{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1708\u0026f%5Blevel%5D%5B%5D=Item\u0026page=6","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1708\u0026f%5Blevel%5D%5B%5D=Item\u0026page=5","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1708\u0026f%5Blevel%5D%5B%5D=Item\u0026page=7","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1708\u0026f%5Blevel%5D%5B%5D=Item\u0026page=7"},"meta":{"pages":{"current_page":6,"next_page":7,"prev_page":5,"total_pages":7,"limit_value":10,"offset_value":50,"total_count":61,"first_page?":false,"last_page?":false}},"data":[{"id":"viu_viu00793_c68","type":"Item","attributes":{"title":"Surveyors reports, 1701/1826","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_viu00793_c68#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu00793_c68","ref_ssm":["viu_viu00793_c68"],"id":"viu_viu00793_c68","ead_ssi":"viu_viu00793","_root_":"viu_viu00793","_nest_parent_":"viu_viu00793","parent_ssi":"viu_viu00793","parent_ssim":["Bradley T. Johnson Papers \n 1676-1937"],"parent_ids_ssim":["viu_viu00793"],"title_filing_ssi":"Surveyors reports","title_ssm":["Surveyors reports"],"title_tesim":["Surveyors reports"],"normalized_title_ssm":["Surveyors reports, 1701/1826"],"text":["Surveyors reports, 1701/1826","Bradley T. Johnson Papers \n 1676-1937","Box Box 6"],"parent_unittitles_ssm":["Bradley T. Johnson Papers \n 1676-1937"],"parent_unittitles_tesim":["Bradley T. Johnson Papers \n 1676-1937"],"normalized_date_ssm":["1701/1826"],"unitdate_other_ssim":["1701-1826"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":68,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Bradley T. Johnson Papers \n 1676-1937"],"containers_ssim":["Box Box 6"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"date_range_isim":[1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826],"_nest_path_":"/components#67","timestamp":"2026-07-23T21:43:21.688Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu00793","ead_ssi":"viu_viu00793","_root_":"viu_viu00793","_nest_parent_":"viu_viu00793","ead_source_url_ssi":"data/uva-sc/viu00793.xml","title_ssm":["Bradley T. Johnson Papers \n 1676-1937"],"title_tesim":["Bradley T. Johnson Papers \n 1676-1937"],"normalized_title_ssm":["Bradley T. Johnson Papers \n 1676-1937"],"text":["Bradley T. Johnson Papers \n 1676-1937","5594","ca. 4000 items","Boxes 1 through 4 contain correspondence filed\n chronologically. The next three boxes contain speeches,\n essays, financial and Civil War papers. The last box contains\n empty envelopes.","Bradley T. Johnson(1829-1903) was born in\n Frederick, Maryland, son of \n Charles Worthington Johnsonand \n Eleanor Murdock (Tyler) Johnson, grandson\n of Colonel \n Baker Tyler Johnsonof the Continental\n Army. He took a B.A. at \n Princeton(1849), studied law and was\n admitted to the bar in \n Frederickin 1851. On June 25, 1851 he\n married \n Jane Claudia Saundersof \n North Carolina. Johnson served as\n Maryland State's Attorney, Chairman of the Maryland State\n Democratic Committee, and delegate to both National\n Conventions of 1860. He was instrumental in the formation of \"\n The Maryland Line, \" a regiment of\n Marylanders who chose to fight for the South, and was elected\n their Colonel in 1862. On June 28, 1864, he was commissioned\n brigadier general, partly on the strength of a long standing\n recommendation from General \n T. J. Jackson. In the last days of the\n war he commanded cavalry under \n Wade Hamptonand \n Jubal Early. After the war, Johnson\n practiced law in \n Richmondand served in the Virginia Senate\n (1875-1879). From 1879 to 1890 he practiced in \n Baltimore. He died in \n Amelia, Virginia, in 1903. Among his\n published works are a life of Washington (1894) and A Memoir\n of the Life and Public Service of Joseph E. Johnston.","The papers of \n Bradley T. Johnsonconsist of ca. 4000\n items covering the years 1676 to 1937, and are primarily the\n personal correspondence of the members of three families: \n Johnson, \n Rutherfoordand \n Saunders. By far the greatest number of\n letters and documents concern the affairs of the \n Johnson familyand \n Bradley T. Johnsonduring the period\n 1840-1880. The collection includes a great number of letters\n to \n Bradley T. Johnsonfrom his mother, \n Eleanor Murdock (Tyler) Johnson, and his\n wife, \n Jane Claudia (Saunders) Johnson. Items of\n particular interest include: copies of letters from \n George Washingtonto \n Thomas Johnsonrelative to \n Thomas Johnson's appointment to the \n United States Supreme Courtand letters to\n General \n Bradley T. Johnsonfrom \n Jubal A. Early, \n Joseph E. Johnston, \n Thomas J. Jackson, \n Jefferson Davis, \n Wade Hampton, \n J. S. Mosby, \n W. H. Fitzhugh Lee, \n Henry Adamsand \n Theodore Roosevelt.","In addition to correspondence, the collection contains\n unsigned speeches and essays dealing with contemporary\n (antebellum) political issues and elections as well as\n newspaper clippings, deeds, documents and memorabila. In\n particular, there is a substantial number of items pertaining\n to \n Bradley T. Johnson's formation of the \n First Maryland Regiment, C. S. A., \" \n The Maryland Line, \" and its affairs\n during the Civil War and afterwards as a veterans'\n organization. There are a number of letters written by \n John C. Rutherfoordand \n Bradley T. Johnson's son, \n B. Saunders Johnson, to their respective\n families while the two were students at the \n University of Virginia, the former before\n and the latter after the Civil War.","University of Virginia. Library. Special\n Collections Dept.","Princeton","The Maryland Line","United States Supreme Court","First Maryland Regiment","University of Virginia","James River and Kanawha\n Canal","Maryland Line","Confederate Veterans","Confederate Memorial Literary\n Society","Society of the Army and Navy of the\n Confederate States","Johnson","Rutherfoord","Saunders","Johnson family","Stevenson","Rutherfoord family","Roy","Saunders family","Stevenson family","Booth","Alexander","Todd","Seddon","Bradley T. Johnson","Charles Worthington Johnson","Eleanor Murdock (Tyler) Johnson","Baker Tyler Johnson","Jane Claudia Saunders","T. J. Jackson","Wade Hampton","Jubal Early","Jane Claudia (Saunders) Johnson","George Washington","Thomas Johnson","Jubal A. Early","Joseph E. Johnston","Thomas J. Jackson","Jefferson Davis","J. S. Mosby","W. H. Fitzhugh Lee","Henry Adams","Theodore Roosevelt","John C. Rutherfoord","B. Saunders Johnson","Baker Johnson","William Johnson","Eleanor Murdock Johnson","[William] Johnson","Ann Roy","U. S. Grant","Edward McCrady","J. E. Johnston","Saunders Johnson","J. A. Early","Bradley S. Johnson","Thomas Johnson, Jr.","J. C. Rutherfoord","John Rutherfoord","B. T. Johnson","Bradley Johnson, Jr.","Nannie P. Rutherfoord","Ann Rutherfoord","Bradley Johnson","Richard Johnson","Thomas Beaty","George Ben Johnson","Nannie S. Rutherfoord","William J. Saunders","Frederick W. Ford","Caldwell A. Alphin","English"],"collection_title_tesim":["Bradley T. Johnson Papers \n 1676-1937"],"collection_ssim":["Bradley T. Johnson Papers \n 1676-1937"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["5594"],"unitid_tesim":["5594"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Mrs. Bradley T.\n Johnson"],"creator_ssim":["Mrs. Bradley T.\n Johnson"],"creator_persname_ssim":["Bradley T. Johnson","Charles Worthington Johnson","Eleanor Murdock (Tyler) Johnson","Baker Tyler Johnson","Jane Claudia Saunders","T. J. Jackson","Wade Hampton","Jubal Early","Jane Claudia (Saunders) Johnson","George Washington","Thomas Johnson","Jubal A. Early","Joseph E. Johnston","Thomas J. Jackson","Jefferson Davis","J. S. Mosby","W. H. Fitzhugh Lee","Henry Adams","Theodore Roosevelt","John C. Rutherfoord","B. Saunders Johnson","Baker Johnson","William Johnson","Eleanor Murdock Johnson","[William] Johnson","Ann Roy","U. S. Grant","Edward McCrady","J. E. Johnston","Saunders Johnson","J. A. Early","Bradley S. Johnson","Johnson family","Thomas Johnson, Jr.","J. C. Rutherfoord","John Rutherfoord","B. T. Johnson","Bradley Johnson, Jr.","Nannie P. Rutherfoord","Ann Rutherfoord","Bradley Johnson","Richard Johnson","Thomas Beaty","George Ben Johnson","Nannie S. Rutherfoord","William J. Saunders","Frederick W. Ford","Caldwell A. Alphin"],"creator_corpname_ssim":["University of Virginia. Library. Special\n Collections Dept.","Princeton","The Maryland Line","United States Supreme Court","First Maryland Regiment","University of Virginia","James River and Kanawha\n Canal","Maryland Line","Confederate Veterans","Confederate Memorial Literary\n Society","Society of the Army and Navy of the\n Confederate States"],"creator_famname_ssim":["Johnson","Rutherfoord","Saunders","Johnson family","Stevenson","Rutherfoord family","Roy","Saunders family","Stevenson family","Booth","Alexander","Todd","Seddon"],"creators_ssim":["Bradley T. Johnson","Charles Worthington Johnson","Eleanor Murdock (Tyler) Johnson","Baker Tyler Johnson","Jane Claudia Saunders","T. J. Jackson","Wade Hampton","Jubal Early","Jane Claudia (Saunders) Johnson","George Washington","Thomas Johnson","Jubal A. Early","Joseph E. Johnston","Thomas J. Jackson","Jefferson Davis","J. S. Mosby","W. H. Fitzhugh Lee","Henry Adams","Theodore Roosevelt","John C. Rutherfoord","B. Saunders Johnson","Baker Johnson","William Johnson","Eleanor Murdock Johnson","[William] Johnson","Ann Roy","U. S. Grant","Edward McCrady","J. E. Johnston","Saunders Johnson","J. A. Early","Bradley S. Johnson","Johnson family","Thomas Johnson, Jr.","J. C. Rutherfoord","John Rutherfoord","B. T. Johnson","Bradley Johnson, Jr.","Nannie P. Rutherfoord","Ann Rutherfoord","Bradley Johnson","Richard Johnson","Thomas Beaty","George Ben Johnson","Nannie S. Rutherfoord","William J. Saunders","Frederick W. Ford","Caldwell A. Alphin","University of Virginia. Library. Special\n Collections Dept.","Princeton","The Maryland Line","United States Supreme Court","First Maryland Regiment","University of Virginia","James River and Kanawha\n Canal","Maryland Line","Confederate Veterans","Confederate Memorial Literary\n Society","Society of the Army and Navy of the\n Confederate States","Johnson","Rutherfoord","Saunders","Johnson family","Stevenson","Rutherfoord family","Roy","Saunders family","Stevenson family","Booth","Alexander","Todd","Seddon"],"acqinfo_ssim":["The collection is on loan from Mrs. Bradley T. Johnson,\n 510 17th Street, Charlottesville, Virginia. It was placed\n in the Library on 21 May 1957."],"has_online_content_ssim":["false"],"physdesc_tesim":["ca. 4000 items"],"arrangement_html_tesm":["\u003cp\u003eBoxes 1 through 4 contain correspondence filed\n chronologically. The next three boxes contain speeches,\n essays, financial and Civil War papers. The last box contains\n empty envelopes.\u003c/p\u003e\n "],"arrangement_heading_ssm":["Organization"],"arrangement_tesim":["Boxes 1 through 4 contain correspondence filed\n chronologically. The next three boxes contain speeches,\n essays, financial and Civil War papers. The last box contains\n empty envelopes."],"bioghist_html_tesm":["\u003cp\u003e\u003cpersname\u003eBradley T. Johnson\u003c/persname\u003e(1829-1903) was born in\n \u003cgeogname\u003eFrederick, Maryland\u003c/geogname\u003e, son of \n \u003cpersname\u003eCharles Worthington Johnson\u003c/persname\u003eand \n \u003cpersname\u003eEleanor Murdock (Tyler) Johnson\u003c/persname\u003e, grandson\n of Colonel \n \u003cpersname\u003eBaker Tyler Johnson\u003c/persname\u003eof the Continental\n Army. He took a B.A. at \n \u003ccorpname\u003ePrinceton\u003c/corpname\u003e(1849), studied law and was\n admitted to the bar in \n \u003cgeogname\u003eFrederick\u003c/geogname\u003ein 1851. On June 25, 1851 he\n married \n \u003cpersname\u003eJane Claudia Saunders\u003c/persname\u003eof \n \u003cgeogname\u003eNorth Carolina\u003c/geogname\u003e. Johnson served as\n Maryland State's Attorney, Chairman of the Maryland State\n Democratic Committee, and delegate to both National\n Conventions of 1860. He was instrumental in the formation of \"\n \u003ccorpname\u003eThe Maryland Line\u003c/corpname\u003e, \" a regiment of\n Marylanders who chose to fight for the South, and was elected\n their Colonel in 1862. On June 28, 1864, he was commissioned\n brigadier general, partly on the strength of a long standing\n recommendation from General \n \u003cpersname\u003eT. J. Jackson\u003c/persname\u003e. In the last days of the\n war he commanded cavalry under \n \u003cpersname\u003eWade Hampton\u003c/persname\u003eand \n \u003cpersname\u003eJubal Early\u003c/persname\u003e. After the war, Johnson\n practiced law in \n \u003cgeogname\u003eRichmond\u003c/geogname\u003eand served in the Virginia Senate\n (1875-1879). From 1879 to 1890 he practiced in \n \u003cgeogname\u003eBaltimore\u003c/geogname\u003e. He died in \n \u003cgeogname\u003eAmelia, Virginia\u003c/geogname\u003e, in 1903. Among his\n published works are a life of Washington (1894) and A Memoir\n of the Life and Public Service of Joseph E. Johnston.\u003c/p\u003e\n "],"bioghist_heading_ssm":["Biographical Sketch of Bradley T. Johnson"],"bioghist_tesim":["Bradley T. Johnson(1829-1903) was born in\n Frederick, Maryland, son of \n Charles Worthington Johnsonand \n Eleanor Murdock (Tyler) Johnson, grandson\n of Colonel \n Baker Tyler Johnsonof the Continental\n Army. He took a B.A. at \n Princeton(1849), studied law and was\n admitted to the bar in \n Frederickin 1851. On June 25, 1851 he\n married \n Jane Claudia Saundersof \n North Carolina. Johnson served as\n Maryland State's Attorney, Chairman of the Maryland State\n Democratic Committee, and delegate to both National\n Conventions of 1860. He was instrumental in the formation of \"\n The Maryland Line, \" a regiment of\n Marylanders who chose to fight for the South, and was elected\n their Colonel in 1862. On June 28, 1864, he was commissioned\n brigadier general, partly on the strength of a long standing\n recommendation from General \n T. J. Jackson. In the last days of the\n war he commanded cavalry under \n Wade Hamptonand \n Jubal Early. After the war, Johnson\n practiced law in \n Richmondand served in the Virginia Senate\n (1875-1879). From 1879 to 1890 he practiced in \n Baltimore. He died in \n Amelia, Virginia, in 1903. Among his\n published works are a life of Washington (1894) and A Memoir\n of the Life and Public Service of Joseph E. Johnston."],"scopecontent_html_tesm":["\u003cp\u003eThe papers of \n \u003cpersname\u003eBradley T. Johnson\u003c/persname\u003econsist of ca. 4000\n items covering the years 1676 to 1937, and are primarily the\n personal correspondence of the members of three families: \n \u003cfamname\u003eJohnson\u003c/famname\u003e, \n \u003cfamname\u003eRutherfoord\u003c/famname\u003eand \n \u003cfamname\u003eSaunders\u003c/famname\u003e. By far the greatest number of\n letters and documents concern the affairs of the \n \u003cfamname\u003eJohnson family\u003c/famname\u003eand \n \u003cpersname\u003eBradley T. Johnson\u003c/persname\u003eduring the period\n 1840-1880. The collection includes a great number of letters\n to \n \u003cpersname\u003eBradley T. Johnson\u003c/persname\u003efrom his mother, \n \u003cpersname\u003eEleanor Murdock (Tyler) Johnson\u003c/persname\u003e, and his\n wife, \n \u003cpersname\u003eJane Claudia (Saunders) Johnson\u003c/persname\u003e. Items of\n particular interest include: copies of letters from \n \u003cpersname\u003eGeorge Washington\u003c/persname\u003eto \n \u003cpersname\u003eThomas Johnson\u003c/persname\u003erelative to \n \u003cpersname\u003eThomas Johnson\u003c/persname\u003e's appointment to the \n \u003ccorpname\u003eUnited States Supreme Court\u003c/corpname\u003eand letters to\n General \n \u003cpersname\u003eBradley T. Johnson\u003c/persname\u003efrom \n \u003cpersname\u003eJubal A. Early\u003c/persname\u003e, \n \u003cpersname\u003eJoseph E. Johnston\u003c/persname\u003e, \n \u003cpersname\u003eThomas J. Jackson\u003c/persname\u003e, \n \u003cpersname\u003eJefferson Davis\u003c/persname\u003e, \n \u003cpersname\u003eWade Hampton\u003c/persname\u003e, \n \u003cpersname\u003eJ. S. Mosby\u003c/persname\u003e, \n \u003cpersname\u003eW. H. Fitzhugh Lee\u003c/persname\u003e, \n \u003cpersname\u003eHenry Adams\u003c/persname\u003eand \n \u003cpersname\u003eTheodore Roosevelt\u003c/persname\u003e.\u003c/p\u003e\n ","\u003cp\u003eIn addition to correspondence, the collection contains\n unsigned speeches and essays dealing with contemporary\n (antebellum) political issues and elections as well as\n newspaper clippings, deeds, documents and memorabila. In\n particular, there is a substantial number of items pertaining\n to \n \u003cpersname\u003eBradley T. Johnson\u003c/persname\u003e's formation of the \n \u003ccorpname\u003eFirst Maryland Regiment\u003c/corpname\u003e, C. S. A., \" \n \u003ccorpname\u003eThe Maryland Line\u003c/corpname\u003e, \" and its affairs\n during the Civil War and afterwards as a veterans'\n organization. There are a number of letters written by \n \u003cpersname\u003eJohn C. Rutherfoord\u003c/persname\u003eand \n \u003cpersname\u003eBradley T. Johnson\u003c/persname\u003e's son, \n \u003cpersname\u003eB. Saunders Johnson\u003c/persname\u003e, to their respective\n families while the two were students at the \n \u003ccorpname\u003eUniversity of Virginia\u003c/corpname\u003e, the former before\n and the latter after the Civil War.