{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Williams%2C+John+Alden\u0026view=compact","last":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Williams%2C+John+Alden\u0026page=1\u0026view=compact"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":2,"first_page?":true,"last_page?":true}},"data":[{"id":"viw_repositories_2_resources_8520","type":"collection","attributes":{"title":"Japanese Woodblock Prints","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8520#creator","type":"document_value","attributes":{"value":"Williams,  Caroline ( Caroline H. Williams)","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8520#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eFramed prints, portfolio collection, and loose woodblock prints featuring various Japanese artists from the 19th Century. Notably, Hiroshige I. (1797-1858), Kunimaru (1794-1829), and Yoshitishi (1839-1892).\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8520#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_8520","ead_ssi":"viw_repositories_2_resources_8520","_root_":"viw_repositories_2_resources_8520","_nest_parent_":"viw_repositories_2_resources_8520","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8520.xml","title_filing_ssi":"Japanese Woodblock Prints","title_ssm":["Japanese Woodblock Prints"],"title_tesim":["Japanese Woodblock Prints"],"unitdate_ssm":["circa 1900"],"unitdate_other_ssim":["circa 1900"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00293","/repositories/2/resources/8520"],"text":["MS 00293","/repositories/2/resources/8520","Japanese Woodblock Prints","Art, Japanese","Prints, Japanese","Art, Japanese -- 19th century","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Utagawa Hiroshige, also known as Andō Hiroshige,Utagawa Hiroshige, Ichiyūsai Hiroshige, and Andō Tokutarō was a Japanese artist born in 1798 in modern day Tokyo and is best known for his woodblock carvings and prints in the traditional ukiyo-e style of artisty stemming from the Utagawa school of training. His rise to fame as an artist was a slow process and he gradually honed his own unique skills in landscpae and flora and fauna prints.  In 1832 he made a trip between Edo and Kyōto along the famed highway called the Tōkaidō; he stayed at the 53 overnight stations along the road and made numerous sketches of everything he saw. He published a series of 55 landscape prints titled Fifty-three Stations of the Tōkaidō—one for each station, as well as the beginning of the highway and the arrival in Kyōto. The success of this series was immediate and made Hiroshige one of the most popular ukiyo-e artists of all time. He died in 1858 having produced over 8,000 works.  \nWorks consulted for this summary: www.publicdomainreview.org, metmuseum.org, www.britannica.com","Framed prints, portfolio collection, and loose woodblock prints featuring various Japanese artists from the 19th Century. Notably, Hiroshige I. (1797-1858), Kunimaru (1794-1829), and Yoshitishi (1839-1892).","A Listing of the collection is as follows: \nUkiyo-e The Floating World containing ten woodblock prints. \nSix loose woodblock prints of Watanabe. \nUkiyo-e triptych Woodblock print depicting a master and servant praying to the moon. \nUtagawa Kunimaru, a woodblock print Ukiyo-e depicting actor Iwai Kumesaburo in a female role during the late Edo Period (1789-1868) \nAndo Hiroshige, also known as Utagawa Hiroshige, Ichiyusai Hiroshige and Hiroshige I, woodblock print titled \"Fujisawa; Yugyogi\" depicting a torii and bridge. \nAndo Hiroshige oban ukiyo-e woodblock print titled \"Numazu (Twilight), 1833-1834, from the 53 Stations of the Tokaido Road. \nToto Yukimi Hakkei (Eight Snow Scenes in the Eastern Capital) Eight woodblock prints.\nMore detailed information of the woodblock prints can be found by clicking on the items listed in this collection guide.","Ten woodblock prints titled the floating world, bound in a green portfolio along with Japanese verse. Various artists are featured and have signed the woodblock prints.","Eight scenes created by Hiroshige in the period between the last years of Tenpō (1842) and the duration of Kōka (1847) which is often referred to as Hiroshige's Golden Age of artistry. These drawings were completed by Hiroshige but never engraved and reproduced.  Instead they landed in the hands of a Dutch merchant and eventually into the possession of Monsieur Emile Javal, a judge in France.  In 1928, Javal offered them to Shataro Sato to etch the drawings and render them in the form Hiroshige would have done in regard to color.  The series of eight prints depicts Yedo in the winter months. An ornamental portfolio to hold the prints is included in the collection.  \nThe titles of the eight prints are as follows:\nTakanawa Yoru no Yuki (A snow evening at Takanawa)\nUeno Toeizan Shinobazu-ike (Toeizan temple and Shinobazu pond, Ueno)\nMeguro Fudo Keidai (Snow in the grounds of the Fudo shrine at Meguro)\nSusaki Yuki no Asa (Daybreak after a snowfall at Susaki)\nAsakusa Kinryuzan (snow scene at Kinryuzan Buddist temple, Asakusa district)\nSumidagawa Tsutsumi no Kei (View from the Sumida River embankment)\nKasumigaseki no Yuki-agari (Street view, looking down the Kasumigaseki after a snowfall)\nRyogoku Yuki no Yugure (Twilight view of the snow-clad Ryogoku bridge)","Six loose woodblock prints of Ukiyo-e scenes in Japan. Subjects are mostly Japanese women or geisha and some samurai images.","One print created by Utagawa Kunimaru depicting the actor Iwai Kumesaburo in a female role during the late Edo period.","One Ukiyo-e triptych depicting a Japanese mistress along with six of her lady servants walking along the banks of a river. One of the servants is holding a large umbrella over the head of the finely dressed woman to shield her from the sun. The signature on each of the three prints appears to be of Toyokuni I (1769-1825).  Source: www.ukiyo-e.se/signatur.html.","One woodblock print created by Hiroshige depicting a torii and bridge scene.  