and resilience contained within the Black experience.\" (1)","\"To pose for a photograph became an empowering act for African Americans. It served as a way to counteract racist caricatures that distort facial features and mocked Black society. African Americans in urban and rural settings participated in photography to demonstrate dignity in the Black experience.\" (1)","\"For African Americans in particular, photographic portraits offered a means of self-representation and empowerment. The abolitionist Frederick Douglass—who was himself the most photographed man of the 19th century—consistently championed the medium for its capacity to affirm the humanity and dignity of its sitters and challenge dehumanizing, racist stereotypes. Other Black Americans, including native Virginian James Presley Ball (1825–1904), practiced and shaped the medium from its earliest years.\" (2)","Sources:\n\"How Black people in the 19th century used photography as a tool for social change\"\nhttps://www.si.umich.edu/about-umsi/news/how-black-people-19th-century-used-photography-tool-social-change","\"A Powerful Influence: Early Photographs of African Americans from the Collection of Dennis O. Williams\" Virginia Museum of Fine Arts. Dr. Sarah Kennel, curator. November 19, 2022- June 15 2023.\nhttps://vmfa.museum/exhibitions/exhibitions/powerful-influence-early-photographs-african-americans-collection-dennis-o-williams/","Tintypes were portable, cheap, and fast to make. They came onto the scene in 1853 and were used through 1930. Photographers could easily sell their services at fairs or travel to battlefields. Some of the most common subjects were Civil War fields and soldiers, who would send photos home to loved ones.","Tintype creates a photographic image on a thin sheet of metal or iron that has been coated with a dark lacquer or enamel.The metal plates are coated with chemicals, exposed to light in a camera, and processed with additional chemistry. This creates an underexposed negative image. When that negative is placed on a dark background, the transparent areas appear black, which makes the plate look like a positive image. "],"prefercite_html_tesm":["\u003cp\u003eMSS 16795, African American man tintype portrait, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 16795, African American man tintype portrait, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThis collection features one 2.25 X4\" tintype photograph of an unidentified African American man dressed in a three-piece suit with a bowtie, pocket square, and derby hat with a sash perched at a stylish angle on his head. The man leans against a marble column against a plain background in a studio. \u003c/p\u003e\n","\u003cp\u003eThe tintype was invented in 1855, one decade before the emancipation of enslaved African Americans across the United States. His suit, medium, and background suggest a date roughly within the mid-to-late nineteenth century. \u003c/p\u003e\n","\u003cp\u003eThese portraits come from a time just after emanicipation when African Americans were creating new lives for themselves. Photography was one way to commemorate freedom and memorialize prosperity.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection features one 2.25 X4\" tintype photograph of an unidentified African American man dressed in a three-piece suit with a bowtie, pocket square, and derby hat with a sash perched at a stylish angle on his head. The man leans against a marble column against a plain background in a studio. ","The tintype was invented in 1855, one decade before the emancipation of enslaved African Americans across the United States. His suit, medium, and background suggest a date roughly within the mid-to-late nineteenth century. ","These portraits come from a time just after emanicipation when African Americans were creating new lives for themselves. Photography was one way to commemorate freedom and memorialize prosperity."],"names_coll_ssim":["Max Rambod"],"names_ssim":["Albert and Shirley Small Special Collections Library","Max Rambod"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Max Rambod"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:41:37.131Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1551"}},{"id":"viw_repositories_2_resources_7514","type":"collection","attributes":{"title":"African American Stereoview Collection","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_7514#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains numerous stereograms taken throughout the Jim Crow Era. The stereograms portray the racist attitudes of the time period. Stereograms are an early form of photography which was often used for educational purposes. When a view finder is used to look at the stereograms, the images appear to be three dimensional.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_7514#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_7514","ead_ssi":"viw_repositories_2_resources_7514","_root_":"viw_repositories_2_resources_7514","_nest_parent_":"viw_repositories_2_resources_7514","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_7514.xml","title_ssm":["African American Stereoview Collection"],"title_tesim":["African American Stereoview Collection"],"unitdate_ssm":["1860-1901 and undated"],"unitdate_inclusive_ssm":["1860-1901 and undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00129","/repositories/2/resources/7514"],"text":["MS 00129","/repositories/2/resources/7514","African American Stereoview Collection","African Americans--History.","Stereoscopic photographs","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection contains numerous stereograms taken throughout the Jim Crow Era. The stereograms portray the racist attitudes of the time period. Stereograms are an early form of photography which was often used for educational purposes. When a view finder is used to look at the stereograms, the images appear to be three dimensional.","This stereograph is faded photograph of a man in blackface playing the fiddle.  The stereogram is very early, probably around 1860.","This stereogram (previously titled \"A Negro Family\") introduces the story of an African American family. The family members, who appear to Caucasians in black face, are looking at a raccoon up in a tree. Instead, it is the father of the family who falls out of the tree.","This stereogram (previously titled \"A Negro Family\") concludes the story of an African American family. The family members, who appear to Caucasians in black face, are looking at a raccoon up in a tree. Instead, it is the father of the family who falls out of the tree.","This stereoview portrays African Americans at a poker party. It was produced by Berry, Kelley and Chadwick of Philadelphia.","This stereogram features a man and woman in blackface, embracing on a swing.","This stereogram depicts an African American man and woman and their dog sitting on a large pile on cotton. A young boy is peeking over the top of the pile.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00129","/repositories/2/resources/7514"],"normalized_title_ssm":["African American Stereoview Collection"],"collection_title_tesim":["African American Stereoview Collection"],"collection_ssim":["African American Stereoview Collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["African Americans--History."],"geogname_ssim":["African Americans--History."],"places_ssim":["African Americans--History."],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Stereoscopic photographs"],"access_subjects_ssm":["Stereoscopic photographs"],"has_online_content_ssim":["false"],"extent_ssm":["0.50 Linear Feet"],"extent_tesim":["0.50 Linear Feet"],"genreform_ssim":["Stereoscopic photographs"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains numerous stereograms taken throughout the Jim Crow Era. The stereograms portray the racist attitudes of the time period. Stereograms are an early form of photography which was often used for educational purposes. When a view finder is used to look at the stereograms, the images appear to be three dimensional.\u003c/p\u003e","\u003cp\u003eThis stereograph is faded photograph of a man in blackface playing the fiddle.  The stereogram is very early, probably around 1860.\u003c/p\u003e","\u003cp\u003eThis stereogram (previously titled \"A Negro Family\") introduces the story of an African American family. The family members, who appear to Caucasians in black face, are looking at a raccoon up in a tree. Instead, it is the father of the family who falls out of the tree.\u003c/p\u003e","\u003cp\u003eThis stereogram (previously titled \"A Negro Family\") concludes the story of an African American family. The family members, who appear to Caucasians in black face, are looking at a raccoon up in a tree. Instead, it is the father of the family who falls out of the tree.\u003c/p\u003e","\u003cp\u003eThis stereoview portrays African Americans at a poker party. It was produced by Berry, Kelley and Chadwick of Philadelphia.\u003c/p\u003e","\u003cp\u003eThis stereogram features a man and woman in blackface, embracing on a swing.\u003c/p\u003e","\u003cp\u003eThis stereogram depicts an African American man and woman and their dog sitting on a large pile on cotton. A young boy is peeking over the top of the pile.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains numerous stereograms taken throughout the Jim Crow Era. The stereograms portray the racist attitudes of the time period. Stereograms are an early form of photography which was often used for educational purposes. When a view finder is used to look at the stereograms, the images appear to be three dimensional.","This stereograph is faded photograph of a man in blackface playing the fiddle.  The stereogram is very early, probably around 1860.","This stereogram (previously titled \"A Negro Family\") introduces the story of an African American family. The family members, who appear to Caucasians in black face, are looking at a raccoon up in a tree. Instead, it is the father of the family who falls out of the tree.","This stereogram (previously titled \"A Negro Family\") concludes the story of an African American family. The family members, who appear to Caucasians in black face, are looking at a raccoon up in a tree. Instead, it is the father of the family who falls out of the tree.","This stereoview portrays African Americans at a poker party. It was produced by Berry, Kelley and Chadwick of Philadelphia.","This stereogram features a man and woman in blackface, embracing on a swing.","This stereogram depicts an African American man and woman and their dog sitting on a large pile on cotton. A young boy is peeking over the top of the pile."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":31,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:37:01.998Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_7514","ead_ssi":"viw_repositories_2_resources_7514","_root_":"viw_repositories_2_resources_7514","_nest_parent_":"viw_repositories_2_resources_7514","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_7514.xml","title_ssm":["African American Stereoview Collection"],"title_tesim":["African American Stereoview Collection"],"unitdate_ssm":["1860-1901 and undated"],"unitdate_inclusive_ssm":["1860-1901 and undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00129","/repositories/2/resources/7514"],"text":["MS 00129","/repositories/2/resources/7514","African American Stereoview Collection","African Americans--History.","Stereoscopic photographs","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection contains numerous stereograms taken throughout the Jim Crow Era. The stereograms portray the racist attitudes of the time period. Stereograms are an early form of photography which was often used for educational purposes. When a view finder is used to look at the stereograms, the images appear to be three dimensional.","This stereograph is faded photograph of a man in blackface playing the fiddle.  The stereogram is very early, probably around 1860.","This stereogram (previously titled \"A Negro Family\") introduces the story of an African American family. The family members, who appear to Caucasians in black face, are looking at a raccoon up in a tree. Instead, it is the father of the family who falls out of the tree.","This stereogram (previously titled \"A Negro Family\") concludes the story of an African American family. The family members, who appear to Caucasians in black face, are looking at a raccoon up in a tree. Instead, it is the father of the family who falls out of the tree.","This stereoview portrays African Americans at a poker party. It was produced by Berry, Kelley and Chadwick of Philadelphia.","This stereogram features a man and woman in blackface, embracing on a swing.","This stereogram depicts an African American man and woman and their dog sitting on a large pile on cotton. A young boy is peeking over the top of the pile.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00129","/repositories/2/resources/7514"],"normalized_title_ssm":["African American Stereoview Collection"],"collection_title_tesim":["African American Stereoview Collection"],"collection_ssim":["African American Stereoview Collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["African Americans--History."],"geogname_ssim":["African Americans--History."],"places_ssim":["African Americans--History."],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Stereoscopic photographs"],"access_subjects_ssm":["Stereoscopic photographs"],"has_online_content_ssim":["false"],"extent_ssm":["0.50 Linear Feet"],"extent_tesim":["0.50 Linear Feet"],"genreform_ssim":["Stereoscopic photographs"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains numerous stereograms taken throughout the Jim Crow Era. The stereograms portray the racist attitudes of the time period. Stereograms are an early form of photography which was often used for educational purposes. When a view finder is used to look at the stereograms, the images appear to be three dimensional.\u003c/p\u003e","\u003cp\u003eThis stereograph is faded photograph of a man in blackface playing the fiddle.  The stereogram is very early, probably around 1860.\u003c/p\u003e","\u003cp\u003eThis stereogram (previously titled \"A Negro Family\") introduces the story of an African American family. The family members, who appear to Caucasians in black face, are looking at a raccoon up in a tree. Instead, it is the father of the family who falls out of the tree.\u003c/p\u003e","\u003cp\u003eThis stereogram (previously titled \"A Negro Family\") concludes the story of an African American family. The family members, who appear to Caucasians in black face, are looking at a raccoon up in a tree. Instead, it is the father of the family who falls out of the tree.\u003c/p\u003e","\u003cp\u003eThis stereoview portrays African Americans at a poker party. It was produced by Berry, Kelley and Chadwick of Philadelphia.\u003c/p\u003e","\u003cp\u003eThis stereogram features a man and woman in blackface, embracing on a swing.\u003c/p\u003e","\u003cp\u003eThis stereogram depicts an African American man and woman and their dog sitting on a large pile on cotton. A young boy is peeking over the top of the pile.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains numerous stereograms taken throughout the Jim Crow Era. The stereograms portray the racist attitudes of the time period. Stereograms are an early form of photography which was often used for educational purposes. When a view finder is used to look at the stereograms, the images appear to be three dimensional.","This stereograph is faded photograph of a man in blackface playing the fiddle.  The stereogram is very early, probably around 1860.","This stereogram (previously titled \"A Negro Family\") introduces the story of an African American family. The family members, who appear to Caucasians in black face, are looking at a raccoon up in a tree. Instead, it is the father of the family who falls out of the tree.","This stereogram (previously titled \"A Negro Family\") concludes the story of an African American family. The family members, who appear to Caucasians in black face, are looking at a raccoon up in a tree. Instead, it is the father of the family who falls out of the tree.","This stereoview portrays African Americans at a poker party. It was produced by Berry, Kelley and Chadwick of Philadelphia.","This stereogram features a man and woman in blackface, embracing on a swing.","This stereogram depicts an African American man and woman and their dog sitting on a large pile on cotton. A young boy is peeking over the top of the pile."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":31,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:37:01.998Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_7514"}},{"id":"vilxw_repositories_5_resources_1174","type":"collection","attributes":{"title":"African and African American photograph collection","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_1174#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains images of both African and African American individuals. The subjects photographed include military personnel, men, women, and children. Some individuals were photographed inside of a photographer's studio. The images vary in size and format and range in date from circa 1850s-1945. Each item has a description at the file level.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_1174#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vilxw_repositories_5_resources_1174","ead_ssi":"vilxw_repositories_5_resources_1174","_root_":"vilxw_repositories_5_resources_1174","_nest_parent_":"vilxw_repositories_5_resources_1174","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_1174.xml","title_filing_ssi":"African and African American photograph collection","title_ssm":["African and African American photograph collection"],"title_tesim":["African and African American photograph collection"],"unitdate_ssm":["circa 1850s-1945"],"unitdate_inclusive_ssm":["circa 1850s-1945"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0552","/repositories/5/resources/1174"],"text":["WLU.Coll.0552","/repositories/5/resources/1174","African and African American photograph collection","African American children","African Americans","Carte de visite photographs","Tintype","Ambrotype","African American women","African American men","African American soldiers","This collection is open for research use.","This collection contains images of both African and African American individuals. The subjects photographed include military personnel, men, women, and children. Some individuals were photographed inside of a photographer's studio. The images vary in size and format and range in date from circa 1850s-1945. Each item has a description at the file level.","Cased ambrotype photograph of a young woman who is posted standing. Her left arm is resting beside a book on a round table. The image is almost a full portrait.","Cased tintype of a girl who appears to be in her teenage years. She is posed sitting in a high back chair. She is holding a hat in her lap.","Carte de visite full-portrait image of a woman. She is posed standing with her left hand resting on a chair. Her right hand is holding a hat. Photography studio was Christmas and Zay's of Mansfield, Ohio.","Twenty-nine images dating from circa 1860s-1870s of the Patterson family in Richmond, Virginia. There are twenty tintypes and nine carte de visites. ","Tintype full-portrait of a woman. She is posed standing with her left hand resting on an object on a table top. Her right hand is hold the handle of a parasol. She is wearing a hat and a sash. The sash has been hand colored. Photographer was C. Campbell of Richmond.","Tintype full-portrait of a man. He is posed standing with his right arm resting against a stand. He is wearing a hat. Photographer was C. Campbell of Richmond.","Tintype portrait of a young woman. She is wearing a net bonnet with a ribbon and a necklace (choker).","Tintype portrait of a young woman. She is posed sitting in a chair. Her left hand is resting on the chair's arm, and she is wearing a ring on her left hand pointer finger. Her right hand is resting in her lap. She is wearing a hat, a brooch, and earrings.","Tintype portrait of a young man. His suit jacket is buttoned, and he is wearing a tie.","Tintype portrait of an older man. He is posed sitting down. His right hand is holding his jacket lapel. He is wearing a vest and a tie. His pocket watch fob chain is visible.","Tintype portrait of a young woman. She is posed sitting down. Her left arm is resting on a table top. She is wearing a bonnet with flowers. The flowers have been hand colored. She is wearing a ring on each hand.","Tintype portrait of a young man. He is posed sitting down with his left arm resting against a table top. The middle button on his vest is undone. His cheeks appear to have been hand colored.","Tintype portrait of a young man. He is posted sitting down. His pocket watch fob chain is visit. It appears his cheeks have been hand colored. He is wearing a ring on his left pinky finger. It also looks like he is wearing a stick pin in the lapel of his vest. The back of the tintype frame has been covered by newsprint.","Tintype portrait of a young man. His cheeks appear to have been hand colored. His tie tack is visible. There is writing on the back that may be his name, but it's hard to make out.","Tintype portrait of an older man. He is posed sitting down. His right arm is resting on the chair arm. His left arm is resting on his lap. His pocket watch fob chain is visible.","Tintype full-portrait of a young man. He is posed standing behind a chair with is left hand fingers touching the chair back. He is wearing a hat.","Tintype full-portrait of a girl. She is posed standing beside a prop which looks like a wooden fence. Her right hand is resting on the prop. She has bows in her hair.","Tintype full-portrait of an older woman. She is posed sitting on what looks to be crates draped in fabric. She is wearing a head scarf. It appears she is also wearing earrings and maybe a cuff bracelet on her left wrist.","Tintype portrait of a young woman. She is posed sitting. Her right arm is resting on a pile of two books. She is wearing what looks like a hair band.","Tintype full-portrait of a girl. She is posed standing between a tree stump prop and a chair. Her left arm is resting on the chair. She is wearing a ring on her left hand.","Tintype full-portrait of a young woman. She is posed standing next to a prop. Her left arm is resting on the prop. She has a kerchief around her neck and a hat or head covering.","Tintype portrait of a young man. He is posed seated with his left arm resting on the chair arm. He is wearing a tie tack and a ring on the pinky finger of his left hand.","Tintype portrait of a young man. His cheeks appear to have been hand colored. He is posed seated with his left hand holding onto the chair arm. He is holding something in his right hand. His pocket watch fob chain is visible as is a tie tack.","Tintype portrait of a young woman. She may be wearing a brooch. She is wearing earrings. She is identified as Laura Johnson.","Carte de visite portrait of a young man. His cheeks appear to have been hand colored. He is posed sitting down with his right arm resting on top of the back of the chair. He may be wearing a ring on the pinky finger of his left hand. The photographer was P. E. Gibbs of Richmond.","Carte de visite portrait of a young woman. Her cheeks appear to have been hand colored. She is posed standing with her arms crossed and resting on a prop. She is wearing a wedding band. The photographer was G. W. Davis of Richmond.","Carte de visite portrait of a young woman. There is spotting on the image. She is wearing a necklace and appears to have pin keeping her collar closed. She is identified as Estelle Patterson of Richmond. The photographer was Campbell's Photographic Gallery in Richmond.","There are six additional carte de visites which are believed to be associated with the Pattersons but in an unclear way. One or two of the subjects may be mixed race but the others are caucasian.","Carte de visite portrait of a young woman. There is some hand coloring on her face and hat. She is wearing a brooch. The photographer was Campbell's Photographic Art Gallery of Richmond.","Carte de visite portait of a young woman. Likely a copy of an earlier image. She is wearing earrings. The photographer was C. R. Rees and Bro. of Richmond.","Carte de visite portrait of a young woman. Likely a copy of an earlier image. She is wearing a net bonnet. She may be wearing earrings. She is identified as \"Cousin Mollie.\" The photographer was C. R. Rees and Bro. of Richmond.","Carte de visite portrait of a young man/older boy. Likely a copy of an earlier image. Photographer was Lee Gallery of Richmond.","Carte de visite full-portrait of a girl. She is posed sitting down wither her legs crossed and feet resting on a stool. Her left hand is pressed against the left side of her jaw and her left elbow is resting on a table top. She is holdin a book in her right hand. The photographer was C. R. Rees and Bro. of Richmond.","Carte de visite full-portrait of a baby. Likely a copy of an earlier image. The photographer was Frayser of Richmond.","There is also a ticket for 1/2 pound of coffee from the Canton Tea Compnay located in Richmond. On the back is stamped the name \"L. T. Robertson.\"","Tintype full-body portrait of a young boy. He is posed standing next to a stand with a round top. His right hand is resting on top of a pile of two books. His feet are bare.","Carte de visite full-portrait image of an elderly man. He is posed sitting in a chair. He is holding a cane with this left hand. A top hat is laying upside down on the floor beside him. The photograph was made by Manchester Bros. of Providence, Rhode Island.","Carte de visite of an elderly woman. It is not a full-portrait image and is likely a copy made from an earlier image. She is wearing a bonnet. Writing on the back indicates this photograph was once in an album. Someone has written a name on the back \"Mrs. [indecipherable] Gather.\"","Full length portrait of Nancy Wilson wearing a dress with one hand resting on a chair. There is a handwritten note on the back of the photograph that reads, \"My Mother, Nancy Wilson born 1844. 66 years old when she passed.