{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1864\u0026f%5Bplaces%5D%5B%5D=New+York+%28N.Y.%29","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1864\u0026f%5Bplaces%5D%5B%5D=New+York+%28N.Y.%29\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":3,"first_page?":true,"last_page?":true}},"data":[{"id":"viur_repositories_4_resources_50","type":"collection","attributes":{"title":"Commander Horace Elmer Collection, 1864/1900","creator":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_50#creator","type":"document_value","attributes":{"value":"Horace, Elmer, Commander, 1846-1898","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_50#abstract_or_scope","type":"document_value","attributes":{"value":"This collection includes journals, scrapbooks, and photographs belonging to U. S. Naval Commander Horace Elmer (1846-98). He was an important naval figure who sailed on the USS Hartford's Asiatic mission, but significantly, the Monitor. This collection illustrates, through personal documentation, the experience of life at sea but also Elmer's immense skill and expertise in the US Navy in both mechanical and practical aspects. Information concerning his daughter, Edith Elmer Wood, a prominent progressive housing reformer, is also contained in the collection.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_50#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viur_repositories_4_resources_50","ead_ssi":"viur_repositories_4_resources_50","_root_":"viur_repositories_4_resources_50","_nest_parent_":"viur_repositories_4_resources_50","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_50.xml","title_ssm":["Commander Horace Elmer Collection"],"title_tesim":["Commander Horace Elmer Collection"],"unitdate_ssm":["1864-1900"],"unitdate_inclusive_ssm":["1864-1900"],"normalized_date_ssm":["1864/1900"],"normalized_title_ssm":["Commander Horace Elmer Collection, 1864/1900"],"text":["Commander Horace Elmer Collection, 1864/1900","MS-6","/repositories/4/resources/50","New York (N.Y.)","East Indies","Hong Kong (China)","Cape Town (South Africa)","Indonesia","Scrapbooks","Spanish-American War, 1898","School notebooks","Navigator","Naval Executive Officer","Clippings","Photographs","Journals (Diaries)","Generally in good condition. Journals are delicate and need to be handled with care; transcriptions of some of the material is available. Loose papers and photographs have been put in sleeves for protection. Metal dividers in the second scrapbook are holding but be aware of their delicate nature.\n\nJournal One \u0026 Two (October 1864-Dec 1866): Contemporary Red three-quarter morocco and marbled boards. Boards scuffed, rubbed at extremities. Around 10,000 \u0026 30,000 words.\n\nJournal 3 (1872): Contemporary red half morocco and marbled boards. Boards scuffed, rubbed at extremities and head of spine worn. Around 10,000 words.\n\nJournal 4:  A4 Contemporary blue half morocco and marbled boards. Morocco paper on front some chips especially on outside hem.\n\nScrap Book 1 (1878-1879): A4 Contemporary black three-quarter morocco, with yellow/green marbled boards. Folio/ Scrap Book 2 (1898-1900): Forty-one interleaves, plus loose manuscript and printed materials.\n\nOne Collection of Loose photographs (1870-1872): Ten loose photos\n\nOne Photo Album (1890- 96): Forty-five photographs in A3 burgundy, rectangular album.","The collection is divided into two series:","Series I: Commander Horace Elmer \nSeries II: Edith Elmer Wood's Scrapbook","This collection includes journals, scrapbooks and photographs belonging to U. S. Naval Commander Horace Elmer (1846-98) that cover the important period of naval expansion from 1864 to 1900.  His family created the collection, which follows his early naval career until his death, as evidenced through the newspaper clippings.","Elmer was an American Navy Commander, born in 1846. Having graduated from the Naval Academy in Annapolis in 1864 (aged 18), he began his naval career on the flagship for the East India Squadron, the U.S.S. Hartford, on which he sailed to the Pacific, via Cape Town (1865-69). He went on to have a successful career, serving on the U.S.S. Terror from 1870-1871; the U.S.S.  Vandalia 1871; the U.S.S. Ossippee 1871-1873; and the U.S.S. Kearsarge 1878-82.  In 1883 he was promoted to the rank of Commander and in 1886 he was awarded the head of the department of seamanship at the United States Naval Academy. His career, as the collection shows, gave him the opportunity to navigate across the world, visiting places such as South Africa, China, Peru, and San Domingo. The height of his career was when he was commissioned to organize and command the Mosquito Fleet in the Spanish - American War, March 1898. Unfortunately, he contracted a cold that turned into pneumonia and died one month later.","His journals reflect his time at the end of his career at the naval academy and important technical notes, but most significantly his time spent at sea. His writing style is casual and, because of the journal-like style, his personality as well as his cultural and geographical background shine through.","One of the photo albums was curated by Horace Elmer's daughter, Edith Elmer Wood, who was a healthcare and housing reformer during the progressive era into the mid twentieth century. Aged twenty-two, she married to Naval Officer Albert Norton Wood and she travelled with him to Puerto Rico around 1906.  There, her interest in healthcare flourished, becoming the head of the Anti-Tuberculosis League. Some of her significant publications include: The Housing of the Unskilled Wage Earner, 1919, Housing Progress in Western Europe, 1923, Recent Trends in American Housing, 1931, Slums and Blighted Areas in the United States, (P.W.A. Housing Division Bulletin), 1935 and Introduction to Housing Facts and Principles, 1939.","Processed by Charlotte Hawkins and Luci Ortiz.","The Horace Elmer Collection covers a short but important period in U.S. naval history from the end of the American Civil War to the beginning of the Spanish-American War at the eve of the twentieth century. Personal journals, scrapbooks, photo albums, and loose photographs are from the years 1864 to 1900.","Series I, Commander Horace Elmer, contains journals and materials relating directly to the life and career of Commander Elmer as described below.","1. \"Private\": October 1864-December 1866\nThe first journal, written chronologically but sporadically, illustrates a young Elmer's final years at the Naval Academy until his assignment on the U.S.S. Hartford. Notable entries include him witnessing Henry Ward Beecher, a prominent preacher and abolitionist, giving a sermon in Plymouth, 9 May 1865, and his 5 July 1865 entry where he describes the Fourth of July celebrations. Most significantly, this journal also includes his detailed sketching of the U.S.S. Monitor and engines of the U.S.S. Hartford, along with technical notes of how the student understood it. Personal and class notes show the kind of knowledge and naval procedures the academy required of its students.","2. \"The Cruise of the Hartford\": 17 July 1865-24 February 1866\nThe second journal details Elmer's time on the Asiatic mission for the East India Squadron from 17 July 1865 to 24 February 1866. At the back of the journal there is a table showing the periods he spent in each different country that they visited. While this list includes the years up to 1868, Elmer's entries in the diary end in 1866.  Places include Brazil, Africa, China and Japan. As it is a diary, this journal is useful in depicting what life was like on board for Elmer and the kind of things he enjoyed but also the cultural and colonial opinions at the time. In February 1866, for example, he writes of the uncivilized and demoralizing nature of people he encountered in Hong Kong.","3. \"Navigator's Notes Kept Aboard the U.S.S Ossippee\": 1872 \nNow risen to the rank of lieutenant commander and the navigator aboard the U.S.S. Ossippee, this volume contains Elmer's notes on navigation, surveying, and \"memoranda\" recounting the cruise of the U.S.S. Ossippee from Peru to New York. It also includes a section of notes labelled \"miscellaneous,\" which is filled with random factoids, many of which relate to torpedoes or explosions.","4. \"Watch, Quarter, and Station Bill\" on the U.S.S Ossippee and U.S.S Colorado\nThis book includes neat and detailed notes that Elmer, as Navigator, presumably had on board in both vessels to help handle different situations. These include roll calls, sea routines, forecasts, losing a sail, and navigation. It also includes a Miscellaneous section.","5. Scrapbook: 1878-1879.\nContains clippings from many different periodicals relating to naval procedures and maritime subjects. These depict the mechanical and technical changes of the navy during these years, but also its growth. Some articles from the U.S Army and Navy Journal from these years are included.","6. Obituary Scrapbook: 1898-1900.\nPresumably put together by Elmer's wife or daughter, this scrapbook contains periodical clippings pertaining to his last assignment on the Mosquito fleet, 1898. It also includes loose telegrams of condolence sent to her and her application to increase her pension. It is primarily composed of obituaries, each neatly labelled and organized by newspaper and date. Elmer caught pneumonia which was brought on by exposure while he was on duty. Each clipping pertains to the death of a great naval officer, and in some cases, the first loss of the Spanish-American War. (Evening Journal) Strong patriotic language is used, as well as great sadness of the passing of the \"courageous\" and \"best known naval officers\" is illustrated.","7. Collection of Nine Loose Photographs (mounted on card) 1870- 1891.\nCollection of photographs spanning twenty years, divided into Elmer's time in Santo Domingo and Edith's personal photos. The shots from Santo Domingo include a group shot of Commander Elmer with several other important men, including the President of Santo Domingo. Edith's photographs are primarily personal and family portraits, including a picture of Adele Wiley as a young woman, Edith Elmer Wood as a baby, and then another later shot of her as a young woman.","Series II, Edith Elmer Wood Scrapbook, contains a single album containing photographs from her daily life, including trips she made with her husband.","1. Photo Album Belonging to Edith Elmer Wood: 1890-1896.\nEdith Elmer Wood's photograph album contains two large photos of the U.S.S. Kearsarge, one being of the officers and another of the crew being inspected, both dated 1890; several snapshots of interiors of family residences, including one of her mother in a rocking chair, and a photo of Commander Elmer working at his desk in the Ordnance Office; ten photos, five quite large, of the Chicago World's Fair in 1893; and ten large photographs taken on the campus of the United States Naval Academy, two of them featuring Mrs. Wood and her husband. Other scenes from the Naval Academy include cadets being drilled and the Tripoli Monument.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection includes journals, scrapbooks, and photographs belonging to U. S. Naval Commander Horace Elmer (1846-98). He was an important naval figure who sailed on the USS Hartford's Asiatic mission, but significantly, the Monitor. This collection illustrates, through personal documentation, the experience of life at sea but also Elmer's immense skill and expertise in the US Navy in both mechanical and practical aspects. Information concerning his daughter, Edith Elmer Wood, a prominent progressive housing reformer, is also contained in the collection.","University of Richmond","Kearsarge (Battleship)","United States. Navy","United States. Navy Personnel Command","Elmer family","Horace, Elmer, Commander, 1846-1898","Wood, Edith Elmer, 1871-1945","Elmer, Adele Wiley, 1848-1917","Collection materials are primarily in English with some German obituaries and a list of Spanish phrases included. The Spanish notes that are found in Commander Elmer's journal are a variant of Latin American Spanish, specifically from a region with a strong influence of Portuguese. Given some of the grammatical features of the short sentences and the vocabulary in the notes, it could be considered a form of Portuñol/Portunhol."],"collection_title_tesim":["Commander Horace Elmer Collection, 1864/1900"],"collection_ssim":["Commander Horace Elmer Collection, 1864/1900"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-6","/repositories/4/resources/50"],"unitid_tesim":["MS-6","/repositories/4/resources/50"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"geogname_ssm":["New York (N.Y.)","East Indies","Hong Kong (China)","Cape Town (South Africa)","Indonesia"],"geogname_ssim":["New York (N.Y.)","East Indies","Hong Kong (China)","Cape Town (South Africa)","Indonesia"],"places_ssim":["New York (N.Y.)","East Indies","Hong Kong (China)","Cape Town (South Africa)","Indonesia"],"creator_ssm":["Horace, Elmer, Commander, 1846-1898","Elmer family"],"creator_ssim":["Horace, Elmer, Commander, 1846-1898","Elmer family"],"creator_persname_ssim":["Horace, Elmer, Commander, 1846-1898","Wood, Edith Elmer, 1871-1945","Elmer, Adele Wiley, 1848-1917"],"creator_corpname_ssim":["University of Richmond","Kearsarge (Battleship)","United States. Navy","United States. Navy Personnel Command"],"creator_famname_ssim":["Elmer family"],"creators_ssim":["Horace, Elmer, Commander, 1846-1898","Wood, Edith Elmer, 1871-1945","Elmer, Adele Wiley, 1848-1917","University of Richmond","Kearsarge (Battleship)","United States. Navy","United States. Navy Personnel Command","Elmer family"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Purchased from The New Antiquarian - The Antiquarian Booksellers Association.","This collection was purchased with the Beverley Lyle Britton Fund."],"access_subjects_ssim":["Scrapbooks","Spanish-American War, 1898","School notebooks","Navigator","Naval Executive Officer","Clippings","Photographs","Journals (Diaries)"],"access_subjects_ssm":["Scrapbooks","Spanish-American War, 1898","School notebooks","Navigator","Naval Executive Officer","Clippings","Photographs","Journals (Diaries)"],"has_online_content_ssim":["false"],"physdesc_tesim":["Generally in good condition. Journals are delicate and need to be handled with care; transcriptions of some of the material is available. Loose papers and photographs have been put in sleeves for protection. Metal dividers in the second scrapbook are holding but be aware of their delicate nature.\n\nJournal One \u0026 Two (October 1864-Dec 1866): Contemporary Red three-quarter morocco and marbled boards. Boards scuffed, rubbed at extremities. Around 10,000 \u0026 30,000 words.\n\nJournal 3 (1872): Contemporary red half morocco and marbled boards. Boards scuffed, rubbed at extremities and head of spine worn. Around 10,000 words.\n\nJournal 4:  A4 Contemporary blue half morocco and marbled boards. Morocco paper on front some chips especially on outside hem.\n\nScrap Book 1 (1878-1879): A4 Contemporary black three-quarter morocco, with yellow/green marbled boards. Folio/ Scrap Book 2 (1898-1900): Forty-one interleaves, plus loose manuscript and printed materials.\n\nOne Collection of Loose photographs (1870-1872): Ten loose photos\n\nOne Photo Album (1890- 96): Forty-five photographs in A3 burgundy, rectangular album."],"extent_ssm":["1 Linear Feet 2 archival boxes."],"extent_tesim":["1 Linear Feet 2 archival boxes."],"genreform_ssim":["Clippings","Photographs","Journals (Diaries)"],"date_range_isim":[1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into two series:\u003c/p\u003e","\u003cp\u003eSeries I: Commander Horace Elmer \u003cbr\u003e\nSeries II: Edith Elmer Wood's Scrapbook\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into two series:","Series I: Commander Horace Elmer \nSeries II: Edith Elmer Wood's Scrapbook"],"bioghist_html_tesm":["\u003cp\u003eThis collection includes journals, scrapbooks and photographs belonging to U. S. Naval Commander Horace Elmer (1846-98) that cover the important period of naval expansion from 1864 to 1900.  His family created the collection, which follows his early naval career until his death, as evidenced through the newspaper clippings.\u003c/p\u003e","\u003cp\u003eElmer was an American Navy Commander, born in 1846. Having graduated from the Naval Academy in Annapolis in 1864 (aged 18), he began his naval career on the flagship for the East India Squadron, the U.S.S. Hartford, on which he sailed to the Pacific, via Cape Town (1865-69). He went on to have a successful career, serving on the U.S.S. Terror from 1870-1871; the U.S.S.  Vandalia 1871; the U.S.S. Ossippee 1871-1873; and the U.S.S. Kearsarge 1878-82.  In 1883 he was promoted to the rank of Commander and in 1886 he was awarded the head of the department of seamanship at the United States Naval Academy. His career, as the collection shows, gave him the opportunity to navigate across the world, visiting places such as South Africa, China, Peru, and San Domingo. The height of his career was when he was commissioned to organize and command the Mosquito Fleet in the Spanish - American War, March 1898. Unfortunately, he contracted a cold that turned into pneumonia and died one month later.\u003c/p\u003e","\u003cp\u003eHis journals reflect his time at the end of his career at the naval academy and important technical notes, but most significantly his time spent at sea. His writing style is casual and, because of the journal-like style, his personality as well as his cultural and geographical background shine through.\u003c/p\u003e","\u003cp\u003eOne of the photo albums was curated by Horace Elmer's daughter, Edith Elmer Wood, who was a healthcare and housing reformer during the progressive era into the mid twentieth century. Aged twenty-two, she married to Naval Officer Albert Norton Wood and she travelled with him to Puerto Rico around 1906.  There, her interest in healthcare flourished, becoming the head of the Anti-Tuberculosis League. Some of her significant publications include: \u003cemph render=\"italics\"\u003eThe Housing of the Unskilled Wage Earner\u003c/emph\u003e, 1919, \u003cemph render=\"italics\"\u003eHousing Progress in Western Europe\u003c/emph\u003e, 1923, \u003cemph render=\"italics\"\u003eRecent Trends in American Housing\u003c/emph\u003e, 1931, \u003cemph render=\"italics\"\u003eSlums and Blighted Areas in the United States\u003c/emph\u003e, (P.W.A. Housing Division Bulletin), 1935 and \u003cemph render=\"italics\"\u003eIntroduction to Housing Facts and Principles\u003c/emph\u003e, 1939. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["This collection includes journals, scrapbooks and photographs belonging to U. S. Naval Commander Horace Elmer (1846-98) that cover the important period of naval expansion from 1864 to 1900.  His family created the collection, which follows his early naval career until his death, as evidenced through the newspaper clippings.","Elmer was an American Navy Commander, born in 1846. Having graduated from the Naval Academy in Annapolis in 1864 (aged 18), he began his naval career on the flagship for the East India Squadron, the U.S.S. Hartford, on which he sailed to the Pacific, via Cape Town (1865-69). He went on to have a successful career, serving on the U.S.S. Terror from 1870-1871; the U.S.S.  Vandalia 1871; the U.S.S. Ossippee 1871-1873; and the U.S.S. Kearsarge 1878-82.  In 1883 he was promoted to the rank of Commander and in 1886 he was awarded the head of the department of seamanship at the United States Naval Academy. His career, as the collection shows, gave him the opportunity to navigate across the world, visiting places such as South Africa, China, Peru, and San Domingo. The height of his career was when he was commissioned to organize and command the Mosquito Fleet in the Spanish - American War, March 1898. Unfortunately, he contracted a cold that turned into pneumonia and died one month later.","His journals reflect his time at the end of his career at the naval academy and important technical notes, but most significantly his time spent at sea. His writing style is casual and, because of the journal-like style, his personality as well as his cultural and geographical background shine through.","One of the photo albums was curated by Horace Elmer's daughter, Edith Elmer Wood, who was a healthcare and housing reformer during the progressive era into the mid twentieth century. Aged twenty-two, she married to Naval Officer Albert Norton Wood and she travelled with him to Puerto Rico around 1906.  There, her interest in healthcare flourished, becoming the head of the Anti-Tuberculosis League. Some of her significant publications include: The Housing of the Unskilled Wage Earner, 1919, Housing Progress in Western Europe, 1923, Recent Trends in American Housing, 1931, Slums and Blighted Areas in the United States, (P.W.A. Housing Division Bulletin), 1935 and Introduction to Housing Facts and Principles, 1939."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-6, Commander Horace Elmer Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-6, Commander Horace Elmer Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Charlotte Hawkins and Luci Ortiz.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Charlotte Hawkins and Luci Ortiz."],"scopecontent_html_tesm":["\u003cp\u003eThe Horace Elmer Collection covers a short but important period in U.S. naval history from the end of the American Civil War to the beginning of the Spanish-American War at the eve of the twentieth century. Personal journals, scrapbooks, photo albums, and loose photographs are from the years 1864 to 1900. \u003c/p\u003e","\u003cp\u003eSeries I, Commander Horace Elmer, contains journals and materials relating directly to the life and career of Commander Elmer as described below. \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italics\"\u003e1. \"Private\": October 1864-December 1866\u003c/emph\u003e\u003cbr\u003e\nThe first journal, written chronologically but sporadically, illustrates a young Elmer's final years at the Naval Academy until his assignment on the U.S.S. Hartford. Notable entries include him witnessing Henry Ward Beecher, a prominent preacher and abolitionist, giving a sermon in Plymouth, 9 May 1865, and his 5 July 1865 entry where he describes the Fourth of July celebrations. Most significantly, this journal also includes his detailed sketching of the U.S.S. Monitor and engines of the U.S.S. Hartford, along with technical notes of how the student understood it. Personal and class notes show the kind of knowledge and naval procedures the academy required of its students.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italics\"\u003e2. \"The Cruise of the Hartford\": 17 July 1865-24 February 1866\u003c/emph\u003e\u003cbr\u003e\nThe second journal details Elmer's time on the Asiatic mission for the East India Squadron from 17 July 1865 to 24 February 1866. At the back of the journal there is a table showing the periods he spent in each different country that they visited. While this list includes the years up to 1868, Elmer's entries in the diary end in 1866.  Places include Brazil, Africa, China and Japan. As it is a diary, this journal is useful in depicting what life was like on board for Elmer and the kind of things he enjoyed but also the cultural and colonial opinions at the time. In February 1866, for example, he writes of the uncivilized and demoralizing nature of people he encountered in Hong Kong.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italics\"\u003e3. \"Navigator's Notes Kept Aboard the U.S.S Ossippee\": 1872 \u003c/emph\u003e\u003cbr\u003e\nNow risen to the rank of lieutenant commander and the navigator aboard the U.S.S. Ossippee, this volume contains Elmer's notes on navigation, surveying, and \"memoranda\" recounting the cruise of the U.S.S. Ossippee from Peru to New York. It also includes a section of notes labelled \"miscellaneous,\" which is filled with random factoids, many of which relate to torpedoes or explosions.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italics\"\u003e4. \"Watch, Quarter, and Station Bill\" on the U.S.S Ossippee and U.S.S Colorado\u003c/emph\u003e\u003cbr\u003e\nThis book includes neat and detailed notes that Elmer, as Navigator, presumably had on board in both vessels to help handle different situations. These include roll calls, sea routines, forecasts, losing a sail, and navigation. It also includes a Miscellaneous section.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italics\"\u003e5. Scrapbook: 1878-1879.\u003c/emph\u003e\u003cbr\u003e\nContains clippings from many different periodicals relating to naval procedures and maritime subjects. These depict the mechanical and technical changes of the navy during these years, but also its growth. Some articles from the U.S Army and Navy Journal from these years are included.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italics\"\u003e6. Obituary Scrapbook: 1898-1900.\u003c/emph\u003e\u003cbr\u003e\nPresumably put together by Elmer's wife or daughter, this scrapbook contains periodical clippings pertaining to his last assignment on the Mosquito fleet, 1898. It also includes loose telegrams of condolence sent to her and her application to increase her pension. It is primarily composed of obituaries, each neatly labelled and organized by newspaper and date. Elmer caught pneumonia which was brought on by exposure while he was on duty. Each clipping pertains to the death of a great naval officer, and in some cases, the first loss of the Spanish-American War. (Evening Journal) Strong patriotic language is used, as well as great sadness of the passing of the \"courageous\" and \"best known naval officers\" is illustrated.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italics\"\u003e7. Collection of Nine Loose Photographs (mounted on card) 1870- 1891.\u003c/emph\u003e\u003cbr\u003e\nCollection of photographs spanning twenty years, divided into Elmer's time in Santo Domingo and Edith's personal photos. The shots from Santo Domingo include a group shot of Commander Elmer with several other important men, including the President of Santo Domingo. Edith's photographs are primarily personal and family portraits, including a picture of Adele Wiley as a young woman, Edith Elmer Wood as a baby, and then another later shot of her as a young woman.\u003c/p\u003e","\u003cp\u003eSeries II, Edith Elmer Wood Scrapbook, contains a single album containing photographs from her daily life, including trips she made with her husband.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italics\"\u003e1. Photo Album Belonging to Edith Elmer Wood: 1890-1896.\u003c/emph\u003e\u003cbr\u003e\nEdith Elmer Wood's photograph album contains two large photos of the U.S.S. Kearsarge, one being of the officers and another of the crew being inspected, both dated 1890; several snapshots of interiors of family residences, including one of her mother in a rocking chair, and a photo of Commander Elmer working at his desk in the Ordnance Office; ten photos, five quite large, of the Chicago World's Fair in 1893; and ten large photographs taken on the campus of the United States Naval Academy, two of them featuring Mrs. Wood and her husband. Other scenes from the Naval Academy include cadets being drilled and the Tripoli Monument.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Horace Elmer Collection covers a short but important period in U.S. naval history from the end of the American Civil War to the beginning of the Spanish-American War at the eve of the twentieth century. Personal journals, scrapbooks, photo albums, and loose photographs are from the years 1864 to 1900.","Series I, Commander Horace Elmer, contains journals and materials relating directly to the life and career of Commander Elmer as described below.","1. \"Private\": October 1864-December 1866\nThe first journal, written chronologically but sporadically, illustrates a young Elmer's final years at the Naval Academy until his assignment on the U.S.S. Hartford. Notable entries include him witnessing Henry Ward Beecher, a prominent preacher and abolitionist, giving a sermon in Plymouth, 9 May 1865, and his 5 July 1865 entry where he describes the Fourth of July celebrations. Most significantly, this journal also includes his detailed sketching of the U.S.S. Monitor and engines of the U.S.S. Hartford, along with technical notes of how the student understood it. Personal and class notes show the kind of knowledge and naval procedures the academy required of its students.","2. \"The Cruise of the Hartford\": 17 July 1865-24 February 1866\nThe second journal details Elmer's time on the Asiatic mission for the East India Squadron from 17 July 1865 to 24 February 1866. At the back of the journal there is a table showing the periods he spent in each different country that they visited. While this list includes the years up to 1868, Elmer's entries in the diary end in 1866.  