{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater--United+States.\u0026f%5Bdate_range%5D%5B%5D=1963\u0026page=2","prev":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater--United+States.\u0026f%5Bdate_range%5D%5B%5D=1963\u0026page=1","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater--United+States.\u0026f%5Bdate_range%5D%5B%5D=1963\u0026page=2"},"meta":{"pages":{"current_page":2,"next_page":null,"prev_page":1,"total_pages":2,"limit_value":10,"offset_value":10,"total_count":15,"first_page?":false,"last_page?":true}},"data":[{"id":"vifgm_reich","type":"collection","attributes":{"title":"Molka Reich papers, 1904/1986","creator":{"id":"https://arvasarchive.org/catalog/vifgm_reich#creator","type":"document_value","attributes":{"value":"Reich, Molka","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_reich#abstract_or_scope","type":"document_value","attributes":{"value":"The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_reich#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_reich","ead_ssi":"vifgm_reich","_root_":"vifgm_reich","_nest_parent_":"vifgm_reich","ead_source_url_ssi":"data/gmu/reich.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/reich.html","title_ssm":["Molka Reich papers"],"title_tesim":["Molka Reich papers"],"unitdate_ssm":["1904-1986"],"unitdate_inclusive_ssm":["1904-1986"],"normalized_date_ssm":["1904/1986"],"normalized_title_ssm":["Molka Reich papers, 1904/1986"],"text":["Molka Reich papers, 1904/1986","C0229","New Deal, 1933-1939.","Theater--United States.","There are no access restrictions.","There are scripts from this collection and other FTP collections online in the .","Series 1: Essays, newsletters, published works, and miscellany, 1904-1950 (Boxes 1-2, 9)\n        Series 2: Newspaper clippings, 1936-1986 (Box 2)\n        Series 3: Photographs, circa 1930s-1940s (Boxes 2, 9)\n        Series 4: Playscripts, 1920s-1953 (Boxes 2-6)\n        Series 5: Programs, 1928-1950s (Boxes 6-7)\n        Series 6: Scrapbooks, 1920s-1950s (Boxes 7-8)","Molka Reich studied puppetry under Remo Bufano in New York during the 1920s. She and her husband moved to Miami, Florida, in 1930. While there, she joined the Federal Writers Project, and then the Federal Theatre Project. She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club.","Processed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter.","Special Collections and Archives also holds the , the , the , as well as numerous other personal papers.","The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Series 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Series 3 contains photographs both black and white and color and in a variety of sizes. Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses and published plays and vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Blueprint for portable stage","Original artwork for set and other designs - watercolors, pencil drawings","Newsletters, catalogs, pamphlets related to dolls, marionettes, and puppets","Pamphlets and newsletters related to George Mason events revolving around puppetry and the Federal Theatre Project","\"Dear Charlotte\", possibly from Scott Griffin","Newsletters from The Puppetry Guild of Greater New York, The Puppeteers of America, The Puppeteers of America Regional Reporter for the Southeast Region, D. C. Puppetimes, George Mason University Golden Anniversary Puppetry Festival, The Puppet Guild of Greater Miami, Barry University Department of Theatre, The Puppet Masters calendar featuring famous puppeteers, itinerary for trip to Japan (UNIMA XV 1988)","12 Plays for Boys and Girls edited by Ben Blake with pictures by Bill Siegel; The Slave with Two Faces by Mary Carolyn Davies","Three issues: Art of Acting Issue (1936), Second Art of Acting Issue (1937), Fall Issue (1937)","Series 2 contains newspaper clippings from Miami, Florida newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Ah, Wilderness; Altars of Steel","Boy Meets Girl; The Bride the Sun Shines On","Candle Light; Chalk Dust; Coquette; Criminal at Large","Miami Federal Theatre; Molka Reich; Mystery of the Boardwalk Asylum","\"New Director Named for Theatre Project\", article about Dorothea Lynch becoming state director for the Federal Theatre.","Smilin' Through; actor Scott Griffin","Series 3 contains photographs both black and white and color and in a variety of sizes. Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of the Jack and the Beanstalk marionette. This series is arranged alphabetically.","1 production photograph featuring actors on stage. An actor in center is holding a gun to his head.","Color photographs of Jack and the beanstalk puppet.","12 oversize photographs, 10 of which are professional portraits taken by Charles Cooper in Miami, Florida.","2 oversize matted photographic portraits of Molka Reich.","14 color photographs of Reich leading a marionette demonstration.","9 black and white photographs of Reich's marionettes, staged productions with actors, and includes two photographs of an audience of children watching Bimbo perform.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Includes script and sheet music","Abstract","Scott Griffin's copy","Photocopy","Director's copy","Includes note from Syl to Helen: \"Couldn't find the columns I mentioned to you, but in the search uncovered some old Morgan scripts I did for the Eversharp show. The enclosed is an excerpt, from about the only one that could be cut and still be effective. Probably would serve as a space filler and be good for a few laughs. Will try to find the other stuff for a later issue.\"","Photocopy of Federal Theatre Project script","Photocopy","Sheet music","Radio production with Andrew Jergens","Photocopy","Photocopy of script and sheet music","Photocopy","Script for the American Brotherhood: The National Conference of Christians and Jews","Photocopy. Includes four scripts, one for each actor.","Photocopy","Multiple scripts with holiday themes","Miscellaneous mostly handwritten pages of sheet music and lyrics, some for marionette productions","Photocopy","Script and sheet music","Includes script and music","Includes script and music","Photocopy","Photocopy","Pages 2 to 30. Characters include Mrs. Giles, Mrs. Adams, Harry, Miss Mobray, and Walter.","Scott Griffin's script","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Altars of Steel; Ah, Wilderness!; The Bishop Misbehaves; The Bride the Sun Shines On; Criminal at Large; Coquette; Chalk Dust; Craig's Wife; A Classic Vaudeville; The Emperor's New Clothes; Engaged; Folk Music in the Roosevelt White House (produced by the Smithsonian Institution Office of Folklife programs)","The Ghost Train; The Gallows Gate; The Great Sebastians","The Happiest Millionaire; If Ye Break Faith; Inherit the Wind; International Society for Contemporary Music; Lightnin (invitation and program); The Loud Red Patrick","Double sided one page flyer for the Marionette Unit directed by Molka Reich. The front page features reviews from places the troop performed, the back features their repertoire.","May Day; Margin for Error; The Mask and the Face; Mehitable Wing; The Matchmaker; The New York Idea; The 9th Guest; No Time for Sergeants; One More Spring; An Evening of Experimental One Act Plays; Post Road","Two invitations for events at the Molka Reich Studio.","The Starlight Theatre (1957 Summer calendar); Room Service; The Reluctant Debutante; Smilin' Through (includes ticket, programs, press release, for Jacksonville, Florida production); Separate Tables; Sabrina Fair; Twelfth Night; Visit to a Small Planet; Whom Dreams Possess; What a Life; What a Woman Wants; Witness for Prosecution","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.","Separated 8.25\"x9.25\" scrapbook pages with 5\"x7\" black and white photographs adhered to them. Photographs feature marionettes and Molka Reich.","1 of 5","2 of 5. Newspaper clippings, programs, telegrams, and handwritten notes to and about Scott Griffin regarding theatre productions including: Coquette, This Thing Called Love, two one act plays performed at the Little Theatre (Bereguisse and The Torch-Bearers), a calendar for plays at the Florida Forum and Assembly (1934), The Pretender, Broken Dishes, Hired Husbands, The Nervous Wreck, The Big Pond, Why Wives Worry, Smilin' Thru, Thank You, and The Love Critic.","3 of 5","4 of 5. Includes programs for The Last of Mrs. Cheney, Our Town, Little Women, and Room Service. Includes playscripts for If Ye Break Faith and Two Crooks and a Lady, as well as handwritten and typewritten notes, a flyer for the production of Coquette, and an entry ticket for the Manhattan Repertory Theatre Co. at the Miami Playhouse.","5 of 5. Material relating to Billy Griffin (later Scott Griffin). Includes negatives and portrait print as well as report cards and calling cards.","1 of 2. Contains primarily magazine and newspaper articles featuring marionettes. There is also a certificate for Mrs. Howard Fitch for completing the Cultural Olympics in Woodstown, New Jersey (May 5, 1938). Clippings and certificate are attached to scrapbook paper.","2 of 2. Contains loose newspaper and magazine clippings featuring articles on marionettes.","Includes newsclippings, newsclippings attached to paper, a program, and marionette patterns.","Includes programs for the West Florida Music and Arts Festival, International Society for Contemporary Music (1931), newspaper and magazine clippings featuring marionettes.","Newspaper articles from the Monitor titled \"Marionettes by Children\" that illustrate how one can make their own marionette.","Oversize. Molka Reich scrapbook featuring newspaper clippings and programs from Miami Federal Theatre and non Federal Theatre productions. Pages have been separated.","Oversize. Scrapbook pages separated, featuring programs and newspaper clipping from productions performed at Starlight Theater in Pawling, New York.","There are no restrictions on personal use. Permission to publish material from the Molka Reich papers must be obtained from Special Collections Research Center, George Mason University Libraries.","The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Reich, Molka","English"],"collection_title_tesim":["Molka Reich papers, 1904/1986"],"collection_ssim":["Molka Reich papers, 1904/1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0229"],"unitid_tesim":["C0229"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Reich, Molka"],"creator_ssim":["Reich, Molka"],"creator_persname_ssim":["Reich, Molka"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"creators_ssim":["Reich, Molka","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Molka Reich papers must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by Molka Reich in 1980 and 1981. Scott Griffin material presented by Molka Reich for the Scott Griffin estate on June 25, 1979."],"access_subjects_ssim":["New Deal, 1933-1939.","Theater--United States."],"access_subjects_ssm":["New Deal, 1933-1939.","Theater--United States."],"has_online_content_ssim":["true"],"extent_ssm":["6.0 linear feet (9 boxes)"],"extent_tesim":["6.0 linear feet (9 boxes)"],"date_range_isim":[1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e\n    "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003e\nThere are scripts from this collection and other FTP collections online in the \u003cextptr type=\"simple\" title=\"Federal Theatre Project collection\" show=\"new\" href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\"\u003e\u003c/extptr\u003e. \u003c/p\u003e\n    "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["There are scripts from this collection and other FTP collections online in the ."],"arrangement_html_tesm":["\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Essays, newsletters, published works, and miscellany, 1904-1950 (Boxes 1-2, 9)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Newspaper clippings, 1936-1986 (Box 2)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, circa 1930s-1940s (Boxes 2, 9)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Playscripts, 1920s-1953 (Boxes 2-6)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Programs, 1928-1950s (Boxes 6-7)\u003c/item\u003e\n        \u003citem\u003eSeries 6: Scrapbooks, 1920s-1950s (Boxes 7-8)\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series 1: Essays, newsletters, published works, and miscellany, 1904-1950 (Boxes 1-2, 9)\n        Series 2: Newspaper clippings, 1936-1986 (Box 2)\n        Series 3: Photographs, circa 1930s-1940s (Boxes 2, 9)\n        Series 4: Playscripts, 1920s-1953 (Boxes 2-6)\n        Series 5: Programs, 1928-1950s (Boxes 6-7)\n        Series 6: Scrapbooks, 1920s-1950s (Boxes 7-8)"],"bioghist_html_tesm":["\u003cp\u003eMolka Reich studied puppetry under Remo Bufano in New York during the 1920s. She and her husband moved to Miami, Florida, in 1930. While there, she joined the Federal Writers Project, and then the Federal Theatre Project. She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Molka Reich studied puppetry under Remo Bufano in New York during the 1920s. She and her husband moved to Miami, Florida, in 1930. While there, she joined the Federal Writers Project, and then the Federal Theatre Project. She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club."],"prefercite_html_tesm":["\u003cp\u003eMolka Reich papers, C0229, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["Molka Reich papers, C0229, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the \u003cextptr type=\"simple\" title=\"Works Progress Administration oral histories collection\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/wpaoh.html\"\u003e\u003c/extptr\u003e, the \u003cextptr type=\"simple\" title=\"Federal Theatre Project collection\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/ftp.html\"\u003e\u003c/extptr\u003e, the \u003cextptr type=\"simple\" title=\"Federal Theatre Project photograph collection\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/ftpphoto.html\"\u003e\u003c/extptr\u003e, as well as numerous other personal papers.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds the , the , the , as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.\u003c/p\u003e\n      ","\u003cp\u003eSeries 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.\u003c/p\u003e\n      ","\u003cp\u003eSeries 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.\u003c/p\u003e\n      ","\u003cp\u003eSeries 3 contains photographs both black and white and color and in a variety of sizes. Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.\u003c/p\u003e\n      ","\u003cp\u003eSeries 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.\u003c/p\u003e\n      ","\u003cp\u003eSeries 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.\u003c/p\u003e\n      ","\u003cp\u003eSeries 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.\u003c/p\u003e\n    ","\u003cp\u003eSeries 1 contains many different types of materials including essays, puppetry newsletters, play synopses and published plays and vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.\u003c/p\u003e\n        ","\u003cp\u003eBlueprint for portable stage\u003c/p\u003e\n          ","\u003cp\u003eOriginal artwork for set and other designs - watercolors, pencil drawings\u003c/p\u003e\n          ","\u003cp\u003eNewsletters, catalogs, pamphlets related to dolls, marionettes, and puppets\u003c/p\u003e\n          ","\u003cp\u003ePamphlets and newsletters related to George Mason events revolving around puppetry and the Federal Theatre Project\u003c/p\u003e\n          ","\u003cp\u003e\"Dear Charlotte\", possibly from Scott Griffin\u003c/p\u003e\n          ","\u003cp\u003eNewsletters from The Puppetry Guild of Greater New York, The Puppeteers of America, The Puppeteers of America Regional Reporter for the Southeast Region, D. C. Puppetimes, George Mason University Golden Anniversary Puppetry Festival, The Puppet Guild of Greater Miami, Barry University Department of Theatre, The Puppet Masters calendar featuring famous puppeteers, itinerary for trip to Japan (UNIMA XV 1988)\u003c/p\u003e\n          ","\u003cp\u003e12 Plays for Boys and Girls edited by Ben Blake with pictures by Bill Siegel; The Slave with Two Faces by Mary Carolyn Davies\u003c/p\u003e\n          ","\u003cp\u003eThree issues: Art of Acting Issue (1936), Second Art of Acting Issue (1937), Fall Issue (1937)\u003c/p\u003e\n          ","\u003cp\u003eSeries 2 contains newspaper clippings from Miami, Florida newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.\u003c/p\u003e\n        ","\u003cp\u003eAh, Wilderness; Altars of Steel\u003c/p\u003e\n          ","\u003cp\u003eBoy Meets Girl; The Bride the Sun Shines On\u003c/p\u003e\n          ","\u003cp\u003eCandle Light; Chalk Dust; Coquette; Criminal at Large\u003c/p\u003e\n          ","\u003cp\u003eMiami Federal Theatre; Molka Reich; Mystery of the Boardwalk Asylum\u003c/p\u003e\n          ","\u003cp\u003e\"New Director Named for Theatre Project\", article about Dorothea Lynch becoming state director for the Federal Theatre.\u003c/p\u003e\n          ","\u003cp\u003eSmilin' Through; actor Scott Griffin\u003c/p\u003e\n          ","\u003cp\u003eSeries 3 contains photographs both black and white and color and in a variety of sizes. Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of the Jack and the Beanstalk marionette. This series is arranged alphabetically.\u003c/p\u003e\n        ","\u003cp\u003e1 production photograph featuring actors on stage. An actor in center is holding a gun to his head.\u003c/p\u003e\n          ","\u003cp\u003eColor photographs of Jack and the beanstalk puppet.\u003c/p\u003e\n          ","\u003cp\u003e12 oversize photographs, 10 of which are professional portraits taken by Charles Cooper in Miami, Florida.\u003c/p\u003e\n          ","\u003cp\u003e2 oversize matted photographic portraits of Molka Reich.\u003c/p\u003e\n          ","\u003cp\u003e14 color photographs of Reich leading a marionette demonstration.\u003c/p\u003e\n          ","\u003cp\u003e9 black and white photographs of Reich's marionettes, staged productions with actors, and includes two photographs of an audience of children watching Bimbo perform.\u003c/p\u003e\n          ","\u003cp\u003eSeries 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.\u003c/p\u003e\n        ","\u003cp\u003eIncludes script and sheet music\u003c/p\u003e\n          ","\u003cp\u003eAbstract\u003c/p\u003e\n          ","\u003cp\u003eScott Griffin's copy\u003c/p\u003e\n          ","\u003cp\u003ePhotocopy\u003c/p\u003e\n          ","\u003cp\u003eDirector's copy\u003c/p\u003e\n          ","\u003cp\u003eIncludes note from Syl to Helen: \"Couldn't find the columns I mentioned to you, but in the search uncovered some old Morgan scripts I did for the Eversharp show. The enclosed is an excerpt, from about the only one that could be cut and still be effective. Probably would serve as a space filler and be good for a few laughs. Will try to find the other stuff for a later issue.\"\u003c/p\u003e\n          ","\u003cp\u003ePhotocopy of Federal Theatre Project script\u003c/p\u003e\n          ","\u003cp\u003ePhotocopy\u003c/p\u003e\n          ","\u003cp\u003eSheet music\u003c/p\u003e\n          ","\u003cp\u003eRadio production with Andrew Jergens\u003c/p\u003e\n          ","\u003cp\u003ePhotocopy\u003c/p\u003e\n          ","\u003cp\u003ePhotocopy of script and sheet music\u003c/p\u003e\n          ","\u003cp\u003ePhotocopy\u003c/p\u003e\n          ","\u003cp\u003eScript for the American Brotherhood: The National Conference of Christians and Jews\u003c/p\u003e\n          ","\u003cp\u003ePhotocopy. Includes four scripts, one for each actor.\u003c/p\u003e\n          ","\u003cp\u003ePhotocopy\u003c/p\u003e\n          ","\u003cp\u003eMultiple scripts with holiday themes\u003c/p\u003e\n          ","\u003cp\u003eMiscellaneous mostly handwritten pages of sheet music and lyrics, some for marionette productions\u003c/p\u003e\n          ","\u003cp\u003ePhotocopy\u003c/p\u003e\n          ","\u003cp\u003eScript and sheet music\u003c/p\u003e\n          ","\u003cp\u003eIncludes script and music\u003c/p\u003e\n          ","\u003cp\u003eIncludes script and music\u003c/p\u003e\n          ","\u003cp\u003ePhotocopy\u003c/p\u003e\n          ","\u003cp\u003ePhotocopy\u003c/p\u003e\n          ","\u003cp\u003ePages 2 to 30. Characters include Mrs. Giles, Mrs. Adams, Harry, Miss Mobray, and Walter.\u003c/p\u003e\n          ","\u003cp\u003eScott Griffin's script\u003c/p\u003e\n          ","\u003cp\u003eSeries 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.\u003c/p\u003e\n        ","\u003cp\u003eAltars of Steel; Ah, Wilderness!; The Bishop Misbehaves; The Bride the Sun Shines On; Criminal at Large; Coquette; Chalk Dust; Craig's Wife; A Classic Vaudeville; The Emperor's New Clothes; Engaged; Folk Music in the Roosevelt White House (produced by the Smithsonian Institution Office of Folklife programs)\u003c/p\u003e\n          ","\u003cp\u003eThe Ghost Train; The Gallows Gate; The Great Sebastians\u003c/p\u003e\n          ","\u003cp\u003eThe Happiest Millionaire; If Ye Break Faith; Inherit the Wind; International Society for Contemporary Music; Lightnin (invitation and program); The Loud Red Patrick\u003c/p\u003e\n          ","\u003cp\u003eDouble sided one page flyer for the Marionette Unit directed by Molka Reich. The front page features reviews from places the troop performed, the back features their repertoire.\u003c/p\u003e\n          ","\u003cp\u003eMay Day; Margin for Error; The Mask and the Face; Mehitable Wing; The Matchmaker; The New York Idea; The 9th Guest; No Time for Sergeants; One More Spring; An Evening of Experimental One Act Plays; Post Road\u003c/p\u003e\n          ","\u003cp\u003eTwo invitations for events at the Molka Reich Studio.\u003c/p\u003e\n          ","\u003cp\u003eThe Starlight Theatre (1957 Summer calendar); Room Service; The Reluctant Debutante; Smilin' Through (includes ticket, programs, press release, for Jacksonville, Florida production); Separate Tables; Sabrina Fair; Twelfth Night; Visit to a Small Planet; Whom Dreams Possess; What a Life; What a Woman Wants; Witness for Prosecution\u003c/p\u003e\n          ","\u003cp\u003eSeries 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.\u003c/p\u003e\n        ","\u003cp\u003eSeparated 8.25\"x9.25\" scrapbook pages with 5\"x7\" black and white photographs adhered to them. Photographs feature marionettes and Molka Reich.\u003c/p\u003e\n          ","\u003cp\u003e1 of 5\u003c/p\u003e\n          ","\u003cp\u003e2 of 5. Newspaper clippings, programs, telegrams, and handwritten notes to and about Scott Griffin regarding theatre productions including: Coquette, This Thing Called Love, two one act plays performed at the Little Theatre (Bereguisse and The Torch-Bearers), a calendar for plays at the Florida Forum and Assembly (1934), The Pretender, Broken Dishes, Hired Husbands, The Nervous Wreck, The Big Pond, Why Wives Worry, Smilin' Thru, Thank You, and The Love Critic.\u003c/p\u003e\n          ","\u003cp\u003e3 of 5\u003c/p\u003e\n          ","\u003cp\u003e4 of 5. Includes programs for The Last of Mrs. Cheney, Our Town, Little Women, and Room Service. Includes playscripts for If Ye Break Faith and Two Crooks and a Lady, as well as handwritten and typewritten notes, a flyer for the production of Coquette, and an entry ticket for the Manhattan Repertory Theatre Co. at the Miami Playhouse.\u003c/p\u003e\n          ","\u003cp\u003e5 of 5. Material relating to Billy Griffin (later Scott Griffin). Includes negatives and portrait print as well as report cards and calling cards.\u003c/p\u003e\n          ","\u003cp\u003e1 of 2. Contains primarily magazine and newspaper articles featuring marionettes. There is also a certificate for Mrs. Howard Fitch for completing the Cultural Olympics in Woodstown, New Jersey (May 5, 1938). Clippings and certificate are attached to scrapbook paper.\u003c/p\u003e\n          ","\u003cp\u003e2 of 2. Contains loose newspaper and magazine clippings featuring articles on marionettes.\u003c/p\u003e\n          ","\u003cp\u003eIncludes newsclippings, newsclippings attached to paper, a program, and marionette patterns.\u003c/p\u003e\n          ","\u003cp\u003eIncludes programs for the West Florida Music and Arts Festival, International Society for Contemporary Music (1931), newspaper and magazine clippings featuring marionettes.\u003c/p\u003e\n          ","\u003cp\u003eNewspaper articles from the Monitor titled \"Marionettes by Children\" that illustrate how one can make their own marionette.\u003c/p\u003e\n          ","\u003cp\u003eOversize. Molka Reich scrapbook featuring newspaper clippings and programs from Miami Federal Theatre and non Federal Theatre productions. Pages have been separated.\u003c/p\u003e\n          ","\u003cp\u003eOversize. Scrapbook pages separated, featuring programs and newspaper clipping from productions performed at Starlight Theater in Pawling, New York.\u003c/p\u003e\n          "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Series 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Series 3 contains photographs both black and white and color and in a variety of sizes. Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses and published plays and vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Blueprint for portable stage","Original artwork for set and other designs - watercolors, pencil drawings","Newsletters, catalogs, pamphlets related to dolls, marionettes, and puppets","Pamphlets and newsletters related to George Mason events revolving around puppetry and the Federal Theatre Project","\"Dear Charlotte\", possibly from Scott Griffin","Newsletters from The Puppetry Guild of Greater New York, The Puppeteers of America, The Puppeteers of America Regional Reporter for the Southeast Region, D. C. Puppetimes, George Mason University Golden Anniversary Puppetry Festival, The Puppet Guild of Greater Miami, Barry University Department of Theatre, The Puppet Masters calendar featuring famous puppeteers, itinerary for trip to Japan (UNIMA XV 1988)","12 Plays for Boys and Girls edited by Ben Blake with pictures by Bill Siegel; The Slave with Two Faces by Mary Carolyn Davies","Three issues: Art of Acting Issue (1936), Second Art of Acting Issue (1937), Fall Issue (1937)","Series 2 contains newspaper clippings from Miami, Florida newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Ah, Wilderness; Altars of Steel","Boy Meets Girl; The Bride the Sun Shines On","Candle Light; Chalk Dust; Coquette; Criminal at Large","Miami Federal Theatre; Molka Reich; Mystery of the Boardwalk Asylum","\"New Director Named for Theatre Project\", article about Dorothea Lynch becoming state director for the Federal Theatre.","Smilin' Through; actor Scott Griffin","Series 3 contains photographs both black and white and color and in a variety of sizes. Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of the Jack and the Beanstalk marionette. This series is arranged alphabetically.","1 production photograph featuring actors on stage. An actor in center is holding a gun to his head.","Color photographs of Jack and the beanstalk puppet.","12 oversize photographs, 10 of which are professional portraits taken by Charles Cooper in Miami, Florida.","2 oversize matted photographic portraits of Molka Reich.","14 color photographs of Reich leading a marionette demonstration.","9 black and white photographs of Reich's marionettes, staged productions with actors, and includes two photographs of an audience of children watching Bimbo perform.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Includes script and sheet music","Abstract","Scott Griffin's copy","Photocopy","Director's copy","Includes note from Syl to Helen: \"Couldn't find the columns I mentioned to you, but in the search uncovered some old Morgan scripts I did for the Eversharp show. The enclosed is an excerpt, from about the only one that could be cut and still be effective. Probably would serve as a space filler and be good for a few laughs. Will try to find the other stuff for a later issue.\"","Photocopy of Federal Theatre Project script","Photocopy","Sheet music","Radio production with Andrew Jergens","Photocopy","Photocopy of script and sheet music","Photocopy","Script for the American Brotherhood: The National Conference of Christians and Jews","Photocopy. Includes four scripts, one for each actor.","Photocopy","Multiple scripts with holiday themes","Miscellaneous mostly handwritten pages of sheet music and lyrics, some for marionette productions","Photocopy","Script and sheet music","Includes script and music","Includes script and music","Photocopy","Photocopy","Pages 2 to 30. Characters include Mrs. Giles, Mrs. Adams, Harry, Miss Mobray, and Walter.","Scott Griffin's script","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Altars of Steel; Ah, Wilderness!; The Bishop Misbehaves; The Bride the Sun Shines On; Criminal at Large; Coquette; Chalk Dust; Craig's Wife; A Classic Vaudeville; The Emperor's New Clothes; Engaged; Folk Music in the Roosevelt White House (produced by the Smithsonian Institution Office of Folklife programs)","The Ghost Train; The Gallows Gate; The Great Sebastians","The Happiest Millionaire; If Ye Break Faith; Inherit the Wind; International Society for Contemporary Music; Lightnin (invitation and program); The Loud Red Patrick","Double sided one page flyer for the Marionette Unit directed by Molka Reich. The front page features reviews from places the troop performed, the back features their repertoire.","May Day; Margin for Error; The Mask and the Face; Mehitable Wing; The Matchmaker; The New York Idea; The 9th Guest; No Time for Sergeants; One More Spring; An Evening of Experimental One Act Plays; Post Road","Two invitations for events at the Molka Reich Studio.","The Starlight Theatre (1957 Summer calendar); Room Service; The Reluctant Debutante; Smilin' Through (includes ticket, programs, press release, for Jacksonville, Florida production); Separate Tables; Sabrina Fair; Twelfth Night; Visit to a Small Planet; Whom Dreams Possess; What a Life; What a Woman Wants; Witness for Prosecution","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.","Separated 8.25\"x9.25\" scrapbook pages with 5\"x7\" black and white photographs adhered to them. Photographs feature marionettes and Molka Reich.","1 of 5","2 of 5. Newspaper clippings, programs, telegrams, and handwritten notes to and about Scott Griffin regarding theatre productions including: Coquette, This Thing Called Love, two one act plays performed at the Little Theatre (Bereguisse and The Torch-Bearers), a calendar for plays at the Florida Forum and Assembly (1934), The Pretender, Broken Dishes, Hired Husbands, The Nervous Wreck, The Big Pond, Why Wives Worry, Smilin' Thru, Thank You, and The Love Critic.","3 of 5","4 of 5. Includes programs for The Last of Mrs. Cheney, Our Town, Little Women, and Room Service. Includes playscripts for If Ye Break Faith and Two Crooks and a Lady, as well as handwritten and typewritten notes, a flyer for the production of Coquette, and an entry ticket for the Manhattan Repertory Theatre Co. at the Miami Playhouse.","5 of 5. Material relating to Billy Griffin (later Scott Griffin). Includes negatives and portrait print as well as report cards and calling cards.","1 of 2. Contains primarily magazine and newspaper articles featuring marionettes. There is also a certificate for Mrs. Howard Fitch for completing the Cultural Olympics in Woodstown, New Jersey (May 5, 1938). Clippings and certificate are attached to scrapbook paper.","2 of 2. Contains loose newspaper and magazine clippings featuring articles on marionettes.","Includes newsclippings, newsclippings attached to paper, a program, and marionette patterns.","Includes programs for the West Florida Music and Arts Festival, International Society for Contemporary Music (1931), newspaper and magazine clippings featuring marionettes.","Newspaper articles from the Monitor titled \"Marionettes by Children\" that illustrate how one can make their own marionette.","Oversize. Molka Reich scrapbook featuring newspaper clippings and programs from Miami Federal Theatre and non Federal Theatre productions. Pages have been separated.","Oversize. Scrapbook pages separated, featuring programs and newspaper clipping from productions performed at Starlight Theater in Pawling, New York."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Molka Reich papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Molka Reich papers must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref297\" label=\"Abstract\"\u003eThe Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.\u003c/abstract\u003e\n      "],"abstract_tesim":["The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich."],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"persname_ssim":["Reich, Molka"],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Reich, Molka"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":226,"online_item_count_is":12,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:52:39.323Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_reich","ead_ssi":"vifgm_reich","_root_":"vifgm_reich","_nest_parent_":"vifgm_reich","ead_source_url_ssi":"data/gmu/reich.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/reich.html","title_ssm":["Molka Reich papers"],"title_tesim":["Molka Reich papers"],"unitdate_ssm":["1904-1986"],"unitdate_inclusive_ssm":["1904-1986"],"normalized_date_ssm":["1904/1986"],"normalized_title_ssm":["Molka Reich papers, 1904/1986"],"text":["Molka Reich papers, 1904/1986","C0229","New Deal, 1933-1939.","Theater--United States.","There are no access restrictions.","There are scripts from this collection and other FTP collections online in the .","Series 1: Essays, newsletters, published works, and miscellany, 1904-1950 (Boxes 1-2, 9)\n        Series 2: Newspaper clippings, 1936-1986 (Box 2)\n        Series 3: Photographs, circa 1930s-1940s (Boxes 2, 9)\n        Series 4: Playscripts, 1920s-1953 (Boxes 2-6)\n        Series 5: Programs, 1928-1950s (Boxes 6-7)\n        Series 6: Scrapbooks, 1920s-1950s (Boxes 7-8)","Molka Reich studied puppetry under Remo Bufano in New York during the 1920s. She and her husband moved to Miami, Florida, in 1930. While there, she joined the Federal Writers Project, and then the Federal Theatre Project. She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club.","Processed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter.","Special Collections and Archives also holds the , the , the , as well as numerous other personal papers.","The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Series 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Series 3 contains photographs both black and white and color and in a variety of sizes. Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses and published plays and vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Blueprint for portable stage","Original artwork for set and other designs - watercolors, pencil drawings","Newsletters, catalogs, pamphlets related to dolls, marionettes, and puppets","Pamphlets and newsletters related to George Mason events revolving around puppetry and the Federal Theatre Project","\"Dear Charlotte\", possibly from Scott Griffin","Newsletters from The Puppetry Guild of Greater New York, The Puppeteers of America, The Puppeteers of America Regional Reporter for the Southeast Region, D. C. Puppetimes, George Mason University Golden Anniversary Puppetry Festival, The Puppet Guild of Greater Miami, Barry University Department of Theatre, The Puppet Masters calendar featuring famous puppeteers, itinerary for trip to Japan (UNIMA XV 1988)","12 Plays for Boys and Girls edited by Ben Blake with pictures by Bill Siegel; The Slave with Two Faces by Mary Carolyn Davies","Three issues: Art of Acting Issue (1936), Second Art of Acting Issue (1937), Fall Issue (1937)","Series 2 contains newspaper clippings from Miami, Florida newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Ah, Wilderness; Altars of Steel","Boy Meets Girl; The Bride the Sun Shines On","Candle Light; Chalk Dust; Coquette; Criminal at Large","Miami Federal Theatre; Molka Reich; Mystery of the Boardwalk Asylum","\"New Director Named for Theatre Project\", article about Dorothea Lynch becoming state director for the Federal Theatre.","Smilin' Through; actor Scott Griffin","Series 3 contains photographs both black and white and color and in a variety of sizes. Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of the Jack and the Beanstalk marionette. This series is arranged alphabetically.","1 production photograph featuring actors on stage. An actor in center is holding a gun to his head.","Color photographs of Jack and the beanstalk puppet.","12 oversize photographs, 10 of which are professional portraits taken by Charles Cooper in Miami, Florida.","2 oversize matted photographic portraits of Molka Reich.","14 color photographs of Reich leading a marionette demonstration.","9 black and white photographs of Reich's marionettes, staged productions with actors, and includes two photographs of an audience of children watching Bimbo perform.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Includes script and sheet music","Abstract","Scott Griffin's copy","Photocopy","Director's copy","Includes note from Syl to Helen: \"Couldn't find the columns I mentioned to you, but in the search uncovered some old Morgan scripts I did for the Eversharp show. The enclosed is an excerpt, from about the only one that could be cut and still be effective. Probably would serve as a space filler and be good for a few laughs. Will try to find the other stuff for a later issue.\"","Photocopy of Federal Theatre Project script","Photocopy","Sheet music","Radio production with Andrew Jergens","Photocopy","Photocopy of script and sheet music","Photocopy","Script for the American Brotherhood: The National Conference of Christians and Jews","Photocopy. Includes four scripts, one for each actor.","Photocopy","Multiple scripts with holiday themes","Miscellaneous mostly handwritten pages of sheet music and lyrics, some for marionette productions","Photocopy","Script and sheet music","Includes script and music","Includes script and music","Photocopy","Photocopy","Pages 2 to 30. Characters include Mrs. Giles, Mrs. Adams, Harry, Miss Mobray, and Walter.","Scott Griffin's script","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Altars of Steel; Ah, Wilderness!; The Bishop Misbehaves; The Bride the Sun Shines On; Criminal at Large; Coquette; Chalk Dust; Craig's Wife; A Classic Vaudeville; The Emperor's New Clothes; Engaged; Folk Music in the Roosevelt White House (produced by the Smithsonian Institution Office of Folklife programs)","The Ghost Train; The Gallows Gate; The Great Sebastians","The Happiest Millionaire; If Ye Break Faith; Inherit the Wind; International Society for Contemporary Music; Lightnin (invitation and program); The Loud Red Patrick","Double sided one page flyer for the Marionette Unit directed by Molka Reich. The front page features reviews from places the troop performed, the back features their repertoire.","May Day; Margin for Error; The Mask and the Face; Mehitable Wing; The Matchmaker; The New York Idea; The 9th Guest; No Time for Sergeants; One More Spring; An Evening of Experimental One Act Plays; Post Road","Two invitations for events at the Molka Reich Studio.","The Starlight Theatre (1957 Summer calendar); Room Service; The Reluctant Debutante; Smilin' Through (includes ticket, programs, press release, for Jacksonville, Florida production); Separate Tables; Sabrina Fair; Twelfth Night; Visit to a Small Planet; Whom Dreams Possess; What a Life; What a Woman Wants; Witness for Prosecution","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.","Separated 8.25\"x9.25\" scrapbook pages with 5\"x7\" black and white photographs adhered to them. Photographs feature marionettes and Molka Reich.","1 of 5","2 of 5. Newspaper clippings, programs, telegrams, and handwritten notes to and about Scott Griffin regarding theatre productions including: Coquette, This Thing Called Love, two one act plays performed at the Little Theatre (Bereguisse and The Torch-Bearers), a calendar for plays at the Florida Forum and Assembly (1934), The Pretender, Broken Dishes, Hired Husbands, The Nervous Wreck, The Big Pond, Why Wives Worry, Smilin' Thru, Thank You, and The Love Critic.","3 of 5","4 of 5. Includes programs for The Last of Mrs. Cheney, Our Town, Little Women, and Room Service. Includes playscripts for If Ye Break Faith and Two Crooks and a Lady, as well as handwritten and typewritten notes, a flyer for the production of Coquette, and an entry ticket for the Manhattan Repertory Theatre Co. at the Miami Playhouse.","5 of 5. Material relating to Billy Griffin (later Scott Griffin). Includes negatives and portrait print as well as report cards and calling cards.","1 of 2. Contains primarily magazine and newspaper articles featuring marionettes. There is also a certificate for Mrs. Howard Fitch for completing the Cultural Olympics in Woodstown, New Jersey (May 5, 1938). Clippings and certificate are attached to scrapbook paper.","2 of 2. Contains loose newspaper and magazine clippings featuring articles on marionettes.","Includes newsclippings, newsclippings attached to paper, a program, and marionette patterns.","Includes programs for the West Florida Music and Arts Festival, International Society for Contemporary Music (1931), newspaper and magazine clippings featuring marionettes.","Newspaper articles from the Monitor titled \"Marionettes by Children\" that illustrate how one can make their own marionette.","Oversize. Molka Reich scrapbook featuring newspaper clippings and programs from Miami Federal Theatre and non Federal Theatre productions. Pages have been separated.","Oversize. Scrapbook pages separated, featuring programs and newspaper clipping from productions performed at Starlight Theater in Pawling, New York.","There are no restrictions on personal use. Permission to publish material from the Molka Reich papers must be obtained from Special Collections Research Center, George Mason University Libraries.","The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Reich, Molka","English"],"collection_title_tesim":["Molka Reich papers, 1904/1986"],"collection_ssim":["Molka Reich papers, 1904/1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0229"],"unitid_tesim":["C0229"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Reich, Molka"],"creator_ssim":["Reich, Molka"],"creator_persname_ssim":["Reich, Molka"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"creators_ssim":["Reich, Molka","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Molka Reich papers must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by Molka Reich in 1980 and 1981. Scott Griffin material presented by Molka Reich for the Scott Griffin estate on June 25, 1979."],"access_subjects_ssim":["New Deal, 1933-1939.","Theater--United States."],"access_subjects_ssm":["New Deal, 1933-1939.","Theater--United States."],"has_online_content_ssim":["true"],"extent_ssm":["6.0 linear feet (9 boxes)"],"extent_tesim":["6.0 linear feet (9 boxes)"],"date_range_isim":[1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e\n    "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003e\nThere are scripts from this collection and other FTP collections online in the \u003cextptr type=\"simple\" title=\"Federal Theatre Project collection\" show=\"new\" href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\"\u003e\u003c/extptr\u003e. \u003c/p\u003e\n    "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["There are scripts from this collection and other FTP collections online in the ."],"arrangement_html_tesm":["\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Essays, newsletters, published works, and miscellany, 1904-1950 (Boxes 1-2, 9)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Newspaper clippings, 1936-1986 (Box 2)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, circa 1930s-1940s (Boxes 2, 9)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Playscripts, 1920s-1953 (Boxes 2-6)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Programs, 1928-1950s (Boxes 6-7)\u003c/item\u003e\n        \u003citem\u003eSeries 6: Scrapbooks, 1920s-1950s (Boxes 7-8)\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series 1: Essays, newsletters, published works, and miscellany, 1904-1950 (Boxes 1-2, 9)\n        Series 2: Newspaper clippings, 1936-1986 (Box 2)\n        Series 3: Photographs, circa 1930s-1940s (Boxes 2, 9)\n        Series 4: Playscripts, 1920s-1953 (Boxes 2-6)\n        Series 5: Programs, 1928-1950s (Boxes 6-7)\n        Series 6: Scrapbooks, 1920s-1950s (Boxes 7-8)"],"bioghist_html_tesm":["\u003cp\u003eMolka Reich studied puppetry under Remo Bufano in New York during the 1920s. She and her husband moved to Miami, Florida, in 1930. While there, she joined the Federal Writers Project, and then the Federal Theatre Project. She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Molka Reich studied puppetry under Remo Bufano in New York during the 1920s. She and her husband moved to Miami, Florida, in 1930. While there, she joined the Federal Writers Project, and then the Federal Theatre Project. She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club."],"prefercite_html_tesm":["\u003cp\u003eMolka Reich papers, C0229, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["Molka Reich papers, C0229, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the \u003cextptr type=\"simple\" title=\"Works Progress Administration oral histories collection\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/wpaoh.html\"\u003e\u003c/extptr\u003e, the \u003cextptr type=\"simple\" title=\"Federal Theatre Project collection\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/ftp.html\"\u003e\u003c/extptr\u003e, the \u003cextptr type=\"simple\" title=\"Federal Theatre Project photograph collection\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/ftpphoto.html\"\u003e\u003c/extptr\u003e, as well as numerous other personal papers.