{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Women+--+History\u0026f%5Bdate_range%5D%5B%5D=1958\u0026page=10","prev":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Women+--+History\u0026f%5Bdate_range%5D%5B%5D=1958\u0026page=9","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Women+--+History\u0026f%5Bdate_range%5D%5B%5D=1958\u0026page=10"},"meta":{"pages":{"current_page":10,"next_page":null,"prev_page":9,"total_pages":10,"limit_value":10,"offset_value":90,"total_count":94,"first_page?":false,"last_page?":true}},"data":[{"id":"viblbv_repositories_2_resources_1747","type":"collection","attributes":{"title":"Wena Dows Architectural Collection, 1952/2005","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1747#creator","type":"document_value","attributes":{"value":"Dows, Wena W., 1928-","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1747#abstract_or_scope","type":"document_value","attributes":{"value":"Architect Wena Dows earned her B.A. in Architecture from the University of California, Berkeley, in 1950 and began working independently, specializing in residential remodeling, in 1954. Along with her architectural commitments she also worked as a nutritionist. The Wena Dows Architectural Collection contains drawings, supporting text documents, photographs and slides of Dows' addition and renovation projects for residences in California from 1952 to 2005, along with information about a few commercial projects.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1747#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1747","ead_ssi":"viblbv_repositories_2_resources_1747","_root_":"viblbv_repositories_2_resources_1747","_nest_parent_":"viblbv_repositories_2_resources_1747","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1747.xml","title_filing_ssi":"Dows, Wena, Architectural Collection","title_ssm":["Wena Dows Architectural Collection"],"title_tesim":["Wena Dows Architectural Collection"],"unitdate_ssm":["1952-2005"],"unitdate_inclusive_ssm":["1952-2005"],"normalized_date_ssm":["1952/2005"],"normalized_title_ssm":["Wena Dows Architectural Collection, 1952/2005"],"text":["Wena Dows Architectural Collection, 1952/2005","Ms.1990.013","Architects","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)","The collection is open for research.","The collection has been arranged into a Project Index. which is a way to organize the various formats of architectural records from the same project. The index is arranged alphabetically by client name and contains information, where available, about the location, date, project type, architect, collaborators, and formats for each project in the collection.","A Summary of the Project Index.  is listed below.  Consult the Project Index.  for location information.","Client Name/Project Title (location, date, architect/collaborator) [Format - Ms=Manuscripts, Dr=Drawings, Ph=Photograghs, S=Slides ]","Wena Dows was born in 1928, in Taft, California. She completed a BA in Architecture from the University of California, Berkeley, in 1950. From 1950 till 1954 she worked as a draftsperson for Ernest F. Winkler, AIA, in San Francisco and for Clyde Bentley, a consulting engineer in Oakland, California. In 1954 she started working independently, specializing in residential architecture. She mostly undertook addition and renovation work to residences in California.","Dows also took courses in nutrition at UCLA, Los Angeles City College, American Institute of Family Relations. Along with her architectural commitments she also worked as a nutritionist. In 1968, Wena Dows was a Diet Analyst for the Retail Clerks Union. She started teaching healthy cooking in 1969 and taught at Venice Adult School, Los Angeles School District for many years. Later she started \"The Healthy Gourmet\" classes from her residence.","Wena Dows is professionally affiliated with the Association for Women in Architecture (AWA) and the Society for Nutrition Education (SNE). She holds a standard California teaching credential for Architecture and for Nutrition.","The guide to the Wena Dows Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The preliminary processing, arrangement and description of the Wena Dows Architectural Collection was completed in 1990. Final arrangement and description took place from April to August 2005. The 2009 addition was processed February 2012. The 2015 and 2017 additions were processed in October 2021.","The Wena Dows Architectural Collection consists of hand-drafted architectural drawings with supporting photographs, slides, and textual descriptions of California residential buildings renovated or expanded by Wena Dows from 1952 to 2005. In addition, there are plans for a few commercial projects with limited descriptive information. The textual descriptions contain Dows' handwritten notes on the client's requirements for the project, sketches of the existing building layout and dimensions, lists of the materials to be used for the project and specifications for some projects. Photographs of the building, before and after the work, accompany some of the project documents.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Architect Wena Dows earned her B.A. in Architecture from the University of California, Berkeley, in 1950 and began working independently, specializing in residential remodeling, in 1954. Along with her architectural commitments she also worked as a nutritionist. The Wena Dows Architectural Collection contains drawings, supporting text documents, photographs and slides of Dows' addition and renovation projects for residences in California from 1952 to 2005, along with information about a few commercial projects.","Special Collections and University Archives, Virginia Tech","Dows, Wena W., 1928-","The materials in the collection are in English."],"collection_title_tesim":["Wena Dows Architectural Collection, 1952/2005"],"collection_ssim":["Wena Dows Architectural Collection, 1952/2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1990.013"],"unitid_tesim":["Ms.1990.013"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Dows, Wena W., 1928-"],"creator_ssim":["Dows, Wena W., 1928-"],"creator_persname_ssim":["Dows, Wena W., 1928-"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Dows, Wena W., 1928-","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The creator donated the Wena Dows material to the International Archive of Women in Architecture in May 1990. Additions to the collection were received in 2009, 2015, and 2017."],"access_subjects_ssim":["Architects","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["21.1 Cubic Feet 1 box; 86 oversize folders"],"extent_tesim":["21.1 Cubic Feet 1 box; 86 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection has been arranged into a \u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms1990-013pi.xls\" title=\"Project Index\"\u003eProject Index.\u003c/a\u003e which is a way to organize the various formats of architectural records from the same project. The index is arranged alphabetically by client name and contains information, where available, about the location, date, project type, architect, collaborators, and formats for each project in the collection.\u003c/p\u003e","\u003cp\u003eA Summary of the \u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms1990-013pi.xls\" title=\"Project Index\"\u003eProject Index.\u003c/a\u003e  is listed below.  Consult the \u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms1990-013pi.xls\" title=\"Project Index\"\u003eProject Index.\u003c/a\u003e  for location information.  \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eClient Name/Project Title (location, date, architect/collaborator) [Format - Ms=Manuscripts, Dr=Drawings, Ph=Photograghs, S=Slides ] \u003c/emph\u003e\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection has been arranged into a Project Index. which is a way to organize the various formats of architectural records from the same project. The index is arranged alphabetically by client name and contains information, where available, about the location, date, project type, architect, collaborators, and formats for each project in the collection.","A Summary of the Project Index.  is listed below.  Consult the Project Index.  for location information.","Client Name/Project Title (location, date, architect/collaborator) [Format - Ms=Manuscripts, Dr=Drawings, Ph=Photograghs, S=Slides ]"],"bioghist_html_tesm":["\u003cp\u003eWena Dows was born in 1928, in Taft, California. She completed a BA in Architecture from the University of California, Berkeley, in 1950. From 1950 till 1954 she worked as a draftsperson for Ernest F. Winkler, AIA, in San Francisco and for Clyde Bentley, a consulting engineer in Oakland, California. In 1954 she started working independently, specializing in residential architecture. She mostly undertook addition and renovation work to residences in California.\u003c/p\u003e","\u003cp\u003eDows also took courses in nutrition at UCLA, Los Angeles City College, American Institute of Family Relations. Along with her architectural commitments she also worked as a nutritionist. In 1968, Wena Dows was a Diet Analyst for the Retail Clerks Union. She started teaching healthy cooking in 1969 and taught at Venice Adult School, Los Angeles School District for many years. Later she started \"The Healthy Gourmet\" classes from her residence.\u003c/p\u003e","\u003cp\u003eWena Dows is professionally affiliated with the Association for Women in Architecture (AWA) and the Society for Nutrition Education (SNE). She holds a standard California teaching credential for Architecture and for Nutrition.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Wena Dows was born in 1928, in Taft, California. She completed a BA in Architecture from the University of California, Berkeley, in 1950. From 1950 till 1954 she worked as a draftsperson for Ernest F. Winkler, AIA, in San Francisco and for Clyde Bentley, a consulting engineer in Oakland, California. In 1954 she started working independently, specializing in residential architecture. She mostly undertook addition and renovation work to residences in California.","Dows also took courses in nutrition at UCLA, Los Angeles City College, American Institute of Family Relations. Along with her architectural commitments she also worked as a nutritionist. In 1968, Wena Dows was a Diet Analyst for the Retail Clerks Union. She started teaching healthy cooking in 1969 and taught at Venice Adult School, Los Angeles School District for many years. Later she started \"The Healthy Gourmet\" classes from her residence.","Wena Dows is professionally affiliated with the Association for Women in Architecture (AWA) and the Society for Nutrition Education (SNE). She holds a standard California teaching credential for Architecture and for Nutrition."],"odd_html_tesm":["\u003cp\u003eThe guide to the Wena Dows Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Wena Dows Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Wena Dows Architectural Collection, Ms1990-013, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Wena Dows Architectural Collection, Ms1990-013, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe preliminary processing, arrangement and description of the Wena Dows Architectural Collection was completed in 1990. Final arrangement and description took place from April to August 2005. The 2009 addition was processed February 2012. The 2015 and 2017 additions were processed in October 2021.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The preliminary processing, arrangement and description of the Wena Dows Architectural Collection was completed in 1990. Final arrangement and description took place from April to August 2005. The 2009 addition was processed February 2012. The 2015 and 2017 additions were processed in October 2021."],"scopecontent_html_tesm":["\u003cp\u003eThe Wena Dows Architectural Collection consists of hand-drafted architectural drawings with supporting photographs, slides, and textual descriptions of California residential buildings renovated or expanded by Wena Dows from 1952 to 2005. In addition, there are plans for a few commercial projects with limited descriptive information. The textual descriptions contain Dows' handwritten notes on the client's requirements for the project, sketches of the existing building layout and dimensions, lists of the materials to be used for the project and specifications for some projects. Photographs of the building, before and after the work, accompany some of the project documents.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Wena Dows Architectural Collection consists of hand-drafted architectural drawings with supporting photographs, slides, and textual descriptions of California residential buildings renovated or expanded by Wena Dows from 1952 to 2005. In addition, there are plans for a few commercial projects with limited descriptive information. The textual descriptions contain Dows' handwritten notes on the client's requirements for the project, sketches of the existing building layout and dimensions, lists of the materials to be used for the project and specifications for some projects. Photographs of the building, before and after the work, accompany some of the project documents."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0015fe8c135f2feea4682950d2dcf54d\" label=\"Abstract\"\u003eArchitect Wena Dows earned her B.A. in Architecture from the University of California, Berkeley, in 1950 and began working independently, specializing in residential remodeling, in 1954. Along with her architectural commitments she also worked as a nutritionist. The Wena Dows Architectural Collection contains drawings, supporting text documents, photographs and slides of Dows' addition and renovation projects for residences in California from 1952 to 2005, along with information about a few commercial projects.\u003c/abstract\u003e\n    "],"abstract_tesim":["Architect Wena Dows earned her B.A. in Architecture from the University of California, Berkeley, in 1950 and began working independently, specializing in residential remodeling, in 1954. Along with her architectural commitments she also worked as a nutritionist. The Wena Dows Architectural Collection contains drawings, supporting text documents, photographs and slides of Dows' addition and renovation projects for residences in California from 1952 to 2005, along with information about a few commercial projects."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Dows, Wena W., 1928-"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Dows, Wena W., 1928-"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":415,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:00.355Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1747","ead_ssi":"viblbv_repositories_2_resources_1747","_root_":"viblbv_repositories_2_resources_1747","_nest_parent_":"viblbv_repositories_2_resources_1747","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1747.xml","title_filing_ssi":"Dows, Wena, Architectural Collection","title_ssm":["Wena Dows Architectural Collection"],"title_tesim":["Wena Dows Architectural Collection"],"unitdate_ssm":["1952-2005"],"unitdate_inclusive_ssm":["1952-2005"],"normalized_date_ssm":["1952/2005"],"normalized_title_ssm":["Wena Dows Architectural Collection, 1952/2005"],"text":["Wena Dows Architectural Collection, 1952/2005","Ms.1990.013","Architects","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)","The collection is open for research.","The collection has been arranged into a Project Index. which is a way to organize the various formats of architectural records from the same project. The index is arranged alphabetically by client name and contains information, where available, about the location, date, project type, architect, collaborators, and formats for each project in the collection.","A Summary of the Project Index.  is listed below.  Consult the Project Index.  for location information.","Client Name/Project Title (location, date, architect/collaborator) [Format - Ms=Manuscripts, Dr=Drawings, Ph=Photograghs, S=Slides ]","Wena Dows was born in 1928, in Taft, California. She completed a BA in Architecture from the University of California, Berkeley, in 1950. From 1950 till 1954 she worked as a draftsperson for Ernest F. Winkler, AIA, in San Francisco and for Clyde Bentley, a consulting engineer in Oakland, California. In 1954 she started working independently, specializing in residential architecture. She mostly undertook addition and renovation work to residences in California.","Dows also took courses in nutrition at UCLA, Los Angeles City College, American Institute of Family Relations. Along with her architectural commitments she also worked as a nutritionist. In 1968, Wena Dows was a Diet Analyst for the Retail Clerks Union. She started teaching healthy cooking in 1969 and taught at Venice Adult School, Los Angeles School District for many years. Later she started \"The Healthy Gourmet\" classes from her residence.","Wena Dows is professionally affiliated with the Association for Women in Architecture (AWA) and the Society for Nutrition Education (SNE). She holds a standard California teaching credential for Architecture and for Nutrition.","The guide to the Wena Dows Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The preliminary processing, arrangement and description of the Wena Dows Architectural Collection was completed in 1990. Final arrangement and description took place from April to August 2005. The 2009 addition was processed February 2012. The 2015 and 2017 additions were processed in October 2021.","The Wena Dows Architectural Collection consists of hand-drafted architectural drawings with supporting photographs, slides, and textual descriptions of California residential buildings renovated or expanded by Wena Dows from 1952 to 2005. In addition, there are plans for a few commercial projects with limited descriptive information. The textual descriptions contain Dows' handwritten notes on the client's requirements for the project, sketches of the existing building layout and dimensions, lists of the materials to be used for the project and specifications for some projects. Photographs of the building, before and after the work, accompany some of the project documents.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Architect Wena Dows earned her B.A. in Architecture from the University of California, Berkeley, in 1950 and began working independently, specializing in residential remodeling, in 1954. Along with her architectural commitments she also worked as a nutritionist. The Wena Dows Architectural Collection contains drawings, supporting text documents, photographs and slides of Dows' addition and renovation projects for residences in California from 1952 to 2005, along with information about a few commercial projects.","Special Collections and University Archives, Virginia Tech","Dows, Wena W., 1928-","The materials in the collection are in English."],"collection_title_tesim":["Wena Dows Architectural Collection, 1952/2005"],"collection_ssim":["Wena Dows Architectural Collection, 1952/2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1990.013"],"unitid_tesim":["Ms.1990.013"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Dows, Wena W., 1928-"],"creator_ssim":["Dows, Wena W., 1928-"],"creator_persname_ssim":["Dows, Wena W., 1928-"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Dows, Wena W., 1928-","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The creator donated the Wena Dows material to the International Archive of Women in Architecture in May 1990. 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The index is arranged alphabetically by client name and contains information, where available, about the location, date, project type, architect, collaborators, and formats for each project in the collection.\u003c/p\u003e","\u003cp\u003eA Summary of the \u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms1990-013pi.xls\" title=\"Project Index\"\u003eProject Index.\u003c/a\u003e  is listed below.  Consult the \u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms1990-013pi.xls\" title=\"Project Index\"\u003eProject Index.\u003c/a\u003e  for location information.  \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eClient Name/Project Title (location, date, architect/collaborator) [Format - Ms=Manuscripts, Dr=Drawings, Ph=Photograghs, S=Slides ] \u003c/emph\u003e\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection has been arranged into a Project Index. which is a way to organize the various formats of architectural records from the same project. The index is arranged alphabetically by client name and contains information, where available, about the location, date, project type, architect, collaborators, and formats for each project in the collection.","A Summary of the Project Index.  