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Artists humorously exaggerated medical conditions and physical characteristics. Bulbous noses, protruding stomachs, and hunched backs were some of the more common features drawn to extraordinary proportions. Bizarre treatments, massive doses of pills, and excessive bloodletting, prescribed by trained physicians and quack doctors alike, were all lampooned. Suffering and discomfort from disease and the patient's reaction to medical treatment were also fodder for the satirist's pen.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_57_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_7_resources_57_c01","ref_ssm":["viu_repositories_7_resources_57_c01"],"id":"viu_repositories_7_resources_57_c01","ead_ssi":"viu_repositories_7_resources_57","_root_":"viu_repositories_7_resources_57","_nest_parent_":"viu_repositories_7_resources_57","parent_ssi":"viu_repositories_7_resources_57","parent_ssim":["University of Virginia Medical Illustrations collection, 1760/1969, bulk 0"],"parent_ids_ssim":["viu_repositories_7_resources_57"],"title_filing_ssi":"English and French Medical Caricatures","title_ssm":["English and French Medical Caricatures"],"title_tesim":["English and French Medical Caricatures"],"normalized_title_ssm":["English and French Medical Caricatures, 1760/1835"],"text":["English and French Medical Caricatures, 1760/1835","University of Virginia Medical Illustrations collection, 1760/1969, bulk 0","box 7, MS-67","item 9, 21-49","Humphrey, Hannah, 1750-1818","Gillray, James, 1756-1815","Cruikshank, George, 1792-1878","Pigal, Edme-Jean, 1794-1872","Grandville, J. J., 1803-1847","Caricatures and cartoons","World politics -- Caricatures and cartoons","Cartoonists","Publisher/Printer","political cartoons","cartoons (humorous images)","Engraving (printing process)","Caricature by definition is a representation in which the subject's distinctive features or peculiarities are deliberately exaggerated to produce a comic or grotesque effect. Nineteenth-century medicine provided caricaturists with a wealth of material. Artists humorously exaggerated medical conditions and physical characteristics. Bulbous noses, protruding stomachs, and hunched backs were some of the more common features drawn to extraordinary proportions. Bizarre treatments, massive doses of pills, and excessive bloodletting, prescribed by trained physicians and quack doctors alike, were all lampooned. Suffering and discomfort from disease and the patient's reaction to medical treatment were also fodder for the satirist's pen.","While some caricatures were straightforward in their message, others contained yet another layer of meaning. Medical conditions could symbolize failed interpersonal relationships, national political affairs, and everything in between. Ailments caused by the follies of fashion, such as ill-fitting footwear or constricting corsets, inspired many drawings. Artists also directly linked illness to excesses in nineteenth-century social life, particularly over-consumption of food and alcohol.","The 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.","English Caricature:\nPrecariousness of Life\nHeroic Medicine\nPray Remember the Poor Debtors\nQuacks \u0026 Nostrums\nDoomed Relationships\nFashionable Follies\nNineteenth-Century Excess\nEnglish Artists\nFootnotes, Bibliography, \u0026 Links","French Caricature:\nScenes of the Day\nMedicine in France\nMedical Caricatures or Political Commentary?\nHunchbacks: Mocked or Mocker?\nPublic Health: The Need Is Pressing\nWet Nursing: Paying Consumers\nFrench Artists\nFootnotes, Bibliography, \u0026 Links"],"parent_unittitles_ssm":["University of Virginia Medical Illustrations collection, 1760/1969, bulk 0"],"parent_unittitles_tesim":["University of Virginia Medical Illustrations collection, 1760/1969, bulk 0"],"normalized_date_ssm":["1760/1835"],"unitdate_inclusive_ssm":["circa 1760-1835"],"level_ssm":["Series"],"level_ssim":["Series"],"component_level_isim":[1],"sort_isi":1,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["University of Virginia Medical Illustrations collection, 1760/1969, bulk 0"],"containers_ssim":["box 7, MS-67","item 9, 21-49"],"creator_ssim":["Gillray, James, 1756-1815","Cruikshank, George, 1792-1878","Pigal, Edme-Jean, 1794-1872","Grandville, J. J., 1803-1847"],"has_online_content_ssim":["true"],"digital_objects_ssm":["{\"label\": \"\\u201cVery Ill!\\u201d: The Many Faces of Medical Caricature in Nineteenth-Century England \u0026 France Online Exhibit\", \"href\": \"https://wayback.archive-it.org/18731/20250701185054/https://exhibits.hsl.virginia.edu/caricatures/\"}"],"child_component_count_isi":2,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["Some materials may be subject to copyright restrictions."],"persname_ssim":["Humphrey, Hannah, 1750-1818","Gillray, James, 1756-1815","Cruikshank, George, 1792-1878","Pigal, Edme-Jean, 1794-1872","Grandville, J. J., 1803-1847"],"names_ssim":["Humphrey, Hannah, 1750-1818","Gillray, James, 1756-1815","Cruikshank, George, 1792-1878","Pigal, Edme-Jean, 1794-1872","Grandville, J. J., 1803-1847"],"access_subjects_ssim":["Caricatures and cartoons","World politics -- Caricatures and cartoons","Cartoonists","Publisher/Printer","political cartoons","cartoons (humorous images)","Engraving (printing process)"],"access_subjects_ssm":["Caricatures and cartoons","World politics -- Caricatures and cartoons","Cartoonists","Publisher/Printer","political cartoons","cartoons (humorous images)","Engraving (printing process)"],"date_range_isim":[1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835],"otherfindaid_html_tesm":["\u003cp\u003eAll of these illustrations were digitized and curated in an online exhibit written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.