\" The note is dated 1910.","Sepia-toned gelatin silver photograph mounted on cardstock. The image is of a woman posed standing with her right hand resting on a wicker chair.","Published by Strohmeyer and Wyman of New York, NY and sold by Underwood \u0026 Underwood, this stereoview shows five African American children sitting on a floor and eating watermelon. The reverse includes an ink inscription \"Anna E. Ward, July 18, 1894, from 'Papa.'\"","Sepia-toned image is mounted on thick cardstock. The young woman is in a light colored dress and seated on a porch. Her right arm is draped around the dog.","Copyrighted in 1896 by B. W. Kilbourn of Littleton, New Hampshire, this stereoview image shows 24 African men, women, and children posed with statues and musical instruments. They are gathered under a decorative umbrella at the 1895 Cotton States International Exposition. This was the third and final Cotton Exposition held in Atlanta. Its purpose was to foster trade between southern states and South American nations as well as to show the products and facilities of the region to the rest of the nation and to Europe.","Gelatin silver full-length postcard photograph of two young cowboys. One is wearing chaps, a white shirt, and a bandana tied around his neck. He is also wearing a gun holster. He's holding a revolver in his right hand. The other individual is wearing denim pants and a white shirt. He is holding a rifle in his right hand. Both are wearing cowboy hats but neither is wearing cowboy boots.","Gelatin silver print photograph mounted on cardstock. Cheyne's Studio of Hampton, Virginia is stamped on the lower mount. The image features seven Hampton Normal School students posted for a professional portrait in 1916. Hampton Normal School is now Hampton University. The male students are both African American and Indigenous. They are all dressed in the same military uniform, some with ranks on their sleeves. Five of the students are standing in a formal pose with their hands at their sides. Two students are seating in chairs with hands clasped. Placed between the seated students is a large potted plant on a stand. At the base of the stand is a lettered sign that reads: \"Success / Agr\" with a pictorial vignette of a white plow, a growing plant, and a white cloud and \"1916 / Crowns Labor.\"","These students may have been the first class of ROTC cadets. ROTC started in 1916 at Hampton.","Published by the Keystone View Company in circa 1918, this stereoview card was issued as 19118. The caption reads \"Uncle Sam Provides for Comfort of His Soldiers. Colored Troops En Route to France. Taking Train Rest at Railway Division Front.\" The reverse provides two paragraphs of text about the photograph.","Sepia-toned gelatin silver photograph of a young woman wearing an overcoat and holding a hat. She is posed standing beside a chair with her right arm leaning against the top. The photographer was Benjamin Blakemore at his studio in Staunton, Virginia.","Sepia-toned gelatin silver photograph of a young woman posed seated with a child on her lap and a child seated on her left. This image might have been taken a studio in Staunton, Virginia.","Gelatin silver print that has been hand-tinted. The image is of two men. One man is a sailor with the U. S. Navy. He's wearing a blue sailor's uniform including the beret. He is wearing a white carnation. The other man is wearing a gray pinstriped suit and a fedora. He is also wearing a white carnation. The image appears to have been take in a photographer's studio.","Gelatin silver print of a USMC platoon likely taken during basic training. The USMC established a segregated basic training camp at Camp Lejeune, NC called Montford Point. The photographer's stamp on the back is for Henry Renfrew of Jacksonville, North Carolina, which means this platoon was likely at Montford Point, circa 1943-1943. The marines are wearing their Summer Service uniform, including sabres. Most have rifles at their side. Many of the marines are indentified in pencil on the back. A few are identified in ink on the front.","Tintype studio photograph of a couple. The woman has shoulder-length curly hair and wears a tiered longsleeve dress with a brooch at the collar. The man dresses in a suit and tie with a long sportcoat. He has short hair and a goatee. Their elbows rest on a column with a decoration on top.","Sixth plate tintype studio image of a woman and a young girl. The woman wears a light-colored patterned gown and a straw hat. She sits on a chair. A young girl stands beside her and rests a hand on her shoulder. The young girl wears a white dress and boots. They are posed before a painted backdrop of a garden. The ground is covered in grass and leaves.","Studio portrait of an unidentified officer in the Uniform Rank of the Knights of Pythias. The photograph is from the C. W. Borah studio in Columbus, Ohio. The man is photographed in full regalia. He wears a double-breasted frock coat which features two vertical rows of polished brass buttons, shoulder epaulets, and a high collar. He wears a chapeau with a folded brim and a side plume. A ceremonial sword rests in his gloved hand. He wears several medals and ribbons.","Large albumen photograph of African American barbers. Photograph shows five men in white coats and bow ties standing beside velvet upholstered barber's chairs lining a long counter, ornate mirrors above each station. The men rest their hands on the chairs.","Panoramic sepia toned gelatin silver photograph of a group of unidentified African American soldiers in the U. S. Army during the circa 1940s. The photograph features 88 soldiers along with 5 white officers.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source.","Washington and Lee University, University Library Special Collections and Archives","English"],"unitid_tesim":["WLU.Coll.0552","/repositories/5/resources/1174"],"normalized_title_ssm":["African and African American photograph collection"],"collection_title_tesim":["African and African American photograph collection"],"collection_ssim":["African and African American photograph collection"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source."],"acqinfo_ssim":["Purchases in November 2023 and June 2024"],"access_subjects_ssim":["African American children","African Americans","Carte de visite photographs","Tintype","Ambrotype","African American women","African American men","African American soldiers"],"access_subjects_ssm":["African American children","African Americans","Carte de visite photographs","Tintype","Ambrotype","African American women","African American men","African American soldiers"],"has_online_content_ssim":["false"],"extent_ssm":["2.5 Linear Feet one document case, 1 folder in a shared box, 1 oversize folder"],"extent_tesim":["2.5 Linear Feet one document case, 1 folder in a shared box, 1 oversize folder"],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], African and African American Photograph Collection (WLU Coll. 0552), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], African and African American Photograph Collection (WLU Coll. 0552), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains images of both African and African American individuals. The subjects photographed include military personnel, men, women, and children. Some individuals were photographed inside of a photographer's studio. The images vary in size and format and range in date from circa 1850s-1945. Each item has a description at the file level.\u003c/p\u003e","\u003cp\u003eCased ambrotype photograph of a young woman who is posted standing. Her left arm is resting beside a book on a round table. The image is almost a full portrait.\u003c/p\u003e","\u003cp\u003eCased tintype of a girl who appears to be in her teenage years. She is posed sitting in a high back chair. She is holding a hat in her lap.\u003c/p\u003e","\u003cp\u003eCarte de visite full-portrait image of a woman. She is posed standing with her left hand resting on a chair. Her right hand is holding a hat. Photography studio was Christmas and Zay's of Mansfield, Ohio.\u003c/p\u003e","\u003cp\u003eTwenty-nine images dating from circa 1860s-1870s of the Patterson family in Richmond, Virginia. There are twenty tintypes and nine carte de visites. \u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of a woman. She is posed standing with her left hand resting on an object on a table top. Her right hand is hold the handle of a parasol. She is wearing a hat and a sash. The sash has been hand colored. Photographer was C. Campbell of Richmond.\u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of a man. He is posed standing with his right arm resting against a stand. He is wearing a hat. Photographer was C. Campbell of Richmond.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young woman. She is wearing a net bonnet with a ribbon and a necklace (choker).\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young woman. She is posed sitting in a chair. Her left hand is resting on the chair's arm, and she is wearing a ring on her left hand pointer finger. Her right hand is resting in her lap. She is wearing a hat, a brooch, and earrings.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young man. His suit jacket is buttoned, and he is wearing a tie.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of an older man. He is posed sitting down. His right hand is holding his jacket lapel. He is wearing a vest and a tie. His pocket watch fob chain is visible.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young woman. She is posed sitting down. Her left arm is resting on a table top. She is wearing a bonnet with flowers. The flowers have been hand colored. She is wearing a ring on each hand.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young man. He is posed sitting down with his left arm resting against a table top. The middle button on his vest is undone. His cheeks appear to have been hand colored.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young man. He is posted sitting down. His pocket watch fob chain is visit. It appears his cheeks have been hand colored. He is wearing a ring on his left pinky finger. It also looks like he is wearing a stick pin in the lapel of his vest. The back of the tintype frame has been covered by newsprint.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young man. His cheeks appear to have been hand colored. His tie tack is visible. There is writing on the back that may be his name, but it's hard to make out.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of an older man. He is posed sitting down. His right arm is resting on the chair arm. His left arm is resting on his lap. His pocket watch fob chain is visible.\u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of a young man. He is posed standing behind a chair with is left hand fingers touching the chair back. He is wearing a hat.\u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of a girl. She is posed standing beside a prop which looks like a wooden fence. Her right hand is resting on the prop. She has bows in her hair.\u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of an older woman. She is posed sitting on what looks to be crates draped in fabric. She is wearing a head scarf. It appears she is also wearing earrings and maybe a cuff bracelet on her left wrist.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young woman. She is posed sitting. Her right arm is resting on a pile of two books. She is wearing what looks like a hair band.\u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of a girl. She is posed standing between a tree stump prop and a chair. Her left arm is resting on the chair. She is wearing a ring on her left hand.\u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of a young woman. She is posed standing next to a prop. Her left arm is resting on the prop. She has a kerchief around her neck and a hat or head covering.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young man. He is posed seated with his left arm resting on the chair arm. He is wearing a tie tack and a ring on the pinky finger of his left hand.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young man. His cheeks appear to have been hand colored. He is posed seated with his left hand holding onto the chair arm. He is holding something in his right hand. His pocket watch fob chain is visible as is a tie tack.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young woman. She may be wearing a brooch. She is wearing earrings. She is identified as Laura Johnson.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portrait of a young man. His cheeks appear to have been hand colored. He is posed sitting down with his right arm resting on top of the back of the chair. He may be wearing a ring on the pinky finger of his left hand. The photographer was P. E. Gibbs of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portrait of a young woman. Her cheeks appear to have been hand colored. She is posed standing with her arms crossed and resting on a prop. She is wearing a wedding band. The photographer was G. W. Davis of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portrait of a young woman. There is spotting on the image. She is wearing a necklace and appears to have pin keeping her collar closed. She is identified as Estelle Patterson of Richmond. The photographer was Campbell's Photographic Gallery in Richmond.\u003c/p\u003e\n","\u003cp\u003eThere are six additional carte de visites which are believed to be associated with the Pattersons but in an unclear way. One or two of the subjects may be mixed race but the others are caucasian.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portrait of a young woman. There is some hand coloring on her face and hat. She is wearing a brooch. The photographer was Campbell's Photographic Art Gallery of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portait of a young woman. Likely a copy of an earlier image. She is wearing earrings. The photographer was C. R. Rees and Bro. of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portrait of a young woman. Likely a copy of an earlier image. She is wearing a net bonnet. She may be wearing earrings. She is identified as \"Cousin Mollie.\" The photographer was C. R. Rees and Bro. of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portrait of a young man/older boy. Likely a copy of an earlier image. Photographer was Lee Gallery of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite full-portrait of a girl. She is posed sitting down wither her legs crossed and feet resting on a stool. Her left hand is pressed against the left side of her jaw and her left elbow is resting on a table top. She is holdin a book in her right hand. The photographer was C. R. Rees and Bro. of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite full-portrait of a baby. Likely a copy of an earlier image. The photographer was Frayser of Richmond.\u003c/p\u003e\n","\u003cp\u003eThere is also a ticket for 1/2 pound of coffee from the Canton Tea Compnay located in Richmond. On the back is stamped the name \"L. T. Robertson.\"\u003c/p\u003e","\u003cp\u003eTintype full-body portrait of a young boy. He is posed standing next to a stand with a round top. His right hand is resting on top of a pile of two books. His feet are bare.\u003c/p\u003e","\u003cp\u003eCarte de visite full-portrait image of an elderly man. He is posed sitting in a chair. He is holding a cane with this left hand. A top hat is laying upside down on the floor beside him. The photograph was made by Manchester Bros. of Providence, Rhode Island.\u003c/p\u003e","\u003cp\u003eCarte de visite of an elderly woman. It is not a full-portrait image and is likely a copy made from an earlier image. She is wearing a bonnet. Writing on the back indicates this photograph was once in an album. Someone has written a name on the back \"Mrs. [indecipherable] Gather.\"\u003c/p\u003e","\u003cp\u003eFull length portrait of Nancy Wilson wearing a dress with one hand resting on a chair. There is a handwritten note on the back of the photograph that reads, \"My Mother, Nancy Wilson born 1844. 66 years old when she passed.\" The note is dated 1910.\u003c/p\u003e","\u003cp\u003eSepia-toned gelatin silver photograph mounted on cardstock. The image is of a woman posed standing with her right hand resting on a wicker chair.\u003c/p\u003e","\u003cp\u003ePublished by Strohmeyer and Wyman of New York, NY and sold by Underwood \u0026amp; Underwood, this stereoview shows five African American children sitting on a floor and eating watermelon. The reverse includes an ink inscription \"Anna E. Ward, July 18, 1894, from 'Papa.'\"\u003c/p\u003e","\u003cp\u003eSepia-toned image is mounted on thick cardstock. The young woman is in a light colored dress and seated on a porch. Her right arm is draped around the dog.\u003c/p\u003e","\u003cp\u003eCopyrighted in 1896 by B. W. Kilbourn of Littleton, New Hampshire, this stereoview image shows 24 African men, women, and children posed with statues and musical instruments. They are gathered under a decorative umbrella at the 1895 Cotton States International Exposition. This was the third and final Cotton Exposition held in Atlanta. Its purpose was to foster trade between southern states and South American nations as well as to show the products and facilities of the region to the rest of the nation and to Europe.\u003c/p\u003e","\u003cp\u003eGelatin silver full-length postcard photograph of two young cowboys. One is wearing chaps, a white shirt, and a bandana tied around his neck. He is also wearing a gun holster. He's holding a revolver in his right hand. The other individual is wearing denim pants and a white shirt. He is holding a rifle in his right hand. Both are wearing cowboy hats but neither is wearing cowboy boots.\u003c/p\u003e","\u003cp\u003eGelatin silver print photograph mounted on cardstock. Cheyne's Studio of Hampton, Virginia is stamped on the lower mount. The image features seven Hampton Normal School students posted for a professional portrait in 1916. Hampton Normal School is now Hampton University. The male students are both African American and Indigenous. They are all dressed in the same military uniform, some with ranks on their sleeves. Five of the students are standing in a formal pose with their hands at their sides. Two students are seating in chairs with hands clasped. Placed between the seated students is a large potted plant on a stand. At the base of the stand is a lettered sign that reads: \"Success / Agr\" with a pictorial vignette of a white plow, a growing plant, and a white cloud and \"1916 / Crowns Labor.\"\u003c/p\u003e\n","\u003cp\u003eThese students may have been the first class of ROTC cadets. ROTC started in 1916 at Hampton.\u003c/p\u003e","\u003cp\u003ePublished by the Keystone View Company in circa 1918, this stereoview card was issued as 19118. The caption reads \"Uncle Sam Provides for Comfort of His Soldiers. Colored Troops En Route to France. Taking Train Rest at Railway Division Front.\" The reverse provides two paragraphs of text about the photograph.\u003c/p\u003e","\u003cp\u003eSepia-toned gelatin silver photograph of a young woman wearing an overcoat and holding a hat. She is posed standing beside a chair with her right arm leaning against the top. The photographer was Benjamin Blakemore at his studio in Staunton, Virginia.\u003c/p\u003e","\u003cp\u003eSepia-toned gelatin silver photograph of a young woman posed seated with a child on her lap and a child seated on her left. This image might have been taken a studio in Staunton, Virginia.\u003c/p\u003e","\u003cp\u003eGelatin silver print that has been hand-tinted. The image is of two men. One man is a sailor with the U. S. Navy. He's wearing a blue sailor's uniform including the beret. He is wearing a white carnation. The other man is wearing a gray pinstriped suit and a fedora. He is also wearing a white carnation. The image appears to have been take in a photographer's studio.\u003c/p\u003e","\u003cp\u003eGelatin silver print of a USMC platoon likely taken during basic training. The USMC established a segregated basic training camp at Camp Lejeune, NC called Montford Point. The photographer's stamp on the back is for Henry Renfrew of Jacksonville, North Carolina, which means this platoon was likely at Montford Point, circa 1943-1943. The marines are wearing their Summer Service uniform, including sabres. Most have rifles at their side. Many of the marines are indentified in pencil on the back. A few are identified in ink on the front.\u003c/p\u003e","\u003cp\u003eTintype studio photograph of a couple. The woman has shoulder-length curly hair and wears a tiered longsleeve dress with a brooch at the collar. The man dresses in a suit and tie with a long sportcoat. He has short hair and a goatee. Their elbows rest on a column with a decoration on top.\u003c/p\u003e","\u003cp\u003eSixth plate tintype studio image of a woman and a young girl. The woman wears a light-colored patterned gown and a straw hat. She sits on a chair. A young girl stands beside her and rests a hand on her shoulder. The young girl wears a white dress and boots. They are posed before a painted backdrop of a garden. The ground is covered in grass and leaves.\u003c/p\u003e","\u003cp\u003eStudio portrait of an unidentified officer in the Uniform Rank of the Knights of Pythias. The photograph is from the C. W. Borah studio in Columbus, Ohio. The man is photographed in full regalia. He wears a double-breasted frock coat which features two vertical rows of polished brass buttons, shoulder epaulets, and a high collar. He wears a chapeau with a folded brim and a side plume. A ceremonial sword rests in his gloved hand. He wears several medals and ribbons.\u003c/p\u003e","\u003cp\u003eLarge albumen photograph of African American barbers. Photograph shows five men in white coats and bow ties standing beside velvet upholstered barber's chairs lining a long counter, ornate mirrors above each station. The men rest their hands on the chairs.\u003c/p\u003e","\u003cp\u003ePanoramic sepia toned gelatin silver photograph of a group of unidentified African American soldiers in the U. S. Army during the circa 1940s. The photograph features 88 soldiers along with 5 white officers.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains images of both African and African American individuals. The subjects photographed include military personnel, men, women, and children. Some individuals were photographed inside of a photographer's studio. The images vary in size and format and range in date from circa 1850s-1945. Each item has a description at the file level.","Cased ambrotype photograph of a young woman who is posted standing. Her left arm is resting beside a book on a round table. The image is almost a full portrait.","Cased tintype of a girl who appears to be in her teenage years. She is posed sitting in a high back chair. She is holding a hat in her lap.","Carte de visite full-portrait image of a woman. She is posed standing with her left hand resting on a chair. Her right hand is holding a hat. Photography studio was Christmas and Zay's of Mansfield, Ohio.","Twenty-nine images dating from circa 1860s-1870s of the Patterson family in Richmond, Virginia. There are twenty tintypes and nine carte de visites. ","Tintype full-portrait of a woman. She is posed standing with her left hand resting on an object on a table top. Her right hand is hold the handle of a parasol. She is wearing a hat and a sash. The sash has been hand colored. Photographer was C. Campbell of Richmond.","Tintype full-portrait of a man. He is posed standing with his right arm resting against a stand. He is wearing a hat. Photographer was C. Campbell of Richmond.","Tintype portrait of a young woman. She is wearing a net bonnet with a ribbon and a necklace (choker).","Tintype portrait of a young woman. She is posed sitting in a chair. Her left hand is resting on the chair's arm, and she is wearing a ring on her left hand pointer finger. Her right hand is resting in her lap. She is wearing a hat, a brooch, and earrings.","Tintype portrait of a young man. His suit jacket is buttoned, and he is wearing a tie.","Tintype portrait of an older man. He is posed sitting down. His right hand is holding his jacket lapel. He is wearing a vest and a tie. His pocket watch fob chain is visible.","Tintype portrait of a young woman. She is posed sitting down. Her left arm is resting on a table top. She is wearing a bonnet with flowers. The flowers have been hand colored. She is wearing a ring on each hand.","Tintype portrait of a young man. He is posed sitting down with his left arm resting against a table top. The middle button on his vest is undone. His cheeks appear to have been hand colored.","Tintype portrait of a young man. He is posted sitting down. His pocket watch fob chain is visit. It appears his cheeks have been hand colored. He is wearing a ring on his left pinky finger. It also looks like he is wearing a stick pin in the lapel of his vest. The back of the tintype frame has been covered by newsprint.","Tintype portrait of a young man. His cheeks appear to have been hand colored. His tie tack is visible. There is writing on the back that may be his name, but it's hard to make out.","Tintype portrait of an older man. He is posed sitting down. His right arm is resting on the chair arm. His left arm is resting on his lap. His pocket watch fob chain is visible.","Tintype full-portrait of a young man. He is posed standing behind a chair with is left hand fingers touching the chair back. He is wearing a hat.","Tintype full-portrait of a girl. She is posed standing beside a prop which looks like a wooden fence. Her right hand is resting on the prop. She has bows in her hair.","Tintype full-portrait of an older woman. She is posed sitting on what looks to be crates draped in fabric. She is wearing a head scarf. It appears she is also wearing earrings and maybe a cuff bracelet on her left wrist.","Tintype portrait of a young woman. She is posed sitting. Her right arm is resting on a pile of two books. She is wearing what looks like a hair band.","Tintype full-portrait of a girl. She is posed standing between a tree stump prop and a chair. Her left arm is resting on the chair. She is wearing a ring on her left hand.","Tintype full-portrait of a young woman. She is posed standing next to a prop. Her left arm is resting on the prop. She has a kerchief around her neck and a hat or head covering.","Tintype portrait of a young man. He is posed seated with his left arm resting on the chair arm. He is wearing a tie tack and a ring on the pinky finger of his left hand.","Tintype portrait of a young man. His cheeks appear to have been hand colored. He is posed seated with his left hand holding onto the chair arm. He is holding something in his right hand. His pocket watch fob chain is visible as is a tie tack.","Tintype portrait of a young woman. She may be wearing a brooch. She is wearing earrings. She is identified as Laura Johnson.","Carte de visite portrait of a young man. His cheeks appear to have been hand colored. He is posed sitting down with his right arm resting on top of the back of the chair. He may be wearing a ring on the pinky finger of his left hand. The photographer was P. E. Gibbs of Richmond.","Carte de visite portrait of a young woman. Her cheeks appear to have been hand colored. She is posed standing with her arms crossed and resting on a prop. She is wearing a wedding band. The photographer was G. W. Davis of Richmond.","Carte de visite portrait of a young woman. There is spotting on the image. She is wearing a necklace and appears to have pin keeping her collar closed. She is identified as Estelle Patterson of Richmond. The photographer was Campbell's Photographic Gallery in Richmond.","There are six additional carte de visites which are believed to be associated with the Pattersons but in an unclear way. One or two of the subjects may be mixed race but the others are caucasian.","Carte de visite portrait of a young woman. There is some hand coloring on her face and hat. She is wearing a brooch. The photographer was Campbell's Photographic Art Gallery of Richmond.","Carte de visite portait of a young woman. Likely a copy of an earlier image. She is wearing earrings. The photographer was C. R. Rees and Bro. of Richmond.","Carte de visite portrait of a young woman. Likely a copy of an earlier image. She is wearing a net bonnet. She may be wearing earrings. She is identified as \"Cousin Mollie.