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Ferencz World War I cartoon collection, 1914/1918"],"text":["Szauer S. Ferencz World War I cartoon collection, 1914/1918","MSS 16553","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1077","World War, 1914-1918","political cartoons","cartoons (humorous images)","Good","This collection is minimally processed and open for research.","The term \"caricature\", is derived from the Old Italian word \"caricare\" which means \"to exaggerate\" and \"to attack vehemently\". Thus the normal task of a caricaturist is to attack and to ridicule society and government, usually in an exaggerated or distorted way.","The popularity of caricatures and cartoons surged during World War I, in magazines, posters and postcards. At the beginning of World War I political cartoons became propaganda to show support for the country, to make fun of the enemies of their country, as well as to criticize their society.","In Germany the eight cartoon magazines had a total circulation of 986,000 copies, just a little less than the Berliner llustrirte Zeitung (1,000,000) and can thus rightly be considered a mass medium. The contemporary German publicist Maximilian Harden (1861-1927) claimed that \"no other sort of publication can have such an effect on public opinion as the illustrated satirical magazine\".","The most influential magazine in Germany was the Simplicissimus, which especially attacked the Junkers, the Catholic Church and the military.The editor-in-chief of Simplicissimus, Ludwig Thoma proposed that the paper should cease publication, because, while Germany was fighting for its existence, all satirical opposition to the government should stop. But Thomas Theodor Heine (1867-1948) refused and said that satirists now had a new task: to behave as good patriots and to support Germany's war policy at home and abroad. His point of view was accepted, and the other cartoon magazines took the same decision. On 8 August 1914 Paul Warncke (1866-1933), the editor-in-chief of the Kladderadatsch, explained to readers that his magazine would renounce all political satire and would instead fight against the disturbers of peace: and he put his trust in the victory of the German arms.[10]","The cut out cartoons were from periodicals such as Előre,and possibly Simplicissimus, Die Jugend, and the Narrenschift. Előre (Forward) was a Hungarian-language socialist magazine published in the United States by activists of the Hungarian Socialist Federation of the Socialist Party of America. Launched in September 1905, Előre was published for 16 years before going bankrupt in October 1921.","Cartoonists included are Rudolf Kristen (1889-1946), and H. Zahl. Many of the cartoons do not show the signature and it is hard to detemine the creator.","Sources\nDemm, Eberhard. Caricatures. 1914-1918 Online. International Encyclopedia of the First World War. 19 December 2016. \nhttps://encyclopedia.1914-1918-online.net/article/caricatures","Houston-Waesch, Monica. Cartoons. 100 Years, 100 Legacies.World War I Centenary.\nhttps://graphics.wsj.com/100-legacies-from-world-war-1/cartoons","\"Előre\" Wikipedia. Accessed 10/3/23\nhttps://en.wikipedia.org/wiki/El%C5%91re","This collection contains a private collection of approximately one hundred cartoons and caricatures of World War I propaganda that were cut out of magazines and pasted in a blank book. Most of the cartoons are written in German, but some are in Hungarian.  Many are printed in color, but there are privately printed carbon copies too.","Included in the front few pages is a folded poster titled \"Humorist. Darstellung der Wappen unserer Feinde 1914\" [Humorist. 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On 8 August 1914 Paul Warncke (1866-1933), the editor-in-chief of the Kladderadatsch, explained to readers that his magazine would renounce all political satire and would instead fight against the disturbers of peace: and he put his trust in the victory of the German arms.[10] \u003c/p\u003e","\u003cp\u003eThe cut out cartoons were from periodicals such as Előre,and possibly Simplicissimus, Die Jugend, and the Narrenschift. Előre (Forward) was a Hungarian-language socialist magazine published in the United States by activists of the Hungarian Socialist Federation of the Socialist Party of America. Launched in September 1905, Előre was published for 16 years before going bankrupt in October 1921. \u003c/p\u003e","\u003cp\u003eCartoonists included are Rudolf Kristen (1889-1946), and H. Zahl. Many of the cartoons do not show the signature and it is hard to detemine the creator.\u003c/p\u003e","\u003cp\u003eSources\nDemm, Eberhard. Caricatures. 1914-1918 Online. International Encyclopedia of the First World War. 19 December 2016. \nhttps://encyclopedia.1914-1918-online.net/article/caricatures\u003c/p\u003e","\u003cp\u003eHouston-Waesch, Monica. Cartoons. 100 Years, 100 Legacies.World War I Centenary.\nhttps://graphics.wsj.com/100-legacies-from-world-war-1/cartoons\u003c/p\u003e","\u003cp\u003e\"Előre\" Wikipedia. Accessed 10/3/23\nhttps://en.wikipedia.org/wiki/El%C5%91re\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The term \"caricature\", is derived from the Old Italian word \"caricare\" which means \"to exaggerate\" and \"to attack vehemently\". Thus the normal task of a caricaturist is to attack and to ridicule society and government, usually in an exaggerated or distorted way.","The popularity of caricatures and cartoons surged during World War I, in magazines, posters and postcards. At the beginning of World War I political cartoons became propaganda to show support for the country, to make fun of the enemies of their country, as well as to criticize their society.","In Germany the eight cartoon magazines had a total circulation of 986,000 copies, just a little less than the Berliner llustrirte Zeitung (1,000,000) and can thus rightly be considered a mass medium. The contemporary German publicist Maximilian Harden (1861-1927) claimed that \"no other sort of publication can have such an effect on public opinion as the illustrated satirical magazine\".","The most influential magazine in Germany was the Simplicissimus, which especially attacked the Junkers, the Catholic Church and the military.The editor-in-chief of Simplicissimus, Ludwig Thoma proposed that the paper should cease publication, because, while Germany was fighting for its existence, all satirical opposition to the government should stop. But Thomas Theodor Heine (1867-1948) refused and said that satirists now had a new task: to behave as good patriots and to support Germany's war policy at home and abroad. His point of view was accepted, and the other cartoon magazines took the same decision. On 8 August 1914 Paul Warncke (1866-1933), the editor-in-chief of the Kladderadatsch, explained to readers that his magazine would renounce all political satire and would instead fight against the disturbers of peace: and he put his trust in the victory of the German arms.