{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=University+of+Virginia+--+Alumni\u0026f%5Bdate_range%5D%5B%5D=1974","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=University+of+Virginia+--+Alumni\u0026f%5Bdate_range%5D%5B%5D=1974\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":2,"first_page?":true,"last_page?":true}},"data":[{"id":"viu_repositories_3_resources_1783_c02","type":"File","attributes":{"title":"Holly Peters papers (Addition 1), 1973/1975","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1783_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis addition 1 to the Coeducation at the University of Virginia collection contains the papers of Holly Peters. Peters was part of the first class of women attending the University of Virginia, graduating in 1974 with a B.A. in English and Religious Studies. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1783_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1783_c02","ref_ssm":["viu_repositories_3_resources_1783_c02"],"id":"viu_repositories_3_resources_1783_c02","ead_ssi":"viu_repositories_3_resources_1783","_root_":"viu_repositories_3_resources_1783","_nest_parent_":"viu_repositories_3_resources_1783","parent_ssi":"viu_repositories_3_resources_1783","parent_ssim":["Co-education at the University of Virginia collection, 1973/1975"],"parent_ids_ssim":["viu_repositories_3_resources_1783"],"title_filing_ssi":"Holly Peters papers (Addition 1)","title_ssm":["Holly Peters papers (Addition 1)"],"title_tesim":["Holly Peters papers (Addition 1)"],"normalized_title_ssm":["Holly Peters papers (Addition 1), 1973/1975"],"text":["Holly Peters papers (Addition 1), 1973/1975","Co-education at the University of Virginia collection, 1973/1975","box 1","folder 1","Peters, Holly","University of Virginia -- Co-education","Student life","University of Virginia -- Alumni","Sex instruction","Women in higher education","English","This collection is open for research.","This addition 1 to the Coeducation at the University of Virginia collection contains the papers of Holly Peters. Peters was part of the first class of women attending the  University of Virginia, graduating in 1974 with a B.A. in English and Religious Studies.","Peters's papers document her work on the Counselors Committee on Human Sexuality. Content includes a 1974 Commencement Exercises invitation, a 1974 photograph of the committee, \"An Ounce of Prevention\" pamphlet from 1973, \"An Ounce of Prevention\" pamphlet from 1975, a broadside for a March 1974 lecture by sexuality scholars Masters and Johnson, and an April 1973 Richmond News Leader page discussing coeducational dormitories at Virginia's public universities.","After graduating, Peters worked in Memphis at the Women's Resource Center, a United Methodist Church project. She was Director of the ACLU of Tennessee for three years before attending law school. After law school, Peters worked at the Legal Aid Society in Roanoke, where she remained as a lawyer until her retirement."],"parent_unittitles_ssm":["Co-education at the University of Virginia collection, 1973/1975"],"parent_unittitles_tesim":["Co-education at the University of Virginia collection, 1973/1975"],"normalized_date_ssm":["1973/1975"],"unitdate_inclusive_ssm":["1973-1975"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":2,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Co-education at the University of Virginia collection, 1973/1975"],"extent_ssm":["0.03 Cubic Feet Two pamphlets, one invitation, two newspaper clippings, one photograph"],"extent_tesim":["0.03 Cubic Feet Two pamphlets, one invitation, two newspaper clippings, one photograph"],"containers_ssim":["box 1","folder 1"],"creator_ssim":["Peters, Holly"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["This collection is open for research."],"persname_ssim":["Peters, Holly"],"names_ssim":["Peters, Holly"],"geogname_ssim":["University of Virginia -- Co-education","Student life"],"geogname_ssm":["University of Virginia -- Co-education","Student life"],"places_ssim":["University of Virginia -- Co-education","Student life"],"access_subjects_ssim":["University of Virginia -- Alumni","Sex instruction","Women in higher education"],"access_subjects_ssm":["University of Virginia -- Alumni","Sex instruction","Women in higher education"],"acqinfo_ssim":["This collection was a gift from Holly Peters to the Small Special Collections Library at the University of Virginia Library on19 December 2024."],"language_ssim":["English"],"date_range_isim":[1973,1974,1975],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"prefercite_html_tesm":["\u003cp\u003eMSS 16898, Co-Education Collection at the University of Virginia, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["MSS 16898, Co-Education Collection at the University of Virginia, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThis addition 1 to the Coeducation at the University of Virginia collection contains the papers of Holly Peters. Peters was part of the first class of women attending the  University of Virginia, graduating in 1974 with a B.A. in English and Religious Studies. \u003c/p\u003e","\u003cp\u003ePeters's papers document her work on the Counselors Committee on Human Sexuality. Content includes a 1974 Commencement Exercises invitation, a 1974 photograph of the committee, \"An Ounce of Prevention\" pamphlet from 1973, \"An Ounce of Prevention\" pamphlet from 1975, a broadside for a March 1974 lecture by sexuality scholars Masters and Johnson, and an April 1973 Richmond News Leader page discussing coeducational dormitories at Virginia's public universities.  \u003c/p\u003e","\u003cp\u003eAfter graduating, Peters worked in Memphis at the Women's Resource Center, a United Methodist Church project. She was Director of the ACLU of Tennessee for three years before attending law school. After law school, Peters worked at the Legal Aid Society in Roanoke, where she remained as a lawyer until her retirement. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This addition 1 to the Coeducation at the University of Virginia collection contains the papers of Holly Peters. Peters was part of the first class of women attending the  University of Virginia, graduating in 1974 with a B.A. in English and Religious Studies.","Peters's papers document her work on the Counselors Committee on Human Sexuality. Content includes a 1974 Commencement Exercises invitation, a 1974 photograph of the committee, \"An Ounce of Prevention\" pamphlet from 1973, \"An Ounce of Prevention\" pamphlet from 1975, a broadside for a March 1974 lecture by sexuality scholars Masters and Johnson, and an April 1973 Richmond News Leader page discussing coeducational dormitories at Virginia's public universities.","After graduating, Peters worked in Memphis at the Women's Resource Center, a United Methodist Church project. She was Director of the ACLU of Tennessee for three years before attending law school. After law school, Peters worked at the Legal Aid Society in Roanoke, where she remained as a lawyer until her retirement."],"_nest_path_":"/components#1","timestamp":"2026-08-14T22:53:44.527Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1783","ead_ssi":"viu_repositories_3_resources_1783","_root_":"viu_repositories_3_resources_1783","_nest_parent_":"viu_repositories_3_resources_1783","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1783.