Places include Brazil, Africa, China and Japan. As it is a diary, this journal is useful in depicting what life was like on board for Elmer and the kind of things he enjoyed but also the cultural and colonial opinions at the time. In February 1866, for example, he writes of the uncivilized and demoralizing nature of people he encountered in Hong Kong.","3. \"Navigator's Notes Kept Aboard the U.S.S Ossippee\": 1872 \nNow risen to the rank of lieutenant commander and the navigator aboard the U.S.S. Ossippee, this volume contains Elmer's notes on navigation, surveying, and \"memoranda\" recounting the cruise of the U.S.S. Ossippee from Peru to New York. It also includes a section of notes labelled \"miscellaneous,\" which is filled with random factoids, many of which relate to torpedoes or explosions.","4. \"Watch, Quarter, and Station Bill\" on the U.S.S Ossippee and U.S.S Colorado\nThis book includes neat and detailed notes that Elmer, as Navigator, presumably had on board in both vessels to help handle different situations. These include roll calls, sea routines, forecasts, losing a sail, and navigation. It also includes a Miscellaneous section.","5. Scrapbook: 1878-1879.\nContains clippings from many different periodicals relating to naval procedures and maritime subjects. These depict the mechanical and technical changes of the navy during these years, but also its growth. Some articles from the U.S Army and Navy Journal from these years are included.","6. Obituary Scrapbook: 1898-1900.\nPresumably put together by Elmer's wife or daughter, this scrapbook contains periodical clippings pertaining to his last assignment on the Mosquito fleet, 1898. It also includes loose telegrams of condolence sent to her and her application to increase her pension. It is primarily composed of obituaries, each neatly labelled and organized by newspaper and date. Elmer caught pneumonia which was brought on by exposure while he was on duty. Each clipping pertains to the death of a great naval officer, and in some cases, the first loss of the Spanish-American War. (Evening Journal) Strong patriotic language is used, as well as great sadness of the passing of the \"courageous\" and \"best known naval officers\" is illustrated.","7. Collection of Nine Loose Photographs (mounted on card) 1870- 1891.\nCollection of photographs spanning twenty years, divided into Elmer's time in Santo Domingo and Edith's personal photos. The shots from Santo Domingo include a group shot of Commander Elmer with several other important men, including the President of Santo Domingo. Edith's photographs are primarily personal and family portraits, including a picture of Adele Wiley as a young woman, Edith Elmer Wood as a baby, and then another later shot of her as a young woman.","Series II, Edith Elmer Wood Scrapbook, contains a single album containing photographs from her daily life, including trips she made with her husband.","1. Photo Album Belonging to Edith Elmer Wood: 1890-1896.\nEdith Elmer Wood's photograph album contains two large photos of the U.S.S. Kearsarge, one being of the officers and another of the crew being inspected, both dated 1890; several snapshots of interiors of family residences, including one of her mother in a rocking chair, and a photo of Commander Elmer working at his desk in the Ordnance Office; ten photos, five quite large, of the Chicago World's Fair in 1893; and ten large photographs taken on the campus of the United States Naval Academy, two of them featuring Mrs. Wood and her husband. Other scenes from the Naval Academy include cadets being drilled and the Tripoli Monument."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_c2020ceece0647b86838acf363841541\"\u003eThis collection includes journals, scrapbooks, and photographs belonging to U. S. Naval Commander Horace Elmer (1846-98). He was an important naval figure who sailed on the USS Hartford's Asiatic mission, but significantly, the Monitor. This collection illustrates, through personal documentation, the experience of life at sea but also Elmer's immense skill and expertise in the US Navy in both mechanical and practical aspects. Information concerning his daughter, Edith Elmer Wood, a prominent progressive housing reformer, is also contained in the collection.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection includes journals, scrapbooks, and photographs belonging to U. S. Naval Commander Horace Elmer (1846-98). He was an important naval figure who sailed on the USS Hartford's Asiatic mission, but significantly, the Monitor. This collection illustrates, through personal documentation, the experience of life at sea but also Elmer's immense skill and expertise in the US Navy in both mechanical and practical aspects. Information concerning his daughter, Edith Elmer Wood, a prominent progressive housing reformer, is also contained in the collection."],"corpname_ssim":["University of Richmond","Kearsarge (Battleship)","United States. Navy","United States. Navy Personnel Command"],"names_coll_ssim":["Kearsarge (Battleship)","United States. Navy","United States. Navy Personnel Command","Horace, Elmer, Commander, 1846-1898","Wood, Edith Elmer, 1871-1945","Elmer, Adele Wiley, 1848-1917"],"famname_ssim":["Elmer family"],"persname_ssim":["Horace, Elmer, Commander, 1846-1898","Wood, Edith Elmer, 1871-1945","Elmer, Adele Wiley, 1848-1917"],"names_ssim":["University of Richmond","Kearsarge (Battleship)","United States. Navy","United States. Navy Personnel Command","Elmer family","Horace, Elmer, Commander, 1846-1898","Wood, Edith Elmer, 1871-1945","Elmer, Adele Wiley, 1848-1917"],"language_ssim":["Collection materials are primarily in English with some German obituaries and a list of Spanish phrases included. The Spanish notes that are found in Commander Elmer's journal are a variant of Latin American Spanish, specifically from a region with a strong influence of Portuguese. Given some of the grammatical features of the short sentences and the vocabulary in the notes, it could be considered a form of Portuñol/Portunhol."],"total_component_count_is":40,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:40:51.481Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_50","ead_ssi":"viur_repositories_4_resources_50","_root_":"viur_repositories_4_resources_50","_nest_parent_":"viur_repositories_4_resources_50","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_50.xml","title_ssm":["Commander Horace Elmer Collection"],"title_tesim":["Commander Horace Elmer Collection"],"unitdate_ssm":["1864-1900"],"unitdate_inclusive_ssm":["1864-1900"],"normalized_date_ssm":["1864/1900"],"normalized_title_ssm":["Commander Horace Elmer Collection, 1864/1900"],"text":["Commander Horace Elmer Collection, 1864/1900","MS-6","/repositories/4/resources/50","New York (N.Y.)","East Indies","Hong Kong (China)","Cape Town (South Africa)","Indonesia","Scrapbooks","Spanish-American War, 1898","School notebooks","Navigator","Naval Executive Officer","Clippings","Photographs","Journals (Diaries)","Generally in good condition. Journals are delicate and need to be handled with care; transcriptions of some of the material is available. Loose papers and photographs have been put in sleeves for protection. Metal dividers in the second scrapbook are holding but be aware of their delicate nature.\n\nJournal One \u0026 Two (October 1864-Dec 1866): Contemporary Red three-quarter morocco and marbled boards. Boards scuffed, rubbed at extremities. Around 10,000 \u0026 30,000 words.\n\nJournal 3 (1872): Contemporary red half morocco and marbled boards. Boards scuffed, rubbed at extremities and head of spine worn. Around 10,000 words.\n\nJournal 4:  A4 Contemporary blue half morocco and marbled boards. Morocco paper on front some chips especially on outside hem.\n\nScrap Book 1 (1878-1879): A4 Contemporary black three-quarter morocco, with yellow/green marbled boards. Folio/ Scrap Book 2 (1898-1900): Forty-one interleaves, plus loose manuscript and printed materials.\n\nOne Collection of Loose photographs (1870-1872): Ten loose photos\n\nOne Photo Album (1890- 96): Forty-five photographs in A3 burgundy, rectangular album.","The collection is divided into two series:","Series I: Commander Horace Elmer \nSeries II: Edith Elmer Wood's Scrapbook","This collection includes journals, scrapbooks and photographs belonging to U. S. Naval Commander Horace Elmer (1846-98) that cover the important period of naval expansion from 1864 to 1900.  His family created the collection, which follows his early naval career until his death, as evidenced through the newspaper clippings.","Elmer was an American Navy Commander, born in 1846. Having graduated from the Naval Academy in Annapolis in 1864 (aged 18), he began his naval career on the flagship for the East India Squadron, the U.S.S. Hartford, on which he sailed to the Pacific, via Cape Town (1865-69). He went on to have a successful career, serving on the U.S.S. Terror from 1870-1871; the U.S.S.  Vandalia 1871; the U.S.S. Ossippee 1871-1873; and the U.S.S. Kearsarge 1878-82.  In 1883 he was promoted to the rank of Commander and in 1886 he was awarded the head of the department of seamanship at the United States Naval Academy. His career, as the collection shows, gave him the opportunity to navigate across the world, visiting places such as South Africa, China, Peru, and San Domingo. The height of his career was when he was commissioned to organize and command the Mosquito Fleet in the Spanish - American War, March 1898. Unfortunately, he contracted a cold that turned into pneumonia and died one month later.","His journals reflect his time at the end of his career at the naval academy and important technical notes, but most significantly his time spent at sea. His writing style is casual and, because of the journal-like style, his personality as well as his cultural and geographical background shine through.","One of the photo albums was curated by Horace Elmer's daughter, Edith Elmer Wood, who was a healthcare and housing reformer during the progressive era into the mid twentieth century. Aged twenty-two, she married to Naval Officer Albert Norton Wood and she travelled with him to Puerto Rico around 1906.  There, her interest in healthcare flourished, becoming the head of the Anti-Tuberculosis League. Some of her significant publications include: The Housing of the Unskilled Wage Earner, 1919, Housing Progress in Western Europe, 1923, Recent Trends in American Housing, 1931, Slums and Blighted Areas in the United States, (P.W.A. Housing Division Bulletin), 1935 and Introduction to Housing Facts and Principles, 1939.","Processed by Charlotte Hawkins and Luci Ortiz.","The Horace Elmer Collection covers a short but important period in U.S. naval history from the end of the American Civil War to the beginning of the Spanish-American War at the eve of the twentieth century. Personal journals, scrapbooks, photo albums, and loose photographs are from the years 1864 to 1900.","Series I, Commander Horace Elmer, contains journals and materials relating directly to the life and career of Commander Elmer as described below.","1. \"Private\": October 1864-December 1866\nThe first journal, written chronologically but sporadically, illustrates a young Elmer's final years at the Naval Academy until his assignment on the U.S.S. Hartford. Notable entries include him witnessing Henry Ward Beecher, a prominent preacher and abolitionist, giving a sermon in Plymouth, 9 May 1865, and his 5 July 1865 entry where he describes the Fourth of July celebrations. Most significantly, this journal also includes his detailed sketching of the U.S.S. Monitor and engines of the U.S.S. Hartford, along with technical notes of how the student understood it. Personal and class notes show the kind of knowledge and naval procedures the academy required of its students.","2. \"The Cruise of the Hartford\": 17 July 1865-24 February 1866\nThe second journal details Elmer's time on the Asiatic mission for the East India Squadron from 17 July 1865 to 24 February 1866. At the back of the journal there is a table showing the periods he spent in each different country that they visited. While this list includes the years up to 1868, Elmer's entries in the diary end in 1866.  Places include Brazil, Africa, China and Japan. As it is a diary, this journal is useful in depicting what life was like on board for Elmer and the kind of things he enjoyed but also the cultural and colonial opinions at the time. In February 1866, for example, he writes of the uncivilized and demoralizing nature of people he encountered in Hong Kong.","3. \"Navigator's Notes Kept Aboard the U.S.S Ossippee\": 1872 \nNow risen to the rank of lieutenant commander and the navigator aboard the U.S.S. Ossippee, this volume contains Elmer's notes on navigation, surveying, and \"memoranda\" recounting the cruise of the U.S.S. Ossippee from Peru to New York. It also includes a section of notes labelled \"miscellaneous,\" which is filled with random factoids, many of which relate to torpedoes or explosions.","4. \"Watch, Quarter, and Station Bill\" on the U.S.S Ossippee and U.S.S Colorado\nThis book includes neat and detailed notes that Elmer, as Navigator, presumably had on board in both vessels to help handle different situations. These include roll calls, sea routines, forecasts, losing a sail, and navigation. It also includes a Miscellaneous section.","5. Scrapbook: 1878-1879.\nContains clippings from many different periodicals relating to naval procedures and maritime subjects. These depict the mechanical and technical changes of the navy during these years, but also its growth. Some articles from the U.S Army and Navy Journal from these years are included.","6. Obituary Scrapbook: 1898-1900.\nPresumably put together by Elmer's wife or daughter, this scrapbook contains periodical clippings pertaining to his last assignment on the Mosquito fleet, 1898. It also includes loose telegrams of condolence sent to her and her application to increase her pension. It is primarily composed of obituaries, each neatly labelled and organized by newspaper and date. Elmer caught pneumonia which was brought on by exposure while he was on duty. Each clipping pertains to the death of a great naval officer, and in some cases, the first loss of the Spanish-American War. (Evening Journal) Strong patriotic language is used, as well as great sadness of the passing of the \"courageous\" and \"best known naval officers\" is illustrated.","7. Collection of Nine Loose Photographs (mounted on card) 1870- 1891.\nCollection of photographs spanning twenty years, divided into Elmer's time in Santo Domingo and Edith's personal photos. The shots from Santo Domingo include a group shot of Commander Elmer with several other important men, including the President of Santo Domingo. Edith's photographs are primarily personal and family portraits, including a picture of Adele Wiley as a young woman, Edith Elmer Wood as a baby, and then another later shot of her as a young woman.","Series II, Edith Elmer Wood Scrapbook, contains a single album containing photographs from her daily life, including trips she made with her husband.","1. Photo Album Belonging to Edith Elmer Wood: 1890-1896.\nEdith Elmer Wood's photograph album contains two large photos of the U.S.S. Kearsarge, one being of the officers and another of the crew being inspected, both dated 1890; several snapshots of interiors of family residences, including one of her mother in a rocking chair, and a photo of Commander Elmer working at his desk in the Ordnance Office; ten photos, five quite large, of the Chicago World's Fair in 1893; and ten large photographs taken on the campus of the United States Naval Academy, two of them featuring Mrs. Wood and her husband. Other scenes from the Naval Academy include cadets being drilled and the Tripoli Monument.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection includes journals, scrapbooks, and photographs belonging to U. S. Naval Commander Horace Elmer (1846-98). He was an important naval figure who sailed on the USS Hartford's Asiatic mission, but significantly, the Monitor. This collection illustrates, through personal documentation, the experience of life at sea but also Elmer's immense skill and expertise in the US Navy in both mechanical and practical aspects. Information concerning his daughter, Edith Elmer Wood, a prominent progressive housing reformer, is also contained in the collection.","University of Richmond","Kearsarge (Battleship)","United States. Navy","United States. Navy Personnel Command","Elmer family","Horace, Elmer, Commander, 1846-1898","Wood, Edith Elmer, 1871-1945","Elmer, Adele Wiley, 1848-1917","Collection materials are primarily in English with some German obituaries and a list of Spanish phrases included. The Spanish notes that are found in Commander Elmer's journal are a variant of Latin American Spanish, specifically from a region with a strong influence of Portuguese. Given some of the grammatical features of the short sentences and the vocabulary in the notes, it could be considered a form of Portuñol/Portunhol."],"collection_title_tesim":["Commander Horace Elmer Collection, 1864/1900"],"collection_ssim":["Commander Horace Elmer Collection, 1864/1900"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-6","/repositories/4/resources/50"],"unitid_tesim":["MS-6","/repositories/4/resources/50"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"geogname_ssm":["New York (N.Y.)","East Indies","Hong Kong (China)","Cape Town (South Africa)","Indonesia"],"geogname_ssim":["New York (N.Y.)","East Indies","Hong Kong (China)","Cape Town (South Africa)","Indonesia"],"places_ssim":["New York (N.Y.)","East Indies","Hong Kong (China)","Cape Town (South Africa)","Indonesia"],"creator_ssm":["Horace, Elmer, Commander, 1846-1898","Elmer family"],"creator_ssim":["Horace, Elmer, Commander, 1846-1898","Elmer family"],"creator_persname_ssim":["Horace, Elmer, Commander, 1846-1898","Wood, Edith Elmer, 1871-1945","Elmer, Adele Wiley, 1848-1917"],"creator_corpname_ssim":["University of Richmond","Kearsarge (Battleship)","United States. Navy","United States. Navy Personnel Command"],"creator_famname_ssim":["Elmer family"],"creators_ssim":["Horace, Elmer, Commander, 1846-1898","Wood, Edith Elmer, 1871-1945","Elmer, Adele Wiley, 1848-1917","University of Richmond","Kearsarge (Battleship)","United States. Navy","United States. Navy Personnel Command","Elmer family"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Purchased from The New Antiquarian - The Antiquarian Booksellers Association.","This collection was purchased with the Beverley Lyle Britton Fund."],"access_subjects_ssim":["Scrapbooks","Spanish-American War, 1898","School notebooks","Navigator","Naval Executive Officer","Clippings","Photographs","Journals (Diaries)"],"access_subjects_ssm":["Scrapbooks","Spanish-American War, 1898","School notebooks","Navigator","Naval Executive Officer","Clippings","Photographs","Journals (Diaries)"],"has_online_content_ssim":["false"],"physdesc_tesim":["Generally in good condition. Journals are delicate and need to be handled with care; transcriptions of some of the material is available. Loose papers and photographs have been put in sleeves for protection. Metal dividers in the second scrapbook are holding but be aware of their delicate nature.\n\nJournal One \u0026 Two (October 1864-Dec 1866): Contemporary Red three-quarter morocco and marbled boards. Boards scuffed, rubbed at extremities. Around 10,000 \u0026 30,000 words.\n\nJournal 3 (1872): Contemporary red half morocco and marbled boards. Boards scuffed, rubbed at extremities and head of spine worn. Around 10,000 words.\n\nJournal 4:  A4 Contemporary blue half morocco and marbled boards. Morocco paper on front some chips especially on outside hem.\n\nScrap Book 1 (1878-1879): A4 Contemporary black three-quarter morocco, with yellow/green marbled boards. Folio/ Scrap Book 2 (1898-1900): Forty-one interleaves, plus loose manuscript and printed materials.\n\nOne Collection of Loose photographs (1870-1872): Ten loose photos\n\nOne Photo Album (1890- 96): Forty-five photographs in A3 burgundy, rectangular album."],"extent_ssm":["1 Linear Feet 2 archival boxes."],"extent_tesim":["1 Linear Feet 2 archival boxes."],"genreform_ssim":["Clippings","Photographs","Journals (Diaries)"],"date_range_isim":[1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into two series:\u003c/p\u003e","\u003cp\u003eSeries I: Commander Horace Elmer \u003cbr\u003e\nSeries II: Edith Elmer Wood's Scrapbook\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into two series:","Series I: Commander Horace Elmer \nSeries II: Edith Elmer Wood's Scrapbook"],"bioghist_html_tesm":["\u003cp\u003eThis collection includes journals, scrapbooks and photographs belonging to U. S. Naval Commander Horace Elmer (1846-98) that cover the important period of naval expansion from 1864 to 1900.  His family created the collection, which follows his early naval career until his death, as evidenced through the newspaper clippings.\u003c/p\u003e","\u003cp\u003eElmer was an American Navy Commander, born in 1846. Having graduated from the Naval Academy in Annapolis in 1864 (aged 18), he began his naval career on the flagship for the East India Squadron, the U.S.S. Hartford, on which he sailed to the Pacific, via Cape Town (1865-69). He went on to have a successful career, serving on the U.S.S. Terror from 1870-1871; the U.S.S.  Vandalia 1871; the U.S.S. Ossippee 1871-1873; and the U.S.S. Kearsarge 1878-82.  In 1883 he was promoted to the rank of Commander and in 1886 he was awarded the head of the department of seamanship at the United States Naval Academy. His career, as the collection shows, gave him the opportunity to navigate across the world, visiting places such as South Africa, China, Peru, and San Domingo. The height of his career was when he was commissioned to organize and command the Mosquito Fleet in the Spanish - American War, March 1898. Unfortunately, he contracted a cold that turned into pneumonia and died one month later.\u003c/p\u003e","\u003cp\u003eHis journals reflect his time at the end of his career at the naval academy and important technical notes, but most significantly his time spent at sea. His writing style is casual and, because of the journal-like style, his personality as well as his cultural and geographical background shine through.\u003c/p\u003e","\u003cp\u003eOne of the photo albums was curated by Horace Elmer's daughter, Edith Elmer Wood, who was a healthcare and housing reformer during the progressive era into the mid twentieth century. Aged twenty-two, she married to Naval Officer Albert Norton Wood and she travelled with him to Puerto Rico around 1906.  There, her interest in healthcare flourished, becoming the head of the Anti-Tuberculosis League. Some of her significant publications include: \u003cemph render=\"italics\"\u003eThe Housing of the Unskilled Wage Earner\u003c/emph\u003e, 1919, \u003cemph render=\"italics\"\u003eHousing Progress in Western Europe\u003c/emph\u003e, 1923, \u003cemph render=\"italics\"\u003eRecent Trends in American Housing\u003c/emph\u003e, 1931, \u003cemph render=\"italics\"\u003eSlums and Blighted Areas in the United States\u003c/emph\u003e, (P.W.A. Housing Division Bulletin), 1935 and \u003cemph render=\"italics\"\u003eIntroduction to Housing Facts and Principles\u003c/emph\u003e, 1939. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["This collection includes journals, scrapbooks and photographs belonging to U. S. Naval Commander Horace Elmer (1846-98) that cover the important period of naval expansion from 1864 to 1900.  His family created the collection, which follows his early naval career until his death, as evidenced through the newspaper clippings.","Elmer was an American Navy Commander, born in 1846. Having graduated from the Naval Academy in Annapolis in 1864 (aged 18), he began his naval career on the flagship for the East India Squadron, the U.S.S. Hartford, on which he sailed to the Pacific, via Cape Town (1865-69). He went on to have a successful career, serving on the U.S.S. Terror from 1870-1871; the U.S.S.  Vandalia 1871; the U.S.S. Ossippee 1871-1873; and the U.S.S. Kearsarge 1878-82.  In 1883 he was promoted to the rank of Commander and in 1886 he was awarded the head of the department of seamanship at the United States Naval Academy. His career, as the collection shows, gave him the opportunity to navigate across the world, visiting places such as South Africa, China, Peru, and San Domingo. The height of his career was when he was commissioned to organize and command the Mosquito Fleet in the Spanish - American War, March 1898. Unfortunately, he contracted a cold that turned into pneumonia and died one month later.","His journals reflect his time at the end of his career at the naval academy and important technical notes, but most significantly his time spent at sea. His writing style is casual and, because of the journal-like style, his personality as well as his cultural and geographical background shine through.","One of the photo albums was curated by Horace Elmer's daughter, Edith Elmer Wood, who was a healthcare and housing reformer during the progressive era into the mid twentieth century. Aged twenty-two, she married to Naval Officer Albert Norton Wood and she travelled with him to Puerto Rico around 1906.  There, her interest in healthcare flourished, becoming the head of the Anti-Tuberculosis League. Some of her significant publications include: The Housing of the Unskilled Wage Earner, 1919, Housing Progress in Western Europe, 1923, Recent Trends in American Housing, 1931, Slums and Blighted Areas in the United States, (P.W.A. Housing Division Bulletin), 1935 and Introduction to Housing Facts and Principles, 1939."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-6, Commander Horace Elmer Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-6, Commander Horace Elmer Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Charlotte Hawkins and Luci Ortiz.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Charlotte Hawkins and Luci Ortiz."],"scopecontent_html_tesm":["\u003cp\u003eThe Horace Elmer Collection covers a short but important period in U.S. naval history from the end of the American Civil War to the beginning of the Spanish-American War at the eve of the twentieth century. Personal journals, scrapbooks, photo albums, and loose photographs are from the years 1864 to 1900. \u003c/p\u003e","\u003cp\u003eSeries I, Commander Horace Elmer, contains journals and materials relating directly to the life and career of Commander Elmer as described below. \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italics\"\u003e1. \"Private\": October 1864-December 1866\u003c/emph\u003e\u003cbr\u003e\nThe first journal, written chronologically but sporadically, illustrates a young Elmer's final years at the Naval Academy until his assignment on the U.S.S. Hartford. Notable entries include him witnessing Henry Ward Beecher, a prominent preacher and abolitionist, giving a sermon in Plymouth, 9 May 1865, and his 5 July 1865 entry where he describes the Fourth of July celebrations. Most significantly, this journal also includes his detailed sketching of the U.S.S. Monitor and engines of the U.S.S. Hartford, along with technical notes of how the student understood it. Personal and class notes show the kind of knowledge and naval procedures the academy required of its students.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italics\"\u003e2. \"The Cruise of the Hartford\": 17 July 1865-24 February 1866\u003c/emph\u003e\u003cbr\u003e\nThe second journal details Elmer's time on the Asiatic mission for the East India Squadron from 17 July 1865 to 24 February 1866. At the back of the journal there is a table showing the periods he spent in each different country that they visited. While this list includes the years up to 1868, Elmer's entries in the diary end in 1866.  Places include Brazil, Africa, China and Japan. As it is a diary, this journal is useful in depicting what life was like on board for Elmer and the kind of things he enjoyed but also the cultural and colonial opinions at the time. In February 1866, for example, he writes of the uncivilized and demoralizing nature of people he encountered in Hong Kong.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italics\"\u003e3. \"Navigator's Notes Kept Aboard the U.S.S Ossippee\": 1872 \u003c/emph\u003e\u003cbr\u003e\nNow risen to the rank of lieutenant commander and the navigator aboard the U.S.S. Ossippee, this volume contains Elmer's notes on navigation, surveying, and \"memoranda\" recounting the cruise of the U.S.S. Ossippee from Peru to New York. It also includes a section of notes labelled \"miscellaneous,\" which is filled with random factoids, many of which relate to torpedoes or explosions.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italics\"\u003e4. \"Watch, Quarter, and Station Bill\" on the U.S.S Ossippee and U.S.S Colorado\u003c/emph\u003e\u003cbr\u003e\nThis book includes neat and detailed notes that Elmer, as Navigator, presumably had on board in both vessels to help handle different situations. These include roll calls, sea routines, forecasts, losing a sail, and navigation. It also includes a Miscellaneous section.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italics\"\u003e5. Scrapbook: 1878-1879.\u003c/emph\u003e\u003cbr\u003e\nContains clippings from many different periodicals relating to naval procedures and maritime subjects. These depict the mechanical and technical changes of the navy during these years, but also its growth. Some articles from the U.S Army and Navy Journal from these years are included.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italics\"\u003e6. Obituary Scrapbook: 1898-1900.\u003c/emph\u003e\u003cbr\u003e\nPresumably put together by Elmer's wife or daughter, this scrapbook contains periodical clippings pertaining to his last assignment on the Mosquito fleet, 1898. It also includes loose telegrams of condolence sent to her and her application to increase her pension. It is primarily composed of obituaries, each neatly labelled and organized by newspaper and date. Elmer caught pneumonia which was brought on by exposure while he was on duty. Each clipping pertains to the death of a great naval officer, and in some cases, the first loss of the Spanish-American War. (Evening Journal) Strong patriotic language is used, as well as great sadness of the passing of the \"courageous\" and \"best known naval officers\" is illustrated.