is listed below.  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She started teaching healthy cooking in 1969 and taught at Venice Adult School, Los Angeles School District for many years. Later she started \"The Healthy Gourmet\" classes from her residence.\u003c/p\u003e","\u003cp\u003eWena Dows is professionally affiliated with the Association for Women in Architecture (AWA) and the Society for Nutrition Education (SNE). She holds a standard California teaching credential for Architecture and for Nutrition.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Wena Dows was born in 1928, in Taft, California. She completed a BA in Architecture from the University of California, Berkeley, in 1950. From 1950 till 1954 she worked as a draftsperson for Ernest F. Winkler, AIA, in San Francisco and for Clyde Bentley, a consulting engineer in Oakland, California. In 1954 she started working independently, specializing in residential architecture. She mostly undertook addition and renovation work to residences in California.","Dows also took courses in nutrition at UCLA, Los Angeles City College, American Institute of Family Relations. Along with her architectural commitments she also worked as a nutritionist. In 1968, Wena Dows was a Diet Analyst for the Retail Clerks Union. She started teaching healthy cooking in 1969 and taught at Venice Adult School, Los Angeles School District for many years. Later she started \"The Healthy Gourmet\" classes from her residence.","Wena Dows is professionally affiliated with the Association for Women in Architecture (AWA) and the Society for Nutrition Education (SNE). She holds a standard California teaching credential for Architecture and for Nutrition."],"odd_html_tesm":["\u003cp\u003eThe guide to the Wena Dows Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Wena Dows Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Wena Dows Architectural Collection, Ms1990-013, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Wena Dows Architectural Collection, Ms1990-013, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe preliminary processing, arrangement and description of the Wena Dows Architectural Collection was completed in 1990. Final arrangement and description took place from April to August 2005. The 2009 addition was processed February 2012. The 2015 and 2017 additions were processed in October 2021.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The preliminary processing, arrangement and description of the Wena Dows Architectural Collection was completed in 1990. Final arrangement and description took place from April to August 2005. The 2009 addition was processed February 2012. The 2015 and 2017 additions were processed in October 2021."],"scopecontent_html_tesm":["\u003cp\u003eThe Wena Dows Architectural Collection consists of hand-drafted architectural drawings with supporting photographs, slides, and textual descriptions of California residential buildings renovated or expanded by Wena Dows from 1952 to 2005. In addition, there are plans for a few commercial projects with limited descriptive information. The textual descriptions contain Dows' handwritten notes on the client's requirements for the project, sketches of the existing building layout and dimensions, lists of the materials to be used for the project and specifications for some projects. Photographs of the building, before and after the work, accompany some of the project documents.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Wena Dows Architectural Collection consists of hand-drafted architectural drawings with supporting photographs, slides, and textual descriptions of California residential buildings renovated or expanded by Wena Dows from 1952 to 2005. In addition, there are plans for a few commercial projects with limited descriptive information. The textual descriptions contain Dows' handwritten notes on the client's requirements for the project, sketches of the existing building layout and dimensions, lists of the materials to be used for the project and specifications for some projects. Photographs of the building, before and after the work, accompany some of the project documents."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0015fe8c135f2feea4682950d2dcf54d\" label=\"Abstract\"\u003eArchitect Wena Dows earned her B.A. in Architecture from the University of California, Berkeley, in 1950 and began working independently, specializing in residential remodeling, in 1954. Along with her architectural commitments she also worked as a nutritionist. The Wena Dows Architectural Collection contains drawings, supporting text documents, photographs and slides of Dows' addition and renovation projects for residences in California from 1952 to 2005, along with information about a few commercial projects.\u003c/abstract\u003e\n    "],"abstract_tesim":["Architect Wena Dows earned her B.A. in Architecture from the University of California, Berkeley, in 1950 and began working independently, specializing in residential remodeling, in 1954. Along with her architectural commitments she also worked as a nutritionist. The Wena Dows Architectural Collection contains drawings, supporting text documents, photographs and slides of Dows' addition and renovation projects for residences in California from 1952 to 2005, along with information about a few commercial projects."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Dows, Wena W., 1928-"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Dows, Wena W., 1928-"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":415,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:00.355Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1747"}},{"id":"viblbv_repositories_2_resources_2865","type":"collection","attributes":{"title":"Wendy Scott Bertrand Architectural Collection, 1954/2012","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2865#creator","type":"document_value","attributes":{"value":"Bertrand, Wendy","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2865#abstract_or_scope","type":"document_value","attributes":{"value":"Wendy Bertrand is a registered architect, rug weaver, self-described feminist and author living in Northern California since 1967. This collection documents her personal and professional activism and activities between 1954-2012, including her architectural studies, organizational activities, family life, travel, professional writing, textile projects, and career with the U.S. Navy and U.S. Forest Service.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2865#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2865","ead_ssi":"viblbv_repositories_2_resources_2865","_root_":"viblbv_repositories_2_resources_2865","_nest_parent_":"viblbv_repositories_2_resources_2865","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2865.xml","title_filing_ssi":"Bertrand, Wendy Scott Architectural Collection","title_ssm":["Wendy Scott Bertrand Architectural Collection"],"title_tesim":["Wendy Scott Bertrand Architectural Collection"],"unitdate_ssm":["1954-2012"],"unitdate_inclusive_ssm":["1954-2012"],"normalized_date_ssm":["1954/2012"],"normalized_title_ssm":["Wendy Scott Bertrand Architectural Collection, 1954/2012"],"text":["Wendy Scott Bertrand Architectural Collection, 1954/2012","Ms.2013.025","International Archive of Women in Architecture (IAWA)","Women architects -- California","Women -- History","History of Women in Architecture","The collection is open for research, with the exception of divorce documents (restricted until the death of all parties) and personnel records (restricted until August 1, 2065) in Box 10.","Personal Papers\n\n\t\n\n\t\tWritings\n\n\t\tCorrespondence\n\n\t\tSchool Work\n\n\t\tTravel\n\n\t\tPhotographs\n\n\t\tActivism\n\n\t\tHobbies and Family Records\n\n\t\n\n\n\nProfessional papers\n\n\t\n\n\t\tCorrespondence\n\n\t\tPhotographs\n\n\t\tWritings\n\n\t\tReference Files\n\n\t\tPresentations\n\n\t\tExhibits\n\n\t\tAssociations and Committee\n\n\t\tAwards\n\n\t\tCareer Records\n\n\t\tContinuing Education\n\n\t\n\n\n\nOffice Records\n\n\t\n\n\t\tNaval Facilities Engineering Command, Western Division\n\n\t\tNavy Public Works Center\n\n\t\tU.S. Forest Service Pacific Southwest Region 5\n\n\t\n\n\n\nProject Records\n\n\t\n\n\t\tNaval Facilities Engineering Command, Western Division \n\n\t\tNavy Public Works Center\n\n\t\tIndependent Projects","Wendy Scott Bertrand (née Eaken) is a registered architect, fiber artist and author brought up in San Diego, California. She studied at the École des Beaux Arts in France from 1964–65 and graduated from the University of California, Berkeley (Bach. Architecture 1971 , M.A. Architecture 1972). She designed private residential structures and supervised large-scale architectural projects for government contracts. Bertrand managed an Architectural Branch and an Engineering Division for the U.S. Navy (1973-1991) and held the position of engineering supervisor in the Western Region (5) Office of the U.S. Forest Service (1991-1994). Bertrand served in a variety of leadership roles throughout her career, including chair of the Quality of Worklife Committee for the U.S. Navy Public Works Center, examiner for her local Board of Architectural Examiners, and rating panelist for the City and County of San Francisco. She was an active participant in the Society of American Military Engineers and helped found the Organization of Women Architects and Design Professionals. In 2008, Bertrand published Rug Retrospective: Nine Weaving Seasons 1999-2008 (updated in 2010), documenting her textile projects. In 2012, Bertrand published Enamored with place: as woman + as architect, a memoir of her experiences as a single mother working in a traditionally male profession. Her 2015 epilogue, If I Knew Then What I Know Now (available online at http://wendybertrand.com/enamored-with-place/wp-content/uploads/2015/02/02_2015_epilogue.pdf), reflects on the influences of gender in architectural practice and what the future might hold for women in architecture.","The processing, arrangement, and description of the Wendy Bertrand Architectural Collection was completed in August 2017.","This collection documents the professional and personal activities of Wendy Bertrand between 1954-2012. Comprised primarily of textual materials and architectural drawings with supporting photographs and ephemera, the collection documents Bertrand's study of art and architecture; her career as an architect, engineering advisor, and supervisor for the US Navy and US Forest service; her private practice and engagement in national organizations; her family life, personal networks, and community engagement; and her artistic endeavors in textiles, photography, and furniture design. Coverage includes correspondence, travel journals, education files, project records and business files, personal reflections on her career, manuscript drafts, research notes, photographs, exhibition boards, construction documents, architectural drawings, and ephemera.","Permission to publish material from the Wendy Bertrand Architectural Collection must be obtained from Special Collections, Virginia Tech.","Wendy Bertrand is a registered architect, rug weaver, self-described feminist and author living in Northern California since 1967. This collection documents her personal and professional activism and activities between 1954-2012, including her architectural studies, organizational activities, family life, travel, professional writing, textile projects, and career with the U.S. Navy and U.S. Forest Service.","Special Collections and University Archives, Virginia Tech","Bertrand, Wendy","English\n."],"collection_title_tesim":["Wendy Scott Bertrand Architectural Collection, 1954/2012"],"collection_ssim":["Wendy Scott Bertrand Architectural Collection, 1954/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2013.025"],"unitid_tesim":["Ms.2013.025"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Bertrand, Wendy"],"creator_ssim":["Bertrand, Wendy"],"creator_persname_ssim":["Bertrand, Wendy"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Bertrand, Wendy","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["Permission to publish material from the Wendy Bertrand Architectural Collection must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["The Wendy Bertrand Architectural Collection was donated to Special Collections in 2013."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","Women architects -- California","Women -- History","History of Women in Architecture"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","Women architects -- California","Women -- History","History of Women in Architecture"],"has_online_content_ssim":["false"],"extent_ssm":["15.73 Cubic Feet"],"extent_tesim":["15.73 Cubic Feet"],"date_range_isim":[1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research, with the exception of divorce documents (restricted until the death of all parties) and personnel records (restricted until August 1, 2065) in Box 10.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research, with the exception of divorce documents (restricted until the death of all parties) and personnel records (restricted until August 1, 2065) in Box 10."],"arrangement_html_tesm":["\u003col type=\"I\"\u003e\n\n\u003cli\u003ePersonal Papers\n\n\t\u003col type=\"A\"\u003e\n\n\t\t\u003cli\u003eWritings\u003c/li\u003e\n\n\t\t\u003cli\u003eCorrespondence\u003c/li\u003e\n\n\t\t\u003cli\u003eSchool Work\u003c/li\u003e\n\n\t\t\u003cli\u003eTravel\u003c/li\u003e\n\n\t\t\u003cli\u003ePhotographs\u003c/li\u003e\n\n\t\t\u003cli\u003eActivism\u003c/li\u003e\n\n\t\t\u003cli\u003eHobbies and Family Records\u003c/li\u003e\n\n\t\u003c/ol\u003e\n\n\u003c/li\u003e\n\n\u003cli\u003eProfessional papers\n\n\t\u003col type=\"A\"\u003e\n\n\t\t\u003cli\u003eCorrespondence\u003c/li\u003e\n\n\t\t\u003cli\u003ePhotographs\u003c/li\u003e\n\n\t\t\u003cli\u003eWritings\u003c/li\u003e\n\n\t\t\u003cli\u003eReference Files\u003c/li\u003e\n\n\t\t\u003cli\u003ePresentations\u003c/li\u003e\n\n\t\t\u003cli\u003eExhibits\u003c/li\u003e\n\n\t\t\u003cli\u003eAssociations and Committee\u003c/li\u003e\n\n\t\t\u003cli\u003eAwards\u003c/li\u003e\n\n\t\t\u003cli\u003eCareer Records\u003c/li\u003e\n\n\t\t\u003cli\u003eContinuing Education\u003c/li\u003e\n\n\t\u003c/ol\u003e\n\n\u003c/li\u003e\n\n\u003cli\u003eOffice Records\n\n\t\u003col type=\"A\"\u003e\n\n\t\t\u003cli\u003eNaval Facilities Engineering Command, Western Division\u003c/li\u003e\n\n\t\t\u003cli\u003eNavy Public Works Center\u003c/li\u003e\n\n\t\t\u003cli\u003eU.S. Forest Service Pacific Southwest Region 5\u003c/li\u003e\n\n\t\u003c/ol\u003e\n\n\u003c/li\u003e\n\n\u003cli\u003eProject Records\n\n\t\u003col type=\"A\"\u003e\n\n\t\t\u003cli\u003eNaval Facilities Engineering Command, Western Division\u003c/li\u003e \n\n\t\t\u003cli\u003eNavy Public Works Center\u003c/li\u003e\n\n\t\t\u003cli\u003eIndependent Projects\u003c/li\u003e\n\n\t\u003c/ol\u003e\n\n\u003c/li\u003e\n\u003c/ol\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Personal Papers\n\n\t\n\n\t\tWritings\n\n\t\tCorrespondence\n\n\t\tSchool Work\n\n\t\tTravel\n\n\t\tPhotographs\n\n\t\tActivism\n\n\t\tHobbies and Family Records\n\n\t\n\n\n\nProfessional papers\n\n\t\n\n\t\tCorrespondence\n\n\t\tPhotographs\n\n\t\tWritings\n\n\t\tReference Files\n\n\t\tPresentations\n\n\t\tExhibits\n\n\t\tAssociations and Committee\n\n\t\tAwards\n\n\t\tCareer Records\n\n\t\tContinuing Education\n\n\t\n\n\n\nOffice Records\n\n\t\n\n\t\tNaval Facilities Engineering Command, Western Division\n\n\t\tNavy Public Works Center\n\n\t\tU.S. Forest Service Pacific Southwest Region 5\n\n\t\n\n\n\nProject Records\n\n\t\n\n\t\tNaval Facilities Engineering Command, Western Division \n\n\t\tNavy Public Works Center\n\n\t\tIndependent Projects"],"bioghist_html_tesm":["\u003cp\u003eWendy Scott Bertrand (née Eaken) is a registered architect, fiber artist and author brought up in San Diego, California. She studied at the École des Beaux Arts in France from 1964–65 and graduated from the University of California, Berkeley (Bach. Architecture 1971 , M.A. Architecture 1972). She designed private residential structures and supervised large-scale architectural projects for government contracts. Bertrand managed an Architectural Branch and an Engineering Division for the U.S. Navy (1973-1991) and held the position of engineering supervisor in the Western Region (5) Office of the U.S. Forest Service (1991-1994). Bertrand served in a variety of leadership roles throughout her career, including chair of the Quality of Worklife Committee for the U.S. Navy Public Works Center, examiner for her local Board of Architectural Examiners, and rating panelist for the City and County of San Francisco. She was an active participant in the Society of American Military Engineers and helped found the Organization of Women Architects and Design Professionals. In 2008, Bertrand published \u003cem\u003eRug Retrospective: Nine Weaving Seasons 1999-2008\u003c/em\u003e (updated in 2010), documenting her textile projects. In 2012, Bertrand published \u003cem\u003eEnamored with place: as woman + as architect\u003c/em\u003e, a memoir of her experiences as a single mother working in a traditionally male profession. Her 2015 epilogue, \u003cem\u003eIf I Knew Then What I Know Now\u003c/em\u003e (available online at \u003ca href=\"http://wendybertrand.com/enamored-with-place/wp-content/uploads/2015/02/02_2015_epilogue.pdf\" target=\"blank\"\u003ehttp://wendybertrand.com/enamored-with-place/wp-content/uploads/2015/02/02_2015_epilogue.pdf\u003c/a\u003e), reflects on the influences of gender in architectural practice and what the future might hold for women in architecture.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Wendy Scott Bertrand (née Eaken) is a registered architect, fiber artist and author brought up in San Diego, California. She studied at the École des Beaux Arts in France from 1964–65 and graduated from the University of California, Berkeley (Bach. Architecture 1971 , M.A. Architecture 1972). She designed private residential structures and supervised large-scale architectural projects for government contracts. Bertrand managed an Architectural Branch and an Engineering Division for the U.S. Navy (1973-1991) and held the position of engineering supervisor in the Western Region (5) Office of the U.S. Forest Service (1991-1994). Bertrand served in a variety of leadership roles throughout her career, including chair of the Quality of Worklife Committee for the U.S. Navy Public Works Center, examiner for her local Board of Architectural Examiners, and rating panelist for the City and County of San Francisco. She was an active participant in the Society of American Military Engineers and helped found the Organization of Women Architects and Design Professionals. In 2008, Bertrand published Rug Retrospective: Nine Weaving Seasons 1999-2008 (updated in 2010), documenting her textile projects. In 2012, Bertrand published Enamored with place: as woman + as architect, a memoir of her experiences as a single mother working in a traditionally male profession. Her 2015 epilogue, If I Knew Then What I Know Now (available online at http://wendybertrand.com/enamored-with-place/wp-content/uploads/2015/02/02_2015_epilogue.pdf), reflects on the influences of gender in architectural practice and what the future might hold for women in architecture."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Wendy Bertrand Architectural Collection, Ms2013-025, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Wendy Bertrand Architectural Collection, Ms2013-025, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Wendy Bertrand Architectural Collection was completed in August 2017.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Wendy Bertrand Architectural Collection was completed in August 2017."],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the professional and personal activities of Wendy Bertrand between 1954-2012. Comprised primarily of textual materials and architectural drawings with supporting photographs and ephemera, the collection documents Bertrand's study of art and architecture; her career as an architect, engineering advisor, and supervisor for the US Navy and US Forest service; her private practice and engagement in national organizations; her family life, personal networks, and community engagement; and her artistic endeavors in textiles, photography, and furniture design. Coverage includes correspondence, travel journals, education files, project records and business files, personal reflections on her career, manuscript drafts, research notes, photographs, exhibition boards, construction documents, architectural drawings, and ephemera.