{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=poetry\u0026page=2","prev":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=poetry\u0026page=1","next":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=poetry\u0026page=3","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=poetry\u0026page=3"},"meta":{"pages":{"current_page":2,"next_page":3,"prev_page":1,"total_pages":3,"limit_value":10,"offset_value":10,"total_count":23,"first_page?":false,"last_page?":false}},"data":[{"id":"viu_repositories_3_resources_1810","type":"collection","attributes":{"title":"Joseph Rodman Drake poem Abelard to Eloise--addition 5, 1820","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1810#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eJoseph Rodman Drake holograph fair copy of his poem, Abelard to Eloise\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1810#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1810","ead_ssi":"viu_repositories_3_resources_1810","_root_":"viu_repositories_3_resources_1810","_nest_parent_":"viu_repositories_3_resources_1810","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1810.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/228428","title_filing_ssi":"Drake, Joseph Rodman, poem Abelard to Eloise","title_ssm":["Joseph Rodman Drake poem Abelard to Eloise--addition 5"],"title_tesim":["Joseph Rodman Drake poem Abelard to Eloise--addition 5"],"unitdate_ssm":["circa 1820"],"unitdate_other_ssim":["circa 1820"],"normalized_date_ssm":["1820"],"normalized_title_ssm":["Joseph Rodman Drake poem Abelard to Eloise--addition 5, 1820"],"text":["Joseph Rodman Drake poem Abelard to Eloise--addition 5, 1820","MSS 7577","Archival Resource Key","/repositories/3/resources/1810","poetry","This collection is open for research.","Born in New York City, American Poet, Joseph Rodman Drake was orphaned when young and entered a mercantile house. 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His best-known poems are the long title-poem of that collection, and the patriotic \"The American Flag\" which was set as a cantata for two soloists, choir and orchestra by the Czech composer Antonín Dvořák in 1892-93.[2] \"The Culprit Fay\" served as the inspiration for a 1908 orchestral rhapsody of the same name by Henry Kimball Hadley\u003c/p\u003e","\u003cp\u003eSource:\n\"Joseph Rodmand Drake\" Wikipedia. Accessed 8/13/2025\nhttps://en.wikipedia.org/wiki/Joseph_Rodman_Drake\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Born in New York City, American Poet, Joseph Rodman Drake was orphaned when young and entered a mercantile house. While still a child, he showed a talent for writing poems. He was educated at Columbia College. In 1813 he began studying in a physician's office. 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His best-known poems are the long title-poem of that collection, and the patriotic \"The American Flag\" which was set as a cantata for two soloists, choir and orchestra by the Czech composer Antonín Dvořák in 1892-93.[2] \"The Culprit Fay\" served as the inspiration for a 1908 orchestral rhapsody of the same name by Henry Kimball Hadley","Source:\n\"Joseph Rodmand Drake\" Wikipedia. Accessed 8/13/2025\nhttps://en.wikipedia.org/wiki/Joseph_Rodman_Drake"],"prefercite_html_tesm":["\u003cp\u003eMSS 7577, Joseph Rodman Drake poem (addition 5) in the Clifton Waller Barrett library, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  "],"prefercite_tesim":["MSS 7577, Joseph Rodman Drake poem (addition 5) in the Clifton Waller Barrett library, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"relatedmaterial_html_tesm":["\u003cp\u003eThis collection is an addition to MSS 7577, -a, -b,-c,-d. 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Samuel Johnson was one of the most important British writers and critics of the 18th century.","Source: Materials within collection and Encyclopaedia Britannica.","The handwritten copy of extracts (1796; 0.15 cubic feet) from the \"Lives of the most eminent English poets: with critical observations on their works\" by Samuel Johnson, originally published in 1783. 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Samuel Johnson was one of the most important British writers and critics of the 18th century.","Source: Materials within collection and Encyclopaedia Britannica."],"prefercite_html_tesm":["\u003cp\u003eMSS 16401, Lives of the Most Eminent English Poets extracts, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16401, Lives of the Most Eminent English Poets extracts, Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe handwritten copy of extracts (1796; 0.15 cubic feet) from the \"Lives of the most eminent English poets: with critical observations on their works\" by Samuel Johnson, originally published in 1783. 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Samuel Johnson was one of the most important British writers and critics of the 18th century.","Source: Materials within collection and Encyclopaedia Britannica.","The handwritten copy of extracts (1796; 0.15 cubic feet) from the \"Lives of the most eminent English poets: with critical observations on their works\" by Samuel Johnson, originally published in 1783. 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Samuel Johnson was one of the most important British writers and critics of the 18th century.","Source: Materials within collection and Encyclopaedia Britannica."],"prefercite_html_tesm":["\u003cp\u003eMSS 16401, Lives of the Most Eminent English Poets extracts, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16401, Lives of the Most Eminent English Poets extracts, Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe handwritten copy of extracts (1796; 0.15 cubic feet) from the \"Lives of the most eminent English poets: with critical observations on their works\" by Samuel Johnson, originally published in 1783. 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The book begins as a school account with a \"list of scholars\" but quickly transitions to lists of recipes for alloys, solders, and cement and transitions again to mostly original poems. Also recorded is Butler's marriage to Thomas A. Cullen at St. Peter's Cathedral in Richmond, as is their move to Wilmington, North Carolina, and the birth of their child Mary. Additional poems and calculations are tipped in. The name John J. Cullen is stamped in the front of the book.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection consists of one ledger book belonging to Mary Butler, a Catholic woman living in Virginia and North Carolina. The book begins as a school account with a \"list of scholars\" but quickly transitions to lists of recipes for alloys, solders, and cement and transitions again to mostly original poems. Also recorded is Butler's marriage to Thomas A. 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Cullen is stamped in the front of the book."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Cullen, Mary Butler"],"names_ssim":["Albert and Shirley Small Special Collections Library","Cullen, Mary Butler"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:54:27.406Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_958"}},{"id":"viu_repositories_3_resources_1796","type":"collection","attributes":{"title":"McDonald Clarke collection, 1815/1837","creator":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1796#creator","type":"document_value","attributes":{"value":"Clarke, McDonald, 1798-1842","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1796#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection of McDonald Clarke papers contains one autograph poem titled \"Midnight\" from 1815, an undated manuscript poem fragment beginning \"They tell me we shall never meet\" from Clarke's Afara; receipts for the sale of books to William Gowans from Clarke dated October 28, 1837, and from Francis G. Dorr, dated October 25, 1837; and an undated lithograph of the head and upper torso of Clarke.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1796#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1796","ead_ssi":"viu_repositories_3_resources_1796","_root_":"viu_repositories_3_resources_1796","_nest_parent_":"viu_repositories_3_resources_1796","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1796.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/226409","title_filing_ssi":"Clarke, McDonald collection","title_ssm":["McDonald Clarke collection"],"title_tesim":["McDonald Clarke collection"],"unitdate_ssm":["1815-1837"],"unitdate_inclusive_ssm":["1815-1837"],"normalized_date_ssm":["1815/1837"],"normalized_title_ssm":["McDonald Clarke collection, 1815/1837"],"text":["McDonald Clarke collection, 1815/1837","MSS 7546","Archival Resource Key","/repositories/3/resources/1796","Poets","poetry","American Literature--19th Century--History and Criticism","Fair.","The collection is open for research use.","McDonald Clarke (1798-1842) was an American poet, sometimes called the \"mad poet of Broadway,\" who belonged to the Bohemian circle in New York. He was born in Bath, Maine, in 1798, the son of John Clarke, Jr., a sea captain, and Ann McDonald. They moved to New London, Connecticut, in Clarke's childhood. His parents both died when Clarke was young, his mother in 1810 from consumption while on a sea voyage, and his father in 1813 at sea. It is unclear exactly where he lived after his parents' death, but he appeared in New York City around 1819, where he began to pursue a career as a poet. Clarke was also a regular attender of Grace Church, an Episcopal parish, where he came into contact with some of the city's prominent and wealthy families. He married an actress, Mary Brundage, in 1820, but they soon separated due to Clarke's financial instability. Clarke's books sold marginally well, but most of his income was from selling his poems to newspapers, magazines, and journals. In 1842, found destitute by a police officer, Clarke was taken to a New York City jail before removal to an asylum on Blackwells Island (now called Roosevelt Island). Clarke drowned on March 5, 1842, in his cell by water from an open faucet. Posthumously, Clarke's work and life circumstances influenced later poets, most especially Walt Whitman.","References","Matteson, John T. \"Clarke, McDonald (1798–1842).\" The Walt Whitman Archive. Gen. ed. Matt Cohen, Ed Folsom, and Kenneth M. Price. Accessed 27 August 2025. \u003chttp://www.whitmanarchive.org\u003e.","Sturr, Robert D. \"Clarke, McDonald (1798-1842), poet.\" American National Biography. 1 Feb. 2000; Accessed 27 Aug. 2025. https://www.anb.org/view/10.1093/anb/9780198606697.001.0001/anb-9780198606697-e-1600310.","This collection was originally cataloged in Virgo. In August 2025, an addition was acquired and an ArchivesSpace finding aid was made. Metadata from the original MARC record was migrated and was combined with the new accession to create this finding aid in August 2025. As the bulk of the collection was from the  Clifton Waller Barrett Library, items that were part of the Barrett collection were clearly identified in acquisition notes.","This collection of McDonald Clarke papers contains one autograph poem titled \"Midnight\" from 1815, an undated manuscript poem fragment beginning \"They tell me we shall never meet\" from Clarke's Afara; receipts for the sale of books to William Gowans from Clarke dated October 28, 1837, and from Francis G. Dorr, dated October 25, 1837; and an undated lithograph of the head and upper torso of Clarke.","The Library believes that all or nearly all material in this collection is likely to be in the public domain, free of copyright restrictions. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","Albert and Shirley Small Special Collections Library","Clarke, McDonald, 1798-1842","McDonald Clarke","Walt Whitman","Gowans, William, 1803-1870","English"],"collection_title_tesim":["McDonald Clarke collection, 1815/1837"],"collection_ssim":["McDonald Clarke collection, 1815/1837"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 7546","Archival Resource Key","/repositories/3/resources/1796"],"unitid_tesim":["MSS 7546","Archival Resource Key","/repositories/3/resources/1796"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Clarke, McDonald, 1798-1842"],"creator_ssim":["Clarke, McDonald, 1798-1842"],"creator_persname_ssim":["Clarke, McDonald, 1798-1842","McDonald Clarke","Walt Whitman","Gowans, William, 1803-1870"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Clarke, McDonald, 1798-1842","McDonald Clarke","Walt Whitman","Gowans, William, 1803-1870","Albert and Shirley Small Special Collections Library"],"access_terms_ssm":["The Library believes that all or nearly all material in this collection is likely to be in the public domain, free of copyright restrictions. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"acqinfo_ssim":["The bulk of the collection is a gift from Clifton Waller Barrett to the Small Special Collections Library, University of Virginia on 1964 May 26. One item was purchased from James Cummins Bookseller by the Small Special Collections Library, University of Virginia on 26 July 2024."],"access_subjects_ssim":["Poets","poetry","American Literature--19th Century--History and Criticism"],"access_subjects_ssm":["Poets","poetry","American Literature--19th Century--History and Criticism"],"has_online_content_ssim":["false"],"physdesc_tesim":["Fair."],"extent_ssm":["0.16 Cubic Feet Four legal file folders"],"extent_tesim":["0.16 Cubic Feet Four legal file folders"],"genreform_ssim":["poetry","American Literature--19th Century--History and Criticism"],"date_range_isim":[1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003e\u003cpersname\u003eMcDonald Clarke\u003c/persname\u003e (1798-1842) was an American poet, sometimes called the \"mad poet of Broadway,\" who belonged to the Bohemian circle in New York. He was born in \u003cgeogname\u003eBath, Maine\u003c/geogname\u003e, in 1798, the son of John Clarke, Jr., a sea captain, and Ann McDonald. They moved to \u003cgeogname\u003eNew London, Connecticut\u003c/geogname\u003e, in Clarke's childhood. His parents both died when Clarke was young, his mother in 1810 from consumption while on a sea voyage, and his father in 1813 at sea. It is unclear exactly where he lived after his parents' death, but he appeared in New York City around 1819, where he began to pursue a career as a poet. Clarke was also a regular attender of Grace Church, an Episcopal parish, where he came into contact with some of the city's prominent and wealthy families. He married an actress, Mary Brundage, in 1820, but they soon separated due to Clarke's financial instability. Clarke's books sold marginally well, but most of his income was from selling his poems to newspapers, magazines, and journals. In 1842, found destitute by a police officer, Clarke was taken to a New York City jail before removal to an asylum on Blackwells Island (now called Roosevelt Island). Clarke drowned on March 5, 1842, in his cell by water from an open faucet. Posthumously, Clarke's work and life circumstances influenced later poets, most especially \u003cpersname\u003eWalt Whitman\u003c/persname\u003e.\u003c/p\u003e","\u003cp\u003eReferences\u003c/p\u003e","\u003cp\u003eMatteson, John T. \"Clarke, McDonald (1798–1842).\" The Walt Whitman Archive. Gen. ed. Matt Cohen, Ed Folsom, and Kenneth M. Price. Accessed 27 August 2025. \u0026lt;http://www.whitmanarchive.org\u0026gt;.\u003c/p\u003e","\u003cp\u003eSturr, Robert D. \"Clarke, McDonald (1798-1842), poet.\" American National Biography. 1 Feb. 2000; Accessed 27 Aug. 2025. https://www.anb.org/view/10.1093/anb/9780198606697.001.0001/anb-9780198606697-e-1600310.