{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Nast%2C+Thomas%2C+1840-1902","last":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Nast%2C+Thomas%2C+1840-1902\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":2,"first_page?":true,"last_page?":true}},"data":[{"id":"vifgm_repositories_2_resources_528","type":"collection","attributes":{"title":"Harper's Weekly broadside featuring a double page illustration of the Grand Masquerade Ball at the New York City Academy of Music and caricatures by Thomas Nast, 1866","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_528#creator","type":"document_value","attributes":{"value":"Nast, Thomas, 1840-1902","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_528#abstract_or_scope","type":"document_value","attributes":{"value":"Content warning: Racist imagery. 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Wikipedia. Accessed December 15, 2020. https://en.wikipedia.org/wiki/Academy_of_Music_(New_York_City)","The Editors of Encyclopaedia Britannica. \"Thomas Nast.\" Encyclopaedia Britannica. Accessed December 15, 2020. https://www.britannica.com/biography/Thomas-Nast","\"Opening of the Academy of Music.\" The New York Times. October 3, 1854. Accessed December 15, 2020. https://timesmachine.nytimes.com/timesmachine/1854/10/03/88141170.pdf","\"Thomas Nast.\" Norman Rockwell Museum. Accessed December 15, 2020. https://www.illustrationhistory.org/artists/thomas-nast","Thomas Nast was a German-born American cartoonist who lived from 1840 - 1902, and is known as the \"Father of the American Cartoon.\" By his early twenties Nast was working for Harper's Weekly as a political cartoonist and quickly became known for his Civil War-era cartoons, particularly those depicting battle scenes. Nast eventually became so nationally influential that his cartoons directly impacted presidential politics. His cartoons also solidified the association of Republicans with elephants and Democrats with donkeys, which continues to this day.","The Academy of Music was one of the first opera houses established in New York City. Opening in 1854, it was the preferred opera house of New York's \"old money\" society, and was a key location for social events. The Academy of Music performed not only opera, but plays as well, and also hosted balls such as the Grand Masquerade Ball. The Academy was destroyed by a fire in 1866 just over a month after said ball, and was rebuilt, though it struggled to maintain its status as top opera house due to the rise of the Metropolitan Opera. Eventually the Academy became a location for vaudeville performances.","Processing completed by Amanda Brent in December 2020. EAD markup completed by Amanda Brent in December 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other newspaper collections, including the  and the  which both include Harper's Weekly illustrations.","Content warning: Racist imagery.","Harper's Weekly broadside featuring a double page illustration by Thomas Nast of the Grand Masquerade Ball - also known as the Bal d'Opera - at the New York City Academy of Music, which was held on Thursday, April 5, 1866. The illustration features caricatures, drawn by Nast, of famous and important people of the 1860s surrounding a scene from the ball itself. The caricatures were shown at the ball, as described by a written passage from the broadside: \"The picture is surrounded by representations of a few of the caricatures with which the ball-room was decorated...There were nearly a hundred paintings, all of them excellent caricatures...and they formed the principal topic of conversation.\" The individuals caricatured include Ulysses S. Grant, Max Maretzek, Stephen A. Douglas, and Thomas Nast himself. Included is a caricature of Wendell Phillips, a well-known abolitionist, holding a racist caricature of a Black child. The newspaper was published April 14, 1866.","The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)","Content warning: Racist imagery. Harper's Weekly broadside featuring a double page illustration by Thomas Nast of the Grand Masquerade Ball - also known as the Bal d'Opera - at the New York City Academy of Music, which was held on Thursday, April 5, 1866. It also features caricatures drawn by Thomas Nast, published April 14, 1866.","R 72, C 3, S 1","George Mason University. Libraries. 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The newspaper was published April 14, 1866.