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds the , the , the , as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.\u003c/p\u003e\n      ","\u003cp\u003eSeries 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.\u003c/p\u003e\n      ","\u003cp\u003eSeries 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.\u003c/p\u003e\n      ","\u003cp\u003eSeries 3 contains photographs both black and white and color and in a variety of sizes. Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.\u003c/p\u003e\n      ","\u003cp\u003eSeries 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.\u003c/p\u003e\n      ","\u003cp\u003eSeries 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.\u003c/p\u003e\n      ","\u003cp\u003eSeries 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.\u003c/p\u003e\n    ","\u003cp\u003eSeries 1 contains many different types of materials including essays, puppetry newsletters, play synopses and published plays and vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.\u003c/p\u003e\n        ","\u003cp\u003eBlueprint for portable stage\u003c/p\u003e\n          ","\u003cp\u003eOriginal artwork for set and other designs - watercolors, pencil drawings\u003c/p\u003e\n          ","\u003cp\u003eNewsletters, catalogs, pamphlets related to dolls, marionettes, and puppets\u003c/p\u003e\n          ","\u003cp\u003ePamphlets and newsletters related to George Mason events revolving around puppetry and the Federal Theatre Project\u003c/p\u003e\n          ","\u003cp\u003e\"Dear Charlotte\", possibly from Scott Griffin\u003c/p\u003e\n          ","\u003cp\u003eNewsletters from The Puppetry Guild of Greater New York, The Puppeteers of America, The Puppeteers of America Regional Reporter for the Southeast Region, D. C. Puppetimes, George Mason University Golden Anniversary Puppetry Festival, The Puppet Guild of Greater Miami, Barry University Department of Theatre, The Puppet Masters calendar featuring famous puppeteers, itinerary for trip to Japan (UNIMA XV 1988)\u003c/p\u003e\n          ","\u003cp\u003e12 Plays for Boys and Girls edited by Ben Blake with pictures by Bill Siegel; The Slave with Two Faces by Mary Carolyn Davies\u003c/p\u003e\n          ","\u003cp\u003eThree issues: Art of Acting Issue (1936), Second Art of Acting Issue (1937), Fall Issue (1937)\u003c/p\u003e\n          ","\u003cp\u003eSeries 2 contains newspaper clippings from Miami, Florida newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.\u003c/p\u003e\n        ","\u003cp\u003eAh, Wilderness; Altars of Steel\u003c/p\u003e\n          ","\u003cp\u003eBoy Meets Girl; The Bride the Sun Shines On\u003c/p\u003e\n          ","\u003cp\u003eCandle Light; Chalk Dust; Coquette; Criminal at Large\u003c/p\u003e\n          ","\u003cp\u003eMiami Federal Theatre; Molka Reich; Mystery of the Boardwalk Asylum\u003c/p\u003e\n          ","\u003cp\u003e\"New Director Named for Theatre Project\", article about Dorothea Lynch becoming state director for the Federal Theatre.\u003c/p\u003e\n          ","\u003cp\u003eSmilin' Through; actor Scott Griffin\u003c/p\u003e\n          ","\u003cp\u003eSeries 3 contains photographs both black and white and color and in a variety of sizes. Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of the Jack and the Beanstalk marionette. This series is arranged alphabetically.\u003c/p\u003e\n        ","\u003cp\u003e1 production photograph featuring actors on stage. An actor in center is holding a gun to his head.\u003c/p\u003e\n          ","\u003cp\u003eColor photographs of Jack and the beanstalk puppet.\u003c/p\u003e\n          ","\u003cp\u003e12 oversize photographs, 10 of which are professional portraits taken by Charles Cooper in Miami, Florida.\u003c/p\u003e\n          ","\u003cp\u003e2 oversize matted photographic portraits of Molka Reich.\u003c/p\u003e\n          ","\u003cp\u003e14 color photographs of Reich leading a marionette demonstration.\u003c/p\u003e\n          ","\u003cp\u003e9 black and white photographs of Reich's marionettes, staged productions with actors, and includes two photographs of an audience of children watching Bimbo perform.\u003c/p\u003e\n          ","\u003cp\u003eSeries 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.\u003c/p\u003e\n        ","\u003cp\u003eIncludes script and sheet music\u003c/p\u003e\n          ","\u003cp\u003eAbstract\u003c/p\u003e\n          ","\u003cp\u003eScott Griffin's copy\u003c/p\u003e\n          ","\u003cp\u003ePhotocopy\u003c/p\u003e\n          ","\u003cp\u003eDirector's copy\u003c/p\u003e\n          ","\u003cp\u003eIncludes note from Syl to Helen: \"Couldn't find the columns I mentioned to you, but in the search uncovered some old Morgan scripts I did for the Eversharp show. The enclosed is an excerpt, from about the only one that could be cut and still be effective. Probably would serve as a space filler and be good for a few laughs. Will try to find the other stuff for a later issue.\"\u003c/p\u003e\n          ","\u003cp\u003ePhotocopy of Federal Theatre Project script\u003c/p\u003e\n          ","\u003cp\u003ePhotocopy\u003c/p\u003e\n          ","\u003cp\u003eSheet music\u003c/p\u003e\n          ","\u003cp\u003eRadio production with Andrew Jergens\u003c/p\u003e\n          ","\u003cp\u003ePhotocopy\u003c/p\u003e\n          ","\u003cp\u003ePhotocopy of script and sheet music\u003c/p\u003e\n          ","\u003cp\u003ePhotocopy\u003c/p\u003e\n          ","\u003cp\u003eScript for the American Brotherhood: The National Conference of Christians and Jews\u003c/p\u003e\n          ","\u003cp\u003ePhotocopy. Includes four scripts, one for each actor.\u003c/p\u003e\n          ","\u003cp\u003ePhotocopy\u003c/p\u003e\n          ","\u003cp\u003eMultiple scripts with holiday themes\u003c/p\u003e\n          ","\u003cp\u003eMiscellaneous mostly handwritten pages of sheet music and lyrics, some for marionette productions\u003c/p\u003e\n          ","\u003cp\u003ePhotocopy\u003c/p\u003e\n          ","\u003cp\u003eScript and sheet music\u003c/p\u003e\n          ","\u003cp\u003eIncludes script and music\u003c/p\u003e\n          ","\u003cp\u003eIncludes script and music\u003c/p\u003e\n          ","\u003cp\u003ePhotocopy\u003c/p\u003e\n          ","\u003cp\u003ePhotocopy\u003c/p\u003e\n          ","\u003cp\u003ePages 2 to 30. Characters include Mrs. Giles, Mrs. Adams, Harry, Miss Mobray, and Walter.\u003c/p\u003e\n          ","\u003cp\u003eScott Griffin's script\u003c/p\u003e\n          ","\u003cp\u003eSeries 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.\u003c/p\u003e\n        ","\u003cp\u003eAltars of Steel; Ah, Wilderness!; The Bishop Misbehaves; The Bride the Sun Shines On; Criminal at Large; Coquette; Chalk Dust; Craig's Wife; A Classic Vaudeville; The Emperor's New Clothes; Engaged; Folk Music in the Roosevelt White House (produced by the Smithsonian Institution Office of Folklife programs)\u003c/p\u003e\n          ","\u003cp\u003eThe Ghost Train; The Gallows Gate; The Great Sebastians\u003c/p\u003e\n          ","\u003cp\u003eThe Happiest Millionaire; If Ye Break Faith; Inherit the Wind; International Society for Contemporary Music; Lightnin (invitation and program); The Loud Red Patrick\u003c/p\u003e\n          ","\u003cp\u003eDouble sided one page flyer for the Marionette Unit directed by Molka Reich. The front page features reviews from places the troop performed, the back features their repertoire.\u003c/p\u003e\n          ","\u003cp\u003eMay Day; Margin for Error; The Mask and the Face; Mehitable Wing; The Matchmaker; The New York Idea; The 9th Guest; No Time for Sergeants; One More Spring; An Evening of Experimental One Act Plays; Post Road\u003c/p\u003e\n          ","\u003cp\u003eTwo invitations for events at the Molka Reich Studio.\u003c/p\u003e\n          ","\u003cp\u003eThe Starlight Theatre (1957 Summer calendar); Room Service; The Reluctant Debutante; Smilin' Through (includes ticket, programs, press release, for Jacksonville, Florida production); Separate Tables; Sabrina Fair; Twelfth Night; Visit to a Small Planet; Whom Dreams Possess; What a Life; What a Woman Wants; Witness for Prosecution\u003c/p\u003e\n          ","\u003cp\u003eSeries 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.\u003c/p\u003e\n        ","\u003cp\u003eSeparated 8.25\"x9.25\" scrapbook pages with 5\"x7\" black and white photographs adhered to them. Photographs feature marionettes and Molka Reich.\u003c/p\u003e\n          ","\u003cp\u003e1 of 5\u003c/p\u003e\n          ","\u003cp\u003e2 of 5. Newspaper clippings, programs, telegrams, and handwritten notes to and about Scott Griffin regarding theatre productions including: Coquette, This Thing Called Love, two one act plays performed at the Little Theatre (Bereguisse and The Torch-Bearers), a calendar for plays at the Florida Forum and Assembly (1934), The Pretender, Broken Dishes, Hired Husbands, The Nervous Wreck, The Big Pond, Why Wives Worry, Smilin' Thru, Thank You, and The Love Critic.\u003c/p\u003e\n          ","\u003cp\u003e3 of 5\u003c/p\u003e\n          ","\u003cp\u003e4 of 5. Includes programs for The Last of Mrs. Cheney, Our Town, Little Women, and Room Service. Includes playscripts for If Ye Break Faith and Two Crooks and a Lady, as well as handwritten and typewritten notes, a flyer for the production of Coquette, and an entry ticket for the Manhattan Repertory Theatre Co. at the Miami Playhouse.\u003c/p\u003e\n          ","\u003cp\u003e5 of 5. Material relating to Billy Griffin (later Scott Griffin). Includes negatives and portrait print as well as report cards and calling cards.\u003c/p\u003e\n          ","\u003cp\u003e1 of 2. Contains primarily magazine and newspaper articles featuring marionettes. There is also a certificate for Mrs. Howard Fitch for completing the Cultural Olympics in Woodstown, New Jersey (May 5, 1938). Clippings and certificate are attached to scrapbook paper.\u003c/p\u003e\n          ","\u003cp\u003e2 of 2. Contains loose newspaper and magazine clippings featuring articles on marionettes.\u003c/p\u003e\n          ","\u003cp\u003eIncludes newsclippings, newsclippings attached to paper, a program, and marionette patterns.\u003c/p\u003e\n          ","\u003cp\u003eIncludes programs for the West Florida Music and Arts Festival, International Society for Contemporary Music (1931), newspaper and magazine clippings featuring marionettes.\u003c/p\u003e\n          ","\u003cp\u003eNewspaper articles from the Monitor titled \"Marionettes by Children\" that illustrate how one can make their own marionette.\u003c/p\u003e\n          ","\u003cp\u003eOversize. Molka Reich scrapbook featuring newspaper clippings and programs from Miami Federal Theatre and non Federal Theatre productions. Pages have been separated.\u003c/p\u003e\n          ","\u003cp\u003eOversize. Scrapbook pages separated, featuring programs and newspaper clipping from productions performed at Starlight Theater in Pawling, New York.\u003c/p\u003e\n          "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Series 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Series 3 contains photographs both black and white and color and in a variety of sizes. Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses and published plays and vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Blueprint for portable stage","Original artwork for set and other designs - watercolors, pencil drawings","Newsletters, catalogs, pamphlets related to dolls, marionettes, and puppets","Pamphlets and newsletters related to George Mason events revolving around puppetry and the Federal Theatre Project","\"Dear Charlotte\", possibly from Scott Griffin","Newsletters from The Puppetry Guild of Greater New York, The Puppeteers of America, The Puppeteers of America Regional Reporter for the Southeast Region, D. C. Puppetimes, George Mason University Golden Anniversary Puppetry Festival, The Puppet Guild of Greater Miami, Barry University Department of Theatre, The Puppet Masters calendar featuring famous puppeteers, itinerary for trip to Japan (UNIMA XV 1988)","12 Plays for Boys and Girls edited by Ben Blake with pictures by Bill Siegel; The Slave with Two Faces by Mary Carolyn Davies","Three issues: Art of Acting Issue (1936), Second Art of Acting Issue (1937), Fall Issue (1937)","Series 2 contains newspaper clippings from Miami, Florida newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Ah, Wilderness; Altars of Steel","Boy Meets Girl; The Bride the Sun Shines On","Candle Light; Chalk Dust; Coquette; Criminal at Large","Miami Federal Theatre; Molka Reich; Mystery of the Boardwalk Asylum","\"New Director Named for Theatre Project\", article about Dorothea Lynch becoming state director for the Federal Theatre.","Smilin' Through; actor Scott Griffin","Series 3 contains photographs both black and white and color and in a variety of sizes. Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of the Jack and the Beanstalk marionette. This series is arranged alphabetically.","1 production photograph featuring actors on stage. An actor in center is holding a gun to his head.","Color photographs of Jack and the beanstalk puppet.","12 oversize photographs, 10 of which are professional portraits taken by Charles Cooper in Miami, Florida.","2 oversize matted photographic portraits of Molka Reich.","14 color photographs of Reich leading a marionette demonstration.","9 black and white photographs of Reich's marionettes, staged productions with actors, and includes two photographs of an audience of children watching Bimbo perform.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Includes script and sheet music","Abstract","Scott Griffin's copy","Photocopy","Director's copy","Includes note from Syl to Helen: \"Couldn't find the columns I mentioned to you, but in the search uncovered some old Morgan scripts I did for the Eversharp show. The enclosed is an excerpt, from about the only one that could be cut and still be effective. Probably would serve as a space filler and be good for a few laughs. Will try to find the other stuff for a later issue.\"","Photocopy of Federal Theatre Project script","Photocopy","Sheet music","Radio production with Andrew Jergens","Photocopy","Photocopy of script and sheet music","Photocopy","Script for the American Brotherhood: The National Conference of Christians and Jews","Photocopy. Includes four scripts, one for each actor.","Photocopy","Multiple scripts with holiday themes","Miscellaneous mostly handwritten pages of sheet music and lyrics, some for marionette productions","Photocopy","Script and sheet music","Includes script and music","Includes script and music","Photocopy","Photocopy","Pages 2 to 30. Characters include Mrs. Giles, Mrs. Adams, Harry, Miss Mobray, and Walter.","Scott Griffin's script","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Altars of Steel; Ah, Wilderness!; The Bishop Misbehaves; The Bride the Sun Shines On; Criminal at Large; Coquette; Chalk Dust; Craig's Wife; A Classic Vaudeville; The Emperor's New Clothes; Engaged; Folk Music in the Roosevelt White House (produced by the Smithsonian Institution Office of Folklife programs)","The Ghost Train; The Gallows Gate; The Great Sebastians","The Happiest Millionaire; If Ye Break Faith; Inherit the Wind; International Society for Contemporary Music; Lightnin (invitation and program); The Loud Red Patrick","Double sided one page flyer for the Marionette Unit directed by Molka Reich. The front page features reviews from places the troop performed, the back features their repertoire.","May Day; Margin for Error; The Mask and the Face; Mehitable Wing; The Matchmaker; The New York Idea; The 9th Guest; No Time for Sergeants; One More Spring; An Evening of Experimental One Act Plays; Post Road","Two invitations for events at the Molka Reich Studio.","The Starlight Theatre (1957 Summer calendar); Room Service; The Reluctant Debutante; Smilin' Through (includes ticket, programs, press release, for Jacksonville, Florida production); Separate Tables; Sabrina Fair; Twelfth Night; Visit to a Small Planet; Whom Dreams Possess; What a Life; What a Woman Wants; Witness for Prosecution","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.","Separated 8.25\"x9.25\" scrapbook pages with 5\"x7\" black and white photographs adhered to them. Photographs feature marionettes and Molka Reich.","1 of 5","2 of 5. Newspaper clippings, programs, telegrams, and handwritten notes to and about Scott Griffin regarding theatre productions including: Coquette, This Thing Called Love, two one act plays performed at the Little Theatre (Bereguisse and The Torch-Bearers), a calendar for plays at the Florida Forum and Assembly (1934), The Pretender, Broken Dishes, Hired Husbands, The Nervous Wreck, The Big Pond, Why Wives Worry, Smilin' Thru, Thank You, and The Love Critic.","3 of 5","4 of 5. Includes programs for The Last of Mrs. Cheney, Our Town, Little Women, and Room Service. Includes playscripts for If Ye Break Faith and Two Crooks and a Lady, as well as handwritten and typewritten notes, a flyer for the production of Coquette, and an entry ticket for the Manhattan Repertory Theatre Co. at the Miami Playhouse.","5 of 5. Material relating to Billy Griffin (later Scott Griffin). Includes negatives and portrait print as well as report cards and calling cards.","1 of 2. Contains primarily magazine and newspaper articles featuring marionettes. There is also a certificate for Mrs. Howard Fitch for completing the Cultural Olympics in Woodstown, New Jersey (May 5, 1938). Clippings and certificate are attached to scrapbook paper.","2 of 2. Contains loose newspaper and magazine clippings featuring articles on marionettes.","Includes newsclippings, newsclippings attached to paper, a program, and marionette patterns.","Includes programs for the West Florida Music and Arts Festival, International Society for Contemporary Music (1931), newspaper and magazine clippings featuring marionettes.","Newspaper articles from the Monitor titled \"Marionettes by Children\" that illustrate how one can make their own marionette.","Oversize. Molka Reich scrapbook featuring newspaper clippings and programs from Miami Federal Theatre and non Federal Theatre productions. Pages have been separated.","Oversize. Scrapbook pages separated, featuring programs and newspaper clipping from productions performed at Starlight Theater in Pawling, New York."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Molka Reich papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Molka Reich papers must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref297\" label=\"Abstract\"\u003eThe Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.\u003c/abstract\u003e\n      "],"abstract_tesim":["The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich."],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"persname_ssim":["Reich, Molka"],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Reich, Molka"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":226,"online_item_count_is":12,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:52:39.323Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_reich"}},{"id":"vifgm_chesse","type":"collection","attributes":{"title":"Ralph Chesse papers, 1935/1975","creator":{"id":"https://arvasarchive.org/catalog/vifgm_chesse#creator","type":"document_value","attributes":{"value":"Chesse, Ralph","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_chesse#abstract_or_scope","type":"document_value","attributes":{"value":"The Chesse papers contain materials such as photographs, watercolor set and costume design sketches, playscripts, and programs relating to Federal Theatre Project marionette productions in San Francisco and Los Angeles. Some of these plays are Child of God, Crock of Gold, The Emperor Jones, Hansel and Gretel, Marionette Varieties, Rip Van Winkle, The Tempest, and Twelfth Night. The papers also include magazine articles from the 1970s that highlight Chesse's mural painting at the Coit Tower in San Francisco.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_chesse#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_chesse","ead_ssi":"vifgm_chesse","_root_":"vifgm_chesse","_nest_parent_":"vifgm_chesse","ead_source_url_ssi":"data/gmu/chesse.xml","aspace_url_ssi":"http://scrc.gmu.edu/finding_aids/chesse.html","title_ssm":["Ralph Chesse papers"],"title_tesim":["Ralph Chesse papers"],"unitdate_ssm":["1935-1975"],"unitdate_inclusive_ssm":["1935-1975"],"normalized_date_ssm":["1935/1975"],"normalized_title_ssm":["Ralph Chesse papers, 1935/1975"],"text":["Ralph Chesse papers, 1935/1975","C0224","New Deal, 1933-1939.","Puppet theater.","Theater--United States.","There are no access restrictions.","Digitized photographs from this collection can be found in the \n                .","Organized alphabetically by title. Oversize materials are separated physically but integrated intellectually in this finding aid.","Ralph Chesse was born in New Orleans, Louisiana on January 6, 1900. He attended schools in New Orleans and Chicago including the Chicago Art Institute, but was primarily a self-taught painter. In 1924 he traveled to San Francisco where he met the puppeteer Blanding Sloan. It was after this meeting that Chesse began working as a puppeteer. In 1929 he opened his first puppet theatre, The Marionette Guild on Merchant Street. In 1934 Chesse was selected, with a mural design titled \"Playground,\" as one of 26 artists by the Works Progress Administration to paint a wall fresco inside of Coit Tower. During this same year The Marionette Guild had to close due to lack of funds.","Chesse joined the Federal Theatre project in 1936 as Director of the Puppetry Unit. There he oversaw a crew of 17 people. Their first production was The Crock of Gold in 1936. Other early productions included The Mikado, Alice in Wonderland, A Marionette Variety Show, and Emperor Jones.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","In 1937 Chesse moved to Los Angeles to take over as State Director for California. This was a larger unit employing 50 people. He remained in Los Angeles until 1939 though was still in communication with activities in San Francisco. In Los Angeles productions included Rip Van Winkle, Snow White and the Seven Dwarves, and a Variety Show. On June 30th 1939 the puppetry unit received notice that the Federal Theatre Project had been terminated. Also in 1939 Chesse brought marionettes to the World's Fair held in San Francisco.","After work finished with the FTP Chesse moved his family back to San Francisco and had a long and successful career that included various jobs. At different points in his life Chesse made a living by teaching puppetry for adult education classes at San Francisco State College, producing a children's television program called The Wonderful World of Brother Buzz, making puppets for TV, theatre, and opera, and acting in plays and films. In 1984 he moved to Ashland, Oregon where he was an avid painter up until his death in 1991. He died of heart failure.","Processed and EAD completed by Greta Kuriger Suiter in September 2012.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Chesse papers contain materials such as photographs, watercolor set and costume design sketches, playscripts, and programs relating to Federal Theatre Project marionette productions in San Francisco and Los Angeles. Some of these plays are Child of God, Crock of Gold, The Emperor Jones, Hansel and Gretel, Marionette Varieties, Rip Van Winkle, The Tempest, and Twelfth Night. The papers also include magazine articles from the 1970s that highlight Chesse's mural painting at the Coit Tower in San Francisco.","8 items","4 items","Includes article with section about Chesse \"The WPA and the great Coit Tower controversy: The artists look back\".","8 photographs","photocopy","5 items","Includes interview with Ralph Chesse.","3 items","photocopy","Four items, Hamlet costume design is photocopy, set designs are watercolors","Four photographs - two of traveling stage with curtain drawn; two of audience.","2 photographs","27 photographs","2 photographs","article in San Francisco Examiner and Chronicle","12 items","8 items","3 items","4 photographs","Photocopy of script; photographs of marionette performance.","Color slides of set and costume design sketches for The Tempest.","17 items","3 items","4 radioscripts","4 photographs","Two photographs of Chesse demonstrating how marionettes work to two women.","There are no restrictions on personal use. Permission to publish material from the Ralph Chesse papers must be obtained from the Special Collections Research Center, George Mason University Libraries.","The Chesse papers contain materials such as photographs, watercolor set and costume design sketches, playscripts, and programs relating to Federal Theatre Project marionette productions in San Francisco and Los Angeles. Some of these plays are Child of God, Crock of Gold, The Emperor Jones, Hansel and Gretel, Marionette Varieties, Rip Van Winkle, The Tempest, and Twelfth Night. The papers also include magazine articles from the 1970s that highlight Chesse's mural painting at the Coit Tower in San Francisco.","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (Los Angeles, Calif.)","Federal Theatre Project (San Francisco, Calif.)","Federal Theatre Project (U.S.)","Chesse, Ralph","Chesse, Ralph.","English"],"collection_title_tesim":["Ralph Chesse papers, 1935/1975"],"collection_ssim":["Ralph Chesse papers, 1935/1975"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0224"],"unitid_tesim":["C0224"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Chesse, Ralph"],"creator_ssim":["Chesse, Ralph"],"creator_persname_ssim":["Chesse, Ralph","Chesse, Ralph."],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (Los Angeles, Calif.)","Federal Theatre Project (San Francisco, Calif.)","Federal Theatre Project (U.S.)"],"creators_ssim":["Chesse, Ralph","Chesse, Ralph.","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (Los Angeles, Calif.)","Federal Theatre Project (San Francisco, Calif.)","Federal Theatre Project (U.S.)"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Ralph Chesse papers must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated to Special Collections Research Center by Ralph Chesse on July 8, 1977; July 24, 1980; May 18, 1981."],"access_subjects_ssim":["New Deal, 1933-1939.","Puppet theater.","Theater--United States."],"access_subjects_ssm":["New Deal, 1933-1939.","Puppet theater.","Theater--United States."],"has_online_content_ssim":["true"],"extent_ssm":["1.25 linear feet (1.5 boxes, 1 flat box)"],"extent_tesim":["1.25 linear feet (1.5 boxes, 1 flat box)"],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e\n    "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eDigitized photographs from this collection can be found in the \n                \u003cextptr type=\"simple\" show=\"new\" title=\"Federal Theatre Project collection\" href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\"\u003e\u003c/extptr\u003e.\u003c/p\u003e\n    "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Digitized photographs from this collection can be found in the \n                ."],"arrangement_html_tesm":["\u003cp\u003eOrganized alphabetically by title. Oversize materials are separated physically but integrated intellectually in this finding aid.\u003c/p\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized alphabetically by title. Oversize materials are separated physically but integrated intellectually in this finding aid."],"bioghist_html_tesm":["\u003cp\u003eRalph Chesse was born in New Orleans, Louisiana on January 6, 1900. He attended schools in New Orleans and Chicago including the Chicago Art Institute, but was primarily a self-taught painter. In 1924 he traveled to San Francisco where he met the puppeteer Blanding Sloan. It was after this meeting that Chesse began working as a puppeteer. In 1929 he opened his first puppet theatre, The Marionette Guild on Merchant Street. In 1934 Chesse was selected, with a mural design titled \"Playground,\" as one of 26 artists by the Works Progress Administration to paint a wall fresco inside of Coit Tower. During this same year The Marionette Guild had to close due to lack of funds.\u003c/p\u003e\n      ","\u003cp\u003eChesse joined the Federal Theatre project in 1936 as Director of the Puppetry Unit. There he oversaw a crew of 17 people. Their first production was The Crock of Gold in 1936. Other early productions included The Mikado, Alice in Wonderland, A Marionette Variety Show, and Emperor Jones.\u003c/p\u003e\n      ","\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.\u003c/p\u003e\n      ","\u003cp\u003eIn 1937 Chesse moved to Los Angeles to take over as State Director for California. This was a larger unit employing 50 people. He remained in Los Angeles until 1939 though was still in communication with activities in San Francisco. In Los Angeles productions included Rip Van Winkle, Snow White and the Seven Dwarves, and a Variety Show. On June 30th 1939 the puppetry unit received notice that the Federal Theatre Project had been terminated. Also in 1939 Chesse brought marionettes to the World's Fair held in San Francisco.\u003c/p\u003e\n      ","\u003cp\u003eAfter work finished with the FTP Chesse moved his family back to San Francisco and had a long and successful career that included various jobs. At different points in his life Chesse made a living by teaching puppetry for adult education classes at San Francisco State College, producing a children's television program called The Wonderful World of Brother Buzz, making puppets for TV, theatre, and opera, and acting in plays and films. In 1984 he moved to Ashland, Oregon where he was an avid painter up until his death in 1991. He died of heart failure.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Ralph Chesse was born in New Orleans, Louisiana on January 6, 1900. He attended schools in New Orleans and Chicago including the Chicago Art Institute, but was primarily a self-taught painter. In 1924 he traveled to San Francisco where he met the puppeteer Blanding Sloan. It was after this meeting that Chesse began working as a puppeteer. In 1929 he opened his first puppet theatre, The Marionette Guild on Merchant Street. In 1934 Chesse was selected, with a mural design titled \"Playground,\" as one of 26 artists by the Works Progress Administration to paint a wall fresco inside of Coit Tower. During this same year The Marionette Guild had to close due to lack of funds.","Chesse joined the Federal Theatre project in 1936 as Director of the Puppetry Unit. There he oversaw a crew of 17 people. Their first production was The Crock of Gold in 1936. Other early productions included The Mikado, Alice in Wonderland, A Marionette Variety Show, and Emperor Jones.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","In 1937 Chesse moved to Los Angeles to take over as State Director for California. This was a larger unit employing 50 people. He remained in Los Angeles until 1939 though was still in communication with activities in San Francisco. In Los Angeles productions included Rip Van Winkle, Snow White and the Seven Dwarves, and a Variety Show. On June 30th 1939 the puppetry unit received notice that the Federal Theatre Project had been terminated. Also in 1939 Chesse brought marionettes to the World's Fair held in San Francisco.","After work finished with the FTP Chesse moved his family back to San Francisco and had a long and successful career that included various jobs. At different points in his life Chesse made a living by teaching puppetry for adult education classes at San Francisco State College, producing a children's television program called The Wonderful World of Brother Buzz, making puppets for TV, theatre, and opera, and acting in plays and films. In 1984 he moved to Ashland, Oregon where he was an avid painter up until his death in 1991. He died of heart failure."],"prefercite_html_tesm":["\u003cp\u003eRalph Chesse papers, C0224, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["Ralph Chesse papers, C0224, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed and EAD completed by Greta Kuriger Suiter in September 2012.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed and EAD completed by Greta Kuriger Suiter in September 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Chesse papers contain materials such as photographs, watercolor set and costume design sketches, playscripts, and programs relating to Federal Theatre Project marionette productions in San Francisco and Los Angeles. Some of these plays are Child of God, Crock of Gold, The Emperor Jones, Hansel and Gretel, Marionette Varieties, Rip Van Winkle, The Tempest, and Twelfth Night. The papers also include magazine articles from the 1970s that highlight Chesse's mural painting at the Coit Tower in San Francisco.\u003c/p\u003e\n    ","\u003cp\u003e8 items\u003c/p\u003e\n          ","\u003cp\u003e4 items\u003c/p\u003e\n          ","\u003cp\u003eIncludes article with section about Chesse \"The WPA and the great Coit Tower controversy: The artists look back\".\u003c/p\u003e\n          ","\u003cp\u003e8 photographs\u003c/p\u003e\n          ","\u003cp\u003ephotocopy\u003c/p\u003e\n          ","\u003cp\u003e5 items\u003c/p\u003e\n          ","\u003cp\u003eIncludes interview with Ralph Chesse.\u003c/p\u003e\n          ","\u003cp\u003e3 items\u003c/p\u003e\n          ","\u003cp\u003ephotocopy\u003c/p\u003e\n          ","\u003cp\u003eFour items, Hamlet costume design is photocopy, set designs are watercolors\u003c/p\u003e\n          ","\u003cp\u003eFour photographs - two of traveling stage with curtain drawn; two of audience.\u003c/p\u003e\n          ","\u003cp\u003e2 photographs\u003c/p\u003e\n          ","\u003cp\u003e27 photographs\u003c/p\u003e\n          ","\u003cp\u003e2 photographs\u003c/p\u003e\n          ","\u003cp\u003earticle in San Francisco Examiner and Chronicle\u003c/p\u003e\n          ","\u003cp\u003e12 items\u003c/p\u003e\n          ","\u003cp\u003e8 items\u003c/p\u003e\n          ","\u003cp\u003e3 items\u003c/p\u003e\n          ","\u003cp\u003e4 photographs\u003c/p\u003e\n          ","\u003cp\u003ePhotocopy of script; photographs of marionette performance.\u003c/p\u003e\n          ","\u003cp\u003eColor slides of set and costume design sketches for The Tempest.\u003c/p\u003e\n          ","\u003cp\u003e17 items\u003c/p\u003e\n          ","\u003cp\u003e3 items\u003c/p\u003e\n          ","\u003cp\u003e4 radioscripts\u003c/p\u003e\n          ","\u003cp\u003e4 photographs\u003c/p\u003e\n          ","\u003cp\u003eTwo photographs of Chesse demonstrating how marionettes work to two women.\u003c/p\u003e\n          "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Chesse papers contain materials such as photographs, watercolor set and costume design sketches, playscripts, and programs relating to Federal Theatre Project marionette productions in San Francisco and Los Angeles. Some of these plays are Child of God, Crock of Gold, The Emperor Jones, Hansel and Gretel, Marionette Varieties, Rip Van Winkle, The Tempest, and Twelfth Night. The papers also include magazine articles from the 1970s that highlight Chesse's mural painting at the Coit Tower in San Francisco.","8 items","4 items","Includes article with section about Chesse \"The WPA and the great Coit Tower controversy: The artists look back\".","8 photographs","photocopy","5 items","Includes interview with Ralph Chesse.","3 items","photocopy","Four items, Hamlet costume design is photocopy, set designs are watercolors","Four photographs - two of traveling stage with curtain drawn; two of audience.","2 photographs","27 photographs","2 photographs","article in San Francisco Examiner and Chronicle","12 items","8 items","3 items","4 photographs","Photocopy of script; photographs of marionette performance.","Color slides of set and costume design sketches for The Tempest.","17 items","3 items","4 radioscripts","4 photographs","Two photographs of Chesse demonstrating how marionettes work to two women."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Ralph Chesse papers must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Ralph Chesse papers must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref53\" label=\"Abstract\"\u003eThe Chesse papers contain materials such as photographs, watercolor set and costume design sketches, playscripts, and programs relating to Federal Theatre Project marionette productions in San Francisco and Los Angeles. Some of these plays are Child of God, Crock of Gold, The Emperor Jones, Hansel and Gretel, Marionette Varieties, Rip Van Winkle, The Tempest, and Twelfth Night. The papers also include magazine articles from the 1970s that highlight Chesse's mural painting at the Coit Tower in San Francisco.\u003c/abstract\u003e\n      "],"abstract_tesim":["The Chesse papers contain materials such as photographs, watercolor set and costume design sketches, playscripts, and programs relating to Federal Theatre Project marionette productions in San Francisco and Los Angeles. Some of these plays are Child of God, Crock of Gold, The Emperor Jones, Hansel and Gretel, Marionette Varieties, Rip Van Winkle, The Tempest, and Twelfth Night. The papers also include magazine articles from the 1970s that highlight Chesse's mural painting at the Coit Tower in San Francisco."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (Los Angeles, Calif.)","Federal Theatre Project (San Francisco, Calif.)","Federal Theatre Project (U.S.)"],"persname_ssim":["Chesse, Ralph","Chesse, Ralph."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (Los Angeles, Calif.)","Federal Theatre Project (San Francisco, Calif.)","Federal Theatre Project (U.S.)","Chesse, Ralph","Chesse, Ralph."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":48,"online_item_count_is":4,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:52:08.909Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_chesse","ead_ssi":"vifgm_chesse","_root_":"vifgm_chesse","_nest_parent_":"vifgm_chesse","ead_source_url_ssi":"data/gmu/chesse.xml","aspace_url_ssi":"http://scrc.gmu.edu/finding_aids/chesse.html","title_ssm":["Ralph Chesse papers"],"title_tesim":["Ralph Chesse papers"],"unitdate_ssm":["1935-1975"],"unitdate_inclusive_ssm":["1935-1975"],"normalized_date_ssm":["1935/1975"],"normalized_title_ssm":["Ralph Chesse papers, 1935/1975"],"text":["Ralph Chesse papers, 1935/1975","C0224","New Deal, 1933-1939.","Puppet theater.","Theater--United States.","There are no access restrictions.","Digitized photographs from this collection can be found in the \n                .","Organized alphabetically by title. Oversize materials are separated physically but integrated intellectually in this finding aid.","Ralph Chesse was born in New Orleans, Louisiana on January 6, 1900. He attended schools in New Orleans and Chicago including the Chicago Art Institute, but was primarily a self-taught painter. In 1924 he traveled to San Francisco where he met the puppeteer Blanding Sloan. It was after this meeting that Chesse began working as a puppeteer. In 1929 he opened his first puppet theatre, The Marionette Guild on Merchant Street. In 1934 Chesse was selected, with a mural design titled \"Playground,\" as one of 26 artists by the Works Progress Administration to paint a wall fresco inside of Coit Tower. During this same year The Marionette Guild had to close due to lack of funds.","Chesse joined the Federal Theatre project in 1936 as Director of the Puppetry Unit. There he oversaw a crew of 17 people. Their first production was The Crock of Gold in 1936. Other early productions included The Mikado, Alice in Wonderland, A Marionette Variety Show, and Emperor Jones.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","In 1937 Chesse moved to Los Angeles to take over as State Director for California. This was a larger unit employing 50 people. He remained in Los Angeles until 1939 though was still in communication with activities in San Francisco. In Los Angeles productions included Rip Van Winkle, Snow White and the Seven Dwarves, and a Variety Show. On June 30th 1939 the puppetry unit received notice that the Federal Theatre Project had been terminated. Also in 1939 Chesse brought marionettes to the World's Fair held in San Francisco.","After work finished with the FTP Chesse moved his family back to San Francisco and had a long and successful career that included various jobs. At different points in his life Chesse made a living by teaching puppetry for adult education classes at San Francisco State College, producing a children's television program called The Wonderful World of Brother Buzz, making puppets for TV, theatre, and opera, and acting in plays and films. In 1984 he moved to Ashland, Oregon where he was an avid painter up until his death in 1991. He died of heart failure.","Processed and EAD completed by Greta Kuriger Suiter in September 2012.