{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1820\u0026facet.page=3\u0026page=596","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1820\u0026facet.page=3\u0026page=595","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1820\u0026facet.page=3\u0026page=597","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1820\u0026facet.page=3\u0026page=639"},"meta":{"pages":{"current_page":596,"next_page":597,"prev_page":595,"total_pages":639,"limit_value":10,"offset_value":5950,"total_count":6386,"first_page?":false,"last_page?":false}},"data":[{"id":"vihart_repositories_4_resources_726","type":"collection","attributes":{"title":"Tisinger Family collection of Shenandoah County land surveys, 1749/1932","creator":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_726#creator","type":"document_value","attributes":{"value":"Jeffrey S. 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The provided descriptions were repurposed as folder titles."],"scopecontent_html_tesm":["\u003cp\u003eThe collection comprises hundreds of land surveys and related documents primarily for Shenandoah County, Virginia. Specific document types include land indentures, deeds, plats, surveys and re-surveys including period copies of 18th century surveys, articles of agreement, field notes and calculations, last wills and testaments, and personal property inventories.\u003c/p\u003e","\u003cp\u003eLocations referenced in the documents include Holman's Creek, Mill Creek, Mt. Jackson, Mulberry Run, Red Banks, New Market, Edinburg, Passage Creek, Stony Creek, North Fork of the Shenandoah River, Manassas Gap Railroad, Liberty Run, Hamburg, Little North Mountain, Orkney Springs, Conicville, Cedar Creek, and many more. 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Jackson, Mulberry Run, Red Banks, New Market, Edinburg, Passage Creek, Stony Creek, North Fork of the Shenandoah River, Manassas Gap Railroad, Liberty Run, Hamburg, Little North Mountain, Orkney Springs, Conicville, Cedar Creek, and many more. Places beyond Shenandoah County include Rockingham County, Augusta County, and Hardy County.","Surveyors referenced in the documents include William Tisinger, Jacob Rinker, Reuben Walton, James Murphy, Richard Rigg, and others."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_c366407779df2cc79ead214728df751e\"\u003eThe collection comprises hundreds of land surveys and related documents primarily for Shenandoah County, Virginia.\u003c/abstract\u003e\n "],"abstract_tesim":["The collection comprises hundreds of land surveys and related documents primarily for Shenandoah County, Virginia."],"corpname_ssim":["James Madison University Libraries Special Collections","Jeffrey S. Evans \u0026 Associates","Bush \u0026 Lobdell (Wilmington, Del.)"],"names_coll_ssim":["Jeffrey S. Evans \u0026 Associates"],"famname_ssim":["Tisinger family"],"persname_ssim":["Tisinger, William, 1816-1887","Fairfax, Thomas Fairfax, Lord, 1693-1781"],"names_ssim":["James Madison University Libraries Special Collections","Jeffrey S. 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The documents were identified and described before acquisition by Special Collections, presumably by either a member of the Tisinger family prior to being consigned for auction or by the auction house itself. Documents were foldered according to their original order and groupings. The provided descriptions were repurposed as folder titles.\u003c/p\u003e "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The documents were received in three 3-ring binders with individual documents or small groupings of like documents sleeved in plastic enclosures. The documents were identified and described before acquisition by Special Collections, presumably by either a member of the Tisinger family prior to being consigned for auction or by the auction house itself. Documents were foldered according to their original order and groupings. The provided descriptions were repurposed as folder titles."],"scopecontent_html_tesm":["\u003cp\u003eThe collection comprises hundreds of land surveys and related documents primarily for Shenandoah County, Virginia. Specific document types include land indentures, deeds, plats, surveys and re-surveys including period copies of 18th century surveys, articles of agreement, field notes and calculations, last wills and testaments, and personal property inventories.\u003c/p\u003e","\u003cp\u003eLocations referenced in the documents include Holman's Creek, Mill Creek, Mt. Jackson, Mulberry Run, Red Banks, New Market, Edinburg, Passage Creek, Stony Creek, North Fork of the Shenandoah River, Manassas Gap Railroad, Liberty Run, Hamburg, Little North Mountain, Orkney Springs, Conicville, Cedar Creek, and many more. Places beyond Shenandoah County include Rockingham County, Augusta County, and Hardy County.\u003c/p\u003e","\u003cp\u003eSurveyors referenced in the documents include William Tisinger, Jacob Rinker, Reuben Walton, James Murphy, Richard Rigg, and others.\u003c/p\u003e "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection comprises hundreds of land surveys and related documents primarily for Shenandoah County, Virginia. Specific document types include land indentures, deeds, plats, surveys and re-surveys including period copies of 18th century surveys, articles of agreement, field notes and calculations, last wills and testaments, and personal property inventories.","Locations referenced in the documents include Holman's Creek, Mill Creek, Mt. Jackson, Mulberry Run, Red Banks, New Market, Edinburg, Passage Creek, Stony Creek, North Fork of the Shenandoah River, Manassas Gap Railroad, Liberty Run, Hamburg, Little North Mountain, Orkney Springs, Conicville, Cedar Creek, and many more. Places beyond Shenandoah County include Rockingham County, Augusta County, and Hardy County.","Surveyors referenced in the documents include William Tisinger, Jacob Rinker, Reuben Walton, James Murphy, Richard Rigg, and others."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_c366407779df2cc79ead214728df751e\"\u003eThe collection comprises hundreds of land surveys and related documents primarily for Shenandoah County, Virginia.\u003c/abstract\u003e\n "],"abstract_tesim":["The collection comprises hundreds of land surveys and related documents primarily for Shenandoah County, Virginia."],"corpname_ssim":["James Madison University Libraries Special Collections","Jeffrey S. Evans \u0026 Associates","Bush \u0026 Lobdell (Wilmington, Del.)"],"names_coll_ssim":["Jeffrey S. Evans \u0026 Associates"],"famname_ssim":["Tisinger family"],"persname_ssim":["Tisinger, William, 1816-1887","Fairfax, Thomas Fairfax, Lord, 1693-1781"],"names_ssim":["James Madison University Libraries Special Collections","Jeffrey S. Evans \u0026 Associates","Bush \u0026 Lobdell (Wilmington, Del.)","Tisinger family","Tisinger, William, 1816-1887","Fairfax, Thomas Fairfax, Lord, 1693-1781"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":231,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:36:24.185Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_726"}},{"id":"viw_repositories_2_resources_893_c02_c01_c06","type":"File","attributes":{"title":"Title Pages of Books, 1620/1870","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_893_c02_c01_c06#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eTitle pages from 29 books. Includes page for \"Plutarch I Chaeronensis Omnium\" dated 1620, page for \"Porcupine's Works, Vol. II, 1796 , \"Annalium Tam Regum...\" 1679 and others.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_893_c02_c01_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_893_c02_c01_c06","ref_ssm":["viw_repositories_2_resources_893_c02_c01_c06"],"id":"viw_repositories_2_resources_893_c02_c01_c06","ead_ssi":"viw_repositories_2_resources_893","_root_":"viw_repositories_2_resources_893","_nest_parent_":"viw_repositories_2_resources_893_c02_c01","parent_ssi":"viw_repositories_2_resources_893_c02_c01","parent_ssim":["Ephemera Collection, 1800/2014","Series 2: Backlog Accessions","Box 3: Ephemera acquired circa 1930s through 1940s (Acc. 2009.602), 1812/1939"],"parent_ids_ssim":["viw_repositories_2_resources_893","viw_repositories_2_resources_893_c02","viw_repositories_2_resources_893_c02_c01"],"title_filing_ssi":"Title Pages of Books","title_ssm":["Title Pages of Books"],"title_tesim":["Title Pages of Books"],"normalized_title_ssm":["Title Pages of Books, 1620/1870"],"text":["Title Pages of Books, 1620/1870","Ephemera Collection, 1800/2014","Series 2: Backlog Accessions","Box 3: Ephemera acquired circa 1930s through 1940s (Acc. 2009.602), 1812/1939","Box 3","folder 6","Title pages from 29 books. Includes page for \"Plutarch I Chaeronensis Omnium\" dated 1620, page for \"Porcupine's Works, Vol. II, 1796 , \"Annalium Tam Regum...\" 1679 and others."],"parent_unittitles_ssm":["Ephemera Collection, 1800/2014","Series 2: Backlog Accessions","Box 3: Ephemera acquired circa 1930s through 1940s (Acc. 2009.602), 1812/1939"],"parent_unittitles_tesim":["Ephemera Collection, 1800/2014","Series 2: Backlog Accessions","Box 3: Ephemera acquired circa 1930s through 1940s (Acc. 2009.602), 1812/1939"],"normalized_date_ssm":["1620/1870"],"unitdate_inclusive_ssm":["1620-1870"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":107,"repository_ssim":["College of William and Mary"],"collection_ssim":["Ephemera Collection, 1800/2014"],"containers_ssim":["Box 3","folder 6"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1620,1621,1622,1623,1624,1625,1626,1627,1628,1629,1630,1631,1632,1633,1634,1635,1636,1637,1638,1639,1640,1641,1642,1643,1644,1645,1646,1647,1648,1649,1650,1651,1652,1653,1654,1655,1656,1657,1658,1659,1660,1661,1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870],"scopecontent_html_tesm":["\u003cp\u003eTitle pages from 29 books. Includes page for \"Plutarch I Chaeronensis Omnium\" dated 1620, page for \"Porcupine's Works, Vol. II, 1796 , \"Annalium Tam Regum...\" 1679 and others.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Title pages from 29 books. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Additions are being made to this collection on an ongoing basis.","The fragile nature of Mss. Acc. 2009.530 may limit handling.","Acc. 2011.631 and Acc. 2011.632 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in October 2011. Acc. 2012.004 and Acc. 2012.007 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2012.Acc. 2012.248 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in June 2012.","The Ephemera Collection contains material primarily acquired for teaching. It includes material in various formats, most of which have been previously published. The collection is currently being processed and new items will be added on an ongoing basis. For this reason, the indicated date range is approximate at this point.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Miller and Rhoads (Richmond, Va.)","Scottish Widows' Fund and Life Assurance Society","Sears, Roebuck and Company","Sears, Roebuck and Company--Pictorial works","United States. 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President (2009- : Obama)","Virginia. State Lottery Dept.","Whitehead and Hoag Company (Newark, N.J.)"],"creators_ssim":["Ford, Henry, 1863-1947","Special Collections Research Center","Miller and Rhoads (Richmond, Va.)","Scottish Widows' Fund and Life Assurance Society","Sears, Roebuck and Company","Sears, Roebuck and Company--Pictorial works","United States. President (2009- : Obama)","Virginia. State Lottery Dept.","Whitehead and Hoag Company (Newark, N.J.)"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2009.015 is a gift received January 2009. Acc. 2009.175 was purchased May 2009. Acc. 2009.261 is a gift received June 2009. For technical reasons, accession information for items received after June 2009 are not displayed here. Please ask a staff member for assistance.2008.62 Purchased.  2006.45 gift from Hope Yelich."],"access_subjects_ssim":["Advertising","Advertising--United States--History","American Revolution Bicentennial, 1976--Virginia","American poetry--19th century","Card games","Desert Storm, Operation, 1991","Jamestown 400th Anniversary","Labor and laboring classes--Illinois--Chicago--Pictorial works","Lead arsenate","Logging--Maine--Pictorial works","Logging--Washington (State)--Pictorial works","Lotteries--United States","Methodist Church--Virginia","Methodist Church--Virginia--History--19th century","National parks and reserves--United States","Oysters--Chesapeake Bay (Md. and Va.)","Oysters--Shucking","Oysters--United States--History--Pictorial works","Postcards--Southern States","Presidents--United States--Inauguration","Prices--Pennsylvania--Philadelphia.","Prices--Washington Metropolitan Area.","Publishers and publishing","Richmond (Va.)--History","Richmond (Va.)--History--19th century","Tobacco industry--Massachusetts","Women--Employment--Pictorial works","World War, 1939-1945--Germany","Advertising blotters","Advertising cards","Assignats","Card games (game sets)","Catalogs","Checks (bank checks)","Cigarette cards","Clippings (information artifacts)","Coupons","Invitations","Lottery puffs","Newspapers","Notebooks","Photographs","Poems","Postage stamps","Postcards","Price lists","Printed ephemera","Religious texts","Stereoscopic photographs","Tags","Title pages","Trading cards","Viewbooks","Visiting cards","Newsletters"],"access_subjects_ssm":["Advertising","Advertising--United States--History","American Revolution Bicentennial, 1976--Virginia","American poetry--19th century","Card games","Desert Storm, Operation, 1991","Jamestown 400th Anniversary","Labor and laboring classes--Illinois--Chicago--Pictorial works","Lead arsenate","Logging--Maine--Pictorial works","Logging--Washington (State)--Pictorial works","Lotteries--United States","Methodist Church--Virginia","Methodist Church--Virginia--History--19th century","National parks and reserves--United States","Oysters--Chesapeake Bay (Md. and Va.)","Oysters--Shucking","Oysters--United States--History--Pictorial works","Postcards--Southern States","Presidents--United States--Inauguration","Prices--Pennsylvania--Philadelphia.","Prices--Washington Metropolitan Area.","Publishers and publishing","Richmond (Va.)