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection documents the professional and personal activities of Wendy Bertrand between 1954-2012. Comprised primarily of textual materials and architectural drawings with supporting photographs and ephemera, the collection documents Bertrand's study of art and architecture; her career as an architect, engineering advisor, and supervisor for the US Navy and US Forest service; her private practice and engagement in national organizations; her family life, personal networks, and community engagement; and her artistic endeavors in textiles, photography, and furniture design. Coverage includes correspondence, travel journals, education files, project records and business files, personal reflections on her career, manuscript drafts, research notes, photographs, exhibition boards, construction documents, architectural drawings, and ephemera."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the Wendy Bertrand Architectural Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish material from the Wendy Bertrand Architectural Collection must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3b8776781836046417e231ed6fc03b8e\" label=\"Abstract\"\u003eWendy Bertrand is a registered architect, rug weaver, self-described feminist and author living in Northern California since 1967. This collection documents her personal and professional activism and activities between 1954-2012, including her architectural studies, organizational activities, family life, travel, professional writing, textile projects, and career with the U.S. Navy and U.S. Forest Service.\u003c/abstract\u003e\n    "],"abstract_tesim":["Wendy Bertrand is a registered architect, rug weaver, self-described feminist and author living in Northern California since 1967. This collection documents her personal and professional activism and activities between 1954-2012, including her architectural studies, organizational activities, family life, travel, professional writing, textile projects, and career with the U.S. Navy and U.S. Forest Service."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Bertrand, Wendy"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Bertrand, Wendy"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":250,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:31:18.677Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2865","ead_ssi":"viblbv_repositories_2_resources_2865","_root_":"viblbv_repositories_2_resources_2865","_nest_parent_":"viblbv_repositories_2_resources_2865","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2865.xml","title_filing_ssi":"Bertrand, Wendy Scott Architectural Collection","title_ssm":["Wendy Scott Bertrand Architectural Collection"],"title_tesim":["Wendy Scott Bertrand Architectural Collection"],"unitdate_ssm":["1954-2012"],"unitdate_inclusive_ssm":["1954-2012"],"normalized_date_ssm":["1954/2012"],"normalized_title_ssm":["Wendy Scott Bertrand Architectural Collection, 1954/2012"],"text":["Wendy Scott Bertrand Architectural Collection, 1954/2012","Ms.2013.025","International Archive of Women in Architecture (IAWA)","Women architects -- California","Women -- History","History of Women in Architecture","The collection is open for research, with the exception of divorce documents (restricted until the death of all parties) and personnel records (restricted until August 1, 2065) in Box 10.","Personal Papers\n\n\t\n\n\t\tWritings\n\n\t\tCorrespondence\n\n\t\tSchool Work\n\n\t\tTravel\n\n\t\tPhotographs\n\n\t\tActivism\n\n\t\tHobbies and Family Records\n\n\t\n\n\n\nProfessional papers\n\n\t\n\n\t\tCorrespondence\n\n\t\tPhotographs\n\n\t\tWritings\n\n\t\tReference Files\n\n\t\tPresentations\n\n\t\tExhibits\n\n\t\tAssociations and Committee\n\n\t\tAwards\n\n\t\tCareer Records\n\n\t\tContinuing Education\n\n\t\n\n\n\nOffice Records\n\n\t\n\n\t\tNaval Facilities Engineering Command, Western Division\n\n\t\tNavy Public Works Center\n\n\t\tU.S. Forest Service Pacific Southwest Region 5\n\n\t\n\n\n\nProject Records\n\n\t\n\n\t\tNaval Facilities Engineering Command, Western Division \n\n\t\tNavy Public Works Center\n\n\t\tIndependent Projects","Wendy Scott Bertrand (née Eaken) is a registered architect, fiber artist and author brought up in San Diego, California. She studied at the École des Beaux Arts in France from 1964–65 and graduated from the University of California, Berkeley (Bach. Architecture 1971 , M.A. Architecture 1972). She designed private residential structures and supervised large-scale architectural projects for government contracts. Bertrand managed an Architectural Branch and an Engineering Division for the U.S. Navy (1973-1991) and held the position of engineering supervisor in the Western Region (5) Office of the U.S. Forest Service (1991-1994). Bertrand served in a variety of leadership roles throughout her career, including chair of the Quality of Worklife Committee for the U.S. Navy Public Works Center, examiner for her local Board of Architectural Examiners, and rating panelist for the City and County of San Francisco. She was an active participant in the Society of American Military Engineers and helped found the Organization of Women Architects and Design Professionals. In 2008, Bertrand published Rug Retrospective: Nine Weaving Seasons 1999-2008 (updated in 2010), documenting her textile projects. In 2012, Bertrand published Enamored with place: as woman + as architect, a memoir of her experiences as a single mother working in a traditionally male profession. Her 2015 epilogue, If I Knew Then What I Know Now (available online at http://wendybertrand.com/enamored-with-place/wp-content/uploads/2015/02/02_2015_epilogue.pdf), reflects on the influences of gender in architectural practice and what the future might hold for women in architecture.","The processing, arrangement, and description of the Wendy Bertrand Architectural Collection was completed in August 2017.","This collection documents the professional and personal activities of Wendy Bertrand between 1954-2012. Comprised primarily of textual materials and architectural drawings with supporting photographs and ephemera, the collection documents Bertrand's study of art and architecture; her career as an architect, engineering advisor, and supervisor for the US Navy and US Forest service; her private practice and engagement in national organizations; her family life, personal networks, and community engagement; and her artistic endeavors in textiles, photography, and furniture design. Coverage includes correspondence, travel journals, education files, project records and business files, personal reflections on her career, manuscript drafts, research notes, photographs, exhibition boards, construction documents, architectural drawings, and ephemera.","Permission to publish material from the Wendy Bertrand Architectural Collection must be obtained from Special Collections, Virginia Tech.","Wendy Bertrand is a registered architect, rug weaver, self-described feminist and author living in Northern California since 1967. This collection documents her personal and professional activism and activities between 1954-2012, including her architectural studies, organizational activities, family life, travel, professional writing, textile projects, and career with the U.S. Navy and U.S. Forest Service.","Special Collections and University Archives, Virginia Tech","Bertrand, Wendy","English\n."],"collection_title_tesim":["Wendy Scott Bertrand Architectural Collection, 1954/2012"],"collection_ssim":["Wendy Scott Bertrand Architectural Collection, 1954/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2013.025"],"unitid_tesim":["Ms.2013.025"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Bertrand, Wendy"],"creator_ssim":["Bertrand, Wendy"],"creator_persname_ssim":["Bertrand, Wendy"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Bertrand, Wendy","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["Permission to publish material from the Wendy Bertrand Architectural Collection must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["The Wendy Bertrand Architectural Collection was donated to Special Collections in 2013."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","Women architects -- California","Women -- History","History of Women in Architecture"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","Women architects -- California","Women -- History","History of Women in Architecture"],"has_online_content_ssim":["false"],"extent_ssm":["15.73 Cubic Feet"],"extent_tesim":["15.73 Cubic Feet"],"date_range_isim":[1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research, with the exception of divorce documents (restricted until the death of all parties) and personnel records (restricted until August 1, 2065) in Box 10.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research, with the exception of divorce documents (restricted until the death of all parties) and personnel records (restricted until August 1, 2065) in Box 10."],"arrangement_html_tesm":["\u003col type=\"I\"\u003e\n\n\u003cli\u003ePersonal Papers\n\n\t\u003col type=\"A\"\u003e\n\n\t\t\u003cli\u003eWritings\u003c/li\u003e\n\n\t\t\u003cli\u003eCorrespondence\u003c/li\u003e\n\n\t\t\u003cli\u003eSchool Work\u003c/li\u003e\n\n\t\t\u003cli\u003eTravel\u003c/li\u003e\n\n\t\t\u003cli\u003ePhotographs\u003c/li\u003e\n\n\t\t\u003cli\u003eActivism\u003c/li\u003e\n\n\t\t\u003cli\u003eHobbies and Family Records\u003c/li\u003e\n\n\t\u003c/ol\u003e\n\n\u003c/li\u003e\n\n\u003cli\u003eProfessional papers\n\n\t\u003col type=\"A\"\u003e\n\n\t\t\u003cli\u003eCorrespondence\u003c/li\u003e\n\n\t\t\u003cli\u003ePhotographs\u003c/li\u003e\n\n\t\t\u003cli\u003eWritings\u003c/li\u003e\n\n\t\t\u003cli\u003eReference Files\u003c/li\u003e\n\n\t\t\u003cli\u003ePresentations\u003c/li\u003e\n\n\t\t\u003cli\u003eExhibits\u003c/li\u003e\n\n\t\t\u003cli\u003eAssociations and Committee\u003c/li\u003e\n\n\t\t\u003cli\u003eAwards\u003c/li\u003e\n\n\t\t\u003cli\u003eCareer Records\u003c/li\u003e\n\n\t\t\u003cli\u003eContinuing Education\u003c/li\u003e\n\n\t\u003c/ol\u003e\n\n\u003c/li\u003e\n\n\u003cli\u003eOffice Records\n\n\t\u003col type=\"A\"\u003e\n\n\t\t\u003cli\u003eNaval Facilities Engineering Command, Western Division\u003c/li\u003e\n\n\t\t\u003cli\u003eNavy Public Works Center\u003c/li\u003e\n\n\t\t\u003cli\u003eU.S. Forest Service Pacific Southwest Region 5\u003c/li\u003e\n\n\t\u003c/ol\u003e\n\n\u003c/li\u003e\n\n\u003cli\u003eProject Records\n\n\t\u003col type=\"A\"\u003e\n\n\t\t\u003cli\u003eNaval Facilities Engineering Command, Western Division\u003c/li\u003e \n\n\t\t\u003cli\u003eNavy Public Works Center\u003c/li\u003e\n\n\t\t\u003cli\u003eIndependent Projects\u003c/li\u003e\n\n\t\u003c/ol\u003e\n\n\u003c/li\u003e\n\u003c/ol\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Personal Papers\n\n\t\n\n\t\tWritings\n\n\t\tCorrespondence\n\n\t\tSchool Work\n\n\t\tTravel\n\n\t\tPhotographs\n\n\t\tActivism\n\n\t\tHobbies and Family Records\n\n\t\n\n\n\nProfessional papers\n\n\t\n\n\t\tCorrespondence\n\n\t\tPhotographs\n\n\t\tWritings\n\n\t\tReference Files\n\n\t\tPresentations\n\n\t\tExhibits\n\n\t\tAssociations and Committee\n\n\t\tAwards\n\n\t\tCareer Records\n\n\t\tContinuing Education\n\n\t\n\n\n\nOffice Records\n\n\t\n\n\t\tNaval Facilities Engineering Command, Western Division\n\n\t\tNavy Public Works Center\n\n\t\tU.S. Forest Service Pacific Southwest Region 5\n\n\t\n\n\n\nProject Records\n\n\t\n\n\t\tNaval Facilities Engineering Command, Western Division \n\n\t\tNavy Public Works Center\n\n\t\tIndependent Projects"],"bioghist_html_tesm":["\u003cp\u003eWendy Scott Bertrand (née Eaken) is a registered architect, fiber artist and author brought up in San Diego, California. She studied at the École des Beaux Arts in France from 1964–65 and graduated from the University of California, Berkeley (Bach. Architecture 1971 , M.A. Architecture 1972). She designed private residential structures and supervised large-scale architectural projects for government contracts. Bertrand managed an Architectural Branch and an Engineering Division for the U.S. Navy (1973-1991) and held the position of engineering supervisor in the Western Region (5) Office of the U.S. Forest Service (1991-1994). Bertrand served in a variety of leadership roles throughout her career, including chair of the Quality of Worklife Committee for the U.S. Navy Public Works Center, examiner for her local Board of Architectural Examiners, and rating panelist for the City and County of San Francisco. She was an active participant in the Society of American Military Engineers and helped found the Organization of Women Architects and Design Professionals. In 2008, Bertrand published \u003cem\u003eRug Retrospective: Nine Weaving Seasons 1999-2008\u003c/em\u003e (updated in 2010), documenting her textile projects. In 2012, Bertrand published \u003cem\u003eEnamored with place: as woman + as architect\u003c/em\u003e, a memoir of her experiences as a single mother working in a traditionally male profession. Her 2015 epilogue, \u003cem\u003eIf I Knew Then What I Know Now\u003c/em\u003e (available online at \u003ca href=\"http://wendybertrand.com/enamored-with-place/wp-content/uploads/2015/02/02_2015_epilogue.pdf\" target=\"blank\"\u003ehttp://wendybertrand.com/enamored-with-place/wp-content/uploads/2015/02/02_2015_epilogue.pdf\u003c/a\u003e), reflects on the influences of gender in architectural practice and what the future might hold for women in architecture.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Wendy Scott Bertrand (née Eaken) is a registered architect, fiber artist and author brought up in San Diego, California. She studied at the École des Beaux Arts in France from 1964–65 and graduated from the University of California, Berkeley (Bach. Architecture 1971 , M.A. Architecture 1972). She designed private residential structures and supervised large-scale architectural projects for government contracts. Bertrand managed an Architectural Branch and an Engineering Division for the U.S. Navy (1973-1991) and held the position of engineering supervisor in the Western Region (5) Office of the U.S. Forest Service (1991-1994). Bertrand served in a variety of leadership roles throughout her career, including chair of the Quality of Worklife Committee for the U.S. Navy Public Works Center, examiner for her local Board of Architectural Examiners, and rating panelist for the City and County of San Francisco. She was an active participant in the Society of American Military Engineers and helped found the Organization of Women Architects and Design Professionals. In 2008, Bertrand published Rug Retrospective: Nine Weaving Seasons 1999-2008 (updated in 2010), documenting her textile projects. In 2012, Bertrand published Enamored with place: as woman + as architect, a memoir of her experiences as a single mother working in a traditionally male profession. Her 2015 epilogue, If I Knew Then What I Know Now (available online at http://wendybertrand.com/enamored-with-place/wp-content/uploads/2015/02/02_2015_epilogue.pdf), reflects on the influences of gender in architectural practice and what the future might hold for women in architecture."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Wendy Bertrand Architectural Collection, Ms2013-025, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Wendy Bertrand Architectural Collection, Ms2013-025, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Wendy Bertrand Architectural Collection was completed in August 2017.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Wendy Bertrand Architectural Collection was completed in August 2017."],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the professional and personal activities of Wendy Bertrand between 1954-2012. Comprised primarily of textual materials and architectural drawings with supporting photographs and ephemera, the collection documents Bertrand's study of art and architecture; her career as an architect, engineering advisor, and supervisor for the US Navy and US Forest service; her private practice and engagement in national organizations; her family life, personal networks, and community engagement; and her artistic endeavors in textiles, photography, and furniture design. Coverage includes correspondence, travel journals, education files, project records and business files, personal reflections on her career, manuscript drafts, research notes, photographs, exhibition boards, construction documents, architectural drawings, and ephemera.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection documents the professional and personal activities of Wendy Bertrand between 1954-2012. Comprised primarily of textual materials and architectural drawings with supporting photographs and ephemera, the collection documents Bertrand's study of art and architecture; her career as an architect, engineering advisor, and supervisor for the US Navy and US Forest service; her private practice and engagement in national organizations; her family life, personal networks, and community engagement; and her artistic endeavors in textiles, photography, and furniture design. Coverage includes correspondence, travel journals, education files, project records and business files, personal reflections on her career, manuscript drafts, research notes, photographs, exhibition boards, construction documents, architectural drawings, and ephemera."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the Wendy Bertrand Architectural Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish material from the Wendy Bertrand Architectural Collection must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3b8776781836046417e231ed6fc03b8e\" label=\"Abstract\"\u003eWendy Bertrand is a registered architect, rug weaver, self-described feminist and author living in Northern California since 1967. This collection documents her personal and professional activism and activities between 1954-2012, including her architectural studies, organizational activities, family life, travel, professional writing, textile projects, and career with the U.S. Navy and U.S. Forest Service.\u003c/abstract\u003e\n    "],"abstract_tesim":["Wendy Bertrand is a registered architect, rug weaver, self-described feminist and author living in Northern California since 1967. This collection documents her personal and professional activism and activities between 1954-2012, including her architectural studies, organizational activities, family life, travel, professional writing, textile projects, and career with the U.S. Navy and U.S. Forest Service."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Bertrand, Wendy"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Bertrand, Wendy"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":250,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:31:18.677Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2865"}},{"id":"viblbv_repositories_2_resources_1253","type":"collection","attributes":{"title":"Wilhelmina Van Ingen Elarth Papers, 1862/1971","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1253#creator","type":"document_value","attributes":{"value":"Elarth, Wilhelmina Van Ingen, 1905-1969","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1253#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains the papers of Wilhelmina van Ingen Elarth, a professor of art history and classical studies who taught at the University of Michigan, Wheaton College (Massachusetts), and the University of Manitoba. The collection includes such materials as correspondence, diaries, subject files, postcards, printed materials, original artwork (including sketches attributed to Henry van Ingen), ancient relic fragments, mementos and photographs. Much of the collection focuses on van Ingen's interest in the art and architecture of ancient Greece, Italy, and Mexico, and her visits to sites in those countries, including her year in Athens at the American School of Classical Studies, during which she participated in excavations at Eleusis.