{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=poetry\u0026f%5Bdate_range%5D%5B%5D=1979","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=poetry\u0026f%5Bdate_range%5D%5B%5D=1979\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":3,"first_page?":true,"last_page?":true}},"data":[{"id":"viu_repositories_3_resources_1481","type":"collection","attributes":{"title":"Charles Vandersee papers, 1974/1996","creator":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1481#creator","type":"document_value","attributes":{"value":"Vandersee, Charles, 1938-2003","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1481#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains the papers of Charles Vandersee, compiled during his tenure as a Professor of English at the University of Virginia. 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Born in Gary, Indiana, on March 25, 1938, he received his B.A. from Valparaiso University in 1960. He then earned his M.A. and Ph.D. from the University of California, Los Angeles, before coming to the University in 1964. Vandersee pursued a career in higher education, including teaching and administrative leadership at UVA's College of Arts and Sciences. The Echols Scholars Program, which he oversaw for nearly twenty-five years, is a selective academic initiative that allows students to pursue a flexible curriculum with fewer distribution requirements. He published numerous poems, and Vandersee's academic interests included American literature. He edited a modern edition of John Hay's 1884 novel, \"The Bread-Winners,\"  and he was an associate editor of the six volumes of The Letters of Henry Adams. He participated in scholarly discussions of Henry Adams, including a 1992 C-SPAN panel appearance. Vandersee was also a Fellow of the Society for Values in Higher Education (SVHE). At a 2002 Festival of Faith and Writing, he participated in a panel organized by SVHE to discuss the significance of writing in liberal education and moral formation. Vandersee died on January 13, 2003, in Albemarle County, Virginia.","References Cited:","C-SPAN. \"Charles Vandersee.\" C-SPAN Video Library. Accessed November 6, 2025. https://www.c-span.org/person/?charlesvandersee.","Find a Grave. \"Charles Andrew Vandersee.\" Find a Grave Memorial. Accessed November 6, 2025.                                     https://www.findagrave.com/memorial/103605417/ch","Goodman, John.\"English professor passes away over holidays.\" The Cavalier Daily [Charlottesville,VA],15 Jan 2003, https://www.cavalierdaily.com/article/2003/01/english-professor-passes-away-over-holidays","This collection contains the papers of Charles Vandersee, compiled during his tenure as a Professor of English at the University of Virginia. 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Accessed November 6, 2025.                                     https://www.findagrave.com/memorial/103605417/ch\u003c/p\u003e","\u003cp\u003eGoodman, John.\"English professor passes away over holidays.\" \u003cemph render=\"italic\"\u003eThe Cavalier Daily\u003c/emph\u003e [Charlottesville,VA],15 Jan 2003, https://www.cavalierdaily.com/article/2003/01/english-professor-passes-away-over-holidays\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical/Historical"],"bioghist_tesim":["Charles Andrew Vandersee (1938–2003) was a professor of English at the University of Virginia for thirty-three years and served as the dean of the Echols Scholars Program from 1973 to 1997. Born in Gary, Indiana, on March 25, 1938, he received his B.A. from Valparaiso University in 1960. He then earned his M.A. and Ph.D. from the University of California, Los Angeles, before coming to the University in 1964. 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Accessed November 6, 2025.                                     https://www.findagrave.com/memorial/103605417/ch","Goodman, John.\"English professor passes away over holidays.\" The Cavalier Daily [Charlottesville,VA],15 Jan 2003, https://www.cavalierdaily.com/article/2003/01/english-professor-passes-away-over-holidays"],"prefercite_html_tesm":["\u003cp\u003e MSS 15712, Charles Vandersee papers, Small Special Collections Library, University of Virginia.\u003c/p\u003e  "],"prefercite_tesim":["MSS 15712, Charles Vandersee papers, Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the papers of Charles Vandersee, compiled during his tenure as a Professor of English at the University of Virginia. 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At a 2002 Festival of Faith and Writing, he participated in a panel organized by SVHE to discuss the significance of writing in liberal education and moral formation. Vandersee died on January 13, 2003, in Albemarle County, Virginia.","References Cited:","C-SPAN. \"Charles Vandersee.\" C-SPAN Video Library. Accessed November 6, 2025. https://www.c-span.org/person/?charlesvandersee.","Find a Grave. \"Charles Andrew Vandersee.\" Find a Grave Memorial. Accessed November 6, 2025.                                     https://www.findagrave.com/memorial/103605417/ch","Goodman, John.\"English professor passes away over holidays.\" The Cavalier Daily [Charlottesville,VA],15 Jan 2003, https://www.cavalierdaily.com/article/2003/01/english-professor-passes-away-over-holidays","This collection contains the papers of Charles Vandersee, compiled during his tenure as a Professor of English at the University of Virginia. 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Accessed November 6, 2025.                                     https://www.findagrave.com/memorial/103605417/ch\u003c/p\u003e","\u003cp\u003eGoodman, John.\"English professor passes away over holidays.\" \u003cemph render=\"italic\"\u003eThe Cavalier Daily\u003c/emph\u003e [Charlottesville,VA],15 Jan 2003, https://www.cavalierdaily.com/article/2003/01/english-professor-passes-away-over-holidays\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical/Historical"],"bioghist_tesim":["Charles Andrew Vandersee (1938–2003) was a professor of English at the University of Virginia for thirty-three years and served as the dean of the Echols Scholars Program from 1973 to 1997. Born in Gary, Indiana, on March 25, 1938, he received his B.A. from Valparaiso University in 1960. He then earned his M.A. and Ph.D. from the University of California, Los Angeles, before coming to the University in 1964. 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There are also press releases, newspaper clippings, printed items, and scrapbooks about these poets and editors and their colleagues as well as their poetry and the creative writing process.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_881#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_881","ead_ssi":"viu_repositories_3_resources_881","_root_":"viu_repositories_3_resources_881","_nest_parent_":"viu_repositories_3_resources_881","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_881.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/781","title_filing_ssi":"Norfolk Poet's Club records","title_ssm":["Norfolk Poet's Club records"],"title_tesim":["Norfolk Poet's Club records"],"unitdate_ssm":["1896; 1912-1983"],"unitdate_inclusive_ssm":["1896; 1912-1983"],"normalized_date_ssm":["1896/1983"],"normalized_title_ssm":["Norfolk Poet's Club records, 1896/1983"],"text":["Norfolk Poet's Club records, 1896/1983","MSS 14245","Archival Resource Key","/repositories/3/resources/881","letters (correspondence)","Scrapbooks","poetry","clippings (information artifacts)","This collection is open for research use.","This collection is arranged into 5 series. Series 1. Manuscripts; Series 2. Correspondence; Series 3. Press releases, newspaper clippings, and printed items; Series 4. Scrapbooks (and acccount book of poems sold to publications); Series 5. Miscellaneous (hobbies of Josephine Johnson and business receipts from 1896 {Turner Family])","The Norfolk Poet's Club originally consisted of five women: Josephine Johnson, her sister Julia Johnson Davis, Mary Sinton Leach, Virginia Taylor McCormick, and Virginia Lynne Tunstall. In 1921, they sponsored the formation of a literary magazine called \"The Lyric\" (originally edited by John R. Moreland) which has been called \"America's oldest traditional poetry magazine of independent and continuous publication,\" and has operated under different editorships for over 50 years. \nSource:\nDealers notes","Josephine Johnson, one of the outstanding poets in the country, and a sonneteer of note, was awarded first prize for her collection of poems, \"The Unwilling Gypsy,\" in the sixth book publication contest of the Kaleidograph Press, Dallas, Texas in 1936. Miss Johnson was vice-president of the poetry Society of Virginia, and a member of