--History","Richmond (Va.)--History--19th century","Tobacco industry--Massachusetts","Women--Employment--Pictorial works","World War, 1939-1945--Germany","Advertising blotters","Advertising cards","Assignats","Card games (game sets)","Catalogs","Checks (bank checks)","Cigarette cards","Clippings (information artifacts)","Coupons","Invitations","Lottery puffs","Newspapers","Notebooks","Photographs","Poems","Postage stamps","Postcards","Price lists","Printed ephemera","Religious texts","Stereoscopic photographs","Tags","Title pages","Trading cards","Viewbooks","Visiting cards","Newsletters"],"has_online_content_ssim":["false"],"extent_ssm":["5 Linear Feet"],"extent_tesim":["5 Linear Feet"],"genreform_ssim":["Advertising blotters","Advertising cards","Assignats","Card games (game sets)","Catalogs","Checks (bank checks)","Cigarette cards","Clippings (information artifacts)","Coupons","Invitations","Lottery puffs","Newspapers","Notebooks","Photographs","Poems","Postage stamps","Postcards","Price lists","Printed ephemera","Religious texts","Stereoscopic photographs","Tags","Title pages","Trading cards","Viewbooks","Visiting cards","Newsletters"],"date_range_isim":[1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003eAdditions are being made to this collection on an ongoing basis.\u003c/p\u003e "],"accruals_heading_ssm":["Accruals:"],"accruals_tesim":["Additions are being made to this collection on an ongoing basis."],"phystech_html_tesm":["\u003cp\u003eThe fragile nature of Mss. Acc. 2009.530 may limit handling.\u003c/p\u003e "],"phystech_heading_ssm":["Physical Characteristics or Technical Requirements:"],"phystech_tesim":["The fragile nature of Mss. Acc. 2009.530 may limit handling."],"prefercite_html_tesm":["\u003cp\u003eEphemera Collection, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e "],"prefercite_tesim":["Ephemera Collection, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eAcc. 2011.631 and Acc. 2011.632 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in October 2011. Acc. 2012.004 and Acc. 2012.007 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2012.Acc. 2012.248 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in June 2012.\u003c/p\u003e "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Acc. 2011.631 and Acc. 2011.632 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in October 2011. 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For this reason, the indicated date range is approximate at this point."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","Miller and Rhoads (Richmond, Va.)","Scottish Widows' Fund and Life Assurance Society","Sears, Roebuck and Company","Sears, Roebuck and Company--Pictorial works","United States. President (2009- : Obama)","Virginia. State Lottery Dept.","Whitehead and Hoag Company (Newark, N.J.)"],"names_coll_ssim":["Miller and Rhoads (Richmond, Va.)","Scottish Widows' Fund and Life Assurance Society","Sears, Roebuck and Company","Sears, Roebuck and Company--Pictorial works","United States. President (2009- : Obama)","Virginia. State Lottery Dept.","Whitehead and Hoag Company (Newark, N.J.)","Ford, Henry, 1863-1947"],"persname_ssim":["Ford, Henry, 1863-1947"],"names_ssim":["Special Collections Research Center","Miller and Rhoads (Richmond, Va.)","Scottish Widows' Fund and Life Assurance Society","Sears, Roebuck and Company","Sears, Roebuck and Company--Pictorial works","United States. President (2009- : Obama)","Virginia. State Lottery Dept.","Whitehead and Hoag Company (Newark, N.J.)","Ford, Henry, 1863-1947"],"language_ssim":["English"],"total_component_count_is":119,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:04:37.104Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_893_c02_c01_c06"}},{"id":"viumu_mackay-smith","type":"collection","attributes":{"title":"Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","creator":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith#creator","type":"document_value","attributes":{"value":"Alexander Mackay-Smith","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith#abstract_or_scope","type":"document_value","attributes":{"value":"The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Title Transcription: Alexander Mackay-Smith Collection"],"title_tesim":["Title Transcription: Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"normalized_date_ssm":["1689/1827"],"normalized_title_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"text":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","mackay-smith","There are no restrictions.","Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n .","Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n .","[]","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are inEnglishandFrench"],"collection_title_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"unitid_tesim":["mackay-smith"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"creator_persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. 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H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. 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E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"creator_corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"creators_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"access_terms_ssm":["[]"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e\n "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no restrictions."],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n \u003chead\u003eIntroduction\u003c/head\u003e\n \u003cblockquote\u003e\n \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cblockquote\u003e\n \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eEditorial Method\u003c/head\u003e\n \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eNotes\u003c/head\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"n1\"\u003e\n \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n \u003citem id=\"n2\"\u003e\n \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n \u003citem id=\"n3\"\u003e\n \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n \u003citem id=\"n4\"\u003e\n \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n \u003citem id=\"n5\"\u003e\n \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n \u003citem id=\"n6\"\u003e\n \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n7\"\u003e\n \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n8\"\u003e\n \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n \u003cbibref\u003e\n \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n9\"\u003e\n \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n \u003citem id=\"n10\"\u003e\n \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e.\u003c/item\u003e\n \u003c/list\u003e\n \u003c/bioghist\u003e\n "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n ."],"prefercite_html_tesm":["\u003cp\u003e[Title], [Date]. Small Special Collections Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e\n "],"prefercite_tesim":["[Title], [Date]. Small Special Collections Library, University of Virginia, Charlottesville, Va."],"userestrict_html_tesm":["\u003cp\u003e[]\u003c/p\u003e\n "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["[]"],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e\n "],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are inEnglishandFrench"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z","bibliography_html_tesm":["\u003ctable\u003e\n \u003ctgroup cols=\"2\"\u003e\n \u003ctbody\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Bauer\"\u003e\n \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eB. 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Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eCPM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"CPM\"\u003e\n \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. 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Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Humphries-Smith\"\u003e\n \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJ.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"J\"\u003e\n \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/French\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-French\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-Hummel\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Knape\"\u003e\n \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eK.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"K\"\u003e\n \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Catalogue\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Marx\"\u003e\n \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Grove\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"NewGrove2\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Priestman\"\u003e\n \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM B/II\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM-B-II\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith/Handel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Handel\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Humphries\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Terry\"\u003e\n \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Vairasse\"\u003e\n \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Wotquenne\"\u003e\n \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Purcell\"\u003e\n \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Pugnani\"\u003e\n \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003c/tbody\u003e\n \u003c/tgroup\u003e\n \u003c/table\u003e\n "],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Title Transcription: Alexander Mackay-Smith Collection"],"title_tesim":["Title Transcription: Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"normalized_date_ssm":["1689/1827"],"normalized_title_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"text":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","mackay-smith","There are no restrictions.","Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n .","Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n .","[]","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are inEnglishandFrench"],"collection_title_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"unitid_tesim":["mackay-smith"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"creator_persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. 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H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. 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H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. 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Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"access_terms_ssm":["[]"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e\n "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no restrictions."],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n \u003chead\u003eIntroduction\u003c/head\u003e\n \u003cblockquote\u003e\n \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cblockquote\u003e\n \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eEditorial Method\u003c/head\u003e\n \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eNotes\u003c/head\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"n1\"\u003e\n \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n \u003citem id=\"n2\"\u003e\n \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n \u003citem id=\"n3\"\u003e\n \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n \u003citem id=\"n4\"\u003e\n \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n \u003citem id=\"n5\"\u003e\n \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n \u003citem id=\"n6\"\u003e\n \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n7\"\u003e\n \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n8\"\u003e\n \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n \u003cbibref\u003e\n \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n9\"\u003e\n \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n \u003citem id=\"n10\"\u003e\n \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e.\u003c/item\u003e\n \u003c/list\u003e\n \u003c/bioghist\u003e\n "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n ."],"prefercite_html_tesm":["\u003cp\u003e[Title], [Date]. Small Special Collections Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e\n "],"prefercite_tesim":["[Title], [Date]. Small Special Collections Library, University of Virginia, Charlottesville, Va."],"userestrict_html_tesm":["\u003cp\u003e[]\u003c/p\u003e\n "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["[]"],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e\n "],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. 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[Handel]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"B-Handel\"\u003e\n \u003cpersname\u003eBell, A. Craig\u003c/persname\u003e.\u003ctitle\u003eHandel: Chronological Thematic Catalogue\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eDarley\u003c/geogname\u003e:\u003cpublisher\u003eGrian-Aig Press\u003c/publisher\u003e, 1972\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eB. [Pleyel]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"B-Pleyel\"\u003e\n \u003cpersname\u003eBenton, Rita\u003c/persname\u003e.