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The papers concern a broad range of political, social, financial, and legal topics, particularly focusing on J. Hammond Siler, Jr., his parents, J. Hammond Siler, Sr. and Jessie Castleman Siler (residents of the Town of Bath better known as Berkeley Springs). Also includes correspondence and other papers from related families. Subjects include banking, the Civil War, the Episcopal church, secession of Virginia, Virginia Loyalty Oath, women's diaries, and women's letters and papers. A notable item in the collection is the diary of Anne Doyne Wolff Strother, wife of artist and writer David Hunter Strother, documenting a trip with husband and daughter Emily to New Orleans in 1857 (S2/Box 67, folder 1a).\u003c/p\u003e\n","\u003cp\u003eSeries include:\u003c/p\u003e\n","\u003cp\u003eSeries 1. J. Hammond Siler, Jr. (ca. 1848-1968), boxes S1/Box 1-S1/Box 50\u003clb\u003e\u003c/lb\u003e\nSeries 2. J. Hammond Siler, Sr. (ca. 1848-1968), boxes S2/Box 1-S2/Box 89\u003clb\u003e\u003c/lb\u003e\nSeries 3. Jessie Castleman Siler (ca. 1848-1968), boxes S3/Box 1-S3/Box 2\u003clb\u003e\u003c/lb\u003e\nSeries 4. A.C. Hammond (ca. 1848-1968), boxes S4/Box 1-S4/Box 4\u003clb\u003e\u003c/lb\u003e\nSeries 5. Ann R. Castleman (ca. 1848-1968), boxes S5/Box 1-S5/Box 2\u003clb\u003e\u003c/lb\u003e\nSeries 6. Photographs (ca. 1848-1968), box S6/Box 1\u003clb\u003e\u003c/lb\u003e\nSeries 7. Wrapped Packages (ca. 1848-1968), Wrapped Packages 1-26\u003clb\u003e\u003c/lb\u003e\nSeries 8. Oversize Material (ca. 1848-1968), box S8/Box 1\u003c/p\u003e","\u003cp\u003eThis series includes the personal and business papers and correspondence of J. Hammond Siler, Jr. and his career with the Federal Bank Reserve of Richmond, VA. 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The papers concern a broad range of political, social, financial, and legal topics, particularly focusing on J. Hammond Siler, Jr., his parents, J. Hammond Siler, Sr. and Jessie Castleman Siler (residents of the Town of Bath better known as Berkeley Springs). Also includes correspondence and other papers from related families. Subjects include banking, the Civil War, the Episcopal church, secession of Virginia, Virginia Loyalty Oath, women's diaries, and women's letters and papers. A notable item in the collection is the diary of Anne Doyne Wolff Strother, wife of artist and writer David Hunter Strother, documenting a trip with husband and daughter Emily to New Orleans in 1857 (S2/Box 67, folder 1a).","Series include:","Series 1. J. Hammond Siler, Jr. (ca. 1848-1968), boxes S1/Box 1-S1/Box 50 \nSeries 2. J. Hammond Siler, Sr. (ca. 1848-1968), boxes S2/Box 1-S2/Box 89 \nSeries 3. Jessie Castleman Siler (ca. 1848-1968), boxes S3/Box 1-S3/Box 2 \nSeries 4. A.C. Hammond (ca. 1848-1968), boxes S4/Box 1-S4/Box 4 \nSeries 5. Ann R. Castleman (ca. 1848-1968), boxes S5/Box 1-S5/Box 2 \nSeries 6. Photographs (ca. 1848-1968), box S6/Box 1 \nSeries 7. Wrapped Packages (ca. 1848-1968), Wrapped Packages 1-26 \nSeries 8. Oversize Material (ca. 1848-1968), box S8/Box 1","This series includes the personal and business papers and correspondence of J. Hammond Siler, Jr. and his career with the Federal Bank Reserve of Richmond, VA. Also included are records of various regional and national banking conferences and assorted printed material.","This series includes the personal and legal correspondence and papers of J. Hammond Siler, Sr. and his career as a lawyer in West Virginia. Also included are assorted deeds, ledgers, and pamphlets on various legal and religious topics.","This series includes the personal correspondence of Jessie Castleman Siler, wife of J. Hammond Siler, Sr. Also included is material regarding the Red Cross.","This series includes the personal correspondence of A.C. Hammond. Also included are material regarding Hammond's finances and assorted legal papers.","This series includes the personal correspondence and financial papers of Ann R. Castleman. Also includes the correspondence of other members of the Castleman family and genealogical material for the Hammond, Castleman, and Siler families.","This series includes assorted photographs of the Siler family.","This series includes ledgers for the Hammond \u0026 Siler and John T. Siler \u0026 Son businesses, assorted account books, and family bibles.","This series consists of assorted oversize material, including blueprints, children's books, and sheet music."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_172a403f6611d4a5931c460b0b7692df\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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The papers concern a broad range of political, social, financial, and legal topics, particularly focusing on J. Hammond Siler, Jr., his parents, J. Hammond Siler, Sr. and Jessie Castleman Siler (residents of the Town of Bath better known as Berkeley Springs). Also includes correspondence and other papers from related families. Subjects include banking, the Civil War, the Episcopal church, secession of Virginia, Virginia Loyalty Oath, women's diaries, and women's letters and papers. A notable item in the collection is the diary of Anne Doyne Wolff Strother, wife of artist and writer David Hunter Strother, documenting a trip with husband and daughter Emily to New Orleans in 1857 (S2/Box 67, folder 1a).\u003c/p\u003e\n","\u003cp\u003eSeries include:\u003c/p\u003e\n","\u003cp\u003eSeries 1. J. Hammond Siler, Jr. (ca. 1848-1968), boxes S1/Box 1-S1/Box 50\u003clb\u003e\u003c/lb\u003e\nSeries 2. J. Hammond Siler, Sr. (ca. 1848-1968), boxes S2/Box 1-S2/Box 89\u003clb\u003e\u003c/lb\u003e\nSeries 3. Jessie Castleman Siler (ca. 1848-1968), boxes S3/Box 1-S3/Box 2\u003clb\u003e\u003c/lb\u003e\nSeries 4. A.C. Hammond (ca. 1848-1968), boxes S4/Box 1-S4/Box 4\u003clb\u003e\u003c/lb\u003e\nSeries 5. Ann R. Castleman (ca. 1848-1968), boxes S5/Box 1-S5/Box 2\u003clb\u003e\u003c/lb\u003e\nSeries 6. Photographs (ca. 1848-1968), box S6/Box 1\u003clb\u003e\u003c/lb\u003e\nSeries 7. Wrapped Packages (ca. 1848-1968), Wrapped Packages 1-26\u003clb\u003e\u003c/lb\u003e\nSeries 8. Oversize Material (ca. 1848-1968), box S8/Box 1\u003c/p\u003e","\u003cp\u003eThis series includes the personal and business papers and correspondence of J. Hammond Siler, Jr. and his career with the Federal Bank Reserve of Richmond, VA. 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The papers concern a broad range of political, social, financial, and legal topics, particularly focusing on J. Hammond Siler, Jr., his parents, J. Hammond Siler, Sr. and Jessie Castleman Siler (residents of the Town of Bath better known as Berkeley Springs). Also includes correspondence and other papers from related families. Subjects include banking, the Civil War, the Episcopal church, secession of Virginia, Virginia Loyalty Oath, women's diaries, and women's letters and papers. A notable item in the collection is the diary of Anne Doyne Wolff Strother, wife of artist and writer David Hunter Strother, documenting a trip with husband and daughter Emily to New Orleans in 1857 (S2/Box 67, folder 1a).","Series include:","Series 1. J. Hammond Siler, Jr. (ca. 1848-1968), boxes S1/Box 1-S1/Box 50 \nSeries 2. J. Hammond Siler, Sr. (ca. 1848-1968), boxes S2/Box 1-S2/Box 89 \nSeries 3. Jessie Castleman Siler (ca. 1848-1968), boxes S3/Box 1-S3/Box 2 \nSeries 4. A.C. Hammond (ca. 1848-1968), boxes S4/Box 1-S4/Box 4 \nSeries 5. Ann R. Castleman (ca. 1848-1968), boxes S5/Box 1-S5/Box 2 \nSeries 6. Photographs (ca. 1848-1968), box S6/Box 1 \nSeries 7. Wrapped Packages (ca. 1848-1968), Wrapped Packages 1-26 \nSeries 8. Oversize Material (ca. 1848-1968), box S8/Box 1","This series includes the personal and business papers and correspondence of J. Hammond Siler, Jr. and his career with the Federal Bank Reserve of Richmond, VA. Also included are records of various regional and national banking conferences and assorted printed material.","This series includes the personal and legal correspondence and papers of J. Hammond Siler, Sr. and his career as a lawyer in West Virginia. Also included are assorted deeds, ledgers, and pamphlets on various legal and religious topics.","This series includes the personal correspondence of Jessie Castleman Siler, wife of J. 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For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_172a403f6611d4a5931c460b0b7692df\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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The papers concern a broad range of political, social, financial, and legal topics, particularly focusing on J. Hammond Siler, Jr., his parents, J. Hammond Siler, Sr. and Jessie Castleman Siler (residents of the Town of Bath better known as Berkeley Springs). Also includes correspondence and other papers from related families. Subjects include banking, the Civil War, the Episcopal church, secession of Virginia, Virginia Loyalty Oath, women's diaries, and women's letters and papers. A notable item in the collection is the diary of Anne Doyne Wolff Strother, wife of artist and writer David Hunter Strother, documenting a trip with husband and daughter Emily to New Orleans in 1857 (S2/Box 67, folder 1a).\u003c/p\u003e\n","\u003cp\u003eSeries include:\u003c/p\u003e\n","\u003cp\u003eSeries 1. J. Hammond Siler, Jr. (ca. 1848-1968), boxes S1/Box 1-S1/Box 50\u003clb\u003e\u003c/lb\u003e\nSeries 2. J. Hammond Siler, Sr. (ca. 1848-1968), boxes S2/Box 1-S2/Box 89\u003clb\u003e\u003c/lb\u003e\nSeries 3. Jessie Castleman Siler (ca. 1848-1968), boxes S3/Box 1-S3/Box 2\u003clb\u003e\u003c/lb\u003e\nSeries 4. A.C. Hammond (ca. 1848-1968), boxes S4/Box 1-S4/Box 4\u003clb\u003e\u003c/lb\u003e\nSeries 5. Ann R. Castleman (ca. 1848-1968), boxes S5/Box 1-S5/Box 2\u003clb\u003e\u003c/lb\u003e\nSeries 6. Photographs (ca. 1848-1968), box S6/Box 1\u003clb\u003e\u003c/lb\u003e\nSeries 7. Wrapped Packages (ca. 1848-1968), Wrapped Packages 1-26\u003clb\u003e\u003c/lb\u003e\nSeries 8. Oversize Material (ca. 1848-1968), box S8/Box 1\u003c/p\u003e","\u003cp\u003eThis series includes the personal and business papers and correspondence of J. Hammond Siler, Jr. and his career with the Federal Bank Reserve of Richmond, VA. Also included are records of various regional and national banking conferences and assorted printed material.\u003c/p\u003e","\u003cp\u003eThis series includes the personal and legal correspondence and papers of J. Hammond Siler, Sr. and his career as a lawyer in West Virginia. Also included are assorted deeds, ledgers, and pamphlets on various legal and religious topics.\u003c/p\u003e","\u003cp\u003eThis series includes the personal correspondence of Jessie Castleman Siler, wife of J. Hammond Siler, Sr. Also included is material regarding the Red Cross.\u003c/p\u003e","\u003cp\u003eThis series includes the personal correspondence of A.C. Hammond. Also included are material regarding Hammond's finances and assorted legal papers.\u003c/p\u003e","\u003cp\u003eThis series includes the personal correspondence and financial papers of Ann R. Castleman. Also includes the correspondence of other members of the Castleman family and genealogical material for the Hammond, Castleman, and Siler families.\u003c/p\u003e","\u003cp\u003eThis series includes assorted photographs of the Siler family.\u003c/p\u003e","\u003cp\u003eThis series includes ledgers for the Hammond \u0026amp; Siler and John T. Siler \u0026amp; Son businesses, assorted account books, and family bibles.\u003c/p\u003e","\u003cp\u003eThis series consists of assorted oversize material, including blueprints, children's books, and sheet music.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This is a collection of letters and documents tracing the personal and business life of an eastern panhandle West Virginia family. The papers concern a broad range of political, social, financial, and legal topics, particularly focusing on J. Hammond Siler, Jr., his parents, J. Hammond Siler, Sr. and Jessie Castleman Siler (residents of the Town of Bath better known as Berkeley Springs). Also includes correspondence and other papers from related families. Subjects include banking, the Civil War, the Episcopal church, secession of Virginia, Virginia Loyalty Oath, women's diaries, and women's letters and papers. A notable item in the collection is the diary of Anne Doyne Wolff Strother, wife of artist and writer David Hunter Strother, documenting a trip with husband and daughter Emily to New Orleans in 1857 (S2/Box 67, folder 1a).","Series include:","Series 1. J. Hammond Siler, Jr. (ca. 1848-1968), boxes S1/Box 1-S1/Box 50 \nSeries 2. J. Hammond Siler, Sr. (ca. 1848-1968), boxes S2/Box 1-S2/Box 89 \nSeries 3. Jessie Castleman Siler (ca. 1848-1968), boxes S3/Box 1-S3/Box 2 \nSeries 4. A.C. Hammond (ca. 1848-1968), boxes S4/Box 1-S4/Box 4 \nSeries 5. Ann R. Castleman (ca. 1848-1968), boxes S5/Box 1-S5/Box 2 \nSeries 6. Photographs (ca. 1848-1968), box S6/Box 1 \nSeries 7. Wrapped Packages (ca. 1848-1968), Wrapped Packages 1-26 \nSeries 8. Oversize Material (ca. 1848-1968), box S8/Box 1","This series includes the personal and business papers and correspondence of J. Hammond Siler, Jr. and his career with the Federal Bank Reserve of Richmond, VA. Also included are records of various regional and national banking conferences and assorted printed material.","This series includes the personal and legal correspondence and papers of J. Hammond Siler, Sr. and his career as a lawyer in West Virginia. Also included are assorted deeds, ledgers, and pamphlets on various legal and religious topics.","This series includes the personal correspondence of Jessie Castleman Siler, wife of J. Hammond Siler, Sr. Also included is material regarding the Red Cross.","This series includes the personal correspondence of A.C. Hammond. Also included are material regarding Hammond's finances and assorted legal papers.","This series includes the personal correspondence and financial papers of Ann R. Castleman. Also includes the correspondence of other members of the Castleman family and genealogical material for the Hammond, Castleman, and Siler families.","This series includes assorted photographs of the Siler family.","This series includes ledgers for the Hammond \u0026 Siler and John T. Siler \u0026 Son businesses, assorted account books, and family bibles.","This series consists of assorted oversize material, including blueprints, children's books, and sheet music."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_172a403f6611d4a5931c460b0b7692df\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["American Institute of Banking","Baltimore Trust Company","Bull and Bear Club","Citizens Trust and Guaranty Company of West Virginia - Bonds.","Emerald Shillelagh Chowder and Marching Society, Inc.","Hammond and Siler General Store.","Virginia. General Assembly. House of Delegates","Montgomery Ward","American Red Cross","Sears, Roebuck and Company","Steel - Hancock Steel Company.","Great Cacapon Silica Sand Company","Campbell family","Castleman family - Genealogy","Hammond family - Genealogy","Humphries family - Genealogy","Isler family - Genealogy","Shepard family - Genealogy","Seller family - Genealogy","Seiler family","Armstrong, James D.","Castleman, Ann Rebecca Isler.","Castleman, Estelle.","Castleman, Frank A.","Castleman, Sarah Jane.","Faulkner, Charles James, 1806-1884","Hammond, Allen C.","Hammond, Cadet N.","Hotee, John.","Randolph, Emily Strother.","Rinehart, E. A.","Siler, J. Hammond Jr.","Siler, J. Hammond Sr.","Siler, Jessie Castleman.","Siler, John T.","Strother, Anne Doyne.","Van Gosen, James D.","Whisner, Samuel.","Widmyer, P. S.","Hardin, Moses"],"names_ssim":["West Virginia and Regional History Center","American Institute of Banking","Baltimore Trust Company","Bull and Bear Club","Citizens Trust and Guaranty Company of West Virginia - Bonds.","Emerald Shillelagh Chowder and Marching Society, Inc.","Hammond and Siler General Store.","Virginia. General Assembly. House of Delegates","Montgomery Ward","American Red Cross","Sears, Roebuck and Company","Steel - Hancock Steel Company.","Great Cacapon Silica Sand Company","Seiler family","Campbell family","Castleman family - Genealogy","Hammond family - Genealogy","Humphries family - Genealogy","Isler family - Genealogy","Shepard family - Genealogy","Seller family - Genealogy","Armstrong, James D.","Castleman, Ann Rebecca Isler.","Castleman, Estelle.","Castleman, Frank A.","Castleman, Sarah Jane.","Faulkner, Charles James, 1806-1884","Hammond, Allen C.","Hammond, Cadet N.","Hotee, John.","Randolph, Emily Strother.","Rinehart, E. A.","Siler, J. Hammond Jr.","Siler, J. Hammond Sr.","Siler, Jessie Castleman.","Siler, John T.","Strother, Anne Doyne.","Van Gosen, James D.","Whisner, Samuel.","Widmyer, P. S.","Hardin, Moses"],"corpname_ssim":["West Virginia and Regional History Center","American Institute of Banking","Baltimore Trust Company","Bull and Bear Club","Citizens Trust and Guaranty Company of West Virginia - Bonds.","Emerald Shillelagh Chowder and Marching Society, Inc.","Hammond and Siler General Store.","Virginia. General Assembly. House of Delegates","Montgomery Ward","American Red Cross","Sears, Roebuck and Company","Steel - Hancock Steel Company.","Great Cacapon Silica Sand Company"],"famname_ssim":["Seiler family","Campbell family","Castleman family - Genealogy","Hammond family - Genealogy","Humphries family - Genealogy","Isler family - Genealogy","Shepard family - Genealogy","Seller family - Genealogy"],"persname_ssim":["Armstrong, James D.","Castleman, Ann Rebecca Isler.","Castleman, Estelle.","Castleman, Frank A.","Castleman, Sarah Jane.","Faulkner, Charles James, 1806-1884","Hammond, Allen C.","Hammond, Cadet N.","Hotee, John.","Randolph, Emily Strother.","Rinehart, E. A.","Siler, J. Hammond Jr.","Siler, J. Hammond Sr.","Siler, Jessie Castleman.","Siler, John T.","Strother, Anne Doyne.","Van Gosen, James D.","Whisner, Samuel.","Widmyer, P. S.","Hardin, Moses"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1463,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:52:04.570Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5880_c02_c62"}},{"id":"vaallhs_repositories_2_resources_89_c01","type":"Series","attributes":{"title":"African-American History","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_89_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis subject concerns African American history in Alexandria including records relating to slavery and Black political and religious rights as well as a flyer from the Robert Robinson Branch Library. Most records documenting the activities of free blacks in Alexandria in the antebellum period fall into this category as do modern records that are notable due to an association with African Americans or their communities.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_89_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vaallhs_repositories_2_resources_89_c01","ref_ssm":["vaallhs_repositories_2_resources_89_c01"],"id":"vaallhs_repositories_2_resources_89_c01","ead_ssi":"vaallhs_repositories_2_resources_89","_root_":"vaallhs_repositories_2_resources_89","_nest_parent_":"vaallhs_repositories_2_resources_89","parent_ssi":"vaallhs_repositories_2_resources_89","parent_ssim":["vaallhs_repositories_2_resources_89"],"parent_ids_ssim":["vaallhs_repositories_2_resources_89"],"parent_unittitles_ssm":["Alexandria History Collection (MS240)"],"parent_unittitles_tesim":["Alexandria History Collection (MS240)"],"text":["Alexandria History Collection (MS240)","African-American History","English","box 1","box 5","box 8","os_box 16","This subject concerns African American history in Alexandria including records relating to slavery and Black political and religious rights as well as a flyer from the Robert Robinson Branch Library. Most records documenting the activities of free blacks in Alexandria in the antebellum period fall into this category as do modern records that are notable due to an association with African Americans or their communities."],"title_filing_ssi":"African-American History","title_ssm":["African-American History"],"title_tesim":["African-American History"],"unitdate_inclusive_ssm":["1767-1948"],"normalized_date_ssm":["1767/1948"],"normalized_title_ssm":["African-American History"],"component_level_isim":[1],"repository_ssim":["Alexandria Library"],"collection_ssim":["Alexandria History Collection (MS240)"],"has_online_content_ssim":["false"],"child_component_count_isi":8,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"date_range_isim":[1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948],"language_ssim":["English"],"containers_ssim":["box 1","box 5","box 8","os_box 16"],"scopecontent_html_tesm":["\u003cp\u003eThis subject concerns African American history in Alexandria including records relating to slavery and Black political and religious rights as well as a flyer from the Robert Robinson Branch Library. Most records documenting the activities of free blacks in Alexandria in the antebellum period fall into this category as do modern records that are notable due to an association with African Americans or their communities.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This subject concerns African American history in Alexandria including records relating to slavery and Black political and religious rights as well as a flyer from the Robert Robinson Branch Library. Most records documenting the activities of free blacks in Alexandria in the antebellum period fall into this category as do modern records that are notable due to an association with African Americans or their communities."],"_nest_path_":"/components#0","timestamp":"2026-06-05T07:15:21.073Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vaallhs_repositories_2_resources_89","ead_ssi":"vaallhs_repositories_2_resources_89","_root_":"vaallhs_repositories_2_resources_89","_nest_parent_":"vaallhs_repositories_2_resources_89","ead_source_url_ssi":"data/oai/ALEX/repositories_2_resources_89.xml","aspace_url_ssi":"https://alexlibraryva.libraryhost.com/repositories/2/resources/89","title_ssm":["Alexandria History Collection (MS240)"],"title_tesim":["Alexandria History Collection (MS240)"],"unitdate_ssm":["1767-2008"],"unitdate_inclusive_ssm":["1767-2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS240","/repositories/2/resources/89"],"text":["MS240","/repositories/2/resources/89","Alexandria History Collection (MS240)","Formerly titled \"Vertical File (Manuscript) Collection\"","The collection is arranged alphabetically by subject. The collection is further split by size, with two additional oversized boxes containing materials from the same subjects as listed below.","The subjects are described as follows:","African-American History\n Alexandria-Juvenile\n Businesses\n Civil War and Reconstruction\n Collectables\n Culture\n Events\n Fire\n Government\n Historic Places\n Library\n Magazines\n Organizations\n Personal Business\n Personal\n Politics\n Railroads\n Religion\n Schools\n Tourism and Foodways\n Transportation","The manuscripts vertical file is an artificial collection containing a wide variety of unique manuscript items relating to Alexandria, Virginia residents, businesses, organizations, and history.","The majority of the items are manuscript pages but the collection also includes books and ephemera. It is strong in local business advertisements, stationary, and records as well as correspondence, legal and financial papers, memorabilia, and school-related documents. The majority of the documents date from the 19th century, although 18th and 20th century documents are also present.","Some notable documents include: a book of auction records from 1837-1840 including sales of houses, ships, and slaves; an apothecary formula book, several examples of late-18th century legal papers, Civil War passes into Washington for the Leadbeater family, an Alexandria High School student exercise book from 1859-1863, apprenticeship indentures, an 1841 retrocession petition, and records of fires in the city from the 1930s and 1950s.","This subject concerns African American history in Alexandria including records relating to slavery and Black political and religious rights as well as a flyer from the Robert Robinson Branch Library. Most records documenting the activities of free blacks in Alexandria in the antebellum period fall into this category as do modern records that are notable due to an association with African Americans or their communities.","This subject covers Alexandria-related juvenilia with no known association with any particular individual, business, government, or organization with which it might be grouped by purpose or provenance and currently includes a juvenile work on the history of Virginia.","This subject consists of records from Alexandria businesses from banks and industrial enterprises to small businesses like wholesalers. They include financial records, receipts and billheads, but also catalogs, advertisements and account books. Also listed here are some promotional materials about the Alexandria business community in general.","This subject contains documents relating to or stemming from the war and its aftermath, primarily consisting of Civil War letters. It also contains some Confederate memorabilia, but for Confederate currency see under the Collectables-Coins and Currency subject.","This subject contains anniversaries, commemorations, and celebrations of historical events not uniquely associated with specific organizations including anniversaries relating to the history of Alexandria and the life of George Washington.","This subject contains records relating to various fire departments and services of Alexandria. For additional material on these subjects see related collections.","This subject contains records concerning the government of Alexandria, official notices and other government interactions, bonds from the Alexandria Corporation, as well as some records from Potomac and Fairfax.","This subject includes information on specific properties in Alexandria, cemeteries, and a historical building survey from the 1950s. It is recommended that individuals researching the properties documented here first consult the non-manuscript vertical file in the main reading room in most cases.","Documents regarding the Alexandria library and other libraries as well as some collected material on Alexandria history sent to the library in the 1980s.","This subject includes two print publications, one containing an article on a historic house and the other consisting of an almanac listing significant dates in Confederate history.","This subject covers local private organizations, lodges, and clubs prominently including masonic and Confederate groups.","This subject includes business records primarily relating to named individuals. For the records of named businesses see: businesses, for correspondence relating to personal and private matters see: personal.","This subject includes personal letters, diaries, and memoirs as well as personal certificates.","This subject contains political speeches and tracts, as well as records concerning election campaigns and advocacy on political issues. It also includes appointments to public offices in Alexandria, for other offices see: personal. For actual government administrative records and records about the legal status of Alexandria see: government.","This subjects consists of assorted material relating to railroads, principally in the Alexandria region. These include bills, tickets, schedules, and bonds.","This subject includes documents concerning houses of worship and non-school religious institutions as well as sermons. Also includes a print magazine article about the dioceses of Virginia.","Documents relating to educational institutions in Alexandria and the educational system in general. Includes records about named individuals.","This subject contains tourism related material as well as restaurant menus.","Includes materials relating to the transportation infrastructure of the Alexandria region and related businesses including shipping, the canal, and the harbor, but also bus lines, roads and Army Corps of Engineers infrastructure projects.","Local History and Special Collections Branch, Alexandria Library","Cazenove Family","Cazenove, Harriot E., 1823-1896","Cazenove, Anthony Charles, 1775-1852","Cazenove, Louis A., 1851-1925","English"],"unitid_tesim":["MS240","/repositories/2/resources/89"],"normalized_title_ssm":["Alexandria History Collection (MS240)"],"collection_title_tesim":["Alexandria History Collection (MS240)"],"collection_ssim":["Alexandria History Collection (MS240)"],"repository_ssm":["Alexandria Library"],"repository_ssim":["Alexandria Library"],"acqinfo_ssim":["This collection was created circa 1976 and was expanded over many years through small donations and acquisitions. Accession information is unavailable for many of the items in the collection."],"has_online_content_ssim":["false"],"extent_ssm":["8.75 Cubic Feet 14.5 legal size, 2 oversize"],"extent_tesim":["8.75 Cubic Feet 14.5 legal size, 2 oversize"],"dimensions_tesim":["Oversize boxes 24.75x20.75x3.5"],"date_range_isim":[1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"arrangement_html_tesm":["\u003cp\u003eFormerly titled \"Vertical File (Manuscript) Collection\"\u003c/p\u003e\n","\u003cp\u003eThe collection is arranged alphabetically by subject. The collection is further split by size, with two additional oversized boxes containing materials from the same subjects as listed below.