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical"],"bioghist_tesim":["McDonald Clarke (1798-1842) was an American poet, sometimes called the \"mad poet of Broadway,\" who belonged to the Bohemian circle in New York. He was born in Bath, Maine, in 1798, the son of John Clarke, Jr., a sea captain, and Ann McDonald. They moved to New London, Connecticut, in Clarke's childhood. His parents both died when Clarke was young, his mother in 1810 from consumption while on a sea voyage, and his father in 1813 at sea. It is unclear exactly where he lived after his parents' death, but he appeared in New York City around 1819, where he began to pursue a career as a poet. Clarke was also a regular attender of Grace Church, an Episcopal parish, where he came into contact with some of the city's prominent and wealthy families. He married an actress, Mary Brundage, in 1820, but they soon separated due to Clarke's financial instability. Clarke's books sold marginally well, but most of his income was from selling his poems to newspapers, magazines, and journals. In 1842, found destitute by a police officer, Clarke was taken to a New York City jail before removal to an asylum on Blackwells Island (now called Roosevelt Island). Clarke drowned on March 5, 1842, in his cell by water from an open faucet. Posthumously, Clarke's work and life circumstances influenced later poets, most especially Walt Whitman.","References","Matteson, John T. \"Clarke, McDonald (1798–1842).\" The Walt Whitman Archive. Gen. ed. Matt Cohen, Ed Folsom, and Kenneth M. Price. Accessed 27 August 2025. \u003chttp://www.whitmanarchive.org\u003e.","Sturr, Robert D. \"Clarke, McDonald (1798-1842), poet.\" American National Biography. 1 Feb. 2000; Accessed 27 Aug. 2025. https://www.anb.org/view/10.1093/anb/9780198606697.001.0001/anb-9780198606697-e-1600310."],"prefercite_html_tesm":["\u003cp\u003eMcDonald Clarke Collection, MSS 7546, Small Special Collections Library, University of Virginia.\u003c/p\u003e  "],"prefercite_tesim":["McDonald Clarke Collection, MSS 7546, Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eThis collection was originally cataloged in Virgo. In August 2025, an addition was acquired and an ArchivesSpace finding aid was made. Metadata from the original MARC record was migrated and was combined with the new accession to create this finding aid in August 2025. 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Dorr, dated October 25, 1837; and an undated lithograph of the head and upper torso of Clarke.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection of McDonald Clarke papers contains one autograph poem titled \"Midnight\" from 1815, an undated manuscript poem fragment beginning \"They tell me we shall never meet\" from Clarke's Afara; receipts for the sale of books to William Gowans from Clarke dated October 28, 1837, and from Francis G. Dorr, dated October 25, 1837; and an undated lithograph of the head and upper torso of Clarke."],"userestrict_html_tesm":["\u003cp\u003eThe Library believes that all or nearly all material in this collection is likely to be in the public domain, free of copyright restrictions. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Library believes that all or nearly all material in this collection is likely to be in the public domain, free of copyright restrictions. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Clarke, McDonald, 1798-1842","McDonald Clarke","Walt Whitman","Gowans, William, 1803-1870"],"names_coll_ssim":["Gowans, William, 1803-1870"],"names_ssim":["Albert and Shirley Small Special Collections Library","Clarke, McDonald, 1798-1842","McDonald Clarke","Walt Whitman","Gowans, William, 1803-1870"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:53:44.527Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1796","ead_ssi":"viu_repositories_3_resources_1796","_root_":"viu_repositories_3_resources_1796","_nest_parent_":"viu_repositories_3_resources_1796","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1796.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/226409","title_filing_ssi":"Clarke, McDonald collection","title_ssm":["McDonald Clarke collection"],"title_tesim":["McDonald Clarke collection"],"unitdate_ssm":["1815-1837"],"unitdate_inclusive_ssm":["1815-1837"],"normalized_date_ssm":["1815/1837"],"normalized_title_ssm":["McDonald Clarke collection, 1815/1837"],"text":["McDonald Clarke collection, 1815/1837","MSS 7546","Archival Resource Key","/repositories/3/resources/1796","Poets","poetry","American Literature--19th Century--History and Criticism","Fair.","The collection is open for research use.","McDonald Clarke (1798-1842) was an American poet, sometimes called the \"mad poet of Broadway,\" who belonged to the Bohemian circle in New York. 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In 1842, found destitute by a police officer, Clarke was taken to a New York City jail before removal to an asylum on Blackwells Island (now called Roosevelt Island). Clarke drowned on March 5, 1842, in his cell by water from an open faucet. Posthumously, Clarke's work and life circumstances influenced later poets, most especially Walt Whitman.","References","Matteson, John T. \"Clarke, McDonald (1798–1842).\" The Walt Whitman Archive. Gen. ed. Matt Cohen, Ed Folsom, and Kenneth M. Price. Accessed 27 August 2025. \u003chttp://www.whitmanarchive.org\u003e.","Sturr, Robert D. \"Clarke, McDonald (1798-1842), poet.\" American National Biography. 1 Feb. 2000; Accessed 27 Aug. 2025. https://www.anb.org/view/10.1093/anb/9780198606697.001.0001/anb-9780198606697-e-1600310.","This collection was originally cataloged in Virgo. In August 2025, an addition was acquired and an ArchivesSpace finding aid was made. Metadata from the original MARC record was migrated and was combined with the new accession to create this finding aid in August 2025. As the bulk of the collection was from the  Clifton Waller Barrett Library, items that were part of the Barrett collection were clearly identified in acquisition notes.","This collection of McDonald Clarke papers contains one autograph poem titled \"Midnight\" from 1815, an undated manuscript poem fragment beginning \"They tell me we shall never meet\" from Clarke's Afara; receipts for the sale of books to William Gowans from Clarke dated October 28, 1837, and from Francis G. Dorr, dated October 25, 1837; and an undated lithograph of the head and upper torso of Clarke.","The Library believes that all or nearly all material in this collection is likely to be in the public domain, free of copyright restrictions. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","Albert and Shirley Small Special Collections Library","Clarke, McDonald, 1798-1842","McDonald Clarke","Walt Whitman","Gowans, William, 1803-1870","English"],"collection_title_tesim":["McDonald Clarke collection, 1815/1837"],"collection_ssim":["McDonald Clarke collection, 1815/1837"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 7546","Archival Resource Key","/repositories/3/resources/1796"],"unitid_tesim":["MSS 7546","Archival Resource Key","/repositories/3/resources/1796"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Clarke, McDonald, 1798-1842"],"creator_ssim":["Clarke, McDonald, 1798-1842"],"creator_persname_ssim":["Clarke, McDonald, 1798-1842","McDonald Clarke","Walt Whitman","Gowans, William, 1803-1870"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Clarke, McDonald, 1798-1842","McDonald Clarke","Walt Whitman","Gowans, William, 1803-1870","Albert and Shirley Small Special Collections Library"],"access_terms_ssm":["The Library believes that all or nearly all material in this collection is likely to be in the public domain, free of copyright restrictions. 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One item was purchased from James Cummins Bookseller by the Small Special Collections Library, University of Virginia on 26 July 2024."],"access_subjects_ssim":["Poets","poetry","American Literature--19th Century--History and Criticism"],"access_subjects_ssm":["Poets","poetry","American Literature--19th Century--History and Criticism"],"has_online_content_ssim":["false"],"physdesc_tesim":["Fair."],"extent_ssm":["0.16 Cubic Feet Four legal file folders"],"extent_tesim":["0.16 Cubic Feet Four legal file folders"],"genreform_ssim":["poetry","American Literature--19th Century--History and Criticism"],"date_range_isim":[1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003e\u003cpersname\u003eMcDonald Clarke\u003c/persname\u003e (1798-1842) was an American poet, sometimes called the \"mad poet of Broadway,\" who belonged to the Bohemian circle in New York. 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Clarke was also a regular attender of Grace Church, an Episcopal parish, where he came into contact with some of the city's prominent and wealthy families. He married an actress, Mary Brundage, in 1820, but they soon separated due to Clarke's financial instability. Clarke's books sold marginally well, but most of his income was from selling his poems to newspapers, magazines, and journals. In 1842, found destitute by a police officer, Clarke was taken to a New York City jail before removal to an asylum on Blackwells Island (now called Roosevelt Island). Clarke drowned on March 5, 1842, in his cell by water from an open faucet. Posthumously, Clarke's work and life circumstances influenced later poets, most especially Walt Whitman.","References","Matteson, John T. \"Clarke, McDonald (1798–1842).\" The Walt Whitman Archive. Gen. ed. Matt Cohen, Ed Folsom, and Kenneth M. Price. 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As the bulk of the collection was from the  Clifton Waller Barrett Library, items that were part of the Barrett collection were clearly identified in acquisition notes."],"scopecontent_html_tesm":["\u003cp\u003eThis collection of McDonald Clarke papers contains one autograph poem titled \"Midnight\" from 1815, an undated manuscript poem fragment beginning \"They tell me we shall never meet\" from Clarke's Afara; receipts for the sale of books to William Gowans from Clarke dated October 28, 1837, and from Francis G. Dorr, dated October 25, 1837; and an undated lithograph of the head and upper torso of Clarke.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection of McDonald Clarke papers contains one autograph poem titled \"Midnight\" from 1815, an undated manuscript poem fragment beginning \"They tell me we shall never meet\" from Clarke's Afara; receipts for the sale of books to William Gowans from Clarke dated October 28, 1837, and from Francis G. Dorr, dated October 25, 1837; and an undated lithograph of the head and upper torso of Clarke."],"userestrict_html_tesm":["\u003cp\u003eThe Library believes that all or nearly all material in this collection is likely to be in the public domain, free of copyright restrictions. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Library believes that all or nearly all material in this collection is likely to be in the public domain, free of copyright restrictions. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Clarke, McDonald, 1798-1842","McDonald Clarke","Walt Whitman","Gowans, William, 1803-1870"],"names_coll_ssim":["Gowans, William, 1803-1870"],"names_ssim":["Albert and Shirley Small Special Collections Library","Clarke, McDonald, 1798-1842","McDonald Clarke","Walt Whitman","Gowans, William, 1803-1870"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:53:44.527Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1796"}},{"id":"viu_repositories_3_resources_999","type":"collection","attributes":{"title":"Morgan Schuldt papers, 1980/2013","creator":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_999#creator","type":"document_value","attributes":{"value":"Schuldt, Morgan Lucas, 1978-2012","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_999#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection consists of the working files of the poet and publisher Morgan Schuldt. Included are drafts of his poetry that include Schuldt's annotations and edits and thirteen hard and soft bound journals that include Schuldt's writing as well as other poetry of interest to him. Also included are documents related to his time at University of Virginia and other institutions, chapbooks, and his work for CUE and CUE editions which Schuldt co-founded.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_999#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_999","ead_ssi":"viu_repositories_3_resources_999","_root_":"viu_repositories_3_resources_999","_nest_parent_":"viu_repositories_3_resources_999","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_999.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/120856","title_filing_ssi":"Schuldt, Morgan Lucas, papers","title_ssm":["Morgan Schuldt papers"],"title_tesim":["Morgan Schuldt papers"],"unitdate_ssm":["1980-1983, 1990-2013"],"unitdate_bulk_ssim":["1980-1983, 1990-2013"],"normalized_date_ssm":["1980/2013"],"normalized_title_ssm":["Morgan Schuldt papers, 1980/2013"],"text":["Morgan Schuldt papers, 1980/2013","MSS.16483","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/999","University of Arizona. Poetry Center","University of Virginia -- Alumni","poetry","Schuldt, Morgan Lucas. Poems. Selections","free verse","This collection is open for research use.","Poet and publisher, Morgan Lucas Schuldt passed away on January 30, 2012, from complications of Cystic\nFibrosis; he was 33 years old. The son of Barbara Schuldt and Murray Dychtwald, Morgan was born and\nraised in Toms River, New Jersey. He earned a bachelor's degree in English Literature and graduated Magna Cum Laude from the University of Virginia in 2000. He earned an MFA in Poetry in 2002 and an MA in English Literature in 2007 from the University of Arizona and became an adjunct professor there teaching Poetry. Tucson became his inspiration and where he pursued a career in writing, editing, and teaching.  He was the author of \"Verge,\" (2007) a collection of poems published by Free Verse Editions, three chapbooks, and \"erros\" Poems, (2013) published posthumously. He co-founded \"Cue\" a journal of prose poems and CUE Editions, a Poetry Press. Based in Tucson, Arizona, CUE Editions is an independent micro-press that specializes in limited-edition, hand-made chapbooks by new and established poets.","His poems appeared in over thirty print and online journals, including \"American Letters and Commentary,\" \"Coconut,\" \"CutBank,\" \"Diagram,\" \"EOAGH,\" \"Fence,\" \"Gulf Coast,\" \"H_NGM_N,\" \"Hotel AmeriKa,\" \"LIT,\" \"The Massachusetts Review,\" \"Notre Dame Review,\" \"Pleiades,\" \"Sentence: A Journal of Prose Poetics,\" \"Verse,\" and \"West Branch.\" His poems were anthologized in \"Best New Poets 2007\" (University of Virginia Press, 2007), \"The Bedside Guide to No Tell Motel\" (No Tell Books, 2007), and \"Prose Poetry / Flash Fiction: An Anthology\" (Starcherone Books, 2006).","Information taken from https://poetry.arizona.edu/visit/about-poetry-center/reading-lecture-series/morgan-lucas-schuldt-memorial-reading and https://thebreathefoundation.org/about-us/about-morgan-lucas-schuldt/","This collection consists of the working files of the poet and publisher Morgan Schuldt. Included are drafts of his poetry that include Schuldt's annotations and edits and thirteen hard and soft bound journals that include Schuldt's writing as well as other poetry of interest to him. Also included are documents related to his time at University of Virginia and other institutions, chapbooks, and his work for CUE and CUE editions which Schuldt co-founded.","Albert and Shirley Small Special Collections Library","Schuldt, Morgan Lucas, 1978-2012","English"],"collection_title_tesim":["Morgan Schuldt papers, 1980/2013"],"collection_ssim":["Morgan Schuldt papers, 1980/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS.16483","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/999"],"unitid_tesim":["MSS.16483","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/999"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["University of Arizona. Poetry Center"],"geogname_ssim":["University of Arizona. Poetry Center"],"places_ssim":["University of Arizona. Poetry Center"],"creator_ssm":["Schuldt, Morgan Lucas, 1978-2012"],"creator_ssim":["Schuldt, Morgan Lucas, 1978-2012"],"creator_persname_ssim":["Schuldt, Morgan Lucas, 1978-2012"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Schuldt, Morgan Lucas, 1978-2012","Albert and Shirley Small Special Collections Library"],"acqinfo_ssim":["This collection was given to the University of Virginia Special Collections Library on April 8. 