\u003ctitle\u003eIgnace Pleyel: A Thematic Catalogue of His Compositions\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003ePendragon Press\u003c/publisher\u003e,\u003cdate\u003e1977\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eB. [Tartini]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"B-Tartini\"\u003e\n \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eBUCEM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"BUCEM\"\u003e\n \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eCPM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"CPM\"\u003e\n \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n \u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Devriès\"\u003e\n \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Devriès-Lesure\"\u003e\n \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n \u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eD.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"D\"\u003e\n \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Fred\"\u003e\n \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eG.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"G\"\u003e\n \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Haas\"\u003e\n \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n \u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Hopkinson\"\u003e\n \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHob.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Hob\"\u003e\n \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Humphries-Smith\"\u003e\n \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJ.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"J\"\u003e\n \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/French\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-French\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-Hummel\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Knape\"\u003e\n \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eK.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"K\"\u003e\n \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Catalogue\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Marx\"\u003e\n \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Grove\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"NewGrove2\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Priestman\"\u003e\n \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM B/II\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM-B-II\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith/Handel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Handel\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Humphries\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Terry\"\u003e\n \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Vairasse\"\u003e\n \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Wotquenne\"\u003e\n \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Purcell\"\u003e\n \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Pugnani\"\u003e\n \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003c/tbody\u003e\n \u003c/tgroup\u003e\n \u003c/table\u003e\n "]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viumu_mackay-smith"}},{"id":"viumu_mackay-smith_c49","type":"Item","attributes":{"title":"Title Transcription: Six DUO CONCERTANS pour Violon et Alto, COMPOSÉS ET DéDIéS à Monsieur GUERIN DE BRUSLART par Mr. B. Bruni. 4e. Livre de Duo de Violon et Alto. Propriété des Editeurs. [stamped:\"2\"] Partie. Prix 8f. A PARIS, Chez JANET et COTELLE, Editeurs, Mds. de Musique du ROI, au Mont d'Or, Rue St. Honoré, près celle des Poulies. La Libraires Rue Neuve des Petits Champs, No 17, vis-à-vis le Tresor Royal, 1814/1827","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c49#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eDUO IVo.\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e18953\"\u003e\n\u003cabbr\u003eAllo.\u003c/abbr\u003eMaestosoC\u003c/li\u003e\n\u003cli id=\"mvtd1e18964\"\u003eAllegretto2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eDUO Vo.\u003c/span\u003ec\u003cul\u003e\n\u003cli id=\"mvtd1e18984\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e18992\"\u003eAllegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e19000\"\u003eAndante Sostenuto2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eDUO VIo.\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e19020\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e19028\"\u003eFinale\u003cabbr\u003eAllo.\u003c/abbr\u003e\u003cabbr\u003eSherzando\u003c/abbr\u003e6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c49#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c49","ref_ssm":["viumu_mackay-smith_c49"],"id":"viumu_mackay-smith_c49","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_ids_ssim":["viumu_mackay-smith"],"title_filing_ssi":"Six DUO CONCERTANS pour Violon et Alto, COMPOSÉS ET DéDIéS à Monsieur GUERIN DE BRUSLART par Mr. B. Bruni. 4e. Livre de Duo de Violon et Alto. Propriété des Editeurs. [stamped:\"2\"] Partie. Prix 8f. A PARIS, Chez JANET et COTELLE, Editeurs, Mds. de Musique du ROI, au Mont d'Or, Rue St. Honoré, près celle des Poulies. La Libraires Rue Neuve des Petits Champs, No 17, vis-à-vis le Tresor Royal","title_ssm":["Title Transcription: Six DUO CONCERTANS pour Violon et Alto, COMPOSÉS ET DéDIéS à Monsieur GUERIN DE BRUSLART par Mr. B. Bruni. 4e. Livre de Duo de Violon et Alto. Propriété des Editeurs. [stamped:\"2\"] Partie. Prix 8f. A PARIS, Chez JANET et COTELLE, Editeurs, Mds. de Musique du ROI, au Mont d'Or, Rue St. Honoré, près celle des Poulies. La Libraires Rue Neuve des Petits Champs, No 17, vis-à-vis le Tresor Royal"],"title_tesim":["Title Transcription: Six DUO CONCERTANS pour Violon et Alto, COMPOSÉS ET DéDIéS à Monsieur GUERIN DE BRUSLART par Mr. B. Bruni. 4e. Livre de Duo de Violon et Alto. Propriété des Editeurs. [stamped:\"2\"] Partie. Prix 8f. A PARIS, Chez JANET et COTELLE, Editeurs, Mds. de Musique du ROI, au Mont d'Or, Rue St. Honoré, près celle des Poulies. La Libraires Rue Neuve des Petits Champs, No 17, vis-à-vis le Tresor Royal"],"normalized_title_ssm":["Title Transcription: Six DUO CONCERTANS pour Violon et Alto, COMPOSÉS ET DéDIéS à Monsieur GUERIN DE BRUSLART par Mr. B. Bruni. 4e. Livre de Duo de Violon et Alto. Propriété des Editeurs. [stamped:\"2\"] Partie. Prix 8f. A PARIS, Chez JANET et COTELLE, Editeurs, Mds. de Musique du ROI, au Mont d'Or, Rue St. Honoré, près celle des Poulies. La Libraires Rue Neuve des Petits Champs, No 17, vis-à-vis le Tresor Royal, 1814/1827"],"text":["Title Transcription: Six DUO CONCERTANS pour Violon et Alto, COMPOSÉS ET DéDIéS à Monsieur GUERIN DE BRUSLART par Mr. B. Bruni. 4e. Livre de Duo de Violon et Alto. Propriété des Editeurs. [stamped:\"2\"] Partie. Prix 8f. A PARIS, Chez JANET et COTELLE, Editeurs, Mds. de Musique du ROI, au Mont d'Or, Rue St. Honoré, près celle des Poulies. La Libraires Rue Neuve des Petits Champs, No 17, vis-à-vis le Tresor Royal, 1814/1827","Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","Two parts, wove paper, 251x175 (267x208): VIOLINO: Title, verso blank. Blank, [1]. Music, pp. 2-13. Blank, [14]. ALTO: Same as VIOLINO. Plate no. 930 throughout.","Janet et Cotelle","Bruni, Antonio Bartolomeo, 1757-1821","Paris (France)","D","F","C","2/4","3/4","6/8","Adagio","Allegretto","Allegro","Allegro maestoso","Andante sostenuto","Finale allegro scherzando","Hopkinson, p. 63.","Contents\n \n DUO IVo.\n D\n \n \n \n \n Allo.Maestoso\n \n C\n \n \n Allegretto\n 2/4\n \n \n \n \n DUO Vo.\n c\n \n \n Adagio\n C\n \n \n Allegro\n 3/4\n \n \n Andante Sostenuto\n 2/4\n \n \n \n \n DUO VIo.\n F\n \n \n Adagio\n 3/4\n \n \n Finale\n Allo.\n Sherzando\n \n \n 6/8","M287.B75 1780"],"parent_unittitles_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_unittitles_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"normalized_date_ssm":["1814/1827"],"unitdate_other_ssim":["Between 1814 (the re-establishment of the monarchy) and 1827, the last appearance of \"Librairie\" with this address (Hopkinson, p. 63)"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":196,"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"physdesc_tesim":["Two parts, wove paper, 251x175 (267x208): VIOLINO: Title, verso blank. Blank, [1]. Music, pp. 2-13. Blank, [14]. ALTO: Same as VIOLINO. Plate no. 930 throughout."],"has_online_content_ssim":["false"],"child_component_count_isi":2,"parent_access_restrict_tesm":["There are no restrictions."],"parent_access_terms_tesm":["[]"],"corpname_ssim":["Janet et Cotelle"],"persname_ssim":["Bruni, Antonio Bartolomeo, 1757-1821"],"names_ssim":["Janet et Cotelle","Bruni, Antonio Bartolomeo, 1757-1821"],"geogname_ssim":["Paris (France)"],"geogname_ssm":["Paris (France)"],"places_ssim":["Paris (France)"],"access_subjects_ssim":["D","F","C","2/4","3/4","6/8","Adagio","Allegretto","Allegro","Allegro maestoso","Andante sostenuto","Finale allegro scherzando"],"access_subjects_ssm":["D","F","C","2/4","3/4","6/8","Adagio","Allegretto","Allegro","Allegro maestoso","Andante sostenuto","Finale allegro scherzando"],"date_range_isim":[1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_html_tesm":["\u003cp\u003e\n \u003cref target=\"Hopkinson\"\u003eHopkinson\u003c/ref\u003e, p. 63.\u003c/p\u003e\n "],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Hopkinson, p. 63."],"scopecontent_html_tesm":["\u003clist\u003e\n \u003chead\u003eContents\u003c/head\u003e\n \u003citem\u003e\n \u003ctitle\u003eDUO IVo.\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eD\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e18953\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003e\n \u003cemph\u003e\n \u003cabbr expan=\"Allegro\"\u003eAllo.\u003c/abbr\u003eMaestoso\u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e18964\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegretto\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eDUO Vo.\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003ec\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e18984\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e18992\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e19000\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAndante Sostenuto\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eDUO VIo.\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eF\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e19020\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e19028\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eFinale\u003cemph\u003e\n \u003cabbr expan=\"Allegro\"\u003eAllo.\u003c/abbr\u003e\n \u003cabbr expan=\"Scherzando\"\u003eSherzando\u003c/abbr\u003e\n \u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e6/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n "],"scopecontent_tesim":["Contents\n \n DUO IVo.\n D\n \n \n \n \n Allo.Maestoso\n \n C\n \n \n Allegretto\n 2/4\n \n \n \n \n DUO Vo.\n c\n \n \n Adagio\n C\n \n \n Allegro\n 3/4\n \n \n Andante Sostenuto\n 2/4\n \n \n \n \n DUO VIo.\n F\n \n \n Adagio\n 3/4\n \n \n Finale\n Allo.\n Sherzando\n \n \n 6/8"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM287.B75 1780\u003c/physloc\u003e\n "],"physloc_tesim":["M287.B75 1780"],"_nest_path_":"/components#48","timestamp":"2026-08-14T23:00:05.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Title Transcription: Alexander Mackay-Smith Collection"],"title_tesim":["Title Transcription: Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"normalized_date_ssm":["1689/1827"],"normalized_title_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"text":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","mackay-smith","There are no restrictions.","Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n .","Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n .","[]","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. 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E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. 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H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. 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Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are inEnglishandFrench"],"collection_title_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"unitid_tesim":["mackay-smith"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"creator_persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. 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H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"access_terms_ssm":["[]"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e\n "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no restrictions."],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n \u003chead\u003eIntroduction\u003c/head\u003e\n \u003cblockquote\u003e\n \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cblockquote\u003e\n \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eEditorial Method\u003c/head\u003e\n \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eNotes\u003c/head\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"n1\"\u003e\n \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n \u003citem id=\"n2\"\u003e\n \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n \u003citem id=\"n3\"\u003e\n \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n \u003citem id=\"n4\"\u003e\n \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n \u003citem id=\"n5\"\u003e\n \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n \u003citem id=\"n6\"\u003e\n \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n7\"\u003e\n \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n8\"\u003e\n \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n \u003cbibref\u003e\n \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n9\"\u003e\n \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n \u003citem id=\"n10\"\u003e\n \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e.\u003c/item\u003e\n \u003c/list\u003e\n \u003c/bioghist\u003e\n "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n ."],"prefercite_html_tesm":["\u003cp\u003e[Title], [Date]. Small Special Collections Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e\n "],"prefercite_tesim":["[Title], [Date]. Small Special Collections Library, University of Virginia, Charlottesville, Va."],"userestrict_html_tesm":["\u003cp\u003e[]\u003c/p\u003e\n "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["[]"],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e\n "],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"names_ssim":["University of Virginia. 