The title of the print is \"Nihonbashi\". It is station number 1, First Edition, in the 53 Post Stations of the Tokaido Highroad created by Hiroshige.  This road connected Edo (Tokyo) to Kyōto.  The drawing was created by Hiroshige in 1834, the print is from an undertmined date thereafter.","One woodblock print created by Hiroshige depicting a torii and bridge scene.  The title of the print is \"Fujisawa; Yugyogi\". It is station number 7 in the 53 Post Stations of the Tokaido Highroad created by Hiroshige.  This road connected Edo (Tokyo) to Kyōto.  The drawing was created by Hiroshige in 1834, the print is from an undertmined date thereafter.","One woodblock print created by Hiroshige depicting a torii and bridge scene.  The title of the print is \"Numazu\" (Twilight). It is station number 12 in the 53 Post Stations of the Tokaido Highroad created by Hiroshige.  This road connected Edo (Tokyo) to Kyōto.  The drawing was created by Hiroshige in 1834, the print is from an undertmined date thereafter.","One woodblock print created by Tsukioka Yoshitoshi (1839-1892) in the Ukiyo-e theme depicting a master and a servant praying to the moon. The title of the piece is \"Hidetsugu in Exile\" It shows Toyotomi Hidetsugu (1568-1595) and a companion immprisoned in Mount Koya Temple, not long before their death. A disgraced Samurai, Hidetsugu was exiled and expected to commit suicide. His family and household members were all executed. This is print number 75 in Yoshitoshi's \"A Hundred Views of the Moon\" series.\nSource consulted, yoshitoshi.verwoerd.info, www.ukiyo-e.se/signatur.html","Painting of a blossoming tree with a blue bird perched on its branches. Background color is peach and leaves and blossoms on the tree are light red and white. Artist signature is on the print, but the artist is currently unidentified.","Painting depicting a farmer leading a horse in front of a thatched home. The horse is carrying straw on its back. The predominant portions of the artwork though are the trees surrounding the farmer, horse, and home. The dense leaves feature varying colors of green nad pink blossomed trees are scattered throughout the painting among the green foliage. [The artist could be Masunobu (active 1848-1853) a.k.a. Kiyosada?]","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Uchida Art Co. LTD.. Kyoto Handicraft Center","Williams,  Caroline ( Caroline H. Williams)","Williams, John Alden","Andō, Hiroshige, 1797-1858","Utagawa, Toyokuni, 1769-1825","Taiso, Yoshitoshi, 1839-1892","English"],"unitid_tesim":["MS 00293","/repositories/2/resources/8520"],"normalized_title_ssm":["Japanese Woodblock Prints"],"collection_title_tesim":["Japanese Woodblock Prints"],"collection_ssim":["Japanese Woodblock Prints"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Williams,  Caroline ( Caroline H. Williams)","Williams, John Alden","Andō, Hiroshige, 1797-1858"],"creator_ssim":["Williams,  Caroline ( Caroline H. Williams)","Williams, John Alden","Andō, Hiroshige, 1797-1858"],"creator_persname_ssim":["Williams,  Caroline ( Caroline H. Williams)","Williams, John Alden","Andō, Hiroshige, 1797-1858"],"creators_ssim":["Williams,  Caroline ( Caroline H. Williams)","Williams, John Alden","Andō, Hiroshige, 1797-1858"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gift of John Alden and Caroline Williams, 2019."],"access_subjects_ssim":["Art, Japanese","Prints, Japanese","Art, Japanese -- 19th century"],"access_subjects_ssm":["Art, Japanese","Prints, Japanese","Art, Japanese -- 19th century"],"has_online_content_ssim":["false"],"extent_ssm":["4.0 Linear Feet"],"extent_tesim":["4.0 Linear Feet"],"date_range_isim":[1900],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eUtagawa Hiroshige, also known as Andō Hiroshige,Utagawa Hiroshige, Ichiyūsai Hiroshige, and Andō Tokutarō was a Japanese artist born in 1798 in modern day Tokyo and is best known for his woodblock carvings and prints in the traditional ukiyo-e style of artisty stemming from the Utagawa school of training. His rise to fame as an artist was a slow process and he gradually honed his own unique skills in landscpae and flora and fauna prints.  In 1832 he made a trip between Edo and Kyōto along the famed highway called the Tōkaidō; he stayed at the 53 overnight stations along the road and made numerous sketches of everything he saw. He published a series of 55 landscape prints titled Fifty-three Stations of the Tōkaidō—one for each station, as well as the beginning of the highway and the arrival in Kyōto. The success of this series was immediate and made Hiroshige one of the most popular ukiyo-e artists of all time. He died in 1858 having produced over 8,000 works.  \nWorks consulted for this summary: www.publicdomainreview.org, metmuseum.org, www.britannica.com\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Utagawa Hiroshige, also known as Andō Hiroshige,Utagawa Hiroshige, Ichiyūsai Hiroshige, and Andō Tokutarō was a Japanese artist born in 1798 in modern day Tokyo and is best known for his woodblock carvings and prints in the traditional ukiyo-e style of artisty stemming from the Utagawa school of training. His rise to fame as an artist was a slow process and he gradually honed his own unique skills in landscpae and flora and fauna prints.  In 1832 he made a trip between Edo and Kyōto along the famed highway called the Tōkaidō; he stayed at the 53 overnight stations along the road and made numerous sketches of everything he saw. He published a series of 55 landscape prints titled Fifty-three Stations of the Tōkaidō—one for each station, as well as the beginning of the highway and the arrival in Kyōto. The success of this series was immediate and made Hiroshige one of the most popular ukiyo-e artists of all time. He died in 1858 having produced over 8,000 works.  \nWorks consulted for this summary: www.publicdomainreview.org, metmuseum.org, www.britannica.com"],"prefercite_html_tesm":["\u003cp\u003eJapanese Woodblock Prints, Special Collections Research Center, William and Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Japanese Woodblock Prints, Special Collections Research Center, William and Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eFramed prints, portfolio collection, and loose woodblock prints featuring various Japanese artists from the 19th Century. Notably, Hiroshige I. (1797-1858), Kunimaru (1794-1829), and Yoshitishi (1839-1892).\u003c/p\u003e\n","\u003cp\u003eA Listing of the collection is as follows: \nUkiyo-e The Floating World containing ten woodblock prints. \nSix loose woodblock prints of Watanabe. \nUkiyo-e triptych Woodblock print depicting a master and servant praying to the moon. \nUtagawa Kunimaru, a woodblock print Ukiyo-e depicting actor Iwai Kumesaburo in a female role during the late Edo Period (1789-1868) \nAndo Hiroshige, also known as Utagawa Hiroshige, Ichiyusai Hiroshige and Hiroshige I, woodblock print titled \"Fujisawa; Yugyogi\" depicting a torii and bridge. \nAndo Hiroshige oban ukiyo-e woodblock print titled \"Numazu (Twilight), 1833-1834, from the 53 Stations of the Tokaido Road. \nToto Yukimi Hakkei (Eight Snow Scenes in the Eastern Capital) Eight woodblock prints.\nMore detailed information of the woodblock prints can be found by clicking on the items listed in this collection guide.\u003c/p\u003e","\u003cp\u003eTen woodblock prints titled the floating world, bound in a green portfolio along with Japanese verse. Various artists are featured and have signed the woodblock prints.\u003c/p\u003e","\u003cp\u003eEight scenes created by Hiroshige in the period between the last years of Tenpō (1842) and the duration of Kōka (1847) which is often referred to as Hiroshige's Golden Age of artistry. These drawings were completed by Hiroshige but never engraved and reproduced.  Instead they landed in the hands of a Dutch merchant and eventually into the possession of Monsieur Emile Javal, a judge in France.  In 1928, Javal offered them to Shataro Sato to etch the drawings and render them in the form Hiroshige would have done in regard to color.  The series of eight prints depicts Yedo in the winter months. An ornamental portfolio to hold the prints is included in the collection.  \nThe titles of the eight prints are as follows:\nTakanawa Yoru no Yuki (A snow evening at Takanawa)\nUeno Toeizan Shinobazu-ike (Toeizan temple and Shinobazu pond, Ueno)\nMeguro Fudo Keidai (Snow in the grounds of the Fudo shrine at Meguro)\nSusaki Yuki no Asa (Daybreak after a snowfall at Susaki)\nAsakusa Kinryuzan (snow scene at Kinryuzan Buddist temple, Asakusa district)\nSumidagawa Tsutsumi no Kei (View from the Sumida River embankment)\nKasumigaseki no Yuki-agari (Street view, looking down the Kasumigaseki after a snowfall)\nRyogoku Yuki no Yugure (Twilight view of the snow-clad Ryogoku bridge)\u003c/p\u003e","\u003cp\u003eSix loose woodblock prints of Ukiyo-e scenes in Japan. Subjects are mostly Japanese women or geisha and some samurai images.\u003c/p\u003e","\u003cp\u003eOne print created by Utagawa Kunimaru depicting the actor Iwai Kumesaburo in a female role during the late Edo period.\u003c/p\u003e","\u003cp\u003eOne Ukiyo-e triptych depicting a Japanese mistress along with six of her lady servants walking along the banks of a river. One of the servants is holding a large umbrella over the head of the finely dressed woman to shield her from the sun. The signature on each of the three prints appears to be of Toyokuni I (1769-1825).  Source: www.ukiyo-e.se/signatur.html.\u003c/p\u003e","\u003cp\u003eOne woodblock print created by Hiroshige depicting a torii and bridge scene.  The title of the print is \"Nihonbashi\". It is station number 1, First Edition, in the 53 Post Stations of the Tokaido Highroad created by Hiroshige.  This road connected Edo (Tokyo) to Kyōto.  The drawing was created by Hiroshige in 1834, the print is from an undertmined date thereafter.\u003c/p\u003e","\u003cp\u003eOne woodblock print created by Hiroshige depicting a torii and bridge scene.  The title of the print is \"Fujisawa; Yugyogi\". It is station number 7 in the 53 Post Stations of the Tokaido Highroad created by Hiroshige.  This road connected Edo (Tokyo) to Kyōto.  The drawing was created by Hiroshige in 1834, the print is from an undertmined date thereafter.\u003c/p\u003e","\u003cp\u003eOne woodblock print created by Hiroshige depicting a torii and bridge scene.  The title of the print is \"Numazu\" (Twilight). It is station number 12 in the 53 Post Stations of the Tokaido Highroad created by Hiroshige.  This road connected Edo (Tokyo) to Kyōto.  The drawing was created by Hiroshige in 1834, the print is from an undertmined date thereafter.\u003c/p\u003e","\u003cp\u003eOne woodblock print created by Tsukioka Yoshitoshi (1839-1892) in the Ukiyo-e theme depicting a master and a servant praying to the moon. The title of the piece is \"Hidetsugu in Exile\" It shows Toyotomi Hidetsugu (1568-1595) and a companion immprisoned in Mount Koya Temple, not long before their death. A disgraced Samurai, Hidetsugu was exiled and expected to commit suicide. His family and household members were all executed. This is print number 75 in Yoshitoshi's \"A Hundred Views of the Moon\" series.\nSource consulted, yoshitoshi.verwoerd.info, www.ukiyo-e.se/signatur.html\u003c/p\u003e","\u003cp\u003ePainting of a blossoming tree with a blue bird perched on its branches. Background color is peach and leaves and blossoms on the tree are light red and white. Artist signature is on the print, but the artist is currently unidentified.\u003c/p\u003e","\u003cp\u003ePainting depicting a farmer leading a horse in front of a thatched home. The horse is carrying straw on its back. The predominant portions of the artwork though are the trees surrounding the farmer, horse, and home. The dense leaves feature varying colors of green nad pink blossomed trees are scattered throughout the painting among the green foliage. [The artist could be Masunobu (active 1848-1853) a.k.a. Kiyosada?]