\u003c/p\u003e\n "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The papers of \n Bradley T. Johnsonconsist of ca. 4000\n items covering the years 1676 to 1937, and are primarily the\n personal correspondence of the members of three families: \n Johnson, \n Rutherfoordand \n Saunders. By far the greatest number of\n letters and documents concern the affairs of the \n Johnson familyand \n Bradley T. Johnsonduring the period\n 1840-1880. The collection includes a great number of letters\n to \n Bradley T. Johnsonfrom his mother, \n Eleanor Murdock (Tyler) Johnson, and his\n wife, \n Jane Claudia (Saunders) Johnson. Items of\n particular interest include: copies of letters from \n George Washingtonto \n Thomas Johnsonrelative to \n Thomas Johnson's appointment to the \n United States Supreme Courtand letters to\n General \n Bradley T. Johnsonfrom \n Jubal A. Early, \n Joseph E. Johnston, \n Thomas J. Jackson, \n Jefferson Davis, \n Wade Hampton, \n J. S. Mosby, \n W. H. Fitzhugh Lee, \n Henry Adamsand \n Theodore Roosevelt.","In addition to correspondence, the collection contains\n unsigned speeches and essays dealing with contemporary\n (antebellum) political issues and elections as well as\n newspaper clippings, deeds, documents and memorabila. In\n particular, there is a substantial number of items pertaining\n to \n Bradley T. Johnson's formation of the \n First Maryland Regiment, C. S. A., \" \n The Maryland Line, \" and its affairs\n during the Civil War and afterwards as a veterans'\n organization. There are a number of letters written by \n John C. Rutherfoordand \n Bradley T. Johnson's son, \n B. Saunders Johnson, to their respective\n families while the two were students at the \n University of Virginia, the former before\n and the latter after the Civil War."],"physloc_html_tesm":["\u003cphysloc\u003e\u003c/physloc\u003e\n "],"corpname_ssim":["University of Virginia. Library. Special\n Collections Dept.","Princeton","The Maryland Line","United States Supreme Court","First Maryland Regiment","University of Virginia","James River and Kanawha\n Canal","Maryland Line","Confederate Veterans","Confederate Memorial Literary\n Society","Society of the Army and Navy of the\n Confederate States"],"famname_ssim":["Johnson","Rutherfoord","Saunders","Johnson family","Stevenson","Rutherfoord family","Roy","Saunders family","Stevenson family","Booth","Alexander","Todd","Seddon"],"persname_ssim":["Bradley T. Johnson","Charles Worthington Johnson","Eleanor Murdock (Tyler) Johnson","Baker Tyler Johnson","Jane Claudia Saunders","T. J. Jackson","Wade Hampton","Jubal Early","Jane Claudia (Saunders) Johnson","George Washington","Thomas Johnson","Jubal A. Early","Joseph E. Johnston","Thomas J. Jackson","Jefferson Davis","J. S. Mosby","W. H. Fitzhugh Lee","Henry Adams","Theodore Roosevelt","John C. Rutherfoord","B. Saunders Johnson","Baker Johnson","William Johnson","Eleanor Murdock Johnson","[William] Johnson","Ann Roy","U. S. Grant","Edward McCrady","J. E. Johnston","Saunders Johnson","J. A. Early","Bradley S. Johnson","Johnson family","Thomas Johnson, Jr.","J. C. Rutherfoord","John Rutherfoord","B. T. Johnson","Bradley Johnson, Jr.","Nannie P. Rutherfoord","Ann Rutherfoord","Bradley Johnson","Richard Johnson","Thomas Beaty","George Ben Johnson","Nannie S. Rutherfoord","William J. Saunders","Frederick W. Ford","Caldwell A. Alphin"],"names_ssim":["University of Virginia. Library. Special\n Collections Dept.","Princeton","The Maryland Line","United States Supreme Court","First Maryland Regiment","University of Virginia","James River and Kanawha\n Canal","Maryland Line","Confederate Veterans","Confederate Memorial Literary\n Society","Society of the Army and Navy of the\n Confederate States","Johnson","Rutherfoord","Saunders","Johnson family","Stevenson","Rutherfoord family","Roy","Saunders family","Stevenson family","Booth","Alexander","Todd","Seddon","Bradley T. Johnson","Charles Worthington Johnson","Eleanor Murdock (Tyler) Johnson","Baker Tyler Johnson","Jane Claudia Saunders","T. J. Jackson","Wade Hampton","Jubal Early","Jane Claudia (Saunders) Johnson","George Washington","Thomas Johnson","Jubal A. Early","Joseph E. Johnston","Thomas J. Jackson","Jefferson Davis","J. S. Mosby","W. H. Fitzhugh Lee","Henry Adams","Theodore Roosevelt","John C. Rutherfoord","B. Saunders Johnson","Baker Johnson","William Johnson","Eleanor Murdock Johnson","[William] Johnson","Ann Roy","U. S. Grant","Edward McCrady","J. E. Johnston","Saunders Johnson","J. A. Early","Bradley S. Johnson","Thomas Johnson, Jr.","J. C. Rutherfoord","John Rutherfoord","B. T. Johnson","Bradley Johnson, Jr.","Nannie P. Rutherfoord","Ann Rutherfoord","Bradley Johnson","Richard Johnson","Thomas Beaty","George Ben Johnson","Nannie S. Rutherfoord","William J. Saunders","Frederick W. Ford","Caldwell A. Alphin"],"language_ssim":["English"],"total_component_count_is":106,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:43:21.688Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_viu00793_c68"}},{"id":"viu_repositories_3_resources_884","type":"collection","attributes":{"title":"Thruston family commonplace book, 1604/1925","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_884#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Thruston family commonplace book (1604-1925; 0.03 cubic feet) documents the family history of the Thruston family of Bristol and Virginia, with early records concerning Martin's Hundred, Virginia, a plantation on the north shore of the James River, first settled in 1638. The manuscript opens with an \"Epistle dedicatory\" dated 25 October 1628 by Abell Louering, addressed to Robert Rogers, Esq., whose wife was present at the baptism of John Thruston's son John. The manuscript then passes to John Thruston, Chamberlain of Bristol (1606-1675), son of Malachais Thurston of Wellington. Thurston had 16 children with his first wife, Thomasine Rich. Their various births, deaths, and marriages are recorded here, including the birth of son Edward in 1638. Dr. Edward Thurston began writing in the book in 1666, and his entries contain the first reference to Virginia in the manuscript.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_884#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_884","ead_ssi":"viu_repositories_3_resources_884","_root_":"viu_repositories_3_resources_884","_nest_parent_":"viu_repositories_3_resources_884","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_884.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/133387","title_filing_ssi":"Thruston family commonplace book","title_ssm":["Thruston family commonplace book"],"title_tesim":["Thruston family commonplace book"],"unitdate_ssm":["1604-1925"],"unitdate_inclusive_ssm":["1604-1925"],"normalized_date_ssm":["1604/1925"],"normalized_title_ssm":["Thruston family commonplace book, 1604/1925"],"text":["Thruston family commonplace book, 1604/1925","MSS 16427","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/884","Commonplace books","Poor.","Item was in preservation awaiting an enclosure. 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The manuscript opens with an \"Epistle dedicatory\" dated 25 October 1628 by Abell Louering, addressed to Robert Rogers, Esq., whose wife was present at the baptism of John Thruston's son John. The manuscript then passes to John Thruston, Chamberlain of Bristol (1606-1675), son of Malachais Thurston of Wellington. Thurston had 16 children with his first wife, Thomasine Rich. Their various births, deaths, and marriages are recorded here, including the birth of son Edward in 1638. Dr. Edward Thurston began writing in the book in 1666, and his entries contain the first reference to Virginia in the manuscript.\u003c/p\u003e "],"scopecontent_heading_ssm":["Scope and Contents Note"],"scopecontent_tesim":["The Thruston family commonplace book (1604-1925; 0.03 cubic feet) documents the family history of the Thruston family of Bristol and Virginia, with early records concerning Martin's Hundred, Virginia, a plantation on the north shore of the James River, first settled in 1638. 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Dr. Edward Thurston began writing in the book in 1666, and his entries contain the first reference to Virginia in the manuscript."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"names_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["Materials are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:41:25.324Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_884"}},{"id":"viumu_mackay-smith_c36","type":"Item","attributes":{"title":"Title Transcription: Bomporti's SONATA'S or CHAMBER AIRES in three Parts for two VIOLINS and a THROUGH BASS Compos'd by Francisco Antonio Bomporti Opera 2d London Printed for I. Walsh Servt. to her Matie. at ye Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand. I. Hare Instrument maker at ye Golden Viol \u0026 Flute in Cornhill near ye Royal Exchange - and P. Randall at ye Violin and Lute by Pauls grave head Court without Temple Barr in the Strand., 1708","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c36#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA I\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e15098\"\u003ePreludio LargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e15106\"\u003eAllemanda\u003cabbr\u003eAlleg\u003c/abbr\u003ee VivaceC\u003c/li\u003e\n\u003cli id=\"mvtd1e15118\"\u003eStaccato e AdagissimoC\u003c/li\u003e\n\u003cli id=\"mvtd1e15126\"\u003eGiga Allegro12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA II\u003c/span\u003ee\u003cul\u003e\n\u003cli id=\"mvtd1e15146\"\u003ePreludio Largo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e15154\"\u003eAllemanda AllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e15162\"\u003eCorrente\u003cabbr\u003eConspirito\u003c/abbr\u003e3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e15170\"\u003eGavotta PrestoC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA III\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e15190\"\u003ePreludio AllemandaC\u003c/li\u003e\n\u003cli id=\"mvtd1e15198\"\u003eCorrente Presto3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e15206\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e15214\"\u003eGiga Presto12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IV\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e15234\"\u003ePreludio VivaceC\u003c/li\u003e\n\u003cli id=\"mvtd1e15242\"\u003eAllemanda AllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e15250\"\u003eCorrente Presto3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e15258\"\u003eGavotta AllegroC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA V\u003c/span\u003eE\u003cul\u003e\n\u003cli id=\"mvtd1e15279\"\u003ePreludio AdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e15287\"\u003eAllemanda AllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e15295\"\u003eSarabanda Largo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e15303\"\u003eGiga Presto12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VI\u003c/span\u003ea\u003cul\u003e\n\u003cli id=\"mvtd1e15323\"\u003ePreludio VivaceC\u003c/li\u003e\n\u003cli id=\"mvtd1e15331\"\u003eCorrente Presto3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e15339\"\u003eSarabanda3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e15347\"\u003eGavotta PrestoC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VII\u003c/span\u003eb\u003cul\u003e\n\u003cli id=\"mvtd1e15367\"\u003ePreludio LargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e15375\"\u003eAllemandaC\u003c/li\u003e\n\u003cli id=\"mvtd1e15383\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e15391\"\u003eGiga\u003cabbr\u003eAlleg\u003c/abbr\u003ee Presto12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VIII\u003c/span\u003eC\u003cul\u003e\n\u003cli id=\"mvtd1e15415\"\u003ePreludio LargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e15423\"\u003eAllemanda AllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e15431\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e15439\"\u003eGavotta PrestoC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IX\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e15459\"\u003ePreludioC\u003c/li\u003e\n\u003cli id=\"mvtd1e15467\"\u003eAllemandaC\u003c/li\u003e\n\u003cli id=\"mvtd1e15475\"\u003eSarabanda Allegro6/4\u003c/li\u003e\n\u003cli id=\"mvtd1e15483\"\u003eGiga Presto12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA X\u003c/span\u003eG\u003cul\u003e\u003cli id=\"mvtd1e15503\"\u003eCiaccona3/4\u003c/li\u003e\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c36#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c36","ref_ssm":["viumu_mackay-smith_c36"],"id":"viumu_mackay-smith_c36","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_ids_ssim":["viumu_mackay-smith"],"title_filing_ssi":"Bomporti's SONATA'S or CHAMBER AIRES in three Parts for two VIOLINS and a THROUGH BASS Compos'd by Francisco Antonio Bomporti Opera 2d London Printed for I. Walsh Servt. to her Matie. at ye Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand. I. Hare Instrument maker at ye Golden Viol \u0026 Flute in Cornhill near ye Royal Exchange - and P. Randall at ye Violin and Lute by Pauls grave head Court without Temple Barr in the Strand.","title_ssm":["Title Transcription: Bomporti's SONATA'S or CHAMBER AIRES in three Parts for two VIOLINS and a THROUGH BASS Compos'd by Francisco Antonio Bomporti Opera 2d London Printed for I. Walsh Servt. to her Matie. at ye Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand. I. Hare Instrument maker at ye Golden Viol \u0026 Flute in Cornhill near ye Royal Exchange - and P. Randall at ye Violin and Lute by Pauls grave head Court without Temple Barr in the Strand."],"title_tesim":["Title Transcription: Bomporti's SONATA'S or CHAMBER AIRES in three Parts for two VIOLINS and a THROUGH BASS Compos'd by Francisco Antonio Bomporti Opera 2d London Printed for I. Walsh Servt. to her Matie. at ye Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand. I. Hare Instrument maker at ye Golden Viol \u0026 Flute in Cornhill near ye Royal Exchange - and P. Randall at ye Violin and Lute by Pauls grave head Court without Temple Barr in the Strand."],"normalized_title_ssm":["Title Transcription: Bomporti's SONATA'S or CHAMBER AIRES in three Parts for two VIOLINS and a THROUGH BASS Compos'd by Francisco Antonio Bomporti Opera 2d London Printed for I. Walsh Servt. to her Matie. at ye Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand. I. Hare Instrument maker at ye Golden Viol \u0026 Flute in Cornhill near ye Royal Exchange - and P. Randall at ye Violin and Lute by Pauls grave head Court without Temple Barr in the Strand., 1708"],"text":["Title Transcription: Bomporti's SONATA'S or CHAMBER AIRES in three Parts for two VIOLINS and a THROUGH BASS Compos'd by Francisco Antonio Bomporti Opera 2d London Printed for I. Walsh Servt. to her Matie. at ye Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand. I. Hare Instrument maker at ye Golden Viol \u0026 Flute in Cornhill near ye Royal Exchange - and P. Randall at ye Violin and Lute by Pauls grave head Court without Temple Barr in the Strand., 1708","Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","Three parts, folio, 256x180 (263x185); all parts have music printed on recto only; all versos are blank and unnumbered: VIOLINO PRIMO: Title, verso blank. Music, pp. 1-14. VIOLINO SECONDO: Title, verso blank. Music, pp. 1-11. BASSO CONTINUO (2 copies): Same as VIOLINO SECONDO.","Golden Viol and Flute","Harp and Hoboy","Violin and Lute","Bonporti, Francesco Antonio, 1672-1749","Hare, John, d. 1725","Randall, Peter, fl. ca. 1706-1710","Walsh, John, 1665 or 6-1736","London (England)","Allemande","Chaconne","Corrente","Gavotte","Jig","Prelude","Sarabande","A","B♭","C","D","E","F","G","B","12/8","3/4","6/4","Adagio","Allemanda","Allemanda allegro e vivace","Allemanda allegro","Ciaccona","Corrente con spirito","Corrente presto","Gavotta allegro","Gavotta presto","Giga allegro e presto","Giga allegro","Giga presto","Grave","Preludio","Preludio adagio","Preludio allemanda","Preludio largo","Preludio vivace","Sarabanda","Sarabanda allegro","Sarabanda largo","Staccato e adagissimo","Smithno. 