\" The photographer was C. R. Rees and Bro. of Richmond.","Carte de visite portrait of a young man/older boy. Likely a copy of an earlier image. Photographer was Lee Gallery of Richmond.","Carte de visite full-portrait of a girl. She is posed sitting down wither her legs crossed and feet resting on a stool. Her left hand is pressed against the left side of her jaw and her left elbow is resting on a table top. She is holdin a book in her right hand. The photographer was C. R. Rees and Bro. of Richmond.","Carte de visite full-portrait of a baby. Likely a copy of an earlier image. The photographer was Frayser of Richmond.","There is also a ticket for 1/2 pound of coffee from the Canton Tea Compnay located in Richmond. On the back is stamped the name \"L. T. Robertson.\"","Tintype full-body portrait of a young boy. He is posed standing next to a stand with a round top. His right hand is resting on top of a pile of two books. His feet are bare.","Carte de visite full-portrait image of an elderly man. He is posed sitting in a chair. He is holding a cane with this left hand. A top hat is laying upside down on the floor beside him. The photograph was made by Manchester Bros. of Providence, Rhode Island.","Carte de visite of an elderly woman. It is not a full-portrait image and is likely a copy made from an earlier image. She is wearing a bonnet. Writing on the back indicates this photograph was once in an album. Someone has written a name on the back \"Mrs. [indecipherable] Gather.\"","Full length portrait of Nancy Wilson wearing a dress with one hand resting on a chair. There is a handwritten note on the back of the photograph that reads, \"My Mother, Nancy Wilson born 1844. 66 years old when she passed.\" The note is dated 1910.","Sepia-toned gelatin silver photograph mounted on cardstock. The image is of a woman posed standing with her right hand resting on a wicker chair.","Published by Strohmeyer and Wyman of New York, NY and sold by Underwood \u0026 Underwood, this stereoview shows five African American children sitting on a floor and eating watermelon. The reverse includes an ink inscription \"Anna E. Ward, July 18, 1894, from 'Papa.'\"","Sepia-toned image is mounted on thick cardstock. The young woman is in a light colored dress and seated on a porch. Her right arm is draped around the dog.","Copyrighted in 1896 by B. W. Kilbourn of Littleton, New Hampshire, this stereoview image shows 24 African men, women, and children posed with statues and musical instruments. They are gathered under a decorative umbrella at the 1895 Cotton States International Exposition. This was the third and final Cotton Exposition held in Atlanta. Its purpose was to foster trade between southern states and South American nations as well as to show the products and facilities of the region to the rest of the nation and to Europe.","Gelatin silver full-length postcard photograph of two young cowboys. One is wearing chaps, a white shirt, and a bandana tied around his neck. He is also wearing a gun holster. He's holding a revolver in his right hand. The other individual is wearing denim pants and a white shirt. He is holding a rifle in his right hand. Both are wearing cowboy hats but neither is wearing cowboy boots.","Gelatin silver print photograph mounted on cardstock. Cheyne's Studio of Hampton, Virginia is stamped on the lower mount. The image features seven Hampton Normal School students posted for a professional portrait in 1916. Hampton Normal School is now Hampton University. The male students are both African American and Indigenous. They are all dressed in the same military uniform, some with ranks on their sleeves. Five of the students are standing in a formal pose with their hands at their sides. Two students are seating in chairs with hands clasped. Placed between the seated students is a large potted plant on a stand. At the base of the stand is a lettered sign that reads: \"Success / Agr\" with a pictorial vignette of a white plow, a growing plant, and a white cloud and \"1916 / Crowns Labor.\"","These students may have been the first class of ROTC cadets. ROTC started in 1916 at Hampton.","Published by the Keystone View Company in circa 1918, this stereoview card was issued as 19118. The caption reads \"Uncle Sam Provides for Comfort of His Soldiers. Colored Troops En Route to France. Taking Train Rest at Railway Division Front.\" The reverse provides two paragraphs of text about the photograph.","Sepia-toned gelatin silver photograph of a young woman wearing an overcoat and holding a hat. She is posed standing beside a chair with her right arm leaning against the top. The photographer was Benjamin Blakemore at his studio in Staunton, Virginia.","Sepia-toned gelatin silver photograph of a young woman posed seated with a child on her lap and a child seated on her left. This image might have been taken a studio in Staunton, Virginia.","Gelatin silver print that has been hand-tinted. The image is of two men. One man is a sailor with the U. S. Navy. He's wearing a blue sailor's uniform including the beret. He is wearing a white carnation. The other man is wearing a gray pinstriped suit and a fedora. He is also wearing a white carnation. The image appears to have been take in a photographer's studio.","Gelatin silver print of a USMC platoon likely taken during basic training. The USMC established a segregated basic training camp at Camp Lejeune, NC called Montford Point. The photographer's stamp on the back is for Henry Renfrew of Jacksonville, North Carolina, which means this platoon was likely at Montford Point, circa 1943-1943. The marines are wearing their Summer Service uniform, including sabres. Most have rifles at their side. Many of the marines are indentified in pencil on the back. A few are identified in ink on the front.","Tintype studio photograph of a couple. The woman has shoulder-length curly hair and wears a tiered longsleeve dress with a brooch at the collar. The man dresses in a suit and tie with a long sportcoat. He has short hair and a goatee. Their elbows rest on a column with a decoration on top.","Sixth plate tintype studio image of a woman and a young girl. The woman wears a light-colored patterned gown and a straw hat. She sits on a chair. A young girl stands beside her and rests a hand on her shoulder. The young girl wears a white dress and boots. They are posed before a painted backdrop of a garden. The ground is covered in grass and leaves.","Studio portrait of an unidentified officer in the Uniform Rank of the Knights of Pythias. The photograph is from the C. W. Borah studio in Columbus, Ohio. The man is photographed in full regalia. He wears a double-breasted frock coat which features two vertical rows of polished brass buttons, shoulder epaulets, and a high collar. He wears a chapeau with a folded brim and a side plume. A ceremonial sword rests in his gloved hand. He wears several medals and ribbons.","Large albumen photograph of African American barbers. Photograph shows five men in white coats and bow ties standing beside velvet upholstered barber's chairs lining a long counter, ornate mirrors above each station. The men rest their hands on the chairs.","Panoramic sepia toned gelatin silver photograph of a group of unidentified African American soldiers in the U. S. Army during the circa 1940s. The photograph features 88 soldiers along with 5 white officers."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source."],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":24,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T22:07:48.730Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_1174","ead_ssi":"vilxw_repositories_5_resources_1174","_root_":"vilxw_repositories_5_resources_1174","_nest_parent_":"vilxw_repositories_5_resources_1174","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_1174.xml","title_filing_ssi":"African and African American photograph collection","title_ssm":["African and African American photograph collection"],"title_tesim":["African and African American photograph collection"],"unitdate_ssm":["circa 1850s-1945"],"unitdate_inclusive_ssm":["circa 1850s-1945"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0552","/repositories/5/resources/1174"],"text":["WLU.Coll.0552","/repositories/5/resources/1174","African and African American photograph collection","African American children","African Americans","Carte de visite photographs","Tintype","Ambrotype","African American women","African American men","African American soldiers","This collection is open for research use.","This collection contains images of both African and African American individuals. The subjects photographed include military personnel, men, women, and children. Some individuals were photographed inside of a photographer's studio. The images vary in size and format and range in date from circa 1850s-1945. Each item has a description at the file level.","Cased ambrotype photograph of a young woman who is posted standing. Her left arm is resting beside a book on a round table. The image is almost a full portrait.","Cased tintype of a girl who appears to be in her teenage years. She is posed sitting in a high back chair. She is holding a hat in her lap.","Carte de visite full-portrait image of a woman. She is posed standing with her left hand resting on a chair. Her right hand is holding a hat. Photography studio was Christmas and Zay's of Mansfield, Ohio.","Twenty-nine images dating from circa 1860s-1870s of the Patterson family in Richmond, Virginia. There are twenty tintypes and nine carte de visites. ","Tintype full-portrait of a woman. She is posed standing with her left hand resting on an object on a table top. Her right hand is hold the handle of a parasol. She is wearing a hat and a sash. The sash has been hand colored. Photographer was C. Campbell of Richmond.","Tintype full-portrait of a man. He is posed standing with his right arm resting against a stand. He is wearing a hat. Photographer was C. Campbell of Richmond.","Tintype portrait of a young woman. She is wearing a net bonnet with a ribbon and a necklace (choker).","Tintype portrait of a young woman. She is posed sitting in a chair. Her left hand is resting on the chair's arm, and she is wearing a ring on her left hand pointer finger. Her right hand is resting in her lap. She is wearing a hat, a brooch, and earrings.","Tintype portrait of a young man. His suit jacket is buttoned, and he is wearing a tie.","Tintype portrait of an older man. He is posed sitting down. His right hand is holding his jacket lapel. He is wearing a vest and a tie. His pocket watch fob chain is visible.","Tintype portrait of a young woman. She is posed sitting down. Her left arm is resting on a table top. She is wearing a bonnet with flowers. The flowers have been hand colored. She is wearing a ring on each hand.","Tintype portrait of a young man. He is posed sitting down with his left arm resting against a table top. The middle button on his vest is undone. His cheeks appear to have been hand colored.","Tintype portrait of a young man. He is posted sitting down. His pocket watch fob chain is visit. It appears his cheeks have been hand colored. He is wearing a ring on his left pinky finger. It also looks like he is wearing a stick pin in the lapel of his vest. The back of the tintype frame has been covered by newsprint.","Tintype portrait of a young man. His cheeks appear to have been hand colored. His tie tack is visible. There is writing on the back that may be his name, but it's hard to make out.","Tintype portrait of an older man. He is posed sitting down. His right arm is resting on the chair arm. His left arm is resting on his lap. His pocket watch fob chain is visible.","Tintype full-portrait of a young man. He is posed standing behind a chair with is left hand fingers touching the chair back. He is wearing a hat.","Tintype full-portrait of a girl. She is posed standing beside a prop which looks like a wooden fence. Her right hand is resting on the prop. She has bows in her hair.","Tintype full-portrait of an older woman. She is posed sitting on what looks to be crates draped in fabric. She is wearing a head scarf. It appears she is also wearing earrings and maybe a cuff bracelet on her left wrist.","Tintype portrait of a young woman. She is posed sitting. Her right arm is resting on a pile of two books. She is wearing what looks like a hair band.","Tintype full-portrait of a girl. She is posed standing between a tree stump prop and a chair. Her left arm is resting on the chair. She is wearing a ring on her left hand.","Tintype full-portrait of a young woman. She is posed standing next to a prop. Her left arm is resting on the prop. She has a kerchief around her neck and a hat or head covering.","Tintype portrait of a young man. He is posed seated with his left arm resting on the chair arm. He is wearing a tie tack and a ring on the pinky finger of his left hand.","Tintype portrait of a young man. His cheeks appear to have been hand colored. He is posed seated with his left hand holding onto the chair arm. He is holding something in his right hand. His pocket watch fob chain is visible as is a tie tack.","Tintype portrait of a young woman. She may be wearing a brooch. She is wearing earrings. She is identified as Laura Johnson.","Carte de visite portrait of a young man. His cheeks appear to have been hand colored. He is posed sitting down with his right arm resting on top of the back of the chair. He may be wearing a ring on the pinky finger of his left hand. The photographer was P. E. Gibbs of Richmond.","Carte de visite portrait of a young woman. Her cheeks appear to have been hand colored. She is posed standing with her arms crossed and resting on a prop. She is wearing a wedding band. The photographer was G. W. Davis of Richmond.","Carte de visite portrait of a young woman. There is spotting on the image. She is wearing a necklace and appears to have pin keeping her collar closed. She is identified as Estelle Patterson of Richmond. The photographer was Campbell's Photographic Gallery in Richmond.","There are six additional carte de visites which are believed to be associated with the Pattersons but in an unclear way. One or two of the subjects may be mixed race but the others are caucasian.","Carte de visite portrait of a young woman. There is some hand coloring on her face and hat. She is wearing a brooch. The photographer was Campbell's Photographic Art Gallery of Richmond.","Carte de visite portait of a young woman. Likely a copy of an earlier image. She is wearing earrings. The photographer was C. R. Rees and Bro. of Richmond.","Carte de visite portrait of a young woman. Likely a copy of an earlier image. She is wearing a net bonnet. She may be wearing earrings. She is identified as \"Cousin Mollie.\" The photographer was C. R. Rees and Bro. of Richmond.","Carte de visite portrait of a young man/older boy. Likely a copy of an earlier image. Photographer was Lee Gallery of Richmond.","Carte de visite full-portrait of a girl. She is posed sitting down wither her legs crossed and feet resting on a stool. Her left hand is pressed against the left side of her jaw and her left elbow is resting on a table top. She is holdin a book in her right hand. The photographer was C. R. Rees and Bro. of Richmond.","Carte de visite full-portrait of a baby. Likely a copy of an earlier image. The photographer was Frayser of Richmond.","There is also a ticket for 1/2 pound of coffee from the Canton Tea Compnay located in Richmond. On the back is stamped the name \"L. T. Robertson.\"","Tintype full-body portrait of a young boy. He is posed standing next to a stand with a round top. His right hand is resting on top of a pile of two books. His feet are bare.","Carte de visite full-portrait image of an elderly man. He is posed sitting in a chair. He is holding a cane with this left hand. A top hat is laying upside down on the floor beside him. The photograph was made by Manchester Bros. of Providence, Rhode Island.","Carte de visite of an elderly woman. It is not a full-portrait image and is likely a copy made from an earlier image. She is wearing a bonnet. Writing on the back indicates this photograph was once in an album. Someone has written a name on the back \"Mrs. [indecipherable] Gather.\"","Full length portrait of Nancy Wilson wearing a dress with one hand resting on a chair. There is a handwritten note on the back of the photograph that reads, \"My Mother, Nancy Wilson born 1844. 66 years old when she passed.\" The note is dated 1910.","Sepia-toned gelatin silver photograph mounted on cardstock. The image is of a woman posed standing with her right hand resting on a wicker chair.","Published by Strohmeyer and Wyman of New York, NY and sold by Underwood \u0026 Underwood, this stereoview shows five African American children sitting on a floor and eating watermelon. The reverse includes an ink inscription \"Anna E. Ward, July 18, 1894, from 'Papa.'\"","Sepia-toned image is mounted on thick cardstock. The young woman is in a light colored dress and seated on a porch. Her right arm is draped around the dog.","Copyrighted in 1896 by B. W. Kilbourn of Littleton, New Hampshire, this stereoview image shows 24 African men, women, and children posed with statues and musical instruments. They are gathered under a decorative umbrella at the 1895 Cotton States International Exposition. This was the third and final Cotton Exposition held in Atlanta. Its purpose was to foster trade between southern states and South American nations as well as to show the products and facilities of the region to the rest of the nation and to Europe.","Gelatin silver full-length postcard photograph of two young cowboys. One is wearing chaps, a white shirt, and a bandana tied around his neck. He is also wearing a gun holster. He's holding a revolver in his right hand. The other individual is wearing denim pants and a white shirt. He is holding a rifle in his right hand. Both are wearing cowboy hats but neither is wearing cowboy boots.","Gelatin silver print photograph mounted on cardstock. Cheyne's Studio of Hampton, Virginia is stamped on the lower mount. The image features seven Hampton Normal School students posted for a professional portrait in 1916. Hampton Normal School is now Hampton University. The male students are both African American and Indigenous. They are all dressed in the same military uniform, some with ranks on their sleeves. Five of the students are standing in a formal pose with their hands at their sides. Two students are seating in chairs with hands clasped. Placed between the seated students is a large potted plant on a stand. At the base of the stand is a lettered sign that reads: \"Success / Agr\" with a pictorial vignette of a white plow, a growing plant, and a white cloud and \"1916 / Crowns Labor.\"","These students may have been the first class of ROTC cadets. ROTC started in 1916 at Hampton.","Published by the Keystone View Company in circa 1918, this stereoview card was issued as 19118. The caption reads \"Uncle Sam Provides for Comfort of His Soldiers. Colored Troops En Route to France. Taking Train Rest at Railway Division Front.\" The reverse provides two paragraphs of text about the photograph.","Sepia-toned gelatin silver photograph of a young woman wearing an overcoat and holding a hat. She is posed standing beside a chair with her right arm leaning against the top. The photographer was Benjamin Blakemore at his studio in Staunton, Virginia.","Sepia-toned gelatin silver photograph of a young woman posed seated with a child on her lap and a child seated on her left. This image might have been taken a studio in Staunton, Virginia.","Gelatin silver print that has been hand-tinted. The image is of two men. One man is a sailor with the U. S. Navy. He's wearing a blue sailor's uniform including the beret. He is wearing a white carnation. The other man is wearing a gray pinstriped suit and a fedora. He is also wearing a white carnation. The image appears to have been take in a photographer's studio.","Gelatin silver print of a USMC platoon likely taken during basic training. The USMC established a segregated basic training camp at Camp Lejeune, NC called Montford Point. The photographer's stamp on the back is for Henry Renfrew of Jacksonville, North Carolina, which means this platoon was likely at Montford Point, circa 1943-1943. The marines are wearing their Summer Service uniform, including sabres. Most have rifles at their side. Many of the marines are indentified in pencil on the back. A few are identified in ink on the front.","Tintype studio photograph of a couple. The woman has shoulder-length curly hair and wears a tiered longsleeve dress with a brooch at the collar. The man dresses in a suit and tie with a long sportcoat. He has short hair and a goatee. Their elbows rest on a column with a decoration on top.","Sixth plate tintype studio image of a woman and a young girl. The woman wears a light-colored patterned gown and a straw hat. She sits on a chair. A young girl stands beside her and rests a hand on her shoulder. The young girl wears a white dress and boots. They are posed before a painted backdrop of a garden. The ground is covered in grass and leaves.","Studio portrait of an unidentified officer in the Uniform Rank of the Knights of Pythias. The photograph is from the C. W. Borah studio in Columbus, Ohio. The man is photographed in full regalia. He wears a double-breasted frock coat which features two vertical rows of polished brass buttons, shoulder epaulets, and a high collar. He wears a chapeau with a folded brim and a side plume. A ceremonial sword rests in his gloved hand. He wears several medals and ribbons.","Large albumen photograph of African American barbers. Photograph shows five men in white coats and bow ties standing beside velvet upholstered barber's chairs lining a long counter, ornate mirrors above each station. The men rest their hands on the chairs.","Panoramic sepia toned gelatin silver photograph of a group of unidentified African American soldiers in the U. S. Army during the circa 1940s. The photograph features 88 soldiers along with 5 white officers.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source.","Washington and Lee University, University Library Special Collections and Archives","English"],"unitid_tesim":["WLU.Coll.0552","/repositories/5/resources/1174"],"normalized_title_ssm":["African and African American photograph collection"],"collection_title_tesim":["African and African American photograph collection"],"collection_ssim":["African and African American photograph collection"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source."],"acqinfo_ssim":["Purchases in November 2023 and June 2024"],"access_subjects_ssim":["African American children","African Americans","Carte de visite photographs","Tintype","Ambrotype","African American women","African American men","African American soldiers"],"access_subjects_ssm":["African American children","African Americans","Carte de visite photographs","Tintype","Ambrotype","African American women","African American men","African American soldiers"],"has_online_content_ssim":["false"],"extent_ssm":["2.5 Linear Feet one document case, 1 folder in a shared box, 1 oversize folder"],"extent_tesim":["2.5 Linear Feet one document case, 1 folder in a shared box, 1 oversize folder"],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], African and African American Photograph Collection (WLU Coll. 0552), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], African and African American Photograph Collection (WLU Coll. 0552), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains images of both African and African American individuals. The subjects photographed include military personnel, men, women, and children. Some individuals were photographed inside of a photographer's studio. The images vary in size and format and range in date from circa 1850s-1945. Each item has a description at the file level.\u003c/p\u003e","\u003cp\u003eCased ambrotype photograph of a young woman who is posted standing. Her left arm is resting beside a book on a round table. The image is almost a full portrait.\u003c/p\u003e","\u003cp\u003eCased tintype of a girl who appears to be in her teenage years. She is posed sitting in a high back chair. She is holding a hat in her lap.\u003c/p\u003e","\u003cp\u003eCarte de visite full-portrait image of a woman. She is posed standing with her left hand resting on a chair. Her right hand is holding a hat. Photography studio was Christmas and Zay's of Mansfield, Ohio.