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italics\"\u003e7. Collection of Nine Loose Photographs (mounted on card) 1870- 1891.\u003c/emph\u003e\u003cbr\u003e\nCollection of photographs spanning twenty years, divided into Elmer's time in Santo Domingo and Edith's personal photos. The shots from Santo Domingo include a group shot of Commander Elmer with several other important men, including the President of Santo Domingo. Edith's photographs are primarily personal and family portraits, including a picture of Adele Wiley as a young woman, Edith Elmer Wood as a baby, and then another later shot of her as a young woman.\u003c/p\u003e","\u003cp\u003eSeries II, Edith Elmer Wood Scrapbook, contains a single album containing photographs from her daily life, including trips she made with her husband.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italics\"\u003e1. Photo Album Belonging to Edith Elmer Wood: 1890-1896.\u003c/emph\u003e\u003cbr\u003e\nEdith Elmer Wood's photograph album contains two large photos of the U.S.S. Kearsarge, one being of the officers and another of the crew being inspected, both dated 1890; several snapshots of interiors of family residences, including one of her mother in a rocking chair, and a photo of Commander Elmer working at his desk in the Ordnance Office; ten photos, five quite large, of the Chicago World's Fair in 1893; and ten large photographs taken on the campus of the United States Naval Academy, two of them featuring Mrs. Wood and her husband. Other scenes from the Naval Academy include cadets being drilled and the Tripoli Monument.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Horace Elmer Collection covers a short but important period in U.S. naval history from the end of the American Civil War to the beginning of the Spanish-American War at the eve of the twentieth century. Personal journals, scrapbooks, photo albums, and loose photographs are from the years 1864 to 1900.","Series I, Commander Horace Elmer, contains journals and materials relating directly to the life and career of Commander Elmer as described below.","1. \"Private\": October 1864-December 1866\nThe first journal, written chronologically but sporadically, illustrates a young Elmer's final years at the Naval Academy until his assignment on the U.S.S. Hartford. Notable entries include him witnessing Henry Ward Beecher, a prominent preacher and abolitionist, giving a sermon in Plymouth, 9 May 1865, and his 5 July 1865 entry where he describes the Fourth of July celebrations. Most significantly, this journal also includes his detailed sketching of the U.S.S. Monitor and engines of the U.S.S. Hartford, along with technical notes of how the student understood it. Personal and class notes show the kind of knowledge and naval procedures the academy required of its students.","2. \"The Cruise of the Hartford\": 17 July 1865-24 February 1866\nThe second journal details Elmer's time on the Asiatic mission for the East India Squadron from 17 July 1865 to 24 February 1866. At the back of the journal there is a table showing the periods he spent in each different country that they visited. While this list includes the years up to 1868, Elmer's entries in the diary end in 1866.  Places include Brazil, Africa, China and Japan. As it is a diary, this journal is useful in depicting what life was like on board for Elmer and the kind of things he enjoyed but also the cultural and colonial opinions at the time. In February 1866, for example, he writes of the uncivilized and demoralizing nature of people he encountered in Hong Kong.","3. \"Navigator's Notes Kept Aboard the U.S.S Ossippee\": 1872 \nNow risen to the rank of lieutenant commander and the navigator aboard the U.S.S. Ossippee, this volume contains Elmer's notes on navigation, surveying, and \"memoranda\" recounting the cruise of the U.S.S. Ossippee from Peru to New York. It also includes a section of notes labelled \"miscellaneous,\" which is filled with random factoids, many of which relate to torpedoes or explosions.","4. \"Watch, Quarter, and Station Bill\" on the U.S.S Ossippee and U.S.S Colorado\nThis book includes neat and detailed notes that Elmer, as Navigator, presumably had on board in both vessels to help handle different situations. These include roll calls, sea routines, forecasts, losing a sail, and navigation. It also includes a Miscellaneous section.","5. Scrapbook: 1878-1879.\nContains clippings from many different periodicals relating to naval procedures and maritime subjects. These depict the mechanical and technical changes of the navy during these years, but also its growth. Some articles from the U.S Army and Navy Journal from these years are included.","6. Obituary Scrapbook: 1898-1900.\nPresumably put together by Elmer's wife or daughter, this scrapbook contains periodical clippings pertaining to his last assignment on the Mosquito fleet, 1898. It also includes loose telegrams of condolence sent to her and her application to increase her pension. It is primarily composed of obituaries, each neatly labelled and organized by newspaper and date. Elmer caught pneumonia which was brought on by exposure while he was on duty. Each clipping pertains to the death of a great naval officer, and in some cases, the first loss of the Spanish-American War. (Evening Journal) Strong patriotic language is used, as well as great sadness of the passing of the \"courageous\" and \"best known naval officers\" is illustrated.","7. Collection of Nine Loose Photographs (mounted on card) 1870- 1891.\nCollection of photographs spanning twenty years, divided into Elmer's time in Santo Domingo and Edith's personal photos. The shots from Santo Domingo include a group shot of Commander Elmer with several other important men, including the President of Santo Domingo. Edith's photographs are primarily personal and family portraits, including a picture of Adele Wiley as a young woman, Edith Elmer Wood as a baby, and then another later shot of her as a young woman.","Series II, Edith Elmer Wood Scrapbook, contains a single album containing photographs from her daily life, including trips she made with her husband.","1. Photo Album Belonging to Edith Elmer Wood: 1890-1896.\nEdith Elmer Wood's photograph album contains two large photos of the U.S.S. Kearsarge, one being of the officers and another of the crew being inspected, both dated 1890; several snapshots of interiors of family residences, including one of her mother in a rocking chair, and a photo of Commander Elmer working at his desk in the Ordnance Office; ten photos, five quite large, of the Chicago World's Fair in 1893; and ten large photographs taken on the campus of the United States Naval Academy, two of them featuring Mrs. Wood and her husband. Other scenes from the Naval Academy include cadets being drilled and the Tripoli Monument."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_c2020ceece0647b86838acf363841541\"\u003eThis collection includes journals, scrapbooks, and photographs belonging to U. S. Naval Commander Horace Elmer (1846-98). He was an important naval figure who sailed on the USS Hartford's Asiatic mission, but significantly, the Monitor. This collection illustrates, through personal documentation, the experience of life at sea but also Elmer's immense skill and expertise in the US Navy in both mechanical and practical aspects. Information concerning his daughter, Edith Elmer Wood, a prominent progressive housing reformer, is also contained in the collection.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection includes journals, scrapbooks, and photographs belonging to U. S. Naval Commander Horace Elmer (1846-98). He was an important naval figure who sailed on the USS Hartford's Asiatic mission, but significantly, the Monitor. This collection illustrates, through personal documentation, the experience of life at sea but also Elmer's immense skill and expertise in the US Navy in both mechanical and practical aspects. Information concerning his daughter, Edith Elmer Wood, a prominent progressive housing reformer, is also contained in the collection."],"corpname_ssim":["University of Richmond","Kearsarge (Battleship)","United States. Navy","United States. Navy Personnel Command"],"names_coll_ssim":["Kearsarge (Battleship)","United States. Navy","United States. Navy Personnel Command","Horace, Elmer, Commander, 1846-1898","Wood, Edith Elmer, 1871-1945","Elmer, Adele Wiley, 1848-1917"],"famname_ssim":["Elmer family"],"persname_ssim":["Horace, Elmer, Commander, 1846-1898","Wood, Edith Elmer, 1871-1945","Elmer, Adele Wiley, 1848-1917"],"names_ssim":["University of Richmond","Kearsarge (Battleship)","United States. Navy","United States. Navy Personnel Command","Elmer family","Horace, Elmer, Commander, 1846-1898","Wood, Edith Elmer, 1871-1945","Elmer, Adele Wiley, 1848-1917"],"language_ssim":["Collection materials are primarily in English with some German obituaries and a list of Spanish phrases included. The Spanish notes that are found in Commander Elmer's journal are a variant of Latin American Spanish, specifically from a region with a strong influence of Portuguese. Given some of the grammatical features of the short sentences and the vocabulary in the notes, it could be considered a form of Portuñol/Portunhol."],"total_component_count_is":40,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:40:51.481Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_50"}},{"id":"vifgm_repositories_2_resources_37","type":"collection","attributes":{"title":"North American 19th century theatre broadside collection, 1850/1867","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_37#creator","type":"document_value","attributes":{"value":"George Mason University. Libraries. Special Collections Research Center","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_37#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_37#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_37","ead_ssi":"vifgm_repositories_2_resources_37","_root_":"vifgm_repositories_2_resources_37","_nest_parent_":"vifgm_repositories_2_resources_37","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_37.xml","title_filing_ssi":"North American 19th century theatre broadside collection","title_ssm":["North American 19th century theatre broadside collection"],"title_tesim":["North American 19th century theatre broadside collection"],"unitdate_ssm":["1850-1867"],"unitdate_inclusive_ssm":["1850-1867"],"normalized_date_ssm":["1850/1867"],"normalized_title_ssm":["North American 19th century theatre broadside collection, 1850/1867"],"text":["North American 19th century theatre broadside collection, 1850/1867","C0081","/repositories/2/resources/37","Boston (Mass.)","New York (N.Y.)","Canada","Theater","Theater -- United States","Theater -- New York (State) -- New York","Performing arts","Broadsides -- 1850-1870","Theatrical posters","There are no access restrictions.","Arranged into seven series predominantly by venue. Some single broadsides grouped together.","Series\n      Series 1: National Theatre of Boston, 1850-1857 (Box 1)\n      Series 2: Boston Museum, 1852-1858 (Box 1)\n      Series 3: Boston Theatre, 1854-1858 (Box 1)\n      Series 4: Howard Anthenaeum, 1851-1857 (Box 1)\n      Series 5: Boston Academy of Music, 1860 (Box 1)\n      Series 6: Canada and New York City, 1855-1867 (Box 1)\n      Series 7: Boston and New York City, 1850s-1860s (Box 1)","Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century.","Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees.","Processed by Kate Norman. EAD markup completed by Kate Norman in April 2010.","The Special Collections Research CEnter also holds many other .","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man.","This series contains six broadsides of performances at the National Theatre of Boston, ranging from 6\"x15\" to 7\"x21\".","\"Life of a Woman\", \"Child of the Regiment\", Mr. Murdoch performing.","Governor Boutwell and Lieut. Gov. Cushman visiting theatre, \"Henry VIII\", farewell engagement of Charlotte Cushman - impersonating Queen Katherine, Mrs. Simpson, and Meg Merriles - \"Simpson and Co.\", \"I've Swallowed a Policeman\".","French and Spanish Dancers, \"Naval Engagements\", \"The Omnibus\", \"The Phenomenon in a Smock Frock\".","Mr. James Anderson, Miss Agnes Elsworthy, \"Cloud and Sunshine\", \"Wandering Minstrel\".","\"Jack Cade\"-or-\"The Kentish Rebellion\", Mr. Neafie, \"Cousin Joe\", \"THe Corsican Brothers\", Judge Conrad.","G.G. Spear's first appearance since returning from California, \"Moll Pitcher! The Fortune Teller of Lynn\", Dr J.S. Jones, \"Paddy the Piper-or-The Cow that Eat him\", Miss Ann Bacon.","This series contains twenty broadsides of performances at the Boston Museum, ranging from 9\"x12\" to 7\"x20\".","Mrs. Farren, \"Griselda, The Forest Child\", \"The Milliners' Holiday\", \"Second Love\", Mr. W. Warren.","Mrs. Farren, \"Second Love\", Mrs. H. Eckhardt, \"Tit for Tat\"-or-\"The Double Strategem\", J. Palgrave Simpson.","Annual Benefit for Mr. J.H. Angier - treasurer of the museum, \"Paul Pry\"-or-\"I Hope I Don't Intrude\", John poole, Esq., \"Married Rake\", \"Two Bonnycastles\", \"Valentine and Orson\".","Benefit of W.H. Smith, \"The Cure for the Heart Ache\", \"Therese\"-or-\"The Orphan of Geneva\"","Last week of Chinese Pagent, \"Aladdin\"-or-\"The Wonderful Lamp\", \"My Husband's Mirror\".","Miss Julia Bennett, \"The Mysterious Stranger\", Mr. Warren, The Polka Quadrille, \"No Song, No Supper\", Gretna Green, Grimshaw, Bagshaw, and Bradshaw.","Miss Julia Bennett, \"Belle's Strategem\", Mr. Warren, \"Allow me to Apologize\", \"Farmer's Story\", \"Make Your Wills\".","Farewell Benefit of Mr. J.W. Wallack Jr., Me. Henry Wallack, \"Werner\"-or-\"The Inheritance\", \"Country Squire\"-or-\"Two Days at the Hall\", \"The Fairy Star\", Miss Agnes Robertson.","Benefit of Mr. W.H. Smith, Mrs. Annie Senter, Mr. J.W. Wallack, Jr., \"Lady of Lyons\"-or-\"Love and Pride\", \"How Stout You're Getting\".","\"Valentine and Orson\", \"Fire Eater\".","Declaring theatre's thirteenth season as individual enterprise amusement for the general public without the \"influence of a host of stockholders\", Mrs. Farren, \"Venice Preserved\", \"The Dead Shot\", Thomas otway, \"School for Scandal\".","\"Aladdin\"-or-\"The Wonderful Lamp\", Mr. W.H. Smith","Benefit of Mrs. Annie Senter, \"The Hunchback\", James Sheridan Knowles, \"Like as Two Peas\", Miss A. Raymond, Mr. S. Lake, \"Uncle Tom's Cabin\".","Benefit of Mr. J. Proctor, Mrs. J. Proctor, \"Nick of the Woods\"-or-\"The Jibbenainosay\", \"Dumb Belle\", \"Loan of a Lover\", Mr. James Bennett.","Image of the museum, declaring the theatre's thirteenth season, farewell benefit for Mrs. Ferren, \"Loving Woman\", \"Captive\"-or-\"Scenes in a Madhouse\", \"The Daughter of the Regiment\"-or-\"The Gallant 21st\", Mark Lemon, Esq., Mrs. Charles Howard,","Image of museum, declaration of 13th season, Mrs. Farren, \"The Love Chase\", James Sheridan Knowles, \"Perfection\"-or-\"The Maid of Munster\", \"The Loving Woman\".","Thanksgiving Day, \"Talisman\"-or-\" The Fairy's Favor\".","\"The Magic Mirror\"-or-\"The Spirit of the Age\", H.J. Conway, Esq.","Farewell benefit of Mrs. Annie Senter, \"The Wife\"-or-\"A Tale of Mantua\", \"Day After the Wedding\", Mrs. Charles Kemble, \"The Mysterious Stranger\", a new petit comedy in rehearsal from London.","Farewell benefit of Miss Fanny Vining and E.L. Davenport, \"Charity's Love\"-or-\"The Trials of a Heart\", \"Morning Call\", \"Faint Heart Never Won Fair Lady\", Benefit of Mr. J.H. Ring, Jefferson S. Batkins, \"The Silver Spoon, Mrs. H. Eckhardt, Miss A. Raymond, Mr. S. Lake.","This series contains thirty-six broadsides of performances at the Boston Theatre, ranging from 7\"x18\" to 6\"x24\".","Mrs. C.N. Sinclair, Mrs. Forrest, \"Ingomar! The Barbarian\", Mr. George Vandenhoff, \"The Swiss Swains\", present demands against firm of WRIGHT, FENNO, and BIRD for liquidation, J.B. Wright, Ms. A. Raymond, Mr. S. Lake.","Benefit of Mrs. Barrow, \"Olympia\"-or-\"The Life of an Actress\", poem of \"Hiawatha\", Mr. T. Comer, \"Mr. and Mrs. Lilly W.\", orchestral performance, notice of a box in second tier assigned for the use of colored persons.","Benefit of Miss Julia Dean, \"Evadne\"-or-\"The Statue\", \"Honey Moon\", orchestral performance, Mr. T. Comer.","\"Invisible Prince\"-or-\"The Island of Tranquil Delights\" - produced at cost of several thousand dollars, \"Priestess\".","Shakespearean Pagent, \"Midsummer Night's Dream\", \"Pyramus and Thisbe\".","Great fairy opera produced at cost of several thousand dollars - \"Cinderella\" - full New York chorus joined to the Boston choristers, T. Comer, H.W. Du Lang, Miss Louisa Pyne, Mr. W. Harrison, Mr. John Wood, W.H. Smith.","Mrs. Hudson Kirby, Mr. James Bennett, \"The Wife\", \"Young Widow\"-or-\" A Lesson for Lovers\", notice for a box for colored persons.","Mr. Forrest, \"Macbeth\", orchestral performance, \"Pleasant Neighbor\", beware of sparious tickets offered for sale in streets.","Benefit of Mr. and Mrs. John Gilbert, \"Town and Country\", \"Jenny Lind\", \"Uncle John\", Mrs. Julia Hayne/Miss Julia Dean.","The WOnderful Ravels, Mlle. Robert from the Academy of Paris, M. Leon Espinoza, \"School Master\", \"Festival Dansant\", \"Jocko-The Brazilian Ape\", \"La Esmerelda\", corps de ballet.","\"Merchant of Venice\", \"Sophia's Supper\", orchestral performances, Wanted: 100 auxiliares for \"Richard III\".","Miss Charlotte Cushman as \"Meg Merrilies\", Mr. E.L. Davenport, \"Guy Mannering\"-or-\"The Gipsey's Prophecy\", box reserved for colored persons on second tier.","Farewell benefit for Mrs. Barrow, Miss Rosa Bennett from Haymarket Theatre in London and Wallack's in New York, \"Mysterious Stranger\", \"London Assurance\".","Farewell benefit of Edwin Booth, \"The Robbers of the Black Forest of Bohemia\", orchestral piece, \"Katharine and Petruchio\"-or-\"The Taming of the Shrew\", \"Jessie Brown\"-or-\"The Relief of Lucknow\", Agnes RObertson, Dion Bourcicault, notice of seating for colored persons.","Matilda Herron, H.F. Daly, notice of seating for colored persons, \"Camille\" - translated from French, orchestral performance, \"Wanted, 1000 Milliners for the Gold Diggings!\".","Benefit of Mr. Charles Thorne, Mrs. Charles Thorne, notice of seating for colored persons, \"The Stranger\"-or-\"Misanthropy and Repentance\", \"The Avenger\"-or-\"The Moor of Sicily\".","Bonzani Ballet Troupe, Cesare Cecchetti, notice of seating for colored persons, \"Faust\", \"Biricchino Di. Parici (Le Gamin De. Paris)\", \"The Secret\", The Ronzani Ballet Troupe, \"Golden Horse\".","Benefit of Mr. G. Pauncefort, \"King John\", \"Used Up!\", Invisible Prince\", \"The Priestess\".","\"Richard III\"-or the-\"Battle of Bosworth Field\", \"Milliners' Holiday\"-or-\"Girls on a Frolic\", \"Money\".","Benefit of Mr. Barry, \"Rule a Wife and Have a Wife\", \"King and the Mimic\", \"Norma Trauestie\" from Adelphi Theatre in London, theatre closed one night for \"Cinderella\" rehearsal.","Mr. Hackett, Senorita Soto, Madame Ciocca, G.W. SMith, Mr. and Mrs. John Wood, a grand ballet divertisment, \"King Henry IV\", \"Loan of a Lover\", opera of \"Lucrezia Borgia\".","Miss Julia Dean, \"Love\", James Sheridan Knowles, orchestral performance, \"New Footman\", \"The Hunchback\", \"Romeo and Juliet\".","Two copies of this broadside.","Notice of seating for colored persons, \"Retribution\" from London, \"Exhibition Song of All Nations\" - sung by Mrs. John Wood during the Great Exhibition in London, \"Mischief Making\", \"Tempest\", ticket holder will be accepted any night due to a severe storm.","\"Merry Wives of Windsor\"-or-\"Falstaff in Love\", orchestral performance, \"Sophia's Supper\", \"Richard III\", \"School for Scandal\".","\"Beggar's Opera\" - with songs, ballads, and duets - \"Postilion Polka\", \"Pleasant Neighbor\", \"Bohemian Girl\", \"La Sonnambula\", Books for opera on sale at theatre.","Mr. Forrest, \"Othello - The Moor of Venice\", orchestral performance, \"New Footman\".","Ravel Troupe, Francois Ravel, Yrca Mathias, \"Le Exercises de Corde\", \"Le Diable Amoureaux\", \"The Green Monster\".","Notice of seating for colored persons, \"Temprest\"-or-\"The Enchanted Island\".","Two copies of this broadside.","Mr. G. Vandenhoff from Europe, \"Money\", orchestral performance, \"Betty Martin\", \"School for Scandal\", \"The Laughing Hyena\".","Two copies of this broadside.","\"Much Ado About Nothing\", orchestral performance, \"Game of Romps\", \"A Cure for the Heartache\", \"12th Night\".","Miss Adelaide Phillipps, \"Devil's Bridge\" opera, song list from opera, \"Sketches in India\", \"The Duenna\", \"The Laughing Hyerna\".","Miss Adelaide Phillipps, \"Duenna\" opera, song list from opera, \"Laughing Hyena\".","Mr. Forrest, \"Gladiator\", orchestral performance, \"Swiss Cottage\"-or-\"Why Don't She Marry?\", \"Metamora! Metamora\".","This series contains nineteen broadsides of performances at the Howard Anthenauem in Boston, ranging from 7\"x12 1/2\" to 7 1/2\"x20\".","colored persons admitted to third circle only, auction for choice seats, Clark and Hatch auctioneers, \"The Black Domino\", Benefit of Mad. Anna Thillon, Miss Julia Daly, J.M. White, \"The Little Treasure\", \"Married Rake\", \"Day After the Wedding\", omnibus transport options.","\"Still Waters Run Deep\", \"The Little Treasure\", Miss Louisa Howard, Miss Charlotte Crampton, Mr. Henry Ferren, \"Belphegor the Mountebank\", colored persons admitted to the gallery only.","colored persons admitted to third circle only, Mrs. Warner, \"Love\" with full orchestra, Sheridan Knowles, Mr. W. Marshall, \"French Spy\", \"Anne Blake\" from London, omnibus transport options.","Benefit for Mrs. Hamblin, Mrs. Shaw, Sheridan Knowles, \"Love\", Mr. A.W. Fenno, Mr. John Gilbert, Miss Lucille Western, \"Honesty the Best Policy\", \"Love Chase\", \"Douglas\", Mr. W. Marshall, comic vocalist Mr. Pete Morns, colored persons admitted to upper tier only.","Colored persons admitted to third circle only, Mrs. Warner, \"Winter's Tale\", \"Katharine and Petruchio\" - chorus line written for spectators to imagine a lapse of sixteen years, \"Ingomar\".","On reverse of broadside: \"Opinions of the English Press of the celebrated tragic actress Mrs. Warner\".","Colored persons admitted to third circle only, farewell engagement of Mr. Buchanan, \"Hamlet! Prince of Denmark\", orchestral performance, \"Artful Dodger\", \"Black Domino\", \"Daughter of the Regiment\", \"Crown Diamonds\", Madame Anna Thillon, \"King Lear\", \"A New Way to Pay Old Debts\", omnibus transport options.","Pyne and Harrison English Opera Troupe, Benefit of Mr. W. Harrison, Miss Louisa pyne singing \"The Skylark\" and \"Rode's Celebrated Air and Variations\", Mr. W. Harrison singing \"Oh! Whisper What thou Feelist!\", \"Crown Diamonds\", \"Contentment Versus Riches\", \"The Beggar's Opera\", colored persons admitted to the gallery only.","colored persons admitted to gallery only, farewell benefit of Mr. and Mrs. Charles Matthews, \"Handsome Husband\", \"Married for Money\", \"The Honeymoon\", \"Turning the Tables\", \"The Comical Countess\", \"The Gun Trick\", \"He Would be an Actor\", benefit of Mr. John E. Owens.","Mr. Wallack, \"Don Caesar De Bazan\", Miss Fanny Howard, orchestral performance, \"Old Oak Chest\"-or-\"The Smuggler's Son and the Robber's Daughter\", Wanted: ladies for the Corps de Ballet.","J.M. Field and T. Placide - Managers, \"Still Waters Run Deep\", Mr. J.S. Browne, \"Sketches in India\".","Colored persons admitted to gallery only, Miss Kimberly, \"Hamlet\", Mr. McDonough, \"Robert Macaire\", Benefit of Mrs. I.C. Frost, \"Clara\"-or-\"The Christian Heroine\".","Colored persons admitted to gallery only - no free list, coolest theatre in the city!, Mr. W.R. Blake, Mr. George Jordan, \"Old Heads and Young Hearts\", Miss Charlotte Thompson, Mrs. Hudson Kirby, \"Speed the Plough\", \"The School for Scandal\".","\"Little Treasure\", \"Wandering Minstrel\", \"Antony and Cleopatra\", Miss H. Lang, \"Serious Family\", \"Strong Minded Woman\", \"Two Lovers and a Life\", \"he Sea of Ice\"-or-\"The Wild Flowers of Mexico\" - playing at all theatres in London.","Theatre re-opened for a short season before managers return south, Mr. J.S. Brown, \"My Aunt\", \"My Young Wife\", Old Umbrella\", \"Artful Dodger\".","Colored persons admitted to gallery only - no free list, coolest theatre in the city, Mrs. Barrow, \"London Assurance\", \"Pleasant Neighbors\", \"Po-Ca-Hon-Tas\" under direction of author Mr. John Brougham.","Colored persons admitted to gallery only - no free list, Mr. John Brougham, Mr. and Mrs. E.L. Davenport, \"Po-Ca-Hon-Tas\" - music re-set by James G. Meader, instrumentalist Mr. John Holloway, \"Bachelor of Arts\", \"Dombey and Son\".","Heron Children, \"A Kiss on the Neck\"-or-\"Can Borders have Pie for Luncheon\", programme of scenery, \"Irish Lion\", \"Waterman\", Miss Mary Ann Heron, Miss Fanny Herron, \"Richard the Third\", children under 12 admitted half price.","Colored persons admitted to gallery only, \"Delicate Ground\", Mrs. Barrow, Jacob Barrow, Henry Wallack, orchestral performance, John Holloway, \"Honey Moon\", \"School for Scandal\", \"The Rivals\", \"Beatrice\".","Colored persons admitted to gallery only, Benefit for Mr. James Anderson, \"Civilization\", John Wilkins, Esq., \"Elder Brother\", Miss Fanny Morant, orchestral performance, Miss Davenport, G.K. Dickinson, \"Hotel Charges\", Notice: $25 reward for information about people throwing articles from gallery of theatre.","This series contains one broadside of performances at the Boston Academy of Music, 5 3/4\"x11 3/4\".","Italian opera \"Emani\", Sig. Muzio, new chandelier - largest in US or Europe - manufactured by Cornelius and Baker of Philadelphia, N.W. Turner and Co., Ms. Adelina Patti, \"Lucia Di Lammermoor\", grand orchestra and chorus, opera sheet music available for 25 cents, Sig. Amati Dubreul, Mme. Pauline Colson.","This series contains six broadsides of performances at St John's Dramatic Lyceum in Canada, Mechanic's Institute in New York, Wallack's Theatre in New York, Metropolitan Theatre in New York, Burton's in New York, and Lorimier Hall. Size of broadsides range from 7 1/2\"x16 1/2\" to 6 1/2\"x22 1/2\".","J.W. Longeran, \"Arrah-na-Pogue\"-or-\"The Wiclow Wedding\", Mr. Frank Roche, Shirley France, Miss Kennedy, the two back seats of the Dress Cirle are set apart for the exclusive use of colored people, ladies unaccompanied by gentlemen not admitted.","Three Nichts in Scotland, Mr. Kennedy - Scottish vocalist coming from performances in London, songs of Scotland, bagpipes, \"A crack wi' Jamie Hogg and Christopher North\", Ms. Kennedy.","\"Lavater\"-or-\"Not a Bad Judge\", \"500 (Pounds) reward\", \"How Stout you're Getting\", \"The Spitalfields Weaver\", \"A Lady in Difficulties\", \"Mrs. Johnston\"-or-\"What's in a Name?\", \"The Game of Love\".","Benefit of MLE Rachel, Mme. A. De La Grange, \"Le Depit Amoreux\", \"Joan of Arc\", French national hymn: \"La Marseillaise\", Rachel's plays and biographies on sale at Hall and Sons in New York, opera glasses lent on hire, \"Lady Tartuffe\", \"Adrienne Lecovreur\".","Mr. Burton, \"Serious Family\", \"Toodles\", \"Still Water Runs Deep\", \"Daughter of the Regiment\", \"John of Paris\", G. Jordan, Miss Kate Reignolds.","Mr. H. Van Liew, Mr. W.S. Forrest, \"Maid of Crissey\"-or-\"Conscripts of 1812\", \"Perfection\"-or the-\"Maid of Munster\", \"Irish Tutor\"-or the-\"New Lights\", desiring to make theatre worthy of public patronage.","This series contains four broadsides of performances at City Hall in Boston, Niblo's Garden in New York, and performances by the Kimball Dramatic Association at City Hall in Boston. Size of broadsides range from 5\"x8 1/3\" to 6 1/2\"x14\".","Exhibition of the Kimball Dramatic Association, \"Golden Farmer\", \"Swiss Cottage\", L.T. Gardner, W.C. Berry, J.H. Brown.","Last night of \"Little Wonders\", Benefit of Little Ellen, \"Richard 3d\", Ellen Batemean, Kate Bateman, \"Napoleon's Old Guard\", Mr. Bateman, \"The FOx and the Wolf\", strict order will be observed.","Grand Festival, Benefit of Mr. Vincent, Kate and Ellen Bateman - the infant wonders, Miss Lucy Western, Miss Helen Western, \"Lady of Munster\", \"Macbeth\", \"Bombastes Furioso\", \"Loan of a Lover\".","G.F. Bristow, \"Rip Van Winkle\", Pyne and Harrison Opera Co., orchestral performance, scenery synopsis, books for sale in Garden, 20 minute intermission for promenade.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.","R29, C4, S1","George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum","English"],"collection_title_tesim":["North American 19th century theatre broadside collection, 1850/1867"],"collection_ssim":["North American 19th century theatre broadside collection, 1850/1867"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0081","/repositories/2/resources/37"],"unitid_tesim":["C0081","/repositories/2/resources/37"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Boston (Mass.)","New York (N.Y.)","Canada"],"geogname_ssim":["Boston (Mass.)","New York (N.Y.)","Canada"],"places_ssim":["Boston (Mass.)","New York (N.Y.)","Canada"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Purchased in 2008."],"access_subjects_ssim":["Theater","Theater -- United States","Theater -- New York (State) -- New York","Performing arts","Broadsides -- 1850-1870","Theatrical posters"],"access_subjects_ssm":["Theater","Theater -- United States","Theater -- New York (State) -- New York","Performing arts","Broadsides -- 1850-1870","Theatrical posters"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 1 box"],"extent_tesim":["2 Linear Feet 1 box"],"genreform_ssim":["Broadsides -- 1850-1870","Theatrical posters"],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into seven series predominantly by venue. Some single broadsides grouped together.