\u003c/p\u003e\n","\u003cp\u003eThe subjects are described as follows:\u003c/p\u003e\n","\u003cp\u003eAfrican-American History\n\u003cbr\u003eAlexandria-Juvenile\n\u003cbr\u003eBusinesses\n\u003cbr\u003eCivil War and Reconstruction\n\u003cbr\u003eCollectables\n\u003cbr\u003eCulture\n\u003cbr\u003eEvents\n\u003cbr\u003eFire\n\u003cbr\u003eGovernment\n\u003cbr\u003eHistoric Places\n\u003cbr\u003eLibrary\n\u003cbr\u003eMagazines\n\u003cbr\u003eOrganizations\n\u003cbr\u003ePersonal Business\n\u003cbr\u003ePersonal\n\u003cbr\u003ePolitics\n\u003cbr\u003eRailroads\n\u003cbr\u003eReligion\n\u003cbr\u003eSchools\n\u003cbr\u003eTourism and Foodways\n\u003cbr\u003eTransportation\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Formerly titled \"Vertical File (Manuscript) Collection\"","The collection is arranged alphabetically by subject. The collection is further split by size, with two additional oversized boxes containing materials from the same subjects as listed below.","The subjects are described as follows:","African-American History\n Alexandria-Juvenile\n Businesses\n Civil War and Reconstruction\n Collectables\n Culture\n Events\n Fire\n Government\n Historic Places\n Library\n Magazines\n Organizations\n Personal Business\n Personal\n Politics\n Railroads\n Religion\n Schools\n Tourism and Foodways\n Transportation"],"scopecontent_html_tesm":["\u003cp\u003eThe manuscripts vertical file is an artificial collection containing a wide variety of unique manuscript items relating to Alexandria, Virginia residents, businesses, organizations, and history.\u003c/p\u003e\n","\u003cp\u003eThe majority of the items are manuscript pages but the collection also includes books and ephemera. It is strong in local business advertisements, stationary, and records as well as correspondence, legal and financial papers, memorabilia, and school-related documents. The majority of the documents date from the 19th century, although 18th and 20th century documents are also present.\u003c/p\u003e\n","\u003cp\u003eSome notable documents include: a book of auction records from 1837-1840 including sales of houses, ships, and slaves; an apothecary formula book, several examples of late-18th century legal papers, Civil War passes into Washington for the Leadbeater family, an Alexandria High School student exercise book from 1859-1863, apprenticeship indentures, an 1841 retrocession petition, and records of fires in the city from the 1930s and 1950s.\u003c/p\u003e","\u003cp\u003eThis subject concerns African American history in Alexandria including records relating to slavery and Black political and religious rights as well as a flyer from the Robert Robinson Branch Library. Most records documenting the activities of free blacks in Alexandria in the antebellum period fall into this category as do modern records that are notable due to an association with African Americans or their communities.\u003c/p\u003e","\u003cp\u003eThis subject covers Alexandria-related juvenilia with no known association with any particular individual, business, government, or organization with which it might be grouped by purpose or provenance and currently includes a juvenile work on the history of Virginia.\u003c/p\u003e","\u003cp\u003eThis subject consists of records from Alexandria businesses from banks and industrial enterprises to small businesses like wholesalers. They include financial records, receipts and billheads, but also catalogs, advertisements and account books. Also listed here are some promotional materials about the Alexandria business community in general.\u003c/p\u003e","\u003cp\u003eThis subject contains documents relating to or stemming from the war and its aftermath, primarily consisting of Civil War letters. It also contains some Confederate memorabilia, but for Confederate currency see under the Collectables-Coins and Currency subject.\u003c/p\u003e","\u003cp\u003eThis subject contains anniversaries, commemorations, and celebrations of historical events not uniquely associated with specific organizations including anniversaries relating to the history of Alexandria and the life of George Washington.\u003c/p\u003e","\u003cp\u003eThis subject contains records relating to various fire departments and services of Alexandria. For additional material on these subjects see related collections.\u003c/p\u003e","\u003cp\u003eThis subject contains records concerning the government of Alexandria, official notices and other government interactions, bonds from the Alexandria Corporation, as well as some records from Potomac and Fairfax.\u003c/p\u003e","\u003cp\u003eThis subject includes information on specific properties in Alexandria, cemeteries, and a historical building survey from the 1950s. It is recommended that individuals researching the properties documented here first consult the non-manuscript vertical file in the main reading room in most cases.\u003c/p\u003e","\u003cp\u003eDocuments regarding the Alexandria library and other libraries as well as some collected material on Alexandria history sent to the library in the 1980s.\u003c/p\u003e","\u003cp\u003eThis subject includes two print publications, one containing an article on a historic house and the other consisting of an almanac listing significant dates in Confederate history.\u003c/p\u003e","\u003cp\u003eThis subject covers local private organizations, lodges, and clubs prominently including masonic and Confederate groups.\u003c/p\u003e","\u003cp\u003eThis subject includes business records primarily relating to named individuals. For the records of named businesses see: businesses, for correspondence relating to personal and private matters see: personal.\u003c/p\u003e","\u003cp\u003eThis subject includes personal letters, diaries, and memoirs as well as personal certificates.\u003c/p\u003e","\u003cp\u003eThis subject contains political speeches and tracts, as well as records concerning election campaigns and advocacy on political issues. It also includes appointments to public offices in Alexandria, for other offices see: personal. For actual government administrative records and records about the legal status of Alexandria see: government.\u003c/p\u003e","\u003cp\u003eThis subjects consists of assorted material relating to railroads, principally in the Alexandria region. These include bills, tickets, schedules, and bonds.\u003c/p\u003e","\u003cp\u003eThis subject includes documents concerning houses of worship and non-school religious institutions as well as sermons. Also includes a print magazine article about the dioceses of Virginia.\u003c/p\u003e","\u003cp\u003eDocuments relating to educational institutions in Alexandria and the educational system in general. Includes records about named individuals.\u003c/p\u003e","\u003cp\u003eThis subject contains tourism related material as well as restaurant menus.\u003c/p\u003e","\u003cp\u003eIncludes materials relating to the transportation infrastructure of the Alexandria region and related businesses including shipping, the canal, and the harbor, but also bus lines, roads and Army Corps of Engineers infrastructure projects.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The manuscripts vertical file is an artificial collection containing a wide variety of unique manuscript items relating to Alexandria, Virginia residents, businesses, organizations, and history.","The majority of the items are manuscript pages but the collection also includes books and ephemera. It is strong in local business advertisements, stationary, and records as well as correspondence, legal and financial papers, memorabilia, and school-related documents. The majority of the documents date from the 19th century, although 18th and 20th century documents are also present.","Some notable documents include: a book of auction records from 1837-1840 including sales of houses, ships, and slaves; an apothecary formula book, several examples of late-18th century legal papers, Civil War passes into Washington for the Leadbeater family, an Alexandria High School student exercise book from 1859-1863, apprenticeship indentures, an 1841 retrocession petition, and records of fires in the city from the 1930s and 1950s.","This subject concerns African American history in Alexandria including records relating to slavery and Black political and religious rights as well as a flyer from the Robert Robinson Branch Library. Most records documenting the activities of free blacks in Alexandria in the antebellum period fall into this category as do modern records that are notable due to an association with African Americans or their communities.","This subject covers Alexandria-related juvenilia with no known association with any particular individual, business, government, or organization with which it might be grouped by purpose or provenance and currently includes a juvenile work on the history of Virginia.","This subject consists of records from Alexandria businesses from banks and industrial enterprises to small businesses like wholesalers. They include financial records, receipts and billheads, but also catalogs, advertisements and account books. Also listed here are some promotional materials about the Alexandria business community in general.","This subject contains documents relating to or stemming from the war and its aftermath, primarily consisting of Civil War letters. It also contains some Confederate memorabilia, but for Confederate currency see under the Collectables-Coins and Currency subject.","This subject contains anniversaries, commemorations, and celebrations of historical events not uniquely associated with specific organizations including anniversaries relating to the history of Alexandria and the life of George Washington.","This subject contains records relating to various fire departments and services of Alexandria. For additional material on these subjects see related collections.","This subject contains records concerning the government of Alexandria, official notices and other government interactions, bonds from the Alexandria Corporation, as well as some records from Potomac and Fairfax.","This subject includes information on specific properties in Alexandria, cemeteries, and a historical building survey from the 1950s. It is recommended that individuals researching the properties documented here first consult the non-manuscript vertical file in the main reading room in most cases.","Documents regarding the Alexandria library and other libraries as well as some collected material on Alexandria history sent to the library in the 1980s.","This subject includes two print publications, one containing an article on a historic house and the other consisting of an almanac listing significant dates in Confederate history.","This subject covers local private organizations, lodges, and clubs prominently including masonic and Confederate groups.","This subject includes business records primarily relating to named individuals. For the records of named businesses see: businesses, for correspondence relating to personal and private matters see: personal.","This subject includes personal letters, diaries, and memoirs as well as personal certificates.","This subject contains political speeches and tracts, as well as records concerning election campaigns and advocacy on political issues. It also includes appointments to public offices in Alexandria, for other offices see: personal. For actual government administrative records and records about the legal status of Alexandria see: government.","This subjects consists of assorted material relating to railroads, principally in the Alexandria region. These include bills, tickets, schedules, and bonds.","This subject includes documents concerning houses of worship and non-school religious institutions as well as sermons. Also includes a print magazine article about the dioceses of Virginia.","Documents relating to educational institutions in Alexandria and the educational system in general. Includes records about named individuals.","This subject contains tourism related material as well as restaurant menus.","Includes materials relating to the transportation infrastructure of the Alexandria region and related businesses including shipping, the canal, and the harbor, but also bus lines, roads and Army Corps of Engineers infrastructure projects."],"names_ssim":["Local History and Special Collections Branch, Alexandria Library","Cazenove Family","Cazenove, Harriot E., 1823-1896","Cazenove, Anthony Charles, 1775-1852","Cazenove, Louis A., 1851-1925"],"corpname_ssim":["Local History and Special Collections Branch, Alexandria Library"],"famname_ssim":["Cazenove Family"],"persname_ssim":["Cazenove, Harriot E., 1823-1896","Cazenove, Anthony Charles, 1775-1852","Cazenove, Louis A., 1851-1925"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":683,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-05T07:15:21.073Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_89_c01"}},{"id":"vilxw_repositories_5_resources_1174","type":"collection","attributes":{"title":"African and African American photograph collection","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_1174#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains images of both African and African American individuals. The subjects photographed include military personnel, men, women, and children. Some individuals were photographed inside of a photographer's studio. The images vary in size and format and range in date from circa 1850s-1945. Each item has a description at the file level.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_1174#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vilxw_repositories_5_resources_1174","ead_ssi":"vilxw_repositories_5_resources_1174","_root_":"vilxw_repositories_5_resources_1174","_nest_parent_":"vilxw_repositories_5_resources_1174","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_1174.xml","title_filing_ssi":"African and African American photograph collection","title_ssm":["African and African American photograph collection"],"title_tesim":["African and African American photograph collection"],"unitdate_ssm":["circa 1850s-1945"],"unitdate_inclusive_ssm":["circa 1850s-1945"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0552","/repositories/5/resources/1174"],"text":["WLU.Coll.0552","/repositories/5/resources/1174","African and African American photograph collection","African American children","African Americans","Carte de visite photographs","Tintype","Ambrotype","African American women","African American men","African American soldiers","This collection is open for research use.","This collection contains images of both African and African American individuals. The subjects photographed include military personnel, men, women, and children. Some individuals were photographed inside of a photographer's studio. The images vary in size and format and range in date from circa 1850s-1945. Each item has a description at the file level.","Cased ambrotype photograph of a young woman who is posted standing. Her left arm is resting beside a book on a round table. The image is almost a full portrait.","Cased tintype of a girl who appears to be in her teenage years. She is posed sitting in a high back chair. She is holding a hat in her lap.","Carte de visite full-portrait image of a woman. She is posed standing with her left hand resting on a chair. Her right hand is holding a hat. Photography studio was Christmas and Zay's of Mansfield, Ohio.","Twenty-nine images dating from circa 1860s-1870s of the Patterson family in Richmond, Virginia. There are twenty tintypes and nine carte de visites. ","Tintype full-portrait of a woman. She is posed standing with her left hand resting on an object on a table top. Her right hand is hold the handle of a parasol. She is wearing a hat and a sash. The sash has been hand colored. Photographer was C. Campbell of Richmond.","Tintype full-portrait of a man. He is posed standing with his right arm resting against a stand. He is wearing a hat. Photographer was C. Campbell of Richmond.","Tintype portrait of a young woman. She is wearing a net bonnet with a ribbon and a necklace (choker).","Tintype portrait of a young woman. She is posed sitting in a chair. Her left hand is resting on the chair's arm, and she is wearing a ring on her left hand pointer finger. Her right hand is resting in her lap. She is wearing a hat, a brooch, and earrings.","Tintype portrait of a young man. His suit jacket is buttoned, and he is wearing a tie.","Tintype portrait of an older man. He is posed sitting down. His right hand is holding his jacket lapel. He is wearing a vest and a tie. His pocket watch fob chain is visible.","Tintype portrait of a young woman. She is posed sitting down. Her left arm is resting on a table top. She is wearing a bonnet with flowers. The flowers have been hand colored. She is wearing a ring on each hand.","Tintype portrait of a young man. He is posed sitting down with his left arm resting against a table top. The middle button on his vest is undone. His cheeks appear to have been hand colored.","Tintype portrait of a young man. He is posted sitting down. His pocket watch fob chain is visit. It appears his cheeks have been hand colored. He is wearing a ring on his left pinky finger. It also looks like he is wearing a stick pin in the lapel of his vest. The back of the tintype frame has been covered by newsprint.","Tintype portrait of a young man. His cheeks appear to have been hand colored. His tie tack is visible. There is writing on the back that may be his name, but it's hard to make out.","Tintype portrait of an older man. He is posed sitting down. His right arm is resting on the chair arm. His left arm is resting on his lap. His pocket watch fob chain is visible.","Tintype full-portrait of a young man. He is posed standing behind a chair with is left hand fingers touching the chair back. He is wearing a hat.","Tintype full-portrait of a girl. She is posed standing beside a prop which looks like a wooden fence. Her right hand is resting on the prop. She has bows in her hair.","Tintype full-portrait of an older woman. She is posed sitting on what looks to be crates draped in fabric. She is wearing a head scarf. It appears she is also wearing earrings and maybe a cuff bracelet on her left wrist.","Tintype portrait of a young woman. She is posed sitting. Her right arm is resting on a pile of two books. She is wearing what looks like a hair band.","Tintype full-portrait of a girl. She is posed standing between a tree stump prop and a chair. Her left arm is resting on the chair. She is wearing a ring on her left hand.","Tintype full-portrait of a young woman. She is posed standing next to a prop. Her left arm is resting on the prop. She has a kerchief around her neck and a hat or head covering.","Tintype portrait of a young man. He is posed seated with his left arm resting on the chair arm. He is wearing a tie tack and a ring on the pinky finger of his left hand.","Tintype portrait of a young man. His cheeks appear to have been hand colored. He is posed seated with his left hand holding onto the chair arm. He is holding something in his right hand. His pocket watch fob chain is visible as is a tie tack.","Tintype portrait of a young woman. She may be wearing a brooch. She is wearing earrings. She is identified as Laura Johnson.","Carte de visite portrait of a young man. His cheeks appear to have been hand colored. He is posed sitting down with his right arm resting on top of the back of the chair. He may be wearing a ring on the pinky finger of his left hand. The photographer was P. E. Gibbs of Richmond.","Carte de visite portrait of a young woman. Her cheeks appear to have been hand colored. She is posed standing with her arms crossed and resting on a prop. She is wearing a wedding band. The photographer was G. W. Davis of Richmond.","Carte de visite portrait of a young woman. There is spotting on the image. She is wearing a necklace and appears to have pin keeping her collar closed. She is identified as Estelle Patterson of Richmond. The photographer was Campbell's Photographic Gallery in Richmond.","There are six additional carte de visites which are believed to be associated with the Pattersons but in an unclear way. One or two of the subjects may be mixed race but the others are caucasian.","Carte de visite portrait of a young woman. There is some hand coloring on her face and hat. She is wearing a brooch. The photographer was Campbell's Photographic Art Gallery of Richmond.","Carte de visite portait of a young woman. Likely a copy of an earlier image. She is wearing earrings. The photographer was C. R. Rees and Bro. of Richmond.","Carte de visite portrait of a young woman. Likely a copy of an earlier image. She is wearing a net bonnet. She may be wearing earrings. She is identified as \"Cousin Mollie.\" The photographer was C. R. Rees and Bro. of Richmond.","Carte de visite portrait of a young man/older boy. Likely a copy of an earlier image. Photographer was Lee Gallery of Richmond.","Carte de visite full-portrait of a girl. She is posed sitting down wither her legs crossed and feet resting on a stool. Her left hand is pressed against the left side of her jaw and her left elbow is resting on a table top. She is holdin a book in her right hand. The photographer was C. R. Rees and Bro. of Richmond.","Carte de visite full-portrait of a baby. Likely a copy of an earlier image. The photographer was Frayser of Richmond.","There is also a ticket for 1/2 pound of coffee from the Canton Tea Compnay located in Richmond. On the back is stamped the name \"L. T. Robertson.\"","Tintype full-body portrait of a young boy. He is posed standing next to a stand with a round top. His right hand is resting on top of a pile of two books. His feet are bare.","Carte de visite full-portrait image of an elderly man. He is posed sitting in a chair. He is holding a cane with this left hand. A top hat is laying upside down on the floor beside him. The photograph was made by Manchester Bros. of Providence, Rhode Island.","Carte de visite of an elderly woman. It is not a full-portrait image and is likely a copy made from an earlier image. She is wearing a bonnet. Writing on the back indicates this photograph was once in an album. Someone has written a name on the back \"Mrs. [indecipherable] Gather.\"","Full length portrait of Nancy Wilson wearing a dress with one hand resting on a chair. There is a handwritten note on the back of the photograph that reads, \"My Mother, Nancy Wilson born 1844. 66 years old when she passed.\" The note is dated 1910.","Sepia-toned gelatin silver photograph mounted on cardstock. The image is of a woman posed standing with her right hand resting on a wicker chair.","Published by Strohmeyer and Wyman of New York, NY and sold by Underwood \u0026 Underwood, this stereoview shows five African American children sitting on a floor and eating watermelon. The reverse includes an ink inscription \"Anna E. Ward, July 18, 1894, from 'Papa.'\"","Sepia-toned image is mounted on thick cardstock. The young woman is in a light colored dress and seated on a porch. Her right arm is draped around the dog.","Copyrighted in 1896 by B. W. Kilbourn of Littleton, New Hampshire, this stereoview image shows 24 African men, women, and children posed with statues and musical instruments. They are gathered under a decorative umbrella at the 1895 Cotton States International Exposition. This was the third and final Cotton Exposition held in Atlanta. Its purpose was to foster trade between southern states and South American nations as well as to show the products and facilities of the region to the rest of the nation and to Europe.","Gelatin silver full-length postcard photograph of two young cowboys. One is wearing chaps, a white shirt, and a bandana tied around his neck. He is also wearing a gun holster. He's holding a revolver in his right hand. The other individual is wearing denim pants and a white shirt. He is holding a rifle in his right hand. Both are wearing cowboy hats but neither is wearing cowboy boots.","Gelatin silver print photograph mounted on cardstock. Cheyne's Studio of Hampton, Virginia is stamped on the lower mount. The image features seven Hampton Normal School students posted for a professional portrait in 1916. Hampton Normal School is now Hampton University. The male students are both African American and Indigenous. They are all dressed in the same military uniform, some with ranks on their sleeves. Five of the students are standing in a formal pose with their hands at their sides. Two students are seating in chairs with hands clasped. Placed between the seated students is a large potted plant on a stand. At the base of the stand is a lettered sign that reads: \"Success / Agr\" with a pictorial vignette of a white plow, a growing plant, and a white cloud and \"1916 / Crowns Labor.\"","These students may have been the first class of ROTC cadets. ROTC started in 1916 at Hampton.","Published by the Keystone View Company in circa 1918, this stereoview card was issued as 19118. The caption reads \"Uncle Sam Provides for Comfort of His Soldiers. Colored Troops En Route to France. Taking Train Rest at Railway Division Front.\" The reverse provides two paragraphs of text about the photograph.","Sepia-toned gelatin silver photograph of a young woman wearing an overcoat and holding a hat. She is posed standing beside a chair with her right arm leaning against the top. The photographer was Benjamin Blakemore at his studio in Staunton, Virginia.","Sepia-toned gelatin silver photograph of a young woman posed seated with a child on her lap and a child seated on her left. This image might have been taken a studio in Staunton, Virginia.","Gelatin silver print that has been hand-tinted. The image is of two men. One man is a sailor with the U. S. Navy. He's wearing a blue sailor's uniform including the beret. He is wearing a white carnation. The other man is wearing a gray pinstriped suit and a fedora. He is also wearing a white carnation. The image appears to have been take in a photographer's studio.","Gelatin silver print of a USMC platoon likely taken during basic training. The USMC established a segregated basic training camp at Camp Lejeune, NC called Montford Point. The photographer's stamp on the back is for Henry Renfrew of Jacksonville, North Carolina, which means this platoon was likely at Montford Point, circa 1943-1943. The marines are wearing their Summer Service uniform, including sabres. Most have rifles at their side. Many of the marines are indentified in pencil on the back. A few are identified in ink on the front.","Tintype studio photograph of a couple. The woman has shoulder-length curly hair and wears a tiered longsleeve dress with a brooch at the collar. The man dresses in a suit and tie with a long sportcoat. He has short hair and a goatee. Their elbows rest on a column with a decoration on top.","Sixth plate tintype studio image of a woman and a young girl. The woman wears a light-colored patterned gown and a straw hat. She sits on a chair. A young girl stands beside her and rests a hand on her shoulder. The young girl wears a white dress and boots. They are posed before a painted backdrop of a garden. The ground is covered in grass and leaves.","Studio portrait of an unidentified officer in the Uniform Rank of the Knights of Pythias. The photograph is from the C. W. Borah studio in Columbus, Ohio. The man is photographed in full regalia. He wears a double-breasted frock coat which features two vertical rows of polished brass buttons, shoulder epaulets, and a high collar. He wears a chapeau with a folded brim and a side plume. A ceremonial sword rests in his gloved hand. He wears several medals and ribbons.","Large albumen photograph of African American barbers. Photograph shows five men in white coats and bow ties standing beside velvet upholstered barber's chairs lining a long counter, ornate mirrors above each station. The men rest their hands on the chairs.","Panoramic sepia toned gelatin silver photograph of a group of unidentified African American soldiers in the U. S. Army during the circa 1940s. The photograph features 88 soldiers along with 5 white officers.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source.","Washington and Lee University, University Library Special Collections and Archives","English"],"unitid_tesim":["WLU.Coll.0552","/repositories/5/resources/1174"],"normalized_title_ssm":["African and African American photograph collection"],"collection_title_tesim":["African and African American photograph collection"],"collection_ssim":["African and African American photograph collection"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source."],"acqinfo_ssim":["Purchases in November 2023 and June 2024"],"access_subjects_ssim":["African American children","African Americans","Carte de visite photographs","Tintype","Ambrotype","African American women","African American men","African American soldiers"],"access_subjects_ssm":["African American children","African Americans","Carte de visite photographs","Tintype","Ambrotype","African American women","African American men","African American soldiers"],"has_online_content_ssim":["false"],"extent_ssm":["2.5 Linear Feet one document case, 1 folder in a shared box, 1 oversize folder"],"extent_tesim":["2.5 Linear Feet one document case, 1 folder in a shared box, 1 oversize folder"],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], African and African American Photograph Collection (WLU Coll. 0552), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], African and African American Photograph Collection (WLU Coll. 0552), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains images of both African and African American individuals. The subjects photographed include military personnel, men, women, and children. Some individuals were photographed inside of a photographer's studio. The images vary in size and format and range in date from circa 1850s-1945. Each item has a description at the file level.\u003c/p\u003e","\u003cp\u003eCased ambrotype photograph of a young woman who is posted standing. Her left arm is resting beside a book on a round table. The image is almost a full portrait.\u003c/p\u003e","\u003cp\u003eCased tintype of a girl who appears to be in her teenage years. She is posed sitting in a high back chair. She is holding a hat in her lap.\u003c/p\u003e","\u003cp\u003eCarte de visite full-portrait image of a woman. She is posed standing with her left hand resting on a chair. Her right hand is holding a hat. Photography studio was Christmas and Zay's of Mansfield, Ohio.\u003c/p\u003e","\u003cp\u003eTwenty-nine images dating from circa 1860s-1870s of the Patterson family in Richmond, Virginia. There are twenty tintypes and nine carte de visites. \u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of a woman. She is posed standing with her left hand resting on an object on a table top. Her right hand is hold the handle of a parasol. She is wearing a hat and a sash. The sash has been hand colored. Photographer was C. Campbell of Richmond.