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Chesse papers contain materials such as photographs, watercolor set and costume design sketches, playscripts, and programs relating to Federal Theatre Project marionette productions in San Francisco and Los Angeles. Some of these plays are Child of God, Crock of Gold, The Emperor Jones, Hansel and Gretel, Marionette Varieties, Rip Van Winkle, The Tempest, and Twelfth Night. The papers also include magazine articles from the 1970s that highlight Chesse's mural painting at the Coit Tower in San Francisco.","8 items","4 items","Includes article with section about Chesse \"The WPA and the great Coit Tower controversy: The artists look back\".","8 photographs","photocopy","5 items","Includes interview with Ralph Chesse.","3 items","photocopy","Four items, Hamlet costume design is photocopy, set designs are watercolors","Four photographs - two of traveling stage with curtain drawn; two of audience.","2 photographs","27 photographs","2 photographs","article in San Francisco Examiner and Chronicle","12 items","8 items","3 items","4 photographs","Photocopy of script; photographs of marionette performance.","Color slides of set and costume design sketches for The Tempest.","17 items","3 items","4 radioscripts","4 photographs","Two photographs of Chesse demonstrating how marionettes work to two women.","There are no restrictions on personal use. Permission to publish material from the Ralph Chesse papers must be obtained from the Special Collections Research Center, George Mason University Libraries.","The Chesse papers contain materials such as photographs, watercolor set and costume design sketches, playscripts, and programs relating to Federal Theatre Project marionette productions in San Francisco and Los Angeles. Some of these plays are Child of God, Crock of Gold, The Emperor Jones, Hansel and Gretel, Marionette Varieties, Rip Van Winkle, The Tempest, and Twelfth Night. The papers also include magazine articles from the 1970s that highlight Chesse's mural painting at the Coit Tower in San Francisco.","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (Los Angeles, Calif.)","Federal Theatre Project (San Francisco, Calif.)","Federal Theatre Project (U.S.)","Chesse, Ralph","Chesse, Ralph.","English"],"collection_title_tesim":["Ralph Chesse papers, 1935/1975"],"collection_ssim":["Ralph Chesse papers, 1935/1975"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0224"],"unitid_tesim":["C0224"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Chesse, Ralph"],"creator_ssim":["Chesse, Ralph"],"creator_persname_ssim":["Chesse, Ralph","Chesse, Ralph."],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (Los Angeles, Calif.)","Federal Theatre Project (San Francisco, Calif.)","Federal Theatre Project (U.S.)"],"creators_ssim":["Chesse, Ralph","Chesse, Ralph.","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (Los Angeles, Calif.)","Federal Theatre Project (San Francisco, Calif.)","Federal Theatre Project (U.S.)"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Ralph Chesse papers must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated to Special Collections Research Center by Ralph Chesse on July 8, 1977; July 24, 1980; May 18, 1981."],"access_subjects_ssim":["New Deal, 1933-1939.","Puppet theater.","Theater--United States."],"access_subjects_ssm":["New Deal, 1933-1939.","Puppet theater.","Theater--United States."],"has_online_content_ssim":["true"],"extent_ssm":["1.25 linear feet (1.5 boxes, 1 flat box)"],"extent_tesim":["1.25 linear feet (1.5 boxes, 1 flat box)"],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e\n    "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eDigitized photographs from this collection can be found in the \n                \u003cextptr type=\"simple\" show=\"new\" title=\"Federal Theatre Project collection\" href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\"\u003e\u003c/extptr\u003e.\u003c/p\u003e\n    "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Digitized photographs from this collection can be found in the \n                ."],"arrangement_html_tesm":["\u003cp\u003eOrganized alphabetically by title. Oversize materials are separated physically but integrated intellectually in this finding aid.\u003c/p\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized alphabetically by title. Oversize materials are separated physically but integrated intellectually in this finding aid."],"bioghist_html_tesm":["\u003cp\u003eRalph Chesse was born in New Orleans, Louisiana on January 6, 1900. He attended schools in New Orleans and Chicago including the Chicago Art Institute, but was primarily a self-taught painter. In 1924 he traveled to San Francisco where he met the puppeteer Blanding Sloan. It was after this meeting that Chesse began working as a puppeteer. In 1929 he opened his first puppet theatre, The Marionette Guild on Merchant Street. In 1934 Chesse was selected, with a mural design titled \"Playground,\" as one of 26 artists by the Works Progress Administration to paint a wall fresco inside of Coit Tower. During this same year The Marionette Guild had to close due to lack of funds.\u003c/p\u003e\n      ","\u003cp\u003eChesse joined the Federal Theatre project in 1936 as Director of the Puppetry Unit. There he oversaw a crew of 17 people. Their first production was The Crock of Gold in 1936. Other early productions included The Mikado, Alice in Wonderland, A Marionette Variety Show, and Emperor Jones.\u003c/p\u003e\n      ","\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.\u003c/p\u003e\n      ","\u003cp\u003eIn 1937 Chesse moved to Los Angeles to take over as State Director for California. This was a larger unit employing 50 people. He remained in Los Angeles until 1939 though was still in communication with activities in San Francisco. In Los Angeles productions included Rip Van Winkle, Snow White and the Seven Dwarves, and a Variety Show. On June 30th 1939 the puppetry unit received notice that the Federal Theatre Project had been terminated. Also in 1939 Chesse brought marionettes to the World's Fair held in San Francisco.\u003c/p\u003e\n      ","\u003cp\u003eAfter work finished with the FTP Chesse moved his family back to San Francisco and had a long and successful career that included various jobs. At different points in his life Chesse made a living by teaching puppetry for adult education classes at San Francisco State College, producing a children's television program called The Wonderful World of Brother Buzz, making puppets for TV, theatre, and opera, and acting in plays and films. In 1984 he moved to Ashland, Oregon where he was an avid painter up until his death in 1991. He died of heart failure.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Ralph Chesse was born in New Orleans, Louisiana on January 6, 1900. He attended schools in New Orleans and Chicago including the Chicago Art Institute, but was primarily a self-taught painter. In 1924 he traveled to San Francisco where he met the puppeteer Blanding Sloan. It was after this meeting that Chesse began working as a puppeteer. In 1929 he opened his first puppet theatre, The Marionette Guild on Merchant Street. In 1934 Chesse was selected, with a mural design titled \"Playground,\" as one of 26 artists by the Works Progress Administration to paint a wall fresco inside of Coit Tower. During this same year The Marionette Guild had to close due to lack of funds.","Chesse joined the Federal Theatre project in 1936 as Director of the Puppetry Unit. There he oversaw a crew of 17 people. Their first production was The Crock of Gold in 1936. Other early productions included The Mikado, Alice in Wonderland, A Marionette Variety Show, and Emperor Jones.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","In 1937 Chesse moved to Los Angeles to take over as State Director for California. This was a larger unit employing 50 people. He remained in Los Angeles until 1939 though was still in communication with activities in San Francisco. In Los Angeles productions included Rip Van Winkle, Snow White and the Seven Dwarves, and a Variety Show. On June 30th 1939 the puppetry unit received notice that the Federal Theatre Project had been terminated. Also in 1939 Chesse brought marionettes to the World's Fair held in San Francisco.","After work finished with the FTP Chesse moved his family back to San Francisco and had a long and successful career that included various jobs. At different points in his life Chesse made a living by teaching puppetry for adult education classes at San Francisco State College, producing a children's television program called The Wonderful World of Brother Buzz, making puppets for TV, theatre, and opera, and acting in plays and films. In 1984 he moved to Ashland, Oregon where he was an avid painter up until his death in 1991. He died of heart failure."],"prefercite_html_tesm":["\u003cp\u003eRalph Chesse papers, C0224, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["Ralph Chesse papers, C0224, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed and EAD completed by Greta Kuriger Suiter in September 2012.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed and EAD completed by Greta Kuriger Suiter in September 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Chesse papers contain materials such as photographs, watercolor set and costume design sketches, playscripts, and programs relating to Federal Theatre Project marionette productions in San Francisco and Los Angeles. Some of these plays are Child of God, Crock of Gold, The Emperor Jones, Hansel and Gretel, Marionette Varieties, Rip Van Winkle, The Tempest, and Twelfth Night. The papers also include magazine articles from the 1970s that highlight Chesse's mural painting at the Coit Tower in San Francisco.\u003c/p\u003e\n    ","\u003cp\u003e8 items\u003c/p\u003e\n          ","\u003cp\u003e4 items\u003c/p\u003e\n          ","\u003cp\u003eIncludes article with section about Chesse \"The WPA and the great Coit Tower controversy: The artists look back\".\u003c/p\u003e\n          ","\u003cp\u003e8 photographs\u003c/p\u003e\n          ","\u003cp\u003ephotocopy\u003c/p\u003e\n          ","\u003cp\u003e5 items\u003c/p\u003e\n          ","\u003cp\u003eIncludes interview with Ralph Chesse.\u003c/p\u003e\n          ","\u003cp\u003e3 items\u003c/p\u003e\n          ","\u003cp\u003ephotocopy\u003c/p\u003e\n          ","\u003cp\u003eFour items, Hamlet costume design is photocopy, set designs are watercolors\u003c/p\u003e\n          ","\u003cp\u003eFour photographs - two of traveling stage with curtain drawn; two of audience.\u003c/p\u003e\n          ","\u003cp\u003e2 photographs\u003c/p\u003e\n          ","\u003cp\u003e27 photographs\u003c/p\u003e\n          ","\u003cp\u003e2 photographs\u003c/p\u003e\n          ","\u003cp\u003earticle in San Francisco Examiner and Chronicle\u003c/p\u003e\n          ","\u003cp\u003e12 items\u003c/p\u003e\n          ","\u003cp\u003e8 items\u003c/p\u003e\n          ","\u003cp\u003e3 items\u003c/p\u003e\n          ","\u003cp\u003e4 photographs\u003c/p\u003e\n          ","\u003cp\u003ePhotocopy of script; photographs of marionette performance.\u003c/p\u003e\n          ","\u003cp\u003eColor slides of set and costume design sketches for The Tempest.\u003c/p\u003e\n          ","\u003cp\u003e17 items\u003c/p\u003e\n          ","\u003cp\u003e3 items\u003c/p\u003e\n          ","\u003cp\u003e4 radioscripts\u003c/p\u003e\n          ","\u003cp\u003e4 photographs\u003c/p\u003e\n          ","\u003cp\u003eTwo photographs of Chesse demonstrating how marionettes work to two women.\u003c/p\u003e\n          "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Chesse papers contain materials such as photographs, watercolor set and costume design sketches, playscripts, and programs relating to Federal Theatre Project marionette productions in San Francisco and Los Angeles. Some of these plays are Child of God, Crock of Gold, The Emperor Jones, Hansel and Gretel, Marionette Varieties, Rip Van Winkle, The Tempest, and Twelfth Night. The papers also include magazine articles from the 1970s that highlight Chesse's mural painting at the Coit Tower in San Francisco.","8 items","4 items","Includes article with section about Chesse \"The WPA and the great Coit Tower controversy: The artists look back\".","8 photographs","photocopy","5 items","Includes interview with Ralph Chesse.","3 items","photocopy","Four items, Hamlet costume design is photocopy, set designs are watercolors","Four photographs - two of traveling stage with curtain drawn; two of audience.","2 photographs","27 photographs","2 photographs","article in San Francisco Examiner and Chronicle","12 items","8 items","3 items","4 photographs","Photocopy of script; photographs of marionette performance.","Color slides of set and costume design sketches for The Tempest.","17 items","3 items","4 radioscripts","4 photographs","Two photographs of Chesse demonstrating how marionettes work to two women."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Ralph Chesse papers must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Ralph Chesse papers must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref53\" label=\"Abstract\"\u003eThe Chesse papers contain materials such as photographs, watercolor set and costume design sketches, playscripts, and programs relating to Federal Theatre Project marionette productions in San Francisco and Los Angeles. Some of these plays are Child of God, Crock of Gold, The Emperor Jones, Hansel and Gretel, Marionette Varieties, Rip Van Winkle, The Tempest, and Twelfth Night. The papers also include magazine articles from the 1970s that highlight Chesse's mural painting at the Coit Tower in San Francisco.\u003c/abstract\u003e\n      "],"abstract_tesim":["The Chesse papers contain materials such as photographs, watercolor set and costume design sketches, playscripts, and programs relating to Federal Theatre Project marionette productions in San Francisco and Los Angeles. Some of these plays are Child of God, Crock of Gold, The Emperor Jones, Hansel and Gretel, Marionette Varieties, Rip Van Winkle, The Tempest, and Twelfth Night. The papers also include magazine articles from the 1970s that highlight Chesse's mural painting at the Coit Tower in San Francisco."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (Los Angeles, Calif.)","Federal Theatre Project (San Francisco, Calif.)","Federal Theatre Project (U.S.)"],"persname_ssim":["Chesse, Ralph","Chesse, Ralph."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (Los Angeles, Calif.)","Federal Theatre Project (San Francisco, Calif.)","Federal Theatre Project (U.S.)","Chesse, Ralph","Chesse, Ralph."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":48,"online_item_count_is":4,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:52:08.909Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_chesse"}},{"id":"vifgm_prosky","type":"collection","attributes":{"title":"Robert Prosky Papers, 1909/2007","creator":{"id":"https://arvasarchive.org/catalog/vifgm_prosky#creator","type":"document_value","attributes":{"value":"Robert Prosky, 1930-2008","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_prosky#abstract_or_scope","type":"document_value","attributes":{"value":"Consists of documents spanning Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual. ","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_prosky#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_prosky","ead_ssi":"vifgm_prosky","_root_":"vifgm_prosky","_nest_parent_":"vifgm_prosky","ead_source_url_ssi":"data/gmu/prosky.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/prosky.html","title_ssm":["Robert Prosky Papers"],"title_tesim":["Robert Prosky Papers"],"unitdate_ssm":["1909-2007"],"unitdate_inclusive_ssm":["1909-2007"],"normalized_date_ssm":["1909/2007"],"normalized_title_ssm":["Robert Prosky Papers, 1909/2007"],"text":["Robert Prosky Papers, 1909/2007","C0022","Actors--United States.","Motion pictures--United States.","Television--United States.","Theater--United States.","Theater--Washington (D.C.)","There are no access restrictions.","Organized into six series:","Series 1: Professional, 1954-2007 (Boxes 1-5)\n        Series 2: Personal, 1909-2007 (Boxes 5-8)\n        Series 3: Photographs, 1930s-2005 (Boxes 9-11)\n        Series 4: Audiovisual, 1960-2007 (Boxes 12-13)\n        Series 5: Oversize, 1950s-2006 (Boxes 14-15)\n        Series 6: Realia, 1998-2004 (Box 16)","Born in Philadelphia, Robert Prosky (1930-2008) spent much of his career as an actor in more than 200 plays at the Arena Stage in Washington, D.C., on Broadway in New York City, and in regional theatre. Prosky's association with the Arena Stage included more than 130 productions over the course of 20 years. His Broadway appearances included \"Glengarry Glenross,\" \"A Walk in the Woods,\" and \"A View from the Bridge.\" Highlights from regional theater include \"Death of a Salesman,\" \"Twelfth Night,\" and \"You Can't Take It With You.\" He also performed on stage in the Moscow Art Theatre in Russia, the Gate Theater in Dublin, Ireland, as well as in a Chinese theater in Hong Kong.","Beginning in the 1980s, he began regularly appearing in films and television shows. His films include \"Mrs. Doubtfire,\" \"The Natural,\" and \"Dead Man Walking.\" Television credits include three years on \"Hill Street Blues,\" many television films and guest shots.","He received or was nominated for two Tony awards, two Helen Hayes awards, an Emmy, the Drama Desk award, and the American Express Tribute To An American Actor. He continued to perform on stage and present lectures on his long career at universities, film festivals, for theater benefits, business groups and on cruises. He died on December 8, 2008, in Washington, D.C.","Processed in 2008 by Sarah Patton, Jennifer Munson, and Jordan Patty. EAD markup completed in 2008 by Jordan Patty and Jennifer Munson.","Special Collections and Archives also holds the .","Consists of documents spanning Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual.","The collection consists of six series.  The first series contains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically. Subseries 1.1 includes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C.  There are also numerous reviews as well as a few scripts with Prosky's handwritten notes. Subseries 1.2 contains mostly clippings and reviews about Prosky's film career, but there are a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\" Subseries 1.3 contains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\" Note that there are additional professional documents, such as posters, in the oversize series.","The second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically. Subseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Subseries 2.2 contains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. Of particular interest are transcripts from an autobiography by Prosky. Note that there are additional biographical articles in the oversize series both loose and in scrapbooks.","The third series contains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically. Note that there are additional photographs in the oversize series both loose and in scrapbooks.","The fourth series consists of copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public service announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations.","The fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life.","The sixth series consists of objects from Prosky's professional career and personal life, such as opening night gifts and production souvenirs.","Contains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically.","Includes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C.  There are also numerous reviews as well as a few scripts with Prosky's handwritten notes.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Arena Stage.","Quarterdeck Theatre.","Gonzaga College. Prosky not in cast.","Arena Stage.","Lucille Lortel Theatre.","Berkshire Theatre Festival. Review by Herbert Wolff.","Arena Stage.","Old Academy.","Quarterdeck Theatre.","Arena Stage.","Arena Stage.","Brooks Atkinson Theatre.","Arena Stage.","Arena Stage. Review by Mel Gussow.","Ford's Theatre.","Also contains television reviews and biographical information.","Goodman Theatre.","John Golden Theatre.","Manhattan Ensemble Theater. Also contains postcards with advertisements.","Fred Miller Theatre.","Arena Stage.","Arena Stage.","Ford's Theatre.","Lee Strasberg Theatre Center.","Delaware Theatre Company (1993) and Arena Stage (1995).","Douglass College.","Arena Stage.","Arena Stage.","Fred Miller Theatre.","Morosco Theatre. Prosky not in cast.","Arena Stage.","Gate Theatre.","Cape May Stage.","Arena Stage. Also contains a pre-production announcement.","Quarterdeck Theatre.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Colonial Theatre.","Quarterdeck Theatre.","Arena Stage.","Arena Stage.","Coronet Theatre. Prosky not in cast.","Ambassador Theatre.","Royal Poinciana Playhouse. Prosky not in cast.","Booth Theatre.","One copy entirely in Russian and one with only the title translated.","Booth Theatre. Also contains some correspondence.","Contains stories on Zelda Fichandler and Robert Prosky.","Fred Miller Theatre.","Hong Kong Arts Festival.","Guthrie Theatre.","Arena Stage.","Also contains advertisements, rosters, and announcements.","Contains mostly clippings and reviews about Prosky's film career, but there are also a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\"","Also contains correspondence.","Contains production facts, one color production still photograph, and one black and white photograph of the director Gayle Knutson.","Also includes information on \"Glengarry Glenn Ross\" and television work.","Contains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\"","The second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically.","Subseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Arranged alphabetically by name type of correspondence, then chronologically.","RESTRICTED","Also includes correspondence about Prosky's Tony Award nomination.","Contains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. This subseries also contains transcripts from a self-recorded autobiography by Prosky. Arranged alphabetically by article title and type of document, then chronologically.","Post Eagle newspaper.","Columbia Flier newspaper.","America 275 Illustrated Story no. 11-79.","Prosky nominated for \"Glengarry Glenross\".\"","Prosky nominated for \"A Walk in the Woods\".","Prosky won best actor in a short film for \"Grandfather's Birthday\".","Folder 1.","Folder 2.","Cynthia Snyder Public Relations.","Article by Zelda Fichandler.","Presented to both Prosky and his wife Ida.","Philadelphia magazine.","Prosky served as the master of ceremonies.","Prosky nominated for his role in \"Our Town\".","Prosky honored with the American Express Tribute.","Washington Post newspaper.","Roxborough Times newspaper.","Home News newspaper.","New York Times Newspaper.","Equity News newsletter.","New York Times newspaper.","Arena Stage.","Folder 1.","Folder 2.","Presented to Prosky for his role as Mr. Buchanan in \"Jabberwocky\".","Sun Weekly newspaper.","People Weekly magazine.","Relax magazine. In Polish.","New Jersey Lifestyle magazine.","Pen World magazine.","Washington Post Magazine.","Daily News newspaper.","Dossier magazine.","Washington Times newspaper. Article mentions Prosky's Hayes award for \"The Price\".","Also includes correspondence.","Contains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically.","Contains copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public serve announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations.","VHS, 18 minutes, color","Audio reel.","Available on digital format.","Reel, 60 seconds, color.","Available on digital format.","Reel, 60 seconds, color, U.S. Dept. of Agriculture Food Safety and Quality Service.","Available on digital format.","Audio reel","Available on digital format.","VHS, #466216, Final Viewing Cassette","VHS, #466217, Final Viewing Cassette","VHS, #466218, Final Viewing Cassette","VHS, #466219, Final Viewing Cassette","VHS, #466220, Final Viewing Cassette","VHS, #466221, Final Viewing Cassette","Audio, 6 Demo spots, 7.5 IPS","Available on digital format.","VHS, 30 minutes","CD, Arena Stage press photos","DVD, DEMO","DVD, Tape 1, Harris Theatre GMU","DVD, Tape 2, Harris Theatre GMU","DVD, Clips for Lecture","Audio cassette tape, WABC Talk Radio 77am","DVD","Video reel, 60 seconds.","Available on digital format.","Audio cassette tape, Tape 1","Audio cassette tape, Tape 2","Audio Cassette Tape, WTOP Radio","DVD","Audio reel.","Available on digital format.","The fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life.","Black binder with \"Thief\" label","Black binder with Robert Prosky","Photograph","Photograph - Appearances","Photograph - Theatre","Nomination for Best Supporting Actor in a Television Movie \"Into Thin Air\"","Six different shots","Interview page 37","Three matted portraits","Autographed film poster","Production poster","Photographs, newspaper clippings, playbills","Blue album with flowers on cover, photographs, newspaper clippings, playbills","Autographed copy by Kathryn Crosby","Consists of objects from Prosky's professional career and personal life.","Paperweight","Miniature briefcase","Robert Prosky's name monogrammed on one side.","Ford's Theatre, Dog tags","Plaque","Souvenir bag","There may be duplication restrictions because of copyright.","Consists of documents spanning Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual.","George Mason University. Special Collections and Archives","Arena Stage (Organization : Washington, D.C.)","Robert Prosky, 1930-2008","Prosky, Robert, 1930-","English"],"collection_title_tesim":["Robert Prosky Papers, 1909/2007"],"collection_ssim":["Robert Prosky Papers, 1909/2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0022"],"unitid_tesim":["C0022"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Robert Prosky, 1930-2008"],"creator_ssim":["Robert Prosky, 1930-2008"],"creator_persname_ssim":["Robert Prosky, 1930-2008","Prosky, Robert, 1930-"],"creator_corpname_ssim":["George Mason University. Special Collections and Archives","Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Robert Prosky, 1930-2008","Prosky, Robert, 1930-","George Mason University. Special Collections and Archives","Arena Stage (Organization : Washington, D.C.)"],"acqinfo_ssim":["Donated by Robert Prosky in 2007-2008."],"access_subjects_ssim":["Actors--United States.","Motion pictures--United States.","Television--United States.","Theater--United States.","Theater--Washington (D.C.)"],"access_subjects_ssm":["Actors--United States.","Motion pictures--United States.","Television--United States.","Theater--United States.","Theater--Washington (D.C.)"],"has_online_content_ssim":["false"],"extent_ssm":["9 linear feet (16 boxes)"],"extent_tesim":["9 linear feet (16 boxes)"],"date_range_isim":[1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\n\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized into six series:\u003c/p\u003e\n      ","\u003clist\u003e\n        \u003citem\u003eSeries 1: Professional, 1954-2007 (Boxes 1-5)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Personal, 1909-2007 (Boxes 5-8)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, 1930s-2005 (Boxes 9-11)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Audiovisual, 1960-2007 (Boxes 12-13)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Oversize, 1950s-2006 (Boxes 14-15)\u003c/item\u003e\n        \u003citem\u003eSeries 6: Realia, 1998-2004 (Box 16)\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into six series:","Series 1: Professional, 1954-2007 (Boxes 1-5)\n        Series 2: Personal, 1909-2007 (Boxes 5-8)\n        Series 3: Photographs, 1930s-2005 (Boxes 9-11)\n        Series 4: Audiovisual, 1960-2007 (Boxes 12-13)\n        Series 5: Oversize, 1950s-2006 (Boxes 14-15)\n        Series 6: Realia, 1998-2004 (Box 16)"],"bioghist_html_tesm":["\u003cp\u003eBorn in Philadelphia, Robert Prosky (1930-2008) spent much of his career as an actor in more than 200 plays at the Arena Stage in Washington, D.C., on Broadway in New York City, and in regional theatre. Prosky's association with the Arena Stage included more than 130 productions over the course of 20 years. His Broadway appearances included \"Glengarry Glenross,\" \"A Walk in the Woods,\" and \"A View from the Bridge.\" Highlights from regional theater include \"Death of a Salesman,\" \"Twelfth Night,\" and \"You Can't Take It With You.\" He also performed on stage in the Moscow Art Theatre in Russia, the Gate Theater in Dublin, Ireland, as well as in a Chinese theater in Hong Kong.\u003c/p\u003e\n      ","\u003cp\u003eBeginning in the 1980s, he began regularly appearing in films and television shows. His films include \"Mrs. Doubtfire,\" \"The Natural,\" and \"Dead Man Walking.\" Television credits include three years on \"Hill Street Blues,\" many television films and guest shots.\u003c/p\u003e\n      ","\u003cp\u003eHe received or was nominated for two Tony awards, two Helen Hayes awards, an Emmy, the Drama Desk award, and the American Express Tribute To An American Actor. He continued to perform on stage and present lectures on his long career at universities, film festivals, for theater benefits, business groups and on cruises. He died on December 8, 2008, in Washington, D.C.\n\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Born in Philadelphia, Robert Prosky (1930-2008) spent much of his career as an actor in more than 200 plays at the Arena Stage in Washington, D.C., on Broadway in New York City, and in regional theatre. Prosky's association with the Arena Stage included more than 130 productions over the course of 20 years. His Broadway appearances included \"Glengarry Glenross,\" \"A Walk in the Woods,\" and \"A View from the Bridge.\" Highlights from regional theater include \"Death of a Salesman,\" \"Twelfth Night,\" and \"You Can't Take It With You.\" He also performed on stage in the Moscow Art Theatre in Russia, the Gate Theater in Dublin, Ireland, as well as in a Chinese theater in Hong Kong.","Beginning in the 1980s, he began regularly appearing in films and television shows. His films include \"Mrs. Doubtfire,\" \"The Natural,\" and \"Dead Man Walking.\" Television credits include three years on \"Hill Street Blues,\" many television films and guest shots.","He received or was nominated for two Tony awards, two Helen Hayes awards, an Emmy, the Drama Desk award, and the American Express Tribute To An American Actor. He continued to perform on stage and present lectures on his long career at universities, film festivals, for theater benefits, business groups and on cruises. He died on December 8, 2008, in Washington, D.C."],"prefercite_html_tesm":["\u003cp\u003eRobert Prosky papers, C0022, Special Collections and Archives, George Mason University Libraries.\n\u003c/p\u003e\n      "],"prefercite_tesim":["Robert Prosky papers, C0022, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in 2008 by Sarah Patton, Jennifer Munson, and Jordan Patty. EAD markup completed in 2008 by Jordan Patty and Jennifer Munson.\n\u003c/p\u003e\n      "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in 2008 by Sarah Patton, Jennifer Munson, and Jordan Patty. EAD markup completed in 2008 by Jordan Patty and Jennifer Munson."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the \u003cextptr type=\"simple\" title=\"Records of Arena Stage\" show=\"new\" href=\"http://sca.gmu.edu/collections-subject.php#THEATRE\"\u003e\u003c/extptr\u003e.\n\u003c/p\u003e\n      "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds the ."],"scopecontent_html_tesm":["\u003cp\u003eConsists of documents spanning Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual.\n\u003c/p\u003e\n      ","\u003cp\u003eThe collection consists of six series.  The first series contains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically. Subseries 1.1 includes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C.  There are also numerous reviews as well as a few scripts with Prosky's handwritten notes. Subseries 1.2 contains mostly clippings and reviews about Prosky's film career, but there are a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\" Subseries 1.3 contains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\" Note that there are additional professional documents, such as posters, in the oversize series.  \n\u003c/p\u003e\n      ","\u003cp\u003eThe second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically. Subseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Subseries 2.2 contains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. Of particular interest are transcripts from an autobiography by Prosky. Note that there are additional biographical articles in the oversize series both loose and in scrapbooks.\n\u003c/p\u003e\n      ","\u003cp\u003eThe third series contains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically. Note that there are additional photographs in the oversize series both loose and in scrapbooks.\n\u003c/p\u003e\n      ","\u003cp\u003eThe fourth series consists of copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public service announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations.\n\u003c/p\u003e\n      ","\u003cp\u003eThe fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life. \n\u003c/p\u003e\n      ","\u003cp\u003eThe sixth series consists of objects from Prosky's professional career and personal life, such as opening night gifts and production souvenirs.\n\u003c/p\u003e\n    ","\u003cp\u003eContains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically.\n\u003c/p\u003e\n        ","\u003cp\u003eIncludes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C.  There are also numerous reviews as well as a few scripts with Prosky's handwritten notes.\n\t\u003c/p\u003e\n          ","\u003cp\u003eArena Stage. Contains press releases, reviews, and Arena Stage publications.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eArena Stage. Contains press releases, reviews, and Arena Stage publications.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eArena Stage.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eQuarterdeck Theatre.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eGonzaga College. Prosky not in cast.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eArena Stage.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eLucille Lortel Theatre.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eBerkshire Theatre Festival. Review by Herbert Wolff.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eArena Stage.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eOld Academy.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eQuarterdeck Theatre.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eArena Stage.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eArena Stage.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eBrooks Atkinson Theatre.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eArena Stage.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eArena Stage. Review by Mel Gussow.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eFord's Theatre.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eAlso contains television reviews and biographical information.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eGoodman Theatre.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eJohn Golden Theatre.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eManhattan Ensemble Theater. Also contains postcards with advertisements.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eFred Miller Theatre.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eArena Stage.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eArena Stage.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eFord's Theatre.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eLee Strasberg Theatre Center.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eDelaware Theatre Company (1993) and Arena Stage (1995).\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eDouglass College. \n\t\t\u003c/p\u003e\n            ","\u003cp\u003eArena Stage. \n\t\t\u003c/p\u003e\n            ","\u003cp\u003eArena Stage. \n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eFred Miller Theatre. \n\t\t\u003c/p\u003e\n            ","\u003cp\u003eMorosco Theatre. Prosky not in cast.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eArena Stage.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eGate Theatre.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eCape May Stage. \n\t\t\u003c/p\u003e\n            ","\u003cp\u003eArena Stage. Also contains a pre-production announcement. \n\t\t\u003c/p\u003e\n            ","\u003cp\u003eQuarterdeck Theatre. \n\t\t\u003c/p\u003e\n            ","\u003cp\u003eArena Stage. Contains press releases, reviews, and Arena Stage publications.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eColonial Theatre.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eQuarterdeck Theatre.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eArena Stage.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eArena Stage.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eCoronet Theatre. Prosky not in cast.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eAmbassador Theatre.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eRoyal Poinciana Playhouse. Prosky not in cast.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eBooth Theatre.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eOne copy entirely in Russian and one with only the title translated.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eBooth Theatre. Also contains some correspondence.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eContains stories on Zelda Fichandler and Robert Prosky. \n\t\t\u003c/p\u003e\n            ","\u003cp\u003eFred Miller Theatre.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eHong Kong Arts Festival.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eGuthrie Theatre.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eArena Stage.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eAlso contains advertisements, rosters, and announcements.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eContains mostly clippings and reviews about Prosky's film career, but there are also a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\" \n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eAlso contains correspondence.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eContains production facts, one color production still photograph, and one black and white photograph of the director Gayle Knutson.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eAlso includes information on \"Glengarry Glenn Ross\" and television work.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eContains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\"\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eThe second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically. \n\u003c/p\u003e\n        ","\u003cp\u003eSubseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Arranged alphabetically by name type of correspondence, then chronologically.\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eRESTRICTED\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eAlso includes correspondence about Prosky's Tony Award nomination.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eContains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. This subseries also contains transcripts from a self-recorded autobiography by Prosky. Arranged alphabetically by article title and type of document, then chronologically.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePost Eagle newspaper.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eColumbia Flier newspaper.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eAmerica 275 Illustrated Story no. 11-79.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eProsky nominated for \"Glengarry Glenross\".\"\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eProsky nominated for \"A Walk in the Woods\".\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eProsky won best actor in a short film for \"Grandfather's Birthday\".\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eFolder 1.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eFolder 2.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eCynthia Snyder Public Relations.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eArticle by Zelda Fichandler.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003ePresented to both Prosky and his wife Ida.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003ePhiladelphia magazine.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eProsky served as the master of ceremonies.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eProsky nominated for his role in \"Our Town\".\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eProsky honored with the American Express Tribute.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eWashington Post newspaper.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eRoxborough Times newspaper.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eHome News newspaper.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eNew York Times Newspaper.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eEquity News newsletter.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eNew York Times newspaper.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eArena Stage.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eFolder 1.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eFolder 2.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003ePresented to Prosky for his role as Mr. Buchanan in \"Jabberwocky\".\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eSun Weekly newspaper.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003ePeople Weekly magazine.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eRelax magazine. In Polish.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eNew Jersey Lifestyle magazine.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003ePen World magazine.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eWashington Post Magazine.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eDaily News newspaper.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eDossier magazine.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eWashington Times newspaper. Article mentions Prosky's Hayes award for \"The Price\".\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eAlso includes correspondence.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eContains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically.\n\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eContains copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public serve announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations.  \n\u003c/p\u003e\n        ","\u003cp\u003eVHS, 18 minutes, color\n\t\u003c/p\u003e\n          ","\u003cp\u003eAudio reel.\n\t\u003c/p\u003e\n            ","\u003cp\u003eAvailable on digital format.\n\t\u003c/p\u003e\n          ","\u003cp\u003eReel, 60 seconds, color.\n\t\u003c/p\u003e\n            ","\u003cp\u003eAvailable on digital format.\n\t\u003c/p\u003e\n          ","\u003cp\u003eReel, 60 seconds, color, U.S. Dept. of Agriculture Food Safety and Quality Service.\n\t\u003c/p\u003e\n            ","\u003cp\u003eAvailable on digital format.\n\t\u003c/p\u003e\n          ","\u003cp\u003eAudio reel\n\t\u003c/p\u003e\n            ","\u003cp\u003eAvailable on digital format.\n\t\u003c/p\u003e\n          ","\u003cp\u003eVHS, #466216, Final Viewing Cassette\n\t\u003c/p\u003e\n          ","\u003cp\u003eVHS, #466217, Final Viewing Cassette\n\t\u003c/p\u003e\n          ","\u003cp\u003eVHS, #466218, Final Viewing Cassette\n\t\u003c/p\u003e\n          ","\u003cp\u003eVHS, #466219, Final Viewing Cassette\n\t\u003c/p\u003e\n          ","\u003cp\u003eVHS, #466220, Final Viewing Cassette\n\t\u003c/p\u003e\n          ","\u003cp\u003eVHS, #466221, Final Viewing Cassette\n\t\u003c/p\u003e\n          ","\u003cp\u003eAudio, 6 Demo spots, 7.5 IPS\n\t\u003c/p\u003e\n            ","\u003cp\u003eAvailable on digital format.\n\t\u003c/p\u003e\n          ","\u003cp\u003eVHS, 30 minutes\n\t\u003c/p\u003e\n          ","\u003cp\u003e CD, Arena Stage press photos\n\t\u003c/p\u003e\n          ","\u003cp\u003e DVD, DEMO\n\t\u003c/p\u003e\n          ","\u003cp\u003e DVD, Tape 1, Harris Theatre GMU\n\t\u003c/p\u003e\n          ","\u003cp\u003e DVD, Tape 2, Harris Theatre GMU\n\t\u003c/p\u003e\n          ","\u003cp\u003e DVD, Clips for Lecture\n\t\u003c/p\u003e\n          ","\u003cp\u003e Audio cassette tape, WABC Talk Radio 77am\n\t\u003c/p\u003e\n          ","\u003cp\u003e DVD\n\t\u003c/p\u003e\n          ","\u003cp\u003e Video reel, 60 seconds.\n\t\u003c/p\u003e\n            ","\u003cp\u003eAvailable on digital format.\n\t\u003c/p\u003e\n          ","\u003cp\u003e Audio cassette tape, Tape 1\n\t\u003c/p\u003e\n          ","\u003cp\u003e Audio cassette tape, Tape 2\n\t\u003c/p\u003e\n          ","\u003cp\u003e Audio Cassette Tape, WTOP Radio\n\t\u003c/p\u003e\n          ","\u003cp\u003e DVD\n\t\u003c/p\u003e\n          ","\u003cp\u003e Audio reel.\n\t\u003c/p\u003e\n            ","\u003cp\u003eAvailable on digital format.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThe fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life. \n\u003c/p\u003e\n        ","\u003cp\u003e Black binder with \"Thief\" label\n\t\u003c/p\u003e\n          ","\u003cp\u003e Black binder with Robert Prosky\n\t\u003c/p\u003e\n          ","\u003cp\u003e Photograph\n\t\u003c/p\u003e\n          ","\u003cp\u003e Photograph - Appearances\n\t\u003c/p\u003e\n          ","\u003cp\u003e Photograph - Theatre\n\t\u003c/p\u003e\n          ","\u003cp\u003e Nomination for Best Supporting Actor in a Television Movie \"Into Thin Air\"\n\t\u003c/p\u003e\n          ","\u003cp\u003e Six different shots\n\t\u003c/p\u003e\n          ","\u003cp\u003e Interview page 37\n\t\u003c/p\u003e\n          ","\u003cp\u003e Three matted portraits\n\t\u003c/p\u003e\n          ","\u003cp\u003e Autographed film poster\n\t\u003c/p\u003e\n          ","\u003cp\u003e Production poster\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e Photographs, newspaper clippings, playbills\n\t\u003c/p\u003e\n          ","\u003cp\u003e Blue album with flowers on cover, photographs, newspaper clippings, playbills\n\t\u003c/p\u003e\n          ","\u003cp\u003e Autographed copy by Kathryn Crosby\n\t\u003c/p\u003e\n          ","\u003cp\u003eConsists of objects from Prosky's professional career and personal life.\n\u003c/p\u003e\n        ","\u003cp\u003ePaperweight \n\t\u003c/p\u003e\n          ","\u003cp\u003e Miniature briefcase\n\t\u003c/p\u003e\n          ","\u003cp\u003eRobert Prosky's name monogrammed on one side. \n\t\u003c/p\u003e\n          ","\u003cp\u003e Ford's Theatre, Dog tags\n\t\u003c/p\u003e\n          ","\u003cp\u003e Plaque\n\t\u003c/p\u003e\n          ","\u003cp\u003e Souvenir bag\n\t\u003c/p\u003e\n          "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Consists of documents spanning Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual.","The collection consists of six series.  The first series contains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically. Subseries 1.1 includes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C.  There are also numerous reviews as well as a few scripts with Prosky's handwritten notes. Subseries 1.2 contains mostly clippings and reviews about Prosky's film career, but there are a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\" Subseries 1.3 contains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\" Note that there are additional professional documents, such as posters, in the oversize series.","The second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically. Subseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Subseries 2.2 contains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. Of particular interest are transcripts from an autobiography by Prosky. Note that there are additional biographical articles in the oversize series both loose and in scrapbooks.","The third series contains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically. Note that there are additional photographs in the oversize series both loose and in scrapbooks.","The fourth series consists of copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public service announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations.","The fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life.","The sixth series consists of objects from Prosky's professional career and personal life, such as opening night gifts and production souvenirs.","Contains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically.","Includes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C.  There are also numerous reviews as well as a few scripts with Prosky's handwritten notes.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Arena Stage.","Quarterdeck Theatre.","Gonzaga College. Prosky not in cast.","Arena Stage.","Lucille Lortel Theatre.","Berkshire Theatre Festival. Review by Herbert Wolff.","Arena Stage.","Old Academy.","Quarterdeck Theatre.","Arena Stage.","Arena Stage.","Brooks Atkinson Theatre.","Arena Stage.","Arena Stage. Review by Mel Gussow.","Ford's Theatre.","Also contains television reviews and biographical information.","Goodman Theatre.","John Golden Theatre.","Manhattan Ensemble Theater. Also contains postcards with advertisements.","Fred Miller Theatre.","Arena Stage.","Arena Stage.","Ford's Theatre.","Lee Strasberg Theatre Center.","Delaware Theatre Company (1993) and Arena Stage (1995).","Douglass College.","Arena Stage.","Arena Stage.","Fred Miller Theatre.","Morosco Theatre. Prosky not in cast.","Arena Stage.","Gate Theatre.","Cape May Stage.","Arena Stage. Also contains a pre-production announcement.","Quarterdeck Theatre.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Colonial Theatre.","Quarterdeck Theatre.","Arena Stage.","Arena Stage.","Coronet Theatre. Prosky not in cast.","Ambassador Theatre.","Royal Poinciana Playhouse. Prosky not in cast.","Booth Theatre.","One copy entirely in Russian and one with only the title translated.","Booth Theatre. Also contains some correspondence.","Contains stories on Zelda Fichandler and Robert Prosky.","Fred Miller Theatre.","Hong Kong Arts Festival.","Guthrie Theatre.","Arena Stage.","Also contains advertisements, rosters, and announcements.","Contains mostly clippings and reviews about Prosky's film career, but there are also a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\"","Also contains correspondence.","Contains production facts, one color production still photograph, and one black and white photograph of the director Gayle Knutson.","Also includes information on \"Glengarry Glenn Ross\" and television work.","Contains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\"","The second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically.","Subseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Arranged alphabetically by name type of correspondence, then chronologically.","RESTRICTED","Also includes correspondence about Prosky's Tony Award nomination.","Contains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. This subseries also contains transcripts from a self-recorded autobiography by Prosky. Arranged alphabetically by article title and type of document, then chronologically.","Post Eagle newspaper.","Columbia Flier newspaper.","America 275 Illustrated Story no. 11-79.","Prosky nominated for \"Glengarry Glenross\".\"","Prosky nominated for \"A Walk in the Woods\".","Prosky won best actor in a short film for \"Grandfather's Birthday\".","Folder 1.","Folder 2.","Cynthia Snyder Public Relations.","Article by Zelda Fichandler.","Presented to both Prosky and his wife Ida.","Philadelphia magazine.","Prosky served as the master of ceremonies.","Prosky nominated for his role in \"Our Town\".","Prosky honored with the American Express Tribute.","Washington Post newspaper.","Roxborough Times newspaper.","Home News newspaper.","New York Times Newspaper.","Equity News newsletter.","New York Times newspaper.","Arena Stage.","Folder 1.","Folder 2.","Presented to Prosky for his role as Mr. Buchanan in \"Jabberwocky\".","Sun Weekly newspaper.","People Weekly magazine.","Relax magazine. In Polish.","New Jersey Lifestyle magazine.","Pen World magazine.","Washington Post Magazine.","Daily News newspaper.","Dossier magazine.","Washington Times newspaper. Article mentions Prosky's Hayes award for \"The Price\".","Also includes correspondence.","Contains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically.","Contains copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public serve announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations.","VHS, 18 minutes, color","Audio reel.","Available on digital format.","Reel, 60 seconds, color.","Available on digital format.","Reel, 60 seconds, color, U.S. Dept. of Agriculture Food Safety and Quality Service.","Available on digital format.","Audio reel","Available on digital format.","VHS, #466216, Final Viewing Cassette","VHS, #466217, Final Viewing Cassette","VHS, #466218, Final Viewing Cassette","VHS, #466219, Final Viewing Cassette","VHS, #466220, Final Viewing Cassette","VHS, #466221, Final Viewing Cassette","Audio, 6 Demo spots, 7.5 IPS","Available on digital format.","VHS, 30 minutes","CD, Arena Stage press photos","DVD, DEMO","DVD, Tape 1, Harris Theatre GMU","DVD, Tape 2, Harris Theatre GMU","DVD, Clips for Lecture","Audio cassette tape, WABC Talk Radio 77am","DVD","Video reel, 60 seconds.","Available on digital format.","Audio cassette tape, Tape 1","Audio cassette tape, Tape 2","Audio Cassette Tape, WTOP Radio","DVD","Audio reel.","Available on digital format.","The fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life.","Black binder with \"Thief\" label","Black binder with Robert Prosky","Photograph","Photograph - Appearances","Photograph - Theatre","Nomination for Best Supporting Actor in a Television Movie \"Into Thin Air\"","Six different shots","Interview page 37","Three matted portraits","Autographed film poster","Production poster","Photographs, newspaper clippings, playbills","Blue album with flowers on cover, photographs, newspaper clippings, playbills","Autographed copy by Kathryn Crosby","Consists of objects from Prosky's professional career and personal life.","Paperweight","Miniature briefcase","Robert Prosky's name monogrammed on one side.","Ford's Theatre, Dog tags","Plaque","Souvenir bag"],"userestrict_html_tesm":["\u003cp\u003eThere may be duplication restrictions because of copyright.\n\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There may be duplication restrictions because of copyright."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eConsists of documents spanning Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual. \n\u003c/abstract\u003e\n      "],"abstract_tesim":["Consists of documents spanning Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual."],"corpname_ssim":["George Mason University. Special Collections and Archives","Arena Stage (Organization : Washington, D.C.)"],"persname_ssim":["Robert Prosky, 1930-2008","Prosky, Robert, 1930-"],"names_ssim":["George Mason University. Special Collections and Archives","Arena Stage (Organization : Washington, D.C.)","Robert Prosky, 1930-2008","Prosky, Robert, 1930-"],"language_ssim":["English"],"total_component_count_is":331,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:52:39.323Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_prosky","ead_ssi":"vifgm_prosky","_root_":"vifgm_prosky","_nest_parent_":"vifgm_prosky","ead_source_url_ssi":"data/gmu/prosky.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/prosky.html","title_ssm":["Robert Prosky Papers"],"title_tesim":["Robert Prosky Papers"],"unitdate_ssm":["1909-2007"],"unitdate_inclusive_ssm":["1909-2007"],"normalized_date_ssm":["1909/2007"],"normalized_title_ssm":["Robert Prosky Papers, 1909/2007"],"text":["Robert Prosky Papers, 1909/2007","C0022","Actors--United States.","Motion pictures--United States.","Television--United States.","Theater--United States.","Theater--Washington (D.C.)","There are no access restrictions.","Organized into six series:","Series 1: Professional, 1954-2007 (Boxes 1-5)\n        Series 2: Personal, 1909-2007 (Boxes 5-8)\n        Series 3: Photographs, 1930s-2005 (Boxes 9-11)\n        Series 4: Audiovisual, 1960-2007 (Boxes 12-13)\n        Series 5: Oversize, 1950s-2006 (Boxes 14-15)\n        Series 6: Realia, 1998-2004 (Box 16)","Born in Philadelphia, Robert Prosky (1930-2008) spent much of his career as an actor in more than 200 plays at the Arena Stage in Washington, D.C., on Broadway in New York City, and in regional theatre. Prosky's association with the Arena Stage included more than 130 productions over the course of 20 years. His Broadway appearances included \"Glengarry Glenross,\" \"A Walk in the Woods,\" and \"A View from the Bridge.\" Highlights from regional theater include \"Death of a Salesman,\" \"Twelfth Night,\" and \"You Can't Take It With You.\" He also performed on stage in the Moscow Art Theatre in Russia, the Gate Theater in Dublin, Ireland, as well as in a Chinese theater in Hong Kong.","Beginning in the 1980s, he began regularly appearing in films and television shows. His films include \"Mrs. Doubtfire,\" \"The Natural,\" and \"Dead Man Walking.\" Television credits include three years on \"Hill Street Blues,\" many television films and guest shots.","He received or was nominated for two Tony awards, two Helen Hayes awards, an Emmy, the Drama Desk award, and the American Express Tribute To An American Actor. He continued to perform on stage and present lectures on his long career at universities, film festivals, for theater benefits, business groups and on cruises. He died on December 8, 2008, in Washington, D.C.","Processed in 2008 by Sarah Patton, Jennifer Munson, and Jordan Patty. EAD markup completed in 2008 by Jordan Patty and Jennifer Munson.","Special Collections and Archives also holds the .","Consists of documents spanning Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual.","The collection consists of six series.  The first series contains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically. Subseries 1.1 includes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C.  There are also numerous reviews as well as a few scripts with Prosky's handwritten notes. Subseries 1.2 contains mostly clippings and reviews about Prosky's film career, but there are a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\" Subseries 1.3 contains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\" Note that there are additional professional documents, such as posters, in the oversize series.","The second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically. Subseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Subseries 2.2 contains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. Of particular interest are transcripts from an autobiography by Prosky. Note that there are additional biographical articles in the oversize series both loose and in scrapbooks.","The third series contains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically. Note that there are additional photographs in the oversize series both loose and in scrapbooks.","The fourth series consists of copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public service announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations.","The fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life.","The sixth series consists of objects from Prosky's professional career and personal life, such as opening night gifts and production souvenirs.","Contains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically.","Includes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C.  There are also numerous reviews as well as a few scripts with Prosky's handwritten notes.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Arena Stage.","Quarterdeck Theatre.","Gonzaga College. Prosky not in cast.","Arena Stage.","Lucille Lortel Theatre.","Berkshire Theatre Festival. Review by Herbert Wolff.","Arena Stage.","Old Academy.","Quarterdeck Theatre.","Arena Stage.","Arena Stage.","Brooks Atkinson Theatre.","Arena Stage.","Arena Stage. Review by Mel Gussow.","Ford's Theatre.","Also contains television reviews and biographical information.","Goodman Theatre.","John Golden Theatre.","Manhattan Ensemble Theater. Also contains postcards with advertisements.","Fred Miller Theatre.","Arena Stage.","Arena Stage.","Ford's Theatre.","Lee Strasberg Theatre Center.","Delaware Theatre Company (1993) and Arena Stage (1995).","Douglass College.","Arena Stage.","Arena Stage.","Fred Miller Theatre.","Morosco Theatre. Prosky not in cast.","Arena Stage.","Gate Theatre.","Cape May Stage.","Arena Stage. Also contains a pre-production announcement.","Quarterdeck Theatre.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Colonial Theatre.","Quarterdeck Theatre.","Arena Stage.","Arena Stage.","Coronet Theatre. Prosky not in cast.","Ambassador Theatre.","Royal Poinciana Playhouse. Prosky not in cast.","Booth Theatre.","One copy entirely in Russian and one with only the title translated.","Booth Theatre. Also contains some correspondence.","Contains stories on Zelda Fichandler and Robert Prosky.","Fred Miller Theatre.","Hong Kong Arts Festival.","Guthrie Theatre.","Arena Stage.","Also contains advertisements, rosters, and announcements.","Contains mostly clippings and reviews about Prosky's film career, but there are also a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\"","Also contains correspondence.","Contains production facts, one color production still photograph, and one black and white photograph of the director Gayle Knutson.","Also includes information on \"Glengarry Glenn Ross\" and television work.","Contains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\"","The second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically.","Subseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Arranged alphabetically by name type of correspondence, then chronologically.","RESTRICTED","Also includes correspondence about Prosky's Tony Award nomination.","Contains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. This subseries also contains transcripts from a self-recorded autobiography by Prosky. Arranged alphabetically by article title and type of document, then chronologically.","Post Eagle newspaper.","Columbia Flier newspaper.","America 275 Illustrated Story no. 11-79.","Prosky nominated for \"Glengarry Glenross\".\"","Prosky nominated for \"A Walk in the Woods\".","Prosky won best actor in a short film for \"Grandfather's Birthday\".","Folder 1.","Folder 2.","Cynthia Snyder Public Relations.","Article by Zelda Fichandler.","Presented to both Prosky and his wife Ida.","Philadelphia magazine.","Prosky served as the master of ceremonies.","Prosky nominated for his role in \"Our Town\".","Prosky honored with the American Express Tribute.","Washington Post newspaper.","Roxborough Times newspaper.","Home News newspaper.","New York Times Newspaper.","Equity News newsletter.","New York Times newspaper.","Arena Stage.","Folder 1.","Folder 2.","Presented to Prosky for his role as Mr. Buchanan in \"Jabberwocky\".","Sun Weekly newspaper.","People Weekly magazine.","Relax magazine. In Polish.","New Jersey Lifestyle magazine.","Pen World magazine.","Washington Post Magazine.","Daily News newspaper.","Dossier magazine.","Washington Times newspaper. Article mentions Prosky's Hayes award for \"The Price\".","Also includes correspondence.","Contains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically.","Contains copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public serve announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations.","VHS, 18 minutes, color","Audio reel.","Available on digital format.","Reel, 60 seconds, color.","Available on digital format.","Reel, 60 seconds, color, U.S. Dept. of Agriculture Food Safety and Quality Service.","Available on digital format.","Audio reel","Available on digital format.","VHS, #466216, Final Viewing Cassette","VHS, #466217, Final Viewing Cassette","VHS, #466218, Final Viewing Cassette","VHS, #466219, Final Viewing Cassette","VHS, #466220, Final Viewing Cassette","VHS, #466221, Final Viewing Cassette","Audio, 6 Demo spots, 7.5 IPS","Available on digital format.","VHS, 30 minutes","CD, Arena Stage press photos","DVD, DEMO","DVD, Tape 1, Harris Theatre GMU","DVD, Tape 2, Harris Theatre GMU","DVD, Clips for Lecture","Audio cassette tape, WABC Talk Radio 77am","DVD","Video reel, 60 seconds.","Available on digital format.","Audio cassette tape, Tape 1","Audio cassette tape, Tape 2","Audio Cassette Tape, WTOP Radio","DVD","Audio reel.","Available on digital format.","The fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life.","Black binder with \"Thief\" label","Black binder with Robert Prosky","Photograph","Photograph - Appearances","Photograph - Theatre","Nomination for Best Supporting Actor in a Television Movie \"Into Thin Air\"","Six different shots","Interview page 37","Three matted portraits","Autographed film poster","Production poster","Photographs, newspaper clippings, playbills","Blue album with flowers on cover, photographs, newspaper clippings, playbills","Autographed copy by Kathryn Crosby","Consists of objects from Prosky's professional career and personal life.","Paperweight","Miniature briefcase","Robert Prosky's name monogrammed on one side.","Ford's Theatre, Dog tags","Plaque","Souvenir bag","There may be duplication restrictions because of copyright.","Consists of documents spanning Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual.","George Mason University. Special Collections and Archives","Arena Stage (Organization : Washington, D.C.)","Robert Prosky, 1930-2008","Prosky, Robert, 1930-","English"],"collection_title_tesim":["Robert Prosky Papers, 1909/2007"],"collection_ssim":["Robert Prosky Papers, 1909/2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0022"],"unitid_tesim":["C0022"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Robert Prosky, 1930-2008"],"creator_ssim":["Robert Prosky, 1930-2008"],"creator_persname_ssim":["Robert Prosky, 1930-2008","Prosky, Robert, 1930-"],"creator_corpname_ssim":["George Mason University. Special Collections and Archives","Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Robert Prosky, 1930-2008","Prosky, Robert, 1930-","George Mason University. Special Collections and Archives","Arena Stage (Organization : Washington, D.C.)"],"acqinfo_ssim":["Donated by Robert Prosky in 2007-2008."],"access_subjects_ssim":["Actors--United States.","Motion pictures--United States.","Television--United States.","Theater--United States.","Theater--Washington (D.C.)"],"access_subjects_ssm":["Actors--United States.","Motion pictures--United States.","Television--United States.","Theater--United States.","Theater--Washington (D.C.)"],"has_online_content_ssim":["false"],"extent_ssm":["9 linear feet (16 boxes)"],"extent_tesim":["9 linear feet (16 boxes)"],"date_range_isim":[1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\n\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized into six series:\u003c/p\u003e\n      ","\u003clist\u003e\n        \u003citem\u003eSeries 1: Professional, 1954-2007 (Boxes 1-5)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Personal, 1909-2007 (Boxes 5-8)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, 1930s-2005 (Boxes 9-11)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Audiovisual, 1960-2007 (Boxes 12-13)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Oversize, 1950s-2006 (Boxes 14-15)\u003c/item\u003e\n        \u003citem\u003eSeries 6: Realia, 1998-2004 (Box 16)\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into six series:","Series 1: Professional, 1954-2007 (Boxes 1-5)\n        Series 2: Personal, 1909-2007 (Boxes 5-8)\n        Series 3: Photographs, 1930s-2005 (Boxes 9-11)\n        Series 4: Audiovisual, 1960-2007 (Boxes 12-13)\n        Series 5: Oversize, 1950s-2006 (Boxes 14-15)\n        Series 6: Realia, 1998-2004 (Box 16)"],"bioghist_html_tesm":["\u003cp\u003eBorn in Philadelphia, Robert Prosky (1930-2008) spent much of his career as an actor in more than 200 plays at the Arena Stage in Washington, D.C., on Broadway in New York City, and in regional theatre. Prosky's association with the Arena Stage included more than 130 productions over the course of 20 years. His Broadway appearances included \"Glengarry Glenross,\" \"A Walk in the Woods,\" and \"A View from the Bridge.\" Highlights from regional theater include \"Death of a Salesman,\" \"Twelfth Night,\" and \"You Can't Take It With You.\" He also performed on stage in the Moscow Art Theatre in Russia, the Gate Theater in Dublin, Ireland, as well as in a Chinese theater in Hong Kong.\u003c/p\u003e\n      ","\u003cp\u003eBeginning in the 1980s, he began regularly appearing in films and television shows. His films include \"Mrs. Doubtfire,\" \"The Natural,\" and \"Dead Man Walking.\" Television credits include three years on \"Hill Street Blues,\" many television films and guest shots.\u003c/p\u003e\n      ","\u003cp\u003eHe received or was nominated for two Tony awards, two Helen Hayes awards, an Emmy, the Drama Desk award, and the American Express Tribute To An American Actor. He continued to perform on stage and present lectures on his long career at universities, film festivals, for theater benefits, business groups and on cruises. He died on December 8, 2008, in Washington, D.C.\n\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Born in Philadelphia, Robert Prosky (1930-2008) spent much of his career as an actor in more than 200 plays at the Arena Stage in Washington, D.C., on Broadway in New York City, and in regional theatre. Prosky's association with the Arena Stage included more than 130 productions over the course of 20 years. His Broadway appearances included \"Glengarry Glenross,\" \"A Walk in the Woods,\" and \"A View from the Bridge.\" Highlights from regional theater include \"Death of a Salesman,\" \"Twelfth Night,\" and \"You Can't Take It With You.\" He also performed on stage in the Moscow Art Theatre in Russia, the Gate Theater in Dublin, Ireland, as well as in a Chinese theater in Hong Kong.","Beginning in the 1980s, he began regularly appearing in films and television shows. His films include \"Mrs. Doubtfire,\" \"The Natural,\" and \"Dead Man Walking.\" Television credits include three years on \"Hill Street Blues,\" many television films and guest shots.","He received or was nominated for two Tony awards, two Helen Hayes awards, an Emmy, the Drama Desk award, and the American Express Tribute To An American Actor. He continued to perform on stage and present lectures on his long career at universities, film festivals, for theater benefits, business groups and on cruises. He died on December 8, 2008, in Washington, D.C."],"prefercite_html_tesm":["\u003cp\u003eRobert Prosky papers, C0022, Special Collections and Archives, George Mason University Libraries.\n\u003c/p\u003e\n      "],"prefercite_tesim":["Robert Prosky papers, C0022, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in 2008 by Sarah Patton, Jennifer Munson, and Jordan Patty. EAD markup completed in 2008 by Jordan Patty and Jennifer Munson.\n\u003c/p\u003e\n      "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in 2008 by Sarah Patton, Jennifer Munson, and Jordan Patty. EAD markup completed in 2008 by Jordan Patty and Jennifer Munson."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the \u003cextptr type=\"simple\" title=\"Records of Arena Stage\" show=\"new\" href=\"http://sca.gmu.edu/collections-subject.php#THEATRE\"\u003e\u003c/extptr\u003e.\n\u003c/p\u003e\n      "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds the ."],"scopecontent_html_tesm":["\u003cp\u003eConsists of documents spanning Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual.\n\u003c/p\u003e\n      ","\u003cp\u003eThe collection consists of six series.  The first series contains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically. Subseries 1.1 includes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C.  There are also numerous reviews as well as a few scripts with Prosky's handwritten notes. Subseries 1.2 contains mostly clippings and reviews about Prosky's film career, but there are a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\" Subseries 1.3 contains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\" Note that there are additional professional documents, such as posters, in the oversize series.  \n\u003c/p\u003e\n      ","\u003cp\u003eThe second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically. Subseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Subseries 2.2 contains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. Of particular interest are transcripts from an autobiography by Prosky. Note that there are additional biographical articles in the oversize series both loose and in scrapbooks.\n\u003c/p\u003e\n      ","\u003cp\u003eThe third series contains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically. Note that there are additional photographs in the oversize series both loose and in scrapbooks.\n\u003c/p\u003e\n      ","\u003cp\u003eThe fourth series consists of copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public service announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations.\n\u003c/p\u003e\n      ","\u003cp\u003eThe fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life. \n\u003c/p\u003e\n      ","\u003cp\u003eThe sixth series consists of objects from Prosky's professional career and personal life, such as opening night gifts and production souvenirs.\n\u003c/p\u003e\n    ","\u003cp\u003eContains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically.\n\u003c/p\u003e\n        ","\u003cp\u003eIncludes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C.  There are also numerous reviews as well as a few scripts with Prosky's handwritten notes.\n\t\u003c/p\u003e\n          ","\u003cp\u003eArena Stage. Contains press releases, reviews, and Arena Stage publications.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eArena Stage. Contains press releases, reviews, and Arena Stage publications.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eArena Stage.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eQuarterdeck Theatre.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eGonzaga College. Prosky not in cast.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eArena Stage.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eLucille Lortel Theatre.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eBerkshire Theatre Festival. Review by Herbert Wolff.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eArena Stage.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eOld Academy.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eQuarterdeck Theatre.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eArena Stage.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eArena Stage.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eBrooks Atkinson Theatre.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eArena Stage.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eArena Stage. Review by Mel Gussow.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eFord's Theatre.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eAlso contains television reviews and biographical information.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eGoodman Theatre.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eJohn Golden Theatre.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eManhattan Ensemble Theater. Also contains postcards with advertisements.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eFred Miller Theatre.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eArena Stage.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eArena Stage.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eFord's Theatre.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eLee Strasberg Theatre Center.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eDelaware Theatre Company (1993) and Arena Stage (1995).\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eDouglass College. \n\t\t\u003c/p\u003e\n            ","\u003cp\u003eArena Stage. \n\t\t\u003c/p\u003e\n            ","\u003cp\u003eArena Stage. \n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eFred Miller Theatre. \n\t\t\u003c/p\u003e\n            ","\u003cp\u003eMorosco Theatre. Prosky not in cast.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eArena Stage.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eGate Theatre.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eCape May Stage. \n\t\t\u003c/p\u003e\n            ","\u003cp\u003eArena Stage. Also contains a pre-production announcement. \n\t\t\u003c/p\u003e\n            ","\u003cp\u003eQuarterdeck Theatre. \n\t\t\u003c/p\u003e\n            ","\u003cp\u003eArena Stage. Contains press releases, reviews, and Arena Stage publications.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eColonial Theatre.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eQuarterdeck Theatre.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eArena Stage.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eArena Stage.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eCoronet Theatre. Prosky not in cast.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eAmbassador Theatre.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eRoyal Poinciana Playhouse. Prosky not in cast.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eBooth Theatre.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eOne copy entirely in Russian and one with only the title translated.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eBooth Theatre. Also contains some correspondence.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eContains stories on Zelda Fichandler and Robert Prosky. \n\t\t\u003c/p\u003e\n            ","\u003cp\u003eFred Miller Theatre.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eHong Kong Arts Festival.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eGuthrie Theatre.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eArena Stage.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eAlso contains advertisements, rosters, and announcements.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eContains mostly clippings and reviews about Prosky's film career, but there are also a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\" \n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eAlso contains correspondence.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eContains production facts, one color production still photograph, and one black and white photograph of the director Gayle Knutson.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eAlso includes information on \"Glengarry Glenn Ross\" and television work.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eContains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\"\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eThe second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically. \n\u003c/p\u003e\n        ","\u003cp\u003eSubseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Arranged alphabetically by name type of correspondence, then chronologically.\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eRESTRICTED\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eAlso includes correspondence about Prosky's Tony Award nomination.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eContains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. This subseries also contains transcripts from a self-recorded autobiography by Prosky. Arranged alphabetically by article title and type of document, then chronologically.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePost Eagle newspaper.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eColumbia Flier newspaper.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eAmerica 275 Illustrated Story no. 11-79.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eProsky nominated for \"Glengarry Glenross\".\"\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eProsky nominated for \"A Walk in the Woods\".\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eProsky won best actor in a short film for \"Grandfather's Birthday\".\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eFolder 1.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eFolder 2.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eCynthia Snyder Public Relations.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eArticle by Zelda Fichandler.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003ePresented to both Prosky and his wife Ida.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003ePhiladelphia magazine.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eProsky served as the master of ceremonies.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eProsky nominated for his role in \"Our Town\".\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eProsky honored with the American Express Tribute.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eWashington Post newspaper.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eRoxborough Times newspaper.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eHome News newspaper.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eNew York Times Newspaper.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eEquity News newsletter.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eNew York Times newspaper.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eArena Stage.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eFolder 1.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eFolder 2.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003ePresented to Prosky for his role as Mr. Buchanan in \"Jabberwocky\".\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eSun Weekly newspaper.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003ePeople Weekly magazine.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eRelax magazine. In Polish.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eNew Jersey Lifestyle magazine.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003ePen World magazine.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eWashington Post Magazine.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eDaily News newspaper.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eDossier magazine.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eWashington Times newspaper. Article mentions Prosky's Hayes award for \"The Price\".\n\t\t\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eAlso includes correspondence.\n\t\t\u003c/p\u003e\n            ","\u003cp\u003eContains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically.\n\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eContains copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public serve announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations.  \n\u003c/p\u003e\n        ","\u003cp\u003eVHS, 18 minutes, color\n\t\u003c/p\u003e\n          ","\u003cp\u003eAudio reel.\n\t\u003c/p\u003e\n            ","\u003cp\u003eAvailable on digital format.\n\t\u003c/p\u003e\n          ","\u003cp\u003eReel, 60 seconds, color.\n\t\u003c/p\u003e\n            ","\u003cp\u003eAvailable on digital format.\n\t\u003c/p\u003e\n          ","\u003cp\u003eReel, 60 seconds, color, U.S. Dept. of Agriculture Food Safety and Quality Service.\n\t\u003c/p\u003e\n            ","\u003cp\u003eAvailable on digital format.\n\t\u003c/p\u003e\n          ","\u003cp\u003eAudio reel\n\t\u003c/p\u003e\n            ","\u003cp\u003eAvailable on digital format.\n\t\u003c/p\u003e\n          ","\u003cp\u003eVHS, #466216, Final Viewing Cassette\n\t\u003c/p\u003e\n          ","\u003cp\u003eVHS, #466217, Final Viewing Cassette\n\t\u003c/p\u003e\n          ","\u003cp\u003eVHS, #466218, Final Viewing Cassette\n\t\u003c/p\u003e\n          ","\u003cp\u003eVHS, #466219, Final Viewing Cassette\n\t\u003c/p\u003e\n          ","\u003cp\u003eVHS, #466220, Final Viewing Cassette\n\t\u003c/p\u003e\n          ","\u003cp\u003eVHS, #466221, Final Viewing Cassette\n\t\u003c/p\u003e\n          ","\u003cp\u003eAudio, 6 Demo spots, 7.5 IPS\n\t\u003c/p\u003e\n            ","\u003cp\u003eAvailable on digital format.\n\t\u003c/p\u003e\n          ","\u003cp\u003eVHS, 30 minutes\n\t\u003c/p\u003e\n          ","\u003cp\u003e CD, Arena Stage press photos\n\t\u003c/p\u003e\n          ","\u003cp\u003e DVD, DEMO\n\t\u003c/p\u003e\n          ","\u003cp\u003e DVD, Tape 1, Harris Theatre GMU\n\t\u003c/p\u003e\n          ","\u003cp\u003e DVD, Tape 2, Harris Theatre GMU\n\t\u003c/p\u003e\n          ","\u003cp\u003e DVD, Clips for Lecture\n\t\u003c/p\u003e\n          ","\u003cp\u003e Audio cassette tape, WABC Talk Radio 77am\n\t\u003c/p\u003e\n          ","\u003cp\u003e DVD\n\t\u003c/p\u003e\n          ","\u003cp\u003e Video reel, 60 seconds.\n\t\u003c/p\u003e\n            ","\u003cp\u003eAvailable on digital format.\n\t\u003c/p\u003e\n          ","\u003cp\u003e Audio cassette tape, Tape 1\n\t\u003c/p\u003e\n          ","\u003cp\u003e Audio cassette tape, Tape 2\n\t\u003c/p\u003e\n          ","\u003cp\u003e Audio Cassette Tape, WTOP Radio\n\t\u003c/p\u003e\n          ","\u003cp\u003e DVD\n\t\u003c/p\u003e\n          ","\u003cp\u003e Audio reel.\n\t\u003c/p\u003e\n            ","\u003cp\u003eAvailable on digital format.