{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1859\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026page=4","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1859\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026page=3","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1859\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026page=5","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1859\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026page=32"},"meta":{"pages":{"current_page":4,"next_page":5,"prev_page":3,"total_pages":32,"limit_value":10,"offset_value":30,"total_count":313,"first_page?":false,"last_page?":false}},"data":[{"id":"vaallhs_repositories_2_resources_27_c02_c01_c01","type":"Sub-Series","attributes":{"title":"Cazenove, 1795/1925","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_27_c02_c01_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vaallhs_repositories_2_resources_27_c02_c01_c01","ref_ssm":["vaallhs_repositories_2_resources_27_c02_c01_c01"],"id":"vaallhs_repositories_2_resources_27_c02_c01_c01","ead_ssi":"vaallhs_repositories_2_resources_27","_root_":"vaallhs_repositories_2_resources_27","_nest_parent_":"vaallhs_repositories_2_resources_27_c02_c01","parent_ssi":"vaallhs_repositories_2_resources_27_c02_c01","parent_ssim":["Cazenove Family Papers (MS212), 1786/1970","Louis A. Cazenove, 1786/1946","Correspondence, 1790/1946"],"parent_ids_ssim":["vaallhs_repositories_2_resources_27","vaallhs_repositories_2_resources_27_c02","vaallhs_repositories_2_resources_27_c02_c01"],"title_filing_ssi":"Cazenove","title_ssm":["Cazenove"],"title_tesim":["Cazenove"],"normalized_title_ssm":["Cazenove, 1795/1925"],"text":["Cazenove, 1795/1925","Cazenove Family Papers (MS212), 1786/1970","Louis A. Cazenove, 1786/1946","Correspondence, 1790/1946","English"],"parent_unittitles_ssm":["Cazenove Family Papers (MS212), 1786/1970","Louis A. Cazenove, 1786/1946","Correspondence, 1790/1946"],"parent_unittitles_tesim":["Cazenove Family Papers (MS212), 1786/1970","Louis A. Cazenove, 1786/1946","Correspondence, 1790/1946"],"normalized_date_ssm":["1795/1925"],"unitdate_inclusive_ssm":["1795-1925"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[3],"sort_isi":95,"repository_ssim":["Alexandria Library"],"collection_ssim":["Cazenove Family Papers (MS212), 1786/1970"],"has_online_content_ssim":["false"],"child_component_count_isi":35,"language_ssim":["English"],"date_range_isim":[1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925],"_nest_path_":"/components#1/components#0/components#0","timestamp":"2026-06-23T06:31:09.600Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vaallhs_repositories_2_resources_27","ead_ssi":"vaallhs_repositories_2_resources_27","_root_":"vaallhs_repositories_2_resources_27","_nest_parent_":"vaallhs_repositories_2_resources_27","ead_source_url_ssi":"data/oai/ALEX/repositories_2_resources_27.xml","aspace_url_ssi":"https://alexlibraryva.libraryhost.com/repositories/2/resources/27","title_ssm":["Cazenove Family Papers (MS212)"],"title_tesim":["Cazenove Family Papers (MS212)"],"unitdate_ssm":["1786-1970"],"unitdate_inclusive_ssm":["1786-1970"],"normalized_date_ssm":["1786/1970"],"normalized_title_ssm":["Cazenove Family Papers (MS212), 1786/1970"],"text":["Cazenove Family Papers (MS212), 1786/1970","MS212","/repositories/2/resources/27","Business -- Alexandria (Va.)","Business records","Families -- Alexandria (Va.)","Farquhar family.","Inventions","Passports","Correspondence","The collection is divided into two sub-fonds, the first consisting of records from James O'Hara Cazenove and his son and the second apparently collected by his father covering himself and the older part of the family.","The correspondence and business records in both are divided into different subseries, reflecting an effort to keep business affairs separate from family correspondence. Much of the correspondence in the O'Hara part of the collection is arranged by correspondent or alphabetically and then chronologically. In the second sub-fonds most of the correspondence is chronological apart from the Stanard and Craig family correspondence having been separated from other family correspondence at some point in time.","Certain records deemed fragile or valuable were separated from the older material at some point and have been listed at the end of series but not necessarily in chronological order as that would have placed the items within separately listed folders.","Subfonds 1: James O'Hara Cazenove, 1873-1970","Series 1: Correspondence, 1902-1970","Subseries:","Family Correspondence","Personal Correspondence","Business Correspondence","Legal Correspondence\n    \nSeries 2: Financial Documents","Series 3: Legal Documents","Series 4: Inventions","Series 5: Personal Records","Series 6: Printed Material","Series 7: Miscellaneous","Series 8: Louis A. DeCazenove","Subfonds 2: Louis A. Cazenove, 1786-1946","Series 1: Correspondence","Series 2: Business","Subseries:","Business Records","Records Books","Deeds","Estates and Guardianships","Series 3: Legal Documents, 1786-1926","Series 4: Printed","Series 5: News Clippings","Series 6: Miscellaneous","Series 7: Photos","Anthony Charles Cazenove (1775-1852) was born in Geneva, Switzerland. Imprisoned during the revolution, he immigrated to the United States in 1794 and went into business with Treasury Secretary Albert Gallatin in Fayette County, Pennsylvania. He married Ann Hogan of Philadelphia (1776-1843), and moved to Alexandria, Virginia where he established Cazenove and Co. The couple had 10 children.","Paul Charles Cazenove (1799-1801) died in childhood. Charles John Cazenove (1801-1834) married Sarah Greenleaf of Boston to whom a letter from A. C. Cazenove survives.  Paulina Cazenove (1806-1891) married John Fowle. Charlotte Cazenove (1812-1836) married North Carolina Congressman William B. Shepard. Octavius Anthony Cazenove (1813-1841). Harriet Cazenove (1817-1861) who married Gazaway Lamar of Georgia (1798-1874).","Ann Maria Cazenove (1803-1859) married General Archibald Henderson. Their daughter Charlotte married into the DuPont family.","Eliza Frances Cazenove (1798-1857) married William C. Gardner (1791-1844) their children included Constance T. Gardner  (1820-1849) who married Maryland Congressman Henry Winter Davis (1817-1865) and Anne Eliza Gardner (1819-1885), who married Cassius F. Lee (1808-1890).","William Gardner Cazenove (1819-1877) married Mary Elizabeth Stanard (1822-1892) and had a son named Anthony Charles Cazenove (1849-1897). William took over management of Cazenove and Co. in partnership with Lee and was later the guardian for one of the Gardner children.","Louis Albert Cazenove (1807-1852) married Frances Ansley (1820-1847) in 1837 and had Frances E. Cazenove (1838-1884) and Charlotte Louise Cazenove (1840-1914). He later remarried to Harriett Stuart Turberville (1823-1896) of the Lee family and had a son named Louis A. Cazenove (1851-1925). Cassius F. Lee became the guardian of these children after 1852.","Louis A. Cazenove (b 1851) married Mary O'Hara and had two sons. Louis A. DeCazenove (1878-1852) who changed his last name to an older Swiss version worked as a chemical Engineer at Dupont and married Edith Patton Cazenove. James O'Hara Cazenove (1880-1971) was an inventor, engineer, and investor, and was considered the last of the family.","MS293 contains a ledger from Cazenove and Co. dated 1857-1861 when it was managed by William Gardner Lee, the son of A. C. Cazenove, and Cassius F. Lee. Duke University holds records of Cazenove and Co for 1860-1868 including a list of debtors.","MS240 contains a number of Cazenove related documents including:","Two letters of A.C. Cazenove, one undated detailing the surrender of Alexandria in August 1814 and the other to Sarah E. Greenleaf in 1826. (MS240, box 10).","An 1874 certificate of Louis A. Cazenove (b. 1851) from the University of Virginia (MS240, oversize 2)","3 stock certificates of A.C. Cazenove for the Middle Turnpike Company (1831), Alexandria Steam Ferry Company (1839), and Alexandria Marine Railway Company (1849-1851) (MS240, box 6)","There are also receipts for Mrs. Harriot E. Cazenove (1823-1896), the widow of Louis A. Cazenove (d. 1852), from Wise and Co Insurance Agents (1889) (MS240, box 5) and Smoot and Co (1894-1896) (MS240 box 4).","The Winterthur Museum of Winterthur Delaware also holds the \"Cazenove-Lee Family Papers\" (Col. 83) which contains extensive records of A. C. Cazenove and the early history of the family. This primarily covers the 18th century including in Switzerland.","The Library of Congress also holds a number of manuscript letters from A.C. Cazenove to President James Madison.","This collection covers the history of the Cazenove Family of Alexandria from the 1790s to the 1970s.\nThe first part of the collection features records from James O'Hara Cazenove (1880-1971), consisting primarily of correspondence and records relating to his business interests and investments, as well as legal documents and business related litigation. Some of the correspondence and notebooks relate to his role as an inventor including a patent for an improved eggbeater from the 1920s. It also includes records from his brother, Louis A. deCazenove (1851-1925), primarily related to his education at Cornell University.","The Second part of the collection concerns the earlier generations of the family focusing on James O'Hara's father and grandfather, both named Louis A. Cazenove (1807-1852 and 1851-1925), and his great grandfather Anthony Charles Cazenove (1775-1852). Researchers should be cautious about the reuse of family names, as there are two Anthony Charles' and three Louis A.s.","The second part consists primarily of correspondence and early business records from Alexandria, including early ledgers and receipts as well as legal documents such as deeds. There are also early passports relating to international travel and documents about the consular positions held by A.C. Cazenove in the early 19th century. There is also a family history in French from 1872.","Both parts of the collection include the records of estates, trusts, and guardianships, as wealth passed from one generation to the next.","Local History and Special Collections Branch, Alexandria Library","Cazenove Family","Lee Family","Farquhar Family","Cazenove, Anthony Charles, 1775-1852","Cazenove, Louis A. (Louis Albert), 1807-1852","Cazenove, Louis A., 1851-1925","Cazenove, James O'Hara, 1880-1971","deCazenove, Louis A., 1878-1952","Cazenove, Anne H., 1776-1843","Cazenove, William Gardner, 1819-1877","Cazenove, Mary Elizabeth Stanard, 1822-1892","Cazenove, Antony, 1849-1897","Lee, Cassius F., 1808-1890","Cazenove, Eliza Frances, 1798-1857","Gardner, Anne Eliza, 1819-1885","English"],"collection_title_tesim":["Cazenove Family Papers (MS212), 1786/1970"],"collection_ssim":["Cazenove Family Papers (MS212), 1786/1970"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS212","/repositories/2/resources/27"],"unitid_tesim":["MS212","/repositories/2/resources/27"],"repository_ssm":["Alexandria Library"],"repository_ssim":["Alexandria Library"],"creator_ssm":["Cazenove Family","Cazenove, Anthony Charles, 1775-1852","Cazenove, Louis A. (Louis Albert), 1807-1852","Cazenove, Louis A., 1851-1925","Cazenove, James O'Hara, 1880-1971","deCazenove, Louis A., 1878-1952","Cazenove, Anne H., 1776-1843","Cazenove, William Gardner, 1819-1877","Cazenove, Mary Elizabeth Stanard, 1822-1892","Cazenove, Antony, 1849-1897","Lee, Cassius F., 1808-1890","Cazenove, Eliza Frances, 1798-1857","Gardner, Anne Eliza, 1819-1885","Lee Family","Farquhar Family"],"creator_ssim":["Cazenove Family","Cazenove, Anthony Charles, 1775-1852","Cazenove, Louis A. (Louis Albert), 1807-1852","Cazenove, Louis A., 1851-1925","Cazenove, James O'Hara, 1880-1971","deCazenove, Louis A., 1878-1952","Cazenove, Anne H., 1776-1843","Cazenove, William Gardner, 1819-1877","Cazenove, Mary Elizabeth Stanard, 1822-1892","Cazenove, Antony, 1849-1897","Lee, Cassius F., 1808-1890","Cazenove, Eliza Frances, 1798-1857","Gardner, Anne Eliza, 1819-1885","Lee Family","Farquhar Family"],"creator_persname_ssim":["Cazenove, Anthony Charles, 1775-1852","Cazenove, Louis A. (Louis Albert), 1807-1852","Cazenove, Louis A., 1851-1925","Cazenove, James O'Hara, 1880-1971","deCazenove, Louis A., 1878-1952","Cazenove, Anne H., 1776-1843","Cazenove, William Gardner, 1819-1877","Cazenove, Mary Elizabeth Stanard, 1822-1892","Cazenove, Antony, 1849-1897","Lee, Cassius F., 1808-1890","Cazenove, Eliza Frances, 1798-1857","Gardner, Anne Eliza, 1819-1885"],"creator_corpname_ssim":["Local History and Special Collections Branch, Alexandria Library"],"creator_famname_ssim":["Cazenove Family","Lee Family","Farquhar Family"],"creators_ssim":["Cazenove, Anthony Charles, 1775-1852","Cazenove, Louis A. (Louis Albert), 1807-1852","Cazenove, Louis A., 1851-1925","Cazenove, James O'Hara, 1880-1971","deCazenove, Louis A., 1878-1952","Cazenove, Anne H., 1776-1843","Cazenove, William Gardner, 1819-1877","Cazenove, Mary Elizabeth Stanard, 1822-1892","Cazenove, Antony, 1849-1897","Lee, Cassius F., 1808-1890","Cazenove, Eliza Frances, 1798-1857","Gardner, Anne Eliza, 1819-1885","Local History and Special Collections Branch, Alexandria Library","Cazenove Family","Lee Family","Farquhar Family"],"access_subjects_ssim":["Business -- Alexandria (Va.)","Business records","Families -- Alexandria (Va.)","Farquhar family.","Inventions","Passports","Correspondence"],"access_subjects_ssm":["Business -- Alexandria (Va.)","Business records","Families -- Alexandria (Va.)","Farquhar family.","Inventions","Passports","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["8.06  Linear Feet 15 boxes"],"extent_tesim":["8.06  Linear Feet 15 boxes"],"genreform_ssim":["Inventions","Passports","Correspondence"],"date_range_isim":[1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into two sub-fonds, the first consisting of records from James O'Hara Cazenove and his son and the second apparently collected by his father covering himself and the older part of the family.\u003c/p\u003e","\u003cp\u003e\nThe correspondence and business records in both are divided into different subseries, reflecting an effort to keep business affairs separate from family correspondence. Much of the correspondence in the O'Hara part of the collection is arranged by correspondent or alphabetically and then chronologically. In the second sub-fonds most of the correspondence is chronological apart from the Stanard and Craig family correspondence having been separated from other family correspondence at some point in time.\u003c/p\u003e","\u003cp\u003e\nCertain records deemed fragile or valuable were separated from the older material at some point and have been listed at the end of series but not necessarily in chronological order as that would have placed the items within separately listed folders.\u003c/p\u003e","\u003cp\u003e\nSubfonds 1: James O'Hara Cazenove, 1873-1970\u003c/p\u003e","\u003cp\u003e\nSeries 1: Correspondence, 1902-1970\u003c/p\u003e","\u003cp\u003e    Subseries:\n    \u003c/p\u003e","\u003cp\u003eFamily Correspondence\n    \u003c/p\u003e","\u003cp\u003ePersonal Correspondence\n    \u003c/p\u003e","\u003cp\u003eBusiness Correspondence\n    \u003c/p\u003e","\u003cp\u003eLegal Correspondence\n    \nSeries 2: Financial Documents\u003c/p\u003e","\u003cp\u003eSeries 3: Legal Documents\u003c/p\u003e","\u003cp\u003eSeries 4: Inventions\u003c/p\u003e","\u003cp\u003eSeries 5: Personal Records\u003c/p\u003e","\u003cp\u003eSeries 6: Printed Material\u003c/p\u003e","\u003cp\u003eSeries 7: Miscellaneous\u003c/p\u003e","\u003cp\u003eSeries 8: Louis A. DeCazenove\u003c/p\u003e","\u003cp\u003e\nSubfonds 2: Louis A. Cazenove, 1786-1946\u003c/p\u003e","\u003cp\u003e\nSeries 1: Correspondence\u003c/p\u003e","\u003cp\u003eSeries 2: Business\u003c/p\u003e","\u003cp\u003e  Subseries:\n    \u003c/p\u003e","\u003cp\u003eBusiness Records\n    \u003c/p\u003e","\u003cp\u003eRecords Books\u003c/p\u003e","\u003cp\u003e\nDeeds\u003c/p\u003e","\u003cp\u003e\nEstates and Guardianships\u003c/p\u003e","\u003cp\u003eSeries 3: Legal Documents, 1786-1926\u003c/p\u003e","\u003cp\u003eSeries 4: Printed\u003c/p\u003e","\u003cp\u003eSeries 5: News Clippings\u003c/p\u003e","\u003cp\u003eSeries 6: Miscellaneous\u003c/p\u003e","\u003cp\u003eSeries 7: Photos\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into two sub-fonds, the first consisting of records from James O'Hara Cazenove and his son and the second apparently collected by his father covering himself and the older part of the family.","The correspondence and business records in both are divided into different subseries, reflecting an effort to keep business affairs separate from family correspondence. Much of the correspondence in the O'Hara part of the collection is arranged by correspondent or alphabetically and then chronologically. In the second sub-fonds most of the correspondence is chronological apart from the Stanard and Craig family correspondence having been separated from other family correspondence at some point in time.","Certain records deemed fragile or valuable were separated from the older material at some point and have been listed at the end of series but not necessarily in chronological order as that would have placed the items within separately listed folders.","Subfonds 1: James O'Hara Cazenove, 1873-1970","Series 1: Correspondence, 1902-1970","Subseries:","Family Correspondence","Personal Correspondence","Business Correspondence","Legal Correspondence\n    \nSeries 2: Financial Documents","Series 3: Legal Documents","Series 4: Inventions","Series 5: Personal Records","Series 6: Printed Material","Series 7: Miscellaneous","Series 8: Louis A. DeCazenove","Subfonds 2: Louis A. Cazenove, 1786-1946","Series 1: Correspondence","Series 2: Business","Subseries:","Business Records","Records Books","Deeds","Estates and Guardianships","Series 3: Legal Documents, 1786-1926","Series 4: Printed","Series 5: News Clippings","Series 6: Miscellaneous","Series 7: Photos"],"bioghist_html_tesm":["\u003cp\u003eAnthony Charles Cazenove (1775-1852) was born in Geneva, Switzerland. Imprisoned during the revolution, he immigrated to the United States in 1794 and went into business with Treasury Secretary Albert Gallatin in Fayette County, Pennsylvania. He married Ann Hogan of Philadelphia (1776-1843), and moved to Alexandria, Virginia where he established Cazenove and Co. The couple had 10 children.\u003c/p\u003e","\u003cp\u003e\nPaul Charles Cazenove (1799-1801) died in childhood. Charles John Cazenove (1801-1834) married Sarah Greenleaf of Boston to whom a letter from A. C. Cazenove survives.  Paulina Cazenove (1806-1891) married John Fowle. Charlotte Cazenove (1812-1836) married North Carolina Congressman William B. Shepard. Octavius Anthony Cazenove (1813-1841). Harriet Cazenove (1817-1861) who married Gazaway Lamar of Georgia (1798-1874). \u003c/p\u003e","\u003cp\u003e\nAnn Maria Cazenove (1803-1859) married General Archibald Henderson. Their daughter Charlotte married into the DuPont family.\u003c/p\u003e","\u003cp\u003e\nEliza Frances Cazenove (1798-1857) married William C. Gardner (1791-1844) their children included Constance T. Gardner  (1820-1849) who married Maryland Congressman Henry Winter Davis (1817-1865) and Anne Eliza Gardner (1819-1885), who married Cassius F. Lee (1808-1890). \u003c/p\u003e","\u003cp\u003e\nWilliam Gardner Cazenove (1819-1877) married Mary Elizabeth Stanard (1822-1892) and had a son named Anthony Charles Cazenove (1849-1897). William took over management of Cazenove and Co. in partnership with Lee and was later the guardian for one of the Gardner children.\u003c/p\u003e","\u003cp\u003e\nLouis Albert Cazenove (1807-1852) married Frances Ansley (1820-1847) in 1837 and had Frances E. Cazenove (1838-1884) and Charlotte Louise Cazenove (1840-1914). He later remarried to Harriett Stuart Turberville (1823-1896) of the Lee family and had a son named Louis A. Cazenove (1851-1925). Cassius F. Lee became the guardian of these children after 1852.\u003c/p\u003e","\u003cp\u003e\nLouis A. Cazenove (b 1851) married Mary O'Hara and had two sons. Louis A. DeCazenove (1878-1852) who changed his last name to an older Swiss version worked as a chemical Engineer at Dupont and married Edith Patton Cazenove. James O'Hara Cazenove (1880-1971) was an inventor, engineer, and investor, and was considered the last of the family.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Anthony Charles Cazenove (1775-1852) was born in Geneva, Switzerland. Imprisoned during the revolution, he immigrated to the United States in 1794 and went into business with Treasury Secretary Albert Gallatin in Fayette County, Pennsylvania. He married Ann Hogan of Philadelphia (1776-1843), and moved to Alexandria, Virginia where he established Cazenove and Co. The couple had 10 children.","Paul Charles Cazenove (1799-1801) died in childhood. Charles John Cazenove (1801-1834) married Sarah Greenleaf of Boston to whom a letter from A. C. Cazenove survives.  Paulina Cazenove (1806-1891) married John Fowle. Charlotte Cazenove (1812-1836) married North Carolina Congressman William B. Shepard. Octavius Anthony Cazenove (1813-1841). Harriet Cazenove (1817-1861) who married Gazaway Lamar of Georgia (1798-1874).","Ann Maria Cazenove (1803-1859) married General Archibald Henderson. Their daughter Charlotte married into the DuPont family.","Eliza Frances Cazenove (1798-1857) married William C. Gardner (1791-1844) their children included Constance T. Gardner  (1820-1849) who married Maryland Congressman Henry Winter Davis (1817-1865) and Anne Eliza Gardner (1819-1885), who married Cassius F. Lee (1808-1890).","William Gardner Cazenove (1819-1877) married Mary Elizabeth Stanard (1822-1892) and had a son named Anthony Charles Cazenove (1849-1897). William took over management of Cazenove and Co. in partnership with Lee and was later the guardian for one of the Gardner children.","Louis Albert Cazenove (1807-1852) married Frances Ansley (1820-1847) in 1837 and had Frances E. Cazenove (1838-1884) and Charlotte Louise Cazenove (1840-1914). He later remarried to Harriett Stuart Turberville (1823-1896) of the Lee family and had a son named Louis A. Cazenove (1851-1925). Cassius F. Lee became the guardian of these children after 1852.","Louis A. Cazenove (b 1851) married Mary O'Hara and had two sons. Louis A. DeCazenove (1878-1852) who changed his last name to an older Swiss version worked as a chemical Engineer at Dupont and married Edith Patton Cazenove. James O'Hara Cazenove (1880-1971) was an inventor, engineer, and investor, and was considered the last of the family."],"prefercite_html_tesm":["\u003cp\u003e[Item idenfitication], Cazenove Family Papers, MS212, Alexandria Library, Local History/Special Collections, Alexandria, Va.\u003c/p\u003e  "],"prefercite_tesim":["[Item idenfitication], Cazenove Family Papers, MS212, Alexandria Library, Local History/Special Collections, Alexandria, Va."],"relatedmaterial_html_tesm":["\u003cp\u003eMS293 contains a ledger from Cazenove and Co. dated 1857-1861 when it was managed by William Gardner Lee, the son of A. C. Cazenove, and Cassius F. Lee. Duke University holds records of Cazenove and Co for 1860-1868 including a list of debtors.\u003c/p\u003e","\u003cp\u003e\nMS240 contains a number of Cazenove related documents including:\u003c/p\u003e","\u003cp\u003e\nTwo letters of A.C. Cazenove, one undated detailing the surrender of Alexandria in August 1814 and the other to Sarah E. Greenleaf in 1826. (MS240, box 10).\u003c/p\u003e","\u003cp\u003e\nAn 1874 certificate of Louis A. Cazenove (b. 1851) from the University of Virginia (MS240, oversize 2)\u003c/p\u003e","\u003cp\u003e\n3 stock certificates of A.C. Cazenove for the Middle Turnpike Company (1831), Alexandria Steam Ferry Company (1839), and Alexandria Marine Railway Company (1849-1851) (MS240, box 6)\u003c/p\u003e","\u003cp\u003e\nThere are also receipts for Mrs. Harriot E. Cazenove (1823-1896), the widow of Louis A. Cazenove (d. 1852), from Wise and Co Insurance Agents (1889) (MS240, box 5) and Smoot and Co (1894-1896) (MS240 box 4).\u003c/p\u003e","\u003cp\u003e\nThe Winterthur Museum of Winterthur Delaware also holds the \"Cazenove-Lee Family Papers\" (Col. 83) which contains extensive records of A. C. Cazenove and the early history of the family. This primarily covers the 18th century including in Switzerland.\u003c/p\u003e","\u003cp\u003e\nThe Library of Congress also holds a number of manuscript letters from A.C. Cazenove to President James Madison.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["MS293 contains a ledger from Cazenove and Co. dated 1857-1861 when it was managed by William Gardner Lee, the son of A. C. Cazenove, and Cassius F. Lee. Duke University holds records of Cazenove and Co for 1860-1868 including a list of debtors.","MS240 contains a number of Cazenove related documents including:","Two letters of A.C. Cazenove, one undated detailing the surrender of Alexandria in August 1814 and the other to Sarah E. Greenleaf in 1826. (MS240, box 10).","An 1874 certificate of Louis A. Cazenove (b. 1851) from the University of Virginia (MS240, oversize 2)","3 stock certificates of A.C. Cazenove for the Middle Turnpike Company (1831), Alexandria Steam Ferry Company (1839), and Alexandria Marine Railway Company (1849-1851) (MS240, box 6)","There are also receipts for Mrs. Harriot E. Cazenove (1823-1896), the widow of Louis A. Cazenove (d. 1852), from Wise and Co Insurance Agents (1889) (MS240, box 5) and Smoot and Co (1894-1896) (MS240 box 4).","The Winterthur Museum of Winterthur Delaware also holds the \"Cazenove-Lee Family Papers\" (Col. 83) which contains extensive records of A. C. Cazenove and the early history of the family. This primarily covers the 18th century including in Switzerland.","The Library of Congress also holds a number of manuscript letters from A.C. Cazenove to President James Madison."],"scopecontent_html_tesm":["\u003cp\u003eThis collection covers the history of the Cazenove Family of Alexandria from the 1790s to the 1970s.\nThe first part of the collection features records from James O'Hara Cazenove (1880-1971), consisting primarily of correspondence and records relating to his business interests and investments, as well as legal documents and business related litigation. Some of the correspondence and notebooks relate to his role as an inventor including a patent for an improved eggbeater from the 1920s. It also includes records from his brother, Louis A. deCazenove (1851-1925), primarily related to his education at Cornell University.\u003c/p\u003e","\u003cp\u003e\nThe Second part of the collection concerns the earlier generations of the family focusing on James O'Hara's father and grandfather, both named Louis A. Cazenove (1807-1852 and 1851-1925), and his great grandfather Anthony Charles Cazenove (1775-1852). Researchers should be cautious about the reuse of family names, as there are two Anthony Charles' and three Louis A.s.\u003c/p\u003e","\u003cp\u003e\nThe second part consists primarily of correspondence and early business records from Alexandria, including early ledgers and receipts as well as legal documents such as deeds. There are also early passports relating to international travel and documents about the consular positions held by A.C. Cazenove in the early 19th century. There is also a family history in French from 1872.\u003c/p\u003e","\u003cp\u003e\nBoth parts of the collection include the records of estates, trusts, and guardianships, as wealth passed from one generation to the next.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection covers the history of the Cazenove Family of Alexandria from the 1790s to the 1970s.\nThe first part of the collection features records from James O'Hara Cazenove (1880-1971), consisting primarily of correspondence and records relating to his business interests and investments, as well as legal documents and business related litigation. Some of the correspondence and notebooks relate to his role as an inventor including a patent for an improved eggbeater from the 1920s. It also includes records from his brother, Louis A. deCazenove (1851-1925), primarily related to his education at Cornell University.","The Second part of the collection concerns the earlier generations of the family focusing on James O'Hara's father and grandfather, both named Louis A. Cazenove (1807-1852 and 1851-1925), and his great grandfather Anthony Charles Cazenove (1775-1852). Researchers should be cautious about the reuse of family names, as there are two Anthony Charles' and three Louis A.s.","The second part consists primarily of correspondence and early business records from Alexandria, including early ledgers and receipts as well as legal documents such as deeds. There are also early passports relating to international travel and documents about the consular positions held by A.C. Cazenove in the early 19th century. There is also a family history in French from 1872.","Both parts of the collection include the records of estates, trusts, and guardianships, as wealth passed from one generation to the next."],"corpname_ssim":["Local History and Special Collections Branch, Alexandria Library"],"famname_ssim":["Cazenove Family","Lee Family","Farquhar Family"],"persname_ssim":["Cazenove, Anthony Charles, 1775-1852","Cazenove, Louis A. (Louis Albert), 1807-1852","Cazenove, Louis A., 1851-1925","Cazenove, James O'Hara, 1880-1971","deCazenove, Louis A., 1878-1952","Cazenove, Anne H., 1776-1843","Cazenove, William Gardner, 1819-1877","Cazenove, Mary Elizabeth Stanard, 1822-1892","Cazenove, Antony, 1849-1897","Lee, Cassius F., 1808-1890","Cazenove, Eliza Frances, 1798-1857","Gardner, Anne Eliza, 1819-1885"],"names_ssim":["Local History and Special Collections Branch, Alexandria Library","Cazenove Family","Lee Family","Farquhar Family","Cazenove, Anthony Charles, 1775-1852","Cazenove, Louis A. (Louis Albert), 1807-1852","Cazenove, Louis A., 1851-1925","Cazenove, James O'Hara, 1880-1971","deCazenove, Louis A., 1878-1952","Cazenove, Anne H., 1776-1843","Cazenove, William Gardner, 1819-1877","Cazenove, Mary Elizabeth Stanard, 1822-1892","Cazenove, Antony, 1849-1897","Lee, Cassius F., 1808-1890","Cazenove, Eliza Frances, 1798-1857","Gardner, Anne Eliza, 1819-1885"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":249,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:31:09.600Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_27_c02_c01_c01"}},{"id":"viblbv_repositories_2_resources_1290_c05_c04","type":"Sub-Series","attributes":{"title":"Civil War Diaries, 1859/1865","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1290_c05_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1290_c05_c04","ref_ssm":["viblbv_repositories_2_resources_1290_c05_c04"],"id":"viblbv_repositories_2_resources_1290_c05_c04","ead_ssi":"viblbv_repositories_2_resources_1290","_root_":"viblbv_repositories_2_resources_1290","_nest_parent_":"viblbv_repositories_2_resources_1290_c05","parent_ssi":"viblbv_repositories_2_resources_1290_c05","parent_ssim":["Black, Kent, and Apperson Family Papers, 1779/1984","Series V. John S. Apperson Papers, 1858/1915"],"parent_ids_ssim":["viblbv_repositories_2_resources_1290","viblbv_repositories_2_resources_1290_c05"],"title_filing_ssi":"Civil War Diaries","title_ssm":["Civil War Diaries"],"title_tesim":["Civil War Diaries"],"normalized_title_ssm":["Civil War Diaries, 1859/1865"],"text":["Civil War Diaries, 1859/1865","Black, Kent, and Apperson Family Papers, 1779/1984","Series V. John S. Apperson Papers, 1858/1915","box 10"],"parent_unittitles_ssm":["Black, Kent, and Apperson Family Papers, 1779/1984","Series V. John S. Apperson Papers, 1858/1915"],"parent_unittitles_tesim":["Black, Kent, and Apperson Family Papers, 1779/1984","Series V. John S. Apperson Papers, 1858/1915"],"normalized_date_ssm":["1859/1865"],"unitdate_inclusive_ssm":["1859-1865"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":88,"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Black, Kent, and Apperson Family Papers, 1779/1984"],"containers_ssim":["box 10"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"parent_access_restrict_tesm":["The collection is open to research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1859,1860,1861,1862,1863,1864,1865],"_nest_path_":"/components#4/components#3","timestamp":"2026-06-23T06:44:34.154Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1290","ead_ssi":"viblbv_repositories_2_resources_1290","_root_":"viblbv_repositories_2_resources_1290","_nest_parent_":"viblbv_repositories_2_resources_1290","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1290.xml","title_filing_ssi":"Black, Kent, and Apperson Family Papers","title_ssm":["Black, Kent, and Apperson Family Papers"],"title_tesim":["Black, Kent, and Apperson Family Papers"],"unitdate_ssm":["1779-1984"],"unitdate_inclusive_ssm":["1779-1984"],"normalized_date_ssm":["1779/1984"],"normalized_title_ssm":["Black, Kent, and Apperson Family Papers, 1779/1984"],"text":["Black, Kent, and Apperson Family Papers, 1779/1984","Ms.1974.003","Blacksburg (Va.)","Huntsville (Ala.)","Marion (Va.)","Civil War","Folk, historical, and patent medicine","Genealogy","Local/Regional History and Appalachian South","Medicine","Medicine, Military -- History","Montgomery County (Va.)","United States -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Diaries","Women -- History","The collection is open to research.","Some of this collection has been digitized and is available online.","A microfilm edition of the diary, 1847-1850, of Harvey Black and the American Civil War diaries of John S. Apperson was made by the Library of Virginia in January 1976 and is available at the Library of Virginia in Richmond. The Civil War letters of Harvey Black were published in 1995 in a volume edited by Glenn L. McMullen, which is available in the Rare Book Collection and in Newman Library.","The papers are arranged into series corresponding to the creators of the material and subseries by type of material.","Series include the following:","Series I. Harvey Black Papers\nSeries II. Black Family Papers\nSeries III. Germanicus Kent Papers\nSeries IV. Black Family Business Records\nSeries V. John S. Apperson Papers\nSeries VI. Mary E. Apperson Papers\nSeries VII. Alexander Apperson Papers\nSeries VIII. Harvey B. Apperson Political Scrapbooks\nSeries IX. Blacksburg Mining and Manufacturing Company\nSeries X. Assorted Papers","This series is arranged by format.","This series is arranged by format.","Arranged alphabetically by name of family being researched.","In 1889, Elizabeth Black of Blacksburg, Virginia, married John Apperson of Marion, joining the Black and Kent families of Blacksburg with the Apperson family. Elizabeth Black's father Harvey Black and John S. Apperson served together in the 4th Virginia, 1st Brigade during the American Civil War. Black was a regimental surgeon and Apperson was a hospital steward under his command.","Harvey Black (1827-1888) was a native of Blacksburg and a grandson of town founder John Black. (Harvey Black did not use the e in his given name, but as an adult he regularly signed his name as H. Black and he was almost always identified publicly as Harvey Black.) After attending local schools, he began studying medicine under two local doctors. In 1847, he volunteered to serve in the Mexican War in the 1st Regiment Virginia Volunteers; three months later, he was made a hospital steward. He entered medical school at the University of Virginia in 1848 and graduated in June 1849. That fall, he took a four-month journey, on horseback, from western Virginia through the upper Mid-West as far west as Iowa. He decided to settle in Blacksburg and opened a medical practice there in 1852. The same year, he married Mary Kent of Blacksburg.","On August 2, 1861, Harvey Black was appointed regimental surgeon in the 4th Virginia, 1st Brigade, known as the Stonewall Brigade. John Apperson, who had enlisted with the Smyth Blues of Smyth County, Virginia, in April 1861, was appointed hospital steward under the command of Harvey Black in March 1862. Black and Apperson served together with the 4th regiment until late 1862. They provided medical care to the wounded at first Manassas, second Manassas, and the Battle of Fredericksburg. In late 1862, Black was appointed surgeon of the field hospital of the Second Corps, Army of Northern Virginia, and brought Apperson with him. Both served in this hospital until the end of the war, taking care of recuperating soldiers who were wounded of the Second Corps' major engagements, including the Battle of Chancellorsville in 1863 and the Spotsylvania Campaign in 1864. Black assisted Hunter Holmes McGuire with the amputation of Stonewall Jackson's arm on May 3, 1863.","After the Civil War, Harvey Black resumed his medical practice in Blacksburg. He was elected president of the Medical Society of Virginia in 1872. He played an instrumental role in the founding of the Virginia Agricultural and Mechanical College in Blacksburg in 1872. He was the first rector of the Board of Visitors.","From 1786 to 1882, Harvey Black was Superintendent of the Eastern Lunatic Asylum in Williamsburg. In 1884, he was appointed to the board of a proposed state mental hospital for southwestern Virginia. In 1885, he was elected to represent Montgomery County in the House of Delegates and served two sessions. In the House, he influenced the decision to locate the new hospital in Marion. In 1887, Black became the first superintendent of the new Southwestern State Lunatic Asylum in Marion. He appointed John S. Apperson assistant physician there. Harvey Black died in Richmond in October 1888 and was buried in Westview Cemetery in Blacksburg.","John S. Apperson (1837-1908) was born in Locust Grove, Virginia, and moved to Smyth County in 1859. He took a job splitting rails and began to study medicine under local physician William Faris. In 1861, Apperson enlisted in the Smyth Blues, organized as Company D, 4th Virginia. After the Civil War, he studied medicine at the University of Virginia, earning a degree in 1867. He returned to Smyth County and married Victoria Hull in 1868. They lived in Chilhowie, and Apperson practiced medicine and farmed. They had seven children.","John Apperson's first wife died in 1887. The same year, he took a job as assistant physician under Harvey Black at the Southwestern Lunatic Asylum of Virginia in Marion. When Harvey Black died in 1888, Apperson resigned his position at the Southwestern Lunatic Asylum and established a medical practice in Marion. In 1889, he married Elizabeth, daughter of his friend and mentor Harvey Black. They had four children: Harvey, Alexander, Kent, and Mary.","After his second marriage, John Apperson pursued a career in business. He was one of eight founders of Staley's Creek Manganese and Iron Company. In 1906, he expanded the operations of the Marion Foundry and Milling Company into the Marion Foundry and Machine Works. He also promoted the building of the Marion and Rye Valley Railroad.","In 1892, the Virginia Board of World's Fair Managers employed Apperson to collect items and transport Virginia exhibits to the 1893 World's Columbian Exposition in Chicago. John Apperson died in Marion in 1908. His wife Elizabeth died in Blacksburg in 1942.","Harvey Black Apperson (1890-1948), the oldest child of John Apperson and Elizabeth Black, lived in Salem, Virginia, and practiced law in Roanoke for thirty years. He became active in Democratic Party politics in the 1920s. In a special election in 1933, he was elected to represent Floyd, Franklin, Montgomery, and Roanoke counties and the cities of Radford and Roanoke in the State Senate. He served on the State Corporation Commission from 1944 to 1947 and was Chairman of the Commission from June 1944 to 1947. Governor William Tuck appointed him Attorney General in August 1947, and he took office October 7, 1947. He died suddenly of a heart attack at his home in Richmond on February 2, 1948. Alexander Apperson worked at the Marion Foundry and Machine Works for a period and later moved to Birmingham, Alabama.","Germanicus Kent (1791-1861) and Arabella Amiss Kent (1809-1951), parents of Harvey Black's wife Mary, are also documented in this collection. Germanicus Kent was born in Suffield, Connecticut, and attended Yale College. Circa 1822, he moved to Huntsville, Alabama, and worked as a cotton merchant. In 1827, he married Arabella Amiss of Blacksburg. According to a family account, Germanicus Kent left Huntsville in 1834 at the insistence of his brother Aratus Kent, a missionary in Illinois who opposed slavery. Aratus Kent was a founder of Beloit and Rockford colleges in Illinois. The family moved to Illinois in 1834. Lewis Kent (also known as Lewis Lemon), who was enslaved by Germanicus Kent in North Carolina when he was a boy, moved with the family and later purchased his freedom and settled in Iowa. Germanicus Kent is considered a founder of the town of Rockford, Illinois, and served in the Illinois state legislature. Mary Kent, born in 1836, was the first child of European ancestry born in Rockford. The family returned to Arabella's hometown of Blacksburg in 1843.","Sources\n      Glenn L. McMullen, \"Tending the Wounded: Two Virginians in the Confederate Medical Corps,\" Virginia Cavalcade, Vol. 40, No. 4 (Spring 1991), 172-183\n      A Surgeon with Stonewall Jackson: The Civil War Letters of Dr. Harvey Black, edited by Glenn L. McMullen (Baltimore: Butternut and Blue, 1995)\n      Biographical sketches of John S. Apperson by Glenn McMullen and of Harvey Black Apperson, by Crandall Shiflett in John T. Kneebone, J. Jefferson Looney, Brent Tartar, and Sandra Gioia Treadway, eds., Dictionary of Virginia Biography, Vol. 1 (The Library of Virginia, 1998), 181-183\n      \"Germanicus A. Kent: Founder of Rockford, Illinois,\" published by the Rockford Historical Society, n.d.","The guide to the Black, Kent, and Apperson Family Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The papers were previously organized into three collections: the Black Family Papers, Ms1974-003; the Apperson Family Papers, Ms1974-017; and the Kent Family Papers, Ms1974-018. They were further processed and merged into one collection in 2002. Additional description was completed in 2021.","Three boxes are unprocessed. Contact Special Collections and University Archives for more information.","This item was previously listed on the finding aid as \"General Store, Blacksburg, 1857-1862.\"","See the following materials related to these families, which are also at Virginia Tech Special Collections and University Archives:","James Randal Kent Papers, Ms1987-031","Elizabeth Kent Adams Papers, Ms1990-045","Medical Bill Signed by Dr. Harvey Black, Ms2009-084","Bell, Kent, Cloyd, Withrow Family Collection, Ms2008-040","The Black, Kent, and Apperson Family Papers, 1779-1984 (bulk 1821-1948) documents the families of Blacksburg and Marion, Virginia. The collection comprises American Civil War letters of Dr. Harvey Black, Civil War diaries of John Apperson, records and correspondence pertaining to nineteenth-century Blacksburg residents Edwin Amiss, his sister Arabella Amiss Kent, and her husband Germanicus Kent, cotton trader and Rockford, Illinois pioneer; and account books, correspondence, and photographs of several members of the Black, Kent, and Apperson families of Blacksburg and Marion, Virginia. The collection is divided into the following major series: Harvey Black Papers, Black Family Papers, Germanicus Kent Papers, Black Family Business Records, John S. Apperson Papers, Mary E. Apperson Papers, Alexander Apperson Papers, and Harvey B. Apperson Political Scrapbooks.","Series I. Harvey Black Papers, 1847-1888, contains the following subseries: Diaries, Civil War Letters, General Correspondence, Medical Career Records, and Virginia Agricultural and Mechanical College. It also includes one photograph, ca. 1865, of Harvey Black.","Dating 1861 to 1864, the Civil War Letters document Black's experiences as a regimental surgeon in the Stonewall Brigade and as surgeon in charge of the Second Corps field hospital. The series comprises letters Black wrote to his wife Mary (Molly) in Blacksburg. Black usually wrote to his wife two to three days after a major battle and reported who, from Blacksburg, had been killed or wounded. He describes the effects of disease on the troops, looking for his brother-in-law Lewis Kent among the Union wounded at the Battle of Fredericksburg, the delirium of Stonewall Jackson as he lay dying at Guinea Station, and the difficulties of keeping his family clothed and fed during the war.","The Diaries consist of a short diary Black kept of his journey from Christiansburg to Mexico to fight in the Mexican War and a diary of a four-month journey, on horseback, from western Virginia through West Virginia, Ohio, Wisconsin, Michigan, Illinois, Iowa, Missouri, and Tennessee in the fall of 1849. The Mexican War diary details Black's trip from Christiansburg to Norfolk and eventually Buena Vista, but provides little information about serving in the war. Both diaries contain mainly Black's observations about the towns and cities he passes through. The diary of the trip west compares culture and society in Virginia and the West and references encounters with Virginians who had moved west.","General Correspondence, 1847-1871, comprises two letters Black wrote while he was studying medicine at the University of Virginia, his proposal of marriage to Mary (Molly) Kent, and a folder of letters Black received from family members between 1848 and 1871. One letter describes pioneering in Island County, Washington Territory, in 1853; and two letters from Virginia State Senator John Penn regard the establishment of the Virginia Agricultural and Mechanical College, forerunner of Virginia Tech, in Blacksburg.","The Medical Career Records, dating 1848 to 1888, documents Harvey Black's medical career before and after the Civil War and letters of recommendation for the position of Superintendent of the Eastern Lunatic Asylum of Virginia and the Southwestern Lunatic Asylum of Virginia. This series also contains an 1887 annual report for the Southwestern Lunatic Asylum of Virginia.","The Virginia Agricultural and Mechanical College Records span the years 1870 to 1873. This small series consists of a subscription list for the Preston and Olin Institute, an early history of the founding of the Virginia Agricultural and Mechanical College, and certificates of appointment to the college's Board of Visitors.","Series II. Black Family Papers, 1779-1911 (bulk 1845-1911): Materials include an 1845 bill of sale for an enslaved girl named Adaline; an 1856 letter from Charles to Alexander Black; photographs of Alexander Black, Kent Black, and Kent's wife Mary Bell Black; a 1911 letter from Mary Kent to her children; and a quilt given to Kent Black by his medical patients, ca. 1890. Additionally, the series has the wedding register of Mary and Kent Black and an invitation to the 1885 Blacksburg Grand Annual Ball.","Series III. Germanicus Kent Papers, 1818-1899: The series comprises Germanicus Kent's cotton books and correspondence with his sons Lewis and John, his brother Aratus Kent, and his brother-in- law Edwin Amiss. The cotton books document Kent's experience as a cotton merchant based in Huntsville, Alabama, 1821 to 1823. They provide lists of cotton prices and copies of correspondence to clients in Nashville and New Orleans. The correspondence describes life in Blacksburg in the 1830s, the Kent family's decision to settle in Virginia after living in Illinois, and Kent's business investments in the west and in Blacksburg. Letters from Edwin Amiss to Arabella and Germanicus Kent pertain to Arabella Kent continuing to enslave people by inheriting her mother's estate. An 1860 letter from Germanicus Kent to Aratus Kent discusses Germanicus Kent's desire to establish contact with the man he formerly enslaved Lewis Lemon Kent, then living in Iowa.","Series IV. Black Family Business Records, 1832-1924: Account books for mercantile establishments in Blacksburg make up the bulk of this series.. It also contains an account book for A.W. Luster; a 1908 inventory for W. Stone \u0026 Son; and a copy of an undated newspaper advertisement for A. Black and Company.","Series V. John S. Apperson Papers, 1858-1915: John Apperson's Civil War Diary is the centerpiece. The diary consist of Apperson's account of his journey, in 1859, from his home in Locust Grove, Virginia to Smyth County in Southwest Virginia. In the Civil War diaries, he describes medical care of soldiers and lists monthly figures of wounded and dead for the Second Corps field hospital. He discusses going onto the battlefield after the fighting stopped at First Manassas, the scene on the morning of the Battle of Fredericksburg, December 13, 1862; performing his first amputation; and his efforts to continue his medical education during the Civil War. Additionally, this series contains correspondence about Apperson's business career, 1900 and 1910, a catalog for the Marion Foundry and Machine Works, and photographs of John Apperson, Elizabeth Black, and their children.","Series VI. Mary E. Apperson Papers, 1889-1977, and Series VII. Alexander Apperson Papers, 1827-1984: Research files on the Black, Kent, and Apperson families of Blacksburg and Marion compose the bulk of these two series. Materials also include publications pertaining to family history; correspondence with the Rockford, Illinois Historical Society regarding research on Germanicus Kent; correspondence related to other genealogy research; the recollections of Elizabeth Black Apperson about Blacksburg history and buildings; family photographs and a photograph, ca. 1900, of the Alexander Black house in Blacksburg; and family artifacts.","Series VIII. Harvey B. Apperson Political Scrapbooks, 1933-1950: The scrapbooks largely consist of newspaper clippings detailing Harvey B. Apperson's political career and Democratic Party politics in the Roanoke area in the 1930s and in Richmond in the 1940s. Additionally, there are letters and telegrams of congratulation Apperson received when he was appointed Attorney General of Virginia in 1947, telegrams and letters of condolence his wife received upon his death four months later, photographs, and political ephemera.","Series IX. Blacksburg Mining and Manufacturing Company, 1826-1965: Legal documents and correspondence pertain to the division of proceeds of mining investments among the Apperson descendants of Harvey Black. The series also contains maps of Black and Apperson property in Blacksburg, ca. 1949.","Series X. Assorted Papers, 1872, 1912: The last series includes two items, the Louise Caton Travel Diary, 1912, and The Christian Union publication, 1872. The diary of Louise Caton's four-month tour of Europe in 1912 describes her voyage from New York to Genoa on the Laxmia and from Liverpool back to New York on the Celtic. The relationship of Louise Caton to the Black, Kent, and Apperson families is unknown.","This small series includes a letter Harvey Black received from family who had settled in Wisconsin; a letter from a member of the Crockett family pioneering in Washington Territory, and two letters from Virginia State Senator John Penn regarding the establishment of Virginia Agricultural and Mechanical College in Blacksburg.","In this subseries of five letters from Germanicus Kent to his sons and his brother Aratus, Kent discusses investments, family, and Lewis Lemon (Kent), who bought his freedom from Kent ca. 1835.","This folder contains four family letters presumed to pertain to the extended Kent Amiss family. The correspondents are Edith Boggs, David and E. Cook, Mary Sloutermires, William G., and his son Nelson.","Accounts and correspondence in these two bound cotton books detail Germanicus Kent's business as a cotton merchant in Huntsville, Alabama.","Materials corncern the Kent family's move from Alabama to Illinois.","This file contains a contract outlining the terms of a proposed business partnership between Edwin Amiss and Germanicus Kent and a contract to build a home in Blacksburg.","This series is composed primarily of five ledgers containing alphabetically indexed customer account histories for various mercantile establishments, probably in Blacksburg. Also included are documents and correspondence pertaining to Black family investments in oil drilling operations in Texas, 1912-1924.","This ledger includes an inventory, July 1908, for W. Stone \u0026 Son.","This subseries comprises documents pertaining to investments in the Radford Land Improvement Company, 1889; the Radford West End Land Company, 1909; and oil drilling operations in Texas, 1912-1924.","This subseries comprises miscellaneous receipts, 1862; Business Correspondence, 1900-1910; and a catalog for the Marion Foundry and Machine Works, 1915.","These letters discuss the illness of the daughter of Mrs. Cyprus McCormick and John S. Apperson.","This file contains newspaper clippings on Blacksburg history and members of the Black, Kent, and Apperson families.","The Directory's cover illustration is a photograph of a sculpture commemorating the role played by Germanicus Kent and Lewis Lemon, Kent's former slave, in the founding of Rockford, Illinois.","This series is primarily composed of research files on the genealogy of the Black, Kent, Apperson and related families. It also contains family photographs, including a picture of the Alexander Black House, later burned, ca. 1900; a folder of correspondence pertaining to Alexander Black's service on the vestry of Mountainbrook Methodist Church in Birmingham, Alabama, 1944-1954; a 1914 edition of \"The X-Ray,\" the yearbook of Marion High School; and a program from the 1962 annual convention of the Virginia Division of the United Daughters of the Confederacy.","This subseries contains one folder of correspondence pertaining to a proposed memorial to Harvey Black at Virginia Tech from 1953; one folder of correspondence concerning Mountainbrook Methodist Church in Birmingham, Alabama, 1944-1954, and one letter, 1934, from A.J. Oliver to Harvey Black Apperson, discussing Oliver's father, who worked for Virginia Agricultural and Mechanical College in the 1870s and helped plant the first trees on the campus.","This subseries includes the Marion High School yearbook, 1914; and a program from the Sixty-seventh Annual Convention of the Virginia Division of the United Daughters of the Confederacy, 1962.","This subseries comprises correspondence, applications to family heritage organizations, and copies of documents regarding genealogy research on the Black, Kent, Apperson, and related families.","File contains three items in French.","Documents in this subseries pertain to applications, by members of the Black family, for membership in the Daughters of the American Revolution, Huguenot Society, Magna Carta Barons, National Society of Colonial Wars, and the Society of Colonial Dames.","Scrapbooks contain newspaper clippings, incoming correspondence and telegrams, photographs, and ephemera documenting Harvey Apperson's political career from 1933, when he ran for the State Senate, to his death in 1948, four months after Governor William Tuck appointed him Attorney General.","Five scrapbooks and one box of items removed from the scrapbooks and copied for preservation. Photographs and ephemera removed from the scrapbooks are stored in Box 15.","This series is comprised of deeds, reports, correspondence, lease agreements, and receipts pertaining to Apperson family investments in mining operations at Poverty Hollow, Tom's Creek Road, the Blacksburg Manufacturing and Mining Company, and M.C. Slusser and Company. It also contains maps of Blacksburg Manufacturing and Mining Company coal land sold to the Hoge heirs in 1928 and maps showing property owned by the Alexander and Lizzie O. Black estate and Apperson Properties in 1937 and 1948.","The diary is an account of Louise Caton's voyage from New York to Genoa, Italy, her travels through Italy, Switzerland, Germany, Holland, France, and England, and her return from Liverpool to New York in the summer of 1912.