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: National Theatre of Boston, 1850-1857 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Boston Museum, 1852-1858 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Boston Theatre, 1854-1858 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Howard Anthenaeum, 1851-1857 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Boston Academy of Music, 1860 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Canada and New York City, 1855-1867 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Boston and New York City, 1850s-1860s (Box 1)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into seven series predominantly by venue. Some single broadsides grouped together.","Series\n      Series 1: National Theatre of Boston, 1850-1857 (Box 1)\n      Series 2: Boston Museum, 1852-1858 (Box 1)\n      Series 3: Boston Theatre, 1854-1858 (Box 1)\n      Series 4: Howard Anthenaeum, 1851-1857 (Box 1)\n      Series 5: Boston Academy of Music, 1860 (Box 1)\n      Series 6: Canada and New York City, 1855-1867 (Box 1)\n      Series 7: Boston and New York City, 1850s-1860s (Box 1)"],"bioghist_html_tesm":["\u003cp\u003e Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century. \u003c/p\u003e","\u003cp\u003e Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees. \u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century.","Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees."],"prefercite_html_tesm":["\u003cp\u003eNorth American 19th century theatre broadside collection, C0081, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["North American 19th century theatre broadside collection, C0081, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kate Norman. EAD markup completed by Kate Norman in April 2010.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Kate Norman. EAD markup completed by Kate Norman in April 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research CEnter also holds many other \u003cextptr show=\"new\" title=\"theatre collections\" href=\"https://aspace.gmu.edu/subjects/sh85134522\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research CEnter also holds many other ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall. \u003c/p\u003e","\u003cp\u003eMost of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man. \u003c/p\u003e  ","\u003cp\u003eThis series contains six broadsides of performances at the National Theatre of Boston, ranging from 6\"x15\" to 7\"x21\".\u003c/p\u003e","\u003cp\u003e\"Life of a Woman\", \"Child of the Regiment\", Mr. Murdoch performing.\u003c/p\u003e","\u003cp\u003eGovernor Boutwell and Lieut. Gov. Cushman visiting theatre, \"Henry VIII\", farewell engagement of Charlotte Cushman - impersonating Queen Katherine, Mrs. Simpson, and Meg Merriles - \"Simpson and Co.\", \"I've Swallowed a Policeman\".\u003c/p\u003e","\u003cp\u003eFrench and Spanish Dancers, \"Naval Engagements\", \"The Omnibus\", \"The Phenomenon in a Smock Frock\".\u003c/p\u003e","\u003cp\u003eMr. James Anderson, Miss Agnes Elsworthy, \"Cloud and Sunshine\", \"Wandering Minstrel\".\u003c/p\u003e","\u003cp\u003e\"Jack Cade\"-or-\"The Kentish Rebellion\", Mr. Neafie, \"Cousin Joe\", \"THe Corsican Brothers\", Judge Conrad.\u003c/p\u003e","\u003cp\u003eG.G. Spear's first appearance since returning from California, \"Moll Pitcher! The Fortune Teller of Lynn\", Dr J.S. Jones, \"Paddy the Piper-or-The Cow that Eat him\", Miss Ann Bacon.\u003c/p\u003e","\u003cp\u003eThis series contains twenty broadsides of performances at the Boston Museum, ranging from 9\"x12\" to 7\"x20\".\u003c/p\u003e","\u003cp\u003eMrs. Farren, \"Griselda, The Forest Child\", \"The Milliners' Holiday\", \"Second Love\", Mr. W. Warren.\u003c/p\u003e","\u003cp\u003eMrs. Farren, \"Second Love\", Mrs. H. Eckhardt, \"Tit for Tat\"-or-\"The Double Strategem\", J. Palgrave Simpson.\u003c/p\u003e","\u003cp\u003eAnnual Benefit for Mr. J.H. Angier - treasurer of the museum, \"Paul Pry\"-or-\"I Hope I Don't Intrude\", John poole, Esq., \"Married Rake\", \"Two Bonnycastles\", \"Valentine and Orson\".\u003c/p\u003e","\u003cp\u003eBenefit of W.H. Smith, \"The Cure for the Heart Ache\", \"Therese\"-or-\"The Orphan of Geneva\"\u003c/p\u003e","\u003cp\u003eLast week of Chinese Pagent, \"Aladdin\"-or-\"The Wonderful Lamp\", \"My Husband's Mirror\".\u003c/p\u003e","\u003cp\u003eMiss Julia Bennett, \"The Mysterious Stranger\", Mr. Warren, The Polka Quadrille, \"No Song, No Supper\", Gretna Green, Grimshaw, Bagshaw, and Bradshaw.\u003c/p\u003e","\u003cp\u003eMiss Julia Bennett, \"Belle's Strategem\", Mr. Warren, \"Allow me to Apologize\", \"Farmer's Story\", \"Make Your Wills\".\u003c/p\u003e","\u003cp\u003eFarewell Benefit of Mr. J.W. Wallack Jr., Me. Henry Wallack, \"Werner\"-or-\"The Inheritance\", \"Country Squire\"-or-\"Two Days at the Hall\", \"The Fairy Star\", Miss Agnes Robertson.\u003c/p\u003e","\u003cp\u003eBenefit of Mr. W.H. Smith, Mrs. Annie Senter, Mr. J.W. Wallack, Jr., \"Lady of Lyons\"-or-\"Love and Pride\", \"How Stout You're Getting\".\u003c/p\u003e","\u003cp\u003e\"Valentine and Orson\", \"Fire Eater\".\u003c/p\u003e","\u003cp\u003eDeclaring theatre's thirteenth season as individual enterprise amusement for the general public without the \"influence of a host of stockholders\", Mrs. Farren, \"Venice Preserved\", \"The Dead Shot\", Thomas otway, \"School for Scandal\".\u003c/p\u003e","\u003cp\u003e\"Aladdin\"-or-\"The Wonderful Lamp\", Mr. W.H. Smith\u003c/p\u003e","\u003cp\u003eBenefit of Mrs. Annie Senter, \"The Hunchback\", James Sheridan Knowles, \"Like as Two Peas\", Miss A. Raymond, Mr. S. Lake, \"Uncle Tom's Cabin\".\u003c/p\u003e","\u003cp\u003eBenefit of Mr. J. Proctor, Mrs. J. Proctor, \"Nick of the Woods\"-or-\"The Jibbenainosay\", \"Dumb Belle\", \"Loan of a Lover\", Mr. James Bennett.\u003c/p\u003e","\u003cp\u003eImage of the museum, declaring the theatre's thirteenth season, farewell benefit for Mrs. Ferren, \"Loving Woman\", \"Captive\"-or-\"Scenes in a Madhouse\", \"The Daughter of the Regiment\"-or-\"The Gallant 21st\", Mark Lemon, Esq., Mrs. Charles Howard,\u003c/p\u003e","\u003cp\u003eImage of museum, declaration of 13th season, Mrs. Farren, \"The Love Chase\", James Sheridan Knowles, \"Perfection\"-or-\"The Maid of Munster\", \"The Loving Woman\".\u003c/p\u003e","\u003cp\u003eThanksgiving Day, \"Talisman\"-or-\" The Fairy's Favor\".\u003c/p\u003e","\u003cp\u003e\"The Magic Mirror\"-or-\"The Spirit of the Age\", H.J. Conway, Esq.\u003c/p\u003e","\u003cp\u003eFarewell benefit of Mrs. Annie Senter, \"The Wife\"-or-\"A Tale of Mantua\", \"Day After the Wedding\", Mrs. Charles Kemble, \"The Mysterious Stranger\", a new petit comedy in rehearsal from London.\u003c/p\u003e","\u003cp\u003eFarewell benefit of Miss Fanny Vining and E.L. Davenport, \"Charity's Love\"-or-\"The Trials of a Heart\", \"Morning Call\", \"Faint Heart Never Won Fair Lady\", Benefit of Mr. J.H. Ring, Jefferson S. Batkins, \"The Silver Spoon, Mrs. H. Eckhardt, Miss A. Raymond, Mr. S. Lake.\u003c/p\u003e","\u003cp\u003eThis series contains thirty-six broadsides of performances at the Boston Theatre, ranging from 7\"x18\" to 6\"x24\".\u003c/p\u003e","\u003cp\u003eMrs. C.N. Sinclair, Mrs. Forrest, \"Ingomar! The Barbarian\", Mr. George Vandenhoff, \"The Swiss Swains\", present demands against firm of WRIGHT, FENNO, and BIRD for liquidation, J.B. Wright, Ms. A. Raymond, Mr. S. Lake.\u003c/p\u003e","\u003cp\u003eBenefit of Mrs. Barrow, \"Olympia\"-or-\"The Life of an Actress\", poem of \"Hiawatha\", Mr. T. Comer, \"Mr. and Mrs. Lilly W.\", orchestral performance, notice of a box in second tier assigned for the use of colored persons.\u003c/p\u003e","\u003cp\u003eBenefit of Miss Julia Dean, \"Evadne\"-or-\"The Statue\", \"Honey Moon\", orchestral performance, Mr. T. Comer.\u003c/p\u003e","\u003cp\u003e\"Invisible Prince\"-or-\"The Island of Tranquil Delights\" - produced at cost of several thousand dollars, \"Priestess\".\u003c/p\u003e","\u003cp\u003eShakespearean Pagent, \"Midsummer Night's Dream\", \"Pyramus and Thisbe\".\u003c/p\u003e","\u003cp\u003eGreat fairy opera produced at cost of several thousand dollars - \"Cinderella\" - full New York chorus joined to the Boston choristers, T. Comer, H.W. Du Lang, Miss Louisa Pyne, Mr. W. Harrison, Mr. John Wood, W.H. Smith.\u003c/p\u003e","\u003cp\u003eMrs. Hudson Kirby, Mr. James Bennett, \"The Wife\", \"Young Widow\"-or-\" A Lesson for Lovers\", notice for a box for colored persons.\u003c/p\u003e","\u003cp\u003eMr. Forrest, \"Macbeth\", orchestral performance, \"Pleasant Neighbor\", beware of sparious tickets offered for sale in streets.\u003c/p\u003e","\u003cp\u003eBenefit of Mr. and Mrs. John Gilbert, \"Town and Country\", \"Jenny Lind\", \"Uncle John\", Mrs. Julia Hayne/Miss Julia Dean.\u003c/p\u003e","\u003cp\u003eThe WOnderful Ravels, Mlle. Robert from the Academy of Paris, M. Leon Espinoza, \"School Master\", \"Festival Dansant\", \"Jocko-The Brazilian Ape\", \"La Esmerelda\", corps de ballet.\u003c/p\u003e","\u003cp\u003e\"Merchant of Venice\", \"Sophia's Supper\", orchestral performances, Wanted: 100 auxiliares for \"Richard III\".\u003c/p\u003e","\u003cp\u003eMiss Charlotte Cushman as \"Meg Merrilies\", Mr. E.L. Davenport, \"Guy Mannering\"-or-\"The Gipsey's Prophecy\", box reserved for colored persons on second tier.\u003c/p\u003e","\u003cp\u003eFarewell benefit for Mrs. Barrow, Miss Rosa Bennett from Haymarket Theatre in London and Wallack's in New York, \"Mysterious Stranger\", \"London Assurance\".\u003c/p\u003e","\u003cp\u003eFarewell benefit of Edwin Booth, \"The Robbers of the Black Forest of Bohemia\", orchestral piece, \"Katharine and Petruchio\"-or-\"The Taming of the Shrew\", \"Jessie Brown\"-or-\"The Relief of Lucknow\", Agnes RObertson, Dion Bourcicault, notice of seating for colored persons.\u003c/p\u003e","\u003cp\u003eMatilda Herron, H.F. Daly, notice of seating for colored persons, \"Camille\" - translated from French, orchestral performance, \"Wanted, 1000 Milliners for the Gold Diggings!\".\u003c/p\u003e","\u003cp\u003eBenefit of Mr. Charles Thorne, Mrs. Charles Thorne, notice of seating for colored persons, \"The Stranger\"-or-\"Misanthropy and Repentance\", \"The Avenger\"-or-\"The Moor of Sicily\".\u003c/p\u003e","\u003cp\u003eBonzani Ballet Troupe, Cesare Cecchetti, notice of seating for colored persons, \"Faust\", \"Biricchino Di. Parici (Le Gamin De. Paris)\", \"The Secret\", The Ronzani Ballet Troupe, \"Golden Horse\".\u003c/p\u003e","\u003cp\u003eBenefit of Mr. G. Pauncefort, \"King John\", \"Used Up!\", Invisible Prince\", \"The Priestess\".\u003c/p\u003e","\u003cp\u003e\"Richard III\"-or the-\"Battle of Bosworth Field\", \"Milliners' Holiday\"-or-\"Girls on a Frolic\", \"Money\".\u003c/p\u003e","\u003cp\u003eBenefit of Mr. Barry, \"Rule a Wife and Have a Wife\", \"King and the Mimic\", \"Norma Trauestie\" from Adelphi Theatre in London, theatre closed one night for \"Cinderella\" rehearsal.\u003c/p\u003e","\u003cp\u003eMr. Hackett, Senorita Soto, Madame Ciocca, G.W. SMith, Mr. and Mrs. John Wood, a grand ballet divertisment, \"King Henry IV\", \"Loan of a Lover\", opera of \"Lucrezia Borgia\".\u003c/p\u003e","\u003cp\u003eMiss Julia Dean, \"Love\", James Sheridan Knowles, orchestral performance, \"New Footman\", \"The Hunchback\", \"Romeo and Juliet\".\u003c/p\u003e","\u003cp\u003e Two copies of this broadside. \u003c/p\u003e","\u003cp\u003eNotice of seating for colored persons, \"Retribution\" from London, \"Exhibition Song of All Nations\" - sung by Mrs. John Wood during the Great Exhibition in London, \"Mischief Making\", \"Tempest\", ticket holder will be accepted any night due to a severe storm. \u003c/p\u003e","\u003cp\u003e\"Merry Wives of Windsor\"-or-\"Falstaff in Love\", orchestral performance, \"Sophia's Supper\", \"Richard III\", \"School for Scandal\".\u003c/p\u003e","\u003cp\u003e\"Beggar's Opera\" - with songs, ballads, and duets - \"Postilion Polka\", \"Pleasant Neighbor\", \"Bohemian Girl\", \"La Sonnambula\", Books for opera on sale at theatre.\u003c/p\u003e","\u003cp\u003eMr. Forrest, \"Othello - The Moor of Venice\", orchestral performance, \"New Footman\".\u003c/p\u003e","\u003cp\u003eRavel Troupe, Francois Ravel, Yrca Mathias, \"Le Exercises de Corde\", \"Le Diable Amoureaux\", \"The Green Monster\".\u003c/p\u003e","\u003cp\u003eNotice of seating for colored persons, \"Temprest\"-or-\"The Enchanted Island\".\u003c/p\u003e","\u003cp\u003e Two copies of this broadside. \u003c/p\u003e","\u003cp\u003e Mr. G. Vandenhoff from Europe, \"Money\", orchestral performance, \"Betty Martin\", \"School for Scandal\", \"The Laughing Hyena\". \u003c/p\u003e","\u003cp\u003e Two copies of this broadside. \u003c/p\u003e","\u003cp\u003e \"Much Ado About Nothing\", orchestral performance, \"Game of Romps\", \"A Cure for the Heartache\", \"12th Night\". \u003c/p\u003e","\u003cp\u003eMiss Adelaide Phillipps, \"Devil's Bridge\" opera, song list from opera, \"Sketches in India\", \"The Duenna\", \"The Laughing Hyerna\".\u003c/p\u003e","\u003cp\u003eMiss Adelaide Phillipps, \"Duenna\" opera, song list from opera, \"Laughing Hyena\".\u003c/p\u003e","\u003cp\u003eMr. Forrest, \"Gladiator\", orchestral performance, \"Swiss Cottage\"-or-\"Why Don't She Marry?\", \"Metamora! Metamora\".\u003c/p\u003e","\u003cp\u003eThis series contains nineteen broadsides of performances at the Howard Anthenauem in Boston, ranging from 7\"x12 1/2\" to 7 1/2\"x20\".\u003c/p\u003e","\u003cp\u003ecolored persons admitted to third circle only, auction for choice seats, Clark and Hatch auctioneers, \"The Black Domino\", Benefit of Mad. Anna Thillon, Miss Julia Daly, J.M. White, \"The Little Treasure\", \"Married Rake\", \"Day After the Wedding\", omnibus transport options.\u003c/p\u003e","\u003cp\u003e\"Still Waters Run Deep\", \"The Little Treasure\", Miss Louisa Howard, Miss Charlotte Crampton, Mr. Henry Ferren, \"Belphegor the Mountebank\", colored persons admitted to the gallery only.\u003c/p\u003e","\u003cp\u003ecolored persons admitted to third circle only, Mrs. Warner, \"Love\" with full orchestra, Sheridan Knowles, Mr. W. Marshall, \"French Spy\", \"Anne Blake\" from London, omnibus transport options.\u003c/p\u003e","\u003cp\u003eBenefit for Mrs. Hamblin, Mrs. Shaw, Sheridan Knowles, \"Love\", Mr. A.W. Fenno, Mr. John Gilbert, Miss Lucille Western, \"Honesty the Best Policy\", \"Love Chase\", \"Douglas\", Mr. W. Marshall, comic vocalist Mr. Pete Morns, colored persons admitted to upper tier only.\u003c/p\u003e","\u003cp\u003e Colored persons admitted to third circle only, Mrs. Warner, \"Winter's Tale\", \"Katharine and Petruchio\" - chorus line written for spectators to imagine a lapse of sixteen years, \"Ingomar\". \u003c/p\u003e","\u003cp\u003e On reverse of broadside: \"Opinions of the English Press of the celebrated tragic actress Mrs. Warner\". \u003c/p\u003e","\u003cp\u003eColored persons admitted to third circle only, farewell engagement of Mr. Buchanan, \"Hamlet! Prince of Denmark\", orchestral performance, \"Artful Dodger\", \"Black Domino\", \"Daughter of the Regiment\", \"Crown Diamonds\", Madame Anna Thillon, \"King Lear\", \"A New Way to Pay Old Debts\", omnibus transport options.\u003c/p\u003e","\u003cp\u003ePyne and Harrison English Opera Troupe, Benefit of Mr. W. Harrison, Miss Louisa pyne singing \"The Skylark\" and \"Rode's Celebrated Air and Variations\", Mr. W. Harrison singing \"Oh! Whisper What thou Feelist!\", \"Crown Diamonds\", \"Contentment Versus Riches\", \"The Beggar's Opera\", colored persons admitted to the gallery only.\u003c/p\u003e","\u003cp\u003ecolored persons admitted to gallery only, farewell benefit of Mr. and Mrs. Charles Matthews, \"Handsome Husband\", \"Married for Money\", \"The Honeymoon\", \"Turning the Tables\", \"The Comical Countess\", \"The Gun Trick\", \"He Would be an Actor\", benefit of Mr. John E. Owens.\u003c/p\u003e","\u003cp\u003eMr. Wallack, \"Don Caesar De Bazan\", Miss Fanny Howard, orchestral performance, \"Old Oak Chest\"-or-\"The Smuggler's Son and the Robber's Daughter\", Wanted: ladies for the Corps de Ballet.\u003c/p\u003e","\u003cp\u003eJ.M. Field and T. Placide - Managers, \"Still Waters Run Deep\", Mr. J.S. Browne, \"Sketches in India\".\u003c/p\u003e","\u003cp\u003eColored persons admitted to gallery only, Miss Kimberly, \"Hamlet\", Mr. McDonough, \"Robert Macaire\", Benefit of Mrs. I.C. Frost, \"Clara\"-or-\"The Christian Heroine\".\u003c/p\u003e","\u003cp\u003eColored persons admitted to gallery only - no free list, coolest theatre in the city!, Mr. W.R. Blake, Mr. George Jordan, \"Old Heads and Young Hearts\", Miss Charlotte Thompson, Mrs. Hudson Kirby, \"Speed the Plough\", \"The School for Scandal\".\u003c/p\u003e","\u003cp\u003e\"Little Treasure\", \"Wandering Minstrel\", \"Antony and Cleopatra\", Miss H. Lang, \"Serious Family\", \"Strong Minded Woman\", \"Two Lovers and a Life\", \"he Sea of Ice\"-or-\"The Wild Flowers of Mexico\" - playing at all theatres in London.\u003c/p\u003e","\u003cp\u003eTheatre re-opened for a short season before managers return south, Mr. J.S. Brown, \"My Aunt\", \"My Young Wife\", Old Umbrella\", \"Artful Dodger\".\u003c/p\u003e","\u003cp\u003eColored persons admitted to gallery only - no free list, coolest theatre in the city, Mrs. Barrow, \"London Assurance\", \"Pleasant Neighbors\", \"Po-Ca-Hon-Tas\" under direction of author Mr. John Brougham.\u003c/p\u003e","\u003cp\u003eColored persons admitted to gallery only - no free list, Mr. John Brougham, Mr. and Mrs. E.L. Davenport, \"Po-Ca-Hon-Tas\" - music re-set by James G. Meader, instrumentalist Mr. John Holloway, \"Bachelor of Arts\", \"Dombey and Son\".\u003c/p\u003e","\u003cp\u003eHeron Children, \"A Kiss on the Neck\"-or-\"Can Borders have Pie for Luncheon\", programme of scenery, \"Irish Lion\", \"Waterman\", Miss Mary Ann Heron, Miss Fanny Herron, \"Richard the Third\", children under 12 admitted half price.\u003c/p\u003e","\u003cp\u003eColored persons admitted to gallery only, \"Delicate Ground\", Mrs. Barrow, Jacob Barrow, Henry Wallack, orchestral performance, John Holloway, \"Honey Moon\", \"School for Scandal\", \"The Rivals\", \"Beatrice\".\u003c/p\u003e","\u003cp\u003eColored persons admitted to gallery only, Benefit for Mr. James Anderson, \"Civilization\", John Wilkins, Esq., \"Elder Brother\", Miss Fanny Morant, orchestral performance, Miss Davenport, G.K. Dickinson, \"Hotel Charges\", Notice: $25 reward for information about people throwing articles from gallery of theatre.\u003c/p\u003e","\u003cp\u003eThis series contains one broadside of performances at the Boston Academy of Music, 5 3/4\"x11 3/4\".\u003c/p\u003e","\u003cp\u003eItalian opera \"Emani\", Sig. Muzio, new chandelier - largest in US or Europe - manufactured by Cornelius and Baker of Philadelphia, N.W. Turner and Co., Ms. Adelina Patti, \"Lucia Di Lammermoor\", grand orchestra and chorus, opera sheet music available for 25 cents, Sig. Amati Dubreul, Mme. Pauline Colson.\u003c/p\u003e","\u003cp\u003eThis series contains six broadsides of performances at St John's Dramatic Lyceum in Canada, Mechanic's Institute in New York, Wallack's Theatre in New York, Metropolitan Theatre in New York, Burton's in New York, and Lorimier Hall. Size of broadsides range from 7 1/2\"x16 1/2\" to 6 1/2\"x22 1/2\".\u003c/p\u003e","\u003cp\u003eJ.W. Longeran, \"Arrah-na-Pogue\"-or-\"The Wiclow Wedding\", Mr. Frank Roche, Shirley France, Miss Kennedy, the two back seats of the Dress Cirle are set apart for the exclusive use of colored people, ladies unaccompanied by gentlemen not admitted.\u003c/p\u003e","\u003cp\u003eThree Nichts in Scotland, Mr. Kennedy - Scottish vocalist coming from performances in London, songs of Scotland, bagpipes, \"A crack wi' Jamie Hogg and Christopher North\", Ms. Kennedy.\u003c/p\u003e","\u003cp\u003e\"Lavater\"-or-\"Not a Bad Judge\", \"500 (Pounds) reward\", \"How Stout you're Getting\", \"The Spitalfields Weaver\", \"A Lady in Difficulties\", \"Mrs. Johnston\"-or-\"What's in a Name?\", \"The Game of Love\".\u003c/p\u003e","\u003cp\u003eBenefit of MLE Rachel, Mme. A. De La Grange, \"Le Depit Amoreux\", \"Joan of Arc\", French national hymn: \"La Marseillaise\", Rachel's plays and biographies on sale at Hall and Sons in New York, opera glasses lent on hire, \"Lady Tartuffe\", \"Adrienne Lecovreur\".\u003c/p\u003e","\u003cp\u003eMr. Burton, \"Serious Family\", \"Toodles\", \"Still Water Runs Deep\", \"Daughter of the Regiment\", \"John of Paris\", G. Jordan, Miss Kate Reignolds.\u003c/p\u003e","\u003cp\u003eMr. H. Van Liew, Mr. W.S. Forrest, \"Maid of Crissey\"-or-\"Conscripts of 1812\", \"Perfection\"-or the-\"Maid of Munster\", \"Irish Tutor\"-or the-\"New Lights\", desiring to make theatre worthy of public patronage.\u003c/p\u003e","\u003cp\u003eThis series contains four broadsides of performances at City Hall in Boston, Niblo's Garden in New York, and performances by the Kimball Dramatic Association at City Hall in Boston. Size of broadsides range from 5\"x8 1/3\" to 6 1/2\"x14\".\u003c/p\u003e","\u003cp\u003eExhibition of the Kimball Dramatic Association, \"Golden Farmer\", \"Swiss Cottage\", L.T. Gardner, W.C. Berry, J.H. Brown.\u003c/p\u003e","\u003cp\u003eLast night of \"Little Wonders\", Benefit of Little Ellen, \"Richard 3d\", Ellen Batemean, Kate Bateman, \"Napoleon's Old Guard\", Mr. Bateman, \"The FOx and the Wolf\", strict order will be observed.\u003c/p\u003e","\u003cp\u003eGrand Festival, Benefit of Mr. Vincent, Kate and Ellen Bateman - the infant wonders, Miss Lucy Western, Miss Helen Western, \"Lady of Munster\", \"Macbeth\", \"Bombastes Furioso\", \"Loan of a Lover\".\u003c/p\u003e","\u003cp\u003eG.F. Bristow, \"Rip Van Winkle\", Pyne and Harrison Opera Co., orchestral performance, scenery synopsis, books for sale in Garden, 20 minute intermission for promenade.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man.","This series contains six broadsides of performances at the National Theatre of Boston, ranging from 6\"x15\" to 7\"x21\".","\"Life of a Woman\", \"Child of the Regiment\", Mr. Murdoch performing.","Governor Boutwell and Lieut. Gov. Cushman visiting theatre, \"Henry VIII\", farewell engagement of Charlotte Cushman - impersonating Queen Katherine, Mrs. Simpson, and Meg Merriles - \"Simpson and Co.\", \"I've Swallowed a Policeman\".","French and Spanish Dancers, \"Naval Engagements\", \"The Omnibus\", \"The Phenomenon in a Smock Frock\".","Mr. James Anderson, Miss Agnes Elsworthy, \"Cloud and Sunshine\", \"Wandering Minstrel\".","\"Jack Cade\"-or-\"The Kentish Rebellion\", Mr. Neafie, \"Cousin Joe\", \"THe Corsican Brothers\", Judge Conrad.","G.G. Spear's first appearance since returning from California, \"Moll Pitcher! The Fortune Teller of Lynn\", Dr J.S. Jones, \"Paddy the Piper-or-The Cow that Eat him\", Miss Ann Bacon.","This series contains twenty broadsides of performances at the Boston Museum, ranging from 9\"x12\" to 7\"x20\".","Mrs. Farren, \"Griselda, The Forest Child\", \"The Milliners' Holiday\", \"Second Love\", Mr. W. Warren.","Mrs. Farren, \"Second Love\", Mrs. H. Eckhardt, \"Tit for Tat\"-or-\"The Double Strategem\", J. Palgrave Simpson.","Annual Benefit for Mr. J.H. Angier - treasurer of the museum, \"Paul Pry\"-or-\"I Hope I Don't Intrude\", John poole, Esq., \"Married Rake\", \"Two Bonnycastles\", \"Valentine and Orson\".","Benefit of W.H. Smith, \"The Cure for the Heart Ache\", \"Therese\"-or-\"The Orphan of Geneva\"","Last week of Chinese Pagent, \"Aladdin\"-or-\"The Wonderful Lamp\", \"My Husband's Mirror\".","Miss Julia Bennett, \"The Mysterious Stranger\", Mr. Warren, The Polka Quadrille, \"No Song, No Supper\", Gretna Green, Grimshaw, Bagshaw, and Bradshaw.","Miss Julia Bennett, \"Belle's Strategem\", Mr. Warren, \"Allow me to Apologize\", \"Farmer's Story\", \"Make Your Wills\".","Farewell Benefit of Mr. J.W. Wallack Jr., Me. Henry Wallack, \"Werner\"-or-\"The Inheritance\", \"Country Squire\"-or-\"Two Days at the Hall\", \"The Fairy Star\", Miss Agnes Robertson.","Benefit of Mr. W.H. Smith, Mrs. Annie Senter, Mr. J.W. Wallack, Jr., \"Lady of Lyons\"-or-\"Love and Pride\", \"How Stout You're Getting\".","\"Valentine and Orson\", \"Fire Eater\".","Declaring theatre's thirteenth season as individual enterprise amusement for the general public without the \"influence of a host of stockholders\", Mrs. Farren, \"Venice Preserved\", \"The Dead Shot\", Thomas otway, \"School for Scandal\".","\"Aladdin\"-or-\"The Wonderful Lamp\", Mr. W.H. Smith","Benefit of Mrs. Annie Senter, \"The Hunchback\", James Sheridan Knowles, \"Like as Two Peas\", Miss A. Raymond, Mr. S. Lake, \"Uncle Tom's Cabin\".","Benefit of Mr. J. Proctor, Mrs. J. Proctor, \"Nick of the Woods\"-or-\"The Jibbenainosay\", \"Dumb Belle\", \"Loan of a Lover\", Mr. James Bennett.","Image of the museum, declaring the theatre's thirteenth season, farewell benefit for Mrs. Ferren, \"Loving Woman\", \"Captive\"-or-\"Scenes in a Madhouse\", \"The Daughter of the Regiment\"-or-\"The Gallant 21st\", Mark Lemon, Esq., Mrs. Charles Howard,","Image of museum, declaration of 13th season, Mrs. Farren, \"The Love Chase\", James Sheridan Knowles, \"Perfection\"-or-\"The Maid of Munster\", \"The Loving Woman\".","Thanksgiving Day, \"Talisman\"-or-\" The Fairy's Favor\".","\"The Magic Mirror\"-or-\"The Spirit of the Age\", H.J. Conway, Esq.","Farewell benefit of Mrs. Annie Senter, \"The Wife\"-or-\"A Tale of Mantua\", \"Day After the Wedding\", Mrs. Charles Kemble, \"The Mysterious Stranger\", a new petit comedy in rehearsal from London.","Farewell benefit of Miss Fanny Vining and E.L. Davenport, \"Charity's Love\"-or-\"The Trials of a Heart\", \"Morning Call\", \"Faint Heart Never Won Fair Lady\", Benefit of Mr. J.H. Ring, Jefferson S. Batkins, \"The Silver Spoon, Mrs. H. Eckhardt, Miss A. Raymond, Mr. S. Lake.","This series contains thirty-six broadsides of performances at the Boston Theatre, ranging from 7\"x18\" to 6\"x24\".","Mrs. C.N. Sinclair, Mrs. Forrest, \"Ingomar! The Barbarian\", Mr. George Vandenhoff, \"The Swiss Swains\", present demands against firm of WRIGHT, FENNO, and BIRD for liquidation, J.B. Wright, Ms. A. Raymond, Mr. S. Lake.","Benefit of Mrs. Barrow, \"Olympia\"-or-\"The Life of an Actress\", poem of \"Hiawatha\", Mr. T. Comer, \"Mr. and Mrs. Lilly W.\", orchestral performance, notice of a box in second tier assigned for the use of colored persons.","Benefit of Miss Julia Dean, \"Evadne\"-or-\"The Statue\", \"Honey Moon\", orchestral performance, Mr. T. Comer.","\"Invisible Prince\"-or-\"The Island of Tranquil Delights\" - produced at cost of several thousand dollars, \"Priestess\".","Shakespearean Pagent, \"Midsummer Night's Dream\", \"Pyramus and Thisbe\".","Great fairy opera produced at cost of several thousand dollars - \"Cinderella\" - full New York chorus joined to the Boston choristers, T. Comer, H.W. Du Lang, Miss Louisa Pyne, Mr. W. Harrison, Mr. John Wood, W.H. Smith.","Mrs. Hudson Kirby, Mr. James Bennett, \"The Wife\", \"Young Widow\"-or-\" A Lesson for Lovers\", notice for a box for colored persons.","Mr. Forrest, \"Macbeth\", orchestral performance, \"Pleasant Neighbor\", beware of sparious tickets offered for sale in streets.","Benefit of Mr. and Mrs. John Gilbert, \"Town and Country\", \"Jenny Lind\", \"Uncle John\", Mrs. Julia Hayne/Miss Julia Dean.","The WOnderful Ravels, Mlle. Robert from the Academy of Paris, M. Leon Espinoza, \"School Master\", \"Festival Dansant\", \"Jocko-The Brazilian Ape\", \"La Esmerelda\", corps de ballet.","\"Merchant of Venice\", \"Sophia's Supper\", orchestral performances, Wanted: 100 auxiliares for \"Richard III\".","Miss Charlotte Cushman as \"Meg Merrilies\", Mr. E.L. Davenport, \"Guy Mannering\"-or-\"The Gipsey's Prophecy\", box reserved for colored persons on second tier.","Farewell benefit for Mrs. Barrow, Miss Rosa Bennett from Haymarket Theatre in London and Wallack's in New York, \"Mysterious Stranger\", \"London Assurance\".","Farewell benefit of Edwin Booth, \"The Robbers of the Black Forest of Bohemia\", orchestral piece, \"Katharine and Petruchio\"-or-\"The Taming of the Shrew\", \"Jessie Brown\"-or-\"The Relief of Lucknow\", Agnes RObertson, Dion Bourcicault, notice of seating for colored persons.","Matilda Herron, H.F. Daly, notice of seating for colored persons, \"Camille\" - translated from French, orchestral performance, \"Wanted, 1000 Milliners for the Gold Diggings!\".","Benefit of Mr. Charles Thorne, Mrs. Charles Thorne, notice of seating for colored persons, \"The Stranger\"-or-\"Misanthropy and Repentance\", \"The Avenger\"-or-\"The Moor of Sicily\".","Bonzani Ballet Troupe, Cesare Cecchetti, notice of seating for colored persons, \"Faust\", \"Biricchino Di. Parici (Le Gamin De. Paris)\", \"The Secret\", The Ronzani Ballet Troupe, \"Golden Horse\".","Benefit of Mr. G. Pauncefort, \"King John\", \"Used Up!