\u003c/p\u003e","\u003cp\u003eThe web archived exhibit can be found via the Internet Archive's Wayback Machine here: \u003cextref\u003ehttps://web.archive.org/web/20251212135051/https://exhibits.hsl.virginia.edu/caricatures/index.html\u003c/extref\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Other Finding Aids"],"otherfindaid_tesim":["All of these illustrations were digitized and curated in an online exhibit written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.","The web archived exhibit can be found via the Internet Archive's Wayback Machine here: https://web.archive.org/web/20251212135051/https://exhibits.hsl.virginia.edu/caricatures/index.html"],"scopecontent_html_tesm":["\u003cp\u003eCaricature by definition is a representation in which the subject's distinctive features or peculiarities are deliberately exaggerated to produce a comic or grotesque effect. Nineteenth-century medicine provided caricaturists with a wealth of material. Artists humorously exaggerated medical conditions and physical characteristics. Bulbous noses, protruding stomachs, and hunched backs were some of the more common features drawn to extraordinary proportions. Bizarre treatments, massive doses of pills, and excessive bloodletting, prescribed by trained physicians and quack doctors alike, were all lampooned. Suffering and discomfort from disease and the patient's reaction to medical treatment were also fodder for the satirist's pen.\u003c/p\u003e","\u003cp\u003eWhile some caricatures were straightforward in their message, others contained yet another layer of meaning. Medical conditions could symbolize failed interpersonal relationships, national political affairs, and everything in between. Ailments caused by the follies of fashion, such as ill-fitting footwear or constricting corsets, inspired many drawings. Artists also directly linked illness to excesses in nineteenth-century social life, particularly over-consumption of food and alcohol.\u003c/p\u003e","\u003cp\u003eThe 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.\u003c/p\u003e","\u003cp\u003eEnglish Caricature:\nPrecariousness of Life\nHeroic Medicine\nPray Remember the Poor Debtors\nQuacks \u0026amp; Nostrums\nDoomed Relationships\nFashionable Follies\nNineteenth-Century Excess\nEnglish Artists\nFootnotes, Bibliography, \u0026amp; Links\u003c/p\u003e","\u003cp\u003eFrench Caricature:\nScenes of the Day\nMedicine in France\nMedical Caricatures or Political Commentary?\nHunchbacks: Mocked or Mocker?\nPublic Health: The Need Is Pressing\nWet Nursing: Paying Consumers\nFrench Artists\nFootnotes, Bibliography, \u0026amp; Links\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Caricature by definition is a representation in which the subject's distinctive features or peculiarities are deliberately exaggerated to produce a comic or grotesque effect. Nineteenth-century medicine provided caricaturists with a wealth of material. Artists humorously exaggerated medical conditions and physical characteristics. Bulbous noses, protruding stomachs, and hunched backs were some of the more common features drawn to extraordinary proportions. Bizarre treatments, massive doses of pills, and excessive bloodletting, prescribed by trained physicians and quack doctors alike, were all lampooned. Suffering and discomfort from disease and the patient's reaction to medical treatment were also fodder for the satirist's pen.","While some caricatures were straightforward in their message, others contained yet another layer of meaning. Medical conditions could symbolize failed interpersonal relationships, national political affairs, and everything in between. Ailments caused by the follies of fashion, such as ill-fitting footwear or constricting corsets, inspired many drawings. Artists also directly linked illness to excesses in nineteenth-century social life, particularly over-consumption of food and alcohol.","The 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.","English Caricature:\nPrecariousness of Life\nHeroic Medicine\nPray Remember the Poor Debtors\nQuacks \u0026 Nostrums\nDoomed Relationships\nFashionable Follies\nNineteenth-Century Excess\nEnglish Artists\nFootnotes, Bibliography, \u0026 Links","French Caricature:\nScenes of the Day\nMedicine in France\nMedical Caricatures or Political Commentary?\nHunchbacks: Mocked or Mocker?\nPublic Health: The Need Is Pressing\nWet Nursing: Paying Consumers\nFrench Artists\nFootnotes, Bibliography, \u0026 Links"],"_nest_path_":"/components#0","timestamp":"2026-07-23T21:42:16.895Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_7_resources_57","ead_ssi":"viu_repositories_7_resources_57","_root_":"viu_repositories_7_resources_57","_nest_parent_":"viu_repositories_7_resources_57","ead_source_url_ssi":"data/oai/UVA/repositories_7_resources_57.