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Content warning: Racist imagery.","Harper's Weekly broadside featuring a double page illustration by Thomas Nast of the Grand Masquerade Ball - also known as the Bal d'Opera - at the New York City Academy of Music, which was held on Thursday, April 5, 1866. The illustration features caricatures, drawn by Nast, of famous and important people of the 1860s surrounding a scene from the ball itself. The caricatures were shown at the ball, as described by a written passage from the broadside: \"The picture is surrounded by representations of a few of the caricatures with which the ball-room was decorated...There were nearly a hundred paintings, all of them excellent caricatures...and they formed the principal topic of conversation.\" The individuals caricatured include Ulysses S. Grant, Max Maretzek, Stephen A. Douglas, and Thomas Nast himself. Included is a caricature of Wendell Phillips, a well-known abolitionist, holding a racist caricature of a Black child. The newspaper was published April 14, 1866."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_50ff66c801176ba377b2e438dfe78146\" label=\"Abstract\"\u003eContent warning: Racist imagery. Harper's Weekly broadside featuring a double page illustration by Thomas Nast of the Grand Masquerade Ball - also known as the Bal d'Opera - at the New York City Academy of Music, which was held on Thursday, April 5, 1866. It also features caricatures drawn by Thomas Nast, published April 14, 1866.\u003c/abstract\u003e\n    "],"abstract_tesim":["Content warning: Racist imagery. Harper's Weekly broadside featuring a double page illustration by Thomas Nast of the Grand Masquerade Ball - also known as the Bal d'Opera - at the New York City Academy of Music, which was held on Thursday, April 5, 1866. It also features caricatures drawn by Thomas Nast, published April 14, 1866."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_dbdb9df5848ac2bbb150d0be3a520c04\"\u003eR 72, C 3, S 1\u003c/physloc\u003e\n    "],"physloc_tesim":["R 72, C 3, S 1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Nast, Thomas, 1840-1902"],"names_ssim":["George Mason University. Libraries. 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Wikipedia. Accessed December 15, 2020. https://en.wikipedia.org/wiki/Academy_of_Music_(New_York_City)","The Editors of Encyclopaedia Britannica. \"Thomas Nast.\" Encyclopaedia Britannica. Accessed December 15, 2020. https://www.britannica.com/biography/Thomas-Nast","\"Opening of the Academy of Music.\" The New York Times. October 3, 1854. Accessed December 15, 2020. https://timesmachine.nytimes.com/timesmachine/1854/10/03/88141170.pdf","\"Thomas Nast.\" Norman Rockwell Museum. Accessed December 15, 2020. https://www.illustrationhistory.org/artists/thomas-nast","Thomas Nast was a German-born American cartoonist who lived from 1840 - 1902, and is known as the \"Father of the American Cartoon.\" By his early twenties Nast was working for Harper's Weekly as a political cartoonist and quickly became known for his Civil War-era cartoons, particularly those depicting battle scenes. Nast eventually became so nationally influential that his cartoons directly impacted presidential politics. His cartoons also solidified the association of Republicans with elephants and Democrats with donkeys, which continues to this day.","The Academy of Music was one of the first opera houses established in New York City. Opening in 1854, it was the preferred opera house of New York's \"old money\" society, and was a key location for social events. The Academy of Music performed not only opera, but plays as well, and also hosted balls such as the Grand Masquerade Ball. The Academy was destroyed by a fire in 1866 just over a month after said ball, and was rebuilt, though it struggled to maintain its status as top opera house due to the rise of the Metropolitan Opera. Eventually the Academy became a location for vaudeville performances.","Processing completed by Amanda Brent in December 2020. EAD markup completed by Amanda Brent in December 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other newspaper collections, including the  and the  which both include Harper's Weekly illustrations.","Content warning: Racist imagery.","Harper's Weekly broadside featuring a double page illustration by Thomas Nast of the Grand Masquerade Ball - also known as the Bal d'Opera - at the New York City Academy of Music, which was held on Thursday, April 5, 1866. The illustration features caricatures, drawn by Nast, of famous and important people of the 1860s surrounding a scene from the ball itself. The caricatures were shown at the ball, as described by a written passage from the broadside: \"The picture is surrounded by representations of a few of the caricatures with which the ball-room was decorated...There were nearly a hundred paintings, all of them excellent caricatures...and they formed the principal topic of conversation.