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection contains the papers and artifacts of an interrelated family prominent in Blacksburg's history. It includes the American Civil War letters of Confederate surgeon Dr. Harvey Black, the Civil War diary of hospital steward John S. Apperson, cotton books and correspondence of Germanicus Kent, nineteenth-century account books of a Blacksburg general store, 1912 European travel diary, and the political scrapbooks of State Senator and Attorney General Harvey B. Apperson.","Special Collections and University Archives, Virginia Tech","A. W. Luster","Confederate States of America. Army. Stonewall Brigade","Eastern Lunatic Asylum of Virginia","Marion Foundry and Machine Works (Marion, Va.)","Preston and Olin Institute (Blacksburg, Va.)","Southwestern Lunatic Asylum of Virginia (1887-1935)","Virginia Agricultural and Mechanical College (1872-1896)","W. Stone \u0026 Son","Apperson family","Black family","Kent family","Amiss, Edwin","Apperson, Alex","Apperson, Elizabeth Black","Apperson, Harvey Black, 1890-1948","Apperson, John Samuel, 1837-1904","Apperson, Mary","Black, Harvey, 1827-1888","Black, Kent, active 1876-1890","Black, Mary Kent, b.1836","Caton, Louise","Kent, Germanicus, 1791-1862","Lemon, Lewis","Kent, Lewis (enslaved person)","The materials in the collection are in English."],"collection_title_tesim":["Black, Kent, and Apperson Family Papers, 1779/1984"],"collection_ssim":["Black, Kent, and Apperson Family Papers, 1779/1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1974.003"],"unitid_tesim":["Ms.1974.003"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Blacksburg (Va.)","Huntsville (Ala.)","Marion (Va.)"],"geogname_ssim":["Blacksburg (Va.)","Huntsville (Ala.)","Marion (Va.)"],"places_ssim":["Blacksburg (Va.)","Huntsville (Ala.)","Marion (Va.)"],"creator_persname_ssim":["Amiss, Edwin","Apperson, Alex","Apperson, Elizabeth Black","Apperson, Harvey Black, 1890-1948","Apperson, John Samuel, 1837-1904","Apperson, Mary","Black, Harvey, 1827-1888","Black, Kent, active 1876-1890","Black, Mary Kent, b.1836","Caton, Louise","Kent, Germanicus, 1791-1862","Lemon, Lewis","Kent, Lewis (enslaved person)"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","A. W. Luster","Confederate States of America. Army. Stonewall Brigade","Eastern Lunatic Asylum of Virginia","Marion Foundry and Machine Works (Marion, Va.)","Preston and Olin Institute (Blacksburg, Va.)","Southwestern Lunatic Asylum of Virginia (1887-1935)","Virginia Agricultural and Mechanical College (1872-1896)","W. Stone \u0026 Son"],"creator_famname_ssim":["Apperson family","Black family","Kent family"],"creators_ssim":["Amiss, Edwin","Apperson, Alex","Apperson, Elizabeth Black","Apperson, Harvey Black, 1890-1948","Apperson, John Samuel, 1837-1904","Apperson, Mary","Black, Harvey, 1827-1888","Black, Kent, active 1876-1890","Black, Mary Kent, b.1836","Caton, Louise","Kent, Germanicus, 1791-1862","Lemon, Lewis","Kent, Lewis (enslaved person)","Special Collections and University Archives, Virginia Tech","A. W. Luster","Confederate States of America. Army. Stonewall Brigade","Eastern Lunatic Asylum of Virginia","Marion Foundry and Machine Works (Marion, Va.)","Preston and Olin Institute (Blacksburg, Va.)","Southwestern Lunatic Asylum of Virginia (1887-1935)","Virginia Agricultural and Mechanical College (1872-1896)","W. Stone \u0026 Son","Apperson family","Black family","Kent family"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Black, Kent, and Apperson Family Papers were donated to Virginia Tech from 1955 to 1990. The American Civil War letters of Harvey Black and the Civil War diaries of John Apperson were donated in 1974."],"access_subjects_ssim":["Civil War","Folk, historical, and patent medicine","Genealogy","Local/Regional History and Appalachian South","Medicine","Medicine, Military -- History","Montgomery County (Va.)","United States -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Diaries","Women -- History"],"access_subjects_ssm":["Civil War","Folk, historical, and patent medicine","Genealogy","Local/Regional History and Appalachian South","Medicine","Medicine, Military -- History","Montgomery County (Va.)","United States -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Diaries","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["ca. 7 Cubic Feet 21 boxes and 1 oversize folder"],"extent_tesim":["ca. 7 Cubic Feet 21 boxes and 1 oversize folder"],"date_range_isim":[1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca show=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/38\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eA microfilm edition of the diary, 1847-1850, of Harvey Black and the American Civil War diaries of John S. Apperson was made by the Library of Virginia in January 1976 and is available at the Library of Virginia in Richmond. The Civil War letters of Harvey Black were published in 1995 in a volume edited by Glenn L. McMullen, which is available in the Rare Book Collection and in Newman Library.\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online.","A microfilm edition of the diary, 1847-1850, of Harvey Black and the American Civil War diaries of John S. Apperson was made by the Library of Virginia in January 1976 and is available at the Library of Virginia in Richmond. The Civil War letters of Harvey Black were published in 1995 in a volume edited by Glenn L. McMullen, which is available in the Rare Book Collection and in Newman Library."],"arrangement_html_tesm":["\u003cp\u003eThe papers are arranged into series corresponding to the creators of the material and subseries by type of material.\u003c/p\u003e","\u003cp\u003eSeries include the following:\u003c/p\u003e","\u003cp\u003e\u003clist\u003e\n\u003citem\u003eSeries I. Harvey Black Papers\u003c/item\u003e\n\u003citem\u003eSeries II. Black Family Papers\u003c/item\u003e\n\u003citem\u003eSeries III. Germanicus Kent Papers\u003c/item\u003e\n\u003citem\u003eSeries IV. Black Family Business Records\u003c/item\u003e\n\u003citem\u003eSeries V. John S. Apperson Papers\u003c/item\u003e\n\u003citem\u003eSeries VI. Mary E. Apperson Papers\u003c/item\u003e\n\u003citem\u003eSeries VII. Alexander Apperson Papers\u003c/item\u003e\n\u003citem\u003eSeries VIII. Harvey B. Apperson Political Scrapbooks\u003c/item\u003e\n\u003citem\u003eSeries IX. Blacksburg Mining and Manufacturing Company\u003c/item\u003e\n\u003citem\u003eSeries X. Assorted Papers\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e  ","\u003cp\u003eThis series is arranged by format.\u003c/p\u003e","\u003cp\u003eThis series is arranged by format.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by name of family being researched.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement note"],"arrangement_tesim":["The papers are arranged into series corresponding to the creators of the material and subseries by type of material.","Series include the following:","Series I. Harvey Black Papers\nSeries II. Black Family Papers\nSeries III. Germanicus Kent Papers\nSeries IV. Black Family Business Records\nSeries V. John S. Apperson Papers\nSeries VI. Mary E. Apperson Papers\nSeries VII. Alexander Apperson Papers\nSeries VIII. Harvey B. Apperson Political Scrapbooks\nSeries IX. Blacksburg Mining and Manufacturing Company\nSeries X. Assorted Papers","This series is arranged by format.","This series is arranged by format.","Arranged alphabetically by name of family being researched."],"bioghist_html_tesm":["\u003cp\u003eIn 1889, Elizabeth Black of Blacksburg, Virginia, married John Apperson of Marion, joining the Black and Kent families of Blacksburg with the Apperson family. Elizabeth Black's father Harvey Black and John S. Apperson served together in the 4th Virginia, 1st Brigade during the American Civil War. Black was a regimental surgeon and Apperson was a hospital steward under his command.\u003c/p\u003e","\u003cp\u003eHarvey Black (1827-1888) was a native of Blacksburg and a grandson of town founder John Black. (Harvey Black did not use the e in his given name, but as an adult he regularly signed his name as H. Black and he was almost always identified publicly as Harvey Black.) After attending local schools, he began studying medicine under two local doctors. In 1847, he volunteered to serve in the Mexican War in the 1st Regiment Virginia Volunteers; three months later, he was made a hospital steward. He entered medical school at the University of Virginia in 1848 and graduated in June 1849. That fall, he took a four-month journey, on horseback, from western Virginia through the upper Mid-West as far west as Iowa. He decided to settle in Blacksburg and opened a medical practice there in 1852. The same year, he married Mary Kent of Blacksburg.\u003c/p\u003e","\u003cp\u003eOn August 2, 1861, Harvey Black was appointed regimental surgeon in the 4th Virginia, 1st Brigade, known as the Stonewall Brigade. John Apperson, who had enlisted with the Smyth Blues of Smyth County, Virginia, in April 1861, was appointed hospital steward under the command of Harvey Black in March 1862. Black and Apperson served together with the 4th regiment until late 1862. They provided medical care to the wounded at first Manassas, second Manassas, and the Battle of Fredericksburg. In late 1862, Black was appointed surgeon of the field hospital of the Second Corps, Army of Northern Virginia, and brought Apperson with him. Both served in this hospital until the end of the war, taking care of recuperating soldiers who were wounded of the Second Corps' major engagements, including the Battle of Chancellorsville in 1863 and the Spotsylvania Campaign in 1864. Black assisted Hunter Holmes McGuire with the amputation of Stonewall Jackson's arm on May 3, 1863.\u003c/p\u003e","\u003cp\u003eAfter the Civil War, Harvey Black resumed his medical practice in Blacksburg. He was elected president of the Medical Society of Virginia in 1872. He played an instrumental role in the founding of the Virginia Agricultural and Mechanical College in Blacksburg in 1872. He was the first rector of the Board of Visitors.\u003c/p\u003e","\u003cp\u003eFrom 1786 to 1882, Harvey Black was Superintendent of the Eastern Lunatic Asylum in Williamsburg. In 1884, he was appointed to the board of a proposed state mental hospital for southwestern Virginia. In 1885, he was elected to represent Montgomery County in the House of Delegates and served two sessions. In the House, he influenced the decision to locate the new hospital in Marion. In 1887, Black became the first superintendent of the new Southwestern State Lunatic Asylum in Marion. He appointed John S. Apperson assistant physician there. Harvey Black died in Richmond in October 1888 and was buried in Westview Cemetery in Blacksburg.\u003c/p\u003e","\u003cp\u003eJohn S. Apperson (1837-1908) was born in Locust Grove, Virginia, and moved to Smyth County in 1859. He took a job splitting rails and began to study medicine under local physician William Faris. In 1861, Apperson enlisted in the Smyth Blues, organized as Company D, 4th Virginia. After the Civil War, he studied medicine at the University of Virginia, earning a degree in 1867. He returned to Smyth County and married Victoria Hull in 1868. They lived in Chilhowie, and Apperson practiced medicine and farmed. They had seven children.\u003c/p\u003e","\u003cp\u003eJohn Apperson's first wife died in 1887. The same year, he took a job as assistant physician under Harvey Black at the Southwestern Lunatic Asylum of Virginia in Marion. When Harvey Black died in 1888, Apperson resigned his position at the Southwestern Lunatic Asylum and established a medical practice in Marion. In 1889, he married Elizabeth, daughter of his friend and mentor Harvey Black. They had four children: Harvey, Alexander, Kent, and Mary.\u003c/p\u003e","\u003cp\u003eAfter his second marriage, John Apperson pursued a career in business. He was one of eight founders of Staley's Creek Manganese and Iron Company. In 1906, he expanded the operations of the Marion Foundry and Milling Company into the Marion Foundry and Machine Works. He also promoted the building of the Marion and Rye Valley Railroad.\u003c/p\u003e","\u003cp\u003eIn 1892, the Virginia Board of World's Fair Managers employed Apperson to collect items and transport Virginia exhibits to the 1893 World's Columbian Exposition in Chicago. John Apperson died in Marion in 1908. His wife Elizabeth died in Blacksburg in 1942.\u003c/p\u003e","\u003cp\u003eHarvey Black Apperson (1890-1948), the oldest child of John Apperson and Elizabeth Black, lived in Salem, Virginia, and practiced law in Roanoke for thirty years. He became active in Democratic Party politics in the 1920s. In a special election in 1933, he was elected to represent Floyd, Franklin, Montgomery, and Roanoke counties and the cities of Radford and Roanoke in the State Senate. He served on the State Corporation Commission from 1944 to 1947 and was Chairman of the Commission from June 1944 to 1947. Governor William Tuck appointed him Attorney General in August 1947, and he took office October 7, 1947. He died suddenly of a heart attack at his home in Richmond on February 2, 1948. Alexander Apperson worked at the Marion Foundry and Machine Works for a period and later moved to Birmingham, Alabama.\u003c/p\u003e","\u003cp\u003eGermanicus Kent (1791-1861) and Arabella Amiss Kent (1809-1951), parents of Harvey Black's wife Mary, are also documented in this collection. Germanicus Kent was born in Suffield, Connecticut, and attended Yale College. Circa 1822, he moved to Huntsville, Alabama, and worked as a cotton merchant. In 1827, he married Arabella Amiss of Blacksburg. According to a family account, Germanicus Kent left Huntsville in 1834 at the insistence of his brother Aratus Kent, a missionary in Illinois who opposed slavery. Aratus Kent was a founder of Beloit and Rockford colleges in Illinois. The family moved to Illinois in 1834. Lewis Kent (also known as Lewis Lemon), who was enslaved by Germanicus Kent in North Carolina when he was a boy, moved with the family and later purchased his freedom and settled in Iowa. Germanicus Kent is considered a founder of the town of Rockford, Illinois, and served in the Illinois state legislature. Mary Kent, born in 1836, was the first child of European ancestry born in Rockford. The family returned to Arabella's hometown of Blacksburg in 1843.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSources\u003c/head\u003e\n      \u003citem\u003eGlenn L. McMullen, \"Tending the Wounded: Two Virginians in the Confederate Medical Corps,\" Virginia Cavalcade, Vol. 40, No. 4 (Spring 1991), 172-183\u003c/item\u003e\n      \u003citem\u003eA Surgeon with Stonewall Jackson: The Civil War Letters of Dr. Harvey Black, edited by Glenn L. McMullen (Baltimore: Butternut and Blue, 1995)\u003c/item\u003e\n      \u003citem\u003eBiographical sketches of John S. Apperson by Glenn McMullen and of Harvey Black Apperson, by Crandall Shiflett in John T. Kneebone, J. Jefferson Looney, Brent Tartar, and Sandra Gioia Treadway, eds., Dictionary of Virginia Biography, Vol. 1 (The Library of Virginia, 1998), 181-183\u003c/item\u003e\n      \u003citem\u003e\"Germanicus A. Kent: Founder of Rockford, Illinois,\" published by the Rockford Historical Society, n.d.\u003c/item\u003e\n    \u003c/list\u003e\n  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["In 1889, Elizabeth Black of Blacksburg, Virginia, married John Apperson of Marion, joining the Black and Kent families of Blacksburg with the Apperson family. Elizabeth Black's father Harvey Black and John S. Apperson served together in the 4th Virginia, 1st Brigade during the American Civil War. Black was a regimental surgeon and Apperson was a hospital steward under his command.","Harvey Black (1827-1888) was a native of Blacksburg and a grandson of town founder John Black. (Harvey Black did not use the e in his given name, but as an adult he regularly signed his name as H. Black and he was almost always identified publicly as Harvey Black.) After attending local schools, he began studying medicine under two local doctors. In 1847, he volunteered to serve in the Mexican War in the 1st Regiment Virginia Volunteers; three months later, he was made a hospital steward. He entered medical school at the University of Virginia in 1848 and graduated in June 1849. That fall, he took a four-month journey, on horseback, from western Virginia through the upper Mid-West as far west as Iowa. He decided to settle in Blacksburg and opened a medical practice there in 1852. The same year, he married Mary Kent of Blacksburg.","On August 2, 1861, Harvey Black was appointed regimental surgeon in the 4th Virginia, 1st Brigade, known as the Stonewall Brigade. John Apperson, who had enlisted with the Smyth Blues of Smyth County, Virginia, in April 1861, was appointed hospital steward under the command of Harvey Black in March 1862. Black and Apperson served together with the 4th regiment until late 1862. They provided medical care to the wounded at first Manassas, second Manassas, and the Battle of Fredericksburg. In late 1862, Black was appointed surgeon of the field hospital of the Second Corps, Army of Northern Virginia, and brought Apperson with him. Both served in this hospital until the end of the war, taking care of recuperating soldiers who were wounded of the Second Corps' major engagements, including the Battle of Chancellorsville in 1863 and the Spotsylvania Campaign in 1864. Black assisted Hunter Holmes McGuire with the amputation of Stonewall Jackson's arm on May 3, 1863.","After the Civil War, Harvey Black resumed his medical practice in Blacksburg. He was elected president of the Medical Society of Virginia in 1872. He played an instrumental role in the founding of the Virginia Agricultural and Mechanical College in Blacksburg in 1872. He was the first rector of the Board of Visitors.","From 1786 to 1882, Harvey Black was Superintendent of the Eastern Lunatic Asylum in Williamsburg. In 1884, he was appointed to the board of a proposed state mental hospital for southwestern Virginia. In 1885, he was elected to represent Montgomery County in the House of Delegates and served two sessions. In the House, he influenced the decision to locate the new hospital in Marion. In 1887, Black became the first superintendent of the new Southwestern State Lunatic Asylum in Marion. He appointed John S. Apperson assistant physician there. Harvey Black died in Richmond in October 1888 and was buried in Westview Cemetery in Blacksburg.","John S. Apperson (1837-1908) was born in Locust Grove, Virginia, and moved to Smyth County in 1859. He took a job splitting rails and began to study medicine under local physician William Faris. In 1861, Apperson enlisted in the Smyth Blues, organized as Company D, 4th Virginia. After the Civil War, he studied medicine at the University of Virginia, earning a degree in 1867. He returned to Smyth County and married Victoria Hull in 1868. They lived in Chilhowie, and Apperson practiced medicine and farmed. They had seven children.","John Apperson's first wife died in 1887. The same year, he took a job as assistant physician under Harvey Black at the Southwestern Lunatic Asylum of Virginia in Marion. When Harvey Black died in 1888, Apperson resigned his position at the Southwestern Lunatic Asylum and established a medical practice in Marion. In 1889, he married Elizabeth, daughter of his friend and mentor Harvey Black. They had four children: Harvey, Alexander, Kent, and Mary.","After his second marriage, John Apperson pursued a career in business. He was one of eight founders of Staley's Creek Manganese and Iron Company. In 1906, he expanded the operations of the Marion Foundry and Milling Company into the Marion Foundry and Machine Works. He also promoted the building of the Marion and Rye Valley Railroad.","In 1892, the Virginia Board of World's Fair Managers employed Apperson to collect items and transport Virginia exhibits to the 1893 World's Columbian Exposition in Chicago. John Apperson died in Marion in 1908. His wife Elizabeth died in Blacksburg in 1942.","Harvey Black Apperson (1890-1948), the oldest child of John Apperson and Elizabeth Black, lived in Salem, Virginia, and practiced law in Roanoke for thirty years. He became active in Democratic Party politics in the 1920s. In a special election in 1933, he was elected to represent Floyd, Franklin, Montgomery, and Roanoke counties and the cities of Radford and Roanoke in the State Senate. He served on the State Corporation Commission from 1944 to 1947 and was Chairman of the Commission from June 1944 to 1947. Governor William Tuck appointed him Attorney General in August 1947, and he took office October 7, 1947. He died suddenly of a heart attack at his home in Richmond on February 2, 1948. Alexander Apperson worked at the Marion Foundry and Machine Works for a period and later moved to Birmingham, Alabama.","Germanicus Kent (1791-1861) and Arabella Amiss Kent (1809-1951), parents of Harvey Black's wife Mary, are also documented in this collection. Germanicus Kent was born in Suffield, Connecticut, and attended Yale College. Circa 1822, he moved to Huntsville, Alabama, and worked as a cotton merchant. In 1827, he married Arabella Amiss of Blacksburg. According to a family account, Germanicus Kent left Huntsville in 1834 at the insistence of his brother Aratus Kent, a missionary in Illinois who opposed slavery. Aratus Kent was a founder of Beloit and Rockford colleges in Illinois. The family moved to Illinois in 1834. Lewis Kent (also known as Lewis Lemon), who was enslaved by Germanicus Kent in North Carolina when he was a boy, moved with the family and later purchased his freedom and settled in Iowa. Germanicus Kent is considered a founder of the town of Rockford, Illinois, and served in the Illinois state legislature. Mary Kent, born in 1836, was the first child of European ancestry born in Rockford. The family returned to Arabella's hometown of Blacksburg in 1843.","Sources\n      Glenn L. McMullen, \"Tending the Wounded: Two Virginians in the Confederate Medical Corps,\" Virginia Cavalcade, Vol. 40, No. 4 (Spring 1991), 172-183\n      A Surgeon with Stonewall Jackson: The Civil War Letters of Dr. Harvey Black, edited by Glenn L. McMullen (Baltimore: Butternut and Blue, 1995)\n      Biographical sketches of John S. Apperson by Glenn McMullen and of Harvey Black Apperson, by Crandall Shiflett in John T. Kneebone, J. Jefferson Looney, Brent Tartar, and Sandra Gioia Treadway, eds., Dictionary of Virginia Biography, Vol. 1 (The Library of Virginia, 1998), 181-183\n      \"Germanicus A. Kent: Founder of Rockford, Illinois,\" published by the Rockford Historical Society, n.d."],"odd_html_tesm":["\u003cp\u003eThe guide to the Black, Kent, and Apperson Family Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Black, Kent, and Apperson Family Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Black, Kent, and Apperson Family Papers, Ms1974-003, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Black, Kent, and Apperson Family Papers, Ms1974-003, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe papers were previously organized into three collections: the Black Family Papers, Ms1974-003; the Apperson Family Papers, Ms1974-017; and the Kent Family Papers, Ms1974-018. They were further processed and merged into one collection in 2002. Additional description was completed in 2021.\u003c/p\u003e","\u003cp\u003eThree boxes are unprocessed. Contact Special Collections and University Archives for more information.\u003c/p\u003e  ","\u003cp\u003eThis item was previously listed on the finding aid as \"General Store, Blacksburg, 1857-1862.\"\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["The papers were previously organized into three collections: the Black Family Papers, Ms1974-003; the Apperson Family Papers, Ms1974-017; and the Kent Family Papers, Ms1974-018. They were further processed and merged into one collection in 2002. Additional description was completed in 2021.","Three boxes are unprocessed. Contact Special Collections and University Archives for more information.","This item was previously listed on the finding aid as \"General Store, Blacksburg, 1857-1862.\""],"relatedmaterial_html_tesm":["\u003cp\u003eSee the following materials related to these families, which are also at Virginia Tech Special Collections and University Archives:\u003c/p\u003e","\u003cp\u003e\u003ca target=\"_blank\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/VT/repositories_2_resources_1474.xml\"\u003eJames Randal Kent Papers, Ms1987-031\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca target=\"_blank\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/VT/repositories_2_resources_1779.xml\"\u003eElizabeth Kent Adams Papers, Ms1990-045\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca target=\"_blank\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/VT/repositories_2_resources_2503.xml\"\u003eMedical Bill Signed by Dr. Harvey Black, Ms2009-084\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca target=\"_blank\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/VT/repositories_2_resources_2361.xml\"\u003eBell, Kent, Cloyd, Withrow Family Collection, Ms2008-040\u003c/a\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See the following materials related to these families, which are also at Virginia Tech Special Collections and University Archives:","James Randal Kent Papers, Ms1987-031","Elizabeth Kent Adams Papers, Ms1990-045","Medical Bill Signed by Dr. Harvey Black, Ms2009-084","Bell, Kent, Cloyd, Withrow Family Collection, Ms2008-040"],"scopecontent_html_tesm":["\u003cp\u003eThe Black, Kent, and Apperson Family Papers, 1779-1984 (bulk 1821-1948) documents the families of Blacksburg and Marion, Virginia. The collection comprises American Civil War letters of Dr. Harvey Black, Civil War diaries of John Apperson, records and correspondence pertaining to nineteenth-century Blacksburg residents Edwin Amiss, his sister Arabella Amiss Kent, and her husband Germanicus Kent, cotton trader and Rockford, Illinois pioneer; and account books, correspondence, and photographs of several members of the Black, Kent, and Apperson families of Blacksburg and Marion, Virginia. The collection is divided into the following major series: Harvey Black Papers, Black Family Papers, Germanicus Kent Papers, Black Family Business Records, John S. Apperson Papers, Mary E. Apperson Papers, Alexander Apperson Papers, and Harvey B. Apperson Political Scrapbooks.\u003c/p\u003e","\u003cp\u003eSeries I. Harvey Black Papers, 1847-1888, contains the following subseries: Diaries, Civil War Letters, General Correspondence, Medical Career Records, and Virginia Agricultural and Mechanical College. It also includes one photograph, ca. 1865, of Harvey Black.\u003c/p\u003e","\u003cp\u003eDating 1861 to 1864, the Civil War Letters document Black's experiences as a regimental surgeon in the Stonewall Brigade and as surgeon in charge of the Second Corps field hospital. The series comprises letters Black wrote to his wife Mary (Molly) in Blacksburg. Black usually wrote to his wife two to three days after a major battle and reported who, from Blacksburg, had been killed or wounded. He describes the effects of disease on the troops, looking for his brother-in-law Lewis Kent among the Union wounded at the Battle of Fredericksburg, the delirium of Stonewall Jackson as he lay dying at Guinea Station, and the difficulties of keeping his family clothed and fed during the war.\u003c/p\u003e","\u003cp\u003eThe Diaries consist of a short diary Black kept of his journey from Christiansburg to Mexico to fight in the Mexican War and a diary of a four-month journey, on horseback, from western Virginia through West Virginia, Ohio, Wisconsin, Michigan, Illinois, Iowa, Missouri, and Tennessee in the fall of 1849. The Mexican War diary details Black's trip from Christiansburg to Norfolk and eventually Buena Vista, but provides little information about serving in the war. Both diaries contain mainly Black's observations about the towns and cities he passes through. The diary of the trip west compares culture and society in Virginia and the West and references encounters with Virginians who had moved west.\u003c/p\u003e","\u003cp\u003eGeneral Correspondence, 1847-1871, comprises two letters Black wrote while he was studying medicine at the University of Virginia, his proposal of marriage to Mary (Molly) Kent, and a folder of letters Black received from family members between 1848 and 1871. One letter describes pioneering in Island County, Washington Territory, in 1853; and two letters from Virginia State Senator John Penn regard the establishment of the Virginia Agricultural and Mechanical College, forerunner of Virginia Tech, in Blacksburg.\u003c/p\u003e","\u003cp\u003eThe Medical Career Records, dating 1848 to 1888, documents Harvey Black's medical career before and after the Civil War and letters of recommendation for the position of Superintendent of the Eastern Lunatic Asylum of Virginia and the Southwestern Lunatic Asylum of Virginia. This series also contains an 1887 annual report for the Southwestern Lunatic Asylum of Virginia.\u003c/p\u003e","\u003cp\u003eThe Virginia Agricultural and Mechanical College Records span the years 1870 to 1873. This small series consists of a subscription list for the Preston and Olin Institute, an early history of the founding of the Virginia Agricultural and Mechanical College, and certificates of appointment to the college's Board of Visitors.\u003c/p\u003e","\u003cp\u003eSeries II. Black Family Papers, 1779-1911 (bulk 1845-1911): Materials include an 1845 bill of sale for an enslaved girl named Adaline; an 1856 letter from Charles to Alexander Black; photographs of Alexander Black, Kent Black, and Kent's wife Mary Bell Black; a 1911 letter from Mary Kent to her children; and a quilt given to Kent Black by his medical patients, ca. 1890. Additionally, the series has the wedding register of Mary and Kent Black and an invitation to the 1885 Blacksburg Grand Annual Ball.\u003c/p\u003e","\u003cp\u003eSeries III. Germanicus Kent Papers, 1818-1899: The series comprises Germanicus Kent's cotton books and correspondence with his sons Lewis and John, his brother Aratus Kent, and his brother-in- law Edwin Amiss. The cotton books document Kent's experience as a cotton merchant based in Huntsville, Alabama, 1821 to 1823. They provide lists of cotton prices and copies of correspondence to clients in Nashville and New Orleans. The correspondence describes life in Blacksburg in the 1830s, the Kent family's decision to settle in Virginia after living in Illinois, and Kent's business investments in the west and in Blacksburg. Letters from Edwin Amiss to Arabella and Germanicus Kent pertain to Arabella Kent continuing to enslave people by inheriting her mother's estate. An 1860 letter from Germanicus Kent to Aratus Kent discusses Germanicus Kent's desire to establish contact with the man he formerly enslaved Lewis Lemon Kent, then living in Iowa.\u003c/p\u003e","\u003cp\u003eSeries IV. Black Family Business Records, 1832-1924: Account books for mercantile establishments in Blacksburg make up the bulk of this series.. It also contains an account book for A.W. Luster; a 1908 inventory for W. Stone \u0026amp; Son; and a copy of an undated newspaper advertisement for A. Black and Company.\u003c/p\u003e","\u003cp\u003eSeries V. John S. Apperson Papers, 1858-1915: John Apperson's Civil War Diary is the centerpiece. The diary consist of Apperson's account of his journey, in 1859, from his home in Locust Grove, Virginia to Smyth County in Southwest Virginia. In the Civil War diaries, he describes medical care of soldiers and lists monthly figures of wounded and dead for the Second Corps field hospital. He discusses going onto the battlefield after the fighting stopped at First Manassas, the scene on the morning of the Battle of Fredericksburg, December 13, 1862; performing his first amputation; and his efforts to continue his medical education during the Civil War. Additionally, this series contains correspondence about Apperson's business career, 1900 and 1910, a catalog for the Marion Foundry and Machine Works, and photographs of John Apperson, Elizabeth Black, and their children.\u003c/p\u003e","\u003cp\u003eSeries VI. Mary E. Apperson Papers, 1889-1977, and Series VII. Alexander Apperson Papers, 1827-1984: Research files on the Black, Kent, and Apperson families of Blacksburg and Marion compose the bulk of these two series. Materials also include publications pertaining to family history; correspondence with the Rockford, Illinois Historical Society regarding research on Germanicus Kent; correspondence related to other genealogy research; the recollections of Elizabeth Black Apperson about Blacksburg history and buildings; family photographs and a photograph, ca. 1900, of the Alexander Black house in Blacksburg; and family artifacts.\u003c/p\u003e","\u003cp\u003eSeries VIII. Harvey B. Apperson Political Scrapbooks, 1933-1950: The scrapbooks largely consist of newspaper clippings detailing Harvey B. Apperson's political career and Democratic Party politics in the Roanoke area in the 1930s and in Richmond in the 1940s. Additionally, there are letters and telegrams of congratulation Apperson received when he was appointed Attorney General of Virginia in 1947, telegrams and letters of condolence his wife received upon his death four months later, photographs, and political ephemera.\u003c/p\u003e","\u003cp\u003eSeries IX. Blacksburg Mining and Manufacturing Company, 1826-1965: Legal documents and correspondence pertain to the division of proceeds of mining investments among the Apperson descendants of Harvey Black. The series also contains maps of Black and Apperson property in Blacksburg, ca. 1949.\u003c/p\u003e","\u003cp\u003eSeries X. Assorted Papers, 1872, 1912: The last series includes two items, the Louise Caton Travel Diary, 1912, and \u003cemph render=\"italic\"\u003eThe Christian Union\u003c/emph\u003e publication, 1872. The diary of Louise Caton's four-month tour of Europe in 1912 describes her voyage from New York to Genoa on the Laxmia and from Liverpool back to New York on the Celtic. The relationship of Louise Caton to the Black, Kent, and Apperson families is unknown.\u003c/p\u003e  ","\u003cp\u003eThis small series includes a letter Harvey Black received from family who had settled in Wisconsin; a letter from a member of the Crockett family pioneering in Washington Territory, and two letters from Virginia State Senator John Penn regarding the establishment of Virginia Agricultural and Mechanical College in Blacksburg.\u003c/p\u003e","\u003cp\u003eIn this subseries of five letters from Germanicus Kent to his sons and his brother Aratus, Kent discusses investments, family, and Lewis Lemon (Kent), who bought his freedom from Kent ca. 1835.\u003c/p\u003e","\u003cp\u003eThis folder contains four family letters presumed to pertain to the extended Kent Amiss family. The correspondents are Edith Boggs, David and E. Cook, Mary Sloutermires, William G., and his son Nelson.\u003c/p\u003e","\u003cp\u003eAccounts and correspondence in these two bound cotton books detail Germanicus Kent's business as a cotton merchant in Huntsville, Alabama.\u003c/p\u003e","\u003cp\u003eMaterials corncern the Kent family's move from Alabama to Illinois.\u003c/p\u003e","\u003cp\u003eThis file contains a contract outlining the terms of a proposed business partnership between Edwin Amiss and Germanicus Kent and a contract to build a home in Blacksburg.\u003c/p\u003e","\u003cp\u003eThis series is composed primarily of five ledgers containing alphabetically indexed customer account histories for various mercantile establishments, probably in Blacksburg. Also included are documents and correspondence pertaining to Black family investments in oil drilling operations in Texas, 1912-1924.\u003c/p\u003e","\u003cp\u003eThis ledger includes an inventory, July 1908, for W. Stone \u0026amp; Son.\u003c/p\u003e","\u003cp\u003eThis subseries comprises documents pertaining to investments in the Radford Land Improvement Company, 1889; the Radford West End Land Company, 1909; and oil drilling operations in Texas, 1912-1924.\u003c/p\u003e","\u003cp\u003eThis subseries comprises miscellaneous receipts, 1862; Business Correspondence, 1900-1910; and a catalog for the Marion Foundry and Machine Works, 1915.\u003c/p\u003e","\u003cp\u003eThese letters discuss the illness of the daughter of Mrs. Cyprus McCormick and John S. Apperson.\u003c/p\u003e","\u003cp\u003eThis file contains newspaper clippings on Blacksburg history and members of the Black, Kent, and Apperson families.\u003c/p\u003e","\u003cp\u003eThe Directory's cover illustration is a photograph of a sculpture commemorating the role played by Germanicus Kent and Lewis Lemon, Kent's former slave, in the founding of Rockford, Illinois.\u003c/p\u003e","\u003cp\u003eThis series is primarily composed of research files on the genealogy of the Black, Kent, Apperson and related families. It also contains family photographs, including a picture of the Alexander Black House, later burned, ca. 1900; a folder of correspondence pertaining to Alexander Black's service on the vestry of Mountainbrook Methodist Church in Birmingham, Alabama, 1944-1954; a 1914 edition of \"The X-Ray,\" the yearbook of Marion High School; and a program from the 1962 annual convention of the Virginia Division of the United Daughters of the Confederacy.\u003c/p\u003e","\u003cp\u003eThis subseries contains one folder of correspondence pertaining to a proposed memorial to Harvey Black at Virginia Tech from 1953; one folder of correspondence concerning Mountainbrook Methodist Church in Birmingham, Alabama, 1944-1954, and one letter, 1934, from A.J. Oliver to Harvey Black Apperson, discussing Oliver's father, who worked for Virginia Agricultural and Mechanical College in the 1870s and helped plant the first trees on the campus.\u003c/p\u003e","\u003cp\u003eThis subseries includes the Marion High School yearbook, 1914; and a program from the Sixty-seventh Annual Convention of the Virginia Division of the United Daughters of the Confederacy, 1962.\u003c/p\u003e","\u003cp\u003eThis subseries comprises correspondence, applications to family heritage organizations, and copies of documents regarding genealogy research on the Black, Kent, Apperson, and related families.\u003c/p\u003e","\u003cp\u003eFile contains three items in French.\u003c/p\u003e","\u003cp\u003eDocuments in this subseries pertain to applications, by members of the Black family, for membership in the Daughters of the American Revolution, Huguenot Society, Magna Carta Barons, National Society of Colonial Wars, and the Society of Colonial Dames.\u003c/p\u003e","\u003cp\u003eScrapbooks contain newspaper clippings, incoming correspondence and telegrams, photographs, and ephemera documenting Harvey Apperson's political career from 1933, when he ran for the State Senate, to his death in 1948, four months after Governor William Tuck appointed him Attorney General.\u003c/p\u003e","\u003cp\u003eFive scrapbooks and one box of items removed from the scrapbooks and copied for preservation. Photographs and ephemera removed from the scrapbooks are stored in Box 15.\u003c/p\u003e","\u003cp\u003eThis series is comprised of deeds, reports, correspondence, lease agreements, and receipts pertaining to Apperson family investments in mining operations at Poverty Hollow, Tom's Creek Road, the Blacksburg Manufacturing and Mining Company, and M.C. Slusser and Company. It also contains maps of Blacksburg Manufacturing and Mining Company coal land sold to the Hoge heirs in 1928 and maps showing property owned by the Alexander and Lizzie O. Black estate and Apperson Properties in 1937 and 1948.\u003c/p\u003e","\u003cp\u003eThe diary is an account of Louise Caton's voyage from New York to Genoa, Italy, her travels through Italy, Switzerland, Germany, Holland, France, and England, and her return from Liverpool to New York in the summer of 1912.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents note","Scope and Content","Scope and Content","Scope and Contents note","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The Black, Kent, and Apperson Family Papers, 1779-1984 (bulk 1821-1948) documents the families of Blacksburg and Marion, Virginia. The collection comprises American Civil War letters of Dr. Harvey Black, Civil War diaries of John Apperson, records and correspondence pertaining to nineteenth-century Blacksburg residents Edwin Amiss, his sister Arabella Amiss Kent, and her husband Germanicus Kent, cotton trader and Rockford, Illinois pioneer; and account books, correspondence, and photographs of several members of the Black, Kent, and Apperson families of Blacksburg and Marion, Virginia. The collection is divided into the following major series: Harvey Black Papers, Black Family Papers, Germanicus Kent Papers, Black Family Business Records, John S. Apperson Papers, Mary E. Apperson Papers, Alexander Apperson Papers, and Harvey B. Apperson Political Scrapbooks.","Series I. Harvey Black Papers, 1847-1888, contains the following subseries: Diaries, Civil War Letters, General Correspondence, Medical Career Records, and Virginia Agricultural and Mechanical College. It also includes one photograph, ca. 1865, of Harvey Black.","Dating 1861 to 1864, the Civil War Letters document Black's experiences as a regimental surgeon in the Stonewall Brigade and as surgeon in charge of the Second Corps field hospital. The series comprises letters Black wrote to his wife Mary (Molly) in Blacksburg. Black usually wrote to his wife two to three days after a major battle and reported who, from Blacksburg, had been killed or wounded. He describes the effects of disease on the troops, looking for his brother-in-law Lewis Kent among the Union wounded at the Battle of Fredericksburg, the delirium of Stonewall Jackson as he lay dying at Guinea Station, and the difficulties of keeping his family clothed and fed during the war.","The Diaries consist of a short diary Black kept of his journey from Christiansburg to Mexico to fight in the Mexican War and a diary of a four-month journey, on horseback, from western Virginia through West Virginia, Ohio, Wisconsin, Michigan, Illinois, Iowa, Missouri, and Tennessee in the fall of 1849. The Mexican War diary details Black's trip from Christiansburg to Norfolk and eventually Buena Vista, but provides little information about serving in the war. Both diaries contain mainly Black's observations about the towns and cities he passes through. The diary of the trip west compares culture and society in Virginia and the West and references encounters with Virginians who had moved west.","General Correspondence, 1847-1871, comprises two letters Black wrote while he was studying medicine at the University of Virginia, his proposal of marriage to Mary (Molly) Kent, and a folder of letters Black received from family members between 1848 and 1871. One letter describes pioneering in Island County, Washington Territory, in 1853; and two letters from Virginia State Senator John Penn regard the establishment of the Virginia Agricultural and Mechanical College, forerunner of Virginia Tech, in Blacksburg.","The Medical Career Records, dating 1848 to 1888, documents Harvey Black's medical career before and after the Civil War and letters of recommendation for the position of Superintendent of the Eastern Lunatic Asylum of Virginia and the Southwestern Lunatic Asylum of Virginia. This series also contains an 1887 annual report for the Southwestern Lunatic Asylum of Virginia.","The Virginia Agricultural and Mechanical College Records span the years 1870 to 1873. This small series consists of a subscription list for the Preston and Olin Institute, an early history of the founding of the Virginia Agricultural and Mechanical College, and certificates of appointment to the college's Board of Visitors.","Series II. Black Family Papers, 1779-1911 (bulk 1845-1911): Materials include an 1845 bill of sale for an enslaved girl named Adaline; an 1856 letter from Charles to Alexander Black; photographs of Alexander Black, Kent Black, and Kent's wife Mary Bell Black; a 1911 letter from Mary Kent to her children; and a quilt given to Kent Black by his medical patients, ca. 1890. Additionally, the series has the wedding register of Mary and Kent Black and an invitation to the 1885 Blacksburg Grand Annual Ball.","Series III. Germanicus Kent Papers, 1818-1899: The series comprises Germanicus Kent's cotton books and correspondence with his sons Lewis and John, his brother Aratus Kent, and his brother-in- law Edwin Amiss. The cotton books document Kent's experience as a cotton merchant based in Huntsville, Alabama, 1821 to 1823. They provide lists of cotton prices and copies of correspondence to clients in Nashville and New Orleans. The correspondence describes life in Blacksburg in the 1830s, the Kent family's decision to settle in Virginia after living in Illinois, and Kent's business investments in the west and in Blacksburg. Letters from Edwin Amiss to Arabella and Germanicus Kent pertain to Arabella Kent continuing to enslave people by inheriting her mother's estate. An 1860 letter from Germanicus Kent to Aratus Kent discusses Germanicus Kent's desire to establish contact with the man he formerly enslaved Lewis Lemon Kent, then living in Iowa.","Series IV. Black Family Business Records, 1832-1924: Account books for mercantile establishments in Blacksburg make up the bulk of this series.. It also contains an account book for A.W. Luster; a 1908 inventory for W. Stone \u0026 Son; and a copy of an undated newspaper advertisement for A. Black and Company.","Series V. John S. Apperson Papers, 1858-1915: John Apperson's Civil War Diary is the centerpiece. The diary consist of Apperson's account of his journey, in 1859, from his home in Locust Grove, Virginia to Smyth County in Southwest Virginia. In the Civil War diaries, he describes medical care of soldiers and lists monthly figures of wounded and dead for the Second Corps field hospital. He discusses going onto the battlefield after the fighting stopped at First Manassas, the scene on the morning of the Battle of Fredericksburg, December 13, 1862; performing his first amputation; and his efforts to continue his medical education during the Civil War. Additionally, this series contains correspondence about Apperson's business career, 1900 and 1910, a catalog for the Marion Foundry and Machine Works, and photographs of John Apperson, Elizabeth Black, and their children.","Series VI. Mary E. Apperson Papers, 1889-1977, and Series VII. Alexander Apperson Papers, 1827-1984: Research files on the Black, Kent, and Apperson families of Blacksburg and Marion compose the bulk of these two series. Materials also include publications pertaining to family history; correspondence with the Rockford, Illinois Historical Society regarding research on Germanicus Kent; correspondence related to other genealogy research; the recollections of Elizabeth Black Apperson about Blacksburg history and buildings; family photographs and a photograph, ca. 1900, of the Alexander Black house in Blacksburg; and family artifacts.","Series VIII. Harvey B. Apperson Political Scrapbooks, 1933-1950: The scrapbooks largely consist of newspaper clippings detailing Harvey B. Apperson's political career and Democratic Party politics in the Roanoke area in the 1930s and in Richmond in the 1940s. Additionally, there are letters and telegrams of congratulation Apperson received when he was appointed Attorney General of Virginia in 1947, telegrams and letters of condolence his wife received upon his death four months later, photographs, and political ephemera.","Series IX. Blacksburg Mining and Manufacturing Company, 1826-1965: Legal documents and correspondence pertain to the division of proceeds of mining investments among the Apperson descendants of Harvey Black. The series also contains maps of Black and Apperson property in Blacksburg, ca. 1949.","Series X. Assorted Papers, 1872, 1912: The last series includes two items, the Louise Caton Travel Diary, 1912, and The Christian Union publication, 1872. The diary of Louise Caton's four-month tour of Europe in 1912 describes her voyage from New York to Genoa on the Laxmia and from Liverpool back to New York on the Celtic. The relationship of Louise Caton to the Black, Kent, and Apperson families is unknown.","This small series includes a letter Harvey Black received from family who had settled in Wisconsin; a letter from a member of the Crockett family pioneering in Washington Territory, and two letters from Virginia State Senator John Penn regarding the establishment of Virginia Agricultural and Mechanical College in Blacksburg.","In this subseries of five letters from Germanicus Kent to his sons and his brother Aratus, Kent discusses investments, family, and Lewis Lemon (Kent), who bought his freedom from Kent ca. 1835.","This folder contains four family letters presumed to pertain to the extended Kent Amiss family. The correspondents are Edith Boggs, David and E. Cook, Mary Sloutermires, William G., and his son Nelson.","Accounts and correspondence in these two bound cotton books detail Germanicus Kent's business as a cotton merchant in Huntsville, Alabama.","Materials corncern the Kent family's move from Alabama to Illinois.","This file contains a contract outlining the terms of a proposed business partnership between Edwin Amiss and Germanicus Kent and a contract to build a home in Blacksburg.","This series is composed primarily of five ledgers containing alphabetically indexed customer account histories for various mercantile establishments, probably in Blacksburg. Also included are documents and correspondence pertaining to Black family investments in oil drilling operations in Texas, 1912-1924.","This ledger includes an inventory, July 1908, for W. Stone \u0026 Son.","This subseries comprises documents pertaining to investments in the Radford Land Improvement Company, 1889; the Radford West End Land Company, 1909; and oil drilling operations in Texas, 1912-1924.","This subseries comprises miscellaneous receipts, 1862; Business Correspondence, 1900-1910; and a catalog for the Marion Foundry and Machine Works, 1915.","These letters discuss the illness of the daughter of Mrs. Cyprus McCormick and John S. Apperson.","This file contains newspaper clippings on Blacksburg history and members of the Black, Kent, and Apperson families.","The Directory's cover illustration is a photograph of a sculpture commemorating the role played by Germanicus Kent and Lewis Lemon, Kent's former slave, in the founding of Rockford, Illinois.","This series is primarily composed of research files on the genealogy of the Black, Kent, Apperson and related families. It also contains family photographs, including a picture of the Alexander Black House, later burned, ca. 1900; a folder of correspondence pertaining to Alexander Black's service on the vestry of Mountainbrook Methodist Church in Birmingham, Alabama, 1944-1954; a 1914 edition of \"The X-Ray,\" the yearbook of Marion High School; and a program from the 1962 annual convention of the Virginia Division of the United Daughters of the Confederacy.","This subseries contains one folder of correspondence pertaining to a proposed memorial to Harvey Black at Virginia Tech from 1953; one folder of correspondence concerning Mountainbrook Methodist Church in Birmingham, Alabama, 1944-1954, and one letter, 1934, from A.J. Oliver to Harvey Black Apperson, discussing Oliver's father, who worked for Virginia Agricultural and Mechanical College in the 1870s and helped plant the first trees on the campus.","This subseries includes the Marion High School yearbook, 1914; and a program from the Sixty-seventh Annual Convention of the Virginia Division of the United Daughters of the Confederacy, 1962.","This subseries comprises correspondence, applications to family heritage organizations, and copies of documents regarding genealogy research on the Black, Kent, Apperson, and related families.","File contains three items in French.","Documents in this subseries pertain to applications, by members of the Black family, for membership in the Daughters of the American Revolution, Huguenot Society, Magna Carta Barons, National Society of Colonial Wars, and the Society of Colonial Dames.","Scrapbooks contain newspaper clippings, incoming correspondence and telegrams, photographs, and ephemera documenting Harvey Apperson's political career from 1933, when he ran for the State Senate, to his death in 1948, four months after Governor William Tuck appointed him Attorney General.","Five scrapbooks and one box of items removed from the scrapbooks and copied for preservation. Photographs and ephemera removed from the scrapbooks are stored in Box 15.","This series is comprised of deeds, reports, correspondence, lease agreements, and receipts pertaining to Apperson family investments in mining operations at Poverty Hollow, Tom's Creek Road, the Blacksburg Manufacturing and Mining Company, and M.C. Slusser and Company. It also contains maps of Blacksburg Manufacturing and Mining Company coal land sold to the Hoge heirs in 1928 and maps showing property owned by the Alexander and Lizzie O. Black estate and Apperson Properties in 1937 and 1948.","The diary is an account of Louise Caton's voyage from New York to Genoa, Italy, her travels through Italy, Switzerland, Germany, Holland, France, and England, and her return from Liverpool to New York in the summer of 1912."