{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Video+recordings\u0026f%5Bdate_range%5D%5B%5D=2000\u0026f%5Blevel%5D%5B%5D=Collection","next":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Video+recordings\u0026f%5Bdate_range%5D%5B%5D=2000\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=2","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Video+recordings\u0026f%5Bdate_range%5D%5B%5D=2000\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=3"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":3,"limit_value":10,"offset_value":0,"total_count":22,"first_page?":true,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_416","type":"collection","attributes":{"title":"Arena Stage records","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416#creator","type":"document_value","attributes":{"value":"Arena Stage (Organization : Washington, D.C.)","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416#abstract_or_scope","type":"document_value","attributes":{"value":"The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"text":["C0017","/repositories/2/resources/416","Arena Stage records","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","Accruals to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)",""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"normalized_title_ssm":["Arena Stage records"],"collection_title_tesim":["Arena Stage records"],"collection_ssim":["Arena Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_corpname_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access note"],"accessrestrict_tesim":["Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"accruals_html_tesm":["\u003cp\u003eAccruals to this collection are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accruals to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.",""],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e\n","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e\n","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e\n","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e\n","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e\n","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e\n","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e\n","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.\u003c/p\u003e","\u003cp\u003eThis subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.\u003c/p\u003e","\u003cp\u003eThis subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e","\u003cp\u003eContains a letter from Annette Bening.\u003c/p\u003e","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\u003c/p\u003e","\u003cp\u003eContains a letter from Rosemary Harris.\u003c/p\u003e","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\u003c/p\u003e","\u003cp\u003eContains letters from Sigourney Weaver.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eThis subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e","\u003cp\u003eThis subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena Stage.\u003c/p\u003e","\u003cp\u003eSub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.\u003c/p\u003e","\u003cp\u003eCaucasian Chalk Circle is available in digital format.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eThis subseries includes information about and architectural plans for Arena's various buildings over the years.\u003c/p\u003e","\u003cp\u003eThis series is comprised of records related to the artistic development and performance of Arena's plays.\u003c/p\u003e","\u003cp\u003eThis subseries documents literary, historical and background research done by Arena's literary department for various plays.\u003c/p\u003e","\u003cp\u003eThis subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.\u003c/p\u003e","\u003cp\u003eThis subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents collected from throughout the runs of various productions.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.\u003c/p\u003e","\u003cp\u003eThis series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.\u003c/p\u003e","\u003cp\u003eThis subseries includes photos of scenes from Arena's productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eThis subseries contains production photos collected in books.\u003c/p\u003e","\u003cp\u003eThis subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.\u003c/p\u003e","\u003cp\u003eThis subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eThis series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.\u003c/p\u003e","\u003cp\u003eThis subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.\u003c/p\u003e","\u003cp\u003eThis subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.\u003c/p\u003e","\u003cp\u003eModel sits on top of map case\u003c/p\u003e","\u003cp\u003eThis subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.\u003c/p\u003e","\u003cp\u003eThis series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.\u003c/p\u003e","\u003cp\u003eThis subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries contains production and event footage on reel-to-reel film.\u003c/p\u003e","\u003cp\u003eReel 1 of 3, Includes Program for event\u003c/p\u003e","\u003cp\u003eReel 2 of 3\u003c/p\u003e","\u003cp\u003eReel 3 of 3\u003c/p\u003e","\u003cp\u003ePartially Unraveling\u003c/p\u003e","\u003cp\u003eVinegar\u003c/p\u003e","\u003cp\u003eUnraveling - Vinegar\u003c/p\u003e","\u003cp\u003eBoth the title (besides Reel 1) and the date have been blacked out\u003c/p\u003e","\u003cp\u003eTitle has been blacked out\u003c/p\u003e","\u003cp\u003eThis subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.\u003c/p\u003e","\u003cp\u003eTape 3\u003c/p\u003e","\u003cp\u003eTape 4\u003c/p\u003e","\u003cp\u003eTape 5\u003c/p\u003e","\u003cp\u003eTape 6\u003c/p\u003e","\u003cp\u003eReel #168\u003c/p\u003e","\u003cp\u003eReel #169\u003c/p\u003e","\u003cp\u003eReel #170\u003c/p\u003e","\u003cp\u003e3 copies \nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e"],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e"],"physloc_tesim":["\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:06:20.076Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"text":["C0017","/repositories/2/resources/416","Arena Stage records","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","Accruals to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)",""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"normalized_title_ssm":["Arena Stage records"],"collection_title_tesim":["Arena Stage records"],"collection_ssim":["Arena Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_corpname_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access note"],"accessrestrict_tesim":["Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"accruals_html_tesm":["\u003cp\u003eAccruals to this collection are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accruals to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.",""],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e\n","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e\n","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e\n","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e\n","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e\n","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e\n","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e\n","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.\u003c/p\u003e","\u003cp\u003eThis subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.\u003c/p\u003e","\u003cp\u003eThis subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e","\u003cp\u003eContains a letter from Annette Bening.\u003c/p\u003e","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\u003c/p\u003e","\u003cp\u003eContains a letter from Rosemary Harris.\u003c/p\u003e","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\u003c/p\u003e","\u003cp\u003eContains letters from Sigourney Weaver.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eThis subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e","\u003cp\u003eThis subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena Stage.\u003c/p\u003e","\u003cp\u003eSub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.\u003c/p\u003e","\u003cp\u003eCaucasian Chalk Circle is available in digital format.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eThis subseries includes information about and architectural plans for Arena's various buildings over the years.\u003c/p\u003e","\u003cp\u003eThis series is comprised of records related to the artistic development and performance of Arena's plays.\u003c/p\u003e","\u003cp\u003eThis subseries documents literary, historical and background research done by Arena's literary department for various plays.\u003c/p\u003e","\u003cp\u003eThis subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.\u003c/p\u003e","\u003cp\u003eThis subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents collected from throughout the runs of various productions.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.\u003c/p\u003e","\u003cp\u003eThis series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.\u003c/p\u003e","\u003cp\u003eThis subseries includes photos of scenes from Arena's productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eThis subseries contains production photos collected in books.\u003c/p\u003e","\u003cp\u003eThis subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.\u003c/p\u003e","\u003cp\u003eThis subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eThis series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.\u003c/p\u003e","\u003cp\u003eThis subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.\u003c/p\u003e","\u003cp\u003eThis subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.\u003c/p\u003e","\u003cp\u003eModel sits on top of map case\u003c/p\u003e","\u003cp\u003eThis subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.\u003c/p\u003e","\u003cp\u003eThis series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.\u003c/p\u003e","\u003cp\u003eThis subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries contains production and event footage on reel-to-reel film.\u003c/p\u003e","\u003cp\u003eReel 1 of 3, Includes Program for event\u003c/p\u003e","\u003cp\u003eReel 2 of 3\u003c/p\u003e","\u003cp\u003eReel 3 of 3\u003c/p\u003e","\u003cp\u003ePartially Unraveling\u003c/p\u003e","\u003cp\u003eVinegar\u003c/p\u003e","\u003cp\u003eUnraveling - Vinegar\u003c/p\u003e","\u003cp\u003eBoth the title (besides Reel 1) and the date have been blacked out\u003c/p\u003e","\u003cp\u003eTitle has been blacked out\u003c/p\u003e","\u003cp\u003eThis subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.\u003c/p\u003e","\u003cp\u003eTape 3\u003c/p\u003e","\u003cp\u003eTape 4\u003c/p\u003e","\u003cp\u003eTape 5\u003c/p\u003e","\u003cp\u003eTape 6\u003c/p\u003e","\u003cp\u003eReel #168\u003c/p\u003e","\u003cp\u003eReel #169\u003c/p\u003e","\u003cp\u003eReel #170\u003c/p\u003e","\u003cp\u003e3 copies \nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003e2 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e"],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e"],"physloc_tesim":["\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:06:20.076Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416"}},{"id":"vifgm_repositories_2_resources_82","type":"collection","attributes":{"title":"Charles A. Veatch papers","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_82#creator","type":"document_value","attributes":{"value":"Veatch, Charles A., 1942-","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_82#abstract_or_scope","type":"document_value","attributes":{"value":"Collection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_82#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_82","ead_ssi":"vifgm_repositories_2_resources_82","_root_":"vifgm_repositories_2_resources_82","_nest_parent_":"vifgm_repositories_2_resources_82","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_82.xml","title_filing_ssi":"Charles A. Veatch papers","title_ssm":["Charles A. Veatch papers"],"title_tesim":["Charles A. Veatch papers"],"unitdate_ssm":["1970-2004"],"unitdate_inclusive_ssm":["1970-2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0138","/repositories/2/resources/82"],"text":["C0138","/repositories/2/resources/82","Charles A. Veatch papers","Reston (Va.)","Reston (Va.) -- History","Reston Town Center (Va.)","Housing","Planned communities -- Virginia -- Reston","Photography -- Negatives","Planned communities","Photographic prints","Video recordings","Newspapers","Negatives","Photographs","There are no access restrictions.","This collection is arranged according to subject.","Charles A. Veatch was born in 1942 in Washington, D.C. He obtained his B.S. in Finance from the University of Virginia (UVA) in 1964. During the summer of 1964, he began working for Palindrome Corporation under Robert E. Simon, the developer of Reston, Virginia, and in 1968 moved to Reston with his wife and two children. Veatch obtained his real estate license in 1960, while still a student at UVA. He started his own real estate development and consulting firm, Environmental Concepts, Inc., in 1970. He soon developed many residential and commercial projects throughout Northern Virginia, including ones in Reston. ","For decades, Veatch has been an avid participant in Reston community organizations. During the early days of Reston, he was a founding member of the Reston Lions Club and the Reston Board of Commerce. He is currently a member of numerous nonprofit boards including Planned Community Archives, Reston Historic Trust, Greater Reston Arts Center, Natures Best Foundation, The Potomac Conservancy, and Fairfax County Parks Foundation. Furthermore, he has many other affiliations with nonprofit organizations such as the Friends of Shenandoah River, Friends of North Fork, and The French and Indian War Foundation. Veatch has been honored with many awards for his extensive community service. In 1998 he was named the Best of Reston Honoree, and in 2004 he was chosen as the Fairfax County Citizen of the Year. ","As a fly fisherman and lover of nature, Veatch began photographing the scenes around him. Veatch published  The Nature of Reston  in 1999, a book of his photography of natural areas of Reston. Profits from this book went towards the construction of a Nature House in Reston. Currently, Charles Veatch is the president of The Charles A. Veatch Company.","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Finding aid updated by Amanda Menjivar in January 2023.","The Special Collections Research Center holds many other personal and organizational collections on the history and development of ","Collection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Collection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials.","\nBoxes 1 - 11, 13 - 21: R 41, C 1, S 1 - S 4\n\nOS R5, C4, S5","George Mason University. Libraries. Special Collections Research Center","Reston Land Corporation","Veatch, Charles A., 1942-","English"],"unitid_tesim":["C0138","/repositories/2/resources/82"],"normalized_title_ssm":["Charles A. Veatch papers"],"collection_title_tesim":["Charles A. Veatch papers"],"collection_ssim":["Charles A. Veatch papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Reston (Va.)","Reston (Va.) -- History","Reston Town Center (Va.)"],"geogname_ssim":["Reston (Va.)","Reston (Va.) -- History","Reston Town Center (Va.)"],"creator_ssm":["Veatch, Charles A., 1942-"],"creator_ssim":["Veatch, Charles A., 1942-"],"creator_persname_ssim":["Veatch, Charles A., 1942-"],"creators_ssim":["Veatch, Charles A., 1942-"],"places_ssim":["Reston (Va.)","Reston (Va.) -- History","Reston Town Center (Va.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Charles Veatch from 1999 - 2004."],"access_subjects_ssim":["Housing","Planned communities -- Virginia -- Reston","Photography -- Negatives","Planned communities","Photographic prints","Video recordings","Newspapers","Negatives","Photographs"],"access_subjects_ssm":["Housing","Planned communities -- Virginia -- Reston","Photography -- Negatives","Planned communities","Photographic prints","Video recordings","Newspapers","Negatives","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["6.9 Linear Feet 21 boxes"],"extent_tesim":["6.9 Linear Feet 21 boxes"],"genreform_ssim":["Photographic prints","Video recordings","Newspapers","Negatives","Photographs"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged according to subject.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged according to subject."],"bioghist_html_tesm":["\u003cp\u003eCharles A. Veatch was born in 1942 in Washington, D.C. He obtained his B.S. in Finance from the University of Virginia (UVA) in 1964. During the summer of 1964, he began working for Palindrome Corporation under Robert E. Simon, the developer of Reston, Virginia, and in 1968 moved to Reston with his wife and two children. Veatch obtained his real estate license in 1960, while still a student at UVA. He started his own real estate development and consulting firm, Environmental Concepts, Inc., in 1970. He soon developed many residential and commercial projects throughout Northern Virginia, including ones in Reston. \u003c/p\u003e\n","\u003cp\u003eFor decades, Veatch has been an avid participant in Reston community organizations. During the early days of Reston, he was a founding member of the Reston Lions Club and the Reston Board of Commerce. He is currently a member of numerous nonprofit boards including Planned Community Archives, Reston Historic Trust, Greater Reston Arts Center, Natures Best Foundation, The Potomac Conservancy, and Fairfax County Parks Foundation. Furthermore, he has many other affiliations with nonprofit organizations such as the Friends of Shenandoah River, Friends of North Fork, and The French and Indian War Foundation. Veatch has been honored with many awards for his extensive community service. In 1998 he was named the Best of Reston Honoree, and in 2004 he was chosen as the Fairfax County Citizen of the Year. \u003c/p\u003e\n","\u003cp\u003eAs a fly fisherman and lover of nature, Veatch began photographing the scenes around him. Veatch published \u003ctitle\u003eThe Nature of Reston\u003c/title\u003e in 1999, a book of his photography of natural areas of Reston. Profits from this book went towards the construction of a Nature House in Reston. Currently, Charles Veatch is the president of The Charles A. Veatch Company.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Charles A. Veatch was born in 1942 in Washington, D.C. He obtained his B.S. in Finance from the University of Virginia (UVA) in 1964. During the summer of 1964, he began working for Palindrome Corporation under Robert E. Simon, the developer of Reston, Virginia, and in 1968 moved to Reston with his wife and two children. Veatch obtained his real estate license in 1960, while still a student at UVA. He started his own real estate development and consulting firm, Environmental Concepts, Inc., in 1970. He soon developed many residential and commercial projects throughout Northern Virginia, including ones in Reston. ","For decades, Veatch has been an avid participant in Reston community organizations. During the early days of Reston, he was a founding member of the Reston Lions Club and the Reston Board of Commerce. He is currently a member of numerous nonprofit boards including Planned Community Archives, Reston Historic Trust, Greater Reston Arts Center, Natures Best Foundation, The Potomac Conservancy, and Fairfax County Parks Foundation. Furthermore, he has many other affiliations with nonprofit organizations such as the Friends of Shenandoah River, Friends of North Fork, and The French and Indian War Foundation. Veatch has been honored with many awards for his extensive community service. In 1998 he was named the Best of Reston Honoree, and in 2004 he was chosen as the Fairfax County Citizen of the Year. ","As a fly fisherman and lover of nature, Veatch began photographing the scenes around him. Veatch published  The Nature of Reston  in 1999, a book of his photography of natural areas of Reston. Profits from this book went towards the construction of a Nature House in Reston. Currently, Charles Veatch is the president of The Charles A. Veatch Company."],"prefercite_html_tesm":["\u003cp\u003eCharles A. Veatch papers, C0138, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Charles A. Veatch papers, C0138, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Finding aid updated by Amanda Menjivar in January 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. 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The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_520#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_520","ead_ssi":"vifgm_repositories_2_resources_520","_root_":"vifgm_repositories_2_resources_520","_nest_parent_":"vifgm_repositories_2_resources_520","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_520.xml","title_ssm":["C-SPAN records"],"title_tesim":["C-SPAN records"],"unitdate_ssm":["1978-2012","1809-2012"],"unitdate_bulk_ssim":["1978-2012"],"unitdate_inclusive_ssm":["1809-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0270","/repositories/2/resources/520"],"text":["C0270","/repositories/2/resources/520","C-SPAN records","United States -- Politics and government","Washington (D.C.)","Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism -- United States","Lincoln-Douglas Debates, Ill., 1858","Political campaigns -- United States","Politics","Presidents -- Election","Presidents -- United States","Press","Public affairs television programs","Television","Television and children","Television programs -- United States","Television viewers","Television viewers -- United States","Television -- United States","Slides (Photography)","Correspondence","Memorabilia","Negatives","Newspapers","Photographs","Sound recordings","Video recordings","There are no restrictions on educational and/or personal use for Series 1-4 and 7-12. Reproductions of items in Series 5: Green Room Faxes and Series 6: Viewer Mail may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.","There are no other access restrictions.","Kelsey Kim was hired as the C-SPAN Project Archivist in October 2018, with the charge to digitize a portion of the C-SPAN records and build a website using Omeka S to showcase the digitized material. Kim began with a collection assessment of each series' research value and potential complexities. She presented a full digitization plan to C-SPAN executives in early 2019 and undertook the digitization of three main series: photographs, viewer mail, and press releases. Guidelines and documentation were then created for gathering the needed metadata, preparing the materials for imaging, performing the digitization, and post-processing the material. The digitization of the material was completed in late 2020. In 2021, Kim completed processing the digital files and uploaded them Omeka S platform in 2021. She then constructed a website for the C-SPAN Records which had been digitized and added contextual information about the project and the organization. This site was completed in 2022.  This website became part of the  , a broader site which groups material from a variety of other C-SPAN projects, and can be accessed ","Series Series 1: Press Clippings, 1978-2012 (Boxes 1-51) Series 2: Routers, 1984-1996 (Boxes 51-60) Series 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61) Series 4: Press Releases, 1985-2002 (Boxes 61-75) Series 5: Green Room Faxes, 1994 (Boxes 75-91) Series 6: Viewer Mail, 1994-2004 (Boxes 91-145) Series 7: Education and Marketing, 1989-2009 (Boxes 145-229) Series 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402) Series 9: Photographs, 1978-2008 (Boxes 403-444) Series 10: Audiovisual, 1980s-2012 (Boxes 445-452) Series 11: Memorabilia, 1980s-2012 (Boxes 453-456) Series 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)","","","C-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\""," With an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms."," C-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years.","The Special Collections Research Center does not have the equipment necessary to play obsolete audiovisual formats present in this collection. Additional time and money may be required to access this material.","Jordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.","Through financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.","Amanda Menjivar was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.","Processing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Menjivar in 2017. EAD markup completed by Amanda Menjivar in 2017. Finding aid updated by Amanda Menjivar in November 2022.","George Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the  Booknotes  television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the  . Purdue University houses the C-SPAN Video Library. More information is available on the  .","The C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series."," Series 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news."," Series 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour."," Series 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included."," Series 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\""," Series 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb."," Series 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials."," Series 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming."," Series 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents."," Series 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time."," Series 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others."," Series 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more."," Series 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb.","Includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.","This series includes multiple press clip routers from a variety of sources and newspapers for both Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus 1994-1995 tour.","This series includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.","This series includes Press Releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"","This series includes faxes from C-SPAN viewers that were sent to the C-SPAN Green Room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb. Reproductions (photographs, scans, etc.) of items in this series may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.","This series includes viewer mail responding to multiple events and topics related to C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and Brian Lamb directly. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials. Reproductions (photographs, scans, etc.) of items in this series may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.","Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.","Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and court documents.","This series includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.","This series includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, Floppy Disks, Cassette Tapes, CDs, and DVDs, among others.","This series includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.","This series includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, framed pictures, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb.","This collection is protected by copyright and/or related rights. You are free to use this collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) (https://rightsstatements.org/page/InC/1.0/?language=en). The rights-holders are Cable-Satellite Public Affairs Network and potentially others - please contact SCRC for more information.","The C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States.","Map Case 19.1-19.3, 31.1","George Mason University. Libraries. Special Collections Research Center","C-SPAN Corporation","United States. Congress","United States. Congress. House","United States. Congress. Senate","Lamb, Brian, 1941-","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859","English"],"unitid_tesim":["C0270","/repositories/2/resources/520"],"normalized_title_ssm":["C-SPAN records"],"collection_title_tesim":["C-SPAN records"],"collection_ssim":["C-SPAN records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["United States -- Politics and government","Washington (D.C.)"],"geogname_ssim":["United States -- Politics and government","Washington (D.C.)"],"creator_ssm":["C-SPAN Corporation","Lamb, Brian, 1941-","Long, Lea Anne"],"creator_ssim":["C-SPAN Corporation","Lamb, Brian, 1941-","Long, Lea Anne"],"creator_persname_ssim":["Lamb, Brian, 1941-","Long, Lea Anne"],"creator_corpname_ssim":["C-SPAN Corporation"],"creators_ssim":["Lamb, Brian, 1941-","Long, Lea Anne","C-SPAN Corporation"],"places_ssim":["United States -- Politics and government","Washington (D.C.)"],"access_terms_ssm":["This collection is protected by copyright and/or related rights. You are free to use this collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) (https://rightsstatements.org/page/InC/1.0/?language=en). The rights-holders are Cable-Satellite Public Affairs Network and potentially others - please contact SCRC for more information."],"acqinfo_ssim":["Donated by the C-SPAN Corporation in 2011."],"access_subjects_ssim":["Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism -- United States","Lincoln-Douglas Debates, Ill., 1858","Political campaigns -- United States","Politics","Presidents -- Election","Presidents -- United States","Press","Public affairs television programs","Television","Television and children","Television programs -- United States","Television viewers","Television viewers -- United States","Television -- United States","Slides (Photography)","Correspondence","Memorabilia","Negatives","Newspapers","Photographs","Sound recordings","Video recordings"],"access_subjects_ssm":["Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism -- United States","Lincoln-Douglas Debates, Ill., 1858","Political campaigns -- United States","Politics","Presidents -- Election","Presidents -- United States","Press","Public affairs television programs","Television","Television and children","Television programs -- United States","Television viewers","Television viewers -- United States","Television -- United States","Slides (Photography)","Correspondence","Memorabilia","Negatives","Newspapers","Photographs","Sound recordings","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["200.0 linear feet 471 boxes"],"extent_tesim":["200.0 linear feet 471 boxes"],"genreform_ssim":["Correspondence","Memorabilia","Negatives","Newspapers","Photographs","Sound recordings","Video recordings"],"date_range_isim":[1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on educational and/or personal use for Series 1-4 and 7-12. Reproductions of items in Series 5: Green Room Faxes and Series 6: Viewer Mail may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.\u003c/p\u003e\n","\u003cp\u003eThere are no other access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no restrictions on educational and/or personal use for Series 1-4 and 7-12. Reproductions of items in Series 5: Green Room Faxes and Series 6: Viewer Mail may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.","There are no other access restrictions."],"altformavail_html_tesm":["\u003cp\u003eKelsey Kim was hired as the C-SPAN Project Archivist in October 2018, with the charge to digitize a portion of the C-SPAN records and build a website using Omeka S to showcase the digitized material. Kim began with a collection assessment of each series' research value and potential complexities. She presented a full digitization plan to C-SPAN executives in early 2019 and undertook the digitization of three main series: photographs, viewer mail, and press releases. Guidelines and documentation were then created for gathering the needed metadata, preparing the materials for imaging, performing the digitization, and post-processing the material. The digitization of the material was completed in late 2020. In 2021, Kim completed processing the digital files and uploaded them Omeka S platform in 2021. She then constructed a website for the C-SPAN Records which had been digitized and added contextual information about the project and the organization. This site was completed in 2022.  This website became part of the \u003cextptr show=\"new\" title=\"C-SPAN Portal\" href=\"https://cspancollections.gmu.edu/s/Home/page/Home\"\u003e\u003c/extptr\u003e, a broader site which groups material from a variety of other C-SPAN projects, and can be accessed \u003cextptr show=\"new\" title=\"here.\" href=\"https://cspancollections.gmu.edu/s/CSPANRecords/page/c-span-records\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Kelsey Kim was hired as the C-SPAN Project Archivist in October 2018, with the charge to digitize a portion of the C-SPAN records and build a website using Omeka S to showcase the digitized material. Kim began with a collection assessment of each series' research value and potential complexities. She presented a full digitization plan to C-SPAN executives in early 2019 and undertook the digitization of three main series: photographs, viewer mail, and press releases. Guidelines and documentation were then created for gathering the needed metadata, preparing the materials for imaging, performing the digitization, and post-processing the material. The digitization of the material was completed in late 2020. In 2021, Kim completed processing the digital files and uploaded them Omeka S platform in 2021. She then constructed a website for the C-SPAN Records which had been digitized and added contextual information about the project and the organization. This site was completed in 2022.  This website became part of the  , a broader site which groups material from a variety of other C-SPAN projects, and can be accessed "],"arrangement_html_tesm":["\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Press Clippings, 1978-2012 (Boxes 1-51)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Routers, 1984-1996 (Boxes 51-60)\u003c/item\u003e\n      \u003citem\u003eSeries 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Press Releases, 1985-2002 (Boxes 61-75)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Green Room Faxes, 1994 (Boxes 75-91)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Viewer Mail, 1994-2004 (Boxes 91-145)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Education and Marketing, 1989-2009 (Boxes 145-229)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Photographs, 1978-2008 (Boxes 403-444)\u003c/item\u003e\n      \u003citem\u003eSeries 10: Audiovisual, 1980s-2012 (Boxes 445-452)\u003c/item\u003e\n      \u003citem\u003eSeries 11: Memorabilia, 1980s-2012 (Boxes 453-456)\u003c/item\u003e\n      \u003citem\u003eSeries 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series Series 1: Press Clippings, 1978-2012 (Boxes 1-51) Series 2: Routers, 1984-1996 (Boxes 51-60) Series 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61) Series 4: Press Releases, 1985-2002 (Boxes 61-75) Series 5: Green Room Faxes, 1994 (Boxes 75-91) Series 6: Viewer Mail, 1994-2004 (Boxes 91-145) Series 7: Education and Marketing, 1989-2009 (Boxes 145-229) Series 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402) Series 9: Photographs, 1978-2008 (Boxes 403-444) Series 10: Audiovisual, 1980s-2012 (Boxes 445-452) Series 11: Memorabilia, 1980s-2012 (Boxes 453-456) Series 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"https://www.c-span.org/\" title=\"C-SPAN.org\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextptr href=\"https://www.cla.purdue.edu/communication/about/lamb.html%20\" title=\"Purdue.edu\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["",""],"bioghist_html_tesm":["\u003cp\u003eC-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\"\u003c/p\u003e\n","\u003cp\u003e With an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms.\u003c/p\u003e\n","\u003cp\u003e C-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["C-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\""," With an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms."," C-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to play obsolete audiovisual formats present in this collection. Additional time and money may be required to access this material.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to play obsolete audiovisual formats present in this collection. Additional time and money may be required to access this material."],"prefercite_html_tesm":["\u003cp\u003eC-SPAN records, C0270, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["C-SPAN records, C0270, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eJordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.\u003c/p\u003e","\u003cp\u003eThrough financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.\u003c/p\u003e","\u003cp\u003eAmanda Menjivar was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.\u003c/p\u003e","\u003cp\u003eProcessing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Menjivar in 2017. EAD markup completed by Amanda Menjivar in 2017. Finding aid updated by Amanda Menjivar in November 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Jordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.","Through financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.","Amanda Menjivar was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.","Processing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Menjivar in 2017. EAD markup completed by Amanda Menjivar in 2017. Finding aid updated by Amanda Menjivar in November 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eGeorge Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the \u003citalic\u003eBooknotes\u003c/italic\u003e television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the \u003cextptr href=\"https://cspancollections.gmu.edu/s/Booknotes/page/Booknotes\" title=\"Booknotes collection website\" show=\"new\"\u003e\u003c/extptr\u003e. Purdue University houses the C-SPAN Video Library. More information is available on the \u003cextptr href=\"https://www.prf.org/researchpark/companies/c-companies/C-SPAN%20Archives.html\" title=\"Purdue website\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["George Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the  Booknotes  television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the  . Purdue University houses the C-SPAN Video Library. More information is available on the  ."],"scopecontent_html_tesm":["\u003cp\u003eThe C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series.\u003c/p\u003e\n","\u003cp\u003e Series 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.\u003c/p\u003e\n","\u003cp\u003e Series 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour.\u003c/p\u003e\n","\u003cp\u003e Series 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.\u003c/p\u003e\n","\u003cp\u003e Series 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"\u003c/p\u003e\n","\u003cp\u003e Series 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb.\u003c/p\u003e\n","\u003cp\u003e Series 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials.\u003c/p\u003e\n","\u003cp\u003e Series 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.\u003c/p\u003e\n","\u003cp\u003e Series 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents.\u003c/p\u003e\n","\u003cp\u003e Series 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.\u003c/p\u003e\n","\u003cp\u003e Series 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others.\u003c/p\u003e\n","\u003cp\u003e Series 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.\u003c/p\u003e\n","\u003cp\u003e Series 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb.\u003c/p\u003e","\u003cp\u003eIncludes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.\u003c/p\u003e","\u003cp\u003eThis series includes multiple press clip routers from a variety of sources and newspapers for both Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus 1994-1995 tour.\u003c/p\u003e","\u003cp\u003eThis series includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.\u003c/p\u003e","\u003cp\u003eThis series includes Press Releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"\u003c/p\u003e","\u003cp\u003eThis series includes faxes from C-SPAN viewers that were sent to the C-SPAN Green Room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb. Reproductions (photographs, scans, etc.) of items in this series may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.\u003c/p\u003e","\u003cp\u003eThis series includes viewer mail responding to multiple events and topics related to C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and Brian Lamb directly. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials. Reproductions (photographs, scans, etc.) of items in this series may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.\u003c/p\u003e","\u003cp\u003eEducation and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.\u003c/p\u003e","\u003cp\u003eExecutive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and court documents.\u003c/p\u003e","\u003cp\u003eThis series includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.\u003c/p\u003e","\u003cp\u003eThis series includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, Floppy Disks, Cassette Tapes, CDs, and DVDs, among others.\u003c/p\u003e","\u003cp\u003eThis series includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.\u003c/p\u003e","\u003cp\u003eThis series includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, framed pictures, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series."," Series 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news."," Series 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour."," Series 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included."," Series 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\""," Series 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb."," Series 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials."," Series 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming."," Series 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents."," Series 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time."," Series 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others."," Series 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more."," Series 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb.","Includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.","This series includes multiple press clip routers from a variety of sources and newspapers for both Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus 1994-1995 tour.","This series includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.","This series includes Press Releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"","This series includes faxes from C-SPAN viewers that were sent to the C-SPAN Green Room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb. Reproductions (photographs, scans, etc.) of items in this series may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.","This series includes viewer mail responding to multiple events and topics related to C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and Brian Lamb directly. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials. Reproductions (photographs, scans, etc.) of items in this series may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.","Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.","Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and court documents.","This series includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.","This series includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, Floppy Disks, Cassette Tapes, CDs, and DVDs, among others.","This series includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.","This series includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, framed pictures, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb."],"userestrict_html_tesm":["\u003cp\u003eThis collection is protected by copyright and/or related rights. You are free to use this collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) (https://rightsstatements.org/page/InC/1.0/?language=en). The rights-holders are Cable-Satellite Public Affairs Network and potentially others - please contact SCRC for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["This collection is protected by copyright and/or related rights. You are free to use this collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) (https://rightsstatements.org/page/InC/1.0/?language=en). The rights-holders are Cable-Satellite Public Affairs Network and potentially others - please contact SCRC for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States.\u003c/abstract\u003e"],"abstract_tesim":["The C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_6e98eea71e7aaf27fbc13ed54ff06f7a\"\u003eMap Case 19.1-19.3, 31.1\u003c/physloc\u003e"],"physloc_tesim":["Map Case 19.1-19.3, 31.1"],"names_coll_ssim":["United States. Congress","United States. Congress. House","United States. Congress. Senate","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","C-SPAN Corporation","United States. Congress","United States. Congress. House","United States. Congress. Senate","Lamb, Brian, 1941-","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","C-SPAN Corporation","United States. Congress","United States. Congress. House","United States. Congress. Senate"],"persname_ssim":["Lamb, Brian, 1941-","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7227,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-05T07:17:21.217Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_520","ead_ssi":"vifgm_repositories_2_resources_520","_root_":"vifgm_repositories_2_resources_520","_nest_parent_":"vifgm_repositories_2_resources_520","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_520.xml","title_ssm":["C-SPAN records"],"title_tesim":["C-SPAN records"],"unitdate_ssm":["1978-2012","1809-2012"],"unitdate_bulk_ssim":["1978-2012"],"unitdate_inclusive_ssm":["1809-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0270","/repositories/2/resources/520"],"text":["C0270","/repositories/2/resources/520","C-SPAN records","United States -- Politics and government","Washington (D.C.)","Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism -- United States","Lincoln-Douglas Debates, Ill., 1858","Political campaigns -- United States","Politics","Presidents -- Election","Presidents -- United States","Press","Public affairs television programs","Television","Television and children","Television programs -- United States","Television viewers","Television viewers -- United States","Television -- United States","Slides (Photography)","Correspondence","Memorabilia","Negatives","Newspapers","Photographs","Sound recordings","Video recordings","There are no restrictions on educational and/or personal use for Series 1-4 and 7-12. Reproductions of items in Series 5: Green Room Faxes and Series 6: Viewer Mail may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.","There are no other access restrictions.","Kelsey Kim was hired as the C-SPAN Project Archivist in October 2018, with the charge to digitize a portion of the C-SPAN records and build a website using Omeka S to showcase the digitized material. Kim began with a collection assessment of each series' research value and potential complexities. She presented a full digitization plan to C-SPAN executives in early 2019 and undertook the digitization of three main series: photographs, viewer mail, and press releases. Guidelines and documentation were then created for gathering the needed metadata, preparing the materials for imaging, performing the digitization, and post-processing the material. The digitization of the material was completed in late 2020. In 2021, Kim completed processing the digital files and uploaded them Omeka S platform in 2021. She then constructed a website for the C-SPAN Records which had been digitized and added contextual information about the project and the organization. This site was completed in 2022.  This website became part of the  , a broader site which groups material from a variety of other C-SPAN projects, and can be accessed ","Series Series 1: Press Clippings, 1978-2012 (Boxes 1-51) Series 2: Routers, 1984-1996 (Boxes 51-60) Series 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61) Series 4: Press Releases, 1985-2002 (Boxes 61-75) Series 5: Green Room Faxes, 1994 (Boxes 75-91) Series 6: Viewer Mail, 1994-2004 (Boxes 91-145) Series 7: Education and Marketing, 1989-2009 (Boxes 145-229) Series 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402) Series 9: Photographs, 1978-2008 (Boxes 403-444) Series 10: Audiovisual, 1980s-2012 (Boxes 445-452) Series 11: Memorabilia, 1980s-2012 (Boxes 453-456) Series 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)","","","C-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\""," With an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms."," C-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years.","The Special Collections Research Center does not have the equipment necessary to play obsolete audiovisual formats present in this collection. Additional time and money may be required to access this material.","Jordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.","Through financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.","Amanda Menjivar was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.","Processing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Menjivar in 2017. EAD markup completed by Amanda Menjivar in 2017. Finding aid updated by Amanda Menjivar in November 2022.","George Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the  Booknotes  television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the  . Purdue University houses the C-SPAN Video Library. More information is available on the  .","The C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series."," Series 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news."," Series 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour."," Series 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included."," Series 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\""," Series 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb."," Series 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials."," Series 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming."," Series 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents."," Series 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time."," Series 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others."," Series 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more."," Series 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb.","Includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.","This series includes multiple press clip routers from a variety of sources and newspapers for both Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus 1994-1995 tour.","This series includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.","This series includes Press Releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"","This series includes faxes from C-SPAN viewers that were sent to the C-SPAN Green Room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb. Reproductions (photographs, scans, etc.) of items in this series may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.","This series includes viewer mail responding to multiple events and topics related to C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and Brian Lamb directly. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials. Reproductions (photographs, scans, etc.) of items in this series may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.","Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.","Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and court documents.","This series includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.","This series includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, Floppy Disks, Cassette Tapes, CDs, and DVDs, among others.","This series includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.","This series includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, framed pictures, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb.","This collection is protected by copyright and/or related rights. You are free to use this collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) (https://rightsstatements.org/page/InC/1.0/?language=en). The rights-holders are Cable-Satellite Public Affairs Network and potentially others - please contact SCRC for more information.","The C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States.","Map Case 19.1-19.3, 31.1","George Mason University. Libraries. Special Collections Research Center","C-SPAN Corporation","United States. Congress","United States. Congress. House","United States. Congress. Senate","Lamb, Brian, 1941-","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859","English"],"unitid_tesim":["C0270","/repositories/2/resources/520"],"normalized_title_ssm":["C-SPAN records"],"collection_title_tesim":["C-SPAN records"],"collection_ssim":["C-SPAN records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["United States -- Politics and government","Washington (D.C.)"],"geogname_ssim":["United States -- Politics and government","Washington (D.C.)"],"creator_ssm":["C-SPAN Corporation","Lamb, Brian, 1941-","Long, Lea Anne"],"creator_ssim":["C-SPAN Corporation","Lamb, Brian, 1941-","Long, Lea Anne"],"creator_persname_ssim":["Lamb, Brian, 1941-","Long, Lea Anne"],"creator_corpname_ssim":["C-SPAN Corporation"],"creators_ssim":["Lamb, Brian, 1941-","Long, Lea Anne","C-SPAN Corporation"],"places_ssim":["United States -- Politics and government","Washington (D.C.)"],"access_terms_ssm":["This collection is protected by copyright and/or related rights. You are free to use this collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) (https://rightsstatements.org/page/InC/1.0/?language=en). The rights-holders are Cable-Satellite Public Affairs Network and potentially others - please contact SCRC for more information."],"acqinfo_ssim":["Donated by the C-SPAN Corporation in 2011."],"access_subjects_ssim":["Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism -- United States","Lincoln-Douglas Debates, Ill., 1858","Political campaigns -- United States","Politics","Presidents -- Election","Presidents -- United States","Press","Public affairs television programs","Television","Television and children","Television programs -- United States","Television viewers","Television viewers -- United States","Television -- United States","Slides (Photography)","Correspondence","Memorabilia","Negatives","Newspapers","Photographs","Sound recordings","Video recordings"],"access_subjects_ssm":["Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism -- United States","Lincoln-Douglas Debates, Ill., 1858","Political campaigns -- United States","Politics","Presidents -- Election","Presidents -- United States","Press","Public affairs television programs","Television","Television and children","Television programs -- United States","Television viewers","Television viewers -- United States","Television -- United States","Slides (Photography)","Correspondence","Memorabilia","Negatives","Newspapers","Photographs","Sound recordings","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["200.0 linear feet 471 boxes"],"extent_tesim":["200.0 linear feet 471 boxes"],"genreform_ssim":["Correspondence","Memorabilia","Negatives","Newspapers","Photographs","Sound recordings","Video recordings"],"date_range_isim":[1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on educational and/or personal use for Series 1-4 and 7-12. Reproductions of items in Series 5: Green Room Faxes and Series 6: Viewer Mail may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.\u003c/p\u003e\n","\u003cp\u003eThere are no other access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no restrictions on educational and/or personal use for Series 1-4 and 7-12. Reproductions of items in Series 5: Green Room Faxes and Series 6: Viewer Mail may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.","There are no other access restrictions."],"altformavail_html_tesm":["\u003cp\u003eKelsey Kim was hired as the C-SPAN Project Archivist in October 2018, with the charge to digitize a portion of the C-SPAN records and build a website using Omeka S to showcase the digitized material. Kim began with a collection assessment of each series' research value and potential complexities. She presented a full digitization plan to C-SPAN executives in early 2019 and undertook the digitization of three main series: photographs, viewer mail, and press releases. Guidelines and documentation were then created for gathering the needed metadata, preparing the materials for imaging, performing the digitization, and post-processing the material. The digitization of the material was completed in late 2020. In 2021, Kim completed processing the digital files and uploaded them Omeka S platform in 2021. She then constructed a website for the C-SPAN Records which had been digitized and added contextual information about the project and the organization. This site was completed in 2022.  This website became part of the \u003cextptr show=\"new\" title=\"C-SPAN Portal\" href=\"https://cspancollections.gmu.edu/s/Home/page/Home\"\u003e\u003c/extptr\u003e, a broader site which groups material from a variety of other C-SPAN projects, and can be accessed \u003cextptr show=\"new\" title=\"here.