2020, by Boyer Rickel."],"access_subjects_ssim":["University of Virginia -- Alumni","poetry","Schuldt, Morgan Lucas. Poems. Selections","free verse"],"access_subjects_ssm":["University of Virginia -- Alumni","poetry","Schuldt, Morgan Lucas. Poems. Selections","free verse"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Cubic Feet 4 letter document boxes, 3 five inch boxes and 1 two inch"],"extent_tesim":["1.5 Cubic Feet 4 letter document boxes, 3 five inch boxes and 1 two inch"],"physfacet_tesim":["Includes 13 journals."],"genreform_ssim":["poetry","Schuldt, Morgan Lucas. Poems. Selections","free verse"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003ePoet and publisher, Morgan Lucas Schuldt passed away on January 30, 2012, from complications of Cystic\nFibrosis; he was 33 years old. The son of Barbara Schuldt and Murray Dychtwald, Morgan was born and\nraised in Toms River, New Jersey. He earned a bachelor's degree in English Literature and graduated Magna Cum Laude from the University of Virginia in 2000. He earned an MFA in Poetry in 2002 and an MA in English Literature in 2007 from the University of Arizona and became an adjunct professor there teaching Poetry. Tucson became his inspiration and where he pursued a career in writing, editing, and teaching.  He was the author of \"Verge,\" (2007) a collection of poems published by Free Verse Editions, three chapbooks, and \"erros\" Poems, (2013) published posthumously. He co-founded \"Cue\" a journal of prose poems and CUE Editions, a Poetry Press. Based in Tucson, Arizona, CUE Editions is an independent micro-press that specializes in limited-edition, hand-made chapbooks by new and established poets.\u003c/p\u003e","\u003cp\u003eHis poems appeared in over thirty print and online journals, including \"American Letters and Commentary,\" \"Coconut,\" \"CutBank,\" \"Diagram,\" \"EOAGH,\" \"Fence,\" \"Gulf Coast,\" \"H_NGM_N,\" \"Hotel AmeriKa,\" \"LIT,\" \"The Massachusetts Review,\" \"Notre Dame Review,\" \"Pleiades,\" \"Sentence: A Journal of Prose Poetics,\" \"Verse,\" and \"West Branch.\" His poems were anthologized in \"Best New Poets 2007\" (University of Virginia Press, 2007), \"The Bedside Guide to No Tell Motel\" (No Tell Books, 2007), and \"Prose Poetry / Flash Fiction: An Anthology\" (Starcherone Books, 2006).\u003c/p\u003e","\u003cp\u003eInformation taken from https://poetry.arizona.edu/visit/about-poetry-center/reading-lecture-series/morgan-lucas-schuldt-memorial-reading and https://thebreathefoundation.org/about-us/about-morgan-lucas-schuldt/\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Poet and publisher, Morgan Lucas Schuldt passed away on January 30, 2012, from complications of Cystic\nFibrosis; he was 33 years old. The son of Barbara Schuldt and Murray Dychtwald, Morgan was born and\nraised in Toms River, New Jersey. He earned a bachelor's degree in English Literature and graduated Magna Cum Laude from the University of Virginia in 2000. He earned an MFA in Poetry in 2002 and an MA in English Literature in 2007 from the University of Arizona and became an adjunct professor there teaching Poetry. Tucson became his inspiration and where he pursued a career in writing, editing, and teaching.  He was the author of \"Verge,\" (2007) a collection of poems published by Free Verse Editions, three chapbooks, and \"erros\" Poems, (2013) published posthumously. He co-founded \"Cue\" a journal of prose poems and CUE Editions, a Poetry Press. Based in Tucson, Arizona, CUE Editions is an independent micro-press that specializes in limited-edition, hand-made chapbooks by new and established poets.","His poems appeared in over thirty print and online journals, including \"American Letters and Commentary,\" \"Coconut,\" \"CutBank,\" \"Diagram,\" \"EOAGH,\" \"Fence,\" \"Gulf Coast,\" \"H_NGM_N,\" \"Hotel AmeriKa,\" \"LIT,\" \"The Massachusetts Review,\" \"Notre Dame Review,\" \"Pleiades,\" \"Sentence: A Journal of Prose Poetics,\" \"Verse,\" and \"West Branch.\" His poems were anthologized in \"Best New Poets 2007\" (University of Virginia Press, 2007), \"The Bedside Guide to No Tell Motel\" (No Tell Books, 2007), and \"Prose Poetry / Flash Fiction: An Anthology\" (Starcherone Books, 2006).","Information taken from https://poetry.arizona.edu/visit/about-poetry-center/reading-lecture-series/morgan-lucas-schuldt-memorial-reading and https://thebreathefoundation.org/about-us/about-morgan-lucas-schuldt/"],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of the working files of the poet and publisher Morgan Schuldt. Included are drafts of his poetry that include Schuldt's annotations and edits and thirteen hard and soft bound journals that include Schuldt's writing as well as other poetry of interest to him. Also included are documents related to his time at University of Virginia and other institutions, chapbooks, and his work for CUE and CUE editions which Schuldt co-founded.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection consists of the working files of the poet and publisher Morgan Schuldt. Included are drafts of his poetry that include Schuldt's annotations and edits and thirteen hard and soft bound journals that include Schuldt's writing as well as other poetry of interest to him. Also included are documents related to his time at University of Virginia and other institutions, chapbooks, and his work for CUE and CUE editions which Schuldt co-founded."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Schuldt, Morgan Lucas, 1978-2012"],"names_ssim":["Albert and Shirley Small Special Collections Library","Schuldt, Morgan Lucas, 1978-2012"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":36,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:54:27.406Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_999","ead_ssi":"viu_repositories_3_resources_999","_root_":"viu_repositories_3_resources_999","_nest_parent_":"viu_repositories_3_resources_999","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_999.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/120856","title_filing_ssi":"Schuldt, Morgan Lucas, papers","title_ssm":["Morgan Schuldt papers"],"title_tesim":["Morgan Schuldt papers"],"unitdate_ssm":["1980-1983, 1990-2013"],"unitdate_bulk_ssim":["1980-1983, 1990-2013"],"normalized_date_ssm":["1980/2013"],"normalized_title_ssm":["Morgan Schuldt papers, 1980/2013"],"text":["Morgan Schuldt papers, 1980/2013","MSS.16483","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/999","University of Arizona. Poetry Center","University of Virginia -- Alumni","poetry","Schuldt, Morgan Lucas. Poems. Selections","free verse","This collection is open for research use.","Poet and publisher, Morgan Lucas Schuldt passed away on January 30, 2012, from complications of Cystic\nFibrosis; he was 33 years old. The son of Barbara Schuldt and Murray Dychtwald, Morgan was born and\nraised in Toms River, New Jersey. He earned a bachelor's degree in English Literature and graduated Magna Cum Laude from the University of Virginia in 2000. He earned an MFA in Poetry in 2002 and an MA in English Literature in 2007 from the University of Arizona and became an adjunct professor there teaching Poetry. Tucson became his inspiration and where he pursued a career in writing, editing, and teaching.  He was the author of \"Verge,\" (2007) a collection of poems published by Free Verse Editions, three chapbooks, and \"erros\" Poems, (2013) published posthumously. He co-founded \"Cue\" a journal of prose poems and CUE Editions, a Poetry Press. Based in Tucson, Arizona, CUE Editions is an independent micro-press that specializes in limited-edition, hand-made chapbooks by new and established poets.","His poems appeared in over thirty print and online journals, including \"American Letters and Commentary,\" \"Coconut,\" \"CutBank,\" \"Diagram,\" \"EOAGH,\" \"Fence,\" \"Gulf Coast,\" \"H_NGM_N,\" \"Hotel AmeriKa,\" \"LIT,\" \"The Massachusetts Review,\" \"Notre Dame Review,\" \"Pleiades,\" \"Sentence: A Journal of Prose Poetics,\" \"Verse,\" and \"West Branch.\" His poems were anthologized in \"Best New Poets 2007\" (University of Virginia Press, 2007), \"The Bedside Guide to No Tell Motel\" (No Tell Books, 2007), and \"Prose Poetry / Flash Fiction: An Anthology\" (Starcherone Books, 2006).","Information taken from https://poetry.arizona.edu/visit/about-poetry-center/reading-lecture-series/morgan-lucas-schuldt-memorial-reading and https://thebreathefoundation.org/about-us/about-morgan-lucas-schuldt/","This collection consists of the working files of the poet and publisher Morgan Schuldt. Included are drafts of his poetry that include Schuldt's annotations and edits and thirteen hard and soft bound journals that include Schuldt's writing as well as other poetry of interest to him. 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Poetry Center"],"geogname_ssim":["University of Arizona. Poetry Center"],"places_ssim":["University of Arizona. Poetry Center"],"creator_ssm":["Schuldt, Morgan Lucas, 1978-2012"],"creator_ssim":["Schuldt, Morgan Lucas, 1978-2012"],"creator_persname_ssim":["Schuldt, Morgan Lucas, 1978-2012"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Schuldt, Morgan Lucas, 1978-2012","Albert and Shirley Small Special Collections Library"],"acqinfo_ssim":["This collection was given to the University of Virginia Special Collections Library on April 8. 2020, by Boyer Rickel."],"access_subjects_ssim":["University of Virginia -- Alumni","poetry","Schuldt, Morgan Lucas. Poems. Selections","free verse"],"access_subjects_ssm":["University of Virginia -- Alumni","poetry","Schuldt, Morgan Lucas. Poems. 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The son of Barbara Schuldt and Murray Dychtwald, Morgan was born and\nraised in Toms River, New Jersey. He earned a bachelor's degree in English Literature and graduated Magna Cum Laude from the University of Virginia in 2000. He earned an MFA in Poetry in 2002 and an MA in English Literature in 2007 from the University of Arizona and became an adjunct professor there teaching Poetry. Tucson became his inspiration and where he pursued a career in writing, editing, and teaching.  He was the author of \"Verge,\" (2007) a collection of poems published by Free Verse Editions, three chapbooks, and \"erros\" Poems, (2013) published posthumously. He co-founded \"Cue\" a journal of prose poems and CUE Editions, a Poetry Press. Based in Tucson, Arizona, CUE Editions is an independent micro-press that specializes in limited-edition, hand-made chapbooks by new and established poets.\u003c/p\u003e","\u003cp\u003eHis poems appeared in over thirty print and online journals, including \"American Letters and Commentary,\" \"Coconut,\" \"CutBank,\" \"Diagram,\" \"EOAGH,\" \"Fence,\" \"Gulf Coast,\" \"H_NGM_N,\" \"Hotel AmeriKa,\" \"LIT,\" \"The Massachusetts Review,\" \"Notre Dame Review,\" \"Pleiades,\" \"Sentence: A Journal of Prose Poetics,\" \"Verse,\" and \"West Branch.\" His poems were anthologized in \"Best New Poets 2007\" (University of Virginia Press, 2007), \"The Bedside Guide to No Tell Motel\" (No Tell Books, 2007), and \"Prose Poetry / Flash Fiction: An Anthology\" (Starcherone Books, 2006).\u003c/p\u003e","\u003cp\u003eInformation taken from https://poetry.arizona.edu/visit/about-poetry-center/reading-lecture-series/morgan-lucas-schuldt-memorial-reading and https://thebreathefoundation.org/about-us/about-morgan-lucas-schuldt/\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Poet and publisher, Morgan Lucas Schuldt passed away on January 30, 2012, from complications of Cystic\nFibrosis; he was 33 years old. The son of Barbara Schuldt and Murray Dychtwald, Morgan was born and\nraised in Toms River, New Jersey. He earned a bachelor's degree in English Literature and graduated Magna Cum Laude from the University of Virginia in 2000. He earned an MFA in Poetry in 2002 and an MA in English Literature in 2007 from the University of Arizona and became an adjunct professor there teaching Poetry. Tucson became his inspiration and where he pursued a career in writing, editing, and teaching.  He was the author of \"Verge,\" (2007) a collection of poems published by Free Verse Editions, three chapbooks, and \"erros\" Poems, (2013) published posthumously. He co-founded \"Cue\" a journal of prose poems and CUE Editions, a Poetry Press. 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There are also press releases, newspaper clippings, printed items, and scrapbooks about these poets and editors and their colleagues as well as their poetry and the creative writing process.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_881#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_881","ead_ssi":"viu_repositories_3_resources_881","_root_":"viu_repositories_3_resources_881","_nest_parent_":"viu_repositories_3_resources_881","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_881.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/781","title_filing_ssi":"Norfolk Poet's Club records","title_ssm":["Norfolk Poet's Club records"],"title_tesim":["Norfolk Poet's Club records"],"unitdate_ssm":["1896; 1912-1983"],"unitdate_inclusive_ssm":["1896; 1912-1983"],"normalized_date_ssm":["1896/1983"],"normalized_title_ssm":["Norfolk Poet's Club records, 1896/1983"],"text":["Norfolk Poet's Club records, 1896/1983","MSS 14245","Archival Resource Key","/repositories/3/resources/881","letters (correspondence)","Scrapbooks","poetry","clippings (information artifacts)","This collection is open for research use.","This collection is arranged into 5 series. Series 1. Manuscripts; Series 2. Correspondence; Series 3. Press releases, newspaper clippings, and printed items; Series 4. Scrapbooks (and acccount book of poems sold to publications); Series 5. Miscellaneous (hobbies of Josephine Johnson and business receipts from 1896 {Turner Family])","The Norfolk Poet's Club originally consisted of five women: Josephine Johnson, her sister Julia Johnson Davis, Mary Sinton Leach, Virginia Taylor McCormick, and Virginia Lynne Tunstall. In 1921, they sponsored the formation of a literary magazine called \"The Lyric\" (originally edited by John R. Moreland) which has been called \"America's oldest traditional poetry magazine of independent and continuous publication,\" and has operated under different editorships for over 50 years. \nSource:\nDealers notes","Josephine Johnson, one of the outstanding poets in the country, and a sonneteer of note, was awarded first prize for her collection of poems, \"The Unwilling Gypsy,\" in the sixth book publication contest of the Kaleidograph Press, Dallas, Texas in 1936. Miss Johnson was vice-president of the poetry Society of Virginia, and a member of the Poetry Society of America, the Catholic Poetry Society, and the Writers' Club of Norfolk. She was born in Norfolk and attended the University of Virginia and Harvard College. Her poems have appeared in \"The American Mercury\", \"The New Republic\", \"Harpers Magazine\", \"The London Mercury, \"The Commonwealth\", \"The Personalist\", \"The New York Times\", \"The New York Sun\", and the \"Boston Transcript\". Josephine Johnson \"is a poet of a single theme-that of life's challenge to the spirit to endure.z'\nSource:\nScrapbook","William Stanley Braithwaite (1878-1962)was a poet, editor, publisher, and anthologist who was born and raised in Boston, Massachussetts. In 1890 upon his father's death, he had to quit school and educate himself while working as a typesetter in a Boston printing firm. He developed a love of lyric poetry and wrote several poems that were published. Writing a regular column for the \"Boston Transcript\" he brought serious attention to the works of many African American poets and eventually edited \"The Anthology of Magazine Verse\". Throughout the years of compiling the Anthology, he remained committed to the notion that verse should be an expression of spiritual truth and eternal beauty beyond what he conceived of as the limits of merely political or racial concerns. He introduced the general poetry-reading public to a wide range of African American voices they might otherwise never have heard.