\u003c/p\u003e","\u003cp\u003eTwenty-nine images dating from circa 1860s-1870s of the Patterson family in Richmond, Virginia. There are twenty tintypes and nine carte de visites. \u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of a woman. She is posed standing with her left hand resting on an object on a table top. Her right hand is hold the handle of a parasol. She is wearing a hat and a sash. The sash has been hand colored. Photographer was C. Campbell of Richmond.\u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of a man. He is posed standing with his right arm resting against a stand. He is wearing a hat. Photographer was C. Campbell of Richmond.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young woman. She is wearing a net bonnet with a ribbon and a necklace (choker).\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young woman. She is posed sitting in a chair. Her left hand is resting on the chair's arm, and she is wearing a ring on her left hand pointer finger. Her right hand is resting in her lap. She is wearing a hat, a brooch, and earrings.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young man. His suit jacket is buttoned, and he is wearing a tie.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of an older man. He is posed sitting down. His right hand is holding his jacket lapel. He is wearing a vest and a tie. His pocket watch fob chain is visible.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young woman. She is posed sitting down. Her left arm is resting on a table top. She is wearing a bonnet with flowers. The flowers have been hand colored. She is wearing a ring on each hand.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young man. He is posed sitting down with his left arm resting against a table top. The middle button on his vest is undone. His cheeks appear to have been hand colored.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young man. He is posted sitting down. His pocket watch fob chain is visit. It appears his cheeks have been hand colored. He is wearing a ring on his left pinky finger. It also looks like he is wearing a stick pin in the lapel of his vest. The back of the tintype frame has been covered by newsprint.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young man. His cheeks appear to have been hand colored. His tie tack is visible. There is writing on the back that may be his name, but it's hard to make out.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of an older man. He is posed sitting down. His right arm is resting on the chair arm. His left arm is resting on his lap. His pocket watch fob chain is visible.\u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of a young man. He is posed standing behind a chair with is left hand fingers touching the chair back. He is wearing a hat.\u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of a girl. She is posed standing beside a prop which looks like a wooden fence. Her right hand is resting on the prop. She has bows in her hair.\u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of an older woman. She is posed sitting on what looks to be crates draped in fabric. She is wearing a head scarf. It appears she is also wearing earrings and maybe a cuff bracelet on her left wrist.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young woman. She is posed sitting. Her right arm is resting on a pile of two books. She is wearing what looks like a hair band.\u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of a girl. She is posed standing between a tree stump prop and a chair. Her left arm is resting on the chair. She is wearing a ring on her left hand.\u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of a young woman. She is posed standing next to a prop. Her left arm is resting on the prop. She has a kerchief around her neck and a hat or head covering.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young man. He is posed seated with his left arm resting on the chair arm. He is wearing a tie tack and a ring on the pinky finger of his left hand.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young man. His cheeks appear to have been hand colored. He is posed seated with his left hand holding onto the chair arm. He is holding something in his right hand. His pocket watch fob chain is visible as is a tie tack.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young woman. She may be wearing a brooch. She is wearing earrings. She is identified as Laura Johnson.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portrait of a young man. His cheeks appear to have been hand colored. He is posed sitting down with his right arm resting on top of the back of the chair. He may be wearing a ring on the pinky finger of his left hand. The photographer was P. E. Gibbs of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portrait of a young woman. Her cheeks appear to have been hand colored. She is posed standing with her arms crossed and resting on a prop. She is wearing a wedding band. The photographer was G. W. Davis of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portrait of a young woman. There is spotting on the image. She is wearing a necklace and appears to have pin keeping her collar closed. She is identified as Estelle Patterson of Richmond. The photographer was Campbell's Photographic Gallery in Richmond.\u003c/p\u003e\n","\u003cp\u003eThere are six additional carte de visites which are believed to be associated with the Pattersons but in an unclear way. One or two of the subjects may be mixed race but the others are caucasian.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portrait of a young woman. There is some hand coloring on her face and hat. She is wearing a brooch. The photographer was Campbell's Photographic Art Gallery of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portait of a young woman. Likely a copy of an earlier image. She is wearing earrings. The photographer was C. R. Rees and Bro. of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portrait of a young woman. Likely a copy of an earlier image. She is wearing a net bonnet. She may be wearing earrings. She is identified as \"Cousin Mollie.\" The photographer was C. R. Rees and Bro. of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portrait of a young man/older boy. Likely a copy of an earlier image. Photographer was Lee Gallery of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite full-portrait of a girl. She is posed sitting down wither her legs crossed and feet resting on a stool. Her left hand is pressed against the left side of her jaw and her left elbow is resting on a table top. She is holdin a book in her right hand. The photographer was C. R. Rees and Bro. of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite full-portrait of a baby. Likely a copy of an earlier image. The photographer was Frayser of Richmond.\u003c/p\u003e\n","\u003cp\u003eThere is also a ticket for 1/2 pound of coffee from the Canton Tea Compnay located in Richmond. On the back is stamped the name \"L. T. Robertson.\"\u003c/p\u003e","\u003cp\u003eTintype full-body portrait of a young boy. He is posed standing next to a stand with a round top. His right hand is resting on top of a pile of two books. His feet are bare.\u003c/p\u003e","\u003cp\u003eCarte de visite full-portrait image of an elderly man. He is posed sitting in a chair. He is holding a cane with this left hand. A top hat is laying upside down on the floor beside him. The photograph was made by Manchester Bros. of Providence, Rhode Island.\u003c/p\u003e","\u003cp\u003eCarte de visite of an elderly woman. It is not a full-portrait image and is likely a copy made from an earlier image. She is wearing a bonnet. Writing on the back indicates this photograph was once in an album. Someone has written a name on the back \"Mrs. [indecipherable] Gather.\"\u003c/p\u003e","\u003cp\u003eFull length portrait of Nancy Wilson wearing a dress with one hand resting on a chair. There is a handwritten note on the back of the photograph that reads, \"My Mother, Nancy Wilson born 1844. 66 years old when she passed.\" The note is dated 1910.\u003c/p\u003e","\u003cp\u003eSepia-toned gelatin silver photograph mounted on cardstock. The image is of a woman posed standing with her right hand resting on a wicker chair.\u003c/p\u003e","\u003cp\u003ePublished by Strohmeyer and Wyman of New York, NY and sold by Underwood \u0026amp; Underwood, this stereoview shows five African American children sitting on a floor and eating watermelon. The reverse includes an ink inscription \"Anna E. Ward, July 18, 1894, from 'Papa.'\"\u003c/p\u003e","\u003cp\u003eSepia-toned image is mounted on thick cardstock. The young woman is in a light colored dress and seated on a porch. Her right arm is draped around the dog.\u003c/p\u003e","\u003cp\u003eCopyrighted in 1896 by B. W. Kilbourn of Littleton, New Hampshire, this stereoview image shows 24 African men, women, and children posed with statues and musical instruments. They are gathered under a decorative umbrella at the 1895 Cotton States International Exposition. This was the third and final Cotton Exposition held in Atlanta. Its purpose was to foster trade between southern states and South American nations as well as to show the products and facilities of the region to the rest of the nation and to Europe.\u003c/p\u003e","\u003cp\u003eGelatin silver full-length postcard photograph of two young cowboys. One is wearing chaps, a white shirt, and a bandana tied around his neck. He is also wearing a gun holster. He's holding a revolver in his right hand. The other individual is wearing denim pants and a white shirt. He is holding a rifle in his right hand. Both are wearing cowboy hats but neither is wearing cowboy boots.\u003c/p\u003e","\u003cp\u003eGelatin silver print photograph mounted on cardstock. Cheyne's Studio of Hampton, Virginia is stamped on the lower mount. The image features seven Hampton Normal School students posted for a professional portrait in 1916. Hampton Normal School is now Hampton University. The male students are both African American and Indigenous. They are all dressed in the same military uniform, some with ranks on their sleeves. Five of the students are standing in a formal pose with their hands at their sides. Two students are seating in chairs with hands clasped. Placed between the seated students is a large potted plant on a stand. At the base of the stand is a lettered sign that reads: \"Success / Agr\" with a pictorial vignette of a white plow, a growing plant, and a white cloud and \"1916 / Crowns Labor.\"\u003c/p\u003e\n","\u003cp\u003eThese students may have been the first class of ROTC cadets. ROTC started in 1916 at Hampton.\u003c/p\u003e","\u003cp\u003ePublished by the Keystone View Company in circa 1918, this stereoview card was issued as 19118. The caption reads \"Uncle Sam Provides for Comfort of His Soldiers. Colored Troops En Route to France. Taking Train Rest at Railway Division Front.\" The reverse provides two paragraphs of text about the photograph.\u003c/p\u003e","\u003cp\u003eSepia-toned gelatin silver photograph of a young woman wearing an overcoat and holding a hat. She is posed standing beside a chair with her right arm leaning against the top. The photographer was Benjamin Blakemore at his studio in Staunton, Virginia.\u003c/p\u003e","\u003cp\u003eSepia-toned gelatin silver photograph of a young woman posed seated with a child on her lap and a child seated on her left. This image might have been taken a studio in Staunton, Virginia.\u003c/p\u003e","\u003cp\u003eGelatin silver print that has been hand-tinted. The image is of two men. One man is a sailor with the U. S. Navy. He's wearing a blue sailor's uniform including the beret. He is wearing a white carnation. The other man is wearing a gray pinstriped suit and a fedora. He is also wearing a white carnation. The image appears to have been take in a photographer's studio.\u003c/p\u003e","\u003cp\u003eGelatin silver print of a USMC platoon likely taken during basic training. The USMC established a segregated basic training camp at Camp Lejeune, NC called Montford Point. The photographer's stamp on the back is for Henry Renfrew of Jacksonville, North Carolina, which means this platoon was likely at Montford Point, circa 1943-1943. The marines are wearing their Summer Service uniform, including sabres. Most have rifles at their side. Many of the marines are indentified in pencil on the back. A few are identified in ink on the front.\u003c/p\u003e","\u003cp\u003eTintype studio photograph of a couple. The woman has shoulder-length curly hair and wears a tiered longsleeve dress with a brooch at the collar. The man dresses in a suit and tie with a long sportcoat. He has short hair and a goatee. Their elbows rest on a column with a decoration on top.\u003c/p\u003e","\u003cp\u003eSixth plate tintype studio image of a woman and a young girl. The woman wears a light-colored patterned gown and a straw hat. She sits on a chair. A young girl stands beside her and rests a hand on her shoulder. The young girl wears a white dress and boots. They are posed before a painted backdrop of a garden. The ground is covered in grass and leaves.\u003c/p\u003e","\u003cp\u003eStudio portrait of an unidentified officer in the Uniform Rank of the Knights of Pythias. The photograph is from the C. W. Borah studio in Columbus, Ohio. The man is photographed in full regalia. He wears a double-breasted frock coat which features two vertical rows of polished brass buttons, shoulder epaulets, and a high collar. He wears a chapeau with a folded brim and a side plume. A ceremonial sword rests in his gloved hand. He wears several medals and ribbons.\u003c/p\u003e","\u003cp\u003eLarge albumen photograph of African American barbers. Photograph shows five men in white coats and bow ties standing beside velvet upholstered barber's chairs lining a long counter, ornate mirrors above each station. The men rest their hands on the chairs.\u003c/p\u003e","\u003cp\u003ePanoramic sepia toned gelatin silver photograph of a group of unidentified African American soldiers in the U. S. Army during the circa 1940s. The photograph features 88 soldiers along with 5 white officers.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains images of both African and African American individuals. The subjects photographed include military personnel, men, women, and children. Some individuals were photographed inside of a photographer's studio. The images vary in size and format and range in date from circa 1850s-1945. Each item has a description at the file level.","Cased ambrotype photograph of a young woman who is posted standing. Her left arm is resting beside a book on a round table. The image is almost a full portrait.","Cased tintype of a girl who appears to be in her teenage years. She is posed sitting in a high back chair. She is holding a hat in her lap.","Carte de visite full-portrait image of a woman. She is posed standing with her left hand resting on a chair. Her right hand is holding a hat. Photography studio was Christmas and Zay's of Mansfield, Ohio.","Twenty-nine images dating from circa 1860s-1870s of the Patterson family in Richmond, Virginia. There are twenty tintypes and nine carte de visites. ","Tintype full-portrait of a woman. She is posed standing with her left hand resting on an object on a table top. Her right hand is hold the handle of a parasol. She is wearing a hat and a sash. The sash has been hand colored. Photographer was C. Campbell of Richmond.","Tintype full-portrait of a man. He is posed standing with his right arm resting against a stand. He is wearing a hat. Photographer was C. Campbell of Richmond.","Tintype portrait of a young woman. She is wearing a net bonnet with a ribbon and a necklace (choker).","Tintype portrait of a young woman. She is posed sitting in a chair. Her left hand is resting on the chair's arm, and she is wearing a ring on her left hand pointer finger. Her right hand is resting in her lap. She is wearing a hat, a brooch, and earrings.","Tintype portrait of a young man. His suit jacket is buttoned, and he is wearing a tie.","Tintype portrait of an older man. He is posed sitting down. His right hand is holding his jacket lapel. He is wearing a vest and a tie. His pocket watch fob chain is visible.","Tintype portrait of a young woman. She is posed sitting down. Her left arm is resting on a table top. She is wearing a bonnet with flowers. The flowers have been hand colored. She is wearing a ring on each hand.","Tintype portrait of a young man. He is posed sitting down with his left arm resting against a table top. The middle button on his vest is undone. His cheeks appear to have been hand colored.","Tintype portrait of a young man. He is posted sitting down. His pocket watch fob chain is visit. It appears his cheeks have been hand colored. He is wearing a ring on his left pinky finger. It also looks like he is wearing a stick pin in the lapel of his vest. The back of the tintype frame has been covered by newsprint.","Tintype portrait of a young man. His cheeks appear to have been hand colored. His tie tack is visible. There is writing on the back that may be his name, but it's hard to make out.","Tintype portrait of an older man. He is posed sitting down. His right arm is resting on the chair arm. His left arm is resting on his lap. His pocket watch fob chain is visible.","Tintype full-portrait of a young man. He is posed standing behind a chair with is left hand fingers touching the chair back. He is wearing a hat.","Tintype full-portrait of a girl. She is posed standing beside a prop which looks like a wooden fence. Her right hand is resting on the prop. She has bows in her hair.","Tintype full-portrait of an older woman. She is posed sitting on what looks to be crates draped in fabric. She is wearing a head scarf. It appears she is also wearing earrings and maybe a cuff bracelet on her left wrist.","Tintype portrait of a young woman. She is posed sitting. Her right arm is resting on a pile of two books. She is wearing what looks like a hair band.","Tintype full-portrait of a girl. She is posed standing between a tree stump prop and a chair. Her left arm is resting on the chair. She is wearing a ring on her left hand.","Tintype full-portrait of a young woman. She is posed standing next to a prop. Her left arm is resting on the prop. She has a kerchief around her neck and a hat or head covering.","Tintype portrait of a young man. He is posed seated with his left arm resting on the chair arm. He is wearing a tie tack and a ring on the pinky finger of his left hand.","Tintype portrait of a young man. His cheeks appear to have been hand colored. He is posed seated with his left hand holding onto the chair arm. He is holding something in his right hand. His pocket watch fob chain is visible as is a tie tack.","Tintype portrait of a young woman. She may be wearing a brooch. She is wearing earrings. She is identified as Laura Johnson.","Carte de visite portrait of a young man. His cheeks appear to have been hand colored. He is posed sitting down with his right arm resting on top of the back of the chair. He may be wearing a ring on the pinky finger of his left hand. The photographer was P. E. Gibbs of Richmond.","Carte de visite portrait of a young woman. Her cheeks appear to have been hand colored. She is posed standing with her arms crossed and resting on a prop. She is wearing a wedding band. The photographer was G. W. Davis of Richmond.","Carte de visite portrait of a young woman. There is spotting on the image. She is wearing a necklace and appears to have pin keeping her collar closed. She is identified as Estelle Patterson of Richmond. The photographer was Campbell's Photographic Gallery in Richmond.","There are six additional carte de visites which are believed to be associated with the Pattersons but in an unclear way. One or two of the subjects may be mixed race but the others are caucasian.","Carte de visite portrait of a young woman. There is some hand coloring on her face and hat. She is wearing a brooch. The photographer was Campbell's Photographic Art Gallery of Richmond.","Carte de visite portait of a young woman. Likely a copy of an earlier image. She is wearing earrings. The photographer was C. R. Rees and Bro. of Richmond.","Carte de visite portrait of a young woman. Likely a copy of an earlier image. She is wearing a net bonnet. She may be wearing earrings. She is identified as \"Cousin Mollie.\" The photographer was C. R. Rees and Bro. of Richmond.","Carte de visite portrait of a young man/older boy. Likely a copy of an earlier image. Photographer was Lee Gallery of Richmond.","Carte de visite full-portrait of a girl. She is posed sitting down wither her legs crossed and feet resting on a stool. Her left hand is pressed against the left side of her jaw and her left elbow is resting on a table top. She is holdin a book in her right hand. The photographer was C. R. Rees and Bro. of Richmond.","Carte de visite full-portrait of a baby. Likely a copy of an earlier image. The photographer was Frayser of Richmond.","There is also a ticket for 1/2 pound of coffee from the Canton Tea Compnay located in Richmond. On the back is stamped the name \"L. T. Robertson.\"","Tintype full-body portrait of a young boy. He is posed standing next to a stand with a round top. His right hand is resting on top of a pile of two books. His feet are bare.","Carte de visite full-portrait image of an elderly man. He is posed sitting in a chair. He is holding a cane with this left hand. A top hat is laying upside down on the floor beside him. The photograph was made by Manchester Bros. of Providence, Rhode Island.","Carte de visite of an elderly woman. It is not a full-portrait image and is likely a copy made from an earlier image. She is wearing a bonnet. Writing on the back indicates this photograph was once in an album. Someone has written a name on the back \"Mrs. [indecipherable] Gather.\"","Full length portrait of Nancy Wilson wearing a dress with one hand resting on a chair. There is a handwritten note on the back of the photograph that reads, \"My Mother, Nancy Wilson born 1844. 66 years old when she passed.\" The note is dated 1910.","Sepia-toned gelatin silver photograph mounted on cardstock. The image is of a woman posed standing with her right hand resting on a wicker chair.","Published by Strohmeyer and Wyman of New York, NY and sold by Underwood \u0026 Underwood, this stereoview shows five African American children sitting on a floor and eating watermelon. The reverse includes an ink inscription \"Anna E. Ward, July 18, 1894, from 'Papa.'\"","Sepia-toned image is mounted on thick cardstock. The young woman is in a light colored dress and seated on a porch. Her right arm is draped around the dog.","Copyrighted in 1896 by B. W. Kilbourn of Littleton, New Hampshire, this stereoview image shows 24 African men, women, and children posed with statues and musical instruments. They are gathered under a decorative umbrella at the 1895 Cotton States International Exposition. This was the third and final Cotton Exposition held in Atlanta. Its purpose was to foster trade between southern states and South American nations as well as to show the products and facilities of the region to the rest of the nation and to Europe.","Gelatin silver full-length postcard photograph of two young cowboys. One is wearing chaps, a white shirt, and a bandana tied around his neck. He is also wearing a gun holster. He's holding a revolver in his right hand. The other individual is wearing denim pants and a white shirt. He is holding a rifle in his right hand. Both are wearing cowboy hats but neither is wearing cowboy boots.","Gelatin silver print photograph mounted on cardstock. Cheyne's Studio of Hampton, Virginia is stamped on the lower mount. The image features seven Hampton Normal School students posted for a professional portrait in 1916. Hampton Normal School is now Hampton University. The male students are both African American and Indigenous. They are all dressed in the same military uniform, some with ranks on their sleeves. Five of the students are standing in a formal pose with their hands at their sides. Two students are seating in chairs with hands clasped. Placed between the seated students is a large potted plant on a stand. At the base of the stand is a lettered sign that reads: \"Success / Agr\" with a pictorial vignette of a white plow, a growing plant, and a white cloud and \"1916 / Crowns Labor.\"","These students may have been the first class of ROTC cadets. ROTC started in 1916 at Hampton.","Published by the Keystone View Company in circa 1918, this stereoview card was issued as 19118. The caption reads \"Uncle Sam Provides for Comfort of His Soldiers. Colored Troops En Route to France. Taking Train Rest at Railway Division Front.\" The reverse provides two paragraphs of text about the photograph.","Sepia-toned gelatin silver photograph of a young woman wearing an overcoat and holding a hat. She is posed standing beside a chair with her right arm leaning against the top. The photographer was Benjamin Blakemore at his studio in Staunton, Virginia.","Sepia-toned gelatin silver photograph of a young woman posed seated with a child on her lap and a child seated on her left. This image might have been taken a studio in Staunton, Virginia.","Gelatin silver print that has been hand-tinted. The image is of two men. One man is a sailor with the U. S. Navy. He's wearing a blue sailor's uniform including the beret. He is wearing a white carnation. The other man is wearing a gray pinstriped suit and a fedora. He is also wearing a white carnation. The image appears to have been take in a photographer's studio.","Gelatin silver print of a USMC platoon likely taken during basic training. The USMC established a segregated basic training camp at Camp Lejeune, NC called Montford Point. The photographer's stamp on the back is for Henry Renfrew of Jacksonville, North Carolina, which means this platoon was likely at Montford Point, circa 1943-1943. The marines are wearing their Summer Service uniform, including sabres. Most have rifles at their side. Many of the marines are indentified in pencil on the back. A few are identified in ink on the front.","Tintype studio photograph of a couple. The woman has shoulder-length curly hair and wears a tiered longsleeve dress with a brooch at the collar. The man dresses in a suit and tie with a long sportcoat. He has short hair and a goatee. Their elbows rest on a column with a decoration on top.","Sixth plate tintype studio image of a woman and a young girl. The woman wears a light-colored patterned gown and a straw hat. She sits on a chair. A young girl stands beside her and rests a hand on her shoulder. The young girl wears a white dress and boots. They are posed before a painted backdrop of a garden. The ground is covered in grass and leaves.","Studio portrait of an unidentified officer in the Uniform Rank of the Knights of Pythias. The photograph is from the C. W. Borah studio in Columbus, Ohio. The man is photographed in full regalia. He wears a double-breasted frock coat which features two vertical rows of polished brass buttons, shoulder epaulets, and a high collar. He wears a chapeau with a folded brim and a side plume. A ceremonial sword rests in his gloved hand. He wears several medals and ribbons.","Large albumen photograph of African American barbers. Photograph shows five men in white coats and bow ties standing beside velvet upholstered barber's chairs lining a long counter, ornate mirrors above each station. The men rest their hands on the chairs.","Panoramic sepia toned gelatin silver photograph of a group of unidentified African American soldiers in the U. S. Army during the circa 1940s. The photograph features 88 soldiers along with 5 white officers."