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Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are inEnglishandFrench"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z","bibliography_html_tesm":["\u003ctable\u003e\n \u003ctgroup cols=\"2\"\u003e\n \u003ctbody\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Bauer\"\u003e\n \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eB. 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Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n \u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Devriès\"\u003e\n \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Devriès-Lesure\"\u003e\n \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n \u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eD.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"D\"\u003e\n \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Fred\"\u003e\n \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eG.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"G\"\u003e\n \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Haas\"\u003e\n \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n \u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Hopkinson\"\u003e\n \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHob.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Hob\"\u003e\n \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Humphries-Smith\"\u003e\n \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJ.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"J\"\u003e\n \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/French\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-French\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-Hummel\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Knape\"\u003e\n \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eK.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"K\"\u003e\n \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Catalogue\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Marx\"\u003e\n \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Grove\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"NewGrove2\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Priestman\"\u003e\n \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM B/II\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM-B-II\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith/Handel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Handel\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Humphries\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Terry\"\u003e\n \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Vairasse\"\u003e\n \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Wotquenne\"\u003e\n \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Purcell\"\u003e\n \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Pugnani\"\u003e\n \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003c/tbody\u003e\n \u003c/tgroup\u003e\n \u003c/table\u003e\n "]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viumu_mackay-smith_c49"}},{"id":"viumu_mackay-smith_c48","type":"Item","attributes":{"title":"Title Transcription: Six DUO CONCERTANS pour Violon et Alto, COMPOSÉS ET DéDIéS à Monsieur GUERIN DE BRUSLART par Mr. B. Bruni. 4e. Livre de Duo de Violon et Alto. Propriété des Editeurs. [stamped:\"I\"] Partie. Prix 8f. A PARIS, Chez JANET et COTELLE, Editeurs, Mds. de Musique du ROI, au Mont d'Or, Rue St. Honoré, près celle des Poulies. La Libraires Rue Neuve des Petits Champs, No 17, vis-à-vis le Tresor Royal, 1814/1827","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c48#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eDUO Io.\u003c/span\u003eE♭\u003cul\u003e\n\u003cli id=\"mvtd1e18781\"\u003e\n\u003cabbr\u003eAllo.\u003c/abbr\u003eModeratoC\u003c/li\u003e\n\u003cli id=\"mvtd1e18792\"\u003eAllegro Assai3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eDUO IIo.\u003c/span\u003eg\u003cul\u003e\n\u003cli id=\"mvtd1e18812\"\u003e\n\u003cabbr\u003eAllo.\u003c/abbr\u003econ motoC\u003c/li\u003e\n\u003cli id=\"mvtd1e18823\"\u003eAndante Simplice2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eDUO IIIo.\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e18843\"\u003e\n\u003cabbr\u003eAllo.\u003c/abbr\u003eModeratoC\u003c/li\u003e\n\u003cli id=\"mvtd1e18854\"\u003eMinuetto Moderato3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c48#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c48","ref_ssm":["viumu_mackay-smith_c48"],"id":"viumu_mackay-smith_c48","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_ids_ssim":["viumu_mackay-smith"],"title_filing_ssi":"Six DUO CONCERTANS pour Violon et Alto, COMPOSÉS ET DéDIéS à Monsieur GUERIN DE BRUSLART par Mr. B. Bruni. 4e. Livre de Duo de Violon et Alto. Propriété des Editeurs. [stamped:\"I\"] Partie. Prix 8f. A PARIS, Chez JANET et COTELLE, Editeurs, Mds. de Musique du ROI, au Mont d'Or, Rue St. Honoré, près celle des Poulies. La Libraires Rue Neuve des Petits Champs, No 17, vis-à-vis le Tresor Royal","title_ssm":["Title Transcription: Six DUO CONCERTANS pour Violon et Alto, COMPOSÉS ET DéDIéS à Monsieur GUERIN DE BRUSLART par Mr. B. Bruni. 4e. Livre de Duo de Violon et Alto. Propriété des Editeurs. [stamped:\"I\"] Partie. Prix 8f. A PARIS, Chez JANET et COTELLE, Editeurs, Mds. de Musique du ROI, au Mont d'Or, Rue St. Honoré, près celle des Poulies. La Libraires Rue Neuve des Petits Champs, No 17, vis-à-vis le Tresor Royal"],"title_tesim":["Title Transcription: Six DUO CONCERTANS pour Violon et Alto, COMPOSÉS ET DéDIéS à Monsieur GUERIN DE BRUSLART par Mr. B. Bruni. 4e. Livre de Duo de Violon et Alto. Propriété des Editeurs. [stamped:\"I\"] Partie. Prix 8f. A PARIS, Chez JANET et COTELLE, Editeurs, Mds. de Musique du ROI, au Mont d'Or, Rue St. Honoré, près celle des Poulies. La Libraires Rue Neuve des Petits Champs, No 17, vis-à-vis le Tresor Royal"],"normalized_title_ssm":["Title Transcription: Six DUO CONCERTANS pour Violon et Alto, COMPOSÉS ET DéDIéS à Monsieur GUERIN DE BRUSLART par Mr. B. Bruni. 4e. Livre de Duo de Violon et Alto. Propriété des Editeurs. [stamped:\"I\"] Partie. Prix 8f. A PARIS, Chez JANET et COTELLE, Editeurs, Mds. de Musique du ROI, au Mont d'Or, Rue St. Honoré, près celle des Poulies. La Libraires Rue Neuve des Petits Champs, No 17, vis-à-vis le Tresor Royal, 1814/1827"],"text":["Title Transcription: Six DUO CONCERTANS pour Violon et Alto, COMPOSÉS ET DéDIéS à Monsieur GUERIN DE BRUSLART par Mr. B. Bruni. 4e. Livre de Duo de Violon et Alto. Propriété des Editeurs. [stamped:\"I\"] Partie. Prix 8f. A PARIS, Chez JANET et COTELLE, Editeurs, Mds. de Musique du ROI, au Mont d'Or, Rue St. Honoré, près celle des Poulies. La Libraires Rue Neuve des Petits Champs, No 17, vis-à-vis le Tresor Royal, 1814/1827","Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","Two parts, wove paper, 251x175 (267x208): VIOLINO: Title, verso blank. Blank, [1]. Music, pp. 2-13. Blank, [14]. ALTO: Same as VIOLINO, but title-page reads \"Partie\" and not \"I Partie\". Plate no. 930 throughout.","Janet et Cotelle","Bruni, Antonio Bartolomeo, 1757-1821","Paris (France)","Minuet","B♭","E♭","G","2/4","3/4","3/8","C","Allegro assai","Allegro moderato","Allegro con moto","Andante simplice","Minuetto moderato","Hopkinson, p. 63.","Contents\n \n DUO Io.\n E♭\n \n \n \n \n Allo.Moderato\n \n C\n \n \n Allegro Assai\n 3/8\n \n \n \n \n DUO IIo.\n g\n \n \n \n \n Allo.con moto\n \n C\n \n \n Andante Simplice\n 2/4\n \n \n \n \n DUO IIIo.\n B♭\n \n \n \n \n Allo.Moderato\n \n C\n \n \n Minuetto Moderato\n 3/4","M287.B75 1780"],"parent_unittitles_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_unittitles_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"normalized_date_ssm":["1814/1827"],"unitdate_other_ssim":["Between 1814 (the re-establishment of the monarchy) and 1827, the last appearance of \"Librairie\" with this address (Hopkinson, p. 63)"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":193,"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"physdesc_tesim":["Two parts, wove paper, 251x175 (267x208): VIOLINO: Title, verso blank. Blank, [1]. Music, pp. 2-13. Blank, [14]. ALTO: Same as VIOLINO, but title-page reads \"Partie\" and not \"I Partie\". Plate no. 930 throughout."],"has_online_content_ssim":["false"],"child_component_count_isi":2,"parent_access_restrict_tesm":["There are no restrictions."],"parent_access_terms_tesm":["[]"],"corpname_ssim":["Janet et Cotelle"],"persname_ssim":["Bruni, Antonio Bartolomeo, 1757-1821"],"names_ssim":["Janet et Cotelle","Bruni, Antonio Bartolomeo, 1757-1821"],"geogname_ssim":["Paris (France)"],"geogname_ssm":["Paris (France)"],"places_ssim":["Paris (France)"],"access_subjects_ssim":["Minuet","B♭","E♭","G","2/4","3/4","3/8","C","Allegro assai","Allegro moderato","Allegro con moto","Andante simplice","Minuetto moderato"],"access_subjects_ssm":["Minuet","B♭","E♭","G","2/4","3/4","3/8","C","Allegro assai","Allegro moderato","Allegro con moto","Andante simplice","Minuetto moderato"],"date_range_isim":[1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_html_tesm":["\u003cp\u003e\n \u003cref target=\"Hopkinson\"\u003eHopkinson\u003c/ref\u003e, p. 63.\u003c/p\u003e\n "],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Hopkinson, p. 63."],"scopecontent_html_tesm":["\u003clist\u003e\n \u003chead\u003eContents\u003c/head\u003e\n \u003citem\u003e\n \u003ctitle\u003eDUO Io.\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eE♭\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e18781\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003e\n \u003cemph\u003e\n \u003cabbr expan=\"Allegro\"\u003eAllo.\u003c/abbr\u003eModerato\u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e18792\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro Assai\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eDUO IIo.\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eg\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e18812\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003e\n \u003cemph\u003e\n \u003cabbr expan=\"Allegro\"\u003eAllo.\u003c/abbr\u003econ moto\u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e18823\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAndante Simplice\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eDUO IIIo.\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eB♭\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e18843\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003e\n \u003cemph\u003e\n \u003cabbr expan=\"Allegro\"\u003eAllo.\u003c/abbr\u003eModerato\u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e18854\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eMinuetto Moderato\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n "],"scopecontent_tesim":["Contents\n \n DUO Io.\n E♭\n \n \n \n \n Allo.Moderato\n \n C\n \n \n Allegro Assai\n 3/8\n \n \n \n \n DUO IIo.\n g\n \n \n \n \n Allo.con moto\n \n C\n \n \n Andante Simplice\n 2/4\n \n \n \n \n DUO IIIo.\n B♭\n \n \n \n \n Allo.Moderato\n \n C\n \n \n Minuetto Moderato\n 3/4"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM287.B75 1780\u003c/physloc\u003e\n "],"physloc_tesim":["M287.B75 1780"],"_nest_path_":"/components#47","timestamp":"2026-08-14T23:00:05.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Title Transcription: Alexander Mackay-Smith Collection"],"title_tesim":["Title Transcription: Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"normalized_date_ssm":["1689/1827"],"normalized_title_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"text":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","mackay-smith","There are no restrictions.","Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n .","Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n .","[]","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are inEnglishandFrench"],"collection_title_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"unitid_tesim":["mackay-smith"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"creator_persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. 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H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. 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H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. 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Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"access_terms_ssm":["[]"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e\n "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no restrictions."],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n \u003chead\u003eIntroduction\u003c/head\u003e\n \u003cblockquote\u003e\n \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cblockquote\u003e\n \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eEditorial Method\u003c/head\u003e\n \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eNotes\u003c/head\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"n1\"\u003e\n \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n \u003citem id=\"n2\"\u003e\n \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n \u003citem id=\"n3\"\u003e\n \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n \u003citem id=\"n4\"\u003e\n \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n \u003citem id=\"n5\"\u003e\n \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n \u003citem id=\"n6\"\u003e\n \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n7\"\u003e\n \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n8\"\u003e\n \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n \u003cbibref\u003e\n \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n9\"\u003e\n \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n \u003citem id=\"n10\"\u003e\n \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e.