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_36b4a62ab56ab232aa259e6ea40349e2\" label=\"Abstract\"\u003eThis collection contains the papers and artifacts of an interrelated family prominent in Blacksburg's history. It includes the American Civil War letters of Confederate surgeon Dr. Harvey Black, the Civil War diary of hospital steward John S. Apperson, cotton books and correspondence of Germanicus Kent, nineteenth-century account books of a Blacksburg general store, 1912 European travel diary, and the political scrapbooks of State Senator and Attorney General Harvey B. Apperson.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains the papers and artifacts of an interrelated family prominent in Blacksburg's history. It includes the American Civil War letters of Confederate surgeon Dr. Harvey Black, the Civil War diary of hospital steward John S. Apperson, cotton books and correspondence of Germanicus Kent, nineteenth-century account books of a Blacksburg general store, 1912 European travel diary, and the political scrapbooks of State Senator and Attorney General Harvey B. Apperson."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","A. W. Luster","Confederate States of America. Army. Stonewall Brigade","Eastern Lunatic Asylum of Virginia","Marion Foundry and Machine Works (Marion, Va.)","Preston and Olin Institute (Blacksburg, Va.)","Southwestern Lunatic Asylum of Virginia (1887-1935)","Virginia Agricultural and Mechanical College (1872-1896)","W. Stone \u0026 Son"],"names_coll_ssim":["A. W. Luster","Confederate States of America. Army. Stonewall Brigade","Eastern Lunatic Asylum of Virginia","Marion Foundry and Machine Works (Marion, Va.)","Preston and Olin Institute (Blacksburg, Va.)","Southwestern Lunatic Asylum of Virginia (1887-1935)","Virginia Agricultural and Mechanical College (1872-1896)","W. Stone \u0026 Son","Apperson family","Black family","Kent family","Amiss, Edwin","Apperson, Alex","Apperson, Elizabeth Black","Apperson, Harvey Black, 1890-1948","Apperson, John Samuel, 1837-1904","Apperson, Mary","Black, Harvey, 1827-1888","Black, Kent, active 1876-1890","Black, Mary Kent, b.1836","Caton, Louise","Kent, Germanicus, 1791-1862","Lemon, Lewis","Kent, Lewis (enslaved person)"],"famname_ssim":["Apperson family","Black family","Kent family"],"persname_ssim":["Amiss, Edwin","Apperson, Alex","Apperson, Elizabeth Black","Apperson, Harvey Black, 1890-1948","Apperson, John Samuel, 1837-1904","Apperson, Mary","Black, Harvey, 1827-1888","Black, Kent, active 1876-1890","Black, Mary Kent, b.1836","Caton, Louise","Kent, Germanicus, 1791-1862","Lemon, Lewis","Kent, Lewis (enslaved person)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","A. W. Luster","Confederate States of America. Army. Stonewall Brigade","Eastern Lunatic Asylum of Virginia","Marion Foundry and Machine Works (Marion, Va.)","Preston and Olin Institute (Blacksburg, Va.)","Southwestern Lunatic Asylum of Virginia (1887-1935)","Virginia Agricultural and Mechanical College (1872-1896)","W. Stone \u0026 Son","Apperson family","Black family","Kent family","Amiss, Edwin","Apperson, Alex","Apperson, Elizabeth Black","Apperson, Harvey Black, 1890-1948","Apperson, John Samuel, 1837-1904","Apperson, Mary","Black, Harvey, 1827-1888","Black, Kent, active 1876-1890","Black, Mary Kent, b.1836","Caton, Louise","Kent, Germanicus, 1791-1862","Lemon, Lewis","Kent, Lewis (enslaved person)"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":172,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:44:34.154Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1290_c05_c04"}},{"id":"viw_repositories_2_resources_9853_c01_c01_c09","type":"Sub-Series","attributes":{"title":"\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard, 1859/2012","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c09#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c01_c09","ref_ssm":["viw_repositories_2_resources_9853_c01_c01_c09"],"id":"viw_repositories_2_resources_9853_c01_c01_c09","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c01","parent_ssi":"viw_repositories_2_resources_9853_c01_c01","parent_ssim":["Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01"],"title_filing_ssi":"\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard","title_ssm":["\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard"],"title_tesim":["\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard"],"normalized_title_ssm":["\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard, 1859/2012"],"text":["\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard, 1859/2012","Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015"],"parent_unittitles_ssm":["Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015"],"parent_unittitles_tesim":["Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015"],"normalized_date_ssm":["1859/2012"],"unitdate_inclusive_ssm":["1859-2012"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[3],"sort_isi":19,"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright collection, 1806/2017"],"has_online_content_ssim":["false"],"child_component_count_isi":6,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"_nest_path_":"/components#0/components#0/components#8","timestamp":"2026-06-23T07:50:34.320Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright collection","title_ssm":["Richard Wright collection"],"title_tesim":["Richard Wright collection"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"normalized_date_ssm":["1806/2017"],"normalized_title_ssm":["Richard Wright collection, 1806/2017"],"text":["Richard Wright collection, 1806/2017","MS 00317","/repositories/2/resources/9853","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork.","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["Richard Wright collection, 1806/2017"],"collection_ssim":["Richard Wright collection, 1806/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e  ","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Richard Wright collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThe Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e  ","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork.","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:50:34.320Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c09"}},{"id":"viw_repositories_2_resources_9853_c01_c01_c18","type":"Sub-Series","attributes":{"title":"\"Clean Fun: Starring images of African-Americans in the Comic Art of America\", 1804/2013","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c18#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c01_c18","ref_ssm":["viw_repositories_2_resources_9853_c01_c01_c18"],"id":"viw_repositories_2_resources_9853_c01_c01_c18","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c01","parent_ssi":"viw_repositories_2_resources_9853_c01_c01","parent_ssim":["Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01"],"title_filing_ssi":"\"Clean Fun: Starring images of African-Americans in the Comic Art of America\"","title_ssm":["\"Clean Fun: Starring images of African-Americans in the Comic Art of America\""],"title_tesim":["\"Clean Fun: Starring images of African-Americans in the Comic Art of America\""],"normalized_title_ssm":["\"Clean Fun: Starring images of African-Americans in the Comic Art of America\", 1804/2013"],"text":["\"Clean Fun: Starring images of African-Americans in the Comic Art of America\", 1804/2013","Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015"],"parent_unittitles_ssm":["Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015"],"parent_unittitles_tesim":["Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015"],"normalized_date_ssm":["1804/2013"],"unitdate_inclusive_ssm":["1804-2013"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[3],"sort_isi":72,"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright collection, 1806/2017"],"has_online_content_ssim":["false"],"child_component_count_isi":30,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"_nest_path_":"/components#0/components#0/components#17","timestamp":"2026-06-23T07:50:34.320Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright collection","title_ssm":["Richard Wright collection"],"title_tesim":["Richard Wright collection"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"normalized_date_ssm":["1806/2017"],"normalized_title_ssm":["Richard Wright collection, 1806/2017"],"text":["Richard Wright collection, 1806/2017","MS 00317","/repositories/2/resources/9853","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork.","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["Richard Wright collection, 1806/2017"],"collection_ssim":["Richard Wright collection, 1806/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e  ","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Richard Wright collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThe Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e  ","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork.","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:50:34.320Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c18"}},{"id":"wvmturhc_repositories_2_resources_5312_c02_c03","type":"Sub-Series","attributes":{"title":"Collected Research Materials-Monongalia County, WV, 1793/1980","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5312_c02_c03#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThese collected research materials may have supported Dr. Core's research of Monongalia County history for his newspaper columns and five-volume book titled \u003cspan\u003eThe Monongalia Story\u003c/span\u003e. This subseries includes miscellaneous original historical documents and facsimiles of historical documents (mostly in Boxes 9 and 12) including land grants, river boat registry, court cases, city of Westover and Granville records, property assessment, Mexican War muster list and pension, broadside for the Socialist Party in Star City (Box 21), and account book. Other formats include newspapers, newspaper clippings, magazine article clippings, annual reports, pamphlets and brochures, and maps. Topics covered in this series include County Health Department, agriculture, shipping, churches (Boxes 12 and 17), technology, organizations, flooding, schools, ethnic groups (Box 15), biography, genealogies, funeral homes, various communities, and more. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5312_c02_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5312_c02_c03","ref_ssm":["wvmturhc_repositories_2_resources_5312_c02_c03"],"id":"wvmturhc_repositories_2_resources_5312_c02_c03","ead_ssi":"wvmturhc_repositories_2_resources_5312","_root_":"wvmturhc_repositories_2_resources_5312","_nest_parent_":"wvmturhc_repositories_2_resources_5312_c02","parent_ssi":"wvmturhc_repositories_2_resources_5312_c02","parent_ssim":["Earl L. Core (1902-1984) Papers, 1756/1985","Collected Research Materials"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5312","wvmturhc_repositories_2_resources_5312_c02"],"title_filing_ssi":"Collected Research Materials-Monongalia County, WV","title_ssm":["Collected Research Materials-Monongalia County, WV"],"title_tesim":["Collected Research Materials-Monongalia County, WV"],"normalized_title_ssm":["Collected Research Materials-Monongalia County, WV, 1793/1980"],"text":["Collected Research Materials-Monongalia County, WV, 1793/1980","Earl L. Core (1902-1984) Papers, 1756/1985","Collected Research Materials","These collected research materials may have supported Dr. Core's research of Monongalia County history for his newspaper columns and five-volume book titled The Monongalia Story. This subseries includes miscellaneous original historical documents and facsimiles of historical documents (mostly in Boxes 9 and 12) including land grants, river boat registry, court cases, city of Westover and Granville records, property assessment, Mexican War muster list and pension, broadside for the Socialist Party in Star City (Box 21), and account book. Other formats include newspapers, newspaper clippings, magazine article clippings, annual reports, pamphlets and brochures, and maps. Topics covered in this series include County Health Department, agriculture, shipping, churches (Boxes 12 and 17), technology, organizations, flooding, schools, ethnic groups (Box 15), biography, genealogies, funeral homes, various communities, and more.","While the majority of materials for this subseries are in box 9, other boxes include some content. Box 19 contains two original and one facsimile land grant, and a register of boats.","See the Correspondence Series for letters and more regarding Dr. Core's research on Monongalia County history and families."],"parent_unittitles_ssm":["Earl L. Core (1902-1984) Papers, 1756/1985","Collected Research Materials"],"parent_unittitles_tesim":["Earl L. Core (1902-1984) Papers, 1756/1985","Collected Research Materials"],"normalized_date_ssm":["1793/1980"],"unitdate_inclusive_ssm":["1793, 1820-1828, 1869-1980"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":22,"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Earl L. Core (1902-1984) Papers, 1756/1985"],"has_online_content_ssim":["false"],"child_component_count_isi":10,"parent_access_restrict_tesm":["Requires signed form for boxes 1-5, 24."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"scopecontent_html_tesm":["\u003cp\u003eThese collected research materials may have supported Dr. Core's research of Monongalia County history for his newspaper columns and five-volume book titled \u003ctitle\u003eThe Monongalia Story\u003c/title\u003e. This subseries includes miscellaneous original historical documents and facsimiles of historical documents (mostly in Boxes 9 and 12) including land grants, river boat registry, court cases, city of Westover and Granville records, property assessment, Mexican War muster list and pension, broadside for the Socialist Party in Star City (Box 21), and account book. Other formats include newspapers, newspaper clippings, magazine article clippings, annual reports, pamphlets and brochures, and maps. Topics covered in this series include County Health Department, agriculture, shipping, churches (Boxes 12 and 17), technology, organizations, flooding, schools, ethnic groups (Box 15), biography, genealogies, funeral homes, various communities, and more. \u003c/p\u003e","\u003cp\u003e While the majority of materials for this subseries are in box 9, other boxes include some content. Box 19 contains two original and one facsimile land grant, and a register of boats. \u003c/p\u003e","\u003cp\u003e See the Correspondence Series for letters and more regarding Dr. Core's research on Monongalia County history and families.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["These collected research materials may have supported Dr. Core's research of Monongalia County history for his newspaper columns and five-volume book titled The Monongalia Story. This subseries includes miscellaneous original historical documents and facsimiles of historical documents (mostly in Boxes 9 and 12) including land grants, river boat registry, court cases, city of Westover and Granville records, property assessment, Mexican War muster list and pension, broadside for the Socialist Party in Star City (Box 21), and account book. Other formats include newspapers, newspaper clippings, magazine article clippings, annual reports, pamphlets and brochures, and maps. Topics covered in this series include County Health Department, agriculture, shipping, churches (Boxes 12 and 17), technology, organizations, flooding, schools, ethnic groups (Box 15), biography, genealogies, funeral homes, various communities, and more.","While the majority of materials for this subseries are in box 9, other boxes include some content. Box 19 contains two original and one facsimile land grant, and a register of boats.","See the Correspondence Series for letters and more regarding Dr. Core's research on Monongalia County history and families."],"_nest_path_":"/components#1/components#2","timestamp":"2026-06-23T07:57:04.936Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5312","ead_ssi":"wvmturhc_repositories_2_resources_5312","_root_":"wvmturhc_repositories_2_resources_5312","_nest_parent_":"wvmturhc_repositories_2_resources_5312","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5312.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198607","title_ssm":["Earl L. Core (1902-1984) Papers"],"title_tesim":["Earl L. Core (1902-1984) Papers"],"unitdate_ssm":["1756-1985"],"unitdate_inclusive_ssm":["1756-1985"],"normalized_date_ssm":["1756/1985"],"normalized_title_ssm":["Earl L. Core (1902-1984) Papers, 1756/1985"],"text":["Earl L. Core (1902-1984) Papers, 1756/1985","A\u0026M 1730","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5312","Monongalia County (W. Va.)","Morgantown (W. Va.)","Botany","Botany -- West Virginia","Requires signed form for boxes 1-5, 24.","Earl Lemley Core, botanist, educator, and historian, was born in Core, West Virginia, Monongalia County in 1902.  He received his Bachelor of Arts from West Virginia University in 1926; his masters from WVU in 1928; and a Ph.D. from Columbia University in 1936.  Dr. Core was a professor in WVU's Biology Department for 44 years (1928-1972) and chair of the Department for 18 years (1948-1966).  He was also curator of the WVU Herbarium for 40 years (1934-1972).  During World War II the Foreign Economic Administration sent Core to Columbia, South America (1943-1944), to explore the Andes Mountains in search of a source for quinine from the Cinchona tree.  There he discovered at least 15 new species and in 1978 one of the plants he discovered, the genus Corethamnium, was named for him.","Core was founder (1936) of the Southern Appalachian Botanical Club and editor of the journal, Castenea, for 35 years.  He was the author of scholarly books and articles with his early works focusing on the botany of West Virginia, and later works on local history and church history.  Two biology textbooks he co-authored became standards: General Biology with P.D. Strausbauh and B.R. Weimer and A New Manual for the Biology Laboratory with Weimer.  He also collaborated with Strausbaugh to write the classic The Flora of West Virginia.   Other botany texts include Vegetation of West Virginia, Woody Plants in Winter, and his most popular book Spring Wild Flowers of West Virginia which has been in print since 1948.  Core published articles in Castenea, Proceedings of the West Virginia Academy of Science, and other scholarly sources.","After retirement in 1972, Core turned more of his attention to local history.  His most extensive local history work is the five-volume history of Monongalia County, West Virginia, The Monongalia Story (1974-1984).  His regular column, \"The Monongalia Story\" in Morgantown's Dominion Post also details the history of the county.  Earlier he had written The Chronicles of Core (1937) about the town where he was born, and Morgantown Disciples: a History of the First Christian Church of Morgantown (1960).","Core's civic activities were numerous and include serving on the Morgantown Public Library Board for 20 years (1959-1979), Morgantown City Council for 4 years, and Mayor of Morgantown for 2 years (1956-1957).  Core was an elder in his church, president of the Monongalia Historical Society, president of the Kiwanis, and much more.  In 1948, Core persuaded WVU to set aside 100 acres for an Arboretum. The Core Arboretum was named for him in 1967.   Earl L. Core Road in Morgantown also sports his name.","He died in Morgantown in 1984.","Elizabeth \"Betty\" Ann Bartholomew, botanist and educator, was born in Wheeling, West Virginia, in 1912.  She received a Bachelor of Arts degree in botany from West Virginia University in 1934.  She received a Master of Arts degree in botany from WVU with the thesis titled \"The Flora of Wirt County, West Virginia\" in 1948.  Bartholomew joined the staff of the WVU Biology Department in 1938, first as Herbarium clerk and later as Herbarium assistant.  In 1963 she was appointed as a biology instructor and curator of the Herbarium.  During this time she created the Distribution of Southeastern Plants to facilitate the exchange of specimens.  She added thousands of plants to the Herbarium collection and in 1950 started a 2,000-plant seed collection.  She retired from WVU in 1977","Bartholomew was a member of the West Virginia Academy of Science, editor of its newsletter (1960-61), and secretary (1972-1985); member and secretary for the Southern Appalachian Botanical Club (1946-1981); member of the American Nut Growers Association; charter member and faculty advisor of the botany fraternity Phi Epsilon Phi; and member of Phi Mu.","Bartholomew who joined the Girl Scouts at age 12 earned all the nature badges and maintained a life-long interest in scouting.  She served as a Girl Scout leader for more than 20 years.  She also promoted nature to children through the Phi Epsilon Phi annual Wildflower Day.  Additionally she worked with the Oglebay Nature Camp, church camp, and others.  She was a leader at the annual Wildflower Pilgrimage at Blackwater Falls.","The Southern Appalachian Botanical Society created the Elizabeth Ann Bartholomew Award in 1989 in her honor and the governor named her as the Outstanding West Virginia in 1974.","She died in Morgantown in 1985.","1197, 1556, 1730","Original Accession; 1756-1985; boxes 1-21 and two oversize folders","Records of Earl L. Core, botanist, writer, editor, historian, and West Virginia University professor and Biology Department Head.  Includes the correspondence, collected research materials, and writings of Dr. Core. The earliest correspondence, 1951-1960, deals mostly with his role as a botanist and West Virginia University Botany Department chair, and includes letters both to and from Dr. Core. Later correspondence, mostly from the 1960s but up to 1984, includes historical and genealogical inquiries in addition to matters pertaining to botany, publications, and Biology Department business.  Of importance is Dr. Core's correspondence with two prominent botanists, P.D. Strausbaugh, with whom Core authored botany and biology texts, and H.A. Allard.","In addition to botany and nature, a large part of the collection deals with the history of Morgantown, Monongalia County, and West Virginia.  The collected research materials for these areas include newspaper clippings, booklets and pamphlets, correspondence, genealogical charts, maps, original historical documents, and more.  Dr. Core's research resulted in the publication of a 5-volume history of Monongalia County, The Monongalia Story, as well as numerous newspaper columns in the Dominion Post.  The collected research materials support Dr. Core's research for some 30 monographs on various aspects of natural history, local history, and to a lesser extent Bible and religious study.","Graphic materials include oversized maps, photographs, photographic glass negatives and film, greeting cards, and post cards.","See series and subseries descriptions for more information.","Addendum of 2018-09; 1907-1984; boxes 22-25","These records include handwritten plant lists; typewritten scientific and history papers; newspapers and newspaper clippings; maps; University class records; collected research materials; and magnetic audio tapes of Dr. Core's lectures on the flora of West Virginia. Plant lists and lecture notes presumably refer to slides in A\u0026M 5211.  This addendum includes Core's curriculum vita; some correspondence; and various short publications.","Other collected research materials include maps, postcards, book lists, technical reports about West Virginia and the region, flyers, photographs, newsletters, brochures, programs, and calendars of events from the WVU Experimental Station, the WVU Department of Biology, West Virginia State Parks, West Virginia Department of Natural Resources, West Virginia Department of Agriculture, the Phi Epsilon Phi fraternity, the Southern Appalachian Botanical Club, the West Virginia University (Core) Arboretum, the American Association of University Professors, the National Audubon Society, and the American Association for the Advancement of Science.  These items treat the following subjects: trees, forestry, insects, plant species, water, flooding, ecology, wildflower walks, and biography.  The files contain a number of reprints and facsimiles of scholarly scientific papers.  There is one local history, that of Wheeling.  Biology student records include a graded research paper, a graded bibliography, Core's class record book, and summer class trip schedules.","The audio tapes are recordings of Dr. Core's lectures on West Virginia flora, February-April, 1966.  There are 15 of the 1.25\" reel to reel tapes in box 25.  Five of the tapes are undated.","In addition to Earl L. Core materials in boxes 24 and 25, this addenda includes materials collected by Elizabeth \"Betty\" Ann Bartholomew, boxes 22 and 23.  Bartholomew was also a West Virginia botanist, educator, and manager for the West Virginia University Herbarium. Her artifacts include buttons, a flag, and a Girls Scout cloth badge.  A metal box contains items collected by Elizabeth Bartholomew including identification cards and Girl Scout records.  Her papers include collected materials about biology and nature as well as materials, including teaching materials, from the WVU Biology Department.","This series includes both professional and personal correspondence received; carbon copies of correspondence sent; and collected research materials in addition to letters. The correspondence is with colleagues from across the United States and abroad; citizens with inquiries regarding plants, such as roots in a basement; students regarding grades, course work, and recommendations; as well as family and friends including greeting cards. Some correspondence is typed, some handwritten, some on mimeographed pages, and some on postcards and slips of paper. Subjects include discussions of publications and orders for publications such as The Flora of West Virginia, Wild Flowers of West Virginia, and Spring Wild Flowers; content and business for the journal Castenea; discussions and notifications of botanical species' identification and request for specimens; WVU academic matters and WVU Department of Biology business; and family and other personal matters including letters and flyers regarding the Disciples of Christ Church and the First Christian Church in Morgantown where Dr. Core was a member. Of significance are letters from botanists P. D. (Perry Daniel) Strausbaugh, 1886-1965, and H. A. (Harry Ardell) Allard, 1880-1963. An envelope of addresses on slips of paper, torn from envelopes, and business cards is included in this series.","Specifically, boxes 1 and 2 contain correspondence (1951-1957) which is arranged chronologically by month and year. Boxes 3 and 4 contain correspondence (1958) which is also arranged chronologically by month. Boxes 5-8, and 15 contain correspondence not in chronological order, but arranged by subtopics.","Box 5 (1943-1984, with the majority from the 1960s) contains correspondence regarding botany and specifically Core's research in Columbia, 1943-1945, where he worked on the genus Scleria; and correspondence with various colleges and universities and governmental units.","Box 6 (1953-1984) contains correspondence regarding the P.D. Strausbaugh Student Loan Fund; Core's writings; and Monongalia County history. Also included is correspondence with professional and business organizations; West Virginia University and WVU academic departments; other colleges and universities; and personal letters, photographs, and cards.","Box 7 (1978-1982) contains multi-occasion personal greeting cards received by Dr. Core.","Box 8 (1800-1879, 1920-1928, 1959-1984) contains correspondence, facsimiles of articles and historical documents, and newspaper clippings regarding Monongalia County; Morgantown and other municipalities; Preston County; the Delta Tau Delta fraternity at Bethany College; and biographical materials about Earl L. Core including his curriculum vita and others' handwritten narratives of his life.","Box 15, folders 7-10 (1974-1984) contains correspondence responding to Core's book The Monongalia Story.","This subseries includes scholarly articles, often with compliments from the authors, and dealing with scientific topics but some are about the intersection of science and humanities. Collected reports and booklets covering the topics of the Civil War, coal and coal mining, the National Road, Greene County (PA), poetry, and books about and from the Southeast. Includes programs from seminars and conferences attended by Dr. Core.","Facsimiles and transcriptions of historical documents include a letter and other materials from Samuel C. Malone, 1857-1938, and Civil War letters.","This subseries includes the publications, announcements, and plant lists of a number of West Virginia naturalists' societies in Box 14 and including the Mountaineer Chapter of the National Audubon Society (1978-1979); the Brooks Bird Club, Inc. (Wheeling; 1978-1979, 1982, 1984); Nature Conservancy, WV Chapter (1978, 1983); the George M. Sutton Audubon Society (Bethany; 1978, 1983); The West Virginia Highlands Conservancy (1979); the West Virginia Garden Club (1965); Bud and Blossom Garden Club (Princeton). Other publications include the Plant Newsletter (1978, 1983) (Box 9, Folder 11) from the West Virginia Department of Agriculture; West Virginia Conservation from the WV Department of Natural Resources (1962); WV State Parks promotional brochures, flyers, and plant lists including materials pertaining to the West Virginia Wildflower Pilgrimage; and Twinleaf (1979) Washington Crossing State Park (PA) Bowman's Hill State Wildlife Preserve. This subseries includes the program for the Adanson Bicentennial Symposium (1963, Box 9) at The Hunt Library of the Carnegie Institute of Technology with signatures of some attendees and attended by Dr. Core. Box 20 contains a map, ca. 1944, of the Cauca Department in Columbia indicating the location of the plant genus Cinchona resulting from Core's research study there. Additional information regarding Dr. Core's time in Columbia can be found in the Correspondence Series, Box 5. Also, see the Correspondence Series for letters and more regarding Dr. Core's botany work and botany publications. See the West Virginia University Series for more on the Biology Department and the Herbarium.","These collected research materials may have supported Dr. Core's research of Monongalia County history for his newspaper columns and five-volume book titled The Monongalia Story. This subseries includes miscellaneous original historical documents and facsimiles of historical documents (mostly in Boxes 9 and 12) including land grants, river boat registry, court cases, city of Westover and Granville records, property assessment, Mexican War muster list and pension, broadside for the Socialist Party in Star City (Box 21), and account book. Other formats include newspapers, newspaper clippings, magazine article clippings, annual reports, pamphlets and brochures, and maps. Topics covered in this series include County Health Department, agriculture, shipping, churches (Boxes 12 and 17), technology, organizations, flooding, schools, ethnic groups (Box 15), biography, genealogies, funeral homes, various communities, and more.","While the majority of materials for this subseries are in box 9, other boxes include some content. Box 19 contains two original and one facsimile land grant, and a register of boats.","See the Correspondence Series for letters and more regarding Dr. Core's research on Monongalia County history and families.","Includes newspaper clippings, pamphlets, event brochures, editorials, reports, booklets, newspaper clippings, Chamber of Commerce publications (particularly Box 12), and more. Topics covered include many aspects of Morgantown history including the telephone system; police force and federal prison; walking tours; houses; industries; people; businesses; the Morgan family; parks; and churches and synagogues (particularly Box 17). A facsimile of the story of David Morgan, Indian fighter, is included.","See the Correspondence Series for more regarding Morgantown history.","This subseries includes collected research materials regarding other parts of West Virginia not included in the Morgantown and Monongalia County Subseries. Formats include student research papers, newsletters (Humanities Foundation), event programs, booklets, and reports. Topics covered include Boone and Clay county schools, weather, Independence Hall (Wheeling), the 4-H Camp at Jackson Mills, Future Farmers of America (FFA), various municipalities, Appalachia, Bethany College, vegetation management, mining, and churches and religion.","The majority of materials are in Box 13, however Box 9 contains a folder with facsimiles and transcriptions of historical documents about Prickett's Fort and one on West Virginia agriculture. Box 17 contains a folder on West Virginia churches.","See the Correspondence Series, particularly Box 8, for more West Virginia materials.","This series includes collected materials from and about West Virginia University, the WVU Biology Department, and the Herbarium. Included are programs and brochures; annual reports; magazines; a souvenir program for athletic events; and newspapers and newspaper clippings. Periodical publications are from the WVU Foundation, Alumni Association, Cooperative Extension Service, the Board of Regents, the Office of Development, and the Division of Forestry. Materials from the Biology Department include faculty meeting minutes, the Biology Newsletter (1959), memoranda, event programs, brochures, and course listings. Specific subjects include the Personal Rapid Transit (PRT); honor societies; special summer courses; the Medical Center; history of the University; WVU baseball; and WVU presidential inaugurations. Included is a special issue of the Beacon (Hope Natural Gas) (1951) featuring WVU.","The series also includes a notebook with notes and commentary regarding Core's 1950 WVU recruitment efforts at West Virginia high schools: Philippi High School, Lost Creek High School, Jane Lew High School, Buckhannon Upshur High School, Buckhannon Upshur High School-Tennerton Branch, Walkersville High School, Weston High School, and St. Patrick High School in Weston. Each high school entry includes introductory notes usually with the principal; attendance; individual interviews with a few students; and possible enrollments for WVU.","Box 11 contains the majority of the materials, however Box 20 contains a map of an Evansdale master plan (ca. 1964).","See the Correspondence Series for letters and more regarding Dr. Core's work in the WVU Biology Department, the Herbarium, and the University at large.","Earl L. Core published scholarly articles, newspaper columns, and books about Monongalia County history and its environs as well as definitive works on the botany of West Virginia. Dr. Core published a newspaper column titled \"The Monongalia Story\" in the Dominion Post which presumably provided background research for a book by the same title. This series includes some of the original published articles as newspaper clippings (1976-1985, but most with no dates; box 19, folder 5) as well as typed and handwritten drafts (Box 15, ca. 1977-1979). Box 15 also includes Guide to the North American International Excursion from the International Society for Vegetation Science for which Dr. Core wrote Chapter 8. Box 19 includes a newspaper clipping of a book review of History of Harrison County; and handwritten text, possibly lecture notes, which discusses evolution, creation, and religion.","See the Correspondence Series for letters requesting copies and discussing Dr. Core's botany books. See the Graphic Materials series for sketches, photographs, and maps included in The Monongalia Story.","Includes files, sorted alphabetically by family name researched in box 10, of correspondence to and from Dr. Core with some facsimiles and transcriptions of historical documents included. The Genealogy Series also includes some genealogical charts and typed family histories.","Publications in the series include the 1983 surname list from the KYOWA Genealogical Society (Huntington), and The Pioneer: Second Annual Report of the Descendants of the French Creek Pioneers (1925) which includes a history of the Morgan Family.","Additional Core family history is found throughout the Correspondence Series, boxes 1-8. Box 8, folder 5 contains biographical materials for Earl Lemley Core and Lewis Addison Core.","Includes photographs, some black and white and some color, some original and some facsimiles; postcards some with writing and some blank; glass plate negatives; film negatives; facsimiles of sketches including David Hunter Strother's work; and maps. Some photographs include subject identification, some do not. It appears that some of the photographs and maps were illustrations in publications since they have figure numbers noted. Topics covered by the photographs, postcards, and negatives include plants, animals, gardens, and forests; buildings; scenes; individuals and groups of people including members of the Core family; WVU buildings; the WVU Arboretum; WVU personages; West Virginia; and more. Most of the photographs are from the Morgantown and Monongalia County areas, particularly Blacksville in Box 16. The glass plates, also Box 16, are of birds and other animals; one includes a woman and a chipmunk; and one is of a child with a cart pulled by two opossums and includes prints. Some of the glass plate photographs have been digitized. Additional film negatives include portraits, buildings, and more, and may have been illustrations for Core's books. In addition to Strother's sketches, the sketches include facsimiles of portraits and one original sketch of a man shucking corn.","The maps include an historical map of Botetourt County, Virginia (1756); edited historical Monongalia County map (1826); map of Morgantown (1785); and map of Monongalia County churches (1953). The series includes the maps and sketches on paper board for the book The Monongalia Story; box 15 contains maps of Monongalia County and environs as well as municipalities; box 19, folders 1 and 3 contain a sketch and maps; boxes 20-21 include sketches and maps.","This series includes these objects: address stamp for Earl L. Core, Biology Department (ca. 1963); small trowel imprinted with \"The Duntile Company\" (ca. 1960s); and a \"Micro Windgauge Receiver Sight, No. 48, for Springfield Rifles\" with box and insert (ca. 1910). Also, includes these objects moved from box 14: three cut nails (ca. 1820) and mailing envelope; and an unidentified key on twine taped to envelope labeled \"FILM.\"","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","West Virginia University. Department of Biology","Phi Epsilon Phi. Alpha Chapter (West Virginia University)","Core Arboretum","Core, Earl Lemley, 1902-1984","Strausbaugh, Perry Daniel, 1886-1965","Bartholomew, Elizabeth A.","English"],"collection_title_tesim":["Earl L. Core (1902-1984) Papers, 1756/1985"],"collection_ssim":["Earl L. Core (1902-1984) Papers, 1756/1985"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 1730","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5312"],"unitid_tesim":["A\u0026M 1730","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5312"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Monongalia County (W. Va.)","Morgantown (W. Va.)"],"geogname_ssim":["Monongalia County (W. Va.)","Morgantown (W. Va.)"],"places_ssim":["Monongalia County (W. Va.)","Morgantown (W. Va.)"],"creator_ssm":["Core, Earl Lemley, 1902-1984","Strausbaugh, Perry Daniel, 1886-1965","Bartholomew, Elizabeth A."],"creator_ssim":["Core, Earl Lemley, 1902-1984","Strausbaugh, Perry Daniel, 1886-1965","Bartholomew, Elizabeth A."],"creator_persname_ssim":["Core, Earl Lemley, 1902-1984","Strausbaugh, Perry Daniel, 1886-1965","Bartholomew, Elizabeth A."],"creator_corpname_ssim":["West Virginia and Regional History Center","West Virginia University. Department of Biology","Phi Epsilon Phi. Alpha Chapter (West Virginia University)","Core Arboretum"],"creators_ssim":["Core, Earl Lemley, 1902-1984","Strausbaugh, Perry Daniel, 1886-1965","Bartholomew, Elizabeth A.","West Virginia and Regional History Center","West Virginia University. Department of Biology","Phi Epsilon Phi. Alpha Chapter (West Virginia University)","Core Arboretum"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Botany","Botany -- West Virginia"],"access_subjects_ssm":["Botany","Botany -- West Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["9.1 Linear Feet Summary: 9 ft. 3/4 in. (13 document cases, 5 in. each); (1 document case, 4 in.); (6 document cases, 2 1/2 in. each); (1 flat document case, 3 in.); (2 flat document cases, 1 1/2 in. each); (1 artifact box, 3 1/2 in.); (1 record carton, 15 in.); (2 oversized folders, 1/4 in.)"],"extent_tesim":["9.1 Linear Feet Summary: 9 ft. 3/4 in. (13 document cases, 5 in. each); (1 document case, 4 in.); (6 document cases, 2 1/2 in. each); (1 flat document case, 3 in.); (2 flat document cases, 1 1/2 in. each); (1 artifact box, 3 1/2 in.); (1 record carton, 15 in.); (2 oversized folders, 1/4 in.)"],"date_range_isim":[1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985],"accessrestrict_html_tesm":["\u003cp\u003eRequires signed form for boxes 1-5, 24.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Requires signed form for boxes 1-5, 24."],"bioghist_html_tesm":["\u003cp\u003eEarl Lemley Core, botanist, educator, and historian, was born in Core, West Virginia, Monongalia County in 1902.  He received his Bachelor of Arts from West Virginia University in 1926; his masters from WVU in 1928; and a Ph.D. from Columbia University in 1936.  Dr. Core was a professor in WVU's Biology Department for 44 years (1928-1972) and chair of the Department for 18 years (1948-1966).  He was also curator of the WVU Herbarium for 40 years (1934-1972).  During World War II the Foreign Economic Administration sent Core to Columbia, South America (1943-1944), to explore the Andes Mountains in search of a source for quinine from the \u003cemph render=\"italic\"\u003eCinchona\u003c/emph\u003e tree.  There he discovered at least 15 new species and in 1978 one of the plants he discovered, the genus \u003cemph render=\"italic\"\u003eCorethamnium\u003c/emph\u003e, was named for him.  \u003c/p\u003e","\u003cp\u003eCore was founder (1936) of the Southern Appalachian Botanical Club and editor of the journal, \u003ctitle\u003eCastenea\u003c/title\u003e, for 35 years.  He was the author of scholarly books and articles with his early works focusing on the botany of West Virginia, and later works on local history and church history.  Two biology textbooks he co-authored became standards: \u003ctitle\u003eGeneral Biology\u003c/title\u003e with P.D. Strausbauh and B.R. Weimer and \u003ctitle\u003eA New Manual for the Biology Laboratory\u003c/title\u003e with Weimer.  He also collaborated with Strausbaugh to write the classic \u003ctitle\u003eThe Flora of West Virginia\u003c/title\u003e.   Other botany texts include \u003ctitle\u003eVegetation of West Virginia\u003c/title\u003e, \u003ctitle\u003eWoody Plants in Winter\u003c/title\u003e, and his most popular book \u003ctitle\u003eSpring Wild Flowers of West Virginia\u003c/title\u003e which has been in print since 1948.  Core published articles in \u003ctitle\u003eCastenea\u003c/title\u003e, \u003ctitle\u003eProceedings of the West Virginia Academy of Science\u003c/title\u003e, and other scholarly sources.   \u003c/p\u003e","\u003cp\u003eAfter retirement in 1972, Core turned more of his attention to local history.  His most extensive local history work is the five-volume history of Monongalia County, West Virginia, \u003ctitle\u003eThe Monongalia Story\u003c/title\u003e (1974-1984).  His regular column, \"The Monongalia Story\" in Morgantown's \u003ctitle\u003eDominion Post\u003c/title\u003e also details the history of the county.  Earlier he had written \u003ctitle\u003eThe Chronicles of Core\u003c/title\u003e (1937) about the town where he was born, and \u003ctitle\u003eMorgantown Disciples: a History of the First Christian Church of Morgantown\u003c/title\u003e (1960).\u003c/p\u003e","\u003cp\u003eCore's civic activities were numerous and include serving on the Morgantown Public Library Board for 20 years (1959-1979), Morgantown City Council for 4 years, and Mayor of Morgantown for 2 years (1956-1957).  Core was an elder in his church, president of the Monongalia Historical Society, president of the Kiwanis, and much more.  In 1948, Core persuaded WVU to set aside 100 acres for an Arboretum. The Core Arboretum was named for him in 1967.   Earl L. Core Road in Morgantown also sports his name.  \u003c/p\u003e","\u003cp\u003eHe died in Morgantown in 1984.\u003c/p\u003e  ","\u003cp\u003eElizabeth \"Betty\" Ann Bartholomew, botanist and educator, was born in Wheeling, West Virginia, in 1912.  She received a Bachelor of Arts degree in botany from West Virginia University in 1934.  She received a Master of Arts degree in botany from WVU with the thesis titled \"The Flora of Wirt County, West Virginia\" in 1948.  Bartholomew joined the staff of the WVU Biology Department in 1938, first as Herbarium clerk and later as Herbarium assistant.  In 1963 she was appointed as a biology instructor and curator of the Herbarium.  During this time she created the Distribution of Southeastern Plants to facilitate the exchange of specimens.  She added thousands of plants to the Herbarium collection and in 1950 started a 2,000-plant seed collection.  She retired from WVU in 1977\u003c/p\u003e","\u003cp\u003e\nBartholomew was a member of the West Virginia Academy of Science, editor of its newsletter (1960-61), and secretary (1972-1985); member and secretary for the Southern Appalachian Botanical Club (1946-1981); member of the American Nut Growers Association; charter member and faculty advisor of the botany fraternity Phi Epsilon Phi; and member of Phi Mu.