\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Framed prints, portfolio collection, and loose woodblock prints featuring various Japanese artists from the 19th Century. Notably, Hiroshige I. (1797-1858), Kunimaru (1794-1829), and Yoshitishi (1839-1892).","A Listing of the collection is as follows: \nUkiyo-e The Floating World containing ten woodblock prints. \nSix loose woodblock prints of Watanabe. \nUkiyo-e triptych Woodblock print depicting a master and servant praying to the moon. \nUtagawa Kunimaru, a woodblock print Ukiyo-e depicting actor Iwai Kumesaburo in a female role during the late Edo Period (1789-1868) \nAndo Hiroshige, also known as Utagawa Hiroshige, Ichiyusai Hiroshige and Hiroshige I, woodblock print titled \"Fujisawa; Yugyogi\" depicting a torii and bridge. \nAndo Hiroshige oban ukiyo-e woodblock print titled \"Numazu (Twilight), 1833-1834, from the 53 Stations of the Tokaido Road. \nToto Yukimi Hakkei (Eight Snow Scenes in the Eastern Capital) Eight woodblock prints.\nMore detailed information of the woodblock prints can be found by clicking on the items listed in this collection guide.","Ten woodblock prints titled the floating world, bound in a green portfolio along with Japanese verse. Various artists are featured and have signed the woodblock prints.","Eight scenes created by Hiroshige in the period between the last years of Tenpō (1842) and the duration of Kōka (1847) which is often referred to as Hiroshige's Golden Age of artistry. These drawings were completed by Hiroshige but never engraved and reproduced.  Instead they landed in the hands of a Dutch merchant and eventually into the possession of Monsieur Emile Javal, a judge in France.  In 1928, Javal offered them to Shataro Sato to etch the drawings and render them in the form Hiroshige would have done in regard to color.  The series of eight prints depicts Yedo in the winter months. An ornamental portfolio to hold the prints is included in the collection.  \nThe titles of the eight prints are as follows:\nTakanawa Yoru no Yuki (A snow evening at Takanawa)\nUeno Toeizan Shinobazu-ike (Toeizan temple and Shinobazu pond, Ueno)\nMeguro Fudo Keidai (Snow in the grounds of the Fudo shrine at Meguro)\nSusaki Yuki no Asa (Daybreak after a snowfall at Susaki)\nAsakusa Kinryuzan (snow scene at Kinryuzan Buddist temple, Asakusa district)\nSumidagawa Tsutsumi no Kei (View from the Sumida River embankment)\nKasumigaseki no Yuki-agari (Street view, looking down the Kasumigaseki after a snowfall)\nRyogoku Yuki no Yugure (Twilight view of the snow-clad Ryogoku bridge)","Six loose woodblock prints of Ukiyo-e scenes in Japan. Subjects are mostly Japanese women or geisha and some samurai images.","One print created by Utagawa Kunimaru depicting the actor Iwai Kumesaburo in a female role during the late Edo period.","One Ukiyo-e triptych depicting a Japanese mistress along with six of her lady servants walking along the banks of a river. One of the servants is holding a large umbrella over the head of the finely dressed woman to shield her from the sun. The signature on each of the three prints appears to be of Toyokuni I (1769-1825).  Source: www.ukiyo-e.se/signatur.html.","One woodblock print created by Hiroshige depicting a torii and bridge scene.  The title of the print is \"Nihonbashi\". It is station number 1, First Edition, in the 53 Post Stations of the Tokaido Highroad created by Hiroshige.  This road connected Edo (Tokyo) to Kyōto.  The drawing was created by Hiroshige in 1834, the print is from an undertmined date thereafter.","One woodblock print created by Hiroshige depicting a torii and bridge scene.  The title of the print is \"Fujisawa; Yugyogi\". It is station number 7 in the 53 Post Stations of the Tokaido Highroad created by Hiroshige.  This road connected Edo (Tokyo) to Kyōto.  The drawing was created by Hiroshige in 1834, the print is from an undertmined date thereafter.","One woodblock print created by Hiroshige depicting a torii and bridge scene.  The title of the print is \"Numazu\" (Twilight). It is station number 12 in the 53 Post Stations of the Tokaido Highroad created by Hiroshige.  This road connected Edo (Tokyo) to Kyōto.  The drawing was created by Hiroshige in 1834, the print is from an undertmined date thereafter.","One woodblock print created by Tsukioka Yoshitoshi (1839-1892) in the Ukiyo-e theme depicting a master and a servant praying to the moon. The title of the piece is \"Hidetsugu in Exile\" It shows Toyotomi Hidetsugu (1568-1595) and a companion immprisoned in Mount Koya Temple, not long before their death. A disgraced Samurai, Hidetsugu was exiled and expected to commit suicide. His family and household members were all executed. This is print number 75 in Yoshitoshi's \"A Hundred Views of the Moon\" series.\nSource consulted, yoshitoshi.verwoerd.info, www.ukiyo-e.se/signatur.html","Painting of a blossoming tree with a blue bird perched on its branches. Background color is peach and leaves and blossoms on the tree are light red and white. Artist signature is on the print, but the artist is currently unidentified.","Painting depicting a farmer leading a horse in front of a thatched home. The horse is carrying straw on its back. The predominant portions of the artwork though are the trees surrounding the farmer, horse, and home. The dense leaves feature varying colors of green nad pink blossomed trees are scattered throughout the painting among the green foliage. [The artist could be Masunobu (active 1848-1853) a.k.a. Kiyosada?]"],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Uchida Art Co. LTD.. Kyoto Handicraft Center","Williams,  Caroline ( Caroline H. Williams)","Williams, John Alden","Utagawa, Toyokuni, 1769-1825","Taiso, Yoshitoshi, 1839-1892"],"names_ssim":["Special Collections Research Center","Uchida Art Co. LTD.. Kyoto Handicraft Center","Williams,  Caroline ( Caroline H. Williams)","Williams, John Alden","Andō, Hiroshige, 1797-1858","Utagawa, Toyokuni, 1769-1825","Taiso, Yoshitoshi, 