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/221414","title_filing_ssi":"Co-education at the University of Virginia collection","title_ssm":["Co-education at the University of Virginia collection"],"title_tesim":["Co-education at the University of Virginia collection"],"unitdate_ssm":["c. 1973-1975"],"unitdate_inclusive_ssm":["c. 1973-1975"],"normalized_date_ssm":["1973/1975"],"normalized_title_ssm":["Co-education at the University of Virginia collection, 1973/1975"],"text":["Co-education at the University of Virginia collection, 1973/1975","MSS 16898","Archival Resource Key","/repositories/3/resources/1783","University of Virginia -- Co-education","Student life","Women in higher education","This collection is open for research.","While the University of Virginia was one of the slowest to accept women into their institution according to an article \"Missing In Plain Sight\" by the University of Virginia Women's Center, \"By 1970, when the first officially co-ed class enrolled and 450 women arrived on Grounds to take their seats in UVA classes, over 30,000 women had already made their mark on UVA–pursuing, and earning, their diploma, certificate, or degree (bachelor's, master's, medical, law, and doctoral). Their presence is recorded in the archives. The existence of women on Grounds is a fact hiding in plain sight. To borrow McIntire alumna Margot Lee Shetterly's (Com 1991) formulation, they are UVA's hidden figures: some hidden once for their gender, others hidden twice for their gender and their race.\"","\"In this university for southern gentlemen, there was no place for women. Yet, women found ways to access the university as early as the late nineteenth century.\" - Phyllis Leffler","Source:\nhttps://womenscenter.virginia.edu/celebrate/history-women-uva\nOur deep gratitude goes as well to the students and staff who provided invaluable technical and fact-checking assistance. The hours they logged on this project carried us over the finish line: Emma Abraham (Col 2023), Carol Gilbert (Women's Center), Elyse Girard (UVA Library), Guada Pinto (Col 2021, Batten 2022), and Holly Robertson (UVA Library).","Our colleagues across Grounds have been working for decades to document the experiences of women at UVA, and this project is indebted to their research. Phyllis Leffler, Professor Emerita of History, graciously and generously shared a treasure-trove of files and provided encouragement at every step of the project. Liz Crowder (Alumni Assocation) collaborated on fact-finding missions, and Ervin Jordan (OAAA) pointed us to additional sources.","Phyllis Leffler, \"Mr. Jefferson's University: Women in the Village!\" (Virginia Magazine of History and Biography, Vol. 115, No. 1 (2007), 56-107.)","Related collection Dale Hill papers MSS 16583","Albert and Shirley Small Special Collections Library","Laudenschlager, Connie Clark","Peters, Holly","English"],"collection_title_tesim":["Co-education at the University of Virginia collection, 1973/1975"],"collection_ssim":["Co-education at the University of Virginia collection, 1973/1975"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16898","Archival Resource Key","/repositories/3/resources/1783"],"unitid_tesim":["MSS 16898","Archival Resource Key","/repositories/3/resources/1783"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["University of Virginia -- Co-education","Student life"],"geogname_ssim":["University of Virginia -- Co-education","Student life"],"places_ssim":["University of Virginia -- Co-education","Student life"],"creator_ssm":["Laudenschlager, Connie Clark"],"creator_ssim":["Laudenschlager, Connie Clark"],"creator_persname_ssim":["Laudenschlager, Connie Clark","Peters, Holly"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Laudenschlager, Connie Clark","Peters, Holly","Albert and Shirley Small Special Collections Library"],"access_subjects_ssim":["Women in higher education"],"access_subjects_ssm":["Women in higher education"],"has_online_content_ssim":["false"],"extent_ssm":[".012 Cubic Feet 1  Oversize folder (medium), 1 legal size folder"],"extent_tesim":[".012 Cubic Feet 1  Oversize folder (medium), 1 legal size folder"],"date_range_isim":[1973,1974,1975],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"odd_html_tesm":["\u003cp\u003eWhile the University of Virginia was one of the slowest to accept women into their institution according to an article \"Missing In Plain Sight\" by the University of Virginia Women's Center, \"By 1970, when the first officially co-ed class enrolled and 450 women arrived on Grounds to take their seats in UVA classes, over 30,000 women had already made their mark on UVA–pursuing, and earning, their diploma, certificate, or degree (bachelor's, master's, medical, law, and doctoral). Their presence is recorded in the archives. The existence of women on Grounds is a fact hiding in plain sight. To borrow McIntire alumna Margot Lee Shetterly's (Com 1991) formulation, they are UVA's hidden figures: some hidden once for their gender, others hidden twice for their gender and their race.\"\u003c/p\u003e","\u003cp\u003e\"In this university for southern gentlemen, there was no place for women. Yet, women found ways to access the university as early as the late nineteenth century.\" - Phyllis Leffler\u003c/p\u003e","\u003cp\u003eSource:\nhttps://womenscenter.virginia.edu/celebrate/history-women-uva\nOur deep gratitude goes as well to the students and staff who provided invaluable technical and fact-checking assistance. The hours they logged on this project carried us over the finish line: Emma Abraham (Col 2023), Carol Gilbert (Women's Center), Elyse Girard (UVA Library), Guada Pinto (Col 2021, Batten 2022), and Holly Robertson (UVA Library).\u003c/p\u003e","\u003cp\u003eOur colleagues across Grounds have been working for decades to document the experiences of women at UVA, and this project is indebted to their research. Phyllis Leffler, Professor Emerita of History, graciously and generously shared a treasure-trove of files and provided encouragement at every step of the project. Liz Crowder (Alumni Assocation) collaborated on fact-finding missions, and Ervin Jordan (OAAA) pointed us to additional sources.\u003c/p\u003e","\u003cp\u003ePhyllis Leffler, \"Mr. Jefferson's University: Women in the Village!\" (Virginia Magazine of History and Biography, Vol. 115, No. 1 (2007), 56-107.) \u003c/p\u003e  "],"odd_heading_ssm":["General"],"odd_tesim":["While the University of Virginia was one of the slowest to accept women into their institution according to an article \"Missing In Plain Sight\" by the University of Virginia Women's Center, \"By 1970, when the first officially co-ed class enrolled and 450 women arrived on Grounds to take their seats in UVA classes, over 30,000 women had already made their mark on UVA–pursuing, and earning, their diploma, certificate, or degree (bachelor's, master's, medical, law, and doctoral). Their presence is recorded in the archives. The existence of women on Grounds is a fact hiding in plain sight. To borrow McIntire alumna Margot Lee Shetterly's (Com 1991) formulation, they are UVA's hidden figures: some hidden once for their gender, others hidden twice for their gender and their race.