\n    \u003c/p\u003e","\u003cp\u003eBartholomew who joined the Girl Scouts at age 12 earned all the nature badges and maintained a life-long interest in scouting.  She served as a Girl Scout leader for more than 20 years.  She also promoted nature to children through the Phi Epsilon Phi annual Wildflower Day.  Additionally she worked with the Oglebay Nature Camp, church camp, and others.  She was a leader at the annual Wildflower Pilgrimage at Blackwater Falls.\n    \u003c/p\u003e","\u003cp\u003eThe Southern Appalachian Botanical Society created the Elizabeth Ann Bartholomew Award in 1989 in her honor and the governor named her as the Outstanding West Virginia in 1974.\n    \u003c/p\u003e","\u003cp\u003eShe died in Morgantown in 1985.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["Earl Lemley Core, botanist, educator, and historian, was born in Core, West Virginia, Monongalia County in 1902.  He received his Bachelor of Arts from West Virginia University in 1926; his masters from WVU in 1928; and a Ph.D. from Columbia University in 1936.  Dr. Core was a professor in WVU's Biology Department for 44 years (1928-1972) and chair of the Department for 18 years (1948-1966).  He was also curator of the WVU Herbarium for 40 years (1934-1972).  During World War II the Foreign Economic Administration sent Core to Columbia, South America (1943-1944), to explore the Andes Mountains in search of a source for quinine from the Cinchona tree.  There he discovered at least 15 new species and in 1978 one of the plants he discovered, the genus Corethamnium, was named for him.","Core was founder (1936) of the Southern Appalachian Botanical Club and editor of the journal, Castenea, for 35 years.  He was the author of scholarly books and articles with his early works focusing on the botany of West Virginia, and later works on local history and church history.  Two biology textbooks he co-authored became standards: General Biology with P.D. Strausbauh and B.R. Weimer and A New Manual for the Biology Laboratory with Weimer.  He also collaborated with Strausbaugh to write the classic The Flora of West Virginia.   Other botany texts include Vegetation of West Virginia, Woody Plants in Winter, and his most popular book Spring Wild Flowers of West Virginia which has been in print since 1948.  Core published articles in Castenea, Proceedings of the West Virginia Academy of Science, and other scholarly sources.","After retirement in 1972, Core turned more of his attention to local history.  His most extensive local history work is the five-volume history of Monongalia County, West Virginia, The Monongalia Story (1974-1984).  His regular column, \"The Monongalia Story\" in Morgantown's Dominion Post also details the history of the county.  Earlier he had written The Chronicles of Core (1937) about the town where he was born, and Morgantown Disciples: a History of the First Christian Church of Morgantown (1960).","Core's civic activities were numerous and include serving on the Morgantown Public Library Board for 20 years (1959-1979), Morgantown City Council for 4 years, and Mayor of Morgantown for 2 years (1956-1957).  Core was an elder in his church, president of the Monongalia Historical Society, president of the Kiwanis, and much more.  In 1948, Core persuaded WVU to set aside 100 acres for an Arboretum. The Core Arboretum was named for him in 1967.   Earl L. Core Road in Morgantown also sports his name.","He died in Morgantown in 1984.","Elizabeth \"Betty\" Ann Bartholomew, botanist and educator, was born in Wheeling, West Virginia, in 1912.  She received a Bachelor of Arts degree in botany from West Virginia University in 1934.  She received a Master of Arts degree in botany from WVU with the thesis titled \"The Flora of Wirt County, West Virginia\" in 1948.  Bartholomew joined the staff of the WVU Biology Department in 1938, first as Herbarium clerk and later as Herbarium assistant.  In 1963 she was appointed as a biology instructor and curator of the Herbarium.  During this time she created the Distribution of Southeastern Plants to facilitate the exchange of specimens.  She added thousands of plants to the Herbarium collection and in 1950 started a 2,000-plant seed collection.  She retired from WVU in 1977","Bartholomew was a member of the West Virginia Academy of Science, editor of its newsletter (1960-61), and secretary (1972-1985); member and secretary for the Southern Appalachian Botanical Club (1946-1981); member of the American Nut Growers Association; charter member and faculty advisor of the botany fraternity Phi Epsilon Phi; and member of Phi Mu.","Bartholomew who joined the Girl Scouts at age 12 earned all the nature badges and maintained a life-long interest in scouting.  She served as a Girl Scout leader for more than 20 years.  She also promoted nature to children through the Phi Epsilon Phi annual Wildflower Day.  Additionally she worked with the Oglebay Nature Camp, church camp, and others.  She was a leader at the annual Wildflower Pilgrimage at Blackwater Falls.","The Southern Appalachian Botanical Society created the Elizabeth Ann Bartholomew Award in 1989 in her honor and the governor named her as the Outstanding West Virginia in 1974.","She died in Morgantown in 1985."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Earl L. Core (1902-1984) Papers, A\u0026amp;M 1730, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Earl L. Core (1902-1984) Papers, A\u0026M 1730, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e1197, 1556, 1730\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["1197, 1556, 1730"],"scopecontent_html_tesm":["\u003cp\u003eOriginal Accession; 1756-1985; boxes 1-21 and two oversize folders\u003c/p\u003e","\u003cp\u003e\nRecords of Earl L. Core, botanist, writer, editor, historian, and West Virginia University professor and Biology Department Head.  Includes the correspondence, collected research materials, and writings of Dr. Core. The earliest correspondence, 1951-1960, deals mostly with his role as a botanist and West Virginia University Botany Department chair, and includes letters both to and from Dr. Core. Later correspondence, mostly from the 1960s but up to 1984, includes historical and genealogical inquiries in addition to matters pertaining to botany, publications, and Biology Department business.  Of importance is Dr. Core's correspondence with two prominent botanists, P.D. Strausbaugh, with whom Core authored botany and biology texts, and H.A. Allard.\u003c/p\u003e","\u003cp\u003e\nIn addition to botany and nature, a large part of the collection deals with the history of Morgantown, Monongalia County, and West Virginia.  The collected research materials for these areas include newspaper clippings, booklets and pamphlets, correspondence, genealogical charts, maps, original historical documents, and more.  Dr. Core's research resulted in the publication of a 5-volume history of Monongalia County, \u003ctitle\u003eThe Monongalia Story\u003c/title\u003e, as well as numerous newspaper columns in the \u003ctitle\u003eDominion Post\u003c/title\u003e.  The collected research materials support Dr. Core's research for some 30 monographs on various aspects of natural history, local history, and to a lesser extent Bible and religious study.  \u003c/p\u003e","\u003cp\u003e\nGraphic materials include oversized maps, photographs, photographic glass negatives and film, greeting cards, and post cards.\u003c/p\u003e","\u003cp\u003e\nSee series and subseries descriptions for more information.\u003c/p\u003e","\u003cp\u003e\nAddendum of 2018-09; 1907-1984; boxes 22-25\u003c/p\u003e","\u003cp\u003e\nThese records include handwritten plant lists; typewritten scientific and history papers; newspapers and newspaper clippings; maps; University class records; collected research materials; and magnetic audio tapes of Dr. Core's lectures on the flora of West Virginia. Plant lists and lecture notes presumably refer to slides in A\u0026amp;M 5211.  This addendum includes Core's curriculum vita; some correspondence; and various short publications.\u003c/p\u003e","\u003cp\u003e\nOther collected research materials include maps, postcards, book lists, technical reports about West Virginia and the region, flyers, photographs, newsletters, brochures, programs, and calendars of events from the WVU Experimental Station, the WVU Department of Biology, West Virginia State Parks, West Virginia Department of Natural Resources, West Virginia Department of Agriculture, the Phi Epsilon Phi fraternity, the Southern Appalachian Botanical Club, the West Virginia University (Core) Arboretum, the American Association of University Professors, the National Audubon Society, and the American Association for the Advancement of Science.  These items treat the following subjects: trees, forestry, insects, plant species, water, flooding, ecology, wildflower walks, and biography.  The files contain a number of reprints and facsimiles of scholarly scientific papers.  There is one local history, that of Wheeling.  Biology student records include a graded research paper, a graded bibliography, Core's class record book, and summer class trip schedules.\u003c/p\u003e","\u003cp\u003e\nThe audio tapes are recordings of Dr. Core's lectures on West Virginia flora, February-April, 1966.  There are 15 of the 1.25\" reel to reel tapes in box 25.  Five of the tapes are undated.\u003c/p\u003e","\u003cp\u003e\nIn addition to Earl L. Core materials in boxes 24 and 25, this addenda includes materials collected by Elizabeth \"Betty\" Ann Bartholomew, boxes 22 and 23.  Bartholomew was also a West Virginia botanist, educator, and manager for the West Virginia University Herbarium. Her artifacts include buttons, a flag, and a Girls Scout cloth badge.  A metal box contains items collected by Elizabeth Bartholomew including identification cards and Girl Scout records.  Her papers include collected materials about biology and nature as well as materials, including teaching materials, from the WVU Biology Department.\u003c/p\u003e  ","\u003cp\u003eThis series includes both professional and personal correspondence received; carbon copies of correspondence sent; and collected research materials in addition to letters. The correspondence is with colleagues from across the United States and abroad; citizens with inquiries regarding plants, such as roots in a basement; students regarding grades, course work, and recommendations; as well as family and friends including greeting cards. Some correspondence is typed, some handwritten, some on mimeographed pages, and some on postcards and slips of paper. Subjects include discussions of publications and orders for publications such as \u003ctitle\u003eThe Flora of West Virginia\u003c/title\u003e, \u003ctitle\u003eWild Flowers of West Virginia\u003c/title\u003e, and \u003ctitle\u003eSpring Wild Flowers\u003c/title\u003e; content and business for the journal \u003ctitle\u003eCastenea\u003c/title\u003e; discussions and notifications of botanical species' identification and request for specimens; WVU academic matters and WVU Department of Biology business; and family and other personal matters including letters and flyers regarding the Disciples of Christ Church and the First Christian Church in Morgantown where Dr. Core was a member. Of significance are letters from botanists P. D. (Perry Daniel) Strausbaugh, 1886-1965, and H. A. (Harry Ardell) Allard, 1880-1963. An envelope of addresses on slips of paper, torn from envelopes, and business cards is included in this series. \u003c/p\u003e","\u003cp\u003e Specifically, boxes 1 and 2 contain correspondence (1951-1957) which is arranged chronologically by month and year. Boxes 3 and 4 contain correspondence (1958) which is also arranged chronologically by month. Boxes 5-8, and 15 contain correspondence not in chronological order, but arranged by subtopics. \u003c/p\u003e","\u003cp\u003e Box 5 (1943-1984, with the majority from the 1960s) contains correspondence regarding botany and specifically Core's research in Columbia, 1943-1945, where he worked on the genus \u003cemph render=\"italic\"\u003eScleria\u003c/emph\u003e; and correspondence with various colleges and universities and governmental units. \u003c/p\u003e","\u003cp\u003e Box 6 (1953-1984) contains correspondence regarding the P.D. Strausbaugh Student Loan Fund; Core's writings; and Monongalia County history. Also included is correspondence with professional and business organizations; West Virginia University and WVU academic departments; other colleges and universities; and personal letters, photographs, and cards. \u003c/p\u003e","\u003cp\u003e Box 7 (1978-1982) contains multi-occasion personal greeting cards received by Dr. Core. \u003c/p\u003e","\u003cp\u003e Box 8 (1800-1879, 1920-1928, 1959-1984) contains correspondence, facsimiles of articles and historical documents, and newspaper clippings regarding Monongalia County; Morgantown and other municipalities; Preston County; the Delta Tau Delta fraternity at Bethany College; and biographical materials about Earl L. Core including his curriculum vita and others' handwritten narratives of his life. \u003c/p\u003e","\u003cp\u003e Box 15, folders 7-10 (1974-1984) contains correspondence responding to Core's book \u003ctitle\u003eThe Monongalia Story\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eThis subseries includes scholarly articles, often with compliments from the authors, and dealing with scientific topics but some are about the intersection of science and humanities. Collected reports and booklets covering the topics of the Civil War, coal and coal mining, the National Road, Greene County (PA), poetry, and books about and from the Southeast. Includes programs from seminars and conferences attended by Dr. Core. \u003c/p\u003e","\u003cp\u003e Facsimiles and transcriptions of historical documents include a letter and other materials from Samuel C. Malone, 1857-1938, and Civil War letters.\u003c/p\u003e","\u003cp\u003eThis subseries includes the publications, announcements, and plant lists of a number of West Virginia naturalists' societies in Box 14 and including the Mountaineer Chapter of the National Audubon Society (1978-1979); the Brooks Bird Club, Inc. (Wheeling; 1978-1979, 1982, 1984); Nature Conservancy, WV Chapter (1978, 1983); the George M. Sutton Audubon Society (Bethany; 1978, 1983); The West Virginia Highlands Conservancy (1979); the West Virginia Garden Club (1965); Bud and Blossom Garden Club (Princeton). Other publications include the \u003ctitle\u003ePlant Newsletter\u003c/title\u003e (1978, 1983) (Box 9, Folder 11) from the West Virginia Department of Agriculture; \u003ctitle\u003eWest Virginia Conservation\u003c/title\u003e from the WV Department of Natural Resources (1962); WV State Parks promotional brochures, flyers, and plant lists including materials pertaining to the West Virginia Wildflower Pilgrimage; and \u003ctitle\u003eTwinleaf\u003c/title\u003e (1979) Washington Crossing State Park (PA) Bowman's Hill State Wildlife Preserve. This subseries includes the program for the Adanson Bicentennial Symposium (1963, Box 9) at The Hunt Library of the Carnegie Institute of Technology with signatures of some attendees and attended by Dr. Core. Box 20 contains a map, ca. 1944, of the Cauca Department in Columbia indicating the location of the plant genus \u003cemph render=\"italic\"\u003eCinchona\u003c/emph\u003e resulting from Core's research study there. Additional information regarding Dr. Core's time in Columbia can be found in the Correspondence Series, Box 5. Also, see the Correspondence Series for letters and more regarding Dr. Core's botany work and botany publications. See the West Virginia University Series for more on the Biology Department and the Herbarium.\u003c/p\u003e","\u003cp\u003eThese collected research materials may have supported Dr. Core's research of Monongalia County history for his newspaper columns and five-volume book titled \u003ctitle\u003eThe Monongalia Story\u003c/title\u003e. This subseries includes miscellaneous original historical documents and facsimiles of historical documents (mostly in Boxes 9 and 12) including land grants, river boat registry, court cases, city of Westover and Granville records, property assessment, Mexican War muster list and pension, broadside for the Socialist Party in Star City (Box 21), and account book. Other formats include newspapers, newspaper clippings, magazine article clippings, annual reports, pamphlets and brochures, and maps. Topics covered in this series include County Health Department, agriculture, shipping, churches (Boxes 12 and 17), technology, organizations, flooding, schools, ethnic groups (Box 15), biography, genealogies, funeral homes, various communities, and more. \u003c/p\u003e","\u003cp\u003e While the majority of materials for this subseries are in box 9, other boxes include some content. Box 19 contains two original and one facsimile land grant, and a register of boats. \u003c/p\u003e","\u003cp\u003e See the Correspondence Series for letters and more regarding Dr. Core's research on Monongalia County history and families.\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings, pamphlets, event brochures, editorials, reports, booklets, newspaper clippings, Chamber of Commerce publications (particularly Box 12), and more. Topics covered include many aspects of Morgantown history including the telephone system; police force and federal prison; walking tours; houses; industries; people; businesses; the Morgan family; parks; and churches and synagogues (particularly Box 17). A facsimile of the story of David Morgan, Indian fighter, is included. \u003c/p\u003e","\u003cp\u003e See the Correspondence Series for more regarding Morgantown history.\u003c/p\u003e","\u003cp\u003eThis subseries includes collected research materials regarding other parts of West Virginia not included in the Morgantown and Monongalia County Subseries. Formats include student research papers, newsletters (Humanities Foundation), event programs, booklets, and reports. Topics covered include Boone and Clay county schools, weather, Independence Hall (Wheeling), the 4-H Camp at Jackson Mills, Future Farmers of America (FFA), various municipalities, Appalachia, Bethany College, vegetation management, mining, and churches and religion. \u003c/p\u003e","\u003cp\u003e The majority of materials are in Box 13, however Box 9 contains a folder with facsimiles and transcriptions of historical documents about Prickett's Fort and one on West Virginia agriculture. Box 17 contains a folder on West Virginia churches. \u003c/p\u003e","\u003cp\u003e See the Correspondence Series, particularly Box 8, for more West Virginia materials.\u003c/p\u003e","\u003cp\u003eThis series includes collected materials from and about West Virginia University, the WVU Biology Department, and the Herbarium. Included are programs and brochures; annual reports; magazines; a souvenir program for athletic events; and newspapers and newspaper clippings. Periodical publications are from the WVU Foundation, Alumni Association, Cooperative Extension Service, the Board of Regents, the Office of Development, and the Division of Forestry. Materials from the Biology Department include faculty meeting minutes, the \u003ctitle\u003eBiology Newsletter\u003c/title\u003e (1959), memoranda, event programs, brochures, and course listings. Specific subjects include the Personal Rapid Transit (PRT); honor societies; special summer courses; the Medical Center; history of the University; WVU baseball; and WVU presidential inaugurations. Included is a special issue of the \u003ctitle\u003eBeacon\u003c/title\u003e (Hope Natural Gas) (1951) featuring WVU. \u003c/p\u003e","\u003cp\u003e The series also includes a notebook with notes and commentary regarding Core's 1950 WVU recruitment efforts at West Virginia high schools: Philippi High School, Lost Creek High School, Jane Lew High School, Buckhannon Upshur High School, Buckhannon Upshur High School-Tennerton Branch, Walkersville High School, Weston High School, and St. Patrick High School in Weston. Each high school entry includes introductory notes usually with the principal; attendance; individual interviews with a few students; and possible enrollments for WVU. \u003c/p\u003e","\u003cp\u003e Box 11 contains the majority of the materials, however Box 20 contains a map of an Evansdale master plan (ca. 1964). \u003c/p\u003e","\u003cp\u003e See the Correspondence Series for letters and more regarding Dr. Core's work in the WVU Biology Department, the Herbarium, and the University at large.\u003c/p\u003e","\u003cp\u003eEarl L. Core published scholarly articles, newspaper columns, and books about Monongalia County history and its environs as well as definitive works on the botany of West Virginia. Dr. Core published a newspaper column titled \"The Monongalia Story\" in the \u003ctitle\u003eDominion Post\u003c/title\u003e which presumably provided background research for a book by the same title. This series includes some of the original published articles as newspaper clippings (1976-1985, but most with no dates; box 19, folder 5) as well as typed and handwritten drafts (Box 15, ca. 1977-1979). Box 15 also includes \u003ctitle\u003eGuide to the North American International Excursion\u003c/title\u003e from the International Society for Vegetation Science for which Dr. Core wrote Chapter 8. Box 19 includes a newspaper clipping of a book review of \u003ctitle\u003eHistory of Harrison County\u003c/title\u003e; and handwritten text, possibly lecture notes, which discusses evolution, creation, and religion. \u003c/p\u003e","\u003cp\u003e See the Correspondence Series for letters requesting copies and discussing Dr. Core's botany books. See the Graphic Materials series for sketches, photographs, and maps included in \u003ctitle\u003eThe Monongalia Story\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eIncludes files, sorted alphabetically by family name researched in box 10, of correspondence to and from Dr. Core with some facsimiles and transcriptions of historical documents included. The Genealogy Series also includes some genealogical charts and typed family histories. \u003c/p\u003e","\u003cp\u003e Publications in the series include the 1983 surname list from the KYOWA Genealogical Society (Huntington), and \u003ctitle\u003eThe Pioneer: Second Annual Report of the Descendants of the French Creek Pioneers\u003c/title\u003e (1925) which includes a history of the Morgan Family. \u003c/p\u003e","\u003cp\u003e Additional Core family history is found throughout the Correspondence Series, boxes 1-8. Box 8, folder 5 contains biographical materials for Earl Lemley Core and Lewis Addison Core.\u003c/p\u003e","\u003cp\u003eIncludes photographs, some black and white and some color, some original and some facsimiles; postcards some with writing and some blank; glass plate negatives; film negatives; facsimiles of sketches including David Hunter Strother's work; and maps. Some photographs include subject identification, some do not. It appears that some of the photographs and maps were illustrations in publications since they have figure numbers noted. Topics covered by the photographs, postcards, and negatives include plants, animals, gardens, and forests; buildings; scenes; individuals and groups of people including members of the Core family; WVU buildings; the WVU Arboretum; WVU personages; West Virginia; and more. Most of the photographs are from the Morgantown and Monongalia County areas, particularly Blacksville in Box 16. The glass plates, also Box 16, are of birds and other animals; one includes a woman and a chipmunk; and one is of a child with a cart pulled by two opossums and includes prints. Some of the glass plate photographs have been digitized. Additional film negatives include portraits, buildings, and more, and may have been illustrations for Core's books. In addition to Strother's sketches, the sketches include facsimiles of portraits and one original sketch of a man shucking corn. \u003c/p\u003e","\u003cp\u003e The maps include an historical map of Botetourt County, Virginia (1756); edited historical Monongalia County map (1826); map of Morgantown (1785); and map of Monongalia County churches (1953). The series includes the maps and sketches on paper board for the book \u003ctitle\u003eThe Monongalia Story\u003c/title\u003e; box 15 contains maps of Monongalia County and environs as well as municipalities; box 19, folders 1 and 3 contain a sketch and maps; boxes 20-21 include sketches and maps.\u003c/p\u003e","\u003cp\u003eThis series includes these objects: address stamp for Earl L. Core, Biology Department (ca. 1963); small trowel imprinted with \"The Duntile Company\" (ca. 1960s); and a \"Micro Windgauge Receiver Sight, No. 48, for Springfield Rifles\" with box and insert (ca. 1910). Also, includes these objects moved from box 14: three cut nails (ca. 1820) and mailing envelope; and an unidentified key on twine taped to envelope labeled \"FILM.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Original Accession; 1756-1985; boxes 1-21 and two oversize folders","Records of Earl L. Core, botanist, writer, editor, historian, and West Virginia University professor and Biology Department Head.  Includes the correspondence, collected research materials, and writings of Dr. Core. The earliest correspondence, 1951-1960, deals mostly with his role as a botanist and West Virginia University Botany Department chair, and includes letters both to and from Dr. Core. Later correspondence, mostly from the 1960s but up to 1984, includes historical and genealogical inquiries in addition to matters pertaining to botany, publications, and Biology Department business.  Of importance is Dr. Core's correspondence with two prominent botanists, P.D. Strausbaugh, with whom Core authored botany and biology texts, and H.A. Allard.","In addition to botany and nature, a large part of the collection deals with the history of Morgantown, Monongalia County, and West Virginia.  The collected research materials for these areas include newspaper clippings, booklets and pamphlets, correspondence, genealogical charts, maps, original historical documents, and more.  Dr. Core's research resulted in the publication of a 5-volume history of Monongalia County, The Monongalia Story, as well as numerous newspaper columns in the Dominion Post.  The collected research materials support Dr. Core's research for some 30 monographs on various aspects of natural history, local history, and to a lesser extent Bible and religious study.","Graphic materials include oversized maps, photographs, photographic glass negatives and film, greeting cards, and post cards.","See series and subseries descriptions for more information.","Addendum of 2018-09; 1907-1984; boxes 22-25","These records include handwritten plant lists; typewritten scientific and history papers; newspapers and newspaper clippings; maps; University class records; collected research materials; and magnetic audio tapes of Dr. Core's lectures on the flora of West Virginia. Plant lists and lecture notes presumably refer to slides in A\u0026M 5211.  This addendum includes Core's curriculum vita; some correspondence; and various short publications.","Other collected research materials include maps, postcards, book lists, technical reports about West Virginia and the region, flyers, photographs, newsletters, brochures, programs, and calendars of events from the WVU Experimental Station, the WVU Department of Biology, West Virginia State Parks, West Virginia Department of Natural Resources, West Virginia Department of Agriculture, the Phi Epsilon Phi fraternity, the Southern Appalachian Botanical Club, the West Virginia University (Core) Arboretum, the American Association of University Professors, the National Audubon Society, and the American Association for the Advancement of Science.  These items treat the following subjects: trees, forestry, insects, plant species, water, flooding, ecology, wildflower walks, and biography.  The files contain a number of reprints and facsimiles of scholarly scientific papers.  There is one local history, that of Wheeling.  Biology student records include a graded research paper, a graded bibliography, Core's class record book, and summer class trip schedules.","The audio tapes are recordings of Dr. Core's lectures on West Virginia flora, February-April, 1966.  There are 15 of the 1.25\" reel to reel tapes in box 25.  Five of the tapes are undated.","In addition to Earl L. Core materials in boxes 24 and 25, this addenda includes materials collected by Elizabeth \"Betty\" Ann Bartholomew, boxes 22 and 23.  Bartholomew was also a West Virginia botanist, educator, and manager for the West Virginia University Herbarium. Her artifacts include buttons, a flag, and a Girls Scout cloth badge.  A metal box contains items collected by Elizabeth Bartholomew including identification cards and Girl Scout records.  Her papers include collected materials about biology and nature as well as materials, including teaching materials, from the WVU Biology Department.","This series includes both professional and personal correspondence received; carbon copies of correspondence sent; and collected research materials in addition to letters. The correspondence is with colleagues from across the United States and abroad; citizens with inquiries regarding plants, such as roots in a basement; students regarding grades, course work, and recommendations; as well as family and friends including greeting cards. Some correspondence is typed, some handwritten, some on mimeographed pages, and some on postcards and slips of paper. Subjects include discussions of publications and orders for publications such as The Flora of West Virginia, Wild Flowers of West Virginia, and Spring Wild Flowers; content and business for the journal Castenea; discussions and notifications of botanical species' identification and request for specimens; WVU academic matters and WVU Department of Biology business; and family and other personal matters including letters and flyers regarding the Disciples of Christ Church and the First Christian Church in Morgantown where Dr. Core was a member. Of significance are letters from botanists P. D. (Perry Daniel) Strausbaugh, 1886-1965, and H. A. (Harry Ardell) Allard, 1880-1963. An envelope of addresses on slips of paper, torn from envelopes, and business cards is included in this series.","Specifically, boxes 1 and 2 contain correspondence (1951-1957) which is arranged chronologically by month and year. Boxes 3 and 4 contain correspondence (1958) which is also arranged chronologically by month. Boxes 5-8, and 15 contain correspondence not in chronological order, but arranged by subtopics.","Box 5 (1943-1984, with the majority from the 1960s) contains correspondence regarding botany and specifically Core's research in Columbia, 1943-1945, where he worked on the genus Scleria; and correspondence with various colleges and universities and governmental units.","Box 6 (1953-1984) contains correspondence regarding the P.D. Strausbaugh Student Loan Fund; Core's writings; and Monongalia County history. Also included is correspondence with professional and business organizations; West Virginia University and WVU academic departments; other colleges and universities; and personal letters, photographs, and cards.","Box 7 (1978-1982) contains multi-occasion personal greeting cards received by Dr. Core.","Box 8 (1800-1879, 1920-1928, 1959-1984) contains correspondence, facsimiles of articles and historical documents, and newspaper clippings regarding Monongalia County; Morgantown and other municipalities; Preston County; the Delta Tau Delta fraternity at Bethany College; and biographical materials about Earl L. Core including his curriculum vita and others' handwritten narratives of his life.","Box 15, folders 7-10 (1974-1984) contains correspondence responding to Core's book The Monongalia Story.","This subseries includes scholarly articles, often with compliments from the authors, and dealing with scientific topics but some are about the intersection of science and humanities. Collected reports and booklets covering the topics of the Civil War, coal and coal mining, the National Road, Greene County (PA), poetry, and books about and from the Southeast. Includes programs from seminars and conferences attended by Dr. Core.","Facsimiles and transcriptions of historical documents include a letter and other materials from Samuel C. Malone, 1857-1938, and Civil War letters.","This subseries includes the publications, announcements, and plant lists of a number of West Virginia naturalists' societies in Box 14 and including the Mountaineer Chapter of the National Audubon Society (1978-1979); the Brooks Bird Club, Inc. (Wheeling; 1978-1979, 1982, 1984); Nature Conservancy, WV Chapter (1978, 1983); the George M. Sutton Audubon Society (Bethany; 1978, 1983); The West Virginia Highlands Conservancy (1979); the West Virginia Garden Club (1965); Bud and Blossom Garden Club (Princeton). Other publications include the Plant Newsletter (1978, 1983) (Box 9, Folder 11) from the West Virginia Department of Agriculture; West Virginia Conservation from the WV Department of Natural Resources (1962); WV State Parks promotional brochures, flyers, and plant lists including materials pertaining to the West Virginia Wildflower Pilgrimage; and Twinleaf (1979) Washington Crossing State Park (PA) Bowman's Hill State Wildlife Preserve. This subseries includes the program for the Adanson Bicentennial Symposium (1963, Box 9) at The Hunt Library of the Carnegie Institute of Technology with signatures of some attendees and attended by Dr. Core. Box 20 contains a map, ca. 1944, of the Cauca Department in Columbia indicating the location of the plant genus Cinchona resulting from Core's research study there. Additional information regarding Dr. Core's time in Columbia can be found in the Correspondence Series, Box 5. Also, see the Correspondence Series for letters and more regarding Dr. Core's botany work and botany publications. See the West Virginia University Series for more on the Biology Department and the Herbarium.","These collected research materials may have supported Dr. Core's research of Monongalia County history for his newspaper columns and five-volume book titled The Monongalia Story. This subseries includes miscellaneous original historical documents and facsimiles of historical documents (mostly in Boxes 9 and 12) including land grants, river boat registry, court cases, city of Westover and Granville records, property assessment, Mexican War muster list and pension, broadside for the Socialist Party in Star City (Box 21), and account book. Other formats include newspapers, newspaper clippings, magazine article clippings, annual reports, pamphlets and brochures, and maps. Topics covered in this series include County Health Department, agriculture, shipping, churches (Boxes 12 and 17), technology, organizations, flooding, schools, ethnic groups (Box 15), biography, genealogies, funeral homes, various communities, and more.","While the majority of materials for this subseries are in box 9, other boxes include some content. Box 19 contains two original and one facsimile land grant, and a register of boats.","See the Correspondence Series for letters and more regarding Dr. Core's research on Monongalia County history and families.","Includes newspaper clippings, pamphlets, event brochures, editorials, reports, booklets, newspaper clippings, Chamber of Commerce publications (particularly Box 12), and more. Topics covered include many aspects of Morgantown history including the telephone system; police force and federal prison; walking tours; houses; industries; people; businesses; the Morgan family; parks; and churches and synagogues (particularly Box 17). A facsimile of the story of David Morgan, Indian fighter, is included.","See the Correspondence Series for more regarding Morgantown history.","This subseries includes collected research materials regarding other parts of West Virginia not included in the Morgantown and Monongalia County Subseries. Formats include student research papers, newsletters (Humanities Foundation), event programs, booklets, and reports. Topics covered include Boone and Clay county schools, weather, Independence Hall (Wheeling), the 4-H Camp at Jackson Mills, Future Farmers of America (FFA), various municipalities, Appalachia, Bethany College, vegetation management, mining, and churches and religion.","The majority of materials are in Box 13, however Box 9 contains a folder with facsimiles and transcriptions of historical documents about Prickett's Fort and one on West Virginia agriculture. Box 17 contains a folder on West Virginia churches.","See the Correspondence Series, particularly Box 8, for more West Virginia materials.","This series includes collected materials from and about West Virginia University, the WVU Biology Department, and the Herbarium. Included are programs and brochures; annual reports; magazines; a souvenir program for athletic events; and newspapers and newspaper clippings. Periodical publications are from the WVU Foundation, Alumni Association, Cooperative Extension Service, the Board of Regents, the Office of Development, and the Division of Forestry. Materials from the Biology Department include faculty meeting minutes, the Biology Newsletter (1959), memoranda, event programs, brochures, and course listings. Specific subjects include the Personal Rapid Transit (PRT); honor societies; special summer courses; the Medical Center; history of the University; WVU baseball; and WVU presidential inaugurations. Included is a special issue of the Beacon (Hope Natural Gas) (1951) featuring WVU.","The series also includes a notebook with notes and commentary regarding Core's 1950 WVU recruitment efforts at West Virginia high schools: Philippi High School, Lost Creek High School, Jane Lew High School, Buckhannon Upshur High School, Buckhannon Upshur High School-Tennerton Branch, Walkersville High School, Weston High School, and St. Patrick High School in Weston. Each high school entry includes introductory notes usually with the principal; attendance; individual interviews with a few students; and possible enrollments for WVU.","Box 11 contains the majority of the materials, however Box 20 contains a map of an Evansdale master plan (ca. 1964).","See the Correspondence Series for letters and more regarding Dr. Core's work in the WVU Biology Department, the Herbarium, and the University at large.","Earl L. Core published scholarly articles, newspaper columns, and books about Monongalia County history and its environs as well as definitive works on the botany of West Virginia. Dr. Core published a newspaper column titled \"The Monongalia Story\" in the Dominion Post which presumably provided background research for a book by the same title. This series includes some of the original published articles as newspaper clippings (1976-1985, but most with no dates; box 19, folder 5) as well as typed and handwritten drafts (Box 15, ca. 1977-1979). Box 15 also includes Guide to the North American International Excursion from the International Society for Vegetation Science for which Dr. Core wrote Chapter 8. Box 19 includes a newspaper clipping of a book review of History of Harrison County; and handwritten text, possibly lecture notes, which discusses evolution, creation, and religion.","See the Correspondence Series for letters requesting copies and discussing Dr. Core's botany books. See the Graphic Materials series for sketches, photographs, and maps included in The Monongalia Story.","Includes files, sorted alphabetically by family name researched in box 10, of correspondence to and from Dr. Core with some facsimiles and transcriptions of historical documents included. The Genealogy Series also includes some genealogical charts and typed family histories.","Publications in the series include the 1983 surname list from the KYOWA Genealogical Society (Huntington), and The Pioneer: Second Annual Report of the Descendants of the French Creek Pioneers (1925) which includes a history of the Morgan Family.","Additional Core family history is found throughout the Correspondence Series, boxes 1-8. Box 8, folder 5 contains biographical materials for Earl Lemley Core and Lewis Addison Core.","Includes photographs, some black and white and some color, some original and some facsimiles; postcards some with writing and some blank; glass plate negatives; film negatives; facsimiles of sketches including David Hunter Strother's work; and maps. Some photographs include subject identification, some do not. It appears that some of the photographs and maps were illustrations in publications since they have figure numbers noted. Topics covered by the photographs, postcards, and negatives include plants, animals, gardens, and forests; buildings; scenes; individuals and groups of people including members of the Core family; WVU buildings; the WVU Arboretum; WVU personages; West Virginia; and more. Most of the photographs are from the Morgantown and Monongalia County areas, particularly Blacksville in Box 16. The glass plates, also Box 16, are of birds and other animals; one includes a woman and a chipmunk; and one is of a child with a cart pulled by two opossums and includes prints. Some of the glass plate photographs have been digitized. Additional film negatives include portraits, buildings, and more, and may have been illustrations for Core's books. In addition to Strother's sketches, the sketches include facsimiles of portraits and one original sketch of a man shucking corn.","The maps include an historical map of Botetourt County, Virginia (1756); edited historical Monongalia County map (1826); map of Morgantown (1785); and map of Monongalia County churches (1953). The series includes the maps and sketches on paper board for the book The Monongalia Story; box 15 contains maps of Monongalia County and environs as well as municipalities; box 19, folders 1 and 3 contain a sketch and maps; boxes 20-21 include sketches and maps.","This series includes these objects: address stamp for Earl L. Core, Biology Department (ca. 1963); small trowel imprinted with \"The Duntile Company\" (ca. 1960s); and a \"Micro Windgauge Receiver Sight, No. 48, for Springfield Rifles\" with box and insert (ca. 1910). Also, includes these objects moved from box 14: three cut nails (ca. 1820) and mailing envelope; and an unidentified key on twine taped to envelope labeled \"FILM.\""],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_302616bc2fb2a17f49ac5e83fdb97216\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University. Department of Biology","Phi Epsilon Phi. Alpha Chapter (West Virginia University)","Core Arboretum"],"names_coll_ssim":["West Virginia University. Department of Biology","Phi Epsilon Phi. Alpha Chapter (West Virginia University)","Core Arboretum"],"persname_ssim":["Core, Earl Lemley, 1902-1984","Strausbaugh, Perry Daniel, 1886-1965","Bartholomew, Elizabeth A."],"names_ssim":["West Virginia and Regional History Center","West Virginia University. Department of Biology","Phi Epsilon Phi. Alpha Chapter (West Virginia University)","Core Arboretum","Core, Earl Lemley, 1902-1984","Strausbaugh, Perry Daniel, 1886-1965","Bartholomew, Elizabeth A."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":70,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:57:04.936Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5312_c02_c03"}},{"id":"wvmturhc_repositories_2_resources_5312_c02_c05","type":"Sub-Series","attributes":{"title":"Collected Research Materials- West Virginia, 1778/1982","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5312_c02_c05#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis subseries includes collected research materials regarding other parts of West Virginia not included in the Morgantown and Monongalia County Subseries. Formats include student research papers, newsletters (Humanities Foundation), event programs, booklets, and reports. Topics covered include Boone and Clay county schools, weather, Independence Hall (Wheeling), the 4-H Camp at Jackson Mills, Future Farmers of America (FFA), various municipalities, Appalachia, Bethany College, vegetation management, mining, and churches and religion. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5312_c02_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5312_c02_c05","ref_ssm":["wvmturhc_repositories_2_resources_5312_c02_c05"],"id":"wvmturhc_repositories_2_resources_5312_c02_c05","ead_ssi":"wvmturhc_repositories_2_resources_5312","_root_":"wvmturhc_repositories_2_resources_5312","_nest_parent_":"wvmturhc_repositories_2_resources_5312_c02","parent_ssi":"wvmturhc_repositories_2_resources_5312_c02","parent_ssim":["Earl L. Core (1902-1984) Papers, 1756/1985","Collected Research Materials"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5312","wvmturhc_repositories_2_resources_5312_c02"],"title_filing_ssi":"Collected Research Materials- West Virginia","title_ssm":["Collected Research Materials- West Virginia"],"title_tesim":["Collected Research Materials- West Virginia"],"normalized_title_ssm":["Collected Research Materials- West Virginia, 1778/1982"],"text":["Collected Research Materials- West Virginia, 1778/1982","Earl L. Core (1902-1984) Papers, 1756/1985","Collected Research Materials","This subseries includes collected research materials regarding other parts of West Virginia not included in the Morgantown and Monongalia County Subseries. Formats include student research papers, newsletters (Humanities Foundation), event programs, booklets, and reports. Topics covered include Boone and Clay county schools, weather, Independence Hall (Wheeling), the 4-H Camp at Jackson Mills, Future Farmers of America (FFA), various municipalities, Appalachia, Bethany College, vegetation management, mining, and churches and religion.","The majority of materials are in Box 13, however Box 9 contains a folder with facsimiles and transcriptions of historical documents about Prickett's Fort and one on West Virginia agriculture. Box 17 contains a folder on West Virginia churches.","See the Correspondence Series, particularly Box 8, for more West Virginia materials."],"parent_unittitles_ssm":["Earl L. Core (1902-1984) Papers, 1756/1985","Collected Research Materials"],"parent_unittitles_tesim":["Earl L. Core (1902-1984) Papers, 1756/1985","Collected Research Materials"],"normalized_date_ssm":["1778/1982"],"unitdate_inclusive_ssm":["1778-1865, 1916, 1953-1982"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":41,"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Earl L. Core (1902-1984) Papers, 1756/1985"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"parent_access_restrict_tesm":["Requires signed form for boxes 1-5, 24."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"scopecontent_html_tesm":["\u003cp\u003eThis subseries includes collected research materials regarding other parts of West Virginia not included in the Morgantown and Monongalia County Subseries. Formats include student research papers, newsletters (Humanities Foundation), event programs, booklets, and reports. Topics covered include Boone and Clay county schools, weather, Independence Hall (Wheeling), the 4-H Camp at Jackson Mills, Future Farmers of America (FFA), various municipalities, Appalachia, Bethany College, vegetation management, mining, and churches and religion. \u003c/p\u003e","\u003cp\u003e The majority of materials are in Box 13, however Box 9 contains a folder with facsimiles and transcriptions of historical documents about Prickett's Fort and one on West Virginia agriculture. Box 17 contains a folder on West Virginia churches. \u003c/p\u003e","\u003cp\u003e See the Correspondence Series, particularly Box 8, for more West Virginia materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This subseries includes collected research materials regarding other parts of West Virginia not included in the Morgantown and Monongalia County Subseries. Formats include student research papers, newsletters (Humanities Foundation), event programs, booklets, and reports. Topics covered include Boone and Clay county schools, weather, Independence Hall (Wheeling), the 4-H Camp at Jackson Mills, Future Farmers of America (FFA), various municipalities, Appalachia, Bethany College, vegetation management, mining, and churches and religion.","The majority of materials are in Box 13, however Box 9 contains a folder with facsimiles and transcriptions of historical documents about Prickett's Fort and one on West Virginia agriculture. Box 17 contains a folder on West Virginia churches.","See the Correspondence Series, particularly Box 8, for more West Virginia materials."],"_nest_path_":"/components#1/components#4","timestamp":"2026-06-23T07:57:04.936Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5312","ead_ssi":"wvmturhc_repositories_2_resources_5312","_root_":"wvmturhc_repositories_2_resources_5312","_nest_parent_":"wvmturhc_repositories_2_resources_5312","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5312.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198607","title_ssm":["Earl L. Core (1902-1984) Papers"],"title_tesim":["Earl L. Core (1902-1984) Papers"],"unitdate_ssm":["1756-1985"],"unitdate_inclusive_ssm":["1756-1985"],"normalized_date_ssm":["1756/1985"],"normalized_title_ssm":["Earl L. Core (1902-1984) Papers, 1756/1985"],"text":["Earl L. Core (1902-1984) Papers, 1756/1985","A\u0026M 1730","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5312","Monongalia County (W. Va.)","Morgantown (W. Va.)","Botany","Botany -- West Virginia","Requires signed form for boxes 1-5, 24.","Earl Lemley Core, botanist, educator, and historian, was born in Core, West Virginia, Monongalia County in 1902.  He received his Bachelor of Arts from West Virginia University in 1926; his masters from WVU in 1928; and a Ph.D. from Columbia University in 1936.  Dr. Core was a professor in WVU's Biology Department for 44 years (1928-1972) and chair of the Department for 18 years (1948-1966).  He was also curator of the WVU Herbarium for 40 years (1934-1972).  During World War II the Foreign Economic Administration sent Core to Columbia, South America (1943-1944), to explore the Andes Mountains in search of a source for quinine from the Cinchona tree.  There he discovered at least 15 new species and in 1978 one of the plants he discovered, the genus Corethamnium, was named for him.","Core was founder (1936) of the Southern Appalachian Botanical Club and editor of the journal, Castenea, for 35 years.  He was the author of scholarly books and articles with his early works focusing on the botany of West Virginia, and later works on local history and church history.  Two biology textbooks he co-authored became standards: General Biology with P.D. Strausbauh and B.R. Weimer and A New Manual for the Biology Laboratory with Weimer.  He also collaborated with Strausbaugh to write the classic The Flora of West Virginia.   Other botany texts include Vegetation of West Virginia, Woody Plants in Winter, and his most popular book Spring Wild Flowers of West Virginia which has been in print since 1948.  Core published articles in Castenea, Proceedings of the West Virginia Academy of Science, and other scholarly sources.","After retirement in 1972, Core turned more of his attention to local history.  His most extensive local history work is the five-volume history of Monongalia County, West Virginia, The Monongalia Story (1974-1984).  His regular column, \"The Monongalia Story\" in Morgantown's Dominion Post also details the history of the county.  Earlier he had written The Chronicles of Core (1937) about the town where he was born, and Morgantown Disciples: a History of the First Christian Church of Morgantown (1960).","Core's civic activities were numerous and include serving on the Morgantown Public Library Board for 20 years (1959-1979), Morgantown City Council for 4 years, and Mayor of Morgantown for 2 years (1956-1957).  