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/56","title_ssm":["University of Virginia Medical Illustrations collection"],"title_tesim":["University of Virginia Medical Illustrations collection"],"unitdate_ssm":["1760-1969","undated"],"unitdate_inclusive_ssm":["1760-1969"],"unitdate_bulk_ssim":["undated"],"normalized_date_ssm":["1760/1969, bulk 0"],"normalized_title_ssm":["University of Virginia Medical Illustrations collection, 1760/1969, bulk 0"],"text":["University of Virginia Medical Illustrations collection, 1760/1969, bulk 0","MS.67","Archival Resource Key","/repositories/7/resources/57","Illustrators","Medical libraries","cartoons (humorous images)","drawings (visual works)","7.5 linear feet: 4 boxes with dimensions 16 in x 20 in x 3.5 in 2 document boxes","Collection is open to research.","The illustrations are arranged by the name of their illustrator, and by chronology, then grouped by the subject of the drawing. The exceptions to this arrangement are items where the artist or subject is unknown or if there is no series for individual artists.","The University of Virginia has taught the study of human anatomy as part of the medical curriculum since its first session in 1825.","The creator of several of the drawings in the collection, Harvey E. Jordan (1878-1963), was on the faculty of the School of Medicine at the University of Virginia between 1907 and 1949 and had a strong interest in anatomy throughout his career. Jordan served as a Professor of Histology and Embryology, Director of Anatomical Laboratories, and, from 1938 to 1949, as the Dean of the Department of Medicine (in 1950 the title changed to \"Dean of the School of Medicine\"). During his tenure as Dean, Jordan started a Division of Medical Illustration at the Univeristy. Among the many professional societies to which he belonged was the American Association of Anatomists, and throughout his career he wrote many papers on the subject of microscopic anatomy.","In addition to Harvey E. Jordan, the collection also contains work by illustrators including P. Le Paumier, Helen Lorraine, and Ted Bloodhart. P. Le Paumier (dates unknown) was a French illustrator whose work was published in the book Travaux pratiques d'anatomie. Cahier d'ostéologie, by French anatomist André Latarjet (1877-1947). Helen Lorraine (1892-1980) was a medical illustrator who graduated from Johns Hopkins School of Art as Applied to Medicine (1916) and studied under Max Brodel and J. Shelton Horsley. Lorraine's illustrations were produced for Dr. Charles Bruce Morton (1908-1966), a University of Virginia School of Medicine graduate (B.S. 1920, M.D. 1922) and professor of Surgery and Gynecology at UVA from 1927 to 1954. Little is known about the other illustrators. Some works in the collection are not identified.","Another set of prints included in this collection are the Elizabeth Mandell historical prints collection, which consists of prints, illustrations, and pages from an unidentified text. Items include 3 anatomical plates; 3 surgical plates; and a print of a physician and patient from the Illustrated Times, London Dec. 8, 1880. Also included: an image of a doctor and patients from an \"extra supplement to the Illustrated London News, May 19, 187?\"; and illustrations from the International Medical and Sanitary Exposition. The 4 loose pages contain an entry on Anatomy and are taken from the same text as the anatomical and surgical plates (possibly an encyclopedia).","In 2026, the English and French caricatures were added to the collection.","The collection comprises mostly of anatomical illustrations of humans and animals by professional medical illustrators and medical practioners, but there is a good number of caricatures. Many of the images depict 20th century surgical prodedures; there are also physiological illustrations included in the collection. Most items are drawn in pencil on illustration paper with cardboard backing. In addition, there are some drawings in notepads and on tracing paper.","Some materials may be subject to copyright restrictions.","Claude Moore Health Sciences Library","Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916","Grandville, J. J., 1803-1847","English, French, Latin"],"collection_title_tesim":["University of Virginia Medical Illustrations collection, 1760/1969, bulk 0"],"collection_ssim":["University of Virginia Medical Illustrations collection, 1760/1969, bulk 0"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.67","Archival Resource Key","/repositories/7/resources/57"],"unitid_tesim":["MS.67","Archival Resource Key","/repositories/7/resources/57"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916"],"creator_ssim":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916"],"creator_persname_ssim":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916","Grandville, J. J., 1803-1847"],"creator_corpname_ssim":["Claude Moore Health Sciences Library"],"creators_ssim":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916","Grandville, J. J., 1803-1847","Claude Moore Health Sciences Library"],"access_terms_ssm":["Some materials may be subject to copyright restrictions."],"acqinfo_ssim":["The bulk of the illustrations in the collection were donated by Dr. Claude Coleman to the Plastic and Maxillofacial Surgery Department at the University of Virginia. The collection was transferred to the Claude Moore Health Sciences Library in approximately 2009."],"access_subjects_ssim":["Illustrators","Medical libraries","cartoons (humorous images)","drawings (visual works)"],"access_subjects_ssm":["Illustrators","Medical libraries","cartoons (humorous images)","drawings (visual works)"],"has_online_content_ssim":["true"],"digital_objects_ssm":["{\"label\": \"\\u201cVery Ill!