\u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of a man. He is posed standing with his right arm resting against a stand. He is wearing a hat. Photographer was C. Campbell of Richmond.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young woman. She is wearing a net bonnet with a ribbon and a necklace (choker).\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young woman. She is posed sitting in a chair. Her left hand is resting on the chair's arm, and she is wearing a ring on her left hand pointer finger. Her right hand is resting in her lap. She is wearing a hat, a brooch, and earrings.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young man. His suit jacket is buttoned, and he is wearing a tie.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of an older man. He is posed sitting down. His right hand is holding his jacket lapel. He is wearing a vest and a tie. His pocket watch fob chain is visible.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young woman. She is posed sitting down. Her left arm is resting on a table top. She is wearing a bonnet with flowers. The flowers have been hand colored. She is wearing a ring on each hand.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young man. He is posed sitting down with his left arm resting against a table top. The middle button on his vest is undone. His cheeks appear to have been hand colored.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young man. He is posted sitting down. His pocket watch fob chain is visit. It appears his cheeks have been hand colored. He is wearing a ring on his left pinky finger. It also looks like he is wearing a stick pin in the lapel of his vest. The back of the tintype frame has been covered by newsprint.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young man. His cheeks appear to have been hand colored. His tie tack is visible. There is writing on the back that may be his name, but it's hard to make out.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of an older man. He is posed sitting down. His right arm is resting on the chair arm. His left arm is resting on his lap. His pocket watch fob chain is visible.\u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of a young man. He is posed standing behind a chair with is left hand fingers touching the chair back. He is wearing a hat.\u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of a girl. She is posed standing beside a prop which looks like a wooden fence. Her right hand is resting on the prop. She has bows in her hair.\u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of an older woman. She is posed sitting on what looks to be crates draped in fabric. She is wearing a head scarf. It appears she is also wearing earrings and maybe a cuff bracelet on her left wrist.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young woman. She is posed sitting. Her right arm is resting on a pile of two books. She is wearing what looks like a hair band.\u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of a girl. She is posed standing between a tree stump prop and a chair. Her left arm is resting on the chair. She is wearing a ring on her left hand.\u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of a young woman. She is posed standing next to a prop. Her left arm is resting on the prop. She has a kerchief around her neck and a hat or head covering.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young man. He is posed seated with his left arm resting on the chair arm. He is wearing a tie tack and a ring on the pinky finger of his left hand.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young man. His cheeks appear to have been hand colored. He is posed seated with his left hand holding onto the chair arm. He is holding something in his right hand. His pocket watch fob chain is visible as is a tie tack.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young woman. She may be wearing a brooch. She is wearing earrings. She is identified as Laura Johnson.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portrait of a young man. His cheeks appear to have been hand colored. He is posed sitting down with his right arm resting on top of the back of the chair. He may be wearing a ring on the pinky finger of his left hand. The photographer was P. E. Gibbs of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portrait of a young woman. Her cheeks appear to have been hand colored. She is posed standing with her arms crossed and resting on a prop. She is wearing a wedding band. The photographer was G. W. Davis of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portrait of a young woman. There is spotting on the image. She is wearing a necklace and appears to have pin keeping her collar closed. She is identified as Estelle Patterson of Richmond. The photographer was Campbell's Photographic Gallery in Richmond.\u003c/p\u003e\n","\u003cp\u003eThere are six additional carte de visites which are believed to be associated with the Pattersons but in an unclear way. One or two of the subjects may be mixed race but the others are caucasian.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portrait of a young woman. There is some hand coloring on her face and hat. She is wearing a brooch. The photographer was Campbell's Photographic Art Gallery of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portait of a young woman. Likely a copy of an earlier image. She is wearing earrings. The photographer was C. R. Rees and Bro. of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portrait of a young woman. Likely a copy of an earlier image. She is wearing a net bonnet. She may be wearing earrings. She is identified as \"Cousin Mollie.\" The photographer was C. R. Rees and Bro. of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portrait of a young man/older boy. Likely a copy of an earlier image. Photographer was Lee Gallery of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite full-portrait of a girl. She is posed sitting down wither her legs crossed and feet resting on a stool. Her left hand is pressed against the left side of her jaw and her left elbow is resting on a table top. She is holdin a book in her right hand. The photographer was C. R. Rees and Bro. of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite full-portrait of a baby. Likely a copy of an earlier image. The photographer was Frayser of Richmond.\u003c/p\u003e\n","\u003cp\u003eThere is also a ticket for 1/2 pound of coffee from the Canton Tea Compnay located in Richmond. On the back is stamped the name \"L. T. Robertson.\"\u003c/p\u003e","\u003cp\u003eTintype full-body portrait of a young boy. He is posed standing next to a stand with a round top. His right hand is resting on top of a pile of two books. His feet are bare.\u003c/p\u003e","\u003cp\u003eCarte de visite full-portrait image of an elderly man. He is posed sitting in a chair. He is holding a cane with this left hand. A top hat is laying upside down on the floor beside him. The photograph was made by Manchester Bros. of Providence, Rhode Island.\u003c/p\u003e","\u003cp\u003eCarte de visite of an elderly woman. It is not a full-portrait image and is likely a copy made from an earlier image. She is wearing a bonnet. Writing on the back indicates this photograph was once in an album. Someone has written a name on the back \"Mrs. [indecipherable] Gather.\"\u003c/p\u003e","\u003cp\u003eFull length portrait of Nancy Wilson wearing a dress with one hand resting on a chair. There is a handwritten note on the back of the photograph that reads, \"My Mother, Nancy Wilson born 1844. 66 years old when she passed.\" The note is dated 1910.\u003c/p\u003e","\u003cp\u003eSepia-toned gelatin silver photograph mounted on cardstock. The image is of a woman posed standing with her right hand resting on a wicker chair.\u003c/p\u003e","\u003cp\u003ePublished by Strohmeyer and Wyman of New York, NY and sold by Underwood \u0026amp; Underwood, this stereoview shows five African American children sitting on a floor and eating watermelon. The reverse includes an ink inscription \"Anna E. Ward, July 18, 1894, from 'Papa.'\"\u003c/p\u003e","\u003cp\u003eSepia-toned image is mounted on thick cardstock. The young woman is in a light colored dress and seated on a porch. Her right arm is draped around the dog.\u003c/p\u003e","\u003cp\u003eCopyrighted in 1896 by B. W. Kilbourn of Littleton, New Hampshire, this stereoview image shows 24 African men, women, and children posed with statues and musical instruments. They are gathered under a decorative umbrella at the 1895 Cotton States International Exposition. This was the third and final Cotton Exposition held in Atlanta. Its purpose was to foster trade between southern states and South American nations as well as to show the products and facilities of the region to the rest of the nation and to Europe.\u003c/p\u003e","\u003cp\u003eGelatin silver full-length postcard photograph of two young cowboys. One is wearing chaps, a white shirt, and a bandana tied around his neck. He is also wearing a gun holster. He's holding a revolver in his right hand. The other individual is wearing denim pants and a white shirt. He is holding a rifle in his right hand. Both are wearing cowboy hats but neither is wearing cowboy boots.\u003c/p\u003e","\u003cp\u003eGelatin silver print photograph mounted on cardstock. Cheyne's Studio of Hampton, Virginia is stamped on the lower mount. The image features seven Hampton Normal School students posted for a professional portrait in 1916. Hampton Normal School is now Hampton University. The male students are both African American and Indigenous. They are all dressed in the same military uniform, some with ranks on their sleeves. Five of the students are standing in a formal pose with their hands at their sides. Two students are seating in chairs with hands clasped. Placed between the seated students is a large potted plant on a stand. At the base of the stand is a lettered sign that reads: \"Success / Agr\" with a pictorial vignette of a white plow, a growing plant, and a white cloud and \"1916 / Crowns Labor.\"\u003c/p\u003e\n","\u003cp\u003eThese students may have been the first class of ROTC cadets. ROTC started in 1916 at Hampton.\u003c/p\u003e","\u003cp\u003ePublished by the Keystone View Company in circa 1918, this stereoview card was issued as 19118. The caption reads \"Uncle Sam Provides for Comfort of His Soldiers. Colored Troops En Route to France. Taking Train Rest at Railway Division Front.\" The reverse provides two paragraphs of text about the photograph.\u003c/p\u003e","\u003cp\u003eSepia-toned gelatin silver photograph of a young woman wearing an overcoat and holding a hat. She is posed standing beside a chair with her right arm leaning against the top. The photographer was Benjamin Blakemore at his studio in Staunton, Virginia.\u003c/p\u003e","\u003cp\u003eSepia-toned gelatin silver photograph of a young woman posed seated with a child on her lap and a child seated on her left. This image might have been taken a studio in Staunton, Virginia.\u003c/p\u003e","\u003cp\u003eGelatin silver print that has been hand-tinted. The image is of two men. One man is a sailor with the U. S. Navy. He's wearing a blue sailor's uniform including the beret. He is wearing a white carnation. The other man is wearing a gray pinstriped suit and a fedora. He is also wearing a white carnation. The image appears to have been take in a photographer's studio.\u003c/p\u003e","\u003cp\u003eGelatin silver print of a USMC platoon likely taken during basic training. The USMC established a segregated basic training camp at Camp Lejeune, NC called Montford Point. The photographer's stamp on the back is for Henry Renfrew of Jacksonville, North Carolina, which means this platoon was likely at Montford Point, circa 1943-1943. The marines are wearing their Summer Service uniform, including sabres. Most have rifles at their side. Many of the marines are indentified in pencil on the back. A few are identified in ink on the front.\u003c/p\u003e","\u003cp\u003eTintype studio photograph of a couple. The woman has shoulder-length curly hair and wears a tiered longsleeve dress with a brooch at the collar. The man dresses in a suit and tie with a long sportcoat. He has short hair and a goatee. Their elbows rest on a column with a decoration on top.\u003c/p\u003e","\u003cp\u003eSixth plate tintype studio image of a woman and a young girl. The woman wears a light-colored patterned gown and a straw hat. She sits on a chair. A young girl stands beside her and rests a hand on her shoulder. The young girl wears a white dress and boots. They are posed before a painted backdrop of a garden. The ground is covered in grass and leaves.\u003c/p\u003e","\u003cp\u003eStudio portrait of an unidentified officer in the Uniform Rank of the Knights of Pythias. The photograph is from the C. W. Borah studio in Columbus, Ohio. The man is photographed in full regalia. He wears a double-breasted frock coat which features two vertical rows of polished brass buttons, shoulder epaulets, and a high collar. He wears a chapeau with a folded brim and a side plume. A ceremonial sword rests in his gloved hand. He wears several medals and ribbons.\u003c/p\u003e","\u003cp\u003eLarge albumen photograph of African American barbers. Photograph shows five men in white coats and bow ties standing beside velvet upholstered barber's chairs lining a long counter, ornate mirrors above each station. The men rest their hands on the chairs.\u003c/p\u003e","\u003cp\u003ePanoramic sepia toned gelatin silver photograph of a group of unidentified African American soldiers in the U. S. Army during the circa 1940s. The photograph features 88 soldiers along with 5 white officers.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains images of both African and African American individuals. The subjects photographed include military personnel, men, women, and children. Some individuals were photographed inside of a photographer's studio. The images vary in size and format and range in date from circa 1850s-1945. Each item has a description at the file level.","Cased ambrotype photograph of a young woman who is posted standing. Her left arm is resting beside a book on a round table. The image is almost a full portrait.","Cased tintype of a girl who appears to be in her teenage years. She is posed sitting in a high back chair. She is holding a hat in her lap.","Carte de visite full-portrait image of a woman. She is posed standing with her left hand resting on a chair. Her right hand is holding a hat. Photography studio was Christmas and Zay's of Mansfield, Ohio.","Twenty-nine images dating from circa 1860s-1870s of the Patterson family in Richmond, Virginia. There are twenty tintypes and nine carte de visites. ","Tintype full-portrait of a woman. She is posed standing with her left hand resting on an object on a table top. Her right hand is hold the handle of a parasol. She is wearing a hat and a sash. The sash has been hand colored. Photographer was C. Campbell of Richmond.","Tintype full-portrait of a man. He is posed standing with his right arm resting against a stand. He is wearing a hat. Photographer was C. Campbell of Richmond.","Tintype portrait of a young woman. She is wearing a net bonnet with a ribbon and a necklace (choker).","Tintype portrait of a young woman. She is posed sitting in a chair. Her left hand is resting on the chair's arm, and she is wearing a ring on her left hand pointer finger. Her right hand is resting in her lap. She is wearing a hat, a brooch, and earrings.","Tintype portrait of a young man. His suit jacket is buttoned, and he is wearing a tie.","Tintype portrait of an older man. He is posed sitting down. His right hand is holding his jacket lapel. He is wearing a vest and a tie. His pocket watch fob chain is visible.","Tintype portrait of a young woman. She is posed sitting down. Her left arm is resting on a table top. She is wearing a bonnet with flowers. The flowers have been hand colored. She is wearing a ring on each hand.","Tintype portrait of a young man. He is posed sitting down with his left arm resting against a table top. The middle button on his vest is undone. His cheeks appear to have been hand colored.","Tintype portrait of a young man. He is posted sitting down. His pocket watch fob chain is visit. It appears his cheeks have been hand colored. He is wearing a ring on his left pinky finger. It also looks like he is wearing a stick pin in the lapel of his vest. The back of the tintype frame has been covered by newsprint.","Tintype portrait of a young man. His cheeks appear to have been hand colored. His tie tack is visible. There is writing on the back that may be his name, but it's hard to make out.","Tintype portrait of an older man. He is posed sitting down. His right arm is resting on the chair arm. His left arm is resting on his lap. His pocket watch fob chain is visible.","Tintype full-portrait of a young man. He is posed standing behind a chair with is left hand fingers touching the chair back. He is wearing a hat.","Tintype full-portrait of a girl. She is posed standing beside a prop which looks like a wooden fence. Her right hand is resting on the prop. She has bows in her hair.","Tintype full-portrait of an older woman. She is posed sitting on what looks to be crates draped in fabric. She is wearing a head scarf. It appears she is also wearing earrings and maybe a cuff bracelet on her left wrist.","Tintype portrait of a young woman. She is posed sitting. Her right arm is resting on a pile of two books. She is wearing what looks like a hair band.","Tintype full-portrait of a girl. She is posed standing between a tree stump prop and a chair. Her left arm is resting on the chair. She is wearing a ring on her left hand.","Tintype full-portrait of a young woman. She is posed standing next to a prop. Her left arm is resting on the prop. She has a kerchief around her neck and a hat or head covering.","Tintype portrait of a young man. He is posed seated with his left arm resting on the chair arm. He is wearing a tie tack and a ring on the pinky finger of his left hand.","Tintype portrait of a young man. His cheeks appear to have been hand colored. He is posed seated with his left hand holding onto the chair arm. He is holding something in his right hand. His pocket watch fob chain is visible as is a tie tack.","Tintype portrait of a young woman. She may be wearing a brooch. She is wearing earrings. She is identified as Laura Johnson.","Carte de visite portrait of a young man. His cheeks appear to have been hand colored. He is posed sitting down with his right arm resting on top of the back of the chair. He may be wearing a ring on the pinky finger of his left hand. The photographer was P. E. Gibbs of Richmond.","Carte de visite portrait of a young woman. Her cheeks appear to have been hand colored. She is posed standing with her arms crossed and resting on a prop. She is wearing a wedding band. The photographer was G. W. Davis of Richmond.","Carte de visite portrait of a young woman. There is spotting on the image. She is wearing a necklace and appears to have pin keeping her collar closed. She is identified as Estelle Patterson of Richmond. The photographer was Campbell's Photographic Gallery in Richmond.","There are six additional carte de visites which are believed to be associated with the Pattersons but in an unclear way. One or two of the subjects may be mixed race but the others are caucasian.","Carte de visite portrait of a young woman. There is some hand coloring on her face and hat. She is wearing a brooch. The photographer was Campbell's Photographic Art Gallery of Richmond.","Carte de visite portait of a young woman. Likely a copy of an earlier image. She is wearing earrings. The photographer was C. R. Rees and Bro. of Richmond.","Carte de visite portrait of a young woman. Likely a copy of an earlier image. She is wearing a net bonnet. She may be wearing earrings. She is identified as \"Cousin Mollie.\" The photographer was C. R. Rees and Bro. of Richmond.","Carte de visite portrait of a young man/older boy. Likely a copy of an earlier image. Photographer was Lee Gallery of Richmond.","Carte de visite full-portrait of a girl. She is posed sitting down wither her legs crossed and feet resting on a stool. Her left hand is pressed against the left side of her jaw and her left elbow is resting on a table top. She is holdin a book in her right hand. The photographer was C. R. Rees and Bro. of Richmond.","Carte de visite full-portrait of a baby. Likely a copy of an earlier image. The photographer was Frayser of Richmond.","There is also a ticket for 1/2 pound of coffee from the Canton Tea Compnay located in Richmond. On the back is stamped the name \"L. T. Robertson.\"","Tintype full-body portrait of a young boy. He is posed standing next to a stand with a round top. His right hand is resting on top of a pile of two books. His feet are bare.","Carte de visite full-portrait image of an elderly man. He is posed sitting in a chair. He is holding a cane with this left hand. A top hat is laying upside down on the floor beside him. The photograph was made by Manchester Bros. of Providence, Rhode Island.","Carte de visite of an elderly woman. It is not a full-portrait image and is likely a copy made from an earlier image. She is wearing a bonnet. Writing on the back indicates this photograph was once in an album. Someone has written a name on the back \"Mrs. [indecipherable] Gather.\"","Full length portrait of Nancy Wilson wearing a dress with one hand resting on a chair. There is a handwritten note on the back of the photograph that reads, \"My Mother, Nancy Wilson born 1844. 66 years old when she passed.\" The note is dated 1910.","Sepia-toned gelatin silver photograph mounted on cardstock. The image is of a woman posed standing with her right hand resting on a wicker chair.","Published by Strohmeyer and Wyman of New York, NY and sold by Underwood \u0026 Underwood, this stereoview shows five African American children sitting on a floor and eating watermelon. The reverse includes an ink inscription \"Anna E. Ward, July 18, 1894, from 'Papa.'\"","Sepia-toned image is mounted on thick cardstock. The young woman is in a light colored dress and seated on a porch. Her right arm is draped around the dog.","Copyrighted in 1896 by B. W. Kilbourn of Littleton, New Hampshire, this stereoview image shows 24 African men, women, and children posed with statues and musical instruments. They are gathered under a decorative umbrella at the 1895 Cotton States International Exposition. This was the third and final Cotton Exposition held in Atlanta. Its purpose was to foster trade between southern states and South American nations as well as to show the products and facilities of the region to the rest of the nation and to Europe.","Gelatin silver full-length postcard photograph of two young cowboys. One is wearing chaps, a white shirt, and a bandana tied around his neck. He is also wearing a gun holster. He's holding a revolver in his right hand. The other individual is wearing denim pants and a white shirt. He is holding a rifle in his right hand. Both are wearing cowboy hats but neither is wearing cowboy boots.","Gelatin silver print photograph mounted on cardstock. Cheyne's Studio of Hampton, Virginia is stamped on the lower mount. The image features seven Hampton Normal School students posted for a professional portrait in 1916. Hampton Normal School is now Hampton University. The male students are both African American and Indigenous. They are all dressed in the same military uniform, some with ranks on their sleeves. Five of the students are standing in a formal pose with their hands at their sides. Two students are seating in chairs with hands clasped. Placed between the seated students is a large potted plant on a stand. At the base of the stand is a lettered sign that reads: \"Success / Agr\" with a pictorial vignette of a white plow, a growing plant, and a white cloud and \"1916 / Crowns Labor.\"","These students may have been the first class of ROTC cadets. ROTC started in 1916 at Hampton.","Published by the Keystone View Company in circa 1918, this stereoview card was issued as 19118. The caption reads \"Uncle Sam Provides for Comfort of His Soldiers. Colored Troops En Route to France. Taking Train Rest at Railway Division Front.\" The reverse provides two paragraphs of text about the photograph.","Sepia-toned gelatin silver photograph of a young woman wearing an overcoat and holding a hat. She is posed standing beside a chair with her right arm leaning against the top. The photographer was Benjamin Blakemore at his studio in Staunton, Virginia.","Sepia-toned gelatin silver photograph of a young woman posed seated with a child on her lap and a child seated on her left. This image might have been taken a studio in Staunton, Virginia.","Gelatin silver print that has been hand-tinted. The image is of two men. One man is a sailor with the U. S. Navy. He's wearing a blue sailor's uniform including the beret. He is wearing a white carnation. The other man is wearing a gray pinstriped suit and a fedora. He is also wearing a white carnation. The image appears to have been take in a photographer's studio.","Gelatin silver print of a USMC platoon likely taken during basic training. The USMC established a segregated basic training camp at Camp Lejeune, NC called Montford Point. The photographer's stamp on the back is for Henry Renfrew of Jacksonville, North Carolina, which means this platoon was likely at Montford Point, circa 1943-1943. The marines are wearing their Summer Service uniform, including sabres. Most have rifles at their side. Many of the marines are indentified in pencil on the back. A few are identified in ink on the front.","Tintype studio photograph of a couple. The woman has shoulder-length curly hair and wears a tiered longsleeve dress with a brooch at the collar. The man dresses in a suit and tie with a long sportcoat. He has short hair and a goatee. Their elbows rest on a column with a decoration on top.","Sixth plate tintype studio image of a woman and a young girl. The woman wears a light-colored patterned gown and a straw hat. She sits on a chair. A young girl stands beside her and rests a hand on her shoulder. The young girl wears a white dress and boots. They are posed before a painted backdrop of a garden. The ground is covered in grass and leaves.","Studio portrait of an unidentified officer in the Uniform Rank of the Knights of Pythias. The photograph is from the C. W. Borah studio in Columbus, Ohio. The man is photographed in full regalia. He wears a double-breasted frock coat which features two vertical rows of polished brass buttons, shoulder epaulets, and a high collar. He wears a chapeau with a folded brim and a side plume. A ceremonial sword rests in his gloved hand. He wears several medals and ribbons.","Large albumen photograph of African American barbers. Photograph shows five men in white coats and bow ties standing beside velvet upholstered barber's chairs lining a long counter, ornate mirrors above each station. The men rest their hands on the chairs.","Panoramic sepia toned gelatin silver photograph of a group of unidentified African American soldiers in the U. S. Army during the circa 1940s. The photograph features 88 soldiers along with 5 white officers."