[10]","The cut out cartoons were from periodicals such as Előre,and possibly Simplicissimus, Die Jugend, and the Narrenschift. Előre (Forward) was a Hungarian-language socialist magazine published in the United States by activists of the Hungarian Socialist Federation of the Socialist Party of America. Launched in September 1905, Előre was published for 16 years before going bankrupt in October 1921.","Cartoonists included are Rudolf Kristen (1889-1946), and H. Zahl. Many of the cartoons do not show the signature and it is hard to detemine the creator.","Sources\nDemm, Eberhard. Caricatures. 1914-1918 Online. International Encyclopedia of the First World War. 19 December 2016. \nhttps://encyclopedia.1914-1918-online.net/article/caricatures","Houston-Waesch, Monica. Cartoons. 100 Years, 100 Legacies.World War I Centenary.\nhttps://graphics.wsj.com/100-legacies-from-world-war-1/cartoons","\"Előre\" Wikipedia. Accessed 10/3/23\nhttps://en.wikipedia.org/wiki/El%C5%91re"],"prefercite_html_tesm":["\u003cp\u003eMSS 16553, Szauer S. Ferencz WW1 cartoon collection,  Small Special Collections Library, University of Virginia.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16553, Szauer S. Ferencz WW1 cartoon collection,  Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a private collection of approximately one hundred cartoons and caricatures of World War I propaganda that were cut out of magazines and pasted in a blank book. Most of the cartoons are written in German, but some are in Hungarian.  Many are printed in color, but there are privately printed carbon copies too. \u003c/p\u003e","\u003cp\u003eIncluded in the front few pages is a folded poster titled \"Humorist. Darstellung der Wappen unserer Feinde 1914\" [Humorist. Depiction of the coats of arms of our enemies, 1914] and shows a humorous interpretation of Allied nations coats-of-arm or heraldic shields. These cartoons are mounted on album card leaves.  Sixty-two pages with Szauer's collection stamp on title page.\u003c/p\u003e","\u003cp\u003eCartoons are possibly from publications such as Előre, Die Jugend, Simplicissimus, and The Narrenschiff. The cartoonists or caricaturs include Rudolf Kristen (1889-1946), and H. Zahl among others. \u003c/p\u003e","\u003cp\u003eThe subjects include World War I, Kaiser Wilhelm, John Bull, Woodrow Wilson, Nicholas Nikolaevich (head of the Russian army), and Nicholas I of Montegnegro. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains a private collection of approximately one hundred cartoons and caricatures of World War I propaganda that were cut out of magazines and pasted in a blank book. Most of the cartoons are written in German, but some are in Hungarian.  Many are printed in color, but there are privately printed carbon copies too.","Included in the front few pages is a folded poster titled \"Humorist. Darstellung der Wappen unserer Feinde 1914\" [Humorist. Depiction of the coats of arms of our enemies, 1914] and shows a humorous interpretation of Allied nations coats-of-arm or heraldic shields. These cartoons are mounted on album card leaves.  Sixty-two pages with Szauer's collection stamp on title page.","Cartoons are possibly from publications such as Előre, Die Jugend, Simplicissimus, and The Narrenschiff. The cartoonists or caricaturs include Rudolf Kristen (1889-1946), and H. Zahl among others.","The subjects include World War I, Kaiser Wilhelm, John Bull, Woodrow Wilson, Nicholas Nikolaevich (head of the Russian army), and Nicholas I of Montegnegro."],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Földvári Books"],"names_coll_ssim":["Földvári Books"],"persname_ssim":["Ferencz, Szauer S."],"names_ssim":["Albert and Shirley Small Special Collections Library","Földvári Books","Ferencz, Szauer S."],"language_ssim":["German\n      Hungarian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:40:28.109Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1077","ead_ssi":"viu_repositories_3_resources_1077","_root_":"viu_repositories_3_resources_1077","_nest_parent_":"viu_repositories_3_resources_1077","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1077.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/124841","title_filing_ssi":"Ferencz, Szauer S. WW1 cartoon collection","title_ssm":["Szauer S. Ferencz World War I cartoon collection"],"title_tesim":["Szauer S. Ferencz World War I cartoon collection"],"unitdate_ssm":["c. 1914-1918"],"unitdate_inclusive_ssm":["c. 1914-1918"],"normalized_date_ssm":["1914/1918"],"normalized_title_ssm":["Szauer S. Ferencz World War I cartoon collection, 1914/1918"],"text":["Szauer S. Ferencz World War I cartoon collection, 1914/1918","MSS 16553","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1077","World War, 1914-1918","political cartoons","cartoons (humorous images)","Good","This collection is minimally processed and open for research.","The term \"caricature\", is derived from the Old Italian word \"caricare\" which means \"to exaggerate\" and \"to attack vehemently\". Thus the normal task of a caricaturist is to attack and to ridicule society and government, usually in an exaggerated or distorted way.","The popularity of caricatures and cartoons surged during World War I, in magazines, posters and postcards. At the beginning of World War I political cartoons became propaganda to show support for the country, to make fun of the enemies of their country, as well as to criticize their society.","In Germany the eight cartoon magazines had a total circulation of 986,000 copies, just a little less than the Berliner llustrirte Zeitung (1,000,000) and can thus rightly be considered a mass medium. The contemporary German publicist Maximilian Harden (1861-1927) claimed that \"no other sort of publication can have such an effect on public opinion as the illustrated satirical magazine\".","The most influential magazine in Germany was the Simplicissimus, which especially attacked the Junkers, the Catholic Church and the military.The editor-in-chief of Simplicissimus, Ludwig Thoma proposed that the paper should cease publication, because, while Germany was fighting for its existence, all satirical opposition to the government should stop. But Thomas Theodor Heine (1867-1948) refused and said that satirists now had a new task: to behave as good patriots and to support Germany's war policy at home and abroad. His point of view was accepted, and the other cartoon magazines took the same decision. On 8 August 1914 Paul Warncke (1866-1933), the editor-in-chief of the Kladderadatsch, explained to readers that his magazine would renounce all political satire and would instead fight against the disturbers of peace: and he put his trust in the victory of the German arms.