\\u201d: The Many Faces of Medical Caricature in Nineteenth-Century England \u0026 France Online Exhibit\", \"href\": \"https://wayback.archive-it.org/18731/20250701185054/https://exhibits.hsl.virginia.edu/caricatures/\"}"],"physdesc_tesim":["7.5 linear feet: 4 boxes with dimensions 16 in x 20 in x 3.5 in 2 document boxes"],"extent_ssm":["7 boxes (7 containers)"],"extent_tesim":["7 boxes (7 containers)"],"physfacet_tesim":["77.0 linear inches"],"genreform_ssim":["cartoons (humorous images)","drawings (visual works)"],"date_range_isim":[0,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThe illustrations are arranged by the name of their illustrator, and by chronology, then grouped by the subject of the drawing. The exceptions to this arrangement are items where the artist or subject is unknown or if there is no series for individual artists.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The illustrations are arranged by the name of their illustrator, and by chronology, then grouped by the subject of the drawing. The exceptions to this arrangement are items where the artist or subject is unknown or if there is no series for individual artists."],"bioghist_html_tesm":["\u003cp\u003eThe University of Virginia has taught the study of human anatomy as part of the medical curriculum since its first session in 1825. \u003c/p\u003e","\u003cp\u003eThe creator of several of the drawings in the collection, Harvey E. Jordan (1878-1963), was on the faculty of the School of Medicine at the University of Virginia between 1907 and 1949 and had a strong interest in anatomy throughout his career. Jordan served as a Professor of Histology and Embryology, Director of Anatomical Laboratories, and, from 1938 to 1949, as the Dean of the Department of Medicine (in 1950 the title changed to \"Dean of the School of Medicine\"). During his tenure as Dean, Jordan started a Division of Medical Illustration at the Univeristy. Among the many professional societies to which he belonged was the American Association of Anatomists, and throughout his career he wrote many papers on the subject of microscopic anatomy.\u003c/p\u003e","\u003cp\u003eIn addition to Harvey E. Jordan, the collection also contains work by illustrators including P. Le Paumier, Helen Lorraine, and Ted Bloodhart. P. Le Paumier (dates unknown) was a French illustrator whose work was published in the book \u003ci\u003eTravaux pratiques d'anatomie. Cahier d'ostéologie,\u003c/i\u003e by French anatomist André Latarjet (1877-1947). Helen Lorraine (1892-1980) was a medical illustrator who graduated from Johns Hopkins School of Art as Applied to Medicine (1916) and studied under Max Brodel and J. Shelton Horsley. Lorraine's illustrations were produced for Dr. Charles Bruce Morton (1908-1966), a University of Virginia School of Medicine graduate (B.S. 1920, M.D. 1922) and professor of Surgery and Gynecology at UVA from 1927 to 1954. Little is known about the other illustrators. Some works in the collection are not identified.\u003c/p\u003e","\u003cp\u003eAnother set of prints included in this collection are the Elizabeth Mandell historical prints collection, which consists of prints, illustrations, and pages from an unidentified text. Items include 3 anatomical plates; 3 surgical plates; and a print of a physician and patient from the Illustrated Times, London Dec. 8, 1880. Also included: an image of a doctor and patients from an \"extra supplement to the Illustrated London News, May 19, 187?\"; and illustrations from the International Medical and Sanitary Exposition. The 4 loose pages contain an entry on Anatomy and are taken from the same text as the anatomical and surgical plates (possibly an encyclopedia).\u003c/p\u003e","\u003cp\u003eIn 2026, the English and French caricatures were added to the collection. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["The University of Virginia has taught the study of human anatomy as part of the medical curriculum since its first session in 1825.","The creator of several of the drawings in the collection, Harvey E. Jordan (1878-1963), was on the faculty of the School of Medicine at the University of Virginia between 1907 and 1949 and had a strong interest in anatomy throughout his career. Jordan served as a Professor of Histology and Embryology, Director of Anatomical Laboratories, and, from 1938 to 1949, as the Dean of the Department of Medicine (in 1950 the title changed to \"Dean of the School of Medicine\"). During his tenure as Dean, Jordan started a Division of Medical Illustration at the Univeristy. Among the many professional societies to which he belonged was the American Association of Anatomists, and throughout his career he wrote many papers on the subject of microscopic anatomy.","In addition to Harvey E. Jordan, the collection also contains work by illustrators including P. Le Paumier, Helen Lorraine, and Ted Bloodhart. P. Le Paumier (dates unknown) was a French illustrator whose work was published in the book Travaux pratiques d'anatomie. Cahier d'ostéologie, by French anatomist André