{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=poetry\u0026page=3","prev":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=poetry\u0026page=2","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=poetry\u0026page=3"},"meta":{"pages":{"current_page":3,"next_page":null,"prev_page":2,"total_pages":3,"limit_value":10,"offset_value":20,"total_count":23,"first_page?":false,"last_page?":true}},"data":[{"id":"viu_repositories_3_resources_1828","type":"collection","attributes":{"title":"Robert Anbian papers","creator":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1828#creator","type":"document_value","attributes":{"value":"Anbian, Robert","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1828#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains the papers of poet, author, publisher, and political activist Robert White Anbian (1949-2022). Anbian graduated from the University of Virginia in 1971, after which he spent three years in Niger with the Peace Corps from 1974 to 1977. He then relocated to San Francisco, where he worked as a writer and poet until his death. From 1985 to 1996, Robert served as the editor of the monthly Film Arts Foundation magazine, Release Print, and the publicist for an independent filmmaker education and advocacy group. He founded his own publishing house, Night Horn Books. Anbian published three poetry collections: WE Parts 1 \u0026amp; 2 (Night Horn Books, 1999), Antinostalgia (Ruddy Duck Press, 1992), and Bohemian Airs \u0026amp; Other Kêfs (Night Horn Books, 1982). \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1828#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1828","ead_ssi":"viu_repositories_3_resources_1828","_root_":"viu_repositories_3_resources_1828","_nest_parent_":"viu_repositories_3_resources_1828","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1828.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/230328","title_filing_ssi":"Anbian, Robert papers","title_ssm":["Robert Anbian papers"],"title_tesim":["Robert Anbian papers"],"unitdate_ssm":["1974-2022"],"unitdate_inclusive_ssm":["1974-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16922","Archival Resource Key","/repositories/3/resources/1828"],"text":["MSS 16922","Archival Resource Key","/repositories/3/resources/1828","Robert Anbian papers","United States -- Politics and government -- 2001-2009","Central America -- Politics and government -- 1979-","Poets","University of Virginia -- Alumni","Poverty","poetry","American literature","This collection is open for research.","The collection is arranged by type of material and then by date. Series 1. Sketchbooks, Notebooks and manuscripts, Series 2. Correspondence, Series 3. Publications, Series 4. Reviews, Series 5. Burlington County Herald newspaper"," \"Robert Anbian (June 27, 1949 - February 23, 2022) wrote about sex, politics, seas and oceans, city streets, deserts, war, love, music, highways, petty larceny, ecstasy, childhood, death, and memories. His poems and stories are populated with the poor, lost, exiled, angry, crazy in love, and intoxicated... His syntax is mangled, his narrative a montage. He had little use for metaphor. He means exactly what he says. His texts are homespun, esoteric, oddly familiar and strange. He's discovering the music in language, in thought, in the cortex of consciousness. He's funny.","That Anbian, a leading voice in the San Francisco poetry underground, isn't more widely known is as much a tribute to his \"odd man out\" obstinacy as to the usual reluctance of society to deal with its critics. Yet obstinacy has a point. Anbian writes a poetry that won't surrender an inch of imaginative freedom to love, hate, or ideology – his own above all. With I NOT I (EDT4072), the word comes from the poet himself in a writer's voice – that is, in a language demotic, impassioned, and little peculiar. Included in this powerful follow-up to the 2007 poetry and jazz CD, Robert Anbian and the Unidentified Flying Quartet, also on Edgetone Records (EDT4052), is a sweeping selection from Anbian's epochal WE series, in a new sequence enacting the poems' contingent, open-ended form. This is an important recording for anyone interested in poetry, spoken word, literature, anti-literature, and the troubled junctures of culture and politics.","Robert Anbian published three poetry collections, WE Parts 1 \u0026 2 (Night Horn Books 1999), Antinostalgia (Ruddy Duck Press 1992) and Bohemian Airs \u0026 Other Kêfs (Night Horn Books, 1982). His most recent publication is the chapbook, Blame the Powerful: Political Poems (War\u0026Peace Press 2004). His work has appeared in the anthologies, Beyond Lament: Poets of the World Confront the Holocaust (Northwestern) and Practicing Angels: A Contemporary Anthology of San Francisco Bay Area Poetry (Seismograph), at www.newversenews.com, and in the literary periodicals City Lights Review, North Coast Literary Review, Oxygen, Left Curve, Oro Madre, Compages, and the electronic journal, Rif/t. From 1978-82, he edited the literary review, Oboe.\" ","A native of New Jersey and graduate of the University of Virginia, and following his work in the Peace Corps, Anbian lived and worked as a journalist and editor in San Francisco. He graduated from the University of Virginia in 1971, after which he spent three years in Niger with the Peace Corps from 1974 to 1977. He then relocated to San Francisco, where he worked as a writer and poet until his death. From 1985 to 1996, Robert served as the editor of the monthly Film Arts Foundation magazine, Release Print, and the publicist for an independent filmmaker education and advocacy group. He founded his own publishing house, Night Horn Books. Anbian published three poetry collections: WE Parts 1 \u0026 2 (Night Horn Books, 1999), Antinostalgia (Ruddy Duck Press, 1992), and Bohemian Airs \u0026 Other Kêfs (Night Horn Books, 1982). ","\nSource:\n\"Robert Anbian\" Edgetone Records website. Accessed 10/2/25\nhttps://www.edgetonerecords.com/anbian.html","Content Warning:This collection contains sexual imagery that viewers may find offensive.The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","This collection contains sexual imagery that viewers may find offensive.\nThe purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","This collection contains nudity that viewers may find offensive.\nThe purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","This collection contains nudity that viewers may find offensive.