Core was an elder in his church, president of the Monongalia Historical Society, president of the Kiwanis, and much more.  In 1948, Core persuaded WVU to set aside 100 acres for an Arboretum. The Core Arboretum was named for him in 1967.   Earl L. Core Road in Morgantown also sports his name.","He died in Morgantown in 1984.","Elizabeth \"Betty\" Ann Bartholomew, botanist and educator, was born in Wheeling, West Virginia, in 1912.  She received a Bachelor of Arts degree in botany from West Virginia University in 1934.  She received a Master of Arts degree in botany from WVU with the thesis titled \"The Flora of Wirt County, West Virginia\" in 1948.  Bartholomew joined the staff of the WVU Biology Department in 1938, first as Herbarium clerk and later as Herbarium assistant.  In 1963 she was appointed as a biology instructor and curator of the Herbarium.  During this time she created the Distribution of Southeastern Plants to facilitate the exchange of specimens.  She added thousands of plants to the Herbarium collection and in 1950 started a 2,000-plant seed collection.  She retired from WVU in 1977","Bartholomew was a member of the West Virginia Academy of Science, editor of its newsletter (1960-61), and secretary (1972-1985); member and secretary for the Southern Appalachian Botanical Club (1946-1981); member of the American Nut Growers Association; charter member and faculty advisor of the botany fraternity Phi Epsilon Phi; and member of Phi Mu.","Bartholomew who joined the Girl Scouts at age 12 earned all the nature badges and maintained a life-long interest in scouting.  She served as a Girl Scout leader for more than 20 years.  She also promoted nature to children through the Phi Epsilon Phi annual Wildflower Day.  Additionally she worked with the Oglebay Nature Camp, church camp, and others.  She was a leader at the annual Wildflower Pilgrimage at Blackwater Falls.","The Southern Appalachian Botanical Society created the Elizabeth Ann Bartholomew Award in 1989 in her honor and the governor named her as the Outstanding West Virginia in 1974.","She died in Morgantown in 1985.","1197, 1556, 1730","Original Accession; 1756-1985; boxes 1-21 and two oversize folders","Records of Earl L. Core, botanist, writer, editor, historian, and West Virginia University professor and Biology Department Head.  Includes the correspondence, collected research materials, and writings of Dr. Core. The earliest correspondence, 1951-1960, deals mostly with his role as a botanist and West Virginia University Botany Department chair, and includes letters both to and from Dr. Core. Later correspondence, mostly from the 1960s but up to 1984, includes historical and genealogical inquiries in addition to matters pertaining to botany, publications, and Biology Department business.  Of importance is Dr. Core's correspondence with two prominent botanists, P.D. Strausbaugh, with whom Core authored botany and biology texts, and H.A. Allard.","In addition to botany and nature, a large part of the collection deals with the history of Morgantown, Monongalia County, and West Virginia.  The collected research materials for these areas include newspaper clippings, booklets and pamphlets, correspondence, genealogical charts, maps, original historical documents, and more.  Dr. Core's research resulted in the publication of a 5-volume history of Monongalia County, The Monongalia Story, as well as numerous newspaper columns in the Dominion Post.  The collected research materials support Dr. Core's research for some 30 monographs on various aspects of natural history, local history, and to a lesser extent Bible and religious study.","Graphic materials include oversized maps, photographs, photographic glass negatives and film, greeting cards, and post cards.","See series and subseries descriptions for more information.","Addendum of 2018-09; 1907-1984; boxes 22-25","These records include handwritten plant lists; typewritten scientific and history papers; newspapers and newspaper clippings; maps; University class records; collected research materials; and magnetic audio tapes of Dr. Core's lectures on the flora of West Virginia. Plant lists and lecture notes presumably refer to slides in A\u0026M 5211.  This addendum includes Core's curriculum vita; some correspondence; and various short publications.","Other collected research materials include maps, postcards, book lists, technical reports about West Virginia and the region, flyers, photographs, newsletters, brochures, programs, and calendars of events from the WVU Experimental Station, the WVU Department of Biology, West Virginia State Parks, West Virginia Department of Natural Resources, West Virginia Department of Agriculture, the Phi Epsilon Phi fraternity, the Southern Appalachian Botanical Club, the West Virginia University (Core) Arboretum, the American Association of University Professors, the National Audubon Society, and the American Association for the Advancement of Science.  These items treat the following subjects: trees, forestry, insects, plant species, water, flooding, ecology, wildflower walks, and biography.  The files contain a number of reprints and facsimiles of scholarly scientific papers.  There is one local history, that of Wheeling.  Biology student records include a graded research paper, a graded bibliography, Core's class record book, and summer class trip schedules.","The audio tapes are recordings of Dr. Core's lectures on West Virginia flora, February-April, 1966.  There are 15 of the 1.25\" reel to reel tapes in box 25.  Five of the tapes are undated.","In addition to Earl L. Core materials in boxes 24 and 25, this addenda includes materials collected by Elizabeth \"Betty\" Ann Bartholomew, boxes 22 and 23.  Bartholomew was also a West Virginia botanist, educator, and manager for the West Virginia University Herbarium. Her artifacts include buttons, a flag, and a Girls Scout cloth badge.  A metal box contains items collected by Elizabeth Bartholomew including identification cards and Girl Scout records.  Her papers include collected materials about biology and nature as well as materials, including teaching materials, from the WVU Biology Department.","This series includes both professional and personal correspondence received; carbon copies of correspondence sent; and collected research materials in addition to letters. The correspondence is with colleagues from across the United States and abroad; citizens with inquiries regarding plants, such as roots in a basement; students regarding grades, course work, and recommendations; as well as family and friends including greeting cards. Some correspondence is typed, some handwritten, some on mimeographed pages, and some on postcards and slips of paper. Subjects include discussions of publications and orders for publications such as The Flora of West Virginia, Wild Flowers of West Virginia, and Spring Wild Flowers; content and business for the journal Castenea; discussions and notifications of botanical species' identification and request for specimens; WVU academic matters and WVU Department of Biology business; and family and other personal matters including letters and flyers regarding the Disciples of Christ Church and the First Christian Church in Morgantown where Dr. Core was a member. Of significance are letters from botanists P. D. (Perry Daniel) Strausbaugh, 1886-1965, and H. A. (Harry Ardell) Allard, 1880-1963. An envelope of addresses on slips of paper, torn from envelopes, and business cards is included in this series.","Specifically, boxes 1 and 2 contain correspondence (1951-1957) which is arranged chronologically by month and year. Boxes 3 and 4 contain correspondence (1958) which is also arranged chronologically by month. Boxes 5-8, and 15 contain correspondence not in chronological order, but arranged by subtopics.","Box 5 (1943-1984, with the majority from the 1960s) contains correspondence regarding botany and specifically Core's research in Columbia, 1943-1945, where he worked on the genus Scleria; and correspondence with various colleges and universities and governmental units.","Box 6 (1953-1984) contains correspondence regarding the P.D. Strausbaugh Student Loan Fund; Core's writings; and Monongalia County history. Also included is correspondence with professional and business organizations; West Virginia University and WVU academic departments; other colleges and universities; and personal letters, photographs, and cards.","Box 7 (1978-1982) contains multi-occasion personal greeting cards received by Dr. Core.","Box 8 (1800-1879, 1920-1928, 1959-1984) contains correspondence, facsimiles of articles and historical documents, and newspaper clippings regarding Monongalia County; Morgantown and other municipalities; Preston County; the Delta Tau Delta fraternity at Bethany College; and biographical materials about Earl L. Core including his curriculum vita and others' handwritten narratives of his life.","Box 15, folders 7-10 (1974-1984) contains correspondence responding to Core's book The Monongalia Story.","This subseries includes scholarly articles, often with compliments from the authors, and dealing with scientific topics but some are about the intersection of science and humanities. Collected reports and booklets covering the topics of the Civil War, coal and coal mining, the National Road, Greene County (PA), poetry, and books about and from the Southeast. Includes programs from seminars and conferences attended by Dr. Core.","Facsimiles and transcriptions of historical documents include a letter and other materials from Samuel C. Malone, 1857-1938, and Civil War letters.","This subseries includes the publications, announcements, and plant lists of a number of West Virginia naturalists' societies in Box 14 and including the Mountaineer Chapter of the National Audubon Society (1978-1979); the Brooks Bird Club, Inc. (Wheeling; 1978-1979, 1982, 1984); Nature Conservancy, WV Chapter (1978, 1983); the George M. Sutton Audubon Society (Bethany; 1978, 1983); The West Virginia Highlands Conservancy (1979); the West Virginia Garden Club (1965); Bud and Blossom Garden Club (Princeton). Other publications include the Plant Newsletter (1978, 1983) (Box 9, Folder 11) from the West Virginia Department of Agriculture; West Virginia Conservation from the WV Department of Natural Resources (1962); WV State Parks promotional brochures, flyers, and plant lists including materials pertaining to the West Virginia Wildflower Pilgrimage; and Twinleaf (1979) Washington Crossing State Park (PA) Bowman's Hill State Wildlife Preserve. This subseries includes the program for the Adanson Bicentennial Symposium (1963, Box 9) at The Hunt Library of the Carnegie Institute of Technology with signatures of some attendees and attended by Dr. Core. Box 20 contains a map, ca. 1944, of the Cauca Department in Columbia indicating the location of the plant genus Cinchona resulting from Core's research study there. Additional information regarding Dr. Core's time in Columbia can be found in the Correspondence Series, Box 5. Also, see the Correspondence Series for letters and more regarding Dr. Core's botany work and botany publications. See the West Virginia University Series for more on the Biology Department and the Herbarium.","These collected research materials may have supported Dr. Core's research of Monongalia County history for his newspaper columns and five-volume book titled The Monongalia Story. This subseries includes miscellaneous original historical documents and facsimiles of historical documents (mostly in Boxes 9 and 12) including land grants, river boat registry, court cases, city of Westover and Granville records, property assessment, Mexican War muster list and pension, broadside for the Socialist Party in Star City (Box 21), and account book. Other formats include newspapers, newspaper clippings, magazine article clippings, annual reports, pamphlets and brochures, and maps. Topics covered in this series include County Health Department, agriculture, shipping, churches (Boxes 12 and 17), technology, organizations, flooding, schools, ethnic groups (Box 15), biography, genealogies, funeral homes, various communities, and more.","While the majority of materials for this subseries are in box 9, other boxes include some content. Box 19 contains two original and one facsimile land grant, and a register of boats.","See the Correspondence Series for letters and more regarding Dr. Core's research on Monongalia County history and families.","Includes newspaper clippings, pamphlets, event brochures, editorials, reports, booklets, newspaper clippings, Chamber of Commerce publications (particularly Box 12), and more. Topics covered include many aspects of Morgantown history including the telephone system; police force and federal prison; walking tours; houses; industries; people; businesses; the Morgan family; parks; and churches and synagogues (particularly Box 17). A facsimile of the story of David Morgan, Indian fighter, is included.","See the Correspondence Series for more regarding Morgantown history.","This subseries includes collected research materials regarding other parts of West Virginia not included in the Morgantown and Monongalia County Subseries. Formats include student research papers, newsletters (Humanities Foundation), event programs, booklets, and reports. Topics covered include Boone and Clay county schools, weather, Independence Hall (Wheeling), the 4-H Camp at Jackson Mills, Future Farmers of America (FFA), various municipalities, Appalachia, Bethany College, vegetation management, mining, and churches and religion.","The majority of materials are in Box 13, however Box 9 contains a folder with facsimiles and transcriptions of historical documents about Prickett's Fort and one on West Virginia agriculture. Box 17 contains a folder on West Virginia churches.","See the Correspondence Series, particularly Box 8, for more West Virginia materials.","This series includes collected materials from and about West Virginia University, the WVU Biology Department, and the Herbarium. Included are programs and brochures; annual reports; magazines; a souvenir program for athletic events; and newspapers and newspaper clippings. Periodical publications are from the WVU Foundation, Alumni Association, Cooperative Extension Service, the Board of Regents, the Office of Development, and the Division of Forestry. Materials from the Biology Department include faculty meeting minutes, the Biology Newsletter (1959), memoranda, event programs, brochures, and course listings. Specific subjects include the Personal Rapid Transit (PRT); honor societies; special summer courses; the Medical Center; history of the University; WVU baseball; and WVU presidential inaugurations. Included is a special issue of the Beacon (Hope Natural Gas) (1951) featuring WVU.","The series also includes a notebook with notes and commentary regarding Core's 1950 WVU recruitment efforts at West Virginia high schools: Philippi High School, Lost Creek High School, Jane Lew High School, Buckhannon Upshur High School, Buckhannon Upshur High School-Tennerton Branch, Walkersville High School, Weston High School, and St. Patrick High School in Weston. Each high school entry includes introductory notes usually with the principal; attendance; individual interviews with a few students; and possible enrollments for WVU.","Box 11 contains the majority of the materials, however Box 20 contains a map of an Evansdale master plan (ca. 1964).","See the Correspondence Series for letters and more regarding Dr. Core's work in the WVU Biology Department, the Herbarium, and the University at large.","Earl L. Core published scholarly articles, newspaper columns, and books about Monongalia County history and its environs as well as definitive works on the botany of West Virginia. Dr. Core published a newspaper column titled \"The Monongalia Story\" in the Dominion Post which presumably provided background research for a book by the same title. This series includes some of the original published articles as newspaper clippings (1976-1985, but most with no dates; box 19, folder 5) as well as typed and handwritten drafts (Box 15, ca. 1977-1979). Box 15 also includes Guide to the North American International Excursion from the International Society for Vegetation Science for which Dr. Core wrote Chapter 8. Box 19 includes a newspaper clipping of a book review of History of Harrison County; and handwritten text, possibly lecture notes, which discusses evolution, creation, and religion.","See the Correspondence Series for letters requesting copies and discussing Dr. Core's botany books. See the Graphic Materials series for sketches, photographs, and maps included in The Monongalia Story.","Includes files, sorted alphabetically by family name researched in box 10, of correspondence to and from Dr. Core with some facsimiles and transcriptions of historical documents included. The Genealogy Series also includes some genealogical charts and typed family histories.","Publications in the series include the 1983 surname list from the KYOWA Genealogical Society (Huntington), and The Pioneer: Second Annual Report of the Descendants of the French Creek Pioneers (1925) which includes a history of the Morgan Family.","Additional Core family history is found throughout the Correspondence Series, boxes 1-8. Box 8, folder 5 contains biographical materials for Earl Lemley Core and Lewis Addison Core.","Includes photographs, some black and white and some color, some original and some facsimiles; postcards some with writing and some blank; glass plate negatives; film negatives; facsimiles of sketches including David Hunter Strother's work; and maps. Some photographs include subject identification, some do not. It appears that some of the photographs and maps were illustrations in publications since they have figure numbers noted. Topics covered by the photographs, postcards, and negatives include plants, animals, gardens, and forests; buildings; scenes; individuals and groups of people including members of the Core family; WVU buildings; the WVU Arboretum; WVU personages; West Virginia; and more. Most of the photographs are from the Morgantown and Monongalia County areas, particularly Blacksville in Box 16. The glass plates, also Box 16, are of birds and other animals; one includes a woman and a chipmunk; and one is of a child with a cart pulled by two opossums and includes prints. Some of the glass plate photographs have been digitized. Additional film negatives include portraits, buildings, and more, and may have been illustrations for Core's books. In addition to Strother's sketches, the sketches include facsimiles of portraits and one original sketch of a man shucking corn.","The maps include an historical map of Botetourt County, Virginia (1756); edited historical Monongalia County map (1826); map of Morgantown (1785); and map of Monongalia County churches (1953). The series includes the maps and sketches on paper board for the book The Monongalia Story; box 15 contains maps of Monongalia County and environs as well as municipalities; box 19, folders 1 and 3 contain a sketch and maps; boxes 20-21 include sketches and maps.","This series includes these objects: address stamp for Earl L. Core, Biology Department (ca. 1963); small trowel imprinted with \"The Duntile Company\" (ca. 1960s); and a \"Micro Windgauge Receiver Sight, No. 48, for Springfield Rifles\" with box and insert (ca. 1910). Also, includes these objects moved from box 14: three cut nails (ca. 1820) and mailing envelope; and an unidentified key on twine taped to envelope labeled \"FILM.\"","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","West Virginia University. Department of Biology","Phi Epsilon Phi. Alpha Chapter (West Virginia University)","Core Arboretum","Core, Earl Lemley, 1902-1984","Strausbaugh, Perry Daniel, 1886-1965","Bartholomew, Elizabeth A.","English"],"collection_title_tesim":["Earl L. Core (1902-1984) Papers, 1756/1985"],"collection_ssim":["Earl L. Core (1902-1984) Papers, 1756/1985"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 1730","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5312"],"unitid_tesim":["A\u0026M 1730","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5312"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Monongalia County (W. Va.)","Morgantown (W. Va.)"],"geogname_ssim":["Monongalia County (W. Va.)","Morgantown (W. Va.)"],"places_ssim":["Monongalia County (W. Va.)","Morgantown (W. Va.)"],"creator_ssm":["Core, Earl Lemley, 1902-1984","Strausbaugh, Perry Daniel, 1886-1965","Bartholomew, Elizabeth A."],"creator_ssim":["Core, Earl Lemley, 1902-1984","Strausbaugh, Perry Daniel, 1886-1965","Bartholomew, Elizabeth A."],"creator_persname_ssim":["Core, Earl Lemley, 1902-1984","Strausbaugh, Perry Daniel, 1886-1965","Bartholomew, Elizabeth A."],"creator_corpname_ssim":["West Virginia and Regional History Center","West Virginia University. Department of Biology","Phi Epsilon Phi. Alpha Chapter (West Virginia University)","Core Arboretum"],"creators_ssim":["Core, Earl Lemley, 1902-1984","Strausbaugh, Perry Daniel, 1886-1965","Bartholomew, Elizabeth A.","West Virginia and Regional History Center","West Virginia University. Department of Biology","Phi Epsilon Phi. Alpha Chapter (West Virginia University)","Core Arboretum"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Botany","Botany -- West Virginia"],"access_subjects_ssm":["Botany","Botany -- West Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["9.1 Linear Feet Summary: 9 ft. 3/4 in. (13 document cases, 5 in. each); (1 document case, 4 in.); (6 document cases, 2 1/2 in. each); (1 flat document case, 3 in.); (2 flat document cases, 1 1/2 in. each); (1 artifact box, 3 1/2 in.); (1 record carton, 15 in.); (2 oversized folders, 1/4 in.)"],"extent_tesim":["9.1 Linear Feet Summary: 9 ft. 3/4 in. (13 document cases, 5 in. each); (1 document case, 4 in.); (6 document cases, 2 1/2 in. each); (1 flat document case, 3 in.); (2 flat document cases, 1 1/2 in. each); (1 artifact box, 3 1/2 in.); (1 record carton, 15 in.); (2 oversized folders, 1/4 in.)"],"date_range_isim":[1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985],"accessrestrict_html_tesm":["\u003cp\u003eRequires signed form for boxes 1-5, 24.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Requires signed form for boxes 1-5, 24."],"bioghist_html_tesm":["\u003cp\u003eEarl Lemley Core, botanist, educator, and historian, was born in Core, West Virginia, Monongalia County in 1902.  He received his Bachelor of Arts from West Virginia University in 1926; his masters from WVU in 1928; and a Ph.D. from Columbia University in 1936.  Dr. Core was a professor in WVU's Biology Department for 44 years (1928-1972) and chair of the Department for 18 years (1948-1966).  He was also curator of the WVU Herbarium for 40 years (1934-1972).  During World War II the Foreign Economic Administration sent Core to Columbia, South America (1943-1944), to explore the Andes Mountains in search of a source for quinine from the \u003cemph render=\"italic\"\u003eCinchona\u003c/emph\u003e tree.  There he discovered at least 15 new species and in 1978 one of the plants he discovered, the genus \u003cemph render=\"italic\"\u003eCorethamnium\u003c/emph\u003e, was named for him.  \u003c/p\u003e","\u003cp\u003eCore was founder (1936) of the Southern Appalachian Botanical Club and editor of the journal, \u003ctitle\u003eCastenea\u003c/title\u003e, for 35 years.  He was the author of scholarly books and articles with his early works focusing on the botany of West Virginia, and later works on local history and church history.  Two biology textbooks he co-authored became standards: \u003ctitle\u003eGeneral Biology\u003c/title\u003e with P.D. Strausbauh and B.R. Weimer and \u003ctitle\u003eA New Manual for the Biology Laboratory\u003c/title\u003e with Weimer.  He also collaborated with Strausbaugh to write the classic \u003ctitle\u003eThe Flora of West Virginia\u003c/title\u003e.   Other botany texts include \u003ctitle\u003eVegetation of West Virginia\u003c/title\u003e, \u003ctitle\u003eWoody Plants in Winter\u003c/title\u003e, and his most popular book \u003ctitle\u003eSpring Wild Flowers of West Virginia\u003c/title\u003e which has been in print since 1948.  Core published articles in \u003ctitle\u003eCastenea\u003c/title\u003e, \u003ctitle\u003eProceedings of the West Virginia Academy of Science\u003c/title\u003e, and other scholarly sources.   \u003c/p\u003e","\u003cp\u003eAfter retirement in 1972, Core turned more of his attention to local history.  His most extensive local history work is the five-volume history of Monongalia County, West Virginia, \u003ctitle\u003eThe Monongalia Story\u003c/title\u003e (1974-1984).  His regular column, \"The Monongalia Story\" in Morgantown's \u003ctitle\u003eDominion Post\u003c/title\u003e also details the history of the county.  Earlier he had written \u003ctitle\u003eThe Chronicles of Core\u003c/title\u003e (1937) about the town where he was born, and \u003ctitle\u003eMorgantown Disciples: a History of the First Christian Church of Morgantown\u003c/title\u003e (1960).\u003c/p\u003e","\u003cp\u003eCore's civic activities were numerous and include serving on the Morgantown Public Library Board for 20 years (1959-1979), Morgantown City Council for 4 years, and Mayor of Morgantown for 2 years (1956-1957).  Core was an elder in his church, president of the Monongalia Historical Society, president of the Kiwanis, and much more.  In 1948, Core persuaded WVU to set aside 100 acres for an Arboretum. The Core Arboretum was named for him in 1967.   Earl L. Core Road in Morgantown also sports his name.  \u003c/p\u003e","\u003cp\u003eHe died in Morgantown in 1984.\u003c/p\u003e  ","\u003cp\u003eElizabeth \"Betty\" Ann Bartholomew, botanist and educator, was born in Wheeling, West Virginia, in 1912.  She received a Bachelor of Arts degree in botany from West Virginia University in 1934.  She received a Master of Arts degree in botany from WVU with the thesis titled \"The Flora of Wirt County, West Virginia\" in 1948.  Bartholomew joined the staff of the WVU Biology Department in 1938, first as Herbarium clerk and later as Herbarium assistant.  In 1963 she was appointed as a biology instructor and curator of the Herbarium.  During this time she created the Distribution of Southeastern Plants to facilitate the exchange of specimens.  She added thousands of plants to the Herbarium collection and in 1950 started a 2,000-plant seed collection.  She retired from WVU in 1977\u003c/p\u003e","\u003cp\u003e\nBartholomew was a member of the West Virginia Academy of Science, editor of its newsletter (1960-61), and secretary (1972-1985); member and secretary for the Southern Appalachian Botanical Club (1946-1981); member of the American Nut Growers Association; charter member and faculty advisor of the botany fraternity Phi Epsilon Phi; and member of Phi Mu.\n    \u003c/p\u003e","\u003cp\u003eBartholomew who joined the Girl Scouts at age 12 earned all the nature badges and maintained a life-long interest in scouting.  She served as a Girl Scout leader for more than 20 years.  She also promoted nature to children through the Phi Epsilon Phi annual Wildflower Day.  Additionally she worked with the Oglebay Nature Camp, church camp, and others.  She was a leader at the annual Wildflower Pilgrimage at Blackwater Falls.\n    \u003c/p\u003e","\u003cp\u003eThe Southern Appalachian Botanical Society created the Elizabeth Ann Bartholomew Award in 1989 in her honor and the governor named her as the Outstanding West Virginia in 1974.\n    \u003c/p\u003e","\u003cp\u003eShe died in Morgantown in 1985.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["Earl Lemley Core, botanist, educator, and historian, was born in Core, West Virginia, Monongalia County in 1902.  He received his Bachelor of Arts from West Virginia University in 1926; his masters from WVU in 1928; and a Ph.D. from Columbia University in 1936.  Dr. Core was a professor in WVU's Biology Department for 44 years (1928-1972) and chair of the Department for 18 years (1948-1966).  He was also curator of the WVU Herbarium for 40 years (1934-1972).  During World War II the Foreign Economic Administration sent Core to Columbia, South America (1943-1944), to explore the Andes Mountains in search of a source for quinine from the Cinchona tree.  There he discovered at least 15 new species and in 1978 one of the plants he discovered, the genus Corethamnium, was named for him.","Core was founder (1936) of the Southern Appalachian Botanical Club and editor of the journal, Castenea, for 35 years.  He was the author of scholarly books and articles with his early works focusing on the botany of West Virginia, and later works on local history and church history.  Two biology textbooks he co-authored became standards: General Biology with P.D. Strausbauh and B.R. Weimer and A New Manual for the Biology Laboratory with Weimer.  He also collaborated with Strausbaugh to write the classic The Flora of West Virginia.   Other botany texts include Vegetation of West Virginia, Woody Plants in Winter, and his most popular book Spring Wild Flowers of West Virginia which has been in print since 1948.  Core published articles in Castenea, Proceedings of the West Virginia Academy of Science, and other scholarly sources.","After retirement in 1972, Core turned more of his attention to local history.  His most extensive local history work is the five-volume history of Monongalia County, West Virginia, The Monongalia Story (1974-1984).  His regular column, \"The Monongalia Story\" in Morgantown's Dominion Post also details the history of the county.  Earlier he had written The Chronicles of Core (1937) about the town where he was born, and Morgantown Disciples: a History of the First Christian Church of Morgantown (1960).","Core's civic activities were numerous and include serving on the Morgantown Public Library Board for 20 years (1959-1979), Morgantown City Council for 4 years, and Mayor of Morgantown for 2 years (1956-1957).  Core was an elder in his church, president of the Monongalia Historical Society, president of the Kiwanis, and much more.  In 1948, Core persuaded WVU to set aside 100 acres for an Arboretum. The Core Arboretum was named for him in 1967.   Earl L. Core Road in Morgantown also sports his name.","He died in Morgantown in 1984.","Elizabeth \"Betty\" Ann Bartholomew, botanist and educator, was born in Wheeling, West Virginia, in 1912.  She received a Bachelor of Arts degree in botany from West Virginia University in 1934.  She received a Master of Arts degree in botany from WVU with the thesis titled \"The Flora of Wirt County, West Virginia\" in 1948.  Bartholomew joined the staff of the WVU Biology Department in 1938, first as Herbarium clerk and later as Herbarium assistant.  In 1963 she was appointed as a biology instructor and curator of the Herbarium.  During this time she created the Distribution of Southeastern Plants to facilitate the exchange of specimens.  She added thousands of plants to the Herbarium collection and in 1950 started a 2,000-plant seed collection.  She retired from WVU in 1977","Bartholomew was a member of the West Virginia Academy of Science, editor of its newsletter (1960-61), and secretary (1972-1985); member and secretary for the Southern Appalachian Botanical Club (1946-1981); member of the American Nut Growers Association; charter member and faculty advisor of the botany fraternity Phi Epsilon Phi; and member of Phi Mu.","Bartholomew who joined the Girl Scouts at age 12 earned all the nature badges and maintained a life-long interest in scouting.  She served as a Girl Scout leader for more than 20 years.  She also promoted nature to children through the Phi Epsilon Phi annual Wildflower Day.  Additionally she worked with the Oglebay Nature Camp, church camp, and others.  She was a leader at the annual Wildflower Pilgrimage at Blackwater Falls.","The Southern Appalachian Botanical Society created the Elizabeth Ann Bartholomew Award in 1989 in her honor and the governor named her as the Outstanding West Virginia in 1974.","She died in Morgantown in 1985."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Earl L. Core (1902-1984) Papers, A\u0026amp;M 1730, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Earl L. Core (1902-1984) Papers, A\u0026M 1730, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e1197, 1556, 1730\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["1197, 1556, 1730"],"scopecontent_html_tesm":["\u003cp\u003eOriginal Accession; 1756-1985; boxes 1-21 and two oversize folders\u003c/p\u003e","\u003cp\u003e\nRecords of Earl L. Core, botanist, writer, editor, historian, and West Virginia University professor and Biology Department Head.  Includes the correspondence, collected research materials, and writings of Dr. Core. The earliest correspondence, 1951-1960, deals mostly with his role as a botanist and West Virginia University Botany Department chair, and includes letters both to and from Dr. Core. Later correspondence, mostly from the 1960s but up to 1984, includes historical and genealogical inquiries in addition to matters pertaining to botany, publications, and Biology Department business.  Of importance is Dr. Core's correspondence with two prominent botanists, P.D. Strausbaugh, with whom Core authored botany and biology texts, and H.A. Allard.\u003c/p\u003e","\u003cp\u003e\nIn addition to botany and nature, a large part of the collection deals with the history of Morgantown, Monongalia County, and West Virginia.  The collected research materials for these areas include newspaper clippings, booklets and pamphlets, correspondence, genealogical charts, maps, original historical documents, and more.  Dr. Core's research resulted in the publication of a 5-volume history of Monongalia County, \u003ctitle\u003eThe Monongalia Story\u003c/title\u003e, as well as numerous newspaper columns in the \u003ctitle\u003eDominion Post\u003c/title\u003e.  The collected research materials support Dr. Core's research for some 30 monographs on various aspects of natural history, local history, and to a lesser extent Bible and religious study.  \u003c/p\u003e","\u003cp\u003e\nGraphic materials include oversized maps, photographs, photographic glass negatives and film, greeting cards, and post cards.\u003c/p\u003e","\u003cp\u003e\nSee series and subseries descriptions for more information.\u003c/p\u003e","\u003cp\u003e\nAddendum of 2018-09; 1907-1984; boxes 22-25\u003c/p\u003e","\u003cp\u003e\nThese records include handwritten plant lists; typewritten scientific and history papers; newspapers and newspaper clippings; maps; University class records; collected research materials; and magnetic audio tapes of Dr. Core's lectures on the flora of West Virginia. Plant lists and lecture notes presumably refer to slides in A\u0026amp;M 5211.  This addendum includes Core's curriculum vita; some correspondence; and various short publications.\u003c/p\u003e","\u003cp\u003e\nOther collected research materials include maps, postcards, book lists, technical reports about West Virginia and the region, flyers, photographs, newsletters, brochures, programs, and calendars of events from the WVU Experimental Station, the WVU Department of Biology, West Virginia State Parks, West Virginia Department of Natural Resources, West Virginia Department of Agriculture, the Phi Epsilon Phi fraternity, the Southern Appalachian Botanical Club, the West Virginia University (Core) Arboretum, the American Association of University Professors, the National Audubon Society, and the American Association for the Advancement of Science.  These items treat the following subjects: trees, forestry, insects, plant species, water, flooding, ecology, wildflower walks, and biography.  The files contain a number of reprints and facsimiles of scholarly scientific papers.  There is one local history, that of Wheeling.  Biology student records include a graded research paper, a graded bibliography, Core's class record book, and summer class trip schedules.\u003c/p\u003e","\u003cp\u003e\nThe audio tapes are recordings of Dr. Core's lectures on West Virginia flora, February-April, 1966.  There are 15 of the 1.25\" reel to reel tapes in box 25.  Five of the tapes are undated.\u003c/p\u003e","\u003cp\u003e\nIn addition to Earl L. Core materials in boxes 24 and 25, this addenda includes materials collected by Elizabeth \"Betty\" Ann Bartholomew, boxes 22 and 23.  Bartholomew was also a West Virginia botanist, educator, and manager for the West Virginia University Herbarium. Her artifacts include buttons, a flag, and a Girls Scout cloth badge.  A metal box contains items collected by Elizabeth Bartholomew including identification cards and Girl Scout records.  Her papers include collected materials about biology and nature as well as materials, including teaching materials, from the WVU Biology Department.\u003c/p\u003e  ","\u003cp\u003eThis series includes both professional and personal correspondence received; carbon copies of correspondence sent; and collected research materials in addition to letters. The correspondence is with colleagues from across the United States and abroad; citizens with inquiries regarding plants, such as roots in a basement; students regarding grades, course work, and recommendations; as well as family and friends including greeting cards. Some correspondence is typed, some handwritten, some on mimeographed pages, and some on postcards and slips of paper. Subjects include discussions of publications and orders for publications such as \u003ctitle\u003eThe Flora of West Virginia\u003c/title\u003e, \u003ctitle\u003eWild Flowers of West Virginia\u003c/title\u003e, and \u003ctitle\u003eSpring Wild Flowers\u003c/title\u003e; content and business for the journal \u003ctitle\u003eCastenea\u003c/title\u003e; discussions and notifications of botanical species' identification and request for specimens; WVU academic matters and WVU Department of Biology business; and family and other personal matters including letters and flyers regarding the Disciples of Christ Church and the First Christian Church in Morgantown where Dr. Core was a member. Of significance are letters from botanists P. D. (Perry Daniel) Strausbaugh, 1886-1965, and H. A. (Harry Ardell) Allard, 1880-1963. An envelope of addresses on slips of paper, torn from envelopes, and business cards is included in this series. \u003c/p\u003e","\u003cp\u003e Specifically, boxes 1 and 2 contain correspondence (1951-1957) which is arranged chronologically by month and year. Boxes 3 and 4 contain correspondence (1958) which is also arranged chronologically by month. Boxes 5-8, and 15 contain correspondence not in chronological order, but arranged by subtopics. \u003c/p\u003e","\u003cp\u003e Box 5 (1943-1984, with the majority from the 1960s) contains correspondence regarding botany and specifically Core's research in Columbia, 1943-1945, where he worked on the genus \u003cemph render=\"italic\"\u003eScleria\u003c/emph\u003e; and correspondence with various colleges and universities and governmental units. \u003c/p\u003e","\u003cp\u003e Box 6 (1953-1984) contains correspondence regarding the P.D. Strausbaugh Student Loan Fund; Core's writings; and Monongalia County history. Also included is correspondence with professional and business organizations; West Virginia University and WVU academic departments; other colleges and universities; and personal letters, photographs, and cards. \u003c/p\u003e","\u003cp\u003e Box 7 (1978-1982) contains multi-occasion personal greeting cards received by Dr. Core. \u003c/p\u003e","\u003cp\u003e Box 8 (1800-1879, 1920-1928, 1959-1984) contains correspondence, facsimiles of articles and historical documents, and newspaper clippings regarding Monongalia County; Morgantown and other municipalities; Preston County; the Delta Tau Delta fraternity at Bethany College; and biographical materials about Earl L. Core including his curriculum vita and others' handwritten narratives of his life. \u003c/p\u003e","\u003cp\u003e Box 15, folders 7-10 (1974-1984) contains correspondence responding to Core's book \u003ctitle\u003eThe Monongalia Story\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eThis subseries includes scholarly articles, often with compliments from the authors, and dealing with scientific topics but some are about the intersection of science and humanities. Collected reports and booklets covering the topics of the Civil War, coal and coal mining, the National Road, Greene County (PA), poetry, and books about and from the Southeast. Includes programs from seminars and conferences attended by Dr. Core. \u003c/p\u003e","\u003cp\u003e Facsimiles and transcriptions of historical documents include a letter and other materials from Samuel C. Malone, 1857-1938, and Civil War letters.\u003c/p\u003e","\u003cp\u003eThis subseries includes the publications, announcements, and plant lists of a number of West Virginia naturalists' societies in Box 14 and including the Mountaineer Chapter of the National Audubon Society (1978-1979); the Brooks Bird Club, Inc. (Wheeling; 1978-1979, 1982, 1984); Nature Conservancy, WV Chapter (1978, 1983); the George M. Sutton Audubon Society (Bethany; 1978, 1983); The West Virginia Highlands Conservancy (1979); the West Virginia Garden Club (1965); Bud and Blossom Garden Club (Princeton). Other publications include the \u003ctitle\u003ePlant Newsletter\u003c/title\u003e (1978, 1983) (Box 9, Folder 11) from the West Virginia Department of Agriculture; \u003ctitle\u003eWest Virginia Conservation\u003c/title\u003e from the WV Department of Natural Resources (1962); WV State Parks promotional brochures, flyers, and plant lists including materials pertaining to the West Virginia Wildflower Pilgrimage; and \u003ctitle\u003eTwinleaf\u003c/title\u003e (1979) Washington Crossing State Park (PA) Bowman's Hill State Wildlife Preserve. This subseries includes the program for the Adanson Bicentennial Symposium (1963, Box 9) at The Hunt Library of the Carnegie Institute of Technology with signatures of some attendees and attended by Dr. Core. Box 20 contains a map, ca. 1944, of the Cauca Department in Columbia indicating the location of the plant genus \u003cemph render=\"italic\"\u003eCinchona\u003c/emph\u003e resulting from Core's research study there. Additional information regarding Dr. Core's time in Columbia can be found in the Correspondence Series, Box 5. Also, see the Correspondence Series for letters and more regarding Dr. Core's botany work and botany publications. See the West Virginia University Series for more on the Biology Department and the Herbarium.\u003c/p\u003e","\u003cp\u003eThese collected research materials may have supported Dr. Core's research of Monongalia County history for his newspaper columns and five-volume book titled \u003ctitle\u003eThe Monongalia Story\u003c/title\u003e. This subseries includes miscellaneous original historical documents and facsimiles of historical documents (mostly in Boxes 9 and 12) including land grants, river boat registry, court cases, city of Westover and Granville records, property assessment, Mexican War muster list and pension, broadside for the Socialist Party in Star City (Box 21), and account book. Other formats include newspapers, newspaper clippings, magazine article clippings, annual reports, pamphlets and brochures, and maps. Topics covered in this series include County Health Department, agriculture, shipping, churches (Boxes 12 and 17), technology, organizations, flooding, schools, ethnic groups (Box 15), biography, genealogies, funeral homes, various communities, and more. \u003c/p\u003e","\u003cp\u003e While the majority of materials for this subseries are in box 9, other boxes include some content. Box 19 contains two original and one facsimile land grant, and a register of boats. \u003c/p\u003e","\u003cp\u003e See the Correspondence Series for letters and more regarding Dr. Core's research on Monongalia County history and families.\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings, pamphlets, event brochures, editorials, reports, booklets, newspaper clippings, Chamber of Commerce publications (particularly Box 12), and more. Topics covered include many aspects of Morgantown history including the telephone system; police force and federal prison; walking tours; houses; industries; people; businesses; the Morgan family; parks; and churches and synagogues (particularly Box 17). A facsimile of the story of David Morgan, Indian fighter, is included. \u003c/p\u003e","\u003cp\u003e See the Correspondence Series for more regarding Morgantown history.\u003c/p\u003e","\u003cp\u003eThis subseries includes collected research materials regarding other parts of West Virginia not included in the Morgantown and Monongalia County Subseries. Formats include student research papers, newsletters (Humanities Foundation), event programs, booklets, and reports. Topics covered include Boone and Clay county schools, weather, Independence Hall (Wheeling), the 4-H Camp at Jackson Mills, Future Farmers of America (FFA), various municipalities, Appalachia, Bethany College, vegetation management, mining, and churches and religion. \u003c/p\u003e","\u003cp\u003e The majority of materials are in Box 13, however Box 9 contains a folder with facsimiles and transcriptions of historical documents about Prickett's Fort and one on West Virginia agriculture. Box 17 contains a folder on West Virginia churches. \u003c/p\u003e","\u003cp\u003e See the Correspondence Series, particularly Box 8, for more West Virginia materials.\u003c/p\u003e","\u003cp\u003eThis series includes collected materials from and about West Virginia University, the WVU Biology Department, and the Herbarium. Included are programs and brochures; annual reports; magazines; a souvenir program for athletic events; and newspapers and newspaper clippings. Periodical publications are from the WVU Foundation, Alumni Association, Cooperative Extension Service, the Board of Regents, the Office of Development, and the Division of Forestry. Materials from the Biology Department include faculty meeting minutes, the \u003ctitle\u003eBiology Newsletter\u003c/title\u003e (1959), memoranda, event programs, brochures, and course listings. Specific subjects include the Personal Rapid Transit (PRT); honor societies; special summer courses; the Medical Center; history of the University; WVU baseball; and WVU presidential inaugurations. Included is a special issue of the \u003ctitle\u003eBeacon\u003c/title\u003e (Hope Natural Gas) (1951) featuring WVU. \u003c/p\u003e","\u003cp\u003e The series also includes a notebook with notes and commentary regarding Core's 1950 WVU recruitment efforts at West Virginia high schools: Philippi High School, Lost Creek High School, Jane Lew High School, Buckhannon Upshur High School, Buckhannon Upshur High School-Tennerton Branch, Walkersville High School, Weston High School, and St. Patrick High School in Weston. Each high school entry includes introductory notes usually with the principal; attendance; individual interviews with a few students; and possible enrollments for WVU. \u003c/p\u003e","\u003cp\u003e Box 11 contains the majority of the materials, however Box 20 contains a map of an Evansdale master plan (ca. 1964). \u003c/p\u003e","\u003cp\u003e See the Correspondence Series for letters and more regarding Dr. Core's work in the WVU Biology Department, the Herbarium, and the University at large.\u003c/p\u003e","\u003cp\u003eEarl L. Core published scholarly articles, newspaper columns, and books about Monongalia County history and its environs as well as definitive works on the botany of West Virginia. Dr. Core published a newspaper column titled \"The Monongalia Story\" in the \u003ctitle\u003eDominion Post\u003c/title\u003e which presumably provided background research for a book by the same title. This series includes some of the original published articles as newspaper clippings (1976-1985, but most with no dates; box 19, folder 5) as well as typed and handwritten drafts (Box 15, ca. 1977-1979). Box 15 also includes \u003ctitle\u003eGuide to the North American International Excursion\u003c/title\u003e from the International Society for Vegetation Science for which Dr. Core wrote Chapter 8. Box 19 includes a newspaper clipping of a book review of \u003ctitle\u003eHistory of Harrison County\u003c/title\u003e; and handwritten text, possibly lecture notes, which discusses evolution, creation, and religion. \u003c/p\u003e","\u003cp\u003e See the Correspondence Series for letters requesting copies and discussing Dr. Core's botany books. See the Graphic Materials series for sketches, photographs, and maps included in \u003ctitle\u003eThe Monongalia Story\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eIncludes files, sorted alphabetically by family name researched in box 10, of correspondence to and from Dr. Core with some facsimiles and transcriptions of historical documents included. The Genealogy Series also includes some genealogical charts and typed family histories. \u003c/p\u003e","\u003cp\u003e Publications in the series include the 1983 surname list from the KYOWA Genealogical Society (Huntington), and \u003ctitle\u003eThe Pioneer: Second Annual Report of the Descendants of the French Creek Pioneers\u003c/title\u003e (1925) which includes a history of the Morgan Family. \u003c/p\u003e","\u003cp\u003e Additional Core family history is found throughout the Correspondence Series, boxes 1-8. Box 8, folder 5 contains biographical materials for Earl Lemley Core and Lewis Addison Core.\u003c/p\u003e","\u003cp\u003eIncludes photographs, some black and white and some color, some original and some facsimiles; postcards some with writing and some blank; glass plate negatives; film negatives; facsimiles of sketches including David Hunter Strother's work; and maps. Some photographs include subject identification, some do not. It appears that some of the photographs and maps were illustrations in publications since they have figure numbers noted. Topics covered by the photographs, postcards, and negatives include plants, animals, gardens, and forests; buildings; scenes; individuals and groups of people including members of the Core family; WVU buildings; the WVU Arboretum; WVU personages; West Virginia; and more. Most of the photographs are from the Morgantown and Monongalia County areas, particularly Blacksville in Box 16. The glass plates, also Box 16, are of birds and other animals; one includes a woman and a chipmunk; and one is of a child with a cart pulled by two opossums and includes prints. Some of the glass plate photographs have been digitized. Additional film negatives include portraits, buildings, and more, and may have been illustrations for Core's books. In addition to Strother's sketches, the sketches include facsimiles of portraits and one original sketch of a man shucking corn. \u003c/p\u003e","\u003cp\u003e The maps include an historical map of Botetourt County, Virginia (1756); edited historical Monongalia County map (1826); map of Morgantown (1785); and map of Monongalia County churches (1953). The series includes the maps and sketches on paper board for the book \u003ctitle\u003eThe Monongalia Story\u003c/title\u003e; box 15 contains maps of Monongalia County and environs as well as municipalities; box 19, folders 1 and 3 contain a sketch and maps; boxes 20-21 include sketches and maps.\u003c/p\u003e","\u003cp\u003eThis series includes these objects: address stamp for Earl L. Core, Biology Department (ca. 1963); small trowel imprinted with \"The Duntile Company\" (ca. 1960s); and a \"Micro Windgauge Receiver Sight, No. 48, for Springfield Rifles\" with box and insert (ca. 1910). Also, includes these objects moved from box 14: three cut nails (ca. 1820) and mailing envelope; and an unidentified key on twine taped to envelope labeled \"FILM.