the Poetry Society of America, the Catholic Poetry Society, and the Writers' Club of Norfolk. She was born in Norfolk and attended the University of Virginia and Harvard College. Her poems have appeared in \"The American Mercury\", \"The New Republic\", \"Harpers Magazine\", \"The London Mercury, \"The Commonwealth\", \"The Personalist\", \"The New York Times\", \"The New York Sun\", and the \"Boston Transcript\". Josephine Johnson \"is a poet of a single theme-that of life's challenge to the spirit to endure.z'\nSource:\nScrapbook","William Stanley Braithwaite (1878-1962)was a poet, editor, publisher, and anthologist who was born and raised in Boston, Massachussetts. In 1890 upon his father's death, he had to quit school and educate himself while working as a typesetter in a Boston printing firm. He developed a love of lyric poetry and wrote several poems that were published. Writing a regular column for the \"Boston Transcript\" he brought serious attention to the works of many African American poets and eventually edited \"The Anthology of Magazine Verse\". Throughout the years of compiling the Anthology, he remained committed to the notion that verse should be an expression of spiritual truth and eternal beauty beyond what he conceived of as the limits of merely political or racial concerns. He introduced the general poetry-reading public to a wide range of African American voices they might otherwise never have heard.\nSource:\nDealers notes","Norfolk Poet's Club Records (1912-1983; 2 cubic feet) include manuscripts of Josephine Johnson and Margaret Haley Carpenter; and correspondence of Mary Sinton Leitch, Josephine Johnson, Julia Johnson Davis, and William Stanley Braithwaite. There are also press releases, newspaper clippings, printed items, and scrapbooks about these poets and editors and their colleagues as well as their poetry and the creative writing process.","Albert and Shirley Small Special Collections Library","English"],"collection_title_tesim":["Norfolk Poet's Club records, 1896/1983"],"collection_ssim":["Norfolk Poet's Club records, 1896/1983"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["MSS 14245","Archival Resource Key","/repositories/3/resources/881"],"unitid_tesim":["MSS 14245","Archival Resource Key","/repositories/3/resources/881"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Albert and Shirley Small Special Collections Library"],"access_subjects_ssim":["letters (correspondence)","Scrapbooks","poetry","clippings (information artifacts)"],"access_subjects_ssm":["letters (correspondence)","Scrapbooks","poetry","clippings (information artifacts)"],"has_online_content_ssim":["false"],"extent_ssm":["2 Cubic Feet 4 oversize boxes"],"extent_tesim":["2 Cubic Feet 4 oversize boxes"],"physfacet_tesim":["6 scrapbooks"],"genreform_ssim":["letters (correspondence)","Scrapbooks","poetry","clippings (information artifacts)"],"date_range_isim":[1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into 5 series. Series 1. Manuscripts; Series 2. Correspondence; Series 3. Press releases, newspaper clippings, and printed items; Series 4. Scrapbooks (and acccount book of poems sold to publications); Series 5. Miscellaneous (hobbies of Josephine Johnson and business receipts from 1896 {Turner Family])\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into 5 series. Series 1. Manuscripts; Series 2. Correspondence; Series 3. Press releases, newspaper clippings, and printed items; Series 4. Scrapbooks (and acccount book of poems sold to publications); Series 5. Miscellaneous (hobbies of Josephine Johnson and business receipts from 1896 {Turner Family])"],"bioghist_html_tesm":["\u003cp\u003eThe Norfolk Poet's Club originally consisted of five women: Josephine Johnson, her sister Julia Johnson Davis, Mary Sinton Leach, Virginia Taylor McCormick, and Virginia Lynne Tunstall. In 1921, they sponsored the formation of a literary magazine called \"The Lyric\" (originally edited by John R. Moreland) which has been called \"America's oldest traditional poetry magazine of independent and continuous publication,\" and has operated under different editorships for over 50 years. \nSource:\nDealers notes\u003c/p\u003e","\u003cp\u003eJosephine Johnson, one of the outstanding poets in the country, and a sonneteer of note, was awarded first prize for her collection of poems, \"The Unwilling Gypsy,\" in the sixth book publication contest of the Kaleidograph Press, Dallas, Texas in 1936. Miss Johnson was vice-president of the poetry Society of Virginia, and a member of the Poetry Society of America, the Catholic Poetry Society, and the Writers' Club of Norfolk. She was born in Norfolk and attended the University of Virginia and Harvard College. Her poems have appeared in \"The American Mercury\", \"The New Republic\", \"Harpers Magazine\", \"The London Mercury, \"The Commonwealth\", \"The Personalist\", \"The New York Times\", \"The New York Sun\", and the \"Boston Transcript\". Josephine Johnson \"is a poet of a single theme-that of life's challenge to the spirit to endure.z'\nSource:\nScrapbook\u003c/p\u003e","\u003cp\u003eWilliam Stanley Braithwaite (1878-1962)was a poet, editor, publisher, and anthologist who was born and raised in Boston, Massachussetts. In 1890 upon his father's death, he had to quit school and educate himself while working as a typesetter in a Boston printing firm. He developed a love of lyric poetry and wrote several poems that were published. Writing a regular column for the \"Boston Transcript\" he brought serious attention to the works of many African American poets and eventually edited \"The Anthology of Magazine Verse\". Throughout the years of compiling the Anthology, he remained committed to the notion that verse should be an expression of spiritual truth and eternal beauty beyond what he conceived of as the limits of merely political or racial concerns. He introduced the general poetry-reading public to a wide range of African American voices they might otherwise never have heard.\nSource:\nDealers notes\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["The Norfolk Poet's Club originally consisted of five women: Josephine Johnson, her sister Julia Johnson Davis, Mary Sinton Leach, Virginia Taylor McCormick, and Virginia Lynne Tunstall. In 1921, they sponsored the formation of a literary magazine called \"The Lyric\" (originally edited by John R. Moreland) which has been called \"America's oldest traditional poetry magazine of independent and continuous publication,\" and has operated under different editorships for over 50 years. \nSource:\nDealers notes","Josephine Johnson, one of the outstanding poets in the country, and a sonneteer of note, was awarded first prize for her collection of poems, \"The Unwilling Gypsy,\" in the sixth book publication contest of the Kaleidograph Press, Dallas, Texas in 1936. Miss Johnson was vice-president of the poetry Society of Virginia, and a member of the Poetry Society of America, the Catholic Poetry Society, and the Writers' Club of Norfolk. She was born in Norfolk and attended the University of Virginia and Harvard College. Her poems have appeared in \"The American Mercury\", \"The New Republic\", \"Harpers Magazine\", \"The London Mercury, \"The Commonwealth\", \"The Personalist\", \"The New York Times\", \"The New York Sun\", and the \"Boston Transcript\". Josephine Johnson \"is a poet of a single theme-that of life's challenge to the spirit to endure.z'\nSource:\nScrapbook","William Stanley Braithwaite (1878-1962)was a poet, editor, publisher, and anthologist who was born and raised in Boston, Massachussetts. In 1890 upon his father's death, he had to quit school and educate himself while working as a typesetter in a Boston printing firm. He developed a love of lyric poetry and wrote several poems that were published. Writing a regular column for the \"Boston Transcript\" he brought serious attention to the works of many African American poets and eventually edited \"The Anthology of Magazine Verse\". Throughout the years of compiling the Anthology, he remained committed to the notion that verse should be an expression of spiritual truth and eternal beauty beyond what he conceived of as the limits of merely political or racial concerns. He introduced the general poetry-reading public to a wide range of African American voices they might otherwise never have heard.\nSource:\nDealers notes"],"prefercite_html_tesm":["\u003cp\u003eMSS 14245 Norfolk Poet's Club records, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e  "],"prefercite_tesim":["MSS 14245 Norfolk Poet's Club records, Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eNorfolk Poet's Club Records (1912-1983; 2 cubic feet) include manuscripts of Josephine Johnson and Margaret Haley Carpenter; and correspondence of Mary Sinton Leitch, Josephine Johnson, Julia Johnson Davis, and William Stanley Braithwaite. There are also press releases, newspaper clippings, printed items, and scrapbooks about these poets and editors and their colleagues as well as their poetry and the creative writing process.