266.","Announced in\n ...The Monthly Masks of Vocal Musick... for the Year 1708\n (Smith no. 282a).","Contents\n \n SONATA I\n D\n \n \n Preludio Largo\n C\n \n \n Allemanda\n Alleg\n e Vivace\n C\n \n \n Staccato e Adagissimo\n C\n \n \n Giga Allegro\n 12/8\n \n \n \n \n SONATA II\n e\n \n \n Preludio Largo\n 3/4\n \n \n Allemanda Allegro\n C\n \n \n Corrente\n Conspirito\n \n \n 3/4\n \n \n Gavotta Presto\n C\n \n \n \n \n SONATA III\n F\n \n \n Preludio Allemanda\n C\n \n \n Corrente Presto\n 3/4\n \n \n Grave\n C\n \n \n Giga Presto\n 12/8\n \n \n \n \n SONATA IV\n A\n \n \n Preludio Vivace\n C\n \n \n Allemanda Allegro\n C\n \n \n Corrente Presto\n 3/4\n \n \n Gavotta Allegro\n C\n \n \n \n \n SONATA V\n E\n \n \n Preludio Adagio\n C\n \n \n Allemanda Allegro\n C\n \n \n Sarabanda Largo\n 3/4\n \n \n Giga Presto\n 12/8\n \n \n \n \n SONATA VI\n a\n \n \n Preludio Vivace\n C\n \n \n Corrente Presto\n 3/4\n \n \n Sarabanda\n 3/4\n \n \n Gavotta Presto\n C\n \n \n \n \n SONATA VII\n b\n \n \n Preludio Largo\n C\n \n \n Allemanda\n C\n \n \n Adagio\n C\n \n \n Giga\n Alleg\n e Presto\n 12/8\n \n \n \n \n SONATA VIII\n C\n \n \n Preludio Largo\n C\n \n \n Allemanda Allegro\n C\n \n \n Adagio\n C\n \n \n Gavotta Presto\n C\n \n \n \n \n SONATA IX\n B♭\n \n \n Preludio\n C\n \n \n Allemanda\n C\n \n \n Sarabanda Allegro\n 6/4\n \n \n Giga Presto\n 12/8\n \n \n \n \n SONATA X\n G\n \n \n Ciaccona\n 3/4","M312.4.B65 1710"],"parent_unittitles_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_unittitles_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"normalized_date_ssm":["1708"],"unitdate_other_ssim":["ca. 1708"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":149,"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"physdesc_tesim":["Three parts, folio, 256x180 (263x185); all parts have music printed on recto only; all versos are blank and unnumbered: VIOLINO PRIMO: Title, verso blank. Music, pp. 1-14. VIOLINO SECONDO: Title, verso blank. Music, pp. 1-11. BASSO CONTINUO (2 copies): Same as VIOLINO SECONDO."],"has_online_content_ssim":["false"],"child_component_count_isi":3,"corpname_ssim":["Golden Viol and Flute","Harp and Hoboy","Violin and Lute"],"persname_ssim":["Bonporti, Francesco Antonio, 1672-1749","Hare, John, d. 1725","Randall, Peter, fl. ca. 1706-1710","Walsh, John, 1665 or 6-1736"],"names_ssim":["Golden Viol and Flute","Harp and Hoboy","Violin and Lute","Bonporti, Francesco Antonio, 1672-1749","Hare, John, d. 1725","Randall, Peter, fl. ca. 1706-1710","Walsh, John, 1665 or 6-1736"],"geogname_ssim":["London (England)"],"geogname_ssm":["London (England)"],"places_ssim":["London (England)"],"access_subjects_ssim":["Allemande","Chaconne","Corrente","Gavotte","Jig","Prelude","Sarabande","A","B♭","C","D","E","F","G","B","12/8","3/4","6/4","Adagio","Allemanda","Allemanda allegro e vivace","Allemanda allegro","Ciaccona","Corrente con spirito","Corrente presto","Gavotta allegro","Gavotta presto","Giga allegro e presto","Giga 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Giga Presto\n 12/8\n \n \n \n \n SONATA VI\n a\n \n \n Preludio Vivace\n C\n \n \n Corrente Presto\n 3/4\n \n \n Sarabanda\n 3/4\n \n \n Gavotta Presto\n C\n \n \n \n \n SONATA VII\n b\n \n \n Preludio Largo\n C\n \n \n Allemanda\n C\n \n \n Adagio\n C\n \n \n Giga\n Alleg\n e Presto\n 12/8\n \n \n \n \n SONATA VIII\n C\n \n \n Preludio Largo\n C\n \n \n Allemanda Allegro\n C\n \n \n Adagio\n C\n \n \n Gavotta Presto\n C\n \n \n \n \n SONATA IX\n B♭\n \n \n Preludio\n C\n \n \n Allemanda\n C\n \n \n Sarabanda Allegro\n 6/4\n \n \n Giga Presto\n 12/8\n \n \n \n \n SONATA X\n G\n \n \n Ciaccona\n 3/4"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM312.4.B65 1710\u003c/physloc\u003e\n "],"physloc_tesim":["M312.4.B65 1710"],"_nest_path_":"/components#35","timestamp":"2026-07-23T21:47:27.798Z","scopecontent_html_tesm":["\u003clist\u003e\n \u003chead\u003eContents\u003c/head\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA I\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eD\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e15098\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003ePreludio Largo\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e15106\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllemanda\u003cemph\u003e\n \u003cabbr expan=\"Allegro\"\u003eAlleg\u003c/abbr\u003e\n \u003c/emph\u003ee Vivace\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e15118\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eStaccato e Adagissimo\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e15126\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eGiga Allegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e12/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA II\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003ee\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e15146\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003ePreludio Largo\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e15154\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllemanda Allegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e15162\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eCorrente\u003cemph\u003e\n \u003cabbr expan=\"Con spirito\"\u003eConspirito\u003c/abbr\u003e\n \u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e15170\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eGavotta Presto\u003c/genreform\u003e\n 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id=\"mvtd1e15439\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eGavotta Presto\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA IX\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eB♭\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e15459\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003ePreludio\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e15467\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllemanda\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e15475\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eSarabanda Allegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e6/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e15483\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eGiga Presto\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e12/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA X\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eG\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e15503\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eCiaccona\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n "],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Title Transcription: Alexander Mackay-Smith Collection"],"title_tesim":["Title Transcription: Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"normalized_date_ssm":["1689/1827"],"normalized_title_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"text":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","mackay-smith","Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n .","Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are inEnglishandFrench"],"collection_title_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"unitid_tesim":["mackay-smith"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"creator_persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"creator_corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"creators_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n \u003chead\u003eIntroduction\u003c/head\u003e\n \u003cblockquote\u003e\n \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cblockquote\u003e\n \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eEditorial Method\u003c/head\u003e\n \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eNotes\u003c/head\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"n1\"\u003e\n \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n \u003citem id=\"n2\"\u003e\n \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n \u003citem id=\"n3\"\u003e\n \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n \u003citem id=\"n4\"\u003e\n \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n \u003citem id=\"n5\"\u003e\n \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n \u003citem id=\"n6\"\u003e\n \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n7\"\u003e\n \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n8\"\u003e\n \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n \u003cbibref\u003e\n \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n9\"\u003e\n \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n \u003citem id=\"n10\"\u003e\n \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e.\u003c/item\u003e\n \u003c/list\u003e\n \u003c/bioghist\u003e\n "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e\n "],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. 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(Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. 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E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. 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(Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. 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[Tartini]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"B-Tartini\"\u003e\n \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eBUCEM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"BUCEM\"\u003e\n \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eCPM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"CPM\"\u003e\n \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n \u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Devriès\"\u003e\n \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Devriès-Lesure\"\u003e\n \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n \u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eD.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"D\"\u003e\n \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Fred\"\u003e\n \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eG.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"G\"\u003e\n \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Haas\"\u003e\n \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n \u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Hopkinson\"\u003e\n \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHob.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Hob\"\u003e\n \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Humphries-Smith\"\u003e\n \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJ.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"J\"\u003e\n \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/French\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-French\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-Hummel\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Knape\"\u003e\n \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eK.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"K\"\u003e\n \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Catalogue\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Marx\"\u003e\n \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Grove\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"NewGrove2\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Priestman\"\u003e\n \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM B/II\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM-B-II\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith/Handel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Handel\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Humphries\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Terry\"\u003e\n \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Vairasse\"\u003e\n \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Wotquenne\"\u003e\n \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Purcell\"\u003e\n \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Pugnani\"\u003e\n \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003c/tbody\u003e\n \u003c/tgroup\u003e\n \u003c/table\u003e\n "]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viumu_mackay-smith_c36"}},{"id":"viumu_mackay-smith_c37","type":"Item","attributes":{"title":"Title Transcription: Bomporti's SONATA'S or CHAMBER AIRES in three Parts for two VIOLINS and a THROUGH BASS Compos'd by Francisco Antonio Bomporti Opera Quarto London Printed for I. Walsh Servt. to her Matie. at ye Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand. I. Hare Instrument maker at ye Golden Viol \u0026 Flute in Cornhill near ye Royal Exchange - and P. Randall at ye Violin and Lute by Pauls grave head Court without Temple Barr in the Strand., 1708","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c37#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA I\u003c/span\u003eg\u003cul\u003e\n\u003cli id=\"mvtd1e15636\"\u003ePreludio Largo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e15644\"\u003eAllemanda AllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e15652\"\u003eSarabanda3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e15660\"\u003eCorrente Presto3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA II\u003c/span\u003eb\u003cul\u003e\n\u003cli id=\"mvtd1e15680\"\u003ePreludio Andante3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e15688\"\u003eAllemanda AllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e15696\"\u003eSarabanda Largo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e15704\"\u003eGiga12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA III\u003c/span\u003ea\u003cul\u003e\n\u003cli id=\"mvtd1e15724\"\u003ePreludio LargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e15732\"\u003eCorrente Allegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e15740\"\u003eAdagio assai e StaccatoC\u003c/li\u003e\n\u003cli id=\"mvtd1e15748\"\u003eGavotta PrestoC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IV\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e15768\"\u003eAllemanda PrestoC\u003c/li\u003e\n\u003cli id=\"mvtd1e15776\"\u003eAndanteC\u003c/li\u003e\n\u003cli id=\"mvtd1e15784\"\u003eSarabanda3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e15792\"\u003eGiga12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA V\u003c/span\u003eE\u003cul\u003e\n\u003cli id=\"mvtd1e15813\"\u003ePreludio AdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e15821\"\u003eAllemanda AllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e15829\"\u003eGavotta PrestoC|\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VI\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e15849\"\u003ePreludio LargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e15857\"\u003eCorrente3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e15865\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e15873\"\u003eGiga12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VII\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e15893\"\u003ePreludio LargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e15901\"\u003eCorrente3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e15909\"\u003eSarabanda Adagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e15917\"\u003eGavotta PrestoC|\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VIII\u003c/span\u003ee\u003cul\u003e\n\u003cli id=\"mvtd1e15937\"\u003ePreludio Andante3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e15945\"\u003eAllemanda AllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e15953\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e15961\"\u003eGiga12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IX\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e15981\"\u003ePreludio LargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e15989\"\u003eAllemanda PrestoC\u003c/li\u003e\n\u003cli id=\"mvtd1e15997\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e16005\"\u003eGiga12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA X\u003c/span\u003eC\u003cul\u003e\n\u003cli id=\"mvtd1e16025\"\u003ePreludio AllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e16033\"\u003e\n\u003cabbr\u003eAllemand\u003c/abbr\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e16044\"\u003eSarabanda Largo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e16052\"\u003e\n\u003cabbr\u003eCorente\u003c/abbr\u003e3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c37#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c37","ref_ssm":["viumu_mackay-smith_c37"],"id":"viumu_mackay-smith_c37","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_ids_ssim":["viumu_mackay-smith"],"title_filing_ssi":"Bomporti's SONATA'S or CHAMBER AIRES in three Parts for two VIOLINS and a THROUGH BASS Compos'd by Francisco Antonio Bomporti Opera Quarto London Printed for I. Walsh Servt. to her Matie. at ye Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand. I. Hare Instrument maker at ye Golden Viol \u0026 Flute in Cornhill near ye Royal Exchange - and P. Randall at ye Violin and Lute by Pauls grave head Court without Temple Barr in the Strand.","title_ssm":["Title Transcription: Bomporti's SONATA'S or CHAMBER AIRES in three Parts for two VIOLINS and a THROUGH BASS Compos'd by Francisco Antonio Bomporti Opera Quarto London Printed for I. Walsh Servt. to her Matie. at ye Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand. I. Hare Instrument maker at ye Golden Viol \u0026 Flute in Cornhill near ye Royal Exchange - and P. Randall at ye Violin and Lute by Pauls grave head Court without Temple Barr in the Strand."],"title_tesim":["Title Transcription: Bomporti's SONATA'S or CHAMBER AIRES in three Parts for two VIOLINS and a THROUGH BASS Compos'd by Francisco Antonio Bomporti Opera Quarto London Printed for I. Walsh Servt. to her Matie. at ye Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand. I. Hare Instrument maker at ye Golden Viol \u0026 Flute in Cornhill near ye Royal Exchange - and P. Randall at ye Violin and Lute by Pauls grave head Court without Temple Barr in the Strand."],"normalized_title_ssm":["Title Transcription: Bomporti's SONATA'S or CHAMBER AIRES in three Parts for two VIOLINS and a THROUGH BASS Compos'd by Francisco Antonio Bomporti Opera Quarto London Printed for I. Walsh Servt. to her Matie. at ye Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand. I. Hare Instrument maker at ye Golden Viol \u0026 Flute in Cornhill near ye Royal Exchange - and P. Randall at ye Violin and Lute by Pauls grave head Court without Temple Barr in the Strand., 1708"],"text":["Title Transcription: Bomporti's SONATA'S or CHAMBER AIRES in three Parts for two VIOLINS and a THROUGH BASS Compos'd by Francisco Antonio Bomporti Opera Quarto London Printed for I. Walsh Servt. to her Matie. at ye Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand. I. Hare Instrument maker at ye Golden Viol \u0026 Flute in Cornhill near ye Royal Exchange - and P. Randall at ye Violin and Lute by Pauls grave head Court without Temple Barr in the Strand., 1708","Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","Three parts, folio, 256x181 (264x185): VIOLINO PRIMO: Title, verso blank. Music, pp. 1-12. VIOLINO SECONDO: Title, verso blank. Music, pp. 1-10. BASSO CONTINUO: Same as VIOLINO SECONDO.","Golden Viol and Flute","Harp and Hoboy","Violin and Lute","Bonporti, Francesco Antonio, 1672-1749","Hare, John, d. 1725","Randall, Peter, fl. ca. 1706-1710","Walsh, John, 1665 or 6-1736","London (England)","Allemande","Corrente","Gavotte","Jig","Prelude","Sarabande","A","B♭","C","D","E","F","B","G","12/8","3/4","C|","Adagio","Adagio assai e staccato","Allemande allegro","Allemanda allegro","Allemanda presto","Andante","Corrente allegro","Corrente presto","Gavotta presto","Giga","Grave","Preludio adagio","Preludio allegro","Preludio andante","Preludio largo","Sarabanda","Sarabanda adagio","Sarabanda largo","Smithno. 