\" The individuals caricatured include Ulysses S. Grant, Max Maretzek, Stephen A. Douglas, and Thomas Nast himself. Included is a caricature of Wendell Phillips, a well-known abolitionist, holding a racist caricature of a Black child. The newspaper was published April 14, 1866.","The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)","Content warning: Racist imagery. Harper's Weekly broadside featuring a double page illustration by Thomas Nast of the Grand Masquerade Ball - also known as the Bal d'Opera - at the New York City Academy of Music, which was held on Thursday, April 5, 1866. It also features caricatures drawn by Thomas Nast, published April 14, 1866.","R 72, C 3, S 1","George Mason University. Libraries. 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This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in December 2020. EAD markup completed by Amanda Brent in December 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other newspaper collections, including the \u003cextptr show=\"new\" title=\"19th century newspaper illustrations collection\" href=\"https://aspace.gmu.edu/repositories/2/resources/425\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Northern Virginia Civil War images collection\" href=\"https://aspace.gmu.edu/repositories/2/resources/144\"\u003e\u003c/extptr\u003e which both include Harper's Weekly illustrations.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other newspaper collections, including the  and the  which both include Harper's Weekly illustrations."],"scopecontent_html_tesm":["\u003cp\u003eContent warning: Racist imagery. \u003c/p\u003e","\u003cp\u003eHarper's Weekly broadside featuring a double page illustration by Thomas Nast of the Grand Masquerade Ball - also known as the Bal d'Opera - at the New York City Academy of Music, which was held on Thursday, April 5, 1866. The illustration features caricatures, drawn by Nast, of famous and important people of the 1860s surrounding a scene from the ball itself. The caricatures were shown at the ball, as described by a written passage from the broadside: \"The picture is surrounded by representations of a few of the caricatures with which the ball-room was decorated...There were nearly a hundred paintings, all of them excellent caricatures...and they formed the principal topic of conversation.\" The individuals caricatured include Ulysses S. Grant, Max Maretzek, Stephen A. Douglas, and Thomas Nast himself. Included is a caricature of Wendell Phillips, a well-known abolitionist, holding a racist caricature of a Black child. The newspaper was published April 14, 1866.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Content warning: Racist imagery.","Harper's Weekly broadside featuring a double page illustration by Thomas Nast of the Grand Masquerade Ball - also known as the Bal d'Opera - at the New York City Academy of Music, which was held on Thursday, April 5, 1866. The illustration features caricatures, drawn by Nast, of famous and important people of the 1860s surrounding a scene from the ball itself. The caricatures were shown at the ball, as described by a written passage from the broadside: \"The picture is surrounded by representations of a few of the caricatures with which the ball-room was decorated...There were nearly a hundred paintings, all of them excellent caricatures...and they formed the principal topic of conversation.\" The individuals caricatured include Ulysses S. Grant, Max Maretzek, Stephen A. Douglas, and Thomas Nast himself. Included is a caricature of Wendell Phillips, a well-known abolitionist, holding a racist caricature of a Black child. The newspaper was published April 14, 1866."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_50ff66c801176ba377b2e438dfe78146\" label=\"Abstract\"\u003eContent warning: Racist imagery. Harper's Weekly broadside featuring a double page illustration by Thomas Nast of the Grand Masquerade Ball - also known as the Bal d'Opera - at the New York City Academy of Music, which was held on Thursday, April 5, 1866. It also features caricatures drawn by Thomas Nast, published April 14, 1866.\u003c/abstract\u003e\n    "],"abstract_tesim":["Content warning: Racist imagery. Harper's Weekly broadside featuring a double page illustration by Thomas Nast of the Grand Masquerade Ball - also known as the Bal d'Opera - at the New York City Academy of Music, which was held on Thursday, April 5, 1866. It also features caricatures drawn by Thomas Nast, published April 14, 1866."