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1253#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1253","ead_ssi":"viblbv_repositories_2_resources_1253","_root_":"viblbv_repositories_2_resources_1253","_nest_parent_":"viblbv_repositories_2_resources_1253","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1253.xml","title_filing_ssi":"Elarth, Wilhelmina Van Ingen, Papers","title_ssm":["Wilhelmina Van Ingen Elarth Papers"],"title_tesim":["Wilhelmina Van Ingen Elarth Papers"],"unitdate_ssm":["1862-1971"],"unitdate_inclusive_ssm":["1862-1971"],"normalized_date_ssm":["1862/1971"],"normalized_title_ssm":["Wilhelmina Van Ingen Elarth Papers, 1862/1971"],"text":["Wilhelmina Van Ingen Elarth Papers, 1862/1971","Ms.1969.004","Architecture -- Study and teaching","University History","Women -- History","The collection is open for research.","The collection is arranged in 11 series:","Series I. Correspondence, 1927-1968. This series consists largely of letters written by Elarth to her mother while traveling and studying in Europe in 1927-1928. In addition to the usual descriptions of activities and sights, Elarth comments at length on the art and architecture that she sees. Among the places from which Elarth writes are London, Paris, Florence, Rome, and Athens. The series also contains a small folder of correspondence received by Elarth from friends and family.","Series II. Diaries, 1927-1968. Elarth's diaries commence with her stay in Europe in 1927-1928. In brief entries, she records travels, personal activities, studies, books read, work, health, and weather conditions. Elarth favored five-year diaries, containing pages formatted to hold entries for five successive years of a given day/month.  With few exceptions, Elarth made daily entries, providing a nearly continuous record of her activities for 40 years.","Series III. Life and Career, 1905-1971. This series contains materials relating to Elarth's personal, educational, and professional activities. Files relate to her birth and marriage; education; employment history; activities in clubs and professional organizations (particularly the American Association of University Women); and personal interests. The files contain correspondence, notes, and printed material. A folder of personal mementos has address books, identification cards (including a card and bookplates for Hendrik van Ingen), a few pieces of unattributed poetry, and notes made by Elarth on the provenance of a few family heirlooms.","Series IV. Van Ingen Family, 1873-1967. This small series contains materials relating to Wilhelmina van Ingen Elarth's paternal family. Included is a folder of correspondence with four letters addressed to Minnie van Ingen. There are also mementos from the wedding of Hendrik van Ingen and Ethel Mae Bell, a small collection of legal documents, and papers relating to the estate of Josephine van Ingen.","Series V. Postcards, ca. 1932-1968. Elarth's substantial collection of postcards focuses largely on the art and architecture she encountered during travels in the United States, Mexico, Europe, and other places. The postcards seem likely to have been assembled to assist in art instruction, with particular emphasis given to the United States, Mexico, Greece, and Italy. The majority of the postcards are unused. Arranged by continent, then nation, then locale and/or medium. Large-format postcards are filed at the end of the series.","Series VI. Printed Material, 1928-1961. This series consists largely of guidebooks likely used by Elarth during her travels in Mexico and Europe. Also included is a folder of assorted printed materials with play programs, scholarly articles on ancient artifacts, and reproductions of various pieces of art.","Series VII. Artwork, 1883-1957. Contained in this series are original works of art created by Wilhelmina van Ingen Elarth and her father, Hendrik van Ingen. Included is a collection of greeting cards designed by Elarth, consisting mostly of Christmas cards, many of which are thematically based on the art and architecture of ancient Greece. The series also contains a set of pencil and watercolor studies completed by Elarth. Also in the series are a sketchbook and a collection of unbound sketches signed \"HVI\" and attributed to Elarth's grandfather, Henry van Ingen. Van Ingen's sketches portray scenes from New York state, focusing particularly on the areas of Poughkeepsie and Seneca Lake. Completing the series is a small collection of artwork by unidentified artists, including silhouettes of Hendrik van Ingen and an unidentified woman, as well as five Japanese watercolors.","Series VIII. Artifacts, n.d. This series comprises Elarth's collection of ancient Aegean and pre-Columbian pottery, clay, and stone artifacts. Included are surface-found pottery and clay shards from various Greek and Greco-Roman sites on the Greek mainland and the Aegean Islands. Few of these shards are larger than 5 cm. in length. The collection is arranged by the numbers Elarth assigned to each piece, though the key to the numbers seems to have been lost. A few unnumbered pieces are arranged at the end of the set. Included are three fragments of a small vessel (82.10), a broken but restored phiale (82.37), a lamp (82.46), a Spartan marble fragment (82.51), a black-figure vessel lid (82.52), and three unnumbered items: a partially restored goblet with human figures in bas-relief, a clay spindle whorl, and a broken Minoan box lid with relief handle of reclining dog.","Also in the collection are pre-Columbian artifacts either surface-found or purchased by Elarth at the Huexotla site near Texcoco, Mexico. The pieces date from the Toltec/Aztec occupation, after ca. 1000 CE. Included are 22 small earthenware shards (few larger than 5 cm. in length), some with orange slip and additional decoration; others, undecorated. There are also four clay head figures (three human, one animal) and six clay spindle whorls with stamped decoration. The collection also contains six pieces of carved stone artifacts:  a miniature obsidian skull, a miniature jadeite mask, a carved relief of uncertain purpose, and three fragments of worked obsidian.","Series IX. Heirlooms and Mementos, 1862-ca. 1940. Elarth's activities and interests are represented in this collection of objects. There are pieces of jewelry, insignia pins, souvenirs from world's fair expositions, small collections of sealing wax impressions and Susquehanna Valley Bank notes, an ornate carved wood (19th century Dutch?) smoking pipe, and various personal effects. Many of the items likely belonged to Elarth's parents and husband. Also included is what appears to be a large (32 cm. diameter) Native American (perhaps Navajo) pottery bowl, broken into 33 individual pieces ranging in size from tiny to large.","Series X. Photographs and Negatives, 1893-1967. These photographs chronicle Elarth's life, family, friends, and travels. Included are photographs of her Newton, Bell, and van Ingen ancestors, with individual files devoted to her mother and father. (Included in the Hendrik van Ingen file are a number of photographs of buildings under construction, likely being homes that he had designed.) Also there are photos of the Elarths and family friends. A number of other photos in the series, showing scenes of the Rochester and Poughkeepsie, New York areas, were probably taken or collected by Hendrik van Ingen. The Elarths' home in Manitoba, Canada is shown in several dozen photos. The series also contains a large number of negatives, the majority of which are from Elarth's time in Greece. Also among the negatives are images of family and friends; travels; and the Elarths' homes in Manitoba and Virginia. Many of the negatives in the series have no corresponding print.","Series XI. Photo Albums, 1905-1927. The collection's albums largely mirror the photos found in the previous series. Two albums likely compiled by Hendrik van Ingen, contain photographs of various scenes, probably in the areas of Poughkeepsie and Rochester, New York. Also included is an album with photographs of Wilhelmina Van Ingen Elarth in early childhood and two albums of unidentified people and scenes of the early 20th century (likely Elarth and her family). The final item in the series seems to have been artificially compiled after its acquisition, though a number of the photos show evidence of having been removed from an album.","Wilhelmina van Ingen was born in 1905 in Rochester, New York, the daughter of Hendrik van Ingen, a well-known architect, and Ethel Mae Bell van Ingen. (Hendrik van Ingen was the son of Henry van Ingen, a painter of the Hudson River School who had emigrated from the Netherlands in 1860, and founded the Vassar College Art Department.)","After graduating from Vassar in 1926, van Ingen was awarded a Carnegie fellowship to study at the American School of Classical Studies in Athens, Greece from 1927 to 1928, during which time she participated in excavations at Eleusis. She earned a  master's degree in art history and classical archaeology from Radcliffe College in 1929. Van Ingen later studied at Johns Hopkins University and in 1932, received a Ph.D. from Radcliffe with a dissertation titled \"A Study of the Foundry Painter and the Alkimachos Painter.\" For several years, van Ingen held a research appointment at the University of Michigan's Institute of Archaeological Research.","In 1935, van Ingen was hired as an art professor at Wheaton College, where she continued to work until 1946. In 1942, she married Herschel A. Elarth (1907-1988), then a professor of architecture at the University of Oklahoma. The couple moved to Canada in 1947. Both worked for the University of Manitoba, where Wilhelmina taught art history.","In 1954, the couple moved to Blacksburg, Virginia, where Herschel Elarth joined the faculty of the Virginia Polytechnic Institute ArchitectureArt Department. During her time in Blacksburg, Wilhelmina Elarth was active in the American Association of University Women and served as the Blacksburg branch's president from 1964 to 1966. She was also an advisor to the Blacksburg Regional Art Association and director of the Associated Endowment Fund of the American School of Classical Studies, as well as a member of the Archeological Institute of America, the College Art Association, and Phi Beta Kappa.","Wilhelmina van Ingen Elarth died in Roanoke, Virginia on January 7, 1969, following an illness of about a year.","The guide to the Wilhelmina Van Ingen Elarth Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Wilhelmina Van Ingen Elarth Papers commenced in January, 2012 and was completed in November, 2012.","See the following related materials, which are also at Virginia Tech Special Collections and University Archives:","Herschel Anderson Elarth Papers, Ms1984-182","van Ingen, Wilhelmina. Figurines from Seleucia on the Tigris, Discovered by the Expeditions Conducted by the University of Michigan with the Cooperation of the Toledo Museum of Art and the Cleveland Museum of Art, 1927-1932. Ann Arbor, MI: University of Michigan Press, 1939. (NB80 .V34 1939 Large Spec)","van Ingen, Wilhelmina. University of Michigan. Corpus Vasorum Antiquorum, United States of America fasc. 3. Cambridge, MA: Harvard University Press, 1933. (NK4640 .C6 U5 faxc. 3 Folio Spec)","This collection contains the papers of Wilhelmina van Ingen Elarth, a professor of art history and classical studies who taught at the University of Michigan, Wheaton College (Massachusetts), and the University of Manitoba. The collection includes such materials as correspondence, diaries, subject files, postcards, printed materials, original artwork (including sketches attributed to Henry van Ingen), ancient relic fragments, mementos and photographs. Much of the collection focuses on van Ingen's interest in the art and architecture of ancient Greece, Italy, and Mexico, and her visits to sites in those countries, including her year in Athens at the American School of Classical Studies, during which she participated in excavations at Eleusis.","A number of books were removed from the collection and cataloged for the Rare Book Collection. These books may be accessed by entering Wilhelmina Elarth's name as a keyword search in the library's catalog.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection contains the papers of Wilhelmina van Ingen Elarth, a professor of art history and classical studies who taught at the University of Michigan, Wheaton College (Massachusetts), and the University of Manitoba. The collection includes such materials as correspondence, diaries, subject files, postcards, printed materials, original artwork (including sketches attributed to Henry van Ingen), ancient relic fragments, mementos and photographs. Much of the collection focuses on van Ingen's interest in the art and architecture of ancient Greece, Italy, and Mexico, and her visits to sites in those countries, including her year in Athens at the American School of Classical Studies, during which she participated in excavations at Eleusis.","Please note: This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections for more information.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Elarth, Wilhelmina Van Ingen, 1905-1969","The materials in the collection are in English."],"collection_title_tesim":["Wilhelmina Van Ingen Elarth Papers, 1862/1971"],"collection_ssim":["Wilhelmina Van Ingen Elarth Papers, 1862/1971"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1969.004"],"unitid_tesim":["Ms.1969.004"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Elarth, Wilhelmina Van Ingen, 1905-1969"],"creator_ssim":["Elarth, Wilhelmina Van Ingen, 1905-1969"],"creator_persname_ssim":["Elarth, Wilhelmina Van Ingen, 1905-1969"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"creators_ssim":["Elarth, Wilhelmina Van Ingen, 1905-1969","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Wilhelmina Van Ingen Elarth Papers were donated to Special Collections in 1969, 1970, 1982, 1983, and 1984."],"access_subjects_ssim":["Architecture -- Study and teaching","University History","Women -- History"],"access_subjects_ssm":["Architecture -- Study and teaching","University History","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["9.5 Cubic Feet 7 boxes"],"extent_tesim":["9.5 Cubic Feet 7 boxes"],"date_range_isim":[1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in 11 series:\u003c/p\u003e","\u003cp\u003eSeries I. Correspondence, 1927-1968. This series consists largely of letters written by Elarth to her mother while traveling and studying in Europe in 1927-1928. In addition to the usual descriptions of activities and sights, Elarth comments at length on the art and architecture that she sees. Among the places from which Elarth writes are London, Paris, Florence, Rome, and Athens. The series also contains a small folder of correspondence received by Elarth from friends and family.\u003c/p\u003e","\u003cp\u003eSeries II. Diaries, 1927-1968. Elarth's diaries commence with her stay in Europe in 1927-1928. In brief entries, she records travels, personal activities, studies, books read, work, health, and weather conditions. Elarth favored five-year diaries, containing pages formatted to hold entries for five successive years of a given day/month.  With few exceptions, Elarth made daily entries, providing a nearly continuous record of her activities for 40 years. \u003c/p\u003e","\u003cp\u003eSeries III. Life and Career, 1905-1971. This series contains materials relating to Elarth's personal, educational, and professional activities. Files relate to her birth and marriage; education; employment history; activities in clubs and professional organizations (particularly the American Association of University Women); and personal interests. The files contain correspondence, notes, and printed material. A folder of personal mementos has address books, identification cards (including a card and bookplates for Hendrik van Ingen), a few pieces of unattributed poetry, and notes made by Elarth on the provenance of a few family heirlooms.\u003c/p\u003e","\u003cp\u003eSeries IV. Van Ingen Family, 1873-1967. This small series contains materials relating to Wilhelmina van Ingen Elarth's paternal family. Included is a folder of correspondence with four letters addressed to Minnie van Ingen. There are also mementos from the wedding of Hendrik van Ingen and Ethel Mae Bell, a small collection of legal documents, and papers relating to the estate of Josephine van Ingen.\u003c/p\u003e","\u003cp\u003eSeries V. Postcards, ca. 1932-1968. Elarth's substantial collection of postcards focuses largely on the art and architecture she encountered during travels in the United States, Mexico, Europe, and other places. The postcards seem likely to have been assembled to assist in art instruction, with particular emphasis given to the United States, Mexico, Greece, and Italy. The majority of the postcards are unused. Arranged by continent, then nation, then locale and/or medium. Large-format postcards are filed at the end of the series.\u003c/p\u003e","\u003cp\u003eSeries VI. Printed Material, 1928-1961. This series consists largely of guidebooks likely used by Elarth during her travels in Mexico and Europe. Also included is a folder of assorted printed materials with play programs, scholarly articles on ancient artifacts, and reproductions of various pieces of art.\u003c/p\u003e","\u003cp\u003eSeries VII. Artwork, 1883-1957. Contained in this series are original works of art created by Wilhelmina van Ingen Elarth and her father, Hendrik van Ingen. Included is a collection of greeting cards designed by Elarth, consisting mostly of Christmas cards, many of which are thematically based on the art and architecture of ancient Greece. The series also contains a set of pencil and watercolor studies completed by Elarth. Also in the series are a sketchbook and a collection of unbound sketches signed \"HVI\" and attributed to Elarth's grandfather, Henry van Ingen. Van Ingen's sketches portray scenes from New York state, focusing particularly on the areas of Poughkeepsie and Seneca Lake. Completing the series is a small collection of artwork by unidentified artists, including silhouettes of Hendrik van Ingen and an unidentified woman, as well as five Japanese watercolors. \u003c/p\u003e","\u003cp\u003eSeries VIII. Artifacts, n.d. This series comprises Elarth's collection of ancient Aegean and pre-Columbian pottery, clay, and stone artifacts. Included are surface-found pottery and clay shards from various Greek and Greco-Roman sites on the Greek mainland and the Aegean Islands. Few of these shards are larger than 5 cm. in length. The collection is arranged by the numbers Elarth assigned to each piece, though the key to the numbers seems to have been lost. A few unnumbered pieces are arranged at the end of the set. Included are three fragments of a small vessel (82.10), a broken but restored phiale (82.37), a lamp (82.46), a Spartan marble fragment (82.51), a black-figure vessel lid (82.52), and three unnumbered items: a partially restored goblet with human figures in bas-relief, a clay spindle whorl, and a broken Minoan box lid with relief handle of reclining dog.  \u003c/p\u003e","\u003cp\u003eAlso in the collection are pre-Columbian artifacts either surface-found or purchased by Elarth at the Huexotla site near Texcoco, Mexico. The pieces date from the Toltec/Aztec occupation, after ca. 1000 CE. Included are 22 small earthenware shards (few larger than 5 cm. in length), some with orange slip and additional decoration; others, undecorated. There are also four clay head figures (three human, one animal) and six clay spindle whorls with stamped decoration. The collection also contains six pieces of carved stone artifacts:  a miniature obsidian skull, a miniature jadeite mask, a carved relief of uncertain purpose, and three fragments of worked obsidian.\u003c/p\u003e","\u003cp\u003eSeries IX. Heirlooms and Mementos, 1862-ca. 1940. Elarth's activities and interests are represented in this collection of objects. There are pieces of jewelry, insignia pins, souvenirs from world's fair expositions, small collections of sealing wax impressions and Susquehanna Valley Bank notes, an ornate carved wood (19th century Dutch?) smoking pipe, and various personal effects. Many of the items likely belonged to Elarth's parents and husband. Also included is what appears to be a large (32 cm. diameter) Native American (perhaps Navajo) pottery bowl, broken into 33 individual pieces ranging in size from tiny to large.\u003c/p\u003e","\u003cp\u003eSeries X. Photographs and Negatives, 1893-1967. These photographs chronicle Elarth's life, family, friends, and travels. Included are photographs of her Newton, Bell, and van Ingen ancestors, with individual files devoted to her mother and father. (Included in the Hendrik van Ingen file are a number of photographs of buildings under construction, likely being homes that he had designed.) Also there are photos of the Elarths and family friends. A number of other photos in the series, showing scenes of the Rochester and Poughkeepsie, New York areas, were probably taken or collected by Hendrik van Ingen. The Elarths' home in Manitoba, Canada is shown in several dozen photos. The series also contains a large number of negatives, the majority of which are from Elarth's time in Greece. Also among the negatives are images of family and friends; travels; and the Elarths' homes in Manitoba and Virginia. Many of the negatives in the series have no corresponding print.