267.","Contents\n \n SONATA I\n g\n \n \n Preludio Largo\n 3/4\n \n \n Allemanda Allegro\n C\n \n \n Sarabanda\n 3/4\n \n \n Corrente Presto\n 3/4\n \n \n \n \n SONATA II\n b\n \n \n Preludio Andante\n 3/4\n \n \n Allemanda Allegro\n C\n \n \n Sarabanda Largo\n 3/4\n \n \n Giga\n 12/8\n \n \n \n \n SONATA III\n a\n \n \n Preludio Largo\n C\n \n \n Corrente Allegro\n 3/4\n \n \n Adagio assai e Staccato\n C\n \n \n Gavotta Presto\n C\n \n \n \n \n SONATA IV\n B♭\n \n \n Allemanda Presto\n C\n \n \n Andante\n C\n \n \n Sarabanda\n 3/4\n \n \n Giga\n 12/8\n \n \n \n \n SONATA V\n E\n \n \n Preludio Adagio\n C\n \n \n Allemanda Allegro\n C\n \n \n Gavotta Presto\n C|\n \n \n \n \n SONATA VI\n A\n \n \n Preludio Largo\n C\n \n \n Corrente\n 3/4\n \n \n Grave\n C\n \n \n Giga\n 12/8\n \n \n \n \n SONATA VII\n D\n \n \n Preludio Largo\n C\n \n \n Corrente\n 3/4\n \n \n Sarabanda Adagio\n 3/4\n \n \n Gavotta Presto\n C|\n \n \n \n \n SONATA VIII\n e\n \n \n Preludio Andante\n 3/4\n \n \n Allemanda Allegro\n C\n \n \n Grave\n C\n \n \n Giga\n 12/8\n \n \n \n \n SONATA IX\n F\n \n \n Preludio Largo\n C\n \n \n Allemanda Presto\n C\n \n \n Adagio\n C\n \n \n Giga\n 12/8\n \n \n \n \n SONATA X\n C\n \n \n Preludio Allegro\n C\n \n \n \n \n AllemandAllegro\n \n C\n \n \n Sarabanda Largo\n 3/4\n \n \n \n \n Corente\n \n \n 3/4","M312.4.B654 1710"],"parent_unittitles_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_unittitles_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"normalized_date_ssm":["1708"],"unitdate_other_ssim":["ca. 1708"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":153,"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"physdesc_tesim":["Three parts, folio, 256x181 (264x185): VIOLINO PRIMO: Title, verso blank. Music, pp. 1-12. VIOLINO SECONDO: Title, verso blank. Music, pp. 1-10. BASSO CONTINUO: Same as VIOLINO SECONDO."],"has_online_content_ssim":["false"],"child_component_count_isi":3,"corpname_ssim":["Golden Viol and Flute","Harp and Hoboy","Violin and Lute"],"persname_ssim":["Bonporti, Francesco Antonio, 1672-1749","Hare, John, d. 1725","Randall, Peter, fl. ca. 1706-1710","Walsh, John, 1665 or 6-1736"],"names_ssim":["Golden Viol and Flute","Harp and Hoboy","Violin and Lute","Bonporti, Francesco Antonio, 1672-1749","Hare, John, d. 1725","Randall, Peter, fl. ca. 1706-1710","Walsh, John, 1665 or 6-1736"],"geogname_ssim":["London (England)"],"geogname_ssm":["London (England)"],"places_ssim":["London (England)"],"access_subjects_ssim":["Allemande","Corrente","Gavotte","Jig","Prelude","Sarabande","A","B♭","C","D","E","F","B","G","12/8","3/4","C|","Adagio","Adagio assai e staccato","Allemande allegro","Allemanda allegro","Allemanda presto","Andante","Corrente allegro","Corrente presto","Gavotta presto","Giga","Grave","Preludio adagio","Preludio allegro","Preludio andante","Preludio largo","Sarabanda","Sarabanda adagio","Sarabanda largo"],"access_subjects_ssm":["Allemande","Corrente","Gavotte","Jig","Prelude","Sarabande","A","B♭","C","D","E","F","B","G","12/8","3/4","C|","Adagio","Adagio assai e staccato","Allemande allegro","Allemanda allegro","Allemanda presto","Andante","Corrente allegro","Corrente presto","Gavotta presto","Giga","Grave","Preludio adagio","Preludio allegro","Preludio andante","Preludio largo","Sarabanda","Sarabanda adagio","Sarabanda largo"],"date_range_isim":[1708],"bibliography_html_tesm":["\u003cp\u003e\n \u003cref target=\"Smith\"\u003eSmith\u003c/ref\u003eno. 267.\u003c/p\u003e\n "],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Smithno. 267."],"scopecontent_tesim":["Contents\n \n SONATA I\n g\n \n \n Preludio Largo\n 3/4\n \n \n Allemanda Allegro\n C\n \n \n Sarabanda\n 3/4\n \n \n Corrente Presto\n 3/4\n \n \n \n \n SONATA II\n b\n \n \n Preludio Andante\n 3/4\n \n \n Allemanda Allegro\n C\n \n \n Sarabanda Largo\n 3/4\n \n \n Giga\n 12/8\n \n \n \n \n SONATA III\n a\n \n \n Preludio Largo\n C\n \n \n Corrente Allegro\n 3/4\n \n \n Adagio assai e Staccato\n C\n \n \n Gavotta Presto\n C\n \n \n \n \n SONATA IV\n B♭\n \n \n Allemanda Presto\n C\n \n \n Andante\n C\n \n \n Sarabanda\n 3/4\n \n \n Giga\n 12/8\n \n \n \n \n SONATA V\n E\n \n \n Preludio Adagio\n C\n \n \n Allemanda Allegro\n C\n \n \n Gavotta Presto\n C|\n \n \n \n \n SONATA VI\n A\n \n \n Preludio Largo\n C\n \n \n Corrente\n 3/4\n \n \n Grave\n C\n \n \n Giga\n 12/8\n \n \n \n \n SONATA VII\n D\n \n \n Preludio Largo\n C\n \n \n Corrente\n 3/4\n \n \n Sarabanda Adagio\n 3/4\n \n \n Gavotta Presto\n C|\n \n \n \n \n SONATA VIII\n e\n \n \n Preludio Andante\n 3/4\n \n \n Allemanda Allegro\n C\n \n \n Grave\n C\n \n \n Giga\n 12/8\n \n \n \n \n SONATA IX\n F\n \n \n Preludio Largo\n C\n \n \n Allemanda Presto\n C\n \n \n Adagio\n C\n \n \n Giga\n 12/8\n \n \n \n \n SONATA X\n C\n \n \n Preludio Allegro\n C\n \n \n \n \n AllemandAllegro\n \n C\n \n \n Sarabanda Largo\n 3/4\n \n \n \n \n Corente\n \n \n 3/4"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM312.4.B654 1710\u003c/physloc\u003e\n "],"physloc_tesim":["M312.4.B654 1710"],"_nest_path_":"/components#36","timestamp":"2026-07-23T21:47:27.798Z","scopecontent_html_tesm":["\u003clist\u003e\n \u003chead\u003eContents\u003c/head\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA I\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eg\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e15636\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003ePreludio Largo\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e15644\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllemanda Allegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e15652\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eSarabanda\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e15660\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eCorrente Presto\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA II\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eb\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e15680\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003ePreludio Andante\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e15688\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllemanda Allegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e15696\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eSarabanda Largo\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e15704\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eGiga\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e12/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA III\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003ea\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e15724\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003ePreludio Largo\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e15732\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eCorrente Allegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e15740\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAdagio assai e Staccato\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e15748\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eGavotta Presto\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA IV\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eB♭\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e15768\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllemanda Presto\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e15776\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAndante\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e15784\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eSarabanda\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e15792\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eGiga\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e12/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA V\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eE\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e15813\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003ePreludio Adagio\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e15821\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllemanda Allegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e15829\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eGavotta Presto\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA VI\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eA\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e15849\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003ePreludio Largo\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e15857\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eCorrente\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e15865\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eGrave\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e15873\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eGiga\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e12/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA VII\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eD\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e15893\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003ePreludio Largo\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e15901\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eCorrente\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e15909\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eSarabanda Adagio\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e15917\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eGavotta Presto\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA VIII\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003ee\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e15937\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003ePreludio Andante\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e15945\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllemanda Allegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e15953\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eGrave\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e15961\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eGiga\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e12/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA IX\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eF\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e15981\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003ePreludio Largo\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e15989\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllemanda Presto\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e15997\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e16005\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eGiga\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e12/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA X\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eC\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e16025\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003ePreludio Allegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e16033\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003e\n \u003cemph\u003e\n \u003cabbr expan=\"Allemande\"\u003eAllemand\u003c/abbr\u003eAllegro\u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e16044\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eSarabanda Largo\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e16052\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003e\n \u003cemph\u003e\n \u003cabbr expan=\"Corrente\"\u003eCorente\u003c/abbr\u003e\n \u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n "],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Title Transcription: Alexander Mackay-Smith Collection"],"title_tesim":["Title Transcription: Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"normalized_date_ssm":["1689/1827"],"normalized_title_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"text":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","mackay-smith","Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n .","Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are inEnglishandFrench"],"collection_title_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"unitid_tesim":["mackay-smith"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"creator_persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. 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A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. 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[London, England]","Breitkopf \u0026 Härtel"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n \u003chead\u003eIntroduction\u003c/head\u003e\n \u003cblockquote\u003e\n \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cblockquote\u003e\n \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eEditorial Method\u003c/head\u003e\n \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eNotes\u003c/head\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"n1\"\u003e\n \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n \u003citem id=\"n2\"\u003e\n \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n \u003citem id=\"n3\"\u003e\n \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n \u003citem id=\"n4\"\u003e\n \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n \u003citem id=\"n5\"\u003e\n \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n \u003citem id=\"n6\"\u003e\n \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n7\"\u003e\n \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n8\"\u003e\n \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n \u003cbibref\u003e\n \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n9\"\u003e\n \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n \u003citem id=\"n10\"\u003e\n \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e.\u003c/item\u003e\n \u003c/list\u003e\n \u003c/bioghist\u003e\n "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e\n "],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are inEnglishandFrench"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:47:27.798Z","bibliography_html_tesm":["\u003ctable\u003e\n \u003ctgroup cols=\"2\"\u003e\n \u003ctbody\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Bauer\"\u003e\n \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eB. 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[Tartini]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"B-Tartini\"\u003e\n \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eBUCEM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"BUCEM\"\u003e\n \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eCPM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"CPM\"\u003e\n \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. 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Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Humphries-Smith\"\u003e\n \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJ.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"J\"\u003e\n \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/French\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-French\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-Hummel\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Knape\"\u003e\n \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eK.