1839-1892"],"corpname_ssim":["Special Collections Research Center","Uchida Art Co. LTD.. Kyoto Handicraft Center"],"persname_ssim":["Williams,  Caroline ( Caroline H. Williams)","Williams, John Alden","Andō, Hiroshige, 1797-1858","Utagawa, Toyokuni, 1769-1825","Taiso, Yoshitoshi, 1839-1892"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":13,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:32:07.907Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8520","ead_ssi":"viw_repositories_2_resources_8520","_root_":"viw_repositories_2_resources_8520","_nest_parent_":"viw_repositories_2_resources_8520","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8520.xml","title_filing_ssi":"Japanese Woodblock Prints","title_ssm":["Japanese Woodblock Prints"],"title_tesim":["Japanese Woodblock Prints"],"unitdate_ssm":["circa 1900"],"unitdate_other_ssim":["circa 1900"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00293","/repositories/2/resources/8520"],"text":["MS 00293","/repositories/2/resources/8520","Japanese Woodblock Prints","Art, Japanese","Prints, Japanese","Art, Japanese -- 19th century","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Utagawa Hiroshige, also known as Andō Hiroshige,Utagawa Hiroshige, Ichiyūsai Hiroshige, and Andō Tokutarō was a Japanese artist born in 1798 in modern day Tokyo and is best known for his woodblock carvings and prints in the traditional ukiyo-e style of artisty stemming from the Utagawa school of training. His rise to fame as an artist was a slow process and he gradually honed his own unique skills in landscpae and flora and fauna prints.  In 1832 he made a trip between Edo and Kyōto along the famed highway called the Tōkaidō; he stayed at the 53 overnight stations along the road and made numerous sketches of everything he saw. He published a series of 55 landscape prints titled Fifty-three Stations of the Tōkaidō—one for each station, as well as the beginning of the highway and the arrival in Kyōto. The success of this series was immediate and made Hiroshige one of the most popular ukiyo-e artists of all time. He died in 1858 having produced over 8,000 works.  \nWorks consulted for this summary: www.publicdomainreview.org, metmuseum.org, www.britannica.com","Framed prints, portfolio collection, and loose woodblock prints featuring various Japanese artists from the 19th Century. Notably, Hiroshige I. (1797-1858), Kunimaru (1794-1829), and Yoshitishi (1839-1892).","A Listing of the collection is as follows: \nUkiyo-e The Floating World containing ten woodblock prints. \nSix loose woodblock prints of Watanabe. \nUkiyo-e triptych Woodblock print depicting a master and servant praying to the moon. \nUtagawa Kunimaru, a woodblock print Ukiyo-e depicting actor Iwai Kumesaburo in a female role during the late Edo Period (1789-1868) \nAndo Hiroshige, also known as Utagawa Hiroshige, Ichiyusai Hiroshige and Hiroshige I, woodblock print titled \"Fujisawa; Yugyogi\" depicting a torii and bridge. \nAndo Hiroshige oban ukiyo-e woodblock print titled \"Numazu (Twilight), 1833-1834, from the 53 Stations of the Tokaido Road. \nToto Yukimi Hakkei (Eight Snow Scenes in the Eastern Capital) Eight woodblock prints.\nMore detailed information of the woodblock prints can be found by clicking on the items listed in this collection guide.","Ten woodblock prints titled the floating world, bound in a green portfolio along with Japanese verse. Various artists are featured and have signed the woodblock prints.","Eight scenes created by Hiroshige in the period between the last years of Tenpō (1842) and the duration of Kōka (1847) which is often referred to as Hiroshige's Golden Age of artistry. These drawings were completed by Hiroshige but never engraved and reproduced.  Instead they landed in the hands of a Dutch merchant and eventually into the possession of Monsieur Emile Javal, a judge in France.  In 1928, Javal offered them to Shataro Sato to etch the drawings and render them in the form Hiroshige would have done in regard to color.  The series of eight prints depicts Yedo in the winter months. An ornamental portfolio to hold the prints is included in the collection.  \nThe titles of the eight prints are as follows:\nTakanawa Yoru no Yuki (A snow evening at Takanawa)\nUeno Toeizan Shinobazu-ike (Toeizan temple and Shinobazu pond, Ueno)\nMeguro Fudo Keidai (Snow in the grounds of the Fudo shrine at Meguro)\nSusaki Yuki no Asa (Daybreak after a snowfall at Susaki)\nAsakusa Kinryuzan (snow scene at Kinryuzan Buddist temple, Asakusa district)\nSumidagawa Tsutsumi no Kei (View from the Sumida River embankment)\nKasumigaseki no Yuki-agari (Street view, looking down the Kasumigaseki after a snowfall)\nRyogoku Yuki no Yugure (Twilight view of the snow-clad Ryogoku bridge)","Six loose woodblock prints of Ukiyo-e scenes in Japan. Subjects are mostly Japanese women or geisha and some samurai images.","One print created by Utagawa Kunimaru depicting the actor Iwai Kumesaburo in a female role during the late Edo period.","One Ukiyo-e triptych depicting a Japanese mistress along with six of her lady servants walking along the banks of a river. One of the servants is holding a large umbrella over the head of the finely dressed woman to shield her from the sun. The signature on each of the three prints appears to be of Toyokuni I (1769-1825).  Source: www.ukiyo-e.se/signatur.html.","One woodblock print created by Hiroshige depicting a torii and bridge scene.  The title of the print is \"Nihonbashi\". It is station number 1, First Edition, in the 53 Post Stations of the Tokaido Highroad created by Hiroshige.  This road connected Edo (Tokyo) to Kyōto.  The drawing was created by Hiroshige in 1834, the print is from an undertmined date thereafter.","One woodblock print created by Hiroshige depicting a torii and bridge scene.  The title of the print is \"Fujisawa; Yugyogi\". It is station number 7 in the 53 Post Stations of the Tokaido Highroad created by Hiroshige.  This road connected Edo (Tokyo) to Kyōto.  