\u003c/p\u003e","\u003cp\u003eSeries XI. Photo Albums, 1905-1927. The collection's albums largely mirror the photos found in the previous series. Two albums likely compiled by Hendrik van Ingen, contain photographs of various scenes, probably in the areas of Poughkeepsie and Rochester, New York. Also included is an album with photographs of Wilhelmina Van Ingen Elarth in early childhood and two albums of unidentified people and scenes of the early 20th century (likely Elarth and her family). The final item in the series seems to have been artificially compiled after its acquisition, though a number of the photos show evidence of having been removed from an album.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in 11 series:","Series I. Correspondence, 1927-1968. This series consists largely of letters written by Elarth to her mother while traveling and studying in Europe in 1927-1928. In addition to the usual descriptions of activities and sights, Elarth comments at length on the art and architecture that she sees. Among the places from which Elarth writes are London, Paris, Florence, Rome, and Athens. The series also contains a small folder of correspondence received by Elarth from friends and family.","Series II. Diaries, 1927-1968. Elarth's diaries commence with her stay in Europe in 1927-1928. In brief entries, she records travels, personal activities, studies, books read, work, health, and weather conditions. Elarth favored five-year diaries, containing pages formatted to hold entries for five successive years of a given day/month.  With few exceptions, Elarth made daily entries, providing a nearly continuous record of her activities for 40 years.","Series III. Life and Career, 1905-1971. This series contains materials relating to Elarth's personal, educational, and professional activities. Files relate to her birth and marriage; education; employment history; activities in clubs and professional organizations (particularly the American Association of University Women); and personal interests. The files contain correspondence, notes, and printed material. A folder of personal mementos has address books, identification cards (including a card and bookplates for Hendrik van Ingen), a few pieces of unattributed poetry, and notes made by Elarth on the provenance of a few family heirlooms.","Series IV. Van Ingen Family, 1873-1967. This small series contains materials relating to Wilhelmina van Ingen Elarth's paternal family. Included is a folder of correspondence with four letters addressed to Minnie van Ingen. There are also mementos from the wedding of Hendrik van Ingen and Ethel Mae Bell, a small collection of legal documents, and papers relating to the estate of Josephine van Ingen.","Series V. Postcards, ca. 1932-1968. Elarth's substantial collection of postcards focuses largely on the art and architecture she encountered during travels in the United States, Mexico, Europe, and other places. The postcards seem likely to have been assembled to assist in art instruction, with particular emphasis given to the United States, Mexico, Greece, and Italy. The majority of the postcards are unused. Arranged by continent, then nation, then locale and/or medium. Large-format postcards are filed at the end of the series.","Series VI. Printed Material, 1928-1961. This series consists largely of guidebooks likely used by Elarth during her travels in Mexico and Europe. Also included is a folder of assorted printed materials with play programs, scholarly articles on ancient artifacts, and reproductions of various pieces of art.","Series VII. Artwork, 1883-1957. Contained in this series are original works of art created by Wilhelmina van Ingen Elarth and her father, Hendrik van Ingen. Included is a collection of greeting cards designed by Elarth, consisting mostly of Christmas cards, many of which are thematically based on the art and architecture of ancient Greece. The series also contains a set of pencil and watercolor studies completed by Elarth. Also in the series are a sketchbook and a collection of unbound sketches signed \"HVI\" and attributed to Elarth's grandfather, Henry van Ingen. Van Ingen's sketches portray scenes from New York state, focusing particularly on the areas of Poughkeepsie and Seneca Lake. Completing the series is a small collection of artwork by unidentified artists, including silhouettes of Hendrik van Ingen and an unidentified woman, as well as five Japanese watercolors.","Series VIII. Artifacts, n.d. This series comprises Elarth's collection of ancient Aegean and pre-Columbian pottery, clay, and stone artifacts. Included are surface-found pottery and clay shards from various Greek and Greco-Roman sites on the Greek mainland and the Aegean Islands. Few of these shards are larger than 5 cm. in length. The collection is arranged by the numbers Elarth assigned to each piece, though the key to the numbers seems to have been lost. A few unnumbered pieces are arranged at the end of the set. Included are three fragments of a small vessel (82.10), a broken but restored phiale (82.37), a lamp (82.46), a Spartan marble fragment (82.51), a black-figure vessel lid (82.52), and three unnumbered items: a partially restored goblet with human figures in bas-relief, a clay spindle whorl, and a broken Minoan box lid with relief handle of reclining dog.","Also in the collection are pre-Columbian artifacts either surface-found or purchased by Elarth at the Huexotla site near Texcoco, Mexico. The pieces date from the Toltec/Aztec occupation, after ca. 1000 CE. Included are 22 small earthenware shards (few larger than 5 cm. in length), some with orange slip and additional decoration; others, undecorated. There are also four clay head figures (three human, one animal) and six clay spindle whorls with stamped decoration. The collection also contains six pieces of carved stone artifacts:  a miniature obsidian skull, a miniature jadeite mask, a carved relief of uncertain purpose, and three fragments of worked obsidian.","Series IX. Heirlooms and Mementos, 1862-ca. 1940. Elarth's activities and interests are represented in this collection of objects. There are pieces of jewelry, insignia pins, souvenirs from world's fair expositions, small collections of sealing wax impressions and Susquehanna Valley Bank notes, an ornate carved wood (19th century Dutch?) smoking pipe, and various personal effects. Many of the items likely belonged to Elarth's parents and husband. Also included is what appears to be a large (32 cm. diameter) Native American (perhaps Navajo) pottery bowl, broken into 33 individual pieces ranging in size from tiny to large.","Series X. Photographs and Negatives, 1893-1967. These photographs chronicle Elarth's life, family, friends, and travels. Included are photographs of her Newton, Bell, and van Ingen ancestors, with individual files devoted to her mother and father. (Included in the Hendrik van Ingen file are a number of photographs of buildings under construction, likely being homes that he had designed.) Also there are photos of the Elarths and family friends. A number of other photos in the series, showing scenes of the Rochester and Poughkeepsie, New York areas, were probably taken or collected by Hendrik van Ingen. The Elarths' home in Manitoba, Canada is shown in several dozen photos. The series also contains a large number of negatives, the majority of which are from Elarth's time in Greece. Also among the negatives are images of family and friends; travels; and the Elarths' homes in Manitoba and Virginia. Many of the negatives in the series have no corresponding print.","Series XI. Photo Albums, 1905-1927. The collection's albums largely mirror the photos found in the previous series. Two albums likely compiled by Hendrik van Ingen, contain photographs of various scenes, probably in the areas of Poughkeepsie and Rochester, New York. Also included is an album with photographs of Wilhelmina Van Ingen Elarth in early childhood and two albums of unidentified people and scenes of the early 20th century (likely Elarth and her family). The final item in the series seems to have been artificially compiled after its acquisition, though a number of the photos show evidence of having been removed from an album."],"bioghist_html_tesm":["\u003cp\u003eWilhelmina van Ingen was born in 1905 in Rochester, New York, the daughter of Hendrik van Ingen, a well-known architect, and Ethel Mae Bell van Ingen. (Hendrik van Ingen was the son of Henry van Ingen, a painter of the Hudson River School who had emigrated from the Netherlands in 1860, and founded the Vassar College Art Department.) \u003c/p\u003e","\u003cp\u003eAfter graduating from Vassar in 1926, van Ingen was awarded a Carnegie fellowship to study at the American School of Classical Studies in Athens, Greece from 1927 to 1928, during which time she participated in excavations at Eleusis. She earned a  master's degree in art history and classical archaeology from Radcliffe College in 1929. Van Ingen later studied at Johns Hopkins University and in 1932, received a Ph.D. from Radcliffe with a dissertation titled \"A Study of the Foundry Painter and the Alkimachos Painter.\" For several years, van Ingen held a research appointment at the University of Michigan's Institute of Archaeological Research. \u003c/p\u003e","\u003cp\u003eIn 1935, van Ingen was hired as an art professor at Wheaton College, where she continued to work until 1946. In 1942, she married Herschel A. Elarth (1907-1988), then a professor of architecture at the University of Oklahoma. The couple moved to Canada in 1947. Both worked for the University of Manitoba, where Wilhelmina taught art history.\u003c/p\u003e","\u003cp\u003eIn 1954, the couple moved to Blacksburg, Virginia, where Herschel Elarth joined the faculty of the Virginia Polytechnic Institute ArchitectureArt Department. During her time in Blacksburg, Wilhelmina Elarth was active in the American Association of University Women and served as the Blacksburg branch's president from 1964 to 1966. She was also an advisor to the Blacksburg Regional Art Association and director of the Associated Endowment Fund of the American School of Classical Studies, as well as a member of the Archeological Institute of America, the College Art Association, and Phi Beta Kappa.\u003c/p\u003e","\u003cp\u003eWilhelmina van Ingen Elarth died in Roanoke, Virginia on January 7, 1969, following an illness of about a year. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Wilhelmina van Ingen was born in 1905 in Rochester, New York, the daughter of Hendrik van Ingen, a well-known architect, and Ethel Mae Bell van Ingen. (Hendrik van Ingen was the son of Henry van Ingen, a painter of the Hudson River School who had emigrated from the Netherlands in 1860, and founded the Vassar College Art Department.)","After graduating from Vassar in 1926, van Ingen was awarded a Carnegie fellowship to study at the American School of Classical Studies in Athens, Greece from 1927 to 1928, during which time she participated in excavations at Eleusis. She earned a  master's degree in art history and classical archaeology from Radcliffe College in 1929. Van Ingen later studied at Johns Hopkins University and in 1932, received a Ph.D. from Radcliffe with a dissertation titled \"A Study of the Foundry Painter and the Alkimachos Painter.\" For several years, van Ingen held a research appointment at the University of Michigan's Institute of Archaeological Research.","In 1935, van Ingen was hired as an art professor at Wheaton College, where she continued to work until 1946. In 1942, she married Herschel A. Elarth (1907-1988), then a professor of architecture at the University of Oklahoma. The couple moved to Canada in 1947. Both worked for the University of Manitoba, where Wilhelmina taught art history.","In 1954, the couple moved to Blacksburg, Virginia, where Herschel Elarth joined the faculty of the Virginia Polytechnic Institute ArchitectureArt Department. During her time in Blacksburg, Wilhelmina Elarth was active in the American Association of University Women and served as the Blacksburg branch's president from 1964 to 1966. She was also an advisor to the Blacksburg Regional Art Association and director of the Associated Endowment Fund of the American School of Classical Studies, as well as a member of the Archeological Institute of America, the College Art Association, and Phi Beta Kappa.","Wilhelmina van Ingen Elarth died in Roanoke, Virginia on January 7, 1969, following an illness of about a year."],"odd_html_tesm":["\u003cp\u003eThe guide to the Wilhelmina Van Ingen Elarth Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Wilhelmina Van Ingen Elarth Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Wilhelmina Van Ingen Elarth Papers, Ms1969-004, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Wilhelmina Van Ingen Elarth Papers, Ms1969-004, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Wilhelmina Van Ingen Elarth Papers commenced in January, 2012 and was completed in November, 2012.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Wilhelmina Van Ingen Elarth Papers commenced in January, 2012 and was completed in November, 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSee the following related materials, which are also at Virginia Tech Special Collections and University Archives:\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/VT/repositories_2_resources_1404.xml\" title=\"Herschel Anderson Elarth Papers, Ms1984-182\"\u003eHerschel Anderson Elarth Papers, Ms1984-182\u003c/a\u003e\u003c/p\u003e","\u003cp\u003evan Ingen, Wilhelmina. \u003ctitle render=\"italic\"\u003eFigurines from Seleucia on the Tigris, Discovered by the Expeditions Conducted by the University of Michigan with the Cooperation of the Toledo Museum of Art and the Cleveland Museum of Art, 1927-1932.\u003c/title\u003e Ann Arbor, MI: University of Michigan Press, 1939. (NB80 .V34 1939 Large Spec)\u003c/p\u003e","\u003cp\u003evan Ingen, Wilhelmina. \u003ctitle render=\"italic\"\u003eUniversity of Michigan\u003c/title\u003e. Corpus Vasorum Antiquorum, United States of America fasc. 3. Cambridge, MA: Harvard University Press, 1933. (NK4640 .C6 U5 faxc. 3 Folio Spec)\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["See the following related materials, which are also at Virginia Tech Special Collections and University Archives:","Herschel Anderson Elarth Papers, Ms1984-182","van Ingen, Wilhelmina. Figurines from Seleucia on the Tigris, Discovered by the Expeditions Conducted by the University of Michigan with the Cooperation of the Toledo Museum of Art and the Cleveland Museum of Art, 1927-1932. Ann Arbor, MI: University of Michigan Press, 1939. (NB80 .V34 1939 Large Spec)","van Ingen, Wilhelmina. University of Michigan. Corpus Vasorum Antiquorum, United States of America fasc. 3. Cambridge, MA: Harvard University Press, 1933. (NK4640 .C6 U5 faxc. 3 Folio Spec)"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the papers of Wilhelmina van Ingen Elarth, a professor of art history and classical studies who taught at the University of Michigan, Wheaton College (Massachusetts), and the University of Manitoba. The collection includes such materials as correspondence, diaries, subject files, postcards, printed materials, original artwork (including sketches attributed to Henry van Ingen), ancient relic fragments, mementos and photographs. Much of the collection focuses on van Ingen's interest in the art and architecture of ancient Greece, Italy, and Mexico, and her visits to sites in those countries, including her year in Athens at the American School of Classical Studies, during which she participated in excavations at Eleusis.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains the papers of Wilhelmina van Ingen Elarth, a professor of art history and classical studies who taught at the University of Michigan, Wheaton College (Massachusetts), and the University of Manitoba. The collection includes such materials as correspondence, diaries, subject files, postcards, printed materials, original artwork (including sketches attributed to Henry van Ingen), ancient relic fragments, mementos and photographs. Much of the collection focuses on van Ingen's interest in the art and architecture of ancient Greece, Italy, and Mexico, and her visits to sites in those countries, including her year in Athens at the American School of Classical Studies, during which she participated in excavations at Eleusis."],"separatedmaterial_html_tesm":["\u003cp\u003eA number of books were removed from the collection and cataloged for the Rare Book Collection. These books may be accessed by entering Wilhelmina Elarth's name as a keyword search in the library's catalog.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A number of books were removed from the collection and cataloged for the Rare Book Collection. These books may be accessed by entering Wilhelmina Elarth's name as a keyword search in the library's catalog."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_24a6c7f302c5580122e0766bf08ebe1e\" label=\"Abstract\"\u003eThis collection contains the papers of Wilhelmina van Ingen Elarth, a professor of art history and classical studies who taught at the University of Michigan, Wheaton College (Massachusetts), and the University of Manitoba. The collection includes such materials as correspondence, diaries, subject files, postcards, printed materials, original artwork (including sketches attributed to Henry van Ingen), ancient relic fragments, mementos and photographs. Much of the collection focuses on van Ingen's interest in the art and architecture of ancient Greece, Italy, and Mexico, and her visits to sites in those countries, including her year in Athens at the American School of Classical Studies, during which she participated in excavations at Eleusis.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains the papers of Wilhelmina van Ingen Elarth, a professor of art history and classical studies who taught at the University of Michigan, Wheaton College (Massachusetts), and the University of Manitoba. The collection includes such materials as correspondence, diaries, subject files, postcards, printed materials, original artwork (including sketches attributed to Henry van Ingen), ancient relic fragments, mementos and photographs. Much of the collection focuses on van Ingen's interest in the art and architecture of ancient Greece, Italy, and Mexico, and her visits to sites in those countries, including her year in Athens at the American School of Classical Studies, during which she participated in excavations at Eleusis."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f09928add8fce97a5ec536c6c3d1d5c6\"\u003e\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections for more information.\u003c/physloc\u003e\n    "],"physloc_tesim":["Please note: This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections for more information."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"names_coll_ssim":["Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Elarth, Wilhelmina Van Ingen, 1905-1969"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Elarth, Wilhelmina Van Ingen, 1905-1969"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":221,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:29:13.394Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1253","ead_ssi":"viblbv_repositories_2_resources_1253","_root_":"viblbv_repositories_2_resources_1253","_nest_parent_":"viblbv_repositories_2_resources_1253","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1253.xml","title_filing_ssi":"Elarth, Wilhelmina Van Ingen, Papers","title_ssm":["Wilhelmina Van Ingen Elarth Papers"],"title_tesim":["Wilhelmina Van Ingen Elarth Papers"],"unitdate_ssm":["1862-1971"],"unitdate_inclusive_ssm":["1862-1971"],"normalized_date_ssm":["1862/1971"],"normalized_title_ssm":["Wilhelmina Van Ingen Elarth Papers, 1862/1971"],"text":["Wilhelmina Van Ingen Elarth Papers, 1862/1971","Ms.1969.004","Architecture -- Study and teaching","University History","Women -- History","The collection is open for research.","The collection is arranged in 11 series:","Series I. Correspondence, 1927-1968. This series consists largely of letters written by Elarth to her mother while traveling and studying in Europe in 1927-1928. In addition to the usual descriptions of activities and sights, Elarth comments at length on the art and architecture that she sees. Among the places from which Elarth writes are London, Paris, Florence, Rome, and Athens. The series also contains a small folder of correspondence received by Elarth from friends and family.","Series II. Diaries, 1927-1968. Elarth's diaries commence with her stay in Europe in 1927-1928. In brief entries, she records travels, personal activities, studies, books read, work, health, and weather conditions. Elarth favored five-year diaries, containing pages formatted to hold entries for five successive years of a given day/month.  