\"","\"In this university for southern gentlemen, there was no place for women. Yet, women found ways to access the university as early as the late nineteenth century.\" - Phyllis Leffler","Source:\nhttps://womenscenter.virginia.edu/celebrate/history-women-uva\nOur deep gratitude goes as well to the students and staff who provided invaluable technical and fact-checking assistance. The hours they logged on this project carried us over the finish line: Emma Abraham (Col 2023), Carol Gilbert (Women's Center), Elyse Girard (UVA Library), Guada Pinto (Col 2021, Batten 2022), and Holly Robertson (UVA Library).","Our colleagues across Grounds have been working for decades to document the experiences of women at UVA, and this project is indebted to their research. Phyllis Leffler, Professor Emerita of History, graciously and generously shared a treasure-trove of files and provided encouragement at every step of the project. Liz Crowder (Alumni Assocation) collaborated on fact-finding missions, and Ervin Jordan (OAAA) pointed us to additional sources.","Phyllis Leffler, \"Mr. Jefferson's University: Women in the Village!\" (Virginia Magazine of History and Biography, Vol. 115, No. 1 (2007), 56-107.)"],"prefercite_html_tesm":["\u003cp\u003eMSS 16898, Co-Education Collection at the University of Virginia, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16898, Co-Education Collection at the University of Virginia, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated collection Dale Hill papers MSS 16583\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related collection Dale Hill papers MSS 16583"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Laudenschlager, Connie Clark","Peters, Holly"],"names_ssim":["Albert and Shirley Small Special Collections Library","Laudenschlager, Connie Clark","Peters, Holly"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:53:44.527Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1783_c02"}},{"id":"viu_repositories_3_resources_1828","type":"collection","attributes":{"title":"Robert Anbian papers, 1974/2022","creator":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1828#creator","type":"document_value","attributes":{"value":"Anbian, Robert","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1828#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains the papers of poet, author, publisher, and political activist Robert White Anbian (1949-2022). Anbian graduated from the University of Virginia in 1971, after which he spent three years in Niger with the Peace Corps from 1974 to 1977. He then relocated to San Francisco, where he worked as a writer and poet until his death. From 1985 to 1996, Robert served as the editor of the monthly Film Arts Foundation magazine, Release Print, and the publicist for an independent filmmaker education and advocacy group. He founded his own publishing house, Night Horn Books. Anbian published three poetry collections: WE Parts 1 \u0026amp; 2 (Night Horn Books, 1999), Antinostalgia (Ruddy Duck Press, 1992), and Bohemian Airs \u0026amp; Other Kêfs (Night Horn Books, 1982). \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1828#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1828","ead_ssi":"viu_repositories_3_resources_1828","_root_":"viu_repositories_3_resources_1828","_nest_parent_":"viu_repositories_3_resources_1828","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1828.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/230328","title_filing_ssi":"Anbian, Robert papers","title_ssm":["Robert Anbian papers"],"title_tesim":["Robert Anbian papers"],"unitdate_ssm":["1974-2022"],"unitdate_inclusive_ssm":["1974-2022"],"normalized_date_ssm":["1974/2022"],"normalized_title_ssm":["Robert Anbian papers, 1974/2022"],"text":["Robert Anbian papers, 1974/2022","MSS 16922","Archival Resource Key","/repositories/3/resources/1828","United States -- Politics and government -- 2001-2009","Central America -- Politics and government -- 1979-","Poets","University of Virginia -- Alumni","Poverty","poetry","American literature","This collection is open for research.","The collection is arranged by type of material and then by date. Series 1. Sketchbooks, Notebooks and manuscripts, Series 2. Correspondence, Series 3. Publications, Series 4. Reviews, Series 5. Burlington County Herald newspaper","\"Robert Anbian (June 27, 1949 - February 23, 2022) wrote about sex, politics, seas and oceans, city streets, deserts, war, love, music, highways, petty larceny, ecstasy, childhood, death, and memories. His poems and stories are populated with the poor, lost, exiled, angry, crazy in love, and intoxicated... His syntax is mangled, his narrative a montage. He had little use for metaphor. He means exactly what he says. His texts are homespun, esoteric, oddly familiar and strange. He's discovering the music in language, in thought, in the cortex of consciousness. He's funny.","That Anbian, a leading voice in the San Francisco poetry underground, isn't more widely known is as much a tribute to his \"odd man out\" obstinacy as to the usual reluctance of society to deal with its critics. Yet obstinacy has a point. Anbian writes a poetry that won't surrender an inch of imaginative freedom to love, hate, or ideology – his own above all. With I NOT I (EDT4072), the word comes from the poet himself in a writer's voice – that is, in a language demotic, impassioned, and little peculiar. Included in this powerful follow-up to the 2007 poetry and jazz CD, Robert Anbian and the Unidentified Flying Quartet, also on Edgetone Records (EDT4052), is a sweeping selection from Anbian's epochal WE series, in a new sequence enacting the poems' contingent, open-ended form. This is an important recording for anyone interested in poetry, spoken word, literature, anti-literature, and the troubled junctures of culture and politics.","Robert Anbian published three poetry collections, WE Parts 1 \u0026 2 (Night Horn Books 1999), Antinostalgia (Ruddy Duck Press 1992) and Bohemian Airs \u0026 Other Kêfs (Night Horn Books, 1982). His most recent publication is the chapbook, Blame the Powerful: Political Poems (War\u0026Peace Press 2004). His work has appeared in the anthologies, Beyond Lament: Poets of the World Confront the Holocaust (Northwestern) and Practicing Angels: A Contemporary Anthology of San Francisco Bay Area Poetry (Seismograph), at www.newversenews.com, and in the literary periodicals City Lights Review, North Coast Literary Review, Oxygen, Left Curve, Oro Madre, Compages, and the electronic journal, Rif/t. From 1978-82, he edited the literary review, Oboe.