\" href=\"https://cspancollections.gmu.edu/s/CSPANRecords/page/c-span-records\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Kelsey Kim was hired as the C-SPAN Project Archivist in October 2018, with the charge to digitize a portion of the C-SPAN records and build a website using Omeka S to showcase the digitized material. Kim began with a collection assessment of each series' research value and potential complexities. She presented a full digitization plan to C-SPAN executives in early 2019 and undertook the digitization of three main series: photographs, viewer mail, and press releases. Guidelines and documentation were then created for gathering the needed metadata, preparing the materials for imaging, performing the digitization, and post-processing the material. The digitization of the material was completed in late 2020. In 2021, Kim completed processing the digital files and uploaded them Omeka S platform in 2021. She then constructed a website for the C-SPAN Records which had been digitized and added contextual information about the project and the organization. This site was completed in 2022.  This website became part of the  , a broader site which groups material from a variety of other C-SPAN projects, and can be accessed "],"arrangement_html_tesm":["\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Press Clippings, 1978-2012 (Boxes 1-51)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Routers, 1984-1996 (Boxes 51-60)\u003c/item\u003e\n      \u003citem\u003eSeries 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Press Releases, 1985-2002 (Boxes 61-75)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Green Room Faxes, 1994 (Boxes 75-91)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Viewer Mail, 1994-2004 (Boxes 91-145)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Education and Marketing, 1989-2009 (Boxes 145-229)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Photographs, 1978-2008 (Boxes 403-444)\u003c/item\u003e\n      \u003citem\u003eSeries 10: Audiovisual, 1980s-2012 (Boxes 445-452)\u003c/item\u003e\n      \u003citem\u003eSeries 11: Memorabilia, 1980s-2012 (Boxes 453-456)\u003c/item\u003e\n      \u003citem\u003eSeries 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series Series 1: Press Clippings, 1978-2012 (Boxes 1-51) Series 2: Routers, 1984-1996 (Boxes 51-60) Series 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61) Series 4: Press Releases, 1985-2002 (Boxes 61-75) Series 5: Green Room Faxes, 1994 (Boxes 75-91) Series 6: Viewer Mail, 1994-2004 (Boxes 91-145) Series 7: Education and Marketing, 1989-2009 (Boxes 145-229) Series 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402) Series 9: Photographs, 1978-2008 (Boxes 403-444) Series 10: Audiovisual, 1980s-2012 (Boxes 445-452) Series 11: Memorabilia, 1980s-2012 (Boxes 453-456) Series 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"https://www.c-span.org/\" title=\"C-SPAN.org\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextptr href=\"https://www.cla.purdue.edu/communication/about/lamb.html%20\" title=\"Purdue.edu\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["",""],"bioghist_html_tesm":["\u003cp\u003eC-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\"\u003c/p\u003e\n","\u003cp\u003e With an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms.\u003c/p\u003e\n","\u003cp\u003e C-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["C-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\""," With an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms."," C-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to play obsolete audiovisual formats present in this collection. Additional time and money may be required to access this material.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to play obsolete audiovisual formats present in this collection. Additional time and money may be required to access this material."],"prefercite_html_tesm":["\u003cp\u003eC-SPAN records, C0270, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["C-SPAN records, C0270, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eJordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.\u003c/p\u003e","\u003cp\u003eThrough financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.\u003c/p\u003e","\u003cp\u003eAmanda Menjivar was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.\u003c/p\u003e","\u003cp\u003eProcessing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Menjivar in 2017. EAD markup completed by Amanda Menjivar in 2017. Finding aid updated by Amanda Menjivar in November 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Jordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.","Through financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.","Amanda Menjivar was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.","Processing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Menjivar in 2017. EAD markup completed by Amanda Menjivar in 2017. Finding aid updated by Amanda Menjivar in November 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eGeorge Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the \u003citalic\u003eBooknotes\u003c/italic\u003e television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the \u003cextptr href=\"https://cspancollections.gmu.edu/s/Booknotes/page/Booknotes\" title=\"Booknotes collection website\" show=\"new\"\u003e\u003c/extptr\u003e. Purdue University houses the C-SPAN Video Library. More information is available on the \u003cextptr href=\"https://www.prf.org/researchpark/companies/c-companies/C-SPAN%20Archives.html\" title=\"Purdue website\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["George Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the  Booknotes  television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the  . Purdue University houses the C-SPAN Video Library. More information is available on the  ."],"scopecontent_html_tesm":["\u003cp\u003eThe C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series.\u003c/p\u003e\n","\u003cp\u003e Series 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.\u003c/p\u003e\n","\u003cp\u003e Series 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour.\u003c/p\u003e\n","\u003cp\u003e Series 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.\u003c/p\u003e\n","\u003cp\u003e Series 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"\u003c/p\u003e\n","\u003cp\u003e Series 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb.\u003c/p\u003e\n","\u003cp\u003e Series 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials.\u003c/p\u003e\n","\u003cp\u003e Series 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.\u003c/p\u003e\n","\u003cp\u003e Series 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents.\u003c/p\u003e\n","\u003cp\u003e Series 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.\u003c/p\u003e\n","\u003cp\u003e Series 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others.\u003c/p\u003e\n","\u003cp\u003e Series 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.\u003c/p\u003e\n","\u003cp\u003e Series 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb.\u003c/p\u003e","\u003cp\u003eIncludes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.\u003c/p\u003e","\u003cp\u003eThis series includes multiple press clip routers from a variety of sources and newspapers for both Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus 1994-1995 tour.\u003c/p\u003e","\u003cp\u003eThis series includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.\u003c/p\u003e","\u003cp\u003eThis series includes Press Releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"\u003c/p\u003e","\u003cp\u003eThis series includes faxes from C-SPAN viewers that were sent to the C-SPAN Green Room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb. Reproductions (photographs, scans, etc.) of items in this series may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.\u003c/p\u003e","\u003cp\u003eThis series includes viewer mail responding to multiple events and topics related to C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and Brian Lamb directly. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials. Reproductions (photographs, scans, etc.) of items in this series may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.\u003c/p\u003e","\u003cp\u003eEducation and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.\u003c/p\u003e","\u003cp\u003eExecutive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and court documents.\u003c/p\u003e","\u003cp\u003eThis series includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.\u003c/p\u003e","\u003cp\u003eThis series includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, Floppy Disks, Cassette Tapes, CDs, and DVDs, among others.\u003c/p\u003e","\u003cp\u003eThis series includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.\u003c/p\u003e","\u003cp\u003eThis series includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, framed pictures, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series."," Series 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news."," Series 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour."," Series 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included."," Series 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\""," Series 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb."," Series 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials."," Series 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming."," Series 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents."," Series 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time."," Series 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others."," Series 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more."," Series 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb.","Includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.","This series includes multiple press clip routers from a variety of sources and newspapers for both Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus 1994-1995 tour.","This series includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.","This series includes Press Releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"","This series includes faxes from C-SPAN viewers that were sent to the C-SPAN Green Room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb. Reproductions (photographs, scans, etc.) of items in this series may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.","This series includes viewer mail responding to multiple events and topics related to C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and Brian Lamb directly. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials. Reproductions (photographs, scans, etc.) of items in this series may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.","Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.","Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and court documents.","This series includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.","This series includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, Floppy Disks, Cassette Tapes, CDs, and DVDs, among others.","This series includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.","This series includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, framed pictures, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb."],"userestrict_html_tesm":["\u003cp\u003eThis collection is protected by copyright and/or related rights. You are free to use this collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) (https://rightsstatements.org/page/InC/1.0/?language=en). The rights-holders are Cable-Satellite Public Affairs Network and potentially others - please contact SCRC for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["This collection is protected by copyright and/or related rights. You are free to use this collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) (https://rightsstatements.org/page/InC/1.0/?language=en). The rights-holders are Cable-Satellite Public Affairs Network and potentially others - please contact SCRC for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States.\u003c/abstract\u003e"],"abstract_tesim":["The C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_6e98eea71e7aaf27fbc13ed54ff06f7a\"\u003eMap Case 19.1-19.3, 31.1\u003c/physloc\u003e"],"physloc_tesim":["Map Case 19.1-19.3, 31.1"],"names_coll_ssim":["United States. Congress","United States. Congress. House","United States. Congress. Senate","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","C-SPAN Corporation","United States. Congress","United States. Congress. House","United States. Congress. Senate","Lamb, Brian, 1941-","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","C-SPAN Corporation","United States. Congress","United States. Congress. House","United States. Congress. Senate"],"persname_ssim":["Lamb, Brian, 1941-","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7227,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-05T07:17:21.217Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_520"}},{"id":"viw_repositories_2_resources_1130","type":"collection","attributes":{"title":"Department of English records","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_1130#creator","type":"document_value","attributes":{"value":"Deptartment of English","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_1130#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection includes administrative records, publications, and other material from the Department of English at the College of William and Mary.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_1130#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_1130","ead_ssi":"viw_repositories_2_resources_1130","_root_":"viw_repositories_2_resources_1130","_nest_parent_":"viw_repositories_2_resources_1130","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_1130.xml","title_filing_ssi":"Department of English records","title_ssm":["Department of English records"],"title_tesim":["Department of English records"],"unitdate_ssm":["1922-2013"],"unitdate_inclusive_ssm":["1922-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 205","/repositories/2/resources/1130"],"text":["UA 205","/repositories/2/resources/1130","Department of English records","College of William and Mary--History--20th century","Screenwriting","Audiocassettes","Fliers (printed matter)","Video recordings","Newsletters","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection.","This collection was previously part of the University Archives Publications Collection. The curriculum material was previously part of the University Archives Subject File Collection.","Box and folder list compiled by Vicky O'Brien, SCRC Staff, in April 2009. Acc. 2013.005 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2013. Acc. 2013.205 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2013.","Offices of the Presidents, Office of the Provost, Dean of Arts \u0026 Sciences, and related units."," Artifacts received with the Writing Resources Center Records (Acc. 2013.005) and transferred upon accessioning to the University Archives Artifact Collection (UA 13) include: \"Tectonic Tex\" T-shirt (UA 2013.005.01), 4jit/Forgit Films, LLC Baseball Cap (UA 2013.005.02), Quicksilver Scentific \"Got Mercury?\" T-shirt (UA 2013.005.03), International Mercury Expo T-shirt (UA 2013.005.04), 40th Anniversary Earth Day SEAC Button Pin (UA 2013.005.05).","This collection includes administrative records, publications, and other material from the Department of English at the College of William and Mary.","This series consist of publications and course material related to the Department of English at the College of William and Mary.","Brochure describing the Lemon Project circa 2009-2010","Invitation to reception to celebrate the renovation of Tucker Hall, November 13, 2013.","This series contains subject files and audiovisual material related to the Writing Resources Center at the College of William and Mary. Included in the records are subject files related to establishing the Freshman Seminar course at the College o fWilliam and Mary, videocassette tapes of student film projects, planning material related to the International Mercury Expo that took place on campus in April 2010, and oral history interview conducted by Sharon Zuber, Director of the Writing Resources Center, with filmmakers Albert Maysels, D.A. Pennebaker, and Charlotte Zwerin.","Contains correspondence, reports, course syllabi, and other material relating to the start of the masters program in the English department at the College of William and Mary. Includes annual reports, a history of the department, curriculum changes, and correspondence from the Dean of Arts and Sciences.","This series contains minutes from department meetings from 1972-1989; undergraduate curriculum review correspondence from 1969-1986; undergraduate policy committee correspondence from 1993; and correspondence realted to the William and Mary Assessment Program from 1994.","Artifacts received with the Writing Resources Center Records (Acc. 2013.005) and transferred upon accessioning to the University Archives Artifact Collection (UA 13) include: \"Tectonic Tex\" T-shirt (UA 2013.005.01), 4jit/Forgit Films, LLC Baseball Cap (UA 2013.005.02), Quicksilver Scentific \"Got Mercury?\" T-shirt (UA 2013.005.03), International Mercury Expo T-shirt (UA 2013.005.04), 40th Anniversary Earth Day SEAC Button Pin (UA 2013.005.05).","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Deptartment of English","College of William and Mary. Dept. of English","English"],"unitid_tesim":["UA 205","/repositories/2/resources/1130"],"normalized_title_ssm":["Department of English records"],"collection_title_tesim":["Department of English records"],"collection_ssim":["Department of English records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Deptartment of English"],"creator_ssim":["Deptartment of English"],"creator_corpname_ssim":["Deptartment of English"],"creators_ssim":["Deptartment of English"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["College of William and Mary--History--20th century","Screenwriting","Audiocassettes","Fliers (printed matter)","Video recordings","Newsletters"],"access_subjects_ssm":["College of William and Mary--History--20th century","Screenwriting","Audiocassettes","Fliers (printed matter)","Video recordings","Newsletters"],"has_online_content_ssim":["false"],"extent_ssm":["6.00 Linear Feet 7 boxes"],"extent_tesim":["6.00 Linear Feet 7 boxes"],"genreform_ssim":["Audiocassettes","Fliers (printed matter)","Video recordings","Newsletters"],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["This collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection."],"custodhist_html_tesm":["\u003cp\u003eThis collection was previously part of the University Archives Publications Collection. The curriculum material was previously part of the University Archives Subject File Collection.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History:"],"custodhist_tesim":["This collection was previously part of the University Archives Publications Collection. The curriculum material was previously part of the University Archives Subject File Collection."],"prefercite_html_tesm":["\u003cp\u003eDepartment of English records, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Department of English records, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eBox and folder list compiled by Vicky O'Brien, SCRC Staff, in April 2009. Acc. 2013.005 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2013. Acc. 2013.205 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Box and folder list compiled by Vicky O'Brien, SCRC Staff, in April 2009. Acc. 2013.005 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2013. Acc. 2013.205 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eOffices of the Presidents, Office of the Provost, Dean of Arts \u0026amp; Sciences, and related units.\u003c/p\u003e\n","\u003cp\u003e Artifacts received with the Writing Resources Center Records (Acc. 2013.005) and transferred upon accessioning to the University Archives Artifact Collection (UA 13) include: \"Tectonic Tex\" T-shirt (UA 2013.005.01), 4jit/Forgit Films, LLC Baseball Cap (UA 2013.005.02), Quicksilver Scentific \"Got Mercury?\" T-shirt (UA 2013.005.03), International Mercury Expo T-shirt (UA 2013.005.04), 40th Anniversary Earth Day SEAC Button Pin (UA 2013.005.05).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Offices of the Presidents, Office of the Provost, Dean of Arts \u0026 Sciences, and related units."," Artifacts received with the Writing Resources Center Records (Acc. 2013.005) and transferred upon accessioning to the University Archives Artifact Collection (UA 13) include: \"Tectonic Tex\" T-shirt (UA 2013.005.01), 4jit/Forgit Films, LLC Baseball Cap (UA 2013.005.02), Quicksilver Scentific \"Got Mercury?\" T-shirt (UA 2013.005.03), International Mercury Expo T-shirt (UA 2013.005.04), 40th Anniversary Earth Day SEAC Button Pin (UA 2013.005.05)."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes administrative records, publications, and other material from the Department of English at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eThis series consist of publications and course material related to the Department of English at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eBrochure describing the Lemon Project circa 2009-2010\u003c/p\u003e","\u003cp\u003eInvitation to reception to celebrate the renovation of Tucker Hall, November 13, 2013.\u003c/p\u003e","\u003cp\u003eThis series contains subject files and audiovisual material related to the Writing Resources Center at the College of William and Mary. Included in the records are subject files related to establishing the Freshman Seminar course at the College o fWilliam and Mary, videocassette tapes of student film projects, planning material related to the International Mercury Expo that took place on campus in April 2010, and oral history interview conducted by Sharon Zuber, Director of the Writing Resources Center, with filmmakers Albert Maysels, D.A. Pennebaker, and Charlotte Zwerin.\u003c/p\u003e","\u003cp\u003eContains correspondence, reports, course syllabi, and other material relating to the start of the masters program in the English department at the College of William and Mary. Includes annual reports, a history of the department, curriculum changes, and correspondence from the Dean of Arts and Sciences.\u003c/p\u003e","\u003cp\u003eThis series contains minutes from department meetings from 1972-1989; undergraduate curriculum review correspondence from 1969-1986; undergraduate policy committee correspondence from 1993; and correspondence realted to the William and Mary Assessment Program from 1994.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection includes administrative records, publications, and other material from the Department of English at the College of William and Mary.","This series consist of publications and course material related to the Department of English at the College of William and Mary.","Brochure describing the Lemon Project circa 2009-2010","Invitation to reception to celebrate the renovation of Tucker Hall, November 13, 2013.","This series contains subject files and audiovisual material related to the Writing Resources Center at the College of William and Mary. Included in the records are subject files related to establishing the Freshman Seminar course at the College o fWilliam and Mary, videocassette tapes of student film projects, planning material related to the International Mercury Expo that took place on campus in April 2010, and oral history interview conducted by Sharon Zuber, Director of the Writing Resources Center, with filmmakers Albert Maysels, D.A. Pennebaker, and Charlotte Zwerin.","Contains correspondence, reports, course syllabi, and other material relating to the start of the masters program in the English department at the College of William and Mary. Includes annual reports, a history of the department, curriculum changes, and correspondence from the Dean of Arts and Sciences.","This series contains minutes from department meetings from 1972-1989; undergraduate curriculum review correspondence from 1969-1986; undergraduate policy committee correspondence from 1993; and correspondence realted to the William and Mary Assessment Program from 1994."],"separatedmaterial_html_tesm":["\u003cp\u003eArtifacts received with the Writing Resources Center Records (Acc. 2013.005) and transferred upon accessioning to the University Archives Artifact Collection (UA 13) include: \"Tectonic Tex\" T-shirt (UA 2013.005.01), 4jit/Forgit Films, LLC Baseball Cap (UA 2013.005.02), Quicksilver Scentific \"Got Mercury?\" T-shirt (UA 2013.005.03), International Mercury Expo T-shirt (UA 2013.005.04), 40th Anniversary Earth Day SEAC Button Pin (UA 2013.005.05).\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Artifacts received with the Writing Resources Center Records (Acc. 2013.005) and transferred upon accessioning to the University Archives Artifact Collection (UA 13) include: \"Tectonic Tex\" T-shirt (UA 2013.005.01), 4jit/Forgit Films, LLC Baseball Cap (UA 2013.005.02), Quicksilver Scentific \"Got Mercury?\" T-shirt (UA 2013.005.03), International Mercury Expo T-shirt (UA 2013.005.04), 40th Anniversary Earth Day SEAC Button Pin (UA 2013.005.05)."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary. Dept. of English"],"names_ssim":["Special Collections Research Center","Deptartment of English","College of William and Mary. Dept. of English"],"corpname_ssim":["Special Collections Research Center","Deptartment of English","College of William and Mary. Dept. of English"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":41,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T08:10:56.829Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_1130","ead_ssi":"viw_repositories_2_resources_1130","_root_":"viw_repositories_2_resources_1130","_nest_parent_":"viw_repositories_2_resources_1130","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_1130.xml","title_filing_ssi":"Department of English records","title_ssm":["Department of English records"],"title_tesim":["Department of English records"],"unitdate_ssm":["1922-2013"],"unitdate_inclusive_ssm":["1922-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 205","/repositories/2/resources/1130"],"text":["UA 205","/repositories/2/resources/1130","Department of English records","College of William and Mary--History--20th century","Screenwriting","Audiocassettes","Fliers (printed matter)","Video recordings","Newsletters","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection.","This collection was previously part of the University Archives Publications Collection. The curriculum material was previously part of the University Archives Subject File Collection.","Box and folder list compiled by Vicky O'Brien, SCRC Staff, in April 2009. Acc. 2013.005 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2013. Acc. 2013.205 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2013.","Offices of the Presidents, Office of the Provost, Dean of Arts \u0026 Sciences, and related units."," Artifacts received with the Writing Resources Center Records (Acc. 2013.005) and transferred upon accessioning to the University Archives Artifact Collection (UA 13) include: \"Tectonic Tex\" T-shirt (UA 2013.005.01), 4jit/Forgit Films, LLC Baseball Cap (UA 2013.005.02), Quicksilver Scentific \"Got Mercury?\" T-shirt (UA 2013.005.03), International Mercury Expo T-shirt (UA 2013.005.04), 40th Anniversary Earth Day SEAC Button Pin (UA 2013.005.05).","This collection includes administrative records, publications, and other material from the Department of English at the College of William and Mary.","This series consist of publications and course material related to the Department of English at the College of William and Mary.","Brochure describing the Lemon Project circa 2009-2010","Invitation to reception to celebrate the renovation of Tucker Hall, November 13, 2013.","This series contains subject files and audiovisual material related to the Writing Resources Center at the College of William and Mary. Included in the records are subject files related to establishing the Freshman Seminar course at the College o fWilliam and Mary, videocassette tapes of student film projects, planning material related to the International Mercury Expo that took place on campus in April 2010, and oral history interview conducted by Sharon Zuber, Director of the Writing Resources Center, with filmmakers Albert Maysels, D.A. Pennebaker, and Charlotte Zwerin.","Contains correspondence, reports, course syllabi, and other material relating to the start of the masters program in the English department at the College of William and Mary. Includes annual reports, a history of the department, curriculum changes, and correspondence from the Dean of Arts and Sciences.","This series contains minutes from department meetings from 1972-1989; undergraduate curriculum review correspondence from 1969-1986; undergraduate policy committee correspondence from 1993; and correspondence realted to the William and Mary Assessment Program from 1994.","Artifacts received with the Writing Resources Center Records (Acc. 2013.005) and transferred upon accessioning to the University Archives Artifact Collection (UA 13) include: \"Tectonic Tex\" T-shirt (UA 2013.005.01), 4jit/Forgit Films, LLC Baseball Cap (UA 2013.005.02), Quicksilver Scentific \"Got Mercury?\" T-shirt (UA 2013.005.03), International Mercury Expo T-shirt (UA 2013.005.04), 40th Anniversary Earth Day SEAC Button Pin (UA 2013.005.05).","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Deptartment of English","College of William and Mary. Dept. of English","English"],"unitid_tesim":["UA 205","/repositories/2/resources/1130"],"normalized_title_ssm":["Department of English records"],"collection_title_tesim":["Department of English records"],"collection_ssim":["Department of English records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Deptartment of English"],"creator_ssim":["Deptartment of English"],"creator_corpname_ssim":["Deptartment of English"],"creators_ssim":["Deptartment of English"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["College of William and Mary--History--20th century","Screenwriting","Audiocassettes","Fliers (printed matter)","Video recordings","Newsletters"],"access_subjects_ssm":["College of William and Mary--History--20th century","Screenwriting","Audiocassettes","Fliers (printed matter)","Video recordings","Newsletters"],"has_online_content_ssim":["false"],"extent_ssm":["6.00 Linear Feet 7 boxes"],"extent_tesim":["6.00 Linear Feet 7 boxes"],"genreform_ssim":["Audiocassettes","Fliers (printed matter)","Video recordings","Newsletters"],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["This collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection."],"custodhist_html_tesm":["\u003cp\u003eThis collection was previously part of the University Archives Publications Collection. The curriculum material was previously part of the University Archives Subject File Collection.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History:"],"custodhist_tesim":["This collection was previously part of the University Archives Publications Collection. The curriculum material was previously part of the University Archives Subject File Collection."],"prefercite_html_tesm":["\u003cp\u003eDepartment of English records, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Department of English records, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eBox and folder list compiled by Vicky O'Brien, SCRC Staff, in April 2009. Acc. 2013.005 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2013. Acc. 2013.205 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Box and folder list compiled by Vicky O'Brien, SCRC Staff, in April 2009. Acc. 2013.005 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2013. Acc. 2013.205 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eOffices of the Presidents, Office of the Provost, Dean of Arts \u0026amp; Sciences, and related units.\u003c/p\u003e\n","\u003cp\u003e Artifacts received with the Writing Resources Center Records (Acc. 2013.005) and transferred upon accessioning to the University Archives Artifact Collection (UA 13) include: \"Tectonic Tex\" T-shirt (UA 2013.005.01), 4jit/Forgit Films, LLC Baseball Cap (UA 2013.005.02), Quicksilver Scentific \"Got Mercury?\" T-shirt (UA 2013.005.03), International Mercury Expo T-shirt (UA 2013.005.04), 40th Anniversary Earth Day SEAC Button Pin (UA 2013.005.05).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Offices of the Presidents, Office of the Provost, Dean of Arts \u0026 Sciences, and related units."," Artifacts received with the Writing Resources Center Records (Acc. 2013.005) and transferred upon accessioning to the University Archives Artifact Collection (UA 13) include: \"Tectonic Tex\" T-shirt (UA 2013.005.01), 4jit/Forgit Films, LLC Baseball Cap (UA 2013.005.02), Quicksilver Scentific \"Got Mercury?\" T-shirt (UA 2013.005.03), International Mercury Expo T-shirt (UA 2013.005.04), 40th Anniversary Earth Day SEAC Button Pin (UA 2013.005.05)."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes administrative records, publications, and other material from the Department of English at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eThis series consist of publications and course material related to the Department of English at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eBrochure describing the Lemon Project circa 2009-2010\u003c/p\u003e","\u003cp\u003eInvitation to reception to celebrate the renovation of Tucker Hall, November 13, 2013.\u003c/p\u003e","\u003cp\u003eThis series contains subject files and audiovisual material related to the Writing Resources Center at the College of William and Mary. 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Included in the records are subject files related to establishing the Freshman Seminar course at the College o fWilliam and Mary, videocassette tapes of student film projects, planning material related to the International Mercury Expo that took place on campus in April 2010, and oral history interview conducted by Sharon Zuber, Director of the Writing Resources Center, with filmmakers Albert Maysels, D.A. Pennebaker, and Charlotte Zwerin.","Contains correspondence, reports, course syllabi, and other material relating to the start of the masters program in the English department at the College of William and Mary. Includes annual reports, a history of the department, curriculum changes, and correspondence from the Dean of Arts and Sciences.","This series contains minutes from department meetings from 1972-1989; undergraduate curriculum review correspondence from 1969-1986; undergraduate policy committee correspondence from 1993; and correspondence realted to the William and Mary Assessment Program from 1994."],"separatedmaterial_html_tesm":["\u003cp\u003eArtifacts received with the Writing Resources Center Records (Acc. 2013.005) and transferred upon accessioning to the University Archives Artifact Collection (UA 13) include: \"Tectonic Tex\" T-shirt (UA 2013.005.01), 4jit/Forgit Films, LLC Baseball Cap (UA 2013.005.02), Quicksilver Scentific \"Got Mercury?\" T-shirt (UA 2013.005.03), International Mercury Expo T-shirt (UA 2013.005.04), 40th Anniversary Earth Day SEAC Button Pin (UA 2013.005.05).\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Artifacts received with the Writing Resources Center Records (Acc. 2013.005) and transferred upon accessioning to the University Archives Artifact Collection (UA 13) include: \"Tectonic Tex\" T-shirt (UA 2013.005.01), 4jit/Forgit Films, LLC Baseball Cap (UA 2013.005.02), Quicksilver Scentific \"Got Mercury?\" T-shirt (UA 2013.005.03), International Mercury Expo T-shirt (UA 2013.005.04), 40th Anniversary Earth Day SEAC Button Pin (UA 2013.005.05)."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary. Dept. of English"],"names_ssim":["Special Collections Research Center","Deptartment of English","College of William and Mary. Dept. of English"],"corpname_ssim":["Special Collections Research Center","Deptartment of English","College of William and Mary. 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DCRA advises decision makers on transit-related issues, including funding, operations, station location and access, and use, and implementation issues.","DCRA provides a voice for its members and others who live and work in the greater Dulles corridor who support rail as an essential component of an integrated development program for the corridor.  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Libraries. 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DCRA advises decision makers on transit-related issues, including funding, operations, station location and access, and use, and implementation issues.","DCRA provides a voice for its members and others who live and work in the greater Dulles corridor who support rail as an essential component of an integrated development program for the corridor.  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During the course of her career, Ker participated in more than 70 professional photographic camping safaris in Africa, including expeditions with primatologist Jane Goodall. She also served as president of the Society of Woman Geographers from 1997 to 1999. Born in 1924, she died in 2003.","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Inventory created by Brittney Falter in October 2017. Finding aid completed by Brittney Falter in November 2017. Finding aid updated by Amanda Menjivar in January 2019, December 2022, and February 2023.","Special Collections Research Center also holds the  .","This collection contains approximately 10,000 slides, as well as photographs, scrapbooks, publications, and audio visual materials relating to Edith Ker's nature expeditions. 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Reel, 16mm Color Reversal","800 ft. Reel, 16mm Color Reversal","Photographs, Postcards, Brochures","Itinerary, Photographs, Postcards, Articles, Notes","Itinerary, Photographs, Postcards, Brochures","Photographs, Postcards, Itinerary","Articles, Photographs, Postcards, Itinerary","Postcards, Photographs, Itinerary, Brochures","Itinerary, Photographs, Postcards, Articles, Brochures","Itinerary, Photographs, Postcards, Articles, Brochures","Maps, Articles, Brochures, Itinerary, Cards","Programs, Articles, Photographs, Postcards","Photographs, Postcards, Brochures, Itinerary","Pictures, Brochures, Postcards, Itinerary","Maps, Itinerary, Pictures, Postcards","Maps, Pictures, Brochures, Articles","Articles, Pictures, Brochures, Itinerary","Writings and articles; some written by Edie Ker.","Small and medium images of safari and personal photos.","Medium and large images from safari.","Small and medium images from safari.","Small and medium images from safari.","Small and medium images from safari.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","This collection contains approximately 10,000 slides, scrapbooks, publications, and archival materials relating to Edith Ker's nature expeditions and travels around the world.","\nR 29, C 2, S 5-7\n\n\nR 29, C 3, S 1-2\n\n\nR 29, C 4, S 1\n","George Mason University. Libraries. Special Collections Research Center","Ker, Edith McChesney, 1924-2003","English"],"unitid_tesim":["C0077","/repositories/2/resources/659"],"normalized_title_ssm":["Edith McChesney Ker papers"],"collection_title_tesim":["Edith McChesney Ker papers"],"collection_ssim":["Edith McChesney Ker papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Africa -- Slides","Canada -- Photographs","Europe -- Geography -- Slides","Middle East","South America"],"geogname_ssim":["Africa -- Slides","Canada -- Photographs","Europe -- Geography -- Slides","Middle East","South America"],"creator_ssm":["Ker, Edith McChesney, 1924-2003"],"creator_ssim":["Ker, Edith McChesney, 1924-2003"],"creator_persname_ssim":["Ker, Edith McChesney, 1924-2003"],"creators_ssim":["Ker, Edith McChesney, 1924-2003"],"places_ssim":["Africa -- Slides","Canada -- Photographs","Europe -- Geography -- Slides","Middle East","South America"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Collection donated by Jean Moretti in October 2005."],"access_subjects_ssim":["Nature","Slides (Photography)","Postcards","Scrapbooks","Video recordings"],"access_subjects_ssm":["Nature","Slides (Photography)","Postcards","Scrapbooks","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["15.0 Linear Feet 48 boxes"],"extent_tesim":["15.0 Linear Feet 48 boxes"],"genreform_ssim":["Postcards","Scrapbooks","Video recordings"],"date_range_isim":[1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eDigitized versions of items in Boxes 11-17 and 46-48 can be found here: \u003cextptr show=\"new\" title=\"Edith McChesney Ker papers\" href=\"http://images.gmu.edu/luna/servlet/GMU~7~7\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Digitized versions of items in Boxes 11-17 and 46-48 can be found here:  ."],"arrangement_html_tesm":["\u003cp\u003eThis collection was arranged by the following formats: paper documents, slides, and scrapbooks, with the exception of audio visual materials, which are housed in Boxes 1 and 34.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection was arranged by the following formats: paper documents, slides, and scrapbooks, with the exception of audio visual materials, which are housed in Boxes 1 and 34."],"bioghist_html_tesm":["\u003cp\u003eAn avid photographer of wildlife and nature, Edith \"Edie\" Ker dedicated her life to traveling around the world taking photographs and writing journal entries about her experiences. During the course of her career, Ker participated in more than 70 professional photographic camping safaris in Africa, including expeditions with primatologist Jane Goodall. She also served as president of the Society of Woman Geographers from 1997 to 1999. Born in 1924, she died in 2003.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["An avid photographer of wildlife and nature, Edith \"Edie\" Ker dedicated her life to traveling around the world taking photographs and writing journal entries about her experiences. During the course of her career, Ker participated in more than 70 professional photographic camping safaris in Africa, including expeditions with primatologist Jane Goodall. She also served as president of the Society of Woman Geographers from 1997 to 1999. Born in 1924, she died in 2003."],"prefercite_html_tesm":["\u003cp\u003eEdith McChesney Ker papers, C0077, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Edith McChesney Ker papers, C0077, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Inventory created by Brittney Falter in October 2017. Finding aid completed by Brittney Falter in November 2017. Finding aid updated by Amanda Menjivar in January 2019, December 2022, and February 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Inventory created by Brittney Falter in October 2017. Finding aid completed by Brittney Falter in November 2017. Finding aid updated by Amanda Menjivar in January 2019, December 2022, and February 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center also holds the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0020\" title=\"Kjell Sandved nature photograph collection\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Special Collections Research Center also holds the  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains approximately 10,000 slides, as well as photographs, scrapbooks, publications, and audio visual materials relating to Edith Ker's nature expeditions. Aside from visiting safaris in Africa, she traveled all over the world to countries like Canada, Russia, Australia, Turkey, Namibia, Argentina, and around the United States. She kept scrapbooks of each trip to showcase postcards, articles, research notes, itineraries, pictures, and brochures from her travels. Her photographs capture a variety of different animals from around the world as well as buildings, landscapes, and people.\u003c/p\u003e","\u003cp\u003e4+ hours\u003c/p\u003e","\u003cp\u003e20 Slides; Color\u003c/p\u003e","\u003cp\u003e20 Slides; Color\u003c/p\u003e","\u003cp\u003e20 Slides; Color\u003c/p\u003e","\u003cp\u003e20 Slides; Color\u003c/p\u003e","\u003cp\u003e20 Slides; Color\u003c/p\u003e","\u003cp\u003e20 Slides; Color\u003c/p\u003e","\u003cp\u003e20 Slides; Color\u003c/p\u003e","\u003cp\u003e20 Slides; Color\u003c/p\u003e","\u003cp\u003e20 Slides; Color\u003c/p\u003e","\u003cp\u003e20 Slides; Color\u003c/p\u003e","\u003cp\u003e20 Slides; Color\u003c/p\u003e","\u003cp\u003e20 Slides; Color\u003c/p\u003e","\u003cp\u003e20 Slides; Color\u003c/p\u003e","\u003cp\u003e20 Slides; Color\u003c/p\u003e","\u003cp\u003e20 Slides; Color\u003c/p\u003e","\u003cp\u003e20 Slides; Color\u003c/p\u003e","\u003cp\u003e20 Slides; Color\u003c/p\u003e","\u003cp\u003e20 Slides; Color\u003c/p\u003e","\u003cp\u003e20 Slides; 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Reel, 16mm Color Reversal","Photographs, Postcards, Brochures","Itinerary, Photographs, Postcards, Articles, Notes","Itinerary, Photographs, Postcards, Brochures","Photographs, Postcards, Itinerary","Articles, Photographs, Postcards, Itinerary","Postcards, Photographs, Itinerary, Brochures","Itinerary, Photographs, Postcards, Articles, Brochures","Itinerary, Photographs, Postcards, Articles, Brochures","Maps, Articles, Brochures, Itinerary, Cards","Programs, Articles, Photographs, Postcards","Photographs, Postcards, Brochures, Itinerary","Pictures, Brochures, Postcards, Itinerary","Maps, Itinerary, Pictures, Postcards","Maps, Pictures, Brochures, Articles","Articles, Pictures, Brochures, Itinerary","Writings and articles; some written by Edie Ker.","Small and medium images of safari and personal photos.","Medium and large images from safari.","Small and medium images from safari.","Small and medium images from safari.","Small and medium images from safari."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref2\"\u003eThis collection contains approximately 10,000 slides, scrapbooks, publications, and archival materials relating to Edith Ker's nature expeditions and travels around the world.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains approximately 10,000 slides, scrapbooks, publications, and archival materials relating to Edith Ker's nature expeditions and travels around the world."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5ecc6784c7a511e9af0c236d3d9eab1a\"\u003e\nR 29, C 2, S 5-7\n\n\nR 29, C 3, S 1-2\n\n\nR 29, C 4, S 1\n\u003c/physloc\u003e"],"physloc_tesim":["\nR 29, C 2, S 5-7\n\n\nR 29, C 3, S 1-2\n\n\nR 29, C 4, S 1\n"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Ker, Edith McChesney, 1924-2003"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Ker, Edith McChesney, 1924-2003"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":712,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:40:54.982Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_659","ead_ssi":"vifgm_repositories_2_resources_659","_root_":"vifgm_repositories_2_resources_659","_nest_parent_":"vifgm_repositories_2_resources_659","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_659.xml","title_filing_ssi":"Edith McChesney Ker papers","title_ssm":["Edith McChesney Ker papers"],"title_tesim":["Edith McChesney Ker papers"],"unitdate_ssm":["1948 - 2003"],"unitdate_inclusive_ssm":["1948 - 2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0077","/repositories/2/resources/659"],"text":["C0077","/repositories/2/resources/659","Edith McChesney Ker papers","Africa -- Slides","Canada -- Photographs","Europe -- Geography -- Slides","Middle East","South America","Nature","Slides (Photography)","Postcards","Scrapbooks","Video recordings","There are no access restrictions.","Digitized versions of items in Boxes 11-17 and 46-48 can be found here:  .","This collection was arranged by the following formats: paper documents, slides, and scrapbooks, with the exception of audio visual materials, which are housed in Boxes 1 and 34.","An avid photographer of wildlife and nature, Edith \"Edie\" Ker dedicated her life to traveling around the world taking photographs and writing journal entries about her experiences. During the course of her career, Ker participated in more than 70 professional photographic camping safaris in Africa, including expeditions with primatologist Jane Goodall. She also served as president of the Society of Woman Geographers from 1997 to 1999. Born in 1924, she died in 2003.","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Inventory created by Brittney Falter in October 2017. Finding aid completed by Brittney Falter in November 2017. Finding aid updated by Amanda Menjivar in January 2019, December 2022, and February 2023.","Special Collections Research Center also holds the  .","This collection contains approximately 10,000 slides, as well as photographs, scrapbooks, publications, and audio visual materials relating to Edith Ker's nature expeditions. Aside from visiting safaris in Africa, she traveled all over the world to countries like Canada, Russia, Australia, Turkey, Namibia, Argentina, and around the United States. She kept scrapbooks of each trip to showcase postcards, articles, research notes, itineraries, pictures, and brochures from her travels. 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Reel, 16mm Color Reversal","Photographs, Postcards, Brochures","Itinerary, Photographs, Postcards, Articles, Notes","Itinerary, Photographs, Postcards, Brochures","Photographs, Postcards, Itinerary","Articles, Photographs, Postcards, Itinerary","Postcards, Photographs, Itinerary, Brochures","Itinerary, Photographs, Postcards, Articles, Brochures","Itinerary, Photographs, Postcards, Articles, Brochures","Maps, Articles, Brochures, Itinerary, Cards","Programs, Articles, Photographs, Postcards","Photographs, Postcards, Brochures, Itinerary","Pictures, Brochures, Postcards, Itinerary","Maps, Itinerary, Pictures, Postcards","Maps, Pictures, Brochures, Articles","Articles, Pictures, Brochures, Itinerary","Writings and articles; some written by Edie Ker.","Small and medium images of safari and personal photos.","Medium and large images from safari.","Small and medium images from safari.","Small and medium images from safari.","Small and medium images from safari.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","This collection contains approximately 10,000 slides, scrapbooks, publications, and archival materials relating to Edith Ker's nature expeditions and travels around the world.","\nR 29, C 2, S 5-7\n\n\nR 29, C 3, S 1-2\n\n\nR 29, C 4, S 1\n","George Mason University. Libraries. Special Collections Research Center","Ker, Edith McChesney, 1924-2003","English"],"unitid_tesim":["C0077","/repositories/2/resources/659"],"normalized_title_ssm":["Edith McChesney Ker papers"],"collection_title_tesim":["Edith McChesney Ker papers"],"collection_ssim":["Edith McChesney Ker papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Africa -- Slides","Canada -- Photographs","Europe -- Geography -- Slides","Middle East","South America"],"geogname_ssim":["Africa -- Slides","Canada -- Photographs","Europe -- Geography -- Slides","Middle East","South America"],"creator_ssm":["Ker, Edith McChesney, 1924-2003"],"creator_ssim":["Ker, Edith McChesney, 1924-2003"],"creator_persname_ssim":["Ker, Edith McChesney, 1924-2003"],"creators_ssim":["Ker, Edith McChesney, 1924-2003"],"places_ssim":["Africa -- Slides","Canada -- Photographs","Europe -- Geography -- Slides","Middle East","South America"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Collection donated by Jean Moretti in October 2005."],"access_subjects_ssim":["Nature","Slides (Photography)","Postcards","Scrapbooks","Video recordings"],"access_subjects_ssm":["Nature","Slides (Photography)","Postcards","Scrapbooks","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["15.0 Linear Feet 48 boxes"],"extent_tesim":["15.0 Linear Feet 48 boxes"],"genreform_ssim":["Postcards","Scrapbooks","Video recordings"],"date_range_isim":[1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eDigitized versions of items in Boxes 11-17 and 46-48 can be found here: \u003cextptr show=\"new\" title=\"Edith McChesney Ker papers\" href=\"http://images.gmu.edu/luna/servlet/GMU~7~7\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Digitized versions of items in Boxes 11-17 and 46-48 can be found here:  ."],"arrangement_html_tesm":["\u003cp\u003eThis collection was arranged by the following formats: paper documents, slides, and scrapbooks, with the exception of audio visual materials, which are housed in Boxes 1 and 34.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection was arranged by the following formats: paper documents, slides, and scrapbooks, with the exception of audio visual materials, which are housed in Boxes 1 and 34."],"bioghist_html_tesm":["\u003cp\u003eAn avid photographer of wildlife and nature, Edith \"Edie\" Ker dedicated her life to traveling around the world taking photographs and writing journal entries about her experiences. During the course of her career, Ker participated in more than 70 professional photographic camping safaris in Africa, including expeditions with primatologist Jane Goodall. She also served as president of the Society of Woman Geographers from 1997 to 1999. Born in 1924, she died in 2003.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["An avid photographer of wildlife and nature, Edith \"Edie\" Ker dedicated her life to traveling around the world taking photographs and writing journal entries about her experiences. During the course of her career, Ker participated in more than 70 professional photographic camping safaris in Africa, including expeditions with primatologist Jane Goodall. She also served as president of the Society of Woman Geographers from 1997 to 1999. Born in 1924, she died in 2003."],"prefercite_html_tesm":["\u003cp\u003eEdith McChesney Ker papers, C0077, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Edith McChesney Ker papers, C0077, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Inventory created by Brittney Falter in October 2017. Finding aid completed by Brittney Falter in November 2017. Finding aid updated by Amanda Menjivar in January 2019, December 2022, and February 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Inventory created by Brittney Falter in October 2017. Finding aid completed by Brittney Falter in November 2017. Finding aid updated by Amanda Menjivar in January 2019, December 2022, and February 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center also holds the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0020\" title=\"Kjell Sandved nature photograph collection\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Special Collections Research Center also holds the  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains approximately 10,000 slides, as well as photographs, scrapbooks, publications, and audio visual materials relating to Edith Ker's nature expeditions. Aside from visiting safaris in Africa, she traveled all over the world to countries like Canada, Russia, Australia, Turkey, Namibia, Argentina, and around the United States. She kept scrapbooks of each trip to showcase postcards, articles, research notes, itineraries, pictures, and brochures from her travels. Her photographs capture a variety of different animals from around the world as well as buildings, landscapes, and people.\u003c/p\u003e","\u003cp\u003e4+ hours\u003c/p\u003e","\u003cp\u003e20 Slides; Color\u003c/p\u003e","\u003cp\u003e20 Slides; Color\u003c/p\u003e","\u003cp\u003e20 Slides; Color\u003c/p\u003e","\u003cp\u003e20 Slides; Color\u003c/p\u003e","\u003cp\u003e20 Slides; Color\u003c/p\u003e","\u003cp\u003e20 Slides; Color\u003c/p\u003e","\u003cp\u003e20 Slides; Color\u003c/p\u003e","\u003cp\u003e20 Slides; Color\u003c/p\u003e","\u003cp\u003e20 Slides; Color\u003c/p\u003e","\u003cp\u003e20 Slides; Color\u003c/p\u003e","\u003cp\u003e20 Slides; Color\u003c/p\u003e","\u003cp\u003e20 Slides; Color\u003c/p\u003e","\u003cp\u003e20 Slides; Color\u003c/p\u003e","\u003cp\u003e20 Slides; Color\u003c/p\u003e","\u003cp\u003e20 Slides; Color\u003c/p\u003e","\u003cp\u003e20 Slides; Color\u003c/p\u003e","\u003cp\u003e20 Slides; Color\u003c/p\u003e","\u003cp\u003e20 Slides; Color\u003c/p\u003e","\u003cp\u003e20 Slides; 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Reel, 16mm Color Reversal","800 ft. Reel, 16mm Color Reversal","Photographs, Postcards, Brochures","Itinerary, Photographs, Postcards, Articles, Notes","Itinerary, Photographs, Postcards, Brochures","Photographs, Postcards, Itinerary","Articles, Photographs, Postcards, Itinerary","Postcards, Photographs, Itinerary, Brochures","Itinerary, Photographs, Postcards, Articles, Brochures","Itinerary, Photographs, Postcards, Articles, Brochures","Maps, Articles, Brochures, Itinerary, Cards","Programs, Articles, Photographs, Postcards","Photographs, Postcards, Brochures, Itinerary","Pictures, Brochures, Postcards, Itinerary","Maps, Itinerary, Pictures, Postcards","Maps, Pictures, Brochures, Articles","Articles, Pictures, Brochures, Itinerary","Writings and articles; some written by Edie Ker.","Small and medium images of safari and personal photos.","Medium and large images from safari.","Small and medium images from safari.","Small and medium images from safari.","Small and medium images from safari."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref2\"\u003eThis collection contains approximately 10,000 slides, scrapbooks, publications, and archival materials relating to Edith Ker's nature expeditions and travels around the world.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains approximately 10,000 slides, scrapbooks, publications, and archival materials relating to Edith Ker's nature expeditions and travels around the world."