\", Invisible Prince\", \"The Priestess\".","\"Richard III\"-or the-\"Battle of Bosworth Field\", \"Milliners' Holiday\"-or-\"Girls on a Frolic\", \"Money\".","Benefit of Mr. Barry, \"Rule a Wife and Have a Wife\", \"King and the Mimic\", \"Norma Trauestie\" from Adelphi Theatre in London, theatre closed one night for \"Cinderella\" rehearsal.","Mr. Hackett, Senorita Soto, Madame Ciocca, G.W. SMith, Mr. and Mrs. John Wood, a grand ballet divertisment, \"King Henry IV\", \"Loan of a Lover\", opera of \"Lucrezia Borgia\".","Miss Julia Dean, \"Love\", James Sheridan Knowles, orchestral performance, \"New Footman\", \"The Hunchback\", \"Romeo and Juliet\".","Two copies of this broadside.","Notice of seating for colored persons, \"Retribution\" from London, \"Exhibition Song of All Nations\" - sung by Mrs. John Wood during the Great Exhibition in London, \"Mischief Making\", \"Tempest\", ticket holder will be accepted any night due to a severe storm.","\"Merry Wives of Windsor\"-or-\"Falstaff in Love\", orchestral performance, \"Sophia's Supper\", \"Richard III\", \"School for Scandal\".","\"Beggar's Opera\" - with songs, ballads, and duets - \"Postilion Polka\", \"Pleasant Neighbor\", \"Bohemian Girl\", \"La Sonnambula\", Books for opera on sale at theatre.","Mr. Forrest, \"Othello - The Moor of Venice\", orchestral performance, \"New Footman\".","Ravel Troupe, Francois Ravel, Yrca Mathias, \"Le Exercises de Corde\", \"Le Diable Amoureaux\", \"The Green Monster\".","Notice of seating for colored persons, \"Temprest\"-or-\"The Enchanted Island\".","Two copies of this broadside.","Mr. G. Vandenhoff from Europe, \"Money\", orchestral performance, \"Betty Martin\", \"School for Scandal\", \"The Laughing Hyena\".","Two copies of this broadside.","\"Much Ado About Nothing\", orchestral performance, \"Game of Romps\", \"A Cure for the Heartache\", \"12th Night\".","Miss Adelaide Phillipps, \"Devil's Bridge\" opera, song list from opera, \"Sketches in India\", \"The Duenna\", \"The Laughing Hyerna\".","Miss Adelaide Phillipps, \"Duenna\" opera, song list from opera, \"Laughing Hyena\".","Mr. Forrest, \"Gladiator\", orchestral performance, \"Swiss Cottage\"-or-\"Why Don't She Marry?\", \"Metamora! Metamora\".","This series contains nineteen broadsides of performances at the Howard Anthenauem in Boston, ranging from 7\"x12 1/2\" to 7 1/2\"x20\".","colored persons admitted to third circle only, auction for choice seats, Clark and Hatch auctioneers, \"The Black Domino\", Benefit of Mad. Anna Thillon, Miss Julia Daly, J.M. White, \"The Little Treasure\", \"Married Rake\", \"Day After the Wedding\", omnibus transport options.","\"Still Waters Run Deep\", \"The Little Treasure\", Miss Louisa Howard, Miss Charlotte Crampton, Mr. Henry Ferren, \"Belphegor the Mountebank\", colored persons admitted to the gallery only.","colored persons admitted to third circle only, Mrs. Warner, \"Love\" with full orchestra, Sheridan Knowles, Mr. W. Marshall, \"French Spy\", \"Anne Blake\" from London, omnibus transport options.","Benefit for Mrs. Hamblin, Mrs. Shaw, Sheridan Knowles, \"Love\", Mr. A.W. Fenno, Mr. John Gilbert, Miss Lucille Western, \"Honesty the Best Policy\", \"Love Chase\", \"Douglas\", Mr. W. Marshall, comic vocalist Mr. Pete Morns, colored persons admitted to upper tier only.","Colored persons admitted to third circle only, Mrs. Warner, \"Winter's Tale\", \"Katharine and Petruchio\" - chorus line written for spectators to imagine a lapse of sixteen years, \"Ingomar\".","On reverse of broadside: \"Opinions of the English Press of the celebrated tragic actress Mrs. Warner\".","Colored persons admitted to third circle only, farewell engagement of Mr. Buchanan, \"Hamlet! Prince of Denmark\", orchestral performance, \"Artful Dodger\", \"Black Domino\", \"Daughter of the Regiment\", \"Crown Diamonds\", Madame Anna Thillon, \"King Lear\", \"A New Way to Pay Old Debts\", omnibus transport options.","Pyne and Harrison English Opera Troupe, Benefit of Mr. W. Harrison, Miss Louisa pyne singing \"The Skylark\" and \"Rode's Celebrated Air and Variations\", Mr. W. Harrison singing \"Oh! Whisper What thou Feelist!\", \"Crown Diamonds\", \"Contentment Versus Riches\", \"The Beggar's Opera\", colored persons admitted to the gallery only.","colored persons admitted to gallery only, farewell benefit of Mr. and Mrs. Charles Matthews, \"Handsome Husband\", \"Married for Money\", \"The Honeymoon\", \"Turning the Tables\", \"The Comical Countess\", \"The Gun Trick\", \"He Would be an Actor\", benefit of Mr. John E. Owens.","Mr. Wallack, \"Don Caesar De Bazan\", Miss Fanny Howard, orchestral performance, \"Old Oak Chest\"-or-\"The Smuggler's Son and the Robber's Daughter\", Wanted: ladies for the Corps de Ballet.","J.M. Field and T. Placide - Managers, \"Still Waters Run Deep\", Mr. J.S. Browne, \"Sketches in India\".","Colored persons admitted to gallery only, Miss Kimberly, \"Hamlet\", Mr. McDonough, \"Robert Macaire\", Benefit of Mrs. I.C. Frost, \"Clara\"-or-\"The Christian Heroine\".","Colored persons admitted to gallery only - no free list, coolest theatre in the city!, Mr. W.R. Blake, Mr. George Jordan, \"Old Heads and Young Hearts\", Miss Charlotte Thompson, Mrs. Hudson Kirby, \"Speed the Plough\", \"The School for Scandal\".","\"Little Treasure\", \"Wandering Minstrel\", \"Antony and Cleopatra\", Miss H. Lang, \"Serious Family\", \"Strong Minded Woman\", \"Two Lovers and a Life\", \"he Sea of Ice\"-or-\"The Wild Flowers of Mexico\" - playing at all theatres in London.","Theatre re-opened for a short season before managers return south, Mr. J.S. Brown, \"My Aunt\", \"My Young Wife\", Old Umbrella\", \"Artful Dodger\".","Colored persons admitted to gallery only - no free list, coolest theatre in the city, Mrs. Barrow, \"London Assurance\", \"Pleasant Neighbors\", \"Po-Ca-Hon-Tas\" under direction of author Mr. John Brougham.","Colored persons admitted to gallery only - no free list, Mr. John Brougham, Mr. and Mrs. E.L. Davenport, \"Po-Ca-Hon-Tas\" - music re-set by James G. Meader, instrumentalist Mr. John Holloway, \"Bachelor of Arts\", \"Dombey and Son\".","Heron Children, \"A Kiss on the Neck\"-or-\"Can Borders have Pie for Luncheon\", programme of scenery, \"Irish Lion\", \"Waterman\", Miss Mary Ann Heron, Miss Fanny Herron, \"Richard the Third\", children under 12 admitted half price.","Colored persons admitted to gallery only, \"Delicate Ground\", Mrs. Barrow, Jacob Barrow, Henry Wallack, orchestral performance, John Holloway, \"Honey Moon\", \"School for Scandal\", \"The Rivals\", \"Beatrice\".","Colored persons admitted to gallery only, Benefit for Mr. James Anderson, \"Civilization\", John Wilkins, Esq., \"Elder Brother\", Miss Fanny Morant, orchestral performance, Miss Davenport, G.K. Dickinson, \"Hotel Charges\", Notice: $25 reward for information about people throwing articles from gallery of theatre.","This series contains one broadside of performances at the Boston Academy of Music, 5 3/4\"x11 3/4\".","Italian opera \"Emani\", Sig. Muzio, new chandelier - largest in US or Europe - manufactured by Cornelius and Baker of Philadelphia, N.W. Turner and Co., Ms. Adelina Patti, \"Lucia Di Lammermoor\", grand orchestra and chorus, opera sheet music available for 25 cents, Sig. Amati Dubreul, Mme. Pauline Colson.","This series contains six broadsides of performances at St John's Dramatic Lyceum in Canada, Mechanic's Institute in New York, Wallack's Theatre in New York, Metropolitan Theatre in New York, Burton's in New York, and Lorimier Hall. Size of broadsides range from 7 1/2\"x16 1/2\" to 6 1/2\"x22 1/2\".","J.W. Longeran, \"Arrah-na-Pogue\"-or-\"The Wiclow Wedding\", Mr. Frank Roche, Shirley France, Miss Kennedy, the two back seats of the Dress Cirle are set apart for the exclusive use of colored people, ladies unaccompanied by gentlemen not admitted.","Three Nichts in Scotland, Mr. Kennedy - Scottish vocalist coming from performances in London, songs of Scotland, bagpipes, \"A crack wi' Jamie Hogg and Christopher North\", Ms. Kennedy.","\"Lavater\"-or-\"Not a Bad Judge\", \"500 (Pounds) reward\", \"How Stout you're Getting\", \"The Spitalfields Weaver\", \"A Lady in Difficulties\", \"Mrs. Johnston\"-or-\"What's in a Name?\", \"The Game of Love\".","Benefit of MLE Rachel, Mme. A. De La Grange, \"Le Depit Amoreux\", \"Joan of Arc\", French national hymn: \"La Marseillaise\", Rachel's plays and biographies on sale at Hall and Sons in New York, opera glasses lent on hire, \"Lady Tartuffe\", \"Adrienne Lecovreur\".","Mr. Burton, \"Serious Family\", \"Toodles\", \"Still Water Runs Deep\", \"Daughter of the Regiment\", \"John of Paris\", G. Jordan, Miss Kate Reignolds.","Mr. H. Van Liew, Mr. W.S. Forrest, \"Maid of Crissey\"-or-\"Conscripts of 1812\", \"Perfection\"-or the-\"Maid of Munster\", \"Irish Tutor\"-or the-\"New Lights\", desiring to make theatre worthy of public patronage.","This series contains four broadsides of performances at City Hall in Boston, Niblo's Garden in New York, and performances by the Kimball Dramatic Association at City Hall in Boston. Size of broadsides range from 5\"x8 1/3\" to 6 1/2\"x14\".","Exhibition of the Kimball Dramatic Association, \"Golden Farmer\", \"Swiss Cottage\", L.T. Gardner, W.C. Berry, J.H. Brown.","Last night of \"Little Wonders\", Benefit of Little Ellen, \"Richard 3d\", Ellen Batemean, Kate Bateman, \"Napoleon's Old Guard\", Mr. Bateman, \"The FOx and the Wolf\", strict order will be observed.","Grand Festival, Benefit of Mr. Vincent, Kate and Ellen Bateman - the infant wonders, Miss Lucy Western, Miss Helen Western, \"Lady of Munster\", \"Macbeth\", \"Bombastes Furioso\", \"Loan of a Lover\".","G.F. Bristow, \"Rip Van Winkle\", Pyne and Harrison Opera Co., orchestral performance, scenery synopsis, books for sale in Garden, 20 minute intermission for promenade."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_d05ea848f0d59764ae39f991551616c8\" label=\"Abstract\"\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_32a9d920136e071738de0b78dff77807\"\u003eR29, C4, S1\u003c/physloc\u003e\n    "],"physloc_tesim":["R29, C4, S1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"names_coll_ssim":["Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":96,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:54:12.131Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_37","ead_ssi":"vifgm_repositories_2_resources_37","_root_":"vifgm_repositories_2_resources_37","_nest_parent_":"vifgm_repositories_2_resources_37","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_37.xml","title_filing_ssi":"North American 19th century theatre broadside collection","title_ssm":["North American 19th century theatre broadside collection"],"title_tesim":["North American 19th century theatre broadside collection"],"unitdate_ssm":["1850-1867"],"unitdate_inclusive_ssm":["1850-1867"],"normalized_date_ssm":["1850/1867"],"normalized_title_ssm":["North American 19th century theatre broadside collection, 1850/1867"],"text":["North American 19th century theatre broadside collection, 1850/1867","C0081","/repositories/2/resources/37","Boston (Mass.)","New York (N.Y.)","Canada","Theater","Theater -- United States","Theater -- New York (State) -- New York","Performing arts","Broadsides -- 1850-1870","Theatrical posters","There are no access restrictions.","Arranged into seven series predominantly by venue. Some single broadsides grouped together.","Series\n      Series 1: National Theatre of Boston, 1850-1857 (Box 1)\n      Series 2: Boston Museum, 1852-1858 (Box 1)\n      Series 3: Boston Theatre, 1854-1858 (Box 1)\n      Series 4: Howard Anthenaeum, 1851-1857 (Box 1)\n      Series 5: Boston Academy of Music, 1860 (Box 1)\n      Series 6: Canada and New York City, 1855-1867 (Box 1)\n      Series 7: Boston and New York City, 1850s-1860s (Box 1)","Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century.","Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees.","Processed by Kate Norman. EAD markup completed by Kate Norman in April 2010.","The Special Collections Research CEnter also holds many other .","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man.","This series contains six broadsides of performances at the National Theatre of Boston, ranging from 6\"x15\" to 7\"x21\".","\"Life of a Woman\", \"Child of the Regiment\", Mr. Murdoch performing.","Governor Boutwell and Lieut. Gov. Cushman visiting theatre, \"Henry VIII\", farewell engagement of Charlotte Cushman - impersonating Queen Katherine, Mrs. Simpson, and Meg Merriles - \"Simpson and Co.\", \"I've Swallowed a Policeman\".","French and Spanish Dancers, \"Naval Engagements\", \"The Omnibus\", \"The Phenomenon in a Smock Frock\".","Mr. James Anderson, Miss Agnes Elsworthy, \"Cloud and Sunshine\", \"Wandering Minstrel\".","\"Jack Cade\"-or-\"The Kentish Rebellion\", Mr. Neafie, \"Cousin Joe\", \"THe Corsican Brothers\", Judge Conrad.","G.G. Spear's first appearance since returning from California, \"Moll Pitcher! The Fortune Teller of Lynn\", Dr J.S. Jones, \"Paddy the Piper-or-The Cow that Eat him\", Miss Ann Bacon.","This series contains twenty broadsides of performances at the Boston Museum, ranging from 9\"x12\" to 7\"x20\".","Mrs. Farren, \"Griselda, The Forest Child\", \"The Milliners' Holiday\", \"Second Love\", Mr. W. Warren.","Mrs. Farren, \"Second Love\", Mrs. H. Eckhardt, \"Tit for Tat\"-or-\"The Double Strategem\", J. Palgrave Simpson.","Annual Benefit for Mr. J.H. Angier - treasurer of the museum, \"Paul Pry\"-or-\"I Hope I Don't Intrude\", John poole, Esq., \"Married Rake\", \"Two Bonnycastles\", \"Valentine and Orson\".","Benefit of W.H. Smith, \"The Cure for the Heart Ache\", \"Therese\"-or-\"The Orphan of Geneva\"","Last week of Chinese Pagent, \"Aladdin\"-or-\"The Wonderful Lamp\", \"My Husband's Mirror\".","Miss Julia Bennett, \"The Mysterious Stranger\", Mr. Warren, The Polka Quadrille, \"No Song, No Supper\", Gretna Green, Grimshaw, Bagshaw, and Bradshaw.","Miss Julia Bennett, \"Belle's Strategem\", Mr. Warren, \"Allow me to Apologize\", \"Farmer's Story\", \"Make Your Wills\".","Farewell Benefit of Mr. J.W. Wallack Jr., Me. Henry Wallack, \"Werner\"-or-\"The Inheritance\", \"Country Squire\"-or-\"Two Days at the Hall\", \"The Fairy Star\", Miss Agnes Robertson.","Benefit of Mr. W.H. Smith, Mrs. Annie Senter, Mr. J.W. Wallack, Jr., \"Lady of Lyons\"-or-\"Love and Pride\", \"How Stout You're Getting\".","\"Valentine and Orson\", \"Fire Eater\".","Declaring theatre's thirteenth season as individual enterprise amusement for the general public without the \"influence of a host of stockholders\", Mrs. Farren, \"Venice Preserved\", \"The Dead Shot\", Thomas otway, \"School for Scandal\".","\"Aladdin\"-or-\"The Wonderful Lamp\", Mr. W.H. Smith","Benefit of Mrs. Annie Senter, \"The Hunchback\", James Sheridan Knowles, \"Like as Two Peas\", Miss A. Raymond, Mr. S. Lake, \"Uncle Tom's Cabin\".","Benefit of Mr. J. Proctor, Mrs. J. Proctor, \"Nick of the Woods\"-or-\"The Jibbenainosay\", \"Dumb Belle\", \"Loan of a Lover\", Mr. James Bennett.","Image of the museum, declaring the theatre's thirteenth season, farewell benefit for Mrs. Ferren, \"Loving Woman\", \"Captive\"-or-\"Scenes in a Madhouse\", \"The Daughter of the Regiment\"-or-\"The Gallant 21st\", Mark Lemon, Esq., Mrs. Charles Howard,","Image of museum, declaration of 13th season, Mrs. Farren, \"The Love Chase\", James Sheridan Knowles, \"Perfection\"-or-\"The Maid of Munster\", \"The Loving Woman\".","Thanksgiving Day, \"Talisman\"-or-\" The Fairy's Favor\".","\"The Magic Mirror\"-or-\"The Spirit of the Age\", H.J. Conway, Esq.","Farewell benefit of Mrs. Annie Senter, \"The Wife\"-or-\"A Tale of Mantua\", \"Day After the Wedding\", Mrs. Charles Kemble, \"The Mysterious Stranger\", a new petit comedy in rehearsal from London.","Farewell benefit of Miss Fanny Vining and E.L. Davenport, \"Charity's Love\"-or-\"The Trials of a Heart\", \"Morning Call\", \"Faint Heart Never Won Fair Lady\", Benefit of Mr. J.H. Ring, Jefferson S. Batkins, \"The Silver Spoon, Mrs. H. Eckhardt, Miss A. Raymond, Mr. S. Lake.","This series contains thirty-six broadsides of performances at the Boston Theatre, ranging from 7\"x18\" to 6\"x24\".","Mrs. C.N. Sinclair, Mrs. Forrest, \"Ingomar! The Barbarian\", Mr. George Vandenhoff, \"The Swiss Swains\", present demands against firm of WRIGHT, FENNO, and BIRD for liquidation, J.B. Wright, Ms. A. Raymond, Mr. S. Lake.","Benefit of Mrs. Barrow, \"Olympia\"-or-\"The Life of an Actress\", poem of \"Hiawatha\", Mr. T. Comer, \"Mr. and Mrs. Lilly W.\", orchestral performance, notice of a box in second tier assigned for the use of colored persons.","Benefit of Miss Julia Dean, \"Evadne\"-or-\"The Statue\", \"Honey Moon\", orchestral performance, Mr. T. Comer.","\"Invisible Prince\"-or-\"The Island of Tranquil Delights\" - produced at cost of several thousand dollars, \"Priestess\".","Shakespearean Pagent, \"Midsummer Night's Dream\", \"Pyramus and Thisbe\".","Great fairy opera produced at cost of several thousand dollars - \"Cinderella\" - full New York chorus joined to the Boston choristers, T. Comer, H.W. Du Lang, Miss Louisa Pyne, Mr. W. Harrison, Mr. John Wood, W.H. Smith.","Mrs. Hudson Kirby, Mr. James Bennett, \"The Wife\", \"Young Widow\"-or-\" A Lesson for Lovers\", notice for a box for colored persons.","Mr. Forrest, \"Macbeth\", orchestral performance, \"Pleasant Neighbor\", beware of sparious tickets offered for sale in streets.","Benefit of Mr. and Mrs. John Gilbert, \"Town and Country\", \"Jenny Lind\", \"Uncle John\", Mrs. Julia Hayne/Miss Julia Dean.","The WOnderful Ravels, Mlle. Robert from the Academy of Paris, M. Leon Espinoza, \"School Master\", \"Festival Dansant\", \"Jocko-The Brazilian Ape\", \"La Esmerelda\", corps de ballet.","\"Merchant of Venice\", \"Sophia's Supper\", orchestral performances, Wanted: 100 auxiliares for \"Richard III\".","Miss Charlotte Cushman as \"Meg Merrilies\", Mr. E.L. Davenport, \"Guy Mannering\"-or-\"The Gipsey's Prophecy\", box reserved for colored persons on second tier.","Farewell benefit for Mrs. Barrow, Miss Rosa Bennett from Haymarket Theatre in London and Wallack's in New York, \"Mysterious Stranger\", \"London Assurance\".","Farewell benefit of Edwin Booth, \"The Robbers of the Black Forest of Bohemia\", orchestral piece, \"Katharine and Petruchio\"-or-\"The Taming of the Shrew\", \"Jessie Brown\"-or-\"The Relief of Lucknow\", Agnes RObertson, Dion Bourcicault, notice of seating for colored persons.","Matilda Herron, H.F. Daly, notice of seating for colored persons, \"Camille\" - translated from French, orchestral performance, \"Wanted, 1000 Milliners for the Gold Diggings!\".","Benefit of Mr. Charles Thorne, Mrs. Charles Thorne, notice of seating for colored persons, \"The Stranger\"-or-\"Misanthropy and Repentance\", \"The Avenger\"-or-\"The Moor of Sicily\".","Bonzani Ballet Troupe, Cesare Cecchetti, notice of seating for colored persons, \"Faust\", \"Biricchino Di. Parici (Le Gamin De. Paris)\", \"The Secret\", The Ronzani Ballet Troupe, \"Golden Horse\".","Benefit of Mr. G. Pauncefort, \"King John\", \"Used Up!\", Invisible Prince\", \"The Priestess\".","\"Richard III\"-or the-\"Battle of Bosworth Field\", \"Milliners' Holiday\"-or-\"Girls on a Frolic\", \"Money\".","Benefit of Mr. Barry, \"Rule a Wife and Have a Wife\", \"King and the Mimic\", \"Norma Trauestie\" from Adelphi Theatre in London, theatre closed one night for \"Cinderella\" rehearsal.","Mr. Hackett, Senorita Soto, Madame Ciocca, G.W. SMith, Mr. and Mrs. John Wood, a grand ballet divertisment, \"King Henry IV\", \"Loan of a Lover\", opera of \"Lucrezia Borgia\".","Miss Julia Dean, \"Love\", James Sheridan Knowles, orchestral performance, \"New Footman\", \"The Hunchback\", \"Romeo and Juliet\".","Two copies of this broadside.","Notice of seating for colored persons, \"Retribution\" from London, \"Exhibition Song of All Nations\" - sung by Mrs. John Wood during the Great Exhibition in London, \"Mischief Making\", \"Tempest\", ticket holder will be accepted any night due to a severe storm.","\"Merry Wives of Windsor\"-or-\"Falstaff in Love\", orchestral performance, \"Sophia's Supper\", \"Richard III\", \"School for Scandal\".","\"Beggar's Opera\" - with songs, ballads, and duets - \"Postilion Polka\", \"Pleasant Neighbor\", \"Bohemian Girl\", \"La Sonnambula\", Books for opera on sale at theatre.","Mr. Forrest, \"Othello - The Moor of Venice\", orchestral performance, \"New Footman\".","Ravel Troupe, Francois Ravel, Yrca Mathias, \"Le Exercises de Corde\", \"Le Diable Amoureaux\", \"The Green Monster\".","Notice of seating for colored persons, \"Temprest\"-or-\"The Enchanted Island\".","Two copies of this broadside.","Mr. G. Vandenhoff from Europe, \"Money\", orchestral performance, \"Betty Martin\", \"School for Scandal\", \"The Laughing Hyena\".","Two copies of this broadside.","\"Much Ado About Nothing\", orchestral performance, \"Game of Romps\", \"A Cure for the Heartache\", \"12th Night\".","Miss Adelaide Phillipps, \"Devil's Bridge\" opera, song list from opera, \"Sketches in India\", \"The Duenna\", \"The Laughing Hyerna\".","Miss Adelaide Phillipps, \"Duenna\" opera, song list from opera, \"Laughing Hyena\".","Mr. Forrest, \"Gladiator\", orchestral performance, \"Swiss Cottage\"-or-\"Why Don't She Marry?\", \"Metamora! Metamora\".","This series contains nineteen broadsides of performances at the Howard Anthenauem in Boston, ranging from 7\"x12 1/2\" to 7 1/2\"x20\".","colored persons admitted to third circle only, auction for choice seats, Clark and Hatch auctioneers, \"The Black Domino\", Benefit of Mad. Anna Thillon, Miss Julia Daly, J.M. White, \"The Little Treasure\", \"Married Rake\", \"Day After the Wedding\", omnibus transport options.","\"Still Waters Run Deep\", \"The Little Treasure\", Miss Louisa Howard, Miss Charlotte Crampton, Mr. Henry Ferren, \"Belphegor the Mountebank\", colored persons admitted to the gallery only.","colored persons admitted to third circle only, Mrs. Warner, \"Love\" with full orchestra, Sheridan Knowles, Mr. W. Marshall, \"French Spy\", \"Anne Blake\" from London, omnibus transport options.","Benefit for Mrs. Hamblin, Mrs. Shaw, Sheridan Knowles, \"Love\", Mr. A.W. Fenno, Mr. John Gilbert, Miss Lucille Western, \"Honesty the Best Policy\", \"Love Chase\", \"Douglas\", Mr. W. Marshall, comic vocalist Mr. Pete Morns, colored persons admitted to upper tier only.","Colored persons admitted to third circle only, Mrs. Warner, \"Winter's Tale\", \"Katharine and Petruchio\" - chorus line written for spectators to imagine a lapse of sixteen years, \"Ingomar\".","On reverse of broadside: \"Opinions of the English Press of the celebrated tragic actress Mrs. Warner\".","Colored persons admitted to third circle only, farewell engagement of Mr. Buchanan, \"Hamlet! Prince of Denmark\", orchestral performance, \"Artful Dodger\", \"Black Domino\", \"Daughter of the Regiment\", \"Crown Diamonds\", Madame Anna Thillon, \"King Lear\", \"A New Way to Pay Old Debts\", omnibus transport options.","Pyne and Harrison English Opera Troupe, Benefit of Mr. W. Harrison, Miss Louisa pyne singing \"The Skylark\" and \"Rode's Celebrated Air and Variations\", Mr. W. Harrison singing \"Oh! Whisper What thou Feelist!\", \"Crown Diamonds\", \"Contentment Versus Riches\", \"The Beggar's Opera\", colored persons admitted to the gallery only.","colored persons admitted to gallery only, farewell benefit of Mr. and Mrs. Charles Matthews, \"Handsome Husband\", \"Married for Money\", \"The Honeymoon\", \"Turning the Tables\", \"The Comical Countess\", \"The Gun Trick\", \"He Would be an Actor\", benefit of Mr. John E. Owens.","Mr. Wallack, \"Don Caesar De Bazan\", Miss Fanny Howard, orchestral performance, \"Old Oak Chest\"-or-\"The Smuggler's Son and the Robber's Daughter\", Wanted: ladies for the Corps de Ballet.","J.M. Field and T. Placide - Managers, \"Still Waters Run Deep\", Mr. J.S. Browne, \"Sketches in India\".","Colored persons admitted to gallery only, Miss Kimberly, \"Hamlet\", Mr. McDonough, \"Robert Macaire\", Benefit of Mrs. I.C. Frost, \"Clara\"-or-\"The Christian Heroine\".","Colored persons admitted to gallery only - no free list, coolest theatre in the city!, Mr. W.R. Blake, Mr. George Jordan, \"Old Heads and Young Hearts\", Miss Charlotte Thompson, Mrs. Hudson Kirby, \"Speed the Plough\", \"The School for Scandal\".","\"Little Treasure\", \"Wandering Minstrel\", \"Antony and Cleopatra\", Miss H. Lang, \"Serious Family\", \"Strong Minded Woman\", \"Two Lovers and a Life\", \"he Sea of Ice\"-or-\"The Wild Flowers of Mexico\" - playing at all theatres in London.","Theatre re-opened for a short season before managers return south, Mr. J.S. Brown, \"My Aunt\", \"My Young Wife\", Old Umbrella\", \"Artful Dodger\".","Colored persons admitted to gallery only - no free list, coolest theatre in the city, Mrs. Barrow, \"London Assurance\", \"Pleasant Neighbors\", \"Po-Ca-Hon-Tas\" under direction of author Mr. John Brougham.","Colored persons admitted to gallery only - no free list, Mr. John Brougham, Mr. and Mrs. E.L. Davenport, \"Po-Ca-Hon-Tas\" - music re-set by James G. Meader, instrumentalist Mr. John Holloway, \"Bachelor of Arts\", \"Dombey and Son\".","Heron Children, \"A Kiss on the Neck\"-or-\"Can Borders have Pie for Luncheon\", programme of scenery, \"Irish Lion\", \"Waterman\", Miss Mary Ann Heron, Miss Fanny Herron, \"Richard the Third\", children under 12 admitted half price.","Colored persons admitted to gallery only, \"Delicate Ground\", Mrs. Barrow, Jacob Barrow, Henry Wallack, orchestral performance, John Holloway, \"Honey Moon\", \"School for Scandal\", \"The Rivals\", \"Beatrice\".","Colored persons admitted to gallery only, Benefit for Mr. James Anderson, \"Civilization\", John Wilkins, Esq., \"Elder Brother\", Miss Fanny Morant, orchestral performance, Miss Davenport, G.K. Dickinson, \"Hotel Charges\", Notice: $25 reward for information about people throwing articles from gallery of theatre.","This series contains one broadside of performances at the Boston Academy of Music, 5 3/4\"x11 3/4\".","Italian opera \"Emani\", Sig. Muzio, new chandelier - largest in US or Europe - manufactured by Cornelius and Baker of Philadelphia, N.W. Turner and Co., Ms. Adelina Patti, \"Lucia Di Lammermoor\", grand orchestra and chorus, opera sheet music available for 25 cents, Sig. Amati Dubreul, Mme. Pauline Colson.","This series contains six broadsides of performances at St John's Dramatic Lyceum in Canada, Mechanic's Institute in New York, Wallack's Theatre in New York, Metropolitan Theatre in New York, Burton's in New York, and Lorimier Hall. Size of broadsides range from 7 1/2\"x16 1/2\" to 6 1/2\"x22 1/2\".","J.W. Longeran, \"Arrah-na-Pogue\"-or-\"The Wiclow Wedding\", Mr. Frank Roche, Shirley France, Miss Kennedy, the two back seats of the Dress Cirle are set apart for the exclusive use of colored people, ladies unaccompanied by gentlemen not admitted.","Three Nichts in Scotland, Mr. Kennedy - Scottish vocalist coming from performances in London, songs of Scotland, bagpipes, \"A crack wi' Jamie Hogg and Christopher North\", Ms. Kennedy.","\"Lavater\"-or-\"Not a Bad Judge\", \"500 (Pounds) reward\", \"How Stout you're Getting\", \"The Spitalfields Weaver\", \"A Lady in Difficulties\", \"Mrs. Johnston\"-or-\"What's in a Name?\", \"The Game of Love\".","Benefit of MLE Rachel, Mme. A. De La Grange, \"Le Depit Amoreux\", \"Joan of Arc\", French national hymn: \"La Marseillaise\", Rachel's plays and biographies on sale at Hall and Sons in New York, opera glasses lent on hire, \"Lady Tartuffe\", \"Adrienne Lecovreur\".","Mr. Burton, \"Serious Family\", \"Toodles\", \"Still Water Runs Deep\", \"Daughter of the Regiment\", \"John of Paris\", G. Jordan, Miss Kate Reignolds.","Mr. H. Van Liew, Mr. W.S. Forrest, \"Maid of Crissey\"-or-\"Conscripts of 1812\", \"Perfection\"-or the-\"Maid of Munster\", \"Irish Tutor\"-or the-\"New Lights\", desiring to make theatre worthy of public patronage.","This series contains four broadsides of performances at City Hall in Boston, Niblo's Garden in New York, and performances by the Kimball Dramatic Association at City Hall in Boston. Size of broadsides range from 5\"x8 1/3\" to 6 1/2\"x14\".","Exhibition of the Kimball Dramatic Association, \"Golden Farmer\", \"Swiss Cottage\", L.T. Gardner, W.C. Berry, J.H. Brown.","Last night of \"Little Wonders\", Benefit of Little Ellen, \"Richard 3d\", Ellen Batemean, Kate Bateman, \"Napoleon's Old Guard\", Mr. Bateman, \"The FOx and the Wolf\", strict order will be observed.","Grand Festival, Benefit of Mr. Vincent, Kate and Ellen Bateman - the infant wonders, Miss Lucy Western, Miss Helen Western, \"Lady of Munster\", \"Macbeth\", \"Bombastes Furioso\", \"Loan of a Lover\".","G.F. Bristow, \"Rip Van Winkle\", Pyne and Harrison Opera Co., orchestral performance, scenery synopsis, books for sale in Garden, 20 minute intermission for promenade.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.","R29, C4, S1","George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum","English"],"collection_title_tesim":["North American 19th century theatre broadside collection, 1850/1867"],"collection_ssim":["North American 19th century theatre broadside collection, 1850/1867"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0081","/repositories/2/resources/37"],"unitid_tesim":["C0081","/repositories/2/resources/37"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Boston (Mass.)","New York (N.Y.)","Canada"],"geogname_ssim":["Boston (Mass.)","New York (N.Y.)","Canada"],"places_ssim":["Boston (Mass.)","New York (N.Y.)","Canada"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Purchased in 2008."],"access_subjects_ssim":["Theater","Theater -- United States","Theater -- New York (State) -- New York","Performing arts","Broadsides -- 1850-1870","Theatrical posters"],"access_subjects_ssm":["Theater","Theater -- United States","Theater -- New York (State) -- New York","Performing arts","Broadsides -- 1850-1870","Theatrical posters"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 1 box"],"extent_tesim":["2 Linear Feet 1 box"],"genreform_ssim":["Broadsides -- 1850-1870","Theatrical posters"],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into seven series predominantly by venue. Some single broadsides grouped together.