\"","A native of New Jersey and graduate of the University of Virginia, and following his work in the Peace Corps, Anbian lived and worked as a journalist and editor in San Francisco. He graduated from the University of Virginia in 1971, after which he spent three years in Niger with the Peace Corps from 1974 to 1977. He then relocated to San Francisco, where he worked as a writer and poet until his death. From 1985 to 1996, Robert served as the editor of the monthly Film Arts Foundation magazine, Release Print, and the publicist for an independent filmmaker education and advocacy group. He founded his own publishing house, Night Horn Books. Anbian published three poetry collections: WE Parts 1 \u0026 2 (Night Horn Books, 1999), Antinostalgia (Ruddy Duck Press, 1992), and Bohemian Airs \u0026 Other Kêfs (Night Horn Books, 1982).","Source:\n\"Robert Anbian\" Edgetone Records website. Accessed 10/2/25\nhttps://www.edgetonerecords.com/anbian.html","This collection contains the papers of poet, author, publisher, and political activist Robert White Anbian (1949-2022). Anbian graduated from the University of Virginia in 1971, after which he spent three years in Niger with the Peace Corps from 1974 to 1977. He then relocated to San Francisco, where he worked as a writer and poet until his death. From 1985 to 1996, Robert served as the editor of the monthly Film Arts Foundation magazine, Release Print, and the publicist for an independent filmmaker education and advocacy group. He founded his own publishing house, Night Horn Books. Anbian published three poetry collections: WE Parts 1 \u0026 2 (Night Horn Books, 1999), Antinostalgia (Ruddy Duck Press, 1992), and Bohemian Airs \u0026 Other Kêfs (Night Horn Books, 1982).","The collection contains sketchbooks, journals, handwritten and printed drafts of poems, screenplays, short stories, and longer works, notes, newspaper clippings, articles, printed publications, posters, pamphlets, resumes, an astrological chart, artworks, photographs, correspondence, ephemera, and publications published by Night Horn Books.","The papers span from 1974 to 2022 and document his work as a writer and publisher. Materials include his journals and sketchbooks from 1974 to 2019, which include his artwork, notes, and poetry. There are synopses, drafts, notebooks, and notes of two of his novels, \"The Glittering Zero\" and \"Deep Blue Sea,\" as well as his poetry, short stories, and screenplays.","Aside from his written work, the collection contains correspondence between Anbian and other poets, personal handwritten notes, postcards to friends and family members, resumes, photographs, and artwork by Anbian. Works published by Wilderness Press and Night Horn Book, authored by Anbian and others, are also included. See External Documents for a detailed box-folder inventory of the collection's contents.","Albert and Shirley Small Special Collections Library","Anbian, Robert","English\n      French\n      Greek, Modern (1453-)"],"collection_title_tesim":["Robert Anbian papers, 1974/2022"],"collection_ssim":["Robert Anbian papers, 1974/2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16922","Archival Resource Key","/repositories/3/resources/1828"],"unitid_tesim":["MSS 16922","Archival Resource Key","/repositories/3/resources/1828"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["United States -- Politics and government -- 2001-2009","Central America -- Politics and government -- 1979-"],"geogname_ssim":["United States -- Politics and government -- 2001-2009","Central America -- Politics and government -- 1979-"],"places_ssim":["United States -- Politics and government -- 2001-2009","Central America -- Politics and government -- 1979-"],"creator_ssm":["Anbian, Robert"],"creator_ssim":["Anbian, Robert"],"creator_persname_ssim":["Anbian, Robert"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Anbian, Robert","Albert and Shirley Small Special Collections Library"],"acqinfo_ssim":["This collection was a gift from Patricia McLaughlin to the Small Special Collections Library at the University of Virginia Library on 19 December 2024."],"access_subjects_ssim":["Poets","University of Virginia -- Alumni","Poverty","poetry","American literature"],"access_subjects_ssm":["Poets","University of Virginia -- Alumni","Poverty","poetry","American literature"],"has_online_content_ssim":["false"],"extent_ssm":["5.35 Cubic Feet 13 document boxes, one medium oversized flat box"],"extent_tesim":["5.35 Cubic Feet 13 document boxes, one medium oversized flat box"],"genreform_ssim":["poetry","American literature"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by type of material and then by date. Series 1. Sketchbooks, Notebooks and manuscripts, Series 2. Correspondence, Series 3. Publications, Series 4. Reviews, Series 5. Burlington County Herald newspaper\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged by type of material and then by date. Series 1. Sketchbooks, Notebooks and manuscripts, Series 2. Correspondence, Series 3. Publications, Series 4. Reviews, Series 5. Burlington County Herald newspaper"],"bioghist_html_tesm":["\u003cp\u003e \"Robert Anbian (June 27, 1949 - February 23, 2022) wrote about sex, politics, seas and oceans, city streets, deserts, war, love, music, highways, petty larceny, ecstasy, childhood, death, and memories. His poems and stories are populated with the poor, lost, exiled, angry, crazy in love, and intoxicated... His syntax is mangled, his narrative a montage. He had little use for metaphor. He means exactly what he says. His texts are homespun, esoteric, oddly familiar and strange. He's discovering the music in language, in thought, in the cortex of consciousness. He's funny.\u003c/p\u003e","\u003cp\u003eThat Anbian, a leading voice in the San Francisco poetry underground, isn't more widely known is as much a tribute to his \"odd man out\" obstinacy as to the usual reluctance of society to deal with its critics. Yet obstinacy has a point. Anbian writes a poetry that won't surrender an inch of imaginative freedom to love, hate, or ideology – his own above all. With I NOT I (EDT4072), the word comes from the poet himself in a writer's voice – that is, in a language demotic, impassioned, and little peculiar. Included in this powerful follow-up to the 2007 poetry and jazz CD, Robert Anbian and the Unidentified Flying Quartet, also on Edgetone Records (EDT4052), is a sweeping selection from Anbian's epochal WE series, in a new sequence enacting the poems' contingent, open-ended form. This is an important recording for anyone interested in poetry, spoken word, literature, anti-literature, and the troubled junctures of culture and politics.\u003c/p\u003e","\u003cp\u003eRobert Anbian published three poetry collections, WE Parts 1 \u0026amp; 2 (Night Horn Books 1999), Antinostalgia (Ruddy Duck Press 1992) and Bohemian Airs \u0026amp; Other Kêfs (Night Horn Books, 1982). His most recent publication is the chapbook, Blame the Powerful: Political Poems (War\u0026amp;Peace Press 2004). His work has appeared in the anthologies, Beyond Lament: Poets of the World Confront the Holocaust (Northwestern) and Practicing Angels: A Contemporary Anthology of San Francisco Bay Area Poetry (Seismograph), at www.newversenews.com, and in the literary periodicals City Lights Review, North Coast Literary Review, Oxygen, Left Curve, Oro Madre, Compages, and the electronic journal, Rif/t. From 1978-82, he edited the literary review, Oboe.