\u003c/item\u003e\n \u003c/list\u003e\n \u003c/bioghist\u003e\n "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n ."],"prefercite_html_tesm":["\u003cp\u003e[Title], [Date]. Small Special Collections Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e\n "],"prefercite_tesim":["[Title], [Date]. Small Special Collections Library, University of Virginia, Charlottesville, Va."],"userestrict_html_tesm":["\u003cp\u003e[]\u003c/p\u003e\n "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["[]"],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e\n "],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. 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[Handel]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"B-Handel\"\u003e\n \u003cpersname\u003eBell, A. Craig\u003c/persname\u003e.\u003ctitle\u003eHandel: Chronological Thematic Catalogue\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eDarley\u003c/geogname\u003e:\u003cpublisher\u003eGrian-Aig Press\u003c/publisher\u003e, 1972\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eB. [Pleyel]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"B-Pleyel\"\u003e\n \u003cpersname\u003eBenton, Rita\u003c/persname\u003e.\u003ctitle\u003eIgnace Pleyel: A Thematic Catalogue of His Compositions\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003ePendragon Press\u003c/publisher\u003e,\u003cdate\u003e1977\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eB. [Tartini]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"B-Tartini\"\u003e\n \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eBUCEM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"BUCEM\"\u003e\n \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eCPM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"CPM\"\u003e\n \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n \u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Devriès\"\u003e\n \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Devriès-Lesure\"\u003e\n \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n \u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eD.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"D\"\u003e\n \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Fred\"\u003e\n \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eG.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"G\"\u003e\n \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Haas\"\u003e\n \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n \u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Hopkinson\"\u003e\n \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHob.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Hob\"\u003e\n \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Humphries-Smith\"\u003e\n \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJ.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"J\"\u003e\n \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/French\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-French\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-Hummel\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Knape\"\u003e\n \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eK.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"K\"\u003e\n \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Catalogue\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Marx\"\u003e\n \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Grove\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"NewGrove2\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Priestman\"\u003e\n \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM B/II\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM-B-II\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith/Handel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Handel\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Humphries\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Terry\"\u003e\n \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Vairasse\"\u003e\n \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Wotquenne\"\u003e\n \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Purcell\"\u003e\n \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Pugnani\"\u003e\n \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003c/tbody\u003e\n \u003c/tgroup\u003e\n \u003c/table\u003e\n "]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viumu_mackay-smith_c48"}},{"id":"viumu_mackay-smith_c32","type":"Item","attributes":{"title":"Title Transcription: Six TRIO POUR deux Violons \u0026 Basse PAR Luigi Boccherini ŒUVRE IIIE. PRIX 7 tt. 10s. A PARIS [imprint obscured by label: \"A Paris chez Augte. Le Duc Editeur et Marchand de Musique Rue de la Loi No. 267 prés celle Faydeau. Jnstruments de Musique a Vendre et a Louer.\"], 1804/1825","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c32#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eTRIO Io.\u003c/span\u003eC\u003cul\u003e\n\u003cli id=\"mvtd1e13451\"\u003eAllegro2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e13459\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e13467\"\u003eTempo di Minuetto3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eTRIO IIo.\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e13487\"\u003eAllegro Moderato2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e13495\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e13503\"\u003eMinuetto3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eTRIO IIIo.\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e13523\"\u003e\n\u003cabbr\u003eAllo\u003c/abbr\u003eModerato2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e13534\"\u003eLargo3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e13542\"\u003eAllegroC|\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eTRIO IVo.\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e13562\"\u003eAllegro2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e13570\"\u003eLargo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e13578\"\u003eAllegro Molto3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eTRIO Vo.\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e13599\"\u003eAllegro non tantoC\u003c/li\u003e\n\u003cli id=\"mvtd1e13607\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e13615\"\u003eAllegro assaiC|\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eTRIO VIo.\u003c/span\u003eE♭\u003cul\u003e\n\u003cli id=\"mvtd1e13635\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e13643\"\u003eAllegro6/8\u003c/li\u003e\n\u003cli id=\"mvtd1e13651\"\u003e\n\u003cabbr\u003eMinuto.\u003c/abbr\u003e3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c32#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c32","ref_ssm":["viumu_mackay-smith_c32"],"id":"viumu_mackay-smith_c32","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_ids_ssim":["viumu_mackay-smith"],"title_filing_ssi":"Six TRIO POUR deux Violons \u0026 Basse PAR Luigi Boccherini ŒUVRE IIIE. PRIX 7 tt. 10s. A PARIS [imprint obscured by label: \"A Paris chez Augte. Le Duc Editeur et Marchand de Musique Rue de la Loi No. 267 prés celle Faydeau. Jnstruments de Musique a Vendre et a Louer.\"]","title_ssm":["Title Transcription: Six TRIO POUR deux Violons \u0026 Basse PAR Luigi Boccherini ŒUVRE IIIE. PRIX 7 tt. 10s. A PARIS [imprint obscured by label: \"A Paris chez Augte. Le Duc Editeur et Marchand de Musique Rue de la Loi No. 267 prés celle Faydeau. Jnstruments de Musique a Vendre et a Louer.\"]"],"title_tesim":["Title Transcription: Six TRIO POUR deux Violons \u0026 Basse PAR Luigi Boccherini ŒUVRE IIIE. PRIX 7 tt. 10s. A PARIS [imprint obscured by label: \"A Paris chez Augte. Le Duc Editeur et Marchand de Musique Rue de la Loi No. 267 prés celle Faydeau. Jnstruments de Musique a Vendre et a Louer.\"]"],"normalized_title_ssm":["Title Transcription: Six TRIO POUR deux Violons \u0026 Basse PAR Luigi Boccherini ŒUVRE IIIE. PRIX 7 tt. 10s. A PARIS [imprint obscured by label: \"A Paris chez Augte. Le Duc Editeur et Marchand de Musique Rue de la Loi No. 267 prés celle Faydeau. Jnstruments de Musique a Vendre et a Louer.\"], 1804/1825"],"text":["Title Transcription: Six TRIO POUR deux Violons \u0026 Basse PAR Luigi Boccherini ŒUVRE IIIE. PRIX 7 tt. 10s. A PARIS [imprint obscured by label: \"A Paris chez Augte. Le Duc Editeur et Marchand de Musique Rue de la Loi No. 267 prés celle Faydeau. Jnstruments de Musique a Vendre et a Louer.\"], 1804/1825","Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","Three parts, quarto, 253x188 (280x207): Violino Primo: Title, verso blank. Blank, [1]. Music, pp. 2-16. Violino Secondo ou Violoncello: Title, [1]. Music, pp. 2-17. Blank, [18]. Basso: Title, [1]. Music, pp. 2-13. Blank, [14]. Unfigured. The label on the title-page obscures an earlier Le Duc imprint, but the address is not legible. Plate no. 133 throughout. Bound with nos. 32, 33, and 35.","Boccherini, Luigi, 1743-1805","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Paris (France)","Minuet","A","C","D","E♭","2/4","3/4","3/8","6/8","C|","Adagio","Allegro","Allegro moderato","Allegro molto","Allegro assai","Allegro non tanto","Largo","Minuetto","Tempo di minuetto","Le Duc moved to this address in 1804 and died between 1822 and 1825 (Hopkinson, p. 76).Gerarddoes not cite this issue.","Gerard considers these works to be of doubtful authenticity. Le Duc published these same works ca. 1795, but with a different title-page and with the plate no. 212.","Contents\n \n TRIO Io.\n C\n \n \n Allegro\n 2/4\n \n \n Largo\n C\n \n \n Tempo di Minuetto\n 3/4\n \n \n \n \n TRIO IIo.\n A\n \n \n Allegro Moderato\n 2/4\n \n \n Adagio\n 3/4\n \n \n Minuetto\n 3/4\n \n \n \n \n TRIO IIIo.\n A\n \n \n \n \n AlloModerato\n \n 2/4\n \n \n Largo\n 3/8\n \n \n Allegro\n C|\n \n \n \n \n TRIO IVo.\n D\n \n \n Allegro\n 2/4\n \n \n Largo\n 3/4\n \n \n Allegro Molto\n 3/4\n \n \n \n \n TRIO Vo.\n D\n \n \n Allegro non tanto\n C\n \n \n Largo\n C\n \n \n Allegro assai\n C|\n \n \n \n \n TRIO VIo.\n E♭\n \n \n Largo\n C\n \n \n Allegro\n 6/8\n \n \n \n \n Minuto.\n \n \n 3/4","M350.B62 1700z"],"parent_unittitles_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_unittitles_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"normalized_date_ssm":["1804/1825"],"unitdate_other_ssim":["Between 1804 and 1825"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":133,"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"physdesc_tesim":["Three parts, quarto, 253x188 (280x207): Violino Primo: Title, verso blank. Blank, [1]. Music, pp. 2-16. Violino Secondo ou Violoncello: Title, [1]. Music, pp. 2-17. Blank, [18]. Basso: Title, [1]. Music, pp. 2-13. Blank, [14]. Unfigured. The label on the title-page obscures an earlier Le Duc imprint, but the address is not legible. Plate no. 133 throughout. Bound with nos. 32, 33, and 35."],"has_online_content_ssim":["false"],"child_component_count_isi":3,"parent_access_restrict_tesm":["There are no restrictions."],"parent_access_terms_tesm":["[]"],"persname_ssim":["Boccherini, Luigi, 1743-1805","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823"],"names_ssim":["Boccherini, Luigi, 1743-1805","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823"],"geogname_ssim":["Paris (France)"],"geogname_ssm":["Paris (France)"],"places_ssim":["Paris (France)"],"access_subjects_ssim":["Minuet","A","C","D","E♭","2/4","3/4","3/8","6/8","C|","Adagio","Allegro","Allegro moderato","Allegro molto","Allegro assai","Allegro non tanto","Largo","Minuetto","Tempo di minuetto"],"access_subjects_ssm":["Minuet","A","C","D","E♭","2/4","3/4","3/8","6/8","C|","Adagio","Allegro","Allegro moderato","Allegro molto","Allegro assai","Allegro non tanto","Largo","Minuetto","Tempo di minuetto"],"date_range_isim":[1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825],"bibliography_html_tesm":["\u003cp\u003eLe Duc moved to this address in 1804 and died between 1822 and 1825 (\u003cref target=\"Hopkinson\"\u003eHopkinson\u003c/ref\u003e, p. 76).\u003cref target=\"G\"\u003eGerard\u003c/ref\u003edoes not cite this issue.\u003c/p\u003e\n "],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Le Duc moved to this address in 1804 and died between 1822 and 1825 (Hopkinson, p. 76).Gerarddoes not cite this issue."],"note_html_tesm":["\u003cp\u003eGerard considers these works to be of doubtful authenticity. Le Duc published these same works ca. 1795, but with a different title-page and with the plate no. 212.\u003c/p\u003e\n "],"note_tesim":["Gerard considers these works to be of doubtful authenticity. Le Duc published these same works ca. 1795, but with a different title-page and with the plate no. 212."],"scopecontent_tesim":["Contents\n \n TRIO Io.\n C\n \n \n Allegro\n 2/4\n \n \n Largo\n C\n \n \n Tempo di Minuetto\n 3/4\n \n \n \n \n TRIO IIo.\n A\n \n \n Allegro Moderato\n 2/4\n \n \n Adagio\n 3/4\n \n \n Minuetto\n 3/4\n \n \n \n \n TRIO IIIo.\n A\n \n \n \n \n AlloModerato\n \n 2/4\n \n \n Largo\n 3/8\n \n \n Allegro\n C|\n \n \n \n \n TRIO IVo.\n D\n \n \n Allegro\n 2/4\n \n \n Largo\n 3/4\n \n \n Allegro Molto\n 3/4\n \n \n \n \n TRIO Vo.\n D\n \n \n Allegro non tanto\n C\n \n \n Largo\n C\n \n \n Allegro assai\n C|\n \n \n \n \n TRIO VIo.\n E♭\n \n \n Largo\n C\n \n \n Allegro\n 6/8\n \n \n \n \n Minuto.\n \n \n 3/4"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM350.B62 1700z\u003c/physloc\u003e\n "],"physloc_tesim":["M350.B62 1700z"],"_nest_path_":"/components#31","timestamp":"2026-08-14T23:00:05.988Z","scopecontent_html_tesm":["\u003clist\u003e\n \u003chead\u003eContents\u003c/head\u003e\n \u003citem\u003e\n \u003ctitle\u003eTRIO Io.\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eC\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e13451\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e13459\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e13467\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eTempo di Minuetto\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eTRIO IIo.