\nThe purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","This collection contains the papers of poet, author, publisher, and political activist Robert White Anbian (1949-2022). Anbian graduated from the University of Virginia in 1971, after which he spent three years in Niger with the Peace Corps from 1974 to 1977. He then relocated to San Francisco, where he worked as a writer and poet until his death. From 1985 to 1996, Robert served as the editor of the monthly Film Arts Foundation magazine, Release Print, and the publicist for an independent filmmaker education and advocacy group. He founded his own publishing house, Night Horn Books. Anbian published three poetry collections: WE Parts 1 \u0026 2 (Night Horn Books, 1999), Antinostalgia (Ruddy Duck Press, 1992), and Bohemian Airs \u0026 Other Kêfs (Night Horn Books, 1982). ","The collection contains sketchbooks, journals, handwritten and printed drafts of poems, screenplays, short stories, and longer works, notes, newspaper clippings, articles, printed publications, posters, pamphlets, resumes, an astrological chart, artworks, photographs, correspondence, ephemera, and publications published by Night Horn Books. ","The papers span from 1974 to 2022 and document his work as a writer and publisher. Materials include his journals and sketchbooks from 1974 to 2019, which include his artwork, notes, and poetry. There are synopses, drafts, notebooks, and notes of two of his novels, \"The Glittering Zero\" and \"Deep Blue Sea,\" as well as his poetry, short stories, and screenplays. ","Aside from his written work, the collection contains correspondence between Anbian and other poets, personal handwritten notes, postcards to friends and family members, resumes, photographs, and artwork by Anbian. Works published by Wilderness Press and Night Horn Book, authored by Anbian and others, are also included. See External Documents for a detailed box-folder inventory of the collection's contents. ","Includes \"The Portrait\"","Albert and Shirley Small Special Collections Library","Anbian, Robert","English French Greek, Modern (1453-)"],"unitid_tesim":["MSS 16922","Archival Resource Key","/repositories/3/resources/1828"],"normalized_title_ssm":["Robert Anbian papers"],"collection_title_tesim":["Robert Anbian papers"],"collection_ssim":["Robert Anbian papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["United States -- Politics and government -- 2001-2009","Central America -- Politics and government -- 1979-"],"geogname_ssim":["United States -- Politics and government -- 2001-2009","Central America -- Politics and government -- 1979-"],"creator_ssm":["Anbian, Robert"],"creator_ssim":["Anbian, Robert"],"creator_persname_ssim":["Anbian, Robert"],"creators_ssim":["Anbian, Robert"],"places_ssim":["United States -- Politics and government -- 2001-2009","Central America -- Politics and government -- 1979-"],"acqinfo_ssim":["This collection was a gift from Patricia McLaughlin to the Small Special Collections Library at the University of Virginia Library on 19 December 2024."],"access_subjects_ssim":["Poets","University of Virginia -- Alumni","Poverty","poetry","American literature"],"access_subjects_ssm":["Poets","University of Virginia -- Alumni","Poverty","poetry","American literature"],"has_online_content_ssim":["false"],"extent_ssm":["5.35 Cubic Feet 13 document boxes, one medium oversized flat box"],"extent_tesim":["5.35 Cubic Feet 13 document boxes, one medium oversized flat box"],"genreform_ssim":["poetry","American literature"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by type of material and then by date. Series 1. Sketchbooks, Notebooks and manuscripts, Series 2. Correspondence, Series 3. Publications, Series 4. Reviews, Series 5. Burlington County Herald newspaper\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged by type of material and then by date. Series 1. Sketchbooks, Notebooks and manuscripts, Series 2. Correspondence, Series 3. Publications, Series 4. Reviews, Series 5. Burlington County Herald newspaper"],"bioghist_html_tesm":["\u003cp\u003e \"Robert Anbian (June 27, 1949 - February 23, 2022) wrote about sex, politics, seas and oceans, city streets, deserts, war, love, music, highways, petty larceny, ecstasy, childhood, death, and memories. His poems and stories are populated with the poor, lost, exiled, angry, crazy in love, and intoxicated... His syntax is mangled, his narrative a montage. He had little use for metaphor. He means exactly what he says. His texts are homespun, esoteric, oddly familiar and strange. He's discovering the music in language, in thought, in the cortex of consciousness. He's funny.\u003c/p\u003e\n","\u003cp\u003eThat Anbian, a leading voice in the San Francisco poetry underground, isn't more widely known is as much a tribute to his \"odd man out\" obstinacy as to the usual reluctance of society to deal with its critics. Yet obstinacy has a point. Anbian writes a poetry that won't surrender an inch of imaginative freedom to love, hate, or ideology – his own above all. With I NOT I (EDT4072), the word comes from the poet himself in a writer's voice – that is, in a language demotic, impassioned, and little peculiar. Included in this powerful follow-up to the 2007 poetry and jazz CD, Robert Anbian and the Unidentified Flying Quartet, also on Edgetone Records (EDT4052), is a sweeping selection from Anbian's epochal WE series, in a new sequence enacting the poems' contingent, open-ended form. This is an important recording for anyone interested in poetry, spoken word, literature, anti-literature, and the troubled junctures of culture and politics.\u003c/p\u003e\n","\u003cp\u003eRobert Anbian published three poetry collections, WE Parts 1 \u0026amp; 2 (Night Horn Books 1999), Antinostalgia (Ruddy Duck Press 1992) and Bohemian Airs \u0026amp; Other Kêfs (Night Horn Books, 1982). His most recent publication is the chapbook, Blame the Powerful: Political Poems (War\u0026amp;Peace Press 2004). His work has appeared in the anthologies, Beyond Lament: Poets of the World Confront the Holocaust (Northwestern) and Practicing Angels: A Contemporary Anthology of San Francisco Bay Area Poetry (Seismograph), at www.newversenews.com, and in the literary periodicals City Lights Review, North Coast Literary Review, Oxygen, Left Curve, Oro Madre, Compages, and the electronic journal, Rif/t. From 1978-82, he edited the literary review, Oboe.