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5ecc6784c7a511e9af0c236d3d9eab1a\"\u003e\nR 29, C 2, S 5-7\n\n\nR 29, C 3, S 1-2\n\n\nR 29, C 4, S 1\n\u003c/physloc\u003e"],"physloc_tesim":["\nR 29, C 2, S 5-7\n\n\nR 29, C 3, S 1-2\n\n\nR 29, C 4, S 1\n"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Ker, Edith McChesney, 1924-2003"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Ker, Edith McChesney, 1924-2003"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":712,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:40:54.982Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_659"}},{"id":"viw_repositories_2_resources_424","type":"collection","attributes":{"title":"Fred Frechette Papers","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_424#creator","type":"document_value","attributes":{"value":"Frechette, Fred, 1925-2009","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_424#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eFred Frechette's papers which include his Richmond Times-Dispatch newspaper articles on Williamsburg, Virginia, photographs and his script and related material on \"The Once and Future Camelot\" a production given for the Williamsburg Reunion. Material related to his duty as a volunteer fireman and his March 25, 2000 pamphlet \"William and Mary Students and the Travis House, Feb. 1, 1943-Feb. 28, 1951.\"\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_424#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_424","ead_ssi":"viw_repositories_2_resources_424","_root_":"viw_repositories_2_resources_424","_nest_parent_":"viw_repositories_2_resources_424","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_424.xml","title_filing_ssi":"Frechette, Fred,  Papers","title_ssm":["Fred Frechette Papers"],"title_tesim":["Fred Frechette Papers"],"unitdate_ssm":["1930-2000","1950-2000"],"unitdate_bulk_ssim":["1950-2000"],"unitdate_inclusive_ssm":["1930-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. Acc. 2000.24","/repositories/2/resources/424"],"text":["Mss. Acc. 2000.24","/repositories/2/resources/424","Fred Frechette Papers","Williamsburg (Va.)--History--20th century","College of William and Mary--History--20th century","College of William and Mary--Work Study Program","Colonial Williamsburg Foundation--History","Journalists","Volunteer Fire Department (Williamsburg, Va.)","Audiocassettes","Newspapers","Pamphlets","Photographs","Scripts, Vocal","Slides (photographs)","Video recordings","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Fred Frechette was a member of the College of William and Mary Class of 1946."," Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Videocassettes and audiocassettes from this collection have been moved to the Manuscripts Audiovisual Collection.","Fred Frechette's papers which include his Richmond Times-Dispatch newspaper articles on Williamsburg, Virginia, photographs and his script and related material on \"The Once and Future Camelot\" a production given for the Williamsburg Reunion.  Material related to his duty as a volunteer fireman and his March 25, 2000 pamphlet \"William and Mary Students and the Travis House, Feb. 1, 1943-Feb. 28, 1951.\"","Obituary for Fred Frechette, The Virginia Gazette","1 of 2. Newspaper Clippings collected by Fred Frechette","2 of 2. Newspaper clippings collected by Fred Frechette.","Script of slideform presented at 1978 banquet by Williamsburg Chamber of Commerce honoring the 50th Anniversary of the beginning of the Restoration. Narrated by Vernon M. Geddy, Jr. Writted by Fred Frechette.","1 of 2. PBK Fire, Memorial of Elliot W. Jayne, and miscellaneous clippings, photographs, and material regarding the volunteer firemen of the 1950s.","2 of 2. PBK Fire, Memorial of Elliot W. Jayne, and miscellaneous clippings, photographs, and material regarding the volunteer firemen of the 1950s.","Script and notes.","Photographs and newspaper clippings concerning Williamsburg events in the 1950s","Script and miscellaneous material for \"The Once and Future Camelot\". Slide film written and produced for 1994 Williamsburg reunion.","Contains photographs of serious automobile accidents with deaths","Two CDs of photographs removed and placed in the Manuscripts Artifacts Collection (Mss2000.24)","All audio-visual material has been transferred to the Audio-Visual Collection and some Williamsburg Reunion material has been transferred to the Mss. 1.01 Williamsburg Reunion Collection.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Buildings and Grounds--Fires","College of William and Mary--Alumni and alumnae","Richmond Times-Dispatch (Va.)","Travis House (Williamsburg, Va.)","Geddy family","Frechette, Fred, 1925-2009","English"],"unitid_tesim":["Mss. Acc. 2000.24","/repositories/2/resources/424"],"normalized_title_ssm":["Fred Frechette Papers"],"collection_title_tesim":["Fred Frechette Papers"],"collection_ssim":["Fred Frechette Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Williamsburg (Va.)--History--20th century"],"geogname_ssim":["Williamsburg (Va.)--History--20th century"],"creator_ssm":["Frechette, Fred, 1925-2009","Williamsburg Historic Records Association (Williamsburg, Va.)"],"creator_ssim":["Frechette, Fred, 1925-2009","Williamsburg Historic Records Association (Williamsburg, Va.)"],"creator_persname_ssim":["Frechette, Fred, 1925-2009"],"creator_corpname_ssim":["Williamsburg Historic Records Association (Williamsburg, Va.)"],"creators_ssim":["Frechette, Fred, 1925-2009","Williamsburg Historic Records Association (Williamsburg, Va.)"],"places_ssim":["Williamsburg (Va.)--History--20th century"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gift via the Williamsburg Historic Records Association."],"access_subjects_ssim":["College of William and Mary--History--20th century","College of William and Mary--Work Study Program","Colonial Williamsburg Foundation--History","Journalists","Volunteer Fire Department (Williamsburg, Va.)","Audiocassettes","Newspapers","Pamphlets","Photographs","Scripts, Vocal","Slides (photographs)","Video recordings"],"access_subjects_ssm":["College of William and Mary--History--20th century","College of William and Mary--Work Study Program","Colonial Williamsburg Foundation--History","Journalists","Volunteer Fire Department (Williamsburg, Va.)","Audiocassettes","Newspapers","Pamphlets","Photographs","Scripts, Vocal","Slides (photographs)","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["0.60 Linear Feet"],"extent_tesim":["0.60 Linear Feet"],"genreform_ssim":["Audiocassettes","Newspapers","Pamphlets","Photographs","Scripts, Vocal","Slides (photographs)","Video recordings"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eFred Frechette was a member of the College of William and Mary Class of 1946.\u003c/p\u003e\n","\u003cp\u003e Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Fred_Frechette\" title=\"Fred Frechette\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Fred Frechette was a member of the College of William and Mary Class of 1946."," Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"prefercite_html_tesm":["\u003cp\u003eWilliam and Mary Students and the Travis House, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["William and Mary Students and the Travis House, Special Collections Research Center, Swem Library, College of William and Mary."],"relatedmaterial_html_tesm":["\u003cp\u003eVideocassettes and audiocassettes from this collection have been moved to the Manuscripts Audiovisual Collection.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Videocassettes and audiocassettes from this collection have been moved to the Manuscripts Audiovisual Collection."],"scopecontent_html_tesm":["\u003cp\u003eFred Frechette's papers which include his Richmond Times-Dispatch newspaper articles on Williamsburg, Virginia, photographs and his script and related material on \"The Once and Future Camelot\" a production given for the Williamsburg Reunion.  Material related to his duty as a volunteer fireman and his March 25, 2000 pamphlet \"William and Mary Students and the Travis House, Feb. 1, 1943-Feb. 28, 1951.\"\u003c/p\u003e","\u003cp\u003eObituary for Fred Frechette, The Virginia Gazette\u003c/p\u003e","\u003cp\u003e1 of 2. Newspaper Clippings collected by Fred Frechette\u003c/p\u003e","\u003cp\u003e2 of 2. Newspaper clippings collected by Fred Frechette.\u003c/p\u003e","\u003cp\u003eScript of slideform presented at 1978 banquet by Williamsburg Chamber of Commerce honoring the 50th Anniversary of the beginning of the Restoration. Narrated by Vernon M. Geddy, Jr. Writted by Fred Frechette.\u003c/p\u003e","\u003cp\u003e1 of 2. PBK Fire, Memorial of Elliot W. Jayne, and miscellaneous clippings, photographs, and material regarding the volunteer firemen of the 1950s.\u003c/p\u003e","\u003cp\u003e2 of 2. PBK Fire, Memorial of Elliot W. Jayne, and miscellaneous clippings, photographs, and material regarding the volunteer firemen of the 1950s.\u003c/p\u003e","\u003cp\u003eScript and notes.\u003c/p\u003e","\u003cp\u003ePhotographs and newspaper clippings concerning Williamsburg events in the 1950s\u003c/p\u003e","\u003cp\u003eScript and miscellaneous material for \"The Once and Future Camelot\". Slide film written and produced for 1994 Williamsburg reunion.\u003c/p\u003e","\u003cp\u003eContains photographs of serious automobile accidents with deaths\u003c/p\u003e","\u003cp\u003eTwo CDs of photographs removed and placed in the Manuscripts Artifacts Collection (Mss2000.24)\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Fred Frechette's papers which include his Richmond Times-Dispatch newspaper articles on Williamsburg, Virginia, photographs and his script and related material on \"The Once and Future Camelot\" a production given for the Williamsburg Reunion.  Material related to his duty as a volunteer fireman and his March 25, 2000 pamphlet \"William and Mary Students and the Travis House, Feb. 1, 1943-Feb. 28, 1951.\"","Obituary for Fred Frechette, The Virginia Gazette","1 of 2. Newspaper Clippings collected by Fred Frechette","2 of 2. Newspaper clippings collected by Fred Frechette.","Script of slideform presented at 1978 banquet by Williamsburg Chamber of Commerce honoring the 50th Anniversary of the beginning of the Restoration. Narrated by Vernon M. Geddy, Jr. Writted by Fred Frechette.","1 of 2. PBK Fire, Memorial of Elliot W. Jayne, and miscellaneous clippings, photographs, and material regarding the volunteer firemen of the 1950s.","2 of 2. PBK Fire, Memorial of Elliot W. Jayne, and miscellaneous clippings, photographs, and material regarding the volunteer firemen of the 1950s.","Script and notes.","Photographs and newspaper clippings concerning Williamsburg events in the 1950s","Script and miscellaneous material for \"The Once and Future Camelot\". Slide film written and produced for 1994 Williamsburg reunion.","Contains photographs of serious automobile accidents with deaths","Two CDs of photographs removed and placed in the Manuscripts Artifacts Collection (Mss2000.24)"],"separatedmaterial_html_tesm":["\u003cp\u003eAll audio-visual material has been transferred to the Audio-Visual Collection and some Williamsburg Reunion material has been transferred to the Mss. 1.01 Williamsburg Reunion Collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["All audio-visual material has been transferred to the Audio-Visual Collection and some Williamsburg Reunion material has been transferred to the Mss. 1.01 Williamsburg Reunion Collection."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Buildings and Grounds--Fires","College of William and Mary--Alumni and alumnae","Richmond Times-Dispatch (Va.)","Travis House (Williamsburg, Va.)","Williamsburg Historic Records Association (Williamsburg, Va.)","Geddy family"],"names_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Buildings and Grounds--Fires","College of William and Mary--Alumni and alumnae","Richmond Times-Dispatch (Va.)","Travis House (Williamsburg, Va.)","Geddy family","Frechette, Fred, 1925-2009"],"corpname_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Buildings and Grounds--Fires","College of William and Mary--Alumni and alumnae","Richmond Times-Dispatch (Va.)","Travis House (Williamsburg, Va.)"],"famname_ssim":["Geddy family"],"persname_ssim":["Frechette, Fred, 1925-2009"],"language_ssim":["English"],"total_component_count_is":18,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:22:50.280Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_424","ead_ssi":"viw_repositories_2_resources_424","_root_":"viw_repositories_2_resources_424","_nest_parent_":"viw_repositories_2_resources_424","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_424.xml","title_filing_ssi":"Frechette, Fred,  Papers","title_ssm":["Fred Frechette Papers"],"title_tesim":["Fred Frechette Papers"],"unitdate_ssm":["1930-2000","1950-2000"],"unitdate_bulk_ssim":["1950-2000"],"unitdate_inclusive_ssm":["1930-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. Acc. 2000.24","/repositories/2/resources/424"],"text":["Mss. Acc. 2000.24","/repositories/2/resources/424","Fred Frechette Papers","Williamsburg (Va.)--History--20th century","College of William and Mary--History--20th century","College of William and Mary--Work Study Program","Colonial Williamsburg Foundation--History","Journalists","Volunteer Fire Department (Williamsburg, Va.)","Audiocassettes","Newspapers","Pamphlets","Photographs","Scripts, Vocal","Slides (photographs)","Video recordings","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Fred Frechette was a member of the College of William and Mary Class of 1946."," Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Videocassettes and audiocassettes from this collection have been moved to the Manuscripts Audiovisual Collection.","Fred Frechette's papers which include his Richmond Times-Dispatch newspaper articles on Williamsburg, Virginia, photographs and his script and related material on \"The Once and Future Camelot\" a production given for the Williamsburg Reunion.  Material related to his duty as a volunteer fireman and his March 25, 2000 pamphlet \"William and Mary Students and the Travis House, Feb. 1, 1943-Feb. 28, 1951.\"","Obituary for Fred Frechette, The Virginia Gazette","1 of 2. Newspaper Clippings collected by Fred Frechette","2 of 2. Newspaper clippings collected by Fred Frechette.","Script of slideform presented at 1978 banquet by Williamsburg Chamber of Commerce honoring the 50th Anniversary of the beginning of the Restoration. Narrated by Vernon M. Geddy, Jr. Writted by Fred Frechette.","1 of 2. PBK Fire, Memorial of Elliot W. Jayne, and miscellaneous clippings, photographs, and material regarding the volunteer firemen of the 1950s.","2 of 2. PBK Fire, Memorial of Elliot W. Jayne, and miscellaneous clippings, photographs, and material regarding the volunteer firemen of the 1950s.","Script and notes.","Photographs and newspaper clippings concerning Williamsburg events in the 1950s","Script and miscellaneous material for \"The Once and Future Camelot\". Slide film written and produced for 1994 Williamsburg reunion.","Contains photographs of serious automobile accidents with deaths","Two CDs of photographs removed and placed in the Manuscripts Artifacts Collection (Mss2000.24)","All audio-visual material has been transferred to the Audio-Visual Collection and some Williamsburg Reunion material has been transferred to the Mss. 1.01 Williamsburg Reunion Collection.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Buildings and Grounds--Fires","College of William and Mary--Alumni and alumnae","Richmond Times-Dispatch (Va.)","Travis House (Williamsburg, Va.)","Geddy family","Frechette, Fred, 1925-2009","English"],"unitid_tesim":["Mss. Acc. 2000.24","/repositories/2/resources/424"],"normalized_title_ssm":["Fred Frechette Papers"],"collection_title_tesim":["Fred Frechette Papers"],"collection_ssim":["Fred Frechette Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Williamsburg (Va.)--History--20th century"],"geogname_ssim":["Williamsburg (Va.)--History--20th century"],"creator_ssm":["Frechette, Fred, 1925-2009","Williamsburg Historic Records Association (Williamsburg, Va.)"],"creator_ssim":["Frechette, Fred, 1925-2009","Williamsburg Historic Records Association (Williamsburg, Va.)"],"creator_persname_ssim":["Frechette, Fred, 1925-2009"],"creator_corpname_ssim":["Williamsburg Historic Records Association (Williamsburg, Va.)"],"creators_ssim":["Frechette, Fred, 1925-2009","Williamsburg Historic Records Association (Williamsburg, Va.)"],"places_ssim":["Williamsburg (Va.)--History--20th century"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gift via the Williamsburg Historic Records Association."],"access_subjects_ssim":["College of William and Mary--History--20th century","College of William and Mary--Work Study Program","Colonial Williamsburg Foundation--History","Journalists","Volunteer Fire Department (Williamsburg, Va.)","Audiocassettes","Newspapers","Pamphlets","Photographs","Scripts, Vocal","Slides (photographs)","Video recordings"],"access_subjects_ssm":["College of William and Mary--History--20th century","College of William and Mary--Work Study Program","Colonial Williamsburg Foundation--History","Journalists","Volunteer Fire Department (Williamsburg, Va.)","Audiocassettes","Newspapers","Pamphlets","Photographs","Scripts, Vocal","Slides (photographs)","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["0.60 Linear Feet"],"extent_tesim":["0.60 Linear Feet"],"genreform_ssim":["Audiocassettes","Newspapers","Pamphlets","Photographs","Scripts, Vocal","Slides (photographs)","Video recordings"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eFred Frechette was a member of the College of William and Mary Class of 1946.\u003c/p\u003e\n","\u003cp\u003e Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Fred_Frechette\" title=\"Fred Frechette\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Fred Frechette was a member of the College of William and Mary Class of 1946."," Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"prefercite_html_tesm":["\u003cp\u003eWilliam and Mary Students and the Travis House, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["William and Mary Students and the Travis House, Special Collections Research Center, Swem Library, College of William and Mary."],"relatedmaterial_html_tesm":["\u003cp\u003eVideocassettes and audiocassettes from this collection have been moved to the Manuscripts Audiovisual Collection.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Videocassettes and audiocassettes from this collection have been moved to the Manuscripts Audiovisual Collection."],"scopecontent_html_tesm":["\u003cp\u003eFred Frechette's papers which include his Richmond Times-Dispatch newspaper articles on Williamsburg, Virginia, photographs and his script and related material on \"The Once and Future Camelot\" a production given for the Williamsburg Reunion.  Material related to his duty as a volunteer fireman and his March 25, 2000 pamphlet \"William and Mary Students and the Travis House, Feb. 1, 1943-Feb. 28, 1951.\"\u003c/p\u003e","\u003cp\u003eObituary for Fred Frechette, The Virginia Gazette\u003c/p\u003e","\u003cp\u003e1 of 2. Newspaper Clippings collected by Fred Frechette\u003c/p\u003e","\u003cp\u003e2 of 2. Newspaper clippings collected by Fred Frechette.\u003c/p\u003e","\u003cp\u003eScript of slideform presented at 1978 banquet by Williamsburg Chamber of Commerce honoring the 50th Anniversary of the beginning of the Restoration. Narrated by Vernon M. Geddy, Jr. Writted by Fred Frechette.\u003c/p\u003e","\u003cp\u003e1 of 2. PBK Fire, Memorial of Elliot W. Jayne, and miscellaneous clippings, photographs, and material regarding the volunteer firemen of the 1950s.\u003c/p\u003e","\u003cp\u003e2 of 2. PBK Fire, Memorial of Elliot W. Jayne, and miscellaneous clippings, photographs, and material regarding the volunteer firemen of the 1950s.\u003c/p\u003e","\u003cp\u003eScript and notes.\u003c/p\u003e","\u003cp\u003ePhotographs and newspaper clippings concerning Williamsburg events in the 1950s\u003c/p\u003e","\u003cp\u003eScript and miscellaneous material for \"The Once and Future Camelot\". Slide film written and produced for 1994 Williamsburg reunion.\u003c/p\u003e","\u003cp\u003eContains photographs of serious automobile accidents with deaths\u003c/p\u003e","\u003cp\u003eTwo CDs of photographs removed and placed in the Manuscripts Artifacts Collection (Mss2000.24)\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Fred Frechette's papers which include his Richmond Times-Dispatch newspaper articles on Williamsburg, Virginia, photographs and his script and related material on \"The Once and Future Camelot\" a production given for the Williamsburg Reunion.  Material related to his duty as a volunteer fireman and his March 25, 2000 pamphlet \"William and Mary Students and the Travis House, Feb. 1, 1943-Feb. 28, 1951.\"","Obituary for Fred Frechette, The Virginia Gazette","1 of 2. Newspaper Clippings collected by Fred Frechette","2 of 2. Newspaper clippings collected by Fred Frechette.","Script of slideform presented at 1978 banquet by Williamsburg Chamber of Commerce honoring the 50th Anniversary of the beginning of the Restoration. Narrated by Vernon M. Geddy, Jr. Writted by Fred Frechette.","1 of 2. PBK Fire, Memorial of Elliot W. Jayne, and miscellaneous clippings, photographs, and material regarding the volunteer firemen of the 1950s.","2 of 2. PBK Fire, Memorial of Elliot W. Jayne, and miscellaneous clippings, photographs, and material regarding the volunteer firemen of the 1950s.","Script and notes.","Photographs and newspaper clippings concerning Williamsburg events in the 1950s","Script and miscellaneous material for \"The Once and Future Camelot\". Slide film written and produced for 1994 Williamsburg reunion.","Contains photographs of serious automobile accidents with deaths","Two CDs of photographs removed and placed in the Manuscripts Artifacts Collection (Mss2000.24)"],"separatedmaterial_html_tesm":["\u003cp\u003eAll audio-visual material has been transferred to the Audio-Visual Collection and some Williamsburg Reunion material has been transferred to the Mss. 1.01 Williamsburg Reunion Collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["All audio-visual material has been transferred to the Audio-Visual Collection and some Williamsburg Reunion material has been transferred to the Mss. 1.01 Williamsburg Reunion Collection."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Buildings and Grounds--Fires","College of William and Mary--Alumni and alumnae","Richmond Times-Dispatch (Va.)","Travis House (Williamsburg, Va.)","Williamsburg Historic Records Association (Williamsburg, Va.)","Geddy family"],"names_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Buildings and Grounds--Fires","College of William and Mary--Alumni and alumnae","Richmond Times-Dispatch (Va.)","Travis House (Williamsburg, Va.)","Geddy family","Frechette, Fred, 1925-2009"],"corpname_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Buildings and Grounds--Fires","College of William and Mary--Alumni and alumnae","Richmond Times-Dispatch (Va.)","Travis House (Williamsburg, Va.)"],"famname_ssim":["Geddy family"],"persname_ssim":["Frechette, Fred, 1925-2009"],"language_ssim":["English"],"total_component_count_is":18,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:22:50.280Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_424"}},{"id":"vifgm_repositories_2_resources_403","type":"collection","attributes":{"title":"George Mason University Audiovisual collection","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_403#creator","type":"document_value","attributes":{"value":"George Mason University","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_403#abstract_or_scope","type":"document_value","attributes":{"value":"The George Mason Audiovisual Collection includes over 850 audiovisual materials taken between 1950 and 2004. The collection includes material covering commencement, distance learning lectures and assignments, faculty meetings and material that addresses civil rights and minorities.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_403#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_403","ead_ssi":"vifgm_repositories_2_resources_403","_root_":"vifgm_repositories_2_resources_403","_nest_parent_":"vifgm_repositories_2_resources_403","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_403.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/gmuaudiovisual.html","title_ssm":["George Mason University Audiovisual collection"],"title_tesim":["George Mason University Audiovisual collection"],"unitdate_ssm":["1950-2005","1980-1990"],"unitdate_bulk_ssim":["1980-1990"],"unitdate_inclusive_ssm":["1950-2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0136","/repositories/2/resources/403"],"text":["R0136","/repositories/2/resources/403","George Mason University Audiovisual collection","Fairfax County (Va.)","Fairfax (Va.)","Education -- Virginia","Education, Higher","Education, Higher -- Virginia","Video recordings","Sound recordings","There are no access restrictions on the physical items. There are access restrictions on listening to or viewing the contents since Special Collections and Archives does have the playback equipment for all of the formats.","The collection is organized into five series","Missing Title Series 1: George Mason University Governance, 1964-2004 (Boxes 1-7, 10-11, 18-19, 45) Series 2: George Mason Events, 1964-2005 (Boxes 8-9, 24-26, 33, 46, 47, 55) Series 3: Distance Learning, 1950-1990s (Boxes 27-28, 34-39, 40-41, 53-54) Series 4: Discussions and Radio Programs, 1976-2003 (Boxes 14-16, 31-32, 42-43, 48, 50-52, 59) Series 5: Miscellaneous, 1982-2004 (Boxes 12-13, 17, 20-23, 29-30, 44, 49, 55-58)","","Processing completed by Elizabeth Wycoff in July 2015. EAD markup completed by Elizabeth Beckman in August 2015.","George Mason University's Special Collections and Archives holds the archival records from George Mason University.","This collection contains five series of audiovisual items covering a variety of topics pertaining to George Mason University from the 1950s onward with the bulk of the collection falling within the 1970s to the 1990s. Most of the material is in the form of VHS with a noticeable amount in the formats of U-Matic, Betacam and audio cassettes.","Series 1 consists of 167 items, dated from 1964-2004 and primarily consisting of VHS videotapes, audiotape cassettes and U-Matic videotapes. The subject of the material focuses on the governing and running of George Mason University which includes faculty meetings, inaugural events, human resources material, Mason Reports, footage of the campus, and philosophy of the school and promotional material of the university.","Series 2 comprises 134 items, primarily VHS videotapes and U-Matic videotapes, dated from 1964-2005 with the bulk of the material dated in the 1990s. The overall concentration for series 2 is events pertaining to George Mason University including commencement, Art Gala, ground breaking of George Mason Buildings and campuses and panels on campus.","Series 3 encompass 238 items, largely in the VHS and Betacam videptape formats, dated from the 1950s to the 1990s with a focus on the 1990s. The focal theme pertains to distance learning, a large portion of this section containing lectures of George Mason Staff, projects/assignments of students and New Century College material.","Series 4 includes 193 items, principally in the formats of Betacam and U-Matic videotapes and audiotape cassettes with the material dated between 1976-2003. This series consists of material related to discussions and radio programs that George Mason Staff or Students participated in which include 'Up for Discussion', CCHENV public hearing, GMU Rendezvous Programs and WPRW Programs.","Series 5 contains 125 items primarily in VHS videotape and open reel formats dating from 1982-2004. This is chiefly a miscellaneous series consisting of several groupings of unrelated material. The subjects in this series are: Civil Rights and minorities at George Mason University, blank/unlabeled material, Explorer/Project Explorer and Nicaragua.","Series 1 concentrates on material related to the management of George Mason University such as faculty meetings, material from the Human Resources department, Mason Report and footage of the campus.","George Mason University History, Faculty and Campus; U-Matic; 9 minutes, 9 seconds","George Mason University History, Faculty and Campus; U-Matic; 60 minutes, 22 seconds","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; U-Matic; 34 minutes, 27 seconds","George Mason University History, Faculty and Campus; U-Matic; 3 minutes, 58 seconds","George Mason University History, Faculty and Campus; VHS; 2 Copies","George Mason University History, Faculty and Campus; VHS; 7 minutes, 20 seconds","George Mason University History, Faculty and Campus; Betacam SP; 6 minutes, 5 seconds","George Mason University History, Faculty and Campus; VHS; 6 minutes, 5 seconds","George Mason University History, Faculty and Campus; VHS; 6 minutes, 5 seconds","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS; On Reagan and White House","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS; 59 minutes, 45 seconds","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Reel","George Mason University History, Faculty and Campus; Betacam","George Mason University History, Faculty and Campus; Betacam SP","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; U-Matic; 9 minutes, 19 seconds; Bars, crowd reaction, Rev billy Wertz","George Mason University History, Faculty and Campus; VHS; 22 minutes, 31 seconds","George Mason University History, Faculty and Campus; U-Matic S; 12 minutes","George Mason University History, Faculty and Campus; U-Matic; Digitized June 2013","George Mason University History, Faculty and Campus; U-Matic; Digitized June 2013","George Mason University History, Faculty and Campus; U-Matic; Digitized June 2013","George Mason University History, Faculty and Campus; U-Matic; Digitized June 2013","George Mason University History, Faculty and Campus; U-Matic; Digitized June 2013","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; Betacam; 11 minutes","George Mason University History, Faculty and Campus; U-Matic; Digitized June 2013","George Mason University History, Faculty and Campus; U-Matic S; 11 minutes, 6 seconds","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; U-Matic; 22 minutes, 34 seconds; Bars, crowd reaction, Rev. Billy; Rev Billy Wertz; Air Band intro, 1st act - risque; 2nd act - CG crew, MC's converse; 3rd act - CO2","George Mason University History, Faculty and Campus; VHS; 22 minutes, 34 seconds","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; Betacam SP","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS; 3 minutes, 54 seconds","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS; 2 copies","George Mason University History, Faculty and Campus; VHS; 1 minute, 3 seconds","George Mason University History, Faculty and Campus; VHS, 3 minutes, 54 second","George Mason University History, Faculty and Campus; Betacam","George Mason University History, Faculty and Campus; Betacam, 2 copies","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; Betacam SP","George Mason University History, Faculty and Campus; VHS; 1 hour, 27 minutes, 25 seconds","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS; 3 copies","George Mason University History, Faculty and Campus Audio Cassette Tape; 2 minutes, 6 seconds","George Mason University History, Faculty and Campus; Cassette Tape Hi8 Metal E","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Cassette Tape Hi8 Metal E; 2 Copies","George Mason University History, Faculty and Campus; Cassette Tape Hi8 Metal E","George Mason University History, Faculty and Campus; Cassette Tape Hi8 Metal E","George Mason University History, Faculty and Campus; Cassette Tape Hi8 Metal E","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape; 3 copies","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; U-Matic S","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; U-Matic; 60 seconds; 2 Copies","George Mason University History, Faculty and Campus; Betacam SP; 60 seconds","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tap; 2 Copies","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Cassette Tape Hi8 Metal E","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS; 22 minutes, 50 seconds","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; VHS","Admissions and Public Relations; Media 5 Tape","Admissions and Public Relations; U-Matic; ~33 minutes","Admissions and Public Relations; U-Matic","Admissions and Public Relations; U-Matic; 3 minutes; 45 seconds","Admissions and Public Relations; U-Matic; 15 minutes","Admissions and Public Relations; 7\" Reel to Reel","Admissions and Public Relations; VHS","Admissions and Public Relations; L-250 Scotch Video cassette Beta","Admissions and Public Relations; L-250 Scotch Video cassette Beta","Admissions and Public Relations; U-Matic; 7 minutes, 40 seconds","Admissions and Public Relations; U-Matic","Admissions and Public Relations; U-Matic","Admissions and Public Relations; U-Matic","Admissions and Public Relations; VHS","Human Resources; VHS; 8 minutes; 41 seconds","Human Resources; VHS; 11 minutes","Human Resources; Betacam SP","Human Resources; Betacam SP","Human Resources; Betacam SP","Human Resources; U-Matic; 8 minutes; 41 seconds","Human Resources; Betacam","Human Resources; Betacam; 9 minutes; 43 seconds; 02 milliseconds","Human Resources; Betacam SP","Human Resources; Betacam SP","Human Resources; Betacam SP","Human Resources; Betacam","Mason Reports; Betacam; 2 copies","Mason Reports; Betacam SP","Mason Reports; VHS; 29 minutes, 20 seconds","Mason Reports; VHS","Mason Reports; Betacam SP","Mason Reports; Betacam","Mason Reports; VHS; X3.1842","Mason Reports; U-Matic; 57 minutes, 30 seconds","Series 2 contains material pertaining to events on George Mason campus such as Art Galas, commencement and ground breakings.","Commencement and Campus Events; 7\" Reel to Reel; In folder with Two Reels","Commencement and Campus Events; Stenorette magnetic Recording Tape","Commencement and Campus Events; 7\" Reel to Reel; Left channel only; mono; 1 7/8","Commencement and Campus Events; 7\" Reel to Reel; 1 7/8 I.P.S, left channel only","Commencement and Campus Events; 7\" Reel to Reel; Mono, Left Channel only; Also includes program","Commencement and Campus Events; 7\" Reel to Reel; 3 3/4 I.P.S, left channel only; mono","Commencement and Campus Events; 7\" Reel to Reel 3 3/4 I.P.S Right Channel Only","Commencement and Campus Events; 7\" Reel to Reel; Mono, Left Channel only; 1 Sided only","Commencement and Campus Events; 7\" Reel to Reel; 3 3/4 i.p.s","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS","Commencement and Campus Events; Auto Cassette Tape","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS; 1 hour; 15 minutes; 43 seconds","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS; 1 hour, 20 minutes; 58 seconds","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS","Commencement and Campus Events; DVD","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS","Commencement and Campus Events; Betamax","Commencement and Campus Events; Betamax","Commencement and Campus Events; 7\" Reel to Reel; 1 7/8 I.P.S","Commencement and Campus Events; 7\" Reel to Reel; 3 3/4 I.P.S","Commencement and Campus Events; U-Matic","Commencement and Campus Events; U-Matic","Commencement and Campus Events; U-Matic","Commencement and Campus Events; U-Matic","Art Gala; VHS","Art Gala; VHS; 2 Copies","Art Gala; VHS","Art Gala; VHS; 2 Copies","Art Gala; VHS","Art Gala; VHS; 2 Copies","Art Gala; VHS; 2 Copies","Art Gala; VHS; 2 Copies","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS; Produced by Steve O'Leary for GMU","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; U-Matic; 2 Copies","Art Gala; U-Matic; Digitized June 2013","Art Gala; U-Matic; Digitized June 2013","Campus Events and Dedications; VHS","Campus Events and Dedications; VHS","Campus Events and Dedications; VHS","Campus Events and Dedications; VHS","Campus Events and Dedications; VHS","Campus Events and Dedications; 4 minutes, 45 seconds","Campus Events and Dedications; VHS","Campus Events and Dedications; VHS","Campus Events and Dedications; 7\" Reel to Reel","Campus Events and Dedications; Reel","Campus Events and Dedications; 12 minutes","Campus Events and Dedications; VHS","Campus Events and Dedications; Reel to Reel","Campus Events and Dedications; Betamax","Campus Events and Dedications; Betacam SP","Campus Events and Dedications; 7\" Reel to Reel","George Mason Promotional/Digital Events; U-Matic","George Mason Promotional/Digital Events; U-Matic; 29 minutes, 33 seconds","George Mason Promotional/Digital Events; U-Matic","George Mason Promotional/Digital Events; VHS","George Mason Promotional/Digital Events; U-Matic","George Mason Promotional/Digital Events; U-Matic","Government; VHS; 3 Copies","Government; U-Matic","Government; U-Matic","Government; U-Matic","Government; VHS; 3 Copies","Government; VHS; 3 Copies","Government; VHS; 3 Copies","Government; U-Matic; 9 minutes, 15 seconds","Government; VHS","Government; Betacam; 1 hour","Government; U-Matic; 28 minutes, 46 seconds","Nobel Peace Prize; VHS","Nobel Peace Prize; VHS","Nobel Peace Prize; U-Matic","Nobel Peace Prize; U-Matic","Bell Atlantic; VHS; 7 minutes, 4 seconds","Bell Atlantic; Betacam SP; 6 minutes, 45 seconds","Bell Atlantic; VHS; 4 minutes, 2 seconds","Bell Atlantic; Betacam SP","Bell Atlantic; Betacam SP; 7 minutes, 34 seconds; 8 minutes, 34 seconds","John Burr; Betacam","John Burr; Betacam","Art/ Graphics; U-Matic; 13 minutes","Art/ Graphics; U-Matic","Art/ Graphics; U-Matic","Art/ Graphics; VHS; 30 minutes","Art/ Graphics; Betacam","Art/ Graphics; VHS","Art/ Graphics; Betacam","Art/ Graphics; Betacam","Art/ Graphics; VHS; 7 minutes, 42 seconds","Series three consists of material related distance learning lectures and distance student assignments.","Distance Learning Lecture Series; U-Matic","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; U-Matic; Fourth and last lecture in Disciplinary Trespassing. With introduction and then Tom Burns lecture titled - Bringing economics down to Earth: Non-immaculate conceptions of the market. There are four tapes - two of the audience and two of Burns. Includes a Q and A session","Distance Learning Lecture Series; U-Matic; Fourth and last lecture in Disciplinary Trespassing. With introduction and then Tom Burns lecture titled - Bringing economics down to Earth: Non-immaculate conceptions of the market. There are four tapes - two of the audience and two of Burns. Includes a Q and A session","Distance Learning Lecture Series; U-Matic; Fourth and last lecture in Disciplinary Trespassing. With introduction and then Tom Burns lecture titled - Bringing economics down to Earth: Non-immaculate conceptions of the market. There are four tapes - two of the audience and two of Burns. Includes a Q and A session","Distance Learning Lecture Series; U-Matic; Fourth and last lecture in Disciplinary Trespassing. With introduction and then Tom Burns lecture titled - Bringing economics down to Earth: Non-immaculate conceptions of the market. There are four tapes - two of the audience and two of Burns. Includes a Q and A session","Distance Learning Lecture Series; U-Matic; 29 minutes, 51 seconds","Distance Learning Lecture Series; U-Matic","Distance Learning Lecture Series; U-Matic; 35 Minutes, 9 seconds","Distance Learning Lecture Series; U-Matic; 60 minutes, 2 seconds","Distance Learning Lecture Series; U-Matic; 57 minutes, 54 seconds","Distance Learning Lecture Series; U-Matic; 50 minutes","Distance Learning Lecture Series; U-Matic; 20 minutes, 20 seconds","Distance Learning Lecture Series; U-Matic; 57 minutes, 30 seconds","Distance Learning Lecture Series; U-Matic; 60 minutes, 57 seconds","Distance Learning Lecture Series; U-Matic; 50 minutes; 50 seconds","Distance Learning Lecture Series; U-Matic; 40 minutes; 29 seconds","Distance Learning Lecture Series; U-Matic; 47 minutes; Class Project - a paper is read off of a computer screen followed by a class critique","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; U-Matic; 57 minutes, 56 seconds","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; Audio Cassette Tapes; 2 Copies","Distance Learning Lecture Series; Audio Cassette Tapes","Distance Learning Lecture Series; Audio Cassette Tapes; 2 Copies","Distance Learning Lecture Series; U-Matic; 4 copies","Distance Learning Lecture Series; U-Matic; 4 minutes, 16 seconds","Distance Learning Lecture Series; U-Matic","Distance Learning Lecture Series; U-Matic","Distance Learning Lecture Series; 7\" Reel to Reel; 3 3/4 IPS","Distance Learning Series; Betacam SP; 30 minutes","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP; Approx. 24 minutes left","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP; 13 minutes, 59 seconds","Distance Learning Series; 7\" Reel to Reel; 1 hour, 30 minutes","Distance Learning Series; Betacam","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; U-Matic; 56 minutes, 30 seconds","Distance Learning Series; U-Matic","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; Betacam; 13 minutes, 17 seconds","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; Betacam SP","Distance Learning Series; VHS","Distance Learning Series; Reel; 15IPS","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP; 52 minutes, 8 seconds","Distance Learning Series; Betacam SP; Approx. 34 minutes left","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Data Cartridge","Distance Learning Series; Audio Cassette Tape","Distance Learning Series; Audio Cassette Tape","Distance Learning Series; Cassette Tape Hi8 Metal E; Par 1 hour, 46 minutes","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Hi8 Metal-P-60HMPX","Distance Learning Series; Hi8 Metal-P-60HMPX","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; VHS; 28 minutes, 35 seconds","Distance Learning Series; VHS; 21 minutes, 29 seconds","Distance Learning Series; VHS","Distance Learning Series; VHS; Approx. 10 minutes","Distance Learning Series; Betacam","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS; Approx. 10 minutes","Distance Learning Series; VHS; 2 hours, 22 minutes","Distance Learning Series; VHS","Distance Learning Series; Betacam","Distance Learning Series; VHS; 56 minutes, 51 seconds","Distance Learning Series; Betacam","Distance Learning Series; Betacam","Distance Learning Series; VHS","Distance Learning Series; VHS","People; Betacam","People; U-Matic S","People; U-Matic; 5 minutes, 25 seconds","People; U-Matic","People; U-Matic","People; U-Matic; 30 minutes; Digitized June 2013","People; Betacam","People; Betacam","People; Betacam","People; Betacam","People; Betacam","People; Betacam","People; Betacam","People; VHS","People; VHS","People; VHS","People; VHS; 38 minutes","People; VHS","People; VHS","People; VHS","People; VHS","People; VHS","People; VHS; 1 minute, 30 seconds","People; Betacam","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","New Century College CompacTape","New Century College; 7.5 IPS","New Century College; 7.5 IPS","New Century College; 7.5 IPS","New Century College; Fuji Hi8 ME","New Century College; Cassette Tape Hi8 Metal E","New Century College; Betacam","New Century College; VHS","New Century College; Betacam SP","New Century College; Betacam; 31 minutes","New Century College; Betacam; 36 minutes","New Century College; Audio Cassette Tape","New Century College; CompacTape","New Century College; Audio Cassette Tape","New Century College; VHS","New Century College; VHS; 7 minutes, 29 seconds","New Century College; Betacam","New Century College; VHS","New Century College; VHS","New Century College; VHS; 6 minutes, 30 seconds","Material in series four pertains to radio programs and discussions that George Mason University staff, faculty and students participate in.","Up For Discussion; U-Matic; 30 Minutes","Up For Discussion; U-Matic; 28 minutes, 20 seconds","Up For Discussion; U-Matic; 30 Minutes","Up For Discussion; U-Matic; 28 minutes,56 seconds; 29 minutes 47 seconds","Up For Discussion; U-Matic; 28 minutes, 44 seconds; 28 minutes, 41 seconds","Up For Discussion; U-Matic; 28 minutes, 26 seconds; 29 minutes, 33 seconds","Up For Discussion; U-Matic; 29 minutes, 13 seconds; 28 minutes, 40 seconds","Up For Discussions: U-Matic KCA-60K Video Cassette","Up For Discussions; VHS","Up For Discussions; VHS","Up For Discussions; VHS","Up For Discussions; VHS","Up For Discussions; VHS","Up For Discussions; VHS","Up For Discussion; U-Matic; 29 minutes, 22 seconds; 29 minutes, 55 seconds","Up For Discussion; U-Matic; 29 minutes; 29 minutes, 20 seconds","Up For Discussions; Betacam SP","Up For Discussions; Betacam SP","Up For Discussions; Betacam SP","Up For Discussions; Betacam SP","Up For Discussions; Betacam SP","Up For Discussions; Betacam SP","Up For Discussions; Betacam SP","Up For Discussions; Betacam SP","Up For Discussions; Betacam SP","Up For Discussion; U-Matic; 29 minutes, 45 seconds","Up For Discussion; U-Matic; 29 minutes, 20 seconds; 28 minutes, 45 seconds","Up For Discussion; U-Matic; 39 minutes, 30 seconds","Up For Discussion; U-Matic; 28 minutes; 29 minutes, 16 seconds","Up For Discussion; U-Matic; 27 minutes, 22 seconds; 28 minutes, 2 seconds","Up For Discussion; U-Matic; 29 minutes, 12 seconds","With Good Reason; Audio Cassette Tapes; 18 Tapes","With Good Reason; Audio Cassette Tapes; 25 Tapes; 10 CDs","Auto Cassette Lectures; 7 Copies","Auto Cassette Lectures; 6 Copies","Auto Cassette Lectures","Auto Cassette Lectures","Auto Cassette Lectures","Auto Cassette Lectures; 1 minute, 39 seconds","Auto Cassette Lectures; 8 minutes","Auto Cassette Lectures","Auto Cassette Lectures; 3 minutes","Auto Cassette Lectures","Auto Cassette Lectures","Auto Cassette Lectures","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes; 2 Copies","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","John Burr; Betacam","Interviews; U-Matic; 6 minutes, 46 seconds","Interviews; U-matic","Interviews; U-Matic","Interviews; U-Matic S","Interviews; U-Matic; 10 minutes, 30 seconds","Interviews; U-Matic","Interviews; U-Matic; 13 minutes; Digitized June 2013","Interviews; VHS","Interviews; VHS; 7 minutes","Interviews; VHS; 6 minutes, 34 seconds","Interviews; VHS; 5 minutes, 48 seconds","Interviews; Betacam SP","Interviews; VHS","Interviews; VHS","Interviews; Audio Cassette Tapes; 4 Tapes, Gift of Jay Jarvis. Tape is described as a conversation between and Mason President Vergil Dykstra and members of the Alumni Association from 6/17/76. Tape is separated from reel at head of tape.","Interviews; Cassette Tape Hi8 Metal E","Interviews; Audio Cassette Tapes","Interviews; Audio Cassette Tapes","Interviews; Betacam","Interviews; Betacam","Interviews; Betacam","Interviews; Betacam","Interviews; Betacam","Interviews; Betacam","Interviews; Betacam","Interviews; Betacam","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape; Gift of Jay Jarvis. Tape is described as a conversation between and Mason President Vergil Dykstra and members of the Alumni Association from 6/17/76. Tape is separated from reel at head of tape.","Audio cassette; Compact DISC (CD)","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Cassette Tape Hi8 Metal E","Audio cassette; Cassette Tape Hi8 Metal E","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Cassette Tape Hi8 Metal E","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape; 8 minutes, 45 seconds","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape; 2 Tapes","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape; 3 Tapes","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape; 2 Tapes","Public Hearings; Pages","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","6 VHS videotape cassettes containing Sesno Reports (co-produced by WETA and GMU-TV) hosted by Frank Sesno: \"Target Washington\" (Taped: February 20, 2004; Dubbed May 11, 2004), \"Desperate for Dollars\" (Taped: April 20, 2004; Dubbed: May 11, 2004; TRT: 57:17), \"Cancer Cures?\" (February 10, 2005; TRT: 56:46), \"The Cost of War\" (September 28, 2004; TRT: 56:46), \"America Drinks\" (December 13, 2004; TRT: 56:46; Promotional Copy), \"Press One for English\" (June 3, 2004).","Series five contains material related to civil rights, minorities at George Mason University, Nicaragua and Explorer/Project Explorer.","Virginia Economic Bridge Initiative and Northern Virginia Initiative; U-Matic","Virginia Economic Bridge Initiative and Northern Virginia Initiative; U-Matic","Virginia Economic Bridge Initiative and Northern Virginia Initiative; U-Matic","Virginia Economic Bridge Initiative and Northern Virginia Initiative; U-Matic","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; Ampex 197","Virginia Economic Bridge Initiative and Northern Virginia Initiative; U-Matic","Virginia Economic Bridge Initiative and Northern Virginia Initiative; U-Matic","Virginia Economic Bridge Initiative and Northern Virginia Initiative; U-Matic; 30 minutes, 05 seconds","Virginia Economic Bridge Initiative and Northern Virginia Initiative; U-Matic","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Miscellaneous; U-Matic S","Miscellaneous; U-Matic S","Miscellaneous; VHS","Miscellaneous; VHS","Miscellaneous; VHS","Miscellaneous; Betacam SP","Miscellaneous; VHS; 30 minutes","Miscellaneous; VHS; 30 minutes","Miscellaneous; VHS","Miscellaneous; Betacam SP","Miscellaneous; U-Matic","Miscellaneous; U-Matic","Miscellaneous; VHS","Miscellaneous; U-Matic; Digitized June 2013; File on Scanstore","Miscellaneous; Betacam SP","Miscellaneous; M II","Miscellaneous; Betacam SP","Miscellaneous; VHS","Miscellaneous; VHS","Miscellaneous; VHS; 30 minutes","Miscellaneous; VHS","Miscellaneous; VHS; 13 minutes, 25 seconds","Nicaragua; Hi8 Metal-P-60HMPX","Nicaragua; Hi8 Metal-P-60HMPX","Nicaragua; Hi8 Metal-P-60HMPX","Nicaragua; Betacam","Nicaragua; VHS","Nicaragua; Betacam SP; 8 minutes to 9 minutes","Nicaragua; Betacam SP; 1 hour, 5 minutes to 2 hours, 2 minutes","Nicaragua; Betacam SP; 1 hour, 6 minutes, 3 seconds, 20 milliseconds","Nicaragua; Betacam SP","Nicaragua; Betacam SP","Nicaragua; Betacam; 2 hours to 3 hours, 11 minutes, 24 seconds","Nicaragua; Betacam SP","Nicaragua; Betacam","Nicaragua; Betacam SP","Nicaragua; Betacam SP","Nicaragua; Betacam SP; 1 hour, 6 minutes, 3 seconds, 20 milliseconds","Nicaragua; Betacam SP; 1 hour, 5 minutes to 2 hours, 2 minutes","Nicaragua; Betacam SP","Nicaragua; Betacam SP","Nicaragua; Betacam SP","Nicaragua; Betacam SP","Nicaragua; Betacam SP","Nicaragua; Betacam SP","Nicaragua; Betacam SP; 8 minutes to 9 minutes","Nicaragua; Betacam SP","Nicaragua; Betacam SP","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; VHS; 29 Minutes, 28 Seconds","Christopher Columbus Middle School, Union City, NJ; Print 6 pages","Christopher Columbus Middle School, Union City, NJ; VHS","Christopher Columbus Middle School, Union City, NJ; Reel","Christopher Columbus Middle School, Union City, NJ; Reel; 15 IPS","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Explorer; VHS","Explorer; VHS","Explorer; VHS","Explorer; VHS","Explorer; VHS","Explorer; VHS","Explorer; VHS","Explorer; VHS","Explorer; VHS","Explorer; VHS","Explorer; VHS","Explorer; Betacam","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Blank and Unmarked Media; 5 Betacam SP; 1 Betacam; 5 Audio cassette Tapes; 2 Slides; 1 VHS","Blank and Unmarked Media; 11 VHS; 3 Betacam SP","Civil Rights and Minorities; U-Matic; Digitized June 2013","Civil Rights and Minorities; VHS","Civil Rights and Minorities; VHS","Civil Rights and Minorities; VHS","Civil Rights and Minorities; VHS","Civil Rights and Minorities; U-Matic; 30 minutes; Digitized June 2013; File on Scanstone","Civil Rights and Minorities; Master Broadcast Video cassette","Civil Rights and Minorities; Ampex 197; Digitized June 2013; File on Scanstone","Civil Rights and Minorities; Audio Cassette Tape","Civil Rights and Minorities; Audio Cassette Tape","Civil Rights and Minorities; Audio Cassette Tape","Civil Rights and Minorities; Audio Cassette Tape","Civil Rights and Minorities; Audio Cassette Tape; 60 minutes on each tape; 2 Cassette Tapes","Large Items; Reel","Large Items; Reel","Large Items; Reel","Large Items; Reel","Large Items; Reel","Large Items; Reel","Large Items; Folder with papers in it","There are no restrictions on personal use. Permission to publish material from George Mason Audiovisual collection must be obtained from Special Collections and Archives, George Mason University Libraries.","The George Mason Audiovisual Collection includes over 850 audiovisual materials taken between 1950 and 2004. The collection includes material covering commencement, distance learning lectures and assignments, faculty meetings and material that addresses civil rights and minorities.","George Mason University. Libraries. Special Collections Research Center","George Mason University","English \n.    "],"unitid_tesim":["R0136","/repositories/2/resources/403"],"normalized_title_ssm":["George Mason University Audiovisual collection"],"collection_title_tesim":["George Mason University Audiovisual collection"],"collection_ssim":["George Mason University Audiovisual collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Fairfax County (Va.)","Fairfax (Va.)"],"geogname_ssim":["Fairfax County (Va.)","Fairfax (Va.)"],"creator_ssm":["George Mason University"],"creator_ssim":["George Mason University"],"creator_corpname_ssim":["George Mason University"],"creators_ssim":["George Mason University"],"places_ssim":["Fairfax County (Va.)","Fairfax (Va.)"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from George Mason Audiovisual collection must be obtained from Special Collections and Archives, George Mason University Libraries."],"access_subjects_ssim":["Education -- Virginia","Education, Higher","Education, Higher -- Virginia","Video recordings","Sound recordings"],"access_subjects_ssm":["Education -- Virginia","Education, Higher","Education, Higher -- Virginia","Video recordings","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["48 Linear Feet (59 boxes)","(59 boxes)"],"extent_tesim":["48 Linear Feet (59 boxes)","(59 boxes)"],"genreform_ssim":["Video recordings","Sound recordings"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions on the physical items. There are access restrictions on listening to or viewing the contents since Special Collections and Archives does have the playback equipment for all of the formats.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions on the physical items. There are access restrictions on listening to or viewing the contents since Special Collections and Archives does have the playback equipment for all of the formats."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into five series\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: George Mason University Governance, 1964-2004 (Boxes 1-7, 10-11, 18-19, 45)\u003c/item\u003e\n      \u003citem\u003eSeries 2: George Mason Events, 1964-2005 (Boxes 8-9, 24-26, 33, 46, 47, 55)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Distance Learning, 1950-1990s (Boxes 27-28, 34-39, 40-41, 53-54)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Discussions and Radio Programs, 1976-2003 (Boxes 14-16, 31-32, 42-43, 48, 50-52, 59)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Miscellaneous, 1982-2004 (Boxes 12-13, 17, 20-23, 29-30, 44, 49, 55-58)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into five series","Missing Title Series 1: George Mason University Governance, 1964-2004 (Boxes 1-7, 10-11, 18-19, 45) Series 2: George Mason Events, 1964-2005 (Boxes 8-9, 24-26, 33, 46, 47, 55) Series 3: Distance Learning, 1950-1990s (Boxes 27-28, 34-39, 40-41, 53-54) Series 4: Discussions and Radio Programs, 1976-2003 (Boxes 14-16, 31-32, 42-43, 48, 50-52, 59) Series 5: Miscellaneous, 1982-2004 (Boxes 12-13, 17, 20-23, 29-30, 44, 49, 55-58)"],"bioghist_html_tesm":["\u003cp\u003e\u003cextptr show=\"new\" title=\"For historical information about the university, see the George Mason University online history exhibit.\" href=\"https://masonlibraries.org/masonhistory/\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":[""],"prefercite_html_tesm":["\u003cp\u003eGeorge Mason Audiovisual Collection, R0136, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["George Mason Audiovisual Collection, R0136, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Elizabeth Wycoff in July 2015. EAD markup completed by Elizabeth Beckman in August 2015.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Elizabeth Wycoff in July 2015. EAD markup completed by Elizabeth Beckman in August 2015."],"relatedmaterial_html_tesm":["\u003cp\u003eGeorge Mason University's Special Collections and Archives holds the archival records from George Mason University.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["George Mason University's Special Collections and Archives holds the archival records from George Mason University."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains five series of audiovisual items covering a variety of topics pertaining to George Mason University from the 1950s onward with the bulk of the collection falling within the 1970s to the 1990s. Most of the material is in the form of VHS with a noticeable amount in the formats of U-Matic, Betacam and audio cassettes.\u003c/p\u003e\n","\u003cp\u003eSeries 1 consists of 167 items, dated from 1964-2004 and primarily consisting of VHS videotapes, audiotape cassettes and U-Matic videotapes. The subject of the material focuses on the governing and running of George Mason University which includes faculty meetings, inaugural events, human resources material, Mason Reports, footage of the campus, and philosophy of the school and promotional material of the university.\u003c/p\u003e\n","\u003cp\u003eSeries 2 comprises 134 items, primarily VHS videotapes and U-Matic videotapes, dated from 1964-2005 with the bulk of the material dated in the 1990s. The overall concentration for series 2 is events pertaining to George Mason University including commencement, Art Gala, ground breaking of George Mason Buildings and campuses and panels on campus.\u003c/p\u003e\n","\u003cp\u003eSeries 3 encompass 238 items, largely in the VHS and Betacam videptape formats, dated from the 1950s to the 1990s with a focus on the 1990s. The focal theme pertains to distance learning, a large portion of this section containing lectures of George Mason Staff, projects/assignments of students and New Century College material.