[10]","The cut out cartoons were from periodicals such as Előre,and possibly Simplicissimus, Die Jugend, and the Narrenschift. Előre (Forward) was a Hungarian-language socialist magazine published in the United States by activists of the Hungarian Socialist Federation of the Socialist Party of America. Launched in September 1905, Előre was published for 16 years before going bankrupt in October 1921.","Cartoonists included are Rudolf Kristen (1889-1946), and H. Zahl. Many of the cartoons do not show the signature and it is hard to detemine the creator.","Sources\nDemm, Eberhard. Caricatures. 1914-1918 Online. International Encyclopedia of the First World War. 19 December 2016. \nhttps://encyclopedia.1914-1918-online.net/article/caricatures","Houston-Waesch, Monica. Cartoons. 100 Years, 100 Legacies.World War I Centenary.\nhttps://graphics.wsj.com/100-legacies-from-world-war-1/cartoons","\"Előre\" Wikipedia. Accessed 10/3/23\nhttps://en.wikipedia.org/wiki/El%C5%91re","This collection contains a private collection of approximately one hundred cartoons and caricatures of World War I propaganda that were cut out of magazines and pasted in a blank book. Most of the cartoons are written in German, but some are in Hungarian.  Many are printed in color, but there are privately printed carbon copies too.","Included in the front few pages is a folded poster titled \"Humorist. Darstellung der Wappen unserer Feinde 1914\" [Humorist. Depiction of the coats of arms of our enemies, 1914] and shows a humorous interpretation of Allied nations coats-of-arm or heraldic shields. These cartoons are mounted on album card leaves.  Sixty-two pages with Szauer's collection stamp on title page.","Cartoons are possibly from publications such as Előre, Die Jugend, Simplicissimus, and The Narrenschiff. The cartoonists or caricaturs include Rudolf Kristen (1889-1946), and H. Zahl among others.","The subjects include World War I, Kaiser Wilhelm, John Bull, Woodrow Wilson, Nicholas Nikolaevich (head of the Russian army), and Nicholas I of Montegnegro.","Albert and Shirley Small Special Collections Library","Földvári Books","Ferencz, Szauer S.","German\n      Hungarian"],"collection_title_tesim":["Szauer S. Ferencz World War I cartoon collection, 1914/1918"],"collection_ssim":["Szauer S. Ferencz World War I cartoon collection, 1914/1918"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16553","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1077"],"unitid_tesim":["MSS 16553","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1077"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Földvári Books","Ferencz, Szauer S."],"creator_ssim":["Földvári Books","Ferencz, Szauer S."],"creator_persname_ssim":["Ferencz, Szauer S."],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library","Földvári Books"],"creators_ssim":["Ferencz, Szauer S.","Albert and Shirley Small Special Collections Library","Földvári Books"],"acqinfo_ssim":["This collection was purchased from Földvári Books by the Small Special Collections Library, University of Virginia on July 15, 2021."],"access_subjects_ssim":["World War, 1914-1918","political cartoons","cartoons (humorous images)"],"access_subjects_ssm":["World War, 1914-1918","political cartoons","cartoons (humorous images)"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good"],"extent_ssm":[".03 Cubic Feet 1 letter sized folder"],"extent_tesim":[".03 Cubic Feet 1 letter sized folder"],"genreform_ssim":["political cartoons","cartoons (humorous images)"],"date_range_isim":[1914,1915,1916,1917,1918],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is minimally processed and open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is minimally processed and open for research."],"bioghist_html_tesm":["\u003cp\u003eThe term \"caricature\", is derived from the Old Italian word \"caricare\" which means \"to exaggerate\" and \"to attack vehemently\". Thus the normal task of a caricaturist is to attack and to ridicule society and government, usually in an exaggerated or distorted way. \u003c/p\u003e","\u003cp\u003eThe popularity of caricatures and cartoons surged during World War I, in magazines, posters and postcards. At the beginning of World War I political cartoons became propaganda to show support for the country, to make fun of the enemies of their country, as well as to criticize their society. \u003c/p\u003e","\u003cp\u003eIn Germany the eight cartoon magazines had a total circulation of 986,000 copies, just a little less than the Berliner llustrirte Zeitung (1,000,000) and can thus rightly be considered a mass medium. The contemporary German publicist Maximilian Harden (1861-1927) claimed that \"no other sort of publication can have such an effect on public opinion as the illustrated satirical magazine\".\u003c/p\u003e","\u003cp\u003eThe most influential magazine in Germany was the Simplicissimus, which especially attacked the Junkers, the Catholic Church and the military.The editor-in-chief of Simplicissimus, Ludwig Thoma proposed that the paper should cease publication, because, while Germany was fighting for its existence, all satirical opposition to the government should stop. But Thomas Theodor Heine (1867-1948) refused and said that satirists now had a new task: to behave as good patriots and to support Germany's war policy at home and abroad. His point of view was accepted, and the other cartoon magazines took the same decision. On 8 August 1914 Paul Warncke (1866-1933), the editor-in-chief of the Kladderadatsch, explained to readers that his magazine would renounce all political satire and would instead fight against the disturbers of peace: and he put his trust in the victory of the German arms.[10] \u003c/p\u003e","\u003cp\u003eThe cut out cartoons were from periodicals such as Előre,and possibly Simplicissimus, Die Jugend, and the Narrenschift. Előre (Forward) was a Hungarian-language socialist magazine published in the United States by activists of the Hungarian Socialist Federation of the Socialist Party of America. Launched in September 1905, Előre was published for 16 years before going bankrupt in October 1921. \u003c/p\u003e","\u003cp\u003eCartoonists included are Rudolf Kristen (1889-1946), and H. Zahl. Many of the cartoons do not show the signature and it is hard to detemine the creator.\u003c/p\u003e","\u003cp\u003eSources\nDemm, Eberhard. Caricatures. 1914-1918 Online. International Encyclopedia of the First World War. 19 December 2016. \nhttps://encyclopedia.1914-1918-online.net/article/caricatures\u003c/p\u003e","\u003cp\u003eHouston-Waesch, Monica. Cartoons. 100 Years, 100 Legacies.World War I Centenary.