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThe fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life. \n\u003c/p\u003e\n        ","\u003cp\u003e Black binder with \"Thief\" label\n\t\u003c/p\u003e\n          ","\u003cp\u003e Black binder with Robert Prosky\n\t\u003c/p\u003e\n          ","\u003cp\u003e Photograph\n\t\u003c/p\u003e\n          ","\u003cp\u003e Photograph - Appearances\n\t\u003c/p\u003e\n          ","\u003cp\u003e Photograph - Theatre\n\t\u003c/p\u003e\n          ","\u003cp\u003e Nomination for Best Supporting Actor in a Television Movie \"Into Thin Air\"\n\t\u003c/p\u003e\n          ","\u003cp\u003e Six different shots\n\t\u003c/p\u003e\n          ","\u003cp\u003e Interview page 37\n\t\u003c/p\u003e\n          ","\u003cp\u003e Three matted portraits\n\t\u003c/p\u003e\n          ","\u003cp\u003e Autographed film poster\n\t\u003c/p\u003e\n          ","\u003cp\u003e Production poster\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e Photographs, newspaper clippings, playbills\n\t\u003c/p\u003e\n          ","\u003cp\u003e Blue album with flowers on cover, photographs, newspaper clippings, playbills\n\t\u003c/p\u003e\n          ","\u003cp\u003e Autographed copy by Kathryn Crosby\n\t\u003c/p\u003e\n          ","\u003cp\u003eConsists of objects from Prosky's professional career and personal life.\n\u003c/p\u003e\n        ","\u003cp\u003ePaperweight \n\t\u003c/p\u003e\n          ","\u003cp\u003e Miniature briefcase\n\t\u003c/p\u003e\n          ","\u003cp\u003eRobert Prosky's name monogrammed on one side. \n\t\u003c/p\u003e\n          ","\u003cp\u003e Ford's Theatre, Dog tags\n\t\u003c/p\u003e\n          ","\u003cp\u003e Plaque\n\t\u003c/p\u003e\n          ","\u003cp\u003e Souvenir bag\n\t\u003c/p\u003e\n          "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Consists of documents spanning Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual.","The collection consists of six series.  The first series contains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically. Subseries 1.1 includes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C.  There are also numerous reviews as well as a few scripts with Prosky's handwritten notes. Subseries 1.2 contains mostly clippings and reviews about Prosky's film career, but there are a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\" Subseries 1.3 contains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\" Note that there are additional professional documents, such as posters, in the oversize series.","The second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically. Subseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Subseries 2.2 contains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. Of particular interest are transcripts from an autobiography by Prosky. Note that there are additional biographical articles in the oversize series both loose and in scrapbooks.","The third series contains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically. Note that there are additional photographs in the oversize series both loose and in scrapbooks.","The fourth series consists of copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public service announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations.","The fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life.","The sixth series consists of objects from Prosky's professional career and personal life, such as opening night gifts and production souvenirs.","Contains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically.","Includes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C.  There are also numerous reviews as well as a few scripts with Prosky's handwritten notes.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Arena Stage.","Quarterdeck Theatre.","Gonzaga College. Prosky not in cast.","Arena Stage.","Lucille Lortel Theatre.","Berkshire Theatre Festival. Review by Herbert Wolff.","Arena Stage.","Old Academy.","Quarterdeck Theatre.","Arena Stage.","Arena Stage.","Brooks Atkinson Theatre.","Arena Stage.","Arena Stage. Review by Mel Gussow.","Ford's Theatre.","Also contains television reviews and biographical information.","Goodman Theatre.","John Golden Theatre.","Manhattan Ensemble Theater. Also contains postcards with advertisements.","Fred Miller Theatre.","Arena Stage.","Arena Stage.","Ford's Theatre.","Lee Strasberg Theatre Center.","Delaware Theatre Company (1993) and Arena Stage (1995).","Douglass College.","Arena Stage.","Arena Stage.","Fred Miller Theatre.","Morosco Theatre. Prosky not in cast.","Arena Stage.","Gate Theatre.","Cape May Stage.","Arena Stage. Also contains a pre-production announcement.","Quarterdeck Theatre.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Colonial Theatre.","Quarterdeck Theatre.","Arena Stage.","Arena Stage.","Coronet Theatre. Prosky not in cast.","Ambassador Theatre.","Royal Poinciana Playhouse. Prosky not in cast.","Booth Theatre.","One copy entirely in Russian and one with only the title translated.","Booth Theatre. Also contains some correspondence.","Contains stories on Zelda Fichandler and Robert Prosky.","Fred Miller Theatre.","Hong Kong Arts Festival.","Guthrie Theatre.","Arena Stage.","Also contains advertisements, rosters, and announcements.","Contains mostly clippings and reviews about Prosky's film career, but there are also a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\"","Also contains correspondence.","Contains production facts, one color production still photograph, and one black and white photograph of the director Gayle Knutson.","Also includes information on \"Glengarry Glenn Ross\" and television work.","Contains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\"","The second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically.","Subseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Arranged alphabetically by name type of correspondence, then chronologically.","RESTRICTED","Also includes correspondence about Prosky's Tony Award nomination.","Contains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. This subseries also contains transcripts from a self-recorded autobiography by Prosky. Arranged alphabetically by article title and type of document, then chronologically.","Post Eagle newspaper.","Columbia Flier newspaper.","America 275 Illustrated Story no. 11-79.","Prosky nominated for \"Glengarry Glenross\".\"","Prosky nominated for \"A Walk in the Woods\".","Prosky won best actor in a short film for \"Grandfather's Birthday\".","Folder 1.","Folder 2.","Cynthia Snyder Public Relations.","Article by Zelda Fichandler.","Presented to both Prosky and his wife Ida.","Philadelphia magazine.","Prosky served as the master of ceremonies.","Prosky nominated for his role in \"Our Town\".","Prosky honored with the American Express Tribute.","Washington Post newspaper.","Roxborough Times newspaper.","Home News newspaper.","New York Times Newspaper.","Equity News newsletter.","New York Times newspaper.","Arena Stage.","Folder 1.","Folder 2.","Presented to Prosky for his role as Mr. Buchanan in \"Jabberwocky\".","Sun Weekly newspaper.","People Weekly magazine.","Relax magazine. In Polish.","New Jersey Lifestyle magazine.","Pen World magazine.","Washington Post Magazine.","Daily News newspaper.","Dossier magazine.","Washington Times newspaper. Article mentions Prosky's Hayes award for \"The Price\".","Also includes correspondence.","Contains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically.","Contains copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public serve announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations.","VHS, 18 minutes, color","Audio reel.","Available on digital format.","Reel, 60 seconds, color.","Available on digital format.","Reel, 60 seconds, color, U.S. Dept. of Agriculture Food Safety and Quality Service.","Available on digital format.","Audio reel","Available on digital format.","VHS, #466216, Final Viewing Cassette","VHS, #466217, Final Viewing Cassette","VHS, #466218, Final Viewing Cassette","VHS, #466219, Final Viewing Cassette","VHS, #466220, Final Viewing Cassette","VHS, #466221, Final Viewing Cassette","Audio, 6 Demo spots, 7.5 IPS","Available on digital format.","VHS, 30 minutes","CD, Arena Stage press photos","DVD, DEMO","DVD, Tape 1, Harris Theatre GMU","DVD, Tape 2, Harris Theatre GMU","DVD, Clips for Lecture","Audio cassette tape, WABC Talk Radio 77am","DVD","Video reel, 60 seconds.","Available on digital format.","Audio cassette tape, Tape 1","Audio cassette tape, Tape 2","Audio Cassette Tape, WTOP Radio","DVD","Audio reel.","Available on digital format.","The fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life.","Black binder with \"Thief\" label","Black binder with Robert Prosky","Photograph","Photograph - Appearances","Photograph - Theatre","Nomination for Best Supporting Actor in a Television Movie \"Into Thin Air\"","Six different shots","Interview page 37","Three matted portraits","Autographed film poster","Production poster","Photographs, newspaper clippings, playbills","Blue album with flowers on cover, photographs, newspaper clippings, playbills","Autographed copy by Kathryn Crosby","Consists of objects from Prosky's professional career and personal life.","Paperweight","Miniature briefcase","Robert Prosky's name monogrammed on one side.","Ford's Theatre, Dog tags","Plaque","Souvenir bag"],"userestrict_html_tesm":["\u003cp\u003eThere may be duplication restrictions because of copyright.\n\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There may be duplication restrictions because of copyright."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eConsists of documents spanning Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual. \n\u003c/abstract\u003e\n      "],"abstract_tesim":["Consists of documents spanning Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual."],"corpname_ssim":["George Mason University. Special Collections and Archives","Arena Stage (Organization : Washington, D.C.)"],"persname_ssim":["Robert Prosky, 1930-2008","Prosky, Robert, 1930-"],"names_ssim":["George Mason University. Special Collections and Archives","Arena Stage (Organization : Washington, D.C.)","Robert Prosky, 1930-2008","Prosky, Robert, 1930-"],"language_ssim":["English"],"total_component_count_is":331,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:52:39.323Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_prosky"}},{"id":"vifgm_vifgm00039","type":"collection","attributes":{"title":"Robert S. Breen papers, 1935/1973","creator":{"id":"https://arvasarchive.org/catalog/vifgm_vifgm00039#creator","type":"document_value","attributes":{"value":"Robert S. Breen","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_vifgm00039#abstract_or_scope","type":"document_value","attributes":{"value":"The papers are comprised of records generated by Robert Breen and his wife Wilva Breen. The collection documents Robert Breen's work in the theater as an actor, director, and producer. The bulk of the collection relates to Breen's work as Executive Director for the American National Theater and Academy. ","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_vifgm00039#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_vifgm00039","ead_ssi":"vifgm_vifgm00039","_root_":"vifgm_vifgm00039","_nest_parent_":"vifgm_vifgm00039","ead_source_url_ssi":"data/gmu/vifgm00039.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["Robert S. Breen papers"],"title_tesim":["Robert S. Breen papers"],"unitdate_ssm":["1935-1973"],"unitdate_inclusive_ssm":["1935-1973"],"normalized_date_ssm":["1935/1973"],"normalized_title_ssm":["Robert S. Breen papers, 1935/1973"],"text":["Robert S. Breen papers, 1935/1973","C0004","Theater--United States.","Collection is open to research.","Selections from the Robert Breen papers are also available in the .","In 2009 the audiotape reels in boxes 134-139 were converted to digital format and are available for use \nin the Special Collections and Archives reading room.","Organized alphabetically according to subject and topic.","In the early 1930s, a small group of arts patrons from Philadelphia and New York began to act upon their conviction that Americans should have a national theater organization that would serve the American public better than Broadway, with its high ticket prices and limited touring policy. Under the leadership of Leopold Stokowski, and with the help of several influential supporters, they persuaded Congress to enact a federal charter for a national theater - a rare and significant authorization but for very few organizations such as the Smithsonian Institution, the Red Cross, and the Federal Reserve Bank. Signed by Franklin Roosevelt on July 3, 1935, the charter of The American National Theatre and Academy (ANTA) called for: A people's project, organized and conducted in their interest, free from commercialism, but with the firm intent of being as far as possible self-supporting. A national theatre should bring to the people throughout the country their heritage of the great drama of the past and the best of the present, which has been too frequently unavailable to them under existing conditions. Action on the new charter stalled for nearly a decade, however, with the creation of the WPA Federal Theatre Project, which provided Depression relief to theater artists from 1935 until 1939, and then the onset of World War II. Perhaps more to the point, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA.","When the war ended, Robert Breen, a dynamic theater director, actor, and producer fresh out of the Army Air Corps, saw in ANTA the opportunity for his vision of a national theater. He persuaded a fellow veteran, Robert Porterfield, founder of the Barter Theatre in Abingdon, Virginia, to join him in his effort to devise and propose to the ANTA board a plan for a national theater supported by a foundation.","In 1946 the ANTA board voted to accept the Breen-Porterfield Foundation Plan and persuaded Robert Breen to serve as executive secretary of ANTA. To provide the organization with necessary expertise, the board was reconstituted to include prestigious theater professionals such as Brooks Atkinson, Cheryl Crawford, Paul Green, Moss Hart, Helen Hayes, Sam Jaffe, and Raymond Massey.","Robert Breen and a small, dedicated team comprised mostly of volunteers set furiously to work in his own living quarters above the Hudson Theater on 44th Street. At his side was his co-worker and wife Wilva Davis Breen, who had been instrumental in promoting and guiding the ANTA plan to completion. Together, the two of them had established the Chicago unit of the Federal Theatre Project, an experience which convinced Breen that theater in America was in need of more than a temporary relief program.","Thus began a remarkable period in American theater that, with the infusion of ANTA support and energy, saw the revival of the Experimental Theatre in New York, the growth of regional and university theater programs, the encouragement of playwrights and performers, the broadcasting of quality dramatic presentations to millions of Americans on television in its fledgling years, and ground breaking cultural exchanges that warmed a Cold War world. \nInternationally, ANTA promoted artistic exchanges between the U.S. and Europe and entertainment for American troops serving abroad. It began in 1949 with a U.S. tour of Hamlet throughout Europe, culminating in a performance at Elsinore Castle in Denmark, the actual setting of the play. During the 1950s ANTA sponsored such projects as the American National Ballet Theatre's tour of Europe, and American participation in the Berlin Arts Festival in 1951. Productions showing different sides of life in America were played to European audiences. Among the many were the musicals Oklahoma and Porgy and Bess.","Part of the Robert Breen collection was donated to Ohio State University.","Processed by Special Collections and Archives Staff. EAD markup completed in February 2009 by Jordan Patty.","Special Collections and Archives also holds the Federal Theatre Project collection and the Arena Stage records.","Ohio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds extentsive materials on Porgy and Bess as well as other productions in the .","The Robert Breen Theatre Collection is a primary source from which one may research the early beginnings of government support for the performing arts and the people responsible for them. It details the work of Robert Breen, the driving force behind the reformation of ANTA in 1946 and a staunch supporter of its eventual successor, the National Endowment for the Arts. The Robert Breen Theatre Collection aids in the gaining of a better understanding of the early operations of ANTA. Covering the years 1933-1980, it consists of working papers, correspondence, drafts, news clippings, scripts, photographs and other theatrical materials which document Breen's career with ANTA from 1944 to 1952. There are also almost 70 audiotapes with recordings of musical theatre and Breen dictating correspondence. The collection also reflects Breen's personal interests such as television, film, and political causes.","1 - WIESBADEN ORCHESTRA; 3.75 IPS","2","3 - COPY OF TAPE FOR PETER FARROW FOR SEAN O'FEY","4","5","6 - ACT II FROM LEGALIZE TO END","7 - FROM BEGINNING OF SWANEE (RACIN FORMS[?]); 7.5 IPS","8 - DICTATION OF CORRESPONDENCE","9 - SIDE 1: IRENE AND W. W.; SIDE 2: PERSONAL PHONE CALLS","10 - BRAHMS: SYMPHONY 2 IN D MAJOR / HAROLD ARLEN (CONJURE MAN) BLUES VOCAL AND PIANO","11","12 - RB PERSONAL WORK TAPE","13 - STOP MY SHINING DREAM; I'LL WIND THIS WORLD; SEED STARS","14 - WORK TAPE BLUES OPERA 2, HAROLD ARLEN REEL 2, FROM \"LOOKING FOR SOMEBODY\"; 7.5 IPS","15 - CHORAL NY [RCHGZISZLS] BLOIS DE [ULVILLE] 238, 256; 3.75 IPS","16 - PORGY AND BESS, COMPANY ZURICH SOUND TRACK","17 - SIDE A: AMSTERDAM SOUND TRACK FOR 16MM FILMS; SIDE B: LAST HALF, CONTAINS ONLY 24 SECONDS OF AUDIO","18 - INTERVIEW FOR RADIO LIBERATION, MUNICH HUTCH, MARCH 1956","19 - BLEVINS AND ROBERT BREEN TELEPHONE CONVERSATION ON FILM RIGHTS AND BREEN DIRECTING A FILM WITH IRA GIRSHWIN; MUSIC: IRVING (SWIFTLY) LEZAR; SIDE B: ROBERT BREEN'S DICTATION OF MEMOS","20","21","22","23 - MISTITLED; TAPE ACTUALLY CONTAINS A MIX OF LATIN CHANTS AND HAROLD ARLEN SELECTIONS","24 - VOICE OF AMERICA ARMED FORCES NETWORK; BREEN AND FULLER INTERVIEW, STUTTGART, REGARDING PORGY AND BESS; 7.5 IPS","25A - 1 OF 3","25B - 2 OF 3","25C - 3 OF 3","26A - PART 1 OF 2; PORGY AND BESS TITAINIA PALEST; 1 7/8 IPS","26B - PART 2 OF 2; PORGY AND BESS TITAINIA PALEST; 1 7/8 IPS","27 - SCENE LIST AND OTHER DESCRIPTIONS ON TYPED PAGES IN BOX; TWO LOOSE PIECES OF TAPE IN BOX; RUNTIME: 1 HOUR 38 MINUTES; 3.75 IPS","28 - SIDE A: 1. LIFE FULL OF CONSEQUENCES, 2. HI LO, JACK AND A GAME, 3. A MAN'S GOTTA FIGHT, 4. SOMETHIN YOU GOTTA FIND OUT YOSELF, 5. THAT'S MY OPINION, 6. I WONDER WHAT BECAME OF ME, 7. RACIN FORMS, 8. SOW THE SEED AND REAP THE HARVEST, 9. LIMERICKS SIDE II: 1. ACCENTUATE THE POSITIVE, 2. LUCK COMING DOWN, 3. PAPER MOON, 4. ONE FOR THE ROAD, A SLEEPIN BEE, 5. COME RAIN OR COME SHINE, IVE GOT THE WORLD ON A STRING","29 - PIANO AND MALE VOICE","30","31 - LABEL INDICATES P AND B PERF, TAPE ACT II ONLY. CAB CALLOWAY STILL IN CAST ONLY CLUE TO DATE I.E. GENERAL. FOUND IN FILE CABINET 11-17-1956 BY RB","32 - LABEL READS BEGIN NONE OF FINAL SCENE ACT II","34 - 7.5 IPS","35","36A","36B","37 - 7.5 IPS","38 - REEL IS LABELED: ARLEN - SOBEL WABC, 6 SONGS DUBBED FROM ELLIOTT [ARTS RECORDER] ON BACK: ARLEN SPECIAL 6-26-59 6 NATURAL MAN, RIDIN MOON, CAKEWALK, PEACEFUL, WORK HARD, MANY KINDS LOVE - 3.75 IPS","39","33 - 10\" REEL 1/2 TRACK STEREO; 15 IPS","40 - WORK TAPE BLUES OPERA 3 ON FRONT OF BOX. ON BACK OF BOX: SONG LIST: OLD [?] TREAT YOU BAD, SLEEP PEACEFUL, TRUE LOVE, SOW SEED, CROSS THE RIVER, PIANO, I'LL WIND, RACIN FORM, BETTING FUGUE, ACCENTUATE, SUPPOSE HE LOSE, ROCK BOTTOM, EASY STREET, RACE, CHAPAIGN FO' THE LADY, HI - LOW JACK, LUCK JUST SO DOWN, WONDER WHAT BECAME, SOMETHING YOU GOTTA, ONE FOR MY BABY, BLUES IN NIGHT, LEAVIN TIME, COME RAIN OR, THIS MOMENT, [?] TIME [?]","41 - WORK TAPE BLUES OPERA 1 ON FRONT OF BOX","42 - COPY OF TAPE FOR PETER FARROW FOR SEAN O'FEY","43 - NBC DISCUSSION LEON PEARSON (MODERATOR) JEAN DALRYMPLE, DAVID MERRICK, ROBERT BREEN","44","45","46 - GREEN BOX MARKED: \"QUINCY JONES\" ALSO MARKED: FREE AND EASY CONVERSATION NEWS IRENE (FREE AND EASY)","47 - BACK OF BOX READS: KURT WEILL SEVEN DEEADLY SINS - MUNUET 3X, - HOWDY DO TO YOU - LEADING TO TURNS 1) SOFT SHOE 2X  3) GENTEEL 2X 6) BLUES 2X *ANOTHER TURN WE HAD - AND NOT CONTEMPLATEDUSING, BUT PERHAPS THE MUSIC FIT SOME OTHER TURN.","48 - INSIDE OF BOX IS A TYPEWRITTEN PAGE WITH SOME HANDWRITTEN NOTES","49 - GREENISH PAPER TAPED TO FRONT OF BOX READS: ACT II NOTES SIDE #2 MAY 30, 1959 4-17-59 STANLEY CHASE NOTES. BACK OF BOX READS: BLUES STANLEY CHASE NOTES APRIL 17 - MAY 30, 1959 ACT I SIDE 1, ACT II (SIDE) 2","50 - RED MARKING PENCIL ON ONE SIDE OF REEL: 3","51 - PAPER INSIDE OF BOX READS: 9-17-55 TV NOTES RB SHUFTAN / RB","52 - DECALS ON SIDE 1 OF TAPE READ: (TOP) DICTATION OF R.B. ORIENT TOUR 1955? TO HELLEN - LA SCALLA TICKETS FOR BLEVINS, TO WILVA - COMPLAIN [?] FROM [?] YUGOSLAVIA, TO LEONARD FIELD - MUSICIAN'S REHEARSALS (BOTTOM) DICTATION TO TOM MARTIN - ABOUT PARIS [?], ILYA MERN [?] (VENICE)","53","54 - BACK TO TAPE READS: REV JOHNSON'S DREAM [?] BLUES. OTHER TITLES ARE CROSSED OUT; 7.5 IPS","55 - BLUE TYPEWRITTEN PAPER INSIDE BOX CONTAINS SONG LIST AND COUNTER NUMBERS READS: TAPE II ACT II SCENE 1: PUT EVERY DOLLAR, TRUE LOVE, RIGHT ANSWER, TOP OF THE WORLD, RAIN OR SHINE, LEGALIZE MY NAME, LULLABY, CHINQUAPIN BUSH, WHAT YA SAYIN BIGELOW (RED WAGON) KILLING SEQUENCE, CURSE, SLEEP PEACEFUL, OL BIGELOW TREAT YOU BAD, SOW THE SEED, DIS LIL WHILE.  ACT II SCENE II: RACING FORMS, SNAKE EYES, ACCENTUATE, SUPPOSE WE LOSE (EASY STREET) CHAMPAGNE FOR THE LADY, 9RACE ** 570), HIGH LOW JACK AND THE GAME, LUCK JUST GO DOWN, SOMETHING YOU GOTTA FIND OUT YRSLF, WHERE IS THIS ROAD A LEADIN YOU TO, RIDIN ON THE MOON, LEAVING TIME","56 - NOTE INSIDE BOX READS: FALL 1954 RE: BOOKING MID EAST TOUR (STATE DEPARTMENT) ON SIDE I ONLY - 2 CONVOS LATER[?] RB + R. SCHNITZER; 7.5 IPS","57 - NOTE ON TOP OF BOX READS: FREE AND EASY AMSTERDAM APPROX DEC 15, 1959 UNEDITED; 3.75 IPS","58 - NOTE INSIDE BOX READS: MARCH 29, 56 STANLEY MEYER TO RB RE RB DIRECTING Pand B FILM MARCH 31, 1956 RB TO STANLEY MEYER","59","60 - EDITED BACK OF BOX READS: (H. ARLEN) FREE and  EASY (BLUES OPERA) DEC 59 SIDES 1 and  2 (SNATCHES) (RECORDED FROM SMALL PROPERTY ROOM - BACKSTAGE CARRE THEATRE - AMSTERDAM DEC 1959 - DURING REHEARSING and  ONE \"PREVIEW\" SIDE #1 - 65 MINUTES, SIDE #2 - 69 MINUTES; 3.75 IPS","61","62","63 - LOW QUALITY RECORDING","64 - STICKER ON REEL READS: SEPTEMBER 24, 1955 CALL FROM MR. BLAKE (STATE) TO RB ? ?, RUSSIA LETTERS TO CITY ? TO SCHNITZER, TO IEP (?) EXCELLENT","65","66","67","44 cassette audiotapes of interviews with and about Robert Breen. Subjects include ANTA, Porgy and Bess, and the Federal Theatre Project. Mike Davis was involved with most of the recordings. Accession 2011-001","30 black and white photographic prints of Robert Breen and his 1952 production of Porgy and Bess, including a photograph of Cab Calloway. Some of the photographs are of Robert Breen from 1986.  There are also 14 color slides of Robert Breen and Wilva Breen taken in 1986. Also, included are programs for the 1949 Hamlet production at Kronborg Castle in Elsinore, Denamrk, Hamlet theatre cards, and newsletters and clippings. Accession 2011-002","There are no restrictions.","The papers are comprised of records generated by Robert Breen and his wife Wilva Breen. The collection documents Robert Breen's work in the theater as an actor, director, and producer.  The bulk of the collection relates to Breen's work as Executive Director for the American National Theater and Academy.","George Mason University.\nSpecial Collections and Archives.","ANTA (Organization)","Robert S. Breen","Breen, Robert S.","English."],"collection_title_tesim":["Robert S. Breen papers, 1935/1973"],"collection_ssim":["Robert S. Breen papers, 1935/1973"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0004"],"unitid_tesim":["C0004"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Robert S. Breen"],"creator_ssim":["Robert S. Breen"],"creator_persname_ssim":["Robert S. Breen","Breen, Robert S."],"creator_corpname_ssim":["George Mason University.\nSpecial Collections and Archives.","ANTA (Organization)"],"creators_ssim":["Robert S. Breen","Breen, Robert S.","George Mason University.\nSpecial Collections and Archives.","ANTA (Organization)"],"acqinfo_ssim":["Donated by the trustees of the Robert Breen Collection in 1988 and Wilva Breen and Ohio State University in 1989.","Additional donations from Diana Lawrence and Mike Timoney in 2010."],"access_subjects_ssim":["Theater--United States."],"access_subjects_ssm":["Theater--United States."],"has_online_content_ssim":["false"],"extent_ssm":["67.5 linear feet (139 boxes)"],"extent_tesim":["67.5 linear feet (139 boxes)"],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\n\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"altformavail_html_tesm":["\u003cp\u003eSelections from the Robert Breen papers are also available in the \u003cextptr type=\"simple\" title=\"Robert Breen/ANTA digital collection\" show=\"new\" href=\"http://www.aladin0.wrlc.org/gsdl/collect/bren/bren.shtml\"\u003e\u003c/extptr\u003e.\n\u003c/p\u003e\n        ","\u003cp\u003eIn 2009 the audiotape reels in boxes 134-139 were converted to digital format and are available for use \nin the Special Collections and Archives reading room.\u003c/p\u003e\n      "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Selections from the Robert Breen papers are also available in the .","In 2009 the audiotape reels in boxes 134-139 were converted to digital format and are available for use \nin the Special Collections and Archives reading room."],"arrangement_html_tesm":["\u003cp\u003eOrganized alphabetically according to subject and topic.\n\u003c/p\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized alphabetically according to subject and topic."],"bioghist_html_tesm":["\u003cp\u003eIn the early 1930s, a small group of arts patrons from Philadelphia and New York began to act upon their conviction that Americans should have a national theater organization that would serve the American public better than Broadway, with its high ticket prices and limited touring policy. Under the leadership of Leopold Stokowski, and with the help of several influential supporters, they persuaded Congress to enact a federal charter for a national theater - a rare and significant authorization but for very few organizations such as the Smithsonian Institution, the Red Cross, and the Federal Reserve Bank. Signed by Franklin Roosevelt on July 3, 1935, the charter of The American National Theatre and Academy (ANTA) called for: A people's project, organized and conducted in their interest, free from commercialism, but with the firm intent of being as far as possible self-supporting. A national theatre should bring to the people throughout the country their heritage of the great drama of the past and the best of the present, which has been too frequently unavailable to them under existing conditions. Action on the new charter stalled for nearly a decade, however, with the creation of the WPA Federal Theatre Project, which provided Depression relief to theater artists from 1935 until 1939, and then the onset of World War II. Perhaps more to the point, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA.\u003c/p\u003e\n      ","\u003cp\u003eWhen the war ended, Robert Breen, a dynamic theater director, actor, and producer fresh out of the Army Air Corps, saw in ANTA the opportunity for his vision of a national theater. He persuaded a fellow veteran, Robert Porterfield, founder of the Barter Theatre in Abingdon, Virginia, to join him in his effort to devise and propose to the ANTA board a plan for a national theater supported by a foundation.\u003c/p\u003e\n      ","\u003cp\u003eIn 1946 the ANTA board voted to accept the Breen-Porterfield Foundation Plan and persuaded Robert Breen to serve as executive secretary of ANTA. To provide the organization with necessary expertise, the board was reconstituted to include prestigious theater professionals such as Brooks Atkinson, Cheryl Crawford, Paul Green, Moss Hart, Helen Hayes, Sam Jaffe, and Raymond Massey.\u003c/p\u003e\n      ","\u003cp\u003eRobert Breen and a small, dedicated team comprised mostly of volunteers set furiously to work in his own living quarters above the Hudson Theater on 44th Street. At his side was his co-worker and wife Wilva Davis Breen, who had been instrumental in promoting and guiding the ANTA plan to completion. Together, the two of them had established the Chicago unit of the Federal Theatre Project, an experience which convinced Breen that theater in America was in need of more than a temporary relief program.\u003c/p\u003e\n      ","\u003cp\u003eThus began a remarkable period in American theater that, with the infusion of ANTA support and energy, saw the revival of the Experimental Theatre in New York, the growth of regional and university theater programs, the encouragement of playwrights and performers, the broadcasting of quality dramatic presentations to millions of Americans on television in its fledgling years, and ground breaking cultural exchanges that warmed a Cold War world. \nInternationally, ANTA promoted artistic exchanges between the U.S. and Europe and entertainment for American troops serving abroad. It began in 1949 with a U.S. tour of Hamlet throughout Europe, culminating in a performance at Elsinore Castle in Denmark, the actual setting of the play. During the 1950s ANTA sponsored such projects as the American National Ballet Theatre's tour of Europe, and American participation in the Berlin Arts Festival in 1951. Productions showing different sides of life in America were played to European audiences. Among the many were the musicals Oklahoma and Porgy and Bess.  \n\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["In the early 1930s, a small group of arts patrons from Philadelphia and New York began to act upon their conviction that Americans should have a national theater organization that would serve the American public better than Broadway, with its high ticket prices and limited touring policy. Under the leadership of Leopold Stokowski, and with the help of several influential supporters, they persuaded Congress to enact a federal charter for a national theater - a rare and significant authorization but for very few organizations such as the Smithsonian Institution, the Red Cross, and the Federal Reserve Bank. Signed by Franklin Roosevelt on July 3, 1935, the charter of The American National Theatre and Academy (ANTA) called for: A people's project, organized and conducted in their interest, free from commercialism, but with the firm intent of being as far as possible self-supporting. A national theatre should bring to the people throughout the country their heritage of the great drama of the past and the best of the present, which has been too frequently unavailable to them under existing conditions. Action on the new charter stalled for nearly a decade, however, with the creation of the WPA Federal Theatre Project, which provided Depression relief to theater artists from 1935 until 1939, and then the onset of World War II. Perhaps more to the point, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA.","When the war ended, Robert Breen, a dynamic theater director, actor, and producer fresh out of the Army Air Corps, saw in ANTA the opportunity for his vision of a national theater. He persuaded a fellow veteran, Robert Porterfield, founder of the Barter Theatre in Abingdon, Virginia, to join him in his effort to devise and propose to the ANTA board a plan for a national theater supported by a foundation.","In 1946 the ANTA board voted to accept the Breen-Porterfield Foundation Plan and persuaded Robert Breen to serve as executive secretary of ANTA. To provide the organization with necessary expertise, the board was reconstituted to include prestigious theater professionals such as Brooks Atkinson, Cheryl Crawford, Paul Green, Moss Hart, Helen Hayes, Sam Jaffe, and Raymond Massey.","Robert Breen and a small, dedicated team comprised mostly of volunteers set furiously to work in his own living quarters above the Hudson Theater on 44th Street. At his side was his co-worker and wife Wilva Davis Breen, who had been instrumental in promoting and guiding the ANTA plan to completion. Together, the two of them had established the Chicago unit of the Federal Theatre Project, an experience which convinced Breen that theater in America was in need of more than a temporary relief program.","Thus began a remarkable period in American theater that, with the infusion of ANTA support and energy, saw the revival of the Experimental Theatre in New York, the growth of regional and university theater programs, the encouragement of playwrights and performers, the broadcasting of quality dramatic presentations to millions of Americans on television in its fledgling years, and ground breaking cultural exchanges that warmed a Cold War world. \nInternationally, ANTA promoted artistic exchanges between the U.S. and Europe and entertainment for American troops serving abroad. It began in 1949 with a U.S. tour of Hamlet throughout Europe, culminating in a performance at Elsinore Castle in Denmark, the actual setting of the play. During the 1950s ANTA sponsored such projects as the American National Ballet Theatre's tour of Europe, and American participation in the Berlin Arts Festival in 1951. Productions showing different sides of life in America were played to European audiences. Among the many were the musicals Oklahoma and Porgy and Bess."],"custodhist_html_tesm":["\u003cp\u003ePart of the Robert Breen collection was donated to Ohio State University. \u003c/p\u003e\n      "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Part of the Robert Breen collection was donated to Ohio State University."],"prefercite_html_tesm":["\u003cp\u003eRobert S. Breen papers, Collection #C0004, Special Collections and Archives, George Mason University.\n\u003c/p\u003e\n      "],"prefercite_tesim":["Robert S. Breen papers, Collection #C0004, Special Collections and Archives, George Mason University."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections and Archives Staff. EAD markup completed in February 2009 by Jordan Patty.\n\u003c/p\u003e\n      "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections and Archives Staff. EAD markup completed in February 2009 by Jordan Patty."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the Federal Theatre Project collection and the Arena Stage records.\n\u003c/p\u003e\n        ","\u003cp\u003eOhio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds extentsive materials on Porgy and Bess as well as other productions in the \u003cextptr type=\"simple\" title=\"Robert Breen collection\" show=\"new\" href=\"http://library.osu.edu/find/collections/theater-research-institute/personal-papers-and-special-collections/robert-breen-papers/\"\u003e\u003c/extptr\u003e.\n\u003c/p\u003e\n      "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds the Federal Theatre Project collection and the Arena Stage records.","Ohio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds extentsive materials on Porgy and Bess as well as other productions in the ."],"scopecontent_html_tesm":["\u003cp\u003eThe Robert Breen Theatre Collection is a primary source from which one may research the early beginnings of government support for the performing arts and the people responsible for them. It details the work of Robert Breen, the driving force behind the reformation of ANTA in 1946 and a staunch supporter of its eventual successor, the National Endowment for the Arts. The Robert Breen Theatre Collection aids in the gaining of a better understanding of the early operations of ANTA. Covering the years 1933-1980, it consists of working papers, correspondence, drafts, news clippings, scripts, photographs and other theatrical materials which document Breen's career with ANTA from 1944 to 1952. There are also almost 70 audiotapes with recordings of musical theatre and Breen dictating correspondence. The collection also reflects Breen's personal interests such as television, film, and political causes.\n\u003c/p\u003e\n    ","\u003cp\u003e1 - WIESBADEN ORCHESTRA; 3.75 IPS\n\t\u003c/p\u003e\n          ","\u003cp\u003e2\n\t\u003c/p\u003e\n          ","\u003cp\u003e3 - COPY OF TAPE FOR PETER FARROW FOR SEAN O'FEY\n\t\u003c/p\u003e\n          ","\u003cp\u003e4\n\t\u003c/p\u003e\n          ","\u003cp\u003e5\n\t\u003c/p\u003e\n          ","\u003cp\u003e6 - ACT II FROM LEGALIZE TO END\n\t\u003c/p\u003e\n          ","\u003cp\u003e7 - FROM BEGINNING OF SWANEE (RACIN FORMS[?]); 7.5 IPS\n\t\u003c/p\u003e\n          ","\u003cp\u003e8 - DICTATION OF CORRESPONDENCE\n\t\u003c/p\u003e\n          ","\u003cp\u003e9 - SIDE 1: IRENE AND W. W.; SIDE 2: PERSONAL PHONE CALLS\n\t\u003c/p\u003e\n          ","\u003cp\u003e10 - BRAHMS: SYMPHONY 2 IN D MAJOR / HAROLD ARLEN (CONJURE MAN) BLUES VOCAL AND PIANO\n\t\u003c/p\u003e\n          ","\u003cp\u003e11\n\t\u003c/p\u003e\n          ","\u003cp\u003e12 - RB PERSONAL WORK TAPE\n\t\u003c/p\u003e\n          ","\u003cp\u003e13 - STOP MY SHINING DREAM; I'LL WIND THIS WORLD; SEED STARS\n\t\u003c/p\u003e\n          ","\u003cp\u003e14 - WORK TAPE BLUES OPERA 2, HAROLD ARLEN REEL 2, FROM \"LOOKING FOR SOMEBODY\"; 7.5 IPS\n\t\u003c/p\u003e\n          ","\u003cp\u003e15 - CHORAL NY [RCHGZISZLS] BLOIS DE [ULVILLE] 238, 256; 3.75 IPS\n\t\u003c/p\u003e\n          ","\u003cp\u003e16 - PORGY AND BESS, COMPANY ZURICH SOUND TRACK\n\t\u003c/p\u003e\n          ","\u003cp\u003e17 - SIDE A: AMSTERDAM SOUND TRACK FOR 16MM FILMS; SIDE B: LAST HALF, CONTAINS ONLY 24 SECONDS OF AUDIO\u003c/p\u003e\n          ","\u003cp\u003e18 - INTERVIEW FOR RADIO LIBERATION, MUNICH HUTCH, MARCH 1956\n\t\u003c/p\u003e\n          ","\u003cp\u003e19 - BLEVINS AND ROBERT BREEN TELEPHONE CONVERSATION ON FILM RIGHTS AND BREEN DIRECTING A FILM WITH IRA GIRSHWIN; MUSIC: IRVING (SWIFTLY) LEZAR; SIDE B: ROBERT BREEN'S DICTATION OF MEMOS\n\t\u003c/p\u003e\n          ","\u003cp\u003e20\n\t\u003c/p\u003e\n          ","\u003cp\u003e21\n\t\u003c/p\u003e\n          ","\u003cp\u003e22\n\t\u003c/p\u003e\n          ","\u003cp\u003e23 - MISTITLED; TAPE ACTUALLY CONTAINS A MIX OF LATIN CHANTS AND HAROLD ARLEN SELECTIONS\n\t\u003c/p\u003e\n          ","\u003cp\u003e24 - VOICE OF AMERICA ARMED FORCES NETWORK; BREEN AND FULLER INTERVIEW, STUTTGART, REGARDING PORGY AND BESS; 7.5 IPS\n\t\u003c/p\u003e\n          ","\u003cp\u003e25A - 1 OF 3 \n\t\u003c/p\u003e\n          ","\u003cp\u003e25B - 2 OF 3 \n\t\u003c/p\u003e\n          ","\u003cp\u003e25C - 3 OF 3 \n\t\u003c/p\u003e\n          ","\u003cp\u003e26A - PART 1 OF 2; PORGY AND BESS TITAINIA PALEST; 1 7/8 IPS\n\t\u003c/p\u003e\n          ","\u003cp\u003e26B - PART 2 OF 2; PORGY AND BESS TITAINIA PALEST; 1 7/8 IPS\n\t\u003c/p\u003e\n          ","\u003cp\u003e27 - SCENE LIST AND OTHER DESCRIPTIONS ON TYPED PAGES IN BOX; TWO LOOSE PIECES OF TAPE IN BOX; RUNTIME: 1 HOUR 38 MINUTES; 3.75 IPS\n\t\u003c/p\u003e\n          ","\u003cp\u003e28 - SIDE A: 1. LIFE FULL OF CONSEQUENCES, 2. HI LO, JACK AND A GAME, 3. A MAN'S GOTTA FIGHT, 4. SOMETHIN YOU GOTTA FIND OUT YOSELF, 5. THAT'S MY OPINION, 6. I WONDER WHAT BECAME OF ME, 7. RACIN FORMS, 8. SOW THE SEED AND REAP THE HARVEST, 9. LIMERICKS SIDE II: 1. ACCENTUATE THE POSITIVE, 2. LUCK COMING DOWN, 3. PAPER MOON, 4. ONE FOR THE ROAD, A SLEEPIN BEE, 5. COME RAIN OR COME SHINE, IVE GOT THE WORLD ON A STRING\n\t\u003c/p\u003e\n          ","\u003cp\u003e29 - PIANO AND MALE VOICE\n\t\u003c/p\u003e\n          ","\u003cp\u003e30\n\t\u003c/p\u003e\n          ","\u003cp\u003e31 - LABEL INDICATES P AND B PERF, TAPE ACT II ONLY. CAB CALLOWAY STILL IN CAST ONLY CLUE TO DATE I.E. GENERAL. FOUND IN FILE CABINET 11-17-1956 BY RB\n\t\u003c/p\u003e\n          ","\u003cp\u003e32 - LABEL READS BEGIN NONE OF FINAL SCENE ACT II\n\t\u003c/p\u003e\n          ","\u003cp\u003e34 - 7.5 IPS\n\t\u003c/p\u003e\n          ","\u003cp\u003e35\n\t\u003c/p\u003e\n          ","\u003cp\u003e36A\n\t\u003c/p\u003e\n          ","\u003cp\u003e36B\n\t\u003c/p\u003e\n          ","\u003cp\u003e37 - 7.5 IPS\n\t\u003c/p\u003e\n          ","\u003cp\u003e38 - REEL IS LABELED: ARLEN - SOBEL WABC, 6 SONGS DUBBED FROM ELLIOTT [ARTS RECORDER] ON BACK: ARLEN SPECIAL 6-26-59 6 NATURAL MAN, RIDIN MOON, CAKEWALK, PEACEFUL, WORK HARD, MANY KINDS LOVE - 3.75 IPS\n\t\u003c/p\u003e\n          ","\u003cp\u003e39\n\t\u003c/p\u003e\n          ","\u003cp\u003e33 - 10\" REEL 1/2 TRACK STEREO; 15 IPS\n\t\u003c/p\u003e\n          ","\u003cp\u003e40 - WORK TAPE BLUES OPERA 3 ON FRONT OF BOX. ON BACK OF BOX: SONG LIST: OLD [?] TREAT YOU BAD, SLEEP PEACEFUL, TRUE LOVE, SOW SEED, CROSS THE RIVER, PIANO, I'LL WIND, RACIN FORM, BETTING FUGUE, ACCENTUATE, SUPPOSE HE LOSE, ROCK BOTTOM, EASY STREET, RACE, CHAPAIGN FO' THE LADY, HI - LOW JACK, LUCK JUST SO DOWN, WONDER WHAT BECAME, SOMETHING YOU GOTTA, ONE FOR MY BABY, BLUES IN NIGHT, LEAVIN TIME, COME RAIN OR, THIS MOMENT, [?] TIME [?] \n\t\u003c/p\u003e\n          ","\u003cp\u003e41 - WORK TAPE BLUES OPERA 1 ON FRONT OF BOX\n\t\u003c/p\u003e\n          ","\u003cp\u003e42 - COPY OF TAPE FOR PETER FARROW FOR SEAN O'FEY\n\t\u003c/p\u003e\n          ","\u003cp\u003e43 - NBC DISCUSSION LEON PEARSON (MODERATOR) JEAN DALRYMPLE, DAVID MERRICK, ROBERT BREEN\n\t\u003c/p\u003e\n          ","\u003cp\u003e44\n\t\u003c/p\u003e\n          ","\u003cp\u003e45\n\t\u003c/p\u003e\n          ","\u003cp\u003e46 - GREEN BOX MARKED: \"QUINCY JONES\" ALSO MARKED: FREE AND EASY CONVERSATION NEWS IRENE (FREE AND EASY)\n\t\u003c/p\u003e\n          ","\u003cp\u003e47 - BACK OF BOX READS: KURT WEILL SEVEN DEEADLY SINS - MUNUET 3X, - HOWDY DO TO YOU - LEADING TO TURNS 1) SOFT SHOE 2X  3) GENTEEL 2X 6) BLUES 2X *ANOTHER TURN WE HAD - AND NOT CONTEMPLATEDUSING, BUT PERHAPS THE MUSIC FIT SOME OTHER TURN.\n\t\u003c/p\u003e\n          ","\u003cp\u003e48 - INSIDE OF BOX IS A TYPEWRITTEN PAGE WITH SOME HANDWRITTEN NOTES\n\t\u003c/p\u003e\n          ","\u003cp\u003e49 - GREENISH PAPER TAPED TO FRONT OF BOX READS: ACT II NOTES SIDE #2 MAY 30, 1959 4-17-59 STANLEY CHASE NOTES. BACK OF BOX READS: BLUES STANLEY CHASE NOTES APRIL 17 - MAY 30, 1959 ACT I SIDE 1, ACT II (SIDE) 2\n\t\u003c/p\u003e\n          ","\u003cp\u003e50 - RED MARKING PENCIL ON ONE SIDE OF REEL: 3\n\t\u003c/p\u003e\n          ","\u003cp\u003e51 - PAPER INSIDE OF BOX READS: 9-17-55 TV NOTES RB SHUFTAN / RB \n\t\u003c/p\u003e\n          ","\u003cp\u003e52 - DECALS ON SIDE 1 OF TAPE READ: (TOP) DICTATION OF R.B. ORIENT TOUR 1955? TO HELLEN - LA SCALLA TICKETS FOR BLEVINS, TO WILVA - COMPLAIN [?] FROM [?] YUGOSLAVIA, TO LEONARD FIELD - MUSICIAN'S REHEARSALS (BOTTOM) DICTATION TO TOM MARTIN - ABOUT PARIS [?], ILYA MERN [?] (VENICE)\n\t\u003c/p\u003e\n          ","\u003cp\u003e53\n\t\u003c/p\u003e\n          ","\u003cp\u003e54 - BACK TO TAPE READS: REV JOHNSON'S DREAM [?] BLUES. OTHER TITLES ARE CROSSED OUT; 7.5 IPS\n\t\u003c/p\u003e\n          ","\u003cp\u003e55 - BLUE TYPEWRITTEN PAPER INSIDE BOX CONTAINS SONG LIST AND COUNTER NUMBERS READS: TAPE II ACT II SCENE 1: PUT EVERY DOLLAR, TRUE LOVE, RIGHT ANSWER, TOP OF THE WORLD, RAIN OR SHINE, LEGALIZE MY NAME, LULLABY, CHINQUAPIN BUSH, WHAT YA SAYIN BIGELOW (RED WAGON) KILLING SEQUENCE, CURSE, SLEEP PEACEFUL, OL BIGELOW TREAT YOU BAD, SOW THE SEED, DIS LIL WHILE.  