\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eA\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e13487\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro Moderato\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e13495\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e13503\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eMinuetto\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eTRIO IIIo.\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eA\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e13523\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003e\n \u003cemph\u003e\n \u003cabbr expan=\"Allegro\"\u003eAllo\u003c/abbr\u003eModerato\u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e13534\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e13542\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eTRIO IVo.\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eD\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e13562\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e13570\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e13578\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro Molto\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eTRIO Vo.\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eD\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e13599\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro non tanto\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e13607\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e13615\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro assai\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eTRIO VIo.\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eE♭\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e13635\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e13643\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e6/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e13651\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003e\n \u003cemph\u003e\n \u003cabbr expan=\"Minuetto\"\u003eMinuto.\u003c/abbr\u003e\n \u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n "],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Title Transcription: Alexander Mackay-Smith Collection"],"title_tesim":["Title Transcription: Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"normalized_date_ssm":["1689/1827"],"normalized_title_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"text":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","mackay-smith","There are no restrictions.","Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n .","Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n .","[]","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are inEnglishandFrench"],"collection_title_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"unitid_tesim":["mackay-smith"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"creator_persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"creator_corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"creators_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"access_terms_ssm":["[]"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e\n "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no restrictions."],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n \u003chead\u003eIntroduction\u003c/head\u003e\n \u003cblockquote\u003e\n \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cblockquote\u003e\n \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eEditorial Method\u003c/head\u003e\n \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eNotes\u003c/head\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"n1\"\u003e\n \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n \u003citem id=\"n2\"\u003e\n \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n \u003citem id=\"n3\"\u003e\n \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n \u003citem id=\"n4\"\u003e\n \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n \u003citem id=\"n5\"\u003e\n \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n \u003citem id=\"n6\"\u003e\n \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n7\"\u003e\n \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n8\"\u003e\n \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n \u003cbibref\u003e\n \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n9\"\u003e\n \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n \u003citem id=\"n10\"\u003e\n \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e.\u003c/item\u003e\n \u003c/list\u003e\n \u003c/bioghist\u003e\n "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n ."],"prefercite_html_tesm":["\u003cp\u003e[Title], [Date]. Small Special Collections Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e\n "],"prefercite_tesim":["[Title], [Date]. Small Special Collections Library, University of Virginia, Charlottesville, Va."],"userestrict_html_tesm":["\u003cp\u003e[]\u003c/p\u003e\n "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["[]"],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e\n "],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. 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A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. 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(Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. 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[Tartini]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"B-Tartini\"\u003e\n \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eBUCEM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"BUCEM\"\u003e\n \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eCPM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"CPM\"\u003e\n \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n \u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Devriès\"\u003e\n \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Devriès-Lesure\"\u003e\n \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n \u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eD.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"D\"\u003e\n \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Fred\"\u003e\n \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eG.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"G\"\u003e\n \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Haas\"\u003e\n \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n \u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Hopkinson\"\u003e\n \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHob.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Hob\"\u003e\n \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Humphries-Smith\"\u003e\n \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJ.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"J\"\u003e\n \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/French\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-French\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-Hummel\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Knape\"\u003e\n \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eK.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"K\"\u003e\n \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Catalogue\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Marx\"\u003e\n \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Grove\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"NewGrove2\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Priestman\"\u003e\n \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM B/II\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM-B-II\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith/Handel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Handel\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Humphries\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Terry\"\u003e\n \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Vairasse\"\u003e\n \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Wotquenne\"\u003e\n \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Purcell\"\u003e\n \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Pugnani\"\u003e\n \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003c/tbody\u003e\n \u003c/tgroup\u003e\n \u003c/table\u003e\n "]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viumu_mackay-smith_c32"}},{"id":"viu_viu00103_c01_c2515","type":"Item","attributes":{"title":"T.M. Randolph to John Hartwell Cocke -2nd\n appointment as Visitor of the University of\n Virginia., 1820","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_viu00103_c01_c2515#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu00103_c01_c2515","ref_ssm":["viu_viu00103_c01_c2515"],"id":"viu_viu00103_c01_c2515","ead_ssi":"viu_viu00103","_root_":"viu_viu00103","_nest_parent_":"viu_viu00103_c01","parent_ssi":"viu_viu00103_c01","parent_ssim":["Cocke Family Papers, 1725-1939","Correspondence"],"parent_ids_ssim":["viu_viu00103","viu_viu00103_c01"],"title_filing_ssi":"T.M. Randolph to John Hartwell Cocke -2nd\n appointment as Visitor of the University of\n Virginia.","title_ssm":["T.M. Randolph to John Hartwell Cocke -2nd\n appointment as Visitor of the University of\n Virginia."],"title_tesim":["T.M. Randolph to John Hartwell Cocke -2nd\n appointment as Visitor of the University of\n Virginia."],"normalized_title_ssm":["T.M. Randolph to John Hartwell Cocke -2nd\n appointment as Visitor of the University of\n Virginia., 1820"],"text":["T.M. Randolph to John Hartwell Cocke -2nd\n appointment as Visitor of the University of\n Virginia., 1820","Cocke Family Papers, 1725-1939","Correspondence","box Box 30"],"parent_unittitles_ssm":["Cocke Family Papers, 1725-1939","Correspondence"],"parent_unittitles_tesim":["Cocke Family Papers, 1725-1939","Correspondence"],"normalized_date_ssm":["1820"],"unitdate_other_ssim":["1820 February 29"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[2],"sort_isi":2516,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Cocke Family Papers, 1725-1939"],"containers_ssim":["box Box 30"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no restrictions."],"parent_access_terms_tesm":["See the \n \n University of Virginia Library’s use policy."],"date_range_isim":[1820],"_nest_path_":"/components#0/components#2514","timestamp":"2026-08-14T22:55:23.304Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu00103","ead_ssi":"viu_viu00103","_root_":"viu_viu00103","_nest_parent_":"viu_viu00103","ead_source_url_ssi":"data/uva-sc/viu00103.xml","title_ssm":["Cocke Family Papers, 1725-1939"],"title_tesim":["Cocke Family Papers, 1725-1939"],"normalized_title_ssm":["Cocke Family Papers, 1725-1939"],"text":["Cocke Family Papers, 1725-1939","640, etc.","This collection\n consists of ca. 25,000 items.","There are no restrictions.","The various Cocke collections that are owned by the University (gifts and purchases) have been interfiled\n chronologically in one series and designated as #640, etc. Correspondence, legal and financial papers, speeches, and\n other types of material are grouped together with material of the same date range in the same boxes. Most of the\n correspondence is single-foldered, with the correspondents identified in the folder listing and in the Cocke sliplist\n located in Special Collections.\n\n The collection includes: Correspondence and other material in order by date(s): Boxes 1-178; Undated\n Correspondence: Boxes 179-181; 3) Undated Miscellaneous Papers re agriculture, architecture, inventions, public\n improvements, medicine and illness, military papers, slavery and abolition, temperance, and the University of\n Virginia: Boxes 182-187; 4) Bound Volumes: Boxes 188-191; 5) Diaries of Louisa Maxwell Holmes Cocke: Boxes 192-194\n (on microfilm M-1676-1678); 6) Oversize Material: 3 boxes.\n\n Excluded from this series are the following Cocke collections, which remain on deposit: PHILIP ST. GEORGE\n COCKE PAPERS: #2433-a (reaccessioned as part of #2433-m), #2433-f, #2433-g, #2433-h, #2433-k (withdrawn; no copies\n retained), #2433-m (withdrawn; copies retained), #2433-p (withdrawn; copies retained). JOHN HARTWELL COCKE PAPERS:\n #5685, #5685-a.","John Hartwell Cocke was born in 1780 in the Tidewater county of Surry, the son of John Hartwell and Elizabeth\n (Kennon) Cocke. By the age of twenty-one, Cocke was the master of over 5,500 acres of land in Surry and Fluvanna counties. A\n few years after Cocke married Anne Blaws Barraud (\"Nancy\") of Norfolk, Virginia in 1802, he sold his Surry County holdings\n and moved to a frame dwelling at Bremo Recess, Fluvanna County, and began work on a finer home, \"Bremo.