\" \u003c/p\u003e\n","\u003cp\u003eA native of New Jersey and graduate of the University of Virginia, and following his work in the Peace Corps, Anbian lived and worked as a journalist and editor in San Francisco. He graduated from the University of Virginia in 1971, after which he spent three years in Niger with the Peace Corps from 1974 to 1977. He then relocated to San Francisco, where he worked as a writer and poet until his death. From 1985 to 1996, Robert served as the editor of the monthly Film Arts Foundation magazine, Release Print, and the publicist for an independent filmmaker education and advocacy group. He founded his own publishing house, Night Horn Books. Anbian published three poetry collections: WE Parts 1 \u0026amp; 2 (Night Horn Books, 1999), Antinostalgia (Ruddy Duck Press, 1992), and Bohemian Airs \u0026amp; Other Kêfs (Night Horn Books, 1982). \u003c/p\u003e\n","\u003cp\u003e\nSource:\n\"Robert Anbian\" Edgetone Records website. Accessed 10/2/25\nhttps://www.edgetonerecords.com/anbian.html\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":[" \"Robert Anbian (June 27, 1949 - February 23, 2022) wrote about sex, politics, seas and oceans, city streets, deserts, war, love, music, highways, petty larceny, ecstasy, childhood, death, and memories. His poems and stories are populated with the poor, lost, exiled, angry, crazy in love, and intoxicated... His syntax is mangled, his narrative a montage. He had little use for metaphor. He means exactly what he says. His texts are homespun, esoteric, oddly familiar and strange. He's discovering the music in language, in thought, in the cortex of consciousness. He's funny.","That Anbian, a leading voice in the San Francisco poetry underground, isn't more widely known is as much a tribute to his \"odd man out\" obstinacy as to the usual reluctance of society to deal with its critics. Yet obstinacy has a point. Anbian writes a poetry that won't surrender an inch of imaginative freedom to love, hate, or ideology – his own above all. With I NOT I (EDT4072), the word comes from the poet himself in a writer's voice – that is, in a language demotic, impassioned, and little peculiar. Included in this powerful follow-up to the 2007 poetry and jazz CD, Robert Anbian and the Unidentified Flying Quartet, also on Edgetone Records (EDT4052), is a sweeping selection from Anbian's epochal WE series, in a new sequence enacting the poems' contingent, open-ended form. This is an important recording for anyone interested in poetry, spoken word, literature, anti-literature, and the troubled junctures of culture and politics.","Robert Anbian published three poetry collections, WE Parts 1 \u0026 2 (Night Horn Books 1999), Antinostalgia (Ruddy Duck Press 1992) and Bohemian Airs \u0026 Other Kêfs (Night Horn Books, 1982). His most recent publication is the chapbook, Blame the Powerful: Political Poems (War\u0026Peace Press 2004). His work has appeared in the anthologies, Beyond Lament: Poets of the World Confront the Holocaust (Northwestern) and Practicing Angels: A Contemporary Anthology of San Francisco Bay Area Poetry (Seismograph), at www.newversenews.com, and in the literary periodicals City Lights Review, North Coast Literary Review, Oxygen, Left Curve, Oro Madre, Compages, and the electronic journal, Rif/t. From 1978-82, he edited the literary review, Oboe.\" ","A native of New Jersey and graduate of the University of Virginia, and following his work in the Peace Corps, Anbian lived and worked as a journalist and editor in San Francisco. He graduated from the University of Virginia in 1971, after which he spent three years in Niger with the Peace Corps from 1974 to 1977. He then relocated to San Francisco, where he worked as a writer and poet until his death. From 1985 to 1996, Robert served as the editor of the monthly Film Arts Foundation magazine, Release Print, and the publicist for an independent filmmaker education and advocacy group. He founded his own publishing house, Night Horn Books. Anbian published three poetry collections: WE Parts 1 \u0026 2 (Night Horn Books, 1999), Antinostalgia (Ruddy Duck Press, 1992), and Bohemian Airs \u0026 Other Kêfs (Night Horn Books, 1982). ","\nSource:\n\"Robert Anbian\" Edgetone Records website. Accessed 10/2/25\nhttps://www.edgetonerecords.com/anbian.html"],"odd_html_tesm":["\u003cp\u003eContent Warning:This collection contains sexual imagery that viewers may find offensive.The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eThis collection contains sexual imagery that viewers may find offensive.\nThe purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eThis collection contains nudity that viewers may find offensive.\nThe purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eThis collection contains nudity that viewers may find offensive.\nThe purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General"],"odd_tesim":["Content Warning:This collection contains sexual imagery that viewers may find offensive.The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","This collection contains sexual imagery that viewers may find offensive.\nThe purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","This collection contains nudity that viewers may find offensive.\nThe purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","This collection contains nudity that viewers may find offensive.\nThe purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials."],"prefercite_html_tesm":["\u003cp\u003eMSS 16922, Robert Anbian papers, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 16922, Robert Anbian papers, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the papers of poet, author, publisher, and political activist Robert White Anbian (1949-2022). Anbian graduated from the University of Virginia in 1971, after which he spent three years in Niger with the Peace Corps from 1974 to 1977. He then relocated to San Francisco, where he worked as a writer and poet until his death. From 1985 to 1996, Robert served as the editor of the monthly Film Arts Foundation magazine, Release Print, and the publicist for an independent filmmaker education and advocacy group. He founded his own publishing house, Night Horn Books. Anbian published three poetry collections: WE Parts 1 \u0026amp; 2 (Night Horn Books, 1999), Antinostalgia (Ruddy Duck Press, 1992), and Bohemian Airs \u0026amp; Other Kêfs (Night Horn Books, 1982). \u003c/p\u003e\n","\u003cp\u003eThe collection contains sketchbooks, journals, handwritten and printed drafts of poems, screenplays, short stories, and longer works, notes, newspaper clippings, articles, printed publications, posters, pamphlets, resumes, an astrological