\u003c/p\u003e\n","\u003cp\u003eSeries 4 includes 193 items, principally in the formats of Betacam and U-Matic videotapes and audiotape cassettes with the material dated between 1976-2003. This series consists of material related to discussions and radio programs that George Mason Staff or Students participated in which include 'Up for Discussion', CCHENV public hearing, GMU Rendezvous Programs and WPRW Programs.\u003c/p\u003e\n","\u003cp\u003eSeries 5 contains 125 items primarily in VHS videotape and open reel formats dating from 1982-2004. This is chiefly a miscellaneous series consisting of several groupings of unrelated material. The subjects in this series are: Civil Rights and minorities at George Mason University, blank/unlabeled material, Explorer/Project Explorer and Nicaragua.\u003c/p\u003e","\u003cp\u003eSeries 1 concentrates on material related to the management of George Mason University such as faculty meetings, material from the Human Resources department, Mason Report and footage of the campus.\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic; 9 minutes, 9 seconds\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic; 60 minutes, 22 seconds\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic; 34 minutes, 27 seconds\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic; 3 minutes, 58 seconds\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS; 2 Copies\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS; 7 minutes, 20 seconds\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Betacam SP; 6 minutes, 5 seconds\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS; 6 minutes, 5 seconds\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS; 6 minutes, 5 seconds\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS; On Reagan and White House\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; 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U-Matic\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic; 9 minutes, 19 seconds; Bars, crowd reaction, Rev billy Wertz\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS; 22 minutes, 31 seconds\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic S; 12 minutes\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic; Digitized June 2013\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic; Digitized June 2013\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic; Digitized June 2013\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic; Digitized June 2013\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic; Digitized June 2013\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Betacam; 11 minutes\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic; Digitized June 2013\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic S; 11 minutes, 6 seconds\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic; 22 minutes, 34 seconds; Bars, crowd reaction, Rev. Billy; Rev Billy Wertz; Air Band intro, 1st act - risque; 2nd act - CG crew, MC's converse; 3rd act - CO2\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS; 22 minutes, 34 seconds\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Betacam SP\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS; 3 minutes, 54 seconds\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; 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Cassette Tape Hi8 Metal E\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Audio Cassette Tape; 3 copies\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; 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VHS\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS; 22 minutes, 50 seconds\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS\u003c/p\u003e","\u003cp\u003eAdmissions and Public Relations; Media 5 Tape\u003c/p\u003e","\u003cp\u003eAdmissions and Public Relations; U-Matic; ~33 minutes\u003c/p\u003e","\u003cp\u003eAdmissions and Public Relations; U-Matic\u003c/p\u003e","\u003cp\u003eAdmissions and Public Relations; U-Matic; 3 minutes; 45 seconds\u003c/p\u003e","\u003cp\u003eAdmissions and Public Relations; U-Matic; 15 minutes\u003c/p\u003e","\u003cp\u003eAdmissions and Public Relations; 7\" Reel to Reel\u003c/p\u003e","\u003cp\u003eAdmissions and Public Relations; VHS\u003c/p\u003e","\u003cp\u003eAdmissions and Public Relations; L-250 Scotch Video cassette Beta\u003c/p\u003e","\u003cp\u003eAdmissions and Public Relations; L-250 Scotch Video cassette Beta\u003c/p\u003e","\u003cp\u003eAdmissions and Public Relations; U-Matic; 7 minutes, 40 seconds\u003c/p\u003e","\u003cp\u003eAdmissions and Public Relations; U-Matic\u003c/p\u003e","\u003cp\u003eAdmissions and Public Relations; U-Matic\u003c/p\u003e","\u003cp\u003eAdmissions and Public Relations; U-Matic\u003c/p\u003e","\u003cp\u003eAdmissions and Public Relations; VHS\u003c/p\u003e","\u003cp\u003eHuman Resources; VHS; 8 minutes; 41 seconds\u003c/p\u003e","\u003cp\u003eHuman Resources; VHS; 11 minutes\u003c/p\u003e","\u003cp\u003eHuman Resources; Betacam SP\u003c/p\u003e","\u003cp\u003eHuman Resources; Betacam SP\u003c/p\u003e","\u003cp\u003eHuman Resources; Betacam SP\u003c/p\u003e","\u003cp\u003eHuman Resources; U-Matic; 8 minutes; 41 seconds\u003c/p\u003e","\u003cp\u003eHuman Resources; Betacam\u003c/p\u003e","\u003cp\u003eHuman Resources; Betacam; 9 minutes; 43 seconds; 02 milliseconds\u003c/p\u003e","\u003cp\u003eHuman Resources; Betacam SP\u003c/p\u003e","\u003cp\u003eHuman Resources; Betacam SP\u003c/p\u003e","\u003cp\u003eHuman Resources; Betacam SP\u003c/p\u003e","\u003cp\u003eHuman Resources; Betacam\u003c/p\u003e","\u003cp\u003eMason Reports; Betacam; 2 copies\u003c/p\u003e","\u003cp\u003eMason Reports; Betacam SP\u003c/p\u003e","\u003cp\u003eMason Reports; VHS; 29 minutes, 20 seconds\u003c/p\u003e","\u003cp\u003eMason Reports; VHS\u003c/p\u003e","\u003cp\u003eMason Reports; Betacam SP\u003c/p\u003e","\u003cp\u003eMason Reports; Betacam\u003c/p\u003e","\u003cp\u003eMason Reports; VHS; X3.1842\u003c/p\u003e","\u003cp\u003eMason Reports; U-Matic; 57 minutes, 30 seconds\u003c/p\u003e","\u003cp\u003eSeries 2 contains material pertaining to events on George Mason campus such as Art Galas, commencement and ground breakings.\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; 7\" Reel to Reel; In folder with Two Reels\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; Stenorette magnetic Recording Tape\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; 7\" Reel to Reel; Left channel only; mono; 1 7/8\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; 7\" Reel to Reel; 1 7/8 I.P.S, left channel only\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; 7\" Reel to Reel; Mono, Left Channel only; Also includes program\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; 7\" Reel to Reel; 3 3/4 I.P.S, left channel only; mono\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; 7\" Reel to Reel 3 3/4 I.P.S Right Channel Only\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; 7\" Reel to Reel; Mono, Left Channel only; 1 Sided only\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; 7\" Reel to Reel; 3 3/4 i.p.s\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; VHS\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; VHS\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; VHS\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; VHS\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; Auto Cassette Tape\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; VHS\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; VHS\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; VHS; 1 hour; 15 minutes; 43 seconds\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; VHS\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; VHS; 1 hour, 20 minutes; 58 seconds\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; VHS\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; VHS\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; VHS\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; VHS\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; DVD\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; VHS\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; VHS\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; VHS\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; VHS\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; Betamax\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; Betamax\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; 7\" Reel to Reel; 1 7/8 I.P.S\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; 7\" Reel to Reel; 3 3/4 I.P.S\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; U-Matic\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; U-Matic\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; U-Matic\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; U-Matic\u003c/p\u003e","\u003cp\u003eArt Gala; VHS\u003c/p\u003e","\u003cp\u003eArt Gala; VHS; 2 Copies\u003c/p\u003e","\u003cp\u003eArt Gala; VHS\u003c/p\u003e","\u003cp\u003eArt Gala; VHS; 2 Copies\u003c/p\u003e","\u003cp\u003eArt Gala; VHS\u003c/p\u003e","\u003cp\u003eArt Gala; VHS; 2 Copies\u003c/p\u003e","\u003cp\u003eArt Gala; VHS; 2 Copies\u003c/p\u003e","\u003cp\u003eArt Gala; VHS; 2 Copies\u003c/p\u003e","\u003cp\u003eArt Gala; VHS\u003c/p\u003e","\u003cp\u003eArt Gala; VHS\u003c/p\u003e","\u003cp\u003eArt Gala; VHS\u003c/p\u003e","\u003cp\u003eArt Gala; VHS\u003c/p\u003e","\u003cp\u003eArt Gala; VHS; Produced by Steve O'Leary for GMU\u003c/p\u003e","\u003cp\u003eArt Gala; VHS\u003c/p\u003e","\u003cp\u003eArt Gala; VHS\u003c/p\u003e","\u003cp\u003eArt Gala; VHS\u003c/p\u003e","\u003cp\u003eArt Gala; VHS\u003c/p\u003e","\u003cp\u003eArt Gala; VHS\u003c/p\u003e","\u003cp\u003eArt Gala; VHS\u003c/p\u003e","\u003cp\u003eArt Gala; VHS\u003c/p\u003e","\u003cp\u003eArt Gala; VHS\u003c/p\u003e","\u003cp\u003eArt Gala; VHS\u003c/p\u003e","\u003cp\u003eArt Gala; VHS\u003c/p\u003e","\u003cp\u003eArt Gala; VHS\u003c/p\u003e","\u003cp\u003eArt Gala; U-Matic; 2 Copies\u003c/p\u003e","\u003cp\u003eArt Gala; U-Matic; Digitized June 2013\u003c/p\u003e","\u003cp\u003eArt Gala; U-Matic; Digitized June 2013\u003c/p\u003e","\u003cp\u003eCampus Events and Dedications; VHS\u003c/p\u003e","\u003cp\u003eCampus Events and Dedications; VHS\u003c/p\u003e","\u003cp\u003eCampus Events and Dedications; VHS\u003c/p\u003e","\u003cp\u003eCampus Events and Dedications; VHS\u003c/p\u003e","\u003cp\u003eCampus Events and Dedications; VHS\u003c/p\u003e","\u003cp\u003eCampus Events and Dedications; 4 minutes, 45 seconds\u003c/p\u003e","\u003cp\u003eCampus Events and Dedications; VHS\u003c/p\u003e","\u003cp\u003eCampus Events and Dedications; VHS\u003c/p\u003e","\u003cp\u003eCampus Events and Dedications; 7\" Reel to Reel\u003c/p\u003e","\u003cp\u003eCampus Events and Dedications; Reel\u003c/p\u003e","\u003cp\u003eCampus Events and Dedications; 12 minutes\u003c/p\u003e","\u003cp\u003eCampus Events and Dedications; VHS\u003c/p\u003e","\u003cp\u003eCampus Events and Dedications; Reel to Reel\u003c/p\u003e","\u003cp\u003eCampus Events and Dedications; Betamax\u003c/p\u003e","\u003cp\u003eCampus Events and Dedications; Betacam SP\u003c/p\u003e","\u003cp\u003eCampus Events and Dedications; 7\" Reel to Reel\u003c/p\u003e","\u003cp\u003eGeorge Mason Promotional/Digital Events; U-Matic\u003c/p\u003e","\u003cp\u003eGeorge Mason Promotional/Digital Events; U-Matic; 29 minutes, 33 seconds\u003c/p\u003e","\u003cp\u003eGeorge Mason Promotional/Digital Events; U-Matic\u003c/p\u003e","\u003cp\u003eGeorge Mason Promotional/Digital Events; VHS\u003c/p\u003e","\u003cp\u003eGeorge Mason Promotional/Digital Events; U-Matic\u003c/p\u003e","\u003cp\u003eGeorge Mason Promotional/Digital Events; U-Matic\u003c/p\u003e","\u003cp\u003eGovernment; VHS; 3 Copies\u003c/p\u003e","\u003cp\u003eGovernment; U-Matic\u003c/p\u003e","\u003cp\u003eGovernment; U-Matic\u003c/p\u003e","\u003cp\u003eGovernment; U-Matic\u003c/p\u003e","\u003cp\u003eGovernment; VHS; 3 Copies\u003c/p\u003e","\u003cp\u003eGovernment; VHS; 3 Copies\u003c/p\u003e","\u003cp\u003eGovernment; VHS; 3 Copies\u003c/p\u003e","\u003cp\u003eGovernment; U-Matic; 9 minutes, 15 seconds\u003c/p\u003e","\u003cp\u003eGovernment; VHS\u003c/p\u003e","\u003cp\u003eGovernment; Betacam; 1 hour\u003c/p\u003e","\u003cp\u003eGovernment; U-Matic; 28 minutes, 46 seconds\u003c/p\u003e","\u003cp\u003eNobel Peace Prize; VHS\u003c/p\u003e","\u003cp\u003eNobel Peace Prize; VHS\u003c/p\u003e","\u003cp\u003eNobel Peace Prize; U-Matic\u003c/p\u003e","\u003cp\u003eNobel Peace Prize; U-Matic\u003c/p\u003e","\u003cp\u003eBell Atlantic; VHS; 7 minutes, 4 seconds\u003c/p\u003e","\u003cp\u003eBell Atlantic; Betacam SP; 6 minutes, 45 seconds\u003c/p\u003e","\u003cp\u003eBell Atlantic; VHS; 4 minutes, 2 seconds\u003c/p\u003e","\u003cp\u003eBell Atlantic; Betacam SP\u003c/p\u003e","\u003cp\u003eBell Atlantic; Betacam SP; 7 minutes, 34 seconds; 8 minutes, 34 seconds\u003c/p\u003e","\u003cp\u003eJohn Burr; Betacam\u003c/p\u003e","\u003cp\u003eJohn Burr; Betacam\u003c/p\u003e","\u003cp\u003eArt/ Graphics; U-Matic; 13 minutes\u003c/p\u003e","\u003cp\u003eArt/ Graphics; U-Matic\u003c/p\u003e","\u003cp\u003eArt/ Graphics; U-Matic\u003c/p\u003e","\u003cp\u003eArt/ Graphics; VHS; 30 minutes\u003c/p\u003e","\u003cp\u003eArt/ Graphics; Betacam\u003c/p\u003e","\u003cp\u003eArt/ Graphics; VHS\u003c/p\u003e","\u003cp\u003eArt/ Graphics; Betacam\u003c/p\u003e","\u003cp\u003eArt/ Graphics; Betacam\u003c/p\u003e","\u003cp\u003eArt/ Graphics; VHS; 7 minutes, 42 seconds\u003c/p\u003e","\u003cp\u003eSeries three consists of material related distance learning lectures and distance student assignments.\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic; Fourth and last lecture in Disciplinary Trespassing. With introduction and then Tom Burns lecture titled - Bringing economics down to Earth: Non-immaculate conceptions of the market. There are four tapes - two of the audience and two of Burns. Includes a Q and A session\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic; Fourth and last lecture in Disciplinary Trespassing. With introduction and then Tom Burns lecture titled - Bringing economics down to Earth: Non-immaculate conceptions of the market. There are four tapes - two of the audience and two of Burns. Includes a Q and A session\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic; Fourth and last lecture in Disciplinary Trespassing. With introduction and then Tom Burns lecture titled - Bringing economics down to Earth: Non-immaculate conceptions of the market. There are four tapes - two of the audience and two of Burns. Includes a Q and A session\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic; Fourth and last lecture in Disciplinary Trespassing. With introduction and then Tom Burns lecture titled - Bringing economics down to Earth: Non-immaculate conceptions of the market. There are four tapes - two of the audience and two of Burns. Includes a Q and A session\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic; 29 minutes, 51 seconds\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic; 35 Minutes, 9 seconds\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic; 60 minutes, 2 seconds\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic; 57 minutes, 54 seconds\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic; 50 minutes\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic; 20 minutes, 20 seconds\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic; 57 minutes, 30 seconds\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic; 60 minutes, 57 seconds\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic; 50 minutes; 50 seconds\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic; 40 minutes; 29 seconds\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic; 47 minutes; Class Project - a paper is read off of a computer screen followed by a class critique\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic; 57 minutes, 56 seconds\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; Audio Cassette Tapes; 2 Copies\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; Audio Cassette Tapes; 2 Copies\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic; 4 copies\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic; 4 minutes, 16 seconds\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; 7\" Reel to Reel; 3 3/4 IPS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP; 30 minutes\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP; Approx. 24 minutes left\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP; 13 minutes, 59 seconds\u003c/p\u003e","\u003cp\u003eDistance Learning Series; 7\" Reel to Reel; 1 hour, 30 minutes\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; U-Matic; 56 minutes, 30 seconds\u003c/p\u003e","\u003cp\u003eDistance Learning Series; U-Matic\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam; 13 minutes, 17 seconds\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Reel; 15IPS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP; 52 minutes, 8 seconds\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP; Approx. 34 minutes left\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Data Cartridge\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Cassette Tape Hi8 Metal E; Par 1 hour, 46 minutes\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Cassette Tape Hi8 Metal E\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Cassette Tape Hi8 Metal E\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Cassette Tape Hi8 Metal E\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Cassette Tape Hi8 Metal E\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Cassette Tape Hi8 Metal E\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Cassette Tape Hi8 Metal E\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Cassette Tape Hi8 Metal E\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Cassette Tape Hi8 Metal E\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Cassette Tape Hi8 Metal E\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Hi8 Metal-P-60HMPX\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Hi8 Metal-P-60HMPX\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Cassette Tape Hi8 Metal E\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Cassette Tape Hi8 Metal E\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Cassette Tape Hi8 Metal E\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS; 28 minutes, 35 seconds\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS; 21 minutes, 29 seconds\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS; Approx. 10 minutes\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS; Approx. 10 minutes\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS; 2 hours, 22 minutes\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS; 56 minutes, 51 seconds\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003ePeople; Betacam\u003c/p\u003e","\u003cp\u003ePeople; U-Matic S\u003c/p\u003e","\u003cp\u003ePeople; U-Matic; 5 minutes, 25 seconds\u003c/p\u003e","\u003cp\u003ePeople; U-Matic\u003c/p\u003e","\u003cp\u003ePeople; U-Matic\u003c/p\u003e","\u003cp\u003ePeople; U-Matic; 30 minutes; Digitized June 2013\u003c/p\u003e","\u003cp\u003ePeople; Betacam\u003c/p\u003e","\u003cp\u003ePeople; Betacam\u003c/p\u003e","\u003cp\u003ePeople; Betacam\u003c/p\u003e","\u003cp\u003ePeople; Betacam\u003c/p\u003e","\u003cp\u003ePeople; Betacam\u003c/p\u003e","\u003cp\u003ePeople; Betacam\u003c/p\u003e","\u003cp\u003ePeople; Betacam\u003c/p\u003e","\u003cp\u003ePeople; VHS\u003c/p\u003e","\u003cp\u003ePeople; VHS\u003c/p\u003e","\u003cp\u003ePeople; VHS\u003c/p\u003e","\u003cp\u003ePeople; VHS; 38 minutes\u003c/p\u003e","\u003cp\u003ePeople; VHS\u003c/p\u003e","\u003cp\u003ePeople; VHS\u003c/p\u003e","\u003cp\u003ePeople; VHS\u003c/p\u003e","\u003cp\u003ePeople; VHS\u003c/p\u003e","\u003cp\u003ePeople; VHS\u003c/p\u003e","\u003cp\u003ePeople; VHS; 1 minute, 30 seconds\u003c/p\u003e","\u003cp\u003ePeople; Betacam\u003c/p\u003e","\u003cp\u003ePeople; CompacTape\u003c/p\u003e","\u003cp\u003ePeople; CompacTape\u003c/p\u003e","\u003cp\u003ePeople; CompacTape\u003c/p\u003e","\u003cp\u003ePeople; CompacTape\u003c/p\u003e","\u003cp\u003ePeople; CompacTape\u003c/p\u003e","\u003cp\u003ePeople; CompacTape\u003c/p\u003e","\u003cp\u003ePeople; CompacTape\u003c/p\u003e","\u003cp\u003ePeople; CompacTape\u003c/p\u003e","\u003cp\u003ePeople; CompacTape\u003c/p\u003e","\u003cp\u003ePeople; CompacTape\u003c/p\u003e","\u003cp\u003ePeople; CompacTape\u003c/p\u003e","\u003cp\u003ePeople; CompacTape\u003c/p\u003e","\u003cp\u003ePeople; CompacTape\u003c/p\u003e","\u003cp\u003ePeople; CompacTape\u003c/p\u003e","\u003cp\u003eNew Century College CompacTape\u003c/p\u003e","\u003cp\u003eNew Century College; 7.5 IPS\u003c/p\u003e","\u003cp\u003eNew Century College; 7.5 IPS\u003c/p\u003e","\u003cp\u003eNew Century College; 7.5 IPS\u003c/p\u003e","\u003cp\u003eNew Century College; Fuji Hi8 ME\u003c/p\u003e","\u003cp\u003eNew Century College; Cassette Tape Hi8 Metal E\u003c/p\u003e","\u003cp\u003eNew Century College; Betacam\u003c/p\u003e","\u003cp\u003eNew Century College; VHS\u003c/p\u003e","\u003cp\u003eNew Century College; Betacam SP\u003c/p\u003e","\u003cp\u003eNew Century College; Betacam; 31 minutes\u003c/p\u003e","\u003cp\u003eNew Century College; Betacam; 36 minutes\u003c/p\u003e","\u003cp\u003eNew Century College; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eNew Century College; CompacTape\u003c/p\u003e","\u003cp\u003eNew Century College; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eNew Century College; VHS\u003c/p\u003e","\u003cp\u003eNew Century College; VHS; 7 minutes, 29 seconds\u003c/p\u003e","\u003cp\u003eNew Century College; Betacam\u003c/p\u003e","\u003cp\u003eNew Century College; VHS\u003c/p\u003e","\u003cp\u003eNew Century College; VHS\u003c/p\u003e","\u003cp\u003eNew Century College; VHS; 6 minutes, 30 seconds\u003c/p\u003e","\u003cp\u003eMaterial in series four pertains to radio programs and discussions that George Mason University staff, faculty and students participate in.\u003c/p\u003e","\u003cp\u003eUp For Discussion; U-Matic; 30 Minutes\u003c/p\u003e","\u003cp\u003eUp For Discussion; U-Matic; 28 minutes, 20 seconds\u003c/p\u003e","\u003cp\u003eUp For Discussion; U-Matic; 30 Minutes\u003c/p\u003e","\u003cp\u003eUp For Discussion; U-Matic; 28 minutes,56 seconds; 29 minutes 47 seconds\u003c/p\u003e","\u003cp\u003eUp For Discussion; U-Matic; 28 minutes, 44 seconds; 28 minutes, 41 seconds\u003c/p\u003e","\u003cp\u003eUp For Discussion; U-Matic; 28 minutes, 26 seconds; 29 minutes, 33 seconds\u003c/p\u003e","\u003cp\u003eUp For Discussion; U-Matic; 29 minutes, 13 seconds; 28 minutes, 40 seconds\u003c/p\u003e","\u003cp\u003eUp For Discussions: U-Matic KCA-60K Video Cassette\u003c/p\u003e","\u003cp\u003eUp For Discussions; VHS\u003c/p\u003e","\u003cp\u003eUp For Discussions; VHS\u003c/p\u003e","\u003cp\u003eUp For Discussions; VHS\u003c/p\u003e","\u003cp\u003eUp For Discussions; VHS\u003c/p\u003e","\u003cp\u003eUp For Discussions; VHS\u003c/p\u003e","\u003cp\u003eUp For Discussions; VHS\u003c/p\u003e","\u003cp\u003eUp For Discussion; U-Matic; 29 minutes, 22 seconds; 29 minutes, 55 seconds\u003c/p\u003e","\u003cp\u003eUp For Discussion; U-Matic; 29 minutes; 29 minutes, 20 seconds\u003c/p\u003e","\u003cp\u003eUp For Discussions; Betacam SP\u003c/p\u003e","\u003cp\u003eUp For Discussions; Betacam SP\u003c/p\u003e","\u003cp\u003eUp For Discussions; Betacam SP\u003c/p\u003e","\u003cp\u003eUp For Discussions; Betacam SP\u003c/p\u003e","\u003cp\u003eUp For Discussions; Betacam SP\u003c/p\u003e","\u003cp\u003eUp For Discussions; Betacam SP\u003c/p\u003e","\u003cp\u003eUp For Discussions; Betacam SP\u003c/p\u003e","\u003cp\u003eUp For Discussions; Betacam SP\u003c/p\u003e","\u003cp\u003eUp For Discussions; Betacam SP\u003c/p\u003e","\u003cp\u003eUp For Discussion; U-Matic; 29 minutes, 45 seconds\u003c/p\u003e","\u003cp\u003eUp For Discussion; U-Matic; 29 minutes, 20 seconds; 28 minutes, 45 seconds\u003c/p\u003e","\u003cp\u003eUp For Discussion; U-Matic; 39 minutes, 30 seconds\u003c/p\u003e","\u003cp\u003eUp For Discussion; U-Matic; 28 minutes; 29 minutes, 16 seconds\u003c/p\u003e","\u003cp\u003eUp For Discussion; U-Matic; 27 minutes, 22 seconds; 28 minutes, 2 seconds\u003c/p\u003e","\u003cp\u003eUp For Discussion; U-Matic; 29 minutes, 12 seconds\u003c/p\u003e","\u003cp\u003eWith Good Reason; Audio Cassette Tapes; 18 Tapes\u003c/p\u003e","\u003cp\u003eWith Good Reason; Audio Cassette Tapes; 25 Tapes; 10 CDs\u003c/p\u003e","\u003cp\u003eAuto Cassette Lectures; 7 Copies\u003c/p\u003e","\u003cp\u003eAuto Cassette Lectures; 6 Copies\u003c/p\u003e","\u003cp\u003eAuto Cassette Lectures\u003c/p\u003e","\u003cp\u003eAuto Cassette Lectures\u003c/p\u003e","\u003cp\u003eAuto Cassette Lectures\u003c/p\u003e","\u003cp\u003eAuto Cassette Lectures; 1 minute, 39 seconds\u003c/p\u003e","\u003cp\u003eAuto Cassette Lectures; 8 minutes\u003c/p\u003e","\u003cp\u003eAuto Cassette Lectures\u003c/p\u003e","\u003cp\u003eAuto Cassette Lectures; 3 minutes\u003c/p\u003e","\u003cp\u003eAuto Cassette Lectures\u003c/p\u003e","\u003cp\u003eAuto Cassette Lectures\u003c/p\u003e","\u003cp\u003eAuto Cassette Lectures\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes; 2 Copies\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eJohn Burr; Betacam\u003c/p\u003e","\u003cp\u003eInterviews; U-Matic; 6 minutes, 46 seconds\u003c/p\u003e","\u003cp\u003eInterviews; U-matic\u003c/p\u003e","\u003cp\u003eInterviews; U-Matic\u003c/p\u003e","\u003cp\u003eInterviews; U-Matic S\u003c/p\u003e","\u003cp\u003eInterviews; U-Matic; 10 minutes, 30 seconds\u003c/p\u003e","\u003cp\u003eInterviews; U-Matic\u003c/p\u003e","\u003cp\u003eInterviews; U-Matic; 13 minutes; Digitized June 2013\u003c/p\u003e","\u003cp\u003eInterviews; VHS\u003c/p\u003e","\u003cp\u003eInterviews; VHS; 7 minutes\u003c/p\u003e","\u003cp\u003eInterviews; VHS; 6 minutes, 34 seconds\u003c/p\u003e","\u003cp\u003eInterviews; VHS; 5 minutes, 48 seconds\u003c/p\u003e","\u003cp\u003eInterviews; Betacam SP\u003c/p\u003e","\u003cp\u003eInterviews; VHS\u003c/p\u003e","\u003cp\u003eInterviews; VHS\u003c/p\u003e","\u003cp\u003eInterviews; Audio Cassette Tapes; 4 Tapes, Gift of Jay Jarvis. Tape is described as a conversation between and Mason President Vergil Dykstra and members of the Alumni Association from 6/17/76. Tape is separated from reel at head of tape.\u003c/p\u003e","\u003cp\u003eInterviews; Cassette Tape Hi8 Metal E\u003c/p\u003e","\u003cp\u003eInterviews; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eInterviews; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eInterviews; Betacam\u003c/p\u003e","\u003cp\u003eInterviews; Betacam\u003c/p\u003e","\u003cp\u003eInterviews; Betacam\u003c/p\u003e","\u003cp\u003eInterviews; Betacam\u003c/p\u003e","\u003cp\u003eInterviews; Betacam\u003c/p\u003e","\u003cp\u003eInterviews; Betacam\u003c/p\u003e","\u003cp\u003eInterviews; Betacam\u003c/p\u003e","\u003cp\u003eInterviews; Betacam\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape; Gift of Jay Jarvis. Tape is described as a conversation between and Mason President Vergil Dykstra and members of the Alumni Association from 6/17/76. Tape is separated from reel at head of tape.\u003c/p\u003e","\u003cp\u003eAudio cassette; Compact DISC (CD)\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Cassette Tape Hi8 Metal E\u003c/p\u003e","\u003cp\u003eAudio cassette; Cassette Tape Hi8 Metal E\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Cassette Tape Hi8 Metal E\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape; 8 minutes, 45 seconds\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape; 2 Tapes\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape; 3 Tapes\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape; 2 Tapes\u003c/p\u003e","\u003cp\u003ePublic Hearings; Pages\u003c/p\u003e","\u003cp\u003ePublic Hearings; 7\" Reel To Reel\u003c/p\u003e","\u003cp\u003ePublic Hearings; 7\" Reel To Reel\u003c/p\u003e","\u003cp\u003ePublic Hearings; 7\" Reel To Reel\u003c/p\u003e","\u003cp\u003ePublic Hearings; 7\" Reel To Reel\u003c/p\u003e","\u003cp\u003ePublic Hearings; 7\" Reel To Reel\u003c/p\u003e","\u003cp\u003ePublic Hearings; 7\" Reel To Reel\u003c/p\u003e","\u003cp\u003ePublic Hearings; 7\" Reel To Reel\u003c/p\u003e","\u003cp\u003ePublic Hearings; 7\" Reel To Reel\u003c/p\u003e","\u003cp\u003ePublic Hearings; 7\" Reel To Reel\u003c/p\u003e","\u003cp\u003ePublic Hearings; 7\" Reel To Reel\u003c/p\u003e","\u003cp\u003ePublic Hearings; 7\" Reel To Reel\u003c/p\u003e","\u003cp\u003ePublic Hearings; 7\" Reel To Reel\u003c/p\u003e","\u003cp\u003ePublic Hearings; 7\" Reel To Reel\u003c/p\u003e","\u003cp\u003ePublic Hearings; 7\" Reel To Reel\u003c/p\u003e","\u003cp\u003ePublic Hearings; 7\" Reel To Reel\u003c/p\u003e","\u003cp\u003ePublic Hearings; 7\" Reel To Reel\u003c/p\u003e","\u003cp\u003ePublic Hearings; 7\" Reel To Reel\u003c/p\u003e","\u003cp\u003e6 VHS videotape cassettes containing Sesno Reports (co-produced by WETA and GMU-TV) hosted by Frank Sesno: \"Target Washington\" (Taped: February 20, 2004; Dubbed May 11, 2004), \"Desperate for Dollars\" (Taped: April 20, 2004; Dubbed: May 11, 2004; TRT: 57:17), \"Cancer Cures?\" (February 10, 2005; TRT: 56:46), \"The Cost of War\" (September 28, 2004; TRT: 56:46), \"America Drinks\" (December 13, 2004; TRT: 56:46; Promotional Copy), \"Press One for English\" (June 3, 2004).\u003c/p\u003e","\u003cp\u003eSeries five contains material related to civil rights, minorities at George Mason University, Nicaragua and Explorer/Project Explorer.\u003c/p\u003e","\u003cp\u003eVirginia Economic Bridge Initiative and Northern Virginia Initiative; U-Matic\u003c/p\u003e","\u003cp\u003eVirginia Economic Bridge Initiative and Northern Virginia Initiative; U-Matic\u003c/p\u003e","\u003cp\u003eVirginia Economic Bridge Initiative and Northern Virginia Initiative; U-Matic\u003c/p\u003e","\u003cp\u003eVirginia Economic Bridge Initiative and Northern Virginia Initiative; U-Matic\u003c/p\u003e","\u003cp\u003eVirginia Economic Bridge Initiative and Northern Virginia Initiative; VHS\u003c/p\u003e","\u003cp\u003eVirginia Economic Bridge Initiative and Northern Virginia Initiative; VHS\u003c/p\u003e","\u003cp\u003eVirginia Economic Bridge Initiative and Northern Virginia Initiative; VHS\u003c/p\u003e","\u003cp\u003eVirginia Economic Bridge Initiative and Northern Virginia Initiative; VHS\u003c/p\u003e","\u003cp\u003eVirginia Economic Bridge Initiative and Northern Virginia Initiative; VHS\u003c/p\u003e","\u003cp\u003eVirginia Economic 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["This collection contains five series of audiovisual items covering a variety of topics pertaining to George Mason University from the 1950s onward with the bulk of the collection falling within the 1970s to the 1990s. Most of the material is in the form of VHS with a noticeable amount in the formats of U-Matic, Betacam and audio cassettes.","Series 1 consists of 167 items, dated from 1964-2004 and primarily consisting of VHS videotapes, audiotape cassettes and U-Matic videotapes. The subject of the material focuses on the governing and running of George Mason University which includes faculty meetings, inaugural events, human resources material, Mason Reports, footage of the campus, and philosophy of the school and promotional material of the university.","Series 2 comprises 134 items, primarily VHS videotapes and U-Matic videotapes, dated from 1964-2005 with the bulk of the material dated in the 1990s. The overall concentration for series 2 is events pertaining to George Mason University including commencement, Art Gala, ground breaking of George Mason Buildings and campuses and panels on campus.","Series 3 encompass 238 items, largely in the VHS and Betacam videptape formats, dated from the 1950s to the 1990s with a focus on the 1990s. The focal theme pertains to distance learning, a large portion of this section containing lectures of George Mason Staff, projects/assignments of students and New Century College material.","Series 4 includes 193 items, principally in the formats of Betacam and U-Matic videotapes and audiotape cassettes with the material dated between 1976-2003. This series consists of material related to discussions and radio programs that George Mason Staff or Students participated in which include 'Up for Discussion', CCHENV public hearing, GMU Rendezvous Programs and WPRW Programs.","Series 5 contains 125 items primarily in VHS videotape and open reel formats dating from 1982-2004. This is chiefly a miscellaneous series consisting of several groupings of unrelated material. The subjects in this series are: Civil Rights and minorities at George Mason University, blank/unlabeled material, Explorer/Project Explorer and Nicaragua.","Series 1 concentrates on material related to the management of George Mason University such as faculty meetings, material from the Human Resources department, Mason Report and footage of the campus.","George Mason University History, Faculty and Campus; U-Matic; 9 minutes, 9 seconds","George Mason University History, Faculty and Campus; U-Matic; 60 minutes, 22 seconds","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; U-Matic; 34 minutes, 27 seconds","George Mason University History, Faculty and Campus; U-Matic; 3 minutes, 58 seconds","George Mason University History, Faculty and Campus; VHS; 2 Copies","George Mason University History, Faculty and Campus; VHS; 7 minutes, 20 seconds","George Mason University History, Faculty and Campus; Betacam SP; 6 minutes, 5 seconds","George Mason University History, Faculty and Campus; VHS; 6 minutes, 5 seconds","George Mason University History, Faculty and Campus; VHS; 6 minutes, 5 seconds","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS; On Reagan and White House","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS; 59 minutes, 45 seconds","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Reel","George Mason University History, Faculty and Campus; Betacam","George Mason University History, Faculty and Campus; Betacam SP","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; U-Matic; 9 minutes, 19 seconds; Bars, crowd reaction, Rev billy Wertz","George Mason University History, Faculty and Campus; VHS; 22 minutes, 31 seconds","George Mason University History, Faculty and Campus; U-Matic S; 12 minutes","George Mason University History, Faculty and Campus; U-Matic; Digitized June 2013","George Mason University History, Faculty and Campus; U-Matic; Digitized June 2013","George Mason University History, Faculty and Campus; U-Matic; Digitized June 2013","George Mason University History, Faculty and Campus; U-Matic; Digitized June 2013","George Mason University History, Faculty and Campus; U-Matic; Digitized June 2013","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; Betacam; 11 minutes","George Mason University History, Faculty and Campus; U-Matic; Digitized June 2013","George Mason University History, Faculty and Campus; U-Matic S; 11 minutes, 6 seconds","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; U-Matic; 22 minutes, 34 seconds; Bars, crowd reaction, Rev. Billy; Rev Billy Wertz; Air Band intro, 1st act - risque; 2nd act - CG crew, MC's converse; 3rd act - CO2","George Mason University History, Faculty and Campus; VHS; 22 minutes, 34 seconds","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; Betacam SP","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS; 3 minutes, 54 seconds","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS; 2 copies","George Mason University History, Faculty and Campus; VHS; 1 minute, 3 seconds","George Mason University History, Faculty and Campus; VHS, 3 minutes, 54 second","George Mason University History, Faculty and Campus; Betacam","George Mason University History, Faculty and Campus; Betacam, 2 copies","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; Betacam SP","George Mason University History, Faculty and Campus; VHS; 1 hour, 27 minutes, 25 seconds","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS; 3 copies","George Mason University History, Faculty and Campus Audio Cassette Tape; 2 minutes, 6 seconds","George Mason University History, Faculty and Campus; Cassette Tape Hi8 Metal E","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Cassette Tape Hi8 Metal E; 2 Copies","George Mason University History, Faculty and Campus; Cassette Tape Hi8 Metal E","George Mason University History, Faculty and Campus; Cassette Tape Hi8 Metal E","George Mason University History, Faculty and Campus; Cassette Tape Hi8 Metal E","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape; 3 copies","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; U-Matic S","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; U-Matic; 60 seconds; 2 Copies","George Mason University History, Faculty and Campus; Betacam SP; 60 seconds","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tap; 2 Copies","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Cassette Tape Hi8 Metal E","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS; 22 minutes, 50 seconds","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; VHS","Admissions and Public Relations; Media 5 Tape","Admissions and Public Relations; U-Matic; ~33 minutes","Admissions and Public Relations; U-Matic","Admissions and Public Relations; U-Matic; 3 minutes; 45 seconds","Admissions and Public Relations; U-Matic; 15 minutes","Admissions and Public Relations; 7\" Reel to Reel","Admissions and Public Relations; VHS","Admissions and Public Relations; L-250 Scotch Video cassette Beta","Admissions and Public Relations; L-250 Scotch Video cassette Beta","Admissions and Public Relations; U-Matic; 7 minutes, 40 seconds","Admissions and Public Relations; U-Matic","Admissions and Public Relations; U-Matic","Admissions and Public Relations; U-Matic","Admissions and Public Relations; VHS","Human Resources; VHS; 8 minutes; 41 seconds","Human Resources; VHS; 11 minutes","Human Resources; Betacam SP","Human Resources; Betacam SP","Human Resources; Betacam SP","Human Resources; U-Matic; 8 minutes; 41 seconds","Human Resources; Betacam","Human Resources; Betacam; 9 minutes; 43 seconds; 02 milliseconds","Human Resources; Betacam SP","Human Resources; Betacam SP","Human Resources; Betacam SP","Human Resources; Betacam","Mason Reports; Betacam; 2 copies","Mason Reports; Betacam SP","Mason Reports; VHS; 29 minutes, 20 seconds","Mason Reports; VHS","Mason Reports; Betacam SP","Mason Reports; Betacam","Mason Reports; VHS; X3.1842","Mason Reports; U-Matic; 57 minutes, 30 seconds","Series 2 contains material pertaining to events on George Mason campus such as Art Galas, commencement and ground breakings.","Commencement and Campus Events; 7\" Reel to Reel; In folder with Two Reels","Commencement and Campus Events; Stenorette magnetic Recording Tape","Commencement and Campus Events; 7\" Reel to Reel; Left channel only; mono; 1 7/8","Commencement and Campus Events; 7\" Reel to Reel; 1 7/8 I.P.S, left channel only","Commencement and Campus Events; 7\" Reel to Reel; Mono, Left Channel only; Also includes program","Commencement and Campus Events; 7\" Reel to Reel; 3 3/4 I.P.S, left channel only; mono","Commencement and Campus Events; 7\" Reel to Reel 3 3/4 I.P.S Right Channel Only","Commencement and Campus Events; 7\" Reel to Reel; Mono, Left Channel only; 1 Sided only","Commencement and Campus Events; 7\" Reel to Reel; 3 3/4 i.p.s","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS","Commencement and Campus Events; Auto Cassette Tape","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS; 1 hour; 15 minutes; 43 seconds","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS; 1 hour, 20 minutes; 58 seconds","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS","Commencement and Campus Events; DVD","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS","Commencement and Campus Events; Betamax","Commencement and Campus Events; Betamax","Commencement and Campus Events; 7\" Reel to Reel; 1 7/8 I.P.S","Commencement and Campus Events; 7\" Reel to Reel; 3 3/4 I.P.S","Commencement and Campus Events; U-Matic","Commencement and Campus Events; U-Matic","Commencement and Campus Events; U-Matic","Commencement and Campus Events; U-Matic","Art Gala; VHS","Art Gala; VHS; 2 Copies","Art Gala; VHS","Art Gala; VHS; 2 Copies","Art Gala; VHS","Art Gala; VHS; 2 Copies","Art Gala; VHS; 2 Copies","Art Gala; VHS; 2 Copies","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS; Produced by Steve O'Leary for GMU","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; U-Matic; 2 Copies","Art Gala; U-Matic; Digitized June 2013","Art Gala; U-Matic; Digitized June 2013","Campus Events and Dedications; VHS","Campus Events and Dedications; VHS","Campus Events and Dedications; VHS","Campus Events and Dedications; VHS","Campus Events and Dedications; VHS","Campus Events and Dedications; 4 minutes, 45 seconds","Campus Events and Dedications; VHS","Campus Events and Dedications; VHS","Campus Events and Dedications; 7\" Reel to Reel","Campus Events and Dedications; Reel","Campus Events and Dedications; 12 minutes","Campus Events and Dedications; VHS","Campus Events and Dedications; Reel to Reel","Campus Events and Dedications; Betamax","Campus Events and Dedications; Betacam SP","Campus Events and Dedications; 7\" Reel to Reel","George Mason Promotional/Digital Events; U-Matic","George Mason Promotional/Digital Events; U-Matic; 29 minutes, 33 seconds","George Mason Promotional/Digital Events; U-Matic","George Mason Promotional/Digital Events; VHS","George Mason Promotional/Digital Events; U-Matic","George Mason Promotional/Digital Events; U-Matic","Government; VHS; 3 Copies","Government; U-Matic","Government; U-Matic","Government; U-Matic","Government; VHS; 3 Copies","Government; VHS; 3 Copies","Government; VHS; 3 Copies","Government; U-Matic; 9 minutes, 15 seconds","Government; VHS","Government; Betacam; 1 hour","Government; U-Matic; 28 minutes, 46 seconds","Nobel Peace Prize; VHS","Nobel Peace Prize; VHS","Nobel Peace Prize; U-Matic","Nobel Peace Prize; U-Matic","Bell Atlantic; VHS; 7 minutes, 4 seconds","Bell Atlantic; Betacam SP; 6 minutes, 45 seconds","Bell Atlantic; VHS; 4 minutes, 2 seconds","Bell Atlantic; Betacam SP","Bell Atlantic; Betacam SP; 7 minutes, 34 seconds; 8 minutes, 34 seconds","John Burr; Betacam","John Burr; Betacam","Art/ Graphics; U-Matic; 13 minutes","Art/ Graphics; U-Matic","Art/ Graphics; U-Matic","Art/ Graphics; VHS; 30 minutes","Art/ Graphics; Betacam","Art/ Graphics; VHS","Art/ Graphics; Betacam","Art/ Graphics; Betacam","Art/ Graphics; VHS; 7 minutes, 42 seconds","Series three consists of material related distance learning lectures and distance student assignments.","Distance Learning Lecture Series; U-Matic","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; U-Matic; Fourth and last lecture in Disciplinary Trespassing. With introduction and then Tom Burns lecture titled - Bringing economics down to Earth: Non-immaculate conceptions of the market. There are four tapes - two of the audience and two of Burns. Includes a Q and A session","Distance Learning Lecture Series; U-Matic; Fourth and last lecture in Disciplinary Trespassing. With introduction and then Tom Burns lecture titled - Bringing economics down to Earth: Non-immaculate conceptions of the market. There are four tapes - two of the audience and two of Burns. Includes a Q and A session","Distance Learning Lecture Series; U-Matic; Fourth and last lecture in Disciplinary Trespassing. With introduction and then Tom Burns lecture titled - Bringing economics down to Earth: Non-immaculate conceptions of the market. There are four tapes - two of the audience and two of Burns. Includes a Q and A session","Distance Learning Lecture Series; U-Matic; Fourth and last lecture in Disciplinary Trespassing. With introduction and then Tom Burns lecture titled - Bringing economics down to Earth: Non-immaculate conceptions of the market. There are four tapes - two of the audience and two of Burns. Includes a Q and A session","Distance Learning Lecture Series; U-Matic; 29 minutes, 51 seconds","Distance Learning Lecture Series; U-Matic","Distance Learning Lecture Series; U-Matic; 35 Minutes, 9 seconds","Distance Learning Lecture Series; U-Matic; 60 minutes, 2 seconds","Distance Learning Lecture Series; U-Matic; 57 minutes, 54 seconds","Distance Learning Lecture Series; U-Matic; 50 minutes","Distance Learning Lecture Series; U-Matic; 20 minutes, 20 seconds","Distance Learning Lecture Series; U-Matic; 57 minutes, 30 seconds","Distance Learning Lecture Series; U-Matic; 60 minutes, 57 seconds","Distance Learning Lecture Series; U-Matic; 50 minutes; 50 seconds","Distance Learning Lecture Series; U-Matic; 40 minutes; 29 seconds","Distance Learning Lecture Series; U-Matic; 47 minutes; Class Project - a paper is read off of a computer screen followed by a class critique","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; U-Matic; 57 minutes, 56 seconds","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; Audio Cassette Tapes; 2 Copies","Distance Learning Lecture Series; Audio Cassette Tapes","Distance Learning Lecture Series; Audio Cassette Tapes; 2 Copies","Distance Learning Lecture Series; U-Matic; 4 copies","Distance Learning Lecture Series; U-Matic; 4 minutes, 16 seconds","Distance Learning Lecture Series; U-Matic","Distance Learning Lecture Series; U-Matic","Distance Learning Lecture Series; 7\" Reel to Reel; 3 3/4 IPS","Distance Learning Series; Betacam SP; 30 minutes","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP; Approx. 24 minutes left","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP; 13 minutes, 59 seconds","Distance Learning Series; 7\" Reel to Reel; 1 hour, 30 minutes","Distance Learning Series; Betacam","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; U-Matic; 56 minutes, 30 seconds","Distance Learning Series; U-Matic","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; Betacam; 13 minutes, 17 seconds","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; Betacam SP","Distance Learning Series; VHS","Distance Learning Series; Reel; 15IPS","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP; 52 minutes, 8 seconds","Distance Learning Series; Betacam SP; Approx. 34 minutes left","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Data Cartridge","Distance Learning Series; Audio Cassette Tape","Distance Learning Series; Audio Cassette Tape","Distance Learning Series; Cassette Tape Hi8 Metal E; Par 1 hour, 46 minutes","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Hi8 Metal-P-60HMPX","Distance Learning Series; Hi8 Metal-P-60HMPX","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; VHS; 28 minutes, 35 seconds","Distance Learning Series; VHS; 21 minutes, 29 seconds","Distance Learning Series; VHS","Distance Learning Series; VHS; Approx. 10 minutes","Distance Learning Series; Betacam","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS; Approx. 10 minutes","Distance Learning Series; VHS; 2 hours, 22 minutes","Distance Learning Series; VHS","Distance Learning Series; Betacam","Distance Learning Series; VHS; 56 minutes, 51 seconds","Distance Learning Series; Betacam","Distance Learning Series; Betacam","Distance Learning Series; VHS","Distance Learning Series; VHS","People; Betacam","People; U-Matic S","People; U-Matic; 5 minutes, 25 seconds","People; U-Matic","People; U-Matic","People; U-Matic; 30 minutes; Digitized June 2013","People; Betacam","People; Betacam","People; Betacam","People; Betacam","People; Betacam","People; Betacam","People; Betacam","People; VHS","People; VHS","People; VHS","People; VHS; 38 minutes","People; VHS","People; VHS","People; VHS","People; VHS","People; VHS","People; VHS; 1 minute, 30 seconds","People; Betacam","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","New Century College CompacTape","New Century College; 7.5 IPS","New Century College; 7.5 IPS","New Century College; 7.5 IPS","New Century College; Fuji Hi8 ME","New Century College; Cassette Tape Hi8 Metal E","New Century College; Betacam","New Century College; VHS","New Century College; Betacam SP","New Century College; Betacam; 31 minutes","New Century College; Betacam; 36 minutes","New Century College; Audio Cassette Tape","New Century College; CompacTape","New Century College; Audio Cassette Tape","New Century College; VHS","New Century College; VHS; 7 minutes, 29 seconds","New Century College; Betacam","New Century College; VHS","New Century College; VHS","New Century College; VHS; 6 minutes, 30 seconds","Material in series four pertains to radio programs and discussions that George Mason University staff, faculty and students participate in.","Up For Discussion; U-Matic; 30 Minutes","Up For Discussion; U-Matic; 28 minutes, 20 seconds","Up For Discussion; U-Matic; 30 Minutes","Up For Discussion; U-Matic; 28 minutes,56 seconds; 29 minutes 47 seconds","Up For Discussion; U-Matic; 28 minutes, 44 seconds; 28 minutes, 41 seconds","Up For Discussion; U-Matic; 28 minutes, 26 seconds; 29 minutes, 33 seconds","Up For Discussion; U-Matic; 29 minutes, 13 seconds; 28 minutes, 40 seconds","Up For Discussions: U-Matic KCA-60K Video Cassette","Up For Discussions; VHS","Up For Discussions; VHS","Up For Discussions; VHS","Up For Discussions; VHS","Up For Discussions; VHS","Up For Discussions; VHS","Up For Discussion; U-Matic; 29 minutes, 22 seconds; 29 minutes, 55 seconds","Up For Discussion; U-Matic; 29 minutes; 29 minutes, 20 seconds","Up For Discussions; Betacam SP","Up For Discussions; Betacam SP","Up For Discussions; Betacam SP","Up For Discussions; Betacam SP","Up For Discussions; Betacam SP","Up For Discussions; Betacam SP","Up For Discussions; Betacam SP","Up For Discussions; Betacam SP","Up For Discussions; Betacam SP","Up For Discussion; U-Matic; 29 minutes, 45 seconds","Up For Discussion; U-Matic; 29 minutes, 20 seconds; 28 minutes, 45 seconds","Up For Discussion; U-Matic; 39 minutes, 30 seconds","Up For Discussion; U-Matic; 28 minutes; 29 minutes, 16 seconds","Up For Discussion; U-Matic; 27 minutes, 22 seconds; 28 minutes, 2 seconds","Up For Discussion; U-Matic; 29 minutes, 12 seconds","With Good Reason; Audio Cassette Tapes; 18 Tapes","With Good Reason; Audio Cassette Tapes; 25 Tapes; 10 CDs","Auto Cassette Lectures; 7 Copies","Auto Cassette Lectures; 6 Copies","Auto Cassette Lectures","Auto Cassette Lectures","Auto Cassette Lectures","Auto Cassette Lectures; 1 minute, 39 seconds","Auto Cassette Lectures; 8 minutes","Auto Cassette Lectures","Auto Cassette Lectures; 3 minutes","Auto Cassette Lectures","Auto Cassette Lectures","Auto Cassette Lectures","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes; 2 Copies","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","John Burr; Betacam","Interviews; U-Matic; 6 minutes, 46 seconds","Interviews; U-matic","Interviews; U-Matic","Interviews; U-Matic S","Interviews; U-Matic; 10 minutes, 30 seconds","Interviews; U-Matic","Interviews; U-Matic; 13 minutes; Digitized June 2013","Interviews; VHS","Interviews; VHS; 7 minutes","Interviews; VHS; 6 minutes, 34 seconds","Interviews; VHS; 5 minutes, 48 seconds","Interviews; Betacam SP","Interviews; VHS","Interviews; VHS","Interviews; Audio Cassette Tapes; 4 Tapes, Gift of Jay Jarvis. Tape is described as a conversation between and Mason President Vergil Dykstra and members of the Alumni Association from 6/17/76. Tape is separated from reel at head of tape.","Interviews; Cassette Tape Hi8 Metal E","Interviews; Audio Cassette Tapes","Interviews; Audio Cassette Tapes","Interviews; Betacam","Interviews; Betacam","Interviews; Betacam","Interviews; Betacam","Interviews; Betacam","Interviews; Betacam","Interviews; Betacam","Interviews; Betacam","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape; Gift of Jay Jarvis. Tape is described as a conversation between and Mason President Vergil Dykstra and members of the Alumni Association from 6/17/76. Tape is separated from reel at head of tape.","Audio cassette; Compact DISC (CD)","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Cassette Tape Hi8 Metal E","Audio cassette; Cassette Tape Hi8 Metal E","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Cassette Tape Hi8 Metal E","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape; 8 minutes, 45 seconds","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape; 2 Tapes","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape; 3 Tapes","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape; 2 Tapes","Public Hearings; Pages","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","6 VHS videotape cassettes containing Sesno Reports (co-produced by WETA and GMU-TV) hosted by Frank Sesno: \"Target Washington\" (Taped: February 20, 2004; Dubbed May 11, 2004), \"Desperate for Dollars\" (Taped: April 20, 2004; Dubbed: May 11, 2004; TRT: 57:17), \"Cancer Cures?\" (February 10, 2005; TRT: 56:46), \"The Cost of War\" (September 28, 2004; TRT: 56:46), \"America Drinks\" (December 13, 2004; TRT: 56:46; Promotional Copy), \"Press One for English\" (June 3, 2004).","Series five contains material related to civil rights, minorities at George Mason University, Nicaragua and Explorer/Project Explorer.","Virginia Economic Bridge Initiative and Northern Virginia Initiative; U-Matic","Virginia Economic Bridge Initiative and Northern Virginia Initiative; U-Matic","Virginia Economic Bridge Initiative and Northern Virginia Initiative; U-Matic","Virginia Economic Bridge Initiative and Northern Virginia Initiative; U-Matic","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; Ampex 197","Virginia Economic Bridge Initiative and Northern Virginia Initiative; U-Matic","Virginia Economic Bridge Initiative and Northern Virginia Initiative; U-Matic","Virginia Economic Bridge Initiative and Northern Virginia Initiative; U-Matic; 30 minutes, 05 seconds","Virginia Economic Bridge Initiative and Northern Virginia Initiative; U-Matic","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Miscellaneous; U-Matic S","Miscellaneous; U-Matic S","Miscellaneous; VHS","Miscellaneous; VHS","Miscellaneous; VHS","Miscellaneous; Betacam SP","Miscellaneous; VHS; 30 minutes","Miscellaneous; VHS; 30 minutes","Miscellaneous; VHS","Miscellaneous; Betacam SP","Miscellaneous; U-Matic","Miscellaneous; U-Matic","Miscellaneous; VHS","Miscellaneous; U-Matic; Digitized June 2013; File on Scanstore","Miscellaneous; Betacam SP","Miscellaneous; M II","Miscellaneous; Betacam SP","Miscellaneous; VHS","Miscellaneous; VHS","Miscellaneous; VHS; 30 minutes","Miscellaneous; VHS","Miscellaneous; VHS; 13 minutes, 25 seconds","Nicaragua; Hi8 Metal-P-60HMPX","Nicaragua; Hi8 Metal-P-60HMPX","Nicaragua; Hi8 Metal-P-60HMPX","Nicaragua; Betacam","Nicaragua; VHS","Nicaragua; Betacam SP; 8 minutes to 9 minutes","Nicaragua; Betacam SP; 1 hour, 5 minutes to 2 hours, 2 minutes","Nicaragua; Betacam SP; 1 hour, 6 minutes, 3 seconds, 20 milliseconds","Nicaragua; Betacam SP","Nicaragua; Betacam SP","Nicaragua; Betacam; 2 hours to 3 hours, 11 minutes, 24 seconds","Nicaragua; Betacam SP","Nicaragua; Betacam","Nicaragua; Betacam SP","Nicaragua; Betacam SP","Nicaragua; Betacam SP; 1 hour, 6 minutes, 3 seconds, 20 milliseconds","Nicaragua; Betacam SP; 1 hour, 5 minutes to 2 hours, 2 minutes","Nicaragua; Betacam SP","Nicaragua; Betacam SP","Nicaragua; Betacam SP","Nicaragua; Betacam SP","Nicaragua; Betacam SP","Nicaragua; Betacam SP","Nicaragua; Betacam SP; 8 minutes to 9 minutes","Nicaragua; Betacam SP","Nicaragua; Betacam SP","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; VHS; 29 Minutes, 28 Seconds","Christopher Columbus Middle School, Union City, NJ; Print 6 pages","Christopher Columbus Middle School, Union City, NJ; VHS","Christopher Columbus Middle School, Union City, NJ; Reel","Christopher Columbus Middle School, Union City, NJ; Reel; 15 IPS","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Explorer; VHS","Explorer; VHS","Explorer; VHS","Explorer; VHS","Explorer; VHS","Explorer; VHS","Explorer; VHS","Explorer; VHS","Explorer; VHS","Explorer; VHS","Explorer; VHS","Explorer; Betacam","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Blank and Unmarked Media; 5 Betacam SP; 1 Betacam; 5 Audio cassette Tapes; 2 Slides; 1 VHS","Blank and Unmarked Media; 11 VHS; 3 Betacam SP","Civil Rights and Minorities; U-Matic; Digitized June 2013","Civil Rights and Minorities; VHS","Civil Rights and Minorities; VHS","Civil Rights and Minorities; VHS","Civil Rights and Minorities; VHS","Civil Rights and Minorities; U-Matic; 30 minutes; Digitized June 2013; File on Scanstone","Civil Rights and Minorities; Master Broadcast Video cassette","Civil Rights and Minorities; Ampex 197; Digitized June 2013; File on Scanstone","Civil Rights and Minorities; Audio Cassette Tape","Civil Rights and Minorities; Audio Cassette Tape","Civil Rights and Minorities; Audio Cassette Tape","Civil Rights and Minorities; Audio Cassette Tape","Civil Rights and Minorities; Audio Cassette Tape; 60 minutes on each tape; 2 Cassette Tapes","Large Items; Reel","Large Items; Reel","Large Items; Reel","Large Items; Reel","Large Items; Reel","Large Items; Reel","Large Items; Folder with papers in it"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from George Mason Audiovisual collection must be obtained from Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from George Mason Audiovisual collection must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_349d044fbbb53d47db577e94df39f394\" label=\"Abstract\"\u003eThe George Mason Audiovisual Collection includes over 850 audiovisual materials taken between 1950 and 2004. The collection includes material covering commencement, distance learning lectures and assignments, faculty meetings and material that addresses civil rights and minorities.\u003c/abstract\u003e"],"abstract_tesim":["The George Mason Audiovisual Collection includes over 850 audiovisual materials taken between 1950 and 2004. The collection includes material covering commencement, distance learning lectures and assignments, faculty meetings and material that addresses civil rights and minorities."],"names_coll_ssim":["George Mason University"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":794,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:00:26.619Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_403","ead_ssi":"vifgm_repositories_2_resources_403","_root_":"vifgm_repositories_2_resources_403","_nest_parent_":"vifgm_repositories_2_resources_403","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_403.