ACT II SCENE II: RACING FORMS, SNAKE EYES, ACCENTUATE, SUPPOSE WE LOSE (EASY STREET) CHAMPAGNE FOR THE LADY, 9RACE ** 570), HIGH LOW JACK AND THE GAME, LUCK JUST GO DOWN, SOMETHING YOU GOTTA FIND OUT YRSLF, WHERE IS THIS ROAD A LEADIN YOU TO, RIDIN ON THE MOON, LEAVING TIME\n\t\u003c/p\u003e\n          ","\u003cp\u003e56 - NOTE INSIDE BOX READS: FALL 1954 RE: BOOKING MID EAST TOUR (STATE DEPARTMENT) ON SIDE I ONLY - 2 CONVOS LATER[?] RB + R. SCHNITZER; 7.5 IPS\u003c/p\u003e\n          ","\u003cp\u003e57 - NOTE ON TOP OF BOX READS: FREE AND EASY AMSTERDAM APPROX DEC 15, 1959 UNEDITED; 3.75 IPS\n\t\u003c/p\u003e\n          ","\u003cp\u003e58 - NOTE INSIDE BOX READS: MARCH 29, 56 STANLEY MEYER TO RB RE RB DIRECTING Pand B FILM MARCH 31, 1956 RB TO STANLEY MEYER\n\t\u003c/p\u003e\n          ","\u003cp\u003e59\n\t\u003c/p\u003e\n          ","\u003cp\u003e60 - EDITED BACK OF BOX READS: (H. ARLEN) FREE and  EASY (BLUES OPERA) DEC 59 SIDES 1 and  2 (SNATCHES) (RECORDED FROM SMALL PROPERTY ROOM - BACKSTAGE CARRE THEATRE - AMSTERDAM DEC 1959 - DURING REHEARSING and  ONE \"PREVIEW\" SIDE #1 - 65 MINUTES, SIDE #2 - 69 MINUTES; 3.75 IPS\n\t\u003c/p\u003e\n          ","\u003cp\u003e61\n\t\u003c/p\u003e\n          ","\u003cp\u003e62\n\t\u003c/p\u003e\n          ","\u003cp\u003e63 - LOW QUALITY RECORDING\n\t\u003c/p\u003e\n          ","\u003cp\u003e64 - STICKER ON REEL READS: SEPTEMBER 24, 1955 CALL FROM MR. BLAKE (STATE) TO RB ? ?, RUSSIA LETTERS TO CITY ? TO SCHNITZER, TO IEP (?) EXCELLENT\n\t\u003c/p\u003e\n          ","\u003cp\u003e65\n\t\u003c/p\u003e\n          ","\u003cp\u003e66\n\t\u003c/p\u003e\n          ","\u003cp\u003e67\n\t\u003c/p\u003e\n          ","\u003cp\u003e44 cassette audiotapes of interviews with and about Robert Breen. Subjects include ANTA, Porgy and Bess, and the Federal Theatre Project. Mike Davis was involved with most of the recordings. Accession 2011-001\n\t\u003c/p\u003e\n          ","\u003cp\u003e30 black and white photographic prints of Robert Breen and his 1952 production of Porgy and Bess, including a photograph of Cab Calloway. Some of the photographs are of Robert Breen from 1986.  There are also 14 color slides of Robert Breen and Wilva Breen taken in 1986. Also, included are programs for the 1949 Hamlet production at Kronborg Castle in Elsinore, Denamrk, Hamlet theatre cards, and newsletters and clippings. Accession 2011-002\n\t\u003c/p\u003e\n          "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Robert Breen Theatre Collection is a primary source from which one may research the early beginnings of government support for the performing arts and the people responsible for them. It details the work of Robert Breen, the driving force behind the reformation of ANTA in 1946 and a staunch supporter of its eventual successor, the National Endowment for the Arts. The Robert Breen Theatre Collection aids in the gaining of a better understanding of the early operations of ANTA. Covering the years 1933-1980, it consists of working papers, correspondence, drafts, news clippings, scripts, photographs and other theatrical materials which document Breen's career with ANTA from 1944 to 1952. There are also almost 70 audiotapes with recordings of musical theatre and Breen dictating correspondence. The collection also reflects Breen's personal interests such as television, film, and political causes.","1 - WIESBADEN ORCHESTRA; 3.75 IPS","2","3 - COPY OF TAPE FOR PETER FARROW FOR SEAN O'FEY","4","5","6 - ACT II FROM LEGALIZE TO END","7 - FROM BEGINNING OF SWANEE (RACIN FORMS[?]); 7.5 IPS","8 - DICTATION OF CORRESPONDENCE","9 - SIDE 1: IRENE AND W. W.; SIDE 2: PERSONAL PHONE CALLS","10 - BRAHMS: SYMPHONY 2 IN D MAJOR / HAROLD ARLEN (CONJURE MAN) BLUES VOCAL AND PIANO","11","12 - RB PERSONAL WORK TAPE","13 - STOP MY SHINING DREAM; I'LL WIND THIS WORLD; SEED STARS","14 - WORK TAPE BLUES OPERA 2, HAROLD ARLEN REEL 2, FROM \"LOOKING FOR SOMEBODY\"; 7.5 IPS","15 - CHORAL NY [RCHGZISZLS] BLOIS DE [ULVILLE] 238, 256; 3.75 IPS","16 - PORGY AND BESS, COMPANY ZURICH SOUND TRACK","17 - SIDE A: AMSTERDAM SOUND TRACK FOR 16MM FILMS; SIDE B: LAST HALF, CONTAINS ONLY 24 SECONDS OF AUDIO","18 - INTERVIEW FOR RADIO LIBERATION, MUNICH HUTCH, MARCH 1956","19 - BLEVINS AND ROBERT BREEN TELEPHONE CONVERSATION ON FILM RIGHTS AND BREEN DIRECTING A FILM WITH IRA GIRSHWIN; MUSIC: IRVING (SWIFTLY) LEZAR; SIDE B: ROBERT BREEN'S DICTATION OF MEMOS","20","21","22","23 - MISTITLED; TAPE ACTUALLY CONTAINS A MIX OF LATIN CHANTS AND HAROLD ARLEN SELECTIONS","24 - VOICE OF AMERICA ARMED FORCES NETWORK; BREEN AND FULLER INTERVIEW, STUTTGART, REGARDING PORGY AND BESS; 7.5 IPS","25A - 1 OF 3","25B - 2 OF 3","25C - 3 OF 3","26A - PART 1 OF 2; PORGY AND BESS TITAINIA PALEST; 1 7/8 IPS","26B - PART 2 OF 2; PORGY AND BESS TITAINIA PALEST; 1 7/8 IPS","27 - SCENE LIST AND OTHER DESCRIPTIONS ON TYPED PAGES IN BOX; TWO LOOSE PIECES OF TAPE IN BOX; RUNTIME: 1 HOUR 38 MINUTES; 3.75 IPS","28 - SIDE A: 1. LIFE FULL OF CONSEQUENCES, 2. HI LO, JACK AND A GAME, 3. A MAN'S GOTTA FIGHT, 4. SOMETHIN YOU GOTTA FIND OUT YOSELF, 5. THAT'S MY OPINION, 6. I WONDER WHAT BECAME OF ME, 7. RACIN FORMS, 8. SOW THE SEED AND REAP THE HARVEST, 9. LIMERICKS SIDE II: 1. ACCENTUATE THE POSITIVE, 2. LUCK COMING DOWN, 3. PAPER MOON, 4. ONE FOR THE ROAD, A SLEEPIN BEE, 5. COME RAIN OR COME SHINE, IVE GOT THE WORLD ON A STRING","29 - PIANO AND MALE VOICE","30","31 - LABEL INDICATES P AND B PERF, TAPE ACT II ONLY. CAB CALLOWAY STILL IN CAST ONLY CLUE TO DATE I.E. GENERAL. FOUND IN FILE CABINET 11-17-1956 BY RB","32 - LABEL READS BEGIN NONE OF FINAL SCENE ACT II","34 - 7.5 IPS","35","36A","36B","37 - 7.5 IPS","38 - REEL IS LABELED: ARLEN - SOBEL WABC, 6 SONGS DUBBED FROM ELLIOTT [ARTS RECORDER] ON BACK: ARLEN SPECIAL 6-26-59 6 NATURAL MAN, RIDIN MOON, CAKEWALK, PEACEFUL, WORK HARD, MANY KINDS LOVE - 3.75 IPS","39","33 - 10\" REEL 1/2 TRACK STEREO; 15 IPS","40 - WORK TAPE BLUES OPERA 3 ON FRONT OF BOX. ON BACK OF BOX: SONG LIST: OLD [?] TREAT YOU BAD, SLEEP PEACEFUL, TRUE LOVE, SOW SEED, CROSS THE RIVER, PIANO, I'LL WIND, RACIN FORM, BETTING FUGUE, ACCENTUATE, SUPPOSE HE LOSE, ROCK BOTTOM, EASY STREET, RACE, CHAPAIGN FO' THE LADY, HI - LOW JACK, LUCK JUST SO DOWN, WONDER WHAT BECAME, SOMETHING YOU GOTTA, ONE FOR MY BABY, BLUES IN NIGHT, LEAVIN TIME, COME RAIN OR, THIS MOMENT, [?] TIME [?]","41 - WORK TAPE BLUES OPERA 1 ON FRONT OF BOX","42 - COPY OF TAPE FOR PETER FARROW FOR SEAN O'FEY","43 - NBC DISCUSSION LEON PEARSON (MODERATOR) JEAN DALRYMPLE, DAVID MERRICK, ROBERT BREEN","44","45","46 - GREEN BOX MARKED: \"QUINCY JONES\" ALSO MARKED: FREE AND EASY CONVERSATION NEWS IRENE (FREE AND EASY)","47 - BACK OF BOX READS: KURT WEILL SEVEN DEEADLY SINS - MUNUET 3X, - HOWDY DO TO YOU - LEADING TO TURNS 1) SOFT SHOE 2X  3) GENTEEL 2X 6) BLUES 2X *ANOTHER TURN WE HAD - AND NOT CONTEMPLATEDUSING, BUT PERHAPS THE MUSIC FIT SOME OTHER TURN.","48 - INSIDE OF BOX IS A TYPEWRITTEN PAGE WITH SOME HANDWRITTEN NOTES","49 - GREENISH PAPER TAPED TO FRONT OF BOX READS: ACT II NOTES SIDE #2 MAY 30, 1959 4-17-59 STANLEY CHASE NOTES. BACK OF BOX READS: BLUES STANLEY CHASE NOTES APRIL 17 - MAY 30, 1959 ACT I SIDE 1, ACT II (SIDE) 2","50 - RED MARKING PENCIL ON ONE SIDE OF REEL: 3","51 - PAPER INSIDE OF BOX READS: 9-17-55 TV NOTES RB SHUFTAN / RB","52 - DECALS ON SIDE 1 OF TAPE READ: (TOP) DICTATION OF R.B. ORIENT TOUR 1955? TO HELLEN - LA SCALLA TICKETS FOR BLEVINS, TO WILVA - COMPLAIN [?] FROM [?] YUGOSLAVIA, TO LEONARD FIELD - MUSICIAN'S REHEARSALS (BOTTOM) DICTATION TO TOM MARTIN - ABOUT PARIS [?], ILYA MERN [?] (VENICE)","53","54 - BACK TO TAPE READS: REV JOHNSON'S DREAM [?] BLUES. OTHER TITLES ARE CROSSED OUT; 7.5 IPS","55 - BLUE TYPEWRITTEN PAPER INSIDE BOX CONTAINS SONG LIST AND COUNTER NUMBERS READS: TAPE II ACT II SCENE 1: PUT EVERY DOLLAR, TRUE LOVE, RIGHT ANSWER, TOP OF THE WORLD, RAIN OR SHINE, LEGALIZE MY NAME, LULLABY, CHINQUAPIN BUSH, WHAT YA SAYIN BIGELOW (RED WAGON) KILLING SEQUENCE, CURSE, SLEEP PEACEFUL, OL BIGELOW TREAT YOU BAD, SOW THE SEED, DIS LIL WHILE.  ACT II SCENE II: RACING FORMS, SNAKE EYES, ACCENTUATE, SUPPOSE WE LOSE (EASY STREET) CHAMPAGNE FOR THE LADY, 9RACE ** 570), HIGH LOW JACK AND THE GAME, LUCK JUST GO DOWN, SOMETHING YOU GOTTA FIND OUT YRSLF, WHERE IS THIS ROAD A LEADIN YOU TO, RIDIN ON THE MOON, LEAVING TIME","56 - NOTE INSIDE BOX READS: FALL 1954 RE: BOOKING MID EAST TOUR (STATE DEPARTMENT) ON SIDE I ONLY - 2 CONVOS LATER[?] RB + R. SCHNITZER; 7.5 IPS","57 - NOTE ON TOP OF BOX READS: FREE AND EASY AMSTERDAM APPROX DEC 15, 1959 UNEDITED; 3.75 IPS","58 - NOTE INSIDE BOX READS: MARCH 29, 56 STANLEY MEYER TO RB RE RB DIRECTING Pand B FILM MARCH 31, 1956 RB TO STANLEY MEYER","59","60 - EDITED BACK OF BOX READS: (H. ARLEN) FREE and  EASY (BLUES OPERA) DEC 59 SIDES 1 and  2 (SNATCHES) (RECORDED FROM SMALL PROPERTY ROOM - BACKSTAGE CARRE THEATRE - AMSTERDAM DEC 1959 - DURING REHEARSING and  ONE \"PREVIEW\" SIDE #1 - 65 MINUTES, SIDE #2 - 69 MINUTES; 3.75 IPS","61","62","63 - LOW QUALITY RECORDING","64 - STICKER ON REEL READS: SEPTEMBER 24, 1955 CALL FROM MR. BLAKE (STATE) TO RB ? ?, RUSSIA LETTERS TO CITY ? TO SCHNITZER, TO IEP (?) EXCELLENT","65","66","67","44 cassette audiotapes of interviews with and about Robert Breen. Subjects include ANTA, Porgy and Bess, and the Federal Theatre Project. Mike Davis was involved with most of the recordings. Accession 2011-001","30 black and white photographic prints of Robert Breen and his 1952 production of Porgy and Bess, including a photograph of Cab Calloway. Some of the photographs are of Robert Breen from 1986.  There are also 14 color slides of Robert Breen and Wilva Breen taken in 1986. Also, included are programs for the 1949 Hamlet production at Kronborg Castle in Elsinore, Denamrk, Hamlet theatre cards, and newsletters and clippings. Accession 2011-002"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\n\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe papers are comprised of records generated by Robert Breen and his wife Wilva Breen. The collection documents Robert Breen's work in the theater as an actor, director, and producer.  The bulk of the collection relates to Breen's work as Executive Director for the American National Theater and Academy.\n\u003c/abstract\u003e\n    "],"abstract_tesim":["The papers are comprised of records generated by Robert Breen and his wife Wilva Breen. The collection documents Robert Breen's work in the theater as an actor, director, and producer.  The bulk of the collection relates to Breen's work as Executive Director for the American National Theater and Academy."],"corpname_ssim":["George Mason University.\nSpecial Collections and Archives.","ANTA (Organization)"],"persname_ssim":["Robert S. Breen","Breen, Robert S."],"names_ssim":["George Mason University.\nSpecial Collections and Archives.","ANTA (Organization)","Robert S. Breen","Breen, Robert S."],"language_ssim":["English."],"total_component_count_is":1398,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:56:48.151Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_vifgm00039","ead_ssi":"vifgm_vifgm00039","_root_":"vifgm_vifgm00039","_nest_parent_":"vifgm_vifgm00039","ead_source_url_ssi":"data/gmu/vifgm00039.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["Robert S. Breen papers"],"title_tesim":["Robert S. Breen papers"],"unitdate_ssm":["1935-1973"],"unitdate_inclusive_ssm":["1935-1973"],"normalized_date_ssm":["1935/1973"],"normalized_title_ssm":["Robert S. Breen papers, 1935/1973"],"text":["Robert S. Breen papers, 1935/1973","C0004","Theater--United States.","Collection is open to research.","Selections from the Robert Breen papers are also available in the .","In 2009 the audiotape reels in boxes 134-139 were converted to digital format and are available for use \nin the Special Collections and Archives reading room.","Organized alphabetically according to subject and topic.","In the early 1930s, a small group of arts patrons from Philadelphia and New York began to act upon their conviction that Americans should have a national theater organization that would serve the American public better than Broadway, with its high ticket prices and limited touring policy. Under the leadership of Leopold Stokowski, and with the help of several influential supporters, they persuaded Congress to enact a federal charter for a national theater - a rare and significant authorization but for very few organizations such as the Smithsonian Institution, the Red Cross, and the Federal Reserve Bank. Signed by Franklin Roosevelt on July 3, 1935, the charter of The American National Theatre and Academy (ANTA) called for: A people's project, organized and conducted in their interest, free from commercialism, but with the firm intent of being as far as possible self-supporting. A national theatre should bring to the people throughout the country their heritage of the great drama of the past and the best of the present, which has been too frequently unavailable to them under existing conditions. Action on the new charter stalled for nearly a decade, however, with the creation of the WPA Federal Theatre Project, which provided Depression relief to theater artists from 1935 until 1939, and then the onset of World War II. Perhaps more to the point, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA.","When the war ended, Robert Breen, a dynamic theater director, actor, and producer fresh out of the Army Air Corps, saw in ANTA the opportunity for his vision of a national theater. He persuaded a fellow veteran, Robert Porterfield, founder of the Barter Theatre in Abingdon, Virginia, to join him in his effort to devise and propose to the ANTA board a plan for a national theater supported by a foundation.","In 1946 the ANTA board voted to accept the Breen-Porterfield Foundation Plan and persuaded Robert Breen to serve as executive secretary of ANTA. To provide the organization with necessary expertise, the board was reconstituted to include prestigious theater professionals such as Brooks Atkinson, Cheryl Crawford, Paul Green, Moss Hart, Helen Hayes, Sam Jaffe, and Raymond Massey.","Robert Breen and a small, dedicated team comprised mostly of volunteers set furiously to work in his own living quarters above the Hudson Theater on 44th Street. At his side was his co-worker and wife Wilva Davis Breen, who had been instrumental in promoting and guiding the ANTA plan to completion. Together, the two of them had established the Chicago unit of the Federal Theatre Project, an experience which convinced Breen that theater in America was in need of more than a temporary relief program.","Thus began a remarkable period in American theater that, with the infusion of ANTA support and energy, saw the revival of the Experimental Theatre in New York, the growth of regional and university theater programs, the encouragement of playwrights and performers, the broadcasting of quality dramatic presentations to millions of Americans on television in its fledgling years, and ground breaking cultural exchanges that warmed a Cold War world. \nInternationally, ANTA promoted artistic exchanges between the U.S. and Europe and entertainment for American troops serving abroad. It began in 1949 with a U.S. tour of Hamlet throughout Europe, culminating in a performance at Elsinore Castle in Denmark, the actual setting of the play. During the 1950s ANTA sponsored such projects as the American National Ballet Theatre's tour of Europe, and American participation in the Berlin Arts Festival in 1951. Productions showing different sides of life in America were played to European audiences. Among the many were the musicals Oklahoma and Porgy and Bess.","Part of the Robert Breen collection was donated to Ohio State University.","Processed by Special Collections and Archives Staff. EAD markup completed in February 2009 by Jordan Patty.","Special Collections and Archives also holds the Federal Theatre Project collection and the Arena Stage records.","Ohio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds extentsive materials on Porgy and Bess as well as other productions in the .","The Robert Breen Theatre Collection is a primary source from which one may research the early beginnings of government support for the performing arts and the people responsible for them. It details the work of Robert Breen, the driving force behind the reformation of ANTA in 1946 and a staunch supporter of its eventual successor, the National Endowment for the Arts. The Robert Breen Theatre Collection aids in the gaining of a better understanding of the early operations of ANTA. Covering the years 1933-1980, it consists of working papers, correspondence, drafts, news clippings, scripts, photographs and other theatrical materials which document Breen's career with ANTA from 1944 to 1952. There are also almost 70 audiotapes with recordings of musical theatre and Breen dictating correspondence. The collection also reflects Breen's personal interests such as television, film, and political causes.","1 - WIESBADEN ORCHESTRA; 3.75 IPS","2","3 - COPY OF TAPE FOR PETER FARROW FOR SEAN O'FEY","4","5","6 - ACT II FROM LEGALIZE TO END","7 - FROM BEGINNING OF SWANEE (RACIN FORMS[?]); 7.5 IPS","8 - DICTATION OF CORRESPONDENCE","9 - SIDE 1: IRENE AND W. W.; SIDE 2: PERSONAL PHONE CALLS","10 - BRAHMS: SYMPHONY 2 IN D MAJOR / HAROLD ARLEN (CONJURE MAN) BLUES VOCAL AND PIANO","11","12 - RB PERSONAL WORK TAPE","13 - STOP MY SHINING DREAM; I'LL WIND THIS WORLD; SEED STARS","14 - WORK TAPE BLUES OPERA 2, HAROLD ARLEN REEL 2, FROM \"LOOKING FOR SOMEBODY\"; 7.5 IPS","15 - CHORAL NY [RCHGZISZLS] BLOIS DE [ULVILLE] 238, 256; 3.75 IPS","16 - PORGY AND BESS, COMPANY ZURICH SOUND TRACK","17 - SIDE A: AMSTERDAM SOUND TRACK FOR 16MM FILMS; SIDE B: LAST HALF, CONTAINS ONLY 24 SECONDS OF AUDIO","18 - INTERVIEW FOR RADIO LIBERATION, MUNICH HUTCH, MARCH 1956","19 - BLEVINS AND ROBERT BREEN TELEPHONE CONVERSATION ON FILM RIGHTS AND BREEN DIRECTING A FILM WITH IRA GIRSHWIN; MUSIC: IRVING (SWIFTLY) LEZAR; SIDE B: ROBERT BREEN'S DICTATION OF MEMOS","20","21","22","23 - MISTITLED; TAPE ACTUALLY CONTAINS A MIX OF LATIN CHANTS AND HAROLD ARLEN SELECTIONS","24 - VOICE OF AMERICA ARMED FORCES NETWORK; BREEN AND FULLER INTERVIEW, STUTTGART, REGARDING PORGY AND BESS; 7.5 IPS","25A - 1 OF 3","25B - 2 OF 3","25C - 3 OF 3","26A - PART 1 OF 2; PORGY AND BESS TITAINIA PALEST; 1 7/8 IPS","26B - PART 2 OF 2; PORGY AND BESS TITAINIA PALEST; 1 7/8 IPS","27 - SCENE LIST AND OTHER DESCRIPTIONS ON TYPED PAGES IN BOX; TWO LOOSE PIECES OF TAPE IN BOX; RUNTIME: 1 HOUR 38 MINUTES; 3.75 IPS","28 - SIDE A: 1. LIFE FULL OF CONSEQUENCES, 2. HI LO, JACK AND A GAME, 3. A MAN'S GOTTA FIGHT, 4. SOMETHIN YOU GOTTA FIND OUT YOSELF, 5. THAT'S MY OPINION, 6. I WONDER WHAT BECAME OF ME, 7. RACIN FORMS, 8. SOW THE SEED AND REAP THE HARVEST, 9. LIMERICKS SIDE II: 1. ACCENTUATE THE POSITIVE, 2. LUCK COMING DOWN, 3. PAPER MOON, 4. ONE FOR THE ROAD, A SLEEPIN BEE, 5. COME RAIN OR COME SHINE, IVE GOT THE WORLD ON A STRING","29 - PIANO AND MALE VOICE","30","31 - LABEL INDICATES P AND B PERF, TAPE ACT II ONLY. CAB CALLOWAY STILL IN CAST ONLY CLUE TO DATE I.E. GENERAL. FOUND IN FILE CABINET 11-17-1956 BY RB","32 - LABEL READS BEGIN NONE OF FINAL SCENE ACT II","34 - 7.5 IPS","35","36A","36B","37 - 7.5 IPS","38 - REEL IS LABELED: ARLEN - SOBEL WABC, 6 SONGS DUBBED FROM ELLIOTT [ARTS RECORDER] ON BACK: ARLEN SPECIAL 6-26-59 6 NATURAL MAN, RIDIN MOON, CAKEWALK, PEACEFUL, WORK HARD, MANY KINDS LOVE - 3.75 IPS","39","33 - 10\" REEL 1/2 TRACK STEREO; 15 IPS","40 - WORK TAPE BLUES OPERA 3 ON FRONT OF BOX. ON BACK OF BOX: SONG LIST: OLD [?] TREAT YOU BAD, SLEEP PEACEFUL, TRUE LOVE, SOW SEED, CROSS THE RIVER, PIANO, I'LL WIND, RACIN FORM, BETTING FUGUE, ACCENTUATE, SUPPOSE HE LOSE, ROCK BOTTOM, EASY STREET, RACE, CHAPAIGN FO' THE LADY, HI - LOW JACK, LUCK JUST SO DOWN, WONDER WHAT BECAME, SOMETHING YOU GOTTA, ONE FOR MY BABY, BLUES IN NIGHT, LEAVIN TIME, COME RAIN OR, THIS MOMENT, [?] TIME [?]","41 - WORK TAPE BLUES OPERA 1 ON FRONT OF BOX","42 - COPY OF TAPE FOR PETER FARROW FOR SEAN O'FEY","43 - NBC DISCUSSION LEON PEARSON (MODERATOR) JEAN DALRYMPLE, DAVID MERRICK, ROBERT BREEN","44","45","46 - GREEN BOX MARKED: \"QUINCY JONES\" ALSO MARKED: FREE AND EASY CONVERSATION NEWS IRENE (FREE AND EASY)","47 - BACK OF BOX READS: KURT WEILL SEVEN DEEADLY SINS - MUNUET 3X, - HOWDY DO TO YOU - LEADING TO TURNS 1) SOFT SHOE 2X  3) GENTEEL 2X 6) BLUES 2X *ANOTHER TURN WE HAD - AND NOT CONTEMPLATEDUSING, BUT PERHAPS THE MUSIC FIT SOME OTHER TURN.","48 - INSIDE OF BOX IS A TYPEWRITTEN PAGE WITH SOME HANDWRITTEN NOTES","49 - GREENISH PAPER TAPED TO FRONT OF BOX READS: ACT II NOTES SIDE #2 MAY 30, 1959 4-17-59 STANLEY CHASE NOTES. BACK OF BOX READS: BLUES STANLEY CHASE NOTES APRIL 17 - MAY 30, 1959 ACT I SIDE 1, ACT II (SIDE) 2","50 - RED MARKING PENCIL ON ONE SIDE OF REEL: 3","51 - PAPER INSIDE OF BOX READS: 9-17-55 TV NOTES RB SHUFTAN / RB","52 - DECALS ON SIDE 1 OF TAPE READ: (TOP) DICTATION OF R.B. ORIENT TOUR 1955? TO HELLEN - LA SCALLA TICKETS FOR BLEVINS, TO WILVA - COMPLAIN [?] FROM [?] YUGOSLAVIA, TO LEONARD FIELD - MUSICIAN'S REHEARSALS (BOTTOM) DICTATION TO TOM MARTIN - ABOUT PARIS [?], ILYA MERN [?] (VENICE)","53","54 - BACK TO TAPE READS: REV JOHNSON'S DREAM [?] BLUES. OTHER TITLES ARE CROSSED OUT; 7.5 IPS","55 - BLUE TYPEWRITTEN PAPER INSIDE BOX CONTAINS SONG LIST AND COUNTER NUMBERS READS: TAPE II ACT II SCENE 1: PUT EVERY DOLLAR, TRUE LOVE, RIGHT ANSWER, TOP OF THE WORLD, RAIN OR SHINE, LEGALIZE MY NAME, LULLABY, CHINQUAPIN BUSH, WHAT YA SAYIN BIGELOW (RED WAGON) KILLING SEQUENCE, CURSE, SLEEP PEACEFUL, OL BIGELOW TREAT YOU BAD, SOW THE SEED, DIS LIL WHILE.  ACT II SCENE II: RACING FORMS, SNAKE EYES, ACCENTUATE, SUPPOSE WE LOSE (EASY STREET) CHAMPAGNE FOR THE LADY, 9RACE ** 570), HIGH LOW JACK AND THE GAME, LUCK JUST GO DOWN, SOMETHING YOU GOTTA FIND OUT YRSLF, WHERE IS THIS ROAD A LEADIN YOU TO, RIDIN ON THE MOON, LEAVING TIME","56 - NOTE INSIDE BOX READS: FALL 1954 RE: BOOKING MID EAST TOUR (STATE DEPARTMENT) ON SIDE I ONLY - 2 CONVOS LATER[?] RB + R. SCHNITZER; 7.5 IPS","57 - NOTE ON TOP OF BOX READS: FREE AND EASY AMSTERDAM APPROX DEC 15, 1959 UNEDITED; 3.75 IPS","58 - NOTE INSIDE BOX READS: MARCH 29, 56 STANLEY MEYER TO RB RE RB DIRECTING Pand B FILM MARCH 31, 1956 RB TO STANLEY MEYER","59","60 - EDITED BACK OF BOX READS: (H. ARLEN) FREE and  EASY (BLUES OPERA) DEC 59 SIDES 1 and  2 (SNATCHES) (RECORDED FROM SMALL PROPERTY ROOM - BACKSTAGE CARRE THEATRE - AMSTERDAM DEC 1959 - DURING REHEARSING and  ONE \"PREVIEW\" SIDE #1 - 65 MINUTES, SIDE #2 - 69 MINUTES; 3.75 IPS","61","62","63 - LOW QUALITY RECORDING","64 - STICKER ON REEL READS: SEPTEMBER 24, 1955 CALL FROM MR. BLAKE (STATE) TO RB ? ?, RUSSIA LETTERS TO CITY ? TO SCHNITZER, TO IEP (?) EXCELLENT","65","66","67","44 cassette audiotapes of interviews with and about Robert Breen. Subjects include ANTA, Porgy and Bess, and the Federal Theatre Project. Mike Davis was involved with most of the recordings. Accession 2011-001","30 black and white photographic prints of Robert Breen and his 1952 production of Porgy and Bess, including a photograph of Cab Calloway. Some of the photographs are of Robert Breen from 1986.  There are also 14 color slides of Robert Breen and Wilva Breen taken in 1986. Also, included are programs for the 1949 Hamlet production at Kronborg Castle in Elsinore, Denamrk, Hamlet theatre cards, and newsletters and clippings. Accession 2011-002","There are no restrictions.","The papers are comprised of records generated by Robert Breen and his wife Wilva Breen. The collection documents Robert Breen's work in the theater as an actor, director, and producer.  The bulk of the collection relates to Breen's work as Executive Director for the American National Theater and Academy.","George Mason University.\nSpecial Collections and Archives.","ANTA (Organization)","Robert S. Breen","Breen, Robert S.","English."],"collection_title_tesim":["Robert S. Breen papers, 1935/1973"],"collection_ssim":["Robert S. Breen papers, 1935/1973"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0004"],"unitid_tesim":["C0004"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Robert S. Breen"],"creator_ssim":["Robert S. Breen"],"creator_persname_ssim":["Robert S. Breen","Breen, Robert S."],"creator_corpname_ssim":["George Mason University.\nSpecial Collections and Archives.","ANTA (Organization)"],"creators_ssim":["Robert S. Breen","Breen, Robert S.","George Mason University.\nSpecial Collections and Archives.","ANTA (Organization)"],"acqinfo_ssim":["Donated by the trustees of the Robert Breen Collection in 1988 and Wilva Breen and Ohio State University in 1989.","Additional donations from Diana Lawrence and Mike Timoney in 2010."],"access_subjects_ssim":["Theater--United States."],"access_subjects_ssm":["Theater--United States."],"has_online_content_ssim":["false"],"extent_ssm":["67.5 linear feet (139 boxes)"],"extent_tesim":["67.5 linear feet (139 boxes)"],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\n\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"altformavail_html_tesm":["\u003cp\u003eSelections from the Robert Breen papers are also available in the \u003cextptr type=\"simple\" title=\"Robert Breen/ANTA digital collection\" show=\"new\" href=\"http://www.aladin0.wrlc.org/gsdl/collect/bren/bren.shtml\"\u003e\u003c/extptr\u003e.\n\u003c/p\u003e\n        ","\u003cp\u003eIn 2009 the audiotape reels in boxes 134-139 were converted to digital format and are available for use \nin the Special Collections and Archives reading room.\u003c/p\u003e\n      "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Selections from the Robert Breen papers are also available in the .","In 2009 the audiotape reels in boxes 134-139 were converted to digital format and are available for use \nin the Special Collections and Archives reading room."],"arrangement_html_tesm":["\u003cp\u003eOrganized alphabetically according to subject and topic.\n\u003c/p\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized alphabetically according to subject and topic."],"bioghist_html_tesm":["\u003cp\u003eIn the early 1930s, a small group of arts patrons from Philadelphia and New York began to act upon their conviction that Americans should have a national theater organization that would serve the American public better than Broadway, with its high ticket prices and limited touring policy. Under the leadership of Leopold Stokowski, and with the help of several influential supporters, they persuaded Congress to enact a federal charter for a national theater - a rare and significant authorization but for very few organizations such as the Smithsonian Institution, the Red Cross, and the Federal Reserve Bank. Signed by Franklin Roosevelt on July 3, 1935, the charter of The American National Theatre and Academy (ANTA) called for: A people's project, organized and conducted in their interest, free from commercialism, but with the firm intent of being as far as possible self-supporting. A national theatre should bring to the people throughout the country their heritage of the great drama of the past and the best of the present, which has been too frequently unavailable to them under existing conditions. Action on the new charter stalled for nearly a decade, however, with the creation of the WPA Federal Theatre Project, which provided Depression relief to theater artists from 1935 until 1939, and then the onset of World War II. Perhaps more to the point, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA.\u003c/p\u003e\n      ","\u003cp\u003eWhen the war ended, Robert Breen, a dynamic theater director, actor, and producer fresh out of the Army Air Corps, saw in ANTA the opportunity for his vision of a national theater. He persuaded a fellow veteran, Robert Porterfield, founder of the Barter Theatre in Abingdon, Virginia, to join him in his effort to devise and propose to the ANTA board a plan for a national theater supported by a foundation.\u003c/p\u003e\n      ","\u003cp\u003eIn 1946 the ANTA board voted to accept the Breen-Porterfield Foundation Plan and persuaded Robert Breen to serve as executive secretary of ANTA. To provide the organization with necessary expertise, the board was reconstituted to include prestigious theater professionals such as Brooks Atkinson, Cheryl Crawford, Paul Green, Moss Hart, Helen Hayes, Sam Jaffe, and Raymond Massey.\u003c/p\u003e\n      ","\u003cp\u003eRobert Breen and a small, dedicated team comprised mostly of volunteers set furiously to work in his own living quarters above the Hudson Theater on 44th Street. At his side was his co-worker and wife Wilva Davis Breen, who had been instrumental in promoting and guiding the ANTA plan to completion. Together, the two of them had established the Chicago unit of the Federal Theatre Project, an experience which convinced Breen that theater in America was in need of more than a temporary relief program.\u003c/p\u003e\n      ","\u003cp\u003eThus began a remarkable period in American theater that, with the infusion of ANTA support and energy, saw the revival of the Experimental Theatre in New York, the growth of regional and university theater programs, the encouragement of playwrights and performers, the broadcasting of quality dramatic presentations to millions of Americans on television in its fledgling years, and ground breaking cultural exchanges that warmed a Cold War world. \nInternationally, ANTA promoted artistic exchanges between the U.S. and Europe and entertainment for American troops serving abroad. It began in 1949 with a U.S. tour of Hamlet throughout Europe, culminating in a performance at Elsinore Castle in Denmark, the actual setting of the play. During the 1950s ANTA sponsored such projects as the American National Ballet Theatre's tour of Europe, and American participation in the Berlin Arts Festival in 1951. Productions showing different sides of life in America were played to European audiences. Among the many were the musicals Oklahoma and Porgy and Bess.  \n\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["In the early 1930s, a small group of arts patrons from Philadelphia and New York began to act upon their conviction that Americans should have a national theater organization that would serve the American public better than Broadway, with its high ticket prices and limited touring policy. Under the leadership of Leopold Stokowski, and with the help of several influential supporters, they persuaded Congress to enact a federal charter for a national theater - a rare and significant authorization but for very few organizations such as the Smithsonian Institution, the Red Cross, and the Federal Reserve Bank. Signed by Franklin Roosevelt on July 3, 1935, the charter of The American National Theatre and Academy (ANTA) called for: A people's project, organized and conducted in their interest, free from commercialism, but with the firm intent of being as far as possible self-supporting. A national theatre should bring to the people throughout the country their heritage of the great drama of the past and the best of the present, which has been too frequently unavailable to them under existing conditions. Action on the new charter stalled for nearly a decade, however, with the creation of the WPA Federal Theatre Project, which provided Depression relief to theater artists from 1935 until 1939, and then the onset of World War II. Perhaps more to the point, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA.","When the war ended, Robert Breen, a dynamic theater director, actor, and producer fresh out of the Army Air Corps, saw in ANTA the opportunity for his vision of a national theater. He persuaded a fellow veteran, Robert Porterfield, founder of the Barter Theatre in Abingdon, Virginia, to join him in his effort to devise and propose to the ANTA board a plan for a national theater supported by a foundation.","In 1946 the ANTA board voted to accept the Breen-Porterfield Foundation Plan and persuaded Robert Breen to serve as executive secretary of ANTA. To provide the organization with necessary expertise, the board was reconstituted to include prestigious theater professionals such as Brooks Atkinson, Cheryl Crawford, Paul Green, Moss Hart, Helen Hayes, Sam Jaffe, and Raymond Massey.","Robert Breen and a small, dedicated team comprised mostly of volunteers set furiously to work in his own living quarters above the Hudson Theater on 44th Street. At his side was his co-worker and wife Wilva Davis Breen, who had been instrumental in promoting and guiding the ANTA plan to completion. Together, the two of them had established the Chicago unit of the Federal Theatre Project, an experience which convinced Breen that theater in America was in need of more than a temporary relief program.","Thus began a remarkable period in American theater that, with the infusion of ANTA support and energy, saw the revival of the Experimental Theatre in New York, the growth of regional and university theater programs, the encouragement of playwrights and performers, the broadcasting of quality dramatic presentations to millions of Americans on television in its fledgling years, and ground breaking cultural exchanges that warmed a Cold War world. \nInternationally, ANTA promoted artistic exchanges between the U.S. and Europe and entertainment for American troops serving abroad. It began in 1949 with a U.S. tour of Hamlet throughout Europe, culminating in a performance at Elsinore Castle in Denmark, the actual setting of the play. During the 1950s ANTA sponsored such projects as the American National Ballet Theatre's tour of Europe, and American participation in the Berlin Arts Festival in 1951. Productions showing different sides of life in America were played to European audiences. Among the many were the musicals Oklahoma and Porgy and Bess."],"custodhist_html_tesm":["\u003cp\u003ePart of the Robert Breen collection was donated to Ohio State University. \u003c/p\u003e\n      "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Part of the Robert Breen collection was donated to Ohio State University."],"prefercite_html_tesm":["\u003cp\u003eRobert S. Breen papers, Collection #C0004, Special Collections and Archives, George Mason University.\n\u003c/p\u003e\n      "],"prefercite_tesim":["Robert S. Breen papers, Collection #C0004, Special Collections and Archives, George Mason University."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections and Archives Staff. EAD markup completed in February 2009 by Jordan Patty.\n\u003c/p\u003e\n      "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections and Archives Staff. EAD markup completed in February 2009 by Jordan Patty."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the Federal Theatre Project collection and the Arena Stage records.\n\u003c/p\u003e\n        ","\u003cp\u003eOhio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds extentsive materials on Porgy and Bess as well as other productions in the \u003cextptr type=\"simple\" title=\"Robert Breen collection\" show=\"new\" href=\"http://library.osu.edu/find/collections/theater-research-institute/personal-papers-and-special-collections/robert-breen-papers/\"\u003e\u003c/extptr\u003e.\n\u003c/p\u003e\n      "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds the Federal Theatre Project collection and the Arena Stage records.","Ohio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds extentsive materials on Porgy and Bess as well as other productions in the ."],"scopecontent_html_tesm":["\u003cp\u003eThe Robert Breen Theatre Collection is a primary source from which one may research the early beginnings of government support for the performing arts and the people responsible for them. It details the work of Robert Breen, the driving force behind the reformation of ANTA in 1946 and a staunch supporter of its eventual successor, the National Endowment for the Arts. The Robert Breen Theatre Collection aids in the gaining of a better understanding of the early operations of ANTA. Covering the years 1933-1980, it consists of working papers, correspondence, drafts, news clippings, scripts, photographs and other theatrical materials which document Breen's career with ANTA from 1944 to 1952. There are also almost 70 audiotapes with recordings of musical theatre and Breen dictating correspondence. The collection also reflects Breen's personal interests such as television, film, and political causes.\n\u003c/p\u003e\n    ","\u003cp\u003e1 - WIESBADEN ORCHESTRA; 3.75 IPS\n\t\u003c/p\u003e\n          ","\u003cp\u003e2\n\t\u003c/p\u003e\n          ","\u003cp\u003e3 - COPY OF TAPE FOR PETER FARROW FOR SEAN O'FEY\n\t\u003c/p\u003e\n          ","\u003cp\u003e4\n\t\u003c/p\u003e\n          ","\u003cp\u003e5\n\t\u003c/p\u003e\n          ","\u003cp\u003e6 - ACT II FROM LEGALIZE TO END\n\t\u003c/p\u003e\n          ","\u003cp\u003e7 - FROM BEGINNING OF SWANEE (RACIN FORMS[?]); 7.5 IPS\n\t\u003c/p\u003e\n          ","\u003cp\u003e8 - DICTATION OF CORRESPONDENCE\n\t\u003c/p\u003e\n          ","\u003cp\u003e9 - SIDE 1: IRENE AND W. W.; SIDE 2: PERSONAL PHONE CALLS\n\t\u003c/p\u003e\n          ","\u003cp\u003e10 - BRAHMS: SYMPHONY 2 IN D MAJOR / HAROLD ARLEN (CONJURE MAN) BLUES VOCAL AND PIANO\n\t\u003c/p\u003e\n          ","\u003cp\u003e11\n\t\u003c/p\u003e\n          ","\u003cp\u003e12 - RB PERSONAL WORK TAPE\n\t\u003c/p\u003e\n          ","\u003cp\u003e13 - STOP MY SHINING DREAM; I'LL WIND THIS WORLD; SEED STARS\n\t\u003c/p\u003e\n          ","\u003cp\u003e14 - WORK TAPE BLUES OPERA 2, HAROLD ARLEN REEL 2, FROM \"LOOKING FOR SOMEBODY\"; 7.5 IPS\n\t\u003c/p\u003e\n          ","\u003cp\u003e15 - CHORAL NY [RCHGZISZLS] BLOIS DE [ULVILLE] 238, 256; 3.75 IPS\n\t\u003c/p\u003e\n          ","\u003cp\u003e16 - PORGY AND BESS, COMPANY ZURICH SOUND TRACK\n\t\u003c/p\u003e\n          ","\u003cp\u003e17 - SIDE A: AMSTERDAM SOUND TRACK FOR 16MM FILMS; SIDE B: LAST HALF, CONTAINS ONLY 24 SECONDS OF AUDIO\u003c/p\u003e\n          ","\u003cp\u003e18 - INTERVIEW FOR RADIO LIBERATION, MUNICH HUTCH, MARCH 1956\n\t\u003c/p\u003e\n          ","\u003cp\u003e19 - BLEVINS AND ROBERT BREEN TELEPHONE CONVERSATION ON FILM RIGHTS AND BREEN DIRECTING A FILM WITH IRA GIRSHWIN; MUSIC: IRVING (SWIFTLY) LEZAR; SIDE B: ROBERT BREEN'S DICTATION OF MEMOS\n\t\u003c/p\u003e\n          ","\u003cp\u003e20\n\t\u003c/p\u003e\n          ","\u003cp\u003e21\n\t\u003c/p\u003e\n          ","\u003cp\u003e22\n\t\u003c/p\u003e\n          ","\u003cp\u003e23 - MISTITLED; TAPE ACTUALLY CONTAINS A MIX OF LATIN CHANTS AND HAROLD ARLEN SELECTIONS\n\t\u003c/p\u003e\n          ","\u003cp\u003e24 - VOICE OF AMERICA ARMED FORCES NETWORK; BREEN AND FULLER INTERVIEW, STUTTGART, REGARDING PORGY AND BESS; 7.5 IPS\n\t\u003c/p\u003e\n          ","\u003cp\u003e25A - 1 OF 3 \n\t\u003c/p\u003e\n          ","\u003cp\u003e25B - 2 OF 3 \n\t\u003c/p\u003e\n          ","\u003cp\u003e25C - 3 OF 3 \n\t\u003c/p\u003e\n          ","\u003cp\u003e26A - PART 1 OF 2; PORGY AND BESS TITAINIA PALEST; 1 7/8 IPS\n\t\u003c/p\u003e\n          ","\u003cp\u003e26B - PART 2 OF 2; PORGY AND BESS TITAINIA PALEST; 1 7/8 IPS\n\t\u003c/p\u003e\n          ","\u003cp\u003e27 - SCENE LIST AND OTHER DESCRIPTIONS ON TYPED PAGES IN BOX; TWO LOOSE PIECES OF TAPE IN BOX; RUNTIME: 1 HOUR 38 MINUTES; 3.75 IPS\n\t\u003c/p\u003e\n          ","\u003cp\u003e28 - SIDE A: 1. LIFE FULL OF CONSEQUENCES, 2. HI LO, JACK AND A GAME, 3. A MAN'S GOTTA FIGHT, 4. SOMETHIN YOU GOTTA FIND OUT YOSELF, 5. THAT'S MY OPINION, 6. I WONDER WHAT BECAME OF ME, 7. RACIN FORMS, 8. SOW THE SEED AND REAP THE HARVEST, 9. LIMERICKS SIDE II: 1. ACCENTUATE THE POSITIVE, 2. LUCK COMING DOWN, 3. PAPER MOON, 4. ONE FOR THE ROAD, A SLEEPIN BEE, 5. COME RAIN OR COME SHINE, IVE GOT THE WORLD ON A STRING\n\t\u003c/p\u003e\n          ","\u003cp\u003e29 - PIANO AND MALE VOICE\n\t\u003c/p\u003e\n          ","\u003cp\u003e30\n\t\u003c/p\u003e\n          ","\u003cp\u003e31 - LABEL INDICATES P AND B PERF, TAPE ACT II ONLY. CAB CALLOWAY STILL IN CAST ONLY CLUE TO DATE I.E. GENERAL. FOUND IN FILE CABINET 11-17-1956 BY RB\n\t\u003c/p\u003e\n          ","\u003cp\u003e32 - LABEL READS BEGIN NONE OF FINAL SCENE ACT II\n\t\u003c/p\u003e\n          ","\u003cp\u003e34 - 7.5 IPS\n\t\u003c/p\u003e\n          ","\u003cp\u003e35\n\t\u003c/p\u003e\n          ","\u003cp\u003e36A\n\t\u003c/p\u003e\n          ","\u003cp\u003e36B\n\t\u003c/p\u003e\n          ","\u003cp\u003e37 - 7.5 IPS\n\t\u003c/p\u003e\n          ","\u003cp\u003e38 - REEL IS LABELED: ARLEN - SOBEL WABC, 6 SONGS DUBBED FROM ELLIOTT [ARTS RECORDER] ON BACK: ARLEN SPECIAL 6-26-59 6 NATURAL MAN, RIDIN MOON, CAKEWALK, PEACEFUL, WORK HARD, MANY KINDS LOVE - 3.75 IPS\n\t\u003c/p\u003e\n          ","\u003cp\u003e39\n\t\u003c/p\u003e\n          ","\u003cp\u003e33 - 10\" REEL 1/2 TRACK STEREO; 15 IPS\n\t\u003c/p\u003e\n          ","\u003cp\u003e40 - WORK TAPE BLUES OPERA 3 ON FRONT OF BOX. ON BACK OF BOX: SONG LIST: OLD [?] TREAT YOU BAD, SLEEP PEACEFUL, TRUE LOVE, SOW SEED, CROSS THE RIVER, PIANO, I'LL WIND, RACIN FORM, BETTING FUGUE, ACCENTUATE, SUPPOSE HE LOSE, ROCK BOTTOM, EASY STREET, RACE, CHAPAIGN FO' THE LADY, HI - LOW JACK, LUCK JUST SO DOWN, WONDER WHAT BECAME, SOMETHING YOU GOTTA, ONE FOR MY BABY, BLUES IN NIGHT, LEAVIN TIME, COME RAIN OR, THIS MOMENT, [?] TIME [?] \n\t\u003c/p\u003e\n          ","\u003cp\u003e41 - WORK TAPE BLUES OPERA 1 ON FRONT OF BOX\n\t\u003c/p\u003e\n          ","\u003cp\u003e42 - COPY OF TAPE FOR PETER FARROW FOR SEAN O'FEY\n\t\u003c/p\u003e\n          ","\u003cp\u003e43 - NBC DISCUSSION LEON PEARSON (MODERATOR) JEAN DALRYMPLE, DAVID MERRICK, ROBERT BREEN\n\t\u003c/p\u003e\n          ","\u003cp\u003e44\n\t\u003c/p\u003e\n          ","\u003cp\u003e45\n\t\u003c/p\u003e\n          ","\u003cp\u003e46 - GREEN BOX MARKED: \"QUINCY JONES\" ALSO MARKED: FREE AND EASY CONVERSATION NEWS IRENE (FREE AND EASY)\n\t\u003c/p\u003e\n          ","\u003cp\u003e47 - BACK OF BOX READS: KURT WEILL SEVEN DEEADLY SINS - MUNUET 3X, - HOWDY DO TO YOU - LEADING TO TURNS 1) SOFT SHOE 2X  3) GENTEEL 2X 6) BLUES 2X *ANOTHER TURN WE HAD - AND NOT CONTEMPLATEDUSING, BUT PERHAPS THE MUSIC FIT SOME OTHER TURN.\n\t\u003c/p\u003e\n          ","\u003cp\u003e48 - INSIDE OF BOX IS A TYPEWRITTEN PAGE WITH SOME HANDWRITTEN NOTES\n\t\u003c/p\u003e\n          ","\u003cp\u003e49 - GREENISH PAPER TAPED TO FRONT OF BOX READS: ACT II NOTES SIDE #2 MAY 30, 1959 4-17-59 STANLEY CHASE NOTES. BACK OF BOX READS: BLUES STANLEY CHASE NOTES APRIL 17 - MAY 30, 1959 ACT I SIDE 1, ACT II (SIDE) 2\n\t\u003c/p\u003e\n          ","\u003cp\u003e50 - RED MARKING PENCIL ON ONE SIDE OF REEL: 3\n\t\u003c/p\u003e\n          ","\u003cp\u003e51 - PAPER INSIDE OF BOX READS: 9-17-55 TV NOTES RB SHUFTAN / RB \n\t\u003c/p\u003e\n          ","\u003cp\u003e52 - DECALS ON SIDE 1 OF TAPE READ: (TOP) DICTATION OF R.B. ORIENT TOUR 1955? TO HELLEN - LA SCALLA TICKETS FOR BLEVINS, TO WILVA - COMPLAIN [?] FROM [?] YUGOSLAVIA, TO LEONARD FIELD - MUSICIAN'S REHEARSALS (BOTTOM) DICTATION TO TOM MARTIN - ABOUT PARIS [?], ILYA MERN [?] (VENICE)\n\t\u003c/p\u003e\n          ","\u003cp\u003e53\n\t\u003c/p\u003e\n          ","\u003cp\u003e54 - BACK TO TAPE READS: REV JOHNSON'S DREAM [?] BLUES. OTHER TITLES ARE CROSSED OUT; 7.5 IPS\n\t\u003c/p\u003e\n          ","\u003cp\u003e55 - BLUE TYPEWRITTEN PAPER INSIDE BOX CONTAINS SONG LIST AND COUNTER NUMBERS READS: TAPE II ACT II SCENE 1: PUT EVERY DOLLAR, TRUE LOVE, RIGHT ANSWER, TOP OF THE WORLD, RAIN OR SHINE, LEGALIZE MY NAME, LULLABY, CHINQUAPIN BUSH, WHAT YA SAYIN BIGELOW (RED WAGON) KILLING SEQUENCE, CURSE, SLEEP PEACEFUL, OL BIGELOW TREAT YOU BAD, SOW THE SEED, DIS LIL WHILE.  