\nSource:\nDealers notes","Norfolk Poet's Club Records (1912-1983; 2 cubic feet) include manuscripts of Josephine Johnson and Margaret Haley Carpenter; and correspondence of Mary Sinton Leitch, Josephine Johnson, Julia Johnson Davis, and William Stanley Braithwaite. There are also press releases, newspaper clippings, printed items, and scrapbooks about these poets and editors and their colleagues as well as their poetry and the creative writing process.","Albert and Shirley Small Special Collections Library","English"],"collection_title_tesim":["Norfolk Poet's Club records, 1896/1983"],"collection_ssim":["Norfolk Poet's Club records, 1896/1983"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["MSS 14245","Archival Resource Key","/repositories/3/resources/881"],"unitid_tesim":["MSS 14245","Archival Resource Key","/repositories/3/resources/881"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Albert and Shirley Small Special Collections Library"],"access_subjects_ssim":["letters (correspondence)","Scrapbooks","poetry","clippings (information artifacts)"],"access_subjects_ssm":["letters (correspondence)","Scrapbooks","poetry","clippings (information artifacts)"],"has_online_content_ssim":["false"],"extent_ssm":["2 Cubic Feet 4 oversize boxes"],"extent_tesim":["2 Cubic Feet 4 oversize boxes"],"physfacet_tesim":["6 scrapbooks"],"genreform_ssim":["letters (correspondence)","Scrapbooks","poetry","clippings (information artifacts)"],"date_range_isim":[1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into 5 series. Series 1. Manuscripts; Series 2. Correspondence; Series 3. Press releases, newspaper clippings, and printed items; Series 4. Scrapbooks (and acccount book of poems sold to publications); Series 5. Miscellaneous (hobbies of Josephine Johnson and business receipts from 1896 {Turner Family])\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into 5 series. Series 1. Manuscripts; Series 2. Correspondence; Series 3. Press releases, newspaper clippings, and printed items; Series 4. Scrapbooks (and acccount book of poems sold to publications); Series 5. Miscellaneous (hobbies of Josephine Johnson and business receipts from 1896 {Turner Family])"],"bioghist_html_tesm":["\u003cp\u003eThe Norfolk Poet's Club originally consisted of five women: Josephine Johnson, her sister Julia Johnson Davis, Mary Sinton Leach, Virginia Taylor McCormick, and Virginia Lynne Tunstall. In 1921, they sponsored the formation of a literary magazine called \"The Lyric\" (originally edited by John R. Moreland) which has been called \"America's oldest traditional poetry magazine of independent and continuous publication,\" and has operated under different editorships for over 50 years. \nSource:\nDealers notes\u003c/p\u003e","\u003cp\u003eJosephine Johnson, one of the outstanding poets in the country, and a sonneteer of note, was awarded first prize for her collection of poems, \"The Unwilling Gypsy,\" in the sixth book publication contest of the Kaleidograph Press, Dallas, Texas in 1936. Miss Johnson was vice-president of the poetry Society of Virginia, and a member of the Poetry Society of America, the Catholic Poetry Society, and the Writers' Club of Norfolk. She was born in Norfolk and attended the University of Virginia and Harvard College. Her poems have appeared in \"The American Mercury\", \"The New Republic\", \"Harpers Magazine\", \"The London Mercury, \"The Commonwealth\", \"The Personalist\", \"The New York Times\", \"The New York Sun\", and the \"Boston Transcript\". Josephine Johnson \"is a poet of a single theme-that of life's challenge to the spirit to endure.z'\nSource:\nScrapbook\u003c/p\u003e","\u003cp\u003eWilliam Stanley Braithwaite (1878-1962)was a poet, editor, publisher, and anthologist who was born and raised in Boston, Massachussetts. In 1890 upon his father's death, he had to quit school and educate himself while working as a typesetter in a Boston printing firm. He developed a love of lyric poetry and wrote several poems that were published. Writing a regular column for the \"Boston Transcript\" he brought serious attention to the works of many African American poets and eventually edited \"The Anthology of Magazine Verse\". Throughout the years of compiling the Anthology, he remained committed to the notion that verse should be an expression of spiritual truth and eternal beauty beyond what he conceived of as the limits of merely political or racial concerns. He introduced the general poetry-reading public to a wide range of African American voices they might otherwise never have heard.\nSource:\nDealers notes\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["The Norfolk Poet's Club originally consisted of five women: Josephine Johnson, her sister Julia Johnson Davis, Mary Sinton Leach, Virginia Taylor McCormick, and Virginia Lynne Tunstall. In 1921, they sponsored the formation of a literary magazine called \"The Lyric\" (originally edited by John R. Moreland) which has been called \"America's oldest traditional poetry magazine of independent and continuous publication,\" and has operated under different editorships for over 50 years. \nSource:\nDealers notes","Josephine Johnson, one of the outstanding poets in the country, and a sonneteer of note, was awarded first prize for her collection of poems, \"The Unwilling Gypsy,\" in the sixth book publication contest of the Kaleidograph Press, Dallas, Texas in 1936. Miss Johnson was vice-president of the poetry Society of Virginia, and a member of the Poetry Society of America, the Catholic Poetry Society, and the Writers' Club of Norfolk. She was born in Norfolk and attended the University of Virginia and Harvard College. Her poems have appeared in \"The American Mercury\", \"The New Republic\", \"Harpers Magazine\", \"The London Mercury, \"The Commonwealth\", \"The Personalist\", \"The New York Times\", \"The New York Sun\", and the \"Boston Transcript\". Josephine Johnson \"is a poet of a single theme-that of life's challenge to the spirit to endure.z'\nSource:\nScrapbook","William Stanley Braithwaite (1878-1962)was a poet, editor, publisher, and anthologist who was born and raised in Boston, Massachussetts. In 1890 upon his father's death, he had to quit school and educate himself while working as a typesetter in a Boston printing firm. He developed a love of lyric poetry and wrote several poems that were published. Writing a regular column for the \"Boston Transcript\" he brought serious attention to the works of many African American poets and eventually edited \"The Anthology of Magazine Verse\". Throughout the years of compiling the Anthology, he remained committed to the notion that verse should be an expression of spiritual truth and eternal beauty beyond what he conceived of as the limits of merely political or racial concerns. He introduced the general poetry-reading public to a wide range of African American voices they might otherwise never have heard.\nSource:\nDealers notes"],"prefercite_html_tesm":["\u003cp\u003eMSS 14245 Norfolk Poet's Club records, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e  "],"prefercite_tesim":["MSS 14245 Norfolk Poet's Club records, Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eNorfolk Poet's Club Records (1912-1983; 2 cubic feet) include manuscripts of Josephine Johnson and Margaret Haley Carpenter; and correspondence of Mary Sinton Leitch, Josephine Johnson, Julia Johnson Davis, and William Stanley Braithwaite. There are also press releases, newspaper clippings, printed items, and scrapbooks about these poets and editors and their colleagues as well as their poetry and the creative writing process.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents Note"],"scopecontent_tesim":["Norfolk Poet's Club Records (1912-1983; 2 cubic feet) include manuscripts of Josephine Johnson and Margaret Haley Carpenter; and correspondence of Mary Sinton Leitch, Josephine Johnson, Julia Johnson Davis, and William Stanley Braithwaite. 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Series 1. Manuscripts; Series 2. Correspondence; Series 3. Press releases, newspaper clippings, and printed items; Series 4. Scrapbooks (and acccount book of poems sold to publications); Series 5. Miscellaneous (hobbies of Josephine Johnson and business receipts from 1896 {Turner Family])","The Norfolk Poet's Club originally consisted of five women: Josephine Johnson, her sister Julia Johnson Davis, Mary Sinton Leach, Virginia Taylor McCormick, and Virginia Lynne Tunstall. In 1921, they sponsored the formation of a literary magazine called \"The Lyric\" (originally edited by John R. Moreland) which has been called \"America's oldest traditional poetry magazine of independent and continuous publication,\" and has operated under different editorships for over 50 years. \nSource:\nDealers notes","Josephine Johnson, one of the outstanding poets in the country, and a sonneteer of note, was awarded first prize for her collection of poems, \"The Unwilling Gypsy,\" in the sixth book publication contest of the Kaleidograph Press, Dallas, Texas in 1936. Miss Johnson was vice-president of the poetry Society of Virginia, and a member of the Poetry Society of America, the Catholic Poetry Society, and the Writers' Club of Norfolk. She was born in Norfolk and attended the University of Virginia and Harvard College. Her poems have appeared in \"The American Mercury\", \"The New Republic\", \"Harpers Magazine\", \"The London Mercury, \"The Commonwealth\", \"The Personalist\", \"The New York Times\", \"The New York Sun\", and the \"Boston Transcript\". Josephine Johnson \"is a poet of a single theme-that of life's challenge to the spirit to endure.z'\nSource:\nScrapbook","William Stanley Braithwaite (1878-1962)was a poet, editor, publisher, and anthologist who was born and raised in Boston, Massachussetts. In 1890 upon his father's death, he had to quit school and educate himself while working as a typesetter in a Boston printing firm. He developed a love of lyric poetry and wrote several poems that were published. Writing a regular column for the \"Boston Transcript\" he brought serious attention to the works of many African American poets and eventually edited \"The Anthology of Magazine Verse\". Throughout the years of compiling the Anthology, he remained committed to the notion that verse should be an expression of spiritual truth and eternal beauty beyond what he conceived of as the limits of merely political or racial concerns. He introduced the general poetry-reading public to a wide range of African American voices they might otherwise never have heard.\nSource:\nDealers notes","Norfolk Poet's Club Records (1912-1983; 2 cubic feet) include manuscripts of Josephine Johnson and Margaret Haley Carpenter; and correspondence of Mary Sinton Leitch, Josephine Johnson, Julia Johnson Davis, and William Stanley Braithwaite. There are also press releases, newspaper clippings, printed items, and scrapbooks about these poets and editors and their colleagues as well as their poetry and the creative writing process.","Albert and Shirley Small Special Collections Library","English"],"collection_title_tesim":["Norfolk Poet's Club records, 1896/1983"],"collection_ssim":["Norfolk Poet's Club records, 1896/1983"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["MSS 14245","Archival Resource Key","/repositories/3/resources/881"],"unitid_tesim":["MSS 14245","Archival Resource Key","/repositories/3/resources/881"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Albert and Shirley Small Special Collections Library"],"access_subjects_ssim":["letters (correspondence)","Scrapbooks","poetry","clippings (information artifacts)"],"access_subjects_ssm":["letters (correspondence)","Scrapbooks","poetry","clippings (information artifacts)"],"has_online_content_ssim":["false"],"extent_ssm":["2 Cubic Feet 4 oversize boxes"],"extent_tesim":["2 Cubic Feet 4 oversize boxes"],"physfacet_tesim":["6 scrapbooks"],"genreform_ssim":["letters (correspondence)","Scrapbooks","poetry","clippings (information artifacts)"],"date_range_isim":[1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into 5 series. Series 1. Manuscripts; Series 2. Correspondence; Series 3. Press releases, newspaper clippings, and printed items; Series 4. Scrapbooks (and acccount book of poems sold to publications); Series 5. Miscellaneous (hobbies of Josephine Johnson and business receipts from 1896 {Turner Family])\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into 5 series. Series 1. Manuscripts; Series 2. Correspondence; Series 3. Press releases, newspaper clippings, and printed items; Series 4. Scrapbooks (and acccount book of poems sold to publications); Series 5. Miscellaneous (hobbies of Josephine Johnson and business receipts from 1896 {Turner Family])"],"bioghist_html_tesm":["\u003cp\u003eThe Norfolk Poet's Club originally consisted of five women: Josephine Johnson, her sister Julia Johnson Davis, Mary Sinton Leach, Virginia Taylor McCormick, and Virginia Lynne Tunstall. In 1921, they sponsored the formation of a literary magazine called \"The Lyric\" (originally edited by John R. Moreland) which has been called \"America's oldest traditional poetry magazine of independent and continuous publication,\" and has operated under different editorships for over 50 years. \nSource:\nDealers notes\u003c/p\u003e","\u003cp\u003eJosephine Johnson, one of the outstanding poets in the country, and a sonneteer of note, was awarded first prize for her collection of poems, \"The Unwilling Gypsy,\" in the sixth book publication contest of the Kaleidograph Press, Dallas, Texas in 1936. Miss Johnson was vice-president of the poetry Society of Virginia, and a member of the Poetry Society of America, the Catholic Poetry Society, and the Writers' Club of Norfolk. She was born in Norfolk and attended the University of Virginia and Harvard College. Her poems have appeared in \"The American Mercury\", \"The New Republic\", \"Harpers Magazine\", \"The London Mercury, \"The Commonwealth\", \"The Personalist\", \"The New York Times\", \"The New York Sun\", and the \"Boston Transcript\". Josephine Johnson \"is a poet of a single theme-that of life's challenge to the spirit to endure.z'\nSource:\nScrapbook\u003c/p\u003e","\u003cp\u003eWilliam Stanley Braithwaite (1878-1962)was a poet, editor, publisher, and anthologist who was born and raised in Boston, Massachussetts. In 1890 upon his father's death, he had to quit school and educate himself while working as a typesetter in a Boston printing firm. He developed a love of lyric poetry and wrote several poems that were published. Writing a regular column for the \"Boston Transcript\" he brought serious attention to the works of many African American poets and eventually edited \"The Anthology of Magazine Verse\". Throughout the years of compiling the Anthology, he remained committed to the notion that verse should be an expression of spiritual truth and eternal beauty beyond what he conceived of as the limits of merely political or racial concerns. He introduced the general poetry-reading public to a wide range of African American voices they might otherwise never have heard.