\nhttps://graphics.wsj.com/100-legacies-from-world-war-1/cartoons\u003c/p\u003e","\u003cp\u003e\"Előre\" Wikipedia. Accessed 10/3/23\nhttps://en.wikipedia.org/wiki/El%C5%91re\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The term \"caricature\", is derived from the Old Italian word \"caricare\" which means \"to exaggerate\" and \"to attack vehemently\". Thus the normal task of a caricaturist is to attack and to ridicule society and government, usually in an exaggerated or distorted way.","The popularity of caricatures and cartoons surged during World War I, in magazines, posters and postcards. At the beginning of World War I political cartoons became propaganda to show support for the country, to make fun of the enemies of their country, as well as to criticize their society.","In Germany the eight cartoon magazines had a total circulation of 986,000 copies, just a little less than the Berliner llustrirte Zeitung (1,000,000) and can thus rightly be considered a mass medium. The contemporary German publicist Maximilian Harden (1861-1927) claimed that \"no other sort of publication can have such an effect on public opinion as the illustrated satirical magazine\".","The most influential magazine in Germany was the Simplicissimus, which especially attacked the Junkers, the Catholic Church and the military.The editor-in-chief of Simplicissimus, Ludwig Thoma proposed that the paper should cease publication, because, while Germany was fighting for its existence, all satirical opposition to the government should stop. But Thomas Theodor Heine (1867-1948) refused and said that satirists now had a new task: to behave as good patriots and to support Germany's war policy at home and abroad. His point of view was accepted, and the other cartoon magazines took the same decision. On 8 August 1914 Paul Warncke (1866-1933), the editor-in-chief of the Kladderadatsch, explained to readers that his magazine would renounce all political satire and would instead fight against the disturbers of peace: and he put his trust in the victory of the German arms.[10]","The cut out cartoons were from periodicals such as Előre,and possibly Simplicissimus, Die Jugend, and the Narrenschift. Előre (Forward) was a Hungarian-language socialist magazine published in the United States by activists of the Hungarian Socialist Federation of the Socialist Party of America. Launched in September 1905, Előre was published for 16 years before going bankrupt in October 1921.","Cartoonists included are Rudolf Kristen (1889-1946), and H. Zahl. Many of the cartoons do not show the signature and it is hard to detemine the creator.","Sources\nDemm, Eberhard. Caricatures. 1914-1918 Online. International Encyclopedia of the First World War. 19 December 2016. \nhttps://encyclopedia.1914-1918-online.net/article/caricatures","Houston-Waesch, Monica. Cartoons. 100 Years, 100 Legacies.World War I Centenary.\nhttps://graphics.wsj.com/100-legacies-from-world-war-1/cartoons","\"Előre\" Wikipedia. Accessed 10/3/23\nhttps://en.wikipedia.org/wiki/El%C5%91re"],"prefercite_html_tesm":["\u003cp\u003eMSS 16553, Szauer S. Ferencz WW1 cartoon collection,  Small Special Collections Library, University of Virginia.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16553, Szauer S. Ferencz WW1 cartoon collection,  Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a private collection of approximately one hundred cartoons and caricatures of World War I propaganda that were cut out of magazines and pasted in a blank book. Most of the cartoons are written in German, but some are in Hungarian.  Many are printed in color, but there are privately printed carbon copies too. \u003c/p\u003e","\u003cp\u003eIncluded in the front few pages is a folded poster titled \"Humorist. Darstellung der Wappen unserer Feinde 1914\" [Humorist. Depiction of the coats of arms of our enemies, 1914] and shows a humorous interpretation of Allied nations coats-of-arm or heraldic shields. These cartoons are mounted on album card leaves.  Sixty-two pages with Szauer's collection stamp on title page.\u003c/p\u003e","\u003cp\u003eCartoons are possibly from publications such as Előre, Die Jugend, Simplicissimus, and The Narrenschiff. The cartoonists or caricaturs include Rudolf Kristen (1889-1946), and H. Zahl among others. \u003c/p\u003e","\u003cp\u003eThe subjects include World War I, Kaiser Wilhelm, John Bull, Woodrow Wilson, Nicholas Nikolaevich (head of the Russian army), and Nicholas I of Montegnegro. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains a private collection of approximately one hundred cartoons and caricatures of World War I propaganda that were cut out of magazines and pasted in a blank book. Most of the cartoons are written in German, but some are in Hungarian.  Many are printed in color, but there are privately printed carbon copies too.","Included in the front few pages is a folded poster titled \"Humorist. Darstellung der Wappen unserer Feinde 1914\" [Humorist. Depiction of the coats of arms of our enemies, 1914] and shows a humorous interpretation of Allied nations coats-of-arm or heraldic shields. These cartoons are mounted on album card leaves.  Sixty-two pages with Szauer's collection stamp on title page.","Cartoons are possibly from publications such as Előre, Die Jugend, Simplicissimus, and The Narrenschiff. The cartoonists or caricaturs include Rudolf Kristen (1889-1946), and H. Zahl among others.","The subjects include World War I, Kaiser Wilhelm, John Bull, Woodrow Wilson, Nicholas Nikolaevich (head of the Russian army), and Nicholas I of Montegnegro."],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Földvári Books"],"names_coll_ssim":["Földvári Books"],"persname_ssim":["Ferencz, Szauer S."],"names_ssim":["Albert and Shirley Small Special Collections Library","Földvári Books","Ferencz, Szauer S."],"language_ssim":["German\n      Hungarian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:40:28.109Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1077"}},{"id":"viu_repositories_7_resources_57","type":"collection","attributes":{"title":"University of Virginia Medical Illustrations collection, 1760/1969, bulk 0","creator":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_57#creator","type":"document_value","attributes":{"value":"Bernie, Frederick, fl. 1792","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_57#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe collection comprises mostly of anatomical illustrations of humans and animals by professional medical illustrators and medical practioners, but there is a good number of caricatures. Many of the images depict 20th century surgical prodedures; there are also physiological illustrations included in the collection. Most items are drawn in pencil on illustration paper with cardboard backing. In addition, there are some drawings in notepads and on tracing paper.