Latarjet (1877-1947). Helen Lorraine (1892-1980) was a medical illustrator who graduated from Johns Hopkins School of Art as Applied to Medicine (1916) and studied under Max Brodel and J. Shelton Horsley. Lorraine's illustrations were produced for Dr. Charles Bruce Morton (1908-1966), a University of Virginia School of Medicine graduate (B.S. 1920, M.D. 1922) and professor of Surgery and Gynecology at UVA from 1927 to 1954. Little is known about the other illustrators. Some works in the collection are not identified.","Another set of prints included in this collection are the Elizabeth Mandell historical prints collection, which consists of prints, illustrations, and pages from an unidentified text. Items include 3 anatomical plates; 3 surgical plates; and a print of a physician and patient from the Illustrated Times, London Dec. 8, 1880. Also included: an image of a doctor and patients from an \"extra supplement to the Illustrated London News, May 19, 187?\"; and illustrations from the International Medical and Sanitary Exposition. The 4 loose pages contain an entry on Anatomy and are taken from the same text as the anatomical and surgical plates (possibly an encyclopedia).","In 2026, the English and French caricatures were added to the collection."],"prefercite_html_tesm":["\u003cp\u003eUniversity of Virginia Anatomical Illustrations Collection, #MS-67, Historical Collections \u0026amp; Services, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e  "],"prefercite_tesim":["University of Virginia Anatomical Illustrations Collection, #MS-67, Historical Collections \u0026 Services, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe collection comprises mostly of anatomical illustrations of humans and animals by professional medical illustrators and medical practioners, but there is a good number of caricatures. Many of the images depict 20th century surgical prodedures; there are also physiological illustrations included in the collection. Most items are drawn in pencil on illustration paper with cardboard backing. In addition, there are some drawings in notepads and on tracing paper.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection comprises mostly of anatomical illustrations of humans and animals by professional medical illustrators and medical practioners, but there is a good number of caricatures. Many of the images depict 20th century surgical prodedures; there are also physiological illustrations included in the collection. Most items are drawn in pencil on illustration paper with cardboard backing. In addition, there are some drawings in notepads and on tracing paper."],"userestrict_html_tesm":["\u003cp\u003eSome materials may be subject to copyright restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Some materials may be subject to copyright restrictions."],"corpname_ssim":["Claude Moore Health Sciences Library"],"persname_ssim":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916","Grandville, J. J., 1803-1847"],"names_coll_ssim":["Gans, Sigismund, 1829-1831","Humphrey, Hannah, 1750-1818"],"names_ssim":["Claude Moore Health Sciences Library","Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916","Grandville, J. J., 1803-1847"],"language_ssim":["English, French, Latin"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":255,"online_item_count_is":2,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:42:16.895Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_7_resources_57_c01"}},{"id":"viu_repositories_3_resources_1700","type":"collection","attributes":{"title":"PAAS Dye Company WWI egg transfer sheet, 1915","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1700#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains a single uncut sheet of seventeen portraits of European royals, military, and political leaders to be used as transfer patterns for decorating Easter eggs by the Paas Dye company. These \"Transfer-O-s\" are printed in reverse on tissue paper measuring roughly 5 X 9 inches. Produced sometime before the United States entered the First World War, the packaging includes a quality disclaimer made by the company related to wartime supply chain issues saying \"Any variation from former standards occurring in this package are unavoidable. The European War compels changes in some instances. We believe, however, these goods will be satisfactory.\"\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1700#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1700","ead_ssi":"viu_repositories_3_resources_1700","_root_":"viu_repositories_3_resources_1700","_nest_parent_":"viu_repositories_3_resources_1700","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1700.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/202247","title_filing_ssi":"PAAS Dye Company WWI egg transfer sheet","title_ssm":["PAAS Dye Company WWI egg transfer sheet"],"title_tesim":["PAAS Dye Company WWI egg transfer sheet"],"unitdate_ssm":["c.1915"],"unitdate_other_ssim":["c.1915"],"normalized_date_ssm":["1915"],"normalized_title_ssm":["PAAS Dye Company WWI egg transfer sheet, 1915"],"text":["PAAS Dye Company WWI egg transfer sheet, 1915","MSS 16860","Archival Resource Key","/repositories/3/resources/1700","World War, 1914-1918","Egg decoration","World politics -- Caricatures and cartoons","Good","This collection is minimally processed and open for research.","The PAAS® Dye Company was started by William Townley, who owned a drug store in Newark, New Jersey. In the 1800s he developed a recipe for egg dye tablets for decorating eggs at Easter. He began to sell this product as Townley's Easter Egg Dye packets in 1881. He renamed the business PAAS® Dye Company. The name PAAS® comes from \"Passen,\" the Pennsylvania Dutch term used for Easter.  