ACT II SCENE II: RACING FORMS, SNAKE EYES, ACCENTUATE, SUPPOSE WE LOSE (EASY STREET) CHAMPAGNE FOR THE LADY, 9RACE ** 570), HIGH LOW JACK AND THE GAME, LUCK JUST GO DOWN, SOMETHING YOU GOTTA FIND OUT YRSLF, WHERE IS THIS ROAD A LEADIN YOU TO, RIDIN ON THE MOON, LEAVING TIME\n\t\u003c/p\u003e\n          ","\u003cp\u003e56 - NOTE INSIDE BOX READS: FALL 1954 RE: BOOKING MID EAST TOUR (STATE DEPARTMENT) ON SIDE I ONLY - 2 CONVOS LATER[?] RB + R. SCHNITZER; 7.5 IPS\u003c/p\u003e\n          ","\u003cp\u003e57 - NOTE ON TOP OF BOX READS: FREE AND EASY AMSTERDAM APPROX DEC 15, 1959 UNEDITED; 3.75 IPS\n\t\u003c/p\u003e\n          ","\u003cp\u003e58 - NOTE INSIDE BOX READS: MARCH 29, 56 STANLEY MEYER TO RB RE RB DIRECTING Pand B FILM MARCH 31, 1956 RB TO STANLEY MEYER\n\t\u003c/p\u003e\n          ","\u003cp\u003e59\n\t\u003c/p\u003e\n          ","\u003cp\u003e60 - EDITED BACK OF BOX READS: (H. ARLEN) FREE and  EASY (BLUES OPERA) DEC 59 SIDES 1 and  2 (SNATCHES) (RECORDED FROM SMALL PROPERTY ROOM - BACKSTAGE CARRE THEATRE - AMSTERDAM DEC 1959 - DURING REHEARSING and  ONE \"PREVIEW\" SIDE #1 - 65 MINUTES, SIDE #2 - 69 MINUTES; 3.75 IPS\n\t\u003c/p\u003e\n          ","\u003cp\u003e61\n\t\u003c/p\u003e\n          ","\u003cp\u003e62\n\t\u003c/p\u003e\n          ","\u003cp\u003e63 - LOW QUALITY RECORDING\n\t\u003c/p\u003e\n          ","\u003cp\u003e64 - STICKER ON REEL READS: SEPTEMBER 24, 1955 CALL FROM MR. BLAKE (STATE) TO RB ? ?, RUSSIA LETTERS TO CITY ? TO SCHNITZER, TO IEP (?) EXCELLENT\n\t\u003c/p\u003e\n          ","\u003cp\u003e65\n\t\u003c/p\u003e\n          ","\u003cp\u003e66\n\t\u003c/p\u003e\n          ","\u003cp\u003e67\n\t\u003c/p\u003e\n          ","\u003cp\u003e44 cassette audiotapes of interviews with and about Robert Breen. Subjects include ANTA, Porgy and Bess, and the Federal Theatre Project. Mike Davis was involved with most of the recordings. Accession 2011-001\n\t\u003c/p\u003e\n          ","\u003cp\u003e30 black and white photographic prints of Robert Breen and his 1952 production of Porgy and Bess, including a photograph of Cab Calloway. Some of the photographs are of Robert Breen from 1986.  There are also 14 color slides of Robert Breen and Wilva Breen taken in 1986. Also, included are programs for the 1949 Hamlet production at Kronborg Castle in Elsinore, Denamrk, Hamlet theatre cards, and newsletters and clippings. Accession 2011-002\n\t\u003c/p\u003e\n          "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Robert Breen Theatre Collection is a primary source from which one may research the early beginnings of government support for the performing arts and the people responsible for them. It details the work of Robert Breen, the driving force behind the reformation of ANTA in 1946 and a staunch supporter of its eventual successor, the National Endowment for the Arts. The Robert Breen Theatre Collection aids in the gaining of a better understanding of the early operations of ANTA. Covering the years 1933-1980, it consists of working papers, correspondence, drafts, news clippings, scripts, photographs and other theatrical materials which document Breen's career with ANTA from 1944 to 1952. There are also almost 70 audiotapes with recordings of musical theatre and Breen dictating correspondence. The collection also reflects Breen's personal interests such as television, film, and political causes.","1 - WIESBADEN ORCHESTRA; 3.75 IPS","2","3 - COPY OF TAPE FOR PETER FARROW FOR SEAN O'FEY","4","5","6 - ACT II FROM LEGALIZE TO END","7 - FROM BEGINNING OF SWANEE (RACIN FORMS[?]); 7.5 IPS","8 - DICTATION OF CORRESPONDENCE","9 - SIDE 1: IRENE AND W. W.; SIDE 2: PERSONAL PHONE CALLS","10 - BRAHMS: SYMPHONY 2 IN D MAJOR / HAROLD ARLEN (CONJURE MAN) BLUES VOCAL AND PIANO","11","12 - RB PERSONAL WORK TAPE","13 - STOP MY SHINING DREAM; I'LL WIND THIS WORLD; SEED STARS","14 - WORK TAPE BLUES OPERA 2, HAROLD ARLEN REEL 2, FROM \"LOOKING FOR SOMEBODY\"; 7.5 IPS","15 - CHORAL NY [RCHGZISZLS] BLOIS DE [ULVILLE] 238, 256; 3.75 IPS","16 - PORGY AND BESS, COMPANY ZURICH SOUND TRACK","17 - SIDE A: AMSTERDAM SOUND TRACK FOR 16MM FILMS; SIDE B: LAST HALF, CONTAINS ONLY 24 SECONDS OF AUDIO","18 - INTERVIEW FOR RADIO LIBERATION, MUNICH HUTCH, MARCH 1956","19 - BLEVINS AND ROBERT BREEN TELEPHONE CONVERSATION ON FILM RIGHTS AND BREEN DIRECTING A FILM WITH IRA GIRSHWIN; MUSIC: IRVING (SWIFTLY) LEZAR; SIDE B: ROBERT BREEN'S DICTATION OF MEMOS","20","21","22","23 - MISTITLED; TAPE ACTUALLY CONTAINS A MIX OF LATIN CHANTS AND HAROLD ARLEN SELECTIONS","24 - VOICE OF AMERICA ARMED FORCES NETWORK; BREEN AND FULLER INTERVIEW, STUTTGART, REGARDING PORGY AND BESS; 7.5 IPS","25A - 1 OF 3","25B - 2 OF 3","25C - 3 OF 3","26A - PART 1 OF 2; PORGY AND BESS TITAINIA PALEST; 1 7/8 IPS","26B - PART 2 OF 2; PORGY AND BESS TITAINIA PALEST; 1 7/8 IPS","27 - SCENE LIST AND OTHER DESCRIPTIONS ON TYPED PAGES IN BOX; TWO LOOSE PIECES OF TAPE IN BOX; RUNTIME: 1 HOUR 38 MINUTES; 3.75 IPS","28 - SIDE A: 1. LIFE FULL OF CONSEQUENCES, 2. HI LO, JACK AND A GAME, 3. A MAN'S GOTTA FIGHT, 4. SOMETHIN YOU GOTTA FIND OUT YOSELF, 5. THAT'S MY OPINION, 6. I WONDER WHAT BECAME OF ME, 7. RACIN FORMS, 8. SOW THE SEED AND REAP THE HARVEST, 9. LIMERICKS SIDE II: 1. ACCENTUATE THE POSITIVE, 2. LUCK COMING DOWN, 3. PAPER MOON, 4. ONE FOR THE ROAD, A SLEEPIN BEE, 5. COME RAIN OR COME SHINE, IVE GOT THE WORLD ON A STRING","29 - PIANO AND MALE VOICE","30","31 - LABEL INDICATES P AND B PERF, TAPE ACT II ONLY. CAB CALLOWAY STILL IN CAST ONLY CLUE TO DATE I.E. GENERAL. FOUND IN FILE CABINET 11-17-1956 BY RB","32 - LABEL READS BEGIN NONE OF FINAL SCENE ACT II","34 - 7.5 IPS","35","36A","36B","37 - 7.5 IPS","38 - REEL IS LABELED: ARLEN - SOBEL WABC, 6 SONGS DUBBED FROM ELLIOTT [ARTS RECORDER] ON BACK: ARLEN SPECIAL 6-26-59 6 NATURAL MAN, RIDIN MOON, CAKEWALK, PEACEFUL, WORK HARD, MANY KINDS LOVE - 3.75 IPS","39","33 - 10\" REEL 1/2 TRACK STEREO; 15 IPS","40 - WORK TAPE BLUES OPERA 3 ON FRONT OF BOX. ON BACK OF BOX: SONG LIST: OLD [?] TREAT YOU BAD, SLEEP PEACEFUL, TRUE LOVE, SOW SEED, CROSS THE RIVER, PIANO, I'LL WIND, RACIN FORM, BETTING FUGUE, ACCENTUATE, SUPPOSE HE LOSE, ROCK BOTTOM, EASY STREET, RACE, CHAPAIGN FO' THE LADY, HI - LOW JACK, LUCK JUST SO DOWN, WONDER WHAT BECAME, SOMETHING YOU GOTTA, ONE FOR MY BABY, BLUES IN NIGHT, LEAVIN TIME, COME RAIN OR, THIS MOMENT, [?] TIME [?]","41 - WORK TAPE BLUES OPERA 1 ON FRONT OF BOX","42 - COPY OF TAPE FOR PETER FARROW FOR SEAN O'FEY","43 - NBC DISCUSSION LEON PEARSON (MODERATOR) JEAN DALRYMPLE, DAVID MERRICK, ROBERT BREEN","44","45","46 - GREEN BOX MARKED: \"QUINCY JONES\" ALSO MARKED: FREE AND EASY CONVERSATION NEWS IRENE (FREE AND EASY)","47 - BACK OF BOX READS: KURT WEILL SEVEN DEEADLY SINS - MUNUET 3X, - HOWDY DO TO YOU - LEADING TO TURNS 1) SOFT SHOE 2X  3) GENTEEL 2X 6) BLUES 2X *ANOTHER TURN WE HAD - AND NOT CONTEMPLATEDUSING, BUT PERHAPS THE MUSIC FIT SOME OTHER TURN.","48 - INSIDE OF BOX IS A TYPEWRITTEN PAGE WITH SOME HANDWRITTEN NOTES","49 - GREENISH PAPER TAPED TO FRONT OF BOX READS: ACT II NOTES SIDE #2 MAY 30, 1959 4-17-59 STANLEY CHASE NOTES. BACK OF BOX READS: BLUES STANLEY CHASE NOTES APRIL 17 - MAY 30, 1959 ACT I SIDE 1, ACT II (SIDE) 2","50 - RED MARKING PENCIL ON ONE SIDE OF REEL: 3","51 - PAPER INSIDE OF BOX READS: 9-17-55 TV NOTES RB SHUFTAN / RB","52 - DECALS ON SIDE 1 OF TAPE READ: (TOP) DICTATION OF R.B. ORIENT TOUR 1955? TO HELLEN - LA SCALLA TICKETS FOR BLEVINS, TO WILVA - COMPLAIN [?] FROM [?] YUGOSLAVIA, TO LEONARD FIELD - MUSICIAN'S REHEARSALS (BOTTOM) DICTATION TO TOM MARTIN - ABOUT PARIS [?], ILYA MERN [?] (VENICE)","53","54 - BACK TO TAPE READS: REV JOHNSON'S DREAM [?] BLUES. OTHER TITLES ARE CROSSED OUT; 7.5 IPS","55 - BLUE TYPEWRITTEN PAPER INSIDE BOX CONTAINS SONG LIST AND COUNTER NUMBERS READS: TAPE II ACT II SCENE 1: PUT EVERY DOLLAR, TRUE LOVE, RIGHT ANSWER, TOP OF THE WORLD, RAIN OR SHINE, LEGALIZE MY NAME, LULLABY, CHINQUAPIN BUSH, WHAT YA SAYIN BIGELOW (RED WAGON) KILLING SEQUENCE, CURSE, SLEEP PEACEFUL, OL BIGELOW TREAT YOU BAD, SOW THE SEED, DIS LIL WHILE.  ACT II SCENE II: RACING FORMS, SNAKE EYES, ACCENTUATE, SUPPOSE WE LOSE (EASY STREET) CHAMPAGNE FOR THE LADY, 9RACE ** 570), HIGH LOW JACK AND THE GAME, LUCK JUST GO DOWN, SOMETHING YOU GOTTA FIND OUT YRSLF, WHERE IS THIS ROAD A LEADIN YOU TO, RIDIN ON THE MOON, LEAVING TIME","56 - NOTE INSIDE BOX READS: FALL 1954 RE: BOOKING MID EAST TOUR (STATE DEPARTMENT) ON SIDE I ONLY - 2 CONVOS LATER[?] RB + R. SCHNITZER; 7.5 IPS","57 - NOTE ON TOP OF BOX READS: FREE AND EASY AMSTERDAM APPROX DEC 15, 1959 UNEDITED; 3.75 IPS","58 - NOTE INSIDE BOX READS: MARCH 29, 56 STANLEY MEYER TO RB RE RB DIRECTING Pand B FILM MARCH 31, 1956 RB TO STANLEY MEYER","59","60 - EDITED BACK OF BOX READS: (H. ARLEN) FREE and  EASY (BLUES OPERA) DEC 59 SIDES 1 and  2 (SNATCHES) (RECORDED FROM SMALL PROPERTY ROOM - BACKSTAGE CARRE THEATRE - AMSTERDAM DEC 1959 - DURING REHEARSING and  ONE \"PREVIEW\" SIDE #1 - 65 MINUTES, SIDE #2 - 69 MINUTES; 3.75 IPS","61","62","63 - LOW QUALITY RECORDING","64 - STICKER ON REEL READS: SEPTEMBER 24, 1955 CALL FROM MR. BLAKE (STATE) TO RB ? ?, RUSSIA LETTERS TO CITY ? TO SCHNITZER, TO IEP (?) EXCELLENT","65","66","67","44 cassette audiotapes of interviews with and about Robert Breen. Subjects include ANTA, Porgy and Bess, and the Federal Theatre Project. Mike Davis was involved with most of the recordings. Accession 2011-001","30 black and white photographic prints of Robert Breen and his 1952 production of Porgy and Bess, including a photograph of Cab Calloway. Some of the photographs are of Robert Breen from 1986.  There are also 14 color slides of Robert Breen and Wilva Breen taken in 1986. Also, included are programs for the 1949 Hamlet production at Kronborg Castle in Elsinore, Denamrk, Hamlet theatre cards, and newsletters and clippings. Accession 2011-002"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\n\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe papers are comprised of records generated by Robert Breen and his wife Wilva Breen. The collection documents Robert Breen's work in the theater as an actor, director, and producer.  The bulk of the collection relates to Breen's work as Executive Director for the American National Theater and Academy.\n\u003c/abstract\u003e\n    "],"abstract_tesim":["The papers are comprised of records generated by Robert Breen and his wife Wilva Breen. The collection documents Robert Breen's work in the theater as an actor, director, and producer.  The bulk of the collection relates to Breen's work as Executive Director for the American National Theater and Academy."],"corpname_ssim":["George Mason University.\nSpecial Collections and Archives.","ANTA (Organization)"],"persname_ssim":["Robert S. Breen","Breen, Robert S."],"names_ssim":["George Mason University.\nSpecial Collections and Archives.","ANTA (Organization)","Robert S. Breen","Breen, Robert S."],"language_ssim":["English."],"total_component_count_is":1398,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:56:48.151Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_vifgm00039"}},{"id":"vifgm_vifgm00021","type":"collection","attributes":{"title":"Works Progress Administration oral histories collection, 1961/1984","creator":{"id":"https://arvasarchive.org/catalog/vifgm_vifgm00021#creator","type":"document_value","attributes":{"value":"George Mason University. Institute on the Federal Theatre Project and New Deal Culture","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_vifgm00021#abstract_or_scope","type":"document_value","attributes":{"value":" This compilation describes oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. ","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_vifgm00021#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_vifgm00021","ead_ssi":"vifgm_vifgm00021","_root_":"vifgm_vifgm00021","_nest_parent_":"vifgm_vifgm00021","ead_source_url_ssi":"data/gmu/vifgm00021.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["Works Progress Administration oral histories collection"],"title_tesim":["Works Progress Administration oral histories collection"],"unitdate_ssm":["1961-1984"],"unitdate_inclusive_ssm":["1961-1984"],"normalized_date_ssm":["1961/1984"],"normalized_title_ssm":["Works Progress Administration oral histories collection, 1961/1984"],"text":["Works Progress Administration oral histories collection, 1961/1984","C0153","Acting.","Dance--United States.","New Deal, 1933-1939.","Theater--United States.","Collection is open to research.","This collection is arranged alphabetically by last name of interviewee.","Artist, NY. Permission to quote over 100 words\n                  required.","The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture.","Processed by Special Collections and Archives staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009.","In 2009, staff discovered that a number of the interviews listed in the finding aid were not actually located in the boxes. Those interview names are still included in alphabetical order in the finding aid, but they are unnumbered signifying that no folder exists.","Special Collections and Archives also holds the .","This compilation describes oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.","The interviews (transcripts and tapes) are arranged in alphabetical order by the subject's last name. The date of the interview is included along with the type of work or position held by the interviewee during the 1930s, with the location when known. The name of the interviewer(s) follows. In some cases a notation is made indicating that an interview is untaped. If the interview was a joint one, this information is noted. The type of media available (abstract, letter, notes, tape, and/or transcript)is then listed along with the number of pages or minutes of each type. Restrictions that may apply to certain interviews is the last information in an entry.","List of Abbreviations:","CCC - Civilian Conservation Corps, FAP - Federal Art Project, FERA - Federal Emergency Relief Administration, FMP - Federal Music Project, FTP - Federal Theatre Project, FWP - Federal Writers Project, GSA - General Services Administration, NYA - National Youth Administration, SECT - Section of Painting and Sculpture, WPA - Works Projects Adminstration","Widow of playwright Hughes Allison, whose work was\n                  produced by FTP.","Stage manager and director with the Negro unit,\n                  NYC FTP.","Costume designer with SF FTP.","Actress who auditioned for Negro Unit, NYC\n                  FTP.","Composer and director, SF FMP.","Technician, marionette artist, and actor with the\n                  Classical unit, NYC FTP.","Conductor, FMP's Virginia Symphony Orchestra and\n                  North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with NYC\n                  Federal Dance Theatre.","Dancer with the Negro unit, NYC FTP. Closed\n                  pending release.","Administrative director of the NYC FTP.","Administrative director of the NYC FTP.","Dancer with Federal Dance Project, NYC.","Worked with the Radio Division of FTP. This is an\n                  untaped interview.","Stage manager with the Manhattan City Projects,\n                  NYC.","Dancer and actor with NYC FTP units.","Set designer for various NYC FTP productions.","Son-in-law of Hallie Flanagan; writer and critic\n                  of modern drama.","Step-daughter of Hallie Flanagan. Closed pending\n                  release.","Artist, muralist. Unidentified interviewer may\n                  have residual rights to interview.","Actor with Children's Theatre and Living Newspaper\n                  units of NYC FTP.","Writer who worked with the National Play Bureau,\n                  NYC FTP. Restricted during interviewee's\n                  lifetime.","Novelist, film writer, journalist, NYC, LA.\n                  Approval of Sylviane Bessie required.","Costume designer with SF FTP.","Administrator with NYC FTP Radio Division; also\n                  worked as publicist with NYC FTP. This is an untaped\n                  interview.","Composer, musician; wrote Swing It for NYC FTP.\n                  Closed pending release.","Playwright whose play, Battle Hymn, written with\n                  Michael Gold, was produced by various FTP units.","Artist, muralist with NYC FAP. Permission for\n                  publication required.","[see Bolton, Philip.]","Son of Harold (director and choreographer with NYC\n                  FTP) and Rhoda Rammelkamp Bolton (costume designer,\n                  NYC FTP). This is an untaped interview.","[see Bolton, Philip.]","Costume designer with NYC FTP.","Director of Play Bureau; in charge of exhibits;\n                  head of Play Reading Bureau within the National\n                  Office of FTP.","Actor with LA FTP. This is an untaped\n                  interview.","Director and actor with Chicago FTP.","Director and actress with Chicago FTP.","Actor with LA FTP.","Director of marionette unit of LA FTP.","Artist with FAP. Permission for publication\n                  required.","Playwright whose work was produced by Seattle FTP;\n                  also a writer with Boston FTP.","Actor with Children's unit of NYC FTP.","Sound technician with Living Newspaper unit of NYC\n                  FTP.","Publicist with NYC FTP.","Artist, muralist with FAP. Closed pending\n                  release.","Playwright whose work, Reward, was produced by the\n                  Tampa FTP. Closed during Fernando Mesa's\n                  lifetime.","Director of Lafayette Theatre's Negro unit of NYC\n                  FTP. This is an untaped interview.","Personnel administrator with NYC and Florida FTP\n                  units.","Artist, administrator with Ohio FAP. Permission\n                  with interviewer required for publication.","Actor, stage manager with Portland, OR FTP. Closed\n                  during interviewee's lifetime.","Playwright whose work was produced by Denver\n                  FTP.","Publicist with Federal Dance Theatre, NYC FTP.\n                  Closed pending release.","Writer and theater critic. Closed pending\n                  release.","Director of marionette units, SF and LA FTP;\n                  costume designer.","Director of marionette units, SF and LA FTP;\n                  costume designer.","Choreographer and dancer with Federal Dance\n                  Project, NYC FTP.","Artist with the Illinois and District of Columbia\n                  FAP. Permission of interviewer required for\n                  publication.","See Schnitzer, Marcella Cisney.","With Children's Theatre unit, NYC FTP.","Theatrical director with Experimental and\n                  Children's units, NYC FTP.","Assistant stage manager with Classical unit, NYC\n                  FTP.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, NYC FTP.","Director of Play Bureau, NYC FTP. Closed until\n                  completion of dissertation.","District supervisor with SF FTP.","Supervisor of Copyists unit of Philadelphia FMP;\n                  conductor of Philadelphia Orchestra.","Director of Negro unit, Boston FTP. Permission to\n                  quote required.","Director of Negro unit, Boston FTP.","Playwright whose works were produced by various\n                  FTP units.","Actor with NYC FTP.","Actor with Classical unit,NYC FTP.","Playwright whose work, Swamp Mud, was produced in\n                  Birmingham, AL.","WPA administrative assistant and secretary,\n                  Washington, D.C. and NY. Closed pending release.","Sculptor with FAP. Permission of interviewer\n                  required for publication.","Administrative assistant to Ellen Woodward, WPA's\n                  head of Woman's and Professional Division,\n                  Washington, D.C. FTP. This is an untaped\n                  interview.","Actress with Roslyn, NY unit of FTP.","Actress, dancer, playwright, and marionette\n                  manipulator with SF FTP.","Actor and director with Radio Division, NYC\n                  FTP.","Worked with various productions of FTP in\n                  California. Permission of interviewer required for\n                  publication.","Actor with the Roslyn, NY FTP unit.","Writer with Radio Division, NYC FTP.","Finance administrator, WPA arts projects,\n                  Washington, D.C.","Actor with Popular Price Theatre, NYC FTP. Closed\n                  pending release.","Music director with the Negro unit, NYC FTP.","Dancer and choreographer with the dance unit, NYC\n                  FTP.","Dancer with the dance unit, NYC FTP.","Play adapter and choreographer with Classical\n                  unit, NYC FTP.","Assistant to Hallie Flanagan at Smith College;\n                  playwright.","Playwright with Chicago FTP. Permission to quote\n                  over 100 words required.","Assistant stage manager with Negro unit, NYC\n                  FTP.","Worked in Herbert Hoover's and Harry Hopkins's\n                  press offices.","Student of Hallie Flanagan; expert in children's\n                  theater.","Director of Vaudeville unit, Los Angeles, FTP.\n                  Closed pending release.","Set designer with the Roslyn, NY unit of the\n                  FTP.","Actress with the Children's Theatre, NYC FTP.","Set designer with the Los Angeles FTP.","Actress with the Los Angeles FTP.","Musical composer and director with various units,\n                  NYC FMP and FTP.","Musical composer and director with various units,\n                  NYC FMP and FTP.","Director of Negro unit and Children's unit,\n                  Chicago, FTP. Closed pending release.","Director of Southwest Experimental unit, Los\n                  Angeles FTP.","Administrative assistant to Hallie Flanagan,\n                  national office, FTP.","Director, Midwest FTP; administrator for Federal\n                  Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical\n                  units, NYC FTP. Closed pending release.","Brother of Hallie Flanagan. This is an untaped\n                  interview.","Administrator with the National Play Bureau;\n                  playwright, play reader, NYC FTP.","Director of Miami unit, FTP.","Actor with SF FTP","Actress with the Classical unit, NYC FTP","Actor with Children's Theatre, NYC FTP","Writer with Radio Division, Illinois Writers'\n                  Project","Producer and Theatrical Director, NYC FTP","Wife of Ralph Freud, theatrical director and actor\n                  with LA FTP","Wife of Ralph Freud, theatrical director and actor\n                  with LA FTP.","Theatrical director and actor with LA and SF\n                  FTP.","Playwright and technical assistant with the\n                  Detroit FTP.","Composer; accompanist with Dance Project, LA\n                  FTP.","Dancer and assistant to Doris Humphrey with the\n                  Dance Project, NYC FTP.","Actor, NYC FTP.","Writer and Publicist with FWP and the Negro unit,\n                  NYC FTP; play reader with FTP Play Bureau. Closed\n                  pending release.","Dancer with the Dance Project, NYC FTP","Actor and founder of Chicago Repertory Group,\n                  1933.","Administrator, Bureau of research and Publications\n                  of FTP.","Administrator, Bureau of Research and Publications\n                  of FTP.","Actor with the Chicago FTP.","Dancer with the Chicago FTP.","Actress and dancer with the Vaudeville unit, LA\n                  FTP","Actor with the LA FTP; director with the Seattle\n                  FTP.","State director of the Illinois FMP.","Publicist with NYC FTP; director, Department of\n                  Information, FTP.","Designer, theater historian; critic.","Theatrical director with the Atlanta, Tampa, and\n                  Chicago units of the FTP.","Theatrical director with the Atlanta, Tampa, and\n                  Chicago units of the FTP.","Playwright, some of whose works were produced by\n                  various FTP units.","Musical director with the LA and SF FTP.\n                  Permission to quote more than 100 words required.","Musical director with the LA and SF FTP.Closed\n                  until 1996; or permission of interviewee.","Art director with the Atlanta FTP.","Staff composer and arranger with FTP.","Stage manager and publicity director with the\n                  Living Newspaper unit, NYC FTP.","Writer and researcher with the Living Newspaper\n                  unit, NYC FTP.","Play reader and playwright with the NYC FTP.\n                  Permission required for commercial use.","Play reader and playwright with the NYC FTP. Closed\n                  pending release.","Muralist with the FAP and SECT in NY and Ohio.\n                  Permission of interviewer required for\n                  publication.","Writer, critic, producer, designer with the NY\n                  theaters i the 1930s.","Producer and administrator with the Negro and\n                  Classical units, NYC FTP.","Participated in the Resettlement\n                  Administration.","Son of Edith Isaacs, editor of Theatre Arts\n                  Magazine; friend of FTP. This is an untaped\n                  interview.","Lighting designer with the LA FTP. This is an\n                  untaped interview.","Theatrical director familiar with the LA and NYC\n                  FTP.","Publicist and promotion officer with the NYC\n                  FTP.","Director of information with the NYC FMP.","Actor with the SF FTP.","Songwriter and composer with the NYC FTP.","Choreographer and dancer with the Dance Project,\n                  LA FTP.","Actress with the San Bernardino/Riverside and LA\n                  FTP.","Stagehand with the NYC FTP.Closed pending\n                  release.","Playwright with the NYC FTP.","Administrative director, Chicago and NYC FTP.","Concertmaster of the Grand Rapids, MI FTP\n                  orchestra.","Stage manager, administrator, theatrical director\n                  with the FTP in NYC, Washington, D.C., and Seattle,\n                  WA.","Stage manager, administrator, theatrical director\n                  with the FTP in NYC, Washington, D.C., and Seattle,\n                  WA.","Playwright whose works were produced by the NYC\n                  FTP. Closed pending release.","Actress with the SF and Oakland FTP. This is an\n                  untaped interview.","Dancer with the Dance Project, NYC FTP.","Actress with the Classical unit, NYC FTP.","Administrator with the National Service Bureau of\n                  the FTP.","Director, National Service Bureau of the FTP.","Director of Bureau of Research and Publication,\n                  NYC FTP.Bound with the 1-4-76 transcript.","Director of Bureau of Research and Publication,\n                  NYC FTP.Bound with the 1-3-76 transcript.","Actress with the Negro unit, NYC FTP. Closed\n                  during interviewee's lifetime.","Puppeteer with the Marionette Project, NYC\n                  FTP.Closed during lifetime.","Publicist with NYC and Chicago FTP. Interview not\n                  to be used for gain or profit without the consent of\n                  the interviewee.","Actor with the several units of the NYC FTP.","Lyricist whose work was featured in the NYC FTP\n                  production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta\n                  FTP.Permission for use required during Mr. Lentz's\n                  lifetime.","Actor with NYC FTP.","Set designer with NYC FTP.","Playwright whose Model Tenements was produced by\n                  the Chicago FTP.","Dancer with the Dance Project, LA FTP.","Teacher and conductor with NYC FMP. Closed during\n                  interviewee's lifetime.","Interviewee's husband, Gerhardt Lindemulder, was a\n                  director with the FTP in Louisiana and Florida.","Vaudeville performer with the FTP.","Dancer with the Children's unit and Dance Project,\n                  NYC FTP.Tape restricted.","Puppet artist with the Marionette unit, NYC\n                  FTP.","Actor with the Living Newspaper unit, NYC FTP.","Costume designer with FTP units in Seattle and\n                  Tacoma, WA.Closed during Mr. Williams's lifetime.","Conductor with the Vermont FMP.","Father of Sidney Lumet, child actor with the\n                  Yiddish unit, NYC FTP.","Administrative director with the Florida FTP.","Actor with the Chicago FTP.Closed during\n                  interviewee's lifetime.","Actor with the Jacksonville and Miami FTP.Closed\n                  during interviewee's lifetime.","Marionette artist with the SF FTP.Quotations must\n                  be accurate.","Playwright whose work was produced by NYC FTP.","Actress with the Classical unit, NYC FTP.","Actor with the Chicago FTP.","Actor with the Atlanta FTP.","Playwright and researcher with the National Play\n                  Bureau of the FTP.Closed during interviewee's\n                  lifetime.","Publicist with the NYC FTP.","Actress and researcher with the LA FTP; researcher\n                  with the Seattle FTP.","Actress and researcher with the LA FTP; researcher\n                  with the Seattle FTP.","Costume designer with the NYC FTP.","Stage manager with the Tampa FTP.Closed during\n                  interviewee's lifetime.","Administrator with the Research Bureau, NYC\n                  FTP.This is an untaped interview.","Staff member with the Educational Division, NYC\n                  FTP.","Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP.","Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP.","Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP.","Member of the Seattle Negro Repertory Theatre in\n                  the 1930s.Closed to any government agency.","Set designer with the NYC FTP.","Worked with the NYC FTP. This is an untaped\n                  interview.","Director with the FTP in the South; later with the\n                  Detroit FTP.","Theatrical director with the Negro unit, NYC\n                  FTP.","Actor, director, writer with the Southwest\n                  Experimental unit of the LA FTP.","Director with the Negro unit, LA FTP.","Dancer with the NYC FTP.","Writer and playwright who submitted work to the\n                  Negro unit, NYC FTP.This is an untaped interview.","Director with the Indiana FTP.","Actor with the Seattle FTP.","Dancer and choreographer with the Chicago FTP.","Dancer with the NYC FTP.","Actor with the Chicago FTP.","Writer with the Southwest Experimental unit of the\n                  LA FTP.","Actress and student of Hallie Flanagan at Vassar\n                  College.This is an untaped interview.","Actor; director with Suitcase Theatre; assistant\n                  director with the Classical unit, NYC FTP.","Director of casting with the Talent Bureau, NYC\n                  FTP.Closed pending release.","Dancer with the NYC FTP.","Director of the Vaudeville productions, LA\n                  FTP.","Actor in Yiddish theater and New York University\n                  repertory groups during the FTP era.","Conductor with the Michigan WPA Symphony\n                  Orchestra.","Actor with the LA and Portland (OR) FTP units.This\n                  is an untaped interview.","With the WPA program in Connecticut; also with the\n                  CCC; founded the Plymouth Playhouse; worked briefly\n                  on the set of Faustus.","Actor with the Children's unit, NYC FTP.","Researcher of the Chinese theater, Research\n                  Department, SF FTP.","Choreographer with the Yiddish unit, NYC\n                  FTP.Closed during interviewee's lifetime.","Radio script writer, Radio Division, NYC FTP.This\n                  is an untaped interview.","Artist, muralist with the FAP in NY, NJ, and\n                  CA.Permission of interviewer required for\n                  publication.","Actress and director with the marionette unit of\n                  the Miami FTP.","Playwright in New York and San Francisco; write\n                  with the FWP.","Administrator and legal counsel for the National\n                  Service Bureau, FTP.","Administrator and legal counsel for the National\n                  Service Bureau, FTP.","Hallie Flanagan's assistant who collected\n                  Flanagan's papers which were donated to the Theatre\n                  Collection, New York Public Library.","Actor with the Cleveland (OH) FTP.","Composer for various productions, NYC FTP.","Writer and director with the Radio Division, NYC\n                  FTP.","Actress with the NYC FTP.","Lyricist who wrote the words for \"Papa's Got a\n                  Job\" for Sing For Your Supper under the pseudonym of\n                  Hector Troy.This is an untaped interview.","Playwright, play reader with the Playwriting\n                  Bureau, NYC FTP.Prior consent required for\n                  publication.","Muralist with the Massachusetts and New York\n                  FAP.Permission of interviewer required for\n                  publication.","Administrator, Playwriting Bureau, FTP.Permission\n                  of interviewee required; copyright conditions.","Playwright in NYC whose works were produced by\n                  FTP.This is an untaped interview.","Actor with the Negro unit, NYC FTP. This is an\n                  untaped interview.","Playwright and director with the Seattle\n                  FTP.Closed during Guy Williams's lifetime.","Director with the Experimental unit, NYC\n                  FTP.Closed pending release.","Administrative assistant with the Negro and\n                  Classical units, NYC FTP.","Actress with the Radio Division, NYC FTP.","Administrator, Delaware FTP; with FTP national\n                  office, Washington, DC; with the San Francisco\n                  World's Fair, 1939.","Administrator, Delaware FTP; with FTP national\n                  office, Washington, DC; with the San Francisco\n                  World's Fair, 1939.","Administrative assistant to Philip Barber, NYC\n                  FTP. Closed during interviewee's lifetime.","Assistant stage manager with the Living Newspaper\n                  unit, NYC FTP.","Administrative assistant to Jasper Deeter, first\n                  director of the Pennsylvania/New Jersey FTP.","Audience member, NYC FTP productions.","Composer, NYC FMP.","Director of the Anglo-Jewish unit, NYC FTP.","Worked with Children's and Vaudeville units, Miami\n                  and Tampa FTP. Closed during Fernando Mesa's\n                  lifetime.","Puppeteer with the Marionette unit, NYC FTP.","Actor with the Classical unit, NYC FTP.","Writer and playwright in NYC at the time of the\n                  FTP. This is an untaped interview.","Actress, NYC FTP.","Actress, NYC FTP.","Publicist, NYC FTP.","Actor with the Chicago, Peoria, and Miami FTP;\n                  worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, NYC\n                  FTP. Closed pending release.","Concertmaster with the FMP Illinois Symphony.","Composer with the NYC FTP; wrote the score for\n                  FTP's Created Equal.","Publicist with the Negro unit, NYC FTP.","Administrative director, NJ FTP; director of\n                  repertory unit, Roslyn, NY FTP. Written permission of\n                  interviewee required for publication.","Playwright in NYC whose work was produced by the\n                  FTP. Permission to quote required by interviewee.","Director, Denver FTP.","Worked with Composers's Forum and Copying Project\n                  of the FMP.","Choreographer, NYC FTP. This is an untaped\n                  interview.","Artist, NY FAP. Permission of interviewer required\n                  for publication.","Songwriter whose works were performed by NYC\n                  FTP.","Administrator with Iowa FTP; assistant to E.C.\n                  Mabie, regional director for the Midwest FTP.","Actor with the Seattle FTP.","Playwright whose work was produced by the FTP.","Composer and arranger with the Vaudeville unit, LA\n                  FTP.","Set designer, LA FTP.","Actor with the Anglo-Jewish unit, NYC FTP. Closed\n                  pending release.","Actor with the New Hampshire FTP. Closed pending\n                  release.","Puppeteer in NYC familiar with the Marionette and\n                  Children's units, NYC FTP.","Playwright in Chicago whose work was produced by\n                  the FTP.","Administrator, director, actor, and playwright\n                  involved with the Seattle and Tacoma FTP, and the Des\n                  Moines FTP.","Stage Manager with the Mercury Theatre, New\n                  York.","Theatrical director with the Classical unit, NYC\n                  FTP. Closed pending release.","Musical director with the Negro and Classical\n                  units, NYC FTP.","Musical director with the Negro and Classical\n                  units. NYC FTP.","Worked with the National Youth Administration and\n                  the WPA in Iowa. Closed pending release.","Administrator, National Play Bureau, NYC FTP.","Worked with the Resettlement Administration.","Actor with the Roslyn, NY FTP.","Dancer with Tamiris's group, Dance Project, NYC\n                  FTP.","Playwright based in Chicago whose works were\n                  produced by the FTP. Permission to quote over 100\n                  words required.","Playwright based in Chicago whose works were\n                  produced by the FTP.","Actress with the Vaudeville unit, LA FTP.","Stage manager, actor, and lighting technician with\n                  the LA FTP.","Stage manager, actor, and lighting technician, LA\n                  FTP.","Administrator, Atlanta FTP.","Lawyer who represented Orson Welles and John\n                  Houseman.","Director with the NYC FTP.","Muralist with the Illinois FAP. Permission needed\n                  to quote over 100 words.","Lighting director and technician with the Chicago\n                  FTP.","Administrator with the Marionette unit of the NYC\n                  FTP.","Puppeteer and lighting designer with the\n                  Marionette unit, NYC FTP.","Theatrical director with the Seattle FTP. Closed\n                  during Mr. Williams's lifetime.","Theatrical director with the Seattle FTP. Closed\n                  during Mr. Williams's lifetime.","Stage manager with the Children's theater, NYC\n                  FTP.","Artist with the Illinois and New York FAP.","Research with the San Francisco Theatre History\n                  project; actor in several SF FTP productions.","Worked with the GSA; recovered many FAP works and\n                  murals.","There are no restrictions.","This compilation describes oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.","George Mason University. Special Collections and Archives.","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project.","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","United States. Works Progress Administration.","English"],"collection_title_tesim":["Works Progress Administration oral histories collection, 1961/1984"],"collection_ssim":["Works Progress Administration oral histories collection, 1961/1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0153"],"unitid_tesim":["C0153"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_corpname_ssim":["George Mason University. Special Collections and Archives.","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project.","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","United States. Works Progress Administration."],"creators_ssim":["George Mason University. Special Collections and Archives.","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project.","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","United States. Works Progress Administration."],"acqinfo_ssim":["Donated by the Institute on the Federal Theatre Project and New Deal Culture."],"access_subjects_ssim":["Acting.","Dance--United States.","New Deal, 1933-1939.","Theater--United States."],"access_subjects_ssm":["Acting.","Dance--United States.","New Deal, 1933-1939.","Theater--United States."],"has_online_content_ssim":["false"],"extent_ssm":["7 linear feet (11 boxes)"],"extent_tesim":["7 linear feet (11 boxes)"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\n\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by last name of interviewee.\n\u003c/p\u003e\n    ","\u003cp\u003e Artist, NY. Permission to quote over 100 words\n                  required.\u003c/p\u003e\n          "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by last name of interviewee.","Artist, NY. Permission to quote over 100 words\n                  required."],"bioghist_html_tesm":["\u003cp\u003eThe interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture.\n\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture."],"prefercite_html_tesm":["\u003cp\u003eWorks Progress Administration oral histories collection, Collection #C0153, Special Collections and Archives, George Mason University.\n\u003c/p\u003e\n      "],"prefercite_tesim":["Works Progress Administration oral histories collection, Collection #C0153, Special Collections and Archives, George Mason University."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections and Archives staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. \n\u003c/p\u003e\n        ","\u003cp\u003eIn 2009, staff discovered that a number of the interviews listed in the finding aid were not actually located in the boxes. Those interview names are still included in alphabetical order in the finding aid, but they are unnumbered signifying that no folder exists.\n\u003c/p\u003e\n      "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections and Archives staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009.","In 2009, staff discovered that a number of the interviews listed in the finding aid were not actually located in the boxes. Those interview names are still included in alphabetical order in the finding aid, but they are unnumbered signifying that no folder exists."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the \u003cextptr type=\"simple\" title=\"Federal Theatre Project collection\" show=\"new\" href=\"http://sca.gmu.edu/theater_collections.htm\"\u003e\u003c/extptr\u003e.\n\u003c/p\u003e\n      "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds the ."],"scopecontent_html_tesm":["\u003cp\u003eThis compilation describes oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\n\u003c/p\u003e\n      ","\u003cp\u003e\nThe interviews (transcripts and tapes) are arranged in alphabetical order by the subject's last name. The date of the interview is included along with the type of work or position held by the interviewee during the 1930s, with the location when known. The name of the interviewer(s) follows. In some cases a notation is made indicating that an interview is untaped. If the interview was a joint one, this information is noted. The type of media available (abstract, letter, notes, tape, and/or transcript)is then listed along with the number of pages or minutes of each type. Restrictions that may apply to certain interviews is the last information in an entry.\n\u003c/p\u003e\n      ","\u003cp\u003e\nList of Abbreviations:\n\u003c/p\u003e\n      ","\u003cp\u003e\nCCC - Civilian Conservation Corps, FAP - Federal Art Project, FERA - Federal Emergency Relief Administration, FMP - Federal Music Project, FTP - Federal Theatre Project, FWP - Federal Writers Project, GSA - General Services Administration, NYA - National Youth Administration, SECT - Section of Painting and Sculpture, WPA - Works Projects Adminstration\n\u003c/p\u003e\n    ","\u003cp\u003e Widow of playwright Hughes Allison, whose work was\n                  produced by FTP.