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source."],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":24,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T22:07:48.730Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_1174"}},{"id":"viw_repositories_2_resources_919","type":"collection","attributes":{"title":"A. H. Hand Papers","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_919#creator","type":"document_value","attributes":{"value":"Hand, A. H.","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_919#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eLetters, 16 March and 21 July 1835, of A. H. Hand, Princeton, New Jersey to his cousin Augustus Cornwall, Catskill, New York, giving advice on being a student and discussing the value of an education. Typescripts available.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_919#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_919","ead_ssi":"viw_repositories_2_resources_919","_root_":"viw_repositories_2_resources_919","_nest_parent_":"viw_repositories_2_resources_919","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_919.xml","title_filing_ssi":"Hand, A. H. Papers","title_ssm":["A. H. Hand Papers"],"title_tesim":["A. H. Hand Papers"],"unitdate_ssm":["1835, 2009"],"unitdate_inclusive_ssm":["1835, 2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 01080","/repositories/2/resources/919"],"text":["SC 01080","/repositories/2/resources/919","A. H. Hand Papers","Education, Higher--History--19th century","Education--History--19th century","Education--New York (State)","Princeton (N.J.)--History--19th century","Correspondence","Typescripts","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Processed by Ellen Strong in 1985.","Letters, 16 March and 21 July 1835, of A. H. Hand, Princeton, New Jersey to his cousin Augustus Cornwall, Catskill, New York, giving advice on being a student and discussing the value of an education. Typescripts available."," A paper explaining the relationship of the cousins, a biography of both men, and a genealogy report of the Cornwall Family and descendants of John and Rebecca Hand sent by a descendant in 2009 is also part of the collection."," 4 items.","Letters include: 16 March 1835. A.H. Hand, Princeton [N.J.] to Augustus Cornwall, Catskill, N[ew] York; 21 July 1835. A.H. Hand, Princeton, [N.J.] to cousin A[u]gustus Cornwall, Catskill, N[ew] York; 16 March 1835. A.H. Hand, Princeton [N.J.], to Augustus Cornwall, Catskill, N[ew] York; 21 July 1835. A.H. Hand, Princeton, [N.Y.] to cousin A[u]gustus Cornwall, Catskill, N[ew] York.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Hand, A. H.","English"],"unitid_tesim":["SC 01080","/repositories/2/resources/919"],"normalized_title_ssm":["A. H. Hand Papers"],"collection_title_tesim":["A. H. Hand Papers"],"collection_ssim":["A. H. Hand Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Hand, A. H."],"creator_ssim":["Hand, A. H."],"creator_persname_ssim":["Hand, A. H."],"creators_ssim":["Hand, A. H."],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gift 2009 supplement sent by Mary M. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. 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Hand\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"prefercite_html_tesm":["\u003cp\u003eA. H. Hand Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["A. H. Hand Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Ellen Strong in 1985.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Ellen Strong in 1985."],"scopecontent_html_tesm":["\u003cp\u003eLetters, 16 March and 21 July 1835, of A. H. Hand, Princeton, New Jersey to his cousin Augustus Cornwall, Catskill, New York, giving advice on being a student and discussing the value of an education. 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Hand, Princeton, New Jersey to his cousin Augustus Cornwall, Catskill, New York, giving advice on being a student and discussing the value of an education. Typescripts available."," A paper explaining the relationship of the cousins, a biography of both men, and a genealogy report of the Cornwall Family and descendants of John and Rebecca Hand sent by a descendant in 2009 is also part of the collection."," 4 items.","Letters include: 16 March 1835. A.H. Hand, Princeton [N.J.] to Augustus Cornwall, Catskill, N[ew] York; 21 July 1835. A.H. Hand, Princeton, [N.J.] to cousin A[u]gustus Cornwall, Catskill, N[ew] York; 16 March 1835. A.H. Hand, Princeton [N.J.], to Augustus Cornwall, Catskill, N[ew] York; 21 July 1835. A.H. Hand, Princeton, [N.Y.] to cousin A[u]gustus Cornwall, Catskill, N[ew] York."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Hand, A. H."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Hand, A. H."],"language_ssim":["English"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:18:49.790Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_919","ead_ssi":"viw_repositories_2_resources_919","_root_":"viw_repositories_2_resources_919","_nest_parent_":"viw_repositories_2_resources_919","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_919.xml","title_filing_ssi":"Hand, A. H. Papers","title_ssm":["A. H. Hand Papers"],"title_tesim":["A. H. Hand Papers"],"unitdate_ssm":["1835, 2009"],"unitdate_inclusive_ssm":["1835, 2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 01080","/repositories/2/resources/919"],"text":["SC 01080","/repositories/2/resources/919","A. H. 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Hand, Princeton, [N.J.] to cousin A[u]gustus Cornwall, Catskill, N[ew] York; 16 March 1835. A.H. Hand, Princeton [N.J.], to Augustus Cornwall, Catskill, N[ew] York; 21 July 1835. A.H. Hand, Princeton, [N.Y.] to cousin A[u]gustus Cornwall, Catskill, N[ew] York.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Hand, A. H.","English"],"unitid_tesim":["SC 01080","/repositories/2/resources/919"],"normalized_title_ssm":["A. H. Hand Papers"],"collection_title_tesim":["A. H. Hand Papers"],"collection_ssim":["A. H. Hand Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Hand, A. H."],"creator_ssim":["Hand, A. H."],"creator_persname_ssim":["Hand, A. H."],"creators_ssim":["Hand, A. 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Hand, Princeton, [N.Y.] to cousin A[u]gustus Cornwall, Catskill, N[ew] York."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Hand, A. H."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Hand, A. H."],"language_ssim":["English"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:18:49.790Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_919"}},{"id":"viblbv_repositories_2_resources_2743","type":"collection","attributes":{"title":"Aileen B. Cowardin Friendship Book,","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2743#creator","type":"document_value","attributes":{"value":"Cowardin, Alice Bolling, b.1848(?)","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2743#abstract_or_scope","type":"document_value","attributes":{"value":"The collection consists of a friendship book collected and maintained by Aileen B. Cowardin. The book includes leaf and plant samples, most of which are labeled as to the location where they were found.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2743#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2743","ead_ssi":"viblbv_repositories_2_resources_2743","_root_":"viblbv_repositories_2_resources_2743","_nest_parent_":"viblbv_repositories_2_resources_2743","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2743.xml","title_filing_ssi":"Cowardin, Aileen B. Friendship Book","title_ssm":["Aileen B. Cowardin Friendship Book,"],"title_tesim":["Aileen B. Cowardin Friendship Book,"],"unitdate_ssm":["1863-1870"],"unitdate_inclusive_ssm":["1863-1870"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2011.104"],"text":["Ms.2011.104","Aileen B. Cowardin Friendship Book,","Women -- History","Local/Regional History and Appalachian South","United States -- History -- Civil War, 1861-1865","Civil War","Collection is open for research.","Although biographical information is limited, it is likely that Aileen B. Cowardin was born about 1848 in Virginia. She appears to have had four brothers, at least two of whom fought for the Confederacy, one enlisting with a local defense regiment when he was only fourteen. She also had an older sister. In 1860, the family lived in Hanover, Virginia. By 1870, they had relocated to Greenbrier County, West Virginia. No additional information was found.","The processing, arrangement, and description of the Aileen B. Cowardin Friendship Book was completed in November 2011.","The collection consists of a friendship book collected and maintained by Aileen B. Cowardin. The book includes leaf and plant samples, most of which are labeled as to the location where they were found. Several pages contain items of Civil War and/or local history interest:","The first few pages contain unsent Confederate 3-cent blue stamps and a City of Richmond 10-cent voucher Page 11 contains is a visiting card of J. F. Damman dated 1877 with part of a leaf attached to a picture stating that it came from the tomb of Stonewall Jackson Page 15 includes a fragment of cedar with a notation that is came from Jackson's grave, including poetry Page 29 contains samples from Staunton, Virginia, and White Sulphur Springs, Greenbrier County, West Virginia Page 57 contains a faded, but genuine signature of Gen. Robert E. Lee pasted to the page","Permission to publish material from Aileen B. Cowardin Friendship Book must be obtained from Special Collections, Virginia Tech.","The collection consists of a friendship book collected and maintained by Aileen B. Cowardin. 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She appears to have had four brothers, at least two of whom fought for the Confederacy, one enlisting with a local defense regiment when he was only fourteen. She also had an older sister. In 1860, the family lived in Hanover, Virginia. By 1870, they had relocated to Greenbrier County, West Virginia. No additional information was found.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Although biographical information is limited, it is likely that Aileen B. Cowardin was born about 1848 in Virginia. She appears to have had four brothers, at least two of whom fought for the Confederacy, one enlisting with a local defense regiment when he was only fourteen. She also had an older sister. In 1860, the family lived in Hanover, Virginia. By 1870, they had relocated to Greenbrier County, West Virginia. No additional information was found."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Aileen B. Cowardin Friendship Book, Ms2011-104, Special Collections, Virginia Polytechnic Institute and State University, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Aileen B. Cowardin Friendship Book, Ms2011-104, Special Collections, Virginia Polytechnic Institute and State University, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Aileen B. Cowardin Friendship Book was completed in November 2011.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Aileen B. Cowardin Friendship Book was completed in November 2011."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of a friendship book collected and maintained by Aileen B. Cowardin. The book includes leaf and plant samples, most of which are labeled as to the location where they were found. Several pages contain items of Civil War and/or local history interest:\u003c/p\u003e\n","\u003cp\u003e\u003clist\u003e\n\u003citem\u003eThe first few pages contain unsent Confederate 3-cent blue stamps and a City of Richmond 10-cent voucher\u003c/item\u003e\n\u003citem\u003ePage 11 contains is a visiting card of J. F. Damman dated 1877 with part of a leaf attached to a picture stating that it came from the tomb of Stonewall Jackson\u003c/item\u003e\n\u003citem\u003ePage 15 includes a fragment of cedar with a notation that is came from Jackson's grave, including poetry\u003c/item\u003e\n\u003citem\u003ePage 29 contains samples from Staunton, Virginia, and White Sulphur Springs, Greenbrier County, West Virginia\u003c/item\u003e\n\u003citem\u003ePage 57 contains a faded, but genuine signature of Gen. Robert E. Lee pasted to the page\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of a friendship book collected and maintained by Aileen B. Cowardin. The book includes leaf and plant samples, most of which are labeled as to the location where they were found. Several pages contain items of Civil War and/or local history interest:","The first few pages contain unsent Confederate 3-cent blue stamps and a City of Richmond 10-cent voucher Page 11 contains is a visiting card of J. F. Damman dated 1877 with part of a leaf attached to a picture stating that it came from the tomb of Stonewall Jackson Page 15 includes a fragment of cedar with a notation that is came from Jackson's grave, including poetry Page 29 contains samples from Staunton, Virginia, and White Sulphur Springs, Greenbrier County, West Virginia Page 57 contains a faded, but genuine signature of Gen. Robert E. Lee pasted to the page"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Aileen B. Cowardin Friendship Book must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from Aileen B. Cowardin Friendship Book must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e0b50ed9469bce2ebe8bc7ec4f42bf47\" label=\"Abstract\"\u003eThe collection consists of a friendship book collected and maintained by Aileen B. Cowardin. The book includes leaf and plant samples, most of which are labeled as to the location where they were found.\u003c/abstract\u003e"],"abstract_tesim":["The collection consists of a friendship book collected and maintained by Aileen B. Cowardin. The book includes leaf and plant samples, most of which are labeled as to the location where they were found."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Cowardin, Alice Bolling, b.1848(?)"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Cowardin, Alice Bolling, b.1848(?)"],"language_ssim":["English \n.    "],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:20:08.786Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2743","ead_ssi":"viblbv_repositories_2_resources_2743","_root_":"viblbv_repositories_2_resources_2743","_nest_parent_":"viblbv_repositories_2_resources_2743","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2743.xml","title_filing_ssi":"Cowardin, Aileen B. Friendship Book","title_ssm":["Aileen B. Cowardin Friendship Book,"],"title_tesim":["Aileen B. Cowardin Friendship Book,"],"unitdate_ssm":["1863-1870"],"unitdate_inclusive_ssm":["1863-1870"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2011.104"],"text":["Ms.2011.104","Aileen B. Cowardin Friendship Book,","Women -- History","Local/Regional History and Appalachian South","United States -- History -- Civil War, 1861-1865","Civil War","Collection is open for research.","Although biographical information is limited, it is likely that Aileen B. Cowardin was born about 1848 in Virginia. She appears to have had four brothers, at least two of whom fought for the Confederacy, one enlisting with a local defense regiment when he was only fourteen. She also had an older sister. In 1860, the family lived in Hanover, Virginia. By 1870, they had relocated to Greenbrier County, West Virginia. No additional information was found.","The processing, arrangement, and description of the Aileen B. Cowardin Friendship Book was completed in November 2011.","The collection consists of a friendship book collected and maintained by Aileen B. Cowardin. The book includes leaf and plant samples, most of which are labeled as to the location where they were found. Several pages contain items of Civil War and/or local history interest:","The first few pages contain unsent Confederate 3-cent blue stamps and a City of Richmond 10-cent voucher Page 11 contains is a visiting card of J. F. Damman dated 1877 with part of a leaf attached to a picture stating that it came from the tomb of Stonewall Jackson Page 15 includes a fragment of cedar with a notation that is came from Jackson's grave, including poetry Page 29 contains samples from Staunton, Virginia, and White Sulphur Springs, Greenbrier County, West Virginia Page 57 contains a faded, but genuine signature of Gen. Robert E. Lee pasted to the page","Permission to publish material from Aileen B. Cowardin Friendship Book must be obtained from Special Collections, Virginia Tech.","The collection consists of a friendship book collected and maintained by Aileen B. Cowardin. The book includes leaf and plant samples, most of which are labeled as to the location where they were found.","Special Collections and University Archives, Virginia Tech","Cowardin, Alice Bolling, b.1848(?)","English \n.    "],"unitid_tesim":["Ms.2011.104"],"normalized_title_ssm":["Aileen B. Cowardin Friendship Book,"],"collection_title_tesim":["Aileen B. Cowardin Friendship Book,"],"collection_ssim":["Aileen B. Cowardin Friendship Book,"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Cowardin, Alice Bolling, b.1848(?)"],"creator_ssim":["Cowardin, Alice Bolling, b.1848(?)"],"creator_persname_ssim":["Cowardin, Alice Bolling, b.1848(?)"],"creators_ssim":["Cowardin, Alice Bolling, b.1848(?)"],"access_terms_ssm":["Permission to publish material from Aileen B. Cowardin Friendship Book must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["The Aileen B. Cowardin Friendship Book was purchased by Special Collections in November 2011."],"access_subjects_ssim":["Women -- History","Local/Regional History and Appalachian South","United States -- History -- Civil War, 1861-1865","Civil War"],"access_subjects_ssm":["Women -- History","Local/Regional History and Appalachian South","United States -- History -- Civil War, 1861-1865","Civil War"],"has_online_content_ssim":["false"],"extent_ssm":["0.1 Cubic Feet 1 folder"],"extent_tesim":["0.1 Cubic Feet 1 folder"],"date_range_isim":[1863,1864,1865,1866,1867,1868,1869,1870],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eAlthough biographical information is limited, it is likely that Aileen B. Cowardin was born about 1848 in Virginia. She appears to have had four brothers, at least two of whom fought for the Confederacy, one enlisting with a local defense regiment when he was only fourteen. She also had an older sister. In 1860, the family lived in Hanover, Virginia. By 1870, they had relocated to Greenbrier County, West Virginia. No additional information was found.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Although biographical information is limited, it is likely that Aileen B. Cowardin was born about 1848 in Virginia. She appears to have had four brothers, at least two of whom fought for the Confederacy, one enlisting with a local defense regiment when he was only fourteen. She also had an older sister. In 1860, the family lived in Hanover, Virginia. By 1870, they had relocated to Greenbrier County, West Virginia. No additional information was found."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Aileen B. Cowardin Friendship Book, Ms2011-104, Special Collections, Virginia Polytechnic Institute and State University, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Aileen B. Cowardin Friendship Book, Ms2011-104, Special Collections, Virginia Polytechnic Institute and State University, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Aileen B. Cowardin Friendship Book was completed in November 2011.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Aileen B. Cowardin Friendship Book was completed in November 2011."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of a friendship book collected and maintained by Aileen B. Cowardin. The book includes leaf and plant samples, most of which are labeled as to the location where they were found. Several pages contain items of Civil War and/or local history interest:\u003c/p\u003e\n","\u003cp\u003e\u003clist\u003e\n\u003citem\u003eThe first few pages contain unsent Confederate 3-cent blue stamps and a City of Richmond 10-cent voucher\u003c/item\u003e\n\u003citem\u003ePage 11 contains is a visiting card of J. F. Damman dated 1877 with part of a leaf attached to a picture stating that it came from the tomb of Stonewall Jackson\u003c/item\u003e\n\u003citem\u003ePage 15 includes a fragment of cedar with a notation that is came from Jackson's grave, including poetry\u003c/item\u003e\n\u003citem\u003ePage 29 contains samples from Staunton, Virginia, and White Sulphur Springs, Greenbrier County, West Virginia\u003c/item\u003e\n\u003citem\u003ePage 57 contains a faded, but genuine signature of Gen. Robert E. Lee pasted to the page\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of a friendship book collected and maintained by Aileen B. Cowardin. The book includes leaf and plant samples, most of which are labeled as to the location where they were found. Several pages contain items of Civil War and/or local history interest:","The first few pages contain unsent Confederate 3-cent blue stamps and a City of Richmond 10-cent voucher Page 11 contains is a visiting card of J. F. Damman dated 1877 with part of a leaf attached to a picture stating that it came from the tomb of Stonewall Jackson Page 15 includes a fragment of cedar with a notation that is came from Jackson's grave, including poetry Page 29 contains samples from Staunton, Virginia, and White Sulphur Springs, Greenbrier County, West Virginia Page 57 contains a faded, but genuine signature of Gen. Robert E. Lee pasted to the page"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Aileen B. Cowardin Friendship Book must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from Aileen B. Cowardin Friendship Book must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e0b50ed9469bce2ebe8bc7ec4f42bf47\" label=\"Abstract\"\u003eThe collection consists of a friendship book collected and maintained by Aileen B. Cowardin. The book includes leaf and plant samples, most of which are labeled as to the location where they were found.\u003c/abstract\u003e"],"abstract_tesim":["The collection consists of a friendship book collected and maintained by Aileen B. Cowardin. The book includes leaf and plant samples, most of which are labeled as to the location where they were found."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Cowardin, Alice Bolling, b.1848(?)"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Cowardin, Alice Bolling, b.1848(?)"],"language_ssim":["English \n.    "],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:20:08.786Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2743"}},{"id":"wvmturhc_repositories_2_resources_2135","type":"collection","attributes":{"title":"Aileen Shafer, Collector, Material regarding African-Americans","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2135#creator","type":"document_value","attributes":{"value":"Shafer, Aileen","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2135#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eNineteenth century records regarding African-Americans, including deed of emancipation (1829), two brief autograph letters by abolitionists Charles Sumner and Wendell Phillips (1850, 1882), eight copies of \"The Anti-Slavery Record\", a significant abolitionist publication (1835), and twenty popular song broadsides featuring minstrel song themes (ca. 1830s-1860s).\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2135#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_2135","ead_ssi":"wvmturhc_repositories_2_resources_2135","_root_":"wvmturhc_repositories_2_resources_2135","_nest_parent_":"wvmturhc_repositories_2_resources_2135","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_2135.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/196237","title_ssm":["Aileen Shafer, Collector, Material regarding African-Americans"],"title_tesim":["Aileen Shafer, Collector, Material regarding African-Americans"],"unitdate_ssm":["1829-1884"],"unitdate_inclusive_ssm":["1829-1884"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3756","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2135"],"text":["A\u0026M 3756","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2135","Aileen Shafer, Collector, Material regarding African-Americans","African Americans ","African Americans  -- History -- Miscellanea","Minstrel music","Slaves and slavery.","No special access restriction applies.","The Anti-Slavery Record , a monthly publication, promoted the complete and immediate abolition of slavery.  It was published for the American Anti-Slavery Society by R.G. Williams.  The newspaper was published for three years, 1835-1837, volume 1, issue 1 January 1835 through volume 3, issue 12, December 1837.  Aileen Shafer's collection includes volume 1, issue 1 through issue 10, 1835.  ","Issues of  The Anti-Slavery Record  feature excerpts from newspapers and speeches; reports on the slave trade and slave auctions; contributions by abolitionists such as Timothy Weld, John Rankin, and Elizur Wright; excerpts from Seabrook's proslavery  Essay on the Management of Slavery ; and eyewitness accounts of the torture and murder of slaves. Of particular note are the wood-cut engravings found throughout the issues.  ","Excerpted from a sales ad for issues of  The Anti-Slavery Record  by Bauman Rare Books.  