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Original Accession; 1756-1985; boxes 1-21 and two oversize folders","Records of Earl L. Core, botanist, writer, editor, historian, and West Virginia University professor and Biology Department Head.  Includes the correspondence, collected research materials, and writings of Dr. Core. The earliest correspondence, 1951-1960, deals mostly with his role as a botanist and West Virginia University Botany Department chair, and includes letters both to and from Dr. Core. Later correspondence, mostly from the 1960s but up to 1984, includes historical and genealogical inquiries in addition to matters pertaining to botany, publications, and Biology Department business.  Of importance is Dr. Core's correspondence with two prominent botanists, P.D. Strausbaugh, with whom Core authored botany and biology texts, and H.A. Allard.","In addition to botany and nature, a large part of the collection deals with the history of Morgantown, Monongalia County, and West Virginia.  The collected research materials for these areas include newspaper clippings, booklets and pamphlets, correspondence, genealogical charts, maps, original historical documents, and more.  Dr. Core's research resulted in the publication of a 5-volume history of Monongalia County, The Monongalia Story, as well as numerous newspaper columns in the Dominion Post.  The collected research materials support Dr. Core's research for some 30 monographs on various aspects of natural history, local history, and to a lesser extent Bible and religious study.","Graphic materials include oversized maps, photographs, photographic glass negatives and film, greeting cards, and post cards.","See series and subseries descriptions for more information.","Addendum of 2018-09; 1907-1984; boxes 22-25","These records include handwritten plant lists; typewritten scientific and history papers; newspapers and newspaper clippings; maps; University class records; collected research materials; and magnetic audio tapes of Dr. Core's lectures on the flora of West Virginia. Plant lists and lecture notes presumably refer to slides in A\u0026M 5211.  This addendum includes Core's curriculum vita; some correspondence; and various short publications.","Other collected research materials include maps, postcards, book lists, technical reports about West Virginia and the region, flyers, photographs, newsletters, brochures, programs, and calendars of events from the WVU Experimental Station, the WVU Department of Biology, West Virginia State Parks, West Virginia Department of Natural Resources, West Virginia Department of Agriculture, the Phi Epsilon Phi fraternity, the Southern Appalachian Botanical Club, the West Virginia University (Core) Arboretum, the American Association of University Professors, the National Audubon Society, and the American Association for the Advancement of Science.  These items treat the following subjects: trees, forestry, insects, plant species, water, flooding, ecology, wildflower walks, and biography.  The files contain a number of reprints and facsimiles of scholarly scientific papers.  There is one local history, that of Wheeling.  Biology student records include a graded research paper, a graded bibliography, Core's class record book, and summer class trip schedules.","The audio tapes are recordings of Dr. Core's lectures on West Virginia flora, February-April, 1966.  There are 15 of the 1.25\" reel to reel tapes in box 25.  Five of the tapes are undated.","In addition to Earl L. Core materials in boxes 24 and 25, this addenda includes materials collected by Elizabeth \"Betty\" Ann Bartholomew, boxes 22 and 23.  Bartholomew was also a West Virginia botanist, educator, and manager for the West Virginia University Herbarium. Her artifacts include buttons, a flag, and a Girls Scout cloth badge.  A metal box contains items collected by Elizabeth Bartholomew including identification cards and Girl Scout records.  Her papers include collected materials about biology and nature as well as materials, including teaching materials, from the WVU Biology Department.","This series includes both professional and personal correspondence received; carbon copies of correspondence sent; and collected research materials in addition to letters. The correspondence is with colleagues from across the United States and abroad; citizens with inquiries regarding plants, such as roots in a basement; students regarding grades, course work, and recommendations; as well as family and friends including greeting cards. Some correspondence is typed, some handwritten, some on mimeographed pages, and some on postcards and slips of paper. Subjects include discussions of publications and orders for publications such as The Flora of West Virginia, Wild Flowers of West Virginia, and Spring Wild Flowers; content and business for the journal Castenea; discussions and notifications of botanical species' identification and request for specimens; WVU academic matters and WVU Department of Biology business; and family and other personal matters including letters and flyers regarding the Disciples of Christ Church and the First Christian Church in Morgantown where Dr. Core was a member. Of significance are letters from botanists P. D. (Perry Daniel) Strausbaugh, 1886-1965, and H. A. (Harry Ardell) Allard, 1880-1963. An envelope of addresses on slips of paper, torn from envelopes, and business cards is included in this series.","Specifically, boxes 1 and 2 contain correspondence (1951-1957) which is arranged chronologically by month and year. Boxes 3 and 4 contain correspondence (1958) which is also arranged chronologically by month. Boxes 5-8, and 15 contain correspondence not in chronological order, but arranged by subtopics.","Box 5 (1943-1984, with the majority from the 1960s) contains correspondence regarding botany and specifically Core's research in Columbia, 1943-1945, where he worked on the genus Scleria; and correspondence with various colleges and universities and governmental units.","Box 6 (1953-1984) contains correspondence regarding the P.D. Strausbaugh Student Loan Fund; Core's writings; and Monongalia County history. Also included is correspondence with professional and business organizations; West Virginia University and WVU academic departments; other colleges and universities; and personal letters, photographs, and cards.","Box 7 (1978-1982) contains multi-occasion personal greeting cards received by Dr. Core.","Box 8 (1800-1879, 1920-1928, 1959-1984) contains correspondence, facsimiles of articles and historical documents, and newspaper clippings regarding Monongalia County; Morgantown and other municipalities; Preston County; the Delta Tau Delta fraternity at Bethany College; and biographical materials about Earl L. Core including his curriculum vita and others' handwritten narratives of his life.","Box 15, folders 7-10 (1974-1984) contains correspondence responding to Core's book The Monongalia Story.","This subseries includes scholarly articles, often with compliments from the authors, and dealing with scientific topics but some are about the intersection of science and humanities. Collected reports and booklets covering the topics of the Civil War, coal and coal mining, the National Road, Greene County (PA), poetry, and books about and from the Southeast. Includes programs from seminars and conferences attended by Dr. Core.","Facsimiles and transcriptions of historical documents include a letter and other materials from Samuel C. Malone, 1857-1938, and Civil War letters.","This subseries includes the publications, announcements, and plant lists of a number of West Virginia naturalists' societies in Box 14 and including the Mountaineer Chapter of the National Audubon Society (1978-1979); the Brooks Bird Club, Inc. (Wheeling; 1978-1979, 1982, 1984); Nature Conservancy, WV Chapter (1978, 1983); the George M. Sutton Audubon Society (Bethany; 1978, 1983); The West Virginia Highlands Conservancy (1979); the West Virginia Garden Club (1965); Bud and Blossom Garden Club (Princeton). Other publications include the Plant Newsletter (1978, 1983) (Box 9, Folder 11) from the West Virginia Department of Agriculture; West Virginia Conservation from the WV Department of Natural Resources (1962); WV State Parks promotional brochures, flyers, and plant lists including materials pertaining to the West Virginia Wildflower Pilgrimage; and Twinleaf (1979) Washington Crossing State Park (PA) Bowman's Hill State Wildlife Preserve. This subseries includes the program for the Adanson Bicentennial Symposium (1963, Box 9) at The Hunt Library of the Carnegie Institute of Technology with signatures of some attendees and attended by Dr. Core. Box 20 contains a map, ca. 1944, of the Cauca Department in Columbia indicating the location of the plant genus Cinchona resulting from Core's research study there. Additional information regarding Dr. Core's time in Columbia can be found in the Correspondence Series, Box 5. Also, see the Correspondence Series for letters and more regarding Dr. Core's botany work and botany publications. See the West Virginia University Series for more on the Biology Department and the Herbarium.","These collected research materials may have supported Dr. Core's research of Monongalia County history for his newspaper columns and five-volume book titled The Monongalia Story. This subseries includes miscellaneous original historical documents and facsimiles of historical documents (mostly in Boxes 9 and 12) including land grants, river boat registry, court cases, city of Westover and Granville records, property assessment, Mexican War muster list and pension, broadside for the Socialist Party in Star City (Box 21), and account book. Other formats include newspapers, newspaper clippings, magazine article clippings, annual reports, pamphlets and brochures, and maps. Topics covered in this series include County Health Department, agriculture, shipping, churches (Boxes 12 and 17), technology, organizations, flooding, schools, ethnic groups (Box 15), biography, genealogies, funeral homes, various communities, and more.","While the majority of materials for this subseries are in box 9, other boxes include some content. Box 19 contains two original and one facsimile land grant, and a register of boats.","See the Correspondence Series for letters and more regarding Dr. Core's research on Monongalia County history and families.","Includes newspaper clippings, pamphlets, event brochures, editorials, reports, booklets, newspaper clippings, Chamber of Commerce publications (particularly Box 12), and more. Topics covered include many aspects of Morgantown history including the telephone system; police force and federal prison; walking tours; houses; industries; people; businesses; the Morgan family; parks; and churches and synagogues (particularly Box 17). A facsimile of the story of David Morgan, Indian fighter, is included.","See the Correspondence Series for more regarding Morgantown history.","This subseries includes collected research materials regarding other parts of West Virginia not included in the Morgantown and Monongalia County Subseries. Formats include student research papers, newsletters (Humanities Foundation), event programs, booklets, and reports. Topics covered include Boone and Clay county schools, weather, Independence Hall (Wheeling), the 4-H Camp at Jackson Mills, Future Farmers of America (FFA), various municipalities, Appalachia, Bethany College, vegetation management, mining, and churches and religion.","The majority of materials are in Box 13, however Box 9 contains a folder with facsimiles and transcriptions of historical documents about Prickett's Fort and one on West Virginia agriculture. Box 17 contains a folder on West Virginia churches.","See the Correspondence Series, particularly Box 8, for more West Virginia materials.","This series includes collected materials from and about West Virginia University, the WVU Biology Department, and the Herbarium. Included are programs and brochures; annual reports; magazines; a souvenir program for athletic events; and newspapers and newspaper clippings. Periodical publications are from the WVU Foundation, Alumni Association, Cooperative Extension Service, the Board of Regents, the Office of Development, and the Division of Forestry. Materials from the Biology Department include faculty meeting minutes, the Biology Newsletter (1959), memoranda, event programs, brochures, and course listings. Specific subjects include the Personal Rapid Transit (PRT); honor societies; special summer courses; the Medical Center; history of the University; WVU baseball; and WVU presidential inaugurations. Included is a special issue of the Beacon (Hope Natural Gas) (1951) featuring WVU.","The series also includes a notebook with notes and commentary regarding Core's 1950 WVU recruitment efforts at West Virginia high schools: Philippi High School, Lost Creek High School, Jane Lew High School, Buckhannon Upshur High School, Buckhannon Upshur High School-Tennerton Branch, Walkersville High School, Weston High School, and St. Patrick High School in Weston. Each high school entry includes introductory notes usually with the principal; attendance; individual interviews with a few students; and possible enrollments for WVU.","Box 11 contains the majority of the materials, however Box 20 contains a map of an Evansdale master plan (ca. 1964).","See the Correspondence Series for letters and more regarding Dr. Core's work in the WVU Biology Department, the Herbarium, and the University at large.","Earl L. Core published scholarly articles, newspaper columns, and books about Monongalia County history and its environs as well as definitive works on the botany of West Virginia. Dr. Core published a newspaper column titled \"The Monongalia Story\" in the Dominion Post which presumably provided background research for a book by the same title. This series includes some of the original published articles as newspaper clippings (1976-1985, but most with no dates; box 19, folder 5) as well as typed and handwritten drafts (Box 15, ca. 1977-1979). Box 15 also includes Guide to the North American International Excursion from the International Society for Vegetation Science for which Dr. Core wrote Chapter 8. Box 19 includes a newspaper clipping of a book review of History of Harrison County; and handwritten text, possibly lecture notes, which discusses evolution, creation, and religion.","See the Correspondence Series for letters requesting copies and discussing Dr. Core's botany books. See the Graphic Materials series for sketches, photographs, and maps included in The Monongalia Story.","Includes files, sorted alphabetically by family name researched in box 10, of correspondence to and from Dr. Core with some facsimiles and transcriptions of historical documents included. The Genealogy Series also includes some genealogical charts and typed family histories.","Publications in the series include the 1983 surname list from the KYOWA Genealogical Society (Huntington), and The Pioneer: Second Annual Report of the Descendants of the French Creek Pioneers (1925) which includes a history of the Morgan Family.","Additional Core family history is found throughout the Correspondence Series, boxes 1-8. Box 8, folder 5 contains biographical materials for Earl Lemley Core and Lewis Addison Core.","Includes photographs, some black and white and some color, some original and some facsimiles; postcards some with writing and some blank; glass plate negatives; film negatives; facsimiles of sketches including David Hunter Strother's work; and maps. Some photographs include subject identification, some do not. It appears that some of the photographs and maps were illustrations in publications since they have figure numbers noted. Topics covered by the photographs, postcards, and negatives include plants, animals, gardens, and forests; buildings; scenes; individuals and groups of people including members of the Core family; WVU buildings; the WVU Arboretum; WVU personages; West Virginia; and more. Most of the photographs are from the Morgantown and Monongalia County areas, particularly Blacksville in Box 16. The glass plates, also Box 16, are of birds and other animals; one includes a woman and a chipmunk; and one is of a child with a cart pulled by two opossums and includes prints. Some of the glass plate photographs have been digitized. Additional film negatives include portraits, buildings, and more, and may have been illustrations for Core's books. In addition to Strother's sketches, the sketches include facsimiles of portraits and one original sketch of a man shucking corn.","The maps include an historical map of Botetourt County, Virginia (1756); edited historical Monongalia County map (1826); map of Morgantown (1785); and map of Monongalia County churches (1953). The series includes the maps and sketches on paper board for the book The Monongalia Story; box 15 contains maps of Monongalia County and environs as well as municipalities; box 19, folders 1 and 3 contain a sketch and maps; boxes 20-21 include sketches and maps.","This series includes these objects: address stamp for Earl L. Core, Biology Department (ca. 1963); small trowel imprinted with \"The Duntile Company\" (ca. 1960s); and a \"Micro Windgauge Receiver Sight, No. 48, for Springfield Rifles\" with box and insert (ca. 1910). Also, includes these objects moved from box 14: three cut nails (ca. 1820) and mailing envelope; and an unidentified key on twine taped to envelope labeled \"FILM.\""],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_302616bc2fb2a17f49ac5e83fdb97216\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University. Department of Biology","Phi Epsilon Phi. Alpha Chapter (West Virginia University)","Core Arboretum"],"names_coll_ssim":["West Virginia University. Department of Biology","Phi Epsilon Phi. Alpha Chapter (West Virginia University)","Core Arboretum"],"persname_ssim":["Core, Earl Lemley, 1902-1984","Strausbaugh, Perry Daniel, 1886-1965","Bartholomew, Elizabeth A."],"names_ssim":["West Virginia and Regional History Center","West Virginia University. Department of Biology","Phi Epsilon Phi. Alpha Chapter (West Virginia University)","Core Arboretum","Core, Earl Lemley, 1902-1984","Strausbaugh, Perry Daniel, 1886-1965","Bartholomew, Elizabeth A."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":70,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:57:04.936Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5312_c02_c05"}},{"id":"viw_repositories_2_resources_9853_c02_c02","type":"Sub-Series","attributes":{"title":"\"Comic Invoice\" Binder 2, 1859/2016","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c02_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c02_c02","ref_ssm":["viw_repositories_2_resources_9853_c02_c02"],"id":"viw_repositories_2_resources_9853_c02_c02","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c02","parent_ssi":"viw_repositories_2_resources_9853_c02","parent_ssim":["Richard Wright collection, 1806/2017","Series 2: Collecting Records"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c02"],"title_filing_ssi":"\"Comic Invoice\" Binder 2","title_ssm":["\"Comic Invoice\" Binder 2"],"title_tesim":["\"Comic Invoice\" Binder 2"],"normalized_title_ssm":["\"Comic Invoice\" Binder 2, 1859/2016"],"text":["\"Comic Invoice\" Binder 2, 1859/2016","Richard Wright collection, 1806/2017","Series 2: Collecting Records"],"parent_unittitles_ssm":["Richard Wright collection, 1806/2017","Series 2: Collecting Records"],"parent_unittitles_tesim":["Richard Wright collection, 1806/2017","Series 2: Collecting Records"],"normalized_date_ssm":["1859/2016"],"unitdate_inclusive_ssm":["1859-2016"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":194,"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright collection, 1806/2017"],"has_online_content_ssim":["false"],"child_component_count_isi":5,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"_nest_path_":"/components#1/components#1","timestamp":"2026-06-23T07:50:34.320Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright collection","title_ssm":["Richard Wright collection"],"title_tesim":["Richard Wright collection"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"normalized_date_ssm":["1806/2017"],"normalized_title_ssm":["Richard Wright collection, 1806/2017"],"text":["Richard Wright collection, 1806/2017","MS 00317","/repositories/2/resources/9853","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork.","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["Richard Wright collection, 1806/2017"],"collection_ssim":["Richard Wright collection, 1806/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e  ","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Richard Wright collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThe Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e  ","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork.","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:50:34.320Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c02_c02"}},{"id":"viblbv_repositories_2_resources_4273_c03_c02","type":"Sub-Series","attributes":{"title":"Committee Papers, 1859","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4273_c03_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_4273_c03_c02","ref_ssm":["viblbv_repositories_2_resources_4273_c03_c02"],"id":"viblbv_repositories_2_resources_4273_c03_c02","ead_ssi":"viblbv_repositories_2_resources_4273","_root_":"viblbv_repositories_2_resources_4273","_nest_parent_":"viblbv_repositories_2_resources_4273_c03","parent_ssi":"viblbv_repositories_2_resources_4273_c03","parent_ssim":["Brotherton Family Collection, 1854/1887","Series III: Papers"],"parent_ids_ssim":["viblbv_repositories_2_resources_4273","viblbv_repositories_2_resources_4273_c03"],"title_filing_ssi":"Committee Papers","title_ssm":["Committee Papers"],"title_tesim":["Committee Papers"],"normalized_title_ssm":["Committee Papers, 1859"],"text":["Committee Papers, 1859","Brotherton Family Collection, 1854/1887","Series III: Papers","box 1","folder 55"],"parent_unittitles_ssm":["Brotherton Family Collection, 1854/1887","Series III: Papers"],"parent_unittitles_tesim":["Brotherton Family Collection, 1854/1887","Series III: Papers"],"normalized_date_ssm":["1859"],"unitdate_other_ssim":["1859"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":65,"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Brotherton Family Collection, 1854/1887"],"containers_ssim":["box 1","folder 55"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions\nmay apply. Contact Special Collections and University Archives for\nassistance in determining the use of these materials.","Reproduction or\ndigitization of materials for personal or research use can be requested using\nour reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can\nbe requested using our publication/exhibition form:\nhttp://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1859],"_nest_path_":"/components#2/components#1","timestamp":"2026-06-23T06:50:43.410Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_4273","ead_ssi":"viblbv_repositories_2_resources_4273","_root_":"viblbv_repositories_2_resources_4273","_nest_parent_":"viblbv_repositories_2_resources_4273","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_4273.xml","title_filing_ssi":"Brotherton Family Collection","title_ssm":["Brotherton Family Collection"],"title_tesim":["Brotherton Family Collection"],"unitdate_ssm":["1854-1887"],"unitdate_inclusive_ssm":["1854-1887"],"normalized_date_ssm":["1854/1887"],"normalized_title_ssm":["Brotherton Family Collection, 1854/1887"],"text":["Brotherton Family Collection, 1854/1887","Ms.2024.062","/repositories/2/resources/4273","Civil War","United States -- History -- Civil War, 1861-1865","Correspondence","Poems","The collection is open for research.","The collection is arranged into three series, Correspondences, Newspapers, and Papers. The Correspondences are organized by who received the letters, and most letters were sent to Sadie Brotherton and William H. Brotherton. Within that, the letters are organized by author and are in chronological order. Papers contains primarily handwritten documents, and these are organized by the type of document.","The Brotherton family resided in Pennsylvania. William H. Brotherton was born on October 01, 1833. He worked as a store merchant.  In 1863, he was drafted into the Union Army in Franklin County, Pennsylvania. Some of his letters were written to Sadie during his service during the Civil War. After the war, he passed away on December 12, 1867.","Susan \"Sadie\" Smith Brotherton born on April 27, 1841. After her husband's death, she lived with her brother and children until her death on January 16, 1907.","Bibliography","The National Archives in Washington, DC; Washington, DC, USA; Consolidated Lists of Civil War Draft Registration Records (Provost Marshal General's Bureau; Consolidated Enrollment Lists, 1863-1865); Record Group: 110; Collection Name: Consolidated Enrollment Lists, 1863-1865 (Civil War Union Draft Records); NAI: 4213514; Archive Volume Number: 1 of 4. Ancestry.","The National Archives in Washington D.C.; Record Group: Records of the Bureau of the Census; Record Group Number: 29; Series Number: M653; Residence Date: 1860; Home in 1860: Waynesboro, Franklin, Pennsylvania; Roll: M653_1112; Page: 990; Family History Library Film: 805112. Ancestry.","Ancestry.com. U.S., Find a Grave® Index, 1600s-Current [database on-line]. Lehi, UT, USA: Ancestry.com Operations, Inc., 2012. Ancestry.","Ancestry.com. U.S., Find a Grave® Index, 1600s-Current [database on-line]. Lehi, UT, USA: Ancestry.com Operations, Inc., 2012. Ancestry.","Year: 1880; Census Place: Waynesborough, Franklin, Pennsylvania; Roll: 1132; Page: 590b; Enumeration District: 115. Ancestry.","Year: 1900; Census Place: Waynesboro Ward 3, Franklin, Pennsylvania; Roll: 1413; Page: 3; Enumeration District: 0065. Ancestry.","The National Archives in Washington, DC; Record Group: Records of the Bureau of the Census; Record Group Number: 29; Series Number: M432; Residence Date: 1850; Home in 1850: Waynesboro, Franklin, Pennsylvania; Roll: 781; Page: 171b. Ancestry.","The National Archives in Washington, DC; Record Group: Records of the Bureau of the Census; Record Group Number: 29; Series Number: M432; Residence Date: 1850; Home in 1850: Waynesboro, Franklin, Pennsylvania; Roll: 781; Page: 171a. Ancestry","The guide to the Brotherton Family Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Brotherton Family Collection was completed in June 2024.","The Brotherton Family Collection contains over 300 letters, newspaper clippings, newspapers, and family papers. The letters were written in the 1850s and 1860s by friends and family of William H. and Sadie Brotherton. The letters represent the Civil War era with letters that discuss the election of Abraham Lincoln and letters written by William Brotherton from a Confederate Prison at Richmond, Virginia. Most letters were written prior to the Civil War. There are also post-war letters written to William from his brother David, who served in the Army during the battles with the Navajo in New Mexico. He was part of the pursuit and capture of Chief Joseph and Sitting Bull.","The collection also contains newspaper clippings and copies of newspapers.","There are also handwritten papers, with many written by William Brotherton. These consist of papers related to a committee that William participated in, some financial documents, flyers, fragments, and other writings. The writings contain poems, songs, and essays.","Series I: Correspondences contains letters written to Sadie and William Brotherton, along with a few letters written to others. Some of these letters do not specify who it written to or from. These additional letters are sorted together in chronological order. All other letters are organized by the recepient, Sadie Brotherton or William H. Brotherton. Sadie's letters primarily consist of letters from William, her immediate family, including one of her sisters and two of her brothers, her extended family members, and her friends. William H. Brotherton's letters were primarily written by his siblings, especially his brother James. He also received letters from extended family members, friends, and Sadie.","Series II: Newspapers primarily contains newspaper clippings of poems. There is also a copy of the New York Tribute from 1887. Another folder contains a newspaper clipping that held a lock of hair inside of it, and the hair is included in the folder.","Series III: Papers consists of family paper documents. There are business cards for William H. Brotherton, committee papers, financial documents, printed flyers, written fragments, a marriage announcement for William and Sadie's daughter Helen Brotherton, and writings. The writings consist of poems, songs, and essays. They are not attributed to a specific author and do not have dates. One poem example is a romantic poem, with one stanza, \"I look around, and feel along / And then there falls a tear / For oh! Thou art not here my love / For oh! Thou art not here.\" One of the handwritten song lyrics papers includes a reference to the 'chorus.'","The copyright status of this collection is unknown. Copyright restrictions\nmay apply. Contact Special Collections and University Archives for\nassistance in determining the use of these materials.","Reproduction or\ndigitization of materials for personal or research use can be requested using\nour reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can\nbe requested using our publication/exhibition form:\nhttp://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Brotherton Family Collection contains over 300 letters written during the 1850s and 1860s by members of the William H. and Sadie Brotherton family. The letters represent the Civil War era with letters that discuss the election of Abraham Lincoln and letters written by William Brotherton from a Confederate Prison at Richmond, Virginia. Most letters were written prior to the Civil War. There are also post-war letters written to William from his brother David, who served in the Army during the battles with the Navajo in New Mexico. He was part of the pursuit and capture of Chief Joesph and Sitting Bull. \n\nThe collection also contains newspaper clippings and copies of newspapers.\n\nThere are also handwritten papers, with many written by William Brotherton. These consist of papers related to a committee that William participated in, some financial documents, flyers, fragments, and other writings. The writings contain poems, songs, and essays.","Special Collections and University Archives, Virginia Tech","Montgomery Museum and Lewis Miller Regional Art Center","Brotherton family (Pennsylvania)","Materials in this collection are in English."],"collection_title_tesim":["Brotherton Family Collection, 1854/1887"],"collection_ssim":["Brotherton Family Collection, 1854/1887"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2024.062","/repositories/2/resources/4273"],"unitid_tesim":["Ms.2024.062","/repositories/2/resources/4273"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Montgomery Museum and Lewis Miller Regional Art Center","Brotherton family (Pennsylvania)"],"creator_ssim":["Montgomery Museum and Lewis Miller Regional Art Center","Brotherton family (Pennsylvania)"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Montgomery Museum and Lewis Miller Regional Art Center"],"creator_famname_ssim":["Brotherton family (Pennsylvania)"],"creators_ssim":["Special Collections and University Archives, Virginia Tech","Montgomery Museum and Lewis Miller Regional Art Center","Brotherton family (Pennsylvania)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions\nmay apply. Contact Special Collections and University Archives for\nassistance in determining the use of these materials.","Reproduction or\ndigitization of materials for personal or research use can be requested using\nour reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can\nbe requested using our publication/exhibition form:\nhttp://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was donated by the Montgomery Museum of Art and History to Special Collections in August 2018."],"access_subjects_ssim":["Civil War","United States -- History -- Civil War, 1861-1865","Correspondence","Poems"],"access_subjects_ssm":["Civil War","United States -- History -- Civil War, 1861-1865","Correspondence","Poems"],"has_online_content_ssim":["false"],"extent_ssm":["1.4 Cubic Feet 1 box"],"extent_tesim":["1.4 Cubic Feet 1 box"],"genreform_ssim":["Correspondence","Poems"],"date_range_isim":[1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into three series, Correspondences, Newspapers, and Papers. The Correspondences are organized by who received the letters, and most letters were sent to Sadie Brotherton and William H. Brotherton. Within that, the letters are organized by author and are in chronological order. Papers contains primarily handwritten documents, and these are organized by the type of document.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into three series, Correspondences, Newspapers, and Papers. The Correspondences are organized by who received the letters, and most letters were sent to Sadie Brotherton and William H. Brotherton. Within that, the letters are organized by author and are in chronological order. Papers contains primarily handwritten documents, and these are organized by the type of document."],"bioghist_html_tesm":["\u003cp\u003eThe Brotherton family resided in Pennsylvania. William H. Brotherton was born on October 01, 1833. He worked as a store merchant.  In 1863, he was drafted into the Union Army in Franklin County, Pennsylvania. Some of his letters were written to Sadie during his service during the Civil War. After the war, he passed away on December 12, 1867. \u003c/p\u003e","\u003cp\u003eSusan \"Sadie\" Smith Brotherton born on April 27, 1841. After her husband's death, she lived with her brother and children until her death on January 16, 1907. \u003c/p\u003e","\u003cp\u003eBibliography\u003c/p\u003e","\u003cp\u003eThe National Archives in Washington, DC; Washington, DC, USA; Consolidated Lists of Civil War Draft Registration Records (Provost Marshal General's Bureau; Consolidated Enrollment Lists, 1863-1865); Record Group: 110; Collection Name: Consolidated Enrollment Lists, 1863-1865 (Civil War Union Draft Records); NAI: 4213514; Archive Volume Number: 1 of 4. \u003ca href=\"https://www.ancestrylibrary.com/discoveryui-content/view/1055230:1666?tid=\u0026amp;pid=\u0026amp;queryId=4178c6ad-8593-463e-84c9-e3396d9beac0\u0026amp;_phsrc=sRZ59\u0026amp;_phstart=successSource\"\u003eAncestry\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eThe National Archives in Washington D.C.; Record Group: Records of the Bureau of the Census; Record Group Number: 29; Series Number: M653; Residence Date: 1860; Home in 1860: Waynesboro, Franklin, Pennsylvania; Roll: M653_1112; Page: 990; Family History Library Film: 805112. \u003ca href=\"https://www.ancestrylibrary.com/discoveryui-content/view/3736552:7667\"\u003eAncestry\u003c/a\u003e. \u003c/p\u003e","\u003cp\u003eAncestry.com. U.S., Find a Grave® Index, 1600s-Current [database on-line]. Lehi, UT, USA: Ancestry.com Operations, Inc., 2012. \u003ca href=\"https://www.ancestrylibrary.com/discoveryui-content/view/10518198:60525?tid=\u0026amp;pid=\u0026amp;queryId=4178c6ad-8593-463e-84c9-e3396d9beac0\u0026amp;_phsrc=sRZ59\u0026amp;_phstart=successSource\"\u003eAncestry\u003c/a\u003e. \u003c/p\u003e","\u003cp\u003eAncestry.com. U.S., Find a Grave® Index, 1600s-Current [database on-line]. Lehi, UT, USA: Ancestry.com Operations, Inc., 2012. \u003ca href=\"https://www.ancestrylibrary.com/discoveryui-content/view/9982245:60525\"\u003eAncestry\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eYear: 1880; Census Place: Waynesborough, Franklin, Pennsylvania; Roll: 1132; Page: 590b; Enumeration District: 115. \u003ca href=\"https://www.ancestrylibrary.com/discoveryui-content/view/37404981:6742\"\u003eAncestry\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eYear: 1900; Census Place: Waynesboro Ward 3, Franklin, Pennsylvania; Roll: 1413; Page: 3; Enumeration District: 0065. \u003ca href=\"https://www.ancestrylibrary.com/discoveryui-content/view/46819027:7602\"\u003eAncestry\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eThe National Archives in Washington, DC; Record Group: Records of the Bureau of the Census; Record Group Number: 29; Series Number: M432; Residence Date: 1850; Home in 1850: Waynesboro, Franklin, Pennsylvania; Roll: 781; Page: 171b. \u003ca href=\"https://www.ancestrylibrary.com/discoveryui-content/view/156918:8054\"\u003eAncestry\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eThe National Archives in Washington, DC; Record Group: Records of the Bureau of the Census; Record Group Number: 29; Series Number: M432; Residence Date: 1850; Home in 1850: Waynesboro, Franklin, Pennsylvania; Roll: 781; Page: 171a. \u003ca href=\"https://www.ancestrylibrary.com/discoveryui-content/view/156895:8054\"\u003eAncestry\u003c/a\u003e\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Brotherton family resided in Pennsylvania. William H. Brotherton was born on October 01, 1833. He worked as a store merchant.  In 1863, he was drafted into the Union Army in Franklin County, Pennsylvania. Some of his letters were written to Sadie during his service during the Civil War. After the war, he passed away on December 12, 1867.","Susan \"Sadie\" Smith Brotherton born on April 27, 1841. After her husband's death, she lived with her brother and children until her death on January 16, 1907.","Bibliography","The National Archives in Washington, DC; Washington, DC, USA; Consolidated Lists of Civil War Draft Registration Records (Provost Marshal General's Bureau; Consolidated Enrollment Lists, 1863-1865); Record Group: 110; Collection Name: Consolidated Enrollment Lists, 1863-1865 (Civil War Union Draft Records); NAI: 4213514; Archive Volume Number: 1 of 4. Ancestry.","The National Archives in Washington D.C.; Record Group: Records of the Bureau of the Census; Record Group Number: 29; Series Number: M653; Residence Date: 1860; Home in 1860: Waynesboro, Franklin, Pennsylvania; Roll: M653_1112; Page: 990; Family History Library Film: 805112. Ancestry.","Ancestry.com. U.S., Find a Grave® Index, 1600s-Current [database on-line]. Lehi, UT, USA: Ancestry.com Operations, Inc., 2012. Ancestry.","Ancestry.com. U.S., Find a Grave® Index, 1600s-Current [database on-line]. Lehi, UT, USA: Ancestry.com Operations, Inc., 2012. Ancestry.","Year: 1880; Census Place: Waynesborough, Franklin, Pennsylvania; Roll: 1132; Page: 590b; Enumeration District: 115. Ancestry.","Year: 1900; Census Place: Waynesboro Ward 3, Franklin, Pennsylvania; Roll: 1413; Page: 3; Enumeration District: 0065. Ancestry.","The National Archives in Washington, DC; Record Group: Records of the Bureau of the Census; Record Group Number: 29; Series Number: M432; Residence Date: 1850; Home in 1850: Waynesboro, Franklin, Pennsylvania; Roll: 781; Page: 171b. Ancestry.","The National Archives in Washington, DC; Record Group: Records of the Bureau of the Census; Record Group Number: 29; Series Number: M432; Residence Date: 1850; Home in 1850: Waynesboro, Franklin, Pennsylvania; Roll: 781; Page: 171a. Ancestry"],"odd_html_tesm":["\u003cp\u003eThe guide to the Brotherton Family Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003cextref href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/extref\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Brotherton Family Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Brotherton Family Collection, 1854-1887, Ms2024-062, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Brotherton Family Collection, 1854-1887, Ms2024-062, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Brotherton Family Collection was completed in June 2024.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Brotherton Family Collection was completed in June 2024."],"scopecontent_html_tesm":["\u003cp\u003eThe Brotherton Family Collection contains over 300 letters, newspaper clippings, newspapers, and family papers. The letters were written in the 1850s and 1860s by friends and family of William H. and Sadie Brotherton. The letters represent the Civil War era with letters that discuss the election of Abraham Lincoln and letters written by William Brotherton from a Confederate Prison at Richmond, Virginia. Most letters were written prior to the Civil War. There are also post-war letters written to William from his brother David, who served in the Army during the battles with the Navajo in New Mexico. He was part of the pursuit and capture of Chief Joseph and Sitting Bull. \u003c/p\u003e","\u003cp\u003eThe collection also contains newspaper clippings and copies of newspapers.\u003c/p\u003e","\u003cp\u003eThere are also handwritten papers, with many written by William Brotherton. These consist of papers related to a committee that William participated in, some financial documents, flyers, fragments, and other writings. The writings contain poems, songs, and essays. \u003c/p\u003e","\u003cp\u003eSeries I: Correspondences contains letters written to Sadie and William Brotherton, along with a few letters written to others. Some of these letters do not specify who it written to or from. These additional letters are sorted together in chronological order. All other letters are organized by the recepient, Sadie Brotherton or William H. Brotherton. Sadie's letters primarily consist of letters from William, her immediate family, including one of her sisters and two of her brothers, her extended family members, and her friends. William H. Brotherton's letters were primarily written by his siblings, especially his brother James. He also received letters from extended family members, friends, and Sadie. \u003c/p\u003e","\u003cp\u003eSeries II: Newspapers primarily contains newspaper clippings of poems. There is also a copy of the New York Tribute from 1887. Another folder contains a newspaper clipping that held a lock of hair inside of it, and the hair is included in the folder. \u003c/p\u003e","\u003cp\u003eSeries III: Papers consists of family paper documents. There are business cards for William H. Brotherton, committee papers, financial documents, printed flyers, written fragments, a marriage announcement for William and Sadie's daughter Helen Brotherton, and writings. The writings consist of poems, songs, and essays. They are not attributed to a specific author and do not have dates. One poem example is a romantic poem, with one stanza, \"I look around, and feel along / And then there falls a tear / For oh! Thou art not here my love / For oh! Thou art not here.\" One of the handwritten song lyrics papers includes a reference to the 'chorus.'\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Brotherton Family Collection contains over 300 letters, newspaper clippings, newspapers, and family papers. The letters were written in the 1850s and 1860s by friends and family of William H. and Sadie Brotherton. The letters represent the Civil War era with letters that discuss the election of Abraham Lincoln and letters written by William Brotherton from a Confederate Prison at Richmond, Virginia. Most letters were written prior to the Civil War. There are also post-war letters written to William from his brother David, who served in the Army during the battles with the Navajo in New Mexico. He was part of the pursuit and capture of Chief Joseph and Sitting Bull.","The collection also contains newspaper clippings and copies of newspapers.","There are also handwritten papers, with many written by William Brotherton. These consist of papers related to a committee that William participated in, some financial documents, flyers, fragments, and other writings. The writings contain poems, songs, and essays.","Series I: Correspondences contains letters written to Sadie and William Brotherton, along with a few letters written to others. Some of these letters do not specify who it written to or from. These additional letters are sorted together in chronological order. All other letters are organized by the recepient, Sadie Brotherton or William H. Brotherton. Sadie's letters primarily consist of letters from William, her immediate family, including one of her sisters and two of her brothers, her extended family members, and her friends. William H. Brotherton's letters were primarily written by his siblings, especially his brother James. He also received letters from extended family members, friends, and Sadie.","Series II: Newspapers primarily contains newspaper clippings of poems. There is also a copy of the New York Tribute from 1887. Another folder contains a newspaper clipping that held a lock of hair inside of it, and the hair is included in the folder.","Series III: Papers consists of family paper documents. There are business cards for William H. Brotherton, committee papers, financial documents, printed flyers, written fragments, a marriage announcement for William and Sadie's daughter Helen Brotherton, and writings. The writings consist of poems, songs, and essays. They are not attributed to a specific author and do not have dates. One poem example is a romantic poem, with one stanza, \"I look around, and feel along / And then there falls a tear / For oh! Thou art not here my love / For oh! Thou art not here.\" One of the handwritten song lyrics papers includes a reference to the 'chorus.'"],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions\nmay apply. Contact Special Collections and University Archives for\nassistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or\ndigitization of materials for personal or research use can be requested using\nour reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for publication or exhibit use can\nbe requested using our publication/exhibition form:\n\u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions\nmay apply. Contact Special Collections and University Archives for\nassistance in determining the use of these materials.","Reproduction or\ndigitization of materials for personal or research use can be requested using\nour reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can\nbe requested using our publication/exhibition form:\nhttp://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_365378f1ecb38fd9b475eb83b6b4ff16\" label=\"Abstract\"\u003eThe Brotherton Family Collection contains over 300 letters written during the 1850s and 1860s by members of the William H. and Sadie Brotherton family. The letters represent the Civil War era with letters that discuss the election of Abraham Lincoln and letters written by William Brotherton from a Confederate Prison at Richmond, Virginia. Most letters were written prior to the Civil War. There are also post-war letters written to William from his brother David, who served in the Army during the battles with the Navajo in New Mexico. He was part of the pursuit and capture of Chief Joesph and Sitting Bull. \n\nThe collection also contains newspaper clippings and copies of newspapers.\n\nThere are also handwritten papers, with many written by William Brotherton. These consist of papers related to a committee that William participated in, some financial documents, flyers, fragments, and other writings. The writings contain poems, songs, and essays.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Brotherton Family Collection contains over 300 letters written during the 1850s and 1860s by members of the William H. and Sadie Brotherton family. The letters represent the Civil War era with letters that discuss the election of Abraham Lincoln and letters written by William Brotherton from a Confederate Prison at Richmond, Virginia. Most letters were written prior to the Civil War. There are also post-war letters written to William from his brother David, who served in the Army during the battles with the Navajo in New Mexico. He was part of the pursuit and capture of Chief Joesph and Sitting Bull. \n\nThe collection also contains newspaper clippings and copies of newspapers.\n\nThere are also handwritten papers, with many written by William Brotherton. These consist of papers related to a committee that William participated in, some financial documents, flyers, fragments, and other writings. The writings contain poems, songs, and essays."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Montgomery Museum and Lewis Miller Regional Art Center"],"names_coll_ssim":["Montgomery Museum and Lewis Miller Regional Art Center"],"famname_ssim":["Brotherton family (Pennsylvania)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Montgomery Museum and Lewis Miller Regional Art Center","Brotherton family (Pennsylvania)"],"language_ssim":["Materials in this collection are in English."],"total_component_count_is":70,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:50:43.410Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4273_c03_c02"}},{"id":"viw_repositories_2_resources_8416_c02_c01","type":"Sub-Series","attributes":{"title":"Cook Family, 1836/1875","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8416_c02_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8416_c02_c01","ref_ssm":["viw_repositories_2_resources_8416_c02_c01"],"id":"viw_repositories_2_resources_8416_c02_c01","ead_ssi":"viw_repositories_2_resources_8416","_root_":"viw_repositories_2_resources_8416","_nest_parent_":"viw_repositories_2_resources_8416_c02","parent_ssi":"viw_repositories_2_resources_8416_c02","parent_ssim":["Cook-Luttrell Papers, 1848/1890","Series 2: Business Papers, 1833/1885"],"parent_ids_ssim":["viw_repositories_2_resources_8416","viw_repositories_2_resources_8416_c02"],"title_filing_ssi":"Cook Family","title_ssm":["Cook Family"],"title_tesim":["Cook Family"],"normalized_title_ssm":["Cook Family, 1836/1875"],"text":["Cook Family, 1836/1875","Cook-Luttrell Papers, 1848/1890","Series 2: Business Papers, 1833/1885"],"parent_unittitles_ssm":["Cook-Luttrell Papers, 1848/1890","Series 2: Business Papers, 1833/1885"],"parent_unittitles_tesim":["Cook-Luttrell Papers, 1848/1890","Series 2: Business Papers, 1833/1885"],"normalized_date_ssm":["1836/1875"],"unitdate_inclusive_ssm":["1836-1875"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":91,"repository_ssim":["College of William and Mary"],"collection_ssim":["Cook-Luttrell Papers, 1848/1890"],"has_online_content_ssim":["false"],"child_component_count_isi":9,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875],"_nest_path_":"/components#1/components#0","timestamp":"2026-06-23T07:46:21.034Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8416","ead_ssi":"viw_repositories_2_resources_8416","_root_":"viw_repositories_2_resources_8416","_nest_parent_":"viw_repositories_2_resources_8416","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8416.xml","title_filing_ssi":"Cook-Luttrell Papers","title_ssm":["Cook-Luttrell Papers"],"title_tesim":["Cook-Luttrell Papers"],"unitdate_ssm":["1848-1890"],"unitdate_inclusive_ssm":["1848-1890"],"normalized_date_ssm":["1848/1890"],"normalized_title_ssm":["Cook-Luttrell Papers, 1848/1890"],"text":["Cook-Luttrell Papers, 1848/1890","Mss. 65 C77","/repositories/2/resources/8416","Agriculture--United States--History--19th century","Agriculture--Virginia--History--18th century","Courtship--Virginia","Culpeper County (Va.)--History--19th century","Legal documents","Merchants--Virginia--History--19th century","Rappahannock County (Va.)