\u003c/p\u003e\n          ","\u003cp\u003e Stage manager and director with the Negro unit,\n                  NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Costume designer with SF FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actress who auditioned for Negro Unit, NYC\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Composer and director, SF FMP.\u003c/p\u003e\n          ","\u003cp\u003e Technician, marionette artist, and actor with the\n                  Classical unit, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Conductor, FMP's Virginia Symphony Orchestra and\n                  North Carolina-Virginia Symphony.\u003c/p\u003e\n          ","\u003cp\u003e Dancer and assistant to Charles Weidman, with NYC\n                  Federal Dance Theatre.\u003c/p\u003e\n          ","\u003cp\u003e Dancer with the Negro unit, NYC FTP. Closed\n                  pending release.\u003c/p\u003e\n          ","\u003cp\u003e Administrative director of the NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Administrative director of the NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Dancer with Federal Dance Project, NYC.\u003c/p\u003e\n          ","\u003cp\u003e Worked with the Radio Division of FTP. This is an\n                  untaped interview.\u003c/p\u003e\n          ","\u003cp\u003e Stage manager with the Manhattan City Projects,\n                  NYC.\u003c/p\u003e\n          ","\u003cp\u003e Dancer and actor with NYC FTP units.\u003c/p\u003e\n          ","\u003cp\u003e Set designer for various NYC FTP productions.\u003c/p\u003e\n          ","\u003cp\u003e Son-in-law of Hallie Flanagan; writer and critic\n                  of modern drama.\u003c/p\u003e\n          ","\u003cp\u003e Step-daughter of Hallie Flanagan. Closed pending\n                  release.\u003c/p\u003e\n          ","\u003cp\u003e Artist, muralist. Unidentified interviewer may\n                  have residual rights to interview.\u003c/p\u003e\n          ","\u003cp\u003e Actor with Children's Theatre and Living Newspaper\n                  units of NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Writer who worked with the National Play Bureau,\n                  NYC FTP. Restricted during interviewee's\n                  lifetime.\u003c/p\u003e\n          ","\u003cp\u003e Novelist, film writer, journalist, NYC, LA.\n                  Approval of Sylviane Bessie required.\u003c/p\u003e\n          ","\u003cp\u003e Costume designer with SF FTP.\u003c/p\u003e\n          ","\u003cp\u003e Administrator with NYC FTP Radio Division; also\n                  worked as publicist with NYC FTP. This is an untaped\n                  interview.\u003c/p\u003e\n          ","\u003cp\u003e Composer, musician; wrote Swing It for NYC FTP.\n                  Closed pending release.\u003c/p\u003e\n          ","\u003cp\u003e Playwright whose play, Battle Hymn, written with\n                  Michael Gold, was produced by various FTP units.\u003c/p\u003e\n          ","\u003cp\u003e Artist, muralist with NYC FAP. Permission for\n                  publication required.\u003c/p\u003e\n          ","\u003cp\u003e [see Bolton, Philip.]\u003c/p\u003e\n          ","\u003cp\u003e Son of Harold (director and choreographer with NYC\n                  FTP) and Rhoda Rammelkamp Bolton (costume designer,\n                  NYC FTP). This is an untaped interview.\u003c/p\u003e\n          ","\u003cp\u003e [see Bolton, Philip.]\u003c/p\u003e\n          ","\u003cp\u003e Costume designer with NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Director of Play Bureau; in charge of exhibits;\n                  head of Play Reading Bureau within the National\n                  Office of FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actor with LA FTP. This is an untaped\n                  interview.\u003c/p\u003e\n          ","\u003cp\u003e Director and actor with Chicago FTP.\u003c/p\u003e\n          ","\u003cp\u003e Director and actress with Chicago FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actor with LA FTP.\u003c/p\u003e\n          ","\u003cp\u003e Director of marionette unit of LA FTP.\u003c/p\u003e\n          ","\u003cp\u003e Artist with FAP. Permission for publication\n                  required.\u003c/p\u003e\n          ","\u003cp\u003e Playwright whose work was produced by Seattle FTP;\n                  also a writer with Boston FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actor with Children's unit of NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Sound technician with Living Newspaper unit of NYC\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Publicist with NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Artist, muralist with FAP. Closed pending\n                  release.\u003c/p\u003e\n          ","\u003cp\u003e Playwright whose work, Reward, was produced by the\n                  Tampa FTP. Closed during Fernando Mesa's\n                  lifetime.\u003c/p\u003e\n          ","\u003cp\u003e Director of Lafayette Theatre's Negro unit of NYC\n                  FTP. This is an untaped interview.\u003c/p\u003e\n          ","\u003cp\u003e Personnel administrator with NYC and Florida FTP\n                  units.\u003c/p\u003e\n          ","\u003cp\u003e Artist, administrator with Ohio FAP. Permission\n                  with interviewer required for publication.\u003c/p\u003e\n          ","\u003cp\u003e Actor, stage manager with Portland, OR FTP. Closed\n                  during interviewee's lifetime.\u003c/p\u003e\n          ","\u003cp\u003e Playwright whose work was produced by Denver\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Publicist with Federal Dance Theatre, NYC FTP.\n                  Closed pending release.\u003c/p\u003e\n          ","\u003cp\u003e Writer and theater critic. Closed pending\n                  release.\u003c/p\u003e\n          ","\u003cp\u003e Director of marionette units, SF and LA FTP;\n                  costume designer.\u003c/p\u003e\n          ","\u003cp\u003e Director of marionette units, SF and LA FTP;\n                  costume designer.\u003c/p\u003e\n          ","\u003cp\u003e Choreographer and dancer with Federal Dance\n                  Project, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Artist with the Illinois and District of Columbia\n                  FAP. Permission of interviewer required for\n                  publication.\u003c/p\u003e\n          ","\u003cp\u003e See Schnitzer, Marcella Cisney.\u003c/p\u003e\n          ","\u003cp\u003e With Children's Theatre unit, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Theatrical director with Experimental and\n                  Children's units, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Assistant stage manager with Classical unit, NYC\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Concertmaster, Illinois Symphony Orchestra.\u003c/p\u003e\n          ","\u003cp\u003e Director of Play Bureau, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Director of Play Bureau, NYC FTP. Closed until\n                  completion of dissertation.\u003c/p\u003e\n          ","\u003cp\u003e District supervisor with SF FTP.\u003c/p\u003e\n          ","\u003cp\u003e Supervisor of Copyists unit of Philadelphia FMP;\n                  conductor of Philadelphia Orchestra.\u003c/p\u003e\n          ","\u003cp\u003e Director of Negro unit, Boston FTP. Permission to\n                  quote required.\u003c/p\u003e\n          ","\u003cp\u003e Director of Negro unit, Boston FTP.\u003c/p\u003e\n          ","\u003cp\u003e Playwright whose works were produced by various\n                  FTP units.\u003c/p\u003e\n          ","\u003cp\u003e Actor with NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actor with Classical unit,NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Playwright whose work, Swamp Mud, was produced in\n                  Birmingham, AL.\u003c/p\u003e\n          ","\u003cp\u003e WPA administrative assistant and secretary,\n                  Washington, D.C. and NY. Closed pending release.\u003c/p\u003e\n          ","\u003cp\u003e Sculptor with FAP. Permission of interviewer\n                  required for publication.\u003c/p\u003e\n          ","\u003cp\u003e Administrative assistant to Ellen Woodward, WPA's\n                  head of Woman's and Professional Division,\n                  Washington, D.C. FTP. This is an untaped\n                  interview.\u003c/p\u003e\n          ","\u003cp\u003e Actress with Roslyn, NY unit of FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actress, dancer, playwright, and marionette\n                  manipulator with SF FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actor and director with Radio Division, NYC\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Worked with various productions of FTP in\n                  California. Permission of interviewer required for\n                  publication.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the Roslyn, NY FTP unit.\u003c/p\u003e\n          ","\u003cp\u003e Writer with Radio Division, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Finance administrator, WPA arts projects,\n                  Washington, D.C.\u003c/p\u003e\n          ","\u003cp\u003e Actor with Popular Price Theatre, NYC FTP. Closed\n                  pending release.\u003c/p\u003e\n          ","\u003cp\u003e Music director with the Negro unit, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Dancer and choreographer with the dance unit, NYC\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Dancer with the dance unit, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Play adapter and choreographer with Classical\n                  unit, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Assistant to Hallie Flanagan at Smith College;\n                  playwright.\u003c/p\u003e\n          ","\u003cp\u003e Playwright with Chicago FTP. Permission to quote\n                  over 100 words required.\u003c/p\u003e\n          ","\u003cp\u003e Assistant stage manager with Negro unit, NYC\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Worked in Herbert Hoover's and Harry Hopkins's\n                  press offices.\u003c/p\u003e\n          ","\u003cp\u003e Student of Hallie Flanagan; expert in children's\n                  theater.\u003c/p\u003e\n          ","\u003cp\u003e Director of Vaudeville unit, Los Angeles, FTP.\n                  Closed pending release.\u003c/p\u003e\n          ","\u003cp\u003e Set designer with the Roslyn, NY unit of the\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actress with the Children's Theatre, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Set designer with the Los Angeles FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actress with the Los Angeles FTP.\u003c/p\u003e\n          ","\u003cp\u003e Musical composer and director with various units,\n                  NYC FMP and FTP.\u003c/p\u003e\n          ","\u003cp\u003e Musical composer and director with various units,\n                  NYC FMP and FTP.\u003c/p\u003e\n          ","\u003cp\u003e Director of Negro unit and Children's unit,\n                  Chicago, FTP. Closed pending release.\u003c/p\u003e\n          ","\u003cp\u003e Director of Southwest Experimental unit, Los\n                  Angeles FTP.\u003c/p\u003e\n          ","\u003cp\u003e Administrative assistant to Hallie Flanagan,\n                  national office, FTP.\u003c/p\u003e\n          ","\u003cp\u003e Director, Midwest FTP; administrator for Federal\n                  Arts Projects in Chicago and Washington, D.C.\u003c/p\u003e\n          ","\u003cp\u003e Lighting designer with the Negro and Classical\n                  units, NYC FTP. Closed pending release.\u003c/p\u003e\n          ","\u003cp\u003e Brother of Hallie Flanagan. This is an untaped\n                  interview.\u003c/p\u003e\n          ","\u003cp\u003e Administrator with the National Play Bureau;\n                  playwright, play reader, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Director of Miami unit, FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actor with SF FTP\u003c/p\u003e\n          ","\u003cp\u003e Actress with the Classical unit, NYC FTP\u003c/p\u003e\n          ","\u003cp\u003e Actor with Children's Theatre, NYC FTP\u003c/p\u003e\n          ","\u003cp\u003e Writer with Radio Division, Illinois Writers'\n                  Project\u003c/p\u003e\n          ","\u003cp\u003e Producer and Theatrical Director, NYC FTP\u003c/p\u003e\n          ","\u003cp\u003e Wife of Ralph Freud, theatrical director and actor\n                  with LA FTP\u003c/p\u003e\n          ","\u003cp\u003e Wife of Ralph Freud, theatrical director and actor\n                  with LA FTP.\u003c/p\u003e\n          ","\u003cp\u003e Theatrical director and actor with LA and SF\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Playwright and technical assistant with the\n                  Detroit FTP.\u003c/p\u003e\n          ","\u003cp\u003e Composer; accompanist with Dance Project, LA\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Dancer and assistant to Doris Humphrey with the\n                  Dance Project, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actor, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Writer and Publicist with FWP and the Negro unit,\n                  NYC FTP; play reader with FTP Play Bureau. Closed\n                  pending release.\u003c/p\u003e\n          ","\u003cp\u003e Dancer with the Dance Project, NYC FTP\u003c/p\u003e\n          ","\u003cp\u003e Actor and founder of Chicago Repertory Group,\n                  1933.\u003c/p\u003e\n          ","\u003cp\u003e Administrator, Bureau of research and Publications\n                  of FTP.\u003c/p\u003e\n          ","\u003cp\u003e Administrator, Bureau of Research and Publications\n                  of FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the Chicago FTP.\u003c/p\u003e\n          ","\u003cp\u003e Dancer with the Chicago FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actress and dancer with the Vaudeville unit, LA\n                  FTP\u003c/p\u003e\n          ","\u003cp\u003e Actor with the LA FTP; director with the Seattle\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e State director of the Illinois FMP.\u003c/p\u003e\n          ","\u003cp\u003e Publicist with NYC FTP; director, Department of\n                  Information, FTP.\u003c/p\u003e\n          ","\u003cp\u003e Designer, theater historian; critic.\u003c/p\u003e\n          ","\u003cp\u003e Theatrical director with the Atlanta, Tampa, and\n                  Chicago units of the FTP.\u003c/p\u003e\n          ","\u003cp\u003e Theatrical director with the Atlanta, Tampa, and\n                  Chicago units of the FTP.\u003c/p\u003e\n          ","\u003cp\u003e Playwright, some of whose works were produced by\n                  various FTP units.\u003c/p\u003e\n          ","\u003cp\u003e Musical director with the LA and SF FTP.\n                  Permission to quote more than 100 words required.\u003c/p\u003e\n          ","\u003cp\u003e Musical director with the LA and SF FTP.Closed\n                  until 1996; or permission of interviewee.\u003c/p\u003e\n          ","\u003cp\u003e Art director with the Atlanta FTP.\u003c/p\u003e\n          ","\u003cp\u003e Staff composer and arranger with FTP.\u003c/p\u003e\n          ","\u003cp\u003e Stage manager and publicity director with the\n                  Living Newspaper unit, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Writer and researcher with the Living Newspaper\n                  unit, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Play reader and playwright with the NYC FTP.\n                  Permission required for commercial use.\u003c/p\u003e\n          ","\u003cp\u003e Play reader and playwright with the NYC FTP. Closed\n                  pending release.\u003c/p\u003e\n          ","\u003cp\u003e Muralist with the FAP and SECT in NY and Ohio.\n                  Permission of interviewer required for\n                  publication.\u003c/p\u003e\n          ","\u003cp\u003e Writer, critic, producer, designer with the NY\n                  theaters i the 1930s.\u003c/p\u003e\n          ","\u003cp\u003e Producer and administrator with the Negro and\n                  Classical units, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Participated in the Resettlement\n                  Administration.\u003c/p\u003e\n          ","\u003cp\u003e Son of Edith Isaacs, editor of Theatre Arts\n                  Magazine; friend of FTP. This is an untaped\n                  interview.\u003c/p\u003e\n          ","\u003cp\u003e Lighting designer with the LA FTP. This is an\n                  untaped interview.\u003c/p\u003e\n          ","\u003cp\u003e Theatrical director familiar with the LA and NYC\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Publicist and promotion officer with the NYC\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Director of information with the NYC FMP.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the SF FTP.\u003c/p\u003e\n          ","\u003cp\u003e Songwriter and composer with the NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Choreographer and dancer with the Dance Project,\n                  LA FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actress with the San Bernardino/Riverside and LA\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Stagehand with the NYC FTP.Closed pending\n                  release.\u003c/p\u003e\n          ","\u003cp\u003e Playwright with the NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Administrative director, Chicago and NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Concertmaster of the Grand Rapids, MI FTP\n                  orchestra.\u003c/p\u003e\n          ","\u003cp\u003e Stage manager, administrator, theatrical director\n                  with the FTP in NYC, Washington, D.C., and Seattle,\n                  WA.\u003c/p\u003e\n          ","\u003cp\u003e Stage manager, administrator, theatrical director\n                  with the FTP in NYC, Washington, D.C., and Seattle,\n                  WA.\u003c/p\u003e\n          ","\u003cp\u003e Playwright whose works were produced by the NYC\n                  FTP. Closed pending release.\u003c/p\u003e\n          ","\u003cp\u003e Actress with the SF and Oakland FTP. This is an\n                  untaped interview.\u003c/p\u003e\n          ","\u003cp\u003e Dancer with the Dance Project, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actress with the Classical unit, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Administrator with the National Service Bureau of\n                  the FTP.\u003c/p\u003e\n          ","\u003cp\u003e Director, National Service Bureau of the FTP.\u003c/p\u003e\n          ","\u003cp\u003e Director of Bureau of Research and Publication,\n                  NYC FTP.Bound with the 1-4-76 transcript.\u003c/p\u003e\n          ","\u003cp\u003e Director of Bureau of Research and Publication,\n                  NYC FTP.Bound with the 1-3-76 transcript.\u003c/p\u003e\n          ","\u003cp\u003e Actress with the Negro unit, NYC FTP. Closed\n                  during interviewee's lifetime.\u003c/p\u003e\n          ","\u003cp\u003e Puppeteer with the Marionette Project, NYC\n                  FTP.Closed during lifetime.\u003c/p\u003e\n          ","\u003cp\u003e Publicist with NYC and Chicago FTP. Interview not\n                  to be used for gain or profit without the consent of\n                  the interviewee.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the several units of the NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Lyricist whose work was featured in the NYC FTP\n                  production of Sing For Your Supper.\u003c/p\u003e\n          ","\u003cp\u003e Administrator with the New Orleans and Atlanta\n                  FTP.Permission for use required during Mr. Lentz's\n                  lifetime.\u003c/p\u003e\n          ","\u003cp\u003e Actor with NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Set designer with NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Playwright whose Model Tenements was produced by\n                  the Chicago FTP.\u003c/p\u003e\n          ","\u003cp\u003e Dancer with the Dance Project, LA FTP.\u003c/p\u003e\n          ","\u003cp\u003e Teacher and conductor with NYC FMP. Closed during\n                  interviewee's lifetime.\u003c/p\u003e\n          ","\u003cp\u003e Interviewee's husband, Gerhardt Lindemulder, was a\n                  director with the FTP in Louisiana and Florida.\u003c/p\u003e\n          ","\u003cp\u003e Vaudeville performer with the FTP.\u003c/p\u003e\n          ","\u003cp\u003e Dancer with the Children's unit and Dance Project,\n                  NYC FTP.Tape restricted.\u003c/p\u003e\n          ","\u003cp\u003e Puppet artist with the Marionette unit, NYC\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the Living Newspaper unit, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Costume designer with FTP units in Seattle and\n                  Tacoma, WA.Closed during Mr. Williams's lifetime.\u003c/p\u003e\n          ","\u003cp\u003e Conductor with the Vermont FMP.\u003c/p\u003e\n          ","\u003cp\u003e Father of Sidney Lumet, child actor with the\n                  Yiddish unit, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Administrative director with the Florida FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the Chicago FTP.Closed during\n                  interviewee's lifetime.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the Jacksonville and Miami FTP.Closed\n                  during interviewee's lifetime.\u003c/p\u003e\n          ","\u003cp\u003e Marionette artist with the SF FTP.Quotations must\n                  be accurate.\u003c/p\u003e\n          ","\u003cp\u003e Playwright whose work was produced by NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actress with the Classical unit, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the Chicago FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the Atlanta FTP.\u003c/p\u003e\n          ","\u003cp\u003e Playwright and researcher with the National Play\n                  Bureau of the FTP.Closed during interviewee's\n                  lifetime.\u003c/p\u003e\n          ","\u003cp\u003e Publicist with the NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actress and researcher with the LA FTP; researcher\n                  with the Seattle FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actress and researcher with the LA FTP; researcher\n                  with the Seattle FTP.\u003c/p\u003e\n          ","\u003cp\u003e Costume designer with the NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Stage manager with the Tampa FTP.Closed during\n                  interviewee's lifetime.\u003c/p\u003e\n          ","\u003cp\u003e Administrator with the Research Bureau, NYC\n                  FTP.This is an untaped interview.\u003c/p\u003e\n          ","\u003cp\u003e Staff member with the Educational Division, NYC\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP.\u003c/p\u003e\n          ","\u003cp\u003e Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP.\u003c/p\u003e\n          ","\u003cp\u003e Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP.\u003c/p\u003e\n          ","\u003cp\u003e Member of the Seattle Negro Repertory Theatre in\n                  the 1930s.Closed to any government agency.\u003c/p\u003e\n          ","\u003cp\u003e Set designer with the NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Worked with the NYC FTP. This is an untaped\n                  interview.\u003c/p\u003e\n          ","\u003cp\u003e Director with the FTP in the South; later with the\n                  Detroit FTP.\u003c/p\u003e\n          ","\u003cp\u003e Theatrical director with the Negro unit, NYC\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actor, director, writer with the Southwest\n                  Experimental unit of the LA FTP.\u003c/p\u003e\n          ","\u003cp\u003e Director with the Negro unit, LA FTP.\u003c/p\u003e\n          ","\u003cp\u003e Dancer with the NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Writer and playwright who submitted work to the\n                  Negro unit, NYC FTP.This is an untaped interview.\u003c/p\u003e\n          ","\u003cp\u003e Director with the Indiana FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the Seattle FTP.\u003c/p\u003e\n          ","\u003cp\u003e Dancer and choreographer with the Chicago FTP.\u003c/p\u003e\n          ","\u003cp\u003e Dancer with the NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the Chicago FTP.\u003c/p\u003e\n          ","\u003cp\u003e Writer with the Southwest Experimental unit of the\n                  LA FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actress and student of Hallie Flanagan at Vassar\n                  College.This is an untaped interview.\u003c/p\u003e\n          ","\u003cp\u003e Actor; director with Suitcase Theatre; assistant\n                  director with the Classical unit, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Director of casting with the Talent Bureau, NYC\n                  FTP.Closed pending release.\u003c/p\u003e\n          ","\u003cp\u003e Dancer with the NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Director of the Vaudeville productions, LA\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actor in Yiddish theater and New York University\n                  repertory groups during the FTP era.\u003c/p\u003e\n          ","\u003cp\u003e Conductor with the Michigan WPA Symphony\n                  Orchestra.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the LA and Portland (OR) FTP units.This\n                  is an untaped interview.\u003c/p\u003e\n          ","\u003cp\u003e With the WPA program in Connecticut; also with the\n                  CCC; founded the Plymouth Playhouse; worked briefly\n                  on the set of Faustus.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the Children's unit, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Researcher of the Chinese theater, Research\n                  Department, SF FTP.\u003c/p\u003e\n          ","\u003cp\u003e Choreographer with the Yiddish unit, NYC\n                  FTP.Closed during interviewee's lifetime.\u003c/p\u003e\n          ","\u003cp\u003e Radio script writer, Radio Division, NYC FTP.This\n                  is an untaped interview.\u003c/p\u003e\n          ","\u003cp\u003e Artist, muralist with the FAP in NY, NJ, and\n                  CA.Permission of interviewer required for\n                  publication.\u003c/p\u003e\n          ","\u003cp\u003e Actress and director with the marionette unit of\n                  the Miami FTP.\u003c/p\u003e\n          ","\u003cp\u003e Playwright in New York and San Francisco; write\n                  with the FWP.\u003c/p\u003e\n          ","\u003cp\u003e Administrator and legal counsel for the National\n                  Service Bureau, FTP.\u003c/p\u003e\n          ","\u003cp\u003e Administrator and legal counsel for the National\n                  Service Bureau, FTP.\u003c/p\u003e\n          ","\u003cp\u003e Hallie Flanagan's assistant who collected\n                  Flanagan's papers which were donated to the Theatre\n                  Collection, New York Public Library.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the Cleveland (OH) FTP.\u003c/p\u003e\n          ","\u003cp\u003e Composer for various productions, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Writer and director with the Radio Division, NYC\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actress with the NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Lyricist who wrote the words for \"Papa's Got a\n                  Job\" for Sing For Your Supper under the pseudonym of\n                  Hector Troy.This is an untaped interview.\u003c/p\u003e\n          ","\u003cp\u003e Playwright, play reader with the Playwriting\n                  Bureau, NYC FTP.Prior consent required for\n                  publication.\u003c/p\u003e\n          ","\u003cp\u003e Muralist with the Massachusetts and New York\n                  FAP.Permission of interviewer required for\n                  publication.\u003c/p\u003e\n          ","\u003cp\u003e Administrator, Playwriting Bureau, FTP.Permission\n                  of interviewee required; copyright conditions.\u003c/p\u003e\n          ","\u003cp\u003e Playwright in NYC whose works were produced by\n                  FTP.This is an untaped interview.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the Negro unit, NYC FTP. This is an\n                  untaped interview.\u003c/p\u003e\n          ","\u003cp\u003e Playwright and director with the Seattle\n                  FTP.Closed during Guy Williams's lifetime.\u003c/p\u003e\n          ","\u003cp\u003e Director with the Experimental unit, NYC\n                  FTP.Closed pending release.\u003c/p\u003e\n          ","\u003cp\u003e Administrative assistant with the Negro and\n                  Classical units, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actress with the Radio Division, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Administrator, Delaware FTP; with FTP national\n                  office, Washington, DC; with the San Francisco\n                  World's Fair, 1939.\u003c/p\u003e\n          ","\u003cp\u003e Administrator, Delaware FTP; with FTP national\n                  office, Washington, DC; with the San Francisco\n                  World's Fair, 1939.\u003c/p\u003e\n          ","\u003cp\u003e Administrative assistant to Philip Barber, NYC\n                  FTP. Closed during interviewee's lifetime.\u003c/p\u003e\n          ","\u003cp\u003e Assistant stage manager with the Living Newspaper\n                  unit, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Administrative assistant to Jasper Deeter, first\n                  director of the Pennsylvania/New Jersey FTP.\u003c/p\u003e\n          ","\u003cp\u003e Audience member, NYC FTP productions.\u003c/p\u003e\n          ","\u003cp\u003e Composer, NYC FMP.\u003c/p\u003e\n          ","\u003cp\u003e Director of the Anglo-Jewish unit, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Worked with Children's and Vaudeville units, Miami\n                  and Tampa FTP. Closed during Fernando Mesa's\n                  lifetime.\u003c/p\u003e\n          ","\u003cp\u003e Puppeteer with the Marionette unit, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the Classical unit, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Writer and playwright in NYC at the time of the\n                  FTP. This is an untaped interview.\u003c/p\u003e\n          ","\u003cp\u003e Actress, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actress, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Publicist, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the Chicago, Peoria, and Miami FTP;\n                  worked with sets and costumes in Chicago.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the Children's and Negro units, NYC\n                  FTP. Closed pending release.\u003c/p\u003e\n          ","\u003cp\u003e Concertmaster with the FMP Illinois Symphony.\u003c/p\u003e\n          ","\u003cp\u003e Composer with the NYC FTP; wrote the score for\n                  FTP's Created Equal.\u003c/p\u003e\n          ","\u003cp\u003e Publicist with the Negro unit, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Administrative director, NJ FTP; director of\n                  repertory unit, Roslyn, NY FTP. Written permission of\n                  interviewee required for publication.\u003c/p\u003e\n          ","\u003cp\u003e Playwright in NYC whose work was produced by the\n                  FTP. Permission to quote required by interviewee.\u003c/p\u003e\n          ","\u003cp\u003e Director, Denver FTP.\u003c/p\u003e\n          ","\u003cp\u003e Worked with Composers's Forum and Copying Project\n                  of the FMP.\u003c/p\u003e\n          ","\u003cp\u003e Choreographer, NYC FTP. This is an untaped\n                  interview.\u003c/p\u003e\n          ","\u003cp\u003e Artist, NY FAP. Permission of interviewer required\n                  for publication.\u003c/p\u003e\n          ","\u003cp\u003e Songwriter whose works were performed by NYC\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Administrator with Iowa FTP; assistant to E.C.\n                  Mabie, regional director for the Midwest FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the Seattle FTP.\u003c/p\u003e\n          ","\u003cp\u003e Playwright whose work was produced by the FTP.\u003c/p\u003e\n          ","\u003cp\u003e Composer and arranger with the Vaudeville unit, LA\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Set designer, LA FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the Anglo-Jewish unit, NYC FTP. Closed\n                  pending release.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the New Hampshire FTP. Closed pending\n                  release.\u003c/p\u003e\n          ","\u003cp\u003e Puppeteer in NYC familiar with the Marionette and\n                  Children's units, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Playwright in Chicago whose work was produced by\n                  the FTP.\u003c/p\u003e\n          ","\u003cp\u003e Administrator, director, actor, and playwright\n                  involved with the Seattle and Tacoma FTP, and the Des\n                  Moines FTP.\u003c/p\u003e\n          ","\u003cp\u003e Stage Manager with the Mercury Theatre, New\n                  York.\u003c/p\u003e\n          ","\u003cp\u003e Theatrical director with the Classical unit, NYC\n                  FTP. Closed pending release.\u003c/p\u003e\n          ","\u003cp\u003e Musical director with the Negro and Classical\n                  units, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Musical director with the Negro and Classical\n                  units. NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Worked with the National Youth Administration and\n                  the WPA in Iowa. Closed pending release.\u003c/p\u003e\n          ","\u003cp\u003e Administrator, National Play Bureau, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Worked with the Resettlement Administration.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the Roslyn, NY FTP.\u003c/p\u003e\n          ","\u003cp\u003e Dancer with Tamiris's group, Dance Project, NYC\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Playwright based in Chicago whose works were\n                  produced by the FTP. Permission to quote over 100\n                  words required.\u003c/p\u003e\n          ","\u003cp\u003e Playwright based in Chicago whose works were\n                  produced by the FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actress with the Vaudeville unit, LA FTP.\u003c/p\u003e\n          ","\u003cp\u003e Stage manager, actor, and lighting technician with\n                  the LA FTP.\u003c/p\u003e\n          ","\u003cp\u003e Stage manager, actor, and lighting technician, LA\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Administrator, Atlanta FTP.\u003c/p\u003e\n          ","\u003cp\u003e Lawyer who represented Orson Welles and John\n                  Houseman.\u003c/p\u003e\n          ","\u003cp\u003e Director with the NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Muralist with the Illinois FAP. Permission needed\n                  to quote over 100 words.\u003c/p\u003e\n          ","\u003cp\u003e Lighting director and technician with the Chicago\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Administrator with the Marionette unit of the NYC\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Puppeteer and lighting designer with the\n                  Marionette unit, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Theatrical director with the Seattle FTP. Closed\n                  during Mr. Williams's lifetime.\u003c/p\u003e\n          ","\u003cp\u003e Theatrical director with the Seattle FTP. Closed\n                  during Mr. Williams's lifetime.\u003c/p\u003e\n          ","\u003cp\u003e Stage manager with the Children's theater, NYC\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Artist with the Illinois and New York FAP.\u003c/p\u003e\n          ","\u003cp\u003e Research with the San Francisco Theatre History\n                  project; actor in several SF FTP productions.\u003c/p\u003e\n          ","\u003cp\u003e Worked with the GSA; recovered many FAP works and\n                  murals.\u003c/p\u003e\n          "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This compilation describes oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.","The interviews (transcripts and tapes) are arranged in alphabetical order by the subject's last name. The date of the interview is included along with the type of work or position held by the interviewee during the 1930s, with the location when known. The name of the interviewer(s) follows. In some cases a notation is made indicating that an interview is untaped. If the interview was a joint one, this information is noted. The type of media available (abstract, letter, notes, tape, and/or transcript)is then listed along with the number of pages or minutes of each type. Restrictions that may apply to certain interviews is the last information in an entry.","List of Abbreviations:","CCC - Civilian Conservation Corps, FAP - Federal Art Project, FERA - Federal Emergency Relief Administration, FMP - Federal Music Project, FTP - Federal Theatre Project, FWP - Federal Writers Project, GSA - General Services Administration, NYA - National Youth Administration, SECT - Section of Painting and Sculpture, WPA - Works Projects Adminstration","Widow of playwright Hughes Allison, whose work was\n                  produced by FTP.","Stage manager and director with the Negro unit,\n                  NYC FTP.","Costume designer with SF FTP.","Actress who auditioned for Negro Unit, NYC\n                  FTP.","Composer and director, SF FMP.","Technician, marionette artist, and actor with the\n                  Classical unit, NYC FTP.","Conductor, FMP's Virginia Symphony Orchestra and\n                  North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with NYC\n                  Federal Dance Theatre.","Dancer with the Negro unit, NYC FTP. Closed\n                  pending release.","Administrative director of the NYC FTP.","Administrative director of the NYC FTP.","Dancer with Federal Dance Project, NYC.","Worked with the Radio Division of FTP. This is an\n                  untaped interview.","Stage manager with the Manhattan City Projects,\n                  NYC.","Dancer and actor with NYC FTP units.","Set designer for various NYC FTP productions.","Son-in-law of Hallie Flanagan; writer and critic\n                  of modern drama.","Step-daughter of Hallie Flanagan. Closed pending\n                  release.","Artist, muralist. Unidentified interviewer may\n                  have residual rights to interview.","Actor with Children's Theatre and Living Newspaper\n                  units of NYC FTP.","Writer who worked with the National Play Bureau,\n                  NYC FTP. Restricted during interviewee's\n                  lifetime.","Novelist, film writer, journalist, NYC, LA.\n                  Approval of Sylviane Bessie required.","Costume designer with SF FTP.","Administrator with NYC FTP Radio Division; also\n                  worked as publicist with NYC FTP. This is an untaped\n                  interview.","Composer, musician; wrote Swing It for NYC FTP.\n                  Closed pending release.","Playwright whose play, Battle Hymn, written with\n                  Michael Gold, was produced by various FTP units.","Artist, muralist with NYC FAP. Permission for\n                  publication required.","[see Bolton, Philip.]","Son of Harold (director and choreographer with NYC\n                  FTP) and Rhoda Rammelkamp Bolton (costume designer,\n                  NYC FTP). This is an untaped interview.","[see Bolton, Philip.]","Costume designer with NYC FTP.","Director of Play Bureau; in charge of exhibits;\n                  head of Play Reading Bureau within the National\n                  Office of FTP.","Actor with LA FTP. This is an untaped\n                  interview.","Director and actor with Chicago FTP.","Director and actress with Chicago FTP.","Actor with LA FTP.","Director of marionette unit of LA FTP.","Artist with FAP. Permission for publication\n                  required.","Playwright whose work was produced by Seattle FTP;\n                  also a writer with Boston FTP.","Actor with Children's unit of NYC FTP.","Sound technician with Living Newspaper unit of NYC\n                  FTP.","Publicist with NYC FTP.","Artist, muralist with FAP. Closed pending\n                  release.","Playwright whose work, Reward, was produced by the\n                  Tampa FTP. Closed during Fernando Mesa's\n                  lifetime.","Director of Lafayette Theatre's Negro unit of NYC\n                  FTP. This is an untaped interview.","Personnel administrator with NYC and Florida FTP\n                  units.","Artist, administrator with Ohio FAP. Permission\n                  with interviewer required for publication.","Actor, stage manager with Portland, OR FTP. Closed\n                  during interviewee's lifetime.","Playwright whose work was produced by Denver\n                  FTP.","Publicist with Federal Dance Theatre, NYC FTP.\n                  Closed pending release.","Writer and theater critic. Closed pending\n                  release.","Director of marionette units, SF and LA FTP;\n                  costume designer.","Director of marionette units, SF and LA FTP;\n                  costume designer.","Choreographer and dancer with Federal Dance\n                  Project, NYC FTP.","Artist with the Illinois and District of Columbia\n                  FAP. Permission of interviewer required for\n                  publication.","See Schnitzer, Marcella Cisney.","With Children's Theatre unit, NYC FTP.","Theatrical director with Experimental and\n                  Children's units, NYC FTP.","Assistant stage manager with Classical unit, NYC\n                  FTP.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, NYC FTP.","Director of Play Bureau, NYC FTP. Closed until\n                  completion of dissertation.","District supervisor with SF FTP.","Supervisor of Copyists unit of Philadelphia FMP;\n                  conductor of Philadelphia Orchestra.","Director of Negro unit, Boston FTP. Permission to\n                  quote required.","Director of Negro unit, Boston FTP.","Playwright whose works were produced by various\n                  FTP units.","Actor with NYC FTP.","Actor with Classical unit,NYC FTP.","Playwright whose work, Swamp Mud, was produced in\n                  Birmingham, AL.","WPA administrative assistant and secretary,\n                  