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_dbdb9df5848ac2bbb150d0be3a520c04\"\u003eR 72, C 3, S 1\u003c/physloc\u003e\n    "],"physloc_tesim":["R 72, C 3, S 1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Nast, Thomas, 1840-1902"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Nast, Thomas, 1840-1902"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:01.774Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_528"}},{"id":"viblbv_repositories_2_resources_2484","type":"collection","attributes":{"title":"John Patrick Callaghan Collection, 1863/1864","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2484#creator","type":"document_value","attributes":{"value":"Callaghan, John Patrick","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2484#abstract_or_scope","type":"document_value","attributes":{"value":"The collection contains two volumes of \u003cem\u003eHarper's Weekly\u003c/em\u003e publications from 1863 and 1864, including several Winslow Homer woodcuts and Thomas Nast cartoons, collected by John Patrick Callaghan.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2484#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2484","ead_ssi":"viblbv_repositories_2_resources_2484","_root_":"viblbv_repositories_2_resources_2484","_nest_parent_":"viblbv_repositories_2_resources_2484","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2484.xml","title_filing_ssi":"Callaghan, John Patrick, Collection","title_ssm":["John Patrick Callaghan Collection"],"title_tesim":["John Patrick Callaghan Collection"],"unitdate_ssm":["1863-1864"],"unitdate_inclusive_ssm":["1863-1864"],"normalized_date_ssm":["1863/1864"],"normalized_title_ssm":["John Patrick Callaghan Collection, 1863/1864"],"text":["John Patrick Callaghan Collection, 1863/1864","Ms.2009.065","Civil War","United States -- History -- Civil War, 1861-1865","The collection is open for research.","The collection is arranged chronologically.","In 1850, Harper \u0026 Brothers began publishing Harper's Monthly, an illustrated magazine, inspired by the success of similar periodicals in the United States and England. By 1857, the magazine had become Harper's Weekly, featuring national and international news, political commentary, literary contributions, and cartoons and woodcuts by artists like Thomas Nast and Winslow Homer. Its popularity and wide-spread circulation made Harper's Weekly particularly influential throughout the American Civil War. The publication was careful to take a moderate stance during the war, in an effort not to isolate its Southern readers.","Following the Civil War, the publication continued its interest in politics and social issues. Leading politicians contributed articles and Harper's Weekly continued to help win presidential campaigns. In May of 1916, it merged with The Independent, which in turn merged with several other periodicals. In 1974, Harper's Weekly re-emerged as a separate publication.","The guide to the John Patrick Callaghan Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the John Patrick Callaghan Collection commenced and was completed in April 2009.","The collection contains two volumes of Harper's Weekly publications from 1863 and 1864, including several Winslow Homer woodcuts and Thomas Nast cartoons, collected by John Patrick Callaghan. The 1863 volume covers the weeks of January 3rd through December 26th. This box also contains a folder with several news-clippings found inside the volumes. The 1864 volume covers the weeks of January 2nd through August 20th. Both volumes are missing some pages.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The collection contains two volumes of Harper's Weekly publications from 1863 and 1864, including several Winslow Homer woodcuts and Thomas Nast cartoons, collected by John Patrick Callaghan.","Special Collections and University Archives, Virginia Tech","Callaghan, John Patrick","Homer, Winslow, 1836-1910","Nast, Thomas, 1840-1902","The materials in the collection are in English."],"collection_title_tesim":["John Patrick Callaghan Collection, 1863/1864"],"collection_ssim":["John Patrick Callaghan Collection, 1863/1864"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2009.065"],"unitid_tesim":["Ms.2009.065"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Callaghan, John Patrick","Homer, Winslow, 1836-1910","Nast, Thomas, 1840-1902"],"creator_ssim":["Callaghan, John Patrick","Homer, Winslow, 1836-1910","Nast, Thomas, 1840-1902"],"creator_persname_ssim":["Callaghan, John Patrick","Homer, Winslow, 1836-1910","Nast, Thomas, 1840-1902"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Callaghan, John Patrick","Homer, Winslow, 1836-1910","Nast, Thomas, 1840-1902","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The John Patrick Callaghan Collection was donated to Special Collections in April 2009."],"access_subjects_ssim":["Civil War","United States -- History -- Civil War, 1861-1865"],"access_subjects_ssm":["Civil War","United States -- History -- Civil War, 1861-1865"],"has_online_content_ssim":["false"],"extent_ssm":["1.3 Cubic Feet 2 boxes"],"extent_tesim":["1.3 Cubic Feet 2 boxes"],"date_range_isim":[1863,1864],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003eIn 1850, Harper \u0026amp; Brothers began publishing \u003ctitle render=\"italic\"\u003eHarper's Monthly\u003c/title\u003e, an illustrated magazine, inspired by the success of similar periodicals in the United States and England. By 1857, the magazine had become \u003ctitle render=\"italic\"\u003eHarper's Weekly\u003c/title\u003e, featuring national and international news, political commentary, literary contributions, and cartoons and woodcuts by artists like Thomas Nast and Winslow Homer. Its popularity and wide-spread circulation made \u003ctitle render=\"italic\"\u003eHarper's Weekly\u003c/title\u003e particularly influential throughout the American Civil War. The publication was careful to take a moderate stance during the war, in an effort not to isolate its Southern readers. \u003c/p\u003e","\u003cp\u003eFollowing the Civil War, the publication continued its interest in politics and social issues. Leading politicians contributed articles and \u003ctitle render=\"italic\"\u003eHarper's Weekly\u003c/title\u003e continued to help win presidential campaigns. In May of 1916, it merged with \u003ctitle render=\"italic\"\u003eThe Independent\u003c/title\u003e, which in turn merged with several other periodicals. In 1974, \u003ctitle render=\"italic\"\u003eHarper's Weekly\u003c/title\u003e re-emerged as a separate publication. \u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["In 1850, Harper \u0026 Brothers began publishing Harper's Monthly, an illustrated magazine, inspired by the success of similar periodicals in the United States and England. By 1857, the magazine had become Harper's Weekly, featuring national and international news, political commentary, literary contributions, and cartoons and woodcuts by artists like Thomas Nast and Winslow Homer. Its popularity and wide-spread circulation made Harper's Weekly particularly influential throughout the American Civil War. The publication was careful to take a moderate stance during the war, in an effort not to isolate its Southern readers.","Following the Civil War, the publication continued its interest in politics and social issues. Leading politicians contributed articles and Harper's Weekly continued to help win presidential campaigns. In May of 1916, it merged with The Independent, which in turn merged with several other periodicals. In 1974, Harper's Weekly re-emerged as a separate publication."],"odd_html_tesm":["\u003cp\u003eThe guide to the John Patrick Callaghan Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the John Patrick Callaghan Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], John Patrick Callaghan Collection, Ms2009-065, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], John Patrick Callaghan Collection, Ms2009-065, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the John Patrick Callaghan Collection commenced and was completed in April 2009.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the John Patrick Callaghan Collection commenced and was completed in April 2009."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains two volumes of \u003ctitle render=\"italic\"\u003eHarper's Weekly\u003c/title\u003e publications from 1863 and 1864, including several Winslow Homer woodcuts and Thomas Nast cartoons, collected by John Patrick Callaghan. The 1863 volume covers the weeks of January 3\u003cemph render=\"super\"\u003erd\u003c/emph\u003e through December 26\u003cemph render=\"super\"\u003eth\u003c/emph\u003e. This box also contains a folder with several news-clippings found inside the volumes. The 1864 volume covers the weeks of January 2\u003cemph render=\"super\"\u003end\u003c/emph\u003e through August 20\u003cemph render=\"super\"\u003eth\u003c/emph\u003e. Both volumes are missing some pages.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection contains two volumes of Harper's Weekly publications from 1863 and 1864, including several Winslow Homer woodcuts and Thomas Nast cartoons, collected by John Patrick Callaghan. The 1863 volume covers the weeks of January 3rd through December 26th. This box also contains a folder with several news-clippings found inside the volumes. The 1864 volume covers the weeks of January 2nd through August 20th. Both volumes are missing some pages."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ac3f78bf330bd036b84bf3f29798fb77\" label=\"Abstract\"\u003eThe collection contains two volumes of \u003ctitle render=\"italic\"\u003eHarper's Weekly\u003c/title\u003e publications from 1863 and 1864, including several Winslow Homer woodcuts and Thomas Nast cartoons, collected by John Patrick Callaghan.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection contains two volumes of Harper's Weekly publications from 1863 and 1864, including several Winslow Homer woodcuts and Thomas Nast cartoons, collected by John Patrick Callaghan."