PAAS was a family-run New Jersey business until 1959, when the firm was sold to Abe Plough, a Tennessee entrepreneur whose company evolved into Schering-Plough. The brand was bought by Signature brands in 1999 from Schering-Plough.","Endnotes","Paas Easter Eggs.com. \"About Us.\" Signature Brands. Accessed February 19, 2025. https://www.paaseastereggs.com/about-us/.","Rose, Lisa. \"Pastel Legacy: Iconic Easter Product Roots back to 19th Century Newark Pharmacist.\" Nj. April 19, 2014. https://www.nj.com/essex/2014/04/iconic_easter_product_roots_back_to_19th_century_newark_pharmacist.html.","Signature Brands.com. \"The Story and History of Signature Brands.\" 2024. Signature Brands. 2024. Accessed February 19, 2025. https://www.signaturebrands.com/our-story/.","This collection contains a single uncut sheet of seventeen portraits of European royals, military, and political leaders to be used as transfer patterns for decorating Easter eggs by the Paas Dye company. These \"Transfer-O-s\" are printed in reverse on tissue paper measuring roughly 5 X 9 inches. Produced sometime before the United States entered the First World War, the packaging includes a quality disclaimer made by the company related to wartime supply chain issues saying \"Any variation from former standards occurring in this package are unavoidable. The European War compels changes in some instances. We believe, however, these goods will be satisfactory.\"","The portraits in this set of transfer patterns include (transcribed here as printed): Kaiser Wilhelm of Germany; Czar Nicholas of Russia; King Albert of Belgium; King George of England; Emperor Franz Joseph of Austria; Pres. Poincare of France; King Victor Emmanuel of Italy; King Ferdinand of Bulgaria; King Peter of Serbia; Von Hindenberg; Joffre; Kitchener; Enver Pasha; Cadorna; Grand Duke Nicholas; Arch-Duke Frederick; Von Kluck.","The Library believes that all or nearly all material in this collection is likely to be in the public domain, free of copyright restrictions. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","Albert and Shirley Small Special Collections Library","English"],"collection_title_tesim":["PAAS Dye Company WWI egg transfer sheet, 1915"],"collection_ssim":["PAAS Dye Company WWI egg transfer sheet, 1915"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16860","Archival Resource Key","/repositories/3/resources/1700"],"unitid_tesim":["MSS 16860","Archival Resource Key","/repositories/3/resources/1700"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Albert and Shirley Small Special Collections Library"],"access_terms_ssm":["The Library believes that all or nearly all material in this collection is likely to be in the public domain, free of copyright restrictions. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"acqinfo_ssim":["This collection was purchased from Eclectibles by the Small Special Collections Library, University of Virginia on December 15, 2025."],"access_subjects_ssim":["World War, 1914-1918","Egg decoration","World politics -- Caricatures and cartoons"],"access_subjects_ssm":["World War, 1914-1918","Egg decoration","World politics -- Caricatures and cartoons"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good"],"extent_ssm":[".03 Cubic Feet 1 letter folder"],"extent_tesim":[".03 Cubic Feet 1 letter folder"],"date_range_isim":[1915],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is minimally processed and open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is minimally processed and open for research."],"bioghist_html_tesm":["\u003cp\u003eThe PAAS® Dye Company was started by William Townley, who owned a drug store in Newark, New Jersey. In the 1800s he developed a recipe for egg dye tablets for decorating eggs at Easter. He began to sell this product as Townley's Easter Egg Dye packets in 1881. He renamed the business PAAS® Dye Company. The name PAAS® comes from \"Passen,\" the Pennsylvania Dutch term used for Easter.  PAAS was a family-run New Jersey business until 1959, when the firm was sold to Abe Plough, a Tennessee entrepreneur whose company evolved into Schering-Plough. The brand was bought by Signature brands in 1999 from Schering-Plough.\u003c/p\u003e","\u003cp\u003eEndnotes \u003c/p\u003e","\u003cp\u003ePaas Easter Eggs.com. \"About Us.\" Signature Brands. Accessed February 19, 2025. https://www.paaseastereggs.com/about-us/. \u003c/p\u003e","\u003cp\u003eRose, Lisa. \"Pastel Legacy: Iconic Easter Product Roots back to 19th Century Newark Pharmacist.\" Nj. April 19, 2014. https://www.nj.com/essex/2014/04/iconic_easter_product_roots_back_to_19th_century_newark_pharmacist.html. \u003c/p\u003e","\u003cp\u003eSignature Brands.com. \"The Story and History of Signature Brands.\" 2024. Signature Brands. 2024. Accessed February 19, 2025. https://www.signaturebrands.com/our-story/. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The PAAS® Dye Company was started by William Townley, who owned a drug store in Newark, New Jersey. In the 1800s he developed a recipe for egg dye tablets for decorating eggs at Easter. He began to sell this product as Townley's Easter Egg Dye packets in 1881. He renamed the business PAAS® Dye Company. The name PAAS® comes from \"Passen,\" the Pennsylvania Dutch term used for Easter.  PAAS was a family-run New Jersey business until 1959, when the firm was sold to Abe Plough, a Tennessee entrepreneur whose company evolved into Schering-Plough. The brand was bought by Signature brands in 1999 from Schering-Plough.","Endnotes","Paas Easter Eggs.com. \"About Us.\" Signature Brands. Accessed February 19, 2025. https://www.paaseastereggs.com/about-us/.","Rose, Lisa. \"Pastel Legacy: Iconic Easter Product Roots back to 19th Century Newark Pharmacist.\" Nj. April 19, 2014. https://www.nj.com/essex/2014/04/iconic_easter_product_roots_back_to_19th_century_newark_pharmacist.html.","Signature Brands.com. \"The Story and History of Signature Brands.\" 2024. Signature Brands. 2024. Accessed February 19, 2025. https://www.signaturebrands.com/our-story/."],"prefercite_html_tesm":["\u003cp\u003eMSS 16860, PAAS Dye Company WWI egg transfer sheet, Small Special Collections Library, University of Virginia.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16860, PAAS Dye Company WWI egg transfer sheet, Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a single uncut sheet of seventeen portraits of European royals, military, and political leaders to be used as transfer patterns for decorating Easter eggs by the Paas Dye company. These \"Transfer-O-s\" are printed in reverse on tissue paper measuring roughly 5 X 9 inches. Produced sometime before the United States entered the First World War, the packaging includes a quality disclaimer made by the company related to wartime supply chain issues saying \"Any variation from former standards occurring in this package are unavoidable. The European War compels changes in some instances. We believe, however, these goods will be satisfactory.\"\u003c/p\u003e","\u003cp\u003eThe portraits in this set of transfer patterns include (transcribed here as printed): Kaiser Wilhelm of Germany; Czar Nicholas of Russia; King Albert of Belgium; King George of England; Emperor Franz Joseph of Austria; Pres. Poincare of France; King Victor Emmanuel of Italy; King Ferdinand of Bulgaria; King Peter of Serbia; Von Hindenberg; Joffre; Kitchener; Enver Pasha; Cadorna; Grand Duke Nicholas; Arch-Duke Frederick; Von Kluck.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains a single uncut sheet of seventeen portraits of European royals, military, and political leaders to be used as transfer patterns for decorating Easter eggs by the Paas Dye company. These \"Transfer-O-s\" are printed in reverse on tissue paper measuring roughly 5 X 9 inches. Produced sometime before the United States entered the First World War, the packaging includes a quality disclaimer made by the company related to wartime supply chain issues saying \"Any variation from former standards occurring in this package are unavoidable. The European War compels changes in some instances. We believe, however, these goods will be satisfactory.\"","The portraits in this set of transfer patterns include (transcribed here as printed): Kaiser Wilhelm of Germany; Czar Nicholas of Russia; King Albert of Belgium; King George of England; Emperor Franz Joseph of Austria; Pres. Poincare of France; King Victor Emmanuel of Italy; King Ferdinand of Bulgaria; King Peter of Serbia; Von Hindenberg; Joffre; Kitchener; Enver Pasha; Cadorna; Grand Duke Nicholas; Arch-Duke Frederick; Von Kluck."],"userestrict_html_tesm":["\u003cp\u003eThe Library believes that all or nearly all material in this collection is likely to be in the public domain, free of copyright restrictions. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Library believes that all or nearly all material in this collection is likely to be in the public domain, free of copyright restrictions. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"names_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:40:48.019Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1700","ead_ssi":"viu_repositories_3_resources_1700","_root_":"viu_repositories_3_resources_1700","_nest_parent_":"viu_repositories_3_resources_1700","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1700.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/202247","title_filing_ssi":"PAAS Dye Company WWI egg transfer sheet","title_ssm":["PAAS Dye Company WWI egg transfer sheet"],"title_tesim":["PAAS Dye Company WWI egg transfer sheet"],"unitdate_ssm":["c.1915"],"unitdate_other_ssim":["c.1915"],"normalized_date_ssm":["1915"],"normalized_title_ssm":["PAAS Dye Company WWI egg transfer sheet, 1915"],"text":["PAAS Dye Company WWI egg transfer sheet, 1915","MSS 16860","Archival Resource Key","/repositories/3/resources/1700","World War, 1914-1918","Egg decoration","World politics -- Caricatures and cartoons","Good","This collection is minimally processed and open for research.","The PAAS® Dye Company was started by William Townley, who owned a drug store in Newark, New Jersey. In the 1800s he developed a recipe for egg dye tablets for decorating eggs at Easter. He began to sell this product as Townley's Easter Egg Dye packets in 1881. He renamed the business PAAS® Dye Company. The name PAAS® comes from \"Passen,\" the Pennsylvania Dutch term used for Easter.  