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: National Theatre of Boston, 1850-1857 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Boston Museum, 1852-1858 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Boston Theatre, 1854-1858 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Howard Anthenaeum, 1851-1857 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Boston Academy of Music, 1860 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Canada and New York City, 1855-1867 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Boston and New York City, 1850s-1860s (Box 1)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into seven series predominantly by venue. Some single broadsides grouped together.","Series\n      Series 1: National Theatre of Boston, 1850-1857 (Box 1)\n      Series 2: Boston Museum, 1852-1858 (Box 1)\n      Series 3: Boston Theatre, 1854-1858 (Box 1)\n      Series 4: Howard Anthenaeum, 1851-1857 (Box 1)\n      Series 5: Boston Academy of Music, 1860 (Box 1)\n      Series 6: Canada and New York City, 1855-1867 (Box 1)\n      Series 7: Boston and New York City, 1850s-1860s (Box 1)"],"bioghist_html_tesm":["\u003cp\u003e Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century. \u003c/p\u003e","\u003cp\u003e Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees. \u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century.","Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees."],"prefercite_html_tesm":["\u003cp\u003eNorth American 19th century theatre broadside collection, C0081, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["North American 19th century theatre broadside collection, C0081, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kate Norman. EAD markup completed by Kate Norman in April 2010.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Kate Norman. EAD markup completed by Kate Norman in April 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research CEnter also holds many other \u003cextptr show=\"new\" title=\"theatre collections\" href=\"https://aspace.gmu.edu/subjects/sh85134522\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research CEnter also holds many other ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall. \u003c/p\u003e","\u003cp\u003eMost of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man. \u003c/p\u003e  ","\u003cp\u003eThis series contains six broadsides of performances at the National Theatre of Boston, ranging from 6\"x15\" to 7\"x21\".\u003c/p\u003e","\u003cp\u003e\"Life of a Woman\", \"Child of the Regiment\", Mr. Murdoch performing.\u003c/p\u003e","\u003cp\u003eGovernor Boutwell and Lieut. Gov. Cushman visiting theatre, \"Henry VIII\", farewell engagement of Charlotte Cushman - impersonating Queen Katherine, Mrs. Simpson, and Meg Merriles - \"Simpson and Co.\", \"I've Swallowed a Policeman\".\u003c/p\u003e","\u003cp\u003eFrench and Spanish Dancers, \"Naval Engagements\", \"The Omnibus\", \"The Phenomenon in a Smock Frock\".\u003c/p\u003e","\u003cp\u003eMr. James Anderson, Miss Agnes Elsworthy, \"Cloud and Sunshine\", \"Wandering Minstrel\".\u003c/p\u003e","\u003cp\u003e\"Jack Cade\"-or-\"The Kentish Rebellion\", Mr. Neafie, \"Cousin Joe\", \"THe Corsican Brothers\", Judge Conrad.\u003c/p\u003e","\u003cp\u003eG.G. Spear's first appearance since returning from California, \"Moll Pitcher! The Fortune Teller of Lynn\", Dr J.S. Jones, \"Paddy the Piper-or-The Cow that Eat him\", Miss Ann Bacon.\u003c/p\u003e","\u003cp\u003eThis series contains twenty broadsides of performances at the Boston Museum, ranging from 9\"x12\" to 7\"x20\".\u003c/p\u003e","\u003cp\u003eMrs. Farren, \"Griselda, The Forest Child\", \"The Milliners' Holiday\", \"Second Love\", Mr. W. Warren.\u003c/p\u003e","\u003cp\u003eMrs. Farren, \"Second Love\", Mrs. H. Eckhardt, \"Tit for Tat\"-or-\"The Double Strategem\", J. Palgrave Simpson.\u003c/p\u003e","\u003cp\u003eAnnual Benefit for Mr. J.H. Angier - treasurer of the museum, \"Paul Pry\"-or-\"I Hope I Don't Intrude\", John poole, Esq., \"Married Rake\", \"Two Bonnycastles\", \"Valentine and Orson\".\u003c/p\u003e","\u003cp\u003eBenefit of W.H. Smith, \"The Cure for the Heart Ache\", \"Therese\"-or-\"The Orphan of Geneva\"\u003c/p\u003e","\u003cp\u003eLast week of Chinese Pagent, \"Aladdin\"-or-\"The Wonderful Lamp\", \"My Husband's Mirror\".\u003c/p\u003e","\u003cp\u003eMiss Julia Bennett, \"The Mysterious Stranger\", Mr. Warren, The Polka Quadrille, \"No Song, No Supper\", Gretna Green, Grimshaw, Bagshaw, and Bradshaw.\u003c/p\u003e","\u003cp\u003eMiss Julia Bennett, \"Belle's Strategem\", Mr. Warren, \"Allow me to Apologize\", \"Farmer's Story\", \"Make Your Wills\".\u003c/p\u003e","\u003cp\u003eFarewell Benefit of Mr. J.W. Wallack Jr., Me. Henry Wallack, \"Werner\"-or-\"The Inheritance\", \"Country Squire\"-or-\"Two Days at the Hall\", \"The Fairy Star\", Miss Agnes Robertson.\u003c/p\u003e","\u003cp\u003eBenefit of Mr. W.H. Smith, Mrs. Annie Senter, Mr. J.W. Wallack, Jr., \"Lady of Lyons\"-or-\"Love and Pride\", \"How Stout You're Getting\".\u003c/p\u003e","\u003cp\u003e\"Valentine and Orson\", \"Fire Eater\".\u003c/p\u003e","\u003cp\u003eDeclaring theatre's thirteenth season as individual enterprise amusement for the general public without the \"influence of a host of stockholders\", Mrs. Farren, \"Venice Preserved\", \"The Dead Shot\", Thomas otway, \"School for Scandal\".\u003c/p\u003e","\u003cp\u003e\"Aladdin\"-or-\"The Wonderful Lamp\", Mr. W.H. Smith\u003c/p\u003e","\u003cp\u003eBenefit of Mrs. Annie Senter, \"The Hunchback\", James Sheridan Knowles, \"Like as Two Peas\", Miss A. Raymond, Mr. S. Lake, \"Uncle Tom's Cabin\".\u003c/p\u003e","\u003cp\u003eBenefit of Mr. J. Proctor, Mrs. J. Proctor, \"Nick of the Woods\"-or-\"The Jibbenainosay\", \"Dumb Belle\", \"Loan of a Lover\", Mr. James Bennett.\u003c/p\u003e","\u003cp\u003eImage of the museum, declaring the theatre's thirteenth season, farewell benefit for Mrs. Ferren, \"Loving Woman\", \"Captive\"-or-\"Scenes in a Madhouse\", \"The Daughter of the Regiment\"-or-\"The Gallant 21st\", Mark Lemon, Esq., Mrs. Charles Howard,\u003c/p\u003e","\u003cp\u003eImage of museum, declaration of 13th season, Mrs. Farren, \"The Love Chase\", James Sheridan Knowles, \"Perfection\"-or-\"The Maid of Munster\", \"The Loving Woman\".\u003c/p\u003e","\u003cp\u003eThanksgiving Day, \"Talisman\"-or-\" The Fairy's Favor\".\u003c/p\u003e","\u003cp\u003e\"The Magic Mirror\"-or-\"The Spirit of the Age\", H.J. Conway, Esq.\u003c/p\u003e","\u003cp\u003eFarewell benefit of Mrs. Annie Senter, \"The Wife\"-or-\"A Tale of Mantua\", \"Day After the Wedding\", Mrs. Charles Kemble, \"The Mysterious Stranger\", a new petit comedy in rehearsal from London.\u003c/p\u003e","\u003cp\u003eFarewell benefit of Miss Fanny Vining and E.L. Davenport, \"Charity's Love\"-or-\"The Trials of a Heart\", \"Morning Call\", \"Faint Heart Never Won Fair Lady\", Benefit of Mr. J.H. Ring, Jefferson S. Batkins, \"The Silver Spoon, Mrs. H. Eckhardt, Miss A. Raymond, Mr. S. Lake.\u003c/p\u003e","\u003cp\u003eThis series contains thirty-six broadsides of performances at the Boston Theatre, ranging from 7\"x18\" to 6\"x24\".\u003c/p\u003e","\u003cp\u003eMrs. C.N. Sinclair, Mrs. Forrest, \"Ingomar! The Barbarian\", Mr. George Vandenhoff, \"The Swiss Swains\", present demands against firm of WRIGHT, FENNO, and BIRD for liquidation, J.B. Wright, Ms. A. Raymond, Mr. S. Lake.\u003c/p\u003e","\u003cp\u003eBenefit of Mrs. Barrow, \"Olympia\"-or-\"The Life of an Actress\", poem of \"Hiawatha\", Mr. T. Comer, \"Mr. and Mrs. Lilly W.\", orchestral performance, notice of a box in second tier assigned for the use of colored persons.\u003c/p\u003e","\u003cp\u003eBenefit of Miss Julia Dean, \"Evadne\"-or-\"The Statue\", \"Honey Moon\", orchestral performance, Mr. T. Comer.\u003c/p\u003e","\u003cp\u003e\"Invisible Prince\"-or-\"The Island of Tranquil Delights\" - produced at cost of several thousand dollars, \"Priestess\".\u003c/p\u003e","\u003cp\u003eShakespearean Pagent, \"Midsummer Night's Dream\", \"Pyramus and Thisbe\".\u003c/p\u003e","\u003cp\u003eGreat fairy opera produced at cost of several thousand dollars - \"Cinderella\" - full New York chorus joined to the Boston choristers, T. Comer, H.W. Du Lang, Miss Louisa Pyne, Mr. W. Harrison, Mr. John Wood, W.H. Smith.\u003c/p\u003e","\u003cp\u003eMrs. Hudson Kirby, Mr. James Bennett, \"The Wife\", \"Young Widow\"-or-\" A Lesson for Lovers\", notice for a box for colored persons.\u003c/p\u003e","\u003cp\u003eMr. Forrest, \"Macbeth\", orchestral performance, \"Pleasant Neighbor\", beware of sparious tickets offered for sale in streets.\u003c/p\u003e","\u003cp\u003eBenefit of Mr. and Mrs. John Gilbert, \"Town and Country\", \"Jenny Lind\", \"Uncle John\", Mrs. Julia Hayne/Miss Julia Dean.\u003c/p\u003e","\u003cp\u003eThe WOnderful Ravels, Mlle. Robert from the Academy of Paris, M. Leon Espinoza, \"School Master\", \"Festival Dansant\", \"Jocko-The Brazilian Ape\", \"La Esmerelda\", corps de ballet.\u003c/p\u003e","\u003cp\u003e\"Merchant of Venice\", \"Sophia's Supper\", orchestral performances, Wanted: 100 auxiliares for \"Richard III\".\u003c/p\u003e","\u003cp\u003eMiss Charlotte Cushman as \"Meg Merrilies\", Mr. E.L. Davenport, \"Guy Mannering\"-or-\"The Gipsey's Prophecy\", box reserved for colored persons on second tier.\u003c/p\u003e","\u003cp\u003eFarewell benefit for Mrs. Barrow, Miss Rosa Bennett from Haymarket Theatre in London and Wallack's in New York, \"Mysterious Stranger\", \"London Assurance\".\u003c/p\u003e","\u003cp\u003eFarewell benefit of Edwin Booth, \"The Robbers of the Black Forest of Bohemia\", orchestral piece, \"Katharine and Petruchio\"-or-\"The Taming of the Shrew\", \"Jessie Brown\"-or-\"The Relief of Lucknow\", Agnes RObertson, Dion Bourcicault, notice of seating for colored persons.\u003c/p\u003e","\u003cp\u003eMatilda Herron, H.F. Daly, notice of seating for colored persons, \"Camille\" - translated from French, orchestral performance, \"Wanted, 1000 Milliners for the Gold Diggings!\".\u003c/p\u003e","\u003cp\u003eBenefit of Mr. Charles Thorne, Mrs. Charles Thorne, notice of seating for colored persons, \"The Stranger\"-or-\"Misanthropy and Repentance\", \"The Avenger\"-or-\"The Moor of Sicily\".\u003c/p\u003e","\u003cp\u003eBonzani Ballet Troupe, Cesare Cecchetti, notice of seating for colored persons, \"Faust\", \"Biricchino Di. Parici (Le Gamin De. Paris)\", \"The Secret\", The Ronzani Ballet Troupe, \"Golden Horse\".\u003c/p\u003e","\u003cp\u003eBenefit of Mr. G. Pauncefort, \"King John\", \"Used Up!\", Invisible Prince\", \"The Priestess\".\u003c/p\u003e","\u003cp\u003e\"Richard III\"-or the-\"Battle of Bosworth Field\", \"Milliners' Holiday\"-or-\"Girls on a Frolic\", \"Money\".\u003c/p\u003e","\u003cp\u003eBenefit of Mr. Barry, \"Rule a Wife and Have a Wife\", \"King and the Mimic\", \"Norma Trauestie\" from Adelphi Theatre in London, theatre closed one night for \"Cinderella\" rehearsal.\u003c/p\u003e","\u003cp\u003eMr. Hackett, Senorita Soto, Madame Ciocca, G.W. SMith, Mr. and Mrs. John Wood, a grand ballet divertisment, \"King Henry IV\", \"Loan of a Lover\", opera of \"Lucrezia Borgia\".\u003c/p\u003e","\u003cp\u003eMiss Julia Dean, \"Love\", James Sheridan Knowles, orchestral performance, \"New Footman\", \"The Hunchback\", \"Romeo and Juliet\".\u003c/p\u003e","\u003cp\u003e Two copies of this broadside. \u003c/p\u003e","\u003cp\u003eNotice of seating for colored persons, \"Retribution\" from London, \"Exhibition Song of All Nations\" - sung by Mrs. John Wood during the Great Exhibition in London, \"Mischief Making\", \"Tempest\", ticket holder will be accepted any night due to a severe storm. \u003c/p\u003e","\u003cp\u003e\"Merry Wives of Windsor\"-or-\"Falstaff in Love\", orchestral performance, \"Sophia's Supper\", \"Richard III\", \"School for Scandal\".\u003c/p\u003e","\u003cp\u003e\"Beggar's Opera\" - with songs, ballads, and duets - \"Postilion Polka\", \"Pleasant Neighbor\", \"Bohemian Girl\", \"La Sonnambula\", Books for opera on sale at theatre.\u003c/p\u003e","\u003cp\u003eMr. Forrest, \"Othello - The Moor of Venice\", orchestral performance, \"New Footman\".\u003c/p\u003e","\u003cp\u003eRavel Troupe, Francois Ravel, Yrca Mathias, \"Le Exercises de Corde\", \"Le Diable Amoureaux\", \"The Green Monster\".\u003c/p\u003e","\u003cp\u003eNotice of seating for colored persons, \"Temprest\"-or-\"The Enchanted Island\".\u003c/p\u003e","\u003cp\u003e Two copies of this broadside. \u003c/p\u003e","\u003cp\u003e Mr. G. Vandenhoff from Europe, \"Money\", orchestral performance, \"Betty Martin\", \"School for Scandal\", \"The Laughing Hyena\". \u003c/p\u003e","\u003cp\u003e Two copies of this broadside. \u003c/p\u003e","\u003cp\u003e \"Much Ado About Nothing\", orchestral performance, \"Game of Romps\", \"A Cure for the Heartache\", \"12th Night\". \u003c/p\u003e","\u003cp\u003eMiss Adelaide Phillipps, \"Devil's Bridge\" opera, song list from opera, \"Sketches in India\", \"The Duenna\", \"The Laughing Hyerna\".\u003c/p\u003e","\u003cp\u003eMiss Adelaide Phillipps, \"Duenna\" opera, song list from opera, \"Laughing Hyena\".\u003c/p\u003e","\u003cp\u003eMr. Forrest, \"Gladiator\", orchestral performance, \"Swiss Cottage\"-or-\"Why Don't She Marry?\", \"Metamora! Metamora\".\u003c/p\u003e","\u003cp\u003eThis series contains nineteen broadsides of performances at the Howard Anthenauem in Boston, ranging from 7\"x12 1/2\" to 7 1/2\"x20\".\u003c/p\u003e","\u003cp\u003ecolored persons admitted to third circle only, auction for choice seats, Clark and Hatch auctioneers, \"The Black Domino\", Benefit of Mad. Anna Thillon, Miss Julia Daly, J.M. White, \"The Little Treasure\", \"Married Rake\", \"Day After the Wedding\", omnibus transport options.\u003c/p\u003e","\u003cp\u003e\"Still Waters Run Deep\", \"The Little Treasure\", Miss Louisa Howard, Miss Charlotte Crampton, Mr. Henry Ferren, \"Belphegor the Mountebank\", colored persons admitted to the gallery only.\u003c/p\u003e","\u003cp\u003ecolored persons admitted to third circle only, Mrs. Warner, \"Love\" with full orchestra, Sheridan Knowles, Mr. W. Marshall, \"French Spy\", \"Anne Blake\" from London, omnibus transport options.\u003c/p\u003e","\u003cp\u003eBenefit for Mrs. Hamblin, Mrs. Shaw, Sheridan Knowles, \"Love\", Mr. A.W. Fenno, Mr. John Gilbert, Miss Lucille Western, \"Honesty the Best Policy\", \"Love Chase\", \"Douglas\", Mr. W. Marshall, comic vocalist Mr. Pete Morns, colored persons admitted to upper tier only.\u003c/p\u003e","\u003cp\u003e Colored persons admitted to third circle only, Mrs. Warner, \"Winter's Tale\", \"Katharine and Petruchio\" - chorus line written for spectators to imagine a lapse of sixteen years, \"Ingomar\". \u003c/p\u003e","\u003cp\u003e On reverse of broadside: \"Opinions of the English Press of the celebrated tragic actress Mrs. Warner\". \u003c/p\u003e","\u003cp\u003eColored persons admitted to third circle only, farewell engagement of Mr. Buchanan, \"Hamlet! Prince of Denmark\", orchestral performance, \"Artful Dodger\", \"Black Domino\", \"Daughter of the Regiment\", \"Crown Diamonds\", Madame Anna Thillon, \"King Lear\", \"A New Way to Pay Old Debts\", omnibus transport options.\u003c/p\u003e","\u003cp\u003ePyne and Harrison English Opera Troupe, Benefit of Mr. W. Harrison, Miss Louisa pyne singing \"The Skylark\" and \"Rode's Celebrated Air and Variations\", Mr. W. Harrison singing \"Oh! Whisper What thou Feelist!\", \"Crown Diamonds\", \"Contentment Versus Riches\", \"The Beggar's Opera\", colored persons admitted to the gallery only.\u003c/p\u003e","\u003cp\u003ecolored persons admitted to gallery only, farewell benefit of Mr. and Mrs. Charles Matthews, \"Handsome Husband\", \"Married for Money\", \"The Honeymoon\", \"Turning the Tables\", \"The Comical Countess\", \"The Gun Trick\", \"He Would be an Actor\", benefit of Mr. John E. Owens.\u003c/p\u003e","\u003cp\u003eMr. Wallack, \"Don Caesar De Bazan\", Miss Fanny Howard, orchestral performance, \"Old Oak Chest\"-or-\"The Smuggler's Son and the Robber's Daughter\", Wanted: ladies for the Corps de Ballet.\u003c/p\u003e","\u003cp\u003eJ.M. Field and T. Placide - Managers, \"Still Waters Run Deep\", Mr. J.S. Browne, \"Sketches in India\".\u003c/p\u003e","\u003cp\u003eColored persons admitted to gallery only, Miss Kimberly, \"Hamlet\", Mr. McDonough, \"Robert Macaire\", Benefit of Mrs. I.C. Frost, \"Clara\"-or-\"The Christian Heroine\".\u003c/p\u003e","\u003cp\u003eColored persons admitted to gallery only - no free list, coolest theatre in the city!, Mr. W.R. Blake, Mr. George Jordan, \"Old Heads and Young Hearts\", Miss Charlotte Thompson, Mrs. Hudson Kirby, \"Speed the Plough\", \"The School for Scandal\".\u003c/p\u003e","\u003cp\u003e\"Little Treasure\", \"Wandering Minstrel\", \"Antony and Cleopatra\", Miss H. Lang, \"Serious Family\", \"Strong Minded Woman\", \"Two Lovers and a Life\", \"he Sea of Ice\"-or-\"The Wild Flowers of Mexico\" - playing at all theatres in London.\u003c/p\u003e","\u003cp\u003eTheatre re-opened for a short season before managers return south, Mr. J.S. Brown, \"My Aunt\", \"My Young Wife\", Old Umbrella\", \"Artful Dodger\".\u003c/p\u003e","\u003cp\u003eColored persons admitted to gallery only - no free list, coolest theatre in the city, Mrs. Barrow, \"London Assurance\", \"Pleasant Neighbors\", \"Po-Ca-Hon-Tas\" under direction of author Mr. John Brougham.\u003c/p\u003e","\u003cp\u003eColored persons admitted to gallery only - no free list, Mr. John Brougham, Mr. and Mrs. E.L. Davenport, \"Po-Ca-Hon-Tas\" - music re-set by James G. Meader, instrumentalist Mr. John Holloway, \"Bachelor of Arts\", \"Dombey and Son\".\u003c/p\u003e","\u003cp\u003eHeron Children, \"A Kiss on the Neck\"-or-\"Can Borders have Pie for Luncheon\", programme of scenery, \"Irish Lion\", \"Waterman\", Miss Mary Ann Heron, Miss Fanny Herron, \"Richard the Third\", children under 12 admitted half price.\u003c/p\u003e","\u003cp\u003eColored persons admitted to gallery only, \"Delicate Ground\", Mrs. Barrow, Jacob Barrow, Henry Wallack, orchestral performance, John Holloway, \"Honey Moon\", \"School for Scandal\", \"The Rivals\", \"Beatrice\".\u003c/p\u003e","\u003cp\u003eColored persons admitted to gallery only, Benefit for Mr. James Anderson, \"Civilization\", John Wilkins, Esq., \"Elder Brother\", Miss Fanny Morant, orchestral performance, Miss Davenport, G.K. Dickinson, \"Hotel Charges\", Notice: $25 reward for information about people throwing articles from gallery of theatre.\u003c/p\u003e","\u003cp\u003eThis series contains one broadside of performances at the Boston Academy of Music, 5 3/4\"x11 3/4\".\u003c/p\u003e","\u003cp\u003eItalian opera \"Emani\", Sig. Muzio, new chandelier - largest in US or Europe - manufactured by Cornelius and Baker of Philadelphia, N.W. Turner and Co., Ms. Adelina Patti, \"Lucia Di Lammermoor\", grand orchestra and chorus, opera sheet music available for 25 cents, Sig. Amati Dubreul, Mme. Pauline Colson.\u003c/p\u003e","\u003cp\u003eThis series contains six broadsides of performances at St John's Dramatic Lyceum in Canada, Mechanic's Institute in New York, Wallack's Theatre in New York, Metropolitan Theatre in New York, Burton's in New York, and Lorimier Hall. Size of broadsides range from 7 1/2\"x16 1/2\" to 6 1/2\"x22 1/2\".\u003c/p\u003e","\u003cp\u003eJ.W. Longeran, \"Arrah-na-Pogue\"-or-\"The Wiclow Wedding\", Mr. Frank Roche, Shirley France, Miss Kennedy, the two back seats of the Dress Cirle are set apart for the exclusive use of colored people, ladies unaccompanied by gentlemen not admitted.\u003c/p\u003e","\u003cp\u003eThree Nichts in Scotland, Mr. Kennedy - Scottish vocalist coming from performances in London, songs of Scotland, bagpipes, \"A crack wi' Jamie Hogg and Christopher North\", Ms. Kennedy.\u003c/p\u003e","\u003cp\u003e\"Lavater\"-or-\"Not a Bad Judge\", \"500 (Pounds) reward\", \"How Stout you're Getting\", \"The Spitalfields Weaver\", \"A Lady in Difficulties\", \"Mrs. Johnston\"-or-\"What's in a Name?\", \"The Game of Love\".\u003c/p\u003e","\u003cp\u003eBenefit of MLE Rachel, Mme. A. De La Grange, \"Le Depit Amoreux\", \"Joan of Arc\", French national hymn: \"La Marseillaise\", Rachel's plays and biographies on sale at Hall and Sons in New York, opera glasses lent on hire, \"Lady Tartuffe\", \"Adrienne Lecovreur\".\u003c/p\u003e","\u003cp\u003eMr. Burton, \"Serious Family\", \"Toodles\", \"Still Water Runs Deep\", \"Daughter of the Regiment\", \"John of Paris\", G. Jordan, Miss Kate Reignolds.\u003c/p\u003e","\u003cp\u003eMr. H. Van Liew, Mr. W.S. Forrest, \"Maid of Crissey\"-or-\"Conscripts of 1812\", \"Perfection\"-or the-\"Maid of Munster\", \"Irish Tutor\"-or the-\"New Lights\", desiring to make theatre worthy of public patronage.\u003c/p\u003e","\u003cp\u003eThis series contains four broadsides of performances at City Hall in Boston, Niblo's Garden in New York, and performances by the Kimball Dramatic Association at City Hall in Boston. Size of broadsides range from 5\"x8 1/3\" to 6 1/2\"x14\".\u003c/p\u003e","\u003cp\u003eExhibition of the Kimball Dramatic Association, \"Golden Farmer\", \"Swiss Cottage\", L.T. Gardner, W.C. Berry, J.H. Brown.\u003c/p\u003e","\u003cp\u003eLast night of \"Little Wonders\", Benefit of Little Ellen, \"Richard 3d\", Ellen Batemean, Kate Bateman, \"Napoleon's Old Guard\", Mr. Bateman, \"The FOx and the Wolf\", strict order will be observed.\u003c/p\u003e","\u003cp\u003eGrand Festival, Benefit of Mr. Vincent, Kate and Ellen Bateman - the infant wonders, Miss Lucy Western, Miss Helen Western, \"Lady of Munster\", \"Macbeth\", \"Bombastes Furioso\", \"Loan of a Lover\".\u003c/p\u003e","\u003cp\u003eG.F. Bristow, \"Rip Van Winkle\", Pyne and Harrison Opera Co., orchestral performance, scenery synopsis, books for sale in Garden, 20 minute intermission for promenade.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man.","This series contains six broadsides of performances at the National Theatre of Boston, ranging from 6\"x15\" to 7\"x21\".","\"Life of a Woman\", \"Child of the Regiment\", Mr. Murdoch performing.","Governor Boutwell and Lieut. Gov. Cushman visiting theatre, \"Henry VIII\", farewell engagement of Charlotte Cushman - impersonating Queen Katherine, Mrs. Simpson, and Meg Merriles - \"Simpson and Co.\", \"I've Swallowed a Policeman\".","French and Spanish Dancers, \"Naval Engagements\", \"The Omnibus\", \"The Phenomenon in a Smock Frock\".","Mr. James Anderson, Miss Agnes Elsworthy, \"Cloud and Sunshine\", \"Wandering Minstrel\".","\"Jack Cade\"-or-\"The Kentish Rebellion\", Mr. Neafie, \"Cousin Joe\", \"THe Corsican Brothers\", Judge Conrad.","G.G. Spear's first appearance since returning from California, \"Moll Pitcher! The Fortune Teller of Lynn\", Dr J.S. Jones, \"Paddy the Piper-or-The Cow that Eat him\", Miss Ann Bacon.","This series contains twenty broadsides of performances at the Boston Museum, ranging from 9\"x12\" to 7\"x20\".","Mrs. Farren, \"Griselda, The Forest Child\", \"The Milliners' Holiday\", \"Second Love\", Mr. W. Warren.","Mrs. Farren, \"Second Love\", Mrs. H. Eckhardt, \"Tit for Tat\"-or-\"The Double Strategem\", J. Palgrave Simpson.","Annual Benefit for Mr. J.H. Angier - treasurer of the museum, \"Paul Pry\"-or-\"I Hope I Don't Intrude\", John poole, Esq., \"Married Rake\", \"Two Bonnycastles\", \"Valentine and Orson\".","Benefit of W.H. Smith, \"The Cure for the Heart Ache\", \"Therese\"-or-\"The Orphan of Geneva\"","Last week of Chinese Pagent, \"Aladdin\"-or-\"The Wonderful Lamp\", \"My Husband's Mirror\".","Miss Julia Bennett, \"The Mysterious Stranger\", Mr. Warren, The Polka Quadrille, \"No Song, No Supper\", Gretna Green, Grimshaw, Bagshaw, and Bradshaw.","Miss Julia Bennett, \"Belle's Strategem\", Mr. Warren, \"Allow me to Apologize\", \"Farmer's Story\", \"Make Your Wills\".","Farewell Benefit of Mr. J.W. Wallack Jr., Me. Henry Wallack, \"Werner\"-or-\"The Inheritance\", \"Country Squire\"-or-\"Two Days at the Hall\", \"The Fairy Star\", Miss Agnes Robertson.","Benefit of Mr. W.H. Smith, Mrs. Annie Senter, Mr. J.W. Wallack, Jr., \"Lady of Lyons\"-or-\"Love and Pride\", \"How Stout You're Getting\".","\"Valentine and Orson\", \"Fire Eater\".","Declaring theatre's thirteenth season as individual enterprise amusement for the general public without the \"influence of a host of stockholders\", Mrs. Farren, \"Venice Preserved\", \"The Dead Shot\", Thomas otway, \"School for Scandal\".","\"Aladdin\"-or-\"The Wonderful Lamp\", Mr. W.H. Smith","Benefit of Mrs. Annie Senter, \"The Hunchback\", James Sheridan Knowles, \"Like as Two Peas\", Miss A. Raymond, Mr. S. Lake, \"Uncle Tom's Cabin\".","Benefit of Mr. J. Proctor, Mrs. J. Proctor, \"Nick of the Woods\"-or-\"The Jibbenainosay\", \"Dumb Belle\", \"Loan of a Lover\", Mr. James Bennett.","Image of the museum, declaring the theatre's thirteenth season, farewell benefit for Mrs. Ferren, \"Loving Woman\", \"Captive\"-or-\"Scenes in a Madhouse\", \"The Daughter of the Regiment\"-or-\"The Gallant 21st\", Mark Lemon, Esq., Mrs. Charles Howard,","Image of museum, declaration of 13th season, Mrs. Farren, \"The Love Chase\", James Sheridan Knowles, \"Perfection\"-or-\"The Maid of Munster\", \"The Loving Woman\".","Thanksgiving Day, \"Talisman\"-or-\" The Fairy's Favor\".","\"The Magic Mirror\"-or-\"The Spirit of the Age\", H.J. Conway, Esq.","Farewell benefit of Mrs. Annie Senter, \"The Wife\"-or-\"A Tale of Mantua\", \"Day After the Wedding\", Mrs. Charles Kemble, \"The Mysterious Stranger\", a new petit comedy in rehearsal from London.","Farewell benefit of Miss Fanny Vining and E.L. Davenport, \"Charity's Love\"-or-\"The Trials of a Heart\", \"Morning Call\", \"Faint Heart Never Won Fair Lady\", Benefit of Mr. J.H. Ring, Jefferson S. Batkins, \"The Silver Spoon, Mrs. H. Eckhardt, Miss A. Raymond, Mr. S. Lake.","This series contains thirty-six broadsides of performances at the Boston Theatre, ranging from 7\"x18\" to 6\"x24\".","Mrs. C.N. Sinclair, Mrs. Forrest, \"Ingomar! The Barbarian\", Mr. George Vandenhoff, \"The Swiss Swains\", present demands against firm of WRIGHT, FENNO, and BIRD for liquidation, J.B. Wright, Ms. A. Raymond, Mr. S. Lake.","Benefit of Mrs. Barrow, \"Olympia\"-or-\"The Life of an Actress\", poem of \"Hiawatha\", Mr. T. Comer, \"Mr. and Mrs. Lilly W.\", orchestral performance, notice of a box in second tier assigned for the use of colored persons.","Benefit of Miss Julia Dean, \"Evadne\"-or-\"The Statue\", \"Honey Moon\", orchestral performance, Mr. T. Comer.","\"Invisible Prince\"-or-\"The Island of Tranquil Delights\" - produced at cost of several thousand dollars, \"Priestess\".","Shakespearean Pagent, \"Midsummer Night's Dream\", \"Pyramus and Thisbe\".","Great fairy opera produced at cost of several thousand dollars - \"Cinderella\" - full New York chorus joined to the Boston choristers, T. Comer, H.W. Du Lang, Miss Louisa Pyne, Mr. W. Harrison, Mr. John Wood, W.H. Smith.","Mrs. Hudson Kirby, Mr. James Bennett, \"The Wife\", \"Young Widow\"-or-\" A Lesson for Lovers\", notice for a box for colored persons.","Mr. Forrest, \"Macbeth\", orchestral performance, \"Pleasant Neighbor\", beware of sparious tickets offered for sale in streets.","Benefit of Mr. and Mrs. John Gilbert, \"Town and Country\", \"Jenny Lind\", \"Uncle John\", Mrs. Julia Hayne/Miss Julia Dean.","The WOnderful Ravels, Mlle. Robert from the Academy of Paris, M. Leon Espinoza, \"School Master\", \"Festival Dansant\", \"Jocko-The Brazilian Ape\", \"La Esmerelda\", corps de ballet.","\"Merchant of Venice\", \"Sophia's Supper\", orchestral performances, Wanted: 100 auxiliares for \"Richard III\".","Miss Charlotte Cushman as \"Meg Merrilies\", Mr. E.L. Davenport, \"Guy Mannering\"-or-\"The Gipsey's Prophecy\", box reserved for colored persons on second tier.","Farewell benefit for Mrs. Barrow, Miss Rosa Bennett from Haymarket Theatre in London and Wallack's in New York, \"Mysterious Stranger\", \"London Assurance\".","Farewell benefit of Edwin Booth, \"The Robbers of the Black Forest of Bohemia\", orchestral piece, \"Katharine and Petruchio\"-or-\"The Taming of the Shrew\", \"Jessie Brown\"-or-\"The Relief of Lucknow\", Agnes RObertson, Dion Bourcicault, notice of seating for colored persons.","Matilda Herron, H.F. Daly, notice of seating for colored persons, \"Camille\" - translated from French, orchestral performance, \"Wanted, 1000 Milliners for the Gold Diggings!\".","Benefit of Mr. Charles Thorne, Mrs. Charles Thorne, notice of seating for colored persons, \"The Stranger\"-or-\"Misanthropy and Repentance\", \"The Avenger\"-or-\"The Moor of Sicily\".","Bonzani Ballet Troupe, Cesare Cecchetti, notice of seating for colored persons, \"Faust\", \"Biricchino Di. Parici (Le Gamin De. Paris)\", \"The Secret\", The Ronzani Ballet Troupe, \"Golden Horse\".","Benefit of Mr. G. Pauncefort, \"King John\", \"Used Up!