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source."],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":24,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T22:07:48.730Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_1174","ead_ssi":"vilxw_repositories_5_resources_1174","_root_":"vilxw_repositories_5_resources_1174","_nest_parent_":"vilxw_repositories_5_resources_1174","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_1174.xml","title_filing_ssi":"African and African American photograph collection","title_ssm":["African and African American photograph collection"],"title_tesim":["African and African American photograph collection"],"unitdate_ssm":["circa 1850s-1945"],"unitdate_inclusive_ssm":["circa 1850s-1945"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0552","/repositories/5/resources/1174"],"text":["WLU.Coll.0552","/repositories/5/resources/1174","African and African American photograph collection","African American children","African Americans","Carte de visite photographs","Tintype","Ambrotype","African American women","African American men","African American soldiers","This collection is open for research use.","This collection contains images of both African and African American individuals. The subjects photographed include military personnel, men, women, and children. Some individuals were photographed inside of a photographer's studio. The images vary in size and format and range in date from circa 1850s-1945. Each item has a description at the file level.","Cased ambrotype photograph of a young woman who is posted standing. Her left arm is resting beside a book on a round table. The image is almost a full portrait.","Cased tintype of a girl who appears to be in her teenage years. She is posed sitting in a high back chair. She is holding a hat in her lap.","Carte de visite full-portrait image of a woman. She is posed standing with her left hand resting on a chair. Her right hand is holding a hat. Photography studio was Christmas and Zay's of Mansfield, Ohio.","Twenty-nine images dating from circa 1860s-1870s of the Patterson family in Richmond, Virginia. There are twenty tintypes and nine carte de visites. ","Tintype full-portrait of a woman. She is posed standing with her left hand resting on an object on a table top. Her right hand is hold the handle of a parasol. She is wearing a hat and a sash. The sash has been hand colored. Photographer was C. Campbell of Richmond.","Tintype full-portrait of a man. He is posed standing with his right arm resting against a stand. He is wearing a hat. Photographer was C. Campbell of Richmond.","Tintype portrait of a young woman. She is wearing a net bonnet with a ribbon and a necklace (choker).","Tintype portrait of a young woman. She is posed sitting in a chair. Her left hand is resting on the chair's arm, and she is wearing a ring on her left hand pointer finger. Her right hand is resting in her lap. She is wearing a hat, a brooch, and earrings.","Tintype portrait of a young man. His suit jacket is buttoned, and he is wearing a tie.","Tintype portrait of an older man. He is posed sitting down. His right hand is holding his jacket lapel. He is wearing a vest and a tie. His pocket watch fob chain is visible.","Tintype portrait of a young woman. She is posed sitting down. Her left arm is resting on a table top. She is wearing a bonnet with flowers. The flowers have been hand colored. She is wearing a ring on each hand.","Tintype portrait of a young man. He is posed sitting down with his left arm resting against a table top. The middle button on his vest is undone. His cheeks appear to have been hand colored.","Tintype portrait of a young man. He is posted sitting down. His pocket watch fob chain is visit. It appears his cheeks have been hand colored. He is wearing a ring on his left pinky finger. It also looks like he is wearing a stick pin in the lapel of his vest. The back of the tintype frame has been covered by newsprint.","Tintype portrait of a young man. His cheeks appear to have been hand colored. His tie tack is visible. There is writing on the back that may be his name, but it's hard to make out.","Tintype portrait of an older man. He is posed sitting down. His right arm is resting on the chair arm. His left arm is resting on his lap. His pocket watch fob chain is visible.","Tintype full-portrait of a young man. He is posed standing behind a chair with is left hand fingers touching the chair back. He is wearing a hat.","Tintype full-portrait of a girl. She is posed standing beside a prop which looks like a wooden fence. Her right hand is resting on the prop. She has bows in her hair.","Tintype full-portrait of an older woman. She is posed sitting on what looks to be crates draped in fabric. She is wearing a head scarf. It appears she is also wearing earrings and maybe a cuff bracelet on her left wrist.","Tintype portrait of a young woman. She is posed sitting. Her right arm is resting on a pile of two books. She is wearing what looks like a hair band.","Tintype full-portrait of a girl. She is posed standing between a tree stump prop and a chair. Her left arm is resting on the chair. She is wearing a ring on her left hand.","Tintype full-portrait of a young woman. She is posed standing next to a prop. Her left arm is resting on the prop. She has a kerchief around her neck and a hat or head covering.","Tintype portrait of a young man. He is posed seated with his left arm resting on the chair arm. He is wearing a tie tack and a ring on the pinky finger of his left hand.","Tintype portrait of a young man. His cheeks appear to have been hand colored. He is posed seated with his left hand holding onto the chair arm. He is holding something in his right hand. His pocket watch fob chain is visible as is a tie tack.","Tintype portrait of a young woman. She may be wearing a brooch. She is wearing earrings. She is identified as Laura Johnson.","Carte de visite portrait of a young man. His cheeks appear to have been hand colored. He is posed sitting down with his right arm resting on top of the back of the chair. He may be wearing a ring on the pinky finger of his left hand. The photographer was P. E. Gibbs of Richmond.","Carte de visite portrait of a young woman. Her cheeks appear to have been hand colored. She is posed standing with her arms crossed and resting on a prop. She is wearing a wedding band. The photographer was G. W. Davis of Richmond.","Carte de visite portrait of a young woman. There is spotting on the image. She is wearing a necklace and appears to have pin keeping her collar closed. She is identified as Estelle Patterson of Richmond. The photographer was Campbell's Photographic Gallery in Richmond.","There are six additional carte de visites which are believed to be associated with the Pattersons but in an unclear way. One or two of the subjects may be mixed race but the others are caucasian.","Carte de visite portrait of a young woman. There is some hand coloring on her face and hat. She is wearing a brooch. The photographer was Campbell's Photographic Art Gallery of Richmond.","Carte de visite portait of a young woman. Likely a copy of an earlier image. She is wearing earrings. The photographer was C. R. Rees and Bro. of Richmond.","Carte de visite portrait of a young woman. Likely a copy of an earlier image. She is wearing a net bonnet. She may be wearing earrings. She is identified as \"Cousin Mollie.\" The photographer was C. R. Rees and Bro. of Richmond.","Carte de visite portrait of a young man/older boy. Likely a copy of an earlier image. Photographer was Lee Gallery of Richmond.","Carte de visite full-portrait of a girl. She is posed sitting down wither her legs crossed and feet resting on a stool. Her left hand is pressed against the left side of her jaw and her left elbow is resting on a table top. She is holdin a book in her right hand. The photographer was C. R. Rees and Bro. of Richmond.","Carte de visite full-portrait of a baby. Likely a copy of an earlier image. The photographer was Frayser of Richmond.","There is also a ticket for 1/2 pound of coffee from the Canton Tea Compnay located in Richmond. On the back is stamped the name \"L. T. Robertson.\"","Tintype full-body portrait of a young boy. He is posed standing next to a stand with a round top. His right hand is resting on top of a pile of two books. His feet are bare.","Carte de visite full-portrait image of an elderly man. He is posed sitting in a chair. He is holding a cane with this left hand. A top hat is laying upside down on the floor beside him. The photograph was made by Manchester Bros. of Providence, Rhode Island.","Carte de visite of an elderly woman. It is not a full-portrait image and is likely a copy made from an earlier image. She is wearing a bonnet. Writing on the back indicates this photograph was once in an album. Someone has written a name on the back \"Mrs. [indecipherable] Gather.\"","Full length portrait of Nancy Wilson wearing a dress with one hand resting on a chair. There is a handwritten note on the back of the photograph that reads, \"My Mother, Nancy Wilson born 1844. 66 years old when she passed.\" The note is dated 1910.","Sepia-toned gelatin silver photograph mounted on cardstock. The image is of a woman posed standing with her right hand resting on a wicker chair.","Published by Strohmeyer and Wyman of New York, NY and sold by Underwood \u0026 Underwood, this stereoview shows five African American children sitting on a floor and eating watermelon. The reverse includes an ink inscription \"Anna E. Ward, July 18, 1894, from 'Papa.'\"","Sepia-toned image is mounted on thick cardstock. The young woman is in a light colored dress and seated on a porch. Her right arm is draped around the dog.","Copyrighted in 1896 by B. W. Kilbourn of Littleton, New Hampshire, this stereoview image shows 24 African men, women, and children posed with statues and musical instruments. They are gathered under a decorative umbrella at the 1895 Cotton States International Exposition. This was the third and final Cotton Exposition held in Atlanta. Its purpose was to foster trade between southern states and South American nations as well as to show the products and facilities of the region to the rest of the nation and to Europe.","Gelatin silver full-length postcard photograph of two young cowboys. One is wearing chaps, a white shirt, and a bandana tied around his neck. He is also wearing a gun holster. He's holding a revolver in his right hand. The other individual is wearing denim pants and a white shirt. He is holding a rifle in his right hand. Both are wearing cowboy hats but neither is wearing cowboy boots.","Gelatin silver print photograph mounted on cardstock. Cheyne's Studio of Hampton, Virginia is stamped on the lower mount. The image features seven Hampton Normal School students posted for a professional portrait in 1916. Hampton Normal School is now Hampton University. The male students are both African American and Indigenous. They are all dressed in the same military uniform, some with ranks on their sleeves. Five of the students are standing in a formal pose with their hands at their sides. Two students are seating in chairs with hands clasped. Placed between the seated students is a large potted plant on a stand. At the base of the stand is a lettered sign that reads: \"Success / Agr\" with a pictorial vignette of a white plow, a growing plant, and a white cloud and \"1916 / Crowns Labor.\"","These students may have been the first class of ROTC cadets. ROTC started in 1916 at Hampton.","Published by the Keystone View Company in circa 1918, this stereoview card was issued as 19118. The caption reads \"Uncle Sam Provides for Comfort of His Soldiers. Colored Troops En Route to France. Taking Train Rest at Railway Division Front.\" The reverse provides two paragraphs of text about the photograph.","Sepia-toned gelatin silver photograph of a young woman wearing an overcoat and holding a hat. She is posed standing beside a chair with her right arm leaning against the top. The photographer was Benjamin Blakemore at his studio in Staunton, Virginia.","Sepia-toned gelatin silver photograph of a young woman posed seated with a child on her lap and a child seated on her left. This image might have been taken a studio in Staunton, Virginia.","Gelatin silver print that has been hand-tinted. The image is of two men. One man is a sailor with the U. S. Navy. He's wearing a blue sailor's uniform including the beret. He is wearing a white carnation. The other man is wearing a gray pinstriped suit and a fedora. He is also wearing a white carnation. The image appears to have been take in a photographer's studio.","Gelatin silver print of a USMC platoon likely taken during basic training. The USMC established a segregated basic training camp at Camp Lejeune, NC called Montford Point. The photographer's stamp on the back is for Henry Renfrew of Jacksonville, North Carolina, which means this platoon was likely at Montford Point, circa 1943-1943. The marines are wearing their Summer Service uniform, including sabres. Most have rifles at their side. Many of the marines are indentified in pencil on the back. A few are identified in ink on the front.","Tintype studio photograph of a couple. The woman has shoulder-length curly hair and wears a tiered longsleeve dress with a brooch at the collar. The man dresses in a suit and tie with a long sportcoat. He has short hair and a goatee. Their elbows rest on a column with a decoration on top.","Sixth plate tintype studio image of a woman and a young girl. The woman wears a light-colored patterned gown and a straw hat. She sits on a chair. A young girl stands beside her and rests a hand on her shoulder. The young girl wears a white dress and boots. They are posed before a painted backdrop of a garden. The ground is covered in grass and leaves.","Studio portrait of an unidentified officer in the Uniform Rank of the Knights of Pythias. The photograph is from the C. W. Borah studio in Columbus, Ohio. The man is photographed in full regalia. He wears a double-breasted frock coat which features two vertical rows of polished brass buttons, shoulder epaulets, and a high collar. He wears a chapeau with a folded brim and a side plume. A ceremonial sword rests in his gloved hand. He wears several medals and ribbons.","Large albumen photograph of African American barbers. Photograph shows five men in white coats and bow ties standing beside velvet upholstered barber's chairs lining a long counter, ornate mirrors above each station. The men rest their hands on the chairs.","Panoramic sepia toned gelatin silver photograph of a group of unidentified African American soldiers in the U. S. Army during the circa 1940s. The photograph features 88 soldiers along with 5 white officers.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source.","Washington and Lee University, University Library Special Collections and Archives","English"],"unitid_tesim":["WLU.Coll.0552","/repositories/5/resources/1174"],"normalized_title_ssm":["African and African American photograph collection"],"collection_title_tesim":["African and African American photograph collection"],"collection_ssim":["African and African American photograph collection"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source."],"acqinfo_ssim":["Purchases in November 2023 and June 2024"],"access_subjects_ssim":["African American children","African Americans","Carte de visite photographs","Tintype","Ambrotype","African American women","African American men","African American soldiers"],"access_subjects_ssm":["African American children","African Americans","Carte de visite photographs","Tintype","Ambrotype","African American women","African American men","African American soldiers"],"has_online_content_ssim":["false"],"extent_ssm":["2.5 Linear Feet one document case, 1 folder in a shared box, 1 oversize folder"],"extent_tesim":["2.5 Linear Feet one document case, 1 folder in a shared box, 1 oversize folder"],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], African and African American Photograph Collection (WLU Coll. 0552), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], African and African American Photograph Collection (WLU Coll. 0552), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains images of both African and African American individuals. The subjects photographed include military personnel, men, women, and children. Some individuals were photographed inside of a photographer's studio. The images vary in size and format and range in date from circa 1850s-1945. Each item has a description at the file level.\u003c/p\u003e","\u003cp\u003eCased ambrotype photograph of a young woman who is posted standing. Her left arm is resting beside a book on a round table. The image is almost a full portrait.\u003c/p\u003e","\u003cp\u003eCased tintype of a girl who appears to be in her teenage years. She is posed sitting in a high back chair. She is holding a hat in her lap.\u003c/p\u003e","\u003cp\u003eCarte de visite full-portrait image of a woman. She is posed standing with her left hand resting on a chair. Her right hand is holding a hat. Photography studio was Christmas and Zay's of Mansfield, Ohio.\u003c/p\u003e","\u003cp\u003eTwenty-nine images dating from circa 1860s-1870s of the Patterson family in Richmond, Virginia. There are twenty tintypes and nine carte de visites. \u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of a woman. She is posed standing with her left hand resting on an object on a table top. Her right hand is hold the handle of a parasol. She is wearing a hat and a sash. The sash has been hand colored. Photographer was C. Campbell of Richmond.\u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of a man. He is posed standing with his right arm resting against a stand. He is wearing a hat. Photographer was C. Campbell of Richmond.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young woman. She is wearing a net bonnet with a ribbon and a necklace (choker).\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young woman. She is posed sitting in a chair. Her left hand is resting on the chair's arm, and she is wearing a ring on her left hand pointer finger. Her right hand is resting in her lap. She is wearing a hat, a brooch, and earrings.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young man. His suit jacket is buttoned, and he is wearing a tie.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of an older man. He is posed sitting down. His right hand is holding his jacket lapel. He is wearing a vest and a tie. His pocket watch fob chain is visible.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young woman. She is posed sitting down. Her left arm is resting on a table top. She is wearing a bonnet with flowers. The flowers have been hand colored. She is wearing a ring on each hand.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young man. He is posed sitting down with his left arm resting against a table top. The middle button on his vest is undone. His cheeks appear to have been hand colored.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young man. He is posted sitting down. His pocket watch fob chain is visit. It appears his cheeks have been hand colored. He is wearing a ring on his left pinky finger. It also looks like he is wearing a stick pin in the lapel of his vest. The back of the tintype frame has been covered by newsprint.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young man. His cheeks appear to have been hand colored. His tie tack is visible. There is writing on the back that may be his name, but it's hard to make out.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of an older man. He is posed sitting down. His right arm is resting on the chair arm. His left arm is resting on his lap. His pocket watch fob chain is visible.\u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of a young man. He is posed standing behind a chair with is left hand fingers touching the chair back. He is wearing a hat.\u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of a girl. She is posed standing beside a prop which looks like a wooden fence. Her right hand is resting on the prop. She has bows in her hair.\u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of an older woman. She is posed sitting on what looks to be crates draped in fabric. She is wearing a head scarf. It appears she is also wearing earrings and maybe a cuff bracelet on her left wrist.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young woman. She is posed sitting. Her right arm is resting on a pile of two books. She is wearing what looks like a hair band.\u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of a girl. She is posed standing between a tree stump prop and a chair. Her left arm is resting on the chair. She is wearing a ring on her left hand.\u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of a young woman. She is posed standing next to a prop. Her left arm is resting on the prop. She has a kerchief around her neck and a hat or head covering.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young man. He is posed seated with his left arm resting on the chair arm. He is wearing a tie tack and a ring on the pinky finger of his left hand.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young man. His cheeks appear to have been hand colored. He is posed seated with his left hand holding onto the chair arm. He is holding something in his right hand. His pocket watch fob chain is visible as is a tie tack.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young woman. She may be wearing a brooch. She is wearing earrings. She is identified as Laura Johnson.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portrait of a young man. His cheeks appear to have been hand colored. He is posed sitting down with his right arm resting on top of the back of the chair. He may be wearing a ring on the pinky finger of his left hand. The photographer was P. E. Gibbs of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portrait of a young woman. Her cheeks appear to have been hand colored. She is posed standing with her arms crossed and resting on a prop. She is wearing a wedding band. The photographer was G. W. Davis of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portrait of a young woman. There is spotting on the image. She is wearing a necklace and appears to have pin keeping her collar closed. She is identified as Estelle Patterson of Richmond. The photographer was Campbell's Photographic Gallery in Richmond.\u003c/p\u003e\n","\u003cp\u003eThere are six additional carte de visites which are believed to be associated with the Pattersons but in an unclear way. One or two of the subjects may be mixed race but the others are caucasian.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portrait of a young woman. There is some hand coloring on her face and hat. She is wearing a brooch. The photographer was Campbell's Photographic Art Gallery of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portait of a young woman. Likely a copy of an earlier image. She is wearing earrings. The photographer was C. R. Rees and Bro. of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portrait of a young woman. Likely a copy of an earlier image. She is wearing a net bonnet. She may be wearing earrings. She is identified as \"Cousin Mollie.\" The photographer was C. R. Rees and Bro. of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portrait of a young man/older boy. Likely a copy of an earlier image. Photographer was Lee Gallery of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite full-portrait of a girl. She is posed sitting down wither her legs crossed and feet resting on a stool. Her left hand is pressed against the left side of her jaw and her left elbow is resting on a table top. She is holdin a book in her right hand. The photographer was C. R. Rees and Bro. of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite full-portrait of a baby. Likely a copy of an earlier image. The photographer was Frayser of Richmond.\u003c/p\u003e\n","\u003cp\u003eThere is also a ticket for 1/2 pound of coffee from the Canton Tea Compnay located in Richmond. On the back is stamped the name \"L. T. Robertson.\"\u003c/p\u003e","\u003cp\u003eTintype full-body portrait of a young boy. He is posed standing next to a stand with a round top. His right hand is resting on top of a pile of two books. His feet are bare.\u003c/p\u003e","\u003cp\u003eCarte de visite full-portrait image of an elderly man. He is posed sitting in a chair. He is holding a cane with this left hand. A top hat is laying upside down on the floor beside him. The photograph was made by Manchester Bros. of Providence, Rhode Island.\u003c/p\u003e","\u003cp\u003eCarte de visite of an elderly woman. It is not a full-portrait image and is likely a copy made from an earlier image. She is wearing a bonnet. Writing on the back indicates this photograph was once in an album. Someone has written a name on the back \"Mrs. [indecipherable] Gather.\"\u003c/p\u003e","\u003cp\u003eFull length portrait of Nancy Wilson wearing a dress with one hand resting on a chair. There is a handwritten note on the back of the photograph that reads, \"My Mother, Nancy Wilson born 1844. 66 years old when she passed.\" The note is dated 1910.\u003c/p\u003e","\u003cp\u003eSepia-toned gelatin silver photograph mounted on cardstock. The image is of a woman posed standing with her right hand resting on a wicker chair.\u003c/p\u003e","\u003cp\u003ePublished by Strohmeyer and Wyman of New York, NY and sold by Underwood \u0026amp; Underwood, this stereoview shows five African American children sitting on a floor and eating watermelon. The reverse includes an ink inscription \"Anna E. Ward, July 18, 1894, from 'Papa.'\"\u003c/p\u003e","\u003cp\u003eSepia-toned image is mounted on thick cardstock. The young woman is in a light colored dress and seated on a porch. Her right arm is draped around the dog.\u003c/p\u003e","\u003cp\u003eCopyrighted in 1896 by B. W. Kilbourn of Littleton, New Hampshire, this stereoview image shows 24 African men, women, and children posed with statues and musical instruments. They are gathered under a decorative umbrella at the 1895 Cotton States International Exposition. This was the third and final Cotton Exposition held in Atlanta. Its purpose was to foster trade between southern states and South American nations as well as to show the products and facilities of the region to the rest of the nation and to Europe.\u003c/p\u003e","\u003cp\u003eGelatin silver full-length postcard photograph of two young cowboys. One is wearing chaps, a white shirt, and a bandana tied around his neck. He is also wearing a gun holster. He's holding a revolver in his right hand. The other individual is wearing denim pants and a white shirt. He is holding a rifle in his right hand. Both are wearing cowboy hats but neither is wearing cowboy boots.\u003c/p\u003e","\u003cp\u003eGelatin silver print photograph mounted on cardstock. Cheyne's Studio of Hampton, Virginia is stamped on the lower mount. The image features seven Hampton Normal School students posted for a professional portrait in 1916. Hampton Normal School is now Hampton University. The male students are both African American and Indigenous. They are all dressed in the same military uniform, some with ranks on their sleeves. Five of the students are standing in a formal pose with their hands at their sides. Two students are seating in chairs with hands clasped. Placed between the seated students is a large potted plant on a stand. At the base of the stand is a lettered sign that reads: \"Success / Agr\" with a pictorial vignette of a white plow, a growing plant, and a white cloud and \"1916 / Crowns Labor.\"\u003c/p\u003e\n","\u003cp\u003eThese students may have been the first class of ROTC cadets. ROTC started in 1916 at Hampton.\u003c/p\u003e","\u003cp\u003ePublished by the Keystone View Company in circa 1918, this stereoview card was issued as 19118. The caption reads \"Uncle Sam Provides for Comfort of His Soldiers. Colored Troops En Route to France. Taking Train Rest at Railway Division Front.\" The reverse provides two paragraphs of text about the photograph.\u003c/p\u003e","\u003cp\u003eSepia-toned gelatin silver photograph of a young woman wearing an overcoat and holding a hat. She is posed standing beside a chair with her right arm leaning against the top. The photographer was Benjamin Blakemore at his studio in Staunton, Virginia.\u003c/p\u003e","\u003cp\u003eSepia-toned gelatin silver photograph of a young woman posed seated with a child on her lap and a child seated on her left. This image might have been taken a studio in Staunton, Virginia.\u003c/p\u003e","\u003cp\u003eGelatin silver print that has been hand-tinted. The image is of two men. One man is a sailor with the U. S. Navy. He's wearing a blue sailor's uniform including the beret. He is wearing a white carnation. The other man is wearing a gray pinstriped suit and a fedora. He is also wearing a white carnation. The image appears to have been take in a photographer's studio.\u003c/p\u003e","\u003cp\u003eGelatin silver print of a USMC platoon likely taken during basic training. The USMC established a segregated basic training camp at Camp Lejeune, NC called Montford Point. The photographer's stamp on the back is for Henry Renfrew of Jacksonville, North Carolina, which means this platoon was likely at Montford Point, circa 1943-1943. The marines are wearing their Summer Service uniform, including sabres. Most have rifles at their side. Many of the marines are indentified in pencil on the back. A few are identified in ink on the front.\u003c/p\u003e","\u003cp\u003eTintype studio photograph of a couple. The woman has shoulder-length curly hair and wears a tiered longsleeve dress with a brooch at the collar. The man dresses in a suit and tie with a long sportcoat. He has short hair and a goatee. Their elbows rest on a column with a decoration on top.\u003c/p\u003e","\u003cp\u003eSixth plate tintype studio image of a woman and a young girl. The woman wears a light-colored patterned gown and a straw hat. She sits on a chair. A young girl stands beside her and rests a hand on her shoulder. The young girl wears a white dress and boots. They are posed before a painted backdrop of a garden. The ground is covered in grass and leaves.\u003c/p\u003e","\u003cp\u003eStudio portrait of an unidentified officer in the Uniform Rank of the Knights of Pythias. The photograph is from the C. W. Borah studio in Columbus, Ohio. The man is photographed in full regalia. He wears a double-breasted frock coat which features two vertical rows of polished brass buttons, shoulder epaulets, and a high collar. He wears a chapeau with a folded brim and a side plume. A ceremonial sword rests in his gloved hand. He wears several medals and ribbons.\u003c/p\u003e","\u003cp\u003eLarge albumen photograph of African American barbers. Photograph shows five men in white coats and bow ties standing beside velvet upholstered barber's chairs lining a long counter, ornate mirrors above each station. The men rest their hands on the chairs.\u003c/p\u003e","\u003cp\u003ePanoramic sepia toned gelatin silver photograph of a group of unidentified African American soldiers in the U. S. Army during the circa 1940s. The photograph features 88 soldiers along with 5 white officers.