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_57#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_7_resources_57","ead_ssi":"viu_repositories_7_resources_57","_root_":"viu_repositories_7_resources_57","_nest_parent_":"viu_repositories_7_resources_57","ead_source_url_ssi":"data/oai/UVA/repositories_7_resources_57.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/56","title_ssm":["University of Virginia Medical Illustrations collection"],"title_tesim":["University of Virginia Medical Illustrations collection"],"unitdate_ssm":["1760-1969","undated"],"unitdate_inclusive_ssm":["1760-1969"],"unitdate_bulk_ssim":["undated"],"normalized_date_ssm":["1760/1969, bulk 0"],"normalized_title_ssm":["University of Virginia Medical Illustrations collection, 1760/1969, bulk 0"],"text":["University of Virginia Medical Illustrations collection, 1760/1969, bulk 0","MS.67","Archival Resource Key","/repositories/7/resources/57","Illustrators","Medical libraries","cartoons (humorous images)","drawings (visual works)","7.5 linear feet: 4 boxes with dimensions 16 in x 20 in x 3.5 in 2 document boxes","Collection is open to research.","The illustrations are arranged by the name of their illustrator, and by chronology, then grouped by the subject of the drawing. The exceptions to this arrangement are items where the artist or subject is unknown or if there is no series for individual artists.","The University of Virginia has taught the study of human anatomy as part of the medical curriculum since its first session in 1825.","The creator of several of the drawings in the collection, Harvey E. Jordan (1878-1963), was on the faculty of the School of Medicine at the University of Virginia between 1907 and 1949 and had a strong interest in anatomy throughout his career. Jordan served as a Professor of Histology and Embryology, Director of Anatomical Laboratories, and, from 1938 to 1949, as the Dean of the Department of Medicine (in 1950 the title changed to \"Dean of the School of Medicine\"). During his tenure as Dean, Jordan started a Division of Medical Illustration at the Univeristy. Among the many professional societies to which he belonged was the American Association of Anatomists, and throughout his career he wrote many papers on the subject of microscopic anatomy.","In addition to Harvey E. Jordan, the collection also contains work by illustrators including P. Le Paumier, Helen Lorraine, and Ted Bloodhart. P. Le Paumier (dates unknown) was a French illustrator whose work was published in the book Travaux pratiques d'anatomie. Cahier d'ostéologie, by French anatomist André Latarjet (1877-1947). Helen Lorraine (1892-1980) was a medical illustrator who graduated from Johns Hopkins School of Art as Applied to Medicine (1916) and studied under Max Brodel and J. Shelton Horsley. Lorraine's illustrations were produced for Dr. Charles Bruce Morton (1908-1966), a University of Virginia School of Medicine graduate (B.S. 1920, M.D. 1922) and professor of Surgery and Gynecology at UVA from 1927 to 1954. Little is known about the other illustrators. Some works in the collection are not identified.","Another set of prints included in this collection are the Elizabeth Mandell historical prints collection, which consists of prints, illustrations, and pages from an unidentified text. Items include 3 anatomical plates; 3 surgical plates; and a print of a physician and patient from the Illustrated Times, London Dec. 8, 1880. Also included: an image of a doctor and patients from an \"extra supplement to the Illustrated London News, May 19, 187?\"; and illustrations from the International Medical and Sanitary Exposition. The 4 loose pages contain an entry on Anatomy and are taken from the same text as the anatomical and surgical plates (possibly an encyclopedia).","In 2026, the English and French caricatures were added to the collection.","The collection comprises mostly of anatomical illustrations of humans and animals by professional medical illustrators and medical practioners, but there is a good number of caricatures. Many of the images depict 20th century surgical prodedures; there are also physiological illustrations included in the collection. Most items are drawn in pencil on illustration paper with cardboard backing. In addition, there are some drawings in notepads and on tracing paper.","Some materials may be subject to copyright restrictions.","Claude Moore Health Sciences Library","Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916","Grandville, J. J., 1803-1847","English, French, Latin"],"collection_title_tesim":["University of Virginia Medical Illustrations collection, 1760/1969, bulk 0"],"collection_ssim":["University of Virginia Medical Illustrations collection, 1760/1969, bulk 0"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.67","Archival Resource Key","/repositories/7/resources/57"],"unitid_tesim":["MS.67","Archival Resource Key","/repositories/7/resources/57"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916"],"creator_ssim":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916"],"creator_persname_ssim":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916","Grandville, J. J., 1803-1847"],"creator_corpname_ssim":["Claude Moore Health Sciences Library"],"creators_ssim":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916","Grandville, J. J., 1803-1847","Claude Moore Health Sciences Library"],"access_terms_ssm":["Some materials may be subject to copyright restrictions."],"acqinfo_ssim":["The bulk of the illustrations in the collection were donated by Dr. Claude Coleman to the Plastic and Maxillofacial Surgery Department at the University of Virginia. The collection was transferred to the Claude Moore Health Sciences Library in approximately 2009."],"access_subjects_ssim":["Illustrators","Medical libraries","cartoons (humorous images)","drawings (visual works)"],"access_subjects_ssm":["Illustrators","Medical libraries","cartoons (humorous images)","drawings (visual works)"],"has_online_content_ssim":["true"],"digital_objects_ssm":["{\"label\": \"\\u201cVery Ill!\\u201d: The Many Faces of Medical Caricature in Nineteenth-Century England \u0026 France Online Exhibit\", \"href\": \"https://wayback.archive-it.org/18731/20250701185054/https://exhibits.hsl.virginia.edu/caricatures/\"}"],"physdesc_tesim":["7.5 linear feet: 4 boxes with dimensions 16 in x 20 in x 3.5 in 2 document boxes"],"extent_ssm":["7 boxes (7 containers)"],"extent_tesim":["7 boxes (7 containers)"],"physfacet_tesim":["77.0 linear inches"],"genreform_ssim":["cartoons (humorous images)","drawings (visual works)"],"date_range_isim":[0,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThe illustrations are arranged by the name of their illustrator, and by chronology, then grouped by the subject of the drawing. The exceptions to this arrangement are items where the artist or subject is unknown or if there is no series for individual artists.