--History--19th century","Women--Education--Virginia--History","Correspondence","Financial records","411 items","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Arrangement: The papers are divided first by type of record and then by family.","Organization: The papers are organized into five Series so that Series 1 is Personal Correspondence, Series 2 is Business Papers, Series 3 is Tax Receipts, Series 4 is Legal Documents and Series 5 is Miscellaneous Papers. Within each series is a Subseries relating to either the Cook Family or Luttrell Family.","Other Information:","Additional information may be found at http://ead.lib.virginia.edu/vivaead/published/wm/viw00010.frame","Box and folder list compiled by Shayela Hassan, SCRC staff, in October-November 2012.","See also; Luttrell-Cooke Papers (Mss. 65 L97), Special Collections Research Center, Swem Library, College of William and Mary.","Correspondence, business, tax and legal records, primarily 1848-1890, of various members of the Cook and Luttrell Families of Culpeper and Rappahannock Counties, Virginia.","The Cook family correspondence is concentrated between 1855 and 1858 and discusses the migration of several members of the family to western Virginia and Missouri, courtship and marriage, farming, and detailed accounts of family visits. The Luttrell correspondence, 1874-1890, contains letters to Mollie Luttrell from girl friends, discussing social events and friends.","The Cook family business and tax records, (1936-1859)-1875, are primarily receipts for accounts with Culpeper County merchants, with those of Thomas Jimson Cook including advertisements and attendance records for a grammar school he taught in his home. The Luttrell business records are primarily the receipts of James W. Luttrell (1813-1884) with Culpeper and Rappahannock County merchants, and included receipts for tuition paid to educate his daughter, [Mollie?] and correspondence concerning his investments in Austin, [Texas?]. Also, assorted business and tax records of the Bywaters family, and a legal document appointing James W. Luttrell surveyor of roads for Culpeper County.","Scope and Contents Concerns lawsuit between Cook and \"Aunt\" Cecy (Cook?); mentions contention over estate of \"Grandfather\" Cook; discusses health of family and occurrence of cholera; progress of wheat, oat, and corn crops; mentions wife, Elizabeth.","Sends news of the family at home; asks after other family members.","Reflects on the meaning and necessity of marriage; sends her his love.","Scope and Contents Talks of family and friends; mentions upcoming trip to Kentucky; hopes he is not a \"Know-Nothing\" as she would disapprove.","Discusses family news, weather, and crop conditions; mentions possibility of going with him to a camp meeting in Kentucky; hopes he will come for a visit this summer.","Scope and Contents Discusses corn crop; asks him to come to Taylor County; says he can teach school if he wants; including postscript noting death of \"Col.\" Perry and \"Uncle\" William Corbin; mentions (wife?) Helen Mary.","Asks her to sign a financial note and give it to James W. Luttrell for safe-keeping.","Discusses weather and corn crop progress; mentions sister Sarah (Susan), and brother, Thomas; asks for $150 to buy a farm.","Discusses agriculture and family business.","Describes teaching position.","Protests William's treatment by the Motsey Division of the Sons of (Temperance?), and the slander of his name.","Is glad he has arrived safely and has good prospects; tells news of the family; is anxious to hear his newly-learned Spanish.","Describes his journey home to find his youngest child dead of scarlet fever; has been sick for the past week; wants him to check a land title with the Cumberland County Clerk; includes a list of marriages in the Corbin family.","Asks for repayment of a loan; describes trip to Washington, (D.C., for Presidential inauguration?)","Scope and Contents Discusses trip to the \"western lands\" to visit brother, Burrell H. Cook; tells of relatives met.","Describes trip from Virginia to Missouri, and friends encountered along the way; mentions intention to marry in the near future.","Discusses weather, and crops in Missouri as compared to Virginia; sends love to family members; intends to visit home when possible.","Discusses bad weather and illness in vicinity; mentions sisters, Sarah Susan, visit and brother, Burrell; also Frank Robinson and family; intends to return home when possible.","Describes trip from Platte, Missouri to Oak Shade; weather makes travel bad, but is generally pleased with country; was glad to hear family is well; tells of acquaintances and friends living in Missouri.","Discusses his (WW) budding medical practice; ask Cook to remember him to all his old friends, as he will probably never see them again; mentions his intention to find a wife.","Discusses clothing Sarah Susan has asked to have made; mentions acquaintances.","Scope and Contents Discusses arrangements for Sarah Susan to make a bonnet for \"M's\" trip to Washington in March.","Scope and Contents Describes Sarah Susan's conversion experience at a recent revival meeting; has recently been sick, as have many family members; mentions brother, Thomas, and brother-in-law, Joseph Marshall, as well as children, Fannie and \"Lilly\" (Lila).","Talks of arrangements for her return to Virginia; mentions brothers, Burrell and Thomas; has been ill and there is a great deal of sickness in the air.","Describes journey west; tells of relatives she has met; mentions parties she has attended; asks her family to write back.","Describes her visit to Kentucky and the relatives she has met; sends love to her family and friends; asks for newspapers to be sent to her, especially The Baltimore Sun.","Includes a description of her new husband, and hopes her family will forgive her for marrying without asking them; describes Missouri; is very pleased with her situation.","Tells how happy she is in Missouri; is happy brother Thomas is teaching school, but thinks he would do better in Missouri; sends collar pattern and linen for sister [Sarah Susan?]; hopes to visit home soon.","Tells of potential for advancement in Missouri; talks of her husband, Joseph, and of relatives she has heard from.","With annotations by recipient. Says she is well and very happy with her husband; hopes some of her relatives will visit soon, maybe to stay in Missouri.","Asks after her family; tells of her plans to visit them in the spring; is hesitant to visit friends in Kansas due to abolitionist controversy there.","Mentions she has not heard from her family in months; tells about her Missouri acquaintances; discusses plans to visit friends and family in Kentucky and Virginia.","Describes new home and work associated with taking in boarders; announces birth of a daughter; sends love to family.","Mentions husband (Joseph Marshall) and children (Fannie and Lila); details her work and her husband's investments in hogs, and his building of a distillery; tells of food she has prepared for the winter; sends her love to the rest of the family.","Incomplete. Portion of a marriage proposal?","Newspaper. Invitation.","Mentions his cousin's ill health; refers to his standing proposal of marriage; discusses one of his two daughters, Becky, and his sons.","Instructions for dyeing cloth.","Scope and Contents Describes his progress in school; discusses \"cousin\" Sudie's (Sarah Susan (Cook) Kendrick) new baby, Mary Frances.","Discusses family news; mentions Sallie's weaving; asks Mollie to visit.","Discusses family news; mentions the marriage of Charlie Rollins; asks after Willie (Mary William Doyle?); wishes she could join her and Willie at school.","Discusses making of new clothes; wants her to visit.","Discusses family members; mentions recent trip to Warrenton, Virginia.","Scope and Contents 2 pages. Autograph Letter Signed. Sorry to hear \"cousin\" Jim [Luttrell] is sick; invites her to visit.","Tells her to be sure to visit in the afternoon.","Invitation to a surprise party.","Describes her new dress; asks Mollie to visit soon; mentions Willie Silvey, Fannie (?), and family members.","Is happy to have received her letter; mentions decline of the Singing School and rise of Temperance Society; asks her to visit soon.","Discusses friends; wishes she would visit; will visit her soon.","Discusses plans for her (M.L.) Christmas visit; sends love to members of Mollie's family; mentions taffy pull at Mrs. (S.) Corbin's.","Has not heard from her old friend; sends much love; mentions Willie Doyle, Annie (?), Martin Pickels, Mrs. Corbin; Lulie's brother is in Baltimore, while Lulie Davis is in Maryland.","Scope and Contents Discusses new clothes and missing patterns; mentions \"cousin\" Tabitha's (?) expected visit; hopes Mollie will visit soon.","Scope and Contents 4 pages. Autograph Letter Signed. Has been killing hogs all day and is tired; congratulates her on her new \"beau\"; mentions a past protracted meeting; had fun at \"cousin\" S. Corbin's; invites her to visit.","Mentions rumor that Willie Silvey is Mollie's new beau, but is sure it cannot be true; attended Dr. Brown's funeral; asks her to visit soon.","Invitation to a surprise party.","Describes her new dress; asks Mollie to visit soon; mentions Willie Silvey, Fannie [?] , and family members.","Discusses the heat; is sewing several new dresses; has a new beau but misses the boys in Amissville; saw Bernard [?] and Fannie Anderson at church together; there will be a reunion of Union and Confederate soldiers at Luray, Page County, Virginia.","Asks her to visit or write; mentions friends, Laura and Tola, and \"sister\" Sudie (Sarah Susan Cook?); promises to try to visit as soon as the weather clears.","Scope and Contents Sends condolences at the death of \"cousin\" Jim [Luttrell?]; mentions intended trip to Baltimore in December.","Enjoyed recent visit but is now sick; hopes her (M.L.) wedding goes well; sends best wishes for Christmas, and mentions local Baptist church's Christmas tree and tableaux; refers to Will (Mollie's brother?).","Discusses problems with renting a carriage for the drive to the (Baptist?) Association meeting; mentions seeing Willie at Oak Shade, Virginia.","Scope and Contents Was shocked to hear of George Sheag's death; tells that \"cousin\" Al Baker has bought a farm near Mollie's home; mentions Willie Jeffries, who will soon be married, and Clarence Pierce; his employer has offered him a house and livestock; talks of potential for profits to be made.","Scope and Contents Discusses family news; hopes Mollie can join her at a \"Bush\" meeting.","Scope and Contents Wishes she would visit for \"first\" Sunday and accompany them to Carter's Run.","Scope and Contents Mentions \"Uncle\" Frank (Cook?), his wife (Sallie?) and daughter (Annie?), who have been sick; has had a lot of company lately; wishes she (M.L.) could visit with news of friends.","Scope and Contents Expects to meet her and \"Tola\" the following evening for a trip to visit \"Uncle\" Frank (Cook?).","Scope and Contents Wants to know if she is going to \"cousin\" Tommy's [?], and if \"cousin\" Hannah Bettie can accompany Mary.","Invitation to visit.","Sends her trimming and buttons as requested; wishes she would visit soon; mentions mutual friends.","Sends her yard goods and a pattern, mentions plans to travel to Fauquier (County?), but will miss going to Battle Run.","Can't accept the invitation to visit, but expects to see them the following evening at the \"lodge.\"","Refers to hat she (M.L.) would like to purchase.","Wishes she were present to share in social gathering; mentions names of friends and family members.","\"Chestnut Hill,\" may be Amissville, Virginia. Wants her to visit soon.","She (M.L.) is to accompany her (L.R.S.) to church next Sunday night.","Financial receipts and notes; merchants include Murray Forbes, William R. Robson, and Crigler and Eggborn.","Financial receipts for food and dry goods, and account for \"boarding the delegates horses,\" August 31, 1853.","Account with John Cooke for goods and services, settled by Thomas J. Cook.","Financial receipts for food and dry goods purchased.","Financial receipts for food, lumber, dry goods; also, advertisements and attendance records for school taught by Thomas Cook; includes notice for lost cow.","Includes promissory note cosigned by Thomas J. Cook.","Financial receipts for food, dry goods and services purchased.","Financial receipts for food, dry goods and services purchased, including tuition paid for schooling of daughter (Mollie?).","Financial receipts for food, dry goods and services purchased, including letter referring to Luttrell's interests in Texas[?].","Financial receipts for food, dry goods and services purchased.","County and state tax receipts, including \"Receipt for United States Direct Taxes,\" 1864, collected by authority of an Act of Congress passed June 7, 1862, \"An Act for the Collection of direct taxes in insurrectionary districts within the United States, and for other purposes.\"","Statement of accounts for the estate of William Cooke [sic], deceased; signed by legatees of Elias Cooke, Cecy Cook, William Bywaters, John C. Bywaters, Mitchan Corbin, and Richard H. Bywaters.","Deed of gift between Alfred Cook and his son, Thomas J. Cook, both of Culpeper County, Virginia. Gives Thomas the responsibility for Alfred's farm, stock, and slaves, as well as the schooling of his brother, Burrell H. Cook, and sister, Lucy E. Cook; witnessed by Pierce Perry.","Scope and Contents A copy of \"An Agreement...between Fanny Dade a free woman of colour of the County of Culpeper and the State of Virginia...and Joseph H. Marshal of the County of Saline and the state of Missouri\" for the indenture of her two sons, George Henry and John Richard; witnessed by Thomas J. Cooke [sic].","Statement giving James W. Luttrell permission to claim land in the name of Alfred Cook, deceased, that it might be sold for the benefit of his heirs; contains signatures of heirs.","Deed entered by Virginia T. Corbin and Sylvester M. Corbin, Culpeper County, Virginia, Reverse endorsed to J.W. Luttrell.","Certificate appointing James W. Luttrell as surveyor of roads for Culpeper County, Virginia.","Financial receipts from Mutual Fire Insurance County, Loudoun County, Virginia.","Tells family news and of frequency of illness; asks after friends and family; apologizes for taking so long to write back.","Announces the death of his mother; mentions having heard from Missouri relatives.","Scope and Contents Note to accompany Christmas gift; mentions also \"Miss\" Washington.","Receipts for food and dry goods purchased.","12 items. Persons of note include Jakson Kines, James Mazingo, J.W. Corbin, Payne V. Baker, W.H. Perry, John Jett, George L. Pazne, and Turner L. Jones.","Many have notation \"sold to Jas. W. Luttrell for taxes.\"","By Josie A. Goodwin. Fragment.","Poem signed by \"Ernest\" (?).","Unsigned poem.","Poem signed by Mollie Luttrell(?).","1 item.","1 item.","\"Receipt\" [sic] recipe.","1 page. Manuscript.","2 pages. Manuscript.","Envelopes addressed to Susan M. cook, James W. Luttrell, and Mollie Luttrell.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Cook family","Bywaters family","Luttrell family","English"],"collection_title_tesim":["Cook-Luttrell Papers, 1848/1890"],"collection_ssim":["Cook-Luttrell Papers, 1848/1890"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 65 C77","/repositories/2/resources/8416"],"unitid_tesim":["Mss. 65 C77","/repositories/2/resources/8416"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Cook family"],"creator_ssim":["Cook family"],"creator_corpname_ssim":["Special Collections Research Center"],"creator_famname_ssim":["Cook family","Bywaters family","Luttrell family"],"creators_ssim":["Special Collections Research Center","Cook family","Bywaters family","Luttrell family"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Purchase"],"access_subjects_ssim":["Agriculture--United States--History--19th century","Agriculture--Virginia--History--18th century","Courtship--Virginia","Culpeper County (Va.)--History--19th century","Legal documents","Merchants--Virginia--History--19th century","Rappahannock County (Va.)--History--19th century","Women--Education--Virginia--History","Correspondence","Financial records"],"access_subjects_ssm":["Agriculture--United States--History--19th century","Agriculture--Virginia--History--18th century","Courtship--Virginia","Culpeper County (Va.)--History--19th century","Legal documents","Merchants--Virginia--History--19th century","Rappahannock County (Va.)--History--19th century","Women--Education--Virginia--History","Correspondence","Financial records"],"has_online_content_ssim":["false"],"physdesc_tesim":["411 items"],"extent_ssm":["1.50 Linear Feet"],"extent_tesim":["1.50 Linear Feet"],"genreform_ssim":["Correspondence","Financial records"],"date_range_isim":[1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eArrangement: The papers are divided first by type of record and then by family.\u003c/p\u003e","\u003cp\u003eOrganization: The papers are organized into five Series so that Series 1 is Personal Correspondence, Series 2 is Business Papers, Series 3 is Tax Receipts, Series 4 is Legal Documents and Series 5 is Miscellaneous Papers. Within each series is a Subseries relating to either the Cook Family or Luttrell Family.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["Arrangement: The papers are divided first by type of record and then by family.","Organization: The papers are organized into five Series so that Series 1 is Personal Correspondence, Series 2 is Business Papers, Series 3 is Tax Receipts, Series 4 is Legal Documents and Series 5 is Miscellaneous Papers. Within each series is a Subseries relating to either the Cook Family or Luttrell Family."],"odd_html_tesm":["\u003cp\u003eOther Information:\u003c/p\u003e","\u003cp\u003e Additional information may be found at http://ead.lib.virginia.edu/vivaead/published/wm/viw00010.frame\u003c/p\u003e  "],"odd_heading_ssm":["General"],"odd_tesim":["Other Information:","Additional information may be found at http://ead.lib.virginia.edu/vivaead/published/wm/viw00010.frame"],"prefercite_html_tesm":["\u003cp\u003eCook-Luttrell Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["Cook-Luttrell Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eBox and folder list compiled by Shayela Hassan, SCRC staff, in October-November 2012.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Box and folder list compiled by Shayela Hassan, SCRC staff, in October-November 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also; Luttrell-Cooke Papers (Mss. 65 L97), Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["See also; Luttrell-Cooke Papers (Mss. 65 L97), Special Collections Research Center, Swem Library, College of William and Mary."],"scopecontent_html_tesm":["\u003cp\u003eCorrespondence, business, tax and legal records, primarily 1848-1890, of various members of the Cook and Luttrell Families of Culpeper and Rappahannock Counties, Virginia. \u003c/p\u003e","\u003cp\u003eThe Cook family correspondence is concentrated between 1855 and 1858 and discusses the migration of several members of the family to western Virginia and Missouri, courtship and marriage, farming, and detailed accounts of family visits. The Luttrell correspondence, 1874-1890, contains letters to Mollie Luttrell from girl friends, discussing social events and friends. \u003c/p\u003e","\u003cp\u003eThe Cook family business and tax records, (1936-1859)-1875, are primarily receipts for accounts with Culpeper County merchants, with those of Thomas Jimson Cook including advertisements and attendance records for a grammar school he taught in his home. The Luttrell business records are primarily the receipts of James W. Luttrell (1813-1884) with Culpeper and Rappahannock County merchants, and included receipts for tuition paid to educate his daughter, [Mollie?] and correspondence concerning his investments in Austin, [Texas?]. Also, assorted business and tax records of the Bywaters family, and a legal document appointing James W. Luttrell surveyor of roads for Culpeper County.\u003c/p\u003e  ","\u003cp\u003eScope and Contents Concerns lawsuit between Cook and \"Aunt\" Cecy (Cook?); mentions contention over estate of \"Grandfather\" Cook; discusses health of family and occurrence of cholera; progress of wheat, oat, and corn crops; mentions wife, Elizabeth.\u003c/p\u003e","\u003cp\u003eSends news of the family at home; asks after other family members.\u003c/p\u003e","\u003cp\u003eReflects on the meaning and necessity of marriage; sends her his love.\u003c/p\u003e","\u003cp\u003eScope and Contents Talks of family and friends; mentions upcoming trip to Kentucky; hopes he is not a \"Know-Nothing\" as she would disapprove.\u003c/p\u003e","\u003cp\u003eDiscusses family news, weather, and crop conditions; mentions possibility of going with him to a camp meeting in Kentucky; hopes he will come for a visit this summer.\u003c/p\u003e","\u003cp\u003eScope and Contents Discusses corn crop; asks him to come to Taylor County; says he can teach school if he wants; including postscript noting death of \"Col.\" Perry and \"Uncle\" William Corbin; mentions (wife?) Helen Mary.\u003c/p\u003e","\u003cp\u003eAsks her to sign a financial note and give it to James W. Luttrell for safe-keeping.\u003c/p\u003e","\u003cp\u003eDiscusses weather and corn crop progress; mentions sister Sarah (Susan), and brother, Thomas; asks for $150 to buy a farm.\u003c/p\u003e","\u003cp\u003eDiscusses agriculture and family business.\u003c/p\u003e","\u003cp\u003eDescribes teaching position.\u003c/p\u003e","\u003cp\u003eProtests William's treatment by the Motsey Division of the Sons of (Temperance?), and the slander of his name.\u003c/p\u003e","\u003cp\u003eIs glad he has arrived safely and has good prospects; tells news of the family; is anxious to hear his newly-learned Spanish.\u003c/p\u003e","\u003cp\u003eDescribes his journey home to find his youngest child dead of scarlet fever; has been sick for the past week; wants him to check a land title with the Cumberland County Clerk; includes a list of marriages in the Corbin family.\u003c/p\u003e","\u003cp\u003eAsks for repayment of a loan; describes trip to Washington, (D.C., for Presidential inauguration?)\u003c/p\u003e","\u003cp\u003eScope and Contents Discusses trip to the \"western lands\" to visit brother, Burrell H. Cook; tells of relatives met.\u003c/p\u003e","\u003cp\u003eDescribes trip from Virginia to Missouri, and friends encountered along the way; mentions intention to marry in the near future.\u003c/p\u003e","\u003cp\u003eDiscusses weather, and crops in Missouri as compared to Virginia; sends love to family members; intends to visit home when possible.\u003c/p\u003e","\u003cp\u003eDiscusses bad weather and illness in vicinity; mentions sisters, Sarah Susan, visit and brother, Burrell; also Frank Robinson and family; intends to return home when possible.\u003c/p\u003e","\u003cp\u003eDescribes trip from Platte, Missouri to Oak Shade; weather makes travel bad, but is generally pleased with country; was glad to hear family is well; tells of acquaintances and friends living in Missouri.\u003c/p\u003e","\u003cp\u003eDiscusses his (WW) budding medical practice; ask Cook to remember him to all his old friends, as he will probably never see them again; mentions his intention to find a wife.\u003c/p\u003e","\u003cp\u003eDiscusses clothing Sarah Susan has asked to have made; mentions acquaintances.\u003c/p\u003e","\u003cp\u003eScope and Contents Discusses arrangements for Sarah Susan to make a bonnet for \"M's\" trip to Washington in March.\u003c/p\u003e","\u003cp\u003eScope and Contents Describes Sarah Susan's conversion experience at a recent revival meeting; has recently been sick, as have many family members; mentions brother, Thomas, and brother-in-law, Joseph Marshall, as well as children, Fannie and \"Lilly\" (Lila).\u003c/p\u003e","\u003cp\u003eTalks of arrangements for her return to Virginia; mentions brothers, Burrell and Thomas; has been ill and there is a great deal of sickness in the air.\u003c/p\u003e","\u003cp\u003eDescribes journey west; tells of relatives she has met; mentions parties she has attended; asks her family to write back.\u003c/p\u003e","\u003cp\u003eDescribes her visit to Kentucky and the relatives she has met; sends love to her family and friends; asks for newspapers to be sent to her, especially The Baltimore Sun.\u003c/p\u003e","\u003cp\u003eIncludes a description of her new husband, and hopes her family will forgive her for marrying without asking them; describes Missouri; is very pleased with her situation.\u003c/p\u003e","\u003cp\u003eTells how happy she is in Missouri; is happy brother Thomas is teaching school, but thinks he would do better in Missouri; sends collar pattern and linen for sister [Sarah Susan?]; hopes to visit home soon.\u003c/p\u003e","\u003cp\u003eTells of potential for advancement in Missouri; talks of her husband, Joseph, and of relatives she has heard from.\u003c/p\u003e","\u003cp\u003eWith annotations by recipient. Says she is well and very happy with her husband; hopes some of her relatives will visit soon, maybe to stay in Missouri.\u003c/p\u003e","\u003cp\u003eAsks after her family; tells of her plans to visit them in the spring; is hesitant to visit friends in Kansas due to abolitionist controversy there.\u003c/p\u003e","\u003cp\u003eMentions she has not heard from her family in months; tells about her Missouri acquaintances; discusses plans to visit friends and family in Kentucky and Virginia.\u003c/p\u003e","\u003cp\u003eDescribes new home and work associated with taking in boarders; announces birth of a daughter; sends love to family.\u003c/p\u003e","\u003cp\u003eMentions husband (Joseph Marshall) and children (Fannie and Lila); details her work and her husband's investments in hogs, and his building of a distillery; tells of food she has prepared for the winter; sends her love to the rest of the family.\u003c/p\u003e","\u003cp\u003eIncomplete. Portion of a marriage proposal?\u003c/p\u003e","\u003cp\u003eNewspaper. Invitation.\u003c/p\u003e","\u003cp\u003eMentions his cousin's ill health; refers to his standing proposal of marriage; discusses one of his two daughters, Becky, and his sons.\u003c/p\u003e","\u003cp\u003eInstructions for dyeing cloth.\u003c/p\u003e","\u003cp\u003eScope and Contents Describes his progress in school; discusses \"cousin\" Sudie's (Sarah Susan (Cook) Kendrick) new baby, Mary Frances.\u003c/p\u003e","\u003cp\u003eDiscusses family news; mentions Sallie's weaving; asks Mollie to visit.\u003c/p\u003e","\u003cp\u003eDiscusses family news; mentions the marriage of Charlie Rollins; asks after Willie (Mary William Doyle?); wishes she could join her and Willie at school.\u003c/p\u003e","\u003cp\u003eDiscusses making of new clothes; wants her to visit.\u003c/p\u003e","\u003cp\u003eDiscusses family members; mentions recent trip to Warrenton, Virginia.\u003c/p\u003e","\u003cp\u003eScope and Contents 2 pages. Autograph Letter Signed. Sorry to hear \"cousin\" Jim [Luttrell] is sick; invites her to visit.\u003c/p\u003e","\u003cp\u003eTells her to be sure to visit in the afternoon.\u003c/p\u003e","\u003cp\u003eInvitation to a surprise party.\u003c/p\u003e","\u003cp\u003eDescribes her new dress; asks Mollie to visit soon; mentions Willie Silvey, Fannie (?), and family members.\u003c/p\u003e","\u003cp\u003eIs happy to have received her letter; mentions decline of the Singing School and rise of Temperance Society; asks her to visit soon.\u003c/p\u003e","\u003cp\u003eDiscusses friends; wishes she would visit; will visit her soon.\u003c/p\u003e","\u003cp\u003eDiscusses plans for her (M.L.) Christmas visit; sends love to members of Mollie's family; mentions taffy pull at Mrs. (S.) Corbin's.\u003c/p\u003e","\u003cp\u003eHas not heard from her old friend; sends much love; mentions Willie Doyle, Annie (?), Martin Pickels, Mrs. Corbin; Lulie's brother is in Baltimore, while Lulie Davis is in Maryland.\u003c/p\u003e","\u003cp\u003eScope and Contents Discusses new clothes and missing patterns; mentions \"cousin\" Tabitha's (?) expected visit; hopes Mollie will visit soon.\u003c/p\u003e","\u003cp\u003eScope and Contents 4 pages. Autograph Letter Signed. Has been killing hogs all day and is tired; congratulates her on her new \"beau\"; mentions a past protracted meeting; had fun at \"cousin\" S. Corbin's; invites her to visit.\u003c/p\u003e","\u003cp\u003eMentions rumor that Willie Silvey is Mollie's new beau, but is sure it cannot be true; attended Dr. Brown's funeral; asks her to visit soon.\u003c/p\u003e","\u003cp\u003eInvitation to a surprise party.\u003c/p\u003e","\u003cp\u003eDescribes her new dress; asks Mollie to visit soon; mentions Willie Silvey, Fannie [?] , and family members.\u003c/p\u003e","\u003cp\u003eDiscusses the heat; is sewing several new dresses; has a new beau but misses the boys in Amissville; saw Bernard [?] and Fannie Anderson at church together; there will be a reunion of Union and Confederate soldiers at Luray, Page County, Virginia.\u003c/p\u003e","\u003cp\u003eAsks her to visit or write; mentions friends, Laura and Tola, and \"sister\" Sudie (Sarah Susan Cook?); promises to try to visit as soon as the weather clears.\u003c/p\u003e","\u003cp\u003eScope and Contents Sends condolences at the death of \"cousin\" Jim [Luttrell?]; mentions intended trip to Baltimore in December.\u003c/p\u003e","\u003cp\u003eEnjoyed recent visit but is now sick; hopes her (M.L.) wedding goes well; sends best wishes for Christmas, and mentions local Baptist church's Christmas tree and tableaux; refers to Will (Mollie's brother?).\u003c/p\u003e","\u003cp\u003eDiscusses problems with renting a carriage for the drive to the (Baptist?) Association meeting; mentions seeing Willie at Oak Shade, Virginia.\u003c/p\u003e","\u003cp\u003eScope and Contents Was shocked to hear of George Sheag's death; tells that \"cousin\" Al Baker has bought a farm near Mollie's home; mentions Willie Jeffries, who will soon be married, and Clarence Pierce; his employer has offered him a house and livestock; talks of potential for profits to be made.\u003c/p\u003e","\u003cp\u003eScope and Contents Discusses family news; hopes Mollie can join her at a \"Bush\" meeting.\u003c/p\u003e","\u003cp\u003eScope and Contents Wishes she would visit for \"first\" Sunday and accompany them to Carter's Run.\u003c/p\u003e","\u003cp\u003eScope and Contents Mentions \"Uncle\" Frank (Cook?), his wife (Sallie?) and daughter (Annie?), who have been sick; has had a lot of company lately; wishes she (M.L.) could visit with news of friends.\u003c/p\u003e","\u003cp\u003eScope and Contents Expects to meet her and \"Tola\" the following evening for a trip to visit \"Uncle\" Frank (Cook?).\u003c/p\u003e","\u003cp\u003eScope and Contents Wants to know if she is going to \"cousin\" Tommy's [?], and if \"cousin\" Hannah Bettie can accompany Mary.\u003c/p\u003e","\u003cp\u003eInvitation to visit.\u003c/p\u003e","\u003cp\u003eSends her trimming and buttons as requested; wishes she would visit soon; mentions mutual friends.\u003c/p\u003e","\u003cp\u003eSends her yard goods and a pattern, mentions plans to travel to Fauquier (County?), but will miss going to Battle Run.\u003c/p\u003e","\u003cp\u003eCan't accept the invitation to visit, but expects to see them the following evening at the \"lodge.\"\u003c/p\u003e","\u003cp\u003eRefers to hat she (M.L.) would like to purchase.\u003c/p\u003e","\u003cp\u003eWishes she were present to share in social gathering; mentions names of friends and family members.\u003c/p\u003e","\u003cp\u003e\"Chestnut Hill,\" may be Amissville, Virginia. Wants her to visit soon.\u003c/p\u003e","\u003cp\u003eShe (M.L.) is to accompany her (L.R.S.) to church next Sunday night.\u003c/p\u003e","\u003cp\u003eFinancial receipts and notes; merchants include Murray Forbes, William R. Robson, and Crigler and Eggborn.\u003c/p\u003e","\u003cp\u003eFinancial receipts for food and dry goods, and account for \"boarding the delegates horses,\" August 31, 1853.\u003c/p\u003e","\u003cp\u003eAccount with John Cooke for goods and services, settled by Thomas J. Cook.\u003c/p\u003e","\u003cp\u003eFinancial receipts for food and dry goods purchased.\u003c/p\u003e","\u003cp\u003eFinancial receipts for food, lumber, dry goods; also, advertisements and attendance records for school taught by Thomas Cook; includes notice for lost cow.\u003c/p\u003e","\u003cp\u003eIncludes promissory note cosigned by Thomas J. Cook.\u003c/p\u003e","\u003cp\u003eFinancial receipts for food, dry goods and services purchased.\u003c/p\u003e","\u003cp\u003eFinancial receipts for food, dry goods and services purchased, including tuition paid for schooling of daughter (Mollie?).\u003c/p\u003e","\u003cp\u003eFinancial receipts for food, dry goods and services purchased, including letter referring to Luttrell's interests in Texas[?].\u003c/p\u003e","\u003cp\u003eFinancial receipts for food, dry goods and services purchased.\u003c/p\u003e","\u003cp\u003eCounty and state tax receipts, including \"Receipt for United States Direct Taxes,\" 1864, collected by authority of an Act of Congress passed June 7, 1862, \"An Act for the Collection of direct taxes in insurrectionary districts within the United States, and for other purposes.\"\u003c/p\u003e","\u003cp\u003eStatement of accounts for the estate of William Cooke [sic], deceased; signed by legatees of Elias Cooke, Cecy Cook, William Bywaters, John C. Bywaters, Mitchan Corbin, and Richard H. Bywaters.\u003c/p\u003e","\u003cp\u003eDeed of gift between Alfred Cook and his son, Thomas J. Cook, both of Culpeper County, Virginia. Gives Thomas the responsibility for Alfred's farm, stock, and slaves, as well as the schooling of his brother, Burrell H. Cook, and sister, Lucy E. Cook; witnessed by Pierce Perry.\u003c/p\u003e","\u003cp\u003eScope and Contents A copy of \"An Agreement...between Fanny Dade a free woman of colour of the County of Culpeper and the State of Virginia...and Joseph H. Marshal of the County of Saline and the state of Missouri\" for the indenture of her two sons, George Henry and John Richard; witnessed by Thomas J. Cooke [sic].\u003c/p\u003e","\u003cp\u003eStatement giving James W. Luttrell permission to claim land in the name of Alfred Cook, deceased, that it might be sold for the benefit of his heirs; contains signatures of heirs.\u003c/p\u003e","\u003cp\u003eDeed entered by Virginia T. Corbin and Sylvester M. Corbin, Culpeper County, Virginia, Reverse endorsed to J.W. Luttrell.\u003c/p\u003e","\u003cp\u003eCertificate appointing James W. Luttrell as surveyor of roads for Culpeper County, Virginia.\u003c/p\u003e","\u003cp\u003eFinancial receipts from Mutual Fire Insurance County, Loudoun County, Virginia.\u003c/p\u003e","\u003cp\u003eTells family news and of frequency of illness; asks after friends and family; apologizes for taking so long to write back.\u003c/p\u003e","\u003cp\u003eAnnounces the death of his mother; mentions having heard from Missouri relatives.\u003c/p\u003e","\u003cp\u003eScope and Contents Note to accompany Christmas gift; mentions also \"Miss\" Washington.\u003c/p\u003e","\u003cp\u003eReceipts for food and dry goods purchased.\u003c/p\u003e","\u003cp\u003e12 items. Persons of note include Jakson Kines, James Mazingo, J.W. Corbin, Payne V. Baker, W.H. Perry, John Jett, George L. Pazne, and Turner L. Jones.\u003c/p\u003e","\u003cp\u003eMany have notation \"sold to Jas. W. Luttrell for taxes.\"\u003c/p\u003e","\u003cp\u003eBy Josie A. Goodwin. Fragment.\u003c/p\u003e","\u003cp\u003ePoem signed by \"Ernest\" (?).\u003c/p\u003e","\u003cp\u003eUnsigned poem.\u003c/p\u003e","\u003cp\u003ePoem signed by Mollie Luttrell(?).\u003c/p\u003e","\u003cp\u003e1 item.\u003c/p\u003e","\u003cp\u003e1 item.\u003c/p\u003e","\u003cp\u003e\"Receipt\" [sic] recipe.\u003c/p\u003e","\u003cp\u003e1 page. Manuscript.\u003c/p\u003e","\u003cp\u003e2 pages. Manuscript.\u003c/p\u003e","\u003cp\u003eEnvelopes addressed to Susan M. cook, James W. Luttrell, and Mollie Luttrell.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Correspondence, business, tax and legal records, primarily 1848-1890, of various members of the Cook and Luttrell Families of Culpeper and Rappahannock Counties, Virginia.","The Cook family correspondence is concentrated between 1855 and 1858 and discusses the migration of several members of the family to western Virginia and Missouri, courtship and marriage, farming, and detailed accounts of family visits. The Luttrell correspondence, 1874-1890, contains letters to Mollie Luttrell from girl friends, discussing social events and friends.","The Cook family business and tax records, (1936-1859)-1875, are primarily receipts for accounts with Culpeper County merchants, with those of Thomas Jimson Cook including advertisements and attendance records for a grammar school he taught in his home. The Luttrell business records are primarily the receipts of James W. Luttrell (1813-1884) with Culpeper and Rappahannock County merchants, and included receipts for tuition paid to educate his daughter, [Mollie?] and correspondence concerning his investments in Austin, [Texas?]. Also, assorted business and tax records of the Bywaters family, and a legal document appointing James W. Luttrell surveyor of roads for Culpeper County.","Scope and Contents Concerns lawsuit between Cook and \"Aunt\" Cecy (Cook?); mentions contention over estate of \"Grandfather\" Cook; discusses health of family and occurrence of cholera; progress of wheat, oat, and corn crops; mentions wife, Elizabeth.","Sends news of the family at home; asks after other family members.","Reflects on the meaning and necessity of marriage; sends her his love.","Scope and Contents Talks of family and friends; mentions upcoming trip to Kentucky; hopes he is not a \"Know-Nothing\" as she would disapprove.","Discusses family news, weather, and crop conditions; mentions possibility of going with him to a camp meeting in Kentucky; hopes he will come for a visit this summer.","Scope and Contents Discusses corn crop; asks him to come to Taylor County; says he can teach school if he wants; including postscript noting death of \"Col.\" Perry and \"Uncle\" William Corbin; mentions (wife?) Helen Mary.","Asks her to sign a financial note and give it to James W. Luttrell for safe-keeping.","Discusses weather and corn crop progress; mentions sister Sarah (Susan), and brother, Thomas; asks for $150 to buy a farm.","Discusses agriculture and family business.","Describes teaching position.","Protests William's treatment by the Motsey Division of the Sons of (Temperance?), and the slander of his name.","Is glad he has arrived safely and has good prospects; tells news of the family; is anxious to hear his newly-learned Spanish.","Describes his journey home to find his youngest child dead of scarlet fever; has been sick for the past week; wants him to check a land title with the Cumberland County Clerk; includes a list of marriages in the Corbin family.","Asks for repayment of a loan; describes trip to Washington, (D.C., for Presidential inauguration?)","Scope and Contents Discusses trip to the \"western lands\" to visit brother, Burrell H. Cook; tells of relatives met.","Describes trip from Virginia to Missouri, and friends encountered along the way; mentions intention to marry in the near future.","Discusses weather, and crops in Missouri as compared to Virginia; sends love to family members; intends to visit home when possible.","Discusses bad weather and illness in vicinity; mentions sisters, Sarah Susan, visit and brother, Burrell; also Frank Robinson and family; intends to return home when possible.","Describes trip from Platte, Missouri to Oak Shade; weather makes travel bad, but is generally pleased with country; was glad to hear family is well; tells of acquaintances and friends living in Missouri.","Discusses his (WW) budding medical practice; ask Cook to remember him to all his old friends, as he will probably never see them again; mentions his intention to find a wife.","Discusses clothing Sarah Susan has asked to have made; mentions acquaintances.","Scope and Contents Discusses arrangements for Sarah Susan to make a bonnet for \"M's\" trip to Washington in March.","Scope and Contents Describes Sarah Susan's conversion experience at a recent revival meeting; has recently been sick, as have many family members; mentions brother, Thomas, and brother-in-law, Joseph Marshall, as well as children, Fannie and \"Lilly\" (Lila).","Talks of arrangements for her return to Virginia; mentions brothers, Burrell and Thomas; has been ill and there is a great deal of sickness in the air.","Describes journey west; tells of relatives she has met; mentions parties she has attended; asks her family to write back.","Describes her visit to Kentucky and the relatives she has met; sends love to her family and friends; asks for newspapers to be sent to her, especially The Baltimore Sun.","Includes a description of her new husband, and hopes her family will forgive her for marrying without asking them; describes Missouri; is very pleased with her situation.","Tells how happy she is in Missouri; is happy brother Thomas is teaching school, but thinks he would do better in Missouri; sends collar pattern and linen for sister [Sarah Susan?]; hopes to visit home soon.","Tells of potential for advancement in Missouri; talks of her husband, Joseph, and of relatives she has heard from.","With annotations by recipient. Says she is well and very happy with her husband; hopes some of her relatives will visit soon, maybe to stay in Missouri.","Asks after her family; tells of her plans to visit them in the spring; is hesitant to visit friends in Kansas due to abolitionist controversy there.","Mentions she has not heard from her family in months; tells about her Missouri acquaintances; discusses plans to visit friends and family in Kentucky and Virginia.","Describes new home and work associated with taking in boarders; announces birth of a daughter; sends love to family.","Mentions husband (Joseph Marshall) and children (Fannie and Lila); details her work and her husband's investments in hogs, and his building of a distillery; tells of food she has prepared for the winter; sends her love to the rest of the family.","Incomplete. Portion of a marriage proposal?","Newspaper. Invitation.","Mentions his cousin's ill health; refers to his standing proposal of marriage; discusses one of his two daughters, Becky, and his sons.","Instructions for dyeing cloth.","Scope and Contents Describes his progress in school; discusses \"cousin\" Sudie's (Sarah Susan (Cook) Kendrick) new baby, Mary Frances.","Discusses family news; mentions Sallie's weaving; asks Mollie to visit.","Discusses family news; mentions the marriage of Charlie Rollins; asks after Willie (Mary William Doyle?); wishes she could join her and Willie at school.","Discusses making of new clothes; wants her to visit.","Discusses family members; mentions recent trip to Warrenton, Virginia.","Scope and Contents 2 pages. Autograph Letter Signed. Sorry to hear \"cousin\" Jim [Luttrell] is sick; invites her to visit.","Tells her to be sure to visit in the afternoon.","Invitation to a surprise party.","Describes her new dress; asks Mollie to visit soon; mentions Willie Silvey, Fannie (?), and family members.","Is happy to have received her letter; mentions decline of the Singing School and rise of Temperance Society; asks her to visit soon.","Discusses friends; wishes she would visit; will visit her soon.","Discusses plans for her (M.L.) Christmas visit; sends love to members of Mollie's family; mentions taffy pull at Mrs. (S.) Corbin's.","Has not heard from her old friend; sends much love; mentions Willie Doyle, Annie (?), Martin Pickels, Mrs. Corbin; Lulie's brother is in Baltimore, while Lulie Davis is in Maryland.","Scope and Contents Discusses new clothes and missing patterns; mentions \"cousin\" Tabitha's (?) expected visit; hopes Mollie will visit soon.","Scope and Contents 4 pages. Autograph Letter Signed. Has been killing hogs all day and is tired; congratulates her on her new \"beau\"; mentions a past protracted meeting; had fun at \"cousin\" S. Corbin's; invites her to visit.","Mentions rumor that Willie Silvey is Mollie's new beau, but is sure it cannot be true; attended Dr. Brown's funeral; asks her to visit soon.","Invitation to a surprise party.","Describes her new dress; asks Mollie to visit soon; mentions Willie Silvey, Fannie [?] , and family members.","Discusses the heat; is sewing several new dresses; has a new beau but misses the boys in Amissville; saw Bernard [?] and Fannie Anderson at church together; there will be a reunion of Union and Confederate soldiers at Luray, Page County, Virginia.","Asks her to visit or write; mentions friends, Laura and Tola, and \"sister\" Sudie (Sarah Susan Cook?); promises to try to visit as soon as the weather clears.","Scope and Contents Sends condolences at the death of \"cousin\" Jim [Luttrell?]; mentions intended trip to Baltimore in December.","Enjoyed recent visit but is now sick; hopes her (M.L.) wedding goes well; sends best wishes for Christmas, and mentions local Baptist church's Christmas tree and tableaux; refers to Will (Mollie's brother?).","Discusses problems with renting a carriage for the drive to the (Baptist?) Association meeting; mentions seeing Willie at Oak Shade, Virginia.","Scope and Contents Was shocked to hear of George Sheag's death; tells that \"cousin\" Al Baker has bought a farm near Mollie's home; mentions Willie Jeffries, who will soon be married, and Clarence Pierce; his employer has offered him a house and livestock; talks of potential for profits to be made.","Scope and Contents Discusses family news; hopes Mollie can join her at a \"Bush\" meeting.","Scope and Contents Wishes she would visit for \"first\" Sunday and accompany them to Carter's Run.","Scope and Contents Mentions \"Uncle\" Frank (Cook?), his wife (Sallie?) and daughter (Annie?), who have been sick; has had a lot of company lately; wishes she (M.L.) could visit with news of friends.","Scope and Contents Expects to meet her and \"Tola\" the following evening for a trip to visit \"Uncle\" Frank (Cook?).","Scope and Contents Wants to know if she is going to \"cousin\" Tommy's [?], and if \"cousin\" Hannah Bettie can accompany Mary.","Invitation to visit.","Sends her trimming and buttons as requested; wishes she would visit soon; mentions mutual friends.","Sends her yard goods and a pattern, mentions plans to travel to Fauquier (County?), but will miss going to Battle Run.","Can't accept the invitation to visit, but expects to see them the following evening at the \"lodge.\"","Refers to hat she (M.L.) would like to purchase.","Wishes she were present to share in social gathering; mentions names of friends and family members.","\"Chestnut Hill,\" may be Amissville, Virginia. Wants her to visit soon.","She (M.L.) is to accompany her (L.R.S.) to church next Sunday night.","Financial receipts and notes; merchants include Murray Forbes, William R. Robson, and Crigler and Eggborn.","Financial receipts for food and dry goods, and account for \"boarding the delegates horses,\" August 31, 1853.","Account with John Cooke for goods and services, settled by Thomas J. Cook.","Financial receipts for food and dry goods purchased.","Financial receipts for food, lumber, dry goods; also, advertisements and attendance records for school taught by Thomas Cook; includes notice for lost cow.","Includes promissory note cosigned by Thomas J. Cook.","Financial receipts for food, dry goods and services purchased.","Financial receipts for food, dry goods and services purchased, including tuition paid for schooling of daughter (Mollie?).","Financial receipts for food, dry goods and services purchased, including letter referring to Luttrell's interests in Texas[?].","Financial receipts for food, dry goods and services purchased.","County and state tax receipts, including \"Receipt for United States Direct Taxes,\" 1864, collected by authority of an Act of Congress passed June 7, 1862, \"An Act for the Collection of direct taxes in insurrectionary districts within the United States, and for other purposes.\"","Statement of accounts for the estate of William Cooke [sic], deceased; signed by legatees of Elias Cooke, Cecy Cook, William Bywaters, John C. Bywaters, Mitchan Corbin, and Richard H. Bywaters.","Deed of gift between Alfred Cook and his son, Thomas J. Cook, both of Culpeper County, Virginia. Gives Thomas the responsibility for Alfred's farm, stock, and slaves, as well as the schooling of his brother, Burrell H. Cook, and sister, Lucy E. Cook; witnessed by Pierce Perry.","Scope and Contents A copy of \"An Agreement...between Fanny Dade a free woman of colour of the County of Culpeper and the State of Virginia...and Joseph H. Marshal of the County of Saline and the state of Missouri\" for the indenture of her two sons, George Henry and John Richard; witnessed by Thomas J. Cooke [sic].","Statement giving James W. Luttrell permission to claim land in the name of Alfred Cook, deceased, that it might be sold for the benefit of his heirs; contains signatures of heirs.","Deed entered by Virginia T. Corbin and Sylvester M. Corbin, Culpeper County, Virginia, Reverse endorsed to J.W. Luttrell.","Certificate appointing James W. Luttrell as surveyor of roads for Culpeper County, Virginia.","Financial receipts from Mutual Fire Insurance County, Loudoun County, Virginia.","Tells family news and of frequency of illness; asks after friends and family; apologizes for taking so long to write back.","Announces the death of his mother; mentions having heard from Missouri relatives.","Scope and Contents Note to accompany Christmas gift; mentions also \"Miss\" Washington.","Receipts for food and dry goods purchased.","12 items. Persons of note include Jakson Kines, James Mazingo, J.W. Corbin, Payne V. Baker, W.H. Perry, John Jett, George L. Pazne, and Turner L. Jones.","Many have notation \"sold to Jas. W. Luttrell for taxes.\"","By Josie A. Goodwin. Fragment.","Poem signed by \"Ernest\" (?).","Unsigned poem.","Poem signed by Mollie Luttrell(?).","1 item.","1 item.","\"Receipt\" [sic] recipe.","1 page. Manuscript.","2 pages. Manuscript.","Envelopes addressed to Susan M. cook, James W. Luttrell, and Mollie Luttrell."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"famname_ssim":["Cook family","Bywaters family","Luttrell family"],"names_coll_ssim":["Bywaters family","Luttrell family"],"names_ssim":["Special Collections Research Center","Cook family","Bywaters family","Luttrell family"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":153,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:46:21.034Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8416_c02_c01"}},{"id":"viw_repositories_2_resources_8416_c01_c01","type":"Sub-Series","attributes":{"title":"Cook Family, 1846/1859","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8416_c01_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8416_c01_c01","ref_ssm":["viw_repositories_2_resources_8416_c01_c01"],"id":"viw_repositories_2_resources_8416_c01_c01","ead_ssi":"viw_repositories_2_resources_8416","_root_":"viw_repositories_2_resources_8416","_nest_parent_":"viw_repositories_2_resources_8416_c01","parent_ssi":"viw_repositories_2_resources_8416_c01","parent_ssim":["Cook-Luttrell Papers, 1848/1890","Series 1: Personal Correspondence, 1846/1890"],"parent_ids_ssim":["viw_repositories_2_resources_8416","viw_repositories_2_resources_8416_c01"],"title_filing_ssi":"Cook Family","title_ssm":["Cook Family"],"title_tesim":["Cook Family"],"normalized_title_ssm":["Cook Family, 1846/1859"],"text":["Cook Family, 1846/1859","Cook-Luttrell Papers, 1848/1890","Series 1: Personal Correspondence, 1846/1890"],"parent_unittitles_ssm":["Cook-Luttrell Papers, 1848/1890","Series 1: Personal Correspondence, 1846/1890"],"parent_unittitles_tesim":["Cook-Luttrell Papers, 1848/1890","Series 1: Personal Correspondence, 1846/1890"],"normalized_date_ssm":["1846/1859"],"unitdate_inclusive_ssm":["1846-1859"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":2,"repository_ssim":["College of William and Mary"],"collection_ssim":["Cook-Luttrell Papers, 1848/1890"],"has_online_content_ssim":["false"],"child_component_count_isi":7,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859],"_nest_path_":"/components#0/components#0","timestamp":"2026-06-23T07:46:21.034Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8416","ead_ssi":"viw_repositories_2_resources_8416","_root_":"viw_repositories_2_resources_8416","_nest_parent_":"viw_repositories_2_resources_8416","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8416.xml","title_filing_ssi":"Cook-Luttrell Papers","title_ssm":["Cook-Luttrell Papers"],"title_tesim":["Cook-Luttrell Papers"],"unitdate_ssm":["1848-1890"],"unitdate_inclusive_ssm":["1848-1890"],"normalized_date_ssm":["1848/1890"],"normalized_title_ssm":["Cook-Luttrell Papers, 1848/1890"],"text":["Cook-Luttrell Papers, 1848/1890","Mss. 65 C77","/repositories/2/resources/8416","Agriculture--United States--History--19th century","Agriculture--Virginia--History--18th century","Courtship--Virginia","Culpeper County (Va.)