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/gmuaudiovisual.html","title_ssm":["George Mason University Audiovisual collection"],"title_tesim":["George Mason University Audiovisual collection"],"unitdate_ssm":["1950-2005","1980-1990"],"unitdate_bulk_ssim":["1980-1990"],"unitdate_inclusive_ssm":["1950-2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0136","/repositories/2/resources/403"],"text":["R0136","/repositories/2/resources/403","George Mason University Audiovisual collection","Fairfax County (Va.)","Fairfax (Va.)","Education -- Virginia","Education, Higher","Education, Higher -- Virginia","Video recordings","Sound recordings","There are no access restrictions on the physical items. There are access restrictions on listening to or viewing the contents since Special Collections and Archives does have the playback equipment for all of the formats.","The collection is organized into five series","Missing Title Series 1: George Mason University Governance, 1964-2004 (Boxes 1-7, 10-11, 18-19, 45) Series 2: George Mason Events, 1964-2005 (Boxes 8-9, 24-26, 33, 46, 47, 55) Series 3: Distance Learning, 1950-1990s (Boxes 27-28, 34-39, 40-41, 53-54) Series 4: Discussions and Radio Programs, 1976-2003 (Boxes 14-16, 31-32, 42-43, 48, 50-52, 59) Series 5: Miscellaneous, 1982-2004 (Boxes 12-13, 17, 20-23, 29-30, 44, 49, 55-58)","","Processing completed by Elizabeth Wycoff in July 2015. EAD markup completed by Elizabeth Beckman in August 2015.","George Mason University's Special Collections and Archives holds the archival records from George Mason University.","This collection contains five series of audiovisual items covering a variety of topics pertaining to George Mason University from the 1950s onward with the bulk of the collection falling within the 1970s to the 1990s. Most of the material is in the form of VHS with a noticeable amount in the formats of U-Matic, Betacam and audio cassettes.","Series 1 consists of 167 items, dated from 1964-2004 and primarily consisting of VHS videotapes, audiotape cassettes and U-Matic videotapes. The subject of the material focuses on the governing and running of George Mason University which includes faculty meetings, inaugural events, human resources material, Mason Reports, footage of the campus, and philosophy of the school and promotional material of the university.","Series 2 comprises 134 items, primarily VHS videotapes and U-Matic videotapes, dated from 1964-2005 with the bulk of the material dated in the 1990s. The overall concentration for series 2 is events pertaining to George Mason University including commencement, Art Gala, ground breaking of George Mason Buildings and campuses and panels on campus.","Series 3 encompass 238 items, largely in the VHS and Betacam videptape formats, dated from the 1950s to the 1990s with a focus on the 1990s. The focal theme pertains to distance learning, a large portion of this section containing lectures of George Mason Staff, projects/assignments of students and New Century College material.","Series 4 includes 193 items, principally in the formats of Betacam and U-Matic videotapes and audiotape cassettes with the material dated between 1976-2003. This series consists of material related to discussions and radio programs that George Mason Staff or Students participated in which include 'Up for Discussion', CCHENV public hearing, GMU Rendezvous Programs and WPRW Programs.","Series 5 contains 125 items primarily in VHS videotape and open reel formats dating from 1982-2004. This is chiefly a miscellaneous series consisting of several groupings of unrelated material. The subjects in this series are: Civil Rights and minorities at George Mason University, blank/unlabeled material, Explorer/Project Explorer and Nicaragua.","Series 1 concentrates on material related to the management of George Mason University such as faculty meetings, material from the Human Resources department, Mason Report and footage of the campus.","George Mason University History, Faculty and Campus; U-Matic; 9 minutes, 9 seconds","George Mason University History, Faculty and Campus; U-Matic; 60 minutes, 22 seconds","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; U-Matic; 34 minutes, 27 seconds","George Mason University History, Faculty and Campus; U-Matic; 3 minutes, 58 seconds","George Mason University History, Faculty and Campus; VHS; 2 Copies","George Mason University History, Faculty and Campus; VHS; 7 minutes, 20 seconds","George Mason University History, Faculty and Campus; Betacam SP; 6 minutes, 5 seconds","George Mason University History, Faculty and Campus; VHS; 6 minutes, 5 seconds","George Mason University History, Faculty and Campus; VHS; 6 minutes, 5 seconds","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS; On Reagan and White House","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS; 59 minutes, 45 seconds","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Reel","George Mason University History, Faculty and Campus; Betacam","George Mason University History, Faculty and Campus; Betacam SP","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; U-Matic; 9 minutes, 19 seconds; Bars, crowd reaction, Rev billy Wertz","George Mason University History, Faculty and Campus; VHS; 22 minutes, 31 seconds","George Mason University History, Faculty and Campus; U-Matic S; 12 minutes","George Mason University History, Faculty and Campus; U-Matic; Digitized June 2013","George Mason University History, Faculty and Campus; U-Matic; Digitized June 2013","George Mason University History, Faculty and Campus; U-Matic; Digitized June 2013","George Mason University History, Faculty and Campus; U-Matic; Digitized June 2013","George Mason University History, Faculty and Campus; U-Matic; Digitized June 2013","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; Betacam; 11 minutes","George Mason University History, Faculty and Campus; U-Matic; Digitized June 2013","George Mason University History, Faculty and Campus; U-Matic S; 11 minutes, 6 seconds","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; U-Matic; 22 minutes, 34 seconds; Bars, crowd reaction, Rev. Billy; Rev Billy Wertz; Air Band intro, 1st act - risque; 2nd act - CG crew, MC's converse; 3rd act - CO2","George Mason University History, Faculty and Campus; VHS; 22 minutes, 34 seconds","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; Betacam SP","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS; 3 minutes, 54 seconds","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS; 2 copies","George Mason University History, Faculty and Campus; VHS; 1 minute, 3 seconds","George Mason University History, Faculty and Campus; VHS, 3 minutes, 54 second","George Mason University History, Faculty and Campus; Betacam","George Mason University History, Faculty and Campus; Betacam, 2 copies","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; Betacam SP","George Mason University History, Faculty and Campus; VHS; 1 hour, 27 minutes, 25 seconds","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS; 3 copies","George Mason University History, Faculty and Campus Audio Cassette Tape; 2 minutes, 6 seconds","George Mason University History, Faculty and Campus; Cassette Tape Hi8 Metal E","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Cassette Tape Hi8 Metal E; 2 Copies","George Mason University History, Faculty and Campus; Cassette Tape Hi8 Metal E","George Mason University History, Faculty and Campus; Cassette Tape Hi8 Metal E","George Mason University History, Faculty and Campus; Cassette Tape Hi8 Metal E","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape; 3 copies","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; U-Matic S","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; U-Matic; 60 seconds; 2 Copies","George Mason University History, Faculty and Campus; Betacam SP; 60 seconds","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tap; 2 Copies","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Cassette Tape Hi8 Metal E","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS; 22 minutes, 50 seconds","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; VHS","Admissions and Public Relations; Media 5 Tape","Admissions and Public Relations; U-Matic; ~33 minutes","Admissions and Public Relations; U-Matic","Admissions and Public Relations; U-Matic; 3 minutes; 45 seconds","Admissions and Public Relations; U-Matic; 15 minutes","Admissions and Public Relations; 7\" Reel to Reel","Admissions and Public Relations; VHS","Admissions and Public Relations; L-250 Scotch Video cassette Beta","Admissions and Public Relations; L-250 Scotch Video cassette Beta","Admissions and Public Relations; U-Matic; 7 minutes, 40 seconds","Admissions and Public Relations; U-Matic","Admissions and Public Relations; U-Matic","Admissions and Public Relations; U-Matic","Admissions and Public Relations; VHS","Human Resources; VHS; 8 minutes; 41 seconds","Human Resources; VHS; 11 minutes","Human Resources; Betacam SP","Human Resources; Betacam SP","Human Resources; Betacam SP","Human Resources; U-Matic; 8 minutes; 41 seconds","Human Resources; Betacam","Human Resources; Betacam; 9 minutes; 43 seconds; 02 milliseconds","Human Resources; Betacam SP","Human Resources; Betacam SP","Human Resources; Betacam SP","Human Resources; Betacam","Mason Reports; Betacam; 2 copies","Mason Reports; Betacam SP","Mason Reports; VHS; 29 minutes, 20 seconds","Mason Reports; VHS","Mason Reports; Betacam SP","Mason Reports; Betacam","Mason Reports; VHS; X3.1842","Mason Reports; U-Matic; 57 minutes, 30 seconds","Series 2 contains material pertaining to events on George Mason campus such as Art Galas, commencement and ground breakings.","Commencement and Campus Events; 7\" Reel to Reel; In folder with Two Reels","Commencement and Campus Events; Stenorette magnetic Recording Tape","Commencement and Campus Events; 7\" Reel to Reel; Left channel only; mono; 1 7/8","Commencement and Campus Events; 7\" Reel to Reel; 1 7/8 I.P.S, left channel only","Commencement and Campus Events; 7\" Reel to Reel; Mono, Left Channel only; Also includes program","Commencement and Campus Events; 7\" Reel to Reel; 3 3/4 I.P.S, left channel only; mono","Commencement and Campus Events; 7\" Reel to Reel 3 3/4 I.P.S Right Channel Only","Commencement and Campus Events; 7\" Reel to Reel; Mono, Left Channel only; 1 Sided only","Commencement and Campus Events; 7\" Reel to Reel; 3 3/4 i.p.s","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS","Commencement and Campus Events; Auto Cassette Tape","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS; 1 hour; 15 minutes; 43 seconds","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS; 1 hour, 20 minutes; 58 seconds","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS","Commencement and Campus Events; DVD","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS","Commencement and Campus Events; Betamax","Commencement and Campus Events; Betamax","Commencement and Campus Events; 7\" Reel to Reel; 1 7/8 I.P.S","Commencement and Campus Events; 7\" Reel to Reel; 3 3/4 I.P.S","Commencement and Campus Events; U-Matic","Commencement and Campus Events; U-Matic","Commencement and Campus Events; U-Matic","Commencement and Campus Events; U-Matic","Art Gala; VHS","Art Gala; VHS; 2 Copies","Art Gala; VHS","Art Gala; VHS; 2 Copies","Art Gala; VHS","Art Gala; VHS; 2 Copies","Art Gala; VHS; 2 Copies","Art Gala; VHS; 2 Copies","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS; Produced by Steve O'Leary for GMU","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; U-Matic; 2 Copies","Art Gala; U-Matic; Digitized June 2013","Art Gala; U-Matic; Digitized June 2013","Campus Events and Dedications; VHS","Campus Events and Dedications; VHS","Campus Events and Dedications; VHS","Campus Events and Dedications; VHS","Campus Events and Dedications; VHS","Campus Events and Dedications; 4 minutes, 45 seconds","Campus Events and Dedications; VHS","Campus Events and Dedications; VHS","Campus Events and Dedications; 7\" Reel to Reel","Campus Events and Dedications; Reel","Campus Events and Dedications; 12 minutes","Campus Events and Dedications; VHS","Campus Events and Dedications; Reel to Reel","Campus Events and Dedications; Betamax","Campus Events and Dedications; Betacam SP","Campus Events and Dedications; 7\" Reel to Reel","George Mason Promotional/Digital Events; U-Matic","George Mason Promotional/Digital Events; U-Matic; 29 minutes, 33 seconds","George Mason Promotional/Digital Events; U-Matic","George Mason Promotional/Digital Events; VHS","George Mason Promotional/Digital Events; U-Matic","George Mason Promotional/Digital Events; U-Matic","Government; VHS; 3 Copies","Government; U-Matic","Government; U-Matic","Government; U-Matic","Government; VHS; 3 Copies","Government; VHS; 3 Copies","Government; VHS; 3 Copies","Government; U-Matic; 9 minutes, 15 seconds","Government; VHS","Government; Betacam; 1 hour","Government; U-Matic; 28 minutes, 46 seconds","Nobel Peace Prize; VHS","Nobel Peace Prize; VHS","Nobel Peace Prize; U-Matic","Nobel Peace Prize; U-Matic","Bell Atlantic; VHS; 7 minutes, 4 seconds","Bell Atlantic; Betacam SP; 6 minutes, 45 seconds","Bell Atlantic; VHS; 4 minutes, 2 seconds","Bell Atlantic; Betacam SP","Bell Atlantic; Betacam SP; 7 minutes, 34 seconds; 8 minutes, 34 seconds","John Burr; Betacam","John Burr; Betacam","Art/ Graphics; U-Matic; 13 minutes","Art/ Graphics; U-Matic","Art/ Graphics; U-Matic","Art/ Graphics; VHS; 30 minutes","Art/ Graphics; Betacam","Art/ Graphics; VHS","Art/ Graphics; Betacam","Art/ Graphics; Betacam","Art/ Graphics; VHS; 7 minutes, 42 seconds","Series three consists of material related distance learning lectures and distance student assignments.","Distance Learning Lecture Series; U-Matic","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; U-Matic; Fourth and last lecture in Disciplinary Trespassing. With introduction and then Tom Burns lecture titled - Bringing economics down to Earth: Non-immaculate conceptions of the market. There are four tapes - two of the audience and two of Burns. Includes a Q and A session","Distance Learning Lecture Series; U-Matic; Fourth and last lecture in Disciplinary Trespassing. With introduction and then Tom Burns lecture titled - Bringing economics down to Earth: Non-immaculate conceptions of the market. There are four tapes - two of the audience and two of Burns. Includes a Q and A session","Distance Learning Lecture Series; U-Matic; Fourth and last lecture in Disciplinary Trespassing. With introduction and then Tom Burns lecture titled - Bringing economics down to Earth: Non-immaculate conceptions of the market. There are four tapes - two of the audience and two of Burns. Includes a Q and A session","Distance Learning Lecture Series; U-Matic; Fourth and last lecture in Disciplinary Trespassing. With introduction and then Tom Burns lecture titled - Bringing economics down to Earth: Non-immaculate conceptions of the market. There are four tapes - two of the audience and two of Burns. Includes a Q and A session","Distance Learning Lecture Series; U-Matic; 29 minutes, 51 seconds","Distance Learning Lecture Series; U-Matic","Distance Learning Lecture Series; U-Matic; 35 Minutes, 9 seconds","Distance Learning Lecture Series; U-Matic; 60 minutes, 2 seconds","Distance Learning Lecture Series; U-Matic; 57 minutes, 54 seconds","Distance Learning Lecture Series; U-Matic; 50 minutes","Distance Learning Lecture Series; U-Matic; 20 minutes, 20 seconds","Distance Learning Lecture Series; U-Matic; 57 minutes, 30 seconds","Distance Learning Lecture Series; U-Matic; 60 minutes, 57 seconds","Distance Learning Lecture Series; U-Matic; 50 minutes; 50 seconds","Distance Learning Lecture Series; U-Matic; 40 minutes; 29 seconds","Distance Learning Lecture Series; U-Matic; 47 minutes; Class Project - a paper is read off of a computer screen followed by a class critique","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; U-Matic; 57 minutes, 56 seconds","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; Audio Cassette Tapes; 2 Copies","Distance Learning Lecture Series; Audio Cassette Tapes","Distance Learning Lecture Series; Audio Cassette Tapes; 2 Copies","Distance Learning Lecture Series; U-Matic; 4 copies","Distance Learning Lecture Series; U-Matic; 4 minutes, 16 seconds","Distance Learning Lecture Series; U-Matic","Distance Learning Lecture Series; U-Matic","Distance Learning Lecture Series; 7\" Reel to Reel; 3 3/4 IPS","Distance Learning Series; Betacam SP; 30 minutes","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP; Approx. 24 minutes left","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP; 13 minutes, 59 seconds","Distance Learning Series; 7\" Reel to Reel; 1 hour, 30 minutes","Distance Learning Series; Betacam","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; U-Matic; 56 minutes, 30 seconds","Distance Learning Series; U-Matic","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; Betacam; 13 minutes, 17 seconds","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; Betacam SP","Distance Learning Series; VHS","Distance Learning Series; Reel; 15IPS","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP; 52 minutes, 8 seconds","Distance Learning Series; Betacam SP; Approx. 34 minutes left","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Data Cartridge","Distance Learning Series; Audio Cassette Tape","Distance Learning Series; Audio Cassette Tape","Distance Learning Series; Cassette Tape Hi8 Metal E; Par 1 hour, 46 minutes","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Hi8 Metal-P-60HMPX","Distance Learning Series; Hi8 Metal-P-60HMPX","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; VHS; 28 minutes, 35 seconds","Distance Learning Series; VHS; 21 minutes, 29 seconds","Distance Learning Series; VHS","Distance Learning Series; VHS; Approx. 10 minutes","Distance Learning Series; Betacam","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS; Approx. 10 minutes","Distance Learning Series; VHS; 2 hours, 22 minutes","Distance Learning Series; VHS","Distance Learning Series; Betacam","Distance Learning Series; VHS; 56 minutes, 51 seconds","Distance Learning Series; Betacam","Distance Learning Series; Betacam","Distance Learning Series; VHS","Distance Learning Series; VHS","People; Betacam","People; U-Matic S","People; U-Matic; 5 minutes, 25 seconds","People; U-Matic","People; U-Matic","People; U-Matic; 30 minutes; Digitized June 2013","People; Betacam","People; Betacam","People; Betacam","People; Betacam","People; Betacam","People; Betacam","People; Betacam","People; VHS","People; VHS","People; VHS","People; VHS; 38 minutes","People; VHS","People; VHS","People; VHS","People; VHS","People; VHS","People; VHS; 1 minute, 30 seconds","People; Betacam","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","New Century College CompacTape","New Century College; 7.5 IPS","New Century College; 7.5 IPS","New Century College; 7.5 IPS","New Century College; Fuji Hi8 ME","New Century College; Cassette Tape Hi8 Metal E","New Century College; Betacam","New Century College; VHS","New Century College; Betacam SP","New Century College; Betacam; 31 minutes","New Century College; Betacam; 36 minutes","New Century College; Audio Cassette Tape","New Century College; CompacTape","New Century College; Audio Cassette Tape","New Century College; VHS","New Century College; VHS; 7 minutes, 29 seconds","New Century College; Betacam","New Century College; VHS","New Century College; VHS","New Century College; VHS; 6 minutes, 30 seconds","Material in series four pertains to radio programs and discussions that George Mason University staff, faculty and students participate in.","Up For Discussion; U-Matic; 30 Minutes","Up For Discussion; U-Matic; 28 minutes, 20 seconds","Up For Discussion; U-Matic; 30 Minutes","Up For Discussion; U-Matic; 28 minutes,56 seconds; 29 minutes 47 seconds","Up For Discussion; U-Matic; 28 minutes, 44 seconds; 28 minutes, 41 seconds","Up For Discussion; U-Matic; 28 minutes, 26 seconds; 29 minutes, 33 seconds","Up For Discussion; U-Matic; 29 minutes, 13 seconds; 28 minutes, 40 seconds","Up For Discussions: U-Matic KCA-60K Video Cassette","Up For Discussions; VHS","Up For Discussions; VHS","Up For Discussions; VHS","Up For Discussions; VHS","Up For Discussions; VHS","Up For Discussions; VHS","Up For Discussion; U-Matic; 29 minutes, 22 seconds; 29 minutes, 55 seconds","Up For Discussion; U-Matic; 29 minutes; 29 minutes, 20 seconds","Up For Discussions; Betacam SP","Up For Discussions; Betacam SP","Up For Discussions; Betacam SP","Up For Discussions; Betacam SP","Up For Discussions; Betacam SP","Up For Discussions; Betacam SP","Up For Discussions; Betacam SP","Up For Discussions; Betacam SP","Up For Discussions; Betacam SP","Up For Discussion; U-Matic; 29 minutes, 45 seconds","Up For Discussion; U-Matic; 29 minutes, 20 seconds; 28 minutes, 45 seconds","Up For Discussion; U-Matic; 39 minutes, 30 seconds","Up For Discussion; U-Matic; 28 minutes; 29 minutes, 16 seconds","Up For Discussion; U-Matic; 27 minutes, 22 seconds; 28 minutes, 2 seconds","Up For Discussion; U-Matic; 29 minutes, 12 seconds","With Good Reason; Audio Cassette Tapes; 18 Tapes","With Good Reason; Audio Cassette Tapes; 25 Tapes; 10 CDs","Auto Cassette Lectures; 7 Copies","Auto Cassette Lectures; 6 Copies","Auto Cassette Lectures","Auto Cassette Lectures","Auto Cassette Lectures","Auto Cassette Lectures; 1 minute, 39 seconds","Auto Cassette Lectures; 8 minutes","Auto Cassette Lectures","Auto Cassette Lectures; 3 minutes","Auto Cassette Lectures","Auto Cassette Lectures","Auto Cassette Lectures","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes; 2 Copies","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","John Burr; Betacam","Interviews; U-Matic; 6 minutes, 46 seconds","Interviews; U-matic","Interviews; U-Matic","Interviews; U-Matic S","Interviews; U-Matic; 10 minutes, 30 seconds","Interviews; U-Matic","Interviews; U-Matic; 13 minutes; Digitized June 2013","Interviews; VHS","Interviews; VHS; 7 minutes","Interviews; VHS; 6 minutes, 34 seconds","Interviews; VHS; 5 minutes, 48 seconds","Interviews; Betacam SP","Interviews; VHS","Interviews; VHS","Interviews; Audio Cassette Tapes; 4 Tapes, Gift of Jay Jarvis. Tape is described as a conversation between and Mason President Vergil Dykstra and members of the Alumni Association from 6/17/76. Tape is separated from reel at head of tape.","Interviews; Cassette Tape Hi8 Metal E","Interviews; Audio Cassette Tapes","Interviews; Audio Cassette Tapes","Interviews; Betacam","Interviews; Betacam","Interviews; Betacam","Interviews; Betacam","Interviews; Betacam","Interviews; Betacam","Interviews; Betacam","Interviews; Betacam","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape; Gift of Jay Jarvis. Tape is described as a conversation between and Mason President Vergil Dykstra and members of the Alumni Association from 6/17/76. Tape is separated from reel at head of tape.","Audio cassette; Compact DISC (CD)","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Cassette Tape Hi8 Metal E","Audio cassette; Cassette Tape Hi8 Metal E","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Cassette Tape Hi8 Metal E","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape; 8 minutes, 45 seconds","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape; 2 Tapes","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape; 3 Tapes","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape; 2 Tapes","Public Hearings; Pages","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","6 VHS videotape cassettes containing Sesno Reports (co-produced by WETA and GMU-TV) hosted by Frank Sesno: \"Target Washington\" (Taped: February 20, 2004; Dubbed May 11, 2004), \"Desperate for Dollars\" (Taped: April 20, 2004; Dubbed: May 11, 2004; TRT: 57:17), \"Cancer Cures?\" (February 10, 2005; TRT: 56:46), \"The Cost of War\" (September 28, 2004; TRT: 56:46), \"America Drinks\" (December 13, 2004; TRT: 56:46; Promotional Copy), \"Press One for English\" (June 3, 2004).","Series five contains material related to civil rights, minorities at George Mason University, Nicaragua and Explorer/Project Explorer.","Virginia Economic Bridge Initiative and Northern Virginia Initiative; U-Matic","Virginia Economic Bridge Initiative and Northern Virginia Initiative; U-Matic","Virginia Economic Bridge Initiative and Northern Virginia Initiative; U-Matic","Virginia Economic Bridge Initiative and Northern Virginia Initiative; U-Matic","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; Ampex 197","Virginia Economic Bridge Initiative and Northern Virginia Initiative; U-Matic","Virginia Economic Bridge Initiative and Northern Virginia Initiative; U-Matic","Virginia Economic Bridge Initiative and Northern Virginia Initiative; U-Matic; 30 minutes, 05 seconds","Virginia Economic Bridge Initiative and Northern Virginia Initiative; U-Matic","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Miscellaneous; U-Matic S","Miscellaneous; U-Matic S","Miscellaneous; VHS","Miscellaneous; VHS","Miscellaneous; VHS","Miscellaneous; Betacam SP","Miscellaneous; VHS; 30 minutes","Miscellaneous; VHS; 30 minutes","Miscellaneous; VHS","Miscellaneous; Betacam SP","Miscellaneous; U-Matic","Miscellaneous; U-Matic","Miscellaneous; VHS","Miscellaneous; U-Matic; Digitized June 2013; File on Scanstore","Miscellaneous; Betacam SP","Miscellaneous; M II","Miscellaneous; Betacam SP","Miscellaneous; VHS","Miscellaneous; VHS","Miscellaneous; VHS; 30 minutes","Miscellaneous; VHS","Miscellaneous; VHS; 13 minutes, 25 seconds","Nicaragua; Hi8 Metal-P-60HMPX","Nicaragua; Hi8 Metal-P-60HMPX","Nicaragua; Hi8 Metal-P-60HMPX","Nicaragua; Betacam","Nicaragua; VHS","Nicaragua; Betacam SP; 8 minutes to 9 minutes","Nicaragua; Betacam SP; 1 hour, 5 minutes to 2 hours, 2 minutes","Nicaragua; Betacam SP; 1 hour, 6 minutes, 3 seconds, 20 milliseconds","Nicaragua; Betacam SP","Nicaragua; Betacam SP","Nicaragua; Betacam; 2 hours to 3 hours, 11 minutes, 24 seconds","Nicaragua; Betacam SP","Nicaragua; Betacam","Nicaragua; Betacam SP","Nicaragua; Betacam SP","Nicaragua; Betacam SP; 1 hour, 6 minutes, 3 seconds, 20 milliseconds","Nicaragua; Betacam SP; 1 hour, 5 minutes to 2 hours, 2 minutes","Nicaragua; Betacam SP","Nicaragua; Betacam SP","Nicaragua; Betacam SP","Nicaragua; Betacam SP","Nicaragua; Betacam SP","Nicaragua; Betacam SP","Nicaragua; Betacam SP; 8 minutes to 9 minutes","Nicaragua; Betacam SP","Nicaragua; Betacam SP","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; VHS; 29 Minutes, 28 Seconds","Christopher Columbus Middle School, Union City, NJ; Print 6 pages","Christopher Columbus Middle School, Union City, NJ; VHS","Christopher Columbus Middle School, Union City, NJ; Reel","Christopher Columbus Middle School, Union City, NJ; Reel; 15 IPS","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Explorer; VHS","Explorer; VHS","Explorer; VHS","Explorer; VHS","Explorer; VHS","Explorer; VHS","Explorer; VHS","Explorer; VHS","Explorer; VHS","Explorer; VHS","Explorer; VHS","Explorer; Betacam","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Blank and Unmarked Media; 5 Betacam SP; 1 Betacam; 5 Audio cassette Tapes; 2 Slides; 1 VHS","Blank and Unmarked Media; 11 VHS; 3 Betacam SP","Civil Rights and Minorities; U-Matic; Digitized June 2013","Civil Rights and Minorities; VHS","Civil Rights and Minorities; VHS","Civil Rights and Minorities; VHS","Civil Rights and Minorities; VHS","Civil Rights and Minorities; U-Matic; 30 minutes; Digitized June 2013; File on Scanstone","Civil Rights and Minorities; Master Broadcast Video cassette","Civil Rights and Minorities; Ampex 197; Digitized June 2013; File on Scanstone","Civil Rights and Minorities; Audio Cassette Tape","Civil Rights and Minorities; Audio Cassette Tape","Civil Rights and Minorities; Audio Cassette Tape","Civil Rights and Minorities; Audio Cassette Tape","Civil Rights and Minorities; Audio Cassette Tape; 60 minutes on each tape; 2 Cassette Tapes","Large Items; Reel","Large Items; Reel","Large Items; Reel","Large Items; Reel","Large Items; Reel","Large Items; Reel","Large Items; Folder with papers in it","There are no restrictions on personal use. Permission to publish material from George Mason Audiovisual collection must be obtained from Special Collections and Archives, George Mason University Libraries.","The George Mason Audiovisual Collection includes over 850 audiovisual materials taken between 1950 and 2004. The collection includes material covering commencement, distance learning lectures and assignments, faculty meetings and material that addresses civil rights and minorities.","George Mason University. Libraries. Special Collections Research Center","George Mason University","English \n.    "],"unitid_tesim":["R0136","/repositories/2/resources/403"],"normalized_title_ssm":["George Mason University Audiovisual collection"],"collection_title_tesim":["George Mason University Audiovisual collection"],"collection_ssim":["George Mason University Audiovisual collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Fairfax County (Va.)","Fairfax (Va.)"],"geogname_ssim":["Fairfax County (Va.)","Fairfax (Va.)"],"creator_ssm":["George Mason University"],"creator_ssim":["George Mason University"],"creator_corpname_ssim":["George Mason University"],"creators_ssim":["George Mason University"],"places_ssim":["Fairfax County (Va.)","Fairfax (Va.)"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from George Mason Audiovisual collection must be obtained from Special Collections and Archives, George Mason University Libraries."],"access_subjects_ssim":["Education -- Virginia","Education, Higher","Education, Higher -- Virginia","Video recordings","Sound recordings"],"access_subjects_ssm":["Education -- Virginia","Education, Higher","Education, Higher -- Virginia","Video recordings","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["48 Linear Feet (59 boxes)","(59 boxes)"],"extent_tesim":["48 Linear Feet (59 boxes)","(59 boxes)"],"genreform_ssim":["Video recordings","Sound recordings"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions on the physical items. There are access restrictions on listening to or viewing the contents since Special Collections and Archives does have the playback equipment for all of the formats.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions on the physical items. There are access restrictions on listening to or viewing the contents since Special Collections and Archives does have the playback equipment for all of the formats."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into five series\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: George Mason University Governance, 1964-2004 (Boxes 1-7, 10-11, 18-19, 45)\u003c/item\u003e\n      \u003citem\u003eSeries 2: George Mason Events, 1964-2005 (Boxes 8-9, 24-26, 33, 46, 47, 55)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Distance Learning, 1950-1990s (Boxes 27-28, 34-39, 40-41, 53-54)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Discussions and Radio Programs, 1976-2003 (Boxes 14-16, 31-32, 42-43, 48, 50-52, 59)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Miscellaneous, 1982-2004 (Boxes 12-13, 17, 20-23, 29-30, 44, 49, 55-58)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into five series","Missing Title Series 1: George Mason University Governance, 1964-2004 (Boxes 1-7, 10-11, 18-19, 45) Series 2: George Mason Events, 1964-2005 (Boxes 8-9, 24-26, 33, 46, 47, 55) Series 3: Distance Learning, 1950-1990s (Boxes 27-28, 34-39, 40-41, 53-54) Series 4: Discussions and Radio Programs, 1976-2003 (Boxes 14-16, 31-32, 42-43, 48, 50-52, 59) Series 5: Miscellaneous, 1982-2004 (Boxes 12-13, 17, 20-23, 29-30, 44, 49, 55-58)"],"bioghist_html_tesm":["\u003cp\u003e\u003cextptr show=\"new\" title=\"For historical information about the university, see the George Mason University online history exhibit.\" href=\"https://masonlibraries.org/masonhistory/\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":[""],"prefercite_html_tesm":["\u003cp\u003eGeorge Mason Audiovisual Collection, R0136, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["George Mason Audiovisual Collection, R0136, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Elizabeth Wycoff in July 2015. EAD markup completed by Elizabeth Beckman in August 2015.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Elizabeth Wycoff in July 2015. EAD markup completed by Elizabeth Beckman in August 2015."],"relatedmaterial_html_tesm":["\u003cp\u003eGeorge Mason University's Special Collections and Archives holds the archival records from George Mason University.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["George Mason University's Special Collections and Archives holds the archival records from George Mason University."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains five series of audiovisual items covering a variety of topics pertaining to George Mason University from the 1950s onward with the bulk of the collection falling within the 1970s to the 1990s. Most of the material is in the form of VHS with a noticeable amount in the formats of U-Matic, Betacam and audio cassettes.\u003c/p\u003e\n","\u003cp\u003eSeries 1 consists of 167 items, dated from 1964-2004 and primarily consisting of VHS videotapes, audiotape cassettes and U-Matic videotapes. The subject of the material focuses on the governing and running of George Mason University which includes faculty meetings, inaugural events, human resources material, Mason Reports, footage of the campus, and philosophy of the school and promotional material of the university.\u003c/p\u003e\n","\u003cp\u003eSeries 2 comprises 134 items, primarily VHS videotapes and U-Matic videotapes, dated from 1964-2005 with the bulk of the material dated in the 1990s. The overall concentration for series 2 is events pertaining to George Mason University including commencement, Art Gala, ground breaking of George Mason Buildings and campuses and panels on campus.\u003c/p\u003e\n","\u003cp\u003eSeries 3 encompass 238 items, largely in the VHS and Betacam videptape formats, dated from the 1950s to the 1990s with a focus on the 1990s. The focal theme pertains to distance learning, a large portion of this section containing lectures of George Mason Staff, projects/assignments of students and New Century College material.\u003c/p\u003e\n","\u003cp\u003eSeries 4 includes 193 items, principally in the formats of Betacam and U-Matic videotapes and audiotape cassettes with the material dated between 1976-2003. This series consists of material related to discussions and radio programs that George Mason Staff or Students participated in which include 'Up for Discussion', CCHENV public hearing, GMU Rendezvous Programs and WPRW Programs.\u003c/p\u003e\n","\u003cp\u003eSeries 5 contains 125 items primarily in VHS videotape and open reel formats dating from 1982-2004. This is chiefly a miscellaneous series consisting of several groupings of unrelated material. The subjects in this series are: Civil Rights and minorities at George Mason University, blank/unlabeled material, Explorer/Project Explorer and Nicaragua.\u003c/p\u003e","\u003cp\u003eSeries 1 concentrates on material related to the management of George Mason University such as faculty meetings, material from the Human Resources department, Mason Report and footage of the campus.\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic; 9 minutes, 9 seconds\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic; 60 minutes, 22 seconds\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic; 34 minutes, 27 seconds\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic; 3 minutes, 58 seconds\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS; 2 Copies\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS; 7 minutes, 20 seconds\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Betacam SP; 6 minutes, 5 seconds\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS; 6 minutes, 5 seconds\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS; 6 minutes, 5 seconds\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS; On Reagan and White House\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; 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U-Matic\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic; 9 minutes, 19 seconds; Bars, crowd reaction, Rev billy Wertz\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS; 22 minutes, 31 seconds\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic S; 12 minutes\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic; Digitized June 2013\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic; Digitized June 2013\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic; Digitized June 2013\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic; Digitized June 2013\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic; Digitized June 2013\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Betacam; 11 minutes\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic; Digitized June 2013\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic S; 11 minutes, 6 seconds\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic; 22 minutes, 34 seconds; Bars, crowd reaction, Rev. Billy; Rev Billy Wertz; Air Band intro, 1st act - risque; 2nd act - CG crew, MC's converse; 3rd act - CO2\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS; 22 minutes, 34 seconds\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Betacam SP\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS; 3 minutes, 54 seconds\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; 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Cassette Tape Hi8 Metal E\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Audio Cassette Tape; 3 copies\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; 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VHS\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS; 22 minutes, 50 seconds\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; U-Matic\u003c/p\u003e","\u003cp\u003eGeorge Mason University History, Faculty and Campus; VHS\u003c/p\u003e","\u003cp\u003eAdmissions and Public Relations; Media 5 Tape\u003c/p\u003e","\u003cp\u003eAdmissions and Public Relations; U-Matic; ~33 minutes\u003c/p\u003e","\u003cp\u003eAdmissions and Public Relations; U-Matic\u003c/p\u003e","\u003cp\u003eAdmissions and Public Relations; U-Matic; 3 minutes; 45 seconds\u003c/p\u003e","\u003cp\u003eAdmissions and Public Relations; U-Matic; 15 minutes\u003c/p\u003e","\u003cp\u003eAdmissions and Public Relations; 7\" Reel to Reel\u003c/p\u003e","\u003cp\u003eAdmissions and Public Relations; VHS\u003c/p\u003e","\u003cp\u003eAdmissions and Public Relations; L-250 Scotch Video cassette Beta\u003c/p\u003e","\u003cp\u003eAdmissions and Public Relations; L-250 Scotch Video cassette Beta\u003c/p\u003e","\u003cp\u003eAdmissions and Public Relations; U-Matic; 7 minutes, 40 seconds\u003c/p\u003e","\u003cp\u003eAdmissions and Public Relations; U-Matic\u003c/p\u003e","\u003cp\u003eAdmissions and Public Relations; U-Matic\u003c/p\u003e","\u003cp\u003eAdmissions and Public Relations; U-Matic\u003c/p\u003e","\u003cp\u003eAdmissions and Public Relations; VHS\u003c/p\u003e","\u003cp\u003eHuman Resources; VHS; 8 minutes; 41 seconds\u003c/p\u003e","\u003cp\u003eHuman Resources; VHS; 11 minutes\u003c/p\u003e","\u003cp\u003eHuman Resources; Betacam SP\u003c/p\u003e","\u003cp\u003eHuman Resources; Betacam SP\u003c/p\u003e","\u003cp\u003eHuman Resources; Betacam SP\u003c/p\u003e","\u003cp\u003eHuman Resources; U-Matic; 8 minutes; 41 seconds\u003c/p\u003e","\u003cp\u003eHuman Resources; Betacam\u003c/p\u003e","\u003cp\u003eHuman Resources; Betacam; 9 minutes; 43 seconds; 02 milliseconds\u003c/p\u003e","\u003cp\u003eHuman Resources; Betacam SP\u003c/p\u003e","\u003cp\u003eHuman Resources; Betacam SP\u003c/p\u003e","\u003cp\u003eHuman Resources; Betacam SP\u003c/p\u003e","\u003cp\u003eHuman Resources; Betacam\u003c/p\u003e","\u003cp\u003eMason Reports; Betacam; 2 copies\u003c/p\u003e","\u003cp\u003eMason Reports; Betacam SP\u003c/p\u003e","\u003cp\u003eMason Reports; VHS; 29 minutes, 20 seconds\u003c/p\u003e","\u003cp\u003eMason Reports; VHS\u003c/p\u003e","\u003cp\u003eMason Reports; Betacam SP\u003c/p\u003e","\u003cp\u003eMason Reports; Betacam\u003c/p\u003e","\u003cp\u003eMason Reports; VHS; X3.1842\u003c/p\u003e","\u003cp\u003eMason Reports; U-Matic; 57 minutes, 30 seconds\u003c/p\u003e","\u003cp\u003eSeries 2 contains material pertaining to events on George Mason campus such as Art Galas, commencement and ground breakings.\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; 7\" Reel to Reel; In folder with Two Reels\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; Stenorette magnetic Recording Tape\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; 7\" Reel to Reel; Left channel only; mono; 1 7/8\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; 7\" Reel to Reel; 1 7/8 I.P.S, left channel only\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; 7\" Reel to Reel; Mono, Left Channel only; Also includes program\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; 7\" Reel to Reel; 3 3/4 I.P.S, left channel only; mono\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; 7\" Reel to Reel 3 3/4 I.P.S Right Channel Only\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; 7\" Reel to Reel; Mono, Left Channel only; 1 Sided only\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; 7\" Reel to Reel; 3 3/4 i.p.s\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; VHS\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; VHS\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; VHS\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; VHS\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; Auto Cassette Tape\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; VHS\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; VHS\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; VHS; 1 hour; 15 minutes; 43 seconds\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; VHS\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; VHS; 1 hour, 20 minutes; 58 seconds\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; VHS\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; VHS\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; VHS\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; VHS\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; DVD\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; VHS\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; VHS\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; VHS\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; VHS\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; Betamax\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; Betamax\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; 7\" Reel to Reel; 1 7/8 I.P.S\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; 7\" Reel to Reel; 3 3/4 I.P.S\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; U-Matic\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; U-Matic\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; U-Matic\u003c/p\u003e","\u003cp\u003eCommencement and Campus Events; U-Matic\u003c/p\u003e","\u003cp\u003eArt Gala; VHS\u003c/p\u003e","\u003cp\u003eArt Gala; VHS; 2 Copies\u003c/p\u003e","\u003cp\u003eArt Gala; VHS\u003c/p\u003e","\u003cp\u003eArt Gala; VHS; 2 Copies\u003c/p\u003e","\u003cp\u003eArt Gala; VHS\u003c/p\u003e","\u003cp\u003eArt Gala; VHS; 2 Copies\u003c/p\u003e","\u003cp\u003eArt Gala; VHS; 2 Copies\u003c/p\u003e","\u003cp\u003eArt Gala; VHS; 2 Copies\u003c/p\u003e","\u003cp\u003eArt Gala; VHS\u003c/p\u003e","\u003cp\u003eArt Gala; VHS\u003c/p\u003e","\u003cp\u003eArt Gala; VHS\u003c/p\u003e","\u003cp\u003eArt Gala; VHS\u003c/p\u003e","\u003cp\u003eArt Gala; VHS; Produced by Steve O'Leary for GMU\u003c/p\u003e","\u003cp\u003eArt Gala; VHS\u003c/p\u003e","\u003cp\u003eArt Gala; VHS\u003c/p\u003e","\u003cp\u003eArt Gala; VHS\u003c/p\u003e","\u003cp\u003eArt Gala; VHS\u003c/p\u003e","\u003cp\u003eArt Gala; VHS\u003c/p\u003e","\u003cp\u003eArt Gala; VHS\u003c/p\u003e","\u003cp\u003eArt Gala; VHS\u003c/p\u003e","\u003cp\u003eArt Gala; VHS\u003c/p\u003e","\u003cp\u003eArt Gala; VHS\u003c/p\u003e","\u003cp\u003eArt Gala; VHS\u003c/p\u003e","\u003cp\u003eArt Gala; VHS\u003c/p\u003e","\u003cp\u003eArt Gala; U-Matic; 2 Copies\u003c/p\u003e","\u003cp\u003eArt Gala; U-Matic; Digitized June 2013\u003c/p\u003e","\u003cp\u003eArt Gala; U-Matic; Digitized June 2013\u003c/p\u003e","\u003cp\u003eCampus Events and Dedications; VHS\u003c/p\u003e","\u003cp\u003eCampus Events and Dedications; VHS\u003c/p\u003e","\u003cp\u003eCampus Events and Dedications; VHS\u003c/p\u003e","\u003cp\u003eCampus Events and Dedications; VHS\u003c/p\u003e","\u003cp\u003eCampus Events and Dedications; VHS\u003c/p\u003e","\u003cp\u003eCampus Events and Dedications; 4 minutes, 45 seconds\u003c/p\u003e","\u003cp\u003eCampus Events and Dedications; VHS\u003c/p\u003e","\u003cp\u003eCampus Events and Dedications; VHS\u003c/p\u003e","\u003cp\u003eCampus Events and Dedications; 7\" Reel to Reel\u003c/p\u003e","\u003cp\u003eCampus Events and Dedications; Reel\u003c/p\u003e","\u003cp\u003eCampus Events and Dedications; 12 minutes\u003c/p\u003e","\u003cp\u003eCampus Events and Dedications; VHS\u003c/p\u003e","\u003cp\u003eCampus Events and Dedications; Reel to Reel\u003c/p\u003e","\u003cp\u003eCampus Events and Dedications; Betamax\u003c/p\u003e","\u003cp\u003eCampus Events and Dedications; Betacam SP\u003c/p\u003e","\u003cp\u003eCampus Events and Dedications; 7\" Reel to Reel\u003c/p\u003e","\u003cp\u003eGeorge Mason Promotional/Digital Events; U-Matic\u003c/p\u003e","\u003cp\u003eGeorge Mason Promotional/Digital Events; U-Matic; 29 minutes, 33 seconds\u003c/p\u003e","\u003cp\u003eGeorge Mason Promotional/Digital Events; U-Matic\u003c/p\u003e","\u003cp\u003eGeorge Mason Promotional/Digital Events; VHS\u003c/p\u003e","\u003cp\u003eGeorge Mason Promotional/Digital Events; U-Matic\u003c/p\u003e","\u003cp\u003eGeorge Mason Promotional/Digital Events; U-Matic\u003c/p\u003e","\u003cp\u003eGovernment; VHS; 3 Copies\u003c/p\u003e","\u003cp\u003eGovernment; U-Matic\u003c/p\u003e","\u003cp\u003eGovernment; U-Matic\u003c/p\u003e","\u003cp\u003eGovernment; U-Matic\u003c/p\u003e","\u003cp\u003eGovernment; VHS; 3 Copies\u003c/p\u003e","\u003cp\u003eGovernment; VHS; 3 Copies\u003c/p\u003e","\u003cp\u003eGovernment; VHS; 3 Copies\u003c/p\u003e","\u003cp\u003eGovernment; U-Matic; 9 minutes, 15 seconds\u003c/p\u003e","\u003cp\u003eGovernment; VHS\u003c/p\u003e","\u003cp\u003eGovernment; Betacam; 1 hour\u003c/p\u003e","\u003cp\u003eGovernment; U-Matic; 28 minutes, 46 seconds\u003c/p\u003e","\u003cp\u003eNobel Peace Prize; VHS\u003c/p\u003e","\u003cp\u003eNobel Peace Prize; VHS\u003c/p\u003e","\u003cp\u003eNobel Peace Prize; U-Matic\u003c/p\u003e","\u003cp\u003eNobel Peace Prize; U-Matic\u003c/p\u003e","\u003cp\u003eBell Atlantic; VHS; 7 minutes, 4 seconds\u003c/p\u003e","\u003cp\u003eBell Atlantic; Betacam SP; 6 minutes, 45 seconds\u003c/p\u003e","\u003cp\u003eBell Atlantic; VHS; 4 minutes, 2 seconds\u003c/p\u003e","\u003cp\u003eBell Atlantic; Betacam SP\u003c/p\u003e","\u003cp\u003eBell Atlantic; Betacam SP; 7 minutes, 34 seconds; 8 minutes, 34 seconds\u003c/p\u003e","\u003cp\u003eJohn Burr; Betacam\u003c/p\u003e","\u003cp\u003eJohn Burr; Betacam\u003c/p\u003e","\u003cp\u003eArt/ Graphics; U-Matic; 13 minutes\u003c/p\u003e","\u003cp\u003eArt/ Graphics; U-Matic\u003c/p\u003e","\u003cp\u003eArt/ Graphics; U-Matic\u003c/p\u003e","\u003cp\u003eArt/ Graphics; VHS; 30 minutes\u003c/p\u003e","\u003cp\u003eArt/ Graphics; Betacam\u003c/p\u003e","\u003cp\u003eArt/ Graphics; VHS\u003c/p\u003e","\u003cp\u003eArt/ Graphics; Betacam\u003c/p\u003e","\u003cp\u003eArt/ Graphics; Betacam\u003c/p\u003e","\u003cp\u003eArt/ Graphics; VHS; 7 minutes, 42 seconds\u003c/p\u003e","\u003cp\u003eSeries three consists of material related distance learning lectures and distance student assignments.\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic; Fourth and last lecture in Disciplinary Trespassing. With introduction and then Tom Burns lecture titled - Bringing economics down to Earth: Non-immaculate conceptions of the market. There are four tapes - two of the audience and two of Burns. Includes a Q and A session\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic; Fourth and last lecture in Disciplinary Trespassing. With introduction and then Tom Burns lecture titled - Bringing economics down to Earth: Non-immaculate conceptions of the market. There are four tapes - two of the audience and two of Burns. Includes a Q and A session\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic; Fourth and last lecture in Disciplinary Trespassing. With introduction and then Tom Burns lecture titled - Bringing economics down to Earth: Non-immaculate conceptions of the market. There are four tapes - two of the audience and two of Burns. Includes a Q and A session\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic; Fourth and last lecture in Disciplinary Trespassing. With introduction and then Tom Burns lecture titled - Bringing economics down to Earth: Non-immaculate conceptions of the market. There are four tapes - two of the audience and two of Burns. Includes a Q and A session\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic; 29 minutes, 51 seconds\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic; 35 Minutes, 9 seconds\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic; 60 minutes, 2 seconds\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic; 57 minutes, 54 seconds\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic; 50 minutes\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic; 20 minutes, 20 seconds\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic; 57 minutes, 30 seconds\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic; 60 minutes, 57 seconds\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic; 50 minutes; 50 seconds\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic; 40 minutes; 29 seconds\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic; 47 minutes; Class Project - a paper is read off of a computer screen followed by a class critique\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic; 57 minutes, 56 seconds\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; Audio Cassette Tapes; 2 Copies\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; Audio Cassette Tapes; 2 Copies\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic; 4 copies\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic; 4 minutes, 16 seconds\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; U-Matic\u003c/p\u003e","\u003cp\u003eDistance Learning Lecture Series; 7\" Reel to Reel; 3 3/4 IPS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP; 30 minutes\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP; Approx. 24 minutes left\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP; 13 minutes, 59 seconds\u003c/p\u003e","\u003cp\u003eDistance Learning Series; 7\" Reel to Reel; 1 hour, 30 minutes\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; U-Matic; 56 minutes, 30 seconds\u003c/p\u003e","\u003cp\u003eDistance Learning Series; U-Matic\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam; 13 minutes, 17 seconds\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Reel; 15IPS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP; 52 minutes, 8 seconds\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP; Approx. 34 minutes left\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam SP\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Data Cartridge\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Cassette Tape Hi8 Metal E; Par 1 hour, 46 minutes\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Cassette Tape Hi8 Metal E\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Cassette Tape Hi8 Metal E\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Cassette Tape Hi8 Metal E\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Cassette Tape Hi8 Metal E\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Cassette Tape Hi8 Metal E\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Cassette Tape Hi8 Metal E\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Cassette Tape Hi8 Metal E\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Cassette Tape Hi8 Metal E\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Cassette Tape Hi8 Metal E\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Hi8 Metal-P-60HMPX\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Hi8 Metal-P-60HMPX\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Cassette Tape Hi8 Metal E\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Cassette Tape Hi8 Metal E\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Cassette Tape Hi8 Metal E\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS; 28 minutes, 35 seconds\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS; 21 minutes, 29 seconds\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS; Approx. 10 minutes\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS; Approx. 10 minutes\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS; 2 hours, 22 minutes\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS; 56 minutes, 51 seconds\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam\u003c/p\u003e","\u003cp\u003eDistance Learning Series; Betacam\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003eDistance Learning Series; VHS\u003c/p\u003e","\u003cp\u003ePeople; Betacam\u003c/p\u003e","\u003cp\u003ePeople; U-Matic S\u003c/p\u003e","\u003cp\u003ePeople; U-Matic; 5 minutes, 25 seconds\u003c/p\u003e","\u003cp\u003ePeople; U-Matic\u003c/p\u003e","\u003cp\u003ePeople; U-Matic\u003c/p\u003e","\u003cp\u003ePeople; U-Matic; 30 minutes; Digitized June 2013\u003c/p\u003e","\u003cp\u003ePeople; Betacam\u003c/p\u003e","\u003cp\u003ePeople; Betacam\u003c/p\u003e","\u003cp\u003ePeople; Betacam\u003c/p\u003e","\u003cp\u003ePeople; Betacam\u003c/p\u003e","\u003cp\u003ePeople; Betacam\u003c/p\u003e","\u003cp\u003ePeople; Betacam\u003c/p\u003e","\u003cp\u003ePeople; Betacam\u003c/p\u003e","\u003cp\u003ePeople; VHS\u003c/p\u003e","\u003cp\u003ePeople; VHS\u003c/p\u003e","\u003cp\u003ePeople; VHS\u003c/p\u003e","\u003cp\u003ePeople; VHS; 38 minutes\u003c/p\u003e","\u003cp\u003ePeople; VHS\u003c/p\u003e","\u003cp\u003ePeople; VHS\u003c/p\u003e","\u003cp\u003ePeople; VHS\u003c/p\u003e","\u003cp\u003ePeople; VHS\u003c/p\u003e","\u003cp\u003ePeople; VHS\u003c/p\u003e","\u003cp\u003ePeople; VHS; 1 minute, 30 seconds\u003c/p\u003e","\u003cp\u003ePeople; Betacam\u003c/p\u003e","\u003cp\u003ePeople; CompacTape\u003c/p\u003e","\u003cp\u003ePeople; CompacTape\u003c/p\u003e","\u003cp\u003ePeople; CompacTape\u003c/p\u003e","\u003cp\u003ePeople; CompacTape\u003c/p\u003e","\u003cp\u003ePeople; CompacTape\u003c/p\u003e","\u003cp\u003ePeople; CompacTape\u003c/p\u003e","\u003cp\u003ePeople; CompacTape\u003c/p\u003e","\u003cp\u003ePeople; CompacTape\u003c/p\u003e","\u003cp\u003ePeople; CompacTape\u003c/p\u003e","\u003cp\u003ePeople; CompacTape\u003c/p\u003e","\u003cp\u003ePeople; CompacTape\u003c/p\u003e","\u003cp\u003ePeople; CompacTape\u003c/p\u003e","\u003cp\u003ePeople; CompacTape\u003c/p\u003e","\u003cp\u003ePeople; CompacTape\u003c/p\u003e","\u003cp\u003eNew Century College CompacTape\u003c/p\u003e","\u003cp\u003eNew Century College; 7.5 IPS\u003c/p\u003e","\u003cp\u003eNew Century College; 7.5 IPS\u003c/p\u003e","\u003cp\u003eNew Century College; 7.5 IPS\u003c/p\u003e","\u003cp\u003eNew Century College; Fuji Hi8 ME\u003c/p\u003e","\u003cp\u003eNew Century College; Cassette Tape Hi8 Metal E\u003c/p\u003e","\u003cp\u003eNew Century College; Betacam\u003c/p\u003e","\u003cp\u003eNew Century College; VHS\u003c/p\u003e","\u003cp\u003eNew Century College; Betacam SP\u003c/p\u003e","\u003cp\u003eNew Century College; Betacam; 31 minutes\u003c/p\u003e","\u003cp\u003eNew Century College; Betacam; 36 minutes\u003c/p\u003e","\u003cp\u003eNew Century College; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eNew Century College; CompacTape\u003c/p\u003e","\u003cp\u003eNew Century College; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eNew Century College; VHS\u003c/p\u003e","\u003cp\u003eNew Century College; VHS; 7 minutes, 29 seconds\u003c/p\u003e","\u003cp\u003eNew Century College; Betacam\u003c/p\u003e","\u003cp\u003eNew Century College; VHS\u003c/p\u003e","\u003cp\u003eNew Century College; VHS\u003c/p\u003e","\u003cp\u003eNew Century College; VHS; 6 minutes, 30 seconds\u003c/p\u003e","\u003cp\u003eMaterial in series four pertains to radio programs and discussions that George Mason University staff, faculty and students participate in.