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"K\"\u003e\n \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Catalogue\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Marx\"\u003e\n \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Grove\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"NewGrove2\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Priestman\"\u003e\n \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM B/II\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM-B-II\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith/Handel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Handel\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Humphries\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Terry\"\u003e\n \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Vairasse\"\u003e\n \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Wotquenne\"\u003e\n \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Purcell\"\u003e\n \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Pugnani\"\u003e\n \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003c/tbody\u003e\n \u003c/tgroup\u003e\n \u003c/table\u003e\n "]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viumu_mackay-smith_c37"}},{"id":"viumu_mackay-smith_c215","type":"Item","attributes":{"title":"Title Transcription: SONATAS or CHAMBER AIRES for two VIOLINS and a THROUGH BASS Compos'd by the late Mr: Ravenscroft Opera Seconda Engraven in a Better Carecter and more Corect then the former Edition Note the following Peices for two Violins and a Bass may be had where these are sold [list of works beginning with: \"Viz Tibaldis Sonatas\" and ending with: \"Mr. Courtivill Sonatas for two Violins\" London Printed for I. Walsh Servt. to Her Matie. at ye Harp and Hoboy in Katherine Street near Somerset House in ye Strand. I. Hare Instrument maker at ye Golden Viol and Flute in Cornhill near the Royal Exchange and P. Randall at ye Violin and Lute without Temple Barr in the Strand, 1708","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c215#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA I\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e74609\"\u003ePreludio AllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e74617\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e74625\"\u003eAllemanda AllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e74633\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e74641\"\u003eCorrente Allegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e74650\"\u003eGavotta PrestoC|\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA II\u003c/span\u003ed\u003cul\u003e\n\u003cli id=\"mvtd1e74670\"\u003ePreludio GraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e74678\"\u003eTempo di Gavotta PrestoC|\u003c/li\u003e\n\u003cli id=\"mvtd1e74686\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e74694\"\u003eSarabanda Allegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA III\u003c/span\u003ee\u003cul\u003e\n\u003cli id=\"mvtd1e74714\"\u003ePreludio LargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e74722\"\u003eAllemanda AllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e74730\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e74738\"\u003eCorrente Allegro3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IV\u003c/span\u003eC\u003cul\u003e\n\u003cli id=\"mvtd1e74758\"\u003ePreludio LargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e74766\"\u003eGiga Allegro12/8\u003c/li\u003e\n\u003cli id=\"mvtd1e74774\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e74782\"\u003eSarabanda Vivace3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e74790\"\u003eGavotta PrestoC|\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA V\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e74811\"\u003ePreludio Largo[3/4]\u003c/li\u003e\n\u003cli id=\"mvtd1e74820\"\u003eSarabanda Presto3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e74828\"\u003ePrestoC|\u003c/li\u003e\n\u003cli id=\"mvtd1e74836\"\u003eGiga Allegro12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VI\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e74856\"\u003ePreludio LargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e74864\"\u003eCeccona Allegro3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c215#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c215","ref_ssm":["viumu_mackay-smith_c215"],"id":"viumu_mackay-smith_c215","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_ids_ssim":["viumu_mackay-smith"],"title_filing_ssi":"SONATAS or CHAMBER AIRES for two VIOLINS and a THROUGH BASS Compos'd by the late Mr: Ravenscroft Opera Seconda Engraven in a Better Carecter and more Corect then the former Edition Note the following Peices for two Violins and a Bass may be had where these are sold [list of works beginning with: \"Viz Tibaldis Sonatas\" and ending with: \"Mr. Courtivill Sonatas for two Violins\" London Printed for I. Walsh Servt. to Her Matie. at ye Harp and Hoboy in Katherine Street near Somerset House in ye Strand. I. Hare Instrument maker at ye Golden Viol and Flute in Cornhill near the Royal Exchange and P. Randall at ye Violin and Lute without Temple Barr in the Strand","title_ssm":["Title Transcription: SONATAS or CHAMBER AIRES for two VIOLINS and a THROUGH BASS Compos'd by the late Mr: Ravenscroft Opera Seconda Engraven in a Better Carecter and more Corect then the former Edition Note the following Peices for two Violins and a Bass may be had where these are sold [list of works beginning with: \"Viz Tibaldis Sonatas\" and ending with: \"Mr. Courtivill Sonatas for two Violins\" London Printed for I. Walsh Servt. to Her Matie. at ye Harp and Hoboy in Katherine Street near Somerset House in ye Strand. I. Hare Instrument maker at ye Golden Viol and Flute in Cornhill near the Royal Exchange and P. Randall at ye Violin and Lute without Temple Barr in the Strand"],"title_tesim":["Title Transcription: SONATAS or CHAMBER AIRES for two VIOLINS and a THROUGH BASS Compos'd by the late Mr: Ravenscroft Opera Seconda Engraven in a Better Carecter and more Corect then the former Edition Note the following Peices for two Violins and a Bass may be had where these are sold [list of works beginning with: \"Viz Tibaldis Sonatas\" and ending with: \"Mr. Courtivill Sonatas for two Violins\" London Printed for I. Walsh Servt. to Her Matie. at ye Harp and Hoboy in Katherine Street near Somerset House in ye Strand. I. Hare Instrument maker at ye Golden Viol and Flute in Cornhill near the Royal Exchange and P. Randall at ye Violin and Lute without Temple Barr in the Strand"],"normalized_title_ssm":["Title Transcription: SONATAS or CHAMBER AIRES for two VIOLINS and a THROUGH BASS Compos'd by the late Mr: Ravenscroft Opera Seconda Engraven in a Better Carecter and more Corect then the former Edition Note the following Peices for two Violins and a Bass may be had where these are sold [list of works beginning with: \"Viz Tibaldis Sonatas\" and ending with: \"Mr. Courtivill Sonatas for two Violins\" London Printed for I. Walsh Servt. to Her Matie. at ye Harp and Hoboy in Katherine Street near Somerset House in ye Strand. I. Hare Instrument maker at ye Golden Viol and Flute in Cornhill near the Royal Exchange and P. Randall at ye Violin and Lute without Temple Barr in the Strand, 1708"],"text":["Title Transcription: SONATAS or CHAMBER AIRES for two VIOLINS and a THROUGH BASS Compos'd by the late Mr: Ravenscroft Opera Seconda Engraven in a Better Carecter and more Corect then the former Edition Note the following Peices for two Violins and a Bass may be had where these are sold [list of works beginning with: \"Viz Tibaldis Sonatas\" and ending with: \"Mr. Courtivill Sonatas for two Violins\" London Printed for I. Walsh Servt. to Her Matie. at ye Harp and Hoboy in Katherine Street near Somerset House in ye Strand. I. Hare Instrument maker at ye Golden Viol and Flute in Cornhill near the Royal Exchange and P. Randall at ye Violin and Lute without Temple Barr in the Strand, 1708","Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","Three parts, folio, 254x180 (257x182): VIOLINO PRIMO: Title, verso blank. Music engraved on recto only of the remaining six leaves, all unnumbered. VIOLINO SECONDO: Same as VIOLINO PRIMO. BASSO CONTINUO (2 copies): Same as VIOLINO PRIMO.","Golden Viol and Flute","Harp and Hoboy","Violin and Lute","Ravenscroft, John, 17th cent.","Hare, John, d. 1725","Randall, Peter, fl. ca. 1706-1710","Walsh, John, 1665 or 6-1736","London (England)","Allemande","Corrente","Gavotte","Jig","Prelude","Sarabande","A","B♭","C","D","E","12/8","3/2","3/4","3/8","C|","Adagio","Allemanda allegro","Ceccona allegro","Corrente allegro","Gavotta presto","Giga allegro","Preludio allegro","Preludio grave","Preludio largo","Presto","Sarabanda allegro","Sarabanda presto","Sarabanda vivace","Tempo di gavotta presto","Smithno. 277 (\"location... not known\").","Announced in\n ...The Monthly Masks of Vocal Musick... for the Year 1708\n .","Contents\n \n SONATA I\n A\n \n \n Preludio Allegro\n C\n \n \n Adagio\n C\n \n \n Allemanda Allegro\n C|\n \n \n Adagio\n 3/2\n \n \n Corrente Allegro\n 3/4\n \n \n Gavotta Presto\n C|\n \n \n \n \n SONATA II\n d\n \n \n Preludio Grave\n C\n \n \n Tempo di Gavotta Presto\n C|\n \n \n Adagio\n 3/4\n \n \n Sarabanda Allegro\n 3/8\n \n \n \n \n SONATA III\n e\n \n \n Preludio Largo\n C\n \n \n Allemanda Allegro\n C\n \n \n Adagio\n 3/2\n \n \n Corrente Allegro\n 3/4\n \n \n \n \n SONATA IV\n C\n \n \n Preludio Largo\n C\n \n \n Giga Allegro\n 12/8\n \n \n Adagio\n 3/2\n \n \n Sarabanda Vivace\n 3/4\n \n \n Gavotta Presto\n C|\n \n \n \n \n SONATA V\n B♭\n \n \n Preludio Largo[3/4]\n \n Sarabanda Presto\n 3/4\n \n \n Presto\n C|\n \n \n Giga Allegro\n 12/8\n \n \n \n \n SONATA VI\n A\n \n \n Preludio Largo\n C\n \n \n Ceccona Allegro\n 3/4","M312.4.R35 1700z"],"parent_unittitles_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_unittitles_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"normalized_date_ssm":["1708"],"unitdate_other_ssim":["1708"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":770,"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"physdesc_tesim":["Three parts, folio, 254x180 (257x182): VIOLINO PRIMO: Title, verso blank. Music engraved on recto only of the remaining six leaves, all unnumbered. VIOLINO SECONDO: Same as VIOLINO PRIMO. BASSO CONTINUO (2 copies): Same as VIOLINO PRIMO."],"has_online_content_ssim":["false"],"child_component_count_isi":3,"corpname_ssim":["Golden Viol and Flute","Harp and Hoboy","Violin and Lute"],"persname_ssim":["Ravenscroft, John, 17th cent.","Hare, John, d. 1725","Randall, Peter, fl. ca. 1706-1710","Walsh, John, 1665 or 6-1736"],"names_ssim":["Golden Viol and Flute","Harp and Hoboy","Violin and Lute","Ravenscroft, John, 17th cent.","Hare, John, d. 1725","Randall, Peter, fl. ca. 1706-1710","Walsh, John, 1665 or 6-1736"],"geogname_ssim":["London (England)"],"geogname_ssm":["London (England)"],"places_ssim":["London (England)"],"access_subjects_ssim":["Allemande","Corrente","Gavotte","Jig","Prelude","Sarabande","A","B♭","C","D","E","12/8","3/2","3/4","3/8","C|","Adagio","Allemanda allegro","Ceccona allegro","Corrente allegro","Gavotta presto","Giga allegro","Preludio allegro","Preludio grave","Preludio largo","Presto","Sarabanda allegro","Sarabanda presto","Sarabanda vivace","Tempo di gavotta presto"],"access_subjects_ssm":["Allemande","Corrente","Gavotte","Jig","Prelude","Sarabande","A","B♭","C","D","E","12/8","3/2","3/4","3/8","C|","Adagio","Allemanda allegro","Ceccona allegro","Corrente allegro","Gavotta presto","Giga allegro","Preludio allegro","Preludio grave","Preludio largo","Presto","Sarabanda allegro","Sarabanda presto","Sarabanda vivace","Tempo di gavotta presto"],"date_range_isim":[1708],"bibliography_html_tesm":["\u003cp\u003e\n \u003cref target=\"Smith\"\u003eSmith\u003c/ref\u003eno. 277 (\"location... not known\").\u003c/p\u003e\n ","\u003cp\u003eAnnounced in\u003cbibref\u003e\n \u003ctitle\u003e...The Monthly Masks of Vocal Musick... for the Year 1708\u003c/title\u003e\n \u003c/bibref\u003e.\u003c/p\u003e\n "],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Smithno. 277 (\"location... not known\").","Announced in\n ...The Monthly Masks of Vocal Musick... for the Year 1708\n ."],"scopecontent_tesim":["Contents\n \n SONATA I\n A\n \n \n Preludio Allegro\n C\n \n \n Adagio\n C\n \n \n Allemanda Allegro\n C|\n \n \n Adagio\n 3/2\n \n \n Corrente Allegro\n 3/4\n \n \n Gavotta Presto\n C|\n \n \n \n \n SONATA II\n d\n \n \n Preludio Grave\n C\n \n \n Tempo di Gavotta Presto\n C|\n \n \n Adagio\n 3/4\n \n \n Sarabanda Allegro\n 3/8\n \n \n \n \n SONATA III\n e\n \n \n Preludio Largo\n C\n \n \n Allemanda Allegro\n C\n \n \n Adagio\n 3/2\n \n \n Corrente Allegro\n 3/4\n \n \n \n \n SONATA IV\n C\n \n \n Preludio Largo\n C\n \n \n Giga Allegro\n 12/8\n \n \n Adagio\n 3/2\n \n \n Sarabanda Vivace\n 3/4\n \n \n Gavotta Presto\n C|\n \n \n \n \n SONATA V\n B♭\n \n \n Preludio Largo[3/4]\n \n Sarabanda Presto\n 3/4\n \n \n Presto\n C|\n \n \n Giga Allegro\n 12/8\n \n \n \n \n SONATA VI\n A\n \n \n Preludio Largo\n C\n \n \n Ceccona Allegro\n 3/4"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM312.4.R35 1700z\u003c/physloc\u003e\n "],"physloc_tesim":["M312.4.R35 1700z"],"_nest_path_":"/components#214","timestamp":"2026-07-23T21:47:27.798Z","scopecontent_html_tesm":["\u003clist\u003e\n \u003chead\u003eContents\u003c/head\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA I\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eA\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e74609\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003ePreludio Allegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e74617\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e74625\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllemanda Allegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e74633\"\u003e\n \u003cgenreform 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type=\"mvtLabel\"\u003eTempo di Gavotta Presto\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e74686\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e74694\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eSarabanda Allegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA III\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003ee\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e74714\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003ePreludio Largo\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e74722\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllemanda Allegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e74730\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/2\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e74738\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eCorrente Allegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA IV\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eC\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e74758\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003ePreludio Largo\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e74766\"\u003e\n 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\u003cgenreform type=\"mvtLabel\"\u003ePreludio Largo\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e74864\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eCeccona Allegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n "],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Title Transcription: Alexander Mackay-Smith Collection"],"title_tesim":["Title Transcription: Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"normalized_date_ssm":["1689/1827"],"normalized_title_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"text":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","mackay-smith","Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n .","Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are inEnglishandFrench"],"collection_title_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"unitid_tesim":["mackay-smith"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"creator_persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"creator_corpname_ssim":["University of Virginia. 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Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. 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(Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n \u003chead\u003eIntroduction\u003c/head\u003e\n \u003cblockquote\u003e\n \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cblockquote\u003e\n \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eEditorial Method\u003c/head\u003e\n \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eNotes\u003c/head\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"n1\"\u003e\n \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n \u003citem id=\"n2\"\u003e\n \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n \u003citem id=\"n3\"\u003e\n \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n \u003citem id=\"n4\"\u003e\n \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n \u003citem id=\"n5\"\u003e\n \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n \u003citem id=\"n6\"\u003e\n \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n7\"\u003e\n \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n8\"\u003e\n \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n \u003cbibref\u003e\n \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n9\"\u003e\n \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n \u003citem id=\"n10\"\u003e\n \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e.\u003c/item\u003e\n \u003c/list\u003e\n \u003c/bioghist\u003e\n "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e\n "],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. 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[Handel]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"B-Handel\"\u003e\n \u003cpersname\u003eBell, A. Craig\u003c/persname\u003e.\u003ctitle\u003eHandel: Chronological Thematic Catalogue\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eDarley\u003c/geogname\u003e:\u003cpublisher\u003eGrian-Aig Press\u003c/publisher\u003e, 1972\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eB. [Pleyel]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"B-Pleyel\"\u003e\n \u003cpersname\u003eBenton, Rita\u003c/persname\u003e.\u003ctitle\u003eIgnace Pleyel: A Thematic Catalogue of His Compositions\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003ePendragon Press\u003c/publisher\u003e,\u003cdate\u003e1977\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eB. [Tartini]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"B-Tartini\"\u003e\n \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eBUCEM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"BUCEM\"\u003e\n \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eCPM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"CPM\"\u003e\n \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n \u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Devriès\"\u003e\n \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Devriès-Lesure\"\u003e\n \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n \u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eD.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"D\"\u003e\n \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Fred\"\u003e\n \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eG.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"G\"\u003e\n \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Haas\"\u003e\n \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n \u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Hopkinson\"\u003e\n \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHob.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Hob\"\u003e\n \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Humphries-Smith\"\u003e\n \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJ.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"J\"\u003e\n \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/French\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-French\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-Hummel\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Knape\"\u003e\n \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eK.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"K\"\u003e\n \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Catalogue\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Marx\"\u003e\n \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Grove\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"NewGrove2\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Priestman\"\u003e\n \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM B/II\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM-B-II\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith/Handel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Handel\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Humphries\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Terry\"\u003e\n \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Vairasse\"\u003e\n \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Wotquenne\"\u003e\n \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Purcell\"\u003e\n \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Pugnani\"\u003e\n \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003c/tbody\u003e\n \u003c/tgroup\u003e\n \u003c/table\u003e\n "]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viumu_mackay-smith_c215"}},{"id":"viumu_mackay-smith_c250","type":"Item","attributes":{"title":"Title Transcription: Tibaldi's SONATA'S or CHAMBER AIRES in three Parts for two VIOLINS and a THROUGH BASS Compos'd by Gio. Battista Tibaldi Opera Prima London Printed for I. Walsh Servt. to Her Matie. at ye Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand. I. Hare Instrument maker at ye Golden Viol \u0026 Flute in Cornhill near ye Royal Exchange. and P Randall at ye Violin and Lute by Pauls grave head Court without Temple Barr in the Strand., 1708","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c250#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA I\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e86364\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e86372\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e86380\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e86388\"\u003eAllegro3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e86396\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e86405\"\u003e[Allegro: from VIOLINO SECONDO]C|\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA II\u003c/span\u003eC\u003cul\u003e\n\u003cli id=\"mvtd1e86425\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e86433\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e86441\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e86449\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA III\u003c/span\u003ed\u003cul\u003e\n\u003cli id=\"mvtd1e86469\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e86477\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e86485\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e86493\"\u003eAllegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e86501\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e86510\"\u003eAllegro12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IV\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e86530\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e86538\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e86546\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e86554\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e86562\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e86571\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA V\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e86592\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e86600\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e86608\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e86616\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e86624\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e86633\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VI\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e86653\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e86661\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e86669\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e86677\"\u003ePrestoC|\u003c/li\u003e\n\u003cli id=\"mvtd1e86685\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e86694\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VII\u003c/span\u003ea\u003cul\u003e\n\u003cli id=\"mvtd1e86714\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e86722\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e86730\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e86738\"\u003eAllegro12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VIII\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e86758\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e86766\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e86774\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e86782\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IX\u003c/span\u003ec\u003cul\u003e\n\u003cli id=\"mvtd1e86802\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e86810\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e86818\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e86826\"\u003eAllegroC|\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA X\u003c/span\u003eg\u003cul\u003e\n\u003cli id=\"mvtd1e86846\"\u003e[Adagio: from VIOLINO SECONDO]C\u003c/li\u003e\n\u003cli id=\"mvtd1e86854\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e86862\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e86870\"\u003eAllegroC|\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA XI\u003c/span\u003eb\u003cul\u003e\n\u003cli id=\"mvtd1e86891\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e86899\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e86907\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e86915\"\u003e\n\u003cabbr\u003eAlleg\u003c/abbr\u003eC|\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA XII\u003c/span\u003eE\u003cul\u003e\n\u003cli id=\"mvtd1e86937\"\u003eAdagioC-AllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e86951\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e86959\"\u003eAllegroC|\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c250#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c250","ref_ssm":["viumu_mackay-smith_c250"],"id":"viumu_mackay-smith_c250","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_ids_ssim":["viumu_mackay-smith"],"title_filing_ssi":"Tibaldi's SONATA'S or CHAMBER AIRES in three Parts for two VIOLINS and a THROUGH BASS Compos'd by Gio. Battista Tibaldi Opera Prima London Printed for I. Walsh Servt. to Her Matie. at ye Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand. I. Hare Instrument maker at ye Golden Viol \u0026 Flute in Cornhill near ye Royal Exchange. and P Randall at ye Violin and Lute by Pauls grave head Court without Temple Barr in the Strand.","title_ssm":["Title Transcription: Tibaldi's SONATA'S or CHAMBER AIRES in three Parts for two VIOLINS and a THROUGH BASS Compos'd by Gio. Battista Tibaldi Opera Prima London Printed for I. Walsh Servt. to Her Matie. at ye Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand. I. Hare Instrument maker at ye Golden Viol \u0026 Flute in Cornhill near ye Royal Exchange. and P Randall at ye Violin and Lute by Pauls grave head Court without Temple Barr in the Strand."],"title_tesim":["Title Transcription: Tibaldi's SONATA'S or CHAMBER AIRES in three Parts for two VIOLINS and a THROUGH BASS Compos'd by Gio. Battista Tibaldi Opera Prima London Printed for I. Walsh Servt. to Her Matie. at ye Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand. I. Hare Instrument maker at ye Golden Viol \u0026 Flute in Cornhill near ye Royal Exchange. and P Randall at ye Violin and Lute by Pauls grave head Court without Temple Barr in the Strand."],"normalized_title_ssm":["Title Transcription: Tibaldi's SONATA'S or CHAMBER AIRES in three Parts for two VIOLINS and a THROUGH BASS Compos'd by Gio. Battista Tibaldi Opera Prima London Printed for I. Walsh Servt. to Her Matie. at ye Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand. I. Hare Instrument maker at ye Golden Viol \u0026 Flute in Cornhill near ye Royal Exchange. and P Randall at ye Violin and Lute by Pauls grave head Court without Temple Barr in the Strand., 1708"],"text":["Title Transcription: Tibaldi's SONATA'S or CHAMBER AIRES in three Parts for two VIOLINS and a THROUGH BASS Compos'd by Gio. Battista Tibaldi Opera Prima London Printed for I. Walsh Servt. to Her Matie. at ye Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand. I. Hare Instrument maker at ye Golden Viol \u0026 Flute in Cornhill near ye Royal Exchange. and P Randall at ye Violin and Lute by Pauls grave head Court without Temple Barr in the Strand., 1708","Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","Three parts, folio, 258x180 (263x188): VIOLINO PRIMO: Title, verso blank. Music, pp. (1)-(8). VIOLINO SECONDO: Title, verso blank. Music, pp. (1)-(8), engraved on recto only; all versos blank. BASSO CONTINUO: Same as VIOLINO PRIMO.","Golden Viol","Harp and Hoboy","Violin and Lute","Tibaldi, Giovanni Battista","Hare, John, d. 1725","Randall, Peter, fl. ca. 1706-1710","Walsh, John, 1665 or 6-1736","London (England)","A","B♭","C","D","E","F","G","B","12/8","3/4","3/8","C|","Adagio","Allegro","Presto","Smithno. 265.","Announced in\n ...The Monthly Masks of Vocal Musick... for the Year 1708\n (Smith no. 282a).","Title-page of VIOLINO PRIMO is in MS but has been traced on 18th- century paper from one of the engraved title-pages of the other two parts.","Contents\n \n SONATA I\n D\n \n \n Adagio\n C\n \n \n Allegro\n C|\n \n \n Adagio\n C\n \n \n Allegro\n 3/8\n \n \n Adagio\n C\n \n [Allegro: from VIOLINO SECONDO]C|\n \n \n \n \n SONATA II\n C\n \n \n Adagio\n C\n \n \n Allegro\n C|\n \n \n Adagio\n 3/4\n \n \n Allegro\n 3/8\n \n \n \n \n SONATA III\n d\n \n \n Adagio\n C\n \n \n Allegro\n C\n \n \n Adagio\n C\n \n \n Allegro\n 3/4\n \n \n Adagio\n C\n \n \n Allegro\n 12/8\n \n \n \n \n SONATA IV\n G\n \n \n Adagio\n C\n \n \n Allegro\n C|\n \n \n Adagio\n 3/4\n \n \n Allegro\n C|\n \n \n Adagio\n 3/4\n \n \n Allegro\n 3/8\n \n \n \n \n SONATA V\n A\n \n \n Adagio\n 3/4\n \n \n Allegro\n C|\n \n \n Adagio\n 3/4\n \n \n Allegro\n C\n \n \n Adagio\n C\n \n \n Allegro\n 3/8\n \n \n \n \n SONATA VI\n B♭\n \n \n Adagio\n C\n \n \n Allegro\n C|\n \n \n Adagio\n 3/4\n \n \n Presto\n C|\n \n \n Adagio\n C\n \n \n Allegro\n 3/8\n \n \n \n \n SONATA VII\n a\n \n \n Adagio\n C\n \n \n Allegro\n C|\n \n \n Adagio\n C\n \n \n Allegro\n 12/8\n \n \n \n \n SONATA VIII\n F\n \n \n Adagio\n C\n \n \n Allegro\n C\n \n \n Adagio\n C\n \n \n Allegro\n 3/8\n \n \n \n \n SONATA IX\n c\n \n \n Adagio\n C\n \n \n Allegro\n C|\n \n \n Adagio\n C\n \n \n Allegro\n C|\n \n \n \n \n SONATA X\n g\n \n [Adagio: from VIOLINO SECONDO]C\n \n \n Allegro\n C\n \n \n Adagio\n 3/4\n \n \n Allegro\n C|\n \n \n \n \n SONATA XI\n b\n \n \n Adagio\n C\n \n \n Allegro\n C|\n \n \n Adagio\n C\n \n \n \n \n Alleg\n \n \n C|\n \n \n \n \n SONATA XII\n E\n \n \n Adagio\n C-Allegro\n C|\n \n \n Adagio\n 3/4\n \n \n Allegro\n C|","M312.4.T52 1710"],"parent_unittitles_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_unittitles_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"normalized_date_ssm":["1708"],"unitdate_other_ssim":["ca. 1708"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":900,"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"physdesc_tesim":["Three parts, folio, 258x180 (263x188): VIOLINO PRIMO: Title, verso blank. Music, pp. (1)-(8). VIOLINO SECONDO: Title, verso blank. Music, pp. (1)-(8), engraved on recto only; all versos blank. BASSO CONTINUO: Same as VIOLINO PRIMO."],"has_online_content_ssim":["false"],"child_component_count_isi":3,"corpname_ssim":["Golden Viol","Harp and Hoboy","Violin and Lute"],"persname_ssim":["Tibaldi, Giovanni Battista","Hare, John, d. 1725","Randall, Peter, fl. ca. 1706-1710","Walsh, John, 1665 or 6-1736"],"names_ssim":["Golden Viol","Harp and Hoboy","Violin and Lute","Tibaldi, Giovanni Battista","Hare, John, d. 1725","Randall, Peter, fl. ca. 1706-1710","Walsh, John, 1665 or 6-1736"],"geogname_ssim":["London (England)"],"geogname_ssm":["London (England)"],"places_ssim":["London (England)"],"access_subjects_ssim":["A","B♭","C","D","E","F","G","B","12/8","3/4","3/8","C|","Adagio","Allegro","Presto"],"access_subjects_ssm":["A","B♭","C","D","E","F","G","B","12/8","3/4","3/8","C|","Adagio","Allegro","Presto"],"date_range_isim":[1708],"bibliography_html_tesm":["\u003cp\u003e\n \u003cref target=\"Smith\"\u003eSmith\u003c/ref\u003eno. 265.\u003c/p\u003e\n ","\u003cp\u003eAnnounced in\u003cbibref\u003e\n \u003ctitle\u003e...The Monthly Masks of Vocal Musick... for the Year 1708\u003c/title\u003e\n \u003c/bibref\u003e(Smith no. 282a).\u003c/p\u003e\n "],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Smithno. 265.","Announced in\n ...The Monthly Masks of Vocal Musick... for the Year 1708\n (Smith no. 282a)."],"note_html_tesm":["\u003cp\u003eTitle-page of VIOLINO PRIMO is in MS but has been traced on 18th- century paper from one of the engraved title-pages of the other two parts.\u003c/p\u003e\n "],"note_tesim":["Title-page of VIOLINO PRIMO is in MS but has been traced on 18th- century paper from one of the engraved title-pages of the other two parts."],"scopecontent_tesim":["Contents\n \n SONATA I\n D\n \n \n Adagio\n C\n \n \n Allegro\n C|\n \n \n Adagio\n C\n \n \n Allegro\n 3/8\n \n \n Adagio\n C\n \n [Allegro: from VIOLINO SECONDO]C|\n \n \n \n \n SONATA II\n C\n \n \n Adagio\n C\n \n \n Allegro\n C|\n \n \n Adagio\n 3/4\n \n \n Allegro\n 3/8\n \n \n \n \n SONATA III\n d\n \n \n Adagio\n C\n \n \n Allegro\n C\n \n \n Adagio\n C\n \n \n Allegro\n 3/4\n \n \n Adagio\n C\n \n \n Allegro\n 12/8\n \n \n \n \n SONATA IV\n G\n \n \n Adagio\n C\n \n \n Allegro\n C|\n \n \n Adagio\n 3/4\n \n \n Allegro\n C|\n \n \n Adagio\n 3/4\n \n \n Allegro\n 3/8\n \n \n \n \n SONATA V\n A\n \n \n Adagio\n 3/4\n \n \n Allegro\n C|\n \n \n Adagio\n 3/4\n \n \n Allegro\n C\n \n \n Adagio\n C\n \n \n Allegro\n 3/8\n \n \n \n \n SONATA VI\n B♭\n \n \n Adagio\n C\n \n \n Allegro\n C|\n \n \n Adagio\n 3/4\n \n \n Presto\n C|\n \n \n Adagio\n C\n \n \n Allegro\n 3/8\n \n \n \n \n SONATA VII\n a\n \n \n Adagio\n C\n \n \n Allegro\n C|\n \n \n Adagio\n C\n \n \n Allegro\n 12/8\n \n \n \n \n SONATA VIII\n F\n \n \n Adagio\n C\n \n \n Allegro\n C\n \n \n Adagio\n C\n \n \n Allegro\n 3/8\n \n \n \n \n SONATA IX\n c\n \n \n Adagio\n C\n \n \n Allegro\n C|\n \n \n Adagio\n C\n \n \n Allegro\n C|\n \n \n \n \n SONATA X\n g\n \n [Adagio: from VIOLINO SECONDO]C\n \n \n Allegro\n C\n \n \n Adagio\n 3/4\n \n \n Allegro\n C|\n \n \n \n \n SONATA XI\n b\n \n \n Adagio\n C\n \n \n Allegro\n C|\n \n \n Adagio\n C\n \n \n \n \n Alleg\n \n \n C|\n \n \n \n \n SONATA XII\n E\n \n \n Adagio\n C-Allegro\n C|\n \n \n Adagio\n 3/4\n \n \n Allegro\n C|"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM312.4.T52 1710\u003c/physloc\u003e\n "],"physloc_tesim":["M312.4.T52 1710"],"_nest_path_":"/components#249","timestamp":"2026-07-23T21:47:27.798Z","scopecontent_html_tesm":["\u003clist\u003e\n \u003chead\u003eContents\u003c/head\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA I\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eD\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e86364\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e86372\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e86380\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e86388\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e86396\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e86405\"\u003e[\u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e: from VIOLINO SECONDO]\u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA II\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eC\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e86425\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e86433\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e86441\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e86449\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA 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type=\"meter\"\u003eC|\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e86907\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e86915\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003e\n \u003cemph\u003e\n \u003cabbr expan=\"Allegro\"\u003eAlleg\u003c/abbr\u003e\n \u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA XII\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eE\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e86937\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e-\u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e86951\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e86959\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n "],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Title Transcription: Alexander Mackay-Smith Collection"],"title_tesim":["Title Transcription: Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"normalized_date_ssm":["1689/1827"],"normalized_title_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"text":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","mackay-smith","Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n .","Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are inEnglishandFrench"],"collection_title_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"unitid_tesim":["mackay-smith"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"creator_persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"creator_corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"creators_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n \u003chead\u003eIntroduction\u003c/head\u003e\n \u003cblockquote\u003e\n \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cblockquote\u003e\n \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eEditorial Method\u003c/head\u003e\n \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eNotes\u003c/head\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"n1\"\u003e\n \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n \u003citem id=\"n2\"\u003e\n \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n \u003citem id=\"n3\"\u003e\n \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n \u003citem id=\"n4\"\u003e\n \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n \u003citem id=\"n5\"\u003e\n \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n \u003citem id=\"n6\"\u003e\n \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n7\"\u003e\n \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n8\"\u003e\n \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n \u003cbibref\u003e\n \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n9\"\u003e\n \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n \u003citem id=\"n10\"\u003e\n \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e.