chart, artworks, photographs, correspondence, ephemera, and publications published by Night Horn Books. \u003c/p\u003e\n","\u003cp\u003eThe papers span from 1974 to 2022 and document his work as a writer and publisher. Materials include his journals and sketchbooks from 1974 to 2019, which include his artwork, notes, and poetry. There are synopses, drafts, notebooks, and notes of two of his novels, \"The Glittering Zero\" and \"Deep Blue Sea,\" as well as his poetry, short stories, and screenplays. \u003c/p\u003e\n","\u003cp\u003eAside from his written work, the collection contains correspondence between Anbian and other poets, personal handwritten notes, postcards to friends and family members, resumes, photographs, and artwork by Anbian. Works published by Wilderness Press and Night Horn Book, authored by Anbian and others, are also included. See External Documents for a detailed box-folder inventory of the collection's contents. \u003c/p\u003e","\u003cp\u003eIncludes \"The Portrait\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents"],"scopecontent_tesim":["This collection contains the papers of poet, author, publisher, and political activist Robert White Anbian (1949-2022). Anbian graduated from the University of Virginia in 1971, after which he spent three years in Niger with the Peace Corps from 1974 to 1977. He then relocated to San Francisco, where he worked as a writer and poet until his death. From 1985 to 1996, Robert served as the editor of the monthly Film Arts Foundation magazine, Release Print, and the publicist for an independent filmmaker education and advocacy group. He founded his own publishing house, Night Horn Books. Anbian published three poetry collections: WE Parts 1 \u0026 2 (Night Horn Books, 1999), Antinostalgia (Ruddy Duck Press, 1992), and Bohemian Airs \u0026 Other Kêfs (Night Horn Books, 1982). ","The collection contains sketchbooks, journals, handwritten and printed drafts of poems, screenplays, short stories, and longer works, notes, newspaper clippings, articles, printed publications, posters, pamphlets, resumes, an astrological chart, artworks, photographs, correspondence, ephemera, and publications published by Night Horn Books. ","The papers span from 1974 to 2022 and document his work as a writer and publisher. Materials include his journals and sketchbooks from 1974 to 2019, which include his artwork, notes, and poetry. There are synopses, drafts, notebooks, and notes of two of his novels, \"The Glittering Zero\" and \"Deep Blue Sea,\" as well as his poetry, short stories, and screenplays. ","Aside from his written work, the collection contains correspondence between Anbian and other poets, personal handwritten notes, postcards to friends and family members, resumes, photographs, and artwork by Anbian. Works published by Wilderness Press and Night Horn Book, authored by Anbian and others, are also included. See External Documents for a detailed box-folder inventory of the collection's contents. ","Includes \"The Portrait\""],"names_ssim":["Albert and Shirley Small Special Collections Library","Anbian, Robert"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Anbian, Robert"],"language_ssim":["English French Greek, Modern (1453-)"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":96,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:47:05.363Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1828","ead_ssi":"viu_repositories_3_resources_1828","_root_":"viu_repositories_3_resources_1828","_nest_parent_":"viu_repositories_3_resources_1828","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1828.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/230328","title_filing_ssi":"Anbian, Robert papers","title_ssm":["Robert Anbian papers"],"title_tesim":["Robert Anbian papers"],"unitdate_ssm":["1974-2022"],"unitdate_inclusive_ssm":["1974-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16922","Archival Resource Key","/repositories/3/resources/1828"],"text":["MSS 16922","Archival Resource Key","/repositories/3/resources/1828","Robert Anbian papers","United States -- Politics and government -- 2001-2009","Central America -- Politics and government -- 1979-","Poets","University of Virginia -- Alumni","Poverty","poetry","American literature","This collection is open for research.","The collection is arranged by type of material and then by date. Series 1. Sketchbooks, Notebooks and manuscripts, Series 2. Correspondence, Series 3. Publications, Series 4. Reviews, Series 5. Burlington County Herald newspaper"," \"Robert Anbian (June 27, 1949 - February 23, 2022) wrote about sex, politics, seas and oceans, city streets, deserts, war, love, music, highways, petty larceny, ecstasy, childhood, death, and memories. His poems and stories are populated with the poor, lost, exiled, angry, crazy in love, and intoxicated... His syntax is mangled, his narrative a montage. He had little use for metaphor. He means exactly what he says. His texts are homespun, esoteric, oddly familiar and strange. He's discovering the music in language, in thought, in the cortex of consciousness. He's funny.","That Anbian, a leading voice in the San Francisco poetry underground, isn't more widely known is as much a tribute to his \"odd man out\" obstinacy as to the usual reluctance of society to deal with its critics. Yet obstinacy has a point. Anbian writes a poetry that won't surrender an inch of imaginative freedom to love, hate, or ideology – his own above all. With I NOT I (EDT4072), the word comes from the poet himself in a writer's voice – that is, in a language demotic, impassioned, and little peculiar. Included in this powerful follow-up to the 2007 poetry and jazz CD, Robert Anbian and the Unidentified Flying Quartet, also on Edgetone Records (EDT4052), is a sweeping selection from Anbian's epochal WE series, in a new sequence enacting the poems' contingent, open-ended form. This is an important recording for anyone interested in poetry, spoken word, literature, anti-literature, and the troubled junctures of culture and politics.","Robert Anbian published three poetry collections, WE Parts 1 \u0026 2 (Night Horn Books 1999), Antinostalgia (Ruddy Duck Press 1992) and Bohemian Airs \u0026 Other Kêfs (Night Horn Books, 1982). His most recent publication is the chapbook, Blame the Powerful: Political Poems (War\u0026Peace Press 2004). His work has appeared in the anthologies, Beyond Lament: Poets of the World Confront the Holocaust (Northwestern) and Practicing Angels: A Contemporary Anthology of San Francisco Bay Area Poetry (Seismograph), at www.newversenews.com, and in the literary periodicals City Lights Review, North Coast Literary Review, Oxygen, Left Curve, Oro Madre, Compages, and the electronic journal, Rif/t. From 1978-82, he edited the literary review, Oboe.