\nSource:\nDealers notes\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["The Norfolk Poet's Club originally consisted of five women: Josephine Johnson, her sister Julia Johnson Davis, Mary Sinton Leach, Virginia Taylor McCormick, and Virginia Lynne Tunstall. In 1921, they sponsored the formation of a literary magazine called \"The Lyric\" (originally edited by John R. Moreland) which has been called \"America's oldest traditional poetry magazine of independent and continuous publication,\" and has operated under different editorships for over 50 years. \nSource:\nDealers notes","Josephine Johnson, one of the outstanding poets in the country, and a sonneteer of note, was awarded first prize for her collection of poems, \"The Unwilling Gypsy,\" in the sixth book publication contest of the Kaleidograph Press, Dallas, Texas in 1936. Miss Johnson was vice-president of the poetry Society of Virginia, and a member of the Poetry Society of America, the Catholic Poetry Society, and the Writers' Club of Norfolk. She was born in Norfolk and attended the University of Virginia and Harvard College. Her poems have appeared in \"The American Mercury\", \"The New Republic\", \"Harpers Magazine\", \"The London Mercury, \"The Commonwealth\", \"The Personalist\", \"The New York Times\", \"The New York Sun\", and the \"Boston Transcript\". Josephine Johnson \"is a poet of a single theme-that of life's challenge to the spirit to endure.z'\nSource:\nScrapbook","William Stanley Braithwaite (1878-1962)was a poet, editor, publisher, and anthologist who was born and raised in Boston, Massachussetts. In 1890 upon his father's death, he had to quit school and educate himself while working as a typesetter in a Boston printing firm. He developed a love of lyric poetry and wrote several poems that were published. Writing a regular column for the \"Boston Transcript\" he brought serious attention to the works of many African American poets and eventually edited \"The Anthology of Magazine Verse\". Throughout the years of compiling the Anthology, he remained committed to the notion that verse should be an expression of spiritual truth and eternal beauty beyond what he conceived of as the limits of merely political or racial concerns. He introduced the general poetry-reading public to a wide range of African American voices they might otherwise never have heard.\nSource:\nDealers notes"],"prefercite_html_tesm":["\u003cp\u003eMSS 14245 Norfolk Poet's Club records, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e  "],"prefercite_tesim":["MSS 14245 Norfolk Poet's Club records, Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eNorfolk Poet's Club Records (1912-1983; 2 cubic feet) include manuscripts of Josephine Johnson and Margaret Haley Carpenter; and correspondence of Mary Sinton Leitch, Josephine Johnson, Julia Johnson Davis, and William Stanley Braithwaite. There are also press releases, newspaper clippings, printed items, and scrapbooks about these poets and editors and their colleagues as well as their poetry and the creative writing process.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents Note"],"scopecontent_tesim":["Norfolk Poet's Club Records (1912-1983; 2 cubic feet) include manuscripts of Josephine Johnson and Margaret Haley Carpenter; and correspondence of Mary Sinton Leitch, Josephine Johnson, Julia Johnson Davis, and William Stanley Braithwaite. There are also press releases, newspaper clippings, printed items, and scrapbooks about these poets and editors and their colleagues as well as their poetry and the creative writing process."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"names_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":31,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:54:18.647Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_881"}},{"id":"viu_repositories_3_resources_996","type":"collection","attributes":{"title":"Petra Vogt papers, 1966/1978","creator":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_996#creator","type":"document_value","attributes":{"value":"Vogt, Petra","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_996#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains journals, artworks, correspondence, and photographs that illuminate the life and work of Petra Vogt, a poet, actress, artist, and model, known for her involvement with the Living Theatre, Ira Cohen, and the Bardo Matrix Press during the 1960s and 1970s. Of particular interest are thirty-four journals, chiefly by Petra Vogt, with poetry, prose works, diary entries, and intricate rapidograph drawings along with collage, paintings, and other artworks within; about 150 artworks by Vogt, as well as handmade books of Ira Cohen's photographs and collage, 850 photographs by Ira Cohen, including those from his Mylar photography series and 60 pieces of correspondence and post cards addressed to Vogt and Cohen.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_996#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_996","ead_ssi":"viu_repositories_3_resources_996","_root_":"viu_repositories_3_resources_996","_nest_parent_":"viu_repositories_3_resources_996","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_996.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/120842","title_filing_ssi":"Vogt, Petra, papers","title_ssm":["Petra Vogt papers"],"title_tesim":["Petra Vogt papers"],"unitdate_ssm":["1966-1978"],"unitdate_inclusive_ssm":["1966-1978"],"normalized_date_ssm":["1966/1978"],"normalized_title_ssm":["Petra Vogt papers, 1966/1978"],"text":["Petra Vogt papers, 1966/1978","MSS .16480","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/996","Living Theatre (New York, N.Y.)","Kathmandu (Nepal)","Spirituality--Hinduism","Spirituality--Buddhism","Bardo Matrix (Firm)","Counterculture","Photographers","collage","small presses","hippies","prints","poetry","Black-and-white photographs","drawings (visual works)","diaries","Good. Collection apparently stored in a basement but no active mold. Some oversize materials were folded but these have been put in oversize folders or boxes and a few had preservation attention. Mylar L-sleeves have been used to protect some fragile materials.","Most of the collection is open for research. The single exception is a bank book for an account owned by Petra Vogt.","The bank book belonging to Petra Vogt, 1977-1978, has been removed and restricted until her death. It has been placed in the control folder for this collection in a sealed envelope. The bank book is from the Bayerische Hypotheken- und Wechsel-Bank (short form: Hypo-Bank).","Materials arrived organized by the dealer into the following four series and additional subseries: Series I. Correspondence; Series II. Petra Vogt files; Subseries II.1 Notebooks; Subseries II.2 Artworks and artist files; Subseries II.3 Collage files Series III. Ira Cohen and Bardo Matrix; Subseries III.1 Ira Cohen materials; Subseries III.2 Bardo Matrix publications; Subseries III.3 Flyers, ephemera, broadsides; Series IV Photographs.","This arrangement has been simplified into three series, 1) Volumes, Journals and Notebooks, chiefly by Petra Vogt; 2) Correspondence, Artwork and Topical Files; and 3) Photographs, chiefly by Ira Cohen. These series contain oversize materials that have been placed in more appropriate containers but are listed in the appropriate series.","Much of this biographical and historical information was taken from the dealer description of the collection.","Petra Vogt was born in Berlin, Germany, in 1943, during a particularly devastating year of World War Two airstrikes on the city. She took acting classes in Munich and then returned to Berlin, where she saw The Living Theatre for the first time and decided to join the group in 1962. She traveled and performed extensively with The Living Theatre, including in the performance, \"Paradise Now.\" She met Ira Cohen at its New Haven show (phone conversation between Ira Cohen and Carey Loren, which was transcribed on \"Blastitude, Eternity Blast Special,\" no. 13. August 2002).","In 1971, Vogt and Cohen finally landed in Kathmandu, after extensive traveling through Morocco, Tunisia, Afghanistan, and India. Living in Kathmandu from around 1972 to 1978, Vogt was an artistic, photographic, and social muse to partner Cohen, as well as Nepali hippies including Jimmy Thapa and Trilochan Shrestha.  While in Nepal, she produced numerous notebooks of poetry, diaries, and artworks, while illustrating Bardo Matrix Starstreams publications, as well as Cohen's work, including \"Poems from the Cosmic Crypt.\"","While Vogt is peripherally featured in the archives of Ira Cohen, Angus MacLise, Dana Young, and other Bardo Matrix collaborators, her own contributions to this important facet of the countercultural poetics scene are significantly understudied. While Mark Liechty's \"Far Out: Countercultural Seekers and the Tourist Encounter in Nepal\" (University of Chicago Press, 2017), acknowledges her centrality to the scene and describes her role in organizing events, performances, and generally contributing to the dramatically-dressed scene in Kathmandu, no further articles or monographs solidify the contributions of her writings, artworks, or aesthetic.","During the 1970s, Vogt was known for her foreboding dark outfits and makeup; her aesthetic marks her as an unheralded progenitor of goth style, which began to be codified in music scenes around the same time. Photographs of her from her time in Nepal in the 1970s were featured in a recent Photo Kathmandu festival in 2018. She continues to write and make art under a different name in Germany.","Ira Cohen (1935–2011) was a noted poet, publisher, filmmaker, and photographer, known especially for his Mylar photographs, which he created between 1968 and 1971 in New York City. These works were inspired by Jack Smith and Bill Devore's black light experimentation, and required subjects to enter his \"Mylar Chamber,\" a makeshift room comprised of the reflective film, which Cohen would then photograph to produce distorted and psychedelic images of his subjects.","This produced iconic images that Life magazine in 1969 said captured the \"euphoric distortions of hallucinogenics\" during the countercultural era, with participants such as Jimi Hendrix, William Burroughs, Jack Smith, Brion Gysin, Angus MacLise, Paul Bowles, and Petra Vogt, among many others. These photographs have been exhibited in the 2006 \"Summer of Love\" exhibition organized by the Tate Liverpool and featured at the Whitney Museum, and are the subject of a new book, \"Ira Cohen: Into the Mylar Chamber\" which was published by Fulgar Press in 2019 with text by Ira Cohen, Timothy Baum, Ian MacFadyen, Alice Farley, Ira Landgarten, and Thurston Moore, and edited by Allan Graubard.","Kathmandu, Nepal, held a vibrant expatriate community of poets, musicians, artists, and spiritual seekers in the 1970s, in large part due to the Bardo Matrix collective — a group that began in Boulder, Colorado as The Experimental Cinema Group, and initially included Angus MacLise, John Chick, Dana Young, and Ira Cohen. Bardo Matrix Press, and especially the Starstreams Poetry Series, created collaborations with Beat and countercultural poets and local artisans to produce books informed by traditional Nepali and Tibetan traditions, sharing new poetic ideas.","Before 1971, when Ira Cohen and Petra Vogt arrived, a small group of expatriates had already become involved making woodblock prints to sell to tourists. Cohen recounts the presence of Ian Alsop, Francis Brooks, and Simon White, who \"were to play an important role in the development of small press publications by myself, my old friend and comrade, poet-calligrapher, Angus MacLise, and other poets who quickly formed a community in the Kathmandu Valley.\"","MacLise's work with Piero Heliczer on Dead Language Press, \"making unique books from tree bark or fashioning long horizontal handmade books after the Tibetan or Indian style,\" proved influential: it was Angus who, \"working with local craftsmen and woodblock artists, really began the great rice paper adventure.\" (Ira Cohen, \"The Great Rice Paper Adventure: Kathmandu, 1971–1977.\" New Observations no. 106, May/June 1995. Online at Big Bridge, no. 5.)","In Kathmandu, on so-called \"Freak Street\" or Jhocchen Tole, John Chick opened a bookshop named \"The Spirit Catcher.\" The shop was open around 1972–1979, and provided a weekly forum for poetry readings, music, and community. This shop cemented the centrality of the roles of Vogt, Cohen, Chick, and MacLise in the countercultural community abroad, and became both a tourist and local destination (Prawash Gautam, \"How a used bookstore in Kathmandu's Jhochhen captured the spirit of the hippie movement,\" \"The Kathmandu Post,\" December 18, 2018).","This collection contains journals, artworks, correspondence, and photographs that illuminate the life and work of Petra Vogt, a poet, actress, artist, and model, known for her involvement with the Living Theatre, Ira Cohen, and the Bardo Matrix Press during the 1960s and 1970s. Of particular interest are thirty-four journals, chiefly by Petra Vogt, with poetry, prose works, diary entries, and intricate rapidograph drawings along with collage, paintings, and other artworks within; about 150 artworks by Vogt, as well as handmade books of Ira Cohen's photographs and collage, 850 photographs by Ira Cohen, including those from his Mylar photography series and 60 pieces of correspondence and post cards addressed to Vogt and Cohen.","Albert and Shirley Small Special Collections Library","Bardo Matrix (Firm)","Vogt, Petra","Cohen, Ira","English\n      Nepali\n      German"],"collection_title_tesim":["Petra Vogt papers, 1966/1978"],"collection_ssim":["Petra Vogt papers, 1966/1978"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS .16480","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/996"],"unitid_tesim":["MSS .16480","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/996"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Living Theatre (New York, N.Y.)","Kathmandu (Nepal)","Spirituality--Hinduism","Spirituality--Buddhism","Bardo Matrix (Firm)"],"geogname_ssim":["Living Theatre (New York, N.Y.)","Kathmandu (Nepal)","Spirituality--Hinduism","Spirituality--Buddhism","Bardo Matrix (Firm)"],"places_ssim":["Living Theatre (New York, N.Y.)","Kathmandu (Nepal)","Spirituality--Hinduism","Spirituality--Buddhism","Bardo Matrix (Firm)"],"creator_ssm":["Vogt, Petra","Cohen, Ira","Bardo Matrix (Firm)"],"creator_ssim":["Vogt, Petra","Cohen, Ira","Bardo Matrix (Firm)"],"creator_persname_ssim":["Vogt, Petra","Cohen, Ira"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library","Bardo Matrix (Firm)"],"creators_ssim":["Vogt, Petra","Cohen, Ira","Albert and Shirley Small Special Collections Library","Bardo Matrix (Firm)"],"acqinfo_ssim":["The Petra Vogt papers were purchased by the University of Virginia Special Collections Library from Granary Books, Inc. on September 21, 2020."],"access_subjects_ssim":["Counterculture","Photographers","collage","small presses","hippies","prints","poetry","Black-and-white photographs","drawings (visual works)","diaries"],"access_subjects_ssm":["Counterculture","Photographers","collage","small presses","hippies","prints","poetry","Black-and-white photographs","drawings (visual works)","diaries"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good. Collection apparently stored in a basement but no active mold. Some oversize materials were folded but these have been put in oversize folders or boxes and a few had preservation attention. Mylar L-sleeves have been used to protect some fragile materials."],"extent_ssm":["4.09 Cubic Feet 5 legal document boxes, 2 letter document boxes, 2 oversize folders (2 x 3 feet and 14 x 18 inches), and 2 oversized boxes."],"extent_tesim":["4.09 Cubic Feet 5 legal document boxes, 2 letter document boxes, 2 oversize folders (2 x 3 feet and 14 x 18 inches), and 2 oversized boxes."],"genreform_ssim":["poetry","Black-and-white photographs","drawings (visual works)","diaries"],"date_range_isim":[1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978],"accessrestrict_html_tesm":["\u003cp\u003eMost of the collection is open for research. The single exception is a bank book for an account owned by Petra Vogt.