With few exceptions, Elarth made daily entries, providing a nearly continuous record of her activities for 40 years.","Series III. Life and Career, 1905-1971. This series contains materials relating to Elarth's personal, educational, and professional activities. Files relate to her birth and marriage; education; employment history; activities in clubs and professional organizations (particularly the American Association of University Women); and personal interests. The files contain correspondence, notes, and printed material. A folder of personal mementos has address books, identification cards (including a card and bookplates for Hendrik van Ingen), a few pieces of unattributed poetry, and notes made by Elarth on the provenance of a few family heirlooms.","Series IV. Van Ingen Family, 1873-1967. This small series contains materials relating to Wilhelmina van Ingen Elarth's paternal family. Included is a folder of correspondence with four letters addressed to Minnie van Ingen. There are also mementos from the wedding of Hendrik van Ingen and Ethel Mae Bell, a small collection of legal documents, and papers relating to the estate of Josephine van Ingen.","Series V. Postcards, ca. 1932-1968. Elarth's substantial collection of postcards focuses largely on the art and architecture she encountered during travels in the United States, Mexico, Europe, and other places. The postcards seem likely to have been assembled to assist in art instruction, with particular emphasis given to the United States, Mexico, Greece, and Italy. The majority of the postcards are unused. Arranged by continent, then nation, then locale and/or medium. Large-format postcards are filed at the end of the series.","Series VI. Printed Material, 1928-1961. This series consists largely of guidebooks likely used by Elarth during her travels in Mexico and Europe. Also included is a folder of assorted printed materials with play programs, scholarly articles on ancient artifacts, and reproductions of various pieces of art.","Series VII. Artwork, 1883-1957. Contained in this series are original works of art created by Wilhelmina van Ingen Elarth and her father, Hendrik van Ingen. Included is a collection of greeting cards designed by Elarth, consisting mostly of Christmas cards, many of which are thematically based on the art and architecture of ancient Greece. The series also contains a set of pencil and watercolor studies completed by Elarth. Also in the series are a sketchbook and a collection of unbound sketches signed \"HVI\" and attributed to Elarth's grandfather, Henry van Ingen. Van Ingen's sketches portray scenes from New York state, focusing particularly on the areas of Poughkeepsie and Seneca Lake. Completing the series is a small collection of artwork by unidentified artists, including silhouettes of Hendrik van Ingen and an unidentified woman, as well as five Japanese watercolors.","Series VIII. Artifacts, n.d. This series comprises Elarth's collection of ancient Aegean and pre-Columbian pottery, clay, and stone artifacts. Included are surface-found pottery and clay shards from various Greek and Greco-Roman sites on the Greek mainland and the Aegean Islands. Few of these shards are larger than 5 cm. in length. The collection is arranged by the numbers Elarth assigned to each piece, though the key to the numbers seems to have been lost. A few unnumbered pieces are arranged at the end of the set. Included are three fragments of a small vessel (82.10), a broken but restored phiale (82.37), a lamp (82.46), a Spartan marble fragment (82.51), a black-figure vessel lid (82.52), and three unnumbered items: a partially restored goblet with human figures in bas-relief, a clay spindle whorl, and a broken Minoan box lid with relief handle of reclining dog.","Also in the collection are pre-Columbian artifacts either surface-found or purchased by Elarth at the Huexotla site near Texcoco, Mexico. The pieces date from the Toltec/Aztec occupation, after ca. 1000 CE. Included are 22 small earthenware shards (few larger than 5 cm. in length), some with orange slip and additional decoration; others, undecorated. There are also four clay head figures (three human, one animal) and six clay spindle whorls with stamped decoration. The collection also contains six pieces of carved stone artifacts:  a miniature obsidian skull, a miniature jadeite mask, a carved relief of uncertain purpose, and three fragments of worked obsidian.","Series IX. Heirlooms and Mementos, 1862-ca. 1940. Elarth's activities and interests are represented in this collection of objects. There are pieces of jewelry, insignia pins, souvenirs from world's fair expositions, small collections of sealing wax impressions and Susquehanna Valley Bank notes, an ornate carved wood (19th century Dutch?) smoking pipe, and various personal effects. Many of the items likely belonged to Elarth's parents and husband. Also included is what appears to be a large (32 cm. diameter) Native American (perhaps Navajo) pottery bowl, broken into 33 individual pieces ranging in size from tiny to large.","Series X. Photographs and Negatives, 1893-1967. These photographs chronicle Elarth's life, family, friends, and travels. Included are photographs of her Newton, Bell, and van Ingen ancestors, with individual files devoted to her mother and father. (Included in the Hendrik van Ingen file are a number of photographs of buildings under construction, likely being homes that he had designed.) Also there are photos of the Elarths and family friends. A number of other photos in the series, showing scenes of the Rochester and Poughkeepsie, New York areas, were probably taken or collected by Hendrik van Ingen. The Elarths' home in Manitoba, Canada is shown in several dozen photos. The series also contains a large number of negatives, the majority of which are from Elarth's time in Greece. Also among the negatives are images of family and friends; travels; and the Elarths' homes in Manitoba and Virginia. Many of the negatives in the series have no corresponding print.","Series XI. Photo Albums, 1905-1927. The collection's albums largely mirror the photos found in the previous series. Two albums likely compiled by Hendrik van Ingen, contain photographs of various scenes, probably in the areas of Poughkeepsie and Rochester, New York. Also included is an album with photographs of Wilhelmina Van Ingen Elarth in early childhood and two albums of unidentified people and scenes of the early 20th century (likely Elarth and her family). The final item in the series seems to have been artificially compiled after its acquisition, though a number of the photos show evidence of having been removed from an album.","Wilhelmina van Ingen was born in 1905 in Rochester, New York, the daughter of Hendrik van Ingen, a well-known architect, and Ethel Mae Bell van Ingen. (Hendrik van Ingen was the son of Henry van Ingen, a painter of the Hudson River School who had emigrated from the Netherlands in 1860, and founded the Vassar College Art Department.)","After graduating from Vassar in 1926, van Ingen was awarded a Carnegie fellowship to study at the American School of Classical Studies in Athens, Greece from 1927 to 1928, during which time she participated in excavations at Eleusis. She earned a  master's degree in art history and classical archaeology from Radcliffe College in 1929. Van Ingen later studied at Johns Hopkins University and in 1932, received a Ph.D. from Radcliffe with a dissertation titled \"A Study of the Foundry Painter and the Alkimachos Painter.\" For several years, van Ingen held a research appointment at the University of Michigan's Institute of Archaeological Research.","In 1935, van Ingen was hired as an art professor at Wheaton College, where she continued to work until 1946. In 1942, she married Herschel A. Elarth (1907-1988), then a professor of architecture at the University of Oklahoma. The couple moved to Canada in 1947. Both worked for the University of Manitoba, where Wilhelmina taught art history.","In 1954, the couple moved to Blacksburg, Virginia, where Herschel Elarth joined the faculty of the Virginia Polytechnic Institute ArchitectureArt Department. During her time in Blacksburg, Wilhelmina Elarth was active in the American Association of University Women and served as the Blacksburg branch's president from 1964 to 1966. She was also an advisor to the Blacksburg Regional Art Association and director of the Associated Endowment Fund of the American School of Classical Studies, as well as a member of the Archeological Institute of America, the College Art Association, and Phi Beta Kappa.","Wilhelmina van Ingen Elarth died in Roanoke, Virginia on January 7, 1969, following an illness of about a year.","The guide to the Wilhelmina Van Ingen Elarth Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Wilhelmina Van Ingen Elarth Papers commenced in January, 2012 and was completed in November, 2012.","See the following related materials, which are also at Virginia Tech Special Collections and University Archives:","Herschel Anderson Elarth Papers, Ms1984-182","van Ingen, Wilhelmina. Figurines from Seleucia on the Tigris, Discovered by the Expeditions Conducted by the University of Michigan with the Cooperation of the Toledo Museum of Art and the Cleveland Museum of Art, 1927-1932. Ann Arbor, MI: University of Michigan Press, 1939. (NB80 .V34 1939 Large Spec)","van Ingen, Wilhelmina. University of Michigan. Corpus Vasorum Antiquorum, United States of America fasc. 3. Cambridge, MA: Harvard University Press, 1933. (NK4640 .C6 U5 faxc. 3 Folio Spec)","This collection contains the papers of Wilhelmina van Ingen Elarth, a professor of art history and classical studies who taught at the University of Michigan, Wheaton College (Massachusetts), and the University of Manitoba. The collection includes such materials as correspondence, diaries, subject files, postcards, printed materials, original artwork (including sketches attributed to Henry van Ingen), ancient relic fragments, mementos and photographs. Much of the collection focuses on van Ingen's interest in the art and architecture of ancient Greece, Italy, and Mexico, and her visits to sites in those countries, including her year in Athens at the American School of Classical Studies, during which she participated in excavations at Eleusis.","A number of books were removed from the collection and cataloged for the Rare Book Collection. These books may be accessed by entering Wilhelmina Elarth's name as a keyword search in the library's catalog.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection contains the papers of Wilhelmina van Ingen Elarth, a professor of art history and classical studies who taught at the University of Michigan, Wheaton College (Massachusetts), and the University of Manitoba. The collection includes such materials as correspondence, diaries, subject files, postcards, printed materials, original artwork (including sketches attributed to Henry van Ingen), ancient relic fragments, mementos and photographs. Much of the collection focuses on van Ingen's interest in the art and architecture of ancient Greece, Italy, and Mexico, and her visits to sites in those countries, including her year in Athens at the American School of Classical Studies, during which she participated in excavations at Eleusis.","Please note: This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections for more information.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Elarth, Wilhelmina Van Ingen, 1905-1969","The materials in the collection are in English."],"collection_title_tesim":["Wilhelmina Van Ingen Elarth Papers, 1862/1971"],"collection_ssim":["Wilhelmina Van Ingen Elarth Papers, 1862/1971"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1969.004"],"unitid_tesim":["Ms.1969.004"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Elarth, Wilhelmina Van Ingen, 1905-1969"],"creator_ssim":["Elarth, Wilhelmina Van Ingen, 1905-1969"],"creator_persname_ssim":["Elarth, Wilhelmina Van Ingen, 1905-1969"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"creators_ssim":["Elarth, Wilhelmina Van Ingen, 1905-1969","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Wilhelmina Van Ingen Elarth Papers were donated to Special Collections in 1969, 1970, 1982, 1983, and 1984."],"access_subjects_ssim":["Architecture -- Study and teaching","University History","Women -- History"],"access_subjects_ssm":["Architecture -- Study and teaching","University History","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["9.5 Cubic Feet 7 boxes"],"extent_tesim":["9.5 Cubic Feet 7 boxes"],"date_range_isim":[1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in 11 series:\u003c/p\u003e","\u003cp\u003eSeries I. Correspondence, 1927-1968. This series consists largely of letters written by Elarth to her mother while traveling and studying in Europe in 1927-1928. In addition to the usual descriptions of activities and sights, Elarth comments at length on the art and architecture that she sees. Among the places from which Elarth writes are London, Paris, Florence, Rome, and Athens. The series also contains a small folder of correspondence received by Elarth from friends and family.\u003c/p\u003e","\u003cp\u003eSeries II. Diaries, 1927-1968. Elarth's diaries commence with her stay in Europe in 1927-1928. In brief entries, she records travels, personal activities, studies, books read, work, health, and weather conditions. Elarth favored five-year diaries, containing pages formatted to hold entries for five successive years of a given day/month.  With few exceptions, Elarth made daily entries, providing a nearly continuous record of her activities for 40 years. \u003c/p\u003e","\u003cp\u003eSeries III. Life and Career, 1905-1971. This series contains materials relating to Elarth's personal, educational, and professional activities. Files relate to her birth and marriage; education; employment history; activities in clubs and professional organizations (particularly the American Association of University Women); and personal interests. The files contain correspondence, notes, and printed material. A folder of personal mementos has address books, identification cards (including a card and bookplates for Hendrik van Ingen), a few pieces of unattributed poetry, and notes made by Elarth on the provenance of a few family heirlooms.\u003c/p\u003e","\u003cp\u003eSeries IV. Van Ingen Family, 1873-1967. This small series contains materials relating to Wilhelmina van Ingen Elarth's paternal family. Included is a folder of correspondence with four letters addressed to Minnie van Ingen. There are also mementos from the wedding of Hendrik van Ingen and Ethel Mae Bell, a small collection of legal documents, and papers relating to the estate of Josephine van Ingen.\u003c/p\u003e","\u003cp\u003eSeries V. Postcards, ca. 1932-1968. Elarth's substantial collection of postcards focuses largely on the art and architecture she encountered during travels in the United States, Mexico, Europe, and other places. The postcards seem likely to have been assembled to assist in art instruction, with particular emphasis given to the United States, Mexico, Greece, and Italy. The majority of the postcards are unused. Arranged by continent, then nation, then locale and/or medium. Large-format postcards are filed at the end of the series.\u003c/p\u003e","\u003cp\u003eSeries VI. Printed Material, 1928-1961. This series consists largely of guidebooks likely used by Elarth during her travels in Mexico and Europe. Also included is a folder of assorted printed materials with play programs, scholarly articles on ancient artifacts, and reproductions of various pieces of art.\u003c/p\u003e","\u003cp\u003eSeries VII. Artwork, 1883-1957. Contained in this series are original works of art created by Wilhelmina van Ingen Elarth and her father, Hendrik van Ingen. Included is a collection of greeting cards designed by Elarth, consisting mostly of Christmas cards, many of which are thematically based on the art and architecture of ancient Greece. The series also contains a set of pencil and watercolor studies completed by Elarth. Also in the series are a sketchbook and a collection of unbound sketches signed \"HVI\" and attributed to Elarth's grandfather, Henry van Ingen. Van Ingen's sketches portray scenes from New York state, focusing particularly on the areas of Poughkeepsie and Seneca Lake. Completing the series is a small collection of artwork by unidentified artists, including silhouettes of Hendrik van Ingen and an unidentified woman, as well as five Japanese watercolors. \u003c/p\u003e","\u003cp\u003eSeries VIII. Artifacts, n.d. This series comprises Elarth's collection of ancient Aegean and pre-Columbian pottery, clay, and stone artifacts. Included are surface-found pottery and clay shards from various Greek and Greco-Roman sites on the Greek mainland and the Aegean Islands. Few of these shards are larger than 5 cm. in length. The collection is arranged by the numbers Elarth assigned to each piece, though the key to the numbers seems to have been lost. A few unnumbered pieces are arranged at the end of the set. Included are three fragments of a small vessel (82.10), a broken but restored phiale (82.37), a lamp (82.46), a Spartan marble fragment (82.51), a black-figure vessel lid (82.52), and three unnumbered items: a partially restored goblet with human figures in bas-relief, a clay spindle whorl, and a broken Minoan box lid with relief handle of reclining dog.  \u003c/p\u003e","\u003cp\u003eAlso in the collection are pre-Columbian artifacts either surface-found or purchased by Elarth at the Huexotla site near Texcoco, Mexico. The pieces date from the Toltec/Aztec occupation, after ca. 1000 CE. Included are 22 small earthenware shards (few larger than 5 cm. in length), some with orange slip and additional decoration; others, undecorated. There are also four clay head figures (three human, one animal) and six clay spindle whorls with stamped decoration. The collection also contains six pieces of carved stone artifacts:  a miniature obsidian skull, a miniature jadeite mask, a carved relief of uncertain purpose, and three fragments of worked obsidian.\u003c/p\u003e","\u003cp\u003eSeries IX. Heirlooms and Mementos, 1862-ca. 1940. Elarth's activities and interests are represented in this collection of objects. There are pieces of jewelry, insignia pins, souvenirs from world's fair expositions, small collections of sealing wax impressions and Susquehanna Valley Bank notes, an ornate carved wood (19th century Dutch?) smoking pipe, and various personal effects. Many of the items likely belonged to Elarth's parents and husband. Also included is what appears to be a large (32 cm. diameter) Native American (perhaps Navajo) pottery bowl, broken into 33 individual pieces ranging in size from tiny to large.\u003c/p\u003e","\u003cp\u003eSeries X. Photographs and Negatives, 1893-1967. These photographs chronicle Elarth's life, family, friends, and travels. Included are photographs of her Newton, Bell, and van Ingen ancestors, with individual files devoted to her mother and father. (Included in the Hendrik van Ingen file are a number of photographs of buildings under construction, likely being homes that he had designed.) Also there are photos of the Elarths and family friends. A number of other photos in the series, showing scenes of the Rochester and Poughkeepsie, New York areas, were probably taken or collected by Hendrik van Ingen. The Elarths' home in Manitoba, Canada is shown in several dozen photos. The series also contains a large number of negatives, the majority of which are from Elarth's time in Greece. Also among the negatives are images of family and friends; travels; and the Elarths' homes in Manitoba and Virginia. Many of the negatives in the series have no corresponding print.\u003c/p\u003e","\u003cp\u003eSeries XI. Photo Albums, 1905-1927. The collection's albums largely mirror the photos found in the previous series. Two albums likely compiled by Hendrik van Ingen, contain photographs of various scenes, probably in the areas of Poughkeepsie and Rochester, New York. Also included is an album with photographs of Wilhelmina Van Ingen Elarth in early childhood and two albums of unidentified people and scenes of the early 20th century (likely Elarth and her family). The final item in the series seems to have been artificially compiled after its acquisition, though a number of the photos show evidence of having been removed from an album.