The drawing was created by Hiroshige in 1834, the print is from an undertmined date thereafter.","One woodblock print created by Hiroshige depicting a torii and bridge scene.  The title of the print is \"Numazu\" (Twilight). It is station number 12 in the 53 Post Stations of the Tokaido Highroad created by Hiroshige.  This road connected Edo (Tokyo) to Kyōto.  The drawing was created by Hiroshige in 1834, the print is from an undertmined date thereafter.","One woodblock print created by Tsukioka Yoshitoshi (1839-1892) in the Ukiyo-e theme depicting a master and a servant praying to the moon. The title of the piece is \"Hidetsugu in Exile\" It shows Toyotomi Hidetsugu (1568-1595) and a companion immprisoned in Mount Koya Temple, not long before their death. A disgraced Samurai, Hidetsugu was exiled and expected to commit suicide. His family and household members were all executed. This is print number 75 in Yoshitoshi's \"A Hundred Views of the Moon\" series.\nSource consulted, yoshitoshi.verwoerd.info, www.ukiyo-e.se/signatur.html","Painting of a blossoming tree with a blue bird perched on its branches. Background color is peach and leaves and blossoms on the tree are light red and white. Artist signature is on the print, but the artist is currently unidentified.","Painting depicting a farmer leading a horse in front of a thatched home. The horse is carrying straw on its back. The predominant portions of the artwork though are the trees surrounding the farmer, horse, and home. The dense leaves feature varying colors of green nad pink blossomed trees are scattered throughout the painting among the green foliage. [The artist could be Masunobu (active 1848-1853) a.k.a. Kiyosada?]","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Uchida Art Co. LTD.. Kyoto Handicraft Center","Williams,  Caroline ( Caroline H. Williams)","Williams, John Alden","Andō, Hiroshige, 1797-1858","Utagawa, Toyokuni, 1769-1825","Taiso, Yoshitoshi, 1839-1892","English"],"unitid_tesim":["MS 00293","/repositories/2/resources/8520"],"normalized_title_ssm":["Japanese Woodblock Prints"],"collection_title_tesim":["Japanese Woodblock Prints"],"collection_ssim":["Japanese Woodblock Prints"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Williams,  Caroline ( Caroline H. Williams)","Williams, John Alden","Andō, Hiroshige, 1797-1858"],"creator_ssim":["Williams,  Caroline ( Caroline H. Williams)","Williams, John Alden","Andō, Hiroshige, 1797-1858"],"creator_persname_ssim":["Williams,  Caroline ( Caroline H. Williams)","Williams, John Alden","Andō, Hiroshige, 1797-1858"],"creators_ssim":["Williams,  Caroline ( Caroline H. Williams)","Williams, John Alden","Andō, Hiroshige, 1797-1858"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gift of John Alden and Caroline Williams, 2019."],"access_subjects_ssim":["Art, Japanese","Prints, Japanese","Art, Japanese -- 19th century"],"access_subjects_ssm":["Art, Japanese","Prints, Japanese","Art, Japanese -- 19th century"],"has_online_content_ssim":["false"],"extent_ssm":["4.0 Linear Feet"],"extent_tesim":["4.0 Linear Feet"],"date_range_isim":[1900],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eUtagawa Hiroshige, also known as Andō Hiroshige,Utagawa Hiroshige, Ichiyūsai Hiroshige, and Andō Tokutarō was a Japanese artist born in 1798 in modern day Tokyo and is best known for his woodblock carvings and prints in the traditional ukiyo-e style of artisty stemming from the Utagawa school of training. His rise to fame as an artist was a slow process and he gradually honed his own unique skills in landscpae and flora and fauna prints.  In 1832 he made a trip between Edo and Kyōto along the famed highway called the Tōkaidō; he stayed at the 53 overnight stations along the road and made numerous sketches of everything he saw. He published a series of 55 landscape prints titled Fifty-three Stations of the Tōkaidō—one for each station, as well as the beginning of the highway and the arrival in Kyōto. The success of this series was immediate and made Hiroshige one of the most popular ukiyo-e artists of all time. He died in 1858 having produced over 8,000 works.  \nWorks consulted for this summary: www.publicdomainreview.org, metmuseum.org, www.britannica.com\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Utagawa Hiroshige, also known as Andō Hiroshige,Utagawa Hiroshige, Ichiyūsai Hiroshige, and Andō Tokutarō was a Japanese artist born in 1798 in modern day Tokyo and is best known for his woodblock carvings and prints in the traditional ukiyo-e style of artisty stemming from the Utagawa school of training. His rise to fame as an artist was a slow process and he gradually honed his own unique skills in landscpae and flora and fauna prints.  In 1832 he made a trip between Edo and Kyōto along the famed highway called the Tōkaidō; he stayed at the 53 overnight stations along the road and made numerous sketches of everything he saw. He published a series of 55 landscape prints titled Fifty-three Stations of the Tōkaidō—one for each station, as well as the beginning of the highway and the arrival in Kyōto. The success of this series was immediate and made Hiroshige one of the most popular ukiyo-e artists of all time. He died in 1858 having produced over 8,000 works.  \nWorks consulted for this summary: www.publicdomainreview.org, metmuseum.org, www.britannica.com"],"prefercite_html_tesm":["\u003cp\u003eJapanese Woodblock Prints, Special Collections Research Center, William and Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Japanese Woodblock Prints, Special Collections Research Center, William and Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eFramed prints, portfolio collection, and loose woodblock prints featuring various Japanese artists from the 19th Century. Notably, Hiroshige I. (1797-1858), Kunimaru (1794-1829), and Yoshitishi (1839-1892).