\u003c/p\u003e","\u003cp\u003eThe bank book belonging to Petra Vogt, 1977-1978, has been removed and restricted until her death. It has been placed in the control folder for this collection in a sealed envelope. The bank book is from the Bayerische Hypotheken- und Wechsel-Bank (short form: Hypo-Bank). \u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Most of the collection is open for research. The single exception is a bank book for an account owned by Petra Vogt.","The bank book belonging to Petra Vogt, 1977-1978, has been removed and restricted until her death. It has been placed in the control folder for this collection in a sealed envelope. The bank book is from the Bayerische Hypotheken- und Wechsel-Bank (short form: Hypo-Bank)."],"arrangement_html_tesm":["\u003cp\u003eMaterials arrived organized by the dealer into the following four series and additional subseries: Series I. Correspondence; Series II. Petra Vogt files; Subseries II.1 Notebooks; Subseries II.2 Artworks and artist files; Subseries II.3 Collage files Series III. Ira Cohen and Bardo Matrix; Subseries III.1 Ira Cohen materials; Subseries III.2 Bardo Matrix publications; Subseries III.3 Flyers, ephemera, broadsides; Series IV Photographs.\u003c/p\u003e","\u003cp\u003eThis arrangement has been simplified into three series, 1) Volumes, Journals and Notebooks, chiefly by Petra Vogt; 2) Correspondence, Artwork and Topical Files; and 3) Photographs, chiefly by Ira Cohen. These series contain oversize materials that have been placed in more appropriate containers but are listed in the appropriate series.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials arrived organized by the dealer into the following four series and additional subseries: Series I. Correspondence; Series II. Petra Vogt files; Subseries II.1 Notebooks; Subseries II.2 Artworks and artist files; Subseries II.3 Collage files Series III. Ira Cohen and Bardo Matrix; Subseries III.1 Ira Cohen materials; Subseries III.2 Bardo Matrix publications; Subseries III.3 Flyers, ephemera, broadsides; Series IV Photographs.","This arrangement has been simplified into three series, 1) Volumes, Journals and Notebooks, chiefly by Petra Vogt; 2) Correspondence, Artwork and Topical Files; and 3) Photographs, chiefly by Ira Cohen. These series contain oversize materials that have been placed in more appropriate containers but are listed in the appropriate series."],"bioghist_html_tesm":["\u003cp\u003eMuch of this biographical and historical information was taken from the dealer description of the collection. \u003c/p\u003e","\u003cp\u003ePetra Vogt was born in Berlin, Germany, in 1943, during a particularly devastating year of World War Two airstrikes on the city. She took acting classes in Munich and then returned to Berlin, where she saw The Living Theatre for the first time and decided to join the group in 1962. She traveled and performed extensively with The Living Theatre, including in the performance, \"Paradise Now.\" She met Ira Cohen at its New Haven show (phone conversation between Ira Cohen and Carey Loren, which was transcribed on \"Blastitude, Eternity Blast Special,\" no. 13. August 2002). \u003c/p\u003e","\u003cp\u003eIn 1971, Vogt and Cohen finally landed in Kathmandu, after extensive traveling through Morocco, Tunisia, Afghanistan, and India. Living in Kathmandu from around 1972 to 1978, Vogt was an artistic, photographic, and social muse to partner Cohen, as well as Nepali hippies including Jimmy Thapa and Trilochan Shrestha.  While in Nepal, she produced numerous notebooks of poetry, diaries, and artworks, while illustrating Bardo Matrix Starstreams publications, as well as Cohen's work, including \"Poems from the Cosmic Crypt.\"\u003c/p\u003e","\u003cp\u003eWhile Vogt is peripherally featured in the archives of Ira Cohen, Angus MacLise, Dana Young, and other Bardo Matrix collaborators, her own contributions to this important facet of the countercultural poetics scene are significantly understudied. While Mark Liechty's \"Far Out: Countercultural Seekers and the Tourist Encounter in Nepal\" (University of Chicago Press, 2017), acknowledges her centrality to the scene and describes her role in organizing events, performances, and generally contributing to the dramatically-dressed scene in Kathmandu, no further articles or monographs solidify the contributions of her writings, artworks, or aesthetic. \u003c/p\u003e","\u003cp\u003eDuring the 1970s, Vogt was known for her foreboding dark outfits and makeup; her aesthetic marks her as an unheralded progenitor of goth style, which began to be codified in music scenes around the same time. Photographs of her from her time in Nepal in the 1970s were featured in a recent Photo Kathmandu festival in 2018. She continues to write and make art under a different name in Germany.  \u003c/p\u003e","\u003cp\u003eIra Cohen (1935–2011) was a noted poet, publisher, filmmaker, and photographer, known especially for his Mylar photographs, which he created between 1968 and 1971 in New York City. These works were inspired by Jack Smith and Bill Devore's black light experimentation, and required subjects to enter his \"Mylar Chamber,\" a makeshift room comprised of the reflective film, which Cohen would then photograph to produce distorted and psychedelic images of his subjects. \u003c/p\u003e","\u003cp\u003eThis produced iconic images that Life magazine in 1969 said captured the \"euphoric distortions of hallucinogenics\" during the countercultural era, with participants such as Jimi Hendrix, William Burroughs, Jack Smith, Brion Gysin, Angus MacLise, Paul Bowles, and Petra Vogt, among many others. These photographs have been exhibited in the 2006 \"Summer of Love\" exhibition organized by the Tate Liverpool and featured at the Whitney Museum, and are the subject of a new book, \"Ira Cohen: Into the Mylar Chamber\" which was published by Fulgar Press in 2019 with text by Ira Cohen, Timothy Baum, Ian MacFadyen, Alice Farley, Ira Landgarten, and Thurston Moore, and edited by Allan Graubard. \u003c/p\u003e","\u003cp\u003eKathmandu, Nepal, held a vibrant expatriate community of poets, musicians, artists, and spiritual seekers in the 1970s, in large part due to the Bardo Matrix collective — a group that began in Boulder, Colorado as The Experimental Cinema Group, and initially included Angus MacLise, John Chick, Dana Young, and Ira Cohen. Bardo Matrix Press, and especially the Starstreams Poetry Series, created collaborations with Beat and countercultural poets and local artisans to produce books informed by traditional Nepali and Tibetan traditions, sharing new poetic ideas.\u003c/p\u003e","\u003cp\u003eBefore 1971, when Ira Cohen and Petra Vogt arrived, a small group of expatriates had already become involved making woodblock prints to sell to tourists. Cohen recounts the presence of Ian Alsop, Francis Brooks, and Simon White, who \"were to play an important role in the development of small press publications by myself, my old friend and comrade, poet-calligrapher, Angus MacLise, and other poets who quickly formed a community in the Kathmandu Valley.\" \u003c/p\u003e","\u003cp\u003eMacLise's work with Piero Heliczer on Dead Language Press, \"making unique books from tree bark or fashioning long horizontal handmade books after the Tibetan or Indian style,\" proved influential: it was Angus who, \"working with local craftsmen and woodblock artists, really began the great rice paper adventure.\" (Ira Cohen, \"The Great Rice Paper Adventure: Kathmandu, 1971–1977.\" New Observations no. 106, May/June 1995. Online at Big Bridge, no. 5.)\u003c/p\u003e","\u003cp\u003eIn Kathmandu, on so-called \"Freak Street\" or Jhocchen Tole, John Chick opened a bookshop named \"The Spirit Catcher.\" The shop was open around 1972–1979, and provided a weekly forum for poetry readings, music, and community. This shop cemented the centrality of the roles of Vogt, Cohen, Chick, and MacLise in the countercultural community abroad, and became both a tourist and local destination (Prawash Gautam, \"How a used bookstore in Kathmandu's Jhochhen captured the spirit of the hippie movement,\" \"The Kathmandu Post,\" December 18, 2018).\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Much of this biographical and historical information was taken from the dealer description of the collection.","Petra Vogt was born in Berlin, Germany, in 1943, during a particularly devastating year of World War Two airstrikes on the city. She took acting classes in Munich and then returned to Berlin, where she saw The Living Theatre for the first time and decided to join the group in 1962. She traveled and performed extensively with The Living Theatre, including in the performance, \"Paradise Now.\" She met Ira Cohen at its New Haven show (phone conversation between Ira Cohen and Carey Loren, which was transcribed on \"Blastitude, Eternity Blast Special,\" no. 13. August 2002).","In 1971, Vogt and Cohen finally landed in Kathmandu, after extensive traveling through Morocco, Tunisia, Afghanistan, and India. Living in Kathmandu from around 1972 to 1978, Vogt was an artistic, photographic, and social muse to partner Cohen, as well as Nepali hippies including Jimmy Thapa and Trilochan Shrestha.  While in Nepal, she produced numerous notebooks of poetry, diaries, and artworks, while illustrating Bardo Matrix Starstreams publications, as well as Cohen's work, including \"Poems from the Cosmic Crypt.\"","While Vogt is peripherally featured in the archives of Ira Cohen, Angus MacLise, Dana Young, and other Bardo Matrix collaborators, her own contributions to this important facet of the countercultural poetics scene are significantly understudied. While Mark Liechty's \"Far Out: Countercultural Seekers and the Tourist Encounter in Nepal\" (University of Chicago Press, 2017), acknowledges her centrality to the scene and describes her role in organizing events, performances, and generally contributing to the dramatically-dressed scene in Kathmandu, no further articles or monographs solidify the contributions of her writings, artworks, or aesthetic.","During the 1970s, Vogt was known for her foreboding dark outfits and makeup; her aesthetic marks her as an unheralded progenitor of goth style, which began to be codified in music scenes around the same time. Photographs of her from her time in Nepal in the 1970s were featured in a recent Photo Kathmandu festival in 2018. She continues to write and make art under a different name in Germany.","Ira Cohen (1935–2011) was a noted poet, publisher, filmmaker, and photographer, known especially for his Mylar photographs, which he created between 1968 and 1971 in New York City. These works were inspired by Jack Smith and Bill Devore's black light experimentation, and required subjects to enter his \"Mylar Chamber,\" a makeshift room comprised of the reflective film, which Cohen would then photograph to produce distorted and psychedelic images of his subjects.","This produced iconic images that Life magazine in 1969 said captured the \"euphoric distortions of hallucinogenics\" during the countercultural era, with participants such as Jimi Hendrix, William Burroughs, Jack Smith, Brion Gysin, Angus MacLise, Paul Bowles, and Petra Vogt, among many others. These photographs have been exhibited in the 2006 \"Summer of Love\" exhibition organized by the Tate Liverpool and featured at the Whitney Museum, and are the subject of a new book, \"Ira Cohen: Into the Mylar Chamber\" which was published by Fulgar Press in 2019 with text by Ira Cohen, Timothy Baum, Ian MacFadyen, Alice Farley, Ira Landgarten, and Thurston Moore, and edited by Allan Graubard.","Kathmandu, Nepal, held a vibrant expatriate community of poets, musicians, artists, and spiritual seekers in the 1970s, in large part due to the Bardo Matrix collective — a group that began in Boulder, Colorado as The Experimental Cinema Group, and initially included Angus MacLise, John Chick, Dana Young, and Ira Cohen. Bardo Matrix Press, and especially the Starstreams Poetry Series, created collaborations with Beat and countercultural poets and local artisans to produce books informed by traditional Nepali and Tibetan traditions, sharing new poetic ideas.","Before 1971, when Ira Cohen and Petra Vogt arrived, a small group of expatriates had already become involved making woodblock prints to sell to tourists. Cohen recounts the presence of Ian Alsop, Francis Brooks, and Simon White, who \"were to play an important role in the development of small press publications by myself, my old friend and comrade, poet-calligrapher, Angus MacLise, and other poets who quickly formed a community in the Kathmandu Valley.\"","MacLise's work with Piero Heliczer on Dead Language Press, \"making unique books from tree bark or fashioning long horizontal handmade books after the Tibetan or Indian style,\" proved influential: it was Angus who, \"working with local craftsmen and woodblock artists, really began the great rice paper adventure.\" (Ira Cohen, \"The Great Rice Paper Adventure: Kathmandu, 1971–1977.\" New Observations no. 106, May/June 1995. Online at Big Bridge, no. 5.)","In Kathmandu, on so-called \"Freak Street\" or Jhocchen Tole, John Chick opened a bookshop named \"The Spirit Catcher.\" The shop was open around 1972–1979, and provided a weekly forum for poetry readings, music, and community. This shop cemented the centrality of the roles of Vogt, Cohen, Chick, and MacLise in the countercultural community abroad, and became both a tourist and local destination (Prawash Gautam, \"How a used bookstore in Kathmandu's Jhochhen captured the spirit of the hippie movement,\" \"The Kathmandu Post,\" December 18, 2018)."],"prefercite_html_tesm":["\u003cp\u003ePetra Vogt papers, MSS 16480, 1966-1978, Special Collections, University of Virginia Library, Charlottesville, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Petra Vogt papers, MSS 16480, 1966-1978, Special Collections, University of Virginia Library, Charlottesville, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains journals, artworks, correspondence, and photographs that illuminate the life and work of Petra Vogt, a poet, actress, artist, and model, known for her involvement with the Living Theatre, Ira Cohen, and the Bardo Matrix Press during the 1960s and 1970s. Of particular interest are thirty-four journals, chiefly by Petra Vogt, with poetry, prose works, diary entries, and intricate rapidograph drawings along with collage, paintings, and other artworks within; about 150 artworks by Vogt, as well as handmade books of Ira Cohen's photographs and collage, 850 photographs by Ira Cohen, including those from his Mylar photography series and 60 pieces of correspondence and post cards addressed to Vogt and Cohen.