\u003c/item\u003e\n \u003c/list\u003e\n \u003c/bioghist\u003e\n "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e\n "],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. 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(Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. 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E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. 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(Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. 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[Tartini]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"B-Tartini\"\u003e\n \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eBUCEM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"BUCEM\"\u003e\n \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eCPM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"CPM\"\u003e\n \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n \u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Devriès\"\u003e\n \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Devriès-Lesure\"\u003e\n \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n \u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eD.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"D\"\u003e\n \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Fred\"\u003e\n \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eG.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"G\"\u003e\n \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Haas\"\u003e\n \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n \u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Hopkinson\"\u003e\n \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHob.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Hob\"\u003e\n \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Humphries-Smith\"\u003e\n \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJ.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"J\"\u003e\n \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/French\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-French\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-Hummel\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Knape\"\u003e\n \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eK.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"K\"\u003e\n \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Catalogue\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Marx\"\u003e\n \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Grove\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"NewGrove2\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Priestman\"\u003e\n \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM B/II\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM-B-II\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith/Handel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Handel\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Humphries\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Terry\"\u003e\n \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Vairasse\"\u003e\n \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Wotquenne\"\u003e\n \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. 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Among them are the Batte family, Bolling family, Branch family, Briggs family, Chappell family, Heath family, Jones family, Land family, Mallory family, Mason family, Morton family, Neblett family, Nicholson family, Peebles family, Pegram family and Rives family.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["Lee Nicholson Papers, 1827/1938"],"collection_ssim":["Lee Nicholson Papers, 1827/1938"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 65 N59","/repositories/2/resources/8770"],"unitid_tesim":["Mss. 65 N59","/repositories/2/resources/8770"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Virginia--History"],"geogname_ssim":["Virginia--History"],"places_ssim":["Virginia--History"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Genealogy","Sussex County (Va.)--History","Correspondence","Manuscripts (document genre)","Notebooks"],"access_subjects_ssm":["Genealogy","Sussex County (Va.)--History","Correspondence","Manuscripts (document genre)","Notebooks"],"has_online_content_ssim":["false"],"physdesc_tesim":["1294 items"],"extent_ssm":["7.50 Linear Feet"],"extent_tesim":["7.50 Linear Feet"],"genreform_ssim":["Correspondence","Manuscripts (document genre)","Notebooks"],"date_range_isim":[1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"prefercite_html_tesm":["\u003cp\u003eLee Nicholson Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e "],"prefercite_tesim":["Lee Nicholson Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"scopecontent_html_tesm":["\u003cp\u003ePapers, 1837-1938, of Lee Nicholson, a genealogist of Sussex County, Va. Includes correspondence, notes and charts concerning many Virginia families. Among them are the Batte family, Bolling family, Branch family, Briggs family, Chappell family, Heath family, Jones family, Land family, Mallory family, Mason family, Morton family, Neblett family, Nicholson family, Peebles family, Pegram family and Rives family.\u003c/p\u003e "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Papers, 1837-1938, of Lee Nicholson, a genealogist of Sussex County, Va. Includes correspondence, notes and charts concerning many Virginia families. Among them are the Batte family, Bolling family, Branch family, Briggs family, Chappell family, Heath family, Jones family, Land family, Mallory family, Mason family, Morton family, Neblett family, Nicholson family, Peebles family, Pegram family and Rives family."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"total_component_count_is":486,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:51:56.871Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8770_c04_c10_c02"}},{"id":"viu_repositories_7_resources_166_c01","type":"Item","attributes":{"title":"Von Frieling Sammelband, 1512/1800","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_166_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eBook is in poor condition; binding is very fragile and pages show substantial weather damage.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_166_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_7_resources_166_c01","ref_ssm":["viu_repositories_7_resources_166_c01"],"id":"viu_repositories_7_resources_166_c01","ead_ssi":"viu_repositories_7_resources_166","_root_":"viu_repositories_7_resources_166","_nest_parent_":"viu_repositories_7_resources_166","parent_ssi":"viu_repositories_7_resources_166","parent_ssim":["Von Frieling's Salve collection, 1512/1977, bulk 1900/1932"],"parent_ids_ssim":["viu_repositories_7_resources_166"],"title_filing_ssi":"Von Frieling Sammelband","title_ssm":["Von Frieling Sammelband"],"title_tesim":["Von Frieling Sammelband"],"normalized_title_ssm":["Von Frieling Sammelband, 1512/1800"],"text":["Von Frieling Sammelband, 1512/1800","Von Frieling's Salve collection, 1512/1977, bulk 1900/1932","1 leather bound book, 4 inches x 6 inches","box 1-Vault","folder 2 [Vault]","Book is in poor condition; binding is very fragile and pages show substantial weather damage.","Item stored in the Historical Collections Vault due to age and physical condition."],"parent_unittitles_ssm":["Von Frieling's Salve collection, 1512/1977, bulk 1900/1932"],"parent_unittitles_tesim":["Von Frieling's Salve collection, 1512/1977, bulk 1900/1932"],"normalized_date_ssm":["1512/1800"],"unitdate_inclusive_ssm":["circa 1512-1800s"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":1,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Von Frieling's Salve collection, 1512/1977, bulk 1900/1932"],"physdesc_tesim":["1 leather bound book, 4 inches x 6 inches"],"containers_ssim":["box 1-Vault","folder 2 [Vault]"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["Some materials, including the Kräuter Atlas and the Gutenberg Museum Guide, may be subject to copyright restrictions."],"date_range_isim":[1512,1513,1514,1515,1516,1517,1518,1519,1520,1521,1522,1523,1524,1525,1526,1527,1528,1529,1530,1531,1532,1533,1534,1535,1536,1537,1538,1539,1540,1541,1542,1543,1544,1545,1546,1547,1548,1549,1550,1551,1552,1553,1554,1555,1556,1557,1558,1559,1560,1561,1562,1563,1564,1565,1566,1567,1568,1569,1570,1571,1572,1573,1574,1575,1576,1577,1578,1579,1580,1581,1582,1583,1584,1585,1586,1587,1588,1589,1590,1591,1592,1593,1594,1595,1596,1597,1598,1599,1600,1601,1602,1603,1604,1605,1606,1607,1608,1609,1610,1611,1612,1613,1614,1615,1616,1617,1618,1619,1620,1621,1622,1623,1624,1625,1626,1627,1628,1629,1630,1631,1632,1633,1634,1635,1636,1637,1638,1639,1640,1641,1642,1643,1644,1645,1646,1647,1648,1649,1650,1651,1652,1653,1654,1655,1656,1657,1658,1659,1660,1661,1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800],"scopecontent_html_tesm":["\u003cp\u003eBook is in poor condition; binding is very fragile and pages show substantial weather damage.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Book is in poor condition; binding is very fragile and pages show substantial weather damage."],"separatedmaterial_html_tesm":["\u003cp\u003eItem stored in the Historical Collections Vault due to age and physical condition.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Item stored in the Historical Collections Vault due to age and physical condition."],"_nest_path_":"/components#0","timestamp":"2026-07-23T21:42:05.154Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_7_resources_166","ead_ssi":"viu_repositories_7_resources_166","_root_":"viu_repositories_7_resources_166","_nest_parent_":"viu_repositories_7_resources_166","ead_source_url_ssi":"data/oai/UVA/repositories_7_resources_166.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/149","title_ssm":["Von Frieling's Salve collection"],"title_tesim":["Von Frieling's Salve collection"],"unitdate_ssm":["circa 1512-1977,","bulk 1900-1932"],"unitdate_inclusive_ssm":["circa 1512-1977,"],"unitdate_bulk_ssim":["bulk 1900-1932"],"normalized_date_ssm":["1512/1977, bulk 1900/1932"],"normalized_title_ssm":["Von Frieling's Salve collection, 1512/1977, bulk 1900/1932"],"text":["Von Frieling's Salve collection, 1512/1977, bulk 1900/1932","MS.65","Archival Resource Key","/repositories/7/resources/166","1 box with the dimensions of 5.5 inches x 10 inches x 15.5 inches, 1 folder with the dimensions of 8.5 inches by 14 inches, and 2 jars measuring 2 inches tall and 1.5 inches in diameter.","Collection is open to research.","Materials are arranged by approximate chronology.","This collection includes an untitled work that supposedly belonged to Dr. Albert Von Frieling, a physician living in Soltau, Germany, in the early 16th century. No additional information could be found related to Dr. Von Frieling's life or medical practice. Documentation written by Edward Colman and George Von Frieling that accompanies the book describes its discovery in approximately 1902 on the Von Frieling estate in Soltau, Germany. Colman and G. Von Frieling write that the book, which included an ancient recipe for green butter salve, was found inside an iron box with several decaying, unreadable papers. Their record dates the book to 1512, but this date lacks additional authentication and should be considered unconfirmed.","Much of the Von Frieling's Salve Collection pertains to the recipe for green butter salve, which supposedly was created by Dr. Albert Von Frieling in the 16th century. After the discovery of the untitled work on the estate in Soltau, Henry Von Frieling, a descendant of Dr. Albert Von Frieling, is said to have recreated the salve described by his ancestor. Heinrich (Henry) Von Frieling was born 21 September 1885 in Soltau, according to the inscription in the front of his notebook. He came to New York in the early 20th century, but little is know about his life, other than his business venture to market \"Von Frieling's Salve.\" H. Von Frieling applied for a patent for the salve in 1911, and historical newspapers show that advertisements for Von Frieling's Salve continued to run in several Iowa papers until at least 1931. An undated and unidentified newspaper clipping reports the filing of a bankruptcy petition for \"Frieling Bros. (Henry's Restaurant),\" owned by \"Henry V. and George V. Frieling\" in the southern district, which possibly refers to the Southern District of New York.","This collection consists of 17 folders. In addition to the untitled book, designated the \"Von Frieling Sammelband,\" the collection contains photocopies of the book and materials related to the 20th century version of Von Frieling's green butter salve, also called Von Frieling's plaster salve. These materials include documentation and packaging for the salve, patent paperwork, correspondence, and various items related to herbal medicine and early German printing, as well as two samples of the salve itself.","The Von Frieling Sammelband is believed to have been owned by the Von Frieling family of Soltau, Germany. The book is a composite work in German with pages taken from at least three apparently separate works and sewn together into one bound volume. These texts include a work on the interpretation of dreams, another on the medicinal properties of various local waters, and other writings related to astrology and early medicine. In a description of the 20th century rediscovery of the Von Frieling Sammelband, the authors note that \"this book contains quotations from philosophers of that period, notes upon the art of steel making and a formula for making a green butter salve that made Doctor Von Frieling famous as a man of healing power.\" The book is bound in leather; the text is printed in Gothic-style German and includes small woodblock prints. Following the sections of printed text, the book includes an extensive section of handwritten notes, also in German, which appear to have been added by different hands and at various times up to the 1800s. Among the notes are several hand-drawn designs and sketches.","Some materials, including the Kräuter Atlas and the Gutenberg Museum Guide, may be subject to copyright restrictions.","Claude Moore Health Sciences Library","English and German"],"collection_title_tesim":["Von Frieling's Salve collection, 1512/1977, bulk 1900/1932"],"collection_ssim":["Von Frieling's Salve collection, 1512/1977, bulk 1900/1932"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.65","Archival Resource Key","/repositories/7/resources/166"],"unitid_tesim":["MS.65","Archival Resource Key","/repositories/7/resources/166"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_corpname_ssim":["Claude Moore Health Sciences Library"],"creators_ssim":["Claude Moore Health Sciences Library"],"access_terms_ssm":["Some materials, including the Kräuter Atlas and the Gutenberg Museum Guide, may be subject to copyright restrictions."],"acqinfo_ssim":["This collection was donated to the Claude Moore Health Sciences Library at the University of Virginia in 2010 by Chris VonFrieling. Prior to the creation of this finding aid in 2014, two items from the collection were processed into the Historical Collections artifacts collection in 2012."],"has_online_content_ssim":["false"],"physdesc_tesim":["1 box with the dimensions of 5.5 inches x 10 inches x 15.5 inches, 1 folder with the dimensions of 8.5 inches by 14 inches, and 2 jars measuring 2 inches tall and 1.5 inches in diameter."],"extent_ssm":[".5 Linear Feet"],"extent_tesim":[".5 Linear Feet"],"date_range_isim":[1512,1513,1514,1515,1516,1517,1518,1519,1520,1521,1522,1523,1524,1525,1526,1527,1528,1529,1530,1531,1532,1533,1534,1535,1536,1537,1538,1539,1540,1541,1542,1543,1544,1545,1546,1547,1548,1549,1550,1551,1552,1553,1554,1555,1556,1557,1558,1559,1560,1561,1562,1563,1564,1565,1566,1567,1568,1569,1570,1571,1572,1573,1574,1575,1576,1577,1578,1579,1580,1581,1582,1583,1584,1585,1586,1587,1588,1589,1590,1591,1592,1593,1594,1595,1596,1597,1598,1599,1600,1601,1602,1603,1604,1605,1606,1607,1608,1609,1610,1611,1612,1613,1614,1615,1616,1617,1618,1619,1620,1621,1622,1623,1624,1625,1626,1627,1628,1629,1630,1631,1632,1633,1634,1635,1636,1637,1638,1639,1640,1641,1642,1643,1644,1645,1646,1647,1648,1649,1650,1651,1652,1653,1654,1655,1656,1657,1658,1659,1660,1661,1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by approximate chronology.