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The illustrations are arranged by the name of their illustrator, and by chronology, then grouped by the subject of the drawing. The exceptions to this arrangement are items where the artist or subject is unknown or if there is no series for individual artists."],"bioghist_html_tesm":["\u003cp\u003eThe University of Virginia has taught the study of human anatomy as part of the medical curriculum since its first session in 1825. \u003c/p\u003e","\u003cp\u003eThe creator of several of the drawings in the collection, Harvey E. Jordan (1878-1963), was on the faculty of the School of Medicine at the University of Virginia between 1907 and 1949 and had a strong interest in anatomy throughout his career. Jordan served as a Professor of Histology and Embryology, Director of Anatomical Laboratories, and, from 1938 to 1949, as the Dean of the Department of Medicine (in 1950 the title changed to \"Dean of the School of Medicine\"). During his tenure as Dean, Jordan started a Division of Medical Illustration at the Univeristy. Among the many professional societies to which he belonged was the American Association of Anatomists, and throughout his career he wrote many papers on the subject of microscopic anatomy.\u003c/p\u003e","\u003cp\u003eIn addition to Harvey E. Jordan, the collection also contains work by illustrators including P. Le Paumier, Helen Lorraine, and Ted Bloodhart. P. Le Paumier (dates unknown) was a French illustrator whose work was published in the book \u003ci\u003eTravaux pratiques d'anatomie. Cahier d'ostéologie,\u003c/i\u003e by French anatomist André Latarjet (1877-1947). Helen Lorraine (1892-1980) was a medical illustrator who graduated from Johns Hopkins School of Art as Applied to Medicine (1916) and studied under Max Brodel and J. Shelton Horsley. Lorraine's illustrations were produced for Dr. Charles Bruce Morton (1908-1966), a University of Virginia School of Medicine graduate (B.S. 1920, M.D. 1922) and professor of Surgery and Gynecology at UVA from 1927 to 1954. Little is known about the other illustrators. Some works in the collection are not identified.\u003c/p\u003e","\u003cp\u003eAnother set of prints included in this collection are the Elizabeth Mandell historical prints collection, which consists of prints, illustrations, and pages from an unidentified text. Items include 3 anatomical plates; 3 surgical plates; and a print of a physician and patient from the Illustrated Times, London Dec. 8, 1880. Also included: an image of a doctor and patients from an \"extra supplement to the Illustrated London News, May 19, 187?\"; and illustrations from the International Medical and Sanitary Exposition. The 4 loose pages contain an entry on Anatomy and are taken from the same text as the anatomical and surgical plates (possibly an encyclopedia).\u003c/p\u003e","\u003cp\u003eIn 2026, the English and French caricatures were added to the collection. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["The University of Virginia has taught the study of human anatomy as part of the medical curriculum since its first session in 1825.","The creator of several of the drawings in the collection, Harvey E. Jordan (1878-1963), was on the faculty of the School of Medicine at the University of Virginia between 1907 and 1949 and had a strong interest in anatomy throughout his career. Jordan served as a Professor of Histology and Embryology, Director of Anatomical Laboratories, and, from 1938 to 1949, as the Dean of the Department of Medicine (in 1950 the title changed to \"Dean of the School of Medicine\"). During his tenure as Dean, Jordan started a Division of Medical Illustration at the Univeristy. Among the many professional societies to which he belonged was the American Association of Anatomists, and throughout his career he wrote many papers on the subject of microscopic anatomy.","In addition to Harvey E. Jordan, the collection also contains work by illustrators including P. Le Paumier, Helen Lorraine, and Ted Bloodhart. P. Le Paumier (dates unknown) was a French illustrator whose work was published in the book Travaux pratiques d'anatomie. Cahier d'ostéologie, by French anatomist André Latarjet (1877-1947). Helen Lorraine (1892-1980) was a medical illustrator who graduated from Johns Hopkins School of Art as Applied to Medicine (1916) and studied under Max Brodel and J. Shelton Horsley. Lorraine's illustrations were produced for Dr. Charles Bruce Morton (1908-1966), a University of Virginia School of Medicine graduate (B.S. 1920, M.D. 1922) and professor of Surgery and Gynecology at UVA from 1927 to 1954. Little is known about the other illustrators. Some works in the collection are not identified.","Another set of prints included in this collection are the Elizabeth Mandell historical prints collection, which consists of prints, illustrations, and pages from an unidentified text. Items include 3 anatomical plates; 3 surgical plates; and a print of a physician and patient from the Illustrated Times, London Dec. 8, 1880. Also included: an image of a doctor and patients from an \"extra supplement to the Illustrated London News, May 19, 187?\"; and illustrations from the International Medical and Sanitary Exposition. The 4 loose pages contain an entry on Anatomy and are taken from the same text as the anatomical and surgical plates (possibly an encyclopedia).","In 2026, the English and French caricatures were added to the collection."],"prefercite_html_tesm":["\u003cp\u003eUniversity of Virginia Anatomical Illustrations Collection, #MS-67, Historical Collections \u0026amp; Services, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e  "],"prefercite_tesim":["University of Virginia Anatomical Illustrations Collection, #MS-67, Historical Collections \u0026 Services, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe collection comprises mostly of anatomical illustrations of humans and animals by professional medical illustrators and medical practioners, but there is a good number of caricatures. Many of the images depict 20th century surgical prodedures; there are also physiological illustrations included in the collection. Most items are drawn in pencil on illustration paper with cardboard backing. In addition, there are some drawings in notepads and on tracing paper.