\u003c/p\u003e","\u003cp\u003eUp For Discussion; U-Matic; 30 Minutes\u003c/p\u003e","\u003cp\u003eUp For Discussion; U-Matic; 28 minutes, 20 seconds\u003c/p\u003e","\u003cp\u003eUp For Discussion; U-Matic; 30 Minutes\u003c/p\u003e","\u003cp\u003eUp For Discussion; U-Matic; 28 minutes,56 seconds; 29 minutes 47 seconds\u003c/p\u003e","\u003cp\u003eUp For Discussion; U-Matic; 28 minutes, 44 seconds; 28 minutes, 41 seconds\u003c/p\u003e","\u003cp\u003eUp For Discussion; U-Matic; 28 minutes, 26 seconds; 29 minutes, 33 seconds\u003c/p\u003e","\u003cp\u003eUp For Discussion; U-Matic; 29 minutes, 13 seconds; 28 minutes, 40 seconds\u003c/p\u003e","\u003cp\u003eUp For Discussions: U-Matic KCA-60K Video Cassette\u003c/p\u003e","\u003cp\u003eUp For Discussions; VHS\u003c/p\u003e","\u003cp\u003eUp For Discussions; VHS\u003c/p\u003e","\u003cp\u003eUp For Discussions; VHS\u003c/p\u003e","\u003cp\u003eUp For Discussions; VHS\u003c/p\u003e","\u003cp\u003eUp For Discussions; VHS\u003c/p\u003e","\u003cp\u003eUp For Discussions; VHS\u003c/p\u003e","\u003cp\u003eUp For Discussion; U-Matic; 29 minutes, 22 seconds; 29 minutes, 55 seconds\u003c/p\u003e","\u003cp\u003eUp For Discussion; U-Matic; 29 minutes; 29 minutes, 20 seconds\u003c/p\u003e","\u003cp\u003eUp For Discussions; Betacam SP\u003c/p\u003e","\u003cp\u003eUp For Discussions; Betacam SP\u003c/p\u003e","\u003cp\u003eUp For Discussions; Betacam SP\u003c/p\u003e","\u003cp\u003eUp For Discussions; Betacam SP\u003c/p\u003e","\u003cp\u003eUp For Discussions; Betacam SP\u003c/p\u003e","\u003cp\u003eUp For Discussions; Betacam SP\u003c/p\u003e","\u003cp\u003eUp For Discussions; Betacam SP\u003c/p\u003e","\u003cp\u003eUp For Discussions; Betacam SP\u003c/p\u003e","\u003cp\u003eUp For Discussions; Betacam SP\u003c/p\u003e","\u003cp\u003eUp For Discussion; U-Matic; 29 minutes, 45 seconds\u003c/p\u003e","\u003cp\u003eUp For Discussion; U-Matic; 29 minutes, 20 seconds; 28 minutes, 45 seconds\u003c/p\u003e","\u003cp\u003eUp For Discussion; U-Matic; 39 minutes, 30 seconds\u003c/p\u003e","\u003cp\u003eUp For Discussion; U-Matic; 28 minutes; 29 minutes, 16 seconds\u003c/p\u003e","\u003cp\u003eUp For Discussion; U-Matic; 27 minutes, 22 seconds; 28 minutes, 2 seconds\u003c/p\u003e","\u003cp\u003eUp For Discussion; U-Matic; 29 minutes, 12 seconds\u003c/p\u003e","\u003cp\u003eWith Good Reason; Audio Cassette Tapes; 18 Tapes\u003c/p\u003e","\u003cp\u003eWith Good Reason; Audio Cassette Tapes; 25 Tapes; 10 CDs\u003c/p\u003e","\u003cp\u003eAuto Cassette Lectures; 7 Copies\u003c/p\u003e","\u003cp\u003eAuto Cassette Lectures; 6 Copies\u003c/p\u003e","\u003cp\u003eAuto Cassette Lectures\u003c/p\u003e","\u003cp\u003eAuto Cassette Lectures\u003c/p\u003e","\u003cp\u003eAuto Cassette Lectures\u003c/p\u003e","\u003cp\u003eAuto Cassette Lectures; 1 minute, 39 seconds\u003c/p\u003e","\u003cp\u003eAuto Cassette Lectures; 8 minutes\u003c/p\u003e","\u003cp\u003eAuto Cassette Lectures\u003c/p\u003e","\u003cp\u003eAuto Cassette Lectures; 3 minutes\u003c/p\u003e","\u003cp\u003eAuto Cassette Lectures\u003c/p\u003e","\u003cp\u003eAuto Cassette Lectures\u003c/p\u003e","\u003cp\u003eAuto Cassette Lectures\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes; 2 Copies\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eRadio Programs; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eJohn Burr; Betacam\u003c/p\u003e","\u003cp\u003eInterviews; U-Matic; 6 minutes, 46 seconds\u003c/p\u003e","\u003cp\u003eInterviews; U-matic\u003c/p\u003e","\u003cp\u003eInterviews; U-Matic\u003c/p\u003e","\u003cp\u003eInterviews; U-Matic S\u003c/p\u003e","\u003cp\u003eInterviews; U-Matic; 10 minutes, 30 seconds\u003c/p\u003e","\u003cp\u003eInterviews; U-Matic\u003c/p\u003e","\u003cp\u003eInterviews; U-Matic; 13 minutes; Digitized June 2013\u003c/p\u003e","\u003cp\u003eInterviews; VHS\u003c/p\u003e","\u003cp\u003eInterviews; VHS; 7 minutes\u003c/p\u003e","\u003cp\u003eInterviews; VHS; 6 minutes, 34 seconds\u003c/p\u003e","\u003cp\u003eInterviews; VHS; 5 minutes, 48 seconds\u003c/p\u003e","\u003cp\u003eInterviews; Betacam SP\u003c/p\u003e","\u003cp\u003eInterviews; VHS\u003c/p\u003e","\u003cp\u003eInterviews; VHS\u003c/p\u003e","\u003cp\u003eInterviews; Audio Cassette Tapes; 4 Tapes, Gift of Jay Jarvis. Tape is described as a conversation between and Mason President Vergil Dykstra and members of the Alumni Association from 6/17/76. Tape is separated from reel at head of tape.\u003c/p\u003e","\u003cp\u003eInterviews; Cassette Tape Hi8 Metal E\u003c/p\u003e","\u003cp\u003eInterviews; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eInterviews; Audio Cassette Tapes\u003c/p\u003e","\u003cp\u003eInterviews; Betacam\u003c/p\u003e","\u003cp\u003eInterviews; Betacam\u003c/p\u003e","\u003cp\u003eInterviews; Betacam\u003c/p\u003e","\u003cp\u003eInterviews; Betacam\u003c/p\u003e","\u003cp\u003eInterviews; Betacam\u003c/p\u003e","\u003cp\u003eInterviews; Betacam\u003c/p\u003e","\u003cp\u003eInterviews; Betacam\u003c/p\u003e","\u003cp\u003eInterviews; Betacam\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape; Gift of Jay Jarvis. Tape is described as a conversation between and Mason President Vergil Dykstra and members of the Alumni Association from 6/17/76. Tape is separated from reel at head of tape.\u003c/p\u003e","\u003cp\u003eAudio cassette; Compact DISC (CD)\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Cassette Tape Hi8 Metal E\u003c/p\u003e","\u003cp\u003eAudio cassette; Cassette Tape Hi8 Metal E\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Cassette Tape Hi8 Metal E\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape; 8 minutes, 45 seconds\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape; 2 Tapes\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape; 3 Tapes\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape\u003c/p\u003e","\u003cp\u003eAudio cassette; Audio Cassette Tape; 2 Tapes\u003c/p\u003e","\u003cp\u003ePublic Hearings; Pages\u003c/p\u003e","\u003cp\u003ePublic Hearings; 7\" Reel To Reel\u003c/p\u003e","\u003cp\u003ePublic Hearings; 7\" Reel To Reel\u003c/p\u003e","\u003cp\u003ePublic Hearings; 7\" Reel To Reel\u003c/p\u003e","\u003cp\u003ePublic Hearings; 7\" Reel To Reel\u003c/p\u003e","\u003cp\u003ePublic Hearings; 7\" Reel To Reel\u003c/p\u003e","\u003cp\u003ePublic Hearings; 7\" Reel To Reel\u003c/p\u003e","\u003cp\u003ePublic Hearings; 7\" Reel To Reel\u003c/p\u003e","\u003cp\u003ePublic Hearings; 7\" Reel To Reel\u003c/p\u003e","\u003cp\u003ePublic Hearings; 7\" Reel To Reel\u003c/p\u003e","\u003cp\u003ePublic Hearings; 7\" Reel To Reel\u003c/p\u003e","\u003cp\u003ePublic Hearings; 7\" Reel To Reel\u003c/p\u003e","\u003cp\u003ePublic Hearings; 7\" Reel To Reel\u003c/p\u003e","\u003cp\u003ePublic Hearings; 7\" Reel To Reel\u003c/p\u003e","\u003cp\u003ePublic Hearings; 7\" Reel To Reel\u003c/p\u003e","\u003cp\u003ePublic Hearings; 7\" Reel To Reel\u003c/p\u003e","\u003cp\u003ePublic Hearings; 7\" Reel To Reel\u003c/p\u003e","\u003cp\u003ePublic Hearings; 7\" Reel To Reel\u003c/p\u003e","\u003cp\u003e6 VHS videotape cassettes containing Sesno Reports (co-produced by WETA and GMU-TV) hosted by Frank Sesno: \"Target Washington\" (Taped: February 20, 2004; Dubbed May 11, 2004), \"Desperate for Dollars\" (Taped: April 20, 2004; Dubbed: May 11, 2004; TRT: 57:17), \"Cancer Cures?\" (February 10, 2005; TRT: 56:46), \"The Cost of War\" (September 28, 2004; TRT: 56:46), \"America Drinks\" (December 13, 2004; TRT: 56:46; Promotional Copy), \"Press One for English\" (June 3, 2004).\u003c/p\u003e","\u003cp\u003eSeries five contains material related to civil rights, minorities at George Mason University, Nicaragua and Explorer/Project Explorer.\u003c/p\u003e","\u003cp\u003eVirginia Economic Bridge Initiative and Northern Virginia Initiative; U-Matic\u003c/p\u003e","\u003cp\u003eVirginia Economic Bridge Initiative and Northern Virginia Initiative; U-Matic\u003c/p\u003e","\u003cp\u003eVirginia Economic Bridge Initiative and Northern Virginia Initiative; U-Matic\u003c/p\u003e","\u003cp\u003eVirginia Economic Bridge Initiative and Northern Virginia Initiative; U-Matic\u003c/p\u003e","\u003cp\u003eVirginia Economic Bridge Initiative and Northern Virginia Initiative; VHS\u003c/p\u003e","\u003cp\u003eVirginia Economic Bridge Initiative and Northern Virginia Initiative; VHS\u003c/p\u003e","\u003cp\u003eVirginia Economic Bridge Initiative and Northern Virginia Initiative; VHS\u003c/p\u003e","\u003cp\u003eVirginia Economic Bridge Initiative and Northern Virginia Initiative; VHS\u003c/p\u003e","\u003cp\u003eVirginia Economic Bridge Initiative and Northern Virginia Initiative; VHS\u003c/p\u003e","\u003cp\u003eVirginia Economic 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["This collection contains five series of audiovisual items covering a variety of topics pertaining to George Mason University from the 1950s onward with the bulk of the collection falling within the 1970s to the 1990s. Most of the material is in the form of VHS with a noticeable amount in the formats of U-Matic, Betacam and audio cassettes.","Series 1 consists of 167 items, dated from 1964-2004 and primarily consisting of VHS videotapes, audiotape cassettes and U-Matic videotapes. The subject of the material focuses on the governing and running of George Mason University which includes faculty meetings, inaugural events, human resources material, Mason Reports, footage of the campus, and philosophy of the school and promotional material of the university.","Series 2 comprises 134 items, primarily VHS videotapes and U-Matic videotapes, dated from 1964-2005 with the bulk of the material dated in the 1990s. The overall concentration for series 2 is events pertaining to George Mason University including commencement, Art Gala, ground breaking of George Mason Buildings and campuses and panels on campus.","Series 3 encompass 238 items, largely in the VHS and Betacam videptape formats, dated from the 1950s to the 1990s with a focus on the 1990s. The focal theme pertains to distance learning, a large portion of this section containing lectures of George Mason Staff, projects/assignments of students and New Century College material.","Series 4 includes 193 items, principally in the formats of Betacam and U-Matic videotapes and audiotape cassettes with the material dated between 1976-2003. This series consists of material related to discussions and radio programs that George Mason Staff or Students participated in which include 'Up for Discussion', CCHENV public hearing, GMU Rendezvous Programs and WPRW Programs.","Series 5 contains 125 items primarily in VHS videotape and open reel formats dating from 1982-2004. This is chiefly a miscellaneous series consisting of several groupings of unrelated material. The subjects in this series are: Civil Rights and minorities at George Mason University, blank/unlabeled material, Explorer/Project Explorer and Nicaragua.","Series 1 concentrates on material related to the management of George Mason University such as faculty meetings, material from the Human Resources department, Mason Report and footage of the campus.","George Mason University History, Faculty and Campus; U-Matic; 9 minutes, 9 seconds","George Mason University History, Faculty and Campus; U-Matic; 60 minutes, 22 seconds","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; U-Matic; 34 minutes, 27 seconds","George Mason University History, Faculty and Campus; U-Matic; 3 minutes, 58 seconds","George Mason University History, Faculty and Campus; VHS; 2 Copies","George Mason University History, Faculty and Campus; VHS; 7 minutes, 20 seconds","George Mason University History, Faculty and Campus; Betacam SP; 6 minutes, 5 seconds","George Mason University History, Faculty and Campus; VHS; 6 minutes, 5 seconds","George Mason University History, Faculty and Campus; VHS; 6 minutes, 5 seconds","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS; On Reagan and White House","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS; 59 minutes, 45 seconds","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Reel","George Mason University History, Faculty and Campus; Betacam","George Mason University History, Faculty and Campus; Betacam SP","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; U-Matic; 9 minutes, 19 seconds; Bars, crowd reaction, Rev billy Wertz","George Mason University History, Faculty and Campus; VHS; 22 minutes, 31 seconds","George Mason University History, Faculty and Campus; U-Matic S; 12 minutes","George Mason University History, Faculty and Campus; U-Matic; Digitized June 2013","George Mason University History, Faculty and Campus; U-Matic; Digitized June 2013","George Mason University History, Faculty and Campus; U-Matic; Digitized June 2013","George Mason University History, Faculty and Campus; U-Matic; Digitized June 2013","George Mason University History, Faculty and Campus; U-Matic; Digitized June 2013","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; Betacam; 11 minutes","George Mason University History, Faculty and Campus; U-Matic; Digitized June 2013","George Mason University History, Faculty and Campus; U-Matic S; 11 minutes, 6 seconds","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; U-Matic; 22 minutes, 34 seconds; Bars, crowd reaction, Rev. Billy; Rev Billy Wertz; Air Band intro, 1st act - risque; 2nd act - CG crew, MC's converse; 3rd act - CO2","George Mason University History, Faculty and Campus; VHS; 22 minutes, 34 seconds","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; Betacam SP","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS; 3 minutes, 54 seconds","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS; 2 copies","George Mason University History, Faculty and Campus; VHS; 1 minute, 3 seconds","George Mason University History, Faculty and Campus; VHS, 3 minutes, 54 second","George Mason University History, Faculty and Campus; Betacam","George Mason University History, Faculty and Campus; Betacam, 2 copies","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; Betacam SP","George Mason University History, Faculty and Campus; VHS; 1 hour, 27 minutes, 25 seconds","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS; 3 copies","George Mason University History, Faculty and Campus Audio Cassette Tape; 2 minutes, 6 seconds","George Mason University History, Faculty and Campus; Cassette Tape Hi8 Metal E","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Cassette Tape Hi8 Metal E; 2 Copies","George Mason University History, Faculty and Campus; Cassette Tape Hi8 Metal E","George Mason University History, Faculty and Campus; Cassette Tape Hi8 Metal E","George Mason University History, Faculty and Campus; Cassette Tape Hi8 Metal E","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape; 3 copies","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; U-Matic S","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; U-Matic; 60 seconds; 2 Copies","George Mason University History, Faculty and Campus; Betacam SP; 60 seconds","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tap; 2 Copies","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Cassette Tape Hi8 Metal E","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; Audio Cassette Tape","George Mason University History, Faculty and Campus; VHS","George Mason University History, Faculty and Campus; VHS; 22 minutes, 50 seconds","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; U-Matic","George Mason University History, Faculty and Campus; VHS","Admissions and Public Relations; Media 5 Tape","Admissions and Public Relations; U-Matic; ~33 minutes","Admissions and Public Relations; U-Matic","Admissions and Public Relations; U-Matic; 3 minutes; 45 seconds","Admissions and Public Relations; U-Matic; 15 minutes","Admissions and Public Relations; 7\" Reel to Reel","Admissions and Public Relations; VHS","Admissions and Public Relations; L-250 Scotch Video cassette Beta","Admissions and Public Relations; L-250 Scotch Video cassette Beta","Admissions and Public Relations; U-Matic; 7 minutes, 40 seconds","Admissions and Public Relations; U-Matic","Admissions and Public Relations; U-Matic","Admissions and Public Relations; U-Matic","Admissions and Public Relations; VHS","Human Resources; VHS; 8 minutes; 41 seconds","Human Resources; VHS; 11 minutes","Human Resources; Betacam SP","Human Resources; Betacam SP","Human Resources; Betacam SP","Human Resources; U-Matic; 8 minutes; 41 seconds","Human Resources; Betacam","Human Resources; Betacam; 9 minutes; 43 seconds; 02 milliseconds","Human Resources; Betacam SP","Human Resources; Betacam SP","Human Resources; Betacam SP","Human Resources; Betacam","Mason Reports; Betacam; 2 copies","Mason Reports; Betacam SP","Mason Reports; VHS; 29 minutes, 20 seconds","Mason Reports; VHS","Mason Reports; Betacam SP","Mason Reports; Betacam","Mason Reports; VHS; X3.1842","Mason Reports; U-Matic; 57 minutes, 30 seconds","Series 2 contains material pertaining to events on George Mason campus such as Art Galas, commencement and ground breakings.","Commencement and Campus Events; 7\" Reel to Reel; In folder with Two Reels","Commencement and Campus Events; Stenorette magnetic Recording Tape","Commencement and Campus Events; 7\" Reel to Reel; Left channel only; mono; 1 7/8","Commencement and Campus Events; 7\" Reel to Reel; 1 7/8 I.P.S, left channel only","Commencement and Campus Events; 7\" Reel to Reel; Mono, Left Channel only; Also includes program","Commencement and Campus Events; 7\" Reel to Reel; 3 3/4 I.P.S, left channel only; mono","Commencement and Campus Events; 7\" Reel to Reel 3 3/4 I.P.S Right Channel Only","Commencement and Campus Events; 7\" Reel to Reel; Mono, Left Channel only; 1 Sided only","Commencement and Campus Events; 7\" Reel to Reel; 3 3/4 i.p.s","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS","Commencement and Campus Events; Auto Cassette Tape","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS; 1 hour; 15 minutes; 43 seconds","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS; 1 hour, 20 minutes; 58 seconds","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS","Commencement and Campus Events; DVD","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS","Commencement and Campus Events; VHS","Commencement and Campus Events; Betamax","Commencement and Campus Events; Betamax","Commencement and Campus Events; 7\" Reel to Reel; 1 7/8 I.P.S","Commencement and Campus Events; 7\" Reel to Reel; 3 3/4 I.P.S","Commencement and Campus Events; U-Matic","Commencement and Campus Events; U-Matic","Commencement and Campus Events; U-Matic","Commencement and Campus Events; U-Matic","Art Gala; VHS","Art Gala; VHS; 2 Copies","Art Gala; VHS","Art Gala; VHS; 2 Copies","Art Gala; VHS","Art Gala; VHS; 2 Copies","Art Gala; VHS; 2 Copies","Art Gala; VHS; 2 Copies","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS; Produced by Steve O'Leary for GMU","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; VHS","Art Gala; U-Matic; 2 Copies","Art Gala; U-Matic; Digitized June 2013","Art Gala; U-Matic; Digitized June 2013","Campus Events and Dedications; VHS","Campus Events and Dedications; VHS","Campus Events and Dedications; VHS","Campus Events and Dedications; VHS","Campus Events and Dedications; VHS","Campus Events and Dedications; 4 minutes, 45 seconds","Campus Events and Dedications; VHS","Campus Events and Dedications; VHS","Campus Events and Dedications; 7\" Reel to Reel","Campus Events and Dedications; Reel","Campus Events and Dedications; 12 minutes","Campus Events and Dedications; VHS","Campus Events and Dedications; Reel to Reel","Campus Events and Dedications; Betamax","Campus Events and Dedications; Betacam SP","Campus Events and Dedications; 7\" Reel to Reel","George Mason Promotional/Digital Events; U-Matic","George Mason Promotional/Digital Events; U-Matic; 29 minutes, 33 seconds","George Mason Promotional/Digital Events; U-Matic","George Mason Promotional/Digital Events; VHS","George Mason Promotional/Digital Events; U-Matic","George Mason Promotional/Digital Events; U-Matic","Government; VHS; 3 Copies","Government; U-Matic","Government; U-Matic","Government; U-Matic","Government; VHS; 3 Copies","Government; VHS; 3 Copies","Government; VHS; 3 Copies","Government; U-Matic; 9 minutes, 15 seconds","Government; VHS","Government; Betacam; 1 hour","Government; U-Matic; 28 minutes, 46 seconds","Nobel Peace Prize; VHS","Nobel Peace Prize; VHS","Nobel Peace Prize; U-Matic","Nobel Peace Prize; U-Matic","Bell Atlantic; VHS; 7 minutes, 4 seconds","Bell Atlantic; Betacam SP; 6 minutes, 45 seconds","Bell Atlantic; VHS; 4 minutes, 2 seconds","Bell Atlantic; Betacam SP","Bell Atlantic; Betacam SP; 7 minutes, 34 seconds; 8 minutes, 34 seconds","John Burr; Betacam","John Burr; Betacam","Art/ Graphics; U-Matic; 13 minutes","Art/ Graphics; U-Matic","Art/ Graphics; U-Matic","Art/ Graphics; VHS; 30 minutes","Art/ Graphics; Betacam","Art/ Graphics; VHS","Art/ Graphics; Betacam","Art/ Graphics; Betacam","Art/ Graphics; VHS; 7 minutes, 42 seconds","Series three consists of material related distance learning lectures and distance student assignments.","Distance Learning Lecture Series; U-Matic","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; U-Matic; Fourth and last lecture in Disciplinary Trespassing. With introduction and then Tom Burns lecture titled - Bringing economics down to Earth: Non-immaculate conceptions of the market. There are four tapes - two of the audience and two of Burns. Includes a Q and A session","Distance Learning Lecture Series; U-Matic; Fourth and last lecture in Disciplinary Trespassing. With introduction and then Tom Burns lecture titled - Bringing economics down to Earth: Non-immaculate conceptions of the market. There are four tapes - two of the audience and two of Burns. Includes a Q and A session","Distance Learning Lecture Series; U-Matic; Fourth and last lecture in Disciplinary Trespassing. With introduction and then Tom Burns lecture titled - Bringing economics down to Earth: Non-immaculate conceptions of the market. There are four tapes - two of the audience and two of Burns. Includes a Q and A session","Distance Learning Lecture Series; U-Matic; Fourth and last lecture in Disciplinary Trespassing. With introduction and then Tom Burns lecture titled - Bringing economics down to Earth: Non-immaculate conceptions of the market. There are four tapes - two of the audience and two of Burns. Includes a Q and A session","Distance Learning Lecture Series; U-Matic; 29 minutes, 51 seconds","Distance Learning Lecture Series; U-Matic","Distance Learning Lecture Series; U-Matic; 35 Minutes, 9 seconds","Distance Learning Lecture Series; U-Matic; 60 minutes, 2 seconds","Distance Learning Lecture Series; U-Matic; 57 minutes, 54 seconds","Distance Learning Lecture Series; U-Matic; 50 minutes","Distance Learning Lecture Series; U-Matic; 20 minutes, 20 seconds","Distance Learning Lecture Series; U-Matic; 57 minutes, 30 seconds","Distance Learning Lecture Series; U-Matic; 60 minutes, 57 seconds","Distance Learning Lecture Series; U-Matic; 50 minutes; 50 seconds","Distance Learning Lecture Series; U-Matic; 40 minutes; 29 seconds","Distance Learning Lecture Series; U-Matic; 47 minutes; Class Project - a paper is read off of a computer screen followed by a class critique","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; U-Matic; 57 minutes, 56 seconds","Distance Learning Lecture Series; VHS","Distance Learning Lecture Series; Audio Cassette Tapes; 2 Copies","Distance Learning Lecture Series; Audio Cassette Tapes","Distance Learning Lecture Series; Audio Cassette Tapes; 2 Copies","Distance Learning Lecture Series; U-Matic; 4 copies","Distance Learning Lecture Series; U-Matic; 4 minutes, 16 seconds","Distance Learning Lecture Series; U-Matic","Distance Learning Lecture Series; U-Matic","Distance Learning Lecture Series; 7\" Reel to Reel; 3 3/4 IPS","Distance Learning Series; Betacam SP; 30 minutes","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP; Approx. 24 minutes left","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP; 13 minutes, 59 seconds","Distance Learning Series; 7\" Reel to Reel; 1 hour, 30 minutes","Distance Learning Series; Betacam","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; U-Matic; 56 minutes, 30 seconds","Distance Learning Series; U-Matic","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; Betacam; 13 minutes, 17 seconds","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; Betacam SP","Distance Learning Series; VHS","Distance Learning Series; Reel; 15IPS","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP; 52 minutes, 8 seconds","Distance Learning Series; Betacam SP; Approx. 34 minutes left","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Betacam SP","Distance Learning Series; Data Cartridge","Distance Learning Series; Audio Cassette Tape","Distance Learning Series; Audio Cassette Tape","Distance Learning Series; Cassette Tape Hi8 Metal E; Par 1 hour, 46 minutes","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Hi8 Metal-P-60HMPX","Distance Learning Series; Hi8 Metal-P-60HMPX","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; Cassette Tape Hi8 Metal E","Distance Learning Series; VHS; 28 minutes, 35 seconds","Distance Learning Series; VHS; 21 minutes, 29 seconds","Distance Learning Series; VHS","Distance Learning Series; VHS; Approx. 10 minutes","Distance Learning Series; Betacam","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS","Distance Learning Series; VHS; Approx. 10 minutes","Distance Learning Series; VHS; 2 hours, 22 minutes","Distance Learning Series; VHS","Distance Learning Series; Betacam","Distance Learning Series; VHS; 56 minutes, 51 seconds","Distance Learning Series; Betacam","Distance Learning Series; Betacam","Distance Learning Series; VHS","Distance Learning Series; VHS","People; Betacam","People; U-Matic S","People; U-Matic; 5 minutes, 25 seconds","People; U-Matic","People; U-Matic","People; U-Matic; 30 minutes; Digitized June 2013","People; Betacam","People; Betacam","People; Betacam","People; Betacam","People; Betacam","People; Betacam","People; Betacam","People; VHS","People; VHS","People; VHS","People; VHS; 38 minutes","People; VHS","People; VHS","People; VHS","People; VHS","People; VHS","People; VHS; 1 minute, 30 seconds","People; Betacam","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","People; CompacTape","New Century College CompacTape","New Century College; 7.5 IPS","New Century College; 7.5 IPS","New Century College; 7.5 IPS","New Century College; Fuji Hi8 ME","New Century College; Cassette Tape Hi8 Metal E","New Century College; Betacam","New Century College; VHS","New Century College; Betacam SP","New Century College; Betacam; 31 minutes","New Century College; Betacam; 36 minutes","New Century College; Audio Cassette Tape","New Century College; CompacTape","New Century College; Audio Cassette Tape","New Century College; VHS","New Century College; VHS; 7 minutes, 29 seconds","New Century College; Betacam","New Century College; VHS","New Century College; VHS","New Century College; VHS; 6 minutes, 30 seconds","Material in series four pertains to radio programs and discussions that George Mason University staff, faculty and students participate in.","Up For Discussion; U-Matic; 30 Minutes","Up For Discussion; U-Matic; 28 minutes, 20 seconds","Up For Discussion; U-Matic; 30 Minutes","Up For Discussion; U-Matic; 28 minutes,56 seconds; 29 minutes 47 seconds","Up For Discussion; U-Matic; 28 minutes, 44 seconds; 28 minutes, 41 seconds","Up For Discussion; U-Matic; 28 minutes, 26 seconds; 29 minutes, 33 seconds","Up For Discussion; U-Matic; 29 minutes, 13 seconds; 28 minutes, 40 seconds","Up For Discussions: U-Matic KCA-60K Video Cassette","Up For Discussions; VHS","Up For Discussions; VHS","Up For Discussions; VHS","Up For Discussions; VHS","Up For Discussions; VHS","Up For Discussions; VHS","Up For Discussion; U-Matic; 29 minutes, 22 seconds; 29 minutes, 55 seconds","Up For Discussion; U-Matic; 29 minutes; 29 minutes, 20 seconds","Up For Discussions; Betacam SP","Up For Discussions; Betacam SP","Up For Discussions; Betacam SP","Up For Discussions; Betacam SP","Up For Discussions; Betacam SP","Up For Discussions; Betacam SP","Up For Discussions; Betacam SP","Up For Discussions; Betacam SP","Up For Discussions; Betacam SP","Up For Discussion; U-Matic; 29 minutes, 45 seconds","Up For Discussion; U-Matic; 29 minutes, 20 seconds; 28 minutes, 45 seconds","Up For Discussion; U-Matic; 39 minutes, 30 seconds","Up For Discussion; U-Matic; 28 minutes; 29 minutes, 16 seconds","Up For Discussion; U-Matic; 27 minutes, 22 seconds; 28 minutes, 2 seconds","Up For Discussion; U-Matic; 29 minutes, 12 seconds","With Good Reason; Audio Cassette Tapes; 18 Tapes","With Good Reason; Audio Cassette Tapes; 25 Tapes; 10 CDs","Auto Cassette Lectures; 7 Copies","Auto Cassette Lectures; 6 Copies","Auto Cassette Lectures","Auto Cassette Lectures","Auto Cassette Lectures","Auto Cassette Lectures; 1 minute, 39 seconds","Auto Cassette Lectures; 8 minutes","Auto Cassette Lectures","Auto Cassette Lectures; 3 minutes","Auto Cassette Lectures","Auto Cassette Lectures","Auto Cassette Lectures","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes; 2 Copies","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","Radio Programs; Audio Cassette Tapes","John Burr; Betacam","Interviews; U-Matic; 6 minutes, 46 seconds","Interviews; U-matic","Interviews; U-Matic","Interviews; U-Matic S","Interviews; U-Matic; 10 minutes, 30 seconds","Interviews; U-Matic","Interviews; U-Matic; 13 minutes; Digitized June 2013","Interviews; VHS","Interviews; VHS; 7 minutes","Interviews; VHS; 6 minutes, 34 seconds","Interviews; VHS; 5 minutes, 48 seconds","Interviews; Betacam SP","Interviews; VHS","Interviews; VHS","Interviews; Audio Cassette Tapes; 4 Tapes, Gift of Jay Jarvis. Tape is described as a conversation between and Mason President Vergil Dykstra and members of the Alumni Association from 6/17/76. Tape is separated from reel at head of tape.","Interviews; Cassette Tape Hi8 Metal E","Interviews; Audio Cassette Tapes","Interviews; Audio Cassette Tapes","Interviews; Betacam","Interviews; Betacam","Interviews; Betacam","Interviews; Betacam","Interviews; Betacam","Interviews; Betacam","Interviews; Betacam","Interviews; Betacam","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape; Gift of Jay Jarvis. Tape is described as a conversation between and Mason President Vergil Dykstra and members of the Alumni Association from 6/17/76. Tape is separated from reel at head of tape.","Audio cassette; Compact DISC (CD)","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Cassette Tape Hi8 Metal E","Audio cassette; Cassette Tape Hi8 Metal E","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Cassette Tape Hi8 Metal E","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape; 8 minutes, 45 seconds","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape; 2 Tapes","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape; 3 Tapes","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape","Audio cassette; Audio Cassette Tape; 2 Tapes","Public Hearings; Pages","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","Public Hearings; 7\" Reel To Reel","6 VHS videotape cassettes containing Sesno Reports (co-produced by WETA and GMU-TV) hosted by Frank Sesno: \"Target Washington\" (Taped: February 20, 2004; Dubbed May 11, 2004), \"Desperate for Dollars\" (Taped: April 20, 2004; Dubbed: May 11, 2004; TRT: 57:17), \"Cancer Cures?\" (February 10, 2005; TRT: 56:46), \"The Cost of War\" (September 28, 2004; TRT: 56:46), \"America Drinks\" (December 13, 2004; TRT: 56:46; Promotional Copy), \"Press One for English\" (June 3, 2004).","Series five contains material related to civil rights, minorities at George Mason University, Nicaragua and Explorer/Project Explorer.","Virginia Economic Bridge Initiative and Northern Virginia Initiative; U-Matic","Virginia Economic Bridge Initiative and Northern Virginia Initiative; U-Matic","Virginia Economic Bridge Initiative and Northern Virginia Initiative; U-Matic","Virginia Economic Bridge Initiative and Northern Virginia Initiative; U-Matic","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; Ampex 197","Virginia Economic Bridge Initiative and Northern Virginia Initiative; U-Matic","Virginia Economic Bridge Initiative and Northern Virginia Initiative; U-Matic","Virginia Economic Bridge Initiative and Northern Virginia Initiative; U-Matic; 30 minutes, 05 seconds","Virginia Economic Bridge Initiative and Northern Virginia Initiative; U-Matic","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Virginia Economic Bridge Initiative and Northern Virginia Initiative; VHS","Miscellaneous; U-Matic S","Miscellaneous; U-Matic S","Miscellaneous; VHS","Miscellaneous; VHS","Miscellaneous; VHS","Miscellaneous; Betacam SP","Miscellaneous; VHS; 30 minutes","Miscellaneous; VHS; 30 minutes","Miscellaneous; VHS","Miscellaneous; Betacam SP","Miscellaneous; U-Matic","Miscellaneous; U-Matic","Miscellaneous; VHS","Miscellaneous; U-Matic; Digitized June 2013; File on Scanstore","Miscellaneous; Betacam SP","Miscellaneous; M II","Miscellaneous; Betacam SP","Miscellaneous; VHS","Miscellaneous; VHS","Miscellaneous; VHS; 30 minutes","Miscellaneous; VHS","Miscellaneous; VHS; 13 minutes, 25 seconds","Nicaragua; Hi8 Metal-P-60HMPX","Nicaragua; Hi8 Metal-P-60HMPX","Nicaragua; Hi8 Metal-P-60HMPX","Nicaragua; Betacam","Nicaragua; VHS","Nicaragua; Betacam SP; 8 minutes to 9 minutes","Nicaragua; Betacam SP; 1 hour, 5 minutes to 2 hours, 2 minutes","Nicaragua; Betacam SP; 1 hour, 6 minutes, 3 seconds, 20 milliseconds","Nicaragua; Betacam SP","Nicaragua; Betacam SP","Nicaragua; Betacam; 2 hours to 3 hours, 11 minutes, 24 seconds","Nicaragua; Betacam SP","Nicaragua; Betacam","Nicaragua; Betacam SP","Nicaragua; Betacam SP","Nicaragua; Betacam SP; 1 hour, 6 minutes, 3 seconds, 20 milliseconds","Nicaragua; Betacam SP; 1 hour, 5 minutes to 2 hours, 2 minutes","Nicaragua; Betacam SP","Nicaragua; Betacam SP","Nicaragua; Betacam SP","Nicaragua; Betacam SP","Nicaragua; Betacam SP","Nicaragua; Betacam SP","Nicaragua; Betacam SP; 8 minutes to 9 minutes","Nicaragua; Betacam SP","Nicaragua; Betacam SP","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; VHS; 29 Minutes, 28 Seconds","Christopher Columbus Middle School, Union City, NJ; Print 6 pages","Christopher Columbus Middle School, Union City, NJ; VHS","Christopher Columbus Middle School, Union City, NJ; Reel","Christopher Columbus Middle School, Union City, NJ; Reel; 15 IPS","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Christopher Columbus Middle School, Union City, NJ; Betacam","Explorer; VHS","Explorer; VHS","Explorer; VHS","Explorer; VHS","Explorer; VHS","Explorer; VHS","Explorer; VHS","Explorer; VHS","Explorer; VHS","Explorer; VHS","Explorer; VHS","Explorer; Betacam","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Numbered Tapes; Betacam SP","Blank and Unmarked Media; 5 Betacam SP; 1 Betacam; 5 Audio cassette Tapes; 2 Slides; 1 VHS","Blank and Unmarked Media; 11 VHS; 3 Betacam SP","Civil Rights and Minorities; U-Matic; Digitized June 2013","Civil Rights and Minorities; VHS","Civil Rights and Minorities; VHS","Civil Rights and Minorities; VHS","Civil Rights and Minorities; VHS","Civil Rights and Minorities; U-Matic; 30 minutes; Digitized June 2013; File on Scanstone","Civil Rights and Minorities; Master Broadcast Video cassette","Civil Rights and Minorities; Ampex 197; Digitized June 2013; File on Scanstone","Civil Rights and Minorities; Audio Cassette Tape","Civil Rights and Minorities; Audio Cassette Tape","Civil Rights and Minorities; Audio Cassette Tape","Civil Rights and Minorities; Audio Cassette Tape","Civil Rights and Minorities; Audio Cassette Tape; 60 minutes on each tape; 2 Cassette Tapes","Large Items; Reel","Large Items; Reel","Large Items; Reel","Large Items; Reel","Large Items; Reel","Large Items; Reel","Large Items; Folder with papers in it"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from George Mason Audiovisual collection must be obtained from Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from George Mason Audiovisual collection must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_349d044fbbb53d47db577e94df39f394\" label=\"Abstract\"\u003eThe George Mason Audiovisual Collection includes over 850 audiovisual materials taken between 1950 and 2004. The collection includes material covering commencement, distance learning lectures and assignments, faculty meetings and material that addresses civil rights and minorities.\u003c/abstract\u003e"],"abstract_tesim":["The George Mason Audiovisual Collection includes over 850 audiovisual materials taken between 1950 and 2004. The collection includes material covering commencement, distance learning lectures and assignments, faculty meetings and material that addresses civil rights and minorities."],"names_coll_ssim":["George Mason University"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":794,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:00:26.619Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_403"}},{"id":"viw_repositories_2_resources_8729","type":"collection","attributes":{"title":"Glenn Close Papers","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8729#creator","type":"document_value","attributes":{"value":"Glenn, Close, 1947-","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8729#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003ePapers of Glenn Close, documenting her career as an actress on Broadway, television, and in film. Included are recorded interviews, correspondence, clippings, invitations, programs, playbills, photographs, videos, scripts, as well as materials related to her high school and college years.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8729#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_8729","ead_ssi":"viw_repositories_2_resources_8729","_root_":"viw_repositories_2_resources_8729","_nest_parent_":"viw_repositories_2_resources_8729","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8729.xml","title_filing_ssi":"Close, Glenn, Papers","title_ssm":["Glenn Close Papers"],"title_tesim":["Glenn Close Papers"],"unitdate_ssm":["1966-2013","1980-1995"],"unitdate_bulk_ssim":["1980-1995"],"unitdate_inclusive_ssm":["1966-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 93 C62 and Additions","/repositories/2/resources/8729"],"text":["Mss. 93 C62 and Additions","/repositories/2/resources/8729","Glenn Close Papers","Interviews","Actresses--United States","Class materials","Correspondence","Invitations","Letters (correspondence)","Programs","Video recordings","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Portions of this collection have not yet been fully arranged and described. Researchers may wish to contact a staff member in advance.","Glenn Close (born 1947) is a six-time Academy Award-nominated American film and stage actress. Close is an Emmy Award- winning TV movie actress, a three-time Tony Award-winning stage actress and has been nominated for seven Emmys and seven Golden Globes. Ms. Close attended the College of William and Mary, where she was involved in campus theatrical productions and graduated a member of Phi Beta Kappa. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Audio and moving image formats may require reformatting before they can be accessed.  Please consult an SCRC staff member for assistance.","Processed by Daisy Hougan in 1994. Mss. 93 C62 was reboxed, but kept in the same order, using the original box and folder numbers, (and sometimes combining two b\noxes) by Anne Johnson, Special Collections Staff, in November 2009. Mss. Acc. 2010.601 was accessioned by Benjamin Bromley, Public Services Archives Specialist, in October 2010. \nAcc. 2013.195 was accessioned and minimally described by Steven Bookman, University Archives Specialist. \nAcc. 2010.601 was arranged and described by Cecile Glendening, Special Collections Staff, July through September 2013.","Papers of Glenn Close, documenting her career as an actress on Broadway, television, and in film.  Included are recorded interviews, correspondence, clippings, invitations, programs, playbills, photographs, videos, scripts, as well as materials related to her high school and college years.","This series holds the original group of material donated to Swem Library by Glenn Close numbered Mss. 93 C62. Films and other projects covered include: include Barnum, The Natural, The Big Chill, Maxie, The World According to Garp, Jagged Edge, Fatal Attraction, Reversal of Fortune, Hamlet, Sarah: Plain and Tall, Meeting Venus, Dangerous Liasons, Air Force One, Death and the Maiden, the 1992 Tony Awards, Sarah: Plain and Tall, and Skylark. Included are press clippings from newspapers and magazines, videotapes, scripts, and some correspondence.","Subjects include Len Cariou in Sweeny Todd, Glenn Close's role in Barnum, and her Tony nomination for Barnum. Includes an article from the Flat Hat.","Subjects include Lou Caiou's reading on radio of The Tin Drum, the Stratford Production of HMS Pinafore, and the opening of the Stratford Festival's 29th season.","Subjects include Len Cariou's performance as Petruchio in the Stratford Festival; Cabot Wade's production of Artie King; John Irving and The World According to Garp.","Subjects include Close's performances in Barnum, The Singular Life of Albert Nobbs, and The World According to Garp.","Subjects include The World According to Garp with Glenn Close as Jenny Garp.","Subjects include The World According to Garp with Glenn Close as Jenny Garp.","Subjects include Close's role as Jenny Garp in The World According to Garp and her casting in The Big Chill. Also included are letters from PMK, Close's publicity company.","Subjects include Something About Amelia, a made-for-tv movie on incest with Close as the mother; the Obie Awards; and The Big Chill. Also included are letters from PMK, her publicity company, dating from March 25, 1983.","Subjects include Close in Something About Amelia; Close's role in The Natural; and Close in the title role of Maxie.","Subjects include Close's dress for the Oscars; Close's performance in the title role of Joan of Arc at the Stake; and Close's participation in Childhood.","Subjects include Close in th title role of Joan of Arc at the Stake and her starring role in the play Childhood.","Subjects include Claus von Bulow; Jagged Edge, in which she starred as Teddy Barnes; and Maxi, in which Close played the title role.","Subjects include Close's role in the film Maxie.","Subjects include Close's starring role in the film Jagged Edge.","Subjects include Close's roles in Maxie, Jagged Edge, and Benefactors.","Subjects include Benefactor, and Close's casting opposite Michael Douglas in Fatal Attraction.","Including some on Fatal Attraction, in which Close co-starred with Michael Doughlas.","Subjects include Close's role in Fatal Attraction opposite Michael Douglas.","Subjects include Fatal Attraction and Stones for Ibarra a Hallmark Hall of Fame drama.","Subjects include Close's role in Stones for Ibarra and the 1988 Oscars.","Subjects include 1988 Oscars and Close's role as the Marquise Isabelle de Mertueuil in Dangerous Liaisons.","Subjects include Close's role as the Marquise Isabelle de Mertueuil in Dangerous Liaisons and the 1989 Oscars.","Subjects include Dangerous Liaisons and the Oscars.","Subjects include Dangerous Liaisons; Pro-choice rally; and the Oscars.","Subjects include Pro-choice rally in Washington, D.C.; Close's Beene Dress that she wore to the Academy Awards; Close's Commencement speech at William and Mary; and her role as Sunny Von Bulow.","Subjects include Close's role as Sunny von Vulow in Reversal of Fortune and her role in Immediate Family.","Subjects include Immediate Family.","Subjects include Immediate Family; New York Women in Film Luncheon; and Reversal of Fortune.","Subjects include Close's receipt of the 1990 Hasting Pudding Award.","Subjects include Hamlet with Mel Gibson.","Subjects include Hamlet and Sarah: Plain and Tall.","Subjects include Academy Awards and Brooklyn Laundry.","Subjects include Brooklyn Laundry; WIF Crystal Awards; and Hook.","Subjects include Soul Survivors and Meeting Venus.","Press releases from the San Sebastian Film Festival. Film in festival was Meeting Venus.","Press releases from the San Sebastian Film Festival and newspaper articles. Subjects include Meeting Venus.","Subjects include Death and the Maiden and Meeting Venus.","Mostly on Close's performance in Death and the Maiden with Gene Hackman and Richard Drefuss.","Mostly on Close's performance in Death and the Maiden with Gene Hackman and Richard Drefuss.","Subjects include the Tony Awards.","Subjects include Sondheim: Celebration at Carnegie Hall; Sarah: Plain and Tall; and Death and the Maiden.","Subjects include Skylark and Lincoln Documentary.","Subjects include Skylark and Sunset Boulevard.","Subjects include Barnum and Len Cariou.","Subjects include Close's role as Jenny Fields in The World According to Garp.","Subjects include Jagged Edge, Sarah: Plain and Tall, and Hamlet.","Scope and Contents Reviews of The World According to Garp and Dangerous Liaisons. Also, a transcript from an appearance on the \"Larry King Show\" and a script \"Faces of Change\" program on July 14, 1992.","Subjects include Len Cariou in Sweeny Todd and Glenn Close in The World According to Garp.","Subjects include The Natural and The Real Thing.","Subjects include The Big Chill and The Natural.","Subjects include Maxie and Childhood.","Subjects include Maxie and Jagged Edge.","Subjects include Benefactors and Books on Tape.","Subjects include Fatal Attraction and Stones for Ibarra.","Subjects include Stones for Ibarra, the Oscars, and Dangerous Liaisons.","Subjects include Jagged Edge and Dangerous Liaisons.","Subjects include abortion rights march and Dangerous Liaisons.","Subjects include Immediate Family and Dangerous Liaisons.","Subjects include Hamlet and the Academy Awards.","Subjects include Stones for Ibarra.","Subjects include Hook, the Academy Awards, and Garp.","Subjects include Len Cariou, Oscars and Maxie.","Enclosed: Skylark reviews and articles from PMK, Close's Public Relations Company.","Skylark reviews sent from Close to co-star Christopher Walken.","TV book covers from the Tony Awards sent to Close by PMK, her Public Relations Company.","Pamphlets, including some from the Emmy and Academy Awards.","Close's script (three ring binder) as Hostess of Saturday Night Live, December 12, 1992.","Academy Award publicity ads and other publicity for The World According to Garp, The Big Chill, Stones for Ibarra, Immediate Family, Jagged Edge, Broken Hearts, Broken Homes, Sarah: Plain and Tall, and Reversal of Fortune.","Publicity, especially for the Academy Awards, for Dangerous Liaisons.","Souvenirs from Jeremy Irons' Danny, The Champion of the World, You''re the top! benefit with Len Cariou, The Kennedy Center Honors of April, 1987, and the 42nd Golden Globe Awards; also, letters from PMK.","Photograph from Broken Hearts, Broken Homes; souvenirs from William and Mary's Tercentenary Concert Series, the Dartmouth Film Society's Tribute to Glenn Close, NY Women in film and The World According to Garp's benefit premier. Also, a play bill from the 46th Annual Antoinette Perry Awards and an article about Close.","English translations of foreign newspaper articles.","Scope and Contents Ligacoes Perigosas articles about Dangerous Liaisons.","Ligacoes Perigosas articles about Dangerous Liaisons.","Ligacoes Perigosas articles about Dangerous Liaisons.","Magazine articles on Glenn Close. Subjects include The World According to Garp and The Natural.","Magazine articles on Glenn Close. Subjects include Fatal Attraction.","Magazine articles on Glenn Close. Subjects include Dangerous Liaisons.","Subjects include her home in Montana.","Subjects include a royal polo match.","Profiles of Glenn Close.","Subjects include Harvard's Harsty Pudding Awards.","Subjects include Meeting Venus.","Subjects include Meeting Venus.","Subjects include Meeting Venus.","Subjects include Death and the Maiden.","Subjects include the 1992 Tony Awards. 3 items.","Glenn Close to Gillian T. Cell, Provost of William and Mary, regarding College's dance program and reply of  October 21, 1994. Originals in Provost's papers.","Two broken videotapes.","Scope and Contents Record (78 rpm) of \"Sing-out 66,\" a group Glenn Close sang with sponsored by the Moral Majority. Featured on the record are two songs by Ms. Close: \"The Happy Song\" and \"Run and Catch the Wind.\" This album sold at a performance in Phi Beta Kappa Hall, 1966. The traveling show was called \"Up with People.\" Ms. Close was a featured soloist with a group before entering the College of William and Mary.","This series contains publicity material about The Paper and Sunset Boulevard as well as miscellaneous publicity on Glenn Close.","Material, chiefly 1993, relating to Glenn Close's starring role in Sunset Boulevard, including a mug, program, and publicity for the Los Angeles performance. The mug is also listed in the Artifact Collection.","Script of The House of Spirits autographed by Glenn Close and other members of the cast and writers including:  Isabel Allende, Bille August, Antonio Banderas, Miriam Colon, Fran Fullenwider, Vincent Gallo, Jeremy Irons, Armin Mueller-Stahl, Teri Polo, Vanessa Redgrave, Winona Ryder, and Meryl Streep.","Two photographs of Glenn Close and William and Mary President Timothy J. Sullivan at a performance of Sunset Boulevard, New York City, December 11,1994.  Three photographs of Glenn Close as Norma Desmond, Alice Ripley as Betty Schaefer, and Alan Campbell as Joe Gillis.","Scope and Contents Two records (33-1/3 rpm) of original cast recording of \"The Real Thing\" by Tom Sheppard, directed by Mike Nichols, starring Jeremy Irons and Glenn Close. Includes note, 31 May 1985, from Glenn Close to Howard Scammon.","Scope and Contents Program of Broadway play, \"Sunset Boulevard\" starring Glenn Close.","This accession contains programs as well as newspaper articles and magazines with articles mostly about  Glenn Close.","Contains papers, 1965-2002, of Glenn Close including: notebooks from classes she took at the College of William and Mary; correspondence with friends, professional acquaintances, and fans; publicity materials relating to various film projects; newspaper and magazine clippings related to her movies and plays; and audiovisual materials.","Personal and professional correspondence received by Glenn Close. Includes telegrams, congratulatory notes, letters and cards from friends, actors, directors, and writers, also letters and cards from family members.","Personal Correspondence including letters from William \u0026 Mary President Thomas A. Graves and Mrs. Graves.","Personal Correspondence including letter from Gloria Steinham on Ms. letterhead, letter from Swoosie Kurtz, telegram from Tom Cruise and Mimi Rogers.","Includes letters from Hume Cronyn, Kirk Douglas, John Lithgow, and Walter Farley.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Includes letters from Kitty Carlisle Hart, Lawrence Kasdan, Tracey Ullman, and Better MIdler.","Includes letters from Joanne Woodward and Jane Smiley.","Includes a 1992 letter from Elaine May.","Letters to Glenn Close from Roy Brocksmith, American actor, director and playwright.","Letters to Annie Stark, daughter of Glenn Close and John Stark.","Items related to film, television and theater projects of Glenn Close. Includes press clippings, publicity materials, production materials and programs.","Cast and Crew lists, shooting schedule.","Materials related to poetry readings at premiere of the movie Il Postino.","2 cast photos, publicity materials.","Cast and crew lists, shooting schedules.","Partial script, publicity materials.","Newspapers","Japanese publicity","Teacher guide","Press Kits","Letters from 3rd grade class.","Letters from 3rd grade class.","Letters from 4th and 6th grade classes.","Dallas Morning News TV Magazine","Total TV magazine.","New York Times Television Guide.","Telegivion Guide.","One white binder with information on all the nominees and winners of the Academy Award from 1927 through 1986. The binder includes tabs for each category receiving an Oscar.","Broadway theater program, associated envelope containing sketches of cast members and other materials, possible gift to cast.","Cards and notes from cast members and other actors including Shirley MacLaine, Kim Basinger, Hume Cronyn, Jessica Tandy, and Mike Nichols.","Los Angeles performance of Brooklyn Laundry, program and congratulatory notes and cards, including from Woody Harrelson, James L. Brooks, Marsha Mason, Marlo Thomas, Bruce Willis \u0026 Demi Moore, Jeffrey Katzenberg. Also includes dialect notes and directions to theater.","Letters from family, friends, fans and professional acquaintances. Fax from father W.T. Close, letters from George Roy Hill, Irving Lazar, Jane Smiley, Gregory Hines. Notepad with list of tickets left for friends and colleagues. Names include Robert F. Kennedy, Jr., Alan Alda, Geoffrey Beene, Jimmy Smits, Laura Dern, Woody Harrelson, and Judy Collins.","Background research, story treatments, scripts and financial information for proposed movie based on the 1976 Zaire Ebola epidemic.","Scope and Contents Page 16, poem titled \"Williamsburg\" is dedicated to \"G.C.\"","This series contains clippings from the Richmond Times Dispatch, July 22, 2007, about Glenn Close's role in the television series Damages; clipping from Parade Magazine, July 14, 2013, about Glenn Close's costumes being auctioned off for charity; and the August 6-12, 2007 issue of TV Guide featuring Glenn Close on the cover regarding her new television series Damages.","Periodicals (newspapers, magazines) that cover Glenn Close's career.","A two page letter from Glenn Close to Katherine Rowe. In the letter, Close expresses how humbled she feels to receive an Honorary Fellowship from William and Mary, and accepts the request to give a speech during Commencement.","All audiovisual materials, including videocassettes, CDs, and phonograph records haven been moved to the Manuscripts Audiovisual Collection, Mss 1.04.","Artifacts were transferred to the Manuscripts Artifact Collection (Mss. 1.03) including the Pacific Northwestern Hospital Parody ID Card (Mss 2010.601.67).","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Glenn, Close, 1947-","English"],"unitid_tesim":["Mss. 93 C62 and Additions","/repositories/2/resources/8729"],"normalized_title_ssm":["Glenn Close Papers"],"collection_title_tesim":["Glenn Close Papers"],"collection_ssim":["Glenn Close Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Glenn, Close, 1947-"],"creator_ssim":["Glenn, Close, 1947-"],"creator_persname_ssim":["Glenn, Close, 1947-"],"creators_ssim":["Glenn, Close, 1947-"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 1993.35 gift of approximately 200 items from Glenn Close on 4/30/1993; Acc. 1994.33 gift of approximately200 items from Glenn Close on 4/21/1994; Acc. 1993.67 gift of 1 item from Will Molineux on 11/15/1993; Acc. 1994.41 gift of 16 items from Nancy Marshall, Dean of Libraries on 5/26/1994; Acc. 1994.42 gift of 1 item from Spencer Timm on 5/27/1994; Acc. 1995.12 gift of 5 items from Nancy H. Marshall on 3/20/1995; and Acc. 1997.68 transfer of 2 items from University Archives on 12/11/1997. Acc. 2007.112 gift  of Maxine Spalding (through courtesy of Jenny Bledsoe). Acc. 2009.526 a compilation of material given by others. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["Interviews","Actresses--United States","Class materials","Correspondence","Invitations","Letters (correspondence)","Programs","Video recordings"],"access_subjects_ssm":["Interviews","Actresses--United States","Class materials","Correspondence","Invitations","Letters (correspondence)","Programs","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["15.00 Linear Feet"],"extent_tesim":["15.00 Linear Feet"],"genreform_ssim":["Class materials","Correspondence","Invitations","Letters (correspondence)","Programs","Video recordings"],"date_range_isim":[1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e","\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:","Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003ePortions of this collection have not yet been fully arranged and described. Researchers may wish to contact a staff member in advance.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["Portions of this collection have not yet been fully arranged and described. Researchers may wish to contact a staff member in advance."],"bioghist_html_tesm":["\u003cp\u003eGlenn Close (born 1947) is a six-time Academy Award-nominated American film and stage actress. Close is an Emmy Award- winning TV movie actress, a three-time Tony Award-winning stage actress and has been nominated for seven Emmys and seven Golden Globes. Ms. Close attended the College of William and Mary, where she was involved in campus theatrical productions and graduated a member of Phi Beta Kappa. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Close_Glenn\" title=\"Close Glenn\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Glenn Close (born 1947) is a six-time Academy Award-nominated American film and stage actress. Close is an Emmy Award- winning TV movie actress, a three-time Tony Award-winning stage actress and has been nominated for seven Emmys and seven Golden Globes. Ms. Close attended the College of William and Mary, where she was involved in campus theatrical productions and graduated a member of Phi Beta Kappa. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"phystech_html_tesm":["\u003cp\u003eAudio and moving image formats may require reformatting before they can be accessed.  Please consult an SCRC staff member for assistance.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics or Technical Requirements:"],"phystech_tesim":["Audio and moving image formats may require reformatting before they can be accessed.  Please consult an SCRC staff member for assistance."],"prefercite_html_tesm":["\u003cp\u003eGlenn Close Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e","\u003cp\u003eGlenn Close Papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Glenn Close Papers, Special Collections Research Center, Swem Library, College of William and Mary.","Glenn Close Papers, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Daisy Hougan in 1994. Mss. 93 C62 was reboxed, but kept in the same order, using the original box and folder numbers, (and sometimes combining two b\noxes) by Anne Johnson, Special Collections Staff, in November 2009. Mss. Acc. 2010.601 was accessioned by Benjamin Bromley, Public Services Archives Specialist, in October 2010. \nAcc. 2013.195 was accessioned and minimally described by Steven Bookman, University Archives Specialist. \nAcc. 2010.601 was arranged and described by Cecile Glendening, Special Collections Staff, July through September 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Daisy Hougan in 1994. Mss. 93 C62 was reboxed, but kept in the same order, using the original box and folder numbers, (and sometimes combining two b\noxes) by Anne Johnson, Special Collections Staff, in November 2009. Mss. Acc. 2010.601 was accessioned by Benjamin Bromley, Public Services Archives Specialist, in October 2010. \nAcc. 2013.195 was accessioned and minimally described by Steven Bookman, University Archives Specialist. \nAcc. 2010.601 was arranged and described by Cecile Glendening, Special Collections Staff, July through September 2013."],"scopecontent_html_tesm":["\u003cp\u003ePapers of Glenn Close, documenting her career as an actress on Broadway, television, and in film.  Included are recorded interviews, correspondence, clippings, invitations, programs, playbills, photographs, videos, scripts, as well as materials related to her high school and college years.