\" \u003c/p\u003e","\u003cp\u003eA native of New Jersey and graduate of the University of Virginia, and following his work in the Peace Corps, Anbian lived and worked as a journalist and editor in San Francisco. He graduated from the University of Virginia in 1971, after which he spent three years in Niger with the Peace Corps from 1974 to 1977. He then relocated to San Francisco, where he worked as a writer and poet until his death. From 1985 to 1996, Robert served as the editor of the monthly Film Arts Foundation magazine, Release Print, and the publicist for an independent filmmaker education and advocacy group. He founded his own publishing house, Night Horn Books. Anbian published three poetry collections: WE Parts 1 \u0026amp; 2 (Night Horn Books, 1999), Antinostalgia (Ruddy Duck Press, 1992), and Bohemian Airs \u0026amp; Other Kêfs (Night Horn Books, 1982). \u003c/p\u003e","\u003cp\u003e\nSource:\n\"Robert Anbian\" Edgetone Records website. Accessed 10/2/25\nhttps://www.edgetonerecords.com/anbian.html\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"Robert Anbian (June 27, 1949 - February 23, 2022) wrote about sex, politics, seas and oceans, city streets, deserts, war, love, music, highways, petty larceny, ecstasy, childhood, death, and memories. His poems and stories are populated with the poor, lost, exiled, angry, crazy in love, and intoxicated... His syntax is mangled, his narrative a montage. He had little use for metaphor. He means exactly what he says. His texts are homespun, esoteric, oddly familiar and strange. He's discovering the music in language, in thought, in the cortex of consciousness. He's funny.","That Anbian, a leading voice in the San Francisco poetry underground, isn't more widely known is as much a tribute to his \"odd man out\" obstinacy as to the usual reluctance of society to deal with its critics. Yet obstinacy has a point. Anbian writes a poetry that won't surrender an inch of imaginative freedom to love, hate, or ideology – his own above all. With I NOT I (EDT4072), the word comes from the poet himself in a writer's voice – that is, in a language demotic, impassioned, and little peculiar. Included in this powerful follow-up to the 2007 poetry and jazz CD, Robert Anbian and the Unidentified Flying Quartet, also on Edgetone Records (EDT4052), is a sweeping selection from Anbian's epochal WE series, in a new sequence enacting the poems' contingent, open-ended form. This is an important recording for anyone interested in poetry, spoken word, literature, anti-literature, and the troubled junctures of culture and politics.","Robert Anbian published three poetry collections, WE Parts 1 \u0026 2 (Night Horn Books 1999), Antinostalgia (Ruddy Duck Press 1992) and Bohemian Airs \u0026 Other Kêfs (Night Horn Books, 1982). His most recent publication is the chapbook, Blame the Powerful: Political Poems (War\u0026Peace Press 2004). His work has appeared in the anthologies, Beyond Lament: Poets of the World Confront the Holocaust (Northwestern) and Practicing Angels: A Contemporary Anthology of San Francisco Bay Area Poetry (Seismograph), at www.newversenews.com, and in the literary periodicals City Lights Review, North Coast Literary Review, Oxygen, Left Curve, Oro Madre, Compages, and the electronic journal, Rif/t. From 1978-82, he edited the literary review, Oboe.\"","A native of New Jersey and graduate of the University of Virginia, and following his work in the Peace Corps, Anbian lived and worked as a journalist and editor in San Francisco. He graduated from the University of Virginia in 1971, after which he spent three years in Niger with the Peace Corps from 1974 to 1977. He then relocated to San Francisco, where he worked as a writer and poet until his death. From 1985 to 1996, Robert served as the editor of the monthly Film Arts Foundation magazine, Release Print, and the publicist for an independent filmmaker education and advocacy group. He founded his own publishing house, Night Horn Books. Anbian published three poetry collections: WE Parts 1 \u0026 2 (Night Horn Books, 1999), Antinostalgia (Ruddy Duck Press, 1992), and Bohemian Airs \u0026 Other Kêfs (Night Horn Books, 1982).","Source:\n\"Robert Anbian\" Edgetone Records website. Accessed 10/2/25\nhttps://www.edgetonerecords.com/anbian.html"],"prefercite_html_tesm":["\u003cp\u003eMSS 16922, Robert Anbian papers, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16922, Robert Anbian papers, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the papers of poet, author, publisher, and political activist Robert White Anbian (1949-2022). Anbian graduated from the University of Virginia in 1971, after which he spent three years in Niger with the Peace Corps from 1974 to 1977. He then relocated to San Francisco, where he worked as a writer and poet until his death. From 1985 to 1996, Robert served as the editor of the monthly Film Arts Foundation magazine, Release Print, and the publicist for an independent filmmaker education and advocacy group. He founded his own publishing house, Night Horn Books. Anbian published three poetry collections: WE Parts 1 \u0026amp; 2 (Night Horn Books, 1999), Antinostalgia (Ruddy Duck Press, 1992), and Bohemian Airs \u0026amp; Other Kêfs (Night Horn Books, 1982). \u003c/p\u003e","\u003cp\u003eThe collection contains sketchbooks, journals, handwritten and printed drafts of poems, screenplays, short stories, and longer works, notes, newspaper clippings, articles, printed publications, posters, pamphlets, resumes, an astrological chart, artworks, photographs, correspondence, ephemera, and publications published by Night Horn Books. \u003c/p\u003e","\u003cp\u003eThe papers span from 1974 to 2022 and document his work as a writer and publisher. Materials include his journals and sketchbooks from 1974 to 2019, which include his artwork, notes, and poetry. There are synopses, drafts, notebooks, and notes of two of his novels, \"The Glittering Zero\" and \"Deep Blue Sea,\" as well as his poetry, short stories, and screenplays. \u003c/p\u003e","\u003cp\u003eAside from his written work, the collection contains correspondence between Anbian and other poets, personal handwritten notes, postcards to friends and family members, resumes, photographs, and artwork by Anbian. Works published by Wilderness Press and Night Horn Book, authored by Anbian and others, are also included. See External Documents for a detailed box-folder inventory of the collection's contents. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains the papers of poet, author, publisher, and political activist Robert White Anbian (1949-2022). Anbian graduated from the University of Virginia in 1971, after which he spent three years in Niger with the Peace Corps from 1974 to 1977. He then relocated to San Francisco, where he worked as a writer and poet until his death. From 1985 to 1996, Robert served as the editor of the monthly Film Arts Foundation magazine, Release Print, and the publicist for an independent filmmaker education and advocacy group. He founded his own publishing house, Night Horn Books. Anbian published three poetry collections: WE Parts 1 \u0026 2 (Night Horn Books, 1999), Antinostalgia (Ruddy Duck Press, 1992), and Bohemian Airs \u0026 Other Kêfs (Night Horn Books, 1982).","The collection contains sketchbooks, journals, handwritten and printed drafts of poems, screenplays, short stories, and longer works, notes, newspaper clippings, articles, printed publications, posters, pamphlets, resumes, an astrological chart, artworks, photographs, correspondence, ephemera, and publications published by Night Horn Books.","The papers span from 1974 to 2022 and document his work as a writer and publisher. Materials include his journals and sketchbooks from 1974 to 2019, which include his artwork, notes, and poetry. There are synopses, drafts, notebooks, and notes of two of his novels, \"The Glittering Zero\" and \"Deep Blue Sea,\" as well as his poetry, short stories, and screenplays.","Aside from his written work, the collection contains correspondence between Anbian and other poets, personal handwritten notes, postcards to friends and family members, resumes, photographs, and artwork by Anbian. Works published by Wilderness Press and Night Horn Book, authored by Anbian and others, are also included. See External Documents for a detailed box-folder inventory of the collection's contents."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Anbian, Robert"],"names_ssim":["Albert and Shirley Small Special Collections Library","Anbian, Robert"],"language_ssim":["English\n      French\n      Greek, Modern (1453-)"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":96,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:53:58.310Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1828","ead_ssi":"viu_repositories_3_resources_1828","_root_":"viu_repositories_3_resources_1828","_nest_parent_":"viu_repositories_3_resources_1828","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1828.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/230328","title_filing_ssi":"Anbian, Robert papers","title_ssm":["Robert Anbian papers"],"title_tesim":["Robert Anbian papers"],"unitdate_ssm":["1974-2022"],"unitdate_inclusive_ssm":["1974-2022"],"normalized_date_ssm":["1974/2022"],"normalized_title_ssm":["Robert Anbian papers, 1974/2022"],"text":["Robert Anbian papers, 1974/2022","MSS 16922","Archival Resource Key","/repositories/3/resources/1828","United States -- Politics and government -- 2001-2009","Central America -- Politics and government -- 1979-","Poets","University of Virginia -- Alumni","Poverty","poetry","American literature","This collection is open for research.","The collection is arranged by type of material and then by date. Series 1. Sketchbooks, Notebooks and manuscripts, Series 2. Correspondence, Series 3. Publications, Series 4. Reviews, Series 5. Burlington County Herald newspaper","\"Robert Anbian (June 27, 1949 - February 23, 2022) wrote about sex, politics, seas and oceans, city streets, deserts, war, love, music, highways, petty larceny, ecstasy, childhood, death, and memories. His poems and stories are populated with the poor, lost, exiled, angry, crazy in love, and intoxicated... His syntax is mangled, his narrative a montage. He had little use for metaphor. He means exactly what he says. His texts are homespun, esoteric, oddly familiar and strange. He's discovering the music in language, in thought, in the cortex of consciousness. He's funny.","That Anbian, a leading voice in the San Francisco poetry underground, isn't more widely known is as much a tribute to his \"odd man out\" obstinacy as to the usual reluctance of society to deal with its critics. Yet obstinacy has a point. Anbian writes a poetry that won't surrender an inch of imaginative freedom to love, hate, or ideology – his own above all. With I NOT I (EDT4072), the word comes from the poet himself in a writer's voice – that is, in a language demotic, impassioned, and little peculiar. Included in this powerful follow-up to the 2007 poetry and jazz CD, Robert Anbian and the Unidentified Flying Quartet, also on Edgetone Records (EDT4052), is a sweeping selection from Anbian's epochal WE series, in a new sequence enacting the poems' contingent, open-ended form. This is an important recording for anyone interested in poetry, spoken word, literature, anti-literature, and the troubled junctures of culture and politics.","Robert Anbian published three poetry collections, WE Parts 1 \u0026 2 (Night Horn Books 1999), Antinostalgia (Ruddy Duck Press 1992) and Bohemian Airs \u0026 Other Kêfs (Night Horn Books, 1982). His most recent publication is the chapbook, Blame the Powerful: Political Poems (War\u0026Peace Press 2004). His work has appeared in the anthologies, Beyond Lament: Poets of the World Confront the Holocaust (Northwestern) and Practicing Angels: A Contemporary Anthology of San Francisco Bay Area Poetry (Seismograph), at www.newversenews.com, and in the literary periodicals City Lights Review, North Coast Literary Review, Oxygen, Left Curve, Oro Madre, Compages, and the electronic journal, Rif/t. From 1978-82, he edited the literary review, Oboe.\"","A native of New Jersey and graduate of the University of Virginia, and following his work in the Peace Corps, Anbian lived and worked as a journalist and editor in San Francisco. He graduated from the University of Virginia in 1971, after which he spent three years in Niger with the Peace Corps from 1974 to 1977. He then relocated to San Francisco, where he worked as a writer and poet until his death. From 1985 to 1996, Robert served as the editor of the monthly Film Arts Foundation magazine, Release Print, and the publicist for an independent filmmaker education and advocacy group. He founded his own publishing house, Night Horn Books. Anbian published three poetry collections: WE Parts 1 \u0026 2 (Night Horn Books, 1999), Antinostalgia (Ruddy Duck Press, 1992), and Bohemian Airs \u0026 Other Kêfs (Night Horn Books, 1982).","Source:\n\"Robert Anbian\" Edgetone Records website. Accessed 10/2/25\nhttps://www.edgetonerecords.com/anbian.html","This collection contains the papers of poet, author, publisher, and political activist Robert White Anbian (1949-2022). Anbian graduated from the University of Virginia in 1971, after which he spent three years in Niger with the Peace Corps from 1974 to 1977. He then relocated to San Francisco, where he worked as a writer and poet until his death. From 1985 to 1996, Robert served as the editor of the monthly Film Arts Foundation magazine, Release Print, and the publicist for an independent filmmaker education and advocacy group. He founded his own publishing house, Night Horn Books. Anbian published three poetry collections: WE Parts 1 \u0026 2 (Night Horn Books, 1999), Antinostalgia (Ruddy