\u003c/p\u003e "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged by approximate chronology."],"bioghist_html_tesm":["\u003cp\u003e\nThis collection includes an untitled work that supposedly belonged to Dr. Albert Von Frieling, a physician living in Soltau, Germany, in the early 16th century. No additional information could be found related to Dr. Von Frieling's life or medical practice. Documentation written by Edward Colman and George Von Frieling that accompanies the book describes its discovery in approximately 1902 on the Von Frieling estate in Soltau, Germany. Colman and G. Von Frieling write that the book, which included an ancient recipe for green butter salve, was found inside an iron box with several decaying, unreadable papers. Their record dates the book to 1512, but this date lacks additional authentication and should be considered unconfirmed.\n\u003c/p\u003e\n","\u003cp\u003e\nMuch of the Von Frieling's Salve Collection pertains to the recipe for green butter salve, which supposedly was created by Dr. Albert Von Frieling in the 16th century. After the discovery of the untitled work on the estate in Soltau, Henry Von Frieling, a descendant of Dr. Albert Von Frieling, is said to have recreated the salve described by his ancestor. Heinrich (Henry) Von Frieling was born 21 September 1885 in Soltau, according to the inscription in the front of his notebook. He came to New York in the early 20th century, but little is know about his life, other than his business venture to market \"Von Frieling's Salve.\" H. Von Frieling applied for a patent for the salve in 1911, and historical newspapers show that advertisements for Von Frieling's Salve continued to run in several Iowa papers until at least 1931. An undated and unidentified newspaper clipping reports the filing of a bankruptcy petition for \"Frieling Bros. (Henry's Restaurant),\" owned by \"Henry V. and George V. Frieling\" in the southern district, which possibly refers to the Southern District of New York.\n\u003c/p\u003e "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["This collection includes an untitled work that supposedly belonged to Dr. Albert Von Frieling, a physician living in Soltau, Germany, in the early 16th century. No additional information could be found related to Dr. Von Frieling's life or medical practice. Documentation written by Edward Colman and George Von Frieling that accompanies the book describes its discovery in approximately 1902 on the Von Frieling estate in Soltau, Germany. Colman and G. Von Frieling write that the book, which included an ancient recipe for green butter salve, was found inside an iron box with several decaying, unreadable papers. Their record dates the book to 1512, but this date lacks additional authentication and should be considered unconfirmed.","Much of the Von Frieling's Salve Collection pertains to the recipe for green butter salve, which supposedly was created by Dr. Albert Von Frieling in the 16th century. After the discovery of the untitled work on the estate in Soltau, Henry Von Frieling, a descendant of Dr. Albert Von Frieling, is said to have recreated the salve described by his ancestor. Heinrich (Henry) Von Frieling was born 21 September 1885 in Soltau, according to the inscription in the front of his notebook. He came to New York in the early 20th century, but little is know about his life, other than his business venture to market \"Von Frieling's Salve.\" H. Von Frieling applied for a patent for the salve in 1911, and historical newspapers show that advertisements for Von Frieling's Salve continued to run in several Iowa papers until at least 1931. An undated and unidentified newspaper clipping reports the filing of a bankruptcy petition for \"Frieling Bros. (Henry's Restaurant),\" owned by \"Henry V. and George V. Frieling\" in the southern district, which possibly refers to the Southern District of New York."],"prefercite_html_tesm":["\u003cp\u003eVon Frieling's Salve Collection, MS-65, Historical Collections and Services, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e "],"prefercite_tesim":["Von Frieling's Salve Collection, MS-65, Historical Collections and Services, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003e\nThis collection consists of 17 folders. In addition to the untitled book, designated the \"Von Frieling Sammelband,\" the collection contains photocopies of the book and materials related to the 20th century version of Von Frieling's green butter salve, also called Von Frieling's plaster salve. These materials include documentation and packaging for the salve, patent paperwork, correspondence, and various items related to herbal medicine and early German printing, as well as two samples of the salve itself.\n\u003c/p\u003e\n","\u003cp\u003e\nThe Von Frieling Sammelband is believed to have been owned by the Von Frieling family of Soltau, Germany. The book is a composite work in German with pages taken from at least three apparently separate works and sewn together into one bound volume. These texts include a work on the interpretation of dreams, another on the medicinal properties of various local waters, and other writings related to astrology and early medicine. In a description of the 20th century rediscovery of the Von Frieling Sammelband, the authors note that \"this book contains quotations from philosophers of that period, notes upon the art of steel making and a formula for making a green butter salve that made Doctor Von Frieling famous as a man of healing power.\" The book is bound in leather; the text is printed in Gothic-style German and includes small woodblock prints. Following the sections of printed text, the book includes an extensive section of handwritten notes, also in German, which appear to have been added by different hands and at various times up to the 1800s. Among the notes are several hand-drawn designs and sketches.\n\u003c/p\u003e "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of 17 folders. In addition to the untitled book, designated the \"Von Frieling Sammelband,\" the collection contains photocopies of the book and materials related to the 20th century version of Von Frieling's green butter salve, also called Von Frieling's plaster salve. These materials include documentation and packaging for the salve, patent paperwork, correspondence, and various items related to herbal medicine and early German printing, as well as two samples of the salve itself.","The Von Frieling Sammelband is believed to have been owned by the Von Frieling family of Soltau, Germany. The book is a composite work in German with pages taken from at least three apparently separate works and sewn together into one bound volume. These texts include a work on the interpretation of dreams, another on the medicinal properties of various local waters, and other writings related to astrology and early medicine. In a description of the 20th century rediscovery of the Von Frieling Sammelband, the authors note that \"this book contains quotations from philosophers of that period, notes upon the art of steel making and a formula for making a green butter salve that made Doctor Von Frieling famous as a man of healing power.\" The book is bound in leather; the text is printed in Gothic-style German and includes small woodblock prints. Following the sections of printed text, the book includes an extensive section of handwritten notes, also in German, which appear to have been added by different hands and at various times up to the 1800s. Among the notes are several hand-drawn designs and sketches."],"userestrict_html_tesm":["\u003cp\u003eSome materials, including the Kräuter Atlas and the Gutenberg Museum Guide, may be subject to copyright restrictions.\u003c/p\u003e "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Some materials, including the Kräuter Atlas and the Gutenberg Museum Guide, may be subject to copyright restrictions."],"corpname_ssim":["Claude Moore Health Sciences Library"],"names_ssim":["Claude Moore Health Sciences Library"],"language_ssim":["English and German"],"total_component_count_is":17,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:42:05.154Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_7_resources_166_c01"}},{"id":"viw_repositories_2_resources_9298_c01_c51_c09","type":"Item","attributes":{"title":"Washington, Mary (Ball), 1707/1789","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9298_c01_c51_c09#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSee also \"Famous Women -- Fredericksburg, Virginia\"\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9298_c01_c51_c09#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9298_c01_c51_c09","ref_ssm":["viw_repositories_2_resources_9298_c01_c51_c09"],"id":"viw_repositories_2_resources_9298_c01_c51_c09","ead_ssi":"viw_repositories_2_resources_9298","_root_":"viw_repositories_2_resources_9298","_nest_parent_":"viw_repositories_2_resources_9298_c01_c51","parent_ssi":"viw_repositories_2_resources_9298_c01_c51","parent_ssim":["Tyler Family Papers, Group D, 1939/1951","Series 1: Biographical Sketches of Women","Biographical Material, Wa"],"parent_ids_ssim":["viw_repositories_2_resources_9298","viw_repositories_2_resources_9298_c01","viw_repositories_2_resources_9298_c01_c51"],"title_filing_ssi":"Washington, Mary (Ball)","title_ssm":["Washington, Mary (Ball)"],"title_tesim":["Washington, Mary (Ball)"],"normalized_title_ssm":["Washington, Mary (Ball), 1707/1789"],"text":["Washington, Mary (Ball), 1707/1789","Tyler Family Papers, Group D, 1939/1951","Series 1: Biographical Sketches of Women","Biographical Material, Wa","Box 9","Folder 4","See also \"Famous Women -- Fredericksburg, Virginia\""],"parent_unittitles_ssm":["Tyler Family Papers, Group D, 1939/1951","Series 1: Biographical Sketches of Women","Biographical Material, Wa"],"parent_unittitles_tesim":["Tyler Family Papers, Group D, 1939/1951","Series 1: Biographical Sketches of Women","Biographical Material, Wa"],"normalized_date_ssm":["1707/1789"],"unitdate_inclusive_ssm":["1707-1789"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[3],"sort_isi":539,"repository_ssim":["College of William and Mary"],"collection_ssim":["Tyler Family Papers, Group D, 1939/1951"],"containers_ssim":["Box 9","Folder 4"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to all researchers. Before publishing quotations or excerpts from any materials, permission must be obtained from the Manuscripts and Rare Books Librarian, and the holder of the copyright, if not Swem Library. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the William \u0026 Mary assumes no responsibility."],"date_range_isim":[1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789],"scopecontent_html_tesm":["\u003cp\u003eSee also \"Famous Women -- Fredericksburg, Virginia\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["See also \"Famous Women -- Fredericksburg, Virginia\""],"_nest_path_":"/components#0/components#50/components#8","timestamp":"2026-07-23T21:52:41.108Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9298","ead_ssi":"viw_repositories_2_resources_9298","_root_":"viw_repositories_2_resources_9298","_nest_parent_":"viw_repositories_2_resources_9298","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9298.xml","title_filing_ssi":"Tyler Family Papers, Group D","title_ssm":["Tyler Family Papers, Group D"],"title_tesim":["Tyler Family Papers, Group D"],"unitdate_ssm":["1939-1951"],"unitdate_inclusive_ssm":["1939-1951"],"normalized_date_ssm":["1939/1951"],"normalized_title_ssm":["Tyler Family Papers, Group D, 1939/1951"],"text":["Tyler Family Papers, Group D, 1939/1951","Mss. 65 T97 Group D","/repositories/2/resources/9298","Women--History--Virginia","Correspondence","Manuscripts (document genre)","Collection is open to all researchers. Before publishing quotations or excerpts from any materials, permission must be obtained from the Manuscripts and Rare Books Librarian, and the holder of the copyright, if not Swem Library. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the William \u0026 Mary assumes no responsibility.","Sue Ruffin Tyler was a scholar and wife of Lyon Gardiner Tyler, son of US President John Tyler.","See also Tyler Family Papers, Groups A-C, E-H, Special Collections Research Center, Swem Library, College of William and Mary.","Papers, 1939-1951, of Sue Ruffin Tyler concerning a projected work, The Women of Virginia. Includes biographical sketches of women, correspondence with women who had sent sketches and were subscribers, and correspondence of Robert Hendrix who collected money from the subscribers but was unable to publish the book. Sue Ruffin Tyler contracted to write the historical material for a book on women in Virginia, to have been entitled The Women of Virginia. Living women were to submit sketches of themselves and their organizations and to subscribe to the volume. The volume was never published.","Special Collections Research Center","Tyler Family","Tyler family","Tyler, Sue Ruffin, 1889-1953","English"],"collection_title_tesim":["Tyler Family Papers, Group D, 1939/1951"],"collection_ssim":["Tyler Family Papers, Group D, 1939/1951"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 65 T97 Group D","/repositories/2/resources/9298"],"unitid_tesim":["Mss. 65 T97 Group D","/repositories/2/resources/9298"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Tyler, Sue Ruffin, 1889-1953","Tyler Family"],"creator_ssim":["Tyler, Sue Ruffin, 1889-1953","Tyler Family"],"creator_persname_ssim":["Tyler, Sue Ruffin, 1889-1953"],"creator_corpname_ssim":["Special Collections Research Center"],"creator_famname_ssim":["Tyler Family","Tyler family"],"creators_ssim":["Tyler, Sue Ruffin, 1889-1953","Special Collections Research Center","Tyler Family","Tyler family"],"acqinfo_ssim":["W\u0026amp;M Special Collections Research Center began acquiring and collecting Tyler family papers in 1922 and the collection has grown considerably since. The vast majority of this collection was donated by generous family and friends of the Tyler family between 1922 and 2002, with the bulk of the collection being donated to in 1949 by Mrs. Sue Ruffin Tyler and in 1955 by the children of Lyon G. Tyler. Some materials in this collection were purchased by W\u0026M Libraries, Special Collections Research Center."],"access_subjects_ssim":["Women--History--Virginia","Correspondence","Manuscripts (document genre)"],"access_subjects_ssm":["Women--History--Virginia","Correspondence","Manuscripts (document genre)"],"has_online_content_ssim":["false"],"extent_ssm":["14.00 Linear Feet"],"extent_tesim":["14.00 Linear Feet"],"genreform_ssim":["Correspondence","Manuscripts (document genre)"],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Before publishing quotations or excerpts from any materials, permission must be obtained from the Manuscripts and Rare Books Librarian, and the holder of the copyright, if not Swem Library. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the William \u0026amp; Mary assumes no responsibility.\u003c/p\u003e "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Before publishing quotations or excerpts from any materials, permission must be obtained from the Manuscripts and Rare Books Librarian, and the holder of the copyright, if not Swem Library. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the William \u0026 Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eSue Ruffin Tyler was a scholar and wife of Lyon Gardiner Tyler, son of US President John Tyler.\u003c/p\u003e "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Sue Ruffin Tyler was a scholar and wife of Lyon Gardiner Tyler, son of US President John Tyler."],"prefercite_html_tesm":["\u003cp\u003eTyler Family Papers, Group D, Special Collections Research Center, William \u0026amp; Mary Libraries\u003c/p\u003e "],"prefercite_tesim":["Tyler Family Papers, Group D, Special Collections Research Center, William \u0026 Mary Libraries"],"relatedmaterial_html_tesm":["\u003cp\u003eSee also Tyler Family Papers, Groups A-C, E-H, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["See also Tyler Family Papers, Groups A-C, E-H, Special Collections Research Center, Swem Library, College of William and Mary."],"scopecontent_html_tesm":["\u003cp\u003ePapers, 1939-1951, of Sue Ruffin Tyler concerning a projected work, \u003cemph render=\"italic\"\u003eThe Women of Virginia\u003c/emph\u003e. Includes biographical sketches of women, correspondence with women who had sent sketches and were subscribers, and correspondence of Robert Hendrix who collected money from the subscribers but was unable to publish the book. Sue Ruffin Tyler contracted to write the historical material for a book on women in Virginia, to have been entitled The Women of Virginia. Living women were to submit sketches of themselves and their organizations and to subscribe to the volume. The volume was never published.\u003c/p\u003e "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Papers, 1939-1951, of Sue Ruffin Tyler concerning a projected work, The Women of Virginia. Includes biographical sketches of women, correspondence with women who had sent sketches and were subscribers, and correspondence of Robert Hendrix who collected money from the subscribers but was unable to publish the book. Sue Ruffin Tyler contracted to write the historical material for a book on women in Virginia, to have been entitled The Women of Virginia. Living women were to submit sketches of themselves and their organizations and to subscribe to the volume. 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