--History--19th century","Legal documents","Merchants--Virginia--History--19th century","Rappahannock County (Va.)--History--19th century","Women--Education--Virginia--History","Correspondence","Financial records","411 items","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Arrangement: The papers are divided first by type of record and then by family.","Organization: The papers are organized into five Series so that Series 1 is Personal Correspondence, Series 2 is Business Papers, Series 3 is Tax Receipts, Series 4 is Legal Documents and Series 5 is Miscellaneous Papers. Within each series is a Subseries relating to either the Cook Family or Luttrell Family.","Other Information:","Additional information may be found at http://ead.lib.virginia.edu/vivaead/published/wm/viw00010.frame","Box and folder list compiled by Shayela Hassan, SCRC staff, in October-November 2012.","See also; Luttrell-Cooke Papers (Mss. 65 L97), Special Collections Research Center, Swem Library, College of William and Mary.","Correspondence, business, tax and legal records, primarily 1848-1890, of various members of the Cook and Luttrell Families of Culpeper and Rappahannock Counties, Virginia.","The Cook family correspondence is concentrated between 1855 and 1858 and discusses the migration of several members of the family to western Virginia and Missouri, courtship and marriage, farming, and detailed accounts of family visits. The Luttrell correspondence, 1874-1890, contains letters to Mollie Luttrell from girl friends, discussing social events and friends.","The Cook family business and tax records, (1936-1859)-1875, are primarily receipts for accounts with Culpeper County merchants, with those of Thomas Jimson Cook including advertisements and attendance records for a grammar school he taught in his home. The Luttrell business records are primarily the receipts of James W. Luttrell (1813-1884) with Culpeper and Rappahannock County merchants, and included receipts for tuition paid to educate his daughter, [Mollie?] and correspondence concerning his investments in Austin, [Texas?]. Also, assorted business and tax records of the Bywaters family, and a legal document appointing James W. Luttrell surveyor of roads for Culpeper County.","Scope and Contents Concerns lawsuit between Cook and \"Aunt\" Cecy (Cook?); mentions contention over estate of \"Grandfather\" Cook; discusses health of family and occurrence of cholera; progress of wheat, oat, and corn crops; mentions wife, Elizabeth.","Sends news of the family at home; asks after other family members.","Reflects on the meaning and necessity of marriage; sends her his love.","Scope and Contents Talks of family and friends; mentions upcoming trip to Kentucky; hopes he is not a \"Know-Nothing\" as she would disapprove.","Discusses family news, weather, and crop conditions; mentions possibility of going with him to a camp meeting in Kentucky; hopes he will come for a visit this summer.","Scope and Contents Discusses corn crop; asks him to come to Taylor County; says he can teach school if he wants; including postscript noting death of \"Col.\" Perry and \"Uncle\" William Corbin; mentions (wife?) Helen Mary.","Asks her to sign a financial note and give it to James W. Luttrell for safe-keeping.","Discusses weather and corn crop progress; mentions sister Sarah (Susan), and brother, Thomas; asks for $150 to buy a farm.","Discusses agriculture and family business.","Describes teaching position.","Protests William's treatment by the Motsey Division of the Sons of (Temperance?), and the slander of his name.","Is glad he has arrived safely and has good prospects; tells news of the family; is anxious to hear his newly-learned Spanish.","Describes his journey home to find his youngest child dead of scarlet fever; has been sick for the past week; wants him to check a land title with the Cumberland County Clerk; includes a list of marriages in the Corbin family.","Asks for repayment of a loan; describes trip to Washington, (D.C., for Presidential inauguration?)","Scope and Contents Discusses trip to the \"western lands\" to visit brother, Burrell H. Cook; tells of relatives met.","Describes trip from Virginia to Missouri, and friends encountered along the way; mentions intention to marry in the near future.","Discusses weather, and crops in Missouri as compared to Virginia; sends love to family members; intends to visit home when possible.","Discusses bad weather and illness in vicinity; mentions sisters, Sarah Susan, visit and brother, Burrell; also Frank Robinson and family; intends to return home when possible.","Describes trip from Platte, Missouri to Oak Shade; weather makes travel bad, but is generally pleased with country; was glad to hear family is well; tells of acquaintances and friends living in Missouri.","Discusses his (WW) budding medical practice; ask Cook to remember him to all his old friends, as he will probably never see them again; mentions his intention to find a wife.","Discusses clothing Sarah Susan has asked to have made; mentions acquaintances.","Scope and Contents Discusses arrangements for Sarah Susan to make a bonnet for \"M's\" trip to Washington in March.","Scope and Contents Describes Sarah Susan's conversion experience at a recent revival meeting; has recently been sick, as have many family members; mentions brother, Thomas, and brother-in-law, Joseph Marshall, as well as children, Fannie and \"Lilly\" (Lila).","Talks of arrangements for her return to Virginia; mentions brothers, Burrell and Thomas; has been ill and there is a great deal of sickness in the air.","Describes journey west; tells of relatives she has met; mentions parties she has attended; asks her family to write back.","Describes her visit to Kentucky and the relatives she has met; sends love to her family and friends; asks for newspapers to be sent to her, especially The Baltimore Sun.","Includes a description of her new husband, and hopes her family will forgive her for marrying without asking them; describes Missouri; is very pleased with her situation.","Tells how happy she is in Missouri; is happy brother Thomas is teaching school, but thinks he would do better in Missouri; sends collar pattern and linen for sister [Sarah Susan?]; hopes to visit home soon.","Tells of potential for advancement in Missouri; talks of her husband, Joseph, and of relatives she has heard from.","With annotations by recipient. Says she is well and very happy with her husband; hopes some of her relatives will visit soon, maybe to stay in Missouri.","Asks after her family; tells of her plans to visit them in the spring; is hesitant to visit friends in Kansas due to abolitionist controversy there.","Mentions she has not heard from her family in months; tells about her Missouri acquaintances; discusses plans to visit friends and family in Kentucky and Virginia.","Describes new home and work associated with taking in boarders; announces birth of a daughter; sends love to family.","Mentions husband (Joseph Marshall) and children (Fannie and Lila); details her work and her husband's investments in hogs, and his building of a distillery; tells of food she has prepared for the winter; sends her love to the rest of the family.","Incomplete. Portion of a marriage proposal?","Newspaper. Invitation.","Mentions his cousin's ill health; refers to his standing proposal of marriage; discusses one of his two daughters, Becky, and his sons.","Instructions for dyeing cloth.","Scope and Contents Describes his progress in school; discusses \"cousin\" Sudie's (Sarah Susan (Cook) Kendrick) new baby, Mary Frances.","Discusses family news; mentions Sallie's weaving; asks Mollie to visit.","Discusses family news; mentions the marriage of Charlie Rollins; asks after Willie (Mary William Doyle?); wishes she could join her and Willie at school.","Discusses making of new clothes; wants her to visit.","Discusses family members; mentions recent trip to Warrenton, Virginia.","Scope and Contents 2 pages. Autograph Letter Signed. Sorry to hear \"cousin\" Jim [Luttrell] is sick; invites her to visit.","Tells her to be sure to visit in the afternoon.","Invitation to a surprise party.","Describes her new dress; asks Mollie to visit soon; mentions Willie Silvey, Fannie (?), and family members.","Is happy to have received her letter; mentions decline of the Singing School and rise of Temperance Society; asks her to visit soon.","Discusses friends; wishes she would visit; will visit her soon.","Discusses plans for her (M.L.) Christmas visit; sends love to members of Mollie's family; mentions taffy pull at Mrs. (S.) Corbin's.","Has not heard from her old friend; sends much love; mentions Willie Doyle, Annie (?), Martin Pickels, Mrs. Corbin; Lulie's brother is in Baltimore, while Lulie Davis is in Maryland.","Scope and Contents Discusses new clothes and missing patterns; mentions \"cousin\" Tabitha's (?) expected visit; hopes Mollie will visit soon.","Scope and Contents 4 pages. Autograph Letter Signed. Has been killing hogs all day and is tired; congratulates her on her new \"beau\"; mentions a past protracted meeting; had fun at \"cousin\" S. Corbin's; invites her to visit.","Mentions rumor that Willie Silvey is Mollie's new beau, but is sure it cannot be true; attended Dr. Brown's funeral; asks her to visit soon.","Invitation to a surprise party.","Describes her new dress; asks Mollie to visit soon; mentions Willie Silvey, Fannie [?] , and family members.","Discusses the heat; is sewing several new dresses; has a new beau but misses the boys in Amissville; saw Bernard [?] and Fannie Anderson at church together; there will be a reunion of Union and Confederate soldiers at Luray, Page County, Virginia.","Asks her to visit or write; mentions friends, Laura and Tola, and \"sister\" Sudie (Sarah Susan Cook?); promises to try to visit as soon as the weather clears.","Scope and Contents Sends condolences at the death of \"cousin\" Jim [Luttrell?]; mentions intended trip to Baltimore in December.","Enjoyed recent visit but is now sick; hopes her (M.L.) wedding goes well; sends best wishes for Christmas, and mentions local Baptist church's Christmas tree and tableaux; refers to Will (Mollie's brother?).","Discusses problems with renting a carriage for the drive to the (Baptist?) Association meeting; mentions seeing Willie at Oak Shade, Virginia.","Scope and Contents Was shocked to hear of George Sheag's death; tells that \"cousin\" Al Baker has bought a farm near Mollie's home; mentions Willie Jeffries, who will soon be married, and Clarence Pierce; his employer has offered him a house and livestock; talks of potential for profits to be made.","Scope and Contents Discusses family news; hopes Mollie can join her at a \"Bush\" meeting.","Scope and Contents Wishes she would visit for \"first\" Sunday and accompany them to Carter's Run.","Scope and Contents Mentions \"Uncle\" Frank (Cook?), his wife (Sallie?) and daughter (Annie?), who have been sick; has had a lot of company lately; wishes she (M.L.) could visit with news of friends.","Scope and Contents Expects to meet her and \"Tola\" the following evening for a trip to visit \"Uncle\" Frank (Cook?).","Scope and Contents Wants to know if she is going to \"cousin\" Tommy's [?], and if \"cousin\" Hannah Bettie can accompany Mary.","Invitation to visit.","Sends her trimming and buttons as requested; wishes she would visit soon; mentions mutual friends.","Sends her yard goods and a pattern, mentions plans to travel to Fauquier (County?), but will miss going to Battle Run.","Can't accept the invitation to visit, but expects to see them the following evening at the \"lodge.\"","Refers to hat she (M.L.) would like to purchase.","Wishes she were present to share in social gathering; mentions names of friends and family members.","\"Chestnut Hill,\" may be Amissville, Virginia. Wants her to visit soon.","She (M.L.) is to accompany her (L.R.S.) to church next Sunday night.","Financial receipts and notes; merchants include Murray Forbes, William R. Robson, and Crigler and Eggborn.","Financial receipts for food and dry goods, and account for \"boarding the delegates horses,\" August 31, 1853.","Account with John Cooke for goods and services, settled by Thomas J. Cook.","Financial receipts for food and dry goods purchased.","Financial receipts for food, lumber, dry goods; also, advertisements and attendance records for school taught by Thomas Cook; includes notice for lost cow.","Includes promissory note cosigned by Thomas J. Cook.","Financial receipts for food, dry goods and services purchased.","Financial receipts for food, dry goods and services purchased, including tuition paid for schooling of daughter (Mollie?).","Financial receipts for food, dry goods and services purchased, including letter referring to Luttrell's interests in Texas[?].","Financial receipts for food, dry goods and services purchased.","County and state tax receipts, including \"Receipt for United States Direct Taxes,\" 1864, collected by authority of an Act of Congress passed June 7, 1862, \"An Act for the Collection of direct taxes in insurrectionary districts within the United States, and for other purposes.\"","Statement of accounts for the estate of William Cooke [sic], deceased; signed by legatees of Elias Cooke, Cecy Cook, William Bywaters, John C. Bywaters, Mitchan Corbin, and Richard H. Bywaters.","Deed of gift between Alfred Cook and his son, Thomas J. Cook, both of Culpeper County, Virginia. Gives Thomas the responsibility for Alfred's farm, stock, and slaves, as well as the schooling of his brother, Burrell H. Cook, and sister, Lucy E. Cook; witnessed by Pierce Perry.","Scope and Contents A copy of \"An Agreement...between Fanny Dade a free woman of colour of the County of Culpeper and the State of Virginia...and Joseph H. Marshal of the County of Saline and the state of Missouri\" for the indenture of her two sons, George Henry and John Richard; witnessed by Thomas J. Cooke [sic].","Statement giving James W. Luttrell permission to claim land in the name of Alfred Cook, deceased, that it might be sold for the benefit of his heirs; contains signatures of heirs.","Deed entered by Virginia T. Corbin and Sylvester M. Corbin, Culpeper County, Virginia, Reverse endorsed to J.W. Luttrell.","Certificate appointing James W. Luttrell as surveyor of roads for Culpeper County, Virginia.","Financial receipts from Mutual Fire Insurance County, Loudoun County, Virginia.","Tells family news and of frequency of illness; asks after friends and family; apologizes for taking so long to write back.","Announces the death of his mother; mentions having heard from Missouri relatives.","Scope and Contents Note to accompany Christmas gift; mentions also \"Miss\" Washington.","Receipts for food and dry goods purchased.","12 items. Persons of note include Jakson Kines, James Mazingo, J.W. Corbin, Payne V. Baker, W.H. Perry, John Jett, George L. Pazne, and Turner L. Jones.","Many have notation \"sold to Jas. W. Luttrell for taxes.\"","By Josie A. Goodwin. Fragment.","Poem signed by \"Ernest\" (?).","Unsigned poem.","Poem signed by Mollie Luttrell(?).","1 item.","1 item.","\"Receipt\" [sic] recipe.","1 page. Manuscript.","2 pages. Manuscript.","Envelopes addressed to Susan M. cook, James W. Luttrell, and Mollie Luttrell.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Cook family","Bywaters family","Luttrell family","English"],"collection_title_tesim":["Cook-Luttrell Papers, 1848/1890"],"collection_ssim":["Cook-Luttrell Papers, 1848/1890"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 65 C77","/repositories/2/resources/8416"],"unitid_tesim":["Mss. 65 C77","/repositories/2/resources/8416"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Cook family"],"creator_ssim":["Cook family"],"creator_corpname_ssim":["Special Collections Research Center"],"creator_famname_ssim":["Cook family","Bywaters family","Luttrell family"],"creators_ssim":["Special Collections Research Center","Cook family","Bywaters family","Luttrell family"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Purchase"],"access_subjects_ssim":["Agriculture--United States--History--19th century","Agriculture--Virginia--History--18th century","Courtship--Virginia","Culpeper County (Va.)--History--19th century","Legal documents","Merchants--Virginia--History--19th century","Rappahannock County (Va.)--History--19th century","Women--Education--Virginia--History","Correspondence","Financial records"],"access_subjects_ssm":["Agriculture--United States--History--19th century","Agriculture--Virginia--History--18th century","Courtship--Virginia","Culpeper County (Va.)--History--19th century","Legal documents","Merchants--Virginia--History--19th century","Rappahannock County (Va.)--History--19th century","Women--Education--Virginia--History","Correspondence","Financial records"],"has_online_content_ssim":["false"],"physdesc_tesim":["411 items"],"extent_ssm":["1.50 Linear Feet"],"extent_tesim":["1.50 Linear Feet"],"genreform_ssim":["Correspondence","Financial records"],"date_range_isim":[1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eArrangement: The papers are divided first by type of record and then by family.\u003c/p\u003e","\u003cp\u003eOrganization: The papers are organized into five Series so that Series 1 is Personal Correspondence, Series 2 is Business Papers, Series 3 is Tax Receipts, Series 4 is Legal Documents and Series 5 is Miscellaneous Papers. Within each series is a Subseries relating to either the Cook Family or Luttrell Family.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["Arrangement: The papers are divided first by type of record and then by family.","Organization: The papers are organized into five Series so that Series 1 is Personal Correspondence, Series 2 is Business Papers, Series 3 is Tax Receipts, Series 4 is Legal Documents and Series 5 is Miscellaneous Papers. Within each series is a Subseries relating to either the Cook Family or Luttrell Family."],"odd_html_tesm":["\u003cp\u003eOther Information:\u003c/p\u003e","\u003cp\u003e Additional information may be found at http://ead.lib.virginia.edu/vivaead/published/wm/viw00010.frame\u003c/p\u003e  "],"odd_heading_ssm":["General"],"odd_tesim":["Other Information:","Additional information may be found at http://ead.lib.virginia.edu/vivaead/published/wm/viw00010.frame"],"prefercite_html_tesm":["\u003cp\u003eCook-Luttrell Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["Cook-Luttrell Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eBox and folder list compiled by Shayela Hassan, SCRC staff, in October-November 2012.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Box and folder list compiled by Shayela Hassan, SCRC staff, in October-November 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also; Luttrell-Cooke Papers (Mss. 65 L97), Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["See also; Luttrell-Cooke Papers (Mss. 65 L97), Special Collections Research Center, Swem Library, College of William and Mary."],"scopecontent_html_tesm":["\u003cp\u003eCorrespondence, business, tax and legal records, primarily 1848-1890, of various members of the Cook and Luttrell Families of Culpeper and Rappahannock Counties, Virginia. \u003c/p\u003e","\u003cp\u003eThe Cook family correspondence is concentrated between 1855 and 1858 and discusses the migration of several members of the family to western Virginia and Missouri, courtship and marriage, farming, and detailed accounts of family visits. The Luttrell correspondence, 1874-1890, contains letters to Mollie Luttrell from girl friends, discussing social events and friends. \u003c/p\u003e","\u003cp\u003eThe Cook family business and tax records, (1936-1859)-1875, are primarily receipts for accounts with Culpeper County merchants, with those of Thomas Jimson Cook including advertisements and attendance records for a grammar school he taught in his home. The Luttrell business records are primarily the receipts of James W. Luttrell (1813-1884) with Culpeper and Rappahannock County merchants, and included receipts for tuition paid to educate his daughter, [Mollie?] and correspondence concerning his investments in Austin, [Texas?]. Also, assorted business and tax records of the Bywaters family, and a legal document appointing James W. Luttrell surveyor of roads for Culpeper County.\u003c/p\u003e  ","\u003cp\u003eScope and Contents Concerns lawsuit between Cook and \"Aunt\" Cecy (Cook?); mentions contention over estate of \"Grandfather\" Cook; discusses health of family and occurrence of cholera; progress of wheat, oat, and corn crops; mentions wife, Elizabeth.\u003c/p\u003e","\u003cp\u003eSends news of the family at home; asks after other family members.\u003c/p\u003e","\u003cp\u003eReflects on the meaning and necessity of marriage; sends her his love.\u003c/p\u003e","\u003cp\u003eScope and Contents Talks of family and friends; mentions upcoming trip to Kentucky; hopes he is not a \"Know-Nothing\" as she would disapprove.\u003c/p\u003e","\u003cp\u003eDiscusses family news, weather, and crop conditions; mentions possibility of going with him to a camp meeting in Kentucky; hopes he will come for a visit this summer.\u003c/p\u003e","\u003cp\u003eScope and Contents Discusses corn crop; asks him to come to Taylor County; says he can teach school if he wants; including postscript noting death of \"Col.\" Perry and \"Uncle\" William Corbin; mentions (wife?) Helen Mary.\u003c/p\u003e","\u003cp\u003eAsks her to sign a financial note and give it to James W. Luttrell for safe-keeping.\u003c/p\u003e","\u003cp\u003eDiscusses weather and corn crop progress; mentions sister Sarah (Susan), and brother, Thomas; asks for $150 to buy a farm.\u003c/p\u003e","\u003cp\u003eDiscusses agriculture and family business.\u003c/p\u003e","\u003cp\u003eDescribes teaching position.\u003c/p\u003e","\u003cp\u003eProtests William's treatment by the Motsey Division of the Sons of (Temperance?), and the slander of his name.\u003c/p\u003e","\u003cp\u003eIs glad he has arrived safely and has good prospects; tells news of the family; is anxious to hear his newly-learned Spanish.\u003c/p\u003e","\u003cp\u003eDescribes his journey home to find his youngest child dead of scarlet fever; has been sick for the past week; wants him to check a land title with the Cumberland County Clerk; includes a list of marriages in the Corbin family.\u003c/p\u003e","\u003cp\u003eAsks for repayment of a loan; describes trip to Washington, (D.C., for Presidential inauguration?)\u003c/p\u003e","\u003cp\u003eScope and Contents Discusses trip to the \"western lands\" to visit brother, Burrell H. Cook; tells of relatives met.\u003c/p\u003e","\u003cp\u003eDescribes trip from Virginia to Missouri, and friends encountered along the way; mentions intention to marry in the near future.\u003c/p\u003e","\u003cp\u003eDiscusses weather, and crops in Missouri as compared to Virginia; sends love to family members; intends to visit home when possible.\u003c/p\u003e","\u003cp\u003eDiscusses bad weather and illness in vicinity; mentions sisters, Sarah Susan, visit and brother, Burrell; also Frank Robinson and family; intends to return home when possible.\u003c/p\u003e","\u003cp\u003eDescribes trip from Platte, Missouri to Oak Shade; weather makes travel bad, but is generally pleased with country; was glad to hear family is well; tells of acquaintances and friends living in Missouri.\u003c/p\u003e","\u003cp\u003eDiscusses his (WW) budding medical practice; ask Cook to remember him to all his old friends, as he will probably never see them again; mentions his intention to find a wife.\u003c/p\u003e","\u003cp\u003eDiscusses clothing Sarah Susan has asked to have made; mentions acquaintances.\u003c/p\u003e","\u003cp\u003eScope and Contents Discusses arrangements for Sarah Susan to make a bonnet for \"M's\" trip to Washington in March.\u003c/p\u003e","\u003cp\u003eScope and Contents Describes Sarah Susan's conversion experience at a recent revival meeting; has recently been sick, as have many family members; mentions brother, Thomas, and brother-in-law, Joseph Marshall, as well as children, Fannie and \"Lilly\" (Lila).\u003c/p\u003e","\u003cp\u003eTalks of arrangements for her return to Virginia; mentions brothers, Burrell and Thomas; has been ill and there is a great deal of sickness in the air.\u003c/p\u003e","\u003cp\u003eDescribes journey west; tells of relatives she has met; mentions parties she has attended; asks her family to write back.\u003c/p\u003e","\u003cp\u003eDescribes her visit to Kentucky and the relatives she has met; sends love to her family and friends; asks for newspapers to be sent to her, especially The Baltimore Sun.\u003c/p\u003e","\u003cp\u003eIncludes a description of her new husband, and hopes her family will forgive her for marrying without asking them; describes Missouri; is very pleased with her situation.\u003c/p\u003e","\u003cp\u003eTells how happy she is in Missouri; is happy brother Thomas is teaching school, but thinks he would do better in Missouri; sends collar pattern and linen for sister [Sarah Susan?]; hopes to visit home soon.\u003c/p\u003e","\u003cp\u003eTells of potential for advancement in Missouri; talks of her husband, Joseph, and of relatives she has heard from.\u003c/p\u003e","\u003cp\u003eWith annotations by recipient. Says she is well and very happy with her husband; hopes some of her relatives will visit soon, maybe to stay in Missouri.\u003c/p\u003e","\u003cp\u003eAsks after her family; tells of her plans to visit them in the spring; is hesitant to visit friends in Kansas due to abolitionist controversy there.\u003c/p\u003e","\u003cp\u003eMentions she has not heard from her family in months; tells about her Missouri acquaintances; discusses plans to visit friends and family in Kentucky and Virginia.\u003c/p\u003e","\u003cp\u003eDescribes new home and work associated with taking in boarders; announces birth of a daughter; sends love to family.\u003c/p\u003e","\u003cp\u003eMentions husband (Joseph Marshall) and children (Fannie and Lila); details her work and her husband's investments in hogs, and his building of a distillery; tells of food she has prepared for the winter; sends her love to the rest of the family.\u003c/p\u003e","\u003cp\u003eIncomplete. Portion of a marriage proposal?\u003c/p\u003e","\u003cp\u003eNewspaper. Invitation.\u003c/p\u003e","\u003cp\u003eMentions his cousin's ill health; refers to his standing proposal of marriage; discusses one of his two daughters, Becky, and his sons.\u003c/p\u003e","\u003cp\u003eInstructions for dyeing cloth.\u003c/p\u003e","\u003cp\u003eScope and Contents Describes his progress in school; discusses \"cousin\" Sudie's (Sarah Susan (Cook) Kendrick) new baby, Mary Frances.\u003c/p\u003e","\u003cp\u003eDiscusses family news; mentions Sallie's weaving; asks Mollie to visit.\u003c/p\u003e","\u003cp\u003eDiscusses family news; mentions the marriage of Charlie Rollins; asks after Willie (Mary William Doyle?); wishes she could join her and Willie at school.\u003c/p\u003e","\u003cp\u003eDiscusses making of new clothes; wants her to visit.\u003c/p\u003e","\u003cp\u003eDiscusses family members; mentions recent trip to Warrenton, Virginia.\u003c/p\u003e","\u003cp\u003eScope and Contents 2 pages. Autograph Letter Signed. Sorry to hear \"cousin\" Jim [Luttrell] is sick; invites her to visit.\u003c/p\u003e","\u003cp\u003eTells her to be sure to visit in the afternoon.\u003c/p\u003e","\u003cp\u003eInvitation to a surprise party.\u003c/p\u003e","\u003cp\u003eDescribes her new dress; asks Mollie to visit soon; mentions Willie Silvey, Fannie (?), and family members.\u003c/p\u003e","\u003cp\u003eIs happy to have received her letter; mentions decline of the Singing School and rise of Temperance Society; asks her to visit soon.\u003c/p\u003e","\u003cp\u003eDiscusses friends; wishes she would visit; will visit her soon.\u003c/p\u003e","\u003cp\u003eDiscusses plans for her (M.L.) Christmas visit; sends love to members of Mollie's family; mentions taffy pull at Mrs. (S.) Corbin's.\u003c/p\u003e","\u003cp\u003eHas not heard from her old friend; sends much love; mentions Willie Doyle, Annie (?), Martin Pickels, Mrs. Corbin; Lulie's brother is in Baltimore, while Lulie Davis is in Maryland.\u003c/p\u003e","\u003cp\u003eScope and Contents Discusses new clothes and missing patterns; mentions \"cousin\" Tabitha's (?) expected visit; hopes Mollie will visit soon.\u003c/p\u003e","\u003cp\u003eScope and Contents 4 pages. Autograph Letter Signed. Has been killing hogs all day and is tired; congratulates her on her new \"beau\"; mentions a past protracted meeting; had fun at \"cousin\" S. Corbin's; invites her to visit.\u003c/p\u003e","\u003cp\u003eMentions rumor that Willie Silvey is Mollie's new beau, but is sure it cannot be true; attended Dr. Brown's funeral; asks her to visit soon.\u003c/p\u003e","\u003cp\u003eInvitation to a surprise party.\u003c/p\u003e","\u003cp\u003eDescribes her new dress; asks Mollie to visit soon; mentions Willie Silvey, Fannie [?] , and family members.\u003c/p\u003e","\u003cp\u003eDiscusses the heat; is sewing several new dresses; has a new beau but misses the boys in Amissville; saw Bernard [?] and Fannie Anderson at church together; there will be a reunion of Union and Confederate soldiers at Luray, Page County, Virginia.\u003c/p\u003e","\u003cp\u003eAsks her to visit or write; mentions friends, Laura and Tola, and \"sister\" Sudie (Sarah Susan Cook?); promises to try to visit as soon as the weather clears.\u003c/p\u003e","\u003cp\u003eScope and Contents Sends condolences at the death of \"cousin\" Jim [Luttrell?]; mentions intended trip to Baltimore in December.\u003c/p\u003e","\u003cp\u003eEnjoyed recent visit but is now sick; hopes her (M.L.) wedding goes well; sends best wishes for Christmas, and mentions local Baptist church's Christmas tree and tableaux; refers to Will (Mollie's brother?).\u003c/p\u003e","\u003cp\u003eDiscusses problems with renting a carriage for the drive to the (Baptist?) Association meeting; mentions seeing Willie at Oak Shade, Virginia.\u003c/p\u003e","\u003cp\u003eScope and Contents Was shocked to hear of George Sheag's death; tells that \"cousin\" Al Baker has bought a farm near Mollie's home; mentions Willie Jeffries, who will soon be married, and Clarence Pierce; his employer has offered him a house and livestock; talks of potential for profits to be made.\u003c/p\u003e","\u003cp\u003eScope and Contents Discusses family news; hopes Mollie can join her at a \"Bush\" meeting.\u003c/p\u003e","\u003cp\u003eScope and Contents Wishes she would visit for \"first\" Sunday and accompany them to Carter's Run.\u003c/p\u003e","\u003cp\u003eScope and Contents Mentions \"Uncle\" Frank (Cook?), his wife (Sallie?) and daughter (Annie?), who have been sick; has had a lot of company lately; wishes she (M.L.) could visit with news of friends.\u003c/p\u003e","\u003cp\u003eScope and Contents Expects to meet her and \"Tola\" the following evening for a trip to visit \"Uncle\" Frank (Cook?).\u003c/p\u003e","\u003cp\u003eScope and Contents Wants to know if she is going to \"cousin\" Tommy's [?], and if \"cousin\" Hannah Bettie can accompany Mary.\u003c/p\u003e","\u003cp\u003eInvitation to visit.\u003c/p\u003e","\u003cp\u003eSends her trimming and buttons as requested; wishes she would visit soon; mentions mutual friends.\u003c/p\u003e","\u003cp\u003eSends her yard goods and a pattern, mentions plans to travel to Fauquier (County?), but will miss going to Battle Run.\u003c/p\u003e","\u003cp\u003eCan't accept the invitation to visit, but expects to see them the following evening at the \"lodge.\"\u003c/p\u003e","\u003cp\u003eRefers to hat she (M.L.) would like to purchase.\u003c/p\u003e","\u003cp\u003eWishes she were present to share in social gathering; mentions names of friends and family members.\u003c/p\u003e","\u003cp\u003e\"Chestnut Hill,\" may be Amissville, Virginia. Wants her to visit soon.\u003c/p\u003e","\u003cp\u003eShe (M.L.) is to accompany her (L.R.S.) to church next Sunday night.\u003c/p\u003e","\u003cp\u003eFinancial receipts and notes; merchants include Murray Forbes, William R. Robson, and Crigler and Eggborn.\u003c/p\u003e","\u003cp\u003eFinancial receipts for food and dry goods, and account for \"boarding the delegates horses,\" August 31, 1853.\u003c/p\u003e","\u003cp\u003eAccount with John Cooke for goods and services, settled by Thomas J. Cook.\u003c/p\u003e","\u003cp\u003eFinancial receipts for food and dry goods purchased.\u003c/p\u003e","\u003cp\u003eFinancial receipts for food, lumber, dry goods; also, advertisements and attendance records for school taught by Thomas Cook; includes notice for lost cow.\u003c/p\u003e","\u003cp\u003eIncludes promissory note cosigned by Thomas J. Cook.\u003c/p\u003e","\u003cp\u003eFinancial receipts for food, dry goods and services purchased.\u003c/p\u003e","\u003cp\u003eFinancial receipts for food, dry goods and services purchased, including tuition paid for schooling of daughter (Mollie?).\u003c/p\u003e","\u003cp\u003eFinancial receipts for food, dry goods and services purchased, including letter referring to Luttrell's interests in Texas[?].\u003c/p\u003e","\u003cp\u003eFinancial receipts for food, dry goods and services purchased.\u003c/p\u003e","\u003cp\u003eCounty and state tax receipts, including \"Receipt for United States Direct Taxes,\" 1864, collected by authority of an Act of Congress passed June 7, 1862, \"An Act for the Collection of direct taxes in insurrectionary districts within the United States, and for other purposes.\"\u003c/p\u003e","\u003cp\u003eStatement of accounts for the estate of William Cooke [sic], deceased; signed by legatees of Elias Cooke, Cecy Cook, William Bywaters, John C. Bywaters, Mitchan Corbin, and Richard H. Bywaters.\u003c/p\u003e","\u003cp\u003eDeed of gift between Alfred Cook and his son, Thomas J. Cook, both of Culpeper County, Virginia. Gives Thomas the responsibility for Alfred's farm, stock, and slaves, as well as the schooling of his brother, Burrell H. Cook, and sister, Lucy E. Cook; witnessed by Pierce Perry.\u003c/p\u003e","\u003cp\u003eScope and Contents A copy of \"An Agreement...between Fanny Dade a free woman of colour of the County of Culpeper and the State of Virginia...and Joseph H. Marshal of the County of Saline and the state of Missouri\" for the indenture of her two sons, George Henry and John Richard; witnessed by Thomas J. Cooke [sic].\u003c/p\u003e","\u003cp\u003eStatement giving James W. Luttrell permission to claim land in the name of Alfred Cook, deceased, that it might be sold for the benefit of his heirs; contains signatures of heirs.\u003c/p\u003e","\u003cp\u003eDeed entered by Virginia T. Corbin and Sylvester M. Corbin, Culpeper County, Virginia, Reverse endorsed to J.W. Luttrell.\u003c/p\u003e","\u003cp\u003eCertificate appointing James W. Luttrell as surveyor of roads for Culpeper County, Virginia.\u003c/p\u003e","\u003cp\u003eFinancial receipts from Mutual Fire Insurance County, Loudoun County, Virginia.\u003c/p\u003e","\u003cp\u003eTells family news and of frequency of illness; asks after friends and family; apologizes for taking so long to write back.\u003c/p\u003e","\u003cp\u003eAnnounces the death of his mother; mentions having heard from Missouri relatives.\u003c/p\u003e","\u003cp\u003eScope and Contents Note to accompany Christmas gift; mentions also \"Miss\" Washington.\u003c/p\u003e","\u003cp\u003eReceipts for food and dry goods purchased.\u003c/p\u003e","\u003cp\u003e12 items. Persons of note include Jakson Kines, James Mazingo, J.W. Corbin, Payne V. Baker, W.H. Perry, John Jett, George L. Pazne, and Turner L. Jones.\u003c/p\u003e","\u003cp\u003eMany have notation \"sold to Jas. W. Luttrell for taxes.\"\u003c/p\u003e","\u003cp\u003eBy Josie A. Goodwin. Fragment.\u003c/p\u003e","\u003cp\u003ePoem signed by \"Ernest\" (?).\u003c/p\u003e","\u003cp\u003eUnsigned poem.\u003c/p\u003e","\u003cp\u003ePoem signed by Mollie Luttrell(?).\u003c/p\u003e","\u003cp\u003e1 item.\u003c/p\u003e","\u003cp\u003e1 item.\u003c/p\u003e","\u003cp\u003e\"Receipt\" [sic] recipe.\u003c/p\u003e","\u003cp\u003e1 page. Manuscript.\u003c/p\u003e","\u003cp\u003e2 pages. Manuscript.\u003c/p\u003e","\u003cp\u003eEnvelopes addressed to Susan M. cook, James W. Luttrell, and Mollie Luttrell.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Correspondence, business, tax and legal records, primarily 1848-1890, of various members of the Cook and Luttrell Families of Culpeper and Rappahannock Counties, Virginia.","The Cook family correspondence is concentrated between 1855 and 1858 and discusses the migration of several members of the family to western Virginia and Missouri, courtship and marriage, farming, and detailed accounts of family visits. The Luttrell correspondence, 1874-1890, contains letters to Mollie Luttrell from girl friends, discussing social events and friends.","The Cook family business and tax records, (1936-1859)-1875, are primarily receipts for accounts with Culpeper County merchants, with those of Thomas Jimson Cook including advertisements and attendance records for a grammar school he taught in his home. The Luttrell business records are primarily the receipts of James W. Luttrell (1813-1884) with Culpeper and Rappahannock County merchants, and included receipts for tuition paid to educate his daughter, [Mollie?] and correspondence concerning his investments in Austin, [Texas?]. Also, assorted business and tax records of the Bywaters family, and a legal document appointing James W. Luttrell surveyor of roads for Culpeper County.","Scope and Contents Concerns lawsuit between Cook and \"Aunt\" Cecy (Cook?); mentions contention over estate of \"Grandfather\" Cook; discusses health of family and occurrence of cholera; progress of wheat, oat, and corn crops; mentions wife, Elizabeth.","Sends news of the family at home; asks after other family members.","Reflects on the meaning and necessity of marriage; sends her his love.","Scope and Contents Talks of family and friends; mentions upcoming trip to Kentucky; hopes he is not a \"Know-Nothing\" as she would disapprove.","Discusses family news, weather, and crop conditions; mentions possibility of going with him to a camp meeting in Kentucky; hopes he will come for a visit this summer.","Scope and Contents Discusses corn crop; asks him to come to Taylor County; says he can teach school if he wants; including postscript noting death of \"Col.\" Perry and \"Uncle\" William Corbin; mentions (wife?) Helen Mary.","Asks her to sign a financial note and give it to James W. Luttrell for safe-keeping.","Discusses weather and corn crop progress; mentions sister Sarah (Susan), and brother, Thomas; asks for $150 to buy a farm.","Discusses agriculture and family business.","Describes teaching position.","Protests William's treatment by the Motsey Division of the Sons of (Temperance?), and the slander of his name.","Is glad he has arrived safely and has good prospects; tells news of the family; is anxious to hear his newly-learned Spanish.","Describes his journey home to find his youngest child dead of scarlet fever; has been sick for the past week; wants him to check a land title with the Cumberland County Clerk; includes a list of marriages in the Corbin family.","Asks for repayment of a loan; describes trip to Washington, (D.C., for Presidential inauguration?)","Scope and Contents Discusses trip to the \"western lands\" to visit brother, Burrell H. Cook; tells of relatives met.","Describes trip from Virginia to Missouri, and friends encountered along the way; mentions intention to marry in the near future.","Discusses weather, and crops in Missouri as compared to Virginia; sends love to family members; intends to visit home when possible.","Discusses bad weather and illness in vicinity; mentions sisters, Sarah Susan, visit and brother, Burrell; also Frank Robinson and family; intends to return home when possible.","Describes trip from Platte, Missouri to Oak Shade; weather makes travel bad, but is generally pleased with country; was glad to hear family is well; tells of acquaintances and friends living in Missouri.","Discusses his (WW) budding medical practice; ask Cook to remember him to all his old friends, as he will probably never see them again; mentions his intention to find a wife.","Discusses clothing Sarah Susan has asked to have made; mentions acquaintances.","Scope and Contents Discusses arrangements for Sarah Susan to make a bonnet for \"M's\" trip to Washington in March.","Scope and Contents Describes Sarah Susan's conversion experience at a recent revival meeting; has recently been sick, as have many family members; mentions brother, Thomas, and brother-in-law, Joseph Marshall, as well as children, Fannie and \"Lilly\" (Lila).","Talks of arrangements for her return to Virginia; mentions brothers, Burrell and Thomas; has been ill and there is a great deal of sickness in the air.","Describes journey west; tells of relatives she has met; mentions parties she has attended; asks her family to write back.","Describes her visit to Kentucky and the relatives she has met; sends love to her family and friends; asks for newspapers to be sent to her, especially The Baltimore Sun.","Includes a description of her new husband, and hopes her family will forgive her for marrying without asking them; describes Missouri; is very pleased with her situation.","Tells how happy she is in Missouri; is happy brother Thomas is teaching school, but thinks he would do better in Missouri; sends collar pattern and linen for sister [Sarah Susan?]; hopes to visit home soon.","Tells of potential for advancement in Missouri; talks of her husband, Joseph, and of relatives she has heard from.","With annotations by recipient. Says she is well and very happy with her husband; hopes some of her relatives will visit soon, maybe to stay in Missouri.","Asks after her family; tells of her plans to visit them in the spring; is hesitant to visit friends in Kansas due to abolitionist controversy there.","Mentions she has not heard from her family in months; tells about her Missouri acquaintances; discusses plans to visit friends and family in Kentucky and Virginia.","Describes new home and work associated with taking in boarders; announces birth of a daughter; sends love to family.","Mentions husband (Joseph Marshall) and children (Fannie and Lila); details her work and her husband's investments in hogs, and his building of a distillery; tells of food she has prepared for the winter; sends her love to the rest of the family.","Incomplete. Portion of a marriage proposal?","Newspaper. Invitation.","Mentions his cousin's ill health; refers to his standing proposal of marriage; discusses one of his two daughters, Becky, and his sons.","Instructions for dyeing cloth.","Scope and Contents Describes his progress in school; discusses \"cousin\" Sudie's (Sarah Susan (Cook) Kendrick) new baby, Mary Frances.","Discusses family news; mentions Sallie's weaving; asks Mollie to visit.","Discusses family news; mentions the marriage of Charlie Rollins; asks after Willie (Mary William Doyle?); wishes she could join her and Willie at school.","Discusses making of new clothes; wants her to visit.","Discusses family members; mentions recent trip to Warrenton, Virginia.","Scope and Contents 2 pages. Autograph Letter Signed. Sorry to hear \"cousin\" Jim [Luttrell] is sick; invites her to visit.","Tells her to be sure to visit in the afternoon.","Invitation to a surprise party.","Describes her new dress; asks Mollie to visit soon; mentions Willie Silvey, Fannie (?), and family members.","Is happy to have received her letter; mentions decline of the Singing School and rise of Temperance Society; asks her to visit soon.","Discusses friends; wishes she would visit; will visit her soon.","Discusses plans for her (M.L.) Christmas visit; sends love to members of Mollie's family; mentions taffy pull at Mrs. (S.) Corbin's.","Has not heard from her old friend; sends much love; mentions Willie Doyle, Annie (?), Martin Pickels, Mrs. Corbin; Lulie's brother is in Baltimore, while Lulie Davis is in Maryland.","Scope and Contents Discusses new clothes and missing patterns; mentions \"cousin\" Tabitha's (?) expected visit; hopes Mollie will visit soon.","Scope and Contents 4 pages. Autograph Letter Signed. Has been killing hogs all day and is tired; congratulates her on her new \"beau\"; mentions a past protracted meeting; had fun at \"cousin\" S. Corbin's; invites her to visit.","Mentions rumor that Willie Silvey is Mollie's new beau, but is sure it cannot be true; attended Dr. Brown's funeral; asks her to visit soon.","Invitation to a surprise party.","Describes her new dress; asks Mollie to visit soon; mentions Willie Silvey, Fannie [?] , and family members.","Discusses the heat; is sewing several new dresses; has a new beau but misses the boys in Amissville; saw Bernard [?] and Fannie Anderson at church together; there will be a reunion of Union and Confederate soldiers at Luray, Page County, Virginia.","Asks her to visit or write; mentions friends, Laura and Tola, and \"sister\" Sudie (Sarah Susan Cook?); promises to try to visit as soon as the weather clears.","Scope and Contents Sends condolences at the death of \"cousin\" Jim [Luttrell?]; mentions intended trip to Baltimore in December.","Enjoyed recent visit but is now sick; hopes her (M.L.) wedding goes well; sends best wishes for Christmas, and mentions local Baptist church's Christmas tree and tableaux; refers to Will (Mollie's brother?).","Discusses problems with renting a carriage for the drive to the (Baptist?) Association meeting; mentions seeing Willie at Oak Shade, Virginia.","Scope and Contents Was shocked to hear of George Sheag's death; tells that \"cousin\" Al Baker has bought a farm near Mollie's home; mentions Willie Jeffries, who will soon be married, and Clarence Pierce; his employer has offered him a house and livestock; talks of potential for profits to be made.","Scope and Contents Discusses family news; hopes Mollie can join her at a \"Bush\" meeting.","Scope and Contents Wishes she would visit for \"first\" Sunday and accompany them to Carter's Run.","Scope and Contents Mentions \"Uncle\" Frank (Cook?), his wife (Sallie?) and daughter (Annie?), who have been sick; has had a lot of company lately; wishes she (M.L.) could visit with news of friends.","Scope and Contents Expects to meet her and \"Tola\" the following evening for a trip to visit \"Uncle\" Frank (Cook?).","Scope and Contents Wants to know if she is going to \"cousin\" Tommy's [?], and if \"cousin\" Hannah Bettie can accompany Mary.","Invitation to visit.","Sends her trimming and buttons as requested; wishes she would visit soon; mentions mutual friends.","Sends her yard goods and a pattern, mentions plans to travel to Fauquier (County?), but will miss going to Battle Run.","Can't accept the invitation to visit, but expects to see them the following evening at the \"lodge.\"","Refers to hat she (M.L.) would like to purchase.","Wishes she were present to share in social gathering; mentions names of friends and family members.","\"Chestnut Hill,\" may be Amissville, Virginia. Wants her to visit soon.","She (M.L.) is to accompany her (L.R.S.) to church next Sunday night.","Financial receipts and notes; merchants include Murray Forbes, William R. Robson, and Crigler and Eggborn.","Financial receipts for food and dry goods, and account for \"boarding the delegates horses,\" August 31, 1853.","Account with John Cooke for goods and services, settled by Thomas J. Cook.","Financial receipts for food and dry goods purchased.","Financial receipts for food, lumber, dry goods; also, advertisements and attendance records for school taught by Thomas Cook; includes notice for lost cow.","Includes promissory note cosigned by Thomas J. Cook.","Financial receipts for food, dry goods and services purchased.","Financial receipts for food, dry goods and services purchased, including tuition paid for schooling of daughter (Mollie?).","Financial receipts for food, dry goods and services purchased, including letter referring to Luttrell's interests in Texas[?].","Financial receipts for food, dry goods and services purchased.","County and state tax receipts, including \"Receipt for United States Direct Taxes,\" 1864, collected by authority of an Act of Congress passed June 7, 1862, \"An Act for the Collection of direct taxes in insurrectionary districts within the United States, and for other purposes.\"","Statement of accounts for the estate of William Cooke [sic], deceased; signed by legatees of Elias Cooke, Cecy Cook, William Bywaters, John C. Bywaters, Mitchan Corbin, and Richard H. Bywaters.","Deed of gift between Alfred Cook and his son, Thomas J. Cook, both of Culpeper County, Virginia. Gives Thomas the responsibility for Alfred's farm, stock, and slaves, as well as the schooling of his brother, Burrell H. Cook, and sister, Lucy E. Cook; witnessed by Pierce Perry.","Scope and Contents A copy of \"An Agreement...between Fanny Dade a free woman of colour of the County of Culpeper and the State of Virginia...and Joseph H. Marshal of the County of Saline and the state of Missouri\" for the indenture of her two sons, George Henry and John Richard; witnessed by Thomas J. Cooke [sic].","Statement giving James W. Luttrell permission to claim land in the name of Alfred Cook, deceased, that it might be sold for the benefit of his heirs; contains signatures of heirs.","Deed entered by Virginia T. Corbin and Sylvester M. Corbin, Culpeper County, Virginia, Reverse endorsed to J.W. Luttrell.","Certificate appointing James W. Luttrell as surveyor of roads for Culpeper County, Virginia.","Financial receipts from Mutual Fire Insurance County, Loudoun County, Virginia.","Tells family news and of frequency of illness; asks after friends and family; apologizes for taking so long to write back.","Announces the death of his mother; mentions having heard from Missouri relatives.","Scope and Contents Note to accompany Christmas gift; mentions also \"Miss\" Washington.","Receipts for food and dry goods purchased.","12 items. Persons of note include Jakson Kines, James Mazingo, J.W. Corbin, Payne V. Baker, W.H. Perry, John Jett, George L. Pazne, and Turner L. Jones.","Many have notation \"sold to Jas. W. Luttrell for taxes.\"","By Josie A. Goodwin. Fragment.","Poem signed by \"Ernest\" (?).","Unsigned poem.","Poem signed by Mollie Luttrell(?).","1 item.","1 item.","\"Receipt\" [sic] recipe.","1 page. Manuscript.","2 pages. Manuscript.","Envelopes addressed to Susan M. cook, James W. Luttrell, and Mollie Luttrell."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"famname_ssim":["Cook family","Bywaters family","Luttrell family"],"names_coll_ssim":["Bywaters family","Luttrell family"],"names_ssim":["Special Collections Research Center","Cook family","Bywaters family","Luttrell family"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content 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