Duck Press, 1992), and Bohemian Airs \u0026 Other Kêfs (Night Horn Books, 1982).","The collection contains sketchbooks, journals, handwritten and printed drafts of poems, screenplays, short stories, and longer works, notes, newspaper clippings, articles, printed publications, posters, pamphlets, resumes, an astrological chart, artworks, photographs, correspondence, ephemera, and publications published by Night Horn Books.","The papers span from 1974 to 2022 and document his work as a writer and publisher. Materials include his journals and sketchbooks from 1974 to 2019, which include his artwork, notes, and poetry. There are synopses, drafts, notebooks, and notes of two of his novels, \"The Glittering Zero\" and \"Deep Blue Sea,\" as well as his poetry, short stories, and screenplays.","Aside from his written work, the collection contains correspondence between Anbian and other poets, personal handwritten notes, postcards to friends and family members, resumes, photographs, and artwork by Anbian. Works published by Wilderness Press and Night Horn Book, authored by Anbian and others, are also included. See External Documents for a detailed box-folder inventory of the collection's contents.","Albert and Shirley Small Special Collections Library","Anbian, Robert","English\n      French\n      Greek, Modern (1453-)"],"collection_title_tesim":["Robert Anbian papers, 1974/2022"],"collection_ssim":["Robert Anbian papers, 1974/2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16922","Archival Resource Key","/repositories/3/resources/1828"],"unitid_tesim":["MSS 16922","Archival Resource Key","/repositories/3/resources/1828"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["United States -- Politics and government -- 2001-2009","Central America -- Politics and government -- 1979-"],"geogname_ssim":["United States -- Politics and government -- 2001-2009","Central America -- Politics and government -- 1979-"],"places_ssim":["United States -- Politics and government -- 2001-2009","Central America -- Politics and government -- 1979-"],"creator_ssm":["Anbian, Robert"],"creator_ssim":["Anbian, Robert"],"creator_persname_ssim":["Anbian, Robert"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Anbian, Robert","Albert and Shirley Small Special Collections Library"],"acqinfo_ssim":["This collection was a gift from Patricia McLaughlin to the Small Special Collections Library at the University of Virginia Library on 19 December 2024."],"access_subjects_ssim":["Poets","University of Virginia -- Alumni","Poverty","poetry","American literature"],"access_subjects_ssm":["Poets","University of Virginia -- Alumni","Poverty","poetry","American literature"],"has_online_content_ssim":["false"],"extent_ssm":["5.35 Cubic Feet 13 document boxes, one medium oversized flat box"],"extent_tesim":["5.35 Cubic Feet 13 document boxes, one medium oversized flat box"],"genreform_ssim":["poetry","American literature"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by type of material and then by date. Series 1. Sketchbooks, Notebooks and manuscripts, Series 2. Correspondence, Series 3. Publications, Series 4. Reviews, Series 5. Burlington County Herald newspaper\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged by type of material and then by date. Series 1. Sketchbooks, Notebooks and manuscripts, Series 2. Correspondence, Series 3. Publications, Series 4. Reviews, Series 5. Burlington County Herald newspaper"],"bioghist_html_tesm":["\u003cp\u003e \"Robert Anbian (June 27, 1949 - February 23, 2022) wrote about sex, politics, seas and oceans, city streets, deserts, war, love, music, highways, petty larceny, ecstasy, childhood, death, and memories. His poems and stories are populated with the poor, lost, exiled, angry, crazy in love, and intoxicated... His syntax is mangled, his narrative a montage. He had little use for metaphor. He means exactly what he says. His texts are homespun, esoteric, oddly familiar and strange. He's discovering the music in language, in thought, in the cortex of consciousness. He's funny.\u003c/p\u003e","\u003cp\u003eThat Anbian, a leading voice in the San Francisco poetry underground, isn't more widely known is as much a tribute to his \"odd man out\" obstinacy as to the usual reluctance of society to deal with its critics. Yet obstinacy has a point. Anbian writes a poetry that won't surrender an inch of imaginative freedom to love, hate, or ideology – his own above all. With I NOT I (EDT4072), the word comes from the poet himself in a writer's voice – that is, in a language demotic, impassioned, and little peculiar. Included in this powerful follow-up to the 2007 poetry and jazz CD, Robert Anbian and the Unidentified Flying Quartet, also on Edgetone Records (EDT4052), is a sweeping selection from Anbian's epochal WE series, in a new sequence enacting the poems' contingent, open-ended form. This is an important recording for anyone interested in poetry, spoken word, literature, anti-literature, and the troubled junctures of culture and politics.\u003c/p\u003e","\u003cp\u003eRobert Anbian published three poetry collections, WE Parts 1 \u0026amp; 2 (Night Horn Books 1999), Antinostalgia (Ruddy Duck Press 1992) and Bohemian Airs \u0026amp; Other Kêfs (Night Horn Books, 1982). His most recent publication is the chapbook, Blame the Powerful: Political Poems (War\u0026amp;Peace Press 2004). His work has appeared in the anthologies, Beyond Lament: Poets of the World Confront the Holocaust (Northwestern) and Practicing Angels: A Contemporary Anthology of San Francisco Bay Area Poetry (Seismograph), at www.newversenews.com, and in the literary periodicals City Lights Review, North Coast Literary Review, Oxygen, Left Curve, Oro Madre, Compages, and the electronic journal, Rif/t. From 1978-82, he edited the literary review, Oboe.\" \u003c/p\u003e","\u003cp\u003eA native of New Jersey and graduate of the University of Virginia, and following his work in the Peace Corps, Anbian lived and worked as a journalist and editor in San Francisco. He graduated from the University of Virginia in 1971, after which he spent three years in Niger with the Peace Corps from 1974 to 1977. He then relocated to San Francisco, where he worked as a writer and poet until his death. From 1985 to 1996, Robert served as the editor of the monthly Film Arts Foundation magazine, Release Print, and the publicist for an independent filmmaker education and advocacy group. He founded his own publishing house, Night Horn Books. Anbian published three poetry collections: WE Parts 1 \u0026amp; 2 (Night Horn Books, 1999), Antinostalgia (Ruddy Duck Press, 1992), and Bohemian Airs \u0026amp; Other Kêfs (Night Horn Books, 1982). \u003c/p\u003e","\u003cp\u003e\nSource:\n\"Robert Anbian\" Edgetone Records website. Accessed 10/2/25\nhttps://www.edgetonerecords.com/anbian.html\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"Robert Anbian (June 27, 1949 - February 23, 2022) wrote about sex, politics, seas and oceans, city streets, deserts, war, love, music, highways, petty larceny, ecstasy, childhood, death, and memories. His