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Callaghan, John Patrick","Homer, Winslow, 1836-1910","Nast, Thomas, 1840-1902"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Callaghan, John Patrick","Homer, Winslow, 1836-1910","Nast, Thomas, 1840-1902"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:59.961Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2484","ead_ssi":"viblbv_repositories_2_resources_2484","_root_":"viblbv_repositories_2_resources_2484","_nest_parent_":"viblbv_repositories_2_resources_2484","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2484.xml","title_filing_ssi":"Callaghan, John Patrick, Collection","title_ssm":["John Patrick Callaghan Collection"],"title_tesim":["John Patrick Callaghan Collection"],"unitdate_ssm":["1863-1864"],"unitdate_inclusive_ssm":["1863-1864"],"normalized_date_ssm":["1863/1864"],"normalized_title_ssm":["John Patrick Callaghan Collection, 1863/1864"],"text":["John Patrick Callaghan Collection, 1863/1864","Ms.2009.065","Civil War","United States -- History -- Civil War, 1861-1865","The collection is open for research.","The collection is arranged chronologically.","In 1850, Harper \u0026 Brothers began publishing Harper's Monthly, an illustrated magazine, inspired by the success of similar periodicals in the United States and England. By 1857, the magazine had become Harper's Weekly, featuring national and international news, political commentary, literary contributions, and cartoons and woodcuts by artists like Thomas Nast and Winslow Homer. Its popularity and wide-spread circulation made Harper's Weekly particularly influential throughout the American Civil War. The publication was careful to take a moderate stance during the war, in an effort not to isolate its Southern readers.","Following the Civil War, the publication continued its interest in politics and social issues. Leading politicians contributed articles and Harper's Weekly continued to help win presidential campaigns. In May of 1916, it merged with The Independent, which in turn merged with several other periodicals. In 1974, Harper's Weekly re-emerged as a separate publication.","The guide to the John Patrick Callaghan Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the John Patrick Callaghan Collection commenced and was completed in April 2009.","The collection contains two volumes of Harper's Weekly publications from 1863 and 1864, including several Winslow Homer woodcuts and Thomas Nast cartoons, collected by John Patrick Callaghan. The 1863 volume covers the weeks of January 3rd through December 26th. This box also contains a folder with several news-clippings found inside the volumes. The 1864 volume covers the weeks of January 2nd through August 20th. Both volumes are missing some pages.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The collection contains two volumes of Harper's Weekly publications from 1863 and 1864, including several Winslow Homer woodcuts and Thomas Nast cartoons, collected by John Patrick Callaghan.","Special Collections and University Archives, Virginia Tech","Callaghan, John Patrick","Homer, Winslow, 1836-1910","Nast, Thomas, 1840-1902","The materials in the collection are in English."],"collection_title_tesim":["John Patrick Callaghan Collection, 1863/1864"],"collection_ssim":["John Patrick Callaghan Collection, 1863/1864"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2009.065"],"unitid_tesim":["Ms.2009.065"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Callaghan, John Patrick","Homer, Winslow, 1836-1910","Nast, Thomas, 1840-1902"],"creator_ssim":["Callaghan, John Patrick","Homer, Winslow, 1836-1910","Nast, Thomas, 1840-1902"],"creator_persname_ssim":["Callaghan, John Patrick","Homer, Winslow, 1836-1910","Nast, Thomas, 1840-1902"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Callaghan, John Patrick","Homer, Winslow, 1836-1910","Nast, Thomas, 1840-1902","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The John Patrick Callaghan Collection was donated to Special Collections in April 2009."],"access_subjects_ssim":["Civil War","United States -- History -- Civil War, 1861-1865"],"access_subjects_ssm":["Civil War","United States -- History -- Civil War, 1861-1865"],"has_online_content_ssim":["false"],"extent_ssm":["1.3 Cubic Feet 2 boxes"],"extent_tesim":["1.3 Cubic Feet 2 boxes"],"date_range_isim":[1863,1864],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003eIn 1850, Harper \u0026amp; Brothers began publishing \u003ctitle render=\"italic\"\u003eHarper's Monthly\u003c/title\u003e, an illustrated magazine, inspired by the success of similar periodicals in the United States and England. By 1857, the magazine had become \u003ctitle render=\"italic\"\u003eHarper's