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains images of both African and African American individuals. The subjects photographed include military personnel, men, women, and children. Some individuals were photographed inside of a photographer's studio. The images vary in size and format and range in date from circa 1850s-1945. Each item has a description at the file level.","Cased ambrotype photograph of a young woman who is posted standing. Her left arm is resting beside a book on a round table. The image is almost a full portrait.","Cased tintype of a girl who appears to be in her teenage years. She is posed sitting in a high back chair. She is holding a hat in her lap.","Carte de visite full-portrait image of a woman. She is posed standing with her left hand resting on a chair. Her right hand is holding a hat. Photography studio was Christmas and Zay's of Mansfield, Ohio.","Twenty-nine images dating from circa 1860s-1870s of the Patterson family in Richmond, Virginia. There are twenty tintypes and nine carte de visites. ","Tintype full-portrait of a woman. She is posed standing with her left hand resting on an object on a table top. Her right hand is hold the handle of a parasol. She is wearing a hat and a sash. The sash has been hand colored. Photographer was C. Campbell of Richmond.","Tintype full-portrait of a man. He is posed standing with his right arm resting against a stand. He is wearing a hat. Photographer was C. Campbell of Richmond.","Tintype portrait of a young woman. She is wearing a net bonnet with a ribbon and a necklace (choker).","Tintype portrait of a young woman. She is posed sitting in a chair. Her left hand is resting on the chair's arm, and she is wearing a ring on her left hand pointer finger. Her right hand is resting in her lap. She is wearing a hat, a brooch, and earrings.","Tintype portrait of a young man. His suit jacket is buttoned, and he is wearing a tie.","Tintype portrait of an older man. He is posed sitting down. His right hand is holding his jacket lapel. He is wearing a vest and a tie. His pocket watch fob chain is visible.","Tintype portrait of a young woman. She is posed sitting down. Her left arm is resting on a table top. She is wearing a bonnet with flowers. The flowers have been hand colored. She is wearing a ring on each hand.","Tintype portrait of a young man. He is posed sitting down with his left arm resting against a table top. The middle button on his vest is undone. His cheeks appear to have been hand colored.","Tintype portrait of a young man. He is posted sitting down. His pocket watch fob chain is visit. It appears his cheeks have been hand colored. He is wearing a ring on his left pinky finger. It also looks like he is wearing a stick pin in the lapel of his vest. The back of the tintype frame has been covered by newsprint.","Tintype portrait of a young man. His cheeks appear to have been hand colored. His tie tack is visible. There is writing on the back that may be his name, but it's hard to make out.","Tintype portrait of an older man. He is posed sitting down. His right arm is resting on the chair arm. His left arm is resting on his lap. His pocket watch fob chain is visible.","Tintype full-portrait of a young man. He is posed standing behind a chair with is left hand fingers touching the chair back. He is wearing a hat.","Tintype full-portrait of a girl. She is posed standing beside a prop which looks like a wooden fence. Her right hand is resting on the prop. She has bows in her hair.","Tintype full-portrait of an older woman. She is posed sitting on what looks to be crates draped in fabric. She is wearing a head scarf. It appears she is also wearing earrings and maybe a cuff bracelet on her left wrist.","Tintype portrait of a young woman. She is posed sitting. Her right arm is resting on a pile of two books. She is wearing what looks like a hair band.","Tintype full-portrait of a girl. She is posed standing between a tree stump prop and a chair. Her left arm is resting on the chair. She is wearing a ring on her left hand.","Tintype full-portrait of a young woman. She is posed standing next to a prop. Her left arm is resting on the prop. She has a kerchief around her neck and a hat or head covering.","Tintype portrait of a young man. He is posed seated with his left arm resting on the chair arm. He is wearing a tie tack and a ring on the pinky finger of his left hand.","Tintype portrait of a young man. His cheeks appear to have been hand colored. He is posed seated with his left hand holding onto the chair arm. He is holding something in his right hand. His pocket watch fob chain is visible as is a tie tack.","Tintype portrait of a young woman. She may be wearing a brooch. She is wearing earrings. She is identified as Laura Johnson.","Carte de visite portrait of a young man. His cheeks appear to have been hand colored. He is posed sitting down with his right arm resting on top of the back of the chair. He may be wearing a ring on the pinky finger of his left hand. The photographer was P. E. Gibbs of Richmond.","Carte de visite portrait of a young woman. Her cheeks appear to have been hand colored. She is posed standing with her arms crossed and resting on a prop. She is wearing a wedding band. The photographer was G. W. Davis of Richmond.","Carte de visite portrait of a young woman. There is spotting on the image. She is wearing a necklace and appears to have pin keeping her collar closed. She is identified as Estelle Patterson of Richmond. The photographer was Campbell's Photographic Gallery in Richmond.","There are six additional carte de visites which are believed to be associated with the Pattersons but in an unclear way. One or two of the subjects may be mixed race but the others are caucasian.","Carte de visite portrait of a young woman. There is some hand coloring on her face and hat. She is wearing a brooch. The photographer was Campbell's Photographic Art Gallery of Richmond.","Carte de visite portait of a young woman. Likely a copy of an earlier image. She is wearing earrings. The photographer was C. R. Rees and Bro. of Richmond.","Carte de visite portrait of a young woman. Likely a copy of an earlier image. She is wearing a net bonnet. She may be wearing earrings. She is identified as \"Cousin Mollie.\" The photographer was C. R. Rees and Bro. of Richmond.","Carte de visite portrait of a young man/older boy. Likely a copy of an earlier image. Photographer was Lee Gallery of Richmond.","Carte de visite full-portrait of a girl. She is posed sitting down wither her legs crossed and feet resting on a stool. Her left hand is pressed against the left side of her jaw and her left elbow is resting on a table top. She is holdin a book in her right hand. The photographer was C. R. Rees and Bro. of Richmond.","Carte de visite full-portrait of a baby. Likely a copy of an earlier image. The photographer was Frayser of Richmond.","There is also a ticket for 1/2 pound of coffee from the Canton Tea Compnay located in Richmond. On the back is stamped the name \"L. T. Robertson.\"","Tintype full-body portrait of a young boy. He is posed standing next to a stand with a round top. His right hand is resting on top of a pile of two books. His feet are bare.","Carte de visite full-portrait image of an elderly man. He is posed sitting in a chair. He is holding a cane with this left hand. A top hat is laying upside down on the floor beside him. The photograph was made by Manchester Bros. of Providence, Rhode Island.","Carte de visite of an elderly woman. It is not a full-portrait image and is likely a copy made from an earlier image. She is wearing a bonnet. Writing on the back indicates this photograph was once in an album. Someone has written a name on the back \"Mrs. [indecipherable] Gather.\"","Full length portrait of Nancy Wilson wearing a dress with one hand resting on a chair. There is a handwritten note on the back of the photograph that reads, \"My Mother, Nancy Wilson born 1844. 66 years old when she passed.\" The note is dated 1910.","Sepia-toned gelatin silver photograph mounted on cardstock. The image is of a woman posed standing with her right hand resting on a wicker chair.","Published by Strohmeyer and Wyman of New York, NY and sold by Underwood \u0026 Underwood, this stereoview shows five African American children sitting on a floor and eating watermelon. The reverse includes an ink inscription \"Anna E. Ward, July 18, 1894, from 'Papa.'\"","Sepia-toned image is mounted on thick cardstock. The young woman is in a light colored dress and seated on a porch. Her right arm is draped around the dog.","Copyrighted in 1896 by B. W. Kilbourn of Littleton, New Hampshire, this stereoview image shows 24 African men, women, and children posed with statues and musical instruments. They are gathered under a decorative umbrella at the 1895 Cotton States International Exposition. This was the third and final Cotton Exposition held in Atlanta. Its purpose was to foster trade between southern states and South American nations as well as to show the products and facilities of the region to the rest of the nation and to Europe.","Gelatin silver full-length postcard photograph of two young cowboys. One is wearing chaps, a white shirt, and a bandana tied around his neck. He is also wearing a gun holster. He's holding a revolver in his right hand. The other individual is wearing denim pants and a white shirt. He is holding a rifle in his right hand. Both are wearing cowboy hats but neither is wearing cowboy boots.","Gelatin silver print photograph mounted on cardstock. Cheyne's Studio of Hampton, Virginia is stamped on the lower mount. The image features seven Hampton Normal School students posted for a professional portrait in 1916. Hampton Normal School is now Hampton University. The male students are both African American and Indigenous. They are all dressed in the same military uniform, some with ranks on their sleeves. Five of the students are standing in a formal pose with their hands at their sides. Two students are seating in chairs with hands clasped. Placed between the seated students is a large potted plant on a stand. At the base of the stand is a lettered sign that reads: \"Success / Agr\" with a pictorial vignette of a white plow, a growing plant, and a white cloud and \"1916 / Crowns Labor.\"","These students may have been the first class of ROTC cadets. ROTC started in 1916 at Hampton.","Published by the Keystone View Company in circa 1918, this stereoview card was issued as 19118. The caption reads \"Uncle Sam Provides for Comfort of His Soldiers. Colored Troops En Route to France. Taking Train Rest at Railway Division Front.\" The reverse provides two paragraphs of text about the photograph.","Sepia-toned gelatin silver photograph of a young woman wearing an overcoat and holding a hat. She is posed standing beside a chair with her right arm leaning against the top. The photographer was Benjamin Blakemore at his studio in Staunton, Virginia.","Sepia-toned gelatin silver photograph of a young woman posed seated with a child on her lap and a child seated on her left. This image might have been taken a studio in Staunton, Virginia.","Gelatin silver print that has been hand-tinted. The image is of two men. One man is a sailor with the U. S. Navy. He's wearing a blue sailor's uniform including the beret. He is wearing a white carnation. The other man is wearing a gray pinstriped suit and a fedora. He is also wearing a white carnation. The image appears to have been take in a photographer's studio.","Gelatin silver print of a USMC platoon likely taken during basic training. The USMC established a segregated basic training camp at Camp Lejeune, NC called Montford Point. The photographer's stamp on the back is for Henry Renfrew of Jacksonville, North Carolina, which means this platoon was likely at Montford Point, circa 1943-1943. The marines are wearing their Summer Service uniform, including sabres. Most have rifles at their side. Many of the marines are indentified in pencil on the back. A few are identified in ink on the front.","Tintype studio photograph of a couple. The woman has shoulder-length curly hair and wears a tiered longsleeve dress with a brooch at the collar. The man dresses in a suit and tie with a long sportcoat. He has short hair and a goatee. Their elbows rest on a column with a decoration on top.","Sixth plate tintype studio image of a woman and a young girl. The woman wears a light-colored patterned gown and a straw hat. She sits on a chair. A young girl stands beside her and rests a hand on her shoulder. The young girl wears a white dress and boots. They are posed before a painted backdrop of a garden. The ground is covered in grass and leaves.","Studio portrait of an unidentified officer in the Uniform Rank of the Knights of Pythias. The photograph is from the C. W. Borah studio in Columbus, Ohio. The man is photographed in full regalia. He wears a double-breasted frock coat which features two vertical rows of polished brass buttons, shoulder epaulets, and a high collar. He wears a chapeau with a folded brim and a side plume. A ceremonial sword rests in his gloved hand. He wears several medals and ribbons.","Large albumen photograph of African American barbers. Photograph shows five men in white coats and bow ties standing beside velvet upholstered barber's chairs lining a long counter, ornate mirrors above each station. The men rest their hands on the chairs.","Panoramic sepia toned gelatin silver photograph of a group of unidentified African American soldiers in the U. S. Army during the circa 1940s. The photograph features 88 soldiers along with 5 white officers."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source."],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":24,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T22:07:48.730Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_1174"}},{"id":"viu_viu00103_c01_c13972","type":"Item","attributes":{"title":"A.F. Terrell to John Hartwell\n                  Cocke.","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_viu00103_c01_c13972#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu00103_c01_c13972","ref_ssm":["viu_viu00103_c01_c13972"],"id":"viu_viu00103_c01_c13972","ead_ssi":"viu_viu00103","_root_":"viu_viu00103","_nest_parent_":"viu_viu00103_c01","parent_ssi":"viu_viu00103_c01","parent_ssim":["viu_viu00103","viu_viu00103_c01"],"parent_ids_ssim":["viu_viu00103","viu_viu00103_c01"],"parent_unittitles_ssm":["Cocke Family Papers, \n         1725-1939","Correspondence"],"parent_unittitles_tesim":["Cocke Family Papers, \n         1725-1939","Correspondence"],"text":["Cocke Family Papers, \n         1725-1939","Correspondence","A.F. Terrell to John Hartwell\n                  Cocke.","box Box 140"],"title_filing_ssi":"A.F. Terrell to John Hartwell\n                  Cocke.","title_ssm":["A.F. Terrell to John Hartwell\n                  Cocke."],"title_tesim":["A.F. Terrell to John Hartwell\n                  Cocke."],"unitdate_other_ssim":["1852 May 25"],"normalized_date_ssm":["1852"],"normalized_title_ssm":["A.F. Terrell to John Hartwell\n                  Cocke."],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Cocke Family Papers, \n         1725-1939"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":13973,"date_range_isim":[1852],"containers_ssim":["box Box 140"],"_nest_path_":"/components#0/components#13971","timestamp":"2026-05-21T13:06:39.919Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu00103","ead_ssi":"viu_viu00103","_root_":"viu_viu00103","_nest_parent_":"viu_viu00103","ead_source_url_ssi":"data/uva-sc/viu00103.xml","title_ssm":["Cocke Family Papers, \n         1725-1939"],"title_tesim":["Cocke Family Papers, \n         1725-1939"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["640, etc."],"text":["640, etc.","Cocke Family Papers, \n         1725-1939","This collection\n         consists of ca. 25,000 items.","There are no restrictions.","The various Cocke collections that are owned by the University (gifts and purchases) have been interfiled\n            chronologically in one series and designated as #640, etc. Correspondence, legal and financial papers, speeches, and\n            other types of material are grouped together with material of the same date range in the same boxes. Most of the\n            correspondence is single-foldered, with the correspondents identified in the folder listing and in the Cocke sliplist\n            located in Special Collections.\n The collection includes: Correspondence and other material in order by date(s): Boxes 1-178; Undated\n            Correspondence: Boxes 179-181; 3) Undated Miscellaneous Papers re agriculture, architecture, inventions, public\n            improvements, medicine and illness, military papers, slavery and abolition, temperance, and the University of\n            Virginia: Boxes 182-187; 4) Bound Volumes: Boxes 188-191; 5) Diaries of Louisa Maxwell Holmes Cocke: Boxes 192-194\n            (on microfilm M-1676-1678); 6) Oversize Material: 3 boxes.\n Excluded from this series are the following Cocke collections, which remain on deposit: PHILIP ST. GEORGE\n            COCKE PAPERS: #2433-a (reaccessioned as part of #2433-m), #2433-f, #2433-g, #2433-h, #2433-k (withdrawn; no copies\n            retained), #2433-m (withdrawn; copies retained), #2433-p (withdrawn; copies retained). JOHN HARTWELL COCKE PAPERS:\n            #5685, #5685-a.","The various Cocke collections that are owned by the University (gifts and purchases) have been interfiled\n            chronologically in one series and designated as #640, etc. Correspondence, legal and financial papers, speeches, and\n            other types of material are grouped together with material of the same date range in the same boxes. Most of the\n            correspondence is single-foldered, with the correspondents identified in the folder listing and in the Cocke sliplist\n            located in Special Collections.\n","The collection includes: Correspondence and other material in order by date(s): Boxes 1-178; Undated\n            Correspondence: Boxes 179-181; 3) Undated Miscellaneous Papers re agriculture, architecture, inventions, public\n            improvements, medicine and illness, military papers, slavery and abolition, temperance, and the University of\n            Virginia: Boxes 182-187; 4) Bound Volumes: Boxes 188-191; 5) Diaries of Louisa Maxwell Holmes Cocke: Boxes 192-194\n            (on microfilm M-1676-1678); 6) Oversize Material: 3 boxes.\n","Excluded from this series are the following Cocke collections, which remain on deposit: PHILIP ST. GEORGE\n            COCKE PAPERS: #2433-a (reaccessioned as part of #2433-m), #2433-f, #2433-g, #2433-h, #2433-k (withdrawn; no copies\n            retained), #2433-m (withdrawn; copies retained), #2433-p (withdrawn; copies retained). JOHN HARTWELL COCKE PAPERS:\n            #5685, #5685-a.","John Hartwell Cocke was born in 1780 in the Tidewater county of Surry, the son of John Hartwell and Elizabeth\n         (Kennon) Cocke. By the age of twenty-one, Cocke was the master of over 5,500 acres of land in Surry and Fluvanna counties. A\n         few years after Cocke married Anne Blaws Barraud (\"Nancy\") of Norfolk, Virginia in 1802, he sold his Surry County holdings\n         and moved to a frame dwelling at Bremo Recess, Fluvanna County, and began work on a finer home, \"Bremo.\" He owned\n         three large plantations along the James River, Bremo Recess, Upper Bremo, and Lower Bremo, each containing over a thousand\n         acres of land. During the War of 1812, Cocke served in the Virginia militia, rising from captain to brigadier general in\n         eighteen months. His first wife, Anne Blaws Barraud Cocke (1785-1816) did not live to see the completion of \"Bremo\" in\n         1820, but Cocke and his second wife, Louisa Maxwell Holmes (m. 1821), lived there until their deaths.\n","Other milestones in the life of John Hartwell Cocke include his elections as Vice-President of the Virginia Temperance\n         Society in 1830 and as President in 1834; his election as President of the United States Temperance Union in 1836; his\n         membership on the University of Virginia Board of Visitors from its inception as Central College in 1819 until 1852;\n         membership on the Virginia Board of Public Works, 1823-1829; his primary role in the founding of the Agricultural Society\n         of Albemarle in 1817; and service on the James River and Kanawha Canal Company Board of Directors. John Hartwell Cocke\n         was greatly troubled by the issue of slavery, and he concentrated his time and money in promoting the American\n         Colonization Society, and preparing his slaves for gradual emancipation through vocational training and teaching them to\n         read and write.","The papers of the Cocke family of Fluvanna County, Virginia, and related Barraud family, Faulcon family, and\n         other families, consist of ca. 25,000 items, (194 Hollinger boxes, ca. 64.5 linear shelf feet), 1725- 1939, and contains\n         correspondence, legal and financial papers, diaries of John Hartwell Cocke, Louisa Maxwell Holmes Cocke, and Lucy Cocke,\n         minutes of the Board of Visitors of the University ofVirginia, diagrams and sketches concerning the University,\n         bound volumes, sketches and drawings, college and school notes, poetry, orations and speeches, essays, genealogy, and\n         lists pertaining to agriculture, music and other subjects.","Major topics covered by the collection include: the development of agriculture in Virginia, merino sheep, horse\n         breeding and purchases, slavery, the American Colonization Society, temperance movement, other religious and reform\n         groups, book dealers, religion, the War of 1812, the Civil War, public education (including the Bremo Seminary), the\n         founding and development of the University of Virginia and public improvements. The bulk of the papers were generated by\n         General John Hartwell Cocke (1780-1866) and his immediate descendants.","Contains \"List of Negroes Born\" 1791-1806, which includes an entry for the birth of Robert Kennon.","\"For Keeping Beck \u0026 children\" [Robert Kennon]","Mentions British landing, War of 1812.","Concerning Robert Kennon's inheritance.","Surveys the family structures, occupations, places of residence, and religious beliefs of Cocke's over 200 slaves. Only the 108 \"working slaves\" were questioned regarding whether they professed Christianity. Cocke began manumitting deserving Christian slaves in 1832, an additional incentive for belief among his bondsmen and a possible motivation for the survey.\n\t\t","Entry for 1853 January 26 includes Cocke's comments on Thomas Jefferson and Sally Hemings","Entry for 1859 April 27 includes Cocke's comments on Thomas Jefferson and Sally Hemings.","Removed and cataloged as UF860.M5 1831","See the \n             \n            University of Virginia Library’s use policy.","English"],"unitid_tesim":["640, etc."],"normalized_title_ssm":["Cocke Family Papers, \n         1725-1939"],"collection_title_tesim":["Cocke Family Papers, \n         1725-1939"],"collection_ssim":["Cocke Family Papers, \n         1725-1939"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["The collection of Cocke family papers grouped under the number #640, etc. is comprised of several different\n            collections of papers that were formerly on loan to the University of Virginia Library, including: #640, #1335,\n            #1431, #1480, #2890, #3604, # 5213, #5680, #6418, and #2433 (except -a, -f, -g, -h, -k, -m, and -p). On April 5 and\n            November 10, 1979, accessions #640, #1335, #1480, #2433, #2890, #5680, and #6418 were purchased by the University of\n            Virginia Library from John Page Elliott of Charlottesville, Virginia, and Joseph F. Johnston, Trustee of The Bremo\n            Trust, of Birmingham, Alabama. Accession #1431 was purchased by the University of Virginia Library from Mrs.\n            Raymond Orf, \"Bremo Recess,\" Bremo Bluff, Fluvanna County, Virginia, on July 25, 1972. Accession #3604 was given to\n            the Library on November 14, 1950, by Mr. William Cabell Moore, Washington, D.C. and #5213 was given to the Library\n            on April 4, 1956, by Richard C. Marshall, Washington, D.C."],"has_online_content_ssim":["false"],"physdesc_tesim":["This collection\n         consists of ca. 25,000 items."],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no restrictions."],"arrangement_html_tesm":["\u003carrangement\u003e\n        \u003cp\u003eThe various Cocke collections that are owned by the University (gifts and purchases) have been interfiled\n            chronologically in one series and designated as #640, etc. Correspondence, legal and financial papers, speeches, and\n            other types of material are grouped together with material of the same date range in the same boxes. Most of the\n            correspondence is single-foldered, with the correspondents identified in the folder listing and in the Cocke sliplist\n            located in Special Collections.\n\u003c/p\u003e\n        \u003cp\u003eThe collection includes: Correspondence and other material in order by date(s): Boxes 1-178; Undated\n            Correspondence: Boxes 179-181; 3) Undated Miscellaneous Papers re agriculture, architecture, inventions, public\n            improvements, medicine and illness, military papers, slavery and abolition, temperance, and the University of\n            Virginia: Boxes 182-187; 4) Bound Volumes: Boxes 188-191; 5) Diaries of Louisa Maxwell Holmes Cocke: Boxes 192-194\n            (on microfilm M-1676-1678); 6) Oversize Material: 3 boxes.\n\u003c/p\u003e\n        \u003cp\u003eExcluded from this series are the following Cocke collections, which remain on deposit: PHILIP ST. GEORGE\n            COCKE PAPERS: #2433-a (reaccessioned as part of #2433-m), #2433-f, #2433-g, #2433-h, #2433-k (withdrawn; no copies\n            retained), #2433-m (withdrawn; copies retained), #2433-p (withdrawn; copies retained). JOHN HARTWELL COCKE PAPERS:\n            #5685, #5685-a.\u003c/p\u003e\n      \u003c/arrangement\u003e","\u003cp\u003eThe various Cocke collections that are owned by the University (gifts and purchases) have been interfiled\n            chronologically in one series and designated as #640, etc. Correspondence, legal and financial papers, speeches, and\n            other types of material are grouped together with material of the same date range in the same boxes. Most of the\n            correspondence is single-foldered, with the correspondents identified in the folder listing and in the Cocke sliplist\n            located in Special Collections.\n\u003c/p\u003e","\u003cp\u003eThe collection includes: Correspondence and other material in order by date(s): Boxes 1-178; Undated\n            Correspondence: Boxes 179-181; 3) Undated Miscellaneous Papers re agriculture, architecture, inventions, public\n            improvements, medicine and illness, military papers, slavery and abolition, temperance, and the University of\n            Virginia: Boxes 182-187; 4) Bound Volumes: Boxes 188-191; 5) Diaries of Louisa Maxwell Holmes Cocke: Boxes 192-194\n            (on microfilm M-1676-1678); 6) Oversize Material: 3 boxes.\n\u003c/p\u003e","\u003cp\u003eExcluded from this series are the following Cocke collections, which remain on deposit: PHILIP ST. GEORGE\n            COCKE PAPERS: #2433-a (reaccessioned as part of #2433-m), #2433-f, #2433-g, #2433-h, #2433-k (withdrawn; no copies\n            retained), #2433-m (withdrawn; copies retained), #2433-p (withdrawn; copies retained). JOHN HARTWELL COCKE PAPERS:\n            #5685, #5685-a.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The various Cocke collections that are owned by the University (gifts and purchases) have been interfiled\n            chronologically in one series and designated as #640, etc. Correspondence, legal and financial papers, speeches, and\n            other types of material are grouped together with material of the same date range in the same boxes. Most of the\n            correspondence is single-foldered, with the correspondents identified in the folder listing and in the Cocke sliplist\n            located in Special Collections.\n The collection includes: Correspondence and other material in order by date(s): Boxes 1-178; Undated\n            Correspondence: Boxes 179-181; 3) Undated Miscellaneous Papers re agriculture, architecture, inventions, public\n            improvements, medicine and illness, military papers, slavery and abolition, temperance, and the University of\n            Virginia: Boxes 182-187; 4) Bound Volumes: Boxes 188-191; 5) Diaries of Louisa Maxwell Holmes Cocke: Boxes 192-194\n            (on microfilm M-1676-1678); 6) Oversize Material: 3 boxes.\n Excluded from this series are the following Cocke collections, which remain on deposit: PHILIP ST. GEORGE\n            COCKE PAPERS: #2433-a (reaccessioned as part of #2433-m), #2433-f, #2433-g, #2433-h, #2433-k (withdrawn; no copies\n            retained), #2433-m (withdrawn; copies retained), #2433-p (withdrawn; copies retained). JOHN HARTWELL COCKE PAPERS:\n            #5685, #5685-a.","The various Cocke collections that are owned by the University (gifts and purchases) have been interfiled\n            chronologically in one series and designated as #640, etc. Correspondence, legal and financial papers, speeches, and\n            other types of material are grouped together with material of the same date range in the same boxes. Most of the\n            correspondence is single-foldered, with the correspondents identified in the folder listing and in the Cocke sliplist\n            located in Special Collections.\n","The collection includes: Correspondence and other material in order by date(s): Boxes 1-178; Undated\n            Correspondence: Boxes 179-181; 3) Undated Miscellaneous Papers re agriculture, architecture, inventions, public\n            improvements, medicine and illness, military papers, slavery and abolition, temperance, and the University of\n            Virginia: Boxes 182-187; 4) Bound Volumes: Boxes 188-191; 5) Diaries of Louisa Maxwell Holmes Cocke: Boxes 192-194\n            (on microfilm M-1676-1678); 6) Oversize Material: 3 boxes.\n","Excluded from this series are the following Cocke collections, which remain on deposit: PHILIP ST. GEORGE\n            COCKE PAPERS: #2433-a (reaccessioned as part of #2433-m), #2433-f, #2433-g, #2433-h, #2433-k (withdrawn; no copies\n            retained), #2433-m (withdrawn; copies retained), #2433-p (withdrawn; copies retained). JOHN HARTWELL COCKE PAPERS:\n            #5685, #5685-a."],"bioghist_html_tesm":["\u003cp\u003eJohn Hartwell Cocke was born in 1780 in the Tidewater county of Surry, the son of John Hartwell and Elizabeth\n         (Kennon) Cocke. By the age of twenty-one, Cocke was the master of over 5,500 acres of land in Surry and Fluvanna counties. A\n         few years after Cocke married Anne Blaws Barraud (\"Nancy\") of Norfolk, Virginia in 1802, he sold his Surry County holdings\n         and moved to a frame dwelling at Bremo Recess, Fluvanna County, and began work on a finer home, \"Bremo.\" He owned\n         three large plantations along the James River, Bremo Recess, Upper Bremo, and Lower Bremo, each containing over a thousand\n         acres of land. During the War of 1812, Cocke served in the Virginia militia, rising from captain to brigadier general in\n         eighteen months. His first wife, Anne Blaws Barraud Cocke (1785-1816) did not live to see the completion of \"Bremo\" in\n         1820, but Cocke and his second wife, Louisa Maxwell Holmes (m. 1821), lived there until their deaths.