\", Invisible Prince\", \"The Priestess\".","\"Richard III\"-or the-\"Battle of Bosworth Field\", \"Milliners' Holiday\"-or-\"Girls on a Frolic\", \"Money\".","Benefit of Mr. Barry, \"Rule a Wife and Have a Wife\", \"King and the Mimic\", \"Norma Trauestie\" from Adelphi Theatre in London, theatre closed one night for \"Cinderella\" rehearsal.","Mr. Hackett, Senorita Soto, Madame Ciocca, G.W. SMith, Mr. and Mrs. John Wood, a grand ballet divertisment, \"King Henry IV\", \"Loan of a Lover\", opera of \"Lucrezia Borgia\".","Miss Julia Dean, \"Love\", James Sheridan Knowles, orchestral performance, \"New Footman\", \"The Hunchback\", \"Romeo and Juliet\".","Two copies of this broadside.","Notice of seating for colored persons, \"Retribution\" from London, \"Exhibition Song of All Nations\" - sung by Mrs. John Wood during the Great Exhibition in London, \"Mischief Making\", \"Tempest\", ticket holder will be accepted any night due to a severe storm.","\"Merry Wives of Windsor\"-or-\"Falstaff in Love\", orchestral performance, \"Sophia's Supper\", \"Richard III\", \"School for Scandal\".","\"Beggar's Opera\" - with songs, ballads, and duets - \"Postilion Polka\", \"Pleasant Neighbor\", \"Bohemian Girl\", \"La Sonnambula\", Books for opera on sale at theatre.","Mr. Forrest, \"Othello - The Moor of Venice\", orchestral performance, \"New Footman\".","Ravel Troupe, Francois Ravel, Yrca Mathias, \"Le Exercises de Corde\", \"Le Diable Amoureaux\", \"The Green Monster\".","Notice of seating for colored persons, \"Temprest\"-or-\"The Enchanted Island\".","Two copies of this broadside.","Mr. G. Vandenhoff from Europe, \"Money\", orchestral performance, \"Betty Martin\", \"School for Scandal\", \"The Laughing Hyena\".","Two copies of this broadside.","\"Much Ado About Nothing\", orchestral performance, \"Game of Romps\", \"A Cure for the Heartache\", \"12th Night\".","Miss Adelaide Phillipps, \"Devil's Bridge\" opera, song list from opera, \"Sketches in India\", \"The Duenna\", \"The Laughing Hyerna\".","Miss Adelaide Phillipps, \"Duenna\" opera, song list from opera, \"Laughing Hyena\".","Mr. Forrest, \"Gladiator\", orchestral performance, \"Swiss Cottage\"-or-\"Why Don't She Marry?\", \"Metamora! Metamora\".","This series contains nineteen broadsides of performances at the Howard Anthenauem in Boston, ranging from 7\"x12 1/2\" to 7 1/2\"x20\".","colored persons admitted to third circle only, auction for choice seats, Clark and Hatch auctioneers, \"The Black Domino\", Benefit of Mad. Anna Thillon, Miss Julia Daly, J.M. White, \"The Little Treasure\", \"Married Rake\", \"Day After the Wedding\", omnibus transport options.","\"Still Waters Run Deep\", \"The Little Treasure\", Miss Louisa Howard, Miss Charlotte Crampton, Mr. Henry Ferren, \"Belphegor the Mountebank\", colored persons admitted to the gallery only.","colored persons admitted to third circle only, Mrs. Warner, \"Love\" with full orchestra, Sheridan Knowles, Mr. W. Marshall, \"French Spy\", \"Anne Blake\" from London, omnibus transport options.","Benefit for Mrs. Hamblin, Mrs. Shaw, Sheridan Knowles, \"Love\", Mr. A.W. Fenno, Mr. John Gilbert, Miss Lucille Western, \"Honesty the Best Policy\", \"Love Chase\", \"Douglas\", Mr. W. Marshall, comic vocalist Mr. Pete Morns, colored persons admitted to upper tier only.","Colored persons admitted to third circle only, Mrs. Warner, \"Winter's Tale\", \"Katharine and Petruchio\" - chorus line written for spectators to imagine a lapse of sixteen years, \"Ingomar\".","On reverse of broadside: \"Opinions of the English Press of the celebrated tragic actress Mrs. Warner\".","Colored persons admitted to third circle only, farewell engagement of Mr. Buchanan, \"Hamlet! Prince of Denmark\", orchestral performance, \"Artful Dodger\", \"Black Domino\", \"Daughter of the Regiment\", \"Crown Diamonds\", Madame Anna Thillon, \"King Lear\", \"A New Way to Pay Old Debts\", omnibus transport options.","Pyne and Harrison English Opera Troupe, Benefit of Mr. W. Harrison, Miss Louisa pyne singing \"The Skylark\" and \"Rode's Celebrated Air and Variations\", Mr. W. Harrison singing \"Oh! Whisper What thou Feelist!\", \"Crown Diamonds\", \"Contentment Versus Riches\", \"The Beggar's Opera\", colored persons admitted to the gallery only.","colored persons admitted to gallery only, farewell benefit of Mr. and Mrs. Charles Matthews, \"Handsome Husband\", \"Married for Money\", \"The Honeymoon\", \"Turning the Tables\", \"The Comical Countess\", \"The Gun Trick\", \"He Would be an Actor\", benefit of Mr. John E. Owens.","Mr. Wallack, \"Don Caesar De Bazan\", Miss Fanny Howard, orchestral performance, \"Old Oak Chest\"-or-\"The Smuggler's Son and the Robber's Daughter\", Wanted: ladies for the Corps de Ballet.","J.M. Field and T. Placide - Managers, \"Still Waters Run Deep\", Mr. J.S. Browne, \"Sketches in India\".","Colored persons admitted to gallery only, Miss Kimberly, \"Hamlet\", Mr. McDonough, \"Robert Macaire\", Benefit of Mrs. I.C. Frost, \"Clara\"-or-\"The Christian Heroine\".","Colored persons admitted to gallery only - no free list, coolest theatre in the city!, Mr. W.R. Blake, Mr. George Jordan, \"Old Heads and Young Hearts\", Miss Charlotte Thompson, Mrs. Hudson Kirby, \"Speed the Plough\", \"The School for Scandal\".","\"Little Treasure\", \"Wandering Minstrel\", \"Antony and Cleopatra\", Miss H. Lang, \"Serious Family\", \"Strong Minded Woman\", \"Two Lovers and a Life\", \"he Sea of Ice\"-or-\"The Wild Flowers of Mexico\" - playing at all theatres in London.","Theatre re-opened for a short season before managers return south, Mr. J.S. Brown, \"My Aunt\", \"My Young Wife\", Old Umbrella\", \"Artful Dodger\".","Colored persons admitted to gallery only - no free list, coolest theatre in the city, Mrs. Barrow, \"London Assurance\", \"Pleasant Neighbors\", \"Po-Ca-Hon-Tas\" under direction of author Mr. John Brougham.","Colored persons admitted to gallery only - no free list, Mr. John Brougham, Mr. and Mrs. E.L. Davenport, \"Po-Ca-Hon-Tas\" - music re-set by James G. Meader, instrumentalist Mr. John Holloway, \"Bachelor of Arts\", \"Dombey and Son\".","Heron Children, \"A Kiss on the Neck\"-or-\"Can Borders have Pie for Luncheon\", programme of scenery, \"Irish Lion\", \"Waterman\", Miss Mary Ann Heron, Miss Fanny Herron, \"Richard the Third\", children under 12 admitted half price.","Colored persons admitted to gallery only, \"Delicate Ground\", Mrs. Barrow, Jacob Barrow, Henry Wallack, orchestral performance, John Holloway, \"Honey Moon\", \"School for Scandal\", \"The Rivals\", \"Beatrice\".","Colored persons admitted to gallery only, Benefit for Mr. James Anderson, \"Civilization\", John Wilkins, Esq., \"Elder Brother\", Miss Fanny Morant, orchestral performance, Miss Davenport, G.K. Dickinson, \"Hotel Charges\", Notice: $25 reward for information about people throwing articles from gallery of theatre.","This series contains one broadside of performances at the Boston Academy of Music, 5 3/4\"x11 3/4\".","Italian opera \"Emani\", Sig. Muzio, new chandelier - largest in US or Europe - manufactured by Cornelius and Baker of Philadelphia, N.W. Turner and Co., Ms. Adelina Patti, \"Lucia Di Lammermoor\", grand orchestra and chorus, opera sheet music available for 25 cents, Sig. Amati Dubreul, Mme. Pauline Colson.","This series contains six broadsides of performances at St John's Dramatic Lyceum in Canada, Mechanic's Institute in New York, Wallack's Theatre in New York, Metropolitan Theatre in New York, Burton's in New York, and Lorimier Hall. Size of broadsides range from 7 1/2\"x16 1/2\" to 6 1/2\"x22 1/2\".","J.W. Longeran, \"Arrah-na-Pogue\"-or-\"The Wiclow Wedding\", Mr. Frank Roche, Shirley France, Miss Kennedy, the two back seats of the Dress Cirle are set apart for the exclusive use of colored people, ladies unaccompanied by gentlemen not admitted.","Three Nichts in Scotland, Mr. Kennedy - Scottish vocalist coming from performances in London, songs of Scotland, bagpipes, \"A crack wi' Jamie Hogg and Christopher North\", Ms. Kennedy.","\"Lavater\"-or-\"Not a Bad Judge\", \"500 (Pounds) reward\", \"How Stout you're Getting\", \"The Spitalfields Weaver\", \"A Lady in Difficulties\", \"Mrs. Johnston\"-or-\"What's in a Name?\", \"The Game of Love\".","Benefit of MLE Rachel, Mme. A. De La Grange, \"Le Depit Amoreux\", \"Joan of Arc\", French national hymn: \"La Marseillaise\", Rachel's plays and biographies on sale at Hall and Sons in New York, opera glasses lent on hire, \"Lady Tartuffe\", \"Adrienne Lecovreur\".","Mr. Burton, \"Serious Family\", \"Toodles\", \"Still Water Runs Deep\", \"Daughter of the Regiment\", \"John of Paris\", G. Jordan, Miss Kate Reignolds.","Mr. H. Van Liew, Mr. W.S. Forrest, \"Maid of Crissey\"-or-\"Conscripts of 1812\", \"Perfection\"-or the-\"Maid of Munster\", \"Irish Tutor\"-or the-\"New Lights\", desiring to make theatre worthy of public patronage.","This series contains four broadsides of performances at City Hall in Boston, Niblo's Garden in New York, and performances by the Kimball Dramatic Association at City Hall in Boston. Size of broadsides range from 5\"x8 1/3\" to 6 1/2\"x14\".","Exhibition of the Kimball Dramatic Association, \"Golden Farmer\", \"Swiss Cottage\", L.T. Gardner, W.C. Berry, J.H. Brown.","Last night of \"Little Wonders\", Benefit of Little Ellen, \"Richard 3d\", Ellen Batemean, Kate Bateman, \"Napoleon's Old Guard\", Mr. Bateman, \"The FOx and the Wolf\", strict order will be observed.","Grand Festival, Benefit of Mr. Vincent, Kate and Ellen Bateman - the infant wonders, Miss Lucy Western, Miss Helen Western, \"Lady of Munster\", \"Macbeth\", \"Bombastes Furioso\", \"Loan of a Lover\".","G.F. Bristow, \"Rip Van Winkle\", Pyne and Harrison Opera Co., orchestral performance, scenery synopsis, books for sale in Garden, 20 minute intermission for promenade."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_d05ea848f0d59764ae39f991551616c8\" label=\"Abstract\"\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_32a9d920136e071738de0b78dff77807\"\u003eR29, C4, S1\u003c/physloc\u003e\n    "],"physloc_tesim":["R29, C4, S1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"names_coll_ssim":["Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":96,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:54:12.131Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_37"}},{"id":"vaallhs_repositories_2_resources_178","type":"collection","attributes":{"title":"William Gregory Family Papers (MS417), 1771/1993","creator":{"id":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_178#creator","type":"document_value","attributes":{"value":"Gregory, William, III, 1789-1875","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_178#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection predominantly contains the personal papers of William Gregory, including: journals, notebooks, property records, deeds, and family records. Approximately two-thirds of the collection comprise original correspondence, and late 20th century transcriptions of such.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_178#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vaallhs_repositories_2_resources_178","ead_ssi":"vaallhs_repositories_2_resources_178","_root_":"vaallhs_repositories_2_resources_178","_nest_parent_":"vaallhs_repositories_2_resources_178","ead_source_url_ssi":"data/oai/ALEX/repositories_2_resources_178.xml","aspace_url_ssi":"https://alexlibraryva.libraryhost.com/repositories/2/resources/178","title_ssm":["William Gregory Family Papers (MS417)"],"title_tesim":["William Gregory Family Papers (MS417)"],"unitdate_ssm":["1771-1993"],"unitdate_inclusive_ssm":["1771-1993"],"normalized_date_ssm":["1771/1993"],"normalized_title_ssm":["William Gregory Family Papers (MS417), 1771/1993"],"text":["William Gregory Family Papers (MS417), 1771/1993","MS417","/repositories/2/resources/178","Kilmarnock (Scotland)","Alexandria (Va.)","New York (N.Y.)","Alexandria (Va.) -- Genealogy.","Alexandria (Va.) -- Social life and customs -- 19th century.","Alexandria (Va.) -- Maps","Families -- Alexandria (Va.)","Deeds -- Virginia -- Alexandria.","This folder contains materials which include the use of offensive, racist language as well as descriptions of people enslaved by the Gregory family which may be disturbing or offensive to readers.","William Gregory was a Scottish immigrant, businessman, landowner, and enslaver.","He was born in Kilmarnock, Scotland in 1789, and emigrated to New York, and then Alexandria, Virginia in 1807. Gregory worked for Alexandria businessman Robert McCrea as a clerk until 1812, and then as a partner until 1827. He owned property in Alexandria as well as several enslaved persons (\"Old Mary Morse\", Charlotte Blue, Eugenia, Sarah, Roxie, Frank Stewart, and Lucy the daughter of Caroline Branham, as well as other unidentified individuals). Gregory served in the War of 1812. He was also a member of the Presbyterian Church and of St. Andrew's Society. In 1822 Gregory married Margaret Douglass Bartleman, who bore four children (Douglas Smith, Elisabeth Smith, William Bartleman, and Margaret Douglas) and died in 1833. In 1838, William Gregory married Mary Donaldson Long and had five more children (Isobel Anne, Julia Harper, Boyd, Mary Crawford, and Janet Boyd).","William Gregory passed in 1875 at the age of 87.","This collection predominantly contains the personal papers of William Gregory, including: journals, notebooks, property records, deeds, and family records. Approximately two-thirds of the collection comprise original correspondence, and late 20th century transcriptions of such.","Series 1 contains property records, birth and death records, manuscripts, journals, correspondence, and other ephemera of the Gregory family of Kilmarnock, Scotland, later Alexandria, Virginia, USA. The series also contains late 20th century correspondence between descendants of William Gregory that discuss some of the items within this collection.","This folder contains the donor's inventory of the correspondence in series 2. The donor compiled these letters in chronological order and numbered them 1-263. He then created this index which groups the letters according to three categories; Scottish internal, Trans-Atlantic, and American internal correspondence.","This folder contains an account of the history of the Gregory family beginning with William Gregory. It is retold by Judith Winter Hammet from a manuscript written by Mary G. Powell, and seems to be a collection of memories and oral histories constituting something of a family mythology.","Items of note include a portrait of Peter Mallard Gregory, an order from Gen. Robert E. Lee, and property records and deeds.","This folder contains property records related to a property in Alexandria, VA on Royal Street and Sharpshin","This folder contains correspondence between individuals associated with the Gregory family.","This folder includes a record of births/deaths/marriages, a manuscript, memoirs about the Kennedys, and other various pamphlets and papers.","Hand-drawn plat drawing of the McKnight property on Royal St adjoining Market Square from the Land records of Alexandria County, dated 1842","Series 2 contains correspondence between members of William Gregory and family, and others, dated between 1788 and 1896, and includes Scottish, Trans-Atlantic, and American correspondence. These letters have been indexed and described by the donor, whose index can be found in \"Donor's index of correspondence\" (MS417-01-001)","This folder contains correspondence dated 1788-1807. Correspondence matches #1-20 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1807-1812. Correspondence matches #21-40 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1812-1815. Correspondence matches #41-60 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1815-1818. Correspondence matches #61-80 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1818-1819. Correspondence matches #81-100 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1819-1822. Correspondence matches #101-120 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1822-1823. Correspondence matches #121-135 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1823-1826. Correspondence matches #136-150 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1826. Correspondence matches #151-170 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1826. Correspondence matches #171-190 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1826-1828. Correspondence matches #191-210 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1828-1829. Correspondence matches #211-224 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1830-1833. Correspondence matches #225-235 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1833-1845. Correspondence matches #236-250 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1847-1896. Correspondence matches #251-263 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1788-1807. Correspondence matches #1-20 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1807-1812. Correspondence matches #21-40 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1812-1815. Correspondence matches #41-60 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1815-1818. Correspondence matches #61-80 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1818-1819. Correspondence matches #81-100 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1819-1822. Correspondence matches #101-120 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1822-1823. Correspondence matches #121-135 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1823-1826. Correspondence matches #136-150 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1826. Correspondence matches #151-170 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1826. Correspondence matches #171-190 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1826-1828. Correspondence matches #191-210 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1828-1829. Correspondence matches #211-224 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1830-1833. Correspondence matches #225-235 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1833-1845. Correspondence matches #236-250 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1847-1896. Correspondence matches #251-263 in Donor's index of correspondence (MS417-01-001)","Local History and Special Collections Branch, Alexandria Library","Gregory, William, III, 1789-1875","Powell, Mary Crawford (Gregory), 1847-1928","Lee, Robert E. (Robert Edward), 1807-1870","Gregory, Peter Mallard","McCrea, Robert (c.1765-c.1840)","Bartleman, Margaret Douglas (-1833)","Long, Mary Donaldson  (-1896)","Branham, Caroline, 1764?-1843","Harrison, Lucy Branham (1806-)","English"],"collection_title_tesim":["William Gregory Family Papers (MS417), 1771/1993"],"collection_ssim":["William Gregory Family Papers (MS417), 1771/1993"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS417","/repositories/2/resources/178"],"unitid_tesim":["MS417","/repositories/2/resources/178"],"repository_ssm":["Alexandria Library"],"repository_ssim":["Alexandria Library"],"geogname_ssm":["Kilmarnock (Scotland)","Alexandria (Va.)","New York (N.Y.)","Alexandria (Va.) -- Genealogy.","Alexandria (Va.) -- Social life and customs -- 19th century.","Alexandria (Va.) -- Maps"],"geogname_ssim":["Kilmarnock (Scotland)","Alexandria (Va.)","New York (N.Y.)","Alexandria (Va.) -- Genealogy.","Alexandria (Va.) -- Social life and customs -- 19th century.","Alexandria (Va.) -- Maps"],"places_ssim":["Kilmarnock (Scotland)","Alexandria (Va.)","New York (N.Y.)","Alexandria (Va.) -- Genealogy.","Alexandria (Va.) -- Social life and customs -- 19th century.","Alexandria (Va.) -- Maps"],"creator_ssm":["Gregory, William, III, 1789-1875"],"creator_ssim":["Gregory, William, III, 1789-1875"],"creator_persname_ssim":["Gregory, William, III, 1789-1875","Powell, Mary Crawford (Gregory), 1847-1928","Lee, Robert E. (Robert Edward), 1807-1870","Gregory, Peter Mallard","McCrea, Robert (c.1765-c.1840)","Bartleman, Margaret Douglas (-1833)","Long, Mary Donaldson  (-1896)","Branham, Caroline, 1764?-1843","Harrison, Lucy Branham (1806-)"],"creator_corpname_ssim":["Local History and Special Collections Branch, Alexandria Library"],"creators_ssim":["Gregory, William, III, 1789-1875","Powell, Mary Crawford (Gregory), 1847-1928","Lee, Robert E. (Robert Edward), 1807-1870","Gregory, Peter Mallard","McCrea, Robert (c.1765-c.1840)","Bartleman, Margaret Douglas (-1833)","Long, Mary Donaldson  (-1896)","Branham, Caroline, 1764?-1843","Harrison, Lucy Branham (1806-)","Local History and Special Collections Branch, Alexandria Library"],"access_subjects_ssim":["Families -- Alexandria (Va.)","Deeds -- Virginia -- Alexandria."],"access_subjects_ssm":["Families -- Alexandria (Va.)","Deeds -- Virginia -- Alexandria."],"has_online_content_ssim":["false"],"extent_ssm":["1.11 Cubic Feet 1 document box, 2 flat file boxes, 1 oversize folder (assorted oversize box), 1 object (assorted media box)"],"extent_tesim":["1.11 Cubic Feet 1 document box, 2 flat file boxes, 1 oversize folder (assorted oversize box), 1 object (assorted media box)"],"date_range_isim":[1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"accessrestrict_html_tesm":["\u003cp\u003eThis folder contains materials which include the use of offensive, racist language as well as descriptions of people enslaved by the Gregory family which may be disturbing or offensive to readers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Content Warning"],"accessrestrict_tesim":["This folder contains materials which include the use of offensive, racist language as well as descriptions of people enslaved by the Gregory family which may be disturbing or offensive to readers."],"bioghist_html_tesm":["\u003cp\u003eWilliam Gregory was a Scottish immigrant, businessman, landowner, and enslaver. \u003c/p\u003e","\u003cp\u003eHe was born in Kilmarnock, Scotland in 1789, and emigrated to New York, and then Alexandria, Virginia in 1807. Gregory worked for Alexandria businessman Robert McCrea as a clerk until 1812, and then as a partner until 1827. He owned property in Alexandria as well as several enslaved persons (\"Old Mary Morse\", Charlotte Blue, Eugenia, Sarah, Roxie, Frank Stewart, and Lucy the daughter of Caroline Branham, as well as other unidentified individuals). Gregory served in the War of 1812. He was also a member of the Presbyterian Church and of St. Andrew's Society. In 1822 Gregory married Margaret Douglass Bartleman, who bore four children (Douglas Smith, Elisabeth Smith, William Bartleman, and Margaret Douglas) and died in 1833. In 1838, William Gregory married Mary Donaldson Long and had five more children (Isobel Anne, Julia Harper, Boyd, Mary Crawford, and Janet Boyd).\u003c/p\u003e","\u003cp\u003eWilliam Gregory passed in 1875 at the age of 87.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["William Gregory was a Scottish immigrant, businessman, landowner, and enslaver.","He was born in Kilmarnock, Scotland in 1789, and emigrated to New York, and then Alexandria, Virginia in 1807. Gregory worked for Alexandria businessman Robert McCrea as a clerk until 1812, and then as a partner until 1827. He owned property in Alexandria as well as several enslaved persons (\"Old Mary Morse\", Charlotte Blue, Eugenia, Sarah, Roxie, Frank Stewart, and Lucy the daughter of Caroline Branham, as well as other unidentified individuals). Gregory served in the War of 1812. He was also a member of the Presbyterian Church and of St. Andrew's Society. In 1822 Gregory married Margaret Douglass Bartleman, who bore four children (Douglas Smith, Elisabeth Smith, William Bartleman, and Margaret Douglas) and died in 1833. In 1838, William Gregory married Mary Donaldson Long and had five more children (Isobel Anne, Julia Harper, Boyd, Mary Crawford, and Janet Boyd).","William Gregory passed in 1875 at the age of 87."],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|0d9e0466-7799-4548-acc8-94944ddf06fe/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e  ","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|4f7a9c2f-e86b-45fb-9c78-c865873b163b/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|4678c106-a2a3-4e7c-8721-fa34663529ae/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca 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href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|0082c241-098a-4bfb-8063-42df086062ee/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|6012e7db-17f3-4b25-ae20-57158c38c0da/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|834cc545-b387-4bb4-a886-1cece4aacc1e/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|24960502-26e8-49c8-b8ea-5e392faec995/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|3d24840f-f3bb-4b0a-a1ce-764c0e901f5d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|0ea9bb1c-a520-430a-aa85-f29d5c216722/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|04833a4c-571e-4487-b7a7-6f8bf798af91/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|33c78ce0-c0cc-4a0f-985b-5cd86291c20d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|05154012-b8e3-43c0-aae9-4cfbbecb1e2d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|cff396d6-0244-4bd2-b0db-134d98cbf940/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|55de91eb-c7e3-445c-8337-3e07c24fb329/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|b247627c-237a-4aa7-81cb-605ea34e85a0/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|3d69d837-13c2-4129-a414-848490b8cb15/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|295d1a6a-5840-42d3-b2e9-ee8f8f1325f1/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|4bdb1601-c5fe-4cdc-adb8-f1274214a813/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|66246ca4-c6b8-4e7d-86a9-b5dd4bdcaa24/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|e302ed30-b6d6-47a6-af89-a8ddd4299bcd/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials"],"otherfindaid_tesim":["Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view 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to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection"],"prefercite_html_tesm":["\u003cp\u003e[item description], William Gregory Family Papers, MS417, Alexandria Library, Local History and Special Collections, Alexandria, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[item description], William Gregory Family Papers, MS417, Alexandria Library, Local History and Special Collections, Alexandria, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection predominantly contains the personal papers of William Gregory, including: journals, notebooks, property records, deeds, and family records. Approximately two-thirds of the collection comprise original correspondence, and late 20th century transcriptions of such.\u003c/p\u003e  ","\u003cp\u003eSeries 1 contains property records, birth and death records, manuscripts, journals, correspondence, and other ephemera of the Gregory family of Kilmarnock, Scotland, later Alexandria, Virginia, USA. The series also contains late 20th century correspondence between descendants of William Gregory that discuss some of the items within this collection.\u003c/p\u003e","\u003cp\u003eThis folder contains the donor's inventory of the correspondence in series 2. The donor compiled these letters in chronological order and numbered them 1-263. He then created this index which groups the letters according to three categories; Scottish internal, Trans-Atlantic, and American internal correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains an account of the history of the Gregory family beginning with William Gregory. It is retold by Judith Winter Hammet from a manuscript written by Mary G. Powell, and seems to be a collection of memories and oral histories constituting something of a family mythology.\u003c/p\u003e","\u003cp\u003eItems of note include a portrait of Peter Mallard Gregory, an order from Gen. Robert E. Lee, and property records and deeds.\u003c/p\u003e","\u003cp\u003eThis folder contains property records related to a property in Alexandria, VA on Royal Street and Sharpshin\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence between individuals associated with the Gregory family.\u003c/p\u003e","\u003cp\u003eThis folder includes a record of births/deaths/marriages, a manuscript, memoirs about the Kennedys, and other various pamphlets and papers.