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents Note"],"scopecontent_tesim":["Norfolk Poet's Club Records (1912-1983; 2 cubic feet) include manuscripts of Josephine Johnson and Margaret Haley Carpenter; and correspondence of Mary Sinton Leitch, Josephine Johnson, Julia Johnson Davis, and William Stanley Braithwaite. 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Series 1. Manuscripts; Series 2. Correspondence; Series 3. Press releases, newspaper clippings, and printed items; Series 4. Scrapbooks (and acccount book of poems sold to publications); Series 5. Miscellaneous (hobbies of Josephine Johnson and business receipts from 1896 {Turner Family])","The Norfolk Poet's Club originally consisted of five women: Josephine Johnson, her sister Julia Johnson Davis, Mary Sinton Leach, Virginia Taylor McCormick, and Virginia Lynne Tunstall. In 1921, they sponsored the formation of a literary magazine called \"The Lyric\" (originally edited by John R. Moreland) which has been called \"America's oldest traditional poetry magazine of independent and continuous publication,\" and has operated under different editorships for over 50 years. \nSource:\nDealers notes","Josephine Johnson, one of the outstanding poets in the country, and a sonneteer of note, was awarded first prize for her collection of poems, \"The Unwilling Gypsy,\" in the sixth book publication contest of the Kaleidograph Press, Dallas, Texas in 1936. Miss Johnson was vice-president of the poetry Society of Virginia, and a member of the Poetry Society of America, the Catholic Poetry Society, and the Writers' Club of Norfolk. She was born in Norfolk and attended the University of Virginia and Harvard College. Her poems have appeared in \"The American Mercury\", \"The New Republic\", \"Harpers Magazine\", \"The London Mercury, \"The Commonwealth\", \"The Personalist\", \"The New York Times\", \"The New York Sun\", and the \"Boston Transcript\". Josephine Johnson \"is a poet of a single theme-that of life's challenge to the spirit to endure.z'\nSource:\nScrapbook","William Stanley Braithwaite (1878-1962)was a poet, editor, publisher, and anthologist who was born and raised in Boston, Massachussetts. In 1890 upon his father's death, he had to quit school and educate himself while working as a typesetter in a Boston printing firm. He developed a love of lyric poetry and wrote several poems that were published. Writing a regular column for the \"Boston Transcript\" he brought serious attention to the works of many African American poets and eventually edited \"The Anthology of Magazine Verse\". Throughout the years of compiling the Anthology, he remained committed to the notion that verse should be an expression of spiritual truth and eternal beauty beyond what he conceived of as the limits of merely political or racial concerns. He introduced the general poetry-reading public to a wide range of African American voices they might otherwise never have heard.\nSource:\nDealers notes","Norfolk Poet's Club Records (1912-1983; 2 cubic feet) include manuscripts of Josephine Johnson and Margaret Haley Carpenter; and correspondence of Mary Sinton Leitch, Josephine Johnson, Julia Johnson Davis, and William Stanley Braithwaite. There are also press releases, newspaper clippings, printed items, and scrapbooks about these poets and editors and their colleagues as well as their poetry and the creative writing process.","Albert and Shirley Small Special Collections Library","English"],"collection_title_tesim":["Norfolk Poet's Club records, 1896/1983"],"collection_ssim":["Norfolk Poet's Club records, 1896/1983"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["MSS 14245","Archival Resource Key","/repositories/3/resources/881"],"unitid_tesim":["MSS 14245","Archival Resource Key","/repositories/3/resources/881"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Albert and Shirley Small Special Collections Library"],"access_subjects_ssim":["letters (correspondence)","Scrapbooks","poetry","clippings (information artifacts)"],"access_subjects_ssm":["letters (correspondence)","Scrapbooks","poetry","clippings (information artifacts)"],"has_online_content_ssim":["false"],"extent_ssm":["2 Cubic Feet 4 oversize boxes"],"extent_tesim":["2 Cubic Feet 4 oversize boxes"],"physfacet_tesim":["6 scrapbooks"],"genreform_ssim":["letters (correspondence)","Scrapbooks","poetry","clippings (information artifacts)"],"date_range_isim":[1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into 5 series. Series 1. Manuscripts; Series 2. Correspondence; Series 3. Press releases, newspaper clippings, and printed items; Series 4. Scrapbooks (and acccount book of poems sold to publications); Series 5. Miscellaneous (hobbies of Josephine Johnson and business receipts from 1896 {Turner Family])\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into 5 series. Series 1. Manuscripts; Series 2. Correspondence; Series 3. Press releases, newspaper clippings, and printed items; Series 4. Scrapbooks (and acccount book of poems sold to publications); Series 5. Miscellaneous (hobbies of Josephine Johnson and business receipts from 1896 {Turner Family])"],"bioghist_html_tesm":["\u003cp\u003eThe Norfolk Poet's Club originally consisted of five women: Josephine Johnson, her sister Julia Johnson Davis, Mary Sinton Leach, Virginia Taylor McCormick, and Virginia Lynne Tunstall. In 1921, they sponsored the formation of a literary magazine called \"The Lyric\" (originally edited by John R. Moreland) which has been called \"America's oldest traditional poetry magazine of independent and continuous publication,\" and has operated under different editorships for over 50 years. \nSource:\nDealers notes\u003c/p\u003e","\u003cp\u003eJosephine Johnson, one of the outstanding poets in the country, and a sonneteer of note, was awarded first prize for her collection of poems, \"The Unwilling Gypsy,\" in the sixth book publication contest of the Kaleidograph Press, Dallas, Texas in 1936. Miss Johnson was vice-president of the poetry Society of Virginia, and a member of the Poetry Society of America, the Catholic Poetry Society, and the Writers' Club of Norfolk. She was born in Norfolk and attended the University of Virginia and Harvard College. Her poems have appeared in \"The American Mercury\", \"The New Republic\", \"Harpers Magazine\", \"The London Mercury, \"The Commonwealth\", \"The Personalist\", \"The New York Times\", \"The New York Sun\", and the \"Boston Transcript\". Josephine Johnson \"is a poet of a single theme-that of life's challenge to the spirit to endure.z'\nSource:\nScrapbook\u003c/p\u003e","\u003cp\u003eWilliam Stanley Braithwaite (1878-1962)was a poet, editor, publisher, and anthologist who was born and raised in Boston, Massachussetts. In 1890 upon his father's death, he had to quit school and educate himself while working as a typesetter in a Boston printing firm. He developed a love of lyric poetry and wrote several poems that were published. Writing a regular column for the \"Boston Transcript\" he brought serious attention to the works of many African American poets and eventually edited \"The Anthology of Magazine Verse\". Throughout the years of compiling the Anthology, he remained committed to the notion that verse should be an expression of spiritual truth and eternal beauty beyond what he conceived of as the limits of merely political or racial concerns. He introduced the general poetry-reading public to a wide range of African American voices they might otherwise never have heard.