\u003c/p\u003e","\u003cp\u003eThis series holds the original group of material donated to Swem Library by Glenn Close numbered Mss. 93 C62. Films and other projects covered include: include Barnum, The Natural, The Big Chill, Maxie, The World According to Garp, Jagged Edge, Fatal Attraction, Reversal of Fortune, Hamlet, Sarah: Plain and Tall, Meeting Venus, Dangerous Liasons, Air Force One, Death and the Maiden, the 1992 Tony Awards, Sarah: Plain and Tall, and Skylark. Included are press clippings from newspapers and magazines, videotapes, scripts, and some correspondence.\u003c/p\u003e","\u003cp\u003eSubjects include Len Cariou in Sweeny Todd, Glenn Close's role in Barnum, and her Tony nomination for Barnum. Includes an article from the Flat Hat.\u003c/p\u003e","\u003cp\u003eSubjects include Lou Caiou's reading on radio of The Tin Drum, the Stratford Production of HMS Pinafore, and the opening of the Stratford Festival's 29th season.\u003c/p\u003e","\u003cp\u003eSubjects include Len Cariou's performance as Petruchio in the Stratford Festival; Cabot Wade's production of Artie King; John Irving and The World According to Garp.\u003c/p\u003e","\u003cp\u003eSubjects include Close's performances in Barnum, The Singular Life of Albert Nobbs, and The World According to Garp.\u003c/p\u003e","\u003cp\u003eSubjects include The World According to Garp with Glenn Close as Jenny Garp.\u003c/p\u003e","\u003cp\u003eSubjects include The World According to Garp with Glenn Close as Jenny Garp.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role as Jenny Garp in The World According to Garp and her casting in The Big Chill. Also included are letters from PMK, Close's publicity company.\u003c/p\u003e","\u003cp\u003eSubjects include Something About Amelia, a made-for-tv movie on incest with Close as the mother; the Obie Awards; and The Big Chill. Also included are letters from PMK, her publicity company, dating from March 25, 1983.\u003c/p\u003e","\u003cp\u003eSubjects include Close in Something About Amelia; Close's role in The Natural; and Close in the title role of Maxie.\u003c/p\u003e","\u003cp\u003eSubjects include Close's dress for the Oscars; Close's performance in the title role of Joan of Arc at the Stake; and Close's participation in Childhood.\u003c/p\u003e","\u003cp\u003eSubjects include Close in th title role of Joan of Arc at the Stake and her starring role in the play Childhood.\u003c/p\u003e","\u003cp\u003eSubjects include Claus von Bulow; Jagged Edge, in which she starred as Teddy Barnes; and Maxi, in which Close played the title role.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role in the film Maxie.\u003c/p\u003e","\u003cp\u003eSubjects include Close's starring role in the film Jagged Edge.\u003c/p\u003e","\u003cp\u003eSubjects include Close's roles in Maxie, Jagged Edge, and Benefactors.\u003c/p\u003e","\u003cp\u003eSubjects include Benefactor, and Close's casting opposite Michael Douglas in Fatal Attraction.\u003c/p\u003e","\u003cp\u003eIncluding some on Fatal Attraction, in which Close co-starred with Michael Doughlas.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role in Fatal Attraction opposite Michael Douglas.\u003c/p\u003e","\u003cp\u003eSubjects include Fatal Attraction and Stones for Ibarra a Hallmark Hall of Fame drama.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role in Stones for Ibarra and the 1988 Oscars.\u003c/p\u003e","\u003cp\u003eSubjects include 1988 Oscars and Close's role as the Marquise Isabelle de Mertueuil in Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role as the Marquise Isabelle de Mertueuil in Dangerous Liaisons and the 1989 Oscars.\u003c/p\u003e","\u003cp\u003eSubjects include Dangerous Liaisons and the Oscars.\u003c/p\u003e","\u003cp\u003eSubjects include Dangerous Liaisons; Pro-choice rally; and the Oscars.\u003c/p\u003e","\u003cp\u003eSubjects include Pro-choice rally in Washington, D.C.; Close's Beene Dress that she wore to the Academy Awards; Close's Commencement speech at William and Mary; and her role as Sunny Von Bulow.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role as Sunny von Vulow in Reversal of Fortune and her role in Immediate Family.\u003c/p\u003e","\u003cp\u003eSubjects include Immediate Family.\u003c/p\u003e","\u003cp\u003eSubjects include Immediate Family; New York Women in Film Luncheon; and Reversal of Fortune.\u003c/p\u003e","\u003cp\u003eSubjects include Close's receipt of the 1990 Hasting Pudding Award.\u003c/p\u003e","\u003cp\u003eSubjects include Hamlet with Mel Gibson.\u003c/p\u003e","\u003cp\u003eSubjects include Hamlet and Sarah: Plain and Tall.\u003c/p\u003e","\u003cp\u003eSubjects include Academy Awards and Brooklyn Laundry.\u003c/p\u003e","\u003cp\u003eSubjects include Brooklyn Laundry; WIF Crystal Awards; and Hook.\u003c/p\u003e","\u003cp\u003eSubjects include Soul Survivors and Meeting Venus.\u003c/p\u003e","\u003cp\u003ePress releases from the San Sebastian Film Festival. Film in festival was Meeting Venus.\u003c/p\u003e","\u003cp\u003ePress releases from the San Sebastian Film Festival and newspaper articles. Subjects include Meeting Venus.\u003c/p\u003e","\u003cp\u003eSubjects include Death and the Maiden and Meeting Venus.\u003c/p\u003e","\u003cp\u003eMostly on Close's performance in Death and the Maiden with Gene Hackman and Richard Drefuss.\u003c/p\u003e","\u003cp\u003eMostly on Close's performance in Death and the Maiden with Gene Hackman and Richard Drefuss.\u003c/p\u003e","\u003cp\u003eSubjects include the Tony Awards.\u003c/p\u003e","\u003cp\u003eSubjects include Sondheim: Celebration at Carnegie Hall; Sarah: Plain and Tall; and Death and the Maiden.\u003c/p\u003e","\u003cp\u003eSubjects include Skylark and Lincoln Documentary.\u003c/p\u003e","\u003cp\u003eSubjects include Skylark and Sunset Boulevard.\u003c/p\u003e","\u003cp\u003eSubjects include Barnum and Len Cariou.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role as Jenny Fields in The World According to Garp.\u003c/p\u003e","\u003cp\u003eSubjects include Jagged Edge, Sarah: Plain and Tall, and Hamlet.\u003c/p\u003e","\u003cp\u003eScope and Contents Reviews of The World According to Garp and Dangerous Liaisons. Also, a transcript from an appearance on the \"Larry King Show\" and a script \"Faces of Change\" program on July 14, 1992.\u003c/p\u003e","\u003cp\u003eSubjects include Len Cariou in Sweeny Todd and Glenn Close in The World According to Garp.\u003c/p\u003e","\u003cp\u003eSubjects include The Natural and The Real Thing.\u003c/p\u003e","\u003cp\u003eSubjects include The Big Chill and The Natural.\u003c/p\u003e","\u003cp\u003eSubjects include Maxie and Childhood.\u003c/p\u003e","\u003cp\u003eSubjects include Maxie and Jagged Edge.\u003c/p\u003e","\u003cp\u003eSubjects include Benefactors and Books on Tape.\u003c/p\u003e","\u003cp\u003eSubjects include Fatal Attraction and Stones for Ibarra.\u003c/p\u003e","\u003cp\u003eSubjects include Stones for Ibarra, the Oscars, and Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSubjects include Jagged Edge and Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSubjects include abortion rights march and Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSubjects include Immediate Family and Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSubjects include Hamlet and the Academy Awards.\u003c/p\u003e","\u003cp\u003eSubjects include Stones for Ibarra.\u003c/p\u003e","\u003cp\u003eSubjects include Hook, the Academy Awards, and Garp.\u003c/p\u003e","\u003cp\u003eSubjects include Len Cariou, Oscars and Maxie.\u003c/p\u003e","\u003cp\u003eEnclosed: Skylark reviews and articles from PMK, Close's Public Relations Company.\u003c/p\u003e","\u003cp\u003eSkylark reviews sent from Close to co-star Christopher Walken.\u003c/p\u003e","\u003cp\u003eTV book covers from the Tony Awards sent to Close by PMK, her Public Relations Company.\u003c/p\u003e","\u003cp\u003ePamphlets, including some from the Emmy and Academy Awards.\u003c/p\u003e","\u003cp\u003eClose's script (three ring binder) as Hostess of Saturday Night Live, December 12, 1992.\u003c/p\u003e","\u003cp\u003eAcademy Award publicity ads and other publicity for The World According to Garp, The Big Chill, Stones for Ibarra, Immediate Family, Jagged Edge, Broken Hearts, Broken Homes, Sarah: Plain and Tall, and Reversal of Fortune.\u003c/p\u003e","\u003cp\u003ePublicity, especially for the Academy Awards, for Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSouvenirs from Jeremy Irons' Danny, The Champion of the World, You''re the top! benefit with Len Cariou, The Kennedy Center Honors of April, 1987, and the 42nd Golden Globe Awards; also, letters from PMK.\u003c/p\u003e","\u003cp\u003ePhotograph from Broken Hearts, Broken Homes; souvenirs from William and Mary's Tercentenary Concert Series, the Dartmouth Film Society's Tribute to Glenn Close, NY Women in film and The World According to Garp's benefit premier. Also, a play bill from the 46th Annual Antoinette Perry Awards and an article about Close.\u003c/p\u003e","\u003cp\u003eEnglish translations of foreign newspaper articles.\u003c/p\u003e","\u003cp\u003eScope and Contents Ligacoes Perigosas articles about Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eLigacoes Perigosas articles about Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eLigacoes Perigosas articles about Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eMagazine articles on Glenn Close. Subjects include The World According to Garp and The Natural.\u003c/p\u003e","\u003cp\u003eMagazine articles on Glenn Close. Subjects include Fatal Attraction.\u003c/p\u003e","\u003cp\u003eMagazine articles on Glenn Close. Subjects include Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSubjects include her home in Montana.\u003c/p\u003e","\u003cp\u003eSubjects include a royal polo match.\u003c/p\u003e","\u003cp\u003eProfiles of Glenn Close.\u003c/p\u003e","\u003cp\u003eSubjects include Harvard's Harsty Pudding Awards.\u003c/p\u003e","\u003cp\u003eSubjects include Meeting Venus.\u003c/p\u003e","\u003cp\u003eSubjects include Meeting Venus.\u003c/p\u003e","\u003cp\u003eSubjects include Meeting Venus.\u003c/p\u003e","\u003cp\u003eSubjects include Death and the Maiden.\u003c/p\u003e","\u003cp\u003eSubjects include the 1992 Tony Awards. 3 items.\u003c/p\u003e","\u003cp\u003eGlenn Close to Gillian T. Cell, Provost of William and Mary, regarding College's dance program and reply of  October 21, 1994. Originals in Provost's papers.\u003c/p\u003e","\u003cp\u003eTwo broken videotapes.\u003c/p\u003e","\u003cp\u003eScope and Contents Record (78 rpm) of \"Sing-out 66,\" a group Glenn Close sang with sponsored by the Moral Majority. Featured on the record are two songs by Ms. Close: \"The Happy Song\" and \"Run and Catch the Wind.\" This album sold at a performance in Phi Beta Kappa Hall, 1966. The traveling show was called \"Up with People.\" Ms. Close was a featured soloist with a group before entering the College of William and Mary.\u003c/p\u003e","\u003cp\u003eThis series contains publicity material about The Paper and Sunset Boulevard as well as miscellaneous publicity on Glenn Close.\u003c/p\u003e","\u003cp\u003eMaterial, chiefly 1993, relating to Glenn Close's starring role in Sunset Boulevard, including a mug, program, and publicity for the Los Angeles performance. The mug is also listed in the Artifact Collection.\u003c/p\u003e","\u003cp\u003eScript of The House of Spirits autographed by Glenn Close and other members of the cast and writers including:  Isabel Allende, Bille August, Antonio Banderas, Miriam Colon, Fran Fullenwider, Vincent Gallo, Jeremy Irons, Armin Mueller-Stahl, Teri Polo, Vanessa Redgrave, Winona Ryder, and Meryl Streep.\u003c/p\u003e","\u003cp\u003eTwo photographs of Glenn Close and William and Mary President Timothy J. Sullivan at a performance of Sunset Boulevard, New York City, December 11,1994.  Three photographs of Glenn Close as Norma Desmond, Alice Ripley as Betty Schaefer, and Alan Campbell as Joe Gillis.\u003c/p\u003e","\u003cp\u003eScope and Contents Two records (33-1/3 rpm) of original cast recording of \"The Real Thing\" by Tom Sheppard, directed by Mike Nichols, starring Jeremy Irons and Glenn Close. Includes note, 31 May 1985, from Glenn Close to Howard Scammon.\u003c/p\u003e","\u003cp\u003eScope and Contents Program of Broadway play, \"Sunset Boulevard\" starring Glenn Close.\u003c/p\u003e","\u003cp\u003eThis accession contains programs as well as newspaper articles and magazines with articles mostly about  Glenn Close.\u003c/p\u003e","\u003cp\u003eContains papers, 1965-2002, of Glenn Close including: notebooks from classes she took at the College of William and Mary; correspondence with friends, professional acquaintances, and fans; publicity materials relating to various film projects; newspaper and magazine clippings related to her movies and plays; and audiovisual materials.\u003c/p\u003e","\u003cp\u003ePersonal and professional correspondence received by Glenn Close. Includes telegrams, congratulatory notes, letters and cards from friends, actors, directors, and writers, also letters and cards from family members.\u003c/p\u003e","\u003cp\u003ePersonal Correspondence including letters from William \u0026amp; Mary President Thomas A. Graves and Mrs. Graves.\u003c/p\u003e","\u003cp\u003ePersonal Correspondence including letter from Gloria Steinham on Ms. letterhead, letter from Swoosie Kurtz, telegram from Tom Cruise and Mimi Rogers.\u003c/p\u003e","\u003cp\u003eIncludes letters from Hume Cronyn, Kirk Douglas, John Lithgow, and Walter Farley.\u003c/p\u003e","\u003cp\u003ePersonal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.\u003c/p\u003e","\u003cp\u003ePersonal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.\u003c/p\u003e","\u003cp\u003ePersonal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.\u003c/p\u003e","\u003cp\u003ePersonal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.\u003c/p\u003e","\u003cp\u003ePersonal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.\u003c/p\u003e","\u003cp\u003eIncludes letters from Kitty Carlisle Hart, Lawrence Kasdan, Tracey Ullman, and Better MIdler.\u003c/p\u003e","\u003cp\u003eIncludes letters from Joanne Woodward and Jane Smiley.\u003c/p\u003e","\u003cp\u003eIncludes a 1992 letter from Elaine May.\u003c/p\u003e","\u003cp\u003eLetters to Glenn Close from Roy Brocksmith, American actor, director and playwright.\u003c/p\u003e","\u003cp\u003eLetters to Annie Stark, daughter of Glenn Close and John Stark.\u003c/p\u003e","\u003cp\u003eItems related to film, television and theater projects of Glenn Close. Includes press clippings, publicity materials, production materials and programs.\u003c/p\u003e","\u003cp\u003eCast and Crew lists, shooting schedule.\u003c/p\u003e","\u003cp\u003eMaterials related to poetry readings at premiere of the movie Il Postino.\u003c/p\u003e","\u003cp\u003e2 cast photos, publicity materials.\u003c/p\u003e","\u003cp\u003eCast and crew lists, shooting schedules.\u003c/p\u003e","\u003cp\u003ePartial script, publicity materials.\u003c/p\u003e","\u003cp\u003eNewspapers\u003c/p\u003e","\u003cp\u003eJapanese publicity\u003c/p\u003e","\u003cp\u003eTeacher guide\u003c/p\u003e","\u003cp\u003ePress Kits\u003c/p\u003e","\u003cp\u003eLetters from 3rd grade class.\u003c/p\u003e","\u003cp\u003eLetters from 3rd grade class.\u003c/p\u003e","\u003cp\u003eLetters from 4th and 6th grade classes.\u003c/p\u003e","\u003cp\u003eDallas Morning News TV Magazine\u003c/p\u003e","\u003cp\u003eTotal TV magazine.\u003c/p\u003e","\u003cp\u003eNew York Times Television Guide.\u003c/p\u003e","\u003cp\u003eTelegivion Guide.\u003c/p\u003e","\u003cp\u003eOne white binder with information on all the nominees and winners of the Academy Award from 1927 through 1986. The binder includes tabs for each category receiving an Oscar.\u003c/p\u003e","\u003cp\u003eBroadway theater program, associated envelope containing sketches of cast members and other materials, possible gift to cast.\u003c/p\u003e","\u003cp\u003eCards and notes from cast members and other actors including Shirley MacLaine, Kim Basinger, Hume Cronyn, Jessica Tandy, and Mike Nichols.\u003c/p\u003e","\u003cp\u003eLos Angeles performance of Brooklyn Laundry, program and congratulatory notes and cards, including from Woody Harrelson, James L. Brooks, Marsha Mason, Marlo Thomas, Bruce Willis \u0026amp; Demi Moore, Jeffrey Katzenberg. Also includes dialect notes and directions to theater.\u003c/p\u003e","\u003cp\u003eLetters from family, friends, fans and professional acquaintances. Fax from father W.T. Close, letters from George Roy Hill, Irving Lazar, Jane Smiley, Gregory Hines. Notepad with list of tickets left for friends and colleagues. Names include Robert F. Kennedy, Jr., Alan Alda, Geoffrey Beene, Jimmy Smits, Laura Dern, Woody Harrelson, and Judy Collins.\u003c/p\u003e","\u003cp\u003eBackground research, story treatments, scripts and financial information for proposed movie based on the 1976 Zaire Ebola epidemic.\u003c/p\u003e","\u003cp\u003eScope and Contents Page 16, poem titled \"Williamsburg\" is dedicated to \"G.C.\"\u003c/p\u003e","\u003cp\u003eThis series contains clippings from the Richmond Times Dispatch, July 22, 2007, about Glenn Close's role in the television series Damages; clipping from Parade Magazine, July 14, 2013, about Glenn Close's costumes being auctioned off for charity; and the August 6-12, 2007 issue of TV Guide featuring Glenn Close on the cover regarding her new television series Damages.\u003c/p\u003e","\u003cp\u003ePeriodicals (newspapers, magazines) that cover Glenn Close's career.\u003c/p\u003e","\u003cp\u003eA two page letter from Glenn Close to Katherine Rowe. In the letter, Close expresses how humbled she feels to receive an Honorary Fellowship from William and Mary, and accepts the request to give a speech during Commencement.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers of Glenn Close, documenting her career as an actress on Broadway, television, and in film.  Included are recorded interviews, correspondence, clippings, invitations, programs, playbills, photographs, videos, scripts, as well as materials related to her high school and college years.","This series holds the original group of material donated to Swem Library by Glenn Close numbered Mss. 93 C62. Films and other projects covered include: include Barnum, The Natural, The Big Chill, Maxie, The World According to Garp, Jagged Edge, Fatal Attraction, Reversal of Fortune, Hamlet, Sarah: Plain and Tall, Meeting Venus, Dangerous Liasons, Air Force One, Death and the Maiden, the 1992 Tony Awards, Sarah: Plain and Tall, and Skylark. Included are press clippings from newspapers and magazines, videotapes, scripts, and some correspondence.","Subjects include Len Cariou in Sweeny Todd, Glenn Close's role in Barnum, and her Tony nomination for Barnum. Includes an article from the Flat Hat.","Subjects include Lou Caiou's reading on radio of The Tin Drum, the Stratford Production of HMS Pinafore, and the opening of the Stratford Festival's 29th season.","Subjects include Len Cariou's performance as Petruchio in the Stratford Festival; Cabot Wade's production of Artie King; John Irving and The World According to Garp.","Subjects include Close's performances in Barnum, The Singular Life of Albert Nobbs, and The World According to Garp.","Subjects include The World According to Garp with Glenn Close as Jenny Garp.","Subjects include The World According to Garp with Glenn Close as Jenny Garp.","Subjects include Close's role as Jenny Garp in The World According to Garp and her casting in The Big Chill. Also included are letters from PMK, Close's publicity company.","Subjects include Something About Amelia, a made-for-tv movie on incest with Close as the mother; the Obie Awards; and The Big Chill. Also included are letters from PMK, her publicity company, dating from March 25, 1983.","Subjects include Close in Something About Amelia; Close's role in The Natural; and Close in the title role of Maxie.","Subjects include Close's dress for the Oscars; Close's performance in the title role of Joan of Arc at the Stake; and Close's participation in Childhood.","Subjects include Close in th title role of Joan of Arc at the Stake and her starring role in the play Childhood.","Subjects include Claus von Bulow; Jagged Edge, in which she starred as Teddy Barnes; and Maxi, in which Close played the title role.","Subjects include Close's role in the film Maxie.","Subjects include Close's starring role in the film Jagged Edge.","Subjects include Close's roles in Maxie, Jagged Edge, and Benefactors.","Subjects include Benefactor, and Close's casting opposite Michael Douglas in Fatal Attraction.","Including some on Fatal Attraction, in which Close co-starred with Michael Doughlas.","Subjects include Close's role in Fatal Attraction opposite Michael Douglas.","Subjects include Fatal Attraction and Stones for Ibarra a Hallmark Hall of Fame drama.","Subjects include Close's role in Stones for Ibarra and the 1988 Oscars.","Subjects include 1988 Oscars and Close's role as the Marquise Isabelle de Mertueuil in Dangerous Liaisons.","Subjects include Close's role as the Marquise Isabelle de Mertueuil in Dangerous Liaisons and the 1989 Oscars.","Subjects include Dangerous Liaisons and the Oscars.","Subjects include Dangerous Liaisons; Pro-choice rally; and the Oscars.","Subjects include Pro-choice rally in Washington, D.C.; Close's Beene Dress that she wore to the Academy Awards; Close's Commencement speech at William and Mary; and her role as Sunny Von Bulow.","Subjects include Close's role as Sunny von Vulow in Reversal of Fortune and her role in Immediate Family.","Subjects include Immediate Family.","Subjects include Immediate Family; New York Women in Film Luncheon; and Reversal of Fortune.","Subjects include Close's receipt of the 1990 Hasting Pudding Award.","Subjects include Hamlet with Mel Gibson.","Subjects include Hamlet and Sarah: Plain and Tall.","Subjects include Academy Awards and Brooklyn Laundry.","Subjects include Brooklyn Laundry; WIF Crystal Awards; and Hook.","Subjects include Soul Survivors and Meeting Venus.","Press releases from the San Sebastian Film Festival. Film in festival was Meeting Venus.","Press releases from the San Sebastian Film Festival and newspaper articles. Subjects include Meeting Venus.","Subjects include Death and the Maiden and Meeting Venus.","Mostly on Close's performance in Death and the Maiden with Gene Hackman and Richard Drefuss.","Mostly on Close's performance in Death and the Maiden with Gene Hackman and Richard Drefuss.","Subjects include the Tony Awards.","Subjects include Sondheim: Celebration at Carnegie Hall; Sarah: Plain and Tall; and Death and the Maiden.","Subjects include Skylark and Lincoln Documentary.","Subjects include Skylark and Sunset Boulevard.","Subjects include Barnum and Len Cariou.","Subjects include Close's role as Jenny Fields in The World According to Garp.","Subjects include Jagged Edge, Sarah: Plain and Tall, and Hamlet.","Scope and Contents Reviews of The World According to Garp and Dangerous Liaisons. Also, a transcript from an appearance on the \"Larry King Show\" and a script \"Faces of Change\" program on July 14, 1992.","Subjects include Len Cariou in Sweeny Todd and Glenn Close in The World According to Garp.","Subjects include The Natural and The Real Thing.","Subjects include The Big Chill and The Natural.","Subjects include Maxie and Childhood.","Subjects include Maxie and Jagged Edge.","Subjects include Benefactors and Books on Tape.","Subjects include Fatal Attraction and Stones for Ibarra.","Subjects include Stones for Ibarra, the Oscars, and Dangerous Liaisons.","Subjects include Jagged Edge and Dangerous Liaisons.","Subjects include abortion rights march and Dangerous Liaisons.","Subjects include Immediate Family and Dangerous Liaisons.","Subjects include Hamlet and the Academy Awards.","Subjects include Stones for Ibarra.","Subjects include Hook, the Academy Awards, and Garp.","Subjects include Len Cariou, Oscars and Maxie.","Enclosed: Skylark reviews and articles from PMK, Close's Public Relations Company.","Skylark reviews sent from Close to co-star Christopher Walken.","TV book covers from the Tony Awards sent to Close by PMK, her Public Relations Company.","Pamphlets, including some from the Emmy and Academy Awards.","Close's script (three ring binder) as Hostess of Saturday Night Live, December 12, 1992.","Academy Award publicity ads and other publicity for The World According to Garp, The Big Chill, Stones for Ibarra, Immediate Family, Jagged Edge, Broken Hearts, Broken Homes, Sarah: Plain and Tall, and Reversal of Fortune.","Publicity, especially for the Academy Awards, for Dangerous Liaisons.","Souvenirs from Jeremy Irons' Danny, The Champion of the World, You''re the top! benefit with Len Cariou, The Kennedy Center Honors of April, 1987, and the 42nd Golden Globe Awards; also, letters from PMK.","Photograph from Broken Hearts, Broken Homes; souvenirs from William and Mary's Tercentenary Concert Series, the Dartmouth Film Society's Tribute to Glenn Close, NY Women in film and The World According to Garp's benefit premier. Also, a play bill from the 46th Annual Antoinette Perry Awards and an article about Close.","English translations of foreign newspaper articles.","Scope and Contents Ligacoes Perigosas articles about Dangerous Liaisons.","Ligacoes Perigosas articles about Dangerous Liaisons.","Ligacoes Perigosas articles about Dangerous Liaisons.","Magazine articles on Glenn Close. Subjects include The World According to Garp and The Natural.","Magazine articles on Glenn Close. Subjects include Fatal Attraction.","Magazine articles on Glenn Close. Subjects include Dangerous Liaisons.","Subjects include her home in Montana.","Subjects include a royal polo match.","Profiles of Glenn Close.","Subjects include Harvard's Harsty Pudding Awards.","Subjects include Meeting Venus.","Subjects include Meeting Venus.","Subjects include Meeting Venus.","Subjects include Death and the Maiden.","Subjects include the 1992 Tony Awards. 3 items.","Glenn Close to Gillian T. Cell, Provost of William and Mary, regarding College's dance program and reply of  October 21, 1994. Originals in Provost's papers.","Two broken videotapes.","Scope and Contents Record (78 rpm) of \"Sing-out 66,\" a group Glenn Close sang with sponsored by the Moral Majority. Featured on the record are two songs by Ms. Close: \"The Happy Song\" and \"Run and Catch the Wind.\" This album sold at a performance in Phi Beta Kappa Hall, 1966. The traveling show was called \"Up with People.\" Ms. Close was a featured soloist with a group before entering the College of William and Mary.","This series contains publicity material about The Paper and Sunset Boulevard as well as miscellaneous publicity on Glenn Close.","Material, chiefly 1993, relating to Glenn Close's starring role in Sunset Boulevard, including a mug, program, and publicity for the Los Angeles performance. The mug is also listed in the Artifact Collection.","Script of The House of Spirits autographed by Glenn Close and other members of the cast and writers including:  Isabel Allende, Bille August, Antonio Banderas, Miriam Colon, Fran Fullenwider, Vincent Gallo, Jeremy Irons, Armin Mueller-Stahl, Teri Polo, Vanessa Redgrave, Winona Ryder, and Meryl Streep.","Two photographs of Glenn Close and William and Mary President Timothy J. Sullivan at a performance of Sunset Boulevard, New York City, December 11,1994.  Three photographs of Glenn Close as Norma Desmond, Alice Ripley as Betty Schaefer, and Alan Campbell as Joe Gillis.","Scope and Contents Two records (33-1/3 rpm) of original cast recording of \"The Real Thing\" by Tom Sheppard, directed by Mike Nichols, starring Jeremy Irons and Glenn Close. Includes note, 31 May 1985, from Glenn Close to Howard Scammon.","Scope and Contents Program of Broadway play, \"Sunset Boulevard\" starring Glenn Close.","This accession contains programs as well as newspaper articles and magazines with articles mostly about  Glenn Close.","Contains papers, 1965-2002, of Glenn Close including: notebooks from classes she took at the College of William and Mary; correspondence with friends, professional acquaintances, and fans; publicity materials relating to various film projects; newspaper and magazine clippings related to her movies and plays; and audiovisual materials.","Personal and professional correspondence received by Glenn Close. Includes telegrams, congratulatory notes, letters and cards from friends, actors, directors, and writers, also letters and cards from family members.","Personal Correspondence including letters from William \u0026 Mary President Thomas A. Graves and Mrs. Graves.","Personal Correspondence including letter from Gloria Steinham on Ms. letterhead, letter from Swoosie Kurtz, telegram from Tom Cruise and Mimi Rogers.","Includes letters from Hume Cronyn, Kirk Douglas, John Lithgow, and Walter Farley.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Includes letters from Kitty Carlisle Hart, Lawrence Kasdan, Tracey Ullman, and Better MIdler.","Includes letters from Joanne Woodward and Jane Smiley.","Includes a 1992 letter from Elaine May.","Letters to Glenn Close from Roy Brocksmith, American actor, director and playwright.","Letters to Annie Stark, daughter of Glenn Close and John Stark.","Items related to film, television and theater projects of Glenn Close. Includes press clippings, publicity materials, production materials and programs.","Cast and Crew lists, shooting schedule.","Materials related to poetry readings at premiere of the movie Il Postino.","2 cast photos, publicity materials.","Cast and crew lists, shooting schedules.","Partial script, publicity materials.","Newspapers","Japanese publicity","Teacher guide","Press Kits","Letters from 3rd grade class.","Letters from 3rd grade class.","Letters from 4th and 6th grade classes.","Dallas Morning News TV Magazine","Total TV magazine.","New York Times Television Guide.","Telegivion Guide.","One white binder with information on all the nominees and winners of the Academy Award from 1927 through 1986. The binder includes tabs for each category receiving an Oscar.","Broadway theater program, associated envelope containing sketches of cast members and other materials, possible gift to cast.","Cards and notes from cast members and other actors including Shirley MacLaine, Kim Basinger, Hume Cronyn, Jessica Tandy, and Mike Nichols.","Los Angeles performance of Brooklyn Laundry, program and congratulatory notes and cards, including from Woody Harrelson, James L. Brooks, Marsha Mason, Marlo Thomas, Bruce Willis \u0026 Demi Moore, Jeffrey Katzenberg. Also includes dialect notes and directions to theater.","Letters from family, friends, fans and professional acquaintances. Fax from father W.T. Close, letters from George Roy Hill, Irving Lazar, Jane Smiley, Gregory Hines. Notepad with list of tickets left for friends and colleagues. Names include Robert F. Kennedy, Jr., Alan Alda, Geoffrey Beene, Jimmy Smits, Laura Dern, Woody Harrelson, and Judy Collins.","Background research, story treatments, scripts and financial information for proposed movie based on the 1976 Zaire Ebola epidemic.","Scope and Contents Page 16, poem titled \"Williamsburg\" is dedicated to \"G.C.\"","This series contains clippings from the Richmond Times Dispatch, July 22, 2007, about Glenn Close's role in the television series Damages; clipping from Parade Magazine, July 14, 2013, about Glenn Close's costumes being auctioned off for charity; and the August 6-12, 2007 issue of TV Guide featuring Glenn Close on the cover regarding her new television series Damages.","Periodicals (newspapers, magazines) that cover Glenn Close's career.","A two page letter from Glenn Close to Katherine Rowe. In the letter, Close expresses how humbled she feels to receive an Honorary Fellowship from William and Mary, and accepts the request to give a speech during Commencement."],"separatedmaterial_html_tesm":["\u003cp\u003eAll audiovisual materials, including videocassettes, CDs, and phonograph records haven been moved to the Manuscripts Audiovisual Collection, Mss 1.04.\u003c/p\u003e\n","\u003cp\u003eArtifacts were transferred to the Manuscripts Artifact Collection (Mss. 1.03) including the Pacific Northwestern Hospital Parody ID Card (Mss 2010.601.67).\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["All audiovisual materials, including videocassettes, CDs, and phonograph records haven been moved to the Manuscripts Audiovisual Collection, Mss 1.04.","Artifacts were transferred to the Manuscripts Artifact Collection (Mss. 1.03) including the Pacific Northwestern Hospital Parody ID Card (Mss 2010.601.67)."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e","\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:","Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Glenn, Close, 1947-"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Glenn, Close, 1947-"],"language_ssim":["English"],"total_component_count_is":395,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:22:50.280Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8729","ead_ssi":"viw_repositories_2_resources_8729","_root_":"viw_repositories_2_resources_8729","_nest_parent_":"viw_repositories_2_resources_8729","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8729.xml","title_filing_ssi":"Close, Glenn, Papers","title_ssm":["Glenn Close Papers"],"title_tesim":["Glenn Close Papers"],"unitdate_ssm":["1966-2013","1980-1995"],"unitdate_bulk_ssim":["1980-1995"],"unitdate_inclusive_ssm":["1966-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 93 C62 and Additions","/repositories/2/resources/8729"],"text":["Mss. 93 C62 and Additions","/repositories/2/resources/8729","Glenn Close Papers","Interviews","Actresses--United States","Class materials","Correspondence","Invitations","Letters (correspondence)","Programs","Video recordings","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Portions of this collection have not yet been fully arranged and described. Researchers may wish to contact a staff member in advance.","Glenn Close (born 1947) is a six-time Academy Award-nominated American film and stage actress. Close is an Emmy Award- winning TV movie actress, a three-time Tony Award-winning stage actress and has been nominated for seven Emmys and seven Golden Globes. Ms. Close attended the College of William and Mary, where she was involved in campus theatrical productions and graduated a member of Phi Beta Kappa. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Audio and moving image formats may require reformatting before they can be accessed.  Please consult an SCRC staff member for assistance.","Processed by Daisy Hougan in 1994. Mss. 93 C62 was reboxed, but kept in the same order, using the original box and folder numbers, (and sometimes combining two b\noxes) by Anne Johnson, Special Collections Staff, in November 2009. Mss. Acc. 2010.601 was accessioned by Benjamin Bromley, Public Services Archives Specialist, in October 2010. \nAcc. 2013.195 was accessioned and minimally described by Steven Bookman, University Archives Specialist. \nAcc. 2010.601 was arranged and described by Cecile Glendening, Special Collections Staff, July through September 2013.","Papers of Glenn Close, documenting her career as an actress on Broadway, television, and in film.  Included are recorded interviews, correspondence, clippings, invitations, programs, playbills, photographs, videos, scripts, as well as materials related to her high school and college years.","This series holds the original group of material donated to Swem Library by Glenn Close numbered Mss. 93 C62. Films and other projects covered include: include Barnum, The Natural, The Big Chill, Maxie, The World According to Garp, Jagged Edge, Fatal Attraction, Reversal of Fortune, Hamlet, Sarah: Plain and Tall, Meeting Venus, Dangerous Liasons, Air Force One, Death and the Maiden, the 1992 Tony Awards, Sarah: Plain and Tall, and Skylark. Included are press clippings from newspapers and magazines, videotapes, scripts, and some correspondence.","Subjects include Len Cariou in Sweeny Todd, Glenn Close's role in Barnum, and her Tony nomination for Barnum. Includes an article from the Flat Hat.","Subjects include Lou Caiou's reading on radio of The Tin Drum, the Stratford Production of HMS Pinafore, and the opening of the Stratford Festival's 29th season.","Subjects include Len Cariou's performance as Petruchio in the Stratford Festival; Cabot Wade's production of Artie King; John Irving and The World According to Garp.","Subjects include Close's performances in Barnum, The Singular Life of Albert Nobbs, and The World According to Garp.","Subjects include The World According to Garp with Glenn Close as Jenny Garp.","Subjects include The World According to Garp with Glenn Close as Jenny Garp.","Subjects include Close's role as Jenny Garp in The World According to Garp and her casting in The Big Chill. Also included are letters from PMK, Close's publicity company.","Subjects include Something About Amelia, a made-for-tv movie on incest with Close as the mother; the Obie Awards; and The Big Chill. Also included are letters from PMK, her publicity company, dating from March 25, 1983.","Subjects include Close in Something About Amelia; Close's role in The Natural; and Close in the title role of Maxie.","Subjects include Close's dress for the Oscars; Close's performance in the title role of Joan of Arc at the Stake; and Close's participation in Childhood.","Subjects include Close in th title role of Joan of Arc at the Stake and her starring role in the play Childhood.","Subjects include Claus von Bulow; Jagged Edge, in which she starred as Teddy Barnes; and Maxi, in which Close played the title role.","Subjects include Close's role in the film Maxie.","Subjects include Close's starring role in the film Jagged Edge.","Subjects include Close's roles in Maxie, Jagged Edge, and Benefactors.","Subjects include Benefactor, and Close's casting opposite Michael Douglas in Fatal Attraction.","Including some on Fatal Attraction, in which Close co-starred with Michael Doughlas.","Subjects include Close's role in Fatal Attraction opposite Michael Douglas.","Subjects include Fatal Attraction and Stones for Ibarra a Hallmark Hall of Fame drama.","Subjects include Close's role in Stones for Ibarra and the 1988 Oscars.","Subjects include 1988 Oscars and Close's role as the Marquise Isabelle de Mertueuil in Dangerous Liaisons.","Subjects include Close's role as the Marquise Isabelle de Mertueuil in Dangerous Liaisons and the 1989 Oscars.","Subjects include Dangerous Liaisons and the Oscars.","Subjects include Dangerous Liaisons; Pro-choice rally; and the Oscars.","Subjects include Pro-choice rally in Washington, D.C.; Close's Beene Dress that she wore to the Academy Awards; Close's Commencement speech at William and Mary; and her role as Sunny Von Bulow.","Subjects include Close's role as Sunny von Vulow in Reversal of Fortune and her role in Immediate Family.","Subjects include Immediate Family.","Subjects include Immediate Family; New York Women in Film Luncheon; and Reversal of Fortune.","Subjects include Close's receipt of the 1990 Hasting Pudding Award.","Subjects include Hamlet with Mel Gibson.","Subjects include Hamlet and Sarah: Plain and Tall.","Subjects include Academy Awards and Brooklyn Laundry.","Subjects include Brooklyn Laundry; WIF Crystal Awards; and Hook.","Subjects include Soul Survivors and Meeting Venus.","Press releases from the San Sebastian Film Festival. Film in festival was Meeting Venus.","Press releases from the San Sebastian Film Festival and newspaper articles. Subjects include Meeting Venus.","Subjects include Death and the Maiden and Meeting Venus.","Mostly on Close's performance in Death and the Maiden with Gene Hackman and Richard Drefuss.","Mostly on Close's performance in Death and the Maiden with Gene Hackman and Richard Drefuss.","Subjects include the Tony Awards.","Subjects include Sondheim: Celebration at Carnegie Hall; Sarah: Plain and Tall; and Death and the Maiden.","Subjects include Skylark and Lincoln Documentary.","Subjects include Skylark and Sunset Boulevard.","Subjects include Barnum and Len Cariou.","Subjects include Close's role as Jenny Fields in The World According to Garp.","Subjects include Jagged Edge, Sarah: Plain and Tall, and Hamlet.","Scope and Contents Reviews of The World According to Garp and Dangerous Liaisons. Also, a transcript from an appearance on the \"Larry King Show\" and a script \"Faces of Change\" program on July 14, 1992.","Subjects include Len Cariou in Sweeny Todd and Glenn Close in The World According to Garp.","Subjects include The Natural and The Real Thing.","Subjects include The Big Chill and The Natural.","Subjects include Maxie and Childhood.","Subjects include Maxie and Jagged Edge.","Subjects include Benefactors and Books on Tape.","Subjects include Fatal Attraction and Stones for Ibarra.","Subjects include Stones for Ibarra, the Oscars, and Dangerous Liaisons.","Subjects include Jagged Edge and Dangerous Liaisons.","Subjects include abortion rights march and Dangerous Liaisons.","Subjects include Immediate Family and Dangerous Liaisons.","Subjects include Hamlet and the Academy Awards.","Subjects include Stones for Ibarra.","Subjects include Hook, the Academy Awards, and Garp.","Subjects include Len Cariou, Oscars and Maxie.","Enclosed: Skylark reviews and articles from PMK, Close's Public Relations Company.","Skylark reviews sent from Close to co-star Christopher Walken.","TV book covers from the Tony Awards sent to Close by PMK, her Public Relations Company.","Pamphlets, including some from the Emmy and Academy Awards.","Close's script (three ring binder) as Hostess of Saturday Night Live, December 12, 1992.","Academy Award publicity ads and other publicity for The World According to Garp, The Big Chill, Stones for Ibarra, Immediate Family, Jagged Edge, Broken Hearts, Broken Homes, Sarah: Plain and Tall, and Reversal of Fortune.","Publicity, especially for the Academy Awards, for Dangerous Liaisons.","Souvenirs from Jeremy Irons' Danny, The Champion of the World, You''re the top! benefit with Len Cariou, The Kennedy Center Honors of April, 1987, and the 42nd Golden Globe Awards; also, letters from PMK.","Photograph from Broken Hearts, Broken Homes; souvenirs from William and Mary's Tercentenary Concert Series, the Dartmouth Film Society's Tribute to Glenn Close, NY Women in film and The World According to Garp's benefit premier. Also, a play bill from the 46th Annual Antoinette Perry Awards and an article about Close.","English translations of foreign newspaper articles.","Scope and Contents Ligacoes Perigosas articles about Dangerous Liaisons.","Ligacoes Perigosas articles about Dangerous Liaisons.","Ligacoes Perigosas articles about Dangerous Liaisons.","Magazine articles on Glenn Close. Subjects include The World According to Garp and The Natural.","Magazine articles on Glenn Close. Subjects include Fatal Attraction.","Magazine articles on Glenn Close. Subjects include Dangerous Liaisons.","Subjects include her home in Montana.","Subjects include a royal polo match.","Profiles of Glenn Close.","Subjects include Harvard's Harsty Pudding Awards.","Subjects include Meeting Venus.","Subjects include Meeting Venus.","Subjects include Meeting Venus.","Subjects include Death and the Maiden.","Subjects include the 1992 Tony Awards. 3 items.","Glenn Close to Gillian T. Cell, Provost of William and Mary, regarding College's dance program and reply of  October 21, 1994. Originals in Provost's papers.","Two broken videotapes.","Scope and Contents Record (78 rpm) of \"Sing-out 66,\" a group Glenn Close sang with sponsored by the Moral Majority. Featured on the record are two songs by Ms. Close: \"The Happy Song\" and \"Run and Catch the Wind.\" This album sold at a performance in Phi Beta Kappa Hall, 1966. The traveling show was called \"Up with People.\" Ms. Close was a featured soloist with a group before entering the College of William and Mary.","This series contains publicity material about The Paper and Sunset Boulevard as well as miscellaneous publicity on Glenn Close.","Material, chiefly 1993, relating to Glenn Close's starring role in Sunset Boulevard, including a mug, program, and publicity for the Los Angeles performance. The mug is also listed in the Artifact Collection.","Script of The House of Spirits autographed by Glenn Close and other members of the cast and writers including:  Isabel Allende, Bille August, Antonio Banderas, Miriam Colon, Fran Fullenwider, Vincent Gallo, Jeremy Irons, Armin Mueller-Stahl, Teri Polo, Vanessa Redgrave, Winona Ryder, and Meryl Streep.","Two photographs of Glenn Close and William and Mary President Timothy J. Sullivan at a performance of Sunset Boulevard, New York City, December 11,1994.  Three photographs of Glenn Close as Norma Desmond, Alice Ripley as Betty Schaefer, and Alan Campbell as Joe Gillis.","Scope and Contents Two records (33-1/3 rpm) of original cast recording of \"The Real Thing\" by Tom Sheppard, directed by Mike Nichols, starring Jeremy Irons and Glenn Close. Includes note, 31 May 1985, from Glenn Close to Howard Scammon.","Scope and Contents Program of Broadway play, \"Sunset Boulevard\" starring Glenn Close.","This accession contains programs as well as newspaper articles and magazines with articles mostly about  Glenn Close.","Contains papers, 1965-2002, of Glenn Close including: notebooks from classes she took at the College of William and Mary; correspondence with friends, professional acquaintances, and fans; publicity materials relating to various film projects; newspaper and magazine clippings related to her movies and plays; and audiovisual materials.","Personal and professional correspondence received by Glenn Close. Includes telegrams, congratulatory notes, letters and cards from friends, actors, directors, and writers, also letters and cards from family members.","Personal Correspondence including letters from William \u0026 Mary President Thomas A. Graves and Mrs. Graves.","Personal Correspondence including letter from Gloria Steinham on Ms. letterhead, letter from Swoosie Kurtz, telegram from Tom Cruise and Mimi Rogers.","Includes letters from Hume Cronyn, Kirk Douglas, John Lithgow, and Walter Farley.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Includes letters from Kitty Carlisle Hart, Lawrence Kasdan, Tracey Ullman, and Better MIdler.","Includes letters from Joanne Woodward and Jane Smiley.","Includes a 1992 letter from Elaine May.","Letters to Glenn Close from Roy Brocksmith, American actor, director and playwright.","Letters to Annie Stark, daughter of Glenn Close and John Stark.","Items related to film, television and theater projects of Glenn Close. Includes press clippings, publicity materials, production materials and programs.","Cast and Crew lists, shooting schedule.","Materials related to poetry readings at premiere of the movie Il Postino.","2 cast photos, publicity materials.","Cast and crew lists, shooting schedules.","Partial script, publicity materials.","Newspapers","Japanese publicity","Teacher guide","Press Kits","Letters from 3rd grade class.","Letters from 3rd grade class.","Letters from 4th and 6th grade classes.","Dallas Morning News TV Magazine","Total TV magazine.","New York Times Television Guide.","Telegivion Guide.","One white binder with information on all the nominees and winners of the Academy Award from 1927 through 1986. The binder includes tabs for each category receiving an Oscar.","Broadway theater program, associated envelope containing sketches of cast members and other materials, possible gift to cast.","Cards and notes from cast members and other actors including Shirley MacLaine, Kim Basinger, Hume Cronyn, Jessica Tandy, and Mike Nichols.","Los Angeles performance of Brooklyn Laundry, program and congratulatory notes and cards, including from Woody Harrelson, James L. Brooks, Marsha Mason, Marlo Thomas, Bruce Willis \u0026 Demi Moore, Jeffrey Katzenberg. Also includes dialect notes and directions to theater.","Letters from family, friends, fans and professional acquaintances. Fax from father W.T. Close, letters from George Roy Hill, Irving Lazar, Jane Smiley, Gregory Hines. Notepad with list of tickets left for friends and colleagues. Names include Robert F. Kennedy, Jr., Alan Alda, Geoffrey Beene, Jimmy Smits, Laura Dern, Woody Harrelson, and Judy Collins.","Background research, story treatments, scripts and financial information for proposed movie based on the 1976 Zaire Ebola epidemic.","Scope and Contents Page 16, poem titled \"Williamsburg\" is dedicated to \"G.C.\"","This series contains clippings from the Richmond Times Dispatch, July 22, 2007, about Glenn Close's role in the television series Damages; clipping from Parade Magazine, July 14, 2013, about Glenn Close's costumes being auctioned off for charity; and the August 6-12, 2007 issue of TV Guide featuring Glenn Close on the cover regarding her new television series Damages.","Periodicals (newspapers, magazines) that cover Glenn Close's career.","A two page letter from Glenn Close to Katherine Rowe. In the letter, Close expresses how humbled she feels to receive an Honorary Fellowship from William and Mary, and accepts the request to give a speech during Commencement.","All audiovisual materials, including videocassettes, CDs, and phonograph records haven been moved to the Manuscripts Audiovisual Collection, Mss 1.04.","Artifacts were transferred to the Manuscripts Artifact Collection (Mss. 1.03) including the Pacific Northwestern Hospital Parody ID Card (Mss 2010.601.67).","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Glenn, Close, 1947-","English"],"unitid_tesim":["Mss. 93 C62 and Additions","/repositories/2/resources/8729"],"normalized_title_ssm":["Glenn Close Papers"],"collection_title_tesim":["Glenn Close Papers"],"collection_ssim":["Glenn Close Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Glenn, Close, 1947-"],"creator_ssim":["Glenn, Close, 1947-"],"creator_persname_ssim":["Glenn, Close, 1947-"],"creators_ssim":["Glenn, Close, 1947-"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 1993.35 gift of approximately 200 items from Glenn Close on 4/30/1993; Acc. 1994.33 gift of approximately200 items from Glenn Close on 4/21/1994; Acc. 1993.67 gift of 1 item from Will Molineux on 11/15/1993; Acc. 1994.41 gift of 16 items from Nancy Marshall, Dean of Libraries on 5/26/1994; Acc. 1994.42 gift of 1 item from Spencer Timm on 5/27/1994; Acc. 1995.12 gift of 5 items from Nancy H. Marshall on 3/20/1995; and Acc. 1997.68 transfer of 2 items from University Archives on 12/11/1997. Acc. 2007.112 gift  of Maxine Spalding (through courtesy of Jenny Bledsoe). Acc. 2009.526 a compilation of material given by others. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["Interviews","Actresses--United States","Class materials","Correspondence","Invitations","Letters (correspondence)","Programs","Video recordings"],"access_subjects_ssm":["Interviews","Actresses--United States","Class materials","Correspondence","Invitations","Letters (correspondence)","Programs","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["15.00 Linear Feet"],"extent_tesim":["15.00 Linear Feet"],"genreform_ssim":["Class materials","Correspondence","Invitations","Letters (correspondence)","Programs","Video recordings"],"date_range_isim":[1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e","\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:","Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003ePortions of this collection have not yet been fully arranged and described. Researchers may wish to contact a staff member in advance.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["Portions of this collection have not yet been fully arranged and described. Researchers may wish to contact a staff member in advance."],"bioghist_html_tesm":["\u003cp\u003eGlenn Close (born 1947) is a six-time Academy Award-nominated American film and stage actress. Close is an Emmy Award- winning TV movie actress, a three-time Tony Award-winning stage actress and has been nominated for seven Emmys and seven Golden Globes. Ms. Close attended the College of William and Mary, where she was involved in campus theatrical productions and graduated a member of Phi Beta Kappa. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Close_Glenn\" title=\"Close Glenn\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Glenn Close (born 1947) is a six-time Academy Award-nominated American film and stage actress. Close is an Emmy Award- winning TV movie actress, a three-time Tony Award-winning stage actress and has been nominated for seven Emmys and seven Golden Globes. Ms. Close attended the College of William and Mary, where she was involved in campus theatrical productions and graduated a member of Phi Beta Kappa. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"phystech_html_tesm":["\u003cp\u003eAudio and moving image formats may require reformatting before they can be accessed.  Please consult an SCRC staff member for assistance.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics or Technical Requirements:"],"phystech_tesim":["Audio and moving image formats may require reformatting before they can be accessed.  Please consult an SCRC staff member for assistance."],"prefercite_html_tesm":["\u003cp\u003eGlenn Close Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e","\u003cp\u003eGlenn Close Papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Glenn Close Papers, Special Collections Research Center, Swem Library, College of William and Mary.","Glenn Close Papers, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Daisy Hougan in 1994. Mss. 93 C62 was reboxed, but kept in the same order, using the original box and folder numbers, (and sometimes combining two b\noxes) by Anne Johnson, Special Collections Staff, in November 2009. Mss. Acc. 2010.601 was accessioned by Benjamin Bromley, Public Services Archives Specialist, in October 2010. \nAcc. 2013.195 was accessioned and minimally described by Steven Bookman, University Archives Specialist. \nAcc. 2010.601 was arranged and described by Cecile Glendening, Special Collections Staff, July through September 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Daisy Hougan in 1994. Mss. 93 C62 was reboxed, but kept in the same order, using the original box and folder numbers, (and sometimes combining two b\noxes) by Anne Johnson, Special Collections Staff, in November 2009. Mss. Acc. 2010.601 was accessioned by Benjamin Bromley, Public Services Archives Specialist, in October 2010. \nAcc. 2013.195 was accessioned and minimally described by Steven Bookman, University Archives Specialist. \nAcc. 2010.601 was arranged and described by Cecile Glendening, Special Collections Staff, July through September 2013."],"scopecontent_html_tesm":["\u003cp\u003ePapers of Glenn Close, documenting her career as an actress on Broadway, television, and in film.  Included are recorded interviews, correspondence, clippings, invitations, programs, playbills, photographs, videos, scripts, as well as materials related to her high school and college years.\u003c/p\u003e","\u003cp\u003eThis series holds the original group of material donated to Swem Library by Glenn Close numbered Mss. 93 C62. Films and other projects covered include: include Barnum, The Natural, The Big Chill, Maxie, The World According to Garp, Jagged Edge, Fatal Attraction, Reversal of Fortune, Hamlet, Sarah: Plain and Tall, Meeting Venus, Dangerous Liasons, Air Force One, Death and the Maiden, the 1992 Tony Awards, Sarah: Plain and Tall, and Skylark. Included are press clippings from newspapers and magazines, videotapes, scripts, and some correspondence.\u003c/p\u003e","\u003cp\u003eSubjects include Len Cariou in Sweeny Todd, Glenn Close's role in Barnum, and her Tony nomination for Barnum. Includes an article from the Flat Hat.\u003c/p\u003e","\u003cp\u003eSubjects include Lou Caiou's reading on radio of The Tin Drum, the Stratford Production of HMS Pinafore, and the opening of the Stratford Festival's 29th season.\u003c/p\u003e","\u003cp\u003eSubjects include Len Cariou's performance as Petruchio in the Stratford Festival; Cabot Wade's production of Artie King; John Irving and The World According to Garp.\u003c/p\u003e","\u003cp\u003eSubjects include Close's performances in Barnum, The Singular Life of Albert Nobbs, and The World According to Garp.\u003c/p\u003e","\u003cp\u003eSubjects include The World According to Garp with Glenn Close as Jenny Garp.\u003c/p\u003e","\u003cp\u003eSubjects include The World According to Garp with Glenn Close as Jenny Garp.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role as Jenny Garp in The World According to Garp and her casting in The Big Chill. Also included are letters from PMK, Close's publicity company.\u003c/p\u003e","\u003cp\u003eSubjects include Something About Amelia, a made-for-tv movie on incest with Close as the mother; the Obie Awards; and The Big Chill. Also included are letters from PMK, her publicity company, dating from March 25, 1983.\u003c/p\u003e","\u003cp\u003eSubjects include Close in Something About Amelia; Close's role in The Natural; and Close in the title role of Maxie.\u003c/p\u003e","\u003cp\u003eSubjects include Close's dress for the Oscars; Close's performance in the title role of Joan of Arc at the Stake; and Close's participation in Childhood.\u003c/p\u003e","\u003cp\u003eSubjects include Close in th title role of Joan of Arc at the Stake and her starring role in the play Childhood.\u003c/p\u003e","\u003cp\u003eSubjects include Claus von Bulow; Jagged Edge, in which she starred as Teddy Barnes; and Maxi, in which Close played the title role.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role in the film Maxie.\u003c/p\u003e","\u003cp\u003eSubjects include Close's starring role in the film Jagged Edge.\u003c/p\u003e","\u003cp\u003eSubjects include Close's roles in Maxie, Jagged Edge, and Benefactors.\u003c/p\u003e","\u003cp\u003eSubjects include Benefactor, and Close's casting opposite Michael Douglas in Fatal Attraction.\u003c/p\u003e","\u003cp\u003eIncluding some on Fatal Attraction, in which Close co-starred with Michael Doughlas.