\u003c/p\u003e","\u003cp\u003eHand-drawn plat drawing of the McKnight property on Royal St adjoining Market Square from the Land records of Alexandria County, dated 1842\u003c/p\u003e","\u003cp\u003eSeries 2 contains correspondence between members of William Gregory and family, and others, dated between 1788 and 1896, and includes Scottish, Trans-Atlantic, and American correspondence. These letters have been indexed and described by the donor, whose index can be found in \"Donor's index of correspondence\" (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1788-1807. Correspondence matches #1-20 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1807-1812. Correspondence matches #21-40 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1812-1815. Correspondence matches #41-60 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1815-1818. Correspondence matches #61-80 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1818-1819. Correspondence matches #81-100 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1819-1822. Correspondence matches #101-120 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1822-1823. Correspondence matches #121-135 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1823-1826. Correspondence matches #136-150 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1826. Correspondence matches #151-170 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1826. Correspondence matches #171-190 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1826-1828. Correspondence matches #191-210 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1828-1829. Correspondence matches #211-224 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1830-1833. Correspondence matches #225-235 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1833-1845. Correspondence matches #236-250 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1847-1896. Correspondence matches #251-263 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1788-1807. Correspondence matches #1-20 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1807-1812. Correspondence matches #21-40 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1812-1815. Correspondence matches #41-60 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1815-1818. Correspondence matches #61-80 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1818-1819. Correspondence matches #81-100 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1819-1822. Correspondence matches #101-120 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1822-1823. Correspondence matches #121-135 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1823-1826. Correspondence matches #136-150 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1826. Correspondence matches #151-170 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1826. Correspondence matches #171-190 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1826-1828. Correspondence matches #191-210 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1828-1829. Correspondence matches #211-224 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1830-1833. Correspondence matches #225-235 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1833-1845. Correspondence matches #236-250 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1847-1896. Correspondence matches #251-263 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description"],"scopecontent_tesim":["This collection predominantly contains the personal papers of William Gregory, including: journals, notebooks, property records, deeds, and family records. Approximately two-thirds of the collection comprise original correspondence, and late 20th century transcriptions of such.","Series 1 contains property records, birth and death records, manuscripts, journals, correspondence, and other ephemera of the Gregory family of Kilmarnock, Scotland, later Alexandria, Virginia, USA. The series also contains late 20th century correspondence between descendants of William Gregory that discuss some of the items within this collection.","This folder contains the donor's inventory of the correspondence in series 2. The donor compiled these letters in chronological order and numbered them 1-263. He then created this index which groups the letters according to three categories; Scottish internal, Trans-Atlantic, and American internal correspondence.","This folder contains an account of the history of the Gregory family beginning with William Gregory. It is retold by Judith Winter Hammet from a manuscript written by Mary G. Powell, and seems to be a collection of memories and oral histories constituting something of a family mythology.","Items of note include a portrait of Peter Mallard Gregory, an order from Gen. Robert E. Lee, and property records and deeds.","This folder contains property records related to a property in Alexandria, VA on Royal Street and Sharpshin","This folder contains correspondence between individuals associated with the Gregory family.","This folder includes a record of births/deaths/marriages, a manuscript, memoirs about the Kennedys, and other various pamphlets and papers.","Hand-drawn plat drawing of the McKnight property on Royal St adjoining Market Square from the Land records of Alexandria County, dated 1842","Series 2 contains correspondence between members of William Gregory and family, and others, dated between 1788 and 1896, and includes Scottish, Trans-Atlantic, and American correspondence. These letters have been indexed and described by the donor, whose index can be found in \"Donor's index of correspondence\" (MS417-01-001)","This folder contains correspondence dated 1788-1807. Correspondence matches #1-20 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1807-1812. Correspondence matches #21-40 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1812-1815. Correspondence matches #41-60 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1815-1818. Correspondence matches #61-80 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1818-1819. Correspondence matches #81-100 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1819-1822. Correspondence matches #101-120 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1822-1823. Correspondence matches #121-135 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1823-1826. Correspondence matches #136-150 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1826. Correspondence matches #151-170 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1826. Correspondence matches #171-190 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1826-1828. Correspondence matches #191-210 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1828-1829. Correspondence matches #211-224 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1830-1833. Correspondence matches #225-235 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1833-1845. Correspondence matches #236-250 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1847-1896. Correspondence matches #251-263 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1788-1807. Correspondence matches #1-20 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1807-1812. Correspondence matches #21-40 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1812-1815. Correspondence matches #41-60 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1815-1818. Correspondence matches #61-80 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1818-1819. Correspondence matches #81-100 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1819-1822. Correspondence matches #101-120 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1822-1823. Correspondence matches #121-135 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1823-1826. Correspondence matches #136-150 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1826. Correspondence matches #151-170 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1826. Correspondence matches #171-190 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1826-1828. Correspondence matches #191-210 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1828-1829. Correspondence matches #211-224 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1830-1833. Correspondence matches #225-235 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1833-1845. Correspondence matches #236-250 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1847-1896. Correspondence matches #251-263 in Donor's index of correspondence (MS417-01-001)"],"corpname_ssim":["Local History and Special Collections Branch, Alexandria Library"],"persname_ssim":["Gregory, William, III, 1789-1875","Powell, Mary Crawford (Gregory), 1847-1928","Lee, Robert E. (Robert Edward), 1807-1870","Gregory, Peter Mallard","McCrea, Robert (c.1765-c.1840)","Bartleman, Margaret Douglas (-1833)","Long, Mary Donaldson  (-1896)","Branham, Caroline, 1764?-1843","Harrison, Lucy Branham (1806-)"],"names_coll_ssim":["Powell, Mary Crawford (Gregory), 1847-1928","Lee, Robert E. (Robert Edward), 1807-1870","Gregory, Peter Mallard","McCrea, Robert (c.1765-c.1840)","Bartleman, Margaret Douglas (-1833)","Long, Mary Donaldson  (-1896)","Branham, Caroline, 1764?-1843","Harrison, Lucy Branham (1806-)"],"names_ssim":["Local History and Special Collections Branch, Alexandria Library","Gregory, William, III, 1789-1875","Powell, Mary Crawford (Gregory), 1847-1928","Lee, Robert E. (Robert Edward), 1807-1870","Gregory, Peter Mallard","McCrea, Robert (c.1765-c.1840)","Bartleman, Margaret Douglas (-1833)","Long, Mary Donaldson  (-1896)","Branham, Caroline, 1764?-1843","Harrison, Lucy Branham (1806-)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":44,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:31:09.600Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vaallhs_repositories_2_resources_178","ead_ssi":"vaallhs_repositories_2_resources_178","_root_":"vaallhs_repositories_2_resources_178","_nest_parent_":"vaallhs_repositories_2_resources_178","ead_source_url_ssi":"data/oai/ALEX/repositories_2_resources_178.xml","aspace_url_ssi":"https://alexlibraryva.libraryhost.com/repositories/2/resources/178","title_ssm":["William Gregory Family Papers (MS417)"],"title_tesim":["William Gregory Family Papers (MS417)"],"unitdate_ssm":["1771-1993"],"unitdate_inclusive_ssm":["1771-1993"],"normalized_date_ssm":["1771/1993"],"normalized_title_ssm":["William Gregory Family Papers (MS417), 1771/1993"],"text":["William Gregory Family Papers (MS417), 1771/1993","MS417","/repositories/2/resources/178","Kilmarnock (Scotland)","Alexandria (Va.)","New York (N.Y.)","Alexandria (Va.) -- Genealogy.","Alexandria (Va.) -- Social life and customs -- 19th century.","Alexandria (Va.) -- Maps","Families -- Alexandria (Va.)","Deeds -- Virginia -- Alexandria.","This folder contains materials which include the use of offensive, racist language as well as descriptions of people enslaved by the Gregory family which may be disturbing or offensive to readers.","William Gregory was a Scottish immigrant, businessman, landowner, and enslaver.","He was born in Kilmarnock, Scotland in 1789, and emigrated to New York, and then Alexandria, Virginia in 1807. Gregory worked for Alexandria businessman Robert McCrea as a clerk until 1812, and then as a partner until 1827. He owned property in Alexandria as well as several enslaved persons (\"Old Mary Morse\", Charlotte Blue, Eugenia, Sarah, Roxie, Frank Stewart, and Lucy the daughter of Caroline Branham, as well as other unidentified individuals). Gregory served in the War of 1812. He was also a member of the Presbyterian Church and of St. Andrew's Society. In 1822 Gregory married Margaret Douglass Bartleman, who bore four children (Douglas Smith, Elisabeth Smith, William Bartleman, and Margaret Douglas) and died in 1833. In 1838, William Gregory married Mary Donaldson Long and had five more children (Isobel Anne, Julia Harper, Boyd, Mary Crawford, and Janet Boyd).","William Gregory passed in 1875 at the age of 87.","This collection predominantly contains the personal papers of William Gregory, including: journals, notebooks, property records, deeds, and family records. Approximately two-thirds of the collection comprise original correspondence, and late 20th century transcriptions of such.","Series 1 contains property records, birth and death records, manuscripts, journals, correspondence, and other ephemera of the Gregory family of Kilmarnock, Scotland, later Alexandria, Virginia, USA. The series also contains late 20th century correspondence between descendants of William Gregory that discuss some of the items within this collection.","This folder contains the donor's inventory of the correspondence in series 2. The donor compiled these letters in chronological order and numbered them 1-263. He then created this index which groups the letters according to three categories; Scottish internal, Trans-Atlantic, and American internal correspondence.","This folder contains an account of the history of the Gregory family beginning with William Gregory. It is retold by Judith Winter Hammet from a manuscript written by Mary G. Powell, and seems to be a collection of memories and oral histories constituting something of a family mythology.","Items of note include a portrait of Peter Mallard Gregory, an order from Gen. Robert E. Lee, and property records and deeds.","This folder contains property records related to a property in Alexandria, VA on Royal Street and Sharpshin","This folder contains correspondence between individuals associated with the Gregory family.","This folder includes a record of births/deaths/marriages, a manuscript, memoirs about the Kennedys, and other various pamphlets and papers.","Hand-drawn plat drawing of the McKnight property on Royal St adjoining Market Square from the Land records of Alexandria County, dated 1842","Series 2 contains correspondence between members of William Gregory and family, and others, dated between 1788 and 1896, and includes Scottish, Trans-Atlantic, and American correspondence. These letters have been indexed and described by the donor, whose index can be found in \"Donor's index of correspondence\" (MS417-01-001)","This folder contains correspondence dated 1788-1807. Correspondence matches #1-20 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1807-1812. Correspondence matches #21-40 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1812-1815. Correspondence matches #41-60 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1815-1818. Correspondence matches #61-80 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1818-1819. Correspondence matches #81-100 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1819-1822. Correspondence matches #101-120 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1822-1823. Correspondence matches #121-135 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1823-1826. Correspondence matches #136-150 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1826. Correspondence matches #151-170 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1826. Correspondence matches #171-190 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1826-1828. Correspondence matches #191-210 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1828-1829. Correspondence matches #211-224 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1830-1833. Correspondence matches #225-235 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1833-1845. Correspondence matches #236-250 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1847-1896. Correspondence matches #251-263 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1788-1807. Correspondence matches #1-20 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1807-1812. Correspondence matches #21-40 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1812-1815. Correspondence matches #41-60 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1815-1818. Correspondence matches #61-80 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1818-1819. Correspondence matches #81-100 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1819-1822. Correspondence matches #101-120 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1822-1823. Correspondence matches #121-135 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1823-1826. Correspondence matches #136-150 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1826. Correspondence matches #151-170 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1826. Correspondence matches #171-190 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1826-1828. Correspondence matches #191-210 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1828-1829. Correspondence matches #211-224 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1830-1833. Correspondence matches #225-235 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1833-1845. Correspondence matches #236-250 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1847-1896. Correspondence matches #251-263 in Donor's index of correspondence (MS417-01-001)","Local History and Special Collections Branch, Alexandria Library","Gregory, William, III, 1789-1875","Powell, Mary Crawford (Gregory), 1847-1928","Lee, Robert E. (Robert Edward), 1807-1870","Gregory, Peter Mallard","McCrea, Robert (c.1765-c.1840)","Bartleman, Margaret Douglas (-1833)","Long, Mary Donaldson  (-1896)","Branham, Caroline, 1764?-1843","Harrison, Lucy Branham (1806-)","English"],"collection_title_tesim":["William Gregory Family Papers (MS417), 1771/1993"],"collection_ssim":["William Gregory Family Papers (MS417), 1771/1993"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS417","/repositories/2/resources/178"],"unitid_tesim":["MS417","/repositories/2/resources/178"],"repository_ssm":["Alexandria Library"],"repository_ssim":["Alexandria Library"],"geogname_ssm":["Kilmarnock (Scotland)","Alexandria (Va.)","New York (N.Y.)","Alexandria (Va.) -- Genealogy.","Alexandria (Va.) -- Social life and customs -- 19th century.","Alexandria (Va.) -- Maps"],"geogname_ssim":["Kilmarnock (Scotland)","Alexandria (Va.)","New York (N.Y.)","Alexandria (Va.) -- Genealogy.","Alexandria (Va.) -- Social life and customs -- 19th century.","Alexandria (Va.) -- Maps"],"places_ssim":["Kilmarnock (Scotland)","Alexandria (Va.)","New York (N.Y.)","Alexandria (Va.) -- Genealogy.","Alexandria (Va.) -- Social life and customs -- 19th century.","Alexandria (Va.) -- Maps"],"creator_ssm":["Gregory, William, III, 1789-1875"],"creator_ssim":["Gregory, William, III, 1789-1875"],"creator_persname_ssim":["Gregory, William, III, 1789-1875","Powell, Mary Crawford (Gregory), 1847-1928","Lee, Robert E. (Robert Edward), 1807-1870","Gregory, Peter Mallard","McCrea, Robert (c.1765-c.1840)","Bartleman, Margaret Douglas (-1833)","Long, Mary Donaldson  (-1896)","Branham, Caroline, 1764?-1843","Harrison, Lucy Branham (1806-)"],"creator_corpname_ssim":["Local History and Special Collections Branch, Alexandria Library"],"creators_ssim":["Gregory, William, III, 1789-1875","Powell, Mary Crawford (Gregory), 1847-1928","Lee, Robert E. (Robert Edward), 1807-1870","Gregory, Peter Mallard","McCrea, Robert (c.1765-c.1840)","Bartleman, Margaret Douglas (-1833)","Long, Mary Donaldson  (-1896)","Branham, Caroline, 1764?-1843","Harrison, Lucy Branham (1806-)","Local History and Special Collections Branch, Alexandria Library"],"access_subjects_ssim":["Families -- Alexandria (Va.)","Deeds -- Virginia -- Alexandria."],"access_subjects_ssm":["Families -- Alexandria (Va.)","Deeds -- Virginia -- Alexandria."],"has_online_content_ssim":["false"],"extent_ssm":["1.11 Cubic Feet 1 document box, 2 flat file boxes, 1 oversize folder (assorted oversize box), 1 object (assorted media box)"],"extent_tesim":["1.11 Cubic Feet 1 document box, 2 flat file boxes, 1 oversize folder (assorted oversize box), 1 object (assorted media box)"],"date_range_isim":[1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"accessrestrict_html_tesm":["\u003cp\u003eThis folder contains materials which include the use of offensive, racist language as well as descriptions of people enslaved by the Gregory family which may be disturbing or offensive to readers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Content Warning"],"accessrestrict_tesim":["This folder contains materials which include the use of offensive, racist language as well as descriptions of people enslaved by the Gregory family which may be disturbing or offensive to readers."],"bioghist_html_tesm":["\u003cp\u003eWilliam Gregory was a Scottish immigrant, businessman, landowner, and enslaver. \u003c/p\u003e","\u003cp\u003eHe was born in Kilmarnock, Scotland in 1789, and emigrated to New York, and then Alexandria, Virginia in 1807. Gregory worked for Alexandria businessman Robert McCrea as a clerk until 1812, and then as a partner until 1827. He owned property in Alexandria as well as several enslaved persons (\"Old Mary Morse\", Charlotte Blue, Eugenia, Sarah, Roxie, Frank Stewart, and Lucy the daughter of Caroline Branham, as well as other unidentified individuals). Gregory served in the War of 1812. He was also a member of the Presbyterian Church and of St. Andrew's Society. In 1822 Gregory married Margaret Douglass Bartleman, who bore four children (Douglas Smith, Elisabeth Smith, William Bartleman, and Margaret Douglas) and died in 1833. In 1838, William Gregory married Mary Donaldson Long and had five more children (Isobel Anne, Julia Harper, Boyd, Mary Crawford, and Janet Boyd).\u003c/p\u003e","\u003cp\u003eWilliam Gregory passed in 1875 at the age of 87.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["William Gregory was a Scottish immigrant, businessman, landowner, and enslaver.","He was born in Kilmarnock, Scotland in 1789, and emigrated to New York, and then Alexandria, Virginia in 1807. Gregory worked for Alexandria businessman Robert McCrea as a clerk until 1812, and then as a partner until 1827. He owned property in Alexandria as well as several enslaved persons (\"Old Mary Morse\", Charlotte Blue, Eugenia, Sarah, Roxie, Frank Stewart, and Lucy the daughter of Caroline Branham, as well as other unidentified individuals). Gregory served in the War of 1812. He was also a member of the Presbyterian Church and of St. Andrew's Society. In 1822 Gregory married Margaret Douglass Bartleman, who bore four children (Douglas Smith, Elisabeth Smith, William Bartleman, and Margaret Douglas) and died in 1833. In 1838, William Gregory married Mary Donaldson Long and had five more children (Isobel Anne, Julia Harper, Boyd, Mary Crawford, and Janet Boyd).","William Gregory passed in 1875 at the age of 87."],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|0d9e0466-7799-4548-acc8-94944ddf06fe/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e  ","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|4f7a9c2f-e86b-45fb-9c78-c865873b163b/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|4678c106-a2a3-4e7c-8721-fa34663529ae/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|49298b47-df0a-452d-9f9e-f5a9014b464c/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|670e8fd3-7d83-4039-8500-cd79d8e455da/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|90fbb8f8-9749-49b6-9e5c-8b8800d64089/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|da740f32-5414-4569-b701-3541f21d78d5/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|24f36292-3a92-4756-ad6e-5ba64b488a8d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|b5a64654-0895-4b52-8c81-516acfe32573/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|5835ca08-dd15-45ef-be92-235317785c68/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|0284418a-61d4-4ff5-acc4-20ededf4996c/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca 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href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|207d8fe7-f82a-4e8d-8331-554f859a9eb6/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|92a69b23-254a-44c5-bea8-61ade88ebd67/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|9761cbca-f07e-4491-989b-4bcff5f149a3/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|4ab1ebad-6232-487d-8a35-3c57afae3af8/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|35cac2e5-a25d-46ac-9874-68ef86c97d29/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|2ad524a3-d628-4965-a7ad-4601b87dd18b/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|1f7e4a3e-f772-4672-904f-f6f621d3d84e/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|6206ddee-10e2-4819-a897-f87d6a91865f/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|1a2828c8-0bc1-414a-bcb3-c84e9d2e35ae/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|19ed6ab5-3cc3-498f-9d2c-f256d836a04a/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|baeca746-13f0-4b09-b4c7-069dd244eddf/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|bd16e1fe-ff54-432f-9fdc-60da9caaaf71/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|0082c241-098a-4bfb-8063-42df086062ee/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|6012e7db-17f3-4b25-ae20-57158c38c0da/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|834cc545-b387-4bb4-a886-1cece4aacc1e/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|24960502-26e8-49c8-b8ea-5e392faec995/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|3d24840f-f3bb-4b0a-a1ce-764c0e901f5d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|0ea9bb1c-a520-430a-aa85-f29d5c216722/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|04833a4c-571e-4487-b7a7-6f8bf798af91/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|33c78ce0-c0cc-4a0f-985b-5cd86291c20d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|05154012-b8e3-43c0-aae9-4cfbbecb1e2d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|cff396d6-0244-4bd2-b0db-134d98cbf940/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|55de91eb-c7e3-445c-8337-3e07c24fb329/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|b247627c-237a-4aa7-81cb-605ea34e85a0/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|3d69d837-13c2-4129-a414-848490b8cb15/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|295d1a6a-5840-42d3-b2e9-ee8f8f1325f1/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|4bdb1601-c5fe-4cdc-adb8-f1274214a813/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|66246ca4-c6b8-4e7d-86a9-b5dd4bdcaa24/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|e302ed30-b6d6-47a6-af89-a8ddd4299bcd/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital 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deeds, and family records. Approximately two-thirds of the collection comprise original correspondence, and late 20th century transcriptions of such.\u003c/p\u003e  ","\u003cp\u003eSeries 1 contains property records, birth and death records, manuscripts, journals, correspondence, and other ephemera of the Gregory family of Kilmarnock, Scotland, later Alexandria, Virginia, USA. The series also contains late 20th century correspondence between descendants of William Gregory that discuss some of the items within this collection.\u003c/p\u003e","\u003cp\u003eThis folder contains the donor's inventory of the correspondence in series 2. The donor compiled these letters in chronological order and numbered them 1-263. He then created this index which groups the letters according to three categories; Scottish internal, Trans-Atlantic, and American internal correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains an account of the history of the Gregory family beginning with William Gregory. It is retold by Judith Winter Hammet from a manuscript written by Mary G. Powell, and seems to be a collection of memories and oral histories constituting something of a family mythology.\u003c/p\u003e","\u003cp\u003eItems of note include a portrait of Peter Mallard Gregory, an order from Gen. Robert E. Lee, and property records and deeds.\u003c/p\u003e","\u003cp\u003eThis folder contains property records related to a property in Alexandria, VA on Royal Street and Sharpshin\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence between individuals associated with the Gregory family.\u003c/p\u003e","\u003cp\u003eThis folder includes a record of births/deaths/marriages, a manuscript, memoirs about the Kennedys, and other various pamphlets and papers.\u003c/p\u003e","\u003cp\u003eHand-drawn plat drawing of the McKnight property on Royal St adjoining Market Square from the Land records of Alexandria County, dated 1842\u003c/p\u003e","\u003cp\u003eSeries 2 contains correspondence between members of William Gregory and family, and others, dated between 1788 and 1896, and includes Scottish, Trans-Atlantic, and American correspondence. These letters have been indexed and described by the donor, whose index can be found in \"Donor's index of correspondence\" (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1788-1807. Correspondence matches #1-20 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1807-1812. Correspondence matches #21-40 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1812-1815. Correspondence matches #41-60 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1815-1818. Correspondence matches #61-80 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1818-1819. Correspondence matches #81-100 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1819-1822. Correspondence matches #101-120 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1822-1823. Correspondence matches #121-135 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1823-1826. Correspondence matches #136-150 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1826. Correspondence matches #151-170 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1826. Correspondence matches #171-190 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1826-1828. Correspondence matches #191-210 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1828-1829. Correspondence matches #211-224 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1830-1833. Correspondence matches #225-235 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1833-1845. Correspondence matches #236-250 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1847-1896. Correspondence matches #251-263 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1788-1807. Correspondence matches #1-20 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1807-1812. Correspondence matches #21-40 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1812-1815. Correspondence matches #41-60 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1815-1818. Correspondence matches #61-80 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1818-1819. Correspondence matches #81-100 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1819-1822. Correspondence matches #101-120 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1822-1823. Correspondence matches #121-135 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1823-1826. Correspondence matches #136-150 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1826. Correspondence matches #151-170 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1826. Correspondence matches #171-190 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1826-1828. 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