\" ","A native of New Jersey and graduate of the University of Virginia, and following his work in the Peace Corps, Anbian lived and worked as a journalist and editor in San Francisco. He graduated from the University of Virginia in 1971, after which he spent three years in Niger with the Peace Corps from 1974 to 1977. He then relocated to San Francisco, where he worked as a writer and poet until his death. From 1985 to 1996, Robert served as the editor of the monthly Film Arts Foundation magazine, Release Print, and the publicist for an independent filmmaker education and advocacy group. He founded his own publishing house, Night Horn Books. Anbian published three poetry collections: WE Parts 1 \u0026 2 (Night Horn Books, 1999), Antinostalgia (Ruddy Duck Press, 1992), and Bohemian Airs \u0026 Other Kêfs (Night Horn Books, 1982). ","\nSource:\n\"Robert Anbian\" Edgetone Records website. Accessed 10/2/25\nhttps://www.edgetonerecords.com/anbian.html","Content Warning:This collection contains sexual imagery that viewers may find offensive.The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","This collection contains sexual imagery that viewers may find offensive.\nThe purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","This collection contains nudity that viewers may find offensive.\nThe purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","This collection contains nudity that viewers may find offensive.\nThe purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","This collection contains the papers of poet, author, publisher, and political activist Robert White Anbian (1949-2022). Anbian graduated from the University of Virginia in 1971, after which he spent three years in Niger with the Peace Corps from 1974 to 1977. He then relocated to San Francisco, where he worked as a writer and poet until his death. From 1985 to 1996, Robert served as the editor of the monthly Film Arts Foundation magazine, Release Print, and the publicist for an independent filmmaker education and advocacy group. He founded his own publishing house, Night Horn Books. Anbian published three poetry collections: WE Parts 1 \u0026 2 (Night Horn Books, 1999), Antinostalgia (Ruddy Duck Press, 1992), and Bohemian Airs \u0026 Other Kêfs (Night Horn Books, 1982). ","The collection contains sketchbooks, journals, handwritten and printed drafts of poems, screenplays, short stories, and longer works, notes, newspaper clippings, articles, printed publications, posters, pamphlets, resumes, an astrological chart, artworks, photographs, correspondence, ephemera, and publications published by Night Horn Books. ","The papers span from 1974 to 2022 and document his work as a writer and publisher. Materials include his journals and sketchbooks from 1974 to 2019, which include his artwork, notes, and poetry. There are synopses, drafts, notebooks, and notes of two of his novels, \"The Glittering Zero\" and \"Deep Blue Sea,\" as well as his poetry, short stories, and screenplays. ","Aside from his written work, the collection contains correspondence between Anbian and other poets, personal handwritten notes, postcards to friends and family members, resumes, photographs, and artwork by Anbian. Works published by Wilderness Press and Night Horn Book, authored by Anbian and others, are also included. See External Documents for a detailed box-folder inventory of the collection's contents. ","Includes \"The Portrait\"","Albert and Shirley Small Special Collections Library","Anbian, Robert","English French Greek, Modern (1453-)"],"unitid_tesim":["MSS 16922","Archival Resource Key","/repositories/3/resources/1828"],"normalized_title_ssm":["Robert Anbian papers"],"collection_title_tesim":["Robert Anbian papers"],"collection_ssim":["Robert Anbian papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["United States -- Politics and government -- 2001-2009","Central America -- Politics and government -- 1979-"],"geogname_ssim":["United States -- Politics and government -- 2001-2009","Central America -- Politics and government -- 1979-"],"creator_ssm":["Anbian, Robert"],"creator_ssim":["Anbian, Robert"],"creator_persname_ssim":["Anbian, Robert"],"creators_ssim":["Anbian, Robert"],"places_ssim":["United States -- Politics and government -- 2001-2009","Central America -- Politics and government -- 1979-"],"acqinfo_ssim":["This collection was a gift from Patricia McLaughlin to the Small Special Collections Library at the University of Virginia Library on 19 December 2024."],"access_subjects_ssim":["Poets","University of Virginia -- Alumni","Poverty","poetry","American literature"],"access_subjects_ssm":["Poets","University of Virginia -- Alumni","Poverty","poetry","American literature"],"has_online_content_ssim":["false"],"extent_ssm":["5.35 Cubic Feet 13 document boxes, one medium oversized flat box"],"extent_tesim":["5.35 Cubic Feet 13 document boxes, one medium oversized flat box"],"genreform_ssim":["poetry","American literature"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by type of material and then by date. Series 1. Sketchbooks, Notebooks and manuscripts, Series 2. Correspondence, Series 3. Publications, Series 4. Reviews, Series 5. Burlington County Herald newspaper\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged by type of material and then by date. Series 1. Sketchbooks, Notebooks and manuscripts, Series 2. Correspondence, Series 3. Publications, Series 4. Reviews, Series 5. Burlington County Herald newspaper"],"bioghist_html_tesm":["\u003cp\u003e \"Robert Anbian (June 27, 1949 - February 23, 2022) wrote about sex, politics, seas and oceans, city streets, deserts, war, love, music, highways, petty larceny, ecstasy, childhood, death, and memories. His poems and stories are populated with the poor, lost, exiled, angry, crazy in love, and intoxicated... His syntax is mangled, his narrative a montage. He had little use for metaphor. He means exactly what he says. His texts are homespun, esoteric, oddly familiar and strange. He's discovering the music in language, in thought, in the cortex of consciousness. He's funny.