\n\u003c/p\u003e","\u003cp\u003eOther milestones in the life of John Hartwell Cocke include his elections as Vice-President of the Virginia Temperance\n         Society in 1830 and as President in 1834; his election as President of the United States Temperance Union in 1836; his\n         membership on the University of Virginia Board of Visitors from its inception as Central College in 1819 until 1852;\n         membership on the Virginia Board of Public Works, 1823-1829; his primary role in the founding of the Agricultural Society\n         of Albemarle in 1817; and service on the James River and Kanawha Canal Company Board of Directors. John Hartwell Cocke\n         was greatly troubled by the issue of slavery, and he concentrated his time and money in promoting the American\n         Colonization Society, and preparing his slaves for gradual emancipation through vocational training and teaching them to\n         read and write.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["John Hartwell Cocke was born in 1780 in the Tidewater county of Surry, the son of John Hartwell and Elizabeth\n         (Kennon) Cocke. By the age of twenty-one, Cocke was the master of over 5,500 acres of land in Surry and Fluvanna counties. A\n         few years after Cocke married Anne Blaws Barraud (\"Nancy\") of Norfolk, Virginia in 1802, he sold his Surry County holdings\n         and moved to a frame dwelling at Bremo Recess, Fluvanna County, and began work on a finer home, \"Bremo.\" He owned\n         three large plantations along the James River, Bremo Recess, Upper Bremo, and Lower Bremo, each containing over a thousand\n         acres of land. During the War of 1812, Cocke served in the Virginia militia, rising from captain to brigadier general in\n         eighteen months. His first wife, Anne Blaws Barraud Cocke (1785-1816) did not live to see the completion of \"Bremo\" in\n         1820, but Cocke and his second wife, Louisa Maxwell Holmes (m. 1821), lived there until their deaths.\n","Other milestones in the life of John Hartwell Cocke include his elections as Vice-President of the Virginia Temperance\n         Society in 1830 and as President in 1834; his election as President of the United States Temperance Union in 1836; his\n         membership on the University of Virginia Board of Visitors from its inception as Central College in 1819 until 1852;\n         membership on the Virginia Board of Public Works, 1823-1829; his primary role in the founding of the Agricultural Society\n         of Albemarle in 1817; and service on the James River and Kanawha Canal Company Board of Directors. John Hartwell Cocke\n         was greatly troubled by the issue of slavery, and he concentrated his time and money in promoting the American\n         Colonization Society, and preparing his slaves for gradual emancipation through vocational training and teaching them to\n         read and write."],"prefercite_html_tesm":["\u003cp\u003eCocke Family Papers, Accession #640, etc., Special\n            Collections, University of Virginia Library,\n            Charlottesville, Va.\u003c/p\u003e"],"prefercite_tesim":["Cocke Family Papers, Accession #640, etc., Special\n            Collections, University of Virginia Library,\n            Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe papers of the Cocke family of Fluvanna County, Virginia, and related Barraud family, Faulcon family, and\n         other families, consist of ca. 25,000 items, (194 Hollinger boxes, ca. 64.5 linear shelf feet), 1725- 1939, and contains\n         correspondence, legal and financial papers, diaries of John Hartwell Cocke, Louisa Maxwell Holmes Cocke, and Lucy Cocke,\n         minutes of the Board of Visitors of the University ofVirginia, diagrams and sketches concerning the University,\n         bound volumes, sketches and drawings, college and school notes, poetry, orations and speeches, essays, genealogy, and\n         lists pertaining to agriculture, music and other subjects.\u003c/p\u003e","\u003cp\u003eMajor topics covered by the collection include: the development of agriculture in Virginia, merino sheep, horse\n         breeding and purchases, slavery, the American Colonization Society, temperance movement, other religious and reform\n         groups, book dealers, religion, the War of 1812, the Civil War, public education (including the Bremo Seminary), the\n         founding and development of the University of Virginia and public improvements. The bulk of the papers were generated by\n         General John Hartwell Cocke (1780-1866) and his immediate descendants.\u003c/p\u003e","\u003cp\u003eContains \"List of Negroes Born\" 1791-1806, which includes an entry for the birth of Robert Kennon.\u003c/p\u003e","\u003cp\u003e\"For Keeping Beck \u0026amp; children\" [Robert Kennon]\u003c/p\u003e","\u003cp\u003eMentions British landing, War of 1812.\u003c/p\u003e","\u003cp\u003eConcerning Robert Kennon's inheritance.\u003c/p\u003e","\u003cp\u003eSurveys the family structures, occupations, places of residence, and religious beliefs of Cocke's over 200 slaves. Only the 108 \"working slaves\" were questioned regarding whether they professed Christianity. Cocke began manumitting deserving Christian slaves in 1832, an additional incentive for belief among his bondsmen and a possible motivation for the survey.\n\t\t\u003c/p\u003e","\u003cp\u003eEntry for 1853 January 26 includes Cocke's comments on Thomas Jefferson and Sally Hemings\u003c/p\u003e","\u003cp\u003eEntry for 1859 April 27 includes Cocke's comments on Thomas Jefferson and Sally Hemings.\u003c/p\u003e","\u003cp\u003eRemoved and cataloged as UF860.M5 1831\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content Information"],"scopecontent_tesim":["The papers of the Cocke family of Fluvanna County, Virginia, and related Barraud family, Faulcon family, and\n         other families, consist of ca. 25,000 items, (194 Hollinger boxes, ca. 64.5 linear shelf feet), 1725- 1939, and contains\n         correspondence, legal and financial papers, diaries of John Hartwell Cocke, Louisa Maxwell Holmes Cocke, and Lucy Cocke,\n         minutes of the Board of Visitors of the University ofVirginia, diagrams and sketches concerning the University,\n         bound volumes, sketches and drawings, college and school notes, poetry, orations and speeches, essays, genealogy, and\n         lists pertaining to agriculture, music and other subjects.","Major topics covered by the collection include: the development of agriculture in Virginia, merino sheep, horse\n         breeding and purchases, slavery, the American Colonization Society, temperance movement, other religious and reform\n         groups, book dealers, religion, the War of 1812, the Civil War, public education (including the Bremo Seminary), the\n         founding and development of the University of Virginia and public improvements. The bulk of the papers were generated by\n         General John Hartwell Cocke (1780-1866) and his immediate descendants.","Contains \"List of Negroes Born\" 1791-1806, which includes an entry for the birth of Robert Kennon.","\"For Keeping Beck \u0026 children\" [Robert Kennon]","Mentions British landing, War of 1812.","Concerning Robert Kennon's inheritance.","Surveys the family structures, occupations, places of residence, and religious beliefs of Cocke's over 200 slaves. Only the 108 \"working slaves\" were questioned regarding whether they professed Christianity. Cocke began manumitting deserving Christian slaves in 1832, an additional incentive for belief among his bondsmen and a possible motivation for the survey.\n\t\t","Entry for 1853 January 26 includes Cocke's comments on Thomas Jefferson and Sally Hemings","Entry for 1859 April 27 includes Cocke's comments on Thomas Jefferson and Sally Hemings.","Removed and cataloged as UF860.M5 1831"],"userestrict_html_tesm":["\u003cp\u003eSee the \n            \u003cextref type=\"simple\" href=\"https://www.library.virginia.edu/policies/use-of-materials\"\u003e\n            University of Virginia Library’s use policy.\u003c/extref\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["See the \n             \n            University of Virginia Library’s use policy."],"language_ssim":["English"],"total_component_count_is":18422,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T13:06:39.919Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_viu00103_c01_c13972"}},{"id":"viw_repositories_2_resources_7283","type":"collection","attributes":{"title":"A. G. Corbin Account Book","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_7283#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eAccount book, 1852-1857, of A. G. Corbin, Castleton, Culpeper County, Va. and of Eldorado, [Va.]\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_7283#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_7283","ead_ssi":"viw_repositories_2_resources_7283","_root_":"viw_repositories_2_resources_7283","_nest_parent_":"viw_repositories_2_resources_7283","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_7283.xml","title_filing_ssi":"Corbin Account Book","title_ssm":["A. G. Corbin Account Book"],"title_tesim":["A. G. Corbin Account Book"],"unitdate_ssm":["1852-1857"],"unitdate_inclusive_ssm":["1852-1857"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. MsV Ap7","/repositories/2/resources/7283"],"text":["Mss. MsV Ap7","/repositories/2/resources/7283","A. G. Corbin Account Book","Culpeper County (Va.)--History--19th century","Account books","530 p. : bound volume ; cm.","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Account book, 1852-1857, of A. G. Corbin, Castleton, Culpeper County, Va. and of Eldorado, [Va.]","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["Mss. MsV Ap7","/repositories/2/resources/7283"],"normalized_title_ssm":["A. G. Corbin Account Book"],"collection_title_tesim":["A. G. Corbin Account Book"],"collection_ssim":["A. G. Corbin Account Book"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Culpeper County (Va.)--History--19th century","Account books"],"access_subjects_ssm":["Culpeper County (Va.)--History--19th century","Account books"],"has_online_content_ssim":["false"],"physdesc_tesim":["530 p. : bound volume ; cm."],"extent_ssm":["0.10 Linear Feet"],"extent_tesim":["0.10 Linear Feet"],"genreform_ssim":["Account books"],"date_range_isim":[1852,1853,1854,1855,1856,1857],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eInformation about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Corbin,_A._G.\" title=\"Corbin, A. G.\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"prefercite_html_tesm":["\u003cp\u003eA. G. Corbin Account Book, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["A. G. Corbin Account Book, Special Collections Research Center, Swem Library, College of William and Mary."],"scopecontent_html_tesm":["\u003cp\u003eAccount book, 1852-1857, of A. G. Corbin, Castleton, Culpeper County, Va. and of Eldorado, [Va.]\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Account book, 1852-1857, of A. G. Corbin, Castleton, Culpeper County, Va. and of Eldorado, [Va.]"],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T13:32:20.881Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_7283","ead_ssi":"viw_repositories_2_resources_7283","_root_":"viw_repositories_2_resources_7283","_nest_parent_":"viw_repositories_2_resources_7283","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_7283.xml","title_filing_ssi":"Corbin Account Book","title_ssm":["A. G. Corbin Account Book"],"title_tesim":["A. G. Corbin Account Book"],"unitdate_ssm":["1852-1857"],"unitdate_inclusive_ssm":["1852-1857"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. MsV Ap7","/repositories/2/resources/7283"],"text":["Mss. MsV Ap7","/repositories/2/resources/7283","A. G. Corbin Account Book","Culpeper County (Va.)--History--19th century","Account books","530 p. : bound volume ; cm.","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Account book, 1852-1857, of A. G. Corbin, Castleton, Culpeper County, Va. and of Eldorado, [Va.]","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["Mss. MsV Ap7","/repositories/2/resources/7283"],"normalized_title_ssm":["A. G. Corbin Account Book"],"collection_title_tesim":["A. G. Corbin Account Book"],"collection_ssim":["A. G. Corbin Account Book"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Culpeper County (Va.)--History--19th century","Account books"],"access_subjects_ssm":["Culpeper County (Va.)--History--19th century","Account books"],"has_online_content_ssim":["false"],"physdesc_tesim":["530 p. : bound volume ; cm."],"extent_ssm":["0.10 Linear Feet"],"extent_tesim":["0.10 Linear Feet"],"genreform_ssim":["Account books"],"date_range_isim":[1852,1853,1854,1855,1856,1857],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eInformation about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Corbin,_A._G.\" title=\"Corbin, A. G.\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"prefercite_html_tesm":["\u003cp\u003eA. G. Corbin Account Book, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["A. G. Corbin Account Book, Special Collections Research Center, Swem Library, College of William and Mary."],"scopecontent_html_tesm":["\u003cp\u003eAccount book, 1852-1857, of A. G. Corbin, Castleton, Culpeper County, Va. and of Eldorado, [Va.]\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Account book, 1852-1857, of A. G. Corbin, Castleton, Culpeper County, Va. and of Eldorado, [Va.]"],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T13:32:20.881Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_7283"}},{"id":"vifgm_repositories_2_resources_144_c01_c41_c01","type":"Item","attributes":{"title":"A. General Pope's Head-Quarters at Rappahannock Station - General Sigel on the Roof Watching the Enemy; B. Skirmish at Freeman's Ford, August 27 - Death by General Bohlen; C. Warrenton, Virginia, Lately Occupied by the Army of Virginia","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_144_c01_c41_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eby Mr. Davenport; Harper's Weekly\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_144_c01_c41_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_144_c01_c41_c01","ref_ssm":["vifgm_repositories_2_resources_144_c01_c41_c01"],"id":"vifgm_repositories_2_resources_144_c01_c41_c01","ead_ssi":"vifgm_repositories_2_resources_144","_root_":"vifgm_repositories_2_resources_144","_nest_parent_":"vifgm_repositories_2_resources_144_c01_c41","parent_ssi":"vifgm_repositories_2_resources_144_c01_c41","parent_ssim":["vifgm_repositories_2_resources_144","vifgm_repositories_2_resources_144_c01","vifgm_repositories_2_resources_144_c01_c41"],"parent_ids_ssim":["vifgm_repositories_2_resources_144","vifgm_repositories_2_resources_144_c01","vifgm_repositories_2_resources_144_c01_c41"],"parent_unittitles_ssm":["Northern Virginia Civil War images collection","Northern Virginia Civil War images collection","[Rappahannock River]"],"parent_unittitles_tesim":["Northern Virginia Civil War images collection","Northern Virginia Civil War images collection","[Rappahannock River]"],"text":["Northern Virginia Civil War images collection","Northern Virginia Civil War images collection","[Rappahannock River]","A. General Pope's Head-Quarters at Rappahannock Station - General Sigel on the Roof Watching the Enemy; B. Skirmish at Freeman's Ford, August 27 - Death by General Bohlen; C. Warrenton, Virginia, Lately Occupied by the Army of Virginia","Wood Engraving","by Mr. Davenport; Harper's Weekly"],"title_filing_ssi":"A. General Pope's Head-Quarters at Rappahannock Station - General Sigel on the Roof Watching the Enemy; B. Skirmish at Freeman's Ford, August 27 - Death by General Bohlen; C. Warrenton, Virginia, Lately Occupied by the Army of Virginia","title_ssm":["A. General Pope's Head-Quarters at Rappahannock Station - General Sigel on the Roof Watching the Enemy; B. Skirmish at Freeman's Ford, August 27 - Death by General Bohlen; C. Warrenton, Virginia, Lately Occupied by the Army of Virginia"],"title_tesim":["A. General Pope's Head-Quarters at Rappahannock Station - General Sigel on the Roof Watching the Enemy; B. Skirmish at Freeman's Ford, August 27 - Death by General Bohlen; C. Warrenton, Virginia, Lately Occupied by the Army of Virginia"],"unitdate_other_ssim":["September 13, 1852"],"normalized_date_ssm":["1852"],"normalized_title_ssm":["A. General Pope's Head-Quarters at Rappahannock Station - General Sigel on the Roof Watching the Enemy; B. Skirmish at Freeman's Ford, August 27 - Death by General Bohlen; C. Warrenton, Virginia, Lately Occupied by the Army of Virginia"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["Northern Virginia Civil War images collection"],"physdesc_tesim":["Wood Engraving"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":407,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["Public domain. There are no known restrictions."],"date_range_isim":[1852],"scopecontent_html_tesm":["\u003cp\u003eby Mr. Davenport; Harper's Weekly\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["by Mr. Davenport; Harper's Weekly"],"_nest_path_":"/components#0/components#40/components#0","timestamp":"2026-05-21T05:12:58.124Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_144","ead_ssi":"vifgm_repositories_2_resources_144","_root_":"vifgm_repositories_2_resources_144","_nest_parent_":"vifgm_repositories_2_resources_144","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_144.xml","title_filing_ssi":"Northern Virginia Civil War images collection","title_ssm":["Northern Virginia Civil War images collection"],"title_tesim":["Northern Virginia Civil War images collection"],"unitdate_ssm":["1853-1914"],"unitdate_inclusive_ssm":["1853-1914"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0150","/repositories/2/resources/144"],"text":["C0150","/repositories/2/resources/144","Northern Virginia Civil War images collection","Virginia -- History -- Civil War, 1861-1865","Virginia, Northern","United States -- History -- Civil War, 1861-1865","Virginia, Northern -- History","Maps","Lithography","Chromolithography","Wood engravings","Steel engravings","There are no access restrictions.","This collection is arranged by locality of primary image.","The Illustrated London News was one of the first newspapers to employ wood engravings on a wide scale. One of its artists was Frank Vizetelly (1830-1883); he covered the Civil War for British readers. Early on, he illustrated the war from the Union side but was later allowed to draw from the Confederate side. Artists like Vizetelly sometimes did more than draw, though. He acted as a messenger for Confederate General James Longstreet at the battle of Chickamauga. Vizetelly was also a staff aide for the Confederates at the battle of Fredericksburg and was present at Charleston, South Carolina, when it was besieged. Because of such personal involvement by artists, many engravings were not made by detached observers, but by active participants in history unfolding.","Frank Leslie (1821-1880) was another artist who began his career as an engraver in 1842 and eventually published his own newspaper, which he titled, Frank Leslie's Illustrated Newspaper. The newspaper also covered the Civil War. Leslie used a large number of illustrations in his newspaper to increase circulation. Images from Frank Leslie's Illustrated Newspaper are well represented in Northern Virginia Images Collection, including several images from the German language edition of the newspaper.","Another popular periodical of the time was Harper's Weekly. It first appeared in 1857 and became one of the most important and influential periodicals in nineteenth century America, notably during the Civil War. Two prominent artists for Harper's Weekly during this period were Alfred Waud (1828-1891) and Thomas Nast (1840-1902). Engravings by both are included in Northern Virginia Images Collection. Waud was primarily assigned to the eastern front and covered the war from the Battle of First Manassas to the Confederacy's surrender at Appomattox Court House. Thomas Nast (who later became famous for creating the roly- poly figure in red we now know as Santa Claus) worked largely in New York for most of the war. One of the major exceptions to this was when he spent time in the Union camp during the Battle of Gettysburg. Nast's sympathies were for the Union side, which, naturally, bothered Southerners, who often sent threatening letters to Nast at the Harper's Weekly office. By and large, The Illustrated London News, Frank Leslie's Illustrated Newspaper, and Harper's Weekly illustrated the Civil War from the Northern point-of-view.","Many of today's Northern Virginia residents only know the area as a population outgrowth of Washington, D.C. Despite this cosmopolitan reputation, it was largely farm country at the time of the Civil War through World War II. Few realize that the area was the frequent battleground for large contending forces. Yet, many of the areas that are depicted in the images still exist today but under much different circumstances. Some of the areas included in these images have undergone radical cultural changes as well. An Islamic Mosque now occupies Munson Hill, which Confederate forces occupied under General J.E.B. Stuart during early days of the war.","Processed by Special Collections Research Center staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. EAD updated by Greta Kuriger in July 2011.","The Special Collections Research Center also holds the  , the  , and the WRLC digital collection  . The   is available for GMU affiliated researchers.","The collection consists of nearly 200 images on various historical subjects in a variety of formats, including wood engravings, steel engravings, lithographs, chromolithographs, maps, and manuscripts. Most of the images depict battles and maps of the Civil War. The maps include the cities of Arlington and Alexandria and the counties of Fairfax, Loudoun and Prince William. Columbia Pike, Chain Bridge, Long Bridge, the Little River Turnpike, Centreville and Manassas all existed at the time of the Civil War and all of them are represented or referenced in these images. ","Most of the Civil War images are from three periodicals: The Illustrated London News, Frank Leslie's Illustrated Newspaper, and Harper's Weekly. They are primarily wood engravings, several of which are hand colored. Though wood engraving was invented as an illustrative technique in the 1790s, it was the later appearance of the mass illustrated newspaper that took advantage of the technique to appeal to a wide readership.","Although pictorial images comprise the majority of images in the collection, there are also numerous maps, most of which were produced by lithography. A number were produced for military purposes and employed by both the North and South alike. Maps made during the Civil War were often exceedingly accurate; their usefulness carried on into the twentieth century.","The Pictorial Battles of the Civil War","Harper's Weekly","The Soldier in Our Civil War","Frank Leslie's Illustrated Newspaper [German Language Edition]","Frank Leslie's Illustrated Newspaper","by Charles Magnus","by Charles Magnus","by Charles Magnus","by Charles Magnus","by Charles Magnus","by Charles Magnus","by Charles Magnus","by Charles Magnus","by Charles Magnus","by Charles Magnus","by Charles Magnus","by Charles Magnus","The Illustrated London News","Frank Leslie's Illustrated Newspaper","The Civil War in the United States","Frank Leslie's Illustrated Newspaper","The Illustrated London News","Harper's Weekly","Journal Article with Print Reproductions","Frank Leslie's Illustrated Newspaper","by A. Waud; Pictorial Battles of the Civil War","by A. Waud; Pictorial Battles of the Civil War","Frank Leslie's Illustrated Newspaper [German Language Edition]","The Illustrated London News","by the Alexandria Chamber of Commerce; City Brochure with Photographs and Map","The Soldier in our Civil War","The Illustrated London News","Harper's New Monthly Magazine, No. XL - Vol. VII","The Soldier in Our Civil War","by Charles Graham; Harper's Weekly","by Bell; Harper's Weekly","by Bell; Harper's Weekly","by Bell; Harper's Weekly","by Bell; Harper's Weekly","by Bell; Harper's Weekly","by National Photo Co.","Picturesque Washington","by Bell; Frank Leslie's Illustrated Newspaper","Published by The Gray Line Sight Seeing Tours","Published by B. S. Reynolds Co.","Published by the Post Exchange, Fort Myer, VA.","Pictorial History of the War of 1861","Pictorial History of the War of 1861","The Civil War in the United States","Harper's Weekly","by A. Waud; The New-York Illustrated News","Harper's Weekly","The Illustrated London News","The Illustrated London News","By J. Becker; Frank Leslie's Illustrated Newspaper","by Mr. A. R. Waud; Harper's Weekly","by Mr. A. R. Waud; Harper's Weekly","Harper's Pictorial History of the Civil War","The Illustrated London News","The Illustrated London News","by Mr. Forbes; Frank Leslie's Illustrated Newspaper [same image as 7.8 in folder 9]","Pictorial History of the War of 1861 [same image as 7.7 in folder 9]","by Edwin Forbes; Frank Leslie's Illustrated Newspaper","Harper's Pictorial History of the Civil War","Harper's Pictorial History of the Civil War","Harper's Pictorial History of the Civil War","Same image as 20.9 in folder 10","by Edwin Forbes; The Soldier in Our Civil War","Same image as 3.4 in folder 10","by Mr. A. R. Waud; Harper's Weekly","Frank Leslie's Illustrated Newspaper","By A. R. Waud; Harper's Weekly","The Civil War in the United States","by Mr. A. R. Waud; Harper's Weekly","by Mr. A. R. Waud; Harper's Weekly","Frank Leslie's Illustrated Newspaper","Frank Leslie's Illustrated Newspaper","Frank Leslie's Illustrated Newspaper","Frank Leslie's Illustrated Newspaper [German Language Edition]","by Mr. A. R. Waud; Harper's Weekly","by Mr. Mead; Harper's Weekly","Harper's Weekly","On the Shenandoah and the Chickahominy","The Illustrated London News","The Illustrated London News","The Illustrated London News, 2 prints","The Illustrated London News","The Illustrated London News","Pictorial Battles of the Civil War","Frank Leslie's Illustrated Newspaper","The Youths' History of he United States","Frank Leslie's Illustrated Newspaper","Pictorial History of the War of 1861","by Edwin Forbes","The Soldier in Our Civil War","The Illustrated London News","The Illustrated London News","Frank Leslie's Illustrated Newspaper","Frank Leslie's Illustrated Newspaper","Harper's Weekly","The Illustrated London News","by W. Peters; Harper's Weekly","Pictorial War Record","Frank Leslie's Illustrated Newspaper","Frank Leslie's Illustrated Newspaper [German Language Edition]","Frank Leslie's Illustrated Newspaper [German Language Edition]","Frank Leslie's Illustrated Newspaper [German Language Edition]","by Mr. A. R. Waud; Harper's Weekly","by Mr. A. R. Waud; Harper's Weekly","Frank Leslie's Illustrated Newspaper [German Language Edition]","by Mr. A. R. Waud; Harper's Weekly","Harper's Weekly","by T.R. Davis; Harper's Weekly","by H. Lovie; The Soldier in Our Civil War","by Walter A. Lane; The Soldier in Our Civil War","by Henry Lovie; The Soldier in Our Civil War","by H. Lovie; The Soldier in Our Civil War","The Soldier in Our Civil War","Harper's Weekly","by Mr. A. R. Waud; Harper's Weekly","by Mr. A. R. Waud; Harper's Weekly [Same image as 3.12 in folder 18]","The Illustrated London News","by Mr. A. R. Waud; Harper's Weekly [Same image as 3.10 in folder 18]","by Mr. A. R. Waud; Harper's Weekly","Harper's Weekly [same image as 20.6 in folder 20]","Harper's Weekly [same image as 20.5 in folder 20]","Frank Leslie's Illustrated Newspaper","by Mr. A. R. Waud; Harper's Weekly","Frank Leslie's Illustrated Newspaper","Loudon County","Harper's Weekly","The Illustrated London News","The Illustrated London News","Harper's Weekly [Same as image 2.21B and 2.21C in folder 26]","by Mr. A. R. Waud; Harper's Weekly [Same image as 2.20A in folder 26]","by Mr. A. R. Waud; Harper's Weekly","by Mr. A. R. Waud; Harper's Weekly","Frank Leslie's Illustrated Newspaper","The Illustrated London News","Frank Leslie's Illustrated Newspaper","The Soldier in Our Civil War [Same image as 2.32A in folder 26]","The Soldier in our Civil War [Same image as 2.32B in folder 26]","by Edwin Forbes; The Soldier in Our Civil War","The Soldier in Our Civil War","Harper's History of the Great Rebellion","Harper's Weekly","Harper's Weekly","by Edwin Forbes; The Civil War in the United States","by Edwin Forbes; The Civil War in the United States","Harper's Weekly","Harper's Weekly","Frank Leslie's Illustrated Newspaper","Harper's Weekly [Same image as 2.31 in folder 26]","Harper's Weekly","Harper's Weekly","by Allen C. Redwood; Journal Article with Print Reproductions","by John Pope; Journal Article with Print Reproductions","by W. Momberger and J. C. McRae; Abbotts Civil War","by Penfield","by Mr. Edwin Forbes","Frank Leslie's Illustrated Newspaper [German Language Edition]","Frank Leslie's Illustrated Newspaper","by Mr. A. R. Waud; Harper's Weekly","by Mr. A. R. Waud; Harper's Weekly","by Mr. A. R. Waud; Harper's Weekly","Harper's Weekly","by Mr. Davenport; Harper's Weekly [Same image as 2.34 in folder 26]","The Illustrated London News","by Penfield; Harper's Weekly","Harper's Weekly","by F. O. C. Darley and W. Ridgway","by P. Meeder","Frank Leslie's Illustrated Newspaper [German Language Edition]","Frank Leslie's Illustrated Newspaper [German Language Edition]","by Edwin Forbes; Frank Leslie's Illustrated Newspaper","Harper's Weekly [Same image as 2.12A in folder 26]","The Soldier in Our Civil War [Same image as 2.2A in folder 26]","The Soldier in our Civil War [Same image as 2.2B in folder 26]","Harper's Weekly","by Mr. Davenport; Harper's Weekly [Same image as 2.22 in folder 26]","Harper's Weekly","Harper's Weekly [Same image as 2.5A in folder 26]","By Edwin Forbes; The Civil War in the United States","by Currier and Ives","by Fisk and Russell; History of the Great Rebellion","The Civil War","Civil War in America/ War and Its Horrors","by M. D. McAlester","by Julius Bien and Co.","History of the Great Rebellion","Civil War in America, War and Its Horrors","by Capt. W. Angelo Powell","Harper's History of the Great Rebellion","by P. W. O. Koerner","by Maj. N. Michler","Harper's Weekly","by Andrew B. Graham Photo-Litho","by Rand McNally and Co.; Commercial Atlas","Rand McNally","Rand McNally","by the Geological Survey; U.S. Geological Survey","by the Geological Survey; U.S. Geological Survey","American Automobile