PAAS was a family-run New Jersey business until 1959, when the firm was sold to Abe Plough, a Tennessee entrepreneur whose company evolved into Schering-Plough. The brand was bought by Signature brands in 1999 from Schering-Plough.","Endnotes","Paas Easter Eggs.com. \"About Us.\" Signature Brands. Accessed February 19, 2025. https://www.paaseastereggs.com/about-us/.","Rose, Lisa. \"Pastel Legacy: Iconic Easter Product Roots back to 19th Century Newark Pharmacist.\" Nj. April 19, 2014. https://www.nj.com/essex/2014/04/iconic_easter_product_roots_back_to_19th_century_newark_pharmacist.html.","Signature Brands.com. \"The Story and History of Signature Brands.\" 2024. Signature Brands. 2024. Accessed February 19, 2025. https://www.signaturebrands.com/our-story/.","This collection contains a single uncut sheet of seventeen portraits of European royals, military, and political leaders to be used as transfer patterns for decorating Easter eggs by the Paas Dye company. These \"Transfer-O-s\" are printed in reverse on tissue paper measuring roughly 5 X 9 inches. Produced sometime before the United States entered the First World War, the packaging includes a quality disclaimer made by the company related to wartime supply chain issues saying \"Any variation from former standards occurring in this package are unavoidable. The European War compels changes in some instances. We believe, however, these goods will be satisfactory.\"","The portraits in this set of transfer patterns include (transcribed here as printed): Kaiser Wilhelm of Germany; Czar Nicholas of Russia; King Albert of Belgium; King George of England; Emperor Franz Joseph of Austria; Pres. Poincare of France; King Victor Emmanuel of Italy; King Ferdinand of Bulgaria; King Peter of Serbia; Von Hindenberg; Joffre; Kitchener; Enver Pasha; Cadorna; Grand Duke Nicholas; Arch-Duke Frederick; Von Kluck.","The Library believes that all or nearly all material in this collection is likely to be in the public domain, free of copyright restrictions. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","Albert and Shirley Small Special Collections Library","English"],"collection_title_tesim":["PAAS Dye Company WWI egg transfer sheet, 1915"],"collection_ssim":["PAAS Dye Company WWI egg transfer sheet, 1915"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16860","Archival Resource Key","/repositories/3/resources/1700"],"unitid_tesim":["MSS 16860","Archival Resource Key","/repositories/3/resources/1700"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Albert and Shirley Small Special Collections Library"],"access_terms_ssm":["The Library believes that all or nearly all material in this collection is likely to be in the public domain, free of copyright restrictions. Visit our Permissions and Publishing page for more information about use of Special Collections materials. 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In the 1800s he developed a recipe for egg dye tablets for decorating eggs at Easter. He began to sell this product as Townley's Easter Egg Dye packets in 1881. He renamed the business PAAS® Dye Company. The name PAAS® comes from \"Passen,\" the Pennsylvania Dutch term used for Easter.  PAAS was a family-run New Jersey business until 1959, when the firm was sold to Abe Plough, a Tennessee entrepreneur whose company evolved into Schering-Plough. The brand was bought by Signature brands in 1999 from Schering-Plough.\u003c/p\u003e","\u003cp\u003eEndnotes \u003c/p\u003e","\u003cp\u003ePaas Easter Eggs.com. \"About Us.\" Signature Brands. Accessed February 19, 2025. https://www.paaseastereggs.com/about-us/. \u003c/p\u003e","\u003cp\u003eRose, Lisa. \"Pastel Legacy: Iconic Easter Product Roots back to 19th Century Newark Pharmacist.\" Nj. April 19, 2014. https://www.nj.com/essex/2014/04/iconic_easter_product_roots_back_to_19th_century_newark_pharmacist.html. \u003c/p\u003e","\u003cp\u003eSignature Brands.com. \"The Story and History of Signature Brands.\" 2024. Signature Brands. 2024. Accessed February 19, 2025. https://www.signaturebrands.com/our-story/. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The PAAS® Dye Company was started by William Townley, who owned a drug store in Newark, New Jersey. In the 1800s he developed a recipe for egg dye tablets for decorating eggs at Easter. He began to sell this product as Townley's Easter Egg Dye packets in 1881. He renamed the business PAAS® Dye Company. The name PAAS® comes from \"Passen,\" the Pennsylvania Dutch term used for Easter.  PAAS was a family-run New Jersey business until 1959, when the firm was sold to Abe Plough, a Tennessee entrepreneur whose company evolved into Schering-Plough. The brand was bought by Signature brands in 1999 from Schering-Plough.","Endnotes","Paas Easter Eggs.com. \"About Us.\" Signature Brands. Accessed February 19, 2025. https://www.paaseastereggs.com/about-us/.","Rose, Lisa. \"Pastel Legacy: Iconic Easter Product Roots back to 19th Century Newark Pharmacist.\" Nj. April 19, 2014. https://www.nj.com/essex/2014/04/iconic_easter_product_roots_back_to_19th_century_newark_pharmacist.html.","Signature Brands.com. \"The Story and History of Signature Brands.\" 2024. Signature Brands. 2024. 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