\u003c/p\u003e\n","\u003cp\u003eThat Anbian, a leading voice in the San Francisco poetry underground, isn't more widely known is as much a tribute to his \"odd man out\" obstinacy as to the usual reluctance of society to deal with its critics. Yet obstinacy has a point. Anbian writes a poetry that won't surrender an inch of imaginative freedom to love, hate, or ideology – his own above all. With I NOT I (EDT4072), the word comes from the poet himself in a writer's voice – that is, in a language demotic, impassioned, and little peculiar. Included in this powerful follow-up to the 2007 poetry and jazz CD, Robert Anbian and the Unidentified Flying Quartet, also on Edgetone Records (EDT4052), is a sweeping selection from Anbian's epochal WE series, in a new sequence enacting the poems' contingent, open-ended form. This is an important recording for anyone interested in poetry, spoken word, literature, anti-literature, and the troubled junctures of culture and politics.\u003c/p\u003e\n","\u003cp\u003eRobert Anbian published three poetry collections, WE Parts 1 \u0026amp; 2 (Night Horn Books 1999), Antinostalgia (Ruddy Duck Press 1992) and Bohemian Airs \u0026amp; Other Kêfs (Night Horn Books, 1982). His most recent publication is the chapbook, Blame the Powerful: Political Poems (War\u0026amp;Peace Press 2004). His work has appeared in the anthologies, Beyond Lament: Poets of the World Confront the Holocaust (Northwestern) and Practicing Angels: A Contemporary Anthology of San Francisco Bay Area Poetry (Seismograph), at www.newversenews.com, and in the literary periodicals City Lights Review, North Coast Literary Review, Oxygen, Left Curve, Oro Madre, Compages, and the electronic journal, Rif/t. From 1978-82, he edited the literary review, Oboe.\" \u003c/p\u003e\n","\u003cp\u003eA native of New Jersey and graduate of the University of Virginia, and following his work in the Peace Corps, Anbian lived and worked as a journalist and editor in San Francisco. He graduated from the University of Virginia in 1971, after which he spent three years in Niger with the Peace Corps from 1974 to 1977. He then relocated to San Francisco, where he worked as a writer and poet until his death. From 1985 to 1996, Robert served as the editor of the monthly Film Arts Foundation magazine, Release Print, and the publicist for an independent filmmaker education and advocacy group. He founded his own publishing house, Night Horn Books. Anbian published three poetry collections: WE Parts 1 \u0026amp; 2 (Night Horn Books, 1999), Antinostalgia (Ruddy Duck Press, 1992), and Bohemian Airs \u0026amp; Other Kêfs (Night Horn Books, 1982). \u003c/p\u003e\n","\u003cp\u003e\nSource:\n\"Robert Anbian\" Edgetone Records website. Accessed 10/2/25\nhttps://www.edgetonerecords.com/anbian.html\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":[" \"Robert Anbian (June 27, 1949 - February 23, 2022) wrote about sex, politics, seas and oceans, city streets, deserts, war, love, music, highways, petty larceny, ecstasy, childhood, death, and memories. His poems and stories are populated with the poor, lost, exiled, angry, crazy in love, and intoxicated... His syntax is mangled, his narrative a montage. He had little use for metaphor. He means exactly what he says. His texts are homespun, esoteric, oddly familiar and strange. He's discovering the music in language, in thought, in the cortex of consciousness. He's funny.","That Anbian, a leading voice in the San Francisco poetry underground, isn't more widely known is as much a tribute to his \"odd man out\" obstinacy as to the usual reluctance of society to deal with its critics. Yet obstinacy has a point. Anbian writes a poetry that won't surrender an inch of imaginative freedom to love, hate, or ideology – his own above all. With I NOT I (EDT4072), the word comes from the poet himself in a writer's voice – that is, in a language demotic, impassioned, and little peculiar. Included in this powerful follow-up to the 2007 poetry and jazz CD, Robert Anbian and the Unidentified Flying Quartet, also on Edgetone Records (EDT4052), is a sweeping selection from Anbian's epochal WE series, in a new sequence enacting the poems' contingent, open-ended form. This is an important recording for anyone interested in poetry, spoken word, literature, anti-literature, and the troubled junctures of culture and politics.","Robert Anbian published three poetry collections, WE Parts 1 \u0026 2 (Night Horn Books 1999), Antinostalgia (Ruddy Duck Press 1992) and Bohemian Airs \u0026 Other Kêfs (Night Horn Books, 1982). His most recent publication is the chapbook, Blame the Powerful: Political Poems (War\u0026Peace Press 2004). His work has appeared in the anthologies, Beyond Lament: Poets of the World Confront the Holocaust (Northwestern) and Practicing Angels: A Contemporary Anthology of San Francisco Bay Area Poetry (Seismograph), at www.newversenews.com, and in the literary periodicals City Lights Review, North Coast Literary Review, Oxygen, Left Curve, Oro Madre, Compages, and the electronic journal, Rif/t. From 1978-82, he edited the literary review, Oboe.\" ","A native of New Jersey and graduate of the University of Virginia, and following his work in the Peace Corps, Anbian lived and worked as a journalist and editor in San Francisco. He graduated from the University of Virginia in 1971, after which he spent three years in Niger with the Peace Corps from 1974 to 1977. He then relocated to San Francisco, where he worked as a writer and poet until his death. From 1985 to 1996, Robert served as the editor of the monthly Film Arts Foundation magazine, Release Print, and the publicist for an independent filmmaker education and advocacy group. He founded his own publishing house, Night Horn Books. Anbian published three poetry collections: WE Parts 1 \u0026 2 (Night Horn Books, 1999), Antinostalgia (Ruddy Duck Press, 1992), and Bohemian Airs \u0026 Other Kêfs (Night Horn Books, 1982). ","\nSource:\n\"Robert Anbian\" Edgetone Records website. Accessed 10/2/25\nhttps://www.edgetonerecords.com/anbian.html"],"odd_html_tesm":["\u003cp\u003eContent Warning:This collection contains sexual imagery that viewers may find offensive.The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eThis collection contains sexual imagery that viewers may find offensive.\nThe purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eThis collection contains nudity that viewers may find offensive.\nThe purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eThis collection contains nudity that viewers may find offensive.\nThe purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General"],"odd_tesim":["Content Warning:This collection contains sexual imagery that viewers may find offensive.The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","This collection contains sexual imagery that viewers may find offensive.