Association","by L. L. Poates","History of the United States","Operations in Northeastern Virginia","Frank Leslie's Illustrated Newspaper","Harper's History of the Great Rebellion","by J. J. Young and W. Hesselbach; Surveys for Military Defenses, Sheet 1","by J. J. Young and W. Hesselbach; Surveys for Military Defenses, Sheet 2","by J. J. Young and W. Hesselbach; Surveys for Military Defenses, Sheet 2","Top Engr. Office, V.D.","Top Engr. Office, V.D.","Top Engr. Office, V.D.","Top Engr. Office, V.D.","Top Engr. Office, V.D.","Top Engr. Office, V.D.","Top Engr. Office, V.D.","Top Engr. Office, V.D.","Top Engr. Office, V.D.","Top Engr. Office, V.D.","Top Engr. Office, V.D.","Top Engr. Office, V.D.","Top Engr. Office, V.D.","Top Engr. Office, V.D.","Top Eng. 2d Corps","Top Eng. 2d Corps","Top Engr. V.D.","Top Eng. V.D.","Top Eng. V.D.","Top Eng. A.V.D.","Top Eng. A.V.D.","Top Eng. A.V.D.","Top Engr. V.D.","by J. J. Young","by W. G. Atkinson","by Brig. Gen. D.P. Woodbury","by Brig. Gen. G.K. Warren","by Capt. W. Angelo Powell","Julius Bien and Co.","Julius Bien and Co.","Julius Bien and Co.","Julius Bien and Co.","Julius Bien and Co.","Julius Bien and Co.","Julius Bien and Co.","Julius Bien and Co.","Julius Bien and Co.","Julius Bien and Co.","Julius Bien and Co.","by John Pilsen; Julius Bien and Co.","by Franz Kappner; Julius Bien and Co.","by the geological Survey; U.S. Geological Survey","by the Geological Survey; U.S. Geological Survey","by the Geological Survey; U.S. Geological Survey","by A. Maedel, H. S. Barnard and A. Peterson; Survey of the Coast of the United States, Coast Survey Office","The Civil War","by Waters-Son N.Y.","by G. Woolworth Oolton N.Y.","by William J. Wilson","by Charles Magnus","by Fisk and Russell N.Y.","The Soldier in Our Civil War","Harper's Pictorial History of the Civil War","By Walker \u0026 Boutall","Harper's History of the Great Rebellion","Newspaper","The Illustrated London News","by Mr. Anton Kellner; Harper's Weekly","by Mr. Davenport; Harper's Weekly","by Mr. A. R. Waud; Harper's Weekly","The New-York Illustrated News","by J. E. Taylor; Frank Leslie's Illustrated Newspaper","by J. E. Taylor; Frank Leslie's Illustrated Newspaper","Harper's Pictorial History of the Civil War","by J. Lansing and R. P. Johnson; Frank Leslie's Illustrated Newspaper","by James Lansing; Frank Leslie's Illustrated Newspaper","by Col. Battersby; Harper's Weekly","by R. F. Zogbaum; Harper's Weekly","By Edwin Forbes; The Civil War in the United States","By Edwin Forbes; The Civil War in the United States [Same image as 20.39 in folder 33]","The Soldier in Our Civil War","by Edwin Forbes; The Soldier in Our Civil War","by Edwin Forbes; The Soldier in Our Civil War","Ballou's Pictorial Drawing-Room Companion","Harpers Weekly","Ballou's Pictorial","The Soldier in our Civil War","The Illustrated London News [Same image as 20.12 in folder 33]","By Edwin Forbes; The Civil War in the United States [Same image as 20.28 in folder 33]","Frank Leslie's Illustrated Newspaper [German Language Edition]","The Illustrated London News","Harper's Weekly","Pictorial Battles of the Civil War","Pictorial History of the War of 1861 [same image as 6.17A in folder 35]","Pictorial History of the War of 1861 [same image as 6.17B in folder 35]","Frank Leslie's Illustrated Newspaper [same image as 6.9A in folder 35]","Frank Leslie's Illustrated Newspaper [same image as 6.9B in folder 35]","Pictorial War Record","by Mr. A. R. Waud; Harper's Weekly","by Mr. A. R. Waud; Harper's Weekly","Frank Leslie's Illustrated Newspaper [same image as 1.12]","The Illustrated London News [same image as 1.6 in folder 37]","The Illustrated London News","The Illustrated London News [same image as 1.3 in folder 37]","The Illustrated London News [same image as 1.1 in folder 37]","The Illustrated London News [same image as unnumbered in folder 37]","The Illustrated London News","The Illustrated London News [same image as unnumbered in folder 37]","Frank Leslie's Illustrated Newspaper","Picturesque America","Picturesque America","The Illustrated London News [same image as unnumbered in folder 37]","by E. S. Hall; Frank Leslie's Illustrated Newspaper","Harper's Weekly","by Wm. L. Sheppard; Frank Leslie's Illustrated Newspaper","Harper's History of the Great Rebellion","Harper's History of the Great Rebellion","Frank Leslie's Illustrated Newspaper [2 copies]","The New York Illustrated News","by A. R. Waud; Pictorial War Record","By A. R. Waud; Harper's Weekly","Harper's Weekly","Harper's Weekly","Harper's Weekly","Harper's Weekly","by A. R. Waud; The Pictorial Battles of the Civil War","by Johnson and Ward","by Julius Bien and Co.","by Johnson and Ward","Top Engr. Office, V.D.","Top Engr. Office, V.D.","Top Engr. Office, V.D.","Top Engr. Office, V.D.","Top Engr. Office, V.D.","Top Engr. Office, V.D.","Top Engr. Office, V.D.","Engineer Department. U.S. Army","Engineer Department. U.S. Army","The Illustrated London News","by Mr. Davenport; Harper's Weekly","by Mr. A. R. Waud; Harper's Weekly","Harper's Weekly [2 copies]","Frank Leslie's Illustrated Newspaper [German Language Edition]","by Mr. A. R. Waud; Harper's Weekly","by Mr. A. R. Waud; Harper's Weekly","by Charles Sholt [?]; Harper's Weekly","by H. Lovie; The Soldier in Our Civil War","by Gilbert Gaul; Harpers Weekly","by Mr. A. R. Waud; Harper's Weekly","by Mr. A. R. Waud; Harper's Weekly","by Mr. A. R. Waud; Harper's Weekly","by H. Lovie; The Soldier in Our Civil War","The Soldier in Our Civil War","The Soldier in Our Civil War","The Confederate Soldier in the Civil War","[same image as 19.2A]","[same image as 19.2B]","The Civil War in the United States [same image as 19.1A]","The Civil War in the United States [same image as 19.1B]","By E. Forbes; Frank Leslie's Illustrated Newspaper","Frank Leslie's Illustrated Newspaper","by Sol Eytinge; Harper's Weekly","Harper's Weekly","Harper's Weekly [same image as 15.4 in folder 46]","Harper's Weekly [same image as 15.3 in folder 46]","Frank Leslie's Illustrated Newspaper","By Mr. Theodore R. Davis; Harper's Weekly","The Illustrated London News","The Illustrated London News","by E. F. Mullen; Frank Leslie's Illustrated Newspaper","Frank Leslie's Illustrated Newspaper","Frank Leslie's Illustrated Newspaper","Frank Leslie's Illustrated Newspaper","Frank Leslie's Illustrated Newspaper","Harper's Weekly","The Soldier in Our Civil War [same image as 5.7 in folder 48]","Frank Leslie's Illustrated Newspaper","Frank Leslie's Illustrated Newspaper","Frank Leslie's Illustrated Newspaper [German Language Edition][same image as 5.6 in folder 48]","Frank Leslie's Illustrated Newspaper","The Soldier in Our Civil War","Harper's Weekly (supplement)","Frank Leslie's Illustrated Newspaper","Frank Leslie's Illustrated Newspaper","By Gen. Barnard; Defenses of Washington","By Gen. Barnard; Defenses of Washington","Cassell's Illustrated History of England","Harper's Weekly","Harper's Weekly","Public domain. There are no known restrictions.","The collection contains images and maps depicting Northern Virginia. A majority of the images are contemporary illustrations of the Civil War in Virginia. Formats include wood engravings, steel engravings, lithographs, chromolithographs, and a manuscript.","Map Case 11.5, 23.5-24.5","George Mason University. Libraries. Special Collections Research Center","English"],"unitid_tesim":["C0150","/repositories/2/resources/144"],"normalized_title_ssm":["Northern Virginia Civil War images collection"],"collection_title_tesim":["Northern Virginia Civil War images collection"],"collection_ssim":["Northern Virginia Civil War images collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Virginia -- History -- Civil War, 1861-1865","Virginia, Northern","United States -- History -- Civil War, 1861-1865","Virginia, Northern -- History"],"geogname_ssim":["Virginia -- History -- Civil War, 1861-1865","Virginia, Northern","United States -- History -- Civil War, 1861-1865","Virginia, Northern -- History"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"places_ssim":["Virginia -- History -- Civil War, 1861-1865","Virginia, Northern","United States -- History -- Civil War, 1861-1865","Virginia, Northern -- History"],"access_terms_ssm":["Public domain. There are no known restrictions."],"acqinfo_ssim":["Purchased by Special Collections and Archives in 1997-2005 from Prints Old and Rare."],"access_subjects_ssim":["Maps","Lithography","Chromolithography","Wood engravings","Steel engravings"],"access_subjects_ssm":["Maps","Lithography","Chromolithography","Wood engravings","Steel engravings"],"has_online_content_ssim":["false"],"extent_ssm":["3 Linear Feet"],"extent_tesim":["3 Linear Feet"],"genreform_ssim":["Wood engravings","Steel engravings"],"date_range_isim":[1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by locality of primary image.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by locality of primary image."],"bioghist_html_tesm":["\u003cp\u003eThe Illustrated London News was one of the first newspapers to employ wood engravings on a wide scale. One of its artists was Frank Vizetelly (1830-1883); he covered the Civil War for British readers. Early on, he illustrated the war from the Union side but was later allowed to draw from the Confederate side. Artists like Vizetelly sometimes did more than draw, though. He acted as a messenger for Confederate General James Longstreet at the battle of Chickamauga. Vizetelly was also a staff aide for the Confederates at the battle of Fredericksburg and was present at Charleston, South Carolina, when it was besieged. Because of such personal involvement by artists, many engravings were not made by detached observers, but by active participants in history unfolding.\u003c/p\u003e\n","\u003cp\u003eFrank Leslie (1821-1880) was another artist who began his career as an engraver in 1842 and eventually published his own newspaper, which he titled, Frank Leslie's Illustrated Newspaper. The newspaper also covered the Civil War. Leslie used a large number of illustrations in his newspaper to increase circulation. Images from Frank Leslie's Illustrated Newspaper are well represented in Northern Virginia Images Collection, including several images from the German language edition of the newspaper.\u003c/p\u003e\n","\u003cp\u003eAnother popular periodical of the time was Harper's Weekly. It first appeared in 1857 and became one of the most important and influential periodicals in nineteenth century America, notably during the Civil War. Two prominent artists for Harper's Weekly during this period were Alfred Waud (1828-1891) and Thomas Nast (1840-1902). Engravings by both are included in Northern Virginia Images Collection. Waud was primarily assigned to the eastern front and covered the war from the Battle of First Manassas to the Confederacy's surrender at Appomattox Court House. Thomas Nast (who later became famous for creating the roly- poly figure in red we now know as Santa Claus) worked largely in New York for most of the war. One of the major exceptions to this was when he spent time in the Union camp during the Battle of Gettysburg. Nast's sympathies were for the Union side, which, naturally, bothered Southerners, who often sent threatening letters to Nast at the Harper's Weekly office. By and large, The Illustrated London News, Frank Leslie's Illustrated Newspaper, and Harper's Weekly illustrated the Civil War from the Northern point-of-view.\u003c/p\u003e\n","\u003cp\u003eMany of today's Northern Virginia residents only know the area as a population outgrowth of Washington, D.C. Despite this cosmopolitan reputation, it was largely farm country at the time of the Civil War through World War II. Few realize that the area was the frequent battleground for large contending forces. Yet, many of the areas that are depicted in the images still exist today but under much different circumstances. Some of the areas included in these images have undergone radical cultural changes as well. An Islamic Mosque now occupies Munson Hill, which Confederate forces occupied under General J.E.B. Stuart during early days of the war.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Illustrated London News was one of the first newspapers to employ wood engravings on a wide scale. One of its artists was Frank Vizetelly (1830-1883); he covered the Civil War for British readers. Early on, he illustrated the war from the Union side but was later allowed to draw from the Confederate side. Artists like Vizetelly sometimes did more than draw, though. He acted as a messenger for Confederate General James Longstreet at the battle of Chickamauga. Vizetelly was also a staff aide for the Confederates at the battle of Fredericksburg and was present at Charleston, South Carolina, when it was besieged. Because of such personal involvement by artists, many engravings were not made by detached observers, but by active participants in history unfolding.","Frank Leslie (1821-1880) was another artist who began his career as an engraver in 1842 and eventually published his own newspaper, which he titled, Frank Leslie's Illustrated Newspaper. The newspaper also covered the Civil War. Leslie used a large number of illustrations in his newspaper to increase circulation. Images from Frank Leslie's Illustrated Newspaper are well represented in Northern Virginia Images Collection, including several images from the German language edition of the newspaper.","Another popular periodical of the time was Harper's Weekly. It first appeared in 1857 and became one of the most important and influential periodicals in nineteenth century America, notably during the Civil War. Two prominent artists for Harper's Weekly during this period were Alfred Waud (1828-1891) and Thomas Nast (1840-1902). Engravings by both are included in Northern Virginia Images Collection. Waud was primarily assigned to the eastern front and covered the war from the Battle of First Manassas to the Confederacy's surrender at Appomattox Court House. Thomas Nast (who later became famous for creating the roly- poly figure in red we now know as Santa Claus) worked largely in New York for most of the war. One of the major exceptions to this was when he spent time in the Union camp during the Battle of Gettysburg. Nast's sympathies were for the Union side, which, naturally, bothered Southerners, who often sent threatening letters to Nast at the Harper's Weekly office. By and large, The Illustrated London News, Frank Leslie's Illustrated Newspaper, and Harper's Weekly illustrated the Civil War from the Northern point-of-view.","Many of today's Northern Virginia residents only know the area as a population outgrowth of Washington, D.C. Despite this cosmopolitan reputation, it was largely farm country at the time of the Civil War through World War II. Few realize that the area was the frequent battleground for large contending forces. Yet, many of the areas that are depicted in the images still exist today but under much different circumstances. Some of the areas included in these images have undergone radical cultural changes as well. An Islamic Mosque now occupies Munson Hill, which Confederate forces occupied under General J.E.B. Stuart during early days of the war."],"prefercite_html_tesm":["\u003cp\u003eNorthern Virginia Civil War images collection, C0150, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Northern Virginia Civil War images collection, C0150, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. EAD updated by Greta Kuriger in July 2011.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. EAD updated by Greta Kuriger in July 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Alexander Haight family collection\" href=\"https://aspace.gmu.edu/resources/c0159\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"Milton Barnes papers\" href=\"https://aspace.gmu.edu/resources/c0065\"\u003e\u003c/extptr\u003e, and the WRLC digital collection \u003cextptr show=\"new\" title=\"Virginia Civil War Archive\" href=\"http://www.aladin.wrlc.org/gsdl/collect/vacw/vacw.shtml\"\u003e\u003c/extptr\u003e. The \u003cextptr show=\"new\" title=\"digital version of Harper's Weekly\" href=\"http://app.harpweek.com/\"\u003e\u003c/extptr\u003e is available for GMU affiliated researchers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  , the  , and the WRLC digital collection  . The   is available for GMU affiliated researchers."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of nearly 200 images on various historical subjects in a variety of formats, including wood engravings, steel engravings, lithographs, chromolithographs, maps, and manuscripts. Most of the images depict battles and maps of the Civil War. The maps include the cities of Arlington and Alexandria and the counties of Fairfax, Loudoun and Prince William. Columbia Pike, Chain Bridge, Long Bridge, the Little River Turnpike, Centreville and Manassas all existed at the time of the Civil War and all of them are represented or referenced in these images. \u003c/p\u003e\n","\u003cp\u003eMost of the Civil War images are from three periodicals: The Illustrated London News, Frank Leslie's Illustrated Newspaper, and Harper's Weekly. They are primarily wood engravings, several of which are hand colored. Though wood engraving was invented as an illustrative technique in the 1790s, it was the later appearance of the mass illustrated newspaper that took advantage of the technique to appeal to a wide readership.\u003c/p\u003e\n","\u003cp\u003eAlthough pictorial images comprise the majority of images in the collection, there are also numerous maps, most of which were produced by lithography. A number were produced for military purposes and employed by both the North and South alike. Maps made during the Civil War were often exceedingly accurate; their usefulness carried on into the twentieth century.\u003c/p\u003e","\u003cp\u003eThe Pictorial Battles of the Civil War\u003c/p\u003e","\u003cp\u003eHarper's Weekly\u003c/p\u003e","\u003cp\u003eThe Soldier in Our Civil War\u003c/p\u003e","\u003cp\u003eFrank Leslie's Illustrated Newspaper [German Language Edition]\u003c/p\u003e","\u003cp\u003eFrank Leslie's Illustrated Newspaper\u003c/p\u003e","\u003cp\u003eby Charles Magnus\u003c/p\u003e","\u003cp\u003eby Charles Magnus\u003c/p\u003e","\u003cp\u003eby Charles Magnus\u003c/p\u003e","\u003cp\u003eby Charles Magnus\u003c/p\u003e","\u003cp\u003eby Charles Magnus\u003c/p\u003e","\u003cp\u003eby Charles Magnus\u003c/p\u003e","\u003cp\u003eby Charles Magnus\u003c/p\u003e","\u003cp\u003eby Charles Magnus\u003c/p\u003e","\u003cp\u003eby Charles Magnus\u003c/p\u003e","\u003cp\u003eby Charles Magnus\u003c/p\u003e","\u003cp\u003eby Charles Magnus\u003c/p\u003e","\u003cp\u003eby Charles Magnus\u003c/p\u003e","\u003cp\u003eThe Illustrated London News\u003c/p\u003e","\u003cp\u003eFrank Leslie's Illustrated Newspaper\u003c/p\u003e","\u003cp\u003eThe Civil War in the United States\u003c/p\u003e","\u003cp\u003eFrank Leslie's Illustrated Newspaper\u003c/p\u003e","\u003cp\u003eThe Illustrated London News\u003c/p\u003e","\u003cp\u003eHarper's Weekly\u003c/p\u003e","\u003cp\u003eJournal Article with Print Reproductions\u003c/p\u003e","\u003cp\u003eFrank Leslie's Illustrated Newspaper\u003c/p\u003e","\u003cp\u003eby A. Waud; Pictorial Battles of the Civil War\u003c/p\u003e","\u003cp\u003eby A. Waud; Pictorial Battles of the Civil War\u003c/p\u003e","\u003cp\u003eFrank Leslie's Illustrated Newspaper [German Language Edition]\u003c/p\u003e","\u003cp\u003eThe Illustrated London News\u003c/p\u003e","\u003cp\u003eby the Alexandria Chamber of Commerce; City Brochure with Photographs and Map\u003c/p\u003e","\u003cp\u003eThe Soldier in our Civil War\u003c/p\u003e","\u003cp\u003eThe Illustrated London News\u003c/p\u003e","\u003cp\u003eHarper's New Monthly Magazine, No. XL - Vol. VII\u003c/p\u003e","\u003cp\u003eThe Soldier in Our Civil War\u003c/p\u003e","\u003cp\u003eby Charles Graham; Harper's Weekly\u003c/p\u003e","\u003cp\u003eby Bell; Harper's Weekly\u003c/p\u003e","\u003cp\u003eby Bell; Harper's Weekly\u003c/p\u003e","\u003cp\u003eby Bell; Harper's Weekly\u003c/p\u003e","\u003cp\u003eby Bell; Harper's Weekly\u003c/p\u003e","\u003cp\u003eby Bell; Harper's Weekly\u003c/p\u003e","\u003cp\u003eby National Photo Co.\u003c/p\u003e","\u003cp\u003ePicturesque Washington\u003c/p\u003e","\u003cp\u003eby Bell; Frank Leslie's Illustrated Newspaper\u003c/p\u003e","\u003cp\u003ePublished by The Gray Line Sight Seeing Tours\u003c/p\u003e","\u003cp\u003ePublished by B. S. Reynolds Co.\u003c/p\u003e","\u003cp\u003ePublished by the Post Exchange, Fort Myer, VA.\u003c/p\u003e","\u003cp\u003ePictorial History of the War of 1861\u003c/p\u003e","\u003cp\u003ePictorial History of the War of 1861\u003c/p\u003e","\u003cp\u003eThe Civil War in the United States\u003c/p\u003e","\u003cp\u003eHarper's Weekly\u003c/p\u003e","\u003cp\u003eby A. Waud; The New-York Illustrated News\u003c/p\u003e","\u003cp\u003eHarper's Weekly\u003c/p\u003e","\u003cp\u003eThe Illustrated London News\u003c/p\u003e","\u003cp\u003eThe Illustrated London News\u003c/p\u003e","\u003cp\u003eBy J. Becker; Frank Leslie's Illustrated Newspaper\u003c/p\u003e","\u003cp\u003eby Mr. A. R. Waud; Harper's Weekly\u003c/p\u003e","\u003cp\u003eby Mr. A. R. Waud; Harper's Weekly\u003c/p\u003e","\u003cp\u003eHarper's Pictorial History of the Civil War\u003c/p\u003e","\u003cp\u003eThe Illustrated London News\u003c/p\u003e","\u003cp\u003eThe Illustrated London News\u003c/p\u003e","\u003cp\u003eby Mr. Forbes; Frank Leslie's Illustrated Newspaper [same image as 7.8 in folder 9]\u003c/p\u003e","\u003cp\u003ePictorial History of the War of 1861 [same image as 7.7 in folder 9]\u003c/p\u003e","\u003cp\u003eby Edwin Forbes; Frank Leslie's Illustrated Newspaper\u003c/p\u003e","\u003cp\u003eHarper's Pictorial History of the Civil War\u003c/p\u003e","\u003cp\u003eHarper's Pictorial History of the Civil War\u003c/p\u003e","\u003cp\u003eHarper's Pictorial History of the Civil War\u003c/p\u003e","\u003cp\u003eSame image as 20.9 in folder 10\u003c/p\u003e","\u003cp\u003eby Edwin Forbes; The Soldier in Our Civil War\u003c/p\u003e","\u003cp\u003eSame image as 3.4 in folder 10\u003c/p\u003e","\u003cp\u003eby Mr. A. R. Waud; Harper's Weekly\u003c/p\u003e","\u003cp\u003eFrank Leslie's Illustrated Newspaper\u003c/p\u003e","\u003cp\u003eBy A. R. Waud; Harper's Weekly\u003c/p\u003e","\u003cp\u003eThe Civil War in the United States\u003c/p\u003e","\u003cp\u003eby Mr. A. R. Waud; Harper's Weekly\u003c/p\u003e","\u003cp\u003eby Mr. A. R. Waud; Harper's Weekly\u003c/p\u003e","\u003cp\u003eFrank Leslie's Illustrated Newspaper\u003c/p\u003e","\u003cp\u003eFrank Leslie's Illustrated Newspaper\u003c/p\u003e","\u003cp\u003eFrank Leslie's Illustrated Newspaper\u003c/p\u003e","\u003cp\u003eFrank Leslie's Illustrated Newspaper [German Language Edition]\u003c/p\u003e","\u003cp\u003eby Mr. A. R. Waud; Harper's Weekly\u003c/p\u003e","\u003cp\u003eby Mr. Mead; Harper's Weekly\u003c/p\u003e","\u003cp\u003eHarper's Weekly\u003c/p\u003e","\u003cp\u003eOn the Shenandoah and the Chickahominy\u003c/p\u003e","\u003cp\u003eThe Illustrated London News\u003c/p\u003e","\u003cp\u003eThe Illustrated London News\u003c/p\u003e","\u003cp\u003eThe Illustrated London News, 2 prints\u003c/p\u003e","\u003cp\u003eThe Illustrated London News\u003c/p\u003e","\u003cp\u003eThe Illustrated London News\u003c/p\u003e","\u003cp\u003ePictorial Battles of the Civil War\u003c/p\u003e","\u003cp\u003eFrank Leslie's Illustrated Newspaper\u003c/p\u003e","\u003cp\u003eThe Youths' History of he United States\u003c/p\u003e","\u003cp\u003eFrank Leslie's Illustrated Newspaper\u003c/p\u003e","\u003cp\u003ePictorial History of the War of 1861\u003c/p\u003e","\u003cp\u003eby Edwin Forbes\u003c/p\u003e","\u003cp\u003eThe Soldier in Our Civil War\u003c/p\u003e","\u003cp\u003eThe Illustrated London News\u003c/p\u003e","\u003cp\u003eThe Illustrated London News\u003c/p\u003e","\u003cp\u003eFrank Leslie's Illustrated Newspaper\u003c/p\u003e","\u003cp\u003eFrank Leslie's Illustrated Newspaper\u003c/p\u003e","\u003cp\u003eHarper's Weekly\u003c/p\u003e","\u003cp\u003eThe Illustrated London News\u003c/p\u003e","\u003cp\u003eby W. Peters; Harper's Weekly\u003c/p\u003e","\u003cp\u003ePictorial War Record\u003c/p\u003e","\u003cp\u003eFrank Leslie's Illustrated Newspaper\u003c/p\u003e","\u003cp\u003eFrank Leslie's Illustrated Newspaper [German Language Edition]\u003c/p\u003e","\u003cp\u003eFrank Leslie's Illustrated Newspaper [German Language Edition]\u003c/p\u003e","\u003cp\u003eFrank Leslie's Illustrated Newspaper [German Language Edition]\u003c/p\u003e","\u003cp\u003eby Mr. A. R. Waud; Harper's Weekly\u003c/p\u003e","\u003cp\u003eby Mr. A. R. Waud; Harper's Weekly\u003c/p\u003e","\u003cp\u003eFrank Leslie's Illustrated Newspaper [German Language Edition]\u003c/p\u003e","\u003cp\u003eby Mr. A. R. Waud; Harper's Weekly\u003c/p\u003e","\u003cp\u003eHarper's Weekly\u003c/p\u003e","\u003cp\u003eby T.R. Davis; Harper's Weekly\u003c/p\u003e","\u003cp\u003eby H. Lovie; The Soldier in Our Civil War\u003c/p\u003e","\u003cp\u003eby Walter A. Lane; The Soldier in Our Civil War\u003c/p\u003e","\u003cp\u003eby Henry Lovie; The Soldier in Our Civil War\u003c/p\u003e","\u003cp\u003eby H. Lovie; The Soldier in Our Civil War\u003c/p\u003e","\u003cp\u003eThe Soldier in Our Civil War\u003c/p\u003e","\u003cp\u003eHarper's Weekly\u003c/p\u003e","\u003cp\u003eby Mr. A. R. Waud; Harper's Weekly\u003c/p\u003e","\u003cp\u003eby Mr. A. R. Waud; Harper's Weekly [Same image as 3.12 in folder 18]\u003c/p\u003e","\u003cp\u003eThe Illustrated London News\u003c/p\u003e","\u003cp\u003eby Mr. A. R. Waud; Harper's Weekly [Same image as 3.10 in folder 18]\u003c/p\u003e","\u003cp\u003eby Mr. A. R. Waud; Harper's Weekly\u003c/p\u003e","\u003cp\u003eHarper's Weekly [same image as 20.6 in folder 20]\u003c/p\u003e","\u003cp\u003eHarper's Weekly [same image as 20.5 in folder 20]\u003c/p\u003e","\u003cp\u003eFrank Leslie's Illustrated Newspaper\u003c/p\u003e","\u003cp\u003eby Mr. A. R. Waud; Harper's Weekly\u003c/p\u003e","\u003cp\u003eFrank Leslie's Illustrated Newspaper\u003c/p\u003e","\u003cp\u003eLoudon County\u003c/p\u003e","\u003cp\u003eHarper's Weekly\u003c/p\u003e","\u003cp\u003eThe Illustrated London News\u003c/p\u003e","\u003cp\u003eThe Illustrated London News\u003c/p\u003e","\u003cp\u003eHarper's Weekly [Same as image 2.21B and 2.21C in folder 26]\u003c/p\u003e","\u003cp\u003eby Mr. A. R. Waud; Harper's Weekly [Same image as 2.20A in folder 26]\u003c/p\u003e","\u003cp\u003eby Mr. A. R. Waud; Harper's Weekly\u003c/p\u003e","\u003cp\u003eby Mr. A. R. Waud; Harper's Weekly\u003c/p\u003e","\u003cp\u003eFrank Leslie's Illustrated Newspaper\u003c/p\u003e","\u003cp\u003eThe Illustrated London News\u003c/p\u003e","\u003cp\u003eFrank Leslie's Illustrated Newspaper\u003c/p\u003e","\u003cp\u003eThe Soldier in Our Civil War [Same image as 2.32A in folder 26]\u003c/p\u003e","\u003cp\u003eThe Soldier in our Civil War [Same image as 2.32B in folder 26]\u003c/p\u003e","\u003cp\u003eby Edwin Forbes; The Soldier in Our Civil War\u003c/p\u003e","\u003cp\u003eThe Soldier in Our Civil War\u003c/p\u003e","\u003cp\u003eHarper's History of the Great Rebellion\u003c/p\u003e","\u003cp\u003eHarper's Weekly\u003c/p\u003e","\u003cp\u003eHarper's Weekly\u003c/p\u003e","\u003cp\u003eby Edwin Forbes; The Civil War in the United States\u003c/p\u003e","\u003cp\u003eby Edwin Forbes; The Civil War in the United States\u003c/p\u003e","\u003cp\u003eHarper's Weekly\u003c/p\u003e","\u003cp\u003eHarper's Weekly\u003c/p\u003e","\u003cp\u003eFrank Leslie's Illustrated Newspaper\u003c/p\u003e","\u003cp\u003eHarper's Weekly [Same image as 2.31 in folder 26]\u003c/p\u003e","\u003cp\u003eHarper's Weekly\u003c/p\u003e","\u003cp\u003eHarper's Weekly\u003c/p\u003e","\u003cp\u003eby Allen C. Redwood; Journal Article with Print Reproductions\u003c/p\u003e","\u003cp\u003eby John Pope; Journal Article with Print Reproductions\u003c/p\u003e","\u003cp\u003eby W. Momberger and J. C. McRae; Abbotts Civil War\u003c/p\u003e","\u003cp\u003eby Penfield\u003c/p\u003e","\u003cp\u003eby Mr. Edwin Forbes\u003c/p\u003e","\u003cp\u003eFrank Leslie's Illustrated Newspaper [German Language Edition]\u003c/p\u003e","\u003cp\u003eFrank Leslie's Illustrated Newspaper\u003c/p\u003e","\u003cp\u003eby Mr. A. R. Waud; Harper's Weekly\u003c/p\u003e","\u003cp\u003eby Mr. A. R. Waud; Harper's Weekly\u003c/p\u003e","\u003cp\u003eby Mr. A. R. Waud; Harper's Weekly\u003c/p\u003e","\u003cp\u003eHarper's Weekly\u003c/p\u003e","\u003cp\u003eby Mr. Davenport; Harper's Weekly [Same image as 2.34 in folder 26]\u003c/p\u003e","\u003cp\u003eThe Illustrated London News\u003c/p\u003e","\u003cp\u003eby Penfield; Harper's Weekly\u003c/p\u003e","\u003cp\u003eHarper's Weekly\u003c/p\u003e","\u003cp\u003eby F. O. C. Darley and W. Ridgway\u003c/p\u003e","\u003cp\u003eby P. Meeder\u003c/p\u003e","\u003cp\u003eFrank Leslie's Illustrated Newspaper [German Language Edition]\u003c/p\u003e","\u003cp\u003eFrank Leslie's Illustrated Newspaper [German Language Edition]\u003c/p\u003e","\u003cp\u003eby Edwin Forbes; Frank Leslie's Illustrated Newspaper\u003c/p\u003e","\u003cp\u003eHarper's Weekly [Same image as 2.12A in folder 26]\u003c/p\u003e","\u003cp\u003eThe Soldier in Our Civil War [Same image as 2.2A in folder 26]\u003c/p\u003e","\u003cp\u003eThe Soldier in our Civil War [Same image as 2.2B in folder 26]\u003c/p\u003e","\u003cp\u003eHarper's Weekly\u003c/p\u003e","\u003cp\u003eby Mr. Davenport; Harper's Weekly [Same image as 2.22 in folder 26]\u003c/p\u003e","\u003cp\u003eHarper's Weekly\u003c/p\u003e","\u003cp\u003eHarper's Weekly [Same image as 2.5A in folder 26]\u003c/p\u003e","\u003cp\u003eBy Edwin Forbes; The Civil War in the United States\u003c/p\u003e","\u003cp\u003eby Currier and Ives\u003c/p\u003e","\u003cp\u003eby Fisk and Russell; History of the Great Rebellion\u003c/p\u003e","\u003cp\u003eThe Civil War\u003c/p\u003e","\u003cp\u003eCivil War in America/ War and Its Horrors\u003c/p\u003e","\u003cp\u003eby M. D. McAlester\u003c/p\u003e","\u003cp\u003eby Julius Bien and Co.