\nSource:\nDealers notes\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["The Norfolk Poet's Club originally consisted of five women: Josephine Johnson, her sister Julia Johnson Davis, Mary Sinton Leach, Virginia Taylor McCormick, and Virginia Lynne Tunstall. In 1921, they sponsored the formation of a literary magazine called \"The Lyric\" (originally edited by John R. Moreland) which has been called \"America's oldest traditional poetry magazine of independent and continuous publication,\" and has operated under different editorships for over 50 years. \nSource:\nDealers notes","Josephine Johnson, one of the outstanding poets in the country, and a sonneteer of note, was awarded first prize for her collection of poems, \"The Unwilling Gypsy,\" in the sixth book publication contest of the Kaleidograph Press, Dallas, Texas in 1936. Miss Johnson was vice-president of the poetry Society of Virginia, and a member of the Poetry Society of America, the Catholic Poetry Society, and the Writers' Club of Norfolk. She was born in Norfolk and attended the University of Virginia and Harvard College. Her poems have appeared in \"The American Mercury\", \"The New Republic\", \"Harpers Magazine\", \"The London Mercury, \"The Commonwealth\", \"The Personalist\", \"The New York Times\", \"The New York Sun\", and the \"Boston Transcript\". Josephine Johnson \"is a poet of a single theme-that of life's challenge to the spirit to endure.z'\nSource:\nScrapbook","William Stanley Braithwaite (1878-1962)was a poet, editor, publisher, and anthologist who was born and raised in Boston, Massachussetts. In 1890 upon his father's death, he had to quit school and educate himself while working as a typesetter in a Boston printing firm. He developed a love of lyric poetry and wrote several poems that were published. Writing a regular column for the \"Boston Transcript\" he brought serious attention to the works of many African American poets and eventually edited \"The Anthology of Magazine Verse\". Throughout the years of compiling the Anthology, he remained committed to the notion that verse should be an expression of spiritual truth and eternal beauty beyond what he conceived of as the limits of merely political or racial concerns. He introduced the general poetry-reading public to a wide range of African American voices they might otherwise never have heard.\nSource:\nDealers notes"],"prefercite_html_tesm":["\u003cp\u003eMSS 14245 Norfolk Poet's Club records, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e  "],"prefercite_tesim":["MSS 14245 Norfolk Poet's Club records, Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eNorfolk Poet's Club Records (1912-1983; 2 cubic feet) include manuscripts of Josephine Johnson and Margaret Haley Carpenter; and correspondence of Mary Sinton Leitch, Josephine Johnson, Julia Johnson Davis, and William Stanley Braithwaite. There are also press releases, newspaper clippings, printed items, and scrapbooks about these poets and editors and their colleagues as well as their poetry and the creative writing process.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents Note"],"scopecontent_tesim":["Norfolk Poet's Club Records (1912-1983; 2 cubic feet) include manuscripts of Josephine Johnson and Margaret Haley Carpenter; and correspondence of Mary Sinton Leitch, Josephine Johnson, Julia Johnson Davis, and William Stanley Braithwaite. There are also press releases, newspaper clippings, printed items, and scrapbooks about these poets and editors and their colleagues as well as their poetry and the creative writing process."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"names_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":31,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:54:18.647Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_881"}},{"id":"viu_repositories_3_resources_1828","type":"collection","attributes":{"title":"Robert Anbian papers, 1974/2022","creator":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1828#creator","type":"document_value","attributes":{"value":"Anbian, Robert","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1828#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains the papers of poet, author, publisher, and political activist Robert White Anbian (1949-2022). Anbian graduated from the University of Virginia in 1971, after which he spent three years in Niger with the Peace Corps from 1974 to 1977. He then relocated to San Francisco, where he worked as a writer and poet until his death. From 1985 to 1996, Robert served as the editor of the monthly Film Arts Foundation magazine, Release Print, and the publicist for an independent filmmaker education and advocacy group. He founded his own publishing house, Night Horn Books. Anbian published three poetry collections: WE Parts 1 \u0026amp; 2 (Night Horn Books, 1999), Antinostalgia (Ruddy Duck Press, 1992), and Bohemian Airs \u0026amp; Other Kêfs (Night Horn Books, 1982). \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1828#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1828","ead_ssi":"viu_repositories_3_resources_1828","_root_":"viu_repositories_3_resources_1828","_nest_parent_":"viu_repositories_3_resources_1828","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1828.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/230328","title_filing_ssi":"Anbian, Robert papers","title_ssm":["Robert Anbian papers"],"title_tesim":["Robert Anbian papers"],"unitdate_ssm":["1974-2022"],"unitdate_inclusive_ssm":["1974-2022"],"normalized_date_ssm":["1974/2022"],"normalized_title_ssm":["Robert Anbian papers, 1974/2022"],"text":["Robert Anbian papers, 1974/2022","MSS 16922","Archival Resource Key","/repositories/3/resources/1828","United States -- Politics and government -- 2001-2009","Central America -- Politics and government -- 1979-","Poets","University of Virginia -- Alumni","Poverty","poetry","American literature","This collection is open for research.","The collection is arranged by type of material and then by date. Series 1. Sketchbooks, Notebooks and manuscripts, Series 2. Correspondence, Series 3. Publications, Series 4. Reviews, Series 5. Burlington County Herald newspaper","\"Robert Anbian (June 27, 1949 - February 23, 2022) wrote about sex, politics, seas and oceans, city streets, deserts, war, love, music, highways, petty larceny, ecstasy, childhood, death, and memories. His poems and stories are populated with the poor, lost, exiled, angry, crazy in love, and intoxicated... His syntax is mangled, his narrative a montage. He had little use for metaphor. He means exactly what he says. His texts are homespun, esoteric, oddly familiar and strange. He's discovering the music in language, in thought, in the cortex of consciousness. He's funny.","That Anbian, a leading voice in the San Francisco poetry underground, isn't more widely known is as much a tribute to his \"odd man out\" obstinacy as to the usual reluctance of society to deal with its critics. Yet obstinacy has a point. Anbian writes a poetry that won't surrender an inch of imaginative freedom to love, hate, or ideology – his own above all. With I NOT I (EDT4072), the word comes from the poet himself in a writer's voice – that is, in a language demotic, impassioned, and little peculiar. Included in this powerful follow-up to the 2007 poetry and jazz CD, Robert Anbian and the Unidentified Flying Quartet, also on Edgetone Records (EDT4052), is a sweeping selection from Anbian's epochal WE series, in a new sequence enacting the poems' contingent, open-ended form. This is an important recording for anyone interested in poetry, spoken word, literature, anti-literature, and the troubled junctures of culture and politics.","Robert Anbian published three poetry collections, WE Parts 1 \u0026 2 (Night Horn Books 1999), Antinostalgia (Ruddy Duck Press 1992) and Bohemian Airs \u0026 Other Kêfs (Night Horn Books, 1982). His most recent publication is the chapbook, Blame the Powerful: Political Poems (War\u0026Peace Press 2004). His work has appeared in the anthologies, Beyond Lament: Poets of the World Confront the Holocaust (Northwestern) and Practicing Angels: A Contemporary Anthology of San Francisco Bay Area Poetry (Seismograph), at www.newversenews.com, and in the literary periodicals City Lights Review, North Coast Literary Review, Oxygen, Left Curve, Oro Madre, Compages, and the electronic journal, Rif/t. From 1978-82, he edited the literary review, Oboe.