poems and stories are populated with the poor, lost, exiled, angry, crazy in love, and intoxicated... His syntax is mangled, his narrative a montage. He had little use for metaphor. He means exactly what he says. His texts are homespun, esoteric, oddly familiar and strange. He's discovering the music in language, in thought, in the cortex of consciousness. He's funny.","That Anbian, a leading voice in the San Francisco poetry underground, isn't more widely known is as much a tribute to his \"odd man out\" obstinacy as to the usual reluctance of society to deal with its critics. Yet obstinacy has a point. Anbian writes a poetry that won't surrender an inch of imaginative freedom to love, hate, or ideology – his own above all. With I NOT I (EDT4072), the word comes from the poet himself in a writer's voice – that is, in a language demotic, impassioned, and little peculiar. Included in this powerful follow-up to the 2007 poetry and jazz CD, Robert Anbian and the Unidentified Flying Quartet, also on Edgetone Records (EDT4052), is a sweeping selection from Anbian's epochal WE series, in a new sequence enacting the poems' contingent, open-ended form. This is an important recording for anyone interested in poetry, spoken word, literature, anti-literature, and the troubled junctures of culture and politics.","Robert Anbian published three poetry collections, WE Parts 1 \u0026 2 (Night Horn Books 1999), Antinostalgia (Ruddy Duck Press 1992) and Bohemian Airs \u0026 Other Kêfs (Night Horn Books, 1982). His most recent publication is the chapbook, Blame the Powerful: Political Poems (War\u0026Peace Press 2004). His work has appeared in the anthologies, Beyond Lament: Poets of the World Confront the Holocaust (Northwestern) and Practicing Angels: A Contemporary Anthology of San Francisco Bay Area Poetry (Seismograph), at www.newversenews.com, and in the literary periodicals City Lights Review, North Coast Literary Review, Oxygen, Left Curve, Oro Madre, Compages, and the electronic journal, Rif/t. From 1978-82, he edited the literary review, Oboe.\"","A native of New Jersey and graduate of the University of Virginia, and following his work in the Peace Corps, Anbian lived and worked as a journalist and editor in San Francisco. He graduated from the University of Virginia in 1971, after which he spent three years in Niger with the Peace Corps from 1974 to 1977. He then relocated to San Francisco, where he worked as a writer and poet until his death. From 1985 to 1996, Robert served as the editor of the monthly Film Arts Foundation magazine, Release Print, and the publicist for an independent filmmaker education and advocacy group. He founded his own publishing house, Night Horn Books. Anbian published three poetry collections: WE Parts 1 \u0026 2 (Night Horn Books, 1999), Antinostalgia (Ruddy Duck Press, 1992), and Bohemian Airs \u0026 Other Kêfs (Night Horn Books, 1982).","Source:\n\"Robert Anbian\" Edgetone Records website. Accessed 10/2/25\nhttps://www.edgetonerecords.com/anbian.html"],"prefercite_html_tesm":["\u003cp\u003eMSS 16922, Robert Anbian papers, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16922, Robert Anbian papers, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the papers of poet, author, publisher, and political activist Robert White Anbian (1949-2022). Anbian graduated from the University of Virginia in 1971, after which he spent three years in Niger with the Peace Corps from 1974 to 1977. He then relocated to San Francisco, where he worked as a writer and poet until his death. From 1985 to 1996, Robert served as the editor of the monthly Film Arts Foundation magazine, Release Print, and the publicist for an independent filmmaker education and advocacy group. He founded his own publishing house, Night Horn Books. Anbian published three poetry collections: WE Parts 1 \u0026amp; 2 (Night Horn Books, 1999), Antinostalgia (Ruddy Duck Press, 1992), and Bohemian Airs \u0026amp; Other Kêfs (Night Horn Books, 1982). \u003c/p\u003e","\u003cp\u003eThe collection contains sketchbooks, journals, handwritten and printed drafts of poems, screenplays, short stories, and longer works, notes, newspaper clippings, articles, printed publications, posters, pamphlets, resumes, an astrological chart, artworks, photographs, correspondence, ephemera, and publications published by Night Horn Books. \u003c/p\u003e","\u003cp\u003eThe papers span from 1974 to 2022 and document his work as a writer and publisher. Materials include his journals and sketchbooks from 1974 to 2019, which include his artwork, notes, and poetry. There are synopses, drafts, notebooks, and notes of two of his novels, \"The Glittering Zero\" and \"Deep Blue Sea,\" as well as his poetry, short stories, and screenplays. \u003c/p\u003e","\u003cp\u003eAside from his written work, the collection contains correspondence between Anbian and other poets, personal handwritten notes, postcards to friends and family members, resumes, photographs, and artwork by Anbian. Works published by Wilderness Press and Night Horn Book, authored by Anbian and others, are also included. See External Documents for a detailed box-folder inventory of the collection's contents. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains the papers of poet, author, publisher, and political activist Robert White Anbian (1949-2022). Anbian graduated from the University of Virginia in 1971, after which he spent three years in Niger with the Peace Corps from 1974 to 1977. He then relocated to San Francisco, where he worked as a writer and poet until his death. From 1985 to 1996, Robert served as the editor of the monthly Film Arts Foundation magazine, Release Print, and the publicist for an independent filmmaker education and advocacy group. He founded his own publishing house, Night Horn Books. Anbian published three poetry collections: WE Parts 1 \u0026 2 (Night Horn Books, 1999), Antinostalgia (Ruddy Duck Press, 1992), and Bohemian Airs \u0026 Other Kêfs (Night Horn Books, 1982).","The collection contains sketchbooks, journals, handwritten and printed drafts of poems, screenplays, short stories, and longer works, notes, newspaper clippings, articles, printed publications, posters, pamphlets, resumes, an astrological chart, artworks, photographs, correspondence, ephemera, and publications published by Night Horn Books.","The papers span from 1974 to 2022 and document his work as a writer and publisher. Materials include his journals and sketchbooks from 1974 to 2019, which include his artwork, notes, and poetry. There are synopses, drafts, notebooks, and notes of two of his novels, \"The Glittering Zero\" and \"Deep Blue Sea,\" as well as his poetry, short stories, and screenplays.","Aside from his written work, the collection contains correspondence between Anbian and other poets, personal handwritten notes, postcards to friends and family members, resumes, photographs, and artwork by Anbian. Works published by Wilderness Press and Night Horn Book, authored by Anbian and others, are also included. 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