\" He owned\n three large plantations along the James River, Bremo Recess, Upper Bremo, and Lower Bremo, each containing over a thousand\n acres of land. During the War of 1812, Cocke served in the Virginia militia, rising from captain to brigadier general in\n eighteen months. His first wife, Anne Blaws Barraud Cocke (1785-1816) did not live to see the completion of \"Bremo\" in\n 1820, but Cocke and his second wife, Louisa Maxwell Holmes (m. 1821), lived there until their deaths.","Other milestones in the life of John Hartwell Cocke include his elections as Vice-President of the Virginia Temperance\n Society in 1830 and as President in 1834; his election as President of the United States Temperance Union in 1836; his\n membership on the University of Virginia Board of Visitors from its inception as Central College in 1819 until 1852;\n membership on the Virginia Board of Public Works, 1823-1829; his primary role in the founding of the Agricultural Society\n of Albemarle in 1817; and service on the James River and Kanawha Canal Company Board of Directors. John Hartwell Cocke\n was greatly troubled by the issue of slavery, and he concentrated his time and money in promoting the American\n Colonization Society, and preparing his slaves for gradual emancipation through vocational training and teaching them to\n read and write.","The papers of the Cocke family of Fluvanna County, Virginia, and related Barraud family, Faulcon family, and\n other families, consist of ca. 25,000 items, (194 Hollinger boxes, ca. 64.5 linear shelf feet), 1725- 1939, and contains\n correspondence, legal and financial papers, diaries of John Hartwell Cocke, Louisa Maxwell Holmes Cocke, and Lucy Cocke,\n minutes of the Board of Visitors of the University ofVirginia, diagrams and sketches concerning the University,\n bound volumes, sketches and drawings, college and school notes, poetry, orations and speeches, essays, genealogy, and\n lists pertaining to agriculture, music and other subjects.","Major topics covered by the collection include: the development of agriculture in Virginia, merino sheep, horse\n breeding and purchases, slavery, the American Colonization Society, temperance movement, other religious and reform\n groups, book dealers, religion, the War of 1812, the Civil War, public education (including the Bremo Seminary), the\n founding and development of the University of Virginia and public improvements. The bulk of the papers were generated by\n General John Hartwell Cocke (1780-1866) and his immediate descendants.","See the \n \n University of Virginia Library’s use policy.","English"],"collection_title_tesim":["Cocke Family Papers, 1725-1939"],"collection_ssim":["Cocke Family Papers, 1725-1939"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["640, etc."],"unitid_tesim":["640, etc."],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["See the \n \n University of Virginia Library’s use policy."],"acqinfo_ssim":["The collection of Cocke family papers grouped under the number #640, etc. is comprised of several different\n collections of papers that were formerly on loan to the University of Virginia Library, including: #640, #1335,\n #1431, #1480, #2890, #3604, # 5213, #5680, #6418, and #2433 (except -a, -f, -g, -h, -k, -m, and -p). On April 5 and\n November 10, 1979, accessions #640, #1335, #1480, #2433, #2890, #5680, and #6418 were purchased by the University of\n Virginia Library from John Page Elliott of Charlottesville, Virginia, and Joseph F. Johnston, Trustee of The Bremo\n Trust, of Birmingham, Alabama. Accession #1431 was purchased by the University of Virginia Library from Mrs.\n Raymond Orf, \"Bremo Recess,\" Bremo Bluff, Fluvanna County, Virginia, on July 25, 1972. Accession #3604 was given to\n the Library on November 14, 1950, by Mr. William Cabell Moore, Washington, D.C. and #5213 was given to the Library\n on April 4, 1956, by Richard C. Marshall, Washington, D.C."],"has_online_content_ssim":["false"],"physdesc_tesim":["This collection\n consists of ca. 25,000 items."],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e\n "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no restrictions."],"arrangement_html_tesm":["\u003carrangement\u003e\n \u003cp\u003eThe various Cocke collections that are owned by the University (gifts and purchases) have been interfiled\n chronologically in one series and designated as #640, etc. Correspondence, legal and financial papers, speeches, and\n other types of material are grouped together with material of the same date range in the same boxes. Most of the\n correspondence is single-foldered, with the correspondents identified in the folder listing and in the Cocke sliplist\n located in Special Collections.\n\u003c/p\u003e\n \u003cp\u003eThe collection includes: Correspondence and other material in order by date(s): Boxes 1-178; Undated\n Correspondence: Boxes 179-181; 3) Undated Miscellaneous Papers re agriculture, architecture, inventions, public\n improvements, medicine and illness, military papers, slavery and abolition, temperance, and the University of\n Virginia: Boxes 182-187; 4) Bound Volumes: Boxes 188-191; 5) Diaries of Louisa Maxwell Holmes Cocke: Boxes 192-194\n (on microfilm M-1676-1678); 6) Oversize Material: 3 boxes.\n\u003c/p\u003e\n \u003cp\u003eExcluded from this series are the following Cocke collections, which remain on deposit: PHILIP ST. GEORGE\n COCKE PAPERS: #2433-a (reaccessioned as part of #2433-m), #2433-f, #2433-g, #2433-h, #2433-k (withdrawn; no copies\n retained), #2433-m (withdrawn; copies retained), #2433-p (withdrawn; copies retained). JOHN HARTWELL COCKE PAPERS:\n #5685, #5685-a.\u003c/p\u003e\n \u003c/arrangement\u003e\n "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The various Cocke collections that are owned by the University (gifts and purchases) have been interfiled\n chronologically in one series and designated as #640, etc. Correspondence, legal and financial papers, speeches, and\n other types of material are grouped together with material of the same date range in the same boxes. Most of the\n correspondence is single-foldered, with the correspondents identified in the folder listing and in the Cocke sliplist\n located in Special Collections.\n\n The collection includes: Correspondence and other material in order by date(s): Boxes 1-178; Undated\n Correspondence: Boxes 179-181; 3) Undated Miscellaneous Papers re agriculture, architecture, inventions, public\n improvements, medicine and illness, military papers, slavery and abolition, temperance, and the University of\n Virginia: Boxes 182-187; 4) Bound Volumes: Boxes 188-191; 5) Diaries of Louisa Maxwell Holmes Cocke: Boxes 192-194\n (on microfilm M-1676-1678); 6) Oversize Material: 3 boxes.\n\n Excluded from this series are the following Cocke collections, which remain on deposit: PHILIP ST. GEORGE\n COCKE PAPERS: #2433-a (reaccessioned as part of #2433-m), #2433-f, #2433-g, #2433-h, #2433-k (withdrawn; no copies\n retained), #2433-m (withdrawn; copies retained), #2433-p (withdrawn; copies retained). JOHN HARTWELL COCKE PAPERS:\n #5685, #5685-a."],"bioghist_html_tesm":["\u003cp\u003eJohn Hartwell Cocke was born in 1780 in the Tidewater county of Surry, the son of John Hartwell and Elizabeth\n (Kennon) Cocke. By the age of twenty-one, Cocke was the master of over 5,500 acres of land in Surry and Fluvanna counties. A\n few years after Cocke married Anne Blaws Barraud (\"Nancy\") of Norfolk, Virginia in 1802, he sold his Surry County holdings\n and moved to a frame dwelling at Bremo Recess, Fluvanna County, and began work on a finer home, \"Bremo.\" He owned\n three large plantations along the James River, Bremo Recess, Upper Bremo, and Lower Bremo, each containing over a thousand\n acres of land. During the War of 1812, Cocke served in the Virginia militia, rising from captain to brigadier general in\n eighteen months. His first wife, Anne Blaws Barraud Cocke (1785-1816) did not live to see the completion of \"Bremo\" in\n 1820, but Cocke and his second wife, Louisa Maxwell Holmes (m. 1821), lived there until their deaths.\n\u003c/p\u003e\n ","\u003cp\u003eOther milestones in the life of John Hartwell Cocke include his elections as Vice-President of the Virginia Temperance\n Society in 1830 and as President in 1834; his election as President of the United States Temperance Union in 1836; his\n membership on the University of Virginia Board of Visitors from its inception as Central College in 1819 until 1852;\n membership on the Virginia Board of Public Works, 1823-1829; his primary role in the founding of the Agricultural Society\n of Albemarle in 1817; and service on the James River and Kanawha Canal Company Board of Directors. John Hartwell Cocke\n was greatly troubled by the issue of slavery, and he concentrated his time and money in promoting the American\n Colonization Society, and preparing his slaves for gradual emancipation through vocational training and teaching them to\n read and write.\u003c/p\u003e\n "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["John Hartwell Cocke was born in 1780 in the Tidewater county of Surry, the son of John Hartwell and Elizabeth\n (Kennon) Cocke. By the age of twenty-one, Cocke was the master of over 5,500 acres of land in Surry and Fluvanna counties. A\n few years after Cocke married Anne Blaws Barraud (\"Nancy\") of Norfolk, Virginia in 1802, he sold his Surry County holdings\n and moved to a frame dwelling at Bremo Recess, Fluvanna County, and began work on a finer home, \"Bremo.\" He owned\n three large plantations along the James River, Bremo Recess, Upper Bremo, and Lower Bremo, each containing over a thousand\n acres of land. During the War of 1812, Cocke served in the Virginia militia, rising from captain to brigadier general in\n eighteen months. His first wife, Anne Blaws Barraud Cocke (1785-1816) did not live to see the completion of \"Bremo\" in\n 1820, but Cocke and his second wife, Louisa Maxwell Holmes (m. 1821), lived there until their deaths.","Other milestones in the life of John Hartwell Cocke include his elections as Vice-President of the Virginia Temperance\n Society in 1830 and as President in 1834; his election as President of the United States Temperance Union in 1836; his\n membership on the University of Virginia Board of Visitors from its inception as Central College in 1819 until 1852;\n membership on the Virginia Board of Public Works, 1823-1829; his primary role in the founding of the Agricultural Society\n of Albemarle in 1817; and service on the James River and Kanawha Canal Company Board of Directors. John Hartwell Cocke\n was greatly troubled by the issue of slavery, and he concentrated his time and money in promoting the American\n Colonization Society, and preparing his slaves for gradual emancipation through vocational training and teaching them to\n read and write."],"prefercite_html_tesm":["\u003cp\u003eCocke Family Papers, Accession #640, etc., Special\n Collections, University of Virginia Library,\n Charlottesville, Va.\u003c/p\u003e\n "],"prefercite_tesim":["Cocke Family Papers, Accession #640, etc., Special\n Collections, University of Virginia Library,\n Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe papers of the Cocke family of Fluvanna County, Virginia, and related Barraud family, Faulcon family, and\n other families, consist of ca. 25,000 items, (194 Hollinger boxes, ca. 64.5 linear shelf feet), 1725- 1939, and contains\n correspondence, legal and financial papers, diaries of John Hartwell Cocke, Louisa Maxwell Holmes Cocke, and Lucy Cocke,\n minutes of the Board of Visitors of the University ofVirginia, diagrams and sketches concerning the University,\n bound volumes, sketches and drawings, college and school notes, poetry, orations and speeches, essays, genealogy, and\n lists pertaining to agriculture, music and other subjects.\u003c/p\u003e\n ","\u003cp\u003eMajor topics covered by the collection include: the development of agriculture in Virginia, merino sheep, horse\n breeding and purchases, slavery, the American Colonization Society, temperance movement, other religious and reform\n groups, book dealers, religion, the War of 1812, the Civil War, public education (including the Bremo Seminary), the\n founding and development of the University of Virginia and public improvements. The bulk of the papers were generated by\n General John Hartwell Cocke (1780-1866) and his immediate descendants.\u003c/p\u003e\n "],"scopecontent_heading_ssm":["Scope and Content Information"],"scopecontent_tesim":["The papers of the Cocke family of Fluvanna County, Virginia, and related Barraud family, Faulcon family, and\n other families, consist of ca. 25,000 items, (194 Hollinger boxes, ca. 64.5 linear shelf feet), 1725- 1939, and contains\n correspondence, legal and financial papers, diaries of John Hartwell Cocke, Louisa Maxwell Holmes Cocke, and Lucy Cocke,\n minutes of the Board of Visitors of the University ofVirginia, diagrams and sketches concerning the University,\n bound volumes, sketches and drawings, college and school notes, poetry, orations and speeches, essays, genealogy, and\n lists pertaining to agriculture, music and other subjects.","Major topics covered by the collection include: the development of agriculture in Virginia, merino sheep, horse\n breeding and purchases, slavery, the American Colonization Society, temperance movement, other religious and reform\n groups, book dealers, religion, the War of 1812, the Civil War, public education (including the Bremo Seminary), the\n founding and development of the University of Virginia and public improvements. The bulk of the papers were generated by\n General John Hartwell Cocke (1780-1866) and his immediate descendants."],"userestrict_html_tesm":["\u003cp\u003eSee the \n \u003cextref type=\"simple\" href=\"https://www.library.virginia.edu/policies/use-of-materials\"\u003e\n University of Virginia Library’s use policy.