\"","A native of New Jersey and graduate of the University of Virginia, and following his work in the Peace Corps, Anbian lived and worked as a journalist and editor in San Francisco. He graduated from the University of Virginia in 1971, after which he spent three years in Niger with the Peace Corps from 1974 to 1977. He then relocated to San Francisco, where he worked as a writer and poet until his death. From 1985 to 1996, Robert served as the editor of the monthly Film Arts Foundation magazine, Release Print, and the publicist for an independent filmmaker education and advocacy group. He founded his own publishing house, Night Horn Books. Anbian published three poetry collections: WE Parts 1 \u0026 2 (Night Horn Books, 1999), Antinostalgia (Ruddy Duck Press, 1992), and Bohemian Airs \u0026 Other Kêfs (Night Horn Books, 1982).","Source:\n\"Robert Anbian\" Edgetone Records website. Accessed 10/2/25\nhttps://www.edgetonerecords.com/anbian.html","This collection contains the papers of poet, author, publisher, and political activist Robert White Anbian (1949-2022). Anbian graduated from the University of Virginia in 1971, after which he spent three years in Niger with the Peace Corps from 1974 to 1977. He then relocated to San Francisco, where he worked as a writer and poet until his death. From 1985 to 1996, Robert served as the editor of the monthly Film Arts Foundation magazine, Release Print, and the publicist for an independent filmmaker education and advocacy group. He founded his own publishing house, Night Horn Books. Anbian published three poetry collections: WE Parts 1 \u0026 2 (Night Horn Books, 1999), Antinostalgia (Ruddy Duck Press, 1992), and Bohemian Airs \u0026 Other Kêfs (Night Horn Books, 1982).","The collection contains sketchbooks, journals, handwritten and printed drafts of poems, screenplays, short stories, and longer works, notes, newspaper clippings, articles, printed publications, posters, pamphlets, resumes, an astrological chart, artworks, photographs, correspondence, ephemera, and publications published by Night Horn Books.","The papers span from 1974 to 2022 and document his work as a writer and publisher. Materials include his journals and sketchbooks from 1974 to 2019, which include his artwork, notes, and poetry. There are synopses, drafts, notebooks, and notes of two of his novels, \"The Glittering Zero\" and \"Deep Blue Sea,\" as well as his poetry, short stories, and screenplays.","Aside from his written work, the collection contains correspondence between Anbian and other poets, personal handwritten notes, postcards to friends and family members, resumes, photographs, and artwork by Anbian. Works published by Wilderness Press and Night Horn Book, authored by Anbian and others, are also included. See External Documents for a detailed box-folder inventory of the collection's contents.","Albert and Shirley Small Special Collections Library","Anbian, Robert","English\n      French\n      Greek, Modern (1453-)"],"collection_title_tesim":["Robert Anbian papers, 1974/2022"],"collection_ssim":["Robert Anbian papers, 1974/2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16922","Archival Resource Key","/repositories/3/resources/1828"],"unitid_tesim":["MSS 16922","Archival Resource Key","/repositories/3/resources/1828"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["United States -- Politics and government -- 2001-2009","Central America -- Politics and government -- 1979-"],"geogname_ssim":["United States -- Politics and government -- 2001-2009","Central America -- Politics and government -- 1979-"],"places_ssim":["United States -- Politics and government -- 2001-2009","Central America -- Politics and government -- 1979-"],"creator_ssm":["Anbian, Robert"],"creator_ssim":["Anbian, Robert"],"creator_persname_ssim":["Anbian, Robert"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Anbian, Robert","Albert and Shirley Small Special Collections Library"],"acqinfo_ssim":["This collection was a gift from Patricia McLaughlin to the Small Special Collections Library at the University of Virginia Library on 19 December 2024."],"access_subjects_ssim":["Poets","University of Virginia -- Alumni","Poverty","poetry","American literature"],"access_subjects_ssm":["Poets","University of Virginia -- Alumni","Poverty","poetry","American literature"],"has_online_content_ssim":["false"],"extent_ssm":["5.35 Cubic Feet 13 document boxes, one medium oversized flat box"],"extent_tesim":["5.35 Cubic Feet 13 document boxes, one medium oversized flat box"],"genreform_ssim":["poetry","American literature"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by type of material and then by date. Series 1. Sketchbooks, Notebooks and manuscripts, Series 2. Correspondence, Series 3. Publications, Series 4. Reviews, Series 5. Burlington County Herald newspaper\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged by type of material and then by date. Series 1. Sketchbooks, Notebooks and manuscripts, Series 2. Correspondence, Series 3. Publications, Series 4. Reviews, Series 5. Burlington County Herald newspaper"],"bioghist_html_tesm":["\u003cp\u003e \"Robert Anbian (June 27, 1949 - February 23, 2022) wrote about sex, politics, seas and oceans, city streets, deserts, war, love, music, highways, petty larceny, ecstasy, childhood, death, and memories. His poems and stories are populated with the poor, lost, exiled, angry, crazy in love, and intoxicated... His syntax is mangled, his narrative a montage. He had little use for metaphor. He means exactly what he says. His texts are homespun, esoteric, oddly familiar and strange. He's discovering the music in language, in thought, in the cortex of consciousness. He's funny.\u003c/p\u003e","\u003cp\u003eThat Anbian, a leading voice in the San Francisco poetry underground, isn't more widely known is as much a tribute to his \"odd man out\" obstinacy as to the usual reluctance of society to deal with its critics. Yet obstinacy has a point. Anbian writes a poetry that won't surrender an inch of imaginative freedom to love, hate, or ideology – his own above all. With I NOT I (EDT4072), the word comes from the poet himself in a writer's voice – that is, in a language demotic, impassioned, and little peculiar. Included in this powerful follow-up to the 2007 poetry and jazz CD, Robert Anbian and the Unidentified Flying Quartet, also on Edgetone Records (EDT4052), is a sweeping selection from Anbian's epochal WE series, in a new sequence enacting the poems' contingent, open-ended form. This is an important recording for anyone interested in poetry, spoken word, literature, anti-literature, and the troubled junctures of culture and politics.\u003c/p\u003e","\u003cp\u003eRobert Anbian published three poetry collections, WE Parts 1 \u0026amp; 2 (Night Horn Books 1999), Antinostalgia (Ruddy Duck Press 1992) and Bohemian Airs \u0026amp; Other Kêfs (Night Horn Books, 1982). His most recent publication is the chapbook, Blame the Powerful: Political Poems (War\u0026amp;Peace Press 2004). His work has appeared in the anthologies, Beyond Lament: Poets of the World Confront the Holocaust (Northwestern) and Practicing Angels: A Contemporary Anthology of San Francisco Bay Area Poetry (Seismograph), at www.newversenews.com, and in the literary periodicals City Lights Review, North Coast Literary Review, Oxygen, Left Curve, Oro Madre, Compages, and the electronic journal, Rif/t. From 1978-82, he edited the literary review, Oboe.\" \u003c/p\u003e","\u003cp\u003eA native of New Jersey and graduate of the University of Virginia, and following his work in the Peace Corps, Anbian lived and worked as a journalist and editor in San Francisco. He graduated from the University of Virginia in 1971, after which he spent three years in Niger with the Peace Corps from 1974 to 1977. He then relocated to San Francisco, where he worked as a writer and poet until his death. From 1985 to 1996, Robert served as the editor of the monthly Film Arts Foundation magazine, Release Print, and the publicist for an independent filmmaker education and advocacy group. He founded his own publishing house, Night Horn Books. Anbian published three poetry collections: WE Parts 1 \u0026amp; 2 (Night Horn Books, 1999), Antinostalgia (Ruddy Duck Press, 1992), and Bohemian Airs \u0026amp; Other Kêfs (Night Horn Books, 1982). \u003c/p\u003e","\u003cp\u003e\nSource:\n\"Robert Anbian\" Edgetone Records website. Accessed 10/2/25\nhttps://www.edgetonerecords.com/anbian.html\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"Robert Anbian (June 27, 1949 - February 23, 2022) wrote about sex, politics, seas and oceans, city streets, deserts, war, love, music, highways, petty larceny, ecstasy, childhood, death, and memories. His poems and stories are populated with the poor, lost, exiled, angry, crazy in love, and intoxicated... His syntax is mangled, his narrative a montage. He had little use for metaphor. He means exactly what he says. His texts are homespun, esoteric, oddly familiar and strange. He's discovering the music in language, in thought, in the cortex of consciousness. He's funny.","That Anbian, a leading voice in the San Francisco poetry underground, isn't more widely known is as much a tribute to his \"odd man out\" obstinacy as to the usual reluctance of society to deal with its critics. Yet obstinacy has a point. Anbian writes a poetry that won't surrender an inch of imaginative freedom to love, hate, or ideology – his own above all. With I NOT I (EDT4072), the word comes from the poet himself in a writer's voice – that is, in a language demotic, impassioned, and little peculiar. Included in this powerful follow-up to the 2007 poetry and jazz CD, Robert Anbian and the Unidentified Flying Quartet, also on Edgetone Records (EDT4052), is a sweeping selection from Anbian's epochal WE series, in a new sequence enacting the poems' contingent, open-ended form. This is an important recording for anyone interested in poetry, spoken word, literature, anti-literature, and the troubled junctures of culture and politics.","Robert Anbian published three poetry collections, WE Parts 1 \u0026 2 (Night Horn Books 1999), Antinostalgia (Ruddy Duck Press 1992) and Bohemian Airs \u0026 Other Kêfs (Night Horn Books, 1982). His most recent publication is the chapbook, Blame the Powerful: Political Poems (War\u0026Peace Press 2004). His work has appeared in the anthologies, Beyond Lament: Poets of the World Confront the Holocaust (Northwestern) and Practicing Angels: A Contemporary Anthology of San Francisco Bay Area Poetry (Seismograph), at www.newversenews.com, and in the literary periodicals City Lights Review, North Coast Literary Review, Oxygen, Left Curve, Oro Madre, Compages, and the electronic journal, Rif/t. From 1978-82, he edited the literary review, Oboe.