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains journals, artworks, correspondence, and photographs that illuminate the life and work of Petra Vogt, a poet, actress, artist, and model, known for her involvement with the Living Theatre, Ira Cohen, and the Bardo Matrix Press during the 1960s and 1970s. Of particular interest are thirty-four journals, chiefly by Petra Vogt, with poetry, prose works, diary entries, and intricate rapidograph drawings along with collage, paintings, and other artworks within; about 150 artworks by Vogt, as well as handmade books of Ira Cohen's photographs and collage, 850 photographs by Ira Cohen, including those from his Mylar photography series and 60 pieces of correspondence and post cards addressed to Vogt and Cohen."],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Bardo Matrix (Firm)"],"persname_ssim":["Vogt, Petra","Cohen, Ira"],"names_coll_ssim":["Vogt, Petra","Cohen, Ira"],"names_ssim":["Albert and Shirley Small Special Collections Library","Bardo Matrix (Firm)","Vogt, Petra","Cohen, Ira"],"language_ssim":["English\n      Nepali\n      German"],"total_component_count_is":81,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:54:27.406Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_996","ead_ssi":"viu_repositories_3_resources_996","_root_":"viu_repositories_3_resources_996","_nest_parent_":"viu_repositories_3_resources_996","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_996.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/120842","title_filing_ssi":"Vogt, Petra, papers","title_ssm":["Petra Vogt papers"],"title_tesim":["Petra Vogt papers"],"unitdate_ssm":["1966-1978"],"unitdate_inclusive_ssm":["1966-1978"],"normalized_date_ssm":["1966/1978"],"normalized_title_ssm":["Petra Vogt papers, 1966/1978"],"text":["Petra Vogt papers, 1966/1978","MSS .16480","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/996","Living Theatre (New York, N.Y.)","Kathmandu (Nepal)","Spirituality--Hinduism","Spirituality--Buddhism","Bardo Matrix (Firm)","Counterculture","Photographers","collage","small presses","hippies","prints","poetry","Black-and-white photographs","drawings (visual works)","diaries","Good. Collection apparently stored in a basement but no active mold. Some oversize materials were folded but these have been put in oversize folders or boxes and a few had preservation attention. Mylar L-sleeves have been used to protect some fragile materials.","Most of the collection is open for research. The single exception is a bank book for an account owned by Petra Vogt.","The bank book belonging to Petra Vogt, 1977-1978, has been removed and restricted until her death. It has been placed in the control folder for this collection in a sealed envelope. The bank book is from the Bayerische Hypotheken- und Wechsel-Bank (short form: Hypo-Bank).","Materials arrived organized by the dealer into the following four series and additional subseries: Series I. Correspondence; Series II. Petra Vogt files; Subseries II.1 Notebooks; Subseries II.2 Artworks and artist files; Subseries II.3 Collage files Series III. Ira Cohen and Bardo Matrix; Subseries III.1 Ira Cohen materials; Subseries III.2 Bardo Matrix publications; Subseries III.3 Flyers, ephemera, broadsides; Series IV Photographs.","This arrangement has been simplified into three series, 1) Volumes, Journals and Notebooks, chiefly by Petra Vogt; 2) Correspondence, Artwork and Topical Files; and 3) Photographs, chiefly by Ira Cohen. These series contain oversize materials that have been placed in more appropriate containers but are listed in the appropriate series.","Much of this biographical and historical information was taken from the dealer description of the collection.","Petra Vogt was born in Berlin, Germany, in 1943, during a particularly devastating year of World War Two airstrikes on the city. She took acting classes in Munich and then returned to Berlin, where she saw The Living Theatre for the first time and decided to join the group in 1962. She traveled and performed extensively with The Living Theatre, including in the performance, \"Paradise Now.\" She met Ira Cohen at its New Haven show (phone conversation between Ira Cohen and Carey Loren, which was transcribed on \"Blastitude, Eternity Blast Special,\" no. 13. August 2002).","In 1971, Vogt and Cohen finally landed in Kathmandu, after extensive traveling through Morocco, Tunisia, Afghanistan, and India. Living in Kathmandu from around 1972 to 1978, Vogt was an artistic, photographic, and social muse to partner Cohen, as well as Nepali hippies including Jimmy Thapa and Trilochan Shrestha.  While in Nepal, she produced numerous notebooks of poetry, diaries, and artworks, while illustrating Bardo Matrix Starstreams publications, as well as Cohen's work, including \"Poems from the Cosmic Crypt.\"","While Vogt is peripherally featured in the archives of Ira Cohen, Angus MacLise, Dana Young, and other Bardo Matrix collaborators, her own contributions to this important facet of the countercultural poetics scene are significantly understudied. While Mark Liechty's \"Far Out: Countercultural Seekers and the Tourist Encounter in Nepal\" (University of Chicago Press, 2017), acknowledges her centrality to the scene and describes her role in organizing events, performances, and generally contributing to the dramatically-dressed scene in Kathmandu, no further articles or monographs solidify the contributions of her writings, artworks, or aesthetic.","During the 1970s, Vogt was known for her foreboding dark outfits and makeup; her aesthetic marks her as an unheralded progenitor of goth style, which began to be codified in music scenes around the same time. Photographs of her from her time in Nepal in the 1970s were featured in a recent Photo Kathmandu festival in 2018. She continues to write and make art under a different name in Germany.","Ira Cohen (1935–2011) was a noted poet, publisher, filmmaker, and photographer, known especially for his Mylar photographs, which he created between 1968 and 1971 in New York City. These works were inspired by Jack Smith and Bill Devore's black light experimentation, and required subjects to enter his \"Mylar Chamber,\" a makeshift room comprised of the reflective film, which Cohen would then photograph to produce distorted and psychedelic images of his subjects.","This produced iconic images that Life magazine in 1969 said captured the \"euphoric distortions of hallucinogenics\" during the countercultural era, with participants such as Jimi Hendrix, William Burroughs, Jack Smith, Brion Gysin, Angus MacLise, Paul Bowles, and Petra Vogt, among many others. These photographs have been exhibited in the 2006 \"Summer of Love\" exhibition organized by the Tate Liverpool and featured at the Whitney Museum, and are the subject of a new book, \"Ira Cohen: Into the Mylar Chamber\" which was published by Fulgar Press in 2019 with text by Ira Cohen, Timothy Baum, Ian MacFadyen, Alice Farley, Ira Landgarten, and Thurston Moore, and edited by Allan Graubard.","Kathmandu, Nepal, held a vibrant expatriate community of poets, musicians, artists, and spiritual seekers in the 1970s, in large part due to the Bardo Matrix collective — a group that began in Boulder, Colorado as The Experimental Cinema Group, and initially included Angus MacLise, John Chick, Dana Young, and Ira Cohen. Bardo Matrix Press, and especially the Starstreams Poetry Series, created collaborations with Beat and countercultural poets and local artisans to produce books informed by traditional Nepali and Tibetan traditions, sharing new poetic ideas.","Before 1971, when Ira Cohen and Petra Vogt arrived, a small group of expatriates had already become involved making woodblock prints to sell to tourists. Cohen recounts the presence of Ian Alsop, Francis Brooks, and Simon White, who \"were to play an important role in the development of small press publications by myself, my old friend and comrade, poet-calligrapher, Angus MacLise, and other poets who quickly formed a community in the Kathmandu Valley.\"","MacLise's work with Piero Heliczer on Dead Language Press, \"making unique books from tree bark or fashioning long horizontal handmade books after the Tibetan or Indian style,\" proved influential: it was Angus who, \"working with local craftsmen and woodblock artists, really began the great rice paper adventure.\" (Ira Cohen, \"The Great Rice Paper Adventure: Kathmandu, 1971–1977.\" New Observations no. 106, May/June 1995. Online at Big Bridge, no. 5.)","In Kathmandu, on so-called \"Freak Street\" or Jhocchen Tole, John Chick opened a bookshop named \"The Spirit Catcher.\" The shop was open around 1972–1979, and provided a weekly forum for poetry readings, music, and community. This shop cemented the centrality of the roles of Vogt, Cohen, Chick, and MacLise in the countercultural community abroad, and became both a tourist and local destination (Prawash Gautam, \"How a used bookstore in Kathmandu's Jhochhen captured the spirit of the hippie movement,\" \"The Kathmandu Post,\" December 18, 2018).","This collection contains journals, artworks, correspondence, and photographs that illuminate the life and work of Petra Vogt, a poet, actress, artist, and model, known for her involvement with the Living Theatre, Ira Cohen, and the Bardo Matrix Press during the 1960s and 1970s. Of particular interest are thirty-four journals, chiefly by Petra Vogt, with poetry, prose works, diary entries, and intricate rapidograph drawings along with collage, paintings, and other artworks within; about 150 artworks by Vogt, as well as handmade books of Ira Cohen's photographs and collage, 850 photographs by Ira Cohen, including those from his Mylar photography series and 60 pieces of correspondence and post cards addressed to Vogt and Cohen.","Albert and Shirley Small Special Collections Library","Bardo Matrix (Firm)","Vogt, Petra","Cohen, Ira","English\n      Nepali\n      German"],"collection_title_tesim":["Petra Vogt papers, 1966/1978"],"collection_ssim":["Petra Vogt papers, 1966/1978"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS .16480","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/996"],"unitid_tesim":["MSS .16480","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/996"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Living Theatre (New York, N.Y.)","Kathmandu (Nepal)","Spirituality--Hinduism","Spirituality--Buddhism","Bardo Matrix (Firm)"],"geogname_ssim":["Living Theatre (New York, N.Y.)","Kathmandu (Nepal)","Spirituality--Hinduism","Spirituality--Buddhism","Bardo Matrix (Firm)"],"places_ssim":["Living Theatre (New York, N.Y.)","Kathmandu (Nepal)","Spirituality--Hinduism","Spirituality--Buddhism","Bardo Matrix (Firm)"],"creator_ssm":["Vogt, Petra","Cohen, Ira","Bardo Matrix (Firm)"],"creator_ssim":["Vogt, Petra","Cohen, Ira","Bardo Matrix (Firm)"],"creator_persname_ssim":["Vogt, Petra","Cohen, Ira"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library","Bardo Matrix (Firm)"],"creators_ssim":["Vogt, Petra","Cohen, Ira","Albert and Shirley Small Special Collections Library","Bardo Matrix (Firm)"],"acqinfo_ssim":["The Petra Vogt papers were purchased by the University of Virginia Special Collections Library from Granary Books, Inc. on September 21, 2020."],"access_subjects_ssim":["Counterculture","Photographers","collage","small presses","hippies","prints","poetry","Black-and-white photographs","drawings (visual works)","diaries"],"access_subjects_ssm":["Counterculture","Photographers","collage","small presses","hippies","prints","poetry","Black-and-white photographs","drawings (visual works)","diaries"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good. Collection apparently stored in a basement but no active mold. Some oversize materials were folded but these have been put in oversize folders or boxes and a few had preservation attention. Mylar L-sleeves have been used to protect some fragile materials."],"extent_ssm":["4.09 Cubic Feet 5 legal document boxes, 2 letter document boxes, 2 oversize folders (2 x 3 feet and 14 x 18 inches), and 2 oversized boxes."],"extent_tesim":["4.09 Cubic Feet 5 legal document boxes, 2 letter document boxes, 2 oversize folders (2 x 3 feet and 14 x 18 inches), and 2 oversized boxes."],"genreform_ssim":["poetry","Black-and-white photographs","drawings (visual works)","diaries"],"date_range_isim":[1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978],"accessrestrict_html_tesm":["\u003cp\u003eMost of the collection is open for research. The single exception is a bank book for an account owned by Petra Vogt.\u003c/p\u003e","\u003cp\u003eThe bank book belonging to Petra Vogt, 1977-1978, has been removed and restricted until her death. It has been placed in the control folder for this collection in a sealed envelope. The bank book is from the Bayerische Hypotheken- und Wechsel-Bank (short form: Hypo-Bank). \u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Most of the collection is open for research. The single exception is a bank book for an account owned by Petra Vogt.","The bank book belonging to Petra Vogt, 1977-1978, has been removed and restricted until her death. It has been placed in the control folder for this collection in a sealed envelope. The bank book is from the Bayerische Hypotheken- und Wechsel-Bank (short form: Hypo-Bank)."],"arrangement_html_tesm":["\u003cp\u003eMaterials arrived organized by the dealer into the following four series and additional subseries: Series I. Correspondence; Series II. Petra Vogt files; Subseries II.1 Notebooks; Subseries II.2 Artworks and artist files; Subseries II.3 Collage files Series III. Ira Cohen and Bardo Matrix; Subseries III.1 Ira Cohen materials; Subseries III.2 Bardo Matrix publications; Subseries III.3 Flyers, ephemera, broadsides; Series IV Photographs.\u003c/p\u003e","\u003cp\u003eThis arrangement has been simplified into three series, 1) Volumes, Journals and Notebooks, chiefly by Petra Vogt; 2) Correspondence, Artwork and Topical Files; and 3) Photographs, chiefly by Ira Cohen. These series contain oversize materials that have been placed in more appropriate containers but are listed in the appropriate series.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials arrived organized by the dealer into the following four series and additional subseries: Series I. Correspondence; Series II. Petra Vogt files; Subseries II.1 Notebooks; Subseries II.2 Artworks and artist files; Subseries II.3 Collage files Series III. Ira Cohen and Bardo Matrix; Subseries III.1 Ira Cohen materials; Subseries III.2 Bardo Matrix publications; Subseries III.3 Flyers, ephemera, broadsides; Series IV Photographs.","This arrangement has been simplified into three series, 1) Volumes, Journals and Notebooks, chiefly by Petra Vogt; 2) Correspondence, Artwork and Topical Files; and 3) Photographs, chiefly by Ira Cohen. These series contain oversize materials that have been placed in more appropriate containers but are listed in the appropriate series."],"bioghist_html_tesm":["\u003cp\u003eMuch of this biographical and historical information was taken from the dealer description of the collection. \u003c/p\u003e","\u003cp\u003ePetra Vogt was born in Berlin, Germany, in 1943, during a particularly devastating year of World War Two airstrikes on the city. She took acting classes in Munich and then returned to Berlin, where she saw The Living Theatre for the first time and decided to join the group in 1962. She traveled and performed extensively with The Living Theatre, including in the performance, \"Paradise Now.