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection comprises mostly of anatomical illustrations of humans and animals by professional medical illustrators and medical practioners, but there is a good number of caricatures. Many of the images depict 20th century surgical prodedures; there are also physiological illustrations included in the collection. Most items are drawn in pencil on illustration paper with cardboard backing. In addition, there are some drawings in notepads and on tracing paper."],"userestrict_html_tesm":["\u003cp\u003eSome materials may be subject to copyright restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Some materials may be subject to copyright restrictions."],"corpname_ssim":["Claude Moore Health Sciences Library"],"persname_ssim":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916","Grandville, J. J., 1803-1847"],"names_coll_ssim":["Gans, Sigismund, 1829-1831","Humphrey, Hannah, 1750-1818"],"names_ssim":["Claude Moore Health Sciences Library","Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916","Grandville, J. J., 1803-1847"],"language_ssim":["English, French, Latin"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":255,"online_item_count_is":2,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:42:16.895Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_7_resources_57","ead_ssi":"viu_repositories_7_resources_57","_root_":"viu_repositories_7_resources_57","_nest_parent_":"viu_repositories_7_resources_57","ead_source_url_ssi":"data/oai/UVA/repositories_7_resources_57.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/56","title_ssm":["University of Virginia Medical Illustrations collection"],"title_tesim":["University of Virginia Medical Illustrations collection"],"unitdate_ssm":["1760-1969","undated"],"unitdate_inclusive_ssm":["1760-1969"],"unitdate_bulk_ssim":["undated"],"normalized_date_ssm":["1760/1969, bulk 0"],"normalized_title_ssm":["University of Virginia Medical Illustrations collection, 1760/1969, bulk 0"],"text":["University of Virginia Medical Illustrations collection, 1760/1969, bulk 0","MS.67","Archival Resource Key","/repositories/7/resources/57","Illustrators","Medical libraries","cartoons (humorous images)","drawings (visual works)","7.5 linear feet: 4 boxes with dimensions 16 in x 20 in x 3.5 in 2 document boxes","Collection is open to research.","The illustrations are arranged by the name of their illustrator, and by chronology, then grouped by the subject of the drawing. The exceptions to this arrangement are items where the artist or subject is unknown or if there is no series for individual artists.","The University of Virginia has taught the study of human anatomy as part of the medical curriculum since its first session in 1825.","The creator of several of the drawings in the collection, Harvey E. Jordan (1878-1963), was on the faculty of the School of Medicine at the University of Virginia between 1907 and 1949 and had a strong interest in anatomy throughout his career. Jordan served as a Professor of Histology and Embryology, Director of Anatomical Laboratories, and, from 1938 to 1949, as the Dean of the Department of Medicine (in 1950 the title changed to \"Dean of the School of Medicine\"). During his tenure as Dean, Jordan started a Division of Medical Illustration at the Univeristy. Among the many professional societies to which he belonged was the American Association of Anatomists, and throughout his career he wrote many papers on the subject of microscopic anatomy.","In addition to Harvey E. Jordan, the collection also contains work by illustrators including P. Le Paumier, Helen Lorraine, and Ted Bloodhart. P. Le Paumier (dates unknown) was a French illustrator whose work was published in the book Travaux pratiques d'anatomie. Cahier d'ostéologie, by French anatomist André Latarjet (1877-1947). Helen Lorraine (1892-1980) was a medical illustrator who graduated from Johns Hopkins School of Art as Applied to Medicine (1916) and studied under Max Brodel and J. Shelton Horsley. Lorraine's illustrations were produced for Dr. Charles Bruce Morton (1908-1966), a University of Virginia School of Medicine graduate (B.S. 1920, M.D. 1922) and professor of Surgery and Gynecology at UVA from 1927 to 1954. Little is known about the other illustrators. Some works in the collection are not identified.","Another set of prints included in this collection are the Elizabeth Mandell historical prints collection, which consists of prints, illustrations, and pages from an unidentified text. Items include 3 anatomical plates; 3 surgical plates; and a print of a physician and patient from the Illustrated Times, London Dec. 8, 1880. Also included: an image of a doctor and patients from an \"extra supplement to the Illustrated London News, May 19, 187?\"; and illustrations from the International Medical and Sanitary Exposition. The 4 loose pages contain an entry on Anatomy and are taken from the same text as the anatomical and surgical plates (possibly an encyclopedia).","In 2026, the English and French caricatures were added to the collection.","The collection comprises mostly of anatomical illustrations of humans and animals by professional medical illustrators and medical practioners, but there is a good number of caricatures. Many of the images depict 20th century surgical prodedures; there are also physiological illustrations included in the collection. Most items are drawn in pencil on illustration paper with cardboard backing. In addition, there are some drawings in notepads and on tracing paper.","Some materials may be subject to copyright restrictions.","Claude Moore Health Sciences Library","Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916","Grandville, J. J., 1803-1847","English, French, Latin"],"collection_title_tesim":["University of Virginia Medical Illustrations collection, 1760/1969, bulk 0"],"collection_ssim":["University of Virginia Medical Illustrations collection, 1760/1969, bulk 0"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.67","Archival Resource Key","/repositories/7/resources/57"],"unitid_tesim":["MS.67","Archival Resource Key","/repositories/7/resources/57"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916"],"creator_ssim":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916"],"creator_persname_ssim":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916","Grandville, J. J., 1803-1847"],"creator_corpname_ssim":["Claude Moore Health Sciences Library"],"creators_ssim":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916","Grandville, J. J., 1803-1847","Claude Moore Health Sciences Library"],"access_terms_ssm":["Some materials may be subject to copyright restrictions."],"acqinfo_ssim":["The bulk of the illustrations in the collection were donated by Dr. Claude Coleman to the Plastic and Maxillofacial Surgery Department at the University of Virginia. The collection was transferred to the Claude Moore Health Sciences Library in approximately 2009."],"access_subjects_ssim":["Illustrators","Medical libraries","cartoons (humorous images)","drawings (visual works)"],"access_subjects_ssm":["Illustrators","Medical libraries","cartoons (humorous images)","drawings (visual works)"],"has_online_content_ssim":["true"],"digital_objects_ssm":["{\"label\": \"\\u201cVery Ill!