Accessed December 2, 2020.","Note: Electronic versions of all issues of  The Anti-Slavery Record are available online from a number of sources including Google Books, the Hathi Trust, and the WVU Libraries' database HeinOnline.","Nineteenth century records regarding African-Americans, including deed of emancipation (1829), two brief autograph letters by abolitionists Charles Sumner and Wendell Phillips (1850, 1882), eight copies of \"The Anti-Slavery Record\", a significant abolitionist publication (1835), and twenty popular song broadsides featuring minstrel song themes (ca. 1830s-1860s).","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Shafer, Aileen","English \n.    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For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["African Americans ","African Americans  -- History -- Miscellanea","Minstrel music","Slaves and slavery."],"access_subjects_ssm":["African Americans ","African Americans  -- History -- Miscellanea","Minstrel music","Slaves and slavery."],"has_online_content_ssim":["false"],"extent_ssm":["0.21 Linear Feet 2.5 in. (1 document case)"],"extent_tesim":["0.21 Linear Feet 2.5 in. (1 document case)"],"date_range_isim":[1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003e\u003ctitle\u003eThe Anti-Slavery Record\u003c/title\u003e, a monthly publication, promoted the complete and immediate abolition of slavery.  It was published for the American Anti-Slavery Society by R.G. Williams.  The newspaper was published for three years, 1835-1837, volume 1, issue 1 January 1835 through volume 3, issue 12, December 1837.  Aileen Shafer's collection includes volume 1, issue 1 through issue 10, 1835.  \u003c/p\u003e\n","\u003cp\u003eIssues of \u003ctitle\u003eThe Anti-Slavery Record\u003c/title\u003e feature excerpts from newspapers and speeches; reports on the slave trade and slave auctions; contributions by abolitionists such as Timothy Weld, John Rankin, and Elizur Wright; excerpts from Seabrook's proslavery \u003ctitle\u003eEssay on the Management of Slavery\u003c/title\u003e; and eyewitness accounts of the torture and murder of slaves. Of particular note are the wood-cut engravings found throughout the issues.  \u003c/p\u003e\n","\u003cp\u003eExcerpted from a sales ad for issues of \u003ctitle\u003eThe Anti-Slavery Record\u003c/title\u003e by Bauman Rare Books.  Accessed December 2, 2020.\u003c/p\u003e\n","\u003cp\u003eNote: Electronic versions of all issues of \u003ctitleitle\u003eThe Anti-Slavery Record\u003c/titleitle\u003eare available online from a number of sources including Google Books, the Hathi Trust, and the WVU Libraries' database HeinOnline.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Anti-Slavery Record , a monthly publication, promoted the complete and immediate abolition of slavery.  It was published for the American Anti-Slavery Society by R.G. Williams.  The newspaper was published for three years, 1835-1837, volume 1, issue 1 January 1835 through volume 3, issue 12, December 1837.  Aileen Shafer's collection includes volume 1, issue 1 through issue 10, 1835.  ","Issues of  The Anti-Slavery Record  feature excerpts from newspapers and speeches; reports on the slave trade and slave auctions; contributions by abolitionists such as Timothy Weld, John Rankin, and Elizur Wright; excerpts from Seabrook's proslavery  Essay on the Management of Slavery ; and eyewitness accounts of the torture and murder of slaves. Of particular note are the wood-cut engravings found throughout the issues.  ","Excerpted from a sales ad for issues of  The Anti-Slavery Record  by Bauman Rare Books.  Accessed December 2, 2020.","Note: Electronic versions of all issues of  The Anti-Slavery Record are available online from a number of sources including Google Books, the Hathi Trust, and the WVU Libraries' database HeinOnline."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Aileen Shafer, Collector, Material regarding African-Americans, A\u0026amp;M 3756, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Aileen Shafer, Collector, Material regarding African-Americans, A\u0026M 3756, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eNineteenth century records regarding African-Americans, including deed of emancipation (1829), two brief autograph letters by abolitionists Charles Sumner and Wendell Phillips (1850, 1882), eight copies of \"The Anti-Slavery Record\", a significant abolitionist publication (1835), and twenty popular song broadsides featuring minstrel song themes (ca. 1830s-1860s).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Nineteenth century records regarding African-Americans, including deed of emancipation (1829), two brief autograph letters by abolitionists Charles Sumner and Wendell Phillips (1850, 1882), eight copies of \"The Anti-Slavery Record\", a significant abolitionist publication (1835), and twenty popular song broadsides featuring minstrel song themes (ca. 1830s-1860s)."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ec1635d32b3b2bd05c251b2fb3a718d7\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Shafer, Aileen"],"corpname_ssim":["West Virginia and Regional History Center"],"persname_ssim":["Shafer, Aileen"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":31,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:44:35.657Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_2135","ead_ssi":"wvmturhc_repositories_2_resources_2135","_root_":"wvmturhc_repositories_2_resources_2135","_nest_parent_":"wvmturhc_repositories_2_resources_2135","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_2135.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/196237","title_ssm":["Aileen Shafer, Collector, Material regarding African-Americans"],"title_tesim":["Aileen Shafer, Collector, Material regarding African-Americans"],"unitdate_ssm":["1829-1884"],"unitdate_inclusive_ssm":["1829-1884"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3756","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2135"],"text":["A\u0026M 3756","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2135","Aileen Shafer, Collector, Material regarding African-Americans","African Americans ","African Americans  -- History -- Miscellanea","Minstrel music","Slaves and slavery.","No special access restriction applies.","The Anti-Slavery Record , a monthly publication, promoted the complete and immediate abolition of slavery.  It was published for the American Anti-Slavery Society by R.G. Williams.  The newspaper was published for three years, 1835-1837, volume 1, issue 1 January 1835 through volume 3, issue 12, December 1837.  Aileen Shafer's collection includes volume 1, issue 1 through issue 10, 1835.  ","Issues of  The Anti-Slavery Record  feature excerpts from newspapers and speeches; reports on the slave trade and slave auctions; contributions by abolitionists such as Timothy Weld, John Rankin, and Elizur Wright; excerpts from Seabrook's proslavery  Essay on the Management of Slavery ; and eyewitness accounts of the torture and murder of slaves. Of particular note are the wood-cut engravings found throughout the issues.  ","Excerpted from a sales ad for issues of  The Anti-Slavery Record  by Bauman Rare Books.  Accessed December 2, 2020.","Note: Electronic versions of all issues of  The Anti-Slavery Record are available online from a number of sources including Google Books, the Hathi Trust, and the WVU Libraries' database HeinOnline.","Nineteenth century records regarding African-Americans, including deed of emancipation (1829), two brief autograph letters by abolitionists Charles Sumner and Wendell Phillips (1850, 1882), eight copies of \"The Anti-Slavery Record\", a significant abolitionist publication (1835), and twenty popular song broadsides featuring minstrel song themes (ca. 1830s-1860s).","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Shafer, Aileen","English \n.    "],"unitid_tesim":["A\u0026M 3756","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2135"],"normalized_title_ssm":["Aileen Shafer, Collector, Material regarding African-Americans"],"collection_title_tesim":["Aileen Shafer, Collector, Material regarding African-Americans"],"collection_ssim":["Aileen Shafer, Collector, Material regarding African-Americans"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Shafer, Aileen"],"creator_ssim":["Shafer, Aileen"],"creator_persname_ssim":["Shafer, Aileen"],"creators_ssim":["Shafer, Aileen"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["African Americans ","African Americans  -- History -- Miscellanea","Minstrel music","Slaves and slavery."],"access_subjects_ssm":["African Americans ","African Americans  -- History -- Miscellanea","Minstrel music","Slaves and slavery."],"has_online_content_ssim":["false"],"extent_ssm":["0.21 Linear Feet 2.5 in. (1 document case)"],"extent_tesim":["0.21 Linear Feet 2.5 in. 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Aileen Shafer's collection includes volume 1, issue 1 through issue 10, 1835.  \u003c/p\u003e\n","\u003cp\u003eIssues of \u003ctitle\u003eThe Anti-Slavery Record\u003c/title\u003e feature excerpts from newspapers and speeches; reports on the slave trade and slave auctions; contributions by abolitionists such as Timothy Weld, John Rankin, and Elizur Wright; excerpts from Seabrook's proslavery \u003ctitle\u003eEssay on the Management of Slavery\u003c/title\u003e; and eyewitness accounts of the torture and murder of slaves. Of particular note are the wood-cut engravings found throughout the issues.  \u003c/p\u003e\n","\u003cp\u003eExcerpted from a sales ad for issues of \u003ctitle\u003eThe Anti-Slavery Record\u003c/title\u003e by Bauman Rare Books.  Accessed December 2, 2020.\u003c/p\u003e\n","\u003cp\u003eNote: Electronic versions of all issues of \u003ctitleitle\u003eThe Anti-Slavery Record\u003c/titleitle\u003eare available online from a number of sources including Google Books, the Hathi Trust, and the WVU Libraries' database HeinOnline.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Anti-Slavery Record , a monthly publication, promoted the complete and immediate abolition of slavery.  It was published for the American Anti-Slavery Society by R.G. Williams.  The newspaper was published for three years, 1835-1837, volume 1, issue 1 January 1835 through volume 3, issue 12, December 1837.  Aileen Shafer's collection includes volume 1, issue 1 through issue 10, 1835.  ","Issues of  The Anti-Slavery Record  feature excerpts from newspapers and speeches; reports on the slave trade and slave auctions; contributions by abolitionists such as Timothy Weld, John Rankin, and Elizur Wright; excerpts from Seabrook's proslavery  Essay on the Management of Slavery ; and eyewitness accounts of the torture and murder of slaves. Of particular note are the wood-cut engravings found throughout the issues.  ","Excerpted from a sales ad for issues of  The Anti-Slavery Record  by Bauman Rare Books.  Accessed December 2, 2020.","Note: Electronic versions of all issues of  The Anti-Slavery Record are available online from a number of sources including Google Books, the Hathi Trust, and the WVU Libraries' database HeinOnline."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Aileen Shafer, Collector, Material regarding African-Americans, A\u0026amp;M 3756, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Aileen Shafer, Collector, Material regarding African-Americans, A\u0026M 3756, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eNineteenth century records regarding African-Americans, including deed of emancipation (1829), two brief autograph letters by abolitionists Charles Sumner and Wendell Phillips (1850, 1882), eight copies of \"The Anti-Slavery Record\", a significant abolitionist publication (1835), and twenty popular song broadsides featuring minstrel song themes (ca. 1830s-1860s).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Nineteenth century records regarding African-Americans, including deed of emancipation (1829), two brief autograph letters by abolitionists Charles Sumner and Wendell Phillips (1850, 1882), eight copies of \"The Anti-Slavery Record\", a significant abolitionist publication (1835), and twenty popular song broadsides featuring minstrel song themes (ca. 1830s-1860s)."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ec1635d32b3b2bd05c251b2fb3a718d7\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Shafer, Aileen"],"corpname_ssim":["West Virginia and Regional History Center"],"persname_ssim":["Shafer, Aileen"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":31,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:44:35.657Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2135"}},{"id":"viw_repositories_2_resources_7898","type":"collection","attributes":{"title":"A.J. Lawrence Account Book","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_7898#creator","type":"document_value","attributes":{"value":"Lawrence, A. J. ","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_7898#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eAccount book of A. J. Lawrence, a metal-worker from East Weymouth, Somerset, and Taunton, Massachusetts. Includes details of his hours, wages, what he produced, and his observations of labor unrest and strikes. He worked at Weymouth Iron Company, the Mt. Hope Iron Company, Reed and Barton, and A. Field and Co.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_7898#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_7898","ead_ssi":"viw_repositories_2_resources_7898","_root_":"viw_repositories_2_resources_7898","_nest_parent_":"viw_repositories_2_resources_7898","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_7898.xml","title_filing_ssi":"A.J. 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Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection was formerly identified as Mss. Acc. 2010.703.","Account book of A. J. Lawrence, a metal-worker from East Weymouth, Somerset, and Taunton, Massachusetts.  Includes details of his hours, wages, what he produced, and his observations of labor unrest and strikes.  He worked at Weymouth Iron Company, the Mt. Hope Iron Company, Reed and Barton, and A. 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Field and Co."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Lawrence, A. J. "],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Lawrence, A. J. 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Dates of materials range from 1754-1975.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihdsc_repositories_2_resources_4#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihdsc_repositories_2_resources_4","ead_ssi":"vihdsc_repositories_2_resources_4","_root_":"vihdsc_repositories_2_resources_4","_nest_parent_":"vihdsc_repositories_2_resources_4","ead_source_url_ssi":"data/oai/HSC/repositories_2_resources_4.xml","aspace_url_ssi":"http://archivespace.hsc.edu:8081/ark:/45832/42","title_ssm":["A.J. Morrison Collection"],"title_tesim":["A.J. Morrison Collection"],"unitdate_ssm":["1754/1975"],"unitdate_inclusive_ssm":["1754/1975"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.000102"],"text":["SC.000102","A.J. Morrison Collection","Prince Edward County (Va.)","Hampden-Sydney College","United States--History","Military history","Collection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request.","The manuscript was originally divided into paper-clipped sections. Paper clips were removed and each section has been placed in a separate folder in accordance with the original order.","A.J. Morrison (d. 1923) was the grandson of Hampden-Sydney President J. M. P. Atkinson, and a 1895 graduate of the College. After receiving his Pd.D. at Johns Hopkins, he returned to Hampden-Sydney, where he engaged in copious historical research related to Prince Edward County and Hampden-Sydney College.","Processed by: Maryska Connelly-Brown, 2018. Machine-readable finding aid created from previous inventories by: Sarah Almond, 2020 April.","Paul L. Grier Vertical Files (CA 000101)","The collection contains an unfinished manuscript by A.J. Morrison about Prince Edward County, along with letters, newspaper clippings, and various documents about local history. Dates of materials range from 1754-1975.","Morrison Memoranda. Projected title page, dedication, and table of contents with chapter titles; I - The Land and Transportation, II - Political and Municipal, III - Some Personal History, IV - Church and State and School, V -  Prince Edward County Records, VI - Early Wars and Revolutions, and VII - Some Further Reminders. The next few pages are the table of contents for each chapters subsections. Finally, there is a handwritten preface (3 pages long).","Subsection of chapter 1, Inventory, pages 7-12 of manuscript. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.","Subsections of chapter 1; 2. Soil Survey: pp 13-19, 3. Woodson grapes and Morton Minerals: pp 20, and 4. Prince Edward Court House Plans for Transportation, 1822: pp 21-22. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.","The folder contains subsections of chapter 1; 5. Old Times in Charlotte and Prince Edward: p 23, 6. Prince Edward and Charlotte Farms in 1836: pp 24-28, 7. Railroad Convention at Farmville, May 7, 1846: pp 29-30, and 8. From Fomvil [sic] to Washington by way of Richmond: pp 31-33. These pages are made up of handwritten notes.","Contains subsections of chapter 1; 9. Remarks on Farming in Prince Edward and that Neighborhood just before the Civil War: pp 34-35, 10. A Letter from Mr. H.G. Richardson, Feb. 2, 1852: pp 36-37, 11. Farming at High Hill, A letter from Dr. Morton, July 3, 1852: p 38, and 12. History of the O. and K. and Nineteenth century Prince Edward Transportation ideas: pp 39-43. The folder then starts chaper 2 - Political and Municipal title on p 44 with the first subsection of the chapter, 1. 1754-1776: pp 45-51. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.","Contains subsection of chapter 2, 2. 1776-1810: pp 52-69 (this section contains information about the founding of Hampden-Sydney College). These pages are made up of handwritten notes.","Contains the subsections of chapter 2, 3. 1810-1836: pp 70-73, and 4. 1836-1854: pp 74-76. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.","Contains subsection of chapter 2; 5. 1854-1876: pp 77-123. These pages are made up of handwritten notes.","Contains the second part of the subsection of chapter 2; 5. 1854-1876: pp 124-129 (Civil War). These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.","Contains the final part of the subsection of chapter 2; 5. 1854-1876 (After the war), pp 130-136. The folder then goes to chapter 3 - Some Personal History title on p 137 with subsections; 1. Latrobe on the Appomattox, pp 138-139, 2. Patrick Henry and John Randolph in Prince Edward, p 140, 3. May 18th 1825, p 141, 4. Charlotte Court First Monday in April 1827, pp 142-143, and 5. Edward in 1830, pp 144-145. These pages contain a mixture of handwritten notes and newspaper articles with Chapter 2 being handwritten and then the subsections of chapter 3 all being edited newspaper articles.","Contains subsection of chapter 3, 6. Dr. Mettauer, 1809-1875: pp 146-151. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.","Contains subsection of chapter 4 - Church and State and School; 1. Notes from St. Patrick's Parish Vestry Book, 1755-1774: pp 153-172. These pages are made up of handwritten notes.","Contains subsections of chapter 4; 2. Miscellany Notes on Churches: pp 173-185, 3. Some Pastors of the Farmville Presbyterian Church: p 186, 4. Daniel Witt, of Sandy River Church: p 187, and 5. A Few Schools and The Prince Edward Library Company: pp 188-197. These pages contain a mixture of handwritten notes and edited newspaper articles.","Contains the subsection of chapter 4, 6. The Old Time Free School: pp 198-202. These pages contain a mixture of handwritten notes and edited newspaper articles.","Contains subsection of chapter 4, 7. Dr. Ruffner's Eleven Points: pp 203-214.These pages are made up of handwritten notes.","Contains subsections of chapter 5 - Prince Edward County Records, title p 215; 1. Prince Edward County Records: pp 216-218, 2. Names of the People: p 219, 3. Museum of Hampden Sidney: pp 220-221, 4. We will say something of a few important gifts to this museum...: pp 222-223, 5. A recent accession to this Museum will be of interest...: pp 224-225, and 6. Henry Jacob and His Map, pp 226-228.  These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.","Contains subsection of chapter 6 - Early Wars and Revolutions, title p 229, 1. Volunteers for the French War: p 230. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.","Contains subsections of chapter 6; 2. The Revolution, first and last: p 231, 3. Buffalo District in 1776: pp 232-234, 4. Pay Roll of Captain John Morton's Company of Regulars, Fourth Virginia, 1776: pp 235-239, 5. Militi Officers, Prince Edward County, 1777-1781: pp 240-241, 6. General Lawson and Dr. Holcombe: p 242, and 5. Moravian Travels in Prince Edward in 1780: p 243. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.","Contains subsections of chapter 6; 8. Colonel Tarleton's Visitations: pp 244-246, 9. Adventures in the West: pp 247-248, 10. General Washington at Prince Edward Court House, June 7th, 1791: pp 249-252, 11. The Virginia Yazoo Company of Prince Edward: pages 253-254, 12. Caldwell and Owen of Prince Edward and Kentucky: p 255, and 13. John Coffee of Prince Edward County and the Southwest: p 256. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.","Contains subsection of chapter 6; 14. Prince Edward and the War of 1812, A Few Memoranda: pp 257-267. These pages are a mixture of handwritten notes and edited newspaper articles.","Contains subsection of chapter 7 - Some Further Reminders; 1. Prince Edward Court, 1754, Old Style, and After: pp 268-273. These pages consist of handwritten notes.","Contains subsection of chapter 7; 2. St. Patricks' and Politics: pp 274-276. These pages consist of handwritten notes.","Contains subsection of chapter 7; 3. Resolutions of Prince Edward County Committee on Safety, 1775: pp 277-284. These pages consist of handwritten notes.","Contains subsections of chapter 7; 4. General Robert Lawson: 285-298 and 5. Patrick Henry of Prince Edward: p 299. These pages consist of handwritten notes.","Contains subsectionw of chapter 7; 6. Abner and Francis Nash, George Walton and Governor Towns: pp 300-303, 7. John Baytop Scott: p 304, and 8. Thomas Allen and Andrew Johnston: p 305. These pages consist of a mixture of handwritten notes and edited newspaper articles.","Contains subsectiosn of chapter 7; 8. Prince Edward Tobacco Markets around 1786: pp 306-309 and 9. Germantown: p 310. These pages consist of handwritten notes.","Contains subsection of chapter 7; 10. Business of Kingsville: pp 311-316. These pages consist of handwritten notes.","Contains subsections of chapter 7; 11. Nathaniel E. Venable and Prince Edward Business: pp 317-325. These pages consist of handwritten notes.","Contains subsection of chapter 7; 12. Dr. \"Jim\" Dillon and some other Prince Edward Doctors: pp 326-332. These pages consist of handwritten notes.","Contains subsection of chapter 7; 13. Wonder Booker and Uncle Jack [Historical Collections of Virginia]: pp 333-334. These pages consist of handwritten notes.","Contains subsections of chapter 7; 14. William Branch: p 336, 15. Needham Law School: p 337, 16. Samuel Clough Anderson: 338, 17. From the Court House to the New Court House: p 339, and 18. Prince Edward County Political Register, 1775-1865: p 340-342. These pages consist of edited and annotated newspaper articles.","The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other information about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.   \nThe materials from our collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source. This collection may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility.","Hampden-Sydney College Archives \u0026 Special Collections","Hampden-Sydney College","English \n.    "],"unitid_tesim":["SC.000102"],"normalized_title_ssm":["A.J. Morrison Collection"],"collection_title_tesim":["A.J. Morrison Collection"],"collection_ssim":["A.J. Morrison Collection"],"repository_ssm":["Hampden-Sydney College"],"repository_ssim":["Hampden-Sydney College"],"geogname_ssm":["Prince Edward County (Va.)","Hampden-Sydney College"],"geogname_ssim":["Prince Edward County (Va.)","Hampden-Sydney College"],"places_ssim":["Prince Edward County (Va.)","Hampden-Sydney College"],"access_terms_ssm":["The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other information about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.   \nThe materials from our collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source. This collection may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"access_subjects_ssim":["United States--History","Military history"],"access_subjects_ssm":["United States--History","Military history"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Cubic Feet 1 Box"],"extent_tesim":["0.5 Cubic Feet 1 Box"],"genreform_ssim":["Military history"],"date_range_isim":[1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access to materials: "],"accessrestrict_tesim":["Collection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request."],"arrangement_html_tesm":["\u003cp\u003eThe manuscript was originally divided into paper-clipped sections. Paper clips were removed and each section has been placed in a separate folder in accordance with the original order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement:"],"arrangement_tesim":["The manuscript was originally divided into paper-clipped sections. Paper clips were removed and each section has been placed in a separate folder in accordance with the original order."],"bioghist_html_tesm":["\u003cp\u003eA.J. Morrison (d. 1923) was the grandson of Hampden-Sydney President J. M. P. Atkinson, and a 1895 graduate of the College. After receiving his Pd.D. at Johns Hopkins, he returned to Hampden-Sydney, where he engaged in copious historical research related to Prince Edward County and Hampden-Sydney College.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/historical note:"],"bioghist_tesim":["A.J. Morrison (d. 1923) was the grandson of Hampden-Sydney President J. M. P. Atkinson, and a 1895 graduate of the College. After receiving his Pd.D. at Johns Hopkins, he returned to Hampden-Sydney, where he engaged in copious historical research related to Prince Edward County and Hampden-Sydney College."