\" She met Ira Cohen at its New Haven show (phone conversation between Ira Cohen and Carey Loren, which was transcribed on \"Blastitude, Eternity Blast Special,\" no. 13. August 2002). \u003c/p\u003e","\u003cp\u003eIn 1971, Vogt and Cohen finally landed in Kathmandu, after extensive traveling through Morocco, Tunisia, Afghanistan, and India. Living in Kathmandu from around 1972 to 1978, Vogt was an artistic, photographic, and social muse to partner Cohen, as well as Nepali hippies including Jimmy Thapa and Trilochan Shrestha.  While in Nepal, she produced numerous notebooks of poetry, diaries, and artworks, while illustrating Bardo Matrix Starstreams publications, as well as Cohen's work, including \"Poems from the Cosmic Crypt.\"\u003c/p\u003e","\u003cp\u003eWhile Vogt is peripherally featured in the archives of Ira Cohen, Angus MacLise, Dana Young, and other Bardo Matrix collaborators, her own contributions to this important facet of the countercultural poetics scene are significantly understudied. While Mark Liechty's \"Far Out: Countercultural Seekers and the Tourist Encounter in Nepal\" (University of Chicago Press, 2017), acknowledges her centrality to the scene and describes her role in organizing events, performances, and generally contributing to the dramatically-dressed scene in Kathmandu, no further articles or monographs solidify the contributions of her writings, artworks, or aesthetic. \u003c/p\u003e","\u003cp\u003eDuring the 1970s, Vogt was known for her foreboding dark outfits and makeup; her aesthetic marks her as an unheralded progenitor of goth style, which began to be codified in music scenes around the same time. Photographs of her from her time in Nepal in the 1970s were featured in a recent Photo Kathmandu festival in 2018. She continues to write and make art under a different name in Germany.  \u003c/p\u003e","\u003cp\u003eIra Cohen (1935–2011) was a noted poet, publisher, filmmaker, and photographer, known especially for his Mylar photographs, which he created between 1968 and 1971 in New York City. These works were inspired by Jack Smith and Bill Devore's black light experimentation, and required subjects to enter his \"Mylar Chamber,\" a makeshift room comprised of the reflective film, which Cohen would then photograph to produce distorted and psychedelic images of his subjects. \u003c/p\u003e","\u003cp\u003eThis produced iconic images that Life magazine in 1969 said captured the \"euphoric distortions of hallucinogenics\" during the countercultural era, with participants such as Jimi Hendrix, William Burroughs, Jack Smith, Brion Gysin, Angus MacLise, Paul Bowles, and Petra Vogt, among many others. These photographs have been exhibited in the 2006 \"Summer of Love\" exhibition organized by the Tate Liverpool and featured at the Whitney Museum, and are the subject of a new book, \"Ira Cohen: Into the Mylar Chamber\" which was published by Fulgar Press in 2019 with text by Ira Cohen, Timothy Baum, Ian MacFadyen, Alice Farley, Ira Landgarten, and Thurston Moore, and edited by Allan Graubard. \u003c/p\u003e","\u003cp\u003eKathmandu, Nepal, held a vibrant expatriate community of poets, musicians, artists, and spiritual seekers in the 1970s, in large part due to the Bardo Matrix collective — a group that began in Boulder, Colorado as The Experimental Cinema Group, and initially included Angus MacLise, John Chick, Dana Young, and Ira Cohen. Bardo Matrix Press, and especially the Starstreams Poetry Series, created collaborations with Beat and countercultural poets and local artisans to produce books informed by traditional Nepali and Tibetan traditions, sharing new poetic ideas.\u003c/p\u003e","\u003cp\u003eBefore 1971, when Ira Cohen and Petra Vogt arrived, a small group of expatriates had already become involved making woodblock prints to sell to tourists. Cohen recounts the presence of Ian Alsop, Francis Brooks, and Simon White, who \"were to play an important role in the development of small press publications by myself, my old friend and comrade, poet-calligrapher, Angus MacLise, and other poets who quickly formed a community in the Kathmandu Valley.\" \u003c/p\u003e","\u003cp\u003eMacLise's work with Piero Heliczer on Dead Language Press, \"making unique books from tree bark or fashioning long horizontal handmade books after the Tibetan or Indian style,\" proved influential: it was Angus who, \"working with local craftsmen and woodblock artists, really began the great rice paper adventure.\" (Ira Cohen, \"The Great Rice Paper Adventure: Kathmandu, 1971–1977.\" New Observations no. 106, May/June 1995. Online at Big Bridge, no. 5.)\u003c/p\u003e","\u003cp\u003eIn Kathmandu, on so-called \"Freak Street\" or Jhocchen Tole, John Chick opened a bookshop named \"The Spirit Catcher.\" The shop was open around 1972–1979, and provided a weekly forum for poetry readings, music, and community. This shop cemented the centrality of the roles of Vogt, Cohen, Chick, and MacLise in the countercultural community abroad, and became both a tourist and local destination (Prawash Gautam, \"How a used bookstore in Kathmandu's Jhochhen captured the spirit of the hippie movement,\" \"The Kathmandu Post,\" December 18, 2018).\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Much of this biographical and historical information was taken from the dealer description of the collection.","Petra Vogt was born in Berlin, Germany, in 1943, during a particularly devastating year of World War Two airstrikes on the city. She took acting classes in Munich and then returned to Berlin, where she saw The Living Theatre for the first time and decided to join the group in 1962. She traveled and performed extensively with The Living Theatre, including in the performance, \"Paradise Now.\" She met Ira Cohen at its New Haven show (phone conversation between Ira Cohen and Carey Loren, which was transcribed on \"Blastitude, Eternity Blast Special,\" no. 13. August 2002).","In 1971, Vogt and Cohen finally landed in Kathmandu, after extensive traveling through Morocco, Tunisia, Afghanistan, and India. Living in Kathmandu from around 1972 to 1978, Vogt was an artistic, photographic, and social muse to partner Cohen, as well as Nepali hippies including Jimmy Thapa and Trilochan Shrestha.  While in Nepal, she produced numerous notebooks of poetry, diaries, and artworks, while illustrating Bardo Matrix Starstreams publications, as well as Cohen's work, including \"Poems from the Cosmic Crypt.\"","While Vogt is peripherally featured in the archives of Ira Cohen, Angus MacLise, Dana Young, and other Bardo Matrix collaborators, her own contributions to this important facet of the countercultural poetics scene are significantly understudied. While Mark Liechty's \"Far Out: Countercultural Seekers and the Tourist Encounter in Nepal\" (University of Chicago Press, 2017), acknowledges her centrality to the scene and describes her role in organizing events, performances, and generally contributing to the dramatically-dressed scene in Kathmandu, no further articles or monographs solidify the contributions of her writings, artworks, or aesthetic.","During the 1970s, Vogt was known for her foreboding dark outfits and makeup; her aesthetic marks her as an unheralded progenitor of goth style, which began to be codified in music scenes around the same time. Photographs of her from her time in Nepal in the 1970s were featured in a recent Photo Kathmandu festival in 2018. She continues to write and make art under a different name in Germany.","Ira Cohen (1935–2011) was a noted poet, publisher, filmmaker, and photographer, known especially for his Mylar photographs, which he created between 1968 and 1971 in New York City. These works were inspired by Jack Smith and Bill Devore's black light experimentation, and required subjects to enter his \"Mylar Chamber,\" a makeshift room comprised of the reflective film, which Cohen would then photograph to produce distorted and psychedelic images of his subjects.","This produced iconic images that Life magazine in 1969 said captured the \"euphoric distortions of hallucinogenics\" during the countercultural era, with participants such as Jimi Hendrix, William Burroughs, Jack Smith, Brion Gysin, Angus MacLise, Paul Bowles, and Petra Vogt, among many others. These photographs have been exhibited in the 2006 \"Summer of Love\" exhibition organized by the Tate Liverpool and featured at the Whitney Museum, and are the subject of a new book, \"Ira Cohen: Into the Mylar Chamber\" which was published by Fulgar Press in 2019 with text by Ira Cohen, Timothy Baum, Ian MacFadyen, Alice Farley, Ira Landgarten, and Thurston Moore, and edited by Allan Graubard.","Kathmandu, Nepal, held a vibrant expatriate community of poets, musicians, artists, and spiritual seekers in the 1970s, in large part due to the Bardo Matrix collective — a group that began in Boulder, Colorado as The Experimental Cinema Group, and initially included Angus MacLise, John Chick, Dana Young, and Ira Cohen. Bardo Matrix Press, and especially the Starstreams Poetry Series, created collaborations with Beat and countercultural poets and local artisans to produce books informed by traditional Nepali and Tibetan traditions, sharing new poetic ideas.","Before 1971, when Ira Cohen and Petra Vogt arrived, a small group of expatriates had already become involved making woodblock prints to sell to tourists. Cohen recounts the presence of Ian Alsop, Francis Brooks, and Simon White, who \"were to play an important role in the development of small press publications by myself, my old friend and comrade, poet-calligrapher, Angus MacLise, and other poets who quickly formed a community in the Kathmandu Valley.\"","MacLise's work with Piero Heliczer on Dead Language Press, \"making unique books from tree bark or fashioning long horizontal handmade books after the Tibetan or Indian style,\" proved influential: it was Angus who, \"working with local craftsmen and woodblock artists, really began the great rice paper adventure.\" (Ira Cohen, \"The Great Rice Paper Adventure: Kathmandu, 1971–1977.\" New Observations no. 106, May/June 1995. Online at Big Bridge, no. 5.)","In Kathmandu, on so-called \"Freak Street\" or Jhocchen Tole, John Chick opened a bookshop named \"The Spirit Catcher.\" The shop was open around 1972–1979, and provided a weekly forum for poetry readings, music, and community. This shop cemented the centrality of the roles of Vogt, Cohen, Chick, and MacLise in the countercultural community abroad, and became both a tourist and local destination (Prawash Gautam, \"How a used bookstore in Kathmandu's Jhochhen captured the spirit of the hippie movement,\" \"The Kathmandu Post,\" December 18, 2018)."],"prefercite_html_tesm":["\u003cp\u003ePetra Vogt papers, MSS 16480, 1966-1978, Special Collections, University of Virginia Library, Charlottesville, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Petra Vogt papers, MSS 16480, 1966-1978, Special Collections, University of Virginia Library, Charlottesville, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains journals, artworks, correspondence, and photographs that illuminate the life and work of Petra Vogt, a poet, actress, artist, and model, known for her involvement with the Living Theatre, Ira Cohen, and the Bardo Matrix Press during the 1960s and 1970s. Of particular interest are thirty-four journals, chiefly by Petra Vogt, with poetry, prose works, diary entries, and intricate rapidograph drawings along with collage, paintings, and other artworks within; about 150 artworks by Vogt, as well as handmade books of Ira Cohen's photographs and collage, 850 photographs by Ira Cohen, including those from his Mylar photography series and 60 pieces of correspondence and post cards addressed to Vogt and Cohen.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains journals, artworks, correspondence, and photographs that illuminate the life and work of Petra Vogt, a poet, actress, artist, and model, known for her involvement with the Living Theatre, Ira Cohen, and the Bardo Matrix Press during the 1960s and 1970s. Of particular interest are thirty-four journals, chiefly by Petra Vogt, with poetry, prose works, diary entries, and intricate rapidograph drawings along with collage, paintings, and other artworks within; about 150 artworks by Vogt, as well as handmade books of Ira Cohen's photographs and collage, 850 photographs by Ira Cohen, including those from his Mylar photography series and 60 pieces of correspondence and post cards addressed to Vogt and Cohen."],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Bardo Matrix (Firm)"],"persname_ssim":["Vogt, Petra","Cohen, Ira"],"names_coll_ssim":["Vogt, Petra","Cohen, Ira"],"names_ssim":["Albert and Shirley Small Special Collections Library","Bardo Matrix (Firm)","Vogt, Petra","Cohen, Ira"],"language_ssim":["English\n      Nepali\n      German"],"total_component_count_is":81,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:54:27.406Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_996"}},{"id":"viu_repositories_3_resources_270_c05","type":"File","attributes":{"title":"Preston H. Leake introduction and Lawrence Albert Leake poem, 1995","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_270_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_270_c05","ref_ssm":["viu_repositories_3_resources_270_c05"],"id":"viu_repositories_3_resources_270_c05","ead_ssi":"viu_repositories_3_resources_270","_root_":"viu_repositories_3_resources_270","_nest_parent_":"viu_repositories_3_resources_270","parent_ssi":"viu_repositories_3_resources_270","parent_ssim":["Dunn Family papers, 1851/1862"],"parent_ids_ssim":["viu_repositories_3_resources_270"],"title_filing_ssi":"Preston H. Leake introduction and Lawrence Albert Leake poem","title_ssm":["Preston H. Leake introduction and Lawrence Albert Leake poem"],"title_tesim":["Preston H. Leake introduction and Lawrence Albert Leake poem"],"normalized_title_ssm":["Preston H. Leake introduction and Lawrence Albert Leake poem, 1995"],"text":["Preston H. Leake introduction and Lawrence Albert Leake poem, 1995","Dunn Family papers, 1851/1862","box 1 [X031589207]","folder 5","poetry","English"],"parent_unittitles_ssm":["Dunn Family papers, 1851/1862"],"parent_unittitles_tesim":["Dunn Family papers, 1851/1862"],"normalized_date_ssm":["1995"],"unitdate_other_ssim":["1995"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":5,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Dunn Family papers, 1851/1862"],"containers_ssim":["box 1 [X031589207]","folder 5"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research use."],"access_subjects_ssim":["poetry"],"access_subjects_ssm":["poetry"],"language_ssim":["English"],"date_range_isim":[1995],"_nest_path_":"/components#4","timestamp":"2026-08-14T22:53:58.310Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_270","ead_ssi":"viu_repositories_3_resources_270","_root_":"viu_repositories_3_resources_270","_nest_parent_":"viu_repositories_3_resources_270","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_270.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/238","title_filing_ssi":"Dunn Family papers","title_ssm":["Dunn Family papers"],"title_tesim":["Dunn Family papers"],"unitdate_ssm":["1851; 1860-1862"],"unitdate_inclusive_ssm":["1851; 1860-1862"],"normalized_date_ssm":["1851/1862"],"normalized_title_ssm":["Dunn Family papers, 1851/1862"],"text":["Dunn Family papers, 1851/1862","MSS 16099","Archival Resource Key","/repositories/3/resources/270","Albemarle County (Va.) -- Buildings, structures, etc.","The collection is open for research use.","Letters are in chronological order","This collection of letters written mostly during the Civil War consists of about 60 letters, one half-size legal document box, 0.25 cubic feet and contains correspondence (with transcriptions) between Elizabeth (\"Betsy\") Bruce Dunn with her sons, Leroy E. 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