\nThe purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","This collection contains nudity that viewers may find offensive.\nThe purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","This collection contains nudity that viewers may find offensive.\nThe purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials."],"prefercite_html_tesm":["\u003cp\u003eMSS 16922, Robert Anbian papers, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 16922, Robert Anbian papers, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the papers of poet, author, publisher, and political activist Robert White Anbian (1949-2022). Anbian graduated from the University of Virginia in 1971, after which he spent three years in Niger with the Peace Corps from 1974 to 1977. He then relocated to San Francisco, where he worked as a writer and poet until his death. From 1985 to 1996, Robert served as the editor of the monthly Film Arts Foundation magazine, Release Print, and the publicist for an independent filmmaker education and advocacy group. He founded his own publishing house, Night Horn Books. Anbian published three poetry collections: WE Parts 1 \u0026amp; 2 (Night Horn Books, 1999), Antinostalgia (Ruddy Duck Press, 1992), and Bohemian Airs \u0026amp; Other Kêfs (Night Horn Books, 1982). \u003c/p\u003e\n","\u003cp\u003eThe collection contains sketchbooks, journals, handwritten and printed drafts of poems, screenplays, short stories, and longer works, notes, newspaper clippings, articles, printed publications, posters, pamphlets, resumes, an astrological chart, artworks, photographs, correspondence, ephemera, and publications published by Night Horn Books. \u003c/p\u003e\n","\u003cp\u003eThe papers span from 1974 to 2022 and document his work as a writer and publisher. Materials include his journals and sketchbooks from 1974 to 2019, which include his artwork, notes, and poetry. There are synopses, drafts, notebooks, and notes of two of his novels, \"The Glittering Zero\" and \"Deep Blue Sea,\" as well as his poetry, short stories, and screenplays. \u003c/p\u003e\n","\u003cp\u003eAside from his written work, the collection contains correspondence between Anbian and other poets, personal handwritten notes, postcards to friends and family members, resumes, photographs, and artwork by Anbian. Works published by Wilderness Press and Night Horn Book, authored by Anbian and others, are also included. See External Documents for a detailed box-folder inventory of the collection's contents. \u003c/p\u003e","\u003cp\u003eIncludes \"The Portrait\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents"],"scopecontent_tesim":["This collection contains the papers of poet, author, publisher, and political activist Robert White Anbian (1949-2022). Anbian graduated from the University of Virginia in 1971, after which he spent three years in Niger with the Peace Corps from 1974 to 1977. He then relocated to San Francisco, where he worked as a writer and poet until his death. From 1985 to 1996, Robert served as the editor of the monthly Film Arts Foundation magazine, Release Print, and the publicist for an independent filmmaker education and advocacy group. He founded his own publishing house, Night Horn Books. Anbian published three poetry collections: WE Parts 1 \u0026 2 (Night Horn Books, 1999), Antinostalgia (Ruddy Duck Press, 1992), and Bohemian Airs \u0026 Other Kêfs (Night Horn Books, 1982). ","The collection contains sketchbooks, journals, handwritten and printed drafts of poems, screenplays, short stories, and longer works, notes, newspaper clippings, articles, printed publications, posters, pamphlets, resumes, an astrological chart, artworks, photographs, correspondence, ephemera, and publications published by Night Horn Books. ","The papers span from 1974 to 2022 and document his work as a writer and publisher. Materials include his journals and sketchbooks from 1974 to 2019, which include his artwork, notes, and poetry. There are synopses, drafts, notebooks, and notes of two of his novels, \"The Glittering Zero\" and \"Deep Blue Sea,\" as well as his poetry, short stories, and screenplays. ","Aside from his written work, the collection contains correspondence between Anbian and other poets, personal handwritten notes, postcards to friends and family members, resumes, photographs, and artwork by Anbian. Works published by Wilderness Press and Night Horn Book, authored by Anbian and others, are also included. See External Documents for a detailed box-folder inventory of the collection's contents. ","Includes \"The Portrait\""],"names_ssim":["Albert and Shirley Small Special Collections Library","Anbian, Robert"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Anbian, Robert"],"language_ssim":["English French Greek, Modern (1453-)"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":96,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:47:05.363Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1828"}},{"id":"viu_repositories_3_resources_1427","type":"collection","attributes":{"title":"Sally C. Wegner poetry manuscripts","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1427#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe poetry manuscripts by Sally Calkins Wegner are for a class taught by Karl Shapiro at the University of California, while a visiting professor there, and most contain handwritten comments by Shapiro. Also present is a news clipping about Shapiro and his appearance for a reading at the University of Arizona, Tucson in 1966.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1427#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1427","ead_ssi":"viu_repositories_3_resources_1427","_root_":"viu_repositories_3_resources_1427","_nest_parent_":"viu_repositories_3_resources_1427","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1427.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/169384","title_filing_ssi":"Sally C. Wegner poetry manuscripts with annotations by Karl Shapiro","title_ssm":["Sally C. Wegner poetry manuscripts"],"title_tesim":["Sally C. 