\"","A native of New Jersey and graduate of the University of Virginia, and following his work in the Peace Corps, Anbian lived and worked as a journalist and editor in San Francisco. He graduated from the University of Virginia in 1971, after which he spent three years in Niger with the Peace Corps from 1974 to 1977. He then relocated to San Francisco, where he worked as a writer and poet until his death. From 1985 to 1996, Robert served as the editor of the monthly Film Arts Foundation magazine, Release Print, and the publicist for an independent filmmaker education and advocacy group. He founded his own publishing house, Night Horn Books. Anbian published three poetry collections: WE Parts 1 \u0026 2 (Night Horn Books, 1999), Antinostalgia (Ruddy Duck Press, 1992), and Bohemian Airs \u0026 Other Kêfs (Night Horn Books, 1982).","Source:\n\"Robert Anbian\" Edgetone Records website. Accessed 10/2/25\nhttps://www.edgetonerecords.com/anbian.html"],"prefercite_html_tesm":["\u003cp\u003eMSS 16922, Robert Anbian papers, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16922, Robert Anbian papers, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the papers of poet, author, publisher, and political activist Robert White Anbian (1949-2022). Anbian graduated from the University of Virginia in 1971, after which he spent three years in Niger with the Peace Corps from 1974 to 1977. He then relocated to San Francisco, where he worked as a writer and poet until his death. From 1985 to 1996, Robert served as the editor of the monthly Film Arts Foundation magazine, Release Print, and the publicist for an independent filmmaker education and advocacy group. He founded his own publishing house, Night Horn Books. Anbian published three poetry collections: WE Parts 1 \u0026amp; 2 (Night Horn Books, 1999), Antinostalgia (Ruddy Duck Press, 1992), and Bohemian Airs \u0026amp; Other Kêfs (Night Horn Books, 1982). \u003c/p\u003e","\u003cp\u003eThe collection contains sketchbooks, journals, handwritten and printed drafts of poems, screenplays, short stories, and longer works, notes, newspaper clippings, articles, printed publications, posters, pamphlets, resumes, an astrological chart, artworks, photographs, correspondence, ephemera, and publications published by Night Horn Books. \u003c/p\u003e","\u003cp\u003eThe papers span from 1974 to 2022 and document his work as a writer and publisher. Materials include his journals and sketchbooks from 1974 to 2019, which include his artwork, notes, and poetry. There are synopses, drafts, notebooks, and notes of two of his novels, \"The Glittering Zero\" and \"Deep Blue Sea,\" as well as his poetry, short stories, and screenplays. \u003c/p\u003e","\u003cp\u003eAside from his written work, the collection contains correspondence between Anbian and other poets, personal handwritten notes, postcards to friends and family members, resumes, photographs, and artwork by Anbian. Works published by Wilderness Press and Night Horn Book, authored by Anbian and others, are also included. See External Documents for a detailed box-folder inventory of the collection's contents. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains the papers of poet, author, publisher, and political activist Robert White Anbian (1949-2022). Anbian graduated from the University of Virginia in 1971, after which he spent three years in Niger with the Peace Corps from 1974 to 1977. He then relocated to San Francisco, where he worked as a writer and poet until his death. From 1985 to 1996, Robert served as the editor of the monthly Film Arts Foundation magazine, Release Print, and the publicist for an independent filmmaker education and advocacy group. He founded his own publishing house, Night Horn Books. Anbian published three poetry collections: WE Parts 1 \u0026 2 (Night Horn Books, 1999), Antinostalgia (Ruddy Duck Press, 1992), and Bohemian Airs \u0026 Other Kêfs (Night Horn Books, 1982).","The collection contains sketchbooks, journals, handwritten and printed drafts of poems, screenplays, short stories, and longer works, notes, newspaper clippings, articles, printed publications, posters, pamphlets, resumes, an astrological chart, artworks, photographs, correspondence, ephemera, and publications published by Night Horn Books.","The papers span from 1974 to 2022 and document his work as a writer and publisher. Materials include his journals and sketchbooks from 1974 to 2019, which include his artwork, notes, and poetry. There are synopses, drafts, notebooks, and notes of two of his novels, \"The Glittering Zero\" and \"Deep Blue Sea,\" as well as his poetry, short stories, and screenplays.","Aside from his written work, the collection contains correspondence between Anbian and other poets, personal handwritten notes, postcards to friends and family members, resumes, photographs, and artwork by Anbian. Works published by Wilderness Press and Night Horn Book, authored by Anbian and others, are also included. See External Documents for a detailed box-folder inventory of the collection's contents."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Anbian, Robert"],"names_ssim":["Albert and Shirley Small Special Collections Library","Anbian, Robert"],"language_ssim":["English\n      French\n      Greek, Modern (1453-)"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":96,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:53:58.310Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1828","ead_ssi":"viu_repositories_3_resources_1828","_root_":"viu_repositories_3_resources_1828","_nest_parent_":"viu_repositories_3_resources_1828","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1828.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/230328","title_filing_ssi":"Anbian, Robert papers","title_ssm":["Robert Anbian papers"],"title_tesim":["Robert Anbian papers"],"unitdate_ssm":["1974-2022"],"unitdate_inclusive_ssm":["1974-2022"],"normalized_date_ssm":["1974/2022"],"normalized_title_ssm":["Robert Anbian papers, 1974/2022"],"text":["Robert Anbian papers, 1974/2022","MSS 16922","Archival Resource Key","/repositories/3/resources/1828","United States -- Politics and government -- 2001-2009","Central America -- Politics and government -- 1979-","Poets","University of Virginia -- Alumni","Poverty","poetry","American literature","This collection is open for research.","The collection is arranged by type of material and then by date. Series 1. Sketchbooks, Notebooks and manuscripts, Series 2. Correspondence, Series 3. Publications, Series 4. Reviews, Series 5. Burlington County Herald newspaper","\"Robert Anbian (June 27, 1949 - February 23, 2022) wrote about sex, politics, seas and oceans, city streets, deserts, war, love, music, highways, petty larceny, ecstasy, childhood, death, and memories. His poems and stories are populated with the poor, lost, exiled, angry, crazy in love, and intoxicated... His syntax is mangled, his narrative a montage. He had little use for metaphor. He means exactly what he says. His texts are homespun, esoteric, oddly familiar and strange. He's discovering the music in language, in thought, in the cortex of consciousness. He's funny.","That Anbian, a leading voice in the San Francisco poetry underground, isn't more widely known is as much a tribute to his \"odd man out\" obstinacy as to the usual reluctance of society to deal with its critics. Yet obstinacy has a point. Anbian writes a poetry that won't surrender an inch of imaginative freedom to love, hate, or ideology – his own above all. With I NOT I (EDT4072), the word comes from the poet himself in a writer's voice – that is, in a language demotic, impassioned, and little peculiar. Included in this powerful follow-up to the 2007 poetry and jazz CD, Robert Anbian and the Unidentified Flying Quartet, also on Edgetone Records (EDT4052), is a sweeping selection from Anbian's epochal WE series, in a new sequence enacting the poems' contingent, open-ended form. This is an important recording for anyone interested in poetry, spoken word, literature, anti-literature, and the troubled junctures of culture and politics.","Robert Anbian published three poetry collections, WE Parts 1 \u0026 2 (Night Horn Books 1999), Antinostalgia (Ruddy Duck Press 1992) and Bohemian Airs \u0026 Other Kêfs (Night Horn Books, 1982). His most recent publication is the chapbook, Blame the Powerful: Political Poems (War\u0026Peace Press 2004). His work has appeared in the anthologies, Beyond Lament: Poets of the World Confront the Holocaust (Northwestern) and Practicing Angels: A Contemporary Anthology of San Francisco Bay Area Poetry (Seismograph), at www.newversenews.com, and in the literary periodicals City Lights Review, North Coast Literary Review, Oxygen, Left Curve, Oro Madre, Compages, and the electronic journal, Rif/t. From 1978-82, he edited the literary review, Oboe.