\u003c/p\u003e\n","\u003cp\u003eA Listing of the collection is as follows: \nUkiyo-e The Floating World containing ten woodblock prints. \nSix loose woodblock prints of Watanabe. \nUkiyo-e triptych Woodblock print depicting a master and servant praying to the moon. \nUtagawa Kunimaru, a woodblock print Ukiyo-e depicting actor Iwai Kumesaburo in a female role during the late Edo Period (1789-1868) \nAndo Hiroshige, also known as Utagawa Hiroshige, Ichiyusai Hiroshige and Hiroshige I, woodblock print titled \"Fujisawa; Yugyogi\" depicting a torii and bridge. \nAndo Hiroshige oban ukiyo-e woodblock print titled \"Numazu (Twilight), 1833-1834, from the 53 Stations of the Tokaido Road. \nToto Yukimi Hakkei (Eight Snow Scenes in the Eastern Capital) Eight woodblock prints.\nMore detailed information of the woodblock prints can be found by clicking on the items listed in this collection guide.\u003c/p\u003e","\u003cp\u003eTen woodblock prints titled the floating world, bound in a green portfolio along with Japanese verse. Various artists are featured and have signed the woodblock prints.\u003c/p\u003e","\u003cp\u003eEight scenes created by Hiroshige in the period between the last years of Tenpō (1842) and the duration of Kōka (1847) which is often referred to as Hiroshige's Golden Age of artistry. These drawings were completed by Hiroshige but never engraved and reproduced.  Instead they landed in the hands of a Dutch merchant and eventually into the possession of Monsieur Emile Javal, a judge in France.  In 1928, Javal offered them to Shataro Sato to etch the drawings and render them in the form Hiroshige would have done in regard to color.  The series of eight prints depicts Yedo in the winter months. An ornamental portfolio to hold the prints is included in the collection.  \nThe titles of the eight prints are as follows:\nTakanawa Yoru no Yuki (A snow evening at Takanawa)\nUeno Toeizan Shinobazu-ike (Toeizan temple and Shinobazu pond, Ueno)\nMeguro Fudo Keidai (Snow in the grounds of the Fudo shrine at Meguro)\nSusaki Yuki no Asa (Daybreak after a snowfall at Susaki)\nAsakusa Kinryuzan (snow scene at Kinryuzan Buddist temple, Asakusa district)\nSumidagawa Tsutsumi no Kei (View from the Sumida River embankment)\nKasumigaseki no Yuki-agari (Street view, looking down the Kasumigaseki after a snowfall)\nRyogoku Yuki no Yugure (Twilight view of the snow-clad Ryogoku bridge)\u003c/p\u003e","\u003cp\u003eSix loose woodblock prints of Ukiyo-e scenes in Japan. Subjects are mostly Japanese women or geisha and some samurai images.\u003c/p\u003e","\u003cp\u003eOne print created by Utagawa Kunimaru depicting the actor Iwai Kumesaburo in a female role during the late Edo period.\u003c/p\u003e","\u003cp\u003eOne Ukiyo-e triptych depicting a Japanese mistress along with six of her lady servants walking along the banks of a river. One of the servants is holding a large umbrella over the head of the finely dressed woman to shield her from the sun. The signature on each of the three prints appears to be of Toyokuni I (1769-1825).  Source: www.ukiyo-e.se/signatur.html.\u003c/p\u003e","\u003cp\u003eOne woodblock print created by Hiroshige depicting a torii and bridge scene.  The title of the print is \"Nihonbashi\". It is station number 1, First Edition, in the 53 Post Stations of the Tokaido Highroad created by Hiroshige.  This road connected Edo (Tokyo) to Kyōto.  The drawing was created by Hiroshige in 1834, the print is from an undertmined date thereafter.\u003c/p\u003e","\u003cp\u003eOne woodblock print created by Hiroshige depicting a torii and bridge scene.  The title of the print is \"Fujisawa; Yugyogi\". It is station number 7 in the 53 Post Stations of the Tokaido Highroad created by Hiroshige.  This road connected Edo (Tokyo) to Kyōto.  The drawing was created by Hiroshige in 1834, the print is from an undertmined date thereafter.\u003c/p\u003e","\u003cp\u003eOne woodblock print created by Hiroshige depicting a torii and bridge scene.  The title of the print is \"Numazu\" (Twilight). It is station number 12 in the 53 Post Stations of the Tokaido Highroad created by Hiroshige.  This road connected Edo (Tokyo) to Kyōto.  The drawing was created by Hiroshige in 1834, the print is from an undertmined date thereafter.\u003c/p\u003e","\u003cp\u003eOne woodblock print created by Tsukioka Yoshitoshi (1839-1892) in the Ukiyo-e theme depicting a master and a servant praying to the moon. The title of the piece is \"Hidetsugu in Exile\" It shows Toyotomi Hidetsugu (1568-1595) and a companion immprisoned in Mount Koya Temple, not long before their death. A disgraced Samurai, Hidetsugu was exiled and expected to commit suicide. His family and household members were all executed. This is print number 75 in Yoshitoshi's \"A Hundred Views of the Moon\" series.\nSource consulted, yoshitoshi.verwoerd.info, www.ukiyo-e.se/signatur.html\u003c/p\u003e","\u003cp\u003ePainting of a blossoming tree with a blue bird perched on its branches. Background color is peach and leaves and blossoms on the tree are light red and white. Artist signature is on the print, but the artist is currently unidentified.\u003c/p\u003e","\u003cp\u003ePainting depicting a farmer leading a horse in front of a thatched home. The horse is carrying straw on its back. The predominant portions of the artwork though are the trees surrounding the farmer, horse, and home. The dense leaves feature varying colors of green nad pink blossomed trees are scattered throughout the painting among the green foliage. [The artist could be Masunobu (active 1848-1853) a.k.a. Kiyosada?]\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Framed prints, portfolio collection, and loose woodblock prints featuring various Japanese artists from the 19th Century. Notably, Hiroshige I. (1797-1858), Kunimaru (1794-1829), and Yoshitishi (1839-1892).","A Listing of the collection is as follows: \nUkiyo-e The Floating World containing ten woodblock prints. \nSix loose woodblock prints of Watanabe. \nUkiyo-e triptych Woodblock print depicting a master and servant praying to the moon. \nUtagawa Kunimaru, a woodblock print Ukiyo-e depicting actor Iwai Kumesaburo in a female role during the late Edo Period (1789-1868) \nAndo Hiroshige, also known as Utagawa Hiroshige, Ichiyusai Hiroshige and Hiroshige I, woodblock print titled \"Fujisawa; Yugyogi\" depicting a torii and bridge. \nAndo Hiroshige oban ukiyo-e woodblock print titled \"Numazu (Twilight), 1833-1834, from the 53 Stations of the Tokaido Road. \nToto Yukimi Hakkei (Eight Snow Scenes in the Eastern Capital) Eight woodblock prints.