\u003c/p\u003e","\u003cp\u003eHistory of the Great Rebellion\u003c/p\u003e","\u003cp\u003eCivil War in America, War and Its Horrors\u003c/p\u003e","\u003cp\u003eby Capt. W. Angelo Powell\u003c/p\u003e","\u003cp\u003eHarper's History of the Great Rebellion\u003c/p\u003e","\u003cp\u003eby P. W. O. Koerner\u003c/p\u003e","\u003cp\u003eby Maj. N. Michler\u003c/p\u003e","\u003cp\u003eHarper's Weekly\u003c/p\u003e","\u003cp\u003eby Andrew B. Graham Photo-Litho\u003c/p\u003e","\u003cp\u003eby Rand McNally and Co.; Commercial Atlas\u003c/p\u003e","\u003cp\u003eRand McNally\u003c/p\u003e","\u003cp\u003eRand McNally\u003c/p\u003e","\u003cp\u003eby the Geological Survey; U.S. Geological Survey\u003c/p\u003e","\u003cp\u003eby the Geological Survey; U.S. Geological Survey\u003c/p\u003e","\u003cp\u003eAmerican Automobile Association\u003c/p\u003e","\u003cp\u003eby L. L. Poates\u003c/p\u003e","\u003cp\u003eHistory of the United States\u003c/p\u003e","\u003cp\u003eOperations in Northeastern Virginia\u003c/p\u003e","\u003cp\u003eFrank Leslie's Illustrated Newspaper\u003c/p\u003e","\u003cp\u003eHarper's History of the Great Rebellion\u003c/p\u003e","\u003cp\u003eby J. J. Young and W. Hesselbach; Surveys for Military Defenses, Sheet 1\u003c/p\u003e","\u003cp\u003eby J. J. Young and W. Hesselbach; Surveys for Military Defenses, Sheet 2\u003c/p\u003e","\u003cp\u003eby J. J. Young and W. Hesselbach; Surveys for Military Defenses, Sheet 2\u003c/p\u003e","\u003cp\u003eTop Engr. Office, V.D.\u003c/p\u003e","\u003cp\u003eTop Engr. Office, V.D.\u003c/p\u003e","\u003cp\u003eTop Engr. Office, V.D.\u003c/p\u003e","\u003cp\u003eTop Engr. Office, V.D.\u003c/p\u003e","\u003cp\u003eTop Engr. Office, V.D.\u003c/p\u003e","\u003cp\u003eTop Engr. Office, V.D.\u003c/p\u003e","\u003cp\u003eTop Engr. Office, V.D.\u003c/p\u003e","\u003cp\u003eTop Engr. Office, V.D.\u003c/p\u003e","\u003cp\u003eTop Engr. Office, V.D.\u003c/p\u003e","\u003cp\u003eTop Engr. Office, V.D.\u003c/p\u003e","\u003cp\u003eTop Engr. Office, V.D.\u003c/p\u003e","\u003cp\u003eTop Engr. Office, V.D.\u003c/p\u003e","\u003cp\u003eTop Engr. Office, V.D.\u003c/p\u003e","\u003cp\u003eTop Engr. Office, V.D.\u003c/p\u003e","\u003cp\u003eTop Eng. 2d Corps\u003c/p\u003e","\u003cp\u003eTop Eng. 2d Corps\u003c/p\u003e","\u003cp\u003eTop Engr. V.D.\u003c/p\u003e","\u003cp\u003eTop Eng. V.D.\u003c/p\u003e","\u003cp\u003eTop Eng. V.D.\u003c/p\u003e","\u003cp\u003eTop Eng. A.V.D.\u003c/p\u003e","\u003cp\u003eTop Eng. A.V.D.\u003c/p\u003e","\u003cp\u003eTop Eng. A.V.D.\u003c/p\u003e","\u003cp\u003eTop Engr. V.D.\u003c/p\u003e","\u003cp\u003eby J. J. Young\u003c/p\u003e","\u003cp\u003eby W. G. Atkinson\u003c/p\u003e","\u003cp\u003eby Brig. Gen. D.P. Woodbury\u003c/p\u003e","\u003cp\u003eby Brig. Gen. G.K. Warren\u003c/p\u003e","\u003cp\u003eby Capt. W. Angelo Powell\u003c/p\u003e","\u003cp\u003eJulius Bien and Co.\u003c/p\u003e","\u003cp\u003eJulius Bien and Co.\u003c/p\u003e","\u003cp\u003eJulius Bien and Co.\u003c/p\u003e","\u003cp\u003eJulius Bien and Co.\u003c/p\u003e","\u003cp\u003eJulius Bien and Co.\u003c/p\u003e","\u003cp\u003eJulius Bien and Co.\u003c/p\u003e","\u003cp\u003eJulius Bien and Co.\u003c/p\u003e","\u003cp\u003eJulius Bien and Co.\u003c/p\u003e","\u003cp\u003eJulius Bien and Co.\u003c/p\u003e","\u003cp\u003eJulius Bien and Co.\u003c/p\u003e","\u003cp\u003eJulius Bien and Co.\u003c/p\u003e","\u003cp\u003eby John Pilsen; Julius Bien and Co.\u003c/p\u003e","\u003cp\u003eby Franz Kappner; Julius Bien and Co.\u003c/p\u003e","\u003cp\u003eby the geological Survey; U.S. Geological Survey\u003c/p\u003e","\u003cp\u003eby the Geological Survey; U.S. Geological Survey\u003c/p\u003e","\u003cp\u003eby the Geological Survey; U.S. Geological Survey\u003c/p\u003e","\u003cp\u003eby A. Maedel, H. S. Barnard and A. 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The collection consists of nearly 200 images on various historical subjects in a variety of formats, including wood engravings, steel engravings, lithographs, chromolithographs, maps, and manuscripts. Most of the images depict battles and maps of the Civil War. The maps include the cities of Arlington and Alexandria and the counties of Fairfax, Loudoun and Prince William. Columbia Pike, Chain Bridge, Long Bridge, the Little River Turnpike, Centreville and Manassas all existed at the time of the Civil War and all of them are represented or referenced in these images. ","Most of the Civil War images are from three periodicals: The Illustrated London News, Frank Leslie's Illustrated Newspaper, and Harper's Weekly. They are primarily wood engravings, several of which are hand colored. Though wood engraving was invented as an illustrative technique in the 1790s, it was the later appearance of the mass illustrated newspaper that took advantage of the technique to appeal to a wide readership.","Although pictorial images comprise the majority of images in the collection, there are also numerous maps, most of which were produced by lithography. A number were produced for military purposes and employed by both the North and South alike. Maps made during the Civil War were often exceedingly accurate; their usefulness carried on into the twentieth century.","The Pictorial Battles of the Civil War","Harper's Weekly","The Soldier in Our Civil War","Frank Leslie's Illustrated Newspaper [German Language Edition]","Frank Leslie's Illustrated Newspaper","by Charles Magnus","by Charles Magnus","by Charles Magnus","by Charles Magnus","by Charles Magnus","by Charles Magnus","by Charles Magnus","by Charles Magnus","by Charles Magnus","by Charles Magnus","by Charles Magnus","by Charles Magnus","The Illustrated London News","Frank Leslie's Illustrated Newspaper","The Civil War in the United States","Frank Leslie's Illustrated Newspaper","The Illustrated London News","Harper's Weekly","Journal Article with Print Reproductions","Frank Leslie's Illustrated Newspaper","by A. Waud; Pictorial Battles of the Civil War","by A. Waud; Pictorial Battles of the Civil War","Frank Leslie's Illustrated Newspaper [German Language Edition]","The Illustrated London News","by the Alexandria Chamber of Commerce; City Brochure with Photographs and Map","The Soldier in our Civil War","The Illustrated London News","Harper's New Monthly Magazine, No. XL - Vol. VII","The Soldier in Our Civil War","by Charles Graham; Harper's Weekly","by Bell; Harper's Weekly","by Bell; Harper's Weekly","by Bell; Harper's Weekly","by Bell; Harper's Weekly","by Bell; Harper's Weekly","by National Photo Co.","Picturesque Washington","by Bell; Frank Leslie's Illustrated Newspaper","Published by The Gray Line Sight Seeing Tours","Published by B. S. Reynolds Co.","Published by the Post Exchange, Fort Myer, VA.","Pictorial History of the War of 1861","Pictorial History of the War of 1861","The Civil War in the United States","Harper's Weekly","by A. Waud; The New-York Illustrated News","Harper's Weekly","The Illustrated London News","The Illustrated London News","By J. Becker; Frank Leslie's Illustrated Newspaper","by Mr. A. R. Waud; Harper's Weekly","by Mr. A. R. Waud; Harper's Weekly","Harper's Pictorial History of the Civil War","The Illustrated London News","The Illustrated London News","by Mr. Forbes; Frank Leslie's Illustrated Newspaper [same image as 7.8 in folder 9]","Pictorial History of the War of 1861 [same image as 7.7 in folder 9]","by Edwin Forbes; Frank Leslie's Illustrated Newspaper","Harper's Pictorial History of the Civil War","Harper's Pictorial History of the Civil War","Harper's Pictorial History of the Civil War","Same image as 20.9 in folder 10","by Edwin Forbes; The Soldier in Our Civil War","Same image as 3.4 in folder 10","by Mr. A. R. Waud; Harper's Weekly","Frank Leslie's Illustrated Newspaper","By A. R. Waud; Harper's Weekly","The Civil War in the United States","by Mr. A. R. Waud; Harper's Weekly","by Mr. A. R. Waud; Harper's Weekly","Frank Leslie's Illustrated Newspaper","Frank Leslie's Illustrated Newspaper","Frank Leslie's Illustrated Newspaper","Frank Leslie's Illustrated Newspaper [German Language Edition]","by Mr. A. R. Waud; Harper's Weekly","by Mr. Mead; Harper's Weekly","Harper's Weekly","On the Shenandoah and the Chickahominy","The Illustrated London News","The Illustrated London News","The Illustrated London News, 2 prints","The Illustrated London News","The Illustrated London News","Pictorial Battles of the Civil War","Frank Leslie's Illustrated Newspaper","The Youths' History of he United States","Frank Leslie's Illustrated Newspaper","Pictorial History of the War of 1861","by Edwin Forbes","The Soldier in Our Civil War","The Illustrated London News","The Illustrated London News","Frank Leslie's Illustrated Newspaper","Frank Leslie's Illustrated Newspaper","Harper's Weekly","The Illustrated London News","by W. Peters; Harper's Weekly","Pictorial War Record","Frank Leslie's Illustrated Newspaper","Frank Leslie's Illustrated Newspaper [German Language Edition]","Frank Leslie's Illustrated Newspaper [German Language Edition]","Frank Leslie's Illustrated Newspaper [German Language Edition]","by Mr. A. R. Waud; Harper's Weekly","by Mr. A. R. Waud; Harper's Weekly","Frank Leslie's Illustrated Newspaper [German Language Edition]","by Mr. A. R. Waud; Harper's Weekly","Harper's Weekly","by T.R. Davis; Harper's Weekly","by H. Lovie; The Soldier in Our Civil War","by Walter A. Lane; The Soldier in Our Civil War","by Henry Lovie; The Soldier in Our Civil War","by H. Lovie; The Soldier in Our Civil War","The Soldier in Our Civil War","Harper's Weekly","by Mr. A. R. Waud; Harper's Weekly","by Mr. A. R. Waud; Harper's Weekly [Same image as 3.12 in folder 18]","The Illustrated London News","by Mr. A. R. Waud; Harper's Weekly [Same image as 3.10 in folder 18]","by Mr. A. R. Waud; Harper's Weekly","Harper's Weekly [same image as 20.6 in folder 20]","Harper's Weekly [same image as 20.5 in folder 20]","Frank Leslie's Illustrated Newspaper","by Mr. A. R. Waud; Harper's Weekly","Frank Leslie's Illustrated Newspaper","Loudon County","Harper's Weekly","The Illustrated London News","The Illustrated London News","Harper's Weekly [Same as image 2.21B and 2.21C in folder 26]","by Mr. A. R. Waud; Harper's Weekly [Same image as 2.20A in folder 26]","by Mr. A. R. Waud; Harper's Weekly","by Mr. A. R. Waud; Harper's Weekly","Frank Leslie's Illustrated Newspaper","The Illustrated London News","Frank Leslie's Illustrated Newspaper","The Soldier in Our Civil War [Same image as 2.32A in folder 26]","The Soldier in our Civil War [Same image as 2.32B in folder 26]","by Edwin Forbes; The Soldier in Our Civil War","The Soldier in Our Civil War","Harper's History of the Great Rebellion","Harper's Weekly","Harper's Weekly","by Edwin Forbes; The Civil War in the United States","by Edwin Forbes; The Civil War in the United States","Harper's Weekly","Harper's Weekly","Frank Leslie's Illustrated Newspaper","Harper's Weekly [Same image as 2.31 in folder 26]","Harper's Weekly","Harper's Weekly","by Allen C. Redwood; Journal Article with Print Reproductions","by John Pope; Journal Article with Print Reproductions","by W. Momberger and J. C. McRae; Abbotts Civil War","by Penfield","by Mr. Edwin Forbes","Frank Leslie's Illustrated Newspaper [German Language Edition]","Frank Leslie's Illustrated Newspaper","by Mr. A. R. Waud; Harper's Weekly","by Mr. A. R. Waud; Harper's Weekly","by Mr. A. R. Waud; Harper's Weekly","Harper's Weekly","by Mr. Davenport; Harper's Weekly [Same image as 2.34 in folder 26]","The Illustrated London News","by Penfield; Harper's Weekly","Harper's Weekly","by F. O. C. Darley and W. Ridgway","by P. Meeder","Frank Leslie's Illustrated Newspaper [German Language Edition]","Frank Leslie's Illustrated Newspaper [German Language Edition]","by Edwin Forbes; Frank Leslie's Illustrated Newspaper","Harper's Weekly [Same image as 2.12A in folder 26]","The Soldier in Our Civil War [Same image as 2.2A in folder 26]","The Soldier in our Civil War [Same image as 2.2B in folder 26]","Harper's Weekly","by Mr. Davenport; Harper's Weekly [Same image as 2.22 in folder 26]","Harper's Weekly","Harper's Weekly [Same image as 2.5A in folder 26]","By Edwin Forbes; The Civil War in the United States","by Currier and Ives","by Fisk and Russell; History of the Great Rebellion","The Civil War","Civil War in America/ War and Its Horrors","by M. D. McAlester","by Julius Bien and Co.","History of the Great Rebellion","Civil War in America, War and Its Horrors","by Capt. W. Angelo Powell","Harper's History of the Great Rebellion","by P. W. O. Koerner","by Maj. N. Michler","Harper's Weekly","by Andrew B. Graham Photo-Litho","by Rand McNally and Co.; Commercial Atlas","Rand McNally","Rand McNally","by the Geological Survey; U.S. Geological Survey","by the Geological Survey; U.S. Geological Survey","American Automobile Association","by L. L. Poates","History of the United States","Operations in Northeastern Virginia","Frank Leslie's Illustrated Newspaper","Harper's History of the Great Rebellion","by J. J. Young and W. Hesselbach; Surveys for Military Defenses, Sheet 1","by J. J. Young and W. Hesselbach; Surveys for Military Defenses, Sheet 2","by J. J. Young and W. Hesselbach; Surveys for Military Defenses, Sheet 2","Top Engr. Office, V.D.","Top Engr. Office, V.D.","Top Engr. Office, V.D.","Top Engr. Office, V.D.","Top Engr. Office, V.D.","Top Engr. Office, V.D.","Top Engr. Office, V.D.","Top Engr. Office, V.D.","Top Engr. Office, V.D.","Top Engr. Office, V.D.","Top Engr. Office, V.D.","Top Engr. Office, V.D.","Top Engr. Office, V.D.","Top Engr. Office, V.D.","Top Eng. 2d Corps","Top Eng. 2d Corps","Top Engr. V.D.","Top Eng. V.D.","Top Eng. V.D.","Top Eng. A.V.D.","Top Eng. A.V.D.","Top Eng. A.V.D.","Top Engr. V.D.","by J. J. Young","by W. G. Atkinson","by Brig. Gen. D.P. Woodbury","by Brig. Gen. G.K. Warren","by Capt. W. Angelo Powell","Julius Bien and Co.","Julius Bien and Co.","Julius Bien and Co.","Julius Bien and Co.","Julius Bien and Co.","Julius Bien and Co.","Julius Bien and Co.","Julius Bien and Co.","Julius Bien and Co.","Julius Bien and Co.","Julius Bien and Co.","by John Pilsen; Julius Bien and Co.","by Franz Kappner; Julius Bien and Co.","by the geological Survey; U.S. Geological Survey","by the Geological Survey; U.S. Geological Survey","by the Geological Survey; U.S. Geological Survey","by A. Maedel, H. S. Barnard and A. Peterson; Survey of the Coast of the United States, Coast Survey Office","The Civil War","by Waters-Son N.Y.","by G. Woolworth Oolton N.Y.","by William J. Wilson","by Charles Magnus","by Fisk and Russell N.Y.","The Soldier in Our Civil War","Harper's Pictorial History of the Civil War","By Walker \u0026 Boutall","Harper's History of the Great Rebellion","Newspaper","The Illustrated London News","by Mr. Anton Kellner; Harper's Weekly","by Mr. Davenport; Harper's Weekly","by Mr. A. R. Waud; Harper's Weekly","The New-York Illustrated News","by J. E. Taylor; Frank Leslie's Illustrated Newspaper","by J. E. Taylor; Frank Leslie's Illustrated Newspaper","Harper's Pictorial History of the Civil War","by J. Lansing and R. P. Johnson; Frank Leslie's Illustrated Newspaper","by James Lansing; Frank Leslie's Illustrated Newspaper","by Col. Battersby; Harper's Weekly","by R. F. Zogbaum; Harper's Weekly","By Edwin Forbes; The Civil War in the United States","By Edwin Forbes; The Civil War in the United States [Same image as 20.39 in folder 33]","The Soldier in Our Civil War","by Edwin Forbes; The Soldier in Our Civil War","by Edwin Forbes; The Soldier in Our Civil War","Ballou's Pictorial Drawing-Room Companion","Harpers Weekly","Ballou's Pictorial","The Soldier in our Civil War","The Illustrated London News [Same image as 20.12 in folder 33]","By Edwin Forbes; The Civil War in the United States [Same image as 20.28 in folder 33]","Frank Leslie's Illustrated Newspaper [German Language Edition]","The Illustrated London News","Harper's Weekly","Pictorial Battles of the Civil War","Pictorial History of the War of 1861 [same image as 6.17A in folder 35]","Pictorial History of the War of 1861 [same image as 6.17B in folder 35]","Frank Leslie's Illustrated Newspaper [same image as 6.9A in folder 35]","Frank Leslie's Illustrated Newspaper [same image as 6.9B in folder 35]","Pictorial War Record","by Mr. A. R. Waud; Harper's Weekly","by Mr. A. R. Waud; Harper's Weekly","Frank Leslie's Illustrated Newspaper [same image as 1.12]","The Illustrated London News [same image as 1.6 in folder 37]","The Illustrated London News","The Illustrated London News [same image as 1.3 in folder 37]","The Illustrated London News [same image as 1.1 in folder 37]","The Illustrated London News [same image as unnumbered in folder 37]","The Illustrated London News","The Illustrated London News [same image as unnumbered in folder 37]","Frank Leslie's Illustrated Newspaper","Picturesque America","Picturesque America","The Illustrated London News [same image as unnumbered in folder 37]","by E. S. Hall; Frank Leslie's Illustrated Newspaper","Harper's Weekly","by Wm. L. Sheppard; Frank Leslie's Illustrated Newspaper","Harper's History of the Great Rebellion","Harper's History of the Great Rebellion","Frank Leslie's Illustrated Newspaper [2 copies]","The New York Illustrated News","by A. R. Waud; Pictorial War Record","By A. R. Waud; Harper's Weekly","Harper's Weekly","Harper's Weekly","Harper's Weekly","Harper's Weekly","by A. R. Waud; The Pictorial Battles of the Civil War","by Johnson and Ward","by Julius Bien and Co.","by Johnson and Ward","Top Engr. Office, V.D.","Top Engr. Office, V.D.","Top Engr. Office, V.D.","Top Engr. Office, V.D.","Top Engr. Office, V.D.","Top Engr. Office, V.D.","Top Engr. Office, V.D.","Engineer Department. U.S. Army","Engineer Department. U.S. Army","The Illustrated London News","by Mr. Davenport; Harper's Weekly","by Mr. A. R. Waud; Harper's Weekly","Harper's Weekly [2 copies]","Frank Leslie's Illustrated Newspaper [German Language Edition]","by Mr. A. R. Waud; Harper's Weekly","by Mr. A. R. Waud; Harper's Weekly","by Charles Sholt [?]; Harper's Weekly","by H. Lovie; The Soldier in Our Civil War","by Gilbert Gaul; Harpers Weekly","by Mr. A. R. Waud; Harper's Weekly","by Mr. A. R. Waud; Harper's Weekly","by Mr. A. R. Waud; Harper's Weekly","by H. Lovie; The Soldier in Our Civil War","The Soldier in Our Civil War","The Soldier in Our Civil War","The Confederate Soldier in the Civil War","[same image as 19.2A]","[same image as 19.2B]","The Civil War in the United States [same image as 19.1A]","The Civil War in the United States [same image as 19.1B]","By E. Forbes; Frank Leslie's Illustrated Newspaper","Frank Leslie's Illustrated Newspaper","by Sol Eytinge; Harper's Weekly","Harper's Weekly","Harper's Weekly [same image as 15.4 in folder 46]","Harper's Weekly [same image as 15.3 in folder 46]","Frank Leslie's Illustrated Newspaper","By Mr. Theodore R. Davis; Harper's Weekly","The Illustrated London News","The Illustrated London News","by E. F. Mullen; Frank Leslie's Illustrated Newspaper","Frank Leslie's Illustrated Newspaper","Frank Leslie's Illustrated Newspaper","Frank Leslie's Illustrated Newspaper","Frank Leslie's Illustrated Newspaper","Harper's Weekly","The Soldier in Our Civil War [same image as 5.7 in folder 48]","Frank Leslie's Illustrated Newspaper","Frank Leslie's Illustrated Newspaper","Frank Leslie's Illustrated Newspaper [German Language Edition][same image as 5.6 in folder 48]","Frank Leslie's Illustrated Newspaper","The Soldier in Our Civil War","Harper's Weekly (supplement)","Frank Leslie's Illustrated Newspaper","Frank Leslie's Illustrated Newspaper","By Gen. Barnard; Defenses of Washington","By Gen. Barnard; Defenses of Washington","Cassell's Illustrated History of England","Harper's Weekly","Harper's Weekly"],"userestrict_html_tesm":["\u003cp\u003ePublic domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_dbd7a4df24b2682fee1bc6ec071e507a\" label=\"Abstract\"\u003eThe collection contains images and maps depicting Northern Virginia. A majority of the images are contemporary illustrations of the Civil War in Virginia. Formats include wood engravings, steel engravings, lithographs, chromolithographs, and a manuscript.\u003c/abstract\u003e"],"abstract_tesim":["The collection contains images and maps depicting Northern Virginia. A majority of the images are contemporary illustrations of the Civil War in Virginia. Formats include wood engravings, steel engravings, lithographs, chromolithographs, and a manuscript."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_a70d19fef0e8a7a6be4be2038580131d\"\u003eMap Case 11.5, 23.5-24.5\u003c/physloc\u003e"],"physloc_tesim":["Map Case 11.5, 23.5-24.5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English"],"total_component_count_is":471,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:12:58.124Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_144_c01_c41_c01"}},{"id":"wvmturhc_repositories_2_resources_5880_c02_c983","type":"File","attributes":{"title":"Agent Guide of the Citizens Trust and Guaranty Co. of West Virginia","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5880_c02_c983#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5880_c02_c983","ref_ssm":["wvmturhc_repositories_2_resources_5880_c02_c983"],"id":"wvmturhc_repositories_2_resources_5880_c02_c983","ead_ssi":"wvmturhc_repositories_2_resources_5880","_root_":"wvmturhc_repositories_2_resources_5880","_nest_parent_":"wvmturhc_repositories_2_resources_5880_c02","parent_ssi":"wvmturhc_repositories_2_resources_5880_c02","parent_ssim":["wvmturhc_repositories_2_resources_5880","wvmturhc_repositories_2_resources_5880_c02"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5880","wvmturhc_repositories_2_resources_5880_c02"],"parent_unittitles_ssm":["Siler Family Papers","Series 2. J. Hammond Siler, Sr. (boxes S2/Box 1-S2/Box 89)"],"parent_unittitles_tesim":["Siler Family Papers","Series 2. J. Hammond Siler, Sr. (boxes S2/Box 1-S2/Box 89)"],"text":["Siler Family Papers","Series 2. J. Hammond Siler, Sr. (boxes S2/Box 1-S2/Box 89)","Agent Guide of the Citizens Trust and Guaranty Co. of West Virginia","Box S2/Box 69","Folder 4"],"title_filing_ssi":"Agent Guide of the Citizens Trust and Guaranty Co. of West Virginia","title_ssm":["Agent Guide of the Citizens Trust and Guaranty Co. of West Virginia"],"title_tesim":["Agent Guide of the Citizens Trust and Guaranty Co. of West Virginia"],"unitdate_inclusive_ssm":["ca. 1848-1968"],"normalized_date_ssm":["1848/1968"],"normalized_title_ssm":["Agent Guide of the Citizens Trust and Guaranty Co. of West Virginia"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Siler Family Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1163,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"containers_ssim":["Box S2/Box 69","Folder 4"],"_nest_path_":"/components#1/components#982","timestamp":"2026-05-21T00:52:04.570Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5880","ead_ssi":"wvmturhc_repositories_2_resources_5880","_root_":"wvmturhc_repositories_2_resources_5880","_nest_parent_":"wvmturhc_repositories_2_resources_5880","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5880.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198957","title_ssm":["Siler Family Papers"],"title_tesim":["Siler Family Papers"],"unitdate_ssm":["1848-1968"],"unitdate_inclusive_ssm":["1848-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2200","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5880"],"text":["A\u0026M 2200","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5880","Siler Family Papers","Berkeley Springs (W. Va.)","Town of Bath, West Virginia - Berkeley Springs.","United States -- History -- Civil War, 1861-1865","Bank of Berkeley Springs - Banks and Banking.","Banks and Banking - American Institute of Banking.","Banks and Banking - Bank of Berkeley Springs.","Banks and Banking - Federal Reserve Bank of Richmond.","Banks and Banking - Financial Public Relations Association.","Banks and Banking - First Virginia Corporation.","Banks and banking","Berkeley Glass Sand Company -- Glass Sand Industry","Berkeley Springs Water Works and Improvement Co. -- Power Industry","Bibles","Blueprints","Bonds -- Citizens Trust and Guaranty Company of West Virginia","Bowling","Poetry --  Nannie S. Castleman","Church schools -- Episcopal High School (Alexandria, Va.)","Churches  -- Episcopal","Civil War -- Confederate newspapers","Civil War -- Description","Civil War - political factions.","Civil War -- Confederate letters","Confederate States of America - secession crisis.","Diaries and journals.","Episcopal Church - Churches.","Church schools -- Episcopal High School (Alexandria, Va.)","Estates and estate settlements.","Federal Reserve Bank of Richmond - Banks and Banking.","Financial Public Relations Association - Banks and Banking.","First Virginia Corporation - Banks and Banking.","General stores - Hammond and Siler.","Glass Sand Industry - Berkeley Glass Sand Company.","Glass Sand Industry - Pennsylvania Glass Sand Corporation.","Hancock Steel Company - Steel.","Insurance - V. E. Johnson Insurance Agency.","Land - deeds and grants.","Land Plat.","Lawyers - letters and papers.","Ledgers.","Libraries - Morgan County Library.","Magazines.","Freemasons","Morgan County - Circuit Court.","Morgan County Library - Libraries.","Music - Sheet music.","Northern Virginia Power Company - Power Industry.","Pennsylvania Glass Sand Corporation - Glass Sand Industry.","Poetry --  Nannie S. Castleman","Political factions - Civil War.","Politics - Secession of Virginia.","Politics and government.","Railroads - Baltimore and Ohio Railroad.","Railroads - Western Maryland Railroad Company.","Rhodes scholarships","Rock Gap Coal and Mining Company - Stocks.","Scrapbooks","Secession of Virginia - Politics.","Business correspondence","No special access restriction applies.","missing; 2011/04/15; mrr","\nseries 2, box 47, folder 13","\n--","archives and manuscripts; photographs / postcards / prints / etc.","This is a collection of letters and documents tracing the personal and business life of an eastern panhandle West Virginia family. The papers concern a broad range of political, social, financial, and legal topics, particularly focusing on J. Hammond Siler, Jr., his parents, J. Hammond Siler, Sr. and Jessie Castleman Siler (residents of the Town of Bath better known as Berkeley Springs). Also includes correspondence and other papers from related families. 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Johnson Insurance Agency.","Land - deeds and grants.","Land Plat.","Lawyers - letters and papers.","Ledgers.","Libraries - Morgan County Library.","Magazines.","Freemasons","Morgan County - Circuit Court.","Morgan County Library - Libraries.","Music - Sheet music.","Northern Virginia Power Company - Power Industry.","Pennsylvania Glass Sand Corporation - Glass Sand Industry.","Poetry --  Nannie S. 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(149 document cases, 5 in. each); (1 document case, 2 1/2 in.); (1 small flat storage box, 3 1/2 in.); (2 oversize folders, 2 in.); (25 wrapped packages, 3 ft. 8 in.)"],"extent_tesim":["66.6 Linear Feet Summary: 66 ft. 7 in. 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The papers concern a broad range of political, social, financial, and legal topics, particularly focusing on J. Hammond Siler, Jr., his parents, J. Hammond Siler, Sr. and Jessie Castleman Siler (residents of the Town of Bath better known as Berkeley Springs). Also includes correspondence and other papers from related families. Subjects include banking, the Civil War, the Episcopal church, secession of Virginia, Virginia Loyalty Oath, women's diaries, and women's letters and papers. A notable item in the collection is the diary of Anne Doyne Wolff Strother, wife of artist and writer David Hunter Strother, documenting a trip with husband and daughter Emily to New Orleans in 1857 (S2/Box 67, folder 1a).\u003c/p\u003e\n","\u003cp\u003eSeries include:\u003c/p\u003e\n","\u003cp\u003eSeries 1. J. Hammond Siler, Jr. (ca. 1848-1968), boxes S1/Box 1-S1/Box 50\u003clb\u003e\u003c/lb\u003e\nSeries 2. J. Hammond Siler, Sr. (ca. 1848-1968), boxes S2/Box 1-S2/Box 89\u003clb\u003e\u003c/lb\u003e\nSeries 3. Jessie Castleman Siler (ca. 1848-1968), boxes S3/Box 1-S3/Box 2\u003clb\u003e\u003c/lb\u003e\nSeries 4. A.C. Hammond (ca. 1848-1968), boxes S4/Box 1-S4/Box 4\u003clb\u003e\u003c/lb\u003e\nSeries 5. Ann R. Castleman (ca. 1848-1968), boxes S5/Box 1-S5/Box 2\u003clb\u003e\u003c/lb\u003e\nSeries 6. Photographs (ca. 1848-1968), box S6/Box 1\u003clb\u003e\u003c/lb\u003e\nSeries 7. Wrapped Packages (ca. 1848-1968), Wrapped Packages 1-26\u003clb\u003e\u003c/lb\u003e\nSeries 8. Oversize Material (ca. 1848-1968), box S8/Box 1\u003c/p\u003e","\u003cp\u003eThis series includes the personal and business papers and correspondence of J. Hammond Siler, Jr. and his career with the Federal Bank Reserve of Richmond, VA. 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For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_172a403f6611d4a5931c460b0b7692df\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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Glass with the Baltimore and West Point Steam Packet Company and the West Point Railway.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_7292#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_7292","ead_ssi":"viw_repositories_2_resources_7292","_root_":"viw_repositories_2_resources_7292","_nest_parent_":"viw_repositories_2_resources_7292","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_7292.xml","title_filing_ssi":"Glass, A. Account Book","title_ssm":["A. Glass Account Book"],"title_tesim":["A. Glass Account Book"],"unitdate_ssm":["1844-1862"],"unitdate_inclusive_ssm":["1844-1862"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. MsV Aa4","/repositories/2/resources/7292"],"text":["Mss. MsV Aa4","/repositories/2/resources/7292","A. Glass Account Book","Executors and administrators--Virginia--History--19th century","Railroads--United States","Steamboat lines--United States","Account books","55 p.","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Account books containing personal accounts, 1852-1862, of A. Glass and his accounts, 1844-1859, as the administrator of the estates of Thomas H. Roberts, Joseph Cleuveures, and Benjamin Cleuveures. Also includes accounts of A. Glass with the Baltimore and West Point Steam Packet Company and the West Point Railway.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["Mss. MsV Aa4","/repositories/2/resources/7292"],"normalized_title_ssm":["A. 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