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role in Fatal Attraction opposite Michael Douglas.\u003c/p\u003e","\u003cp\u003eSubjects include Fatal Attraction and Stones for Ibarra a Hallmark Hall of Fame drama.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role in Stones for Ibarra and the 1988 Oscars.\u003c/p\u003e","\u003cp\u003eSubjects include 1988 Oscars and Close's role as the Marquise Isabelle de Mertueuil in Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role as the Marquise Isabelle de Mertueuil in Dangerous Liaisons and the 1989 Oscars.\u003c/p\u003e","\u003cp\u003eSubjects include Dangerous Liaisons and the Oscars.\u003c/p\u003e","\u003cp\u003eSubjects include Dangerous Liaisons; Pro-choice rally; and the Oscars.\u003c/p\u003e","\u003cp\u003eSubjects include Pro-choice rally in Washington, D.C.; Close's Beene Dress that she wore to the Academy Awards; Close's Commencement speech at William and Mary; and her role as Sunny Von Bulow.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role as Sunny von Vulow in Reversal of Fortune and her role in Immediate Family.\u003c/p\u003e","\u003cp\u003eSubjects include Immediate Family.\u003c/p\u003e","\u003cp\u003eSubjects include Immediate Family; New York Women in Film Luncheon; and Reversal of Fortune.\u003c/p\u003e","\u003cp\u003eSubjects include Close's receipt of the 1990 Hasting Pudding Award.\u003c/p\u003e","\u003cp\u003eSubjects include Hamlet with Mel Gibson.\u003c/p\u003e","\u003cp\u003eSubjects include Hamlet and Sarah: Plain and Tall.\u003c/p\u003e","\u003cp\u003eSubjects include Academy Awards and Brooklyn Laundry.\u003c/p\u003e","\u003cp\u003eSubjects include Brooklyn Laundry; WIF Crystal Awards; and Hook.\u003c/p\u003e","\u003cp\u003eSubjects include Soul Survivors and Meeting Venus.\u003c/p\u003e","\u003cp\u003ePress releases from the San Sebastian Film Festival. Film in festival was Meeting Venus.\u003c/p\u003e","\u003cp\u003ePress releases from the San Sebastian Film Festival and newspaper articles. Subjects include Meeting Venus.\u003c/p\u003e","\u003cp\u003eSubjects include Death and the Maiden and Meeting Venus.\u003c/p\u003e","\u003cp\u003eMostly on Close's performance in Death and the Maiden with Gene Hackman and Richard Drefuss.\u003c/p\u003e","\u003cp\u003eMostly on Close's performance in Death and the Maiden with Gene Hackman and Richard Drefuss.\u003c/p\u003e","\u003cp\u003eSubjects include the Tony Awards.\u003c/p\u003e","\u003cp\u003eSubjects include Sondheim: Celebration at Carnegie Hall; Sarah: Plain and Tall; and Death and the Maiden.\u003c/p\u003e","\u003cp\u003eSubjects include Skylark and Lincoln Documentary.\u003c/p\u003e","\u003cp\u003eSubjects include Skylark and Sunset Boulevard.\u003c/p\u003e","\u003cp\u003eSubjects include Barnum and Len Cariou.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role as Jenny Fields in The World According to Garp.\u003c/p\u003e","\u003cp\u003eSubjects include Jagged Edge, Sarah: Plain and Tall, and Hamlet.\u003c/p\u003e","\u003cp\u003eScope and Contents Reviews of The World According to Garp and Dangerous Liaisons. Also, a transcript from an appearance on the \"Larry King Show\" and a script \"Faces of Change\" program on July 14, 1992.\u003c/p\u003e","\u003cp\u003eSubjects include Len Cariou in Sweeny Todd and Glenn Close in The World According to Garp.\u003c/p\u003e","\u003cp\u003eSubjects include The Natural and The Real Thing.\u003c/p\u003e","\u003cp\u003eSubjects include The Big Chill and The Natural.\u003c/p\u003e","\u003cp\u003eSubjects include Maxie and Childhood.\u003c/p\u003e","\u003cp\u003eSubjects include Maxie and Jagged Edge.\u003c/p\u003e","\u003cp\u003eSubjects include Benefactors and Books on Tape.\u003c/p\u003e","\u003cp\u003eSubjects include Fatal Attraction and Stones for Ibarra.\u003c/p\u003e","\u003cp\u003eSubjects include Stones for Ibarra, the Oscars, and Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSubjects include Jagged Edge and Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSubjects include abortion rights march and Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSubjects include Immediate Family and Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSubjects include Hamlet and the Academy Awards.\u003c/p\u003e","\u003cp\u003eSubjects include Stones for Ibarra.\u003c/p\u003e","\u003cp\u003eSubjects include Hook, the Academy Awards, and Garp.\u003c/p\u003e","\u003cp\u003eSubjects include Len Cariou, Oscars and Maxie.\u003c/p\u003e","\u003cp\u003eEnclosed: Skylark reviews and articles from PMK, Close's Public Relations Company.\u003c/p\u003e","\u003cp\u003eSkylark reviews sent from Close to co-star Christopher Walken.\u003c/p\u003e","\u003cp\u003eTV book covers from the Tony Awards sent to Close by PMK, her Public Relations Company.\u003c/p\u003e","\u003cp\u003ePamphlets, including some from the Emmy and Academy Awards.\u003c/p\u003e","\u003cp\u003eClose's script (three ring binder) as Hostess of Saturday Night Live, December 12, 1992.\u003c/p\u003e","\u003cp\u003eAcademy Award publicity ads and other publicity for The World According to Garp, The Big Chill, Stones for Ibarra, Immediate Family, Jagged Edge, Broken Hearts, Broken Homes, Sarah: Plain and Tall, and Reversal of Fortune.\u003c/p\u003e","\u003cp\u003ePublicity, especially for the Academy Awards, for Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSouvenirs from Jeremy Irons' Danny, The Champion of the World, You''re the top! benefit with Len Cariou, The Kennedy Center Honors of April, 1987, and the 42nd Golden Globe Awards; also, letters from PMK.\u003c/p\u003e","\u003cp\u003ePhotograph from Broken Hearts, Broken Homes; souvenirs from William and Mary's Tercentenary Concert Series, the Dartmouth Film Society's Tribute to Glenn Close, NY Women in film and The World According to Garp's benefit premier. Also, a play bill from the 46th Annual Antoinette Perry Awards and an article about Close.\u003c/p\u003e","\u003cp\u003eEnglish translations of foreign newspaper articles.\u003c/p\u003e","\u003cp\u003eScope and Contents Ligacoes Perigosas articles about Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eLigacoes Perigosas articles about Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eLigacoes Perigosas articles about Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eMagazine articles on Glenn Close. Subjects include The World According to Garp and The Natural.\u003c/p\u003e","\u003cp\u003eMagazine articles on Glenn Close. Subjects include Fatal Attraction.\u003c/p\u003e","\u003cp\u003eMagazine articles on Glenn Close. Subjects include Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSubjects include her home in Montana.\u003c/p\u003e","\u003cp\u003eSubjects include a royal polo match.\u003c/p\u003e","\u003cp\u003eProfiles of Glenn Close.\u003c/p\u003e","\u003cp\u003eSubjects include Harvard's Harsty Pudding Awards.\u003c/p\u003e","\u003cp\u003eSubjects include Meeting Venus.\u003c/p\u003e","\u003cp\u003eSubjects include Meeting Venus.\u003c/p\u003e","\u003cp\u003eSubjects include Meeting Venus.\u003c/p\u003e","\u003cp\u003eSubjects include Death and the Maiden.\u003c/p\u003e","\u003cp\u003eSubjects include the 1992 Tony Awards. 3 items.\u003c/p\u003e","\u003cp\u003eGlenn Close to Gillian T. Cell, Provost of William and Mary, regarding College's dance program and reply of  October 21, 1994. Originals in Provost's papers.\u003c/p\u003e","\u003cp\u003eTwo broken videotapes.\u003c/p\u003e","\u003cp\u003eScope and Contents Record (78 rpm) of \"Sing-out 66,\" a group Glenn Close sang with sponsored by the Moral Majority. Featured on the record are two songs by Ms. Close: \"The Happy Song\" and \"Run and Catch the Wind.\" This album sold at a performance in Phi Beta Kappa Hall, 1966. The traveling show was called \"Up with People.\" Ms. Close was a featured soloist with a group before entering the College of William and Mary.\u003c/p\u003e","\u003cp\u003eThis series contains publicity material about The Paper and Sunset Boulevard as well as miscellaneous publicity on Glenn Close.\u003c/p\u003e","\u003cp\u003eMaterial, chiefly 1993, relating to Glenn Close's starring role in Sunset Boulevard, including a mug, program, and publicity for the Los Angeles performance. The mug is also listed in the Artifact Collection.\u003c/p\u003e","\u003cp\u003eScript of The House of Spirits autographed by Glenn Close and other members of the cast and writers including:  Isabel Allende, Bille August, Antonio Banderas, Miriam Colon, Fran Fullenwider, Vincent Gallo, Jeremy Irons, Armin Mueller-Stahl, Teri Polo, Vanessa Redgrave, Winona Ryder, and Meryl Streep.\u003c/p\u003e","\u003cp\u003eTwo photographs of Glenn Close and William and Mary President Timothy J. Sullivan at a performance of Sunset Boulevard, New York City, December 11,1994.  Three photographs of Glenn Close as Norma Desmond, Alice Ripley as Betty Schaefer, and Alan Campbell as Joe Gillis.\u003c/p\u003e","\u003cp\u003eScope and Contents Two records (33-1/3 rpm) of original cast recording of \"The Real Thing\" by Tom Sheppard, directed by Mike Nichols, starring Jeremy Irons and Glenn Close. Includes note, 31 May 1985, from Glenn Close to Howard Scammon.\u003c/p\u003e","\u003cp\u003eScope and Contents Program of Broadway play, \"Sunset Boulevard\" starring Glenn Close.\u003c/p\u003e","\u003cp\u003eThis accession contains programs as well as newspaper articles and magazines with articles mostly about  Glenn Close.\u003c/p\u003e","\u003cp\u003eContains papers, 1965-2002, of Glenn Close including: notebooks from classes she took at the College of William and Mary; correspondence with friends, professional acquaintances, and fans; publicity materials relating to various film projects; newspaper and magazine clippings related to her movies and plays; and audiovisual materials.\u003c/p\u003e","\u003cp\u003ePersonal and professional correspondence received by Glenn Close. Includes telegrams, congratulatory notes, letters and cards from friends, actors, directors, and writers, also letters and cards from family members.\u003c/p\u003e","\u003cp\u003ePersonal Correspondence including letters from William \u0026amp; Mary President Thomas A. Graves and Mrs. Graves.\u003c/p\u003e","\u003cp\u003ePersonal Correspondence including letter from Gloria Steinham on Ms. letterhead, letter from Swoosie Kurtz, telegram from Tom Cruise and Mimi Rogers.\u003c/p\u003e","\u003cp\u003eIncludes letters from Hume Cronyn, Kirk Douglas, John Lithgow, and Walter Farley.\u003c/p\u003e","\u003cp\u003ePersonal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.\u003c/p\u003e","\u003cp\u003ePersonal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.\u003c/p\u003e","\u003cp\u003ePersonal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.\u003c/p\u003e","\u003cp\u003ePersonal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.\u003c/p\u003e","\u003cp\u003ePersonal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.\u003c/p\u003e","\u003cp\u003eIncludes letters from Kitty Carlisle Hart, Lawrence Kasdan, Tracey Ullman, and Better MIdler.\u003c/p\u003e","\u003cp\u003eIncludes letters from Joanne Woodward and Jane Smiley.\u003c/p\u003e","\u003cp\u003eIncludes a 1992 letter from Elaine May.\u003c/p\u003e","\u003cp\u003eLetters to Glenn Close from Roy Brocksmith, American actor, director and playwright.\u003c/p\u003e","\u003cp\u003eLetters to Annie Stark, daughter of Glenn Close and John Stark.\u003c/p\u003e","\u003cp\u003eItems related to film, television and theater projects of Glenn Close. Includes press clippings, publicity materials, production materials and programs.\u003c/p\u003e","\u003cp\u003eCast and Crew lists, shooting schedule.\u003c/p\u003e","\u003cp\u003eMaterials related to poetry readings at premiere of the movie Il Postino.\u003c/p\u003e","\u003cp\u003e2 cast photos, publicity materials.\u003c/p\u003e","\u003cp\u003eCast and crew lists, shooting schedules.\u003c/p\u003e","\u003cp\u003ePartial script, publicity materials.\u003c/p\u003e","\u003cp\u003eNewspapers\u003c/p\u003e","\u003cp\u003eJapanese publicity\u003c/p\u003e","\u003cp\u003eTeacher guide\u003c/p\u003e","\u003cp\u003ePress Kits\u003c/p\u003e","\u003cp\u003eLetters from 3rd grade class.\u003c/p\u003e","\u003cp\u003eLetters from 3rd grade class.\u003c/p\u003e","\u003cp\u003eLetters from 4th and 6th grade classes.\u003c/p\u003e","\u003cp\u003eDallas Morning News TV Magazine\u003c/p\u003e","\u003cp\u003eTotal TV magazine.\u003c/p\u003e","\u003cp\u003eNew York Times Television Guide.\u003c/p\u003e","\u003cp\u003eTelegivion Guide.\u003c/p\u003e","\u003cp\u003eOne white binder with information on all the nominees and winners of the Academy Award from 1927 through 1986. The binder includes tabs for each category receiving an Oscar.\u003c/p\u003e","\u003cp\u003eBroadway theater program, associated envelope containing sketches of cast members and other materials, possible gift to cast.\u003c/p\u003e","\u003cp\u003eCards and notes from cast members and other actors including Shirley MacLaine, Kim Basinger, Hume Cronyn, Jessica Tandy, and Mike Nichols.\u003c/p\u003e","\u003cp\u003eLos Angeles performance of Brooklyn Laundry, program and congratulatory notes and cards, including from Woody Harrelson, James L. Brooks, Marsha Mason, Marlo Thomas, Bruce Willis \u0026amp; Demi Moore, Jeffrey Katzenberg. Also includes dialect notes and directions to theater.\u003c/p\u003e","\u003cp\u003eLetters from family, friends, fans and professional acquaintances. Fax from father W.T. Close, letters from George Roy Hill, Irving Lazar, Jane Smiley, Gregory Hines. Notepad with list of tickets left for friends and colleagues. Names include Robert F. Kennedy, Jr., Alan Alda, Geoffrey Beene, Jimmy Smits, Laura Dern, Woody Harrelson, and Judy Collins.\u003c/p\u003e","\u003cp\u003eBackground research, story treatments, scripts and financial information for proposed movie based on the 1976 Zaire Ebola epidemic.\u003c/p\u003e","\u003cp\u003eScope and Contents Page 16, poem titled \"Williamsburg\" is dedicated to \"G.C.\"\u003c/p\u003e","\u003cp\u003eThis series contains clippings from the Richmond Times Dispatch, July 22, 2007, about Glenn Close's role in the television series Damages; clipping from Parade Magazine, July 14, 2013, about Glenn Close's costumes being auctioned off for charity; and the August 6-12, 2007 issue of TV Guide featuring Glenn Close on the cover regarding her new television series Damages.\u003c/p\u003e","\u003cp\u003ePeriodicals (newspapers, magazines) that cover Glenn Close's career.\u003c/p\u003e","\u003cp\u003eA two page letter from Glenn Close to Katherine Rowe. In the letter, Close expresses how humbled she feels to receive an Honorary Fellowship from William and Mary, and accepts the request to give a speech during Commencement.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers of Glenn Close, documenting her career as an actress on Broadway, television, and in film.  Included are recorded interviews, correspondence, clippings, invitations, programs, playbills, photographs, videos, scripts, as well as materials related to her high school and college years.","This series holds the original group of material donated to Swem Library by Glenn Close numbered Mss. 93 C62. Films and other projects covered include: include Barnum, The Natural, The Big Chill, Maxie, The World According to Garp, Jagged Edge, Fatal Attraction, Reversal of Fortune, Hamlet, Sarah: Plain and Tall, Meeting Venus, Dangerous Liasons, Air Force One, Death and the Maiden, the 1992 Tony Awards, Sarah: Plain and Tall, and Skylark. Included are press clippings from newspapers and magazines, videotapes, scripts, and some correspondence.","Subjects include Len Cariou in Sweeny Todd, Glenn Close's role in Barnum, and her Tony nomination for Barnum. Includes an article from the Flat Hat.","Subjects include Lou Caiou's reading on radio of The Tin Drum, the Stratford Production of HMS Pinafore, and the opening of the Stratford Festival's 29th season.","Subjects include Len Cariou's performance as Petruchio in the Stratford Festival; Cabot Wade's production of Artie King; John Irving and The World According to Garp.","Subjects include Close's performances in Barnum, The Singular Life of Albert Nobbs, and The World According to Garp.","Subjects include The World According to Garp with Glenn Close as Jenny Garp.","Subjects include The World According to Garp with Glenn Close as Jenny Garp.","Subjects include Close's role as Jenny Garp in The World According to Garp and her casting in The Big Chill. Also included are letters from PMK, Close's publicity company.","Subjects include Something About Amelia, a made-for-tv movie on incest with Close as the mother; the Obie Awards; and The Big Chill. Also included are letters from PMK, her publicity company, dating from March 25, 1983.","Subjects include Close in Something About Amelia; Close's role in The Natural; and Close in the title role of Maxie.","Subjects include Close's dress for the Oscars; Close's performance in the title role of Joan of Arc at the Stake; and Close's participation in Childhood.","Subjects include Close in th title role of Joan of Arc at the Stake and her starring role in the play Childhood.","Subjects include Claus von Bulow; Jagged Edge, in which she starred as Teddy Barnes; and Maxi, in which Close played the title role.","Subjects include Close's role in the film Maxie.","Subjects include Close's starring role in the film Jagged Edge.","Subjects include Close's roles in Maxie, Jagged Edge, and Benefactors.","Subjects include Benefactor, and Close's casting opposite Michael Douglas in Fatal Attraction.","Including some on Fatal Attraction, in which Close co-starred with Michael Doughlas.","Subjects include Close's role in Fatal Attraction opposite Michael Douglas.","Subjects include Fatal Attraction and Stones for Ibarra a Hallmark Hall of Fame drama.","Subjects include Close's role in Stones for Ibarra and the 1988 Oscars.","Subjects include 1988 Oscars and Close's role as the Marquise Isabelle de Mertueuil in Dangerous Liaisons.","Subjects include Close's role as the Marquise Isabelle de Mertueuil in Dangerous Liaisons and the 1989 Oscars.","Subjects include Dangerous Liaisons and the Oscars.","Subjects include Dangerous Liaisons; Pro-choice rally; and the Oscars.","Subjects include Pro-choice rally in Washington, D.C.; Close's Beene Dress that she wore to the Academy Awards; Close's Commencement speech at William and Mary; and her role as Sunny Von Bulow.","Subjects include Close's role as Sunny von Vulow in Reversal of Fortune and her role in Immediate Family.","Subjects include Immediate Family.","Subjects include Immediate Family; New York Women in Film Luncheon; and Reversal of Fortune.","Subjects include Close's receipt of the 1990 Hasting Pudding Award.","Subjects include Hamlet with Mel Gibson.","Subjects include Hamlet and Sarah: Plain and Tall.","Subjects include Academy Awards and Brooklyn Laundry.","Subjects include Brooklyn Laundry; WIF Crystal Awards; and Hook.","Subjects include Soul Survivors and Meeting Venus.","Press releases from the San Sebastian Film Festival. Film in festival was Meeting Venus.","Press releases from the San Sebastian Film Festival and newspaper articles. Subjects include Meeting Venus.","Subjects include Death and the Maiden and Meeting Venus.","Mostly on Close's performance in Death and the Maiden with Gene Hackman and Richard Drefuss.","Mostly on Close's performance in Death and the Maiden with Gene Hackman and Richard Drefuss.","Subjects include the Tony Awards.","Subjects include Sondheim: Celebration at Carnegie Hall; Sarah: Plain and Tall; and Death and the Maiden.","Subjects include Skylark and Lincoln Documentary.","Subjects include Skylark and Sunset Boulevard.","Subjects include Barnum and Len Cariou.","Subjects include Close's role as Jenny Fields in The World According to Garp.","Subjects include Jagged Edge, Sarah: Plain and Tall, and Hamlet.","Scope and Contents Reviews of The World According to Garp and Dangerous Liaisons. Also, a transcript from an appearance on the \"Larry King Show\" and a script \"Faces of Change\" program on July 14, 1992.","Subjects include Len Cariou in Sweeny Todd and Glenn Close in The World According to Garp.","Subjects include The Natural and The Real Thing.","Subjects include The Big Chill and The Natural.","Subjects include Maxie and Childhood.","Subjects include Maxie and Jagged Edge.","Subjects include Benefactors and Books on Tape.","Subjects include Fatal Attraction and Stones for Ibarra.","Subjects include Stones for Ibarra, the Oscars, and Dangerous Liaisons.","Subjects include Jagged Edge and Dangerous Liaisons.","Subjects include abortion rights march and Dangerous Liaisons.","Subjects include Immediate Family and Dangerous Liaisons.","Subjects include Hamlet and the Academy Awards.","Subjects include Stones for Ibarra.","Subjects include Hook, the Academy Awards, and Garp.","Subjects include Len Cariou, Oscars and Maxie.","Enclosed: Skylark reviews and articles from PMK, Close's Public Relations Company.","Skylark reviews sent from Close to co-star Christopher Walken.","TV book covers from the Tony Awards sent to Close by PMK, her Public Relations Company.","Pamphlets, including some from the Emmy and Academy Awards.","Close's script (three ring binder) as Hostess of Saturday Night Live, December 12, 1992.","Academy Award publicity ads and other publicity for The World According to Garp, The Big Chill, Stones for Ibarra, Immediate Family, Jagged Edge, Broken Hearts, Broken Homes, Sarah: Plain and Tall, and Reversal of Fortune.","Publicity, especially for the Academy Awards, for Dangerous Liaisons.","Souvenirs from Jeremy Irons' Danny, The Champion of the World, You''re the top! benefit with Len Cariou, The Kennedy Center Honors of April, 1987, and the 42nd Golden Globe Awards; also, letters from PMK.","Photograph from Broken Hearts, Broken Homes; souvenirs from William and Mary's Tercentenary Concert Series, the Dartmouth Film Society's Tribute to Glenn Close, NY Women in film and The World According to Garp's benefit premier. Also, a play bill from the 46th Annual Antoinette Perry Awards and an article about Close.","English translations of foreign newspaper articles.","Scope and Contents Ligacoes Perigosas articles about Dangerous Liaisons.","Ligacoes Perigosas articles about Dangerous Liaisons.","Ligacoes Perigosas articles about Dangerous Liaisons.","Magazine articles on Glenn Close. Subjects include The World According to Garp and The Natural.","Magazine articles on Glenn Close. Subjects include Fatal Attraction.","Magazine articles on Glenn Close. Subjects include Dangerous Liaisons.","Subjects include her home in Montana.","Subjects include a royal polo match.","Profiles of Glenn Close.","Subjects include Harvard's Harsty Pudding Awards.","Subjects include Meeting Venus.","Subjects include Meeting Venus.","Subjects include Meeting Venus.","Subjects include Death and the Maiden.","Subjects include the 1992 Tony Awards. 3 items.","Glenn Close to Gillian T. Cell, Provost of William and Mary, regarding College's dance program and reply of  October 21, 1994. Originals in Provost's papers.","Two broken videotapes.","Scope and Contents Record (78 rpm) of \"Sing-out 66,\" a group Glenn Close sang with sponsored by the Moral Majority. Featured on the record are two songs by Ms. Close: \"The Happy Song\" and \"Run and Catch the Wind.\" This album sold at a performance in Phi Beta Kappa Hall, 1966. The traveling show was called \"Up with People.\" Ms. Close was a featured soloist with a group before entering the College of William and Mary.","This series contains publicity material about The Paper and Sunset Boulevard as well as miscellaneous publicity on Glenn Close.","Material, chiefly 1993, relating to Glenn Close's starring role in Sunset Boulevard, including a mug, program, and publicity for the Los Angeles performance. The mug is also listed in the Artifact Collection.","Script of The House of Spirits autographed by Glenn Close and other members of the cast and writers including:  Isabel Allende, Bille August, Antonio Banderas, Miriam Colon, Fran Fullenwider, Vincent Gallo, Jeremy Irons, Armin Mueller-Stahl, Teri Polo, Vanessa Redgrave, Winona Ryder, and Meryl Streep.","Two photographs of Glenn Close and William and Mary President Timothy J. Sullivan at a performance of Sunset Boulevard, New York City, December 11,1994.  Three photographs of Glenn Close as Norma Desmond, Alice Ripley as Betty Schaefer, and Alan Campbell as Joe Gillis.","Scope and Contents Two records (33-1/3 rpm) of original cast recording of \"The Real Thing\" by Tom Sheppard, directed by Mike Nichols, starring Jeremy Irons and Glenn Close. Includes note, 31 May 1985, from Glenn Close to Howard Scammon.","Scope and Contents Program of Broadway play, \"Sunset Boulevard\" starring Glenn Close.","This accession contains programs as well as newspaper articles and magazines with articles mostly about  Glenn Close.","Contains papers, 1965-2002, of Glenn Close including: notebooks from classes she took at the College of William and Mary; correspondence with friends, professional acquaintances, and fans; publicity materials relating to various film projects; newspaper and magazine clippings related to her movies and plays; and audiovisual materials.","Personal and professional correspondence received by Glenn Close. Includes telegrams, congratulatory notes, letters and cards from friends, actors, directors, and writers, also letters and cards from family members.","Personal Correspondence including letters from William \u0026 Mary President Thomas A. Graves and Mrs. Graves.","Personal Correspondence including letter from Gloria Steinham on Ms. letterhead, letter from Swoosie Kurtz, telegram from Tom Cruise and Mimi Rogers.","Includes letters from Hume Cronyn, Kirk Douglas, John Lithgow, and Walter Farley.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Includes letters from Kitty Carlisle Hart, Lawrence Kasdan, Tracey Ullman, and Better MIdler.","Includes letters from Joanne Woodward and Jane Smiley.","Includes a 1992 letter from Elaine May.","Letters to Glenn Close from Roy Brocksmith, American actor, director and playwright.","Letters to Annie Stark, daughter of Glenn Close and John Stark.","Items related to film, television and theater projects of Glenn Close. Includes press clippings, publicity materials, production materials and programs.","Cast and Crew lists, shooting schedule.","Materials related to poetry readings at premiere of the movie Il Postino.","2 cast photos, publicity materials.","Cast and crew lists, shooting schedules.","Partial script, publicity materials.","Newspapers","Japanese publicity","Teacher guide","Press Kits","Letters from 3rd grade class.","Letters from 3rd grade class.","Letters from 4th and 6th grade classes.","Dallas Morning News TV Magazine","Total TV magazine.","New York Times Television Guide.","Telegivion Guide.","One white binder with information on all the nominees and winners of the Academy Award from 1927 through 1986. The binder includes tabs for each category receiving an Oscar.","Broadway theater program, associated envelope containing sketches of cast members and other materials, possible gift to cast.","Cards and notes from cast members and other actors including Shirley MacLaine, Kim Basinger, Hume Cronyn, Jessica Tandy, and Mike Nichols.","Los Angeles performance of Brooklyn Laundry, program and congratulatory notes and cards, including from Woody Harrelson, James L. Brooks, Marsha Mason, Marlo Thomas, Bruce Willis \u0026 Demi Moore, Jeffrey Katzenberg. Also includes dialect notes and directions to theater.","Letters from family, friends, fans and professional acquaintances. Fax from father W.T. Close, letters from George Roy Hill, Irving Lazar, Jane Smiley, Gregory Hines. Notepad with list of tickets left for friends and colleagues. Names include Robert F. Kennedy, Jr., Alan Alda, Geoffrey Beene, Jimmy Smits, Laura Dern, Woody Harrelson, and Judy Collins.","Background research, story treatments, scripts and financial information for proposed movie based on the 1976 Zaire Ebola epidemic.","Scope and Contents Page 16, poem titled \"Williamsburg\" is dedicated to \"G.C.\"","This series contains clippings from the Richmond Times Dispatch, July 22, 2007, about Glenn Close's role in the television series Damages; clipping from Parade Magazine, July 14, 2013, about Glenn Close's costumes being auctioned off for charity; and the August 6-12, 2007 issue of TV Guide featuring Glenn Close on the cover regarding her new television series Damages.","Periodicals (newspapers, magazines) that cover Glenn Close's career.","A two page letter from Glenn Close to Katherine Rowe. In the letter, Close expresses how humbled she feels to receive an Honorary Fellowship from William and Mary, and accepts the request to give a speech during Commencement."],"separatedmaterial_html_tesm":["\u003cp\u003eAll audiovisual materials, including videocassettes, CDs, and phonograph records haven been moved to the Manuscripts Audiovisual Collection, Mss 1.04.\u003c/p\u003e\n","\u003cp\u003eArtifacts were transferred to the Manuscripts Artifact Collection (Mss. 1.03) including the Pacific Northwestern Hospital Parody ID Card (Mss 2010.601.67).\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["All audiovisual materials, including videocassettes, CDs, and phonograph records haven been moved to the Manuscripts Audiovisual Collection, Mss 1.04.","Artifacts were transferred to the Manuscripts Artifact Collection (Mss. 1.03) including the Pacific Northwestern Hospital Parody ID Card (Mss 2010.601.67)."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e","\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:","Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Glenn, Close, 1947-"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Glenn, Close, 1947-"],"language_ssim":["English"],"total_component_count_is":395,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:22:50.280Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8729"}},{"id":"viw_repositories_2_resources_2232","type":"collection","attributes":{"title":"James H. Critchfield Papers","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_2232#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003ePrimary source documents, research materials and drafts for James Critchfield's book, \"Partners at the Creation the Men behind Postwar Germany's Defense and Intelligence Establishments.\" Includes information on Germans imprisoned by the Allies, and on De-Nazification, for which Critchfield conducted interviews; also included are two copies of a booklet about a camps for detainees (\"Camp 71\"). The illustrated booklet is written in German and one English translation insert is provided. Further included are oral history transcripts and documents relating to the Berlin Crises (1958-1961), the founding of the Bundesnachrichtendienst (BND), the declassified Central Intelligence Agency documents (1945-1949), a German-English intelligence glossary, biographical files and correspondence. Includes some Holocaust materials and photographs of concentration camp victims.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_2232#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_2232","ead_ssi":"viw_repositories_2_resources_2232","_root_":"viw_repositories_2_resources_2232","_nest_parent_":"viw_repositories_2_resources_2232","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_2232.xml","title_filing_ssi":"Critchfield, James, Papers","title_ssm":["James H. Critchfield Papers"],"title_tesim":["James H. Critchfield Papers"],"unitdate_ssm":["1941-2003"],"unitdate_inclusive_ssm":["1941-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00209","/repositories/2/resources/2232"],"text":["MS 00209","/repositories/2/resources/2232","James H. Critchfield Papers","Germany. Bundesnachrichtendienst--History","Intelligence service--Germany--History","Interviews","National security--Germany--History","Denazification","Internment camps","Correspondence","Manuscripts (document genre)","Publications","Speeches, addresses, etc.","Video recordings","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","James H. Critchfield was a United States Army officer during World War II who remained in Germany and Austria as an army intelligence officer and joined the newly formed Central Intelligence Agency where he was the principal CIA officer working with the Gehlen Organization until its emergence as the Bundesnachrichtendienst (BND).He was born January 30, 1917 and graduated from North Dakota State University. He retired from the CIA in 1974 and died April 23, 2003. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Some cassette tapes have been digitized. Tapes that have not been digitized will need to be digitized before accessing. Please contact Special Collections staff for more information. At least 72 hours advanced notice required to access cassette tape recordings.","Processed by Matthew Hopper, SCRC Staff, during 2003-2004. Addition accessioned in August 2009 ,and described and rehoused by Terry Noziglia, SCRC Staff, in October 2009.","The James H. Critchfield Papers relating to Oman are housed at the Georgetown University Library.","Primary source documents, research materials and drafts for James Critchfield's book, \"Partners at the Creation the Men behind Postwar Germany's Defense and Intelligence Establishments.\"\nIncludes information on Germans imprisoned by the Allies, and on De-Nazification, for which Critchfield conducted interviews; also included are two copies of a booklet about a camps for detainees (\"Camp 71\"). The illustrated booklet is written in German and one English translation insert is provided.\nFurther included are oral history transcripts and documents relating to the Berlin Crises (1958-1961), the founding of the Bundesnachrichtendienst (BND), the declassified Central Intelligence Agency documents (1945-1949), a German-English intelligence glossary, biographical files and correspondence.  Includes some Holocaust materials and photographs of concentration camp victims.","\n Acc. 2009.367 consists of  photocopies of \"Foreign Intelligence and Partnership:CIA and the origins of the BND, 1945-49\"; as well as one bound and one loose-leaf set of copies of correspondence relating to Critchfield's post-war Intelligence tasks.","Scope and Contents Dissertation: \"The Denazification Program in the U.S. Zone of Germany.\"","Some tapes have been digitized. Tapes that have not been digitized will need to be digitized before access. Please contact Special Collections staff for more information. At least 72 hours advanced notice required for access.","This series includes material about the CIA and the origins of the Bundesnachrichtendienst (BND) as well as historical information about the CIA relationship with the German Federal Intelligence Service.","Volume I Part I Firsthand Accounts Part II Stunde Null (Zero Hour, June 1945) Part III Vandenberg Report Part IV Bossard Report The report gives the history of the relationship between the CIA and the BND, beginning with General Gehlen, a German officer who started an organization during the war to preserve German intelligence records on the Soviet Union after Germany's defeat. The United States Army worked with Gehlen's organization after the end of the war, in a project called \"Operation Rusty\". The Vandenberg report was an evaluation by the CIA in 1947 of the merits of the CIA taking over this operation, which rejected the idea. The Bossard report was a later CIA follow up which was more favorable to the idea. In 1948 James Critchfield, head of the Munich Operations Based prepared the \"Critchfield Report\" which recommended the CIA take over Gehlen's operation , and this policy was put into effect in 1949. \"Year of Decisions\" the final section of the report consists of memos and reports between the CIA and the BND during 1949 as the policy was being carried out.","Bound copy of Item 1.","Volume II Part V Critchfield Report Part VI Year of Decisions.","Bound book with copies of documents and reports relating to the CIA-BND operations, with a cover letter from Eberhard Blum, head of the BND from 1982-1985, to his \"dear friend\" James Critchfield.","Looseleaf copy of Item 4.","A framed autographed photo of Richard Helms has been transferred to the Manuscript Audiovisual Collection.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English German"],"unitid_tesim":["MS 00209","/repositories/2/resources/2232"],"normalized_title_ssm":["James H. Critchfield Papers"],"collection_title_tesim":["James H. Critchfield Papers"],"collection_ssim":["James H. Critchfield Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2004.09 was a gift of Lois Critchfield in 2004. Acc. 2009.367 a gift of Lois Critchfield in August 2009."],"access_subjects_ssim":["Germany. Bundesnachrichtendienst--History","Intelligence service--Germany--History","Interviews","National security--Germany--History","Denazification","Internment camps","Correspondence","Manuscripts (document genre)","Publications","Speeches, addresses, etc.","Video recordings"],"access_subjects_ssm":["Germany. Bundesnachrichtendienst--History","Intelligence service--Germany--History","Interviews","National security--Germany--History","Denazification","Internment camps","Correspondence","Manuscripts (document genre)","Publications","Speeches, addresses, etc.","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["11.50 Linear Feet"],"extent_tesim":["11.50 Linear Feet"],"genreform_ssim":["Correspondence","Manuscripts (document genre)","Publications","Speeches, addresses, etc.","Video recordings"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eJames H. Critchfield was a United States Army officer during World War II who remained in Germany and Austria as an army intelligence officer and joined the newly formed Central Intelligence Agency where he was the principal CIA officer working with the Gehlen Organization until its emergence as the Bundesnachrichtendienst (BND).He was born January 30, 1917 and graduated from North Dakota State University. He retired from the CIA in 1974 and died April 23, 2003. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/James_H._Critchfield\" title=\"James H. Critchfield\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["James H. Critchfield was a United States Army officer during World War II who remained in Germany and Austria as an army intelligence officer and joined the newly formed Central Intelligence Agency where he was the principal CIA officer working with the Gehlen Organization until its emergence as the Bundesnachrichtendienst (BND).He was born January 30, 1917 and graduated from North Dakota State University. He retired from the CIA in 1974 and died April 23, 2003. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"phystech_html_tesm":["\u003cp\u003eSome cassette tapes have been digitized. Tapes that have not been digitized will need to be digitized before accessing. Please contact Special Collections staff for more information. At least 72 hours advanced notice required to access cassette tape recordings.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["Some cassette tapes have been digitized. Tapes that have not been digitized will need to be digitized before accessing. Please contact Special Collections staff for more information. At least 72 hours advanced notice required to access cassette tape recordings."],"prefercite_html_tesm":["\u003cp\u003eJames H. Critchfield Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["James H. Critchfield Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Matthew Hopper, SCRC Staff, during 2003-2004. Addition accessioned in August 2009 ,and described and rehoused by Terry Noziglia, SCRC Staff, in October 2009.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Matthew Hopper, SCRC Staff, during 2003-2004. Addition accessioned in August 2009 ,and described and rehoused by Terry Noziglia, SCRC Staff, in October 2009."],"relatedmaterial_html_tesm":["\u003cp\u003eThe James H. Critchfield Papers relating to Oman are housed at the Georgetown University Library.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["The James H. Critchfield Papers relating to Oman are housed at the Georgetown University Library."],"scopecontent_html_tesm":["\u003cp\u003ePrimary source documents, research materials and drafts for James Critchfield's book, \"Partners at the Creation the Men behind Postwar Germany's Defense and Intelligence Establishments.\"\nIncludes information on Germans imprisoned by the Allies, and on De-Nazification, for which Critchfield conducted interviews; also included are two copies of a booklet about a camps for detainees (\"Camp 71\"). The illustrated booklet is written in German and one English translation insert is provided.\nFurther included are oral history transcripts and documents relating to the Berlin Crises (1958-1961), the founding of the Bundesnachrichtendienst (BND), the declassified Central Intelligence Agency documents (1945-1949), a German-English intelligence glossary, biographical files and correspondence.  Includes some Holocaust materials and photographs of concentration camp victims.\u003c/p\u003e\n","\u003cp\u003e\n Acc. 2009.367 consists of  photocopies of \"Foreign Intelligence and Partnership:CIA and the origins of the BND, 1945-49\"; as well as one bound and one loose-leaf set of copies of correspondence relating to Critchfield's post-war Intelligence tasks.\u003c/p\u003e","\u003cp\u003eScope and Contents Dissertation: \"The Denazification Program in the U.S. Zone of Germany.\"\u003c/p\u003e","\u003cp\u003eSome tapes have been digitized. Tapes that have not been digitized will need to be digitized before access. Please contact Special Collections staff for more information. At least 72 hours advanced notice required for access.\u003c/p\u003e","\u003cp\u003eThis series includes material about the CIA and the origins of the Bundesnachrichtendienst (BND) as well as historical information about the CIA relationship with the German Federal Intelligence Service.\u003c/p\u003e","\u003cp\u003eVolume I Part I Firsthand Accounts Part II Stunde Null (Zero Hour, June 1945) Part III Vandenberg Report Part IV Bossard Report The report gives the history of the relationship between the CIA and the BND, beginning with General Gehlen, a German officer who started an organization during the war to preserve German intelligence records on the Soviet Union after Germany's defeat. The United States Army worked with Gehlen's organization after the end of the war, in a project called \"Operation Rusty\". The Vandenberg report was an evaluation by the CIA in 1947 of the merits of the CIA taking over this operation, which rejected the idea. The Bossard report was a later CIA follow up which was more favorable to the idea. In 1948 James Critchfield, head of the Munich Operations Based prepared the \"Critchfield Report\" which recommended the CIA take over Gehlen's operation , and this policy was put into effect in 1949. \"Year of Decisions\" the final section of the report consists of memos and reports between the CIA and the BND during 1949 as the policy was being carried out.\u003c/p\u003e","\u003cp\u003eBound copy of Item 1.\u003c/p\u003e","\u003cp\u003eVolume II Part V Critchfield Report Part VI Year of Decisions.\u003c/p\u003e","\u003cp\u003eBound book with copies of documents and reports relating to the CIA-BND operations, with a cover letter from Eberhard Blum, head of the BND from 1982-1985, to his \"dear friend\" James Critchfield.\u003c/p\u003e","\u003cp\u003eLooseleaf copy of Item 4.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Primary source documents, research materials and drafts for James Critchfield's book, \"Partners at the Creation the Men behind Postwar Germany's Defense and Intelligence Establishments.\"\nIncludes information on Germans imprisoned by the Allies, and on De-Nazification, for which Critchfield conducted interviews; also included are two copies of a booklet about a camps for detainees (\"Camp 71\"). The illustrated booklet is written in German and one English translation insert is provided.\nFurther included are oral history transcripts and documents relating to the Berlin Crises (1958-1961), the founding of the Bundesnachrichtendienst (BND), the declassified Central Intelligence Agency documents (1945-1949), a German-English intelligence glossary, biographical files and correspondence.  Includes some Holocaust materials and photographs of concentration camp victims.","\n Acc. 2009.367 consists of  photocopies of \"Foreign Intelligence and Partnership:CIA and the origins of the BND, 1945-49\"; as well as one bound and one loose-leaf set of copies of correspondence relating to Critchfield's post-war Intelligence tasks.","Scope and Contents Dissertation: \"The Denazification Program in the U.S. Zone of Germany.\"","Some tapes have been digitized. Tapes that have not been digitized will need to be digitized before access. Please contact Special Collections staff for more information. At least 72 hours advanced notice required for access.","This series includes material about the CIA and the origins of the Bundesnachrichtendienst (BND) as well as historical information about the CIA relationship with the German Federal Intelligence Service.","Volume I Part I Firsthand Accounts Part II Stunde Null (Zero Hour, June 1945) Part III Vandenberg Report Part IV Bossard Report The report gives the history of the relationship between the CIA and the BND, beginning with General Gehlen, a German officer who started an organization during the war to preserve German intelligence records on the Soviet Union after Germany's defeat. The United States Army worked with Gehlen's organization after the end of the war, in a project called \"Operation Rusty\". The Vandenberg report was an evaluation by the CIA in 1947 of the merits of the CIA taking over this operation, which rejected the idea. The Bossard report was a later CIA follow up which was more favorable to the idea. In 1948 James Critchfield, head of the Munich Operations Based prepared the \"Critchfield Report\" which recommended the CIA take over Gehlen's operation , and this policy was put into effect in 1949. \"Year of Decisions\" the final section of the report consists of memos and reports between the CIA and the BND during 1949 as the policy was being carried out.","Bound copy of Item 1.","Volume II Part V Critchfield Report Part VI Year of Decisions.","Bound book with copies of documents and reports relating to the CIA-BND operations, with a cover letter from Eberhard Blum, head of the BND from 1982-1985, to his \"dear friend\" James Critchfield.","Looseleaf copy of Item 4."],"separatedmaterial_html_tesm":["\u003cp\u003eA framed autographed photo of Richard Helms has been transferred to the Manuscript Audiovisual Collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["A framed autographed photo of Richard Helms has been transferred to the Manuscript Audiovisual Collection."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English German"],"total_component_count_is":486,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:55:23.487Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_2232","ead_ssi":"viw_repositories_2_resources_2232","_root_":"viw_repositories_2_resources_2232","_nest_parent_":"viw_repositories_2_resources_2232","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_2232.xml","title_filing_ssi":"Critchfield, James, Papers","title_ssm":["James H. Critchfield Papers"],"title_tesim":["James H. Critchfield Papers"],"unitdate_ssm":["1941-2003"],"unitdate_inclusive_ssm":["1941-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00209","/repositories/2/resources/2232"],"text":["MS 00209","/repositories/2/resources/2232","James H. Critchfield Papers","Germany. Bundesnachrichtendienst--History","Intelligence service--Germany--History","Interviews","National security--Germany--History","Denazification","Internment camps","Correspondence","Manuscripts (document genre)","Publications","Speeches, addresses, etc.","Video recordings","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","James H. Critchfield was a United States Army officer during World War II who remained in Germany and Austria as an army intelligence officer and joined the newly formed Central Intelligence Agency where he was the principal CIA officer working with the Gehlen Organization until its emergence as the Bundesnachrichtendienst (BND).He was born January 30, 1917 and graduated from North Dakota State University. He retired from the CIA in 1974 and died April 23, 2003. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Some cassette tapes have been digitized. Tapes that have not been digitized will need to be digitized before accessing. Please contact Special Collections staff for more information. At least 72 hours advanced notice required to access cassette tape recordings.","Processed by Matthew Hopper, SCRC Staff, during 2003-2004. Addition accessioned in August 2009 ,and described and rehoused by Terry Noziglia, SCRC Staff, in October 2009.","The James H. Critchfield Papers relating to Oman are housed at the Georgetown University Library.","Primary source documents, research materials and drafts for James Critchfield's book, \"Partners at the Creation the Men behind Postwar Germany's Defense and Intelligence Establishments.\"\nIncludes information on Germans imprisoned by the Allies, and on De-Nazification, for which Critchfield conducted interviews; also included are two copies of a booklet about a camps for detainees (\"Camp 71\"). The illustrated booklet is written in German and one English translation insert is provided.\nFurther included are oral history transcripts and documents relating to the Berlin Crises (1958-1961), the founding of the Bundesnachrichtendienst (BND), the declassified Central Intelligence Agency documents (1945-1949), a German-English intelligence glossary, biographical files and correspondence.  Includes some Holocaust materials and photographs of concentration camp victims.","\n Acc. 2009.367 consists of  photocopies of \"Foreign Intelligence and Partnership:CIA and the origins of the BND, 1945-49\"; as well as one bound and one loose-leaf set of copies of correspondence relating to Critchfield's post-war Intelligence tasks.","Scope and Contents Dissertation: \"The Denazification Program in the U.S. Zone of Germany.\"","Some tapes have been digitized. Tapes that have not been digitized will need to be digitized before access. Please contact Special Collections staff for more information. At least 72 hours advanced notice required for access.","This series includes material about the CIA and the origins of the Bundesnachrichtendienst (BND) as well as historical information about the CIA relationship with the German Federal Intelligence Service.","Volume I Part I Firsthand Accounts Part II Stunde Null (Zero Hour, June 1945) Part III Vandenberg Report Part IV Bossard Report The report gives the history of the relationship between the CIA and the BND, beginning with General Gehlen, a German officer who started an organization during the war to preserve German intelligence records on the Soviet Union after Germany's defeat. The United States Army worked with Gehlen's organization after the end of the war, in a project called \"Operation Rusty\". The Vandenberg report was an evaluation by the CIA in 1947 of the merits of the CIA taking over this operation, which rejected the idea. The Bossard report was a later CIA follow up which was more favorable to the idea. In 1948 James Critchfield, head of the Munich Operations Based prepared the \"Critchfield Report\" which recommended the CIA take over Gehlen's operation , and this policy was put into effect in 1949. \"Year of Decisions\" the final section of the report consists of memos and reports between the CIA and the BND during 1949 as the policy was being carried out.","Bound copy of Item 1.","Volume II Part V Critchfield Report Part VI Year of Decisions.","Bound book with copies of documents and reports relating to the CIA-BND operations, with a cover letter from Eberhard Blum, head of the BND from 1982-1985, to his \"dear friend\" James Critchfield.","Looseleaf copy of Item 4.","A framed autographed photo of Richard Helms has been transferred to the Manuscript Audiovisual Collection.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English German"],"unitid_tesim":["MS 00209","/repositories/2/resources/2232"],"normalized_title_ssm":["James H. Critchfield Papers"],"collection_title_tesim":["James H. Critchfield Papers"],"collection_ssim":["James H. Critchfield Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2004.09 was a gift of Lois Critchfield in 2004. Acc. 2009.367 a gift of Lois Critchfield in August 2009."],"access_subjects_ssim":["Germany. Bundesnachrichtendienst--History","Intelligence service--Germany--History","Interviews","National security--Germany--History","Denazification","Internment camps","Correspondence","Manuscripts (document genre)","Publications","Speeches, addresses, etc.","Video recordings"],"access_subjects_ssm":["Germany. Bundesnachrichtendienst--History","Intelligence service--Germany--History","Interviews","National security--Germany--History","Denazification","Internment camps","Correspondence","Manuscripts (document genre)","Publications","Speeches, addresses, etc.","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["11.50 Linear Feet"],"extent_tesim":["11.50 Linear Feet"],"genreform_ssim":["Correspondence","Manuscripts (document genre)","Publications","Speeches, addresses, etc.","Video recordings"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eJames H. Critchfield was a United States Army officer during World War II who remained in Germany and Austria as an army intelligence officer and joined the newly formed Central Intelligence Agency where he was the principal CIA officer working with the Gehlen Organization until its emergence as the Bundesnachrichtendienst (BND).He was born January 30, 1917 and graduated from North Dakota State University. He retired from the CIA in 1974 and died April 23, 2003. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/James_H._Critchfield\" title=\"James H. Critchfield\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["James H. Critchfield was a United States Army officer during World War II who remained in Germany and Austria as an army intelligence officer and joined the newly formed Central Intelligence Agency where he was the principal CIA officer working with the Gehlen Organization until its emergence as the Bundesnachrichtendienst (BND).He was born January 30, 1917 and graduated from North Dakota State University. He retired from the CIA in 1974 and died April 23, 2003. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"phystech_html_tesm":["\u003cp\u003eSome cassette tapes have been digitized. Tapes that have not been digitized will need to be digitized before accessing. Please contact Special Collections staff for more information. At least 72 hours advanced notice required to access cassette tape recordings.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["Some cassette tapes have been digitized. Tapes that have not been digitized will need to be digitized before accessing. Please contact Special Collections staff for more information. At least 72 hours advanced notice required to access cassette tape recordings."],"prefercite_html_tesm":["\u003cp\u003eJames H. Critchfield Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["James H. Critchfield Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Matthew Hopper, SCRC Staff, during 2003-2004. Addition accessioned in August 2009 ,and described and rehoused by Terry Noziglia, SCRC Staff, in October 2009.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Matthew Hopper, SCRC Staff, during 2003-2004. Addition accessioned in August 2009 ,and described and rehoused by Terry Noziglia, SCRC Staff, in October 2009."],"relatedmaterial_html_tesm":["\u003cp\u003eThe James H. Critchfield Papers relating to Oman are housed at the Georgetown University Library.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["The James H. Critchfield Papers relating to Oman are housed at the Georgetown University Library."],"scopecontent_html_tesm":["\u003cp\u003ePrimary source documents, research materials and drafts for James Critchfield's book, \"Partners at the Creation the Men behind Postwar Germany's Defense and Intelligence Establishments.\"\nIncludes information on Germans imprisoned by the Allies, and on De-Nazification, for which Critchfield conducted interviews; also included are two copies of a booklet about a camps for detainees (\"Camp 71\"). The illustrated booklet is written in German and one English translation insert is provided.\nFurther included are oral history transcripts and documents relating to the Berlin Crises (1958-1961), the founding of the Bundesnachrichtendienst (BND), the declassified Central Intelligence Agency documents (1945-1949), a German-English intelligence glossary, biographical files and correspondence.  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At least 72 hours advanced notice required for access.\u003c/p\u003e","\u003cp\u003eThis series includes material about the CIA and the origins of the Bundesnachrichtendienst (BND) as well as historical information about the CIA relationship with the German Federal Intelligence Service.\u003c/p\u003e","\u003cp\u003eVolume I Part I Firsthand Accounts Part II Stunde Null (Zero Hour, June 1945) Part III Vandenberg Report Part IV Bossard Report The report gives the history of the relationship between the CIA and the BND, beginning with General Gehlen, a German officer who started an organization during the war to preserve German intelligence records on the Soviet Union after Germany's defeat. The United States Army worked with Gehlen's organization after the end of the war, in a project called \"Operation Rusty\". The Vandenberg report was an evaluation by the CIA in 1947 of the merits of the CIA taking over this operation, which rejected the idea. The Bossard report was a later CIA follow up which was more favorable to the idea. 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