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], A.J. Morrison Collection, CA 000102, Hampden-Sydney College Archives and Special Collections, Hampden-Sydney, VA\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], A.J. Morrison Collection, CA 000102, Hampden-Sydney College Archives and Special Collections, Hampden-Sydney, VA"],"processinfo_html_tesm":["\u003cp\u003eProcessed by: Maryska Connelly-Brown, 2018. Machine-readable finding aid created from previous inventories by: Sarah Almond, 2020 April.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing information:"],"processinfo_tesim":["Processed by: Maryska Connelly-Brown, 2018. Machine-readable finding aid created from previous inventories by: Sarah Almond, 2020 April."],"relatedmaterial_html_tesm":["\u003cp\u003ePaul L. Grier Vertical Files (CA 000101)\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related materials:"],"relatedmaterial_tesim":["Paul L. Grier Vertical Files (CA 000101)"],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains an unfinished manuscript by A.J. Morrison about Prince Edward County, along with letters, newspaper clippings, and various documents about local history. Dates of materials range from 1754-1975.\u003c/p\u003e","\u003cp\u003eMorrison Memoranda. Projected title page, dedication, and table of contents with chapter titles; I - The Land and Transportation, II - Political and Municipal, III - Some Personal History, IV - Church and State and School, V -  Prince Edward County Records, VI - Early Wars and Revolutions, and VII - Some Further Reminders. The next few pages are the table of contents for each chapters subsections. Finally, there is a handwritten preface (3 pages long).\u003c/p\u003e","\u003cp\u003eSubsection of chapter 1, Inventory, pages 7-12 of manuscript. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.\u003c/p\u003e","\u003cp\u003eSubsections of chapter 1; 2. Soil Survey: pp 13-19, 3. Woodson grapes and Morton Minerals: pp 20, and 4. Prince Edward Court House Plans for Transportation, 1822: pp 21-22. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.\u003c/p\u003e","\u003cp\u003eThe folder contains subsections of chapter 1; 5. Old Times in Charlotte and Prince Edward: p 23, 6. Prince Edward and Charlotte Farms in 1836: pp 24-28, 7. Railroad Convention at Farmville, May 7, 1846: pp 29-30, and 8. From Fomvil [sic] to Washington by way of Richmond: pp 31-33. These pages are made up of handwritten notes.\u003c/p\u003e","\u003cp\u003eContains subsections of chapter 1; 9. Remarks on Farming in Prince Edward and that Neighborhood just before the Civil War: pp 34-35, 10. A Letter from Mr. H.G. Richardson, Feb. 2, 1852: pp 36-37, 11. Farming at High Hill, A letter from Dr. Morton, July 3, 1852: p 38, and 12. History of the O. and K. and Nineteenth century Prince Edward Transportation ideas: pp 39-43. The folder then starts chaper 2 - Political and Municipal title on p 44 with the first subsection of the chapter, 1. 1754-1776: pp 45-51. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.\u003c/p\u003e","\u003cp\u003eContains subsection of chapter 2, 2. 1776-1810: pp 52-69 (this section contains information about the founding of Hampden-Sydney College). These pages are made up of handwritten notes.\u003c/p\u003e","\u003cp\u003eContains the subsections of chapter 2, 3. 1810-1836: pp 70-73, and 4. 1836-1854: pp 74-76. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.\u003c/p\u003e","\u003cp\u003eContains subsection of chapter 2; 5. 1854-1876: pp 77-123. These pages are made up of handwritten notes.\u003c/p\u003e","\u003cp\u003eContains the second part of the subsection of chapter 2; 5. 1854-1876: pp 124-129 (Civil War). These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.\u003c/p\u003e","\u003cp\u003eContains the final part of the subsection of chapter 2; 5. 1854-1876 (After the war), pp 130-136. The folder then goes to chapter 3 - Some Personal History title on p 137 with subsections; 1. Latrobe on the Appomattox, pp 138-139, 2. Patrick Henry and John Randolph in Prince Edward, p 140, 3. May 18th 1825, p 141, 4. Charlotte Court First Monday in April 1827, pp 142-143, and 5. Edward in 1830, pp 144-145. These pages contain a mixture of handwritten notes and newspaper articles with Chapter 2 being handwritten and then the subsections of chapter 3 all being edited newspaper articles.\u003c/p\u003e","\u003cp\u003eContains subsection of chapter 3, 6. Dr. Mettauer, 1809-1875: pp 146-151. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.\u003c/p\u003e","\u003cp\u003eContains subsection of chapter 4 - Church and State and School; 1. Notes from St. Patrick's Parish Vestry Book, 1755-1774: pp 153-172. These pages are made up of handwritten notes.\u003c/p\u003e","\u003cp\u003eContains subsections of chapter 4; 2. Miscellany Notes on Churches: pp 173-185, 3. Some Pastors of the Farmville Presbyterian Church: p 186, 4. Daniel Witt, of Sandy River Church: p 187, and 5. A Few Schools and The Prince Edward Library Company: pp 188-197. These pages contain a mixture of handwritten notes and edited newspaper articles.\u003c/p\u003e","\u003cp\u003eContains the subsection of chapter 4, 6. The Old Time Free School: pp 198-202. These pages contain a mixture of handwritten notes and edited newspaper articles.\u003c/p\u003e","\u003cp\u003eContains subsection of chapter 4, 7. Dr. Ruffner's Eleven Points: pp 203-214.These pages are made up of handwritten notes.\u003c/p\u003e","\u003cp\u003eContains subsections of chapter 5 - Prince Edward County Records, title p 215; 1. Prince Edward County Records: pp 216-218, 2. Names of the People: p 219, 3. Museum of Hampden Sidney: pp 220-221, 4. We will say something of a few important gifts to this museum...: pp 222-223, 5. A recent accession to this Museum will be of interest...: pp 224-225, and 6. Henry Jacob and His Map, pp 226-228.  These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.\u003c/p\u003e","\u003cp\u003eContains subsection of chapter 6 - Early Wars and Revolutions, title p 229, 1. Volunteers for the French War: p 230. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.\u003c/p\u003e","\u003cp\u003eContains subsections of chapter 6; 2. The Revolution, first and last: p 231, 3. Buffalo District in 1776: pp 232-234, 4. Pay Roll of Captain John Morton's Company of Regulars, Fourth Virginia, 1776: pp 235-239, 5. Militi Officers, Prince Edward County, 1777-1781: pp 240-241, 6. General Lawson and Dr. Holcombe: p 242, and 5. Moravian Travels in Prince Edward in 1780: p 243. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.\u003c/p\u003e","\u003cp\u003eContains subsections of chapter 6; 8. Colonel Tarleton's Visitations: pp 244-246, 9. Adventures in the West: pp 247-248, 10. General Washington at Prince Edward Court House, June 7th, 1791: pp 249-252, 11. The Virginia Yazoo Company of Prince Edward: pages 253-254, 12. Caldwell and Owen of Prince Edward and Kentucky: p 255, and 13. John Coffee of Prince Edward County and the Southwest: p 256. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.\u003c/p\u003e","\u003cp\u003eContains subsection of chapter 6; 14. Prince Edward and the War of 1812, A Few Memoranda: pp 257-267. These pages are a mixture of handwritten notes and edited newspaper articles.\u003c/p\u003e","\u003cp\u003eContains subsection of chapter 7 - Some Further Reminders; 1. Prince Edward Court, 1754, Old Style, and After: pp 268-273. These pages consist of handwritten notes.\u003c/p\u003e","\u003cp\u003eContains subsection of chapter 7; 2. St. Patricks' and Politics: pp 274-276. These pages consist of handwritten notes.\u003c/p\u003e","\u003cp\u003eContains subsection of chapter 7; 3. Resolutions of Prince Edward County Committee on Safety, 1775: pp 277-284. These pages consist of handwritten notes.\u003c/p\u003e","\u003cp\u003eContains subsections of chapter 7; 4. General Robert Lawson: 285-298 and 5. Patrick Henry of Prince Edward: p 299. These pages consist of handwritten notes.\u003c/p\u003e","\u003cp\u003eContains subsectionw of chapter 7; 6. Abner and Francis Nash, George Walton and Governor Towns: pp 300-303, 7. John Baytop Scott: p 304, and 8. Thomas Allen and Andrew Johnston: p 305. These pages consist of a mixture of handwritten notes and edited newspaper articles.\u003c/p\u003e","\u003cp\u003eContains subsectiosn of chapter 7; 8. Prince Edward Tobacco Markets around 1786: pp 306-309 and 9. Germantown: p 310. These pages consist of handwritten notes.\u003c/p\u003e","\u003cp\u003eContains subsection of chapter 7; 10. Business of Kingsville: pp 311-316. These pages consist of handwritten notes.\u003c/p\u003e","\u003cp\u003eContains subsections of chapter 7; 11. Nathaniel E. Venable and Prince Edward Business: pp 317-325. These pages consist of handwritten notes.\u003c/p\u003e","\u003cp\u003eContains subsection of chapter 7; 12. Dr. \"Jim\" Dillon and some other Prince Edward Doctors: pp 326-332. These pages consist of handwritten notes.\u003c/p\u003e","\u003cp\u003eContains subsection of chapter 7; 13. Wonder Booker and Uncle Jack [Historical Collections of Virginia]: pp 333-334. These pages consist of handwritten notes.\u003c/p\u003e","\u003cp\u003eContains subsections of chapter 7; 14. William Branch: p 336, 15. Needham Law School: p 337, 16. Samuel Clough Anderson: 338, 17. From the Court House to the New Court House: p 339, and 18. Prince Edward County Political Register, 1775-1865: p 340-342. These pages consist of edited and annotated newspaper articles.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope/content:","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection contains an unfinished manuscript by A.J. Morrison about Prince Edward County, along with letters, newspaper clippings, and various documents about local history. Dates of materials range from 1754-1975.","Morrison Memoranda. Projected title page, dedication, and table of contents with chapter titles; I - The Land and Transportation, II - Political and Municipal, III - Some Personal History, IV - Church and State and School, V -  Prince Edward County Records, VI - Early Wars and Revolutions, and VII - Some Further Reminders. The next few pages are the table of contents for each chapters subsections. Finally, there is a handwritten preface (3 pages long).","Subsection of chapter 1, Inventory, pages 7-12 of manuscript. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.","Subsections of chapter 1; 2. Soil Survey: pp 13-19, 3. Woodson grapes and Morton Minerals: pp 20, and 4. Prince Edward Court House Plans for Transportation, 1822: pp 21-22. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.","The folder contains subsections of chapter 1; 5. Old Times in Charlotte and Prince Edward: p 23, 6. Prince Edward and Charlotte Farms in 1836: pp 24-28, 7. Railroad Convention at Farmville, May 7, 1846: pp 29-30, and 8. From Fomvil [sic] to Washington by way of Richmond: pp 31-33. These pages are made up of handwritten notes.","Contains subsections of chapter 1; 9. Remarks on Farming in Prince Edward and that Neighborhood just before the Civil War: pp 34-35, 10. A Letter from Mr. H.G. Richardson, Feb. 2, 1852: pp 36-37, 11. Farming at High Hill, A letter from Dr. Morton, July 3, 1852: p 38, and 12. History of the O. and K. and Nineteenth century Prince Edward Transportation ideas: pp 39-43. The folder then starts chaper 2 - Political and Municipal title on p 44 with the first subsection of the chapter, 1. 1754-1776: pp 45-51. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.","Contains subsection of chapter 2, 2. 1776-1810: pp 52-69 (this section contains information about the founding of Hampden-Sydney College). These pages are made up of handwritten notes.","Contains the subsections of chapter 2, 3. 1810-1836: pp 70-73, and 4. 1836-1854: pp 74-76. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.","Contains subsection of chapter 2; 5. 1854-1876: pp 77-123. These pages are made up of handwritten notes.","Contains the second part of the subsection of chapter 2; 5. 1854-1876: pp 124-129 (Civil War). These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.","Contains the final part of the subsection of chapter 2; 5. 1854-1876 (After the war), pp 130-136. The folder then goes to chapter 3 - Some Personal History title on p 137 with subsections; 1. Latrobe on the Appomattox, pp 138-139, 2. Patrick Henry and John Randolph in Prince Edward, p 140, 3. May 18th 1825, p 141, 4. Charlotte Court First Monday in April 1827, pp 142-143, and 5. Edward in 1830, pp 144-145. These pages contain a mixture of handwritten notes and newspaper articles with Chapter 2 being handwritten and then the subsections of chapter 3 all being edited newspaper articles.","Contains subsection of chapter 3, 6. Dr. Mettauer, 1809-1875: pp 146-151. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.","Contains subsection of chapter 4 - Church and State and School; 1. Notes from St. Patrick's Parish Vestry Book, 1755-1774: pp 153-172. These pages are made up of handwritten notes.","Contains subsections of chapter 4; 2. Miscellany Notes on Churches: pp 173-185, 3. Some Pastors of the Farmville Presbyterian Church: p 186, 4. Daniel Witt, of Sandy River Church: p 187, and 5. A Few Schools and The Prince Edward Library Company: pp 188-197. These pages contain a mixture of handwritten notes and edited newspaper articles.","Contains the subsection of chapter 4, 6. The Old Time Free School: pp 198-202. These pages contain a mixture of handwritten notes and edited newspaper articles.","Contains subsection of chapter 4, 7. Dr. Ruffner's Eleven Points: pp 203-214.These pages are made up of handwritten notes.","Contains subsections of chapter 5 - Prince Edward County Records, title p 215; 1. Prince Edward County Records: pp 216-218, 2. Names of the People: p 219, 3. Museum of Hampden Sidney: pp 220-221, 4. We will say something of a few important gifts to this museum...: pp 222-223, 5. A recent accession to this Museum will be of interest...: pp 224-225, and 6. Henry Jacob and His Map, pp 226-228.  These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.","Contains subsection of chapter 6 - Early Wars and Revolutions, title p 229, 1. Volunteers for the French War: p 230. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.","Contains subsections of chapter 6; 2. The Revolution, first and last: p 231, 3. Buffalo District in 1776: pp 232-234, 4. Pay Roll of Captain John Morton's Company of Regulars, Fourth Virginia, 1776: pp 235-239, 5. Militi Officers, Prince Edward County, 1777-1781: pp 240-241, 6. General Lawson and Dr. Holcombe: p 242, and 5. Moravian Travels in Prince Edward in 1780: p 243. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.","Contains subsections of chapter 6; 8. Colonel Tarleton's Visitations: pp 244-246, 9. Adventures in the West: pp 247-248, 10. General Washington at Prince Edward Court House, June 7th, 1791: pp 249-252, 11. The Virginia Yazoo Company of Prince Edward: pages 253-254, 12. Caldwell and Owen of Prince Edward and Kentucky: p 255, and 13. John Coffee of Prince Edward County and the Southwest: p 256. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.","Contains subsection of chapter 6; 14. Prince Edward and the War of 1812, A Few Memoranda: pp 257-267. These pages are a mixture of handwritten notes and edited newspaper articles.","Contains subsection of chapter 7 - Some Further Reminders; 1. Prince Edward Court, 1754, Old Style, and After: pp 268-273. These pages consist of handwritten notes.","Contains subsection of chapter 7; 2. St. Patricks' and Politics: pp 274-276. These pages consist of handwritten notes.","Contains subsection of chapter 7; 3. Resolutions of Prince Edward County Committee on Safety, 1775: pp 277-284. These pages consist of handwritten notes.","Contains subsections of chapter 7; 4. General Robert Lawson: 285-298 and 5. Patrick Henry of Prince Edward: p 299. These pages consist of handwritten notes.","Contains subsectionw of chapter 7; 6. Abner and Francis Nash, George Walton and Governor Towns: pp 300-303, 7. John Baytop Scott: p 304, and 8. Thomas Allen and Andrew Johnston: p 305. These pages consist of a mixture of handwritten notes and edited newspaper articles.","Contains subsectiosn of chapter 7; 8. Prince Edward Tobacco Markets around 1786: pp 306-309 and 9. Germantown: p 310. These pages consist of handwritten notes.","Contains subsection of chapter 7; 10. Business of Kingsville: pp 311-316. These pages consist of handwritten notes.","Contains subsections of chapter 7; 11. Nathaniel E. Venable and Prince Edward Business: pp 317-325. These pages consist of handwritten notes.","Contains subsection of chapter 7; 12. Dr. \"Jim\" Dillon and some other Prince Edward Doctors: pp 326-332. These pages consist of handwritten notes.","Contains subsection of chapter 7; 13. Wonder Booker and Uncle Jack [Historical Collections of Virginia]: pp 333-334. These pages consist of handwritten notes.","Contains subsections of chapter 7; 14. William Branch: p 336, 15. Needham Law School: p 337, 16. Samuel Clough Anderson: 338, 17. From the Court House to the New Court House: p 339, and 18. Prince Edward County Political Register, 1775-1865: p 340-342. These pages consist of edited and annotated newspaper articles."],"userestrict_html_tesm":["\u003cp\u003eThe nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other information about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.\u003cbr\u003e\u003cbr\u003e  \nThe materials from our collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.\u003cbr\u003e\u003cbr\u003eThis collection may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility.\u003c/p\u003e"],"userestrict_heading_ssm":["Use of these materials: "],"userestrict_tesim":["The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other information about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.   \nThe materials from our collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source. This collection may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"names_coll_ssim":["Hampden-Sydney College"],"names_ssim":["Hampden-Sydney College Archives \u0026 Special Collections","Hampden-Sydney College"],"corpname_ssim":["Hampden-Sydney College Archives \u0026 Special Collections","Hampden-Sydney College"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":31,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:18:42.219Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihdsc_repositories_2_resources_4","ead_ssi":"vihdsc_repositories_2_resources_4","_root_":"vihdsc_repositories_2_resources_4","_nest_parent_":"vihdsc_repositories_2_resources_4","ead_source_url_ssi":"data/oai/HSC/repositories_2_resources_4.xml","aspace_url_ssi":"http://archivespace.hsc.edu:8081/ark:/45832/42","title_ssm":["A.J. Morrison Collection"],"title_tesim":["A.J. Morrison Collection"],"unitdate_ssm":["1754/1975"],"unitdate_inclusive_ssm":["1754/1975"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.000102"],"text":["SC.000102","A.J. Morrison Collection","Prince Edward County (Va.)","Hampden-Sydney College","United States--History","Military history","Collection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request.","The manuscript was originally divided into paper-clipped sections. Paper clips were removed and each section has been placed in a separate folder in accordance with the original order.","A.J. Morrison (d. 1923) was the grandson of Hampden-Sydney President J. M. P. Atkinson, and a 1895 graduate of the College. After receiving his Pd.D. at Johns Hopkins, he returned to Hampden-Sydney, where he engaged in copious historical research related to Prince Edward County and Hampden-Sydney College.","Processed by: Maryska Connelly-Brown, 2018. Machine-readable finding aid created from previous inventories by: Sarah Almond, 2020 April.","Paul L. Grier Vertical Files (CA 000101)","The collection contains an unfinished manuscript by A.J. Morrison about Prince Edward County, along with letters, newspaper clippings, and various documents about local history. Dates of materials range from 1754-1975.","Morrison Memoranda. Projected title page, dedication, and table of contents with chapter titles; I - The Land and Transportation, II - Political and Municipal, III - Some Personal History, IV - Church and State and School, V -  Prince Edward County Records, VI - Early Wars and Revolutions, and VII - Some Further Reminders. The next few pages are the table of contents for each chapters subsections. Finally, there is a handwritten preface (3 pages long).","Subsection of chapter 1, Inventory, pages 7-12 of manuscript. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.","Subsections of chapter 1; 2. Soil Survey: pp 13-19, 3. Woodson grapes and Morton Minerals: pp 20, and 4. Prince Edward Court House Plans for Transportation, 1822: pp 21-22. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.","The folder contains subsections of chapter 1; 5. Old Times in Charlotte and Prince Edward: p 23, 6. Prince Edward and Charlotte Farms in 1836: pp 24-28, 7. Railroad Convention at Farmville, May 7, 1846: pp 29-30, and 8. From Fomvil [sic] to Washington by way of Richmond: pp 31-33. These pages are made up of handwritten notes.","Contains subsections of chapter 1; 9. Remarks on Farming in Prince Edward and that Neighborhood just before the Civil War: pp 34-35, 10. A Letter from Mr. H.G. Richardson, Feb. 2, 1852: pp 36-37, 11. Farming at High Hill, A letter from Dr. Morton, July 3, 1852: p 38, and 12. History of the O. and K. and Nineteenth century Prince Edward Transportation ideas: pp 39-43. The folder then starts chaper 2 - Political and Municipal title on p 44 with the first subsection of the chapter, 1. 1754-1776: pp 45-51. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.","Contains subsection of chapter 2, 2. 1776-1810: pp 52-69 (this section contains information about the founding of Hampden-Sydney College). These pages are made up of handwritten notes.","Contains the subsections of chapter 2, 3. 1810-1836: pp 70-73, and 4. 1836-1854: pp 74-76. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.","Contains subsection of chapter 2; 5. 1854-1876: pp 77-123. These pages are made up of handwritten notes.","Contains the second part of the subsection of chapter 2; 5. 1854-1876: pp 124-129 (Civil War). These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.","Contains the final part of the subsection of chapter 2; 5. 1854-1876 (After the war), pp 130-136. The folder then goes to chapter 3 - Some Personal History title on p 137 with subsections; 1. Latrobe on the Appomattox, pp 138-139, 2. Patrick Henry and John Randolph in Prince Edward, p 140, 3. May 18th 1825, p 141, 4. Charlotte Court First Monday in April 1827, pp 142-143, and 5. Edward in 1830, pp 144-145. These pages contain a mixture of handwritten notes and newspaper articles with Chapter 2 being handwritten and then the subsections of chapter 3 all being edited newspaper articles.","Contains subsection of chapter 3, 6. Dr. Mettauer, 1809-1875: pp 146-151. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.","Contains subsection of chapter 4 - Church and State and School; 1. Notes from St. Patrick's Parish Vestry Book, 1755-1774: pp 153-172. These pages are made up of handwritten notes.","Contains subsections of chapter 4; 2. Miscellany Notes on Churches: pp 173-185, 3. Some Pastors of the Farmville Presbyterian Church: p 186, 4. Daniel Witt, of Sandy River Church: p 187, and 5. A Few Schools and The Prince Edward Library Company: pp 188-197. These pages contain a mixture of handwritten notes and edited newspaper articles.","Contains the subsection of chapter 4, 6. The Old Time Free School: pp 198-202. These pages contain a mixture of handwritten notes and edited newspaper articles.","Contains subsection of chapter 4, 7. Dr. Ruffner's Eleven Points: pp 203-214.These pages are made up of handwritten notes.","Contains subsections of chapter 5 - Prince Edward County Records, title p 215; 1. Prince Edward County Records: pp 216-218, 2. Names of the People: p 219, 3. Museum of Hampden Sidney: pp 220-221, 4. We will say something of a few important gifts to this museum...: pp 222-223, 5. A recent accession to this Museum will be of interest...: pp 224-225, and 6. Henry Jacob and His Map, pp 226-228.  These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.","Contains subsection of chapter 6 - Early Wars and Revolutions, title p 229, 1. Volunteers for the French War: p 230. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.","Contains subsections of chapter 6; 2. The Revolution, first and last: p 231, 3. Buffalo District in 1776: pp 232-234, 4. Pay Roll of Captain John Morton's Company of Regulars, Fourth Virginia, 1776: pp 235-239, 5. Militi Officers, Prince Edward County, 1777-1781: pp 240-241, 6. General Lawson and Dr. Holcombe: p 242, and 5. Moravian Travels in Prince Edward in 1780: p 243. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.","Contains subsections of chapter 6; 8. Colonel Tarleton's Visitations: pp 244-246, 9. Adventures in the West: pp 247-248, 10. General Washington at Prince Edward Court House, June 7th, 1791: pp 249-252, 11. The Virginia Yazoo Company of Prince Edward: pages 253-254, 12. Caldwell and Owen of Prince Edward and Kentucky: p 255, and 13. John Coffee of Prince Edward County and the Southwest: p 256. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.","Contains subsection of chapter 6; 14. Prince Edward and the War of 1812, A Few Memoranda: pp 257-267. These pages are a mixture of handwritten notes and edited newspaper articles.","Contains subsection of chapter 7 - Some Further Reminders; 1. Prince Edward Court, 1754, Old Style, and After: pp 268-273. These pages consist of handwritten notes.","Contains subsection of chapter 7; 2. St. Patricks' and Politics: pp 274-276. These pages consist of handwritten notes.","Contains subsection of chapter 7; 3. Resolutions of Prince Edward County Committee on Safety, 1775: pp 277-284. These pages consist of handwritten notes.","Contains subsections of chapter 7; 4. General Robert Lawson: 285-298 and 5. Patrick Henry of Prince Edward: p 299. These pages consist of handwritten notes.","Contains subsectionw of chapter 7; 6. Abner and Francis Nash, George Walton and Governor Towns: pp 300-303, 7. John Baytop Scott: p 304, and 8. Thomas Allen and Andrew Johnston: p 305. These pages consist of a mixture of handwritten notes and edited newspaper articles.","Contains subsectiosn of chapter 7; 8. Prince Edward Tobacco Markets around 1786: pp 306-309 and 9. Germantown: p 310. These pages consist of handwritten notes.","Contains subsection of chapter 7; 10. Business of Kingsville: pp 311-316. These pages consist of handwritten notes.","Contains subsections of chapter 7; 11. Nathaniel E. Venable and Prince Edward Business: pp 317-325. These pages consist of handwritten notes.","Contains subsection of chapter 7; 12. Dr. \"Jim\" Dillon and some other Prince Edward Doctors: pp 326-332. These pages consist of handwritten notes.","Contains subsection of chapter 7; 13. Wonder Booker and Uncle Jack [Historical Collections of Virginia]: pp 333-334. These pages consist of handwritten notes.","Contains subsections of chapter 7; 14. William Branch: p 336, 15. Needham Law School: p 337, 16. Samuel Clough Anderson: 338, 17. From the Court House to the New Court House: p 339, and 18. Prince Edward County Political Register, 1775-1865: p 340-342. These pages consist of edited and annotated newspaper articles.","The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other information about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.   \nThe materials from our collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source. This collection may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility.","Hampden-Sydney College Archives \u0026 Special Collections","Hampden-Sydney College","English \n.    "],"unitid_tesim":["SC.000102"],"normalized_title_ssm":["A.J. Morrison Collection"],"collection_title_tesim":["A.J. Morrison Collection"],"collection_ssim":["A.J. Morrison Collection"],"repository_ssm":["Hampden-Sydney College"],"repository_ssim":["Hampden-Sydney College"],"geogname_ssm":["Prince Edward County (Va.)","Hampden-Sydney College"],"geogname_ssim":["Prince Edward County (Va.)","Hampden-Sydney College"],"places_ssim":["Prince Edward County (Va.)","Hampden-Sydney College"],"access_terms_ssm":["The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other information about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.   \nThe materials from our collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source. This collection may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"access_subjects_ssim":["United States--History","Military history"],"access_subjects_ssm":["United States--History","Military history"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Cubic Feet 1 Box"],"extent_tesim":["0.5 Cubic Feet 1 Box"],"genreform_ssim":["Military history"],"date_range_isim":[1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access to materials: "],"accessrestrict_tesim":["Collection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request."],"arrangement_html_tesm":["\u003cp\u003eThe manuscript was originally divided into paper-clipped sections. Paper clips were removed and each section has been placed in a separate folder in accordance with the original order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement:"],"arrangement_tesim":["The manuscript was originally divided into paper-clipped sections. Paper clips were removed and each section has been placed in a separate folder in accordance with the original order."],"bioghist_html_tesm":["\u003cp\u003eA.J. Morrison (d. 1923) was the grandson of Hampden-Sydney President J. M. P. Atkinson, and a 1895 graduate of the College. After receiving his Pd.D. at Johns Hopkins, he returned to Hampden-Sydney, where he engaged in copious historical research related to Prince Edward County and Hampden-Sydney College.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/historical note:"],"bioghist_tesim":["A.J. Morrison (d. 1923) was the grandson of Hampden-Sydney President J. M. P. Atkinson, and a 1895 graduate of the College. After receiving his Pd.D. at Johns Hopkins, he returned to Hampden-Sydney, where he engaged in copious historical research related to Prince Edward County and Hampden-Sydney College."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], A.J. Morrison Collection, CA 000102, Hampden-Sydney College Archives and Special Collections, Hampden-Sydney, VA\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], A.J. Morrison Collection, CA 000102, Hampden-Sydney College Archives and Special Collections, Hampden-Sydney, VA"],"processinfo_html_tesm":["\u003cp\u003eProcessed by: Maryska Connelly-Brown, 2018. Machine-readable finding aid created from previous inventories by: Sarah Almond, 2020 April.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing information:"],"processinfo_tesim":["Processed by: Maryska Connelly-Brown, 2018. Machine-readable finding aid created from previous inventories by: Sarah Almond, 2020 April."],"relatedmaterial_html_tesm":["\u003cp\u003ePaul L. Grier Vertical Files (CA 000101)\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related materials:"],"relatedmaterial_tesim":["Paul L. Grier Vertical Files (CA 000101)"],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains an unfinished manuscript by A.J. Morrison about Prince Edward County, along with letters, newspaper clippings, and various documents about local history. Dates of materials range from 1754-1975.\u003c/p\u003e","\u003cp\u003eMorrison Memoranda. Projected title page, dedication, and table of contents with chapter titles; I - The Land and Transportation, II - Political and Municipal, III - Some Personal History, IV - Church and State and School, V -  Prince Edward County Records, VI - Early Wars and Revolutions, and VII - Some Further Reminders. The next few pages are the table of contents for each chapters subsections. Finally, there is a handwritten preface (3 pages long).\u003c/p\u003e","\u003cp\u003eSubsection of chapter 1, Inventory, pages 7-12 of manuscript. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.\u003c/p\u003e","\u003cp\u003eSubsections of chapter 1; 2. Soil Survey: pp 13-19, 3. Woodson grapes and Morton Minerals: pp 20, and 4. Prince Edward Court House Plans for Transportation, 1822: pp 21-22. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.\u003c/p\u003e","\u003cp\u003eThe folder contains subsections of chapter 1; 5. Old Times in Charlotte and Prince Edward: p 23, 6. Prince Edward and Charlotte Farms in 1836: pp 24-28, 7. Railroad Convention at Farmville, May 7, 1846: pp 29-30, and 8. From Fomvil [sic] to Washington by way of Richmond: pp 31-33. These pages are made up of handwritten notes.\u003c/p\u003e","\u003cp\u003eContains subsections of chapter 1; 9. Remarks on Farming in Prince Edward and that Neighborhood just before the Civil War: pp 34-35, 10. A Letter from Mr. H.G. Richardson, Feb. 2, 1852: pp 36-37, 11. Farming at High Hill, A letter from Dr. Morton, July 3, 1852: p 38, and 12. History of the O. and K. and Nineteenth century Prince Edward Transportation ideas: pp 39-43. The folder then starts chaper 2 - Political and Municipal title on p 44 with the first subsection of the chapter, 1. 1754-1776: pp 45-51. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.\u003c/p\u003e","\u003cp\u003eContains subsection of chapter 2, 2. 1776-1810: pp 52-69 (this section contains information about the founding of Hampden-Sydney College). These pages are made up of handwritten notes.\u003c/p\u003e","\u003cp\u003eContains the subsections of chapter 2, 3. 1810-1836: pp 70-73, and 4. 1836-1854: pp 74-76. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.\u003c/p\u003e","\u003cp\u003eContains subsection of chapter 2; 5. 1854-1876: pp 77-123. These pages are made up of handwritten notes.\u003c/p\u003e","\u003cp\u003eContains the second part of the subsection of chapter 2; 5. 1854-1876: pp 124-129 (Civil War). These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.\u003c/p\u003e","\u003cp\u003eContains the final part of the subsection of chapter 2; 5. 1854-1876 (After the war), pp 130-136. The folder then goes to chapter 3 - Some Personal History title on p 137 with subsections; 1. Latrobe on the Appomattox, pp 138-139, 2. Patrick Henry and John Randolph in Prince Edward, p 140, 3. May 18th 1825, p 141, 4. Charlotte Court First Monday in April 1827, pp 142-143, and 5. Edward in 1830, pp 144-145. These pages contain a mixture of handwritten notes and newspaper articles with Chapter 2 being handwritten and then the subsections of chapter 3 all being edited newspaper articles.\u003c/p\u003e","\u003cp\u003eContains subsection of chapter 3, 6. Dr. Mettauer, 1809-1875: pp 146-151. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.\u003c/p\u003e","\u003cp\u003eContains subsection of chapter 4 - Church and State and School; 1. Notes from St. Patrick's Parish Vestry Book, 1755-1774: pp 153-172. These pages are made up of handwritten notes.\u003c/p\u003e","\u003cp\u003eContains subsections of chapter 4; 2. Miscellany Notes on Churches: pp 173-185, 3. Some Pastors of the Farmville Presbyterian Church: p 186, 4. Daniel Witt, of Sandy River Church: p 187, and 5. A Few Schools and The Prince Edward Library Company: pp 188-197. These pages contain a mixture of handwritten notes and edited newspaper articles.\u003c/p\u003e","\u003cp\u003eContains the subsection of chapter 4, 6. The Old Time Free School: pp 198-202. These pages contain a mixture of handwritten notes and edited newspaper articles.\u003c/p\u003e","\u003cp\u003eContains subsection of chapter 4, 7. Dr. Ruffner's Eleven Points: pp 203-214.These pages are made up of handwritten notes.\u003c/p\u003e","\u003cp\u003eContains subsections of chapter 5 - Prince Edward County Records, title p 215; 1. Prince Edward County Records: pp 216-218, 2. Names of the People: p 219, 3. Museum of Hampden Sidney: pp 220-221, 4. We will say something of a few important gifts to this museum...: pp 222-223, 5. A recent accession to this Museum will be of interest...: pp 224-225, and 6. Henry Jacob and His Map, pp 226-228.  These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.\u003c/p\u003e","\u003cp\u003eContains subsection of chapter 6 - Early Wars and Revolutions, title p 229, 1. Volunteers for the French War: p 230. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.\u003c/p\u003e","\u003cp\u003eContains subsections of chapter 6; 2. The Revolution, first and last: p 231, 3. Buffalo District in 1776: pp 232-234, 4. Pay Roll of Captain John Morton's Company of Regulars, Fourth Virginia, 1776: pp 235-239, 5. Militi Officers, Prince Edward County, 1777-1781: pp 240-241, 6. General Lawson and Dr. Holcombe: p 242, and 5. Moravian Travels in Prince Edward in 1780: p 243. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.\u003c/p\u003e","\u003cp\u003eContains subsections of chapter 6; 8. Colonel Tarleton's Visitations: pp 244-246, 9. Adventures in the West: pp 247-248, 10. General Washington at Prince Edward Court House, June 7th, 1791: pp 249-252, 11. The Virginia Yazoo Company of Prince Edward: pages 253-254, 12. Caldwell and Owen of Prince Edward and Kentucky: p 255, and 13. John Coffee of Prince Edward County and the Southwest: p 256. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.\u003c/p\u003e","\u003cp\u003eContains subsection of chapter 6; 14. Prince Edward and the War of 1812, A Few Memoranda: pp 257-267. These pages are a mixture of handwritten notes and edited newspaper articles.\u003c/p\u003e","\u003cp\u003eContains subsection of chapter 7 - Some Further Reminders; 1. Prince Edward Court, 1754, Old Style, and After: pp 268-273. These pages consist of handwritten notes.\u003c/p\u003e","\u003cp\u003eContains subsection of chapter 7; 2. St. Patricks' and Politics: pp 274-276. These pages consist of handwritten notes.\u003c/p\u003e","\u003cp\u003eContains subsection of chapter 7; 3. Resolutions of Prince Edward County Committee on Safety, 1775: pp 277-284. These pages consist of handwritten notes.\u003c/p\u003e","\u003cp\u003eContains subsections of chapter 7; 4. General Robert Lawson: 285-298 and 5. Patrick Henry of Prince Edward: p 299. These pages consist of handwritten notes.\u003c/p\u003e","\u003cp\u003eContains subsectionw of chapter 7; 6. Abner and Francis Nash, George Walton and Governor Towns: pp 300-303, 7. John Baytop Scott: p 304, and 8. Thomas Allen and Andrew Johnston: p 305. These pages consist of a mixture of handwritten notes and edited newspaper articles.\u003c/p\u003e","\u003cp\u003eContains subsectiosn of chapter 7; 8. Prince Edward Tobacco Markets around 1786: pp 306-309 and 9. Germantown: p 310. These pages consist of handwritten notes.\u003c/p\u003e","\u003cp\u003eContains subsection of chapter 7; 10. Business of Kingsville: pp 311-316. These pages consist of handwritten notes.\u003c/p\u003e","\u003cp\u003eContains subsections of chapter 7; 11. Nathaniel E. Venable and Prince Edward Business: pp 317-325. These pages consist of handwritten notes.\u003c/p\u003e","\u003cp\u003eContains subsection of chapter 7; 12. Dr. \"Jim\" Dillon and some other Prince Edward Doctors: pp 326-332. These pages consist of handwritten notes.\u003c/p\u003e","\u003cp\u003eContains subsection of chapter 7; 13. Wonder Booker and Uncle Jack [Historical Collections of Virginia]: pp 333-334. These pages consist of handwritten notes.\u003c/p\u003e","\u003cp\u003eContains subsections of chapter 7; 14. William Branch: p 336, 15. Needham Law School: p 337, 16. Samuel Clough Anderson: 338, 17. From the Court House to the New Court House: p 339, and 18. Prince Edward County Political Register, 1775-1865: p 340-342. These pages consist of edited and annotated newspaper articles.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope/content:","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection contains an unfinished manuscript by A.J. Morrison about Prince Edward County, along with letters, newspaper clippings, and various documents about local history. Dates of materials range from 1754-1975.","Morrison Memoranda. Projected title page, dedication, and table of contents with chapter titles; I - The Land and Transportation, II - Political and Municipal, III - Some Personal History, IV - Church and State and School, V -  Prince Edward County Records, VI - Early Wars and Revolutions, and VII - Some Further Reminders. The next few pages are the table of contents for each chapters subsections. Finally, there is a handwritten preface (3 pages long).","Subsection of chapter 1, Inventory, pages 7-12 of manuscript. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.","Subsections of chapter 1; 2. Soil Survey: pp 13-19, 3. Woodson grapes and Morton Minerals: pp 20, and 4. Prince Edward Court House Plans for Transportation, 1822: pp 21-22. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.","The folder contains subsections of chapter 1; 5. Old Times in Charlotte and Prince Edward: p 23, 6. Prince Edward and Charlotte Farms in 1836: pp 24-28, 7. Railroad Convention at Farmville, May 7, 1846: pp 29-30, and 8. From Fomvil [sic] to Washington by way of Richmond: pp 31-33. These pages are made up of handwritten notes.","Contains subsections of chapter 1; 9. Remarks on Farming in Prince Edward and that Neighborhood just before the Civil War: pp 34-35, 10. A Letter from Mr. H.G. Richardson, Feb. 2, 1852: pp 36-37, 11. Farming at High Hill, A letter from Dr. Morton, July 3, 1852: p 38, and 12. History of the O. and K. and Nineteenth century Prince Edward Transportation ideas: pp 39-43. The folder then starts chaper 2 - Political and Municipal title on p 44 with the first subsection of the chapter, 1. 1754-1776: pp 45-51. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.","Contains subsection of chapter 2, 2. 1776-1810: pp 52-69 (this section contains information about the founding of Hampden-Sydney College). These pages are made up of handwritten notes.","Contains the subsections of chapter 2, 3. 1810-1836: pp 70-73, and 4. 1836-1854: pp 74-76. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.","Contains subsection of chapter 2; 5. 1854-1876: pp 77-123. These pages are made up of handwritten notes.","Contains the second part of the subsection of chapter 2; 5. 1854-1876: pp 124-129 (Civil War). These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.","Contains the final part of the subsection of chapter 2; 5. 1854-1876 (After the war), pp 130-136. The folder then goes to chapter 3 - Some Personal History title on p 137 with subsections; 1. Latrobe on the Appomattox, pp 138-139, 2. Patrick Henry and John Randolph in Prince Edward, p 140, 3. May 18th 1825, p 141, 4. Charlotte Court First Monday in April 1827, pp 142-143, and 5. Edward in 1830, pp 144-145. These pages contain a mixture of handwritten notes and newspaper articles with Chapter 2 being handwritten and then the subsections of chapter 3 all being edited newspaper articles.","Contains subsection of chapter 3, 6. Dr. Mettauer, 1809-1875: pp 146-151. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.","Contains subsection of chapter 4 - Church and State and School; 1. Notes from St. Patrick's Parish Vestry Book, 1755-1774: pp 153-172. These pages are made up of handwritten notes.","Contains subsections of chapter 4; 2. Miscellany Notes on Churches: pp 173-185, 3. Some Pastors of the Farmville Presbyterian Church: p 186, 4. Daniel Witt, of Sandy River Church: p 187, and 5. A Few Schools and The Prince Edward Library Company: pp 188-197. These pages contain a mixture of handwritten notes and edited newspaper articles.","Contains the subsection of chapter 4, 6. The Old Time Free School: pp 198-202. These pages contain a mixture of handwritten notes and edited newspaper articles.","Contains subsection of chapter 4, 7. Dr. Ruffner's Eleven Points: pp 203-214.These pages are made up of handwritten notes.","Contains subsections of chapter 5 - Prince Edward County Records, title p 215; 1. Prince Edward County Records: pp 216-218, 2. Names of the People: p 219, 3. Museum of Hampden Sidney: pp 220-221, 4. We will say something of a few important gifts to this museum...: pp 222-223, 5. A recent accession to this Museum will be of interest...: pp 224-225, and 6. Henry Jacob and His Map, pp 226-228.  These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.","Contains subsection of chapter 6 - Early Wars and Revolutions, title p 229, 1. Volunteers for the French War: p 230. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.","Contains subsections of chapter 6; 2. The Revolution, first and last: p 231, 3. Buffalo District in 1776: pp 232-234, 4. Pay Roll of Captain John Morton's Company of Regulars, Fourth Virginia, 1776: pp 235-239, 5. Militi Officers, Prince Edward County, 1777-1781: pp 240-241, 6. General Lawson and Dr. Holcombe: p 242, and 5. Moravian Travels in Prince Edward in 1780: p 243. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.","Contains subsections of chapter 6; 8. Colonel Tarleton's Visitations: pp 244-246, 9. Adventures in the West: pp 247-248, 10. General Washington at Prince Edward Court House, June 7th, 1791: pp 249-252, 11. The Virginia Yazoo Company of Prince Edward: pages 253-254, 12. Caldwell and Owen of Prince Edward and Kentucky: p 255, and 13. John Coffee of Prince Edward County and the Southwest: p 256. These pages are made up of a newspaper article cut out and glued to notebook paper with handwritten annotations and edits throughout.","Contains subsection of chapter 6; 14. Prince Edward and the War of 1812, A Few Memoranda: pp 257-267. These pages are a mixture of handwritten notes and edited newspaper articles.","Contains subsection of chapter 7 - Some Further Reminders; 1. Prince Edward Court, 1754, Old Style, and After: pp 268-273. These pages consist of handwritten notes.","Contains subsection of chapter 7; 2. St. Patricks' and Politics: pp 274-276. These pages consist of handwritten notes.","Contains subsection of chapter 7; 3. Resolutions of Prince Edward County Committee on Safety, 1775: pp 277-284. These pages consist of handwritten notes.","Contains subsections of chapter 7; 4. General Robert Lawson: 285-298 and 5. Patrick Henry of Prince Edward: p 299. These pages consist of handwritten notes.","Contains subsectionw of chapter 7; 6. Abner and Francis Nash, George Walton and Governor Towns: pp 300-303, 7. John Baytop Scott: p 304, and 8. Thomas Allen and Andrew Johnston: p 305. These pages consist of a mixture of handwritten notes and edited newspaper articles.","Contains subsectiosn of chapter 7; 8. Prince Edward Tobacco Markets around 1786: pp 306-309 and 9. Germantown: p 310. These pages consist of handwritten notes.","Contains subsection of chapter 7; 10. Business of Kingsville: pp 311-316. These pages consist of handwritten notes.","Contains subsections of chapter 7; 11. Nathaniel E. Venable and Prince Edward Business: pp 317-325. These pages consist of handwritten notes.","Contains subsection of chapter 7; 12. Dr. \"Jim\" Dillon and some other Prince Edward Doctors: pp 326-332. These pages consist of handwritten notes.","Contains subsection of chapter 7; 13. Wonder Booker and Uncle Jack [Historical Collections of Virginia]: pp 333-334. These pages consist of handwritten notes.","Contains subsections of chapter 7; 14. William Branch: p 336, 15. Needham Law School: p 337, 16. Samuel Clough Anderson: 338, 17. From the Court House to the New Court House: p 339, and 18. Prince Edward County Political Register, 1775-1865: p 340-342. These pages consist of edited and annotated newspaper articles."],"userestrict_html_tesm":["\u003cp\u003eThe nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other information about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.\u003cbr\u003e\u003cbr\u003e  \nThe materials from our collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.\u003cbr\u003e\u003cbr\u003eThis collection may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility.\u003c/p\u003e"],"userestrict_heading_ssm":["Use of these materials: "],"userestrict_tesim":["The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other information about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.   \nThe materials from our collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source. This collection may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"names_coll_ssim":["Hampden-Sydney College"],"names_ssim":["Hampden-Sydney College Archives \u0026 Special Collections","Hampden-Sydney College"],"corpname_ssim":["Hampden-Sydney College Archives \u0026 Special Collections","Hampden-Sydney College"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":31,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:18:42.219Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihdsc_repositories_2_resources_4"}},{"id":"viw_repositories_2_resources_3135","type":"collection","attributes":{"title":"Alabama Collection","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_3135#creator","type":"document_value","attributes":{"value":"Monroe, James, 1758-1831","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_3135#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003ePapers relating to Courtland, Alabama; Huntsville, Alabama; and Lawrence County, Alabama. Includes letter, 1839 August 31, from committee of the Democratic Republicans of Courtland to Andrew Jackson inviting him to a dinner in honor of James Polk and a resolution, undated, concerning public testimonial to memory of Jackson; land grant, 1823, for land in Huntsville signed by James Monroe; and accounts of James E. Saunders.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_3135#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_3135","ead_ssi":"viw_repositories_2_resources_3135","_root_":"viw_repositories_2_resources_3135","_nest_parent_":"viw_repositories_2_resources_3135","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_3135.xml","title_filing_ssi":"Alabama Collection","title_ssm":["Alabama Collection"],"title_tesim":["Alabama Collection"],"unitdate_ssm":["1823-1893"],"unitdate_inclusive_ssm":["1823-1893"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 39.2 Al1","/repositories/2/resources/3135"],"text":["Mss. 39.2 Al1","/repositories/2/resources/3135","Alabama Collection","Courtland (Ala.)--History--19th century","Huntsville (Ala.)--History--19th century","Lawrence County (Ala.)--History--19th century","Correspondence","Financial records","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","William Carter Stubbs Papers (I), Special Collections Research Center, Swem Library, College of William and Mary.","Papers relating to Courtland, Alabama; Huntsville, Alabama; and Lawrence County, Alabama. Includes letter, 1839 August 31, from committee of the Democratic Republicans of Courtland to Andrew Jackson inviting him to a dinner in honor of James Polk and a resolution, undated, concerning public testimonial to memory of Jackson; land grant, 1823, for land in Huntsville signed by James Monroe; and accounts of James E. Saunders.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Monroe, James, 1758-1831","Jackson, Andrew, 1767-1845","English"],"unitid_tesim":["Mss. 39.2 Al1","/repositories/2/resources/3135"],"normalized_title_ssm":["Alabama Collection"],"collection_title_tesim":["Alabama Collection"],"collection_ssim":["Alabama Collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Monroe, James, 1758-1831"],"creator_ssim":["Monroe, James, 1758-1831"],"creator_persname_ssim":["Monroe, James, 1758-1831"],"creators_ssim":["Monroe, James, 1758-1831"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Purchase"],"access_subjects_ssim":["Courtland (Ala.)--History--19th century","Huntsville (Ala.)--History--19th century","Lawrence County (Ala.)--History--19th century","Correspondence","Financial records"],"access_subjects_ssm":["Courtland (Ala.)--History--19th century","Huntsville (Ala.)--History--19th century","Lawrence County (Ala.)--History--19th century","Correspondence","Financial records"],"has_online_content_ssim":["false"],"extent_ssm":["0.01 Linear Foot"],"extent_tesim":["0.01 Linear Foot"],"genreform_ssim":["Correspondence","Financial records"],"date_range_isim":[1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eInformation about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/James_Edmonds_Saunders\" title=\"James Edmonds Saunders\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"prefercite_html_tesm":["\u003cp\u003eAlabama Collection, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Alabama Collection, Special Collections Research Center, Swem Library, College of William and Mary."],"relatedmaterial_html_tesm":["\u003cp\u003eWilliam Carter Stubbs Papers (I), Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["William Carter Stubbs Papers (I), Special Collections Research Center, Swem Library, College of William and Mary."],"scopecontent_html_tesm":["\u003cp\u003ePapers relating to Courtland, Alabama; Huntsville, Alabama; and Lawrence County, Alabama. 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