\"","A native of New Jersey and graduate of the University of Virginia, and following his work in the Peace Corps, Anbian lived and worked as a journalist and editor in San Francisco. He graduated from the University of Virginia in 1971, after which he spent three years in Niger with the Peace Corps from 1974 to 1977. He then relocated to San Francisco, where he worked as a writer and poet until his death. From 1985 to 1996, Robert served as the editor of the monthly Film Arts Foundation magazine, Release Print, and the publicist for an independent filmmaker education and advocacy group. He founded his own publishing house, Night Horn Books. Anbian published three poetry collections: WE Parts 1 \u0026 2 (Night Horn Books, 1999), Antinostalgia (Ruddy Duck Press, 1992), and Bohemian Airs \u0026 Other Kêfs (Night Horn Books, 1982).","Source:\n\"Robert Anbian\" Edgetone Records website. Accessed 10/2/25\nhttps://www.edgetonerecords.com/anbian.html","This collection contains the papers of poet, author, publisher, and political activist Robert White Anbian (1949-2022). Anbian graduated from the University of Virginia in 1971, after which he spent three years in Niger with the Peace Corps from 1974 to 1977. He then relocated to San Francisco, where he worked as a writer and poet until his death. From 1985 to 1996, Robert served as the editor of the monthly Film Arts Foundation magazine, Release Print, and the publicist for an independent filmmaker education and advocacy group. He founded his own publishing house, Night Horn Books. Anbian published three poetry collections: WE Parts 1 \u0026 2 (Night Horn Books, 1999), Antinostalgia (Ruddy Duck Press, 1992), and Bohemian Airs \u0026 Other Kêfs (Night Horn Books, 1982).","The collection contains sketchbooks, journals, handwritten and printed drafts of poems, screenplays, short stories, and longer works, notes, newspaper clippings, articles, printed publications, posters, pamphlets, resumes, an astrological chart, artworks, photographs, correspondence, ephemera, and publications published by Night Horn Books.","The papers span from 1974 to 2022 and document his work as a writer and publisher. Materials include his journals and sketchbooks from 1974 to 2019, which include his artwork, notes, and poetry. There are synopses, drafts, notebooks, and notes of two of his novels, \"The Glittering Zero\" and \"Deep Blue Sea,\" as well as his poetry, short stories, and screenplays.","Aside from his written work, the collection contains correspondence between Anbian and other poets, personal handwritten notes, postcards to friends and family members, resumes, photographs, and artwork by Anbian. Works published by Wilderness Press and Night Horn Book, authored by Anbian and others, are also included. See External Documents for a detailed box-folder inventory of the collection's contents.","Albert and Shirley Small Special Collections Library","Anbian, Robert","English\n      French\n      Greek, Modern (1453-)"],"collection_title_tesim":["Robert Anbian papers, 1974/2022"],"collection_ssim":["Robert Anbian papers, 1974/2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16922","Archival Resource Key","/repositories/3/resources/1828"],"unitid_tesim":["MSS 16922","Archival Resource Key","/repositories/3/resources/1828"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["United States -- Politics and government -- 2001-2009","Central America -- Politics and government -- 1979-"],"geogname_ssim":["United States -- Politics and government -- 2001-2009","Central America -- Politics and government -- 1979-"],"places_ssim":["United States -- Politics and government -- 2001-2009","Central America -- Politics and government -- 1979-"],"creator_ssm":["Anbian, Robert"],"creator_ssim":["Anbian, Robert"],"creator_persname_ssim":["Anbian, Robert"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Anbian, Robert","Albert and Shirley Small Special Collections Library"],"acqinfo_ssim":["This collection was a gift from Patricia McLaughlin to the Small Special Collections Library at the University of Virginia Library on 19 December 2024."],"access_subjects_ssim":["Poets","University of Virginia -- Alumni","Poverty","poetry","American literature"],"access_subjects_ssm":["Poets","University of Virginia -- Alumni","Poverty","poetry","American literature"],"has_online_content_ssim":["false"],"extent_ssm":["5.35 Cubic Feet 13 document boxes, one medium oversized flat box"],"extent_tesim":["5.35 Cubic Feet 13 document boxes, one medium oversized flat box"],"genreform_ssim":["poetry","American literature"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by type of material and then by date. Series 1. Sketchbooks, Notebooks and manuscripts, Series 2. Correspondence, Series 3. Publications, Series 4. Reviews, Series 5. Burlington County Herald newspaper\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged by type of material and then by date. Series 1. Sketchbooks, Notebooks and manuscripts, Series 2. Correspondence, Series 3. Publications, Series 4. Reviews, Series 5. Burlington County Herald newspaper"],"bioghist_html_tesm":["\u003cp\u003e \"Robert Anbian (June 27, 1949 - February 23, 2022) wrote about sex, politics, seas and oceans, city streets, deserts, war, love, music, highways, petty larceny, ecstasy, childhood, death, and memories. His poems and stories are populated with the poor, lost, exiled, angry, crazy in love, and intoxicated... His syntax is mangled, his narrative a montage. He had little use for metaphor. He means exactly what he says. His texts are homespun, esoteric, oddly familiar and strange. He's discovering the music in language, in thought, in the cortex of consciousness. He's funny.\u003c/p\u003e","\u003cp\u003eThat Anbian, a leading voice in the San Francisco poetry underground, isn't more widely known is as much a tribute to his \"odd man out\" obstinacy as to the usual reluctance of society to deal with its critics. Yet obstinacy has a point. Anbian writes a poetry that won't surrender an inch of imaginative freedom to love, hate, or ideology – his own above all. With I NOT I (EDT4072), the word comes from the poet himself in a writer's voice – that is, in a language demotic, impassioned, and little peculiar. Included in this powerful follow-up to the 2007 poetry and jazz CD, Robert Anbian and the Unidentified Flying Quartet, also on Edgetone Records (EDT4052), is a sweeping selection from Anbian's epochal WE series, in a new sequence enacting the poems' contingent, open-ended form. This is an important recording for anyone interested in poetry, spoken word, literature, anti-literature, and the troubled junctures of culture and politics.\u003c/p\u003e","\u003cp\u003eRobert Anbian published three poetry collections, WE Parts 1 \u0026amp; 2 (Night Horn Books 1999), Antinostalgia (Ruddy Duck Press 1992) and Bohemian Airs \u0026amp; Other Kêfs (Night Horn Books, 1982). His most recent publication is the chapbook, Blame the Powerful: Political Poems (War\u0026amp;Peace Press 2004). His work has appeared in the anthologies, Beyond Lament: Poets of the World Confront the Holocaust (Northwestern) and Practicing Angels: A Contemporary Anthology of San Francisco Bay Area Poetry (Seismograph), at www.newversenews.com, and in the literary periodicals City Lights Review, North Coast Literary Review, Oxygen, Left Curve, Oro Madre, Compages, and the electronic journal, Rif/t. From 1978-82, he edited the literary review, Oboe.