\\u201d: The Many Faces of Medical Caricature in Nineteenth-Century England \u0026 France Online Exhibit\", \"href\": \"https://wayback.archive-it.org/18731/20250701185054/https://exhibits.hsl.virginia.edu/caricatures/\"}"],"physdesc_tesim":["7.5 linear feet: 4 boxes with dimensions 16 in x 20 in x 3.5 in 2 document boxes"],"extent_ssm":["7 boxes (7 containers)"],"extent_tesim":["7 boxes (7 containers)"],"physfacet_tesim":["77.0 linear inches"],"genreform_ssim":["cartoons (humorous images)","drawings (visual works)"],"date_range_isim":[0,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThe illustrations are arranged by the name of their illustrator, and by chronology, then grouped by the subject of the drawing. The exceptions to this arrangement are items where the artist or subject is unknown or if there is no series for individual artists.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The illustrations are arranged by the name of their illustrator, and by chronology, then grouped by the subject of the drawing. The exceptions to this arrangement are items where the artist or subject is unknown or if there is no series for individual artists."],"bioghist_html_tesm":["\u003cp\u003eThe University of Virginia has taught the study of human anatomy as part of the medical curriculum since its first session in 1825. \u003c/p\u003e","\u003cp\u003eThe creator of several of the drawings in the collection, Harvey E. Jordan (1878-1963), was on the faculty of the School of Medicine at the University of Virginia between 1907 and 1949 and had a strong interest in anatomy throughout his career. Jordan served as a Professor of Histology and Embryology, Director of Anatomical Laboratories, and, from 1938 to 1949, as the Dean of the Department of Medicine (in 1950 the title changed to \"Dean of the School of Medicine\"). During his tenure as Dean, Jordan started a Division of Medical Illustration at the Univeristy. Among the many professional societies to which he belonged was the American Association of Anatomists, and throughout his career he wrote many papers on the subject of microscopic anatomy.\u003c/p\u003e","\u003cp\u003eIn addition to Harvey E. Jordan, the collection also contains work by illustrators including P. Le Paumier, Helen Lorraine, and Ted Bloodhart. P. Le Paumier (dates unknown) was a French illustrator whose work was published in the book \u003ci\u003eTravaux pratiques d'anatomie. Cahier d'ostéologie,\u003c/i\u003e by French anatomist André Latarjet (1877-1947). Helen Lorraine (1892-1980) was a medical illustrator who graduated from Johns Hopkins School of Art as Applied to Medicine (1916) and studied under Max Brodel and J. Shelton Horsley. Lorraine's illustrations were produced for Dr. Charles Bruce Morton (1908-1966), a University of Virginia School of Medicine graduate (B.S. 1920, M.D. 1922) and professor of Surgery and Gynecology at UVA from 1927 to 1954. Little is known about the other illustrators. Some works in the collection are not identified.\u003c/p\u003e","\u003cp\u003eAnother set of prints included in this collection are the Elizabeth Mandell historical prints collection, which consists of prints, illustrations, and pages from an unidentified text. Items include 3 anatomical plates; 3 surgical plates; and a print of a physician and patient from the Illustrated Times, London Dec. 8, 1880. Also included: an image of a doctor and patients from an \"extra supplement to the Illustrated London News, May 19, 187?\"; and illustrations from the International Medical and Sanitary Exposition. The 4 loose pages contain an entry on Anatomy and are taken from the same text as the anatomical and surgical plates (possibly an encyclopedia).\u003c/p\u003e","\u003cp\u003eIn 2026, the English and French caricatures were added to the collection. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["The University of Virginia has taught the study of human anatomy as part of the medical curriculum since its first session in 1825.","The creator of several of the drawings in the collection, Harvey E. Jordan (1878-1963), was on the faculty of the School of Medicine at the University of Virginia between 1907 and 1949 and had a strong interest in anatomy throughout his career. Jordan served as a Professor of Histology and Embryology, Director of Anatomical Laboratories, and, from 1938 to 1949, as the Dean of the Department of Medicine (in 1950 the title changed to \"Dean of the School of Medicine\"). During his tenure as Dean, Jordan started a Division of Medical Illustration at the Univeristy. Among the many professional societies to which he belonged was the American Association of Anatomists, and throughout his career he wrote many papers on the subject of microscopic anatomy.","In addition to Harvey E. Jordan, the collection also contains work by illustrators including P. Le Paumier, Helen Lorraine, and Ted Bloodhart. P. Le Paumier (dates unknown) was a French illustrator whose work was published in the book Travaux pratiques d'anatomie. Cahier d'ostéologie, by French anatomist André Latarjet (1877-1947). Helen Lorraine (1892-1980) was a medical illustrator who graduated from Johns Hopkins School of Art as Applied to Medicine (1916) and studied under Max Brodel and J. Shelton Horsley. Lorraine's illustrations were produced for Dr. Charles Bruce Morton (1908-1966), a University of Virginia School of Medicine graduate (B.S. 1920, M.D. 1922) and professor of Surgery and Gynecology at UVA from 1927 to 1954. Little is known about the other illustrators. Some works in the collection are not identified.","Another set of prints included in this collection are the Elizabeth Mandell historical prints collection, which consists of prints, illustrations, and pages from an unidentified text. Items include 3 anatomical plates; 3 surgical plates; and a print of a physician and patient from the Illustrated Times, London Dec. 8, 1880. Also included: an image of a doctor and patients from an \"extra supplement to the Illustrated London News, May 19, 187?\"; and illustrations from the International Medical and Sanitary Exposition. 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Many of the images depict 20th century surgical prodedures; there are also physiological illustrations included in the collection. Most items are drawn in pencil on illustration paper with cardboard backing. In addition, there are some drawings in notepads and on tracing paper.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection comprises mostly of anatomical illustrations of humans and animals by professional medical illustrators and medical practioners, but there is a good number of caricatures. Many of the images depict 20th century surgical prodedures; there are also physiological illustrations included in the collection. Most items are drawn in pencil on illustration paper with cardboard backing. 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