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in 11 series:","Series I. Correspondence, 1927-1968. This series consists largely of letters written by Elarth to her mother while traveling and studying in Europe in 1927-1928. In addition to the usual descriptions of activities and sights, Elarth comments at length on the art and architecture that she sees. Among the places from which Elarth writes are London, Paris, Florence, Rome, and Athens. The series also contains a small folder of correspondence received by Elarth from friends and family.","Series II. Diaries, 1927-1968. Elarth's diaries commence with her stay in Europe in 1927-1928. In brief entries, she records travels, personal activities, studies, books read, work, health, and weather conditions. Elarth favored five-year diaries, containing pages formatted to hold entries for five successive years of a given day/month.  With few exceptions, Elarth made daily entries, providing a nearly continuous record of her activities for 40 years.","Series III. Life and Career, 1905-1971. This series contains materials relating to Elarth's personal, educational, and professional activities. Files relate to her birth and marriage; education; employment history; activities in clubs and professional organizations (particularly the American Association of University Women); and personal interests. The files contain correspondence, notes, and printed material. A folder of personal mementos has address books, identification cards (including a card and bookplates for Hendrik van Ingen), a few pieces of unattributed poetry, and notes made by Elarth on the provenance of a few family heirlooms.","Series IV. Van Ingen Family, 1873-1967. This small series contains materials relating to Wilhelmina van Ingen Elarth's paternal family. Included is a folder of correspondence with four letters addressed to Minnie van Ingen. There are also mementos from the wedding of Hendrik van Ingen and Ethel Mae Bell, a small collection of legal documents, and papers relating to the estate of Josephine van Ingen.","Series V. Postcards, ca. 1932-1968. Elarth's substantial collection of postcards focuses largely on the art and architecture she encountered during travels in the United States, Mexico, Europe, and other places. The postcards seem likely to have been assembled to assist in art instruction, with particular emphasis given to the United States, Mexico, Greece, and Italy. The majority of the postcards are unused. Arranged by continent, then nation, then locale and/or medium. Large-format postcards are filed at the end of the series.","Series VI. Printed Material, 1928-1961. This series consists largely of guidebooks likely used by Elarth during her travels in Mexico and Europe. Also included is a folder of assorted printed materials with play programs, scholarly articles on ancient artifacts, and reproductions of various pieces of art.","Series VII. Artwork, 1883-1957. Contained in this series are original works of art created by Wilhelmina van Ingen Elarth and her father, Hendrik van Ingen. Included is a collection of greeting cards designed by Elarth, consisting mostly of Christmas cards, many of which are thematically based on the art and architecture of ancient Greece. The series also contains a set of pencil and watercolor studies completed by Elarth. Also in the series are a sketchbook and a collection of unbound sketches signed \"HVI\" and attributed to Elarth's grandfather, Henry van Ingen. Van Ingen's sketches portray scenes from New York state, focusing particularly on the areas of Poughkeepsie and Seneca Lake. Completing the series is a small collection of artwork by unidentified artists, including silhouettes of Hendrik van Ingen and an unidentified woman, as well as five Japanese watercolors.","Series VIII. Artifacts, n.d. This series comprises Elarth's collection of ancient Aegean and pre-Columbian pottery, clay, and stone artifacts. Included are surface-found pottery and clay shards from various Greek and Greco-Roman sites on the Greek mainland and the Aegean Islands. Few of these shards are larger than 5 cm. in length. The collection is arranged by the numbers Elarth assigned to each piece, though the key to the numbers seems to have been lost. A few unnumbered pieces are arranged at the end of the set. Included are three fragments of a small vessel (82.10), a broken but restored phiale (82.37), a lamp (82.46), a Spartan marble fragment (82.51), a black-figure vessel lid (82.52), and three unnumbered items: a partially restored goblet with human figures in bas-relief, a clay spindle whorl, and a broken Minoan box lid with relief handle of reclining dog.","Also in the collection are pre-Columbian artifacts either surface-found or purchased by Elarth at the Huexotla site near Texcoco, Mexico. The pieces date from the Toltec/Aztec occupation, after ca. 1000 CE. Included are 22 small earthenware shards (few larger than 5 cm. in length), some with orange slip and additional decoration; others, undecorated. There are also four clay head figures (three human, one animal) and six clay spindle whorls with stamped decoration. The collection also contains six pieces of carved stone artifacts:  a miniature obsidian skull, a miniature jadeite mask, a carved relief of uncertain purpose, and three fragments of worked obsidian.","Series IX. Heirlooms and Mementos, 1862-ca. 1940. Elarth's activities and interests are represented in this collection of objects. There are pieces of jewelry, insignia pins, souvenirs from world's fair expositions, small collections of sealing wax impressions and Susquehanna Valley Bank notes, an ornate carved wood (19th century Dutch?) smoking pipe, and various personal effects. Many of the items likely belonged to Elarth's parents and husband. Also included is what appears to be a large (32 cm. diameter) Native American (perhaps Navajo) pottery bowl, broken into 33 individual pieces ranging in size from tiny to large.","Series X. Photographs and Negatives, 1893-1967. These photographs chronicle Elarth's life, family, friends, and travels. Included are photographs of her Newton, Bell, and van Ingen ancestors, with individual files devoted to her mother and father. (Included in the Hendrik van Ingen file are a number of photographs of buildings under construction, likely being homes that he had designed.) Also there are photos of the Elarths and family friends. A number of other photos in the series, showing scenes of the Rochester and Poughkeepsie, New York areas, were probably taken or collected by Hendrik van Ingen. The Elarths' home in Manitoba, Canada is shown in several dozen photos. The series also contains a large number of negatives, the majority of which are from Elarth's time in Greece. Also among the negatives are images of family and friends; travels; and the Elarths' homes in Manitoba and Virginia. Many of the negatives in the series have no corresponding print.","Series XI. Photo Albums, 1905-1927. The collection's albums largely mirror the photos found in the previous series. Two albums likely compiled by Hendrik van Ingen, contain photographs of various scenes, probably in the areas of Poughkeepsie and Rochester, New York. Also included is an album with photographs of Wilhelmina Van Ingen Elarth in early childhood and two albums of unidentified people and scenes of the early 20th century (likely Elarth and her family). The final item in the series seems to have been artificially compiled after its acquisition, though a number of the photos show evidence of having been removed from an album."],"bioghist_html_tesm":["\u003cp\u003eWilhelmina van Ingen was born in 1905 in Rochester, New York, the daughter of Hendrik van Ingen, a well-known architect, and Ethel Mae Bell van Ingen. (Hendrik van Ingen was the son of Henry van Ingen, a painter of the Hudson River School who had emigrated from the Netherlands in 1860, and founded the Vassar College Art Department.) \u003c/p\u003e","\u003cp\u003eAfter graduating from Vassar in 1926, van Ingen was awarded a Carnegie fellowship to study at the American School of Classical Studies in Athens, Greece from 1927 to 1928, during which time she participated in excavations at Eleusis. She earned a  master's degree in art history and classical archaeology from Radcliffe College in 1929. Van Ingen later studied at Johns Hopkins University and in 1932, received a Ph.D. from Radcliffe with a dissertation titled \"A Study of the Foundry Painter and the Alkimachos Painter.\" For several years, van Ingen held a research appointment at the University of Michigan's Institute of Archaeological Research. \u003c/p\u003e","\u003cp\u003eIn 1935, van Ingen was hired as an art professor at Wheaton College, where she continued to work until 1946. In 1942, she married Herschel A. Elarth (1907-1988), then a professor of architecture at the University of Oklahoma. The couple moved to Canada in 1947. Both worked for the University of Manitoba, where Wilhelmina taught art history.\u003c/p\u003e","\u003cp\u003eIn 1954, the couple moved to Blacksburg, Virginia, where Herschel Elarth joined the faculty of the Virginia Polytechnic Institute ArchitectureArt Department. During her time in Blacksburg, Wilhelmina Elarth was active in the American Association of University Women and served as the Blacksburg branch's president from 1964 to 1966. She was also an advisor to the Blacksburg Regional Art Association and director of the Associated Endowment Fund of the American School of Classical Studies, as well as a member of the Archeological Institute of America, the College Art Association, and Phi Beta Kappa.\u003c/p\u003e","\u003cp\u003eWilhelmina van Ingen Elarth died in Roanoke, Virginia on January 7, 1969, following an illness of about a year. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Wilhelmina van Ingen was born in 1905 in Rochester, New York, the daughter of Hendrik van Ingen, a well-known architect, and Ethel Mae Bell van Ingen. (Hendrik van Ingen was the son of Henry van Ingen, a painter of the Hudson River School who had emigrated from the Netherlands in 1860, and founded the Vassar College Art Department.)","After graduating from Vassar in 1926, van Ingen was awarded a Carnegie fellowship to study at the American School of Classical Studies in Athens, Greece from 1927 to 1928, during which time she participated in excavations at Eleusis. She earned a  master's degree in art history and classical archaeology from Radcliffe College in 1929. Van Ingen later studied at Johns Hopkins University and in 1932, received a Ph.D. from Radcliffe with a dissertation titled \"A Study of the Foundry Painter and the Alkimachos Painter.\" For several years, van Ingen held a research appointment at the University of Michigan's Institute of Archaeological Research.","In 1935, van Ingen was hired as an art professor at Wheaton College, where she continued to work until 1946. In 1942, she married Herschel A. Elarth (1907-1988), then a professor of architecture at the University of Oklahoma. The couple moved to Canada in 1947. Both worked for the University of Manitoba, where Wilhelmina taught art history.","In 1954, the couple moved to Blacksburg, Virginia, where Herschel Elarth joined the faculty of the Virginia Polytechnic Institute ArchitectureArt Department. During her time in Blacksburg, Wilhelmina Elarth was active in the American Association of University Women and served as the Blacksburg branch's president from 1964 to 1966. She was also an advisor to the Blacksburg Regional Art Association and director of the Associated Endowment Fund of the American School of Classical Studies, as well as a member of the Archeological Institute of America, the College Art Association, and Phi Beta Kappa.","Wilhelmina van Ingen Elarth died in Roanoke, Virginia on January 7, 1969, following an illness of about a year."],"odd_html_tesm":["\u003cp\u003eThe guide to the Wilhelmina Van Ingen Elarth Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Wilhelmina Van Ingen Elarth Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Wilhelmina Van Ingen Elarth Papers, Ms1969-004, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Wilhelmina Van Ingen Elarth Papers, Ms1969-004, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Wilhelmina Van Ingen Elarth Papers commenced in January, 2012 and was completed in November, 2012.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Wilhelmina Van Ingen Elarth Papers commenced in January, 2012 and was completed in November, 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSee the following related materials, which are also at Virginia Tech Special Collections and University Archives:\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/VT/repositories_2_resources_1404.xml\" title=\"Herschel Anderson Elarth Papers, Ms1984-182\"\u003eHerschel Anderson Elarth Papers, Ms1984-182\u003c/a\u003e\u003c/p\u003e","\u003cp\u003evan Ingen, Wilhelmina. \u003ctitle render=\"italic\"\u003eFigurines from Seleucia on the Tigris, Discovered by the Expeditions Conducted by the University of Michigan with the Cooperation of the Toledo Museum of Art and the Cleveland Museum of Art, 1927-1932.\u003c/title\u003e Ann Arbor, MI: University of Michigan Press, 1939. (NB80 .V34 1939 Large Spec)\u003c/p\u003e","\u003cp\u003evan Ingen, Wilhelmina. \u003ctitle render=\"italic\"\u003eUniversity of Michigan\u003c/title\u003e. Corpus Vasorum Antiquorum, United States of America fasc. 3. Cambridge, MA: Harvard University Press, 1933. (NK4640 .C6 U5 faxc. 3 Folio Spec)\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["See the following related materials, which are also at Virginia Tech Special Collections and University Archives:","Herschel Anderson Elarth Papers, Ms1984-182","van Ingen, Wilhelmina. Figurines from Seleucia on the Tigris, Discovered by the Expeditions Conducted by the University of Michigan with the Cooperation of the Toledo Museum of Art and the Cleveland Museum of Art, 1927-1932. Ann Arbor, MI: University of Michigan Press, 1939. (NB80 .V34 1939 Large Spec)","van Ingen, Wilhelmina. University of Michigan. Corpus Vasorum Antiquorum, United States of America fasc. 3. Cambridge, MA: Harvard University Press, 1933. (NK4640 .C6 U5 faxc. 3 Folio Spec)"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the papers of Wilhelmina van Ingen Elarth, a professor of art history and classical studies who taught at the University of Michigan, Wheaton College (Massachusetts), and the University of Manitoba. The collection includes such materials as correspondence, diaries, subject files, postcards, printed materials, original artwork (including sketches attributed to Henry van Ingen), ancient relic fragments, mementos and photographs. Much of the collection focuses on van Ingen's interest in the art and architecture of ancient Greece, Italy, and Mexico, and her visits to sites in those countries, including her year in Athens at the American School of Classical Studies, during which she participated in excavations at Eleusis.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains the papers of Wilhelmina van Ingen Elarth, a professor of art history and classical studies who taught at the University of Michigan, Wheaton College (Massachusetts), and the University of Manitoba. The collection includes such materials as correspondence, diaries, subject files, postcards, printed materials, original artwork (including sketches attributed to Henry van Ingen), ancient relic fragments, mementos and photographs. Much of the collection focuses on van Ingen's interest in the art and architecture of ancient Greece, Italy, and Mexico, and her visits to sites in those countries, including her year in Athens at the American School of Classical Studies, during which she participated in excavations at Eleusis."],"separatedmaterial_html_tesm":["\u003cp\u003eA number of books were removed from the collection and cataloged for the Rare Book Collection. These books may be accessed by entering Wilhelmina Elarth's name as a keyword search in the library's catalog.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A number of books were removed from the collection and cataloged for the Rare Book Collection. These books may be accessed by entering Wilhelmina Elarth's name as a keyword search in the library's catalog."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_24a6c7f302c5580122e0766bf08ebe1e\" label=\"Abstract\"\u003eThis collection contains the papers of Wilhelmina van Ingen Elarth, a professor of art history and classical studies who taught at the University of Michigan, Wheaton College (Massachusetts), and the University of Manitoba. The collection includes such materials as correspondence, diaries, subject files, postcards, printed materials, original artwork (including sketches attributed to Henry van Ingen), ancient relic fragments, mementos and photographs. Much of the collection focuses on van Ingen's interest in the art and architecture of ancient Greece, Italy, and Mexico, and her visits to sites in those countries, including her year in Athens at the American School of Classical Studies, during which she participated in excavations at Eleusis.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains the papers of Wilhelmina van Ingen Elarth, a professor of art history and classical studies who taught at the University of Michigan, Wheaton College (Massachusetts), and the University of Manitoba. The collection includes such materials as correspondence, diaries, subject files, postcards, printed materials, original artwork (including sketches attributed to Henry van Ingen), ancient relic fragments, mementos and photographs. Much of the collection focuses on van Ingen's interest in the art and architecture of ancient Greece, Italy, and Mexico, and her visits to sites in those countries, including her year in Athens at the American School of Classical Studies, during which she participated in excavations at Eleusis."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f09928add8fce97a5ec536c6c3d1d5c6\"\u003e\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections for more information.\u003c/physloc\u003e\n    "],"physloc_tesim":["Please note: This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections for more information."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"names_coll_ssim":["Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Elarth, Wilhelmina Van Ingen, 1905-1969"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Elarth, Wilhelmina Van Ingen, 1905-1969"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":221,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:29:13.394Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1253"}},{"id":"viblbv_repositories_2_resources_1855","type":"collection","attributes":{"title":"Zelma Wilson Architectural Collection, 1940/1995, bulk 1969/1991","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1855#creator","type":"document_value","attributes":{"value":"Wilson, Zelma, 1918-1996","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1855#abstract_or_scope","type":"document_value","attributes":{"value":"Wilson (1918-1996) an architect in Ojai, CA was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm. Her collection contains biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects. Materials range in date from 1940-1995 (bulk 1969-1991).","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1855#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1855","ead_ssi":"viblbv_repositories_2_resources_1855","_root_":"viblbv_repositories_2_resources_1855","_nest_parent_":"viblbv_repositories_2_resources_1855","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1855.xml","title_filing_ssi":"Wilson, Zelma, Architectural Collection","title_ssm":["Zelma Wilson Architectural Collection"],"title_tesim":["Zelma Wilson Architectural Collection"],"unitdate_ssm":["1940-1995","1969-1991"],"unitdate_inclusive_ssm":["1940-1995"],"unitdate_bulk_ssim":["1969-1991"],"normalized_date_ssm":["1940/1995, bulk 1969/1991"],"normalized_title_ssm":["Zelma Wilson Architectural Collection, 1940/1995, bulk 1969/1991"],"text":["Zelma Wilson Architectural Collection, 1940/1995, bulk 1969/1991","Ms.1991.046","Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawings (visual works)","The collection is open for research.","Zelma Wilson (1918-1996) was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson was the only woman in her graduating class at USC that year.  Her husband, a screenwriter, was blacklisted in 1952 after co-producing a film about New Mexico zinc miners.  