\nMore detailed information of the woodblock prints can be found by clicking on the items listed in this collection guide.","Ten woodblock prints titled the floating world, bound in a green portfolio along with Japanese verse. Various artists are featured and have signed the woodblock prints.","Eight scenes created by Hiroshige in the period between the last years of Tenpō (1842) and the duration of Kōka (1847) which is often referred to as Hiroshige's Golden Age of artistry. These drawings were completed by Hiroshige but never engraved and reproduced.  Instead they landed in the hands of a Dutch merchant and eventually into the possession of Monsieur Emile Javal, a judge in France.  In 1928, Javal offered them to Shataro Sato to etch the drawings and render them in the form Hiroshige would have done in regard to color.  The series of eight prints depicts Yedo in the winter months. An ornamental portfolio to hold the prints is included in the collection.  \nThe titles of the eight prints are as follows:\nTakanawa Yoru no Yuki (A snow evening at Takanawa)\nUeno Toeizan Shinobazu-ike (Toeizan temple and Shinobazu pond, Ueno)\nMeguro Fudo Keidai (Snow in the grounds of the Fudo shrine at Meguro)\nSusaki Yuki no Asa (Daybreak after a snowfall at Susaki)\nAsakusa Kinryuzan (snow scene at Kinryuzan Buddist temple, Asakusa district)\nSumidagawa Tsutsumi no Kei (View from the Sumida River embankment)\nKasumigaseki no Yuki-agari (Street view, looking down the Kasumigaseki after a snowfall)\nRyogoku Yuki no Yugure (Twilight view of the snow-clad Ryogoku bridge)","Six loose woodblock prints of Ukiyo-e scenes in Japan. Subjects are mostly Japanese women or geisha and some samurai images.","One print created by Utagawa Kunimaru depicting the actor Iwai Kumesaburo in a female role during the late Edo period.","One Ukiyo-e triptych depicting a Japanese mistress along with six of her lady servants walking along the banks of a river. One of the servants is holding a large umbrella over the head of the finely dressed woman to shield her from the sun. The signature on each of the three prints appears to be of Toyokuni I (1769-1825).  Source: www.ukiyo-e.se/signatur.html.","One woodblock print created by Hiroshige depicting a torii and bridge scene.  The title of the print is \"Nihonbashi\". It is station number 1, First Edition, in the 53 Post Stations of the Tokaido Highroad created by Hiroshige.  This road connected Edo (Tokyo) to Kyōto.  The drawing was created by Hiroshige in 1834, the print is from an undertmined date thereafter.","One woodblock print created by Hiroshige depicting a torii and bridge scene.  The title of the print is \"Fujisawa; Yugyogi\". It is station number 7 in the 53 Post Stations of the Tokaido Highroad created by Hiroshige.  This road connected Edo (Tokyo) to Kyōto.  The drawing was created by Hiroshige in 1834, the print is from an undertmined date thereafter.","One woodblock print created by Hiroshige depicting a torii and bridge scene.  The title of the print is \"Numazu\" (Twilight). It is station number 12 in the 53 Post Stations of the Tokaido Highroad created by Hiroshige.  This road connected Edo (Tokyo) to Kyōto.  The drawing was created by Hiroshige in 1834, the print is from an undertmined date thereafter.","One woodblock print created by Tsukioka Yoshitoshi (1839-1892) in the Ukiyo-e theme depicting a master and a servant praying to the moon. The title of the piece is \"Hidetsugu in Exile\" It shows Toyotomi Hidetsugu (1568-1595) and a companion immprisoned in Mount Koya Temple, not long before their death. A disgraced Samurai, Hidetsugu was exiled and expected to commit suicide. His family and household members were all executed. This is print number 75 in Yoshitoshi's \"A Hundred Views of the Moon\" series.\nSource consulted, yoshitoshi.verwoerd.info, www.ukiyo-e.se/signatur.html","Painting of a blossoming tree with a blue bird perched on its branches. Background color is peach and leaves and blossoms on the tree are light red and white. Artist signature is on the print, but the artist is currently unidentified.","Painting depicting a farmer leading a horse in front of a thatched home. The horse is carrying straw on its back. The predominant portions of the artwork though are the trees surrounding the farmer, horse, and home. The dense leaves feature varying colors of green nad pink blossomed trees are scattered throughout the painting among the green foliage. [The artist could be Masunobu (active 1848-1853) a.k.a. Kiyosada?]"],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Uchida Art Co. LTD.. Kyoto Handicraft Center","Williams,  Caroline ( Caroline H. Williams)","Williams, John Alden","Utagawa, Toyokuni, 1769-1825","Taiso, Yoshitoshi, 1839-1892"],"names_ssim":["Special Collections Research Center","Uchida Art Co. LTD.. Kyoto Handicraft Center","Williams,  Caroline ( Caroline H. Williams)","Williams, John Alden","Andō, Hiroshige, 1797-1858","Utagawa, Toyokuni, 1769-1825","Taiso, Yoshitoshi, 1839-1892"],"corpname_ssim":["Special Collections Research Center","Uchida Art Co. LTD.. Kyoto Handicraft Center"],"persname_ssim":["Williams,  Caroline ( Caroline H. 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Kenan Professor of Humanities in the William and Mary Religious Studies Department. Williams specialized in Middle Eastern Civilization and Islamic Studies. Collection includes his curriculum vita, early papers, correspondence, course materials, lectures, talks, transcriptions of manuscripts, and research notes. 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