\u003c/extref\u003e\u003c/p\u003e\n "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["See the \n \n University of Virginia Library’s use policy."],"language_ssim":["English"],"total_component_count_is":18422,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:55:23.304Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_viu00103_c01_c2515"}},{"id":"viw_repositories_2_resources_9371_c01_c02_c55","type":"File","attributes":{"title":"Tobias Watkins, Samuel Welles to John Myers, 1811/1827","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9371_c01_c02_c55#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9371_c01_c02_c55","ref_ssm":["viw_repositories_2_resources_9371_c01_c02_c55"],"id":"viw_repositories_2_resources_9371_c01_c02_c55","ead_ssi":"viw_repositories_2_resources_9371","_root_":"viw_repositories_2_resources_9371","_nest_parent_":"viw_repositories_2_resources_9371_c01_c02","parent_ssi":"viw_repositories_2_resources_9371_c01_c02","parent_ssim":["Myers Papers (II), 1790/1900","Series 1: Correspondence, 1783/1890","Box 2"],"parent_ids_ssim":["viw_repositories_2_resources_9371","viw_repositories_2_resources_9371_c01","viw_repositories_2_resources_9371_c01_c02"],"title_filing_ssi":"Tobias Watkins, Samuel Welles to John Myers","title_ssm":["Tobias Watkins, Samuel Welles to John Myers"],"title_tesim":["Tobias Watkins, Samuel Welles to John Myers"],"normalized_title_ssm":["Tobias Watkins, Samuel Welles to John Myers, 1811/1827"],"text":["Tobias Watkins, Samuel Welles to John Myers, 1811/1827","Myers Papers (II), 1790/1900","Series 1: Correspondence, 1783/1890","Box 2","Box 2","Folder 55"],"parent_unittitles_ssm":["Myers Papers (II), 1790/1900","Series 1: Correspondence, 1783/1890","Box 2"],"parent_unittitles_tesim":["Myers Papers (II), 1790/1900","Series 1: Correspondence, 1783/1890","Box 2"],"normalized_date_ssm":["1811/1827"],"unitdate_inclusive_ssm":["1811, 1827"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":468,"repository_ssim":["College of William and Mary"],"collection_ssim":["Myers Papers (II), 1790/1900"],"containers_ssim":["Box 2","Folder 55"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"_nest_path_":"/components#0/components#1/components#54","timestamp":"2026-08-14T23:05:16.245Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9371","ead_ssi":"viw_repositories_2_resources_9371","_root_":"viw_repositories_2_resources_9371","_nest_parent_":"viw_repositories_2_resources_9371","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9371.xml","title_filing_ssi":"Myers-Papers (II)","title_ssm":["Myers Papers (II)"],"title_tesim":["Myers Papers (II)"],"unitdate_ssm":["circa 1783-1900"],"unitdate_inclusive_ssm":["circa 1783-1900"],"normalized_date_ssm":["1790/1900"],"normalized_title_ssm":["Myers Papers (II), 1790/1900"],"text":["Myers Papers (II), 1790/1900","Mss. 98 M99 Myers II","/repositories/2/resources/9371","Merchants--Virginia--Norfolk","Norfolk (Va.)--History--19th century","United States--Jewish History","Correspondence","Diplomas","Ledgers (Accounting)","Photocopies","Photographs","1800 items","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Moses Myers (1752-1835) was born in New York City. He was a prominent Jewish merchant in Norfolk, Va. moving there in 1787. He was consul for the Netherlands, vice-consul for Denmark and served as collector of customs for the district of Norfolk and Portsmouth. He served in the Revolutionary War and later in the Virginia militia. He was President of the Norfolk Common Council.","Papers were formerly at Old Dominion University and at the Chrysler Museum. Collection known as The Barton Myers III Collection of Myers Family Papers.","See also; Gustavus A. Myers Papers, 1834-1869, Samuel Myers Papers, 1796-1845, and the Myers-Burrage-Graham Papers (I) Groups A-C, all at Special Collections Research Center, Swem Library, College of William and Mary. The Moses Myers House (1791) is owned by the Chrysler Museum and open to the public.","Papers of Moses Myers, and his sons Samuel Myers (1790-1829) lawyer in Norfolk, Pensacola, Fla., John Myers (1787-1830) merchant of Norfolk and Myer Myers of Norfolk, Va. and daughter Adeline Myers. Also includes letters of Caroline Marx Barton to Julia Grammer Barton Myers, and of L. H. Wirt to Judith Marx. Includes letters of Joseph Marx Myers. There are letters of the Marx and Gratz families as well as correspondence with Jewish merchants in Richmond, New York, Montreal, St. Thomas, Virgin Islands, Philadelphia, Baltimore, and Charleston, S. C. Prominent correspondents include Stephen Girard, Abel P. Upshur, William Wirt, James Barron, Littleton Waller Tazewell, and Henry Clay.","Oversize boxes include Box 13; Barton Myers photographs, diplomas and family ledgers; and newspapers and broadsides from Norfolk, Virginia and nearby coastal cities.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Myers, Moses, 1752-1835","Myers, Barton, 1853-1927","English"],"collection_title_tesim":["Myers Papers (II), 1790/1900"],"collection_ssim":["Myers Papers (II), 1790/1900"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 98 M99 Myers II","/repositories/2/resources/9371"],"unitid_tesim":["Mss. 98 M99 Myers II","/repositories/2/resources/9371"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Myers, Moses, 1752-1835","Myers, Barton, 1853-1927"],"creator_ssim":["Myers, Moses, 1752-1835","Myers, Barton, 1853-1927"],"creator_persname_ssim":["Myers, Moses, 1752-1835","Myers, Barton, 1853-1927"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Myers, Moses, 1752-1835","Myers, Barton, 1853-1927","Special Collections Research Center"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Merchants--Virginia--Norfolk","Norfolk (Va.)--History--19th century","United States--Jewish History","Correspondence","Diplomas","Ledgers (Accounting)","Photocopies","Photographs"],"access_subjects_ssm":["Merchants--Virginia--Norfolk","Norfolk (Va.)--History--19th century","United States--Jewish History","Correspondence","Diplomas","Ledgers (Accounting)","Photocopies","Photographs"],"has_online_content_ssim":["false"],"physdesc_tesim":["1800 items"],"extent_ssm":["11.00 Linear Feet"],"extent_tesim":["11.00 Linear Feet"],"genreform_ssim":["Correspondence","Diplomas","Ledgers (Accounting)","Photocopies","Photographs"],"date_range_isim":[1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eMoses Myers (1752-1835) was born in New York City. He was a prominent Jewish merchant in Norfolk, Va. moving there in 1787. He was consul for the Netherlands, vice-consul for Denmark and served as collector of customs for the district of Norfolk and Portsmouth. He served in the Revolutionary War and later in the Virginia militia. He was President of the Norfolk Common Council.\u003c/p\u003e "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Moses Myers (1752-1835) was born in New York City. He was a prominent Jewish merchant in Norfolk, Va. moving there in 1787. He was consul for the Netherlands, vice-consul for Denmark and served as collector of customs for the district of Norfolk and Portsmouth. He served in the Revolutionary War and later in the Virginia militia. He was President of the Norfolk Common Council."],"custodhist_html_tesm":["\u003cp\u003ePapers were formerly at Old Dominion University and at the Chrysler Museum. Collection known as The Barton Myers III Collection of Myers Family Papers.\u003c/p\u003e "],"custodhist_heading_ssm":["Custodial History:"],"custodhist_tesim":["Papers were formerly at Old Dominion University and at the Chrysler Museum. Collection known as The Barton Myers III Collection of Myers Family Papers."],"prefercite_html_tesm":["\u003cp\u003eMyers Papers (II), Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e "],"prefercite_tesim":["Myers Papers (II), Special Collections Research Center, Swem Library, College of William and Mary."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also; Gustavus A. Myers Papers, 1834-1869, Samuel Myers Papers, 1796-1845, and the Myers-Burrage-Graham Papers (I) Groups A-C, all at Special Collections Research Center, Swem Library, College of William and Mary. The Moses Myers House (1791) is owned by the Chrysler Museum and open to the public.\u003c/p\u003e "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["See also; Gustavus A. Myers Papers, 1834-1869, Samuel Myers Papers, 1796-1845, and the Myers-Burrage-Graham Papers (I) Groups A-C, all at Special Collections Research Center, Swem Library, College of William and Mary. The Moses Myers House (1791) is owned by the Chrysler Museum and open to the public."],"scopecontent_html_tesm":["\u003cp\u003ePapers of Moses Myers, and his sons Samuel Myers (1790-1829) lawyer in Norfolk, Pensacola, Fla., John Myers (1787-1830) merchant of Norfolk and Myer Myers of Norfolk, Va. and daughter Adeline Myers. Also includes letters of Caroline Marx Barton to Julia Grammer Barton Myers, and of L. H. Wirt to Judith Marx. Includes letters of Joseph Marx Myers. There are letters of the Marx and Gratz families as well as correspondence with Jewish merchants in Richmond, New York, Montreal, St. Thomas, Virgin Islands, Philadelphia, Baltimore, and Charleston, S. C. Prominent correspondents include Stephen Girard, Abel P. Upshur, William Wirt, James Barron, Littleton Waller Tazewell, and Henry Clay.\u003c/p\u003e","\u003cp\u003e Oversize boxes include Box 13; Barton Myers photographs, diplomas and family ledgers; and newspapers and broadsides from Norfolk, Virginia and nearby coastal cities.\u003c/p\u003e "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Papers of Moses Myers, and his sons Samuel Myers (1790-1829) lawyer in Norfolk, Pensacola, Fla., John Myers (1787-1830) merchant of Norfolk and Myer Myers of Norfolk, Va. and daughter Adeline Myers. Also includes letters of Caroline Marx Barton to Julia Grammer Barton Myers, and of L. H. Wirt to Judith Marx. Includes letters of Joseph Marx Myers. There are letters of the Marx and Gratz families as well as correspondence with Jewish merchants in Richmond, New York, Montreal, St. Thomas, Virgin Islands, Philadelphia, Baltimore, and Charleston, S. C. Prominent correspondents include Stephen Girard, Abel P. Upshur, William Wirt, James Barron, Littleton Waller Tazewell, and Henry Clay.","Oversize boxes include Box 13; Barton Myers photographs, diplomas and family ledgers; and newspapers and broadsides from Norfolk, Virginia and nearby coastal cities."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Myers, Moses, 1752-1835","Myers, Barton, 1853-1927"],"names_ssim":["Special Collections Research Center","Myers, Moses, 1752-1835","Myers, Barton, 1853-1927"],"language_ssim":["English"],"total_component_count_is":1058,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:05:16.245Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9371_c01_c02_c55"}},{"id":"viu_repositories_3_resources_1426_c264","type":"Item","attributes":{"title":"To Jane Hollins Randolph, 1820/1830","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1426_c264#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1426_c264","ref_ssm":["viu_repositories_3_resources_1426_c264"],"id":"viu_repositories_3_resources_1426_c264","ead_ssi":"viu_repositories_3_resources_1426","_root_":"viu_repositories_3_resources_1426","_nest_parent_":"viu_repositories_3_resources_1426","parent_ssi":"viu_repositories_3_resources_1426","parent_ssim":["Papers of the Randolph Family of Edgehill, 1732/1860"],"parent_ids_ssim":["viu_repositories_3_resources_1426"],"title_filing_ssi":"To Jane Hollins Randolph","title_ssm":["To Jane Hollins Randolph"],"title_tesim":["To Jane Hollins Randolph"],"normalized_title_ssm":["To Jane Hollins Randolph, 1820/1830"],"text":["To Jane Hollins Randolph, 1820/1830","Papers of the Randolph Family of Edgehill, 1732/1860","box 4","folder 34"],"parent_unittitles_ssm":["Papers of the Randolph Family of Edgehill, 1732/1860"],"parent_unittitles_tesim":["Papers of the Randolph Family of Edgehill, 1732/1860"],"normalized_date_ssm":["1820/1830"],"unitdate_inclusive_ssm":["circa 1820 - 1830"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":264,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Papers of the Randolph Family of Edgehill, 1732/1860"],"containers_ssim":["box 4","folder 34"],"has_online_content_ssim":["true"],"digital_objects_ssm":["{\"label\": \"To Jane Hollins Randolph, circa 1820 - 1830\", \"href\": \"https://iiifman.lib.virginia.edu/pid/tsb:106093\"}"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research use."],"parent_access_terms_tesm":["Materials in this collection, which were created in 1732-1860, are in the public domain. Permission to publish or reproduce is not required."],"date_range_isim":[1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830],"_nest_path_":"/components#263","timestamp":"2026-08-14T22:53:38.700Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1426","ead_ssi":"viu_repositories_3_resources_1426","_root_":"viu_repositories_3_resources_1426","_nest_parent_":"viu_repositories_3_resources_1426","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1426.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/147344","title_ssm":["Papers of the Randolph Family of Edgehill"],"title_tesim":["Papers of the Randolph Family of Edgehill"],"unitdate_ssm":["1732-1860"],"unitdate_inclusive_ssm":["1732-1860"],"normalized_date_ssm":["1732/1860"],"normalized_title_ssm":["Papers of the Randolph Family of Edgehill, 1732/1860"],"text":["Papers of the Randolph Family of Edgehill, 1732/1860","MSS 1397","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1426","Slavery--United States -- Virginia","African Americans -- Virginia","The collection is open for research use.","The materials are arranged chronologically. Oversized items are listed at the end of the inventory.","The Randolph familiy of Virginia began with William Randolph, who emigrated from Warwickshire, England between 1669 and 1673. He was the great-grandfather of Thomas Jefferson.","Martha Jefferson Randolph (eldest daughter of Thomas Jefferson) married her third cousin, Thomas Mann Randolph in 1790. Together they had eleven children, whom Martha educated at home. Martha was known for her keen intellect and would often assist her father with his affairs. Thomas became a botanist and served as a Virginia delegate, senator, governor, and congressman.","Edgehill was Martha and Thomas' Virginia plantation, and later the chief residence of their eldest son, Thomas Jefferson Randolph. Martha and Thomas inherited the land from Thomas' father and built their first home there in 1799. A second, larger house was built in 1828. The family also operated a girls' school on the plantation, called \"Edgehill School\" from 1836 to 1896.","Source: Thomas Jefferson Encyclopedia. monticello.org. Accessed 13 January 2023.","This collection contains material which discusses enslavement and may contain racist language. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","for enhanced description and digitization of this collection was graciously provided by John C.R. Taylor, III.","The Albert and Shirley Small Special Collections Library also holds the Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas (MS 5533).","The collection primarily contains correspondence of the Randolph family and Nicholas family. Several land title records are also present.","Materials in this collection, which were created in 1732-1860, are in the public domain. 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