\" \u003c/p\u003e","\u003cp\u003eA native of New Jersey and graduate of the University of Virginia, and following his work in the Peace Corps, Anbian lived and worked as a journalist and editor in San Francisco. He graduated from the University of Virginia in 1971, after which he spent three years in Niger with the Peace Corps from 1974 to 1977. He then relocated to San Francisco, where he worked as a writer and poet until his death. From 1985 to 1996, Robert served as the editor of the monthly Film Arts Foundation magazine, Release Print, and the publicist for an independent filmmaker education and advocacy group. He founded his own publishing house, Night Horn Books. Anbian published three poetry collections: WE Parts 1 \u0026amp; 2 (Night Horn Books, 1999), Antinostalgia (Ruddy Duck Press, 1992), and Bohemian Airs \u0026amp; Other Kêfs (Night Horn Books, 1982). \u003c/p\u003e","\u003cp\u003e\nSource:\n\"Robert Anbian\" Edgetone Records website. Accessed 10/2/25\nhttps://www.edgetonerecords.com/anbian.html\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"Robert Anbian (June 27, 1949 - February 23, 2022) wrote about sex, politics, seas and oceans, city streets, deserts, war, love, music, highways, petty larceny, ecstasy, childhood, death, and memories. His poems and stories are populated with the poor, lost, exiled, angry, crazy in love, and intoxicated... His syntax is mangled, his narrative a montage. He had little use for metaphor. He means exactly what he says. His texts are homespun, esoteric, oddly familiar and strange. He's discovering the music in language, in thought, in the cortex of consciousness. He's funny.","That Anbian, a leading voice in the San Francisco poetry underground, isn't more widely known is as much a tribute to his \"odd man out\" obstinacy as to the usual reluctance of society to deal with its critics. Yet obstinacy has a point. Anbian writes a poetry that won't surrender an inch of imaginative freedom to love, hate, or ideology – his own above all. With I NOT I (EDT4072), the word comes from the poet himself in a writer's voice – that is, in a language demotic, impassioned, and little peculiar. Included in this powerful follow-up to the 2007 poetry and jazz CD, Robert Anbian and the Unidentified Flying Quartet, also on Edgetone Records (EDT4052), is a sweeping selection from Anbian's epochal WE series, in a new sequence enacting the poems' contingent, open-ended form. This is an important recording for anyone interested in poetry, spoken word, literature, anti-literature, and the troubled junctures of culture and politics.","Robert Anbian published three poetry collections, WE Parts 1 \u0026 2 (Night Horn Books 1999), Antinostalgia (Ruddy Duck Press 1992) and Bohemian Airs \u0026 Other Kêfs (Night Horn Books, 1982). His most recent publication is the chapbook, Blame the Powerful: Political Poems (War\u0026Peace Press 2004). His work has appeared in the anthologies, Beyond Lament: Poets of the World Confront the Holocaust (Northwestern) and Practicing Angels: A Contemporary Anthology of San Francisco Bay Area Poetry (Seismograph), at www.newversenews.com, and in the literary periodicals City Lights Review, North Coast Literary Review, Oxygen, Left Curve, Oro Madre, Compages, and the electronic journal, Rif/t. From 1978-82, he edited the literary review, Oboe.\"","A native of New Jersey and graduate of the University of Virginia, and following his work in the Peace Corps, Anbian lived and worked as a journalist and editor in San Francisco. He graduated from the University of Virginia in 1971, after which he spent three years in Niger with the Peace Corps from 1974 to 1977. He then relocated to San Francisco, where he worked as a writer and poet until his death. From 1985 to 1996, Robert served as the editor of the monthly Film Arts Foundation magazine, Release Print, and the publicist for an independent filmmaker education and advocacy group. He founded his own publishing house, Night Horn Books. Anbian published three poetry collections: WE Parts 1 \u0026 2 (Night Horn Books, 1999), Antinostalgia (Ruddy Duck Press, 1992), and Bohemian Airs \u0026 Other Kêfs (Night Horn Books, 1982).","Source:\n\"Robert Anbian\" Edgetone Records website. Accessed 10/2/25\nhttps://www.edgetonerecords.com/anbian.html"],"prefercite_html_tesm":["\u003cp\u003eMSS 16922, Robert Anbian papers, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16922, Robert Anbian papers, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the papers of poet, author, publisher, and political activist Robert White Anbian (1949-2022). Anbian graduated from the University of Virginia in 1971, after which he spent three years in Niger with the Peace Corps from 1974 to 1977. He then relocated to San Francisco, where he worked as a writer and poet until his death. From 1985 to 1996, Robert served as the editor of the monthly Film Arts Foundation magazine, Release Print, and the publicist for an independent filmmaker education and advocacy group. He founded his own publishing house, Night Horn Books. Anbian published three poetry collections: WE Parts 1 \u0026amp; 2 (Night Horn Books, 1999), Antinostalgia (Ruddy Duck Press, 1992), and Bohemian Airs \u0026amp; Other Kêfs (Night Horn Books, 1982). \u003c/p\u003e","\u003cp\u003eThe collection contains sketchbooks, journals, handwritten and printed drafts of poems, screenplays, short stories, and longer works, notes, newspaper clippings, articles, printed publications, posters, pamphlets, resumes, an astrological chart, artworks, photographs, correspondence, ephemera, and publications published by Night Horn Books. \u003c/p\u003e","\u003cp\u003eThe papers span from 1974 to 2022 and document his work as a writer and publisher. Materials include his journals and sketchbooks from 1974 to 2019, which include his artwork, notes, and poetry. There are synopses, drafts, notebooks, and notes of two of his novels, \"The Glittering Zero\" and \"Deep Blue Sea,\" as well as his poetry, short stories, and screenplays. \u003c/p\u003e","\u003cp\u003eAside from his written work, the collection contains correspondence between Anbian and other poets, personal handwritten notes, postcards to friends and family members, resumes, photographs, and artwork by Anbian. Works published by Wilderness Press and Night Horn Book, authored by Anbian and others, are also included. See External Documents for a detailed box-folder inventory of the collection's contents. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains the papers of poet, author, publisher, and political activist Robert White Anbian (1949-2022). Anbian graduated from the University of Virginia in 1971, after which he spent three years in Niger with the Peace Corps from 1974 to 1977. He then relocated to San Francisco, where he worked as a writer and poet until his death. From 1985 to 1996, Robert served as the editor of the monthly Film Arts Foundation magazine, Release Print, and the publicist for an independent filmmaker education and advocacy group. He founded his own publishing house, Night Horn Books. Anbian published three poetry collections: WE Parts 1 \u0026 2 (Night Horn Books, 1999), Antinostalgia (Ruddy Duck Press, 1992), and Bohemian Airs \u0026 Other Kêfs (Night Horn Books, 1982).","The collection contains sketchbooks, journals, handwritten and printed drafts of poems, screenplays, short stories, and longer works, notes, newspaper clippings, articles, printed publications, posters, pamphlets, resumes, an astrological chart, artworks, photographs, correspondence, ephemera, and publications published by Night Horn Books.","The papers span from 1974 to 2022 and document his work as a writer and publisher. Materials include his journals and sketchbooks from 1974 to 2019, which include his artwork, notes, and poetry. There are synopses, drafts, notebooks, and notes of two of his novels, \"The Glittering Zero\" and \"Deep Blue Sea,\" as well as his poetry, short stories, and screenplays.","Aside from his written work, the collection contains correspondence between Anbian and other poets, personal handwritten notes, postcards to friends and family members, resumes, photographs, and artwork by Anbian. Works published by Wilderness Press and Night Horn Book, authored by Anbian and others, are also included. See External Documents for a detailed box-folder inventory of the collection's contents."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Anbian, Robert"],"names_ssim":["Albert and Shirley Small Special Collections Library","Anbian, Robert"],"language_ssim":["English\n      French\n      Greek, Modern (1453-)"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":96,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:53:58.310Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1828"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"University of Virginia, Special Collections Dept.","value":"University of Virginia, Special Collections 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