As a result the couple moved to Europe.  While in Paris, Zelma pursued her post graduate studies at L'Ecole de Beaux Arts and her husband wrote \"The Bridge on the River Kwai\" and co-wrote \"Lawrence of Arabia.\"","After working for the Los Angeles Planning Department, she obtained valuable experience in the offices of Richard Neutra, Victor Gruen Associates, R. M. Schindler, and Raphael Soriano.  By 1957 Wilson was licensed and in 1967 she became principle of her own firm, Zelma Wilson and Associates, AIA, which she maintained continuously for over 20 years.  She became a Fellow of the AIA in 1983 and guest lectured at Cal Poly San Luis Obispo for 10 years.  As her practice grew Wilson acquired two partners and changed the firm name to Wilson and Conrad, Architects, AIA (1979-1984).  The name shifted again as staffing and partnerships changed to The Ojai Group (1985-1986[?]) and finally Zelma Wilson, FAIA (1987[?]-1995).","Her projects started with houses and grew to institutional work, churches, and private schools.  Wilson served on the California State Governors Emergency Task Force on Earthquake Preparedness from 1979 until 1985. Her projects include Vandenberg AFB Child Development Center, Ojai City Hall and the Simi Valley Community Center. Asked once by a prospective male employer if she cried on the job, Wilson answered, \"I don't, but I've made a few contractors cry.\"","The guide to the Zelma Wilson Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Zelma Wilson Architectural Collection was completed in August 2011. Preliminary processing was undertaken January 2006.","Zelma Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm initially Zelma Wilson and Associates and its many iterations (Wilson and Conrad Architects, The Ojai Group, and  Zelma Wilson, FAIA). In the collection you will find biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991) and are divided into three categories:  Professional Papers, Office Records, and Project Records.   Review the contents list below for details on individual categories.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Wilson (1918-1996) an architect in Ojai, CA was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm.  Her collection contains biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991).","Special Collections and University Archives, Virginia Tech","Wilson, Zelma, 1918-1996","The materials in the collection are in English."],"collection_title_tesim":["Zelma Wilson Architectural Collection, 1940/1995, bulk 1969/1991"],"collection_ssim":["Zelma Wilson Architectural Collection, 1940/1995, bulk 1969/1991"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1991.046"],"unitid_tesim":["Ms.1991.046"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Wilson, Zelma, 1918-1996"],"creator_ssim":["Wilson, Zelma, 1918-1996"],"creator_persname_ssim":["Wilson, Zelma, 1918-1996"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Wilson, Zelma, 1918-1996","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Zelma Wilson Architectural Collection was donated to Special Collections in 1991 with the bulk of the collection arriving in 1996."],"access_subjects_ssim":["Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["115.5 Cubic Feet 24 record cartons; 177 rolled drawings; 5 map-case drawers"],"extent_tesim":["115.5 Cubic Feet 24 record cartons; 177 rolled drawings; 5 map-case drawers"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eZelma Wilson (1918-1996) was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson was the only woman in her graduating class at USC that year.  Her husband, a screenwriter, was blacklisted in 1952 after co-producing a film about New Mexico zinc miners.  As a result the couple moved to Europe.  While in Paris, Zelma pursued her post graduate studies at L'Ecole de Beaux Arts and her husband wrote \"The Bridge on the River Kwai\" and co-wrote \"Lawrence of Arabia.\"\u003c/p\u003e","\u003cp\u003eAfter working for the Los Angeles Planning Department, she obtained valuable experience in the offices of Richard Neutra, Victor Gruen Associates, R. M. Schindler, and Raphael Soriano.  By 1957 Wilson was licensed and in 1967 she became principle of her own firm, Zelma Wilson and Associates, AIA, which she maintained continuously for over 20 years.  She became a Fellow of the AIA in 1983 and guest lectured at Cal Poly San Luis Obispo for 10 years.  As her practice grew Wilson acquired two partners and changed the firm name to Wilson and Conrad, Architects, AIA (1979-1984).  The name shifted again as staffing and partnerships changed to The Ojai Group (1985-1986[?]) and finally Zelma Wilson, FAIA (1987[?]-1995). \u003c/p\u003e","\u003cp\u003eHer projects started with houses and grew to institutional work, churches, and private schools.  Wilson served on the California State Governors Emergency Task Force on Earthquake Preparedness from 1979 until 1985. Her projects include Vandenberg AFB Child Development Center, Ojai City Hall and the Simi Valley Community Center. Asked once by a prospective male employer if she cried on the job, Wilson answered, \"I don't, but I've made a few contractors cry.\" \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Zelma Wilson (1918-1996) was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson was the only woman in her graduating class at USC that year.  Her husband, a screenwriter, was blacklisted in 1952 after co-producing a film about New Mexico zinc miners.  As a result the couple moved to Europe.  While in Paris, Zelma pursued her post graduate studies at L'Ecole de Beaux Arts and her husband wrote \"The Bridge on the River Kwai\" and co-wrote \"Lawrence of Arabia.\"","After working for the Los Angeles Planning Department, she obtained valuable experience in the offices of Richard Neutra, Victor Gruen Associates, R. M. Schindler, and Raphael Soriano.  By 1957 Wilson was licensed and in 1967 she became principle of her own firm, Zelma Wilson and Associates, AIA, which she maintained continuously for over 20 years.  She became a Fellow of the AIA in 1983 and guest lectured at Cal Poly San Luis Obispo for 10 years.  As her practice grew Wilson acquired two partners and changed the firm name to Wilson and Conrad, Architects, AIA (1979-1984).  The name shifted again as staffing and partnerships changed to The Ojai Group (1985-1986[?]) and finally Zelma Wilson, FAIA (1987[?]-1995).","Her projects started with houses and grew to institutional work, churches, and private schools.  Wilson served on the California State Governors Emergency Task Force on Earthquake Preparedness from 1979 until 1985. Her projects include Vandenberg AFB Child Development Center, Ojai City Hall and the Simi Valley Community Center. Asked once by a prospective male employer if she cried on the job, Wilson answered, \"I don't, but I've made a few contractors cry.\""],"odd_html_tesm":["\u003cp\u003eThe guide to the Zelma Wilson Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Zelma Wilson Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Zelma Wilson Architectural Collection, Ms1991-046, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Zelma Wilson Architectural Collection, Ms1991-046, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Zelma Wilson Architectural Collection was completed in August 2011. Preliminary processing was undertaken January 2006.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Zelma Wilson Architectural Collection was completed in August 2011. Preliminary processing was undertaken January 2006."],"scopecontent_html_tesm":["\u003cp\u003eZelma Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm initially Zelma Wilson and Associates and its many iterations (Wilson and Conrad Architects, The Ojai Group, and  Zelma Wilson, FAIA). In the collection you will find biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991) and are divided into three categories:  Professional Papers, Office Records, and Project Records.   Review the contents list below for details on individual categories.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Zelma Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm initially Zelma Wilson and Associates and its many iterations (Wilson and Conrad Architects, The Ojai Group, and  Zelma Wilson, FAIA). In the collection you will find biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991) and are divided into three categories:  Professional Papers, Office Records, and Project Records.   Review the contents list below for details on individual categories."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a5530344875689115357e4bee240e5e1\" label=\"Abstract\"\u003eWilson (1918-1996) an architect in Ojai, CA was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm.  Her collection contains biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991).\u003c/abstract\u003e\n    "],"abstract_tesim":["Wilson (1918-1996) an architect in Ojai, CA was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm.  Her collection contains biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991)."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Wilson, Zelma, 1918-1996"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Wilson, Zelma, 1918-1996"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":417,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:00.355Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1855","ead_ssi":"viblbv_repositories_2_resources_1855","_root_":"viblbv_repositories_2_resources_1855","_nest_parent_":"viblbv_repositories_2_resources_1855","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1855.xml","title_filing_ssi":"Wilson, Zelma, Architectural Collection","title_ssm":["Zelma Wilson Architectural Collection"],"title_tesim":["Zelma Wilson Architectural Collection"],"unitdate_ssm":["1940-1995","1969-1991"],"unitdate_inclusive_ssm":["1940-1995"],"unitdate_bulk_ssim":["1969-1991"],"normalized_date_ssm":["1940/1995, bulk 1969/1991"],"normalized_title_ssm":["Zelma Wilson Architectural Collection, 1940/1995, bulk 1969/1991"],"text":["Zelma Wilson Architectural Collection, 1940/1995, bulk 1969/1991","Ms.1991.046","Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawings (visual works)","The collection is open for research.","Zelma Wilson (1918-1996) was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson was the only woman in her graduating class at USC that year.  Her husband, a screenwriter, was blacklisted in 1952 after co-producing a film about New Mexico zinc miners.  As a result the couple moved to Europe.  While in Paris, Zelma pursued her post graduate studies at L'Ecole de Beaux Arts and her husband wrote \"The Bridge on the River Kwai\" and co-wrote \"Lawrence of Arabia.\"","After working for the Los Angeles Planning Department, she obtained valuable experience in the offices of Richard Neutra, Victor Gruen Associates, R. M. Schindler, and Raphael Soriano.  By 1957 Wilson was licensed and in 1967 she became principle of her own firm, Zelma Wilson and Associates, AIA, which she maintained continuously for over 20 years.  She became a Fellow of the AIA in 1983 and guest lectured at Cal Poly San Luis Obispo for 10 years.  As her practice grew Wilson acquired two partners and changed the firm name to Wilson and Conrad, Architects, AIA (1979-1984).  The name shifted again as staffing and partnerships changed to The Ojai Group (1985-1986[?]) and finally Zelma Wilson, FAIA (1987[?]-1995).","Her projects started with houses and grew to institutional work, churches, and private schools.  Wilson served on the California State Governors Emergency Task Force on Earthquake Preparedness from 1979 until 1985. Her projects include Vandenberg AFB Child Development Center, Ojai City Hall and the Simi Valley Community Center. Asked once by a prospective male employer if she cried on the job, Wilson answered, \"I don't, but I've made a few contractors cry.\"","The guide to the Zelma Wilson Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Zelma Wilson Architectural Collection was completed in August 2011. Preliminary processing was undertaken January 2006.","Zelma Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm initially Zelma Wilson and Associates and its many iterations (Wilson and Conrad Architects, The Ojai Group, and  Zelma Wilson, FAIA). In the collection you will find biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991) and are divided into three categories:  Professional Papers, Office Records, and Project Records.   Review the contents list below for details on individual categories.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Wilson (1918-1996) an architect in Ojai, CA was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm.  Her collection contains biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991).","Special Collections and University Archives, Virginia Tech","Wilson, Zelma, 1918-1996","The materials in the collection are in English."],"collection_title_tesim":["Zelma Wilson Architectural Collection, 1940/1995, bulk 1969/1991"],"collection_ssim":["Zelma Wilson Architectural Collection, 1940/1995, bulk 1969/1991"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1991.046"],"unitid_tesim":["Ms.1991.046"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Wilson, Zelma, 1918-1996"],"creator_ssim":["Wilson, Zelma, 1918-1996"],"creator_persname_ssim":["Wilson, Zelma, 1918-1996"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Wilson, Zelma, 1918-1996","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Zelma Wilson Architectural Collection was donated to Special Collections in 1991 with the bulk of the collection arriving in 1996."],"access_subjects_ssim":["Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["115.5 Cubic Feet 24 record cartons; 177 rolled drawings; 5 map-case drawers"],"extent_tesim":["115.5 Cubic Feet 24 record cartons; 177 rolled drawings; 5 map-case drawers"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eZelma Wilson (1918-1996) was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson was the only woman in her graduating class at USC that year.  Her husband, a screenwriter, was blacklisted in 1952 after co-producing a film about New Mexico zinc miners.  As a result the couple moved to Europe.  While in Paris, Zelma pursued her post graduate studies at L'Ecole de Beaux Arts and her husband wrote \"The Bridge on the River Kwai\" and co-wrote \"Lawrence of Arabia.\"\u003c/p\u003e","\u003cp\u003eAfter working for the Los Angeles Planning Department, she obtained valuable experience in the offices of Richard Neutra, Victor Gruen Associates, R. M. Schindler, and Raphael Soriano.  By 1957 Wilson was licensed and in 1967 she became principle of her own firm, Zelma Wilson and Associates, AIA, which she maintained continuously for over 20 years.  She became a Fellow of the AIA in 1983 and guest lectured at Cal Poly San Luis Obispo for 10 years.  As her practice grew Wilson acquired two partners and changed the firm name to Wilson and Conrad, Architects, AIA (1979-1984).  The name shifted again as staffing and partnerships changed to The Ojai Group (1985-1986[?]) and finally Zelma Wilson, FAIA (1987[?]-1995). \u003c/p\u003e","\u003cp\u003eHer projects started with houses and grew to institutional work, churches, and private schools.  Wilson served on the California State Governors Emergency Task Force on Earthquake Preparedness from 1979 until 1985. Her projects include Vandenberg AFB Child Development Center, Ojai City Hall and the Simi Valley Community Center. Asked once by a prospective male employer if she cried on the job, Wilson answered, \"I don't, but I've made a few contractors cry.\" \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Zelma Wilson (1918-1996) was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson was the only woman in her graduating class at USC that year.  Her husband, a screenwriter, was blacklisted in 1952 after co-producing a film about New Mexico zinc miners.  As a result the couple moved to Europe.  While in Paris, Zelma pursued her post graduate studies at L'Ecole de Beaux Arts and her husband wrote \"The Bridge on the River Kwai\" and co-wrote \"Lawrence of Arabia.\"","After working for the Los Angeles Planning Department, she obtained valuable experience in the offices of Richard Neutra, Victor Gruen Associates, R. M. Schindler, and Raphael Soriano.  By 1957 Wilson was licensed and in 1967 she became principle of her own firm, Zelma Wilson and Associates, AIA, which she maintained continuously for over 20 years.  She became a Fellow of the AIA in 1983 and guest lectured at Cal Poly San Luis Obispo for 10 years.  As her practice grew Wilson acquired two partners and changed the firm name to Wilson and Conrad, Architects, AIA (1979-1984).  The name shifted again as staffing and partnerships changed to The Ojai Group (1985-1986[?]) and finally Zelma Wilson, FAIA (1987[?]-1995).","Her projects started with houses and grew to institutional work, churches, and private schools.  Wilson served on the California State Governors Emergency Task Force on Earthquake Preparedness from 1979 until 1985. Her projects include Vandenberg AFB Child Development Center, Ojai City Hall and the Simi Valley Community Center. Asked once by a prospective male employer if she cried on the job, Wilson answered, \"I don't, but I've made a few contractors cry.\""],"odd_html_tesm":["\u003cp\u003eThe guide to the Zelma Wilson Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Zelma Wilson Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Zelma Wilson Architectural Collection, Ms1991-046, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Zelma Wilson Architectural Collection, Ms1991-046, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Zelma Wilson Architectural Collection was completed in August 2011. Preliminary processing was undertaken January 2006.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Zelma Wilson Architectural Collection was completed in August 2011. Preliminary processing was undertaken January 2006."],"scopecontent_html_tesm":["\u003cp\u003eZelma Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm initially Zelma Wilson and Associates and its many iterations (Wilson and Conrad Architects, The Ojai Group, and  Zelma Wilson, FAIA). In the collection you will find biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991) and are divided into three categories:  Professional Papers, Office Records, and Project Records.   Review the contents list below for details on individual categories.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Zelma Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm initially Zelma Wilson and Associates and its many iterations (Wilson and Conrad Architects, The Ojai Group, and  Zelma Wilson, FAIA). In the collection you will find biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991) and are divided into three categories:  Professional Papers, Office Records, and Project Records.   Review the contents list below for details on individual categories."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a5530344875689115357e4bee240e5e1\" label=\"Abstract\"\u003eWilson (1918-1996) an architect in Ojai, CA was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm.  Her collection contains biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991).\u003c/abstract\u003e\n    "],"abstract_tesim":["Wilson (1918-1996) an architect in Ojai, CA was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm.  Her collection contains biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991)."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Wilson, Zelma, 1918-1996"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Wilson, Zelma, 1918-1996"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":417,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:00.355Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1855"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Virginia Polytechnic Institute and State University","value":"Virginia Polytechnic Institute and State University","hits":94},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Women+--+History\u0026f%5Bdate_range%5D%5B%5D=1958\u0026f%5Brepository%5D%5B%5D=Virginia+Polytechnic+Institute+and+State+University"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=Women+--+History\u0026f%5Bdate_range%5D%5B%5D=1958"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000","value":"\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Women+--+History\u0026f%5Bcollection%5D%5B%5D=%22More+Than+the+Sum+of+Our+Body+Parts%3A+An+Exhibit+by+CARY%2C+1992-1993%22%2C+1934%2F2000\u0026f%5Bdate_range%5D%5B%5D=1958"}},{"attributes":{"label":"A. 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