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Wegner poetry manuscripts","University of Arizona. Poetry Center","criticism","poetry","There are no access restrictions.","According to a note from Wenger, Karl Shapiro wrote these critique notes while teaching as a visiting professor at the University of California. Shapiro was an American poet who was awarded the Pulitizer Prize for Poetry in 1945 for \"V-Letter and Other Poems,\" while still serving in the military and stationed in New Guinea, and the Bollingen Prize in Poetry in 1969. He was appointed American Poet Laureate in 1946 and 1947. He also authored sixteen books of poetry. Shapiro edited \"Poetry\" magazine from 1948-1950. He also edited the \"Prarie Schooner from 1956-1966. Shapiro attended the University of Virginia for one year (1932-1933) and Johns Hopkins University.","The poetry manuscripts by Sally Calkins Wegner are for a class taught by Karl Shapiro at the University of California, while a visiting professor there, and most contain handwritten comments by Shapiro. Also present is a news clipping about Shapiro and his appearance for a reading at the University of Arizona, Tucson in 1966.","There are no access restrictions.","Albert and Shirley Small Special Collections Library","English"],"unitid_tesim":["MSS 16478","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1427"],"normalized_title_ssm":["Sally C. Wegner poetry manuscripts"],"collection_title_tesim":["Sally C. Wegner poetry manuscripts"],"collection_ssim":["Sally C. Wegner poetry manuscripts"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["University of Arizona. Poetry Center"],"geogname_ssim":["University of Arizona. Poetry Center"],"places_ssim":["University of Arizona. Poetry Center"],"access_terms_ssm":["There are no access restrictions."],"acqinfo_ssim":["This collection was given to the University of Virginia Special Collections Library by Sally Calkins Wegner on June 13, 2018."],"access_subjects_ssim":["criticism","poetry"],"access_subjects_ssm":["criticism","poetry"],"has_online_content_ssim":["false"],"extent_ssm":["0.03 Cubic Feet 1 folder, circa 30 items"],"extent_tesim":["0.03 Cubic Feet 1 folder, circa 30 items"],"genreform_ssim":["poetry"],"date_range_isim":[1956],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no access restrictions."],"bioghist_html_tesm":["\u003cp\u003eAccording to a note from Wenger, Karl Shapiro wrote these critique notes while teaching as a visiting professor at the University of California. Shapiro was an American poet who was awarded the Pulitizer Prize for Poetry in 1945 for \"V-Letter and Other Poems,\" while still serving in the military and stationed in New Guinea, and the Bollingen Prize in Poetry in 1969. He was appointed American Poet Laureate in 1946 and 1947. He also authored sixteen books of poetry. Shapiro edited \"Poetry\" magazine from 1948-1950. He also edited the \"Prarie Schooner from 1956-1966. Shapiro attended the University of Virginia for one year (1932-1933) and Johns Hopkins University.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["According to a note from Wenger, Karl Shapiro wrote these critique notes while teaching as a visiting professor at the University of California. Shapiro was an American poet who was awarded the Pulitizer Prize for Poetry in 1945 for \"V-Letter and Other Poems,\" while still serving in the military and stationed in New Guinea, and the Bollingen Prize in Poetry in 1969. He was appointed American Poet Laureate in 1946 and 1947. He also authored sixteen books of poetry. Shapiro edited \"Poetry\" magazine from 1948-1950. He also edited the \"Prarie Schooner from 1956-1966. Shapiro attended the University of Virginia for one year (1932-1933) and Johns Hopkins University."],"prefercite_html_tesm":["\u003cp\u003eSally C. Wegner poetry manuscripts, MSS 16478, Albert and Shirley Small Special Collections Library, University of Virginia, Charlottesville, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Sally C. Wegner poetry manuscripts, MSS 16478, Albert and Shirley Small Special Collections Library, University of Virginia, Charlottesville, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe poetry manuscripts by Sally Calkins Wegner are for a class taught by Karl Shapiro at the University of California, while a visiting professor there, and most contain handwritten comments by Shapiro. Also present is a news clipping about Shapiro and his appearance for a reading at the University of Arizona, Tucson in 1966.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["The poetry manuscripts by Sally Calkins Wegner are for a class taught by Karl Shapiro at the University of California, while a visiting professor there, and most contain handwritten comments by Shapiro. Also present is a news clipping about Shapiro and his appearance for a reading at the University of Arizona, Tucson in 1966."],"userestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["There are no access restrictions."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T14:37:01.266Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1427","ead_ssi":"viu_repositories_3_resources_1427","_root_":"viu_repositories_3_resources_1427","_nest_parent_":"viu_repositories_3_resources_1427","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1427.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/169384","title_filing_ssi":"Sally C. 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Wegner poetry manuscripts","University of Arizona. Poetry Center","criticism","poetry","There are no access restrictions.","According to a note from Wenger, Karl Shapiro wrote these critique notes while teaching as a visiting professor at the University of California. Shapiro was an American poet who was awarded the Pulitizer Prize for Poetry in 1945 for \"V-Letter and Other Poems,\" while still serving in the military and stationed in New Guinea, and the Bollingen Prize in Poetry in 1969. He was appointed American Poet Laureate in 1946 and 1947. He also authored sixteen books of poetry. Shapiro edited \"Poetry\" magazine from 1948-1950. He also edited the \"Prarie Schooner from 1956-1966. Shapiro attended the University of Virginia for one year (1932-1933) and Johns Hopkins University.","The poetry manuscripts by Sally Calkins Wegner are for a class taught by Karl Shapiro at the University of California, while a visiting professor there, and most contain handwritten comments by Shapiro. Also present is a news clipping about Shapiro and his appearance for a reading at the University of Arizona, Tucson in 1966.","There are no access restrictions.","Albert and Shirley Small Special Collections Library","English"],"unitid_tesim":["MSS 16478","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1427"],"normalized_title_ssm":["Sally C. 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