Weekly\u003c/title\u003e, featuring national and international news, political commentary, literary contributions, and cartoons and woodcuts by artists like Thomas Nast and Winslow Homer. Its popularity and wide-spread circulation made \u003ctitle render=\"italic\"\u003eHarper's Weekly\u003c/title\u003e particularly influential throughout the American Civil War. The publication was careful to take a moderate stance during the war, in an effort not to isolate its Southern readers. \u003c/p\u003e","\u003cp\u003eFollowing the Civil War, the publication continued its interest in politics and social issues. Leading politicians contributed articles and \u003ctitle render=\"italic\"\u003eHarper's Weekly\u003c/title\u003e continued to help win presidential campaigns. In May of 1916, it merged with \u003ctitle render=\"italic\"\u003eThe Independent\u003c/title\u003e, which in turn merged with several other periodicals. In 1974, \u003ctitle render=\"italic\"\u003eHarper's Weekly\u003c/title\u003e re-emerged as a separate publication. \u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["In 1850, Harper \u0026 Brothers began publishing Harper's Monthly, an illustrated magazine, inspired by the success of similar periodicals in the United States and England. By 1857, the magazine had become Harper's Weekly, featuring national and international news, political commentary, literary contributions, and cartoons and woodcuts by artists like Thomas Nast and Winslow Homer. Its popularity and wide-spread circulation made Harper's Weekly particularly influential throughout the American Civil War. The publication was careful to take a moderate stance during the war, in an effort not to isolate its Southern readers.","Following the Civil War, the publication continued its interest in politics and social issues. Leading politicians contributed articles and Harper's Weekly continued to help win presidential campaigns. In May of 1916, it merged with The Independent, which in turn merged with several other periodicals. In 1974, Harper's Weekly re-emerged as a separate publication."],"odd_html_tesm":["\u003cp\u003eThe guide to the John Patrick Callaghan Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the John Patrick Callaghan Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], John Patrick Callaghan Collection, Ms2009-065, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], John Patrick Callaghan Collection, Ms2009-065, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the John Patrick Callaghan Collection commenced and was completed in April 2009.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the John Patrick Callaghan Collection commenced and was completed in April 2009."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains two volumes of \u003ctitle render=\"italic\"\u003eHarper's Weekly\u003c/title\u003e publications from 1863 and 1864, including several Winslow Homer woodcuts and Thomas Nast cartoons, collected by John Patrick Callaghan. The 1863 volume covers the weeks of January 3\u003cemph render=\"super\"\u003erd\u003c/emph\u003e through December 26\u003cemph render=\"super\"\u003eth\u003c/emph\u003e. This box also contains a folder with several news-clippings found inside the volumes. The 1864 volume covers the weeks of January 2\u003cemph render=\"super\"\u003end\u003c/emph\u003e through August 20\u003cemph render=\"super\"\u003eth\u003c/emph\u003e. Both volumes are missing some pages.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection contains two volumes of Harper's Weekly publications from 1863 and 1864, including several Winslow Homer woodcuts and Thomas Nast cartoons, collected by John Patrick Callaghan. The 1863 volume covers the weeks of January 3rd through December 26th. This box also contains a folder with several news-clippings found inside the volumes. The 1864 volume covers the weeks of January 2nd through August 20th. Both volumes are missing some pages."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ac3f78bf330bd036b84bf3f29798fb77\" label=\"Abstract\"\u003eThe collection contains two volumes of \u003ctitle render=\"italic\"\u003eHarper's Weekly\u003c/title\u003e publications from 1863 and 1864, including several Winslow Homer woodcuts and Thomas Nast cartoons, collected by John Patrick Callaghan.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection contains two volumes of Harper's Weekly publications from 1863 and 1864, including several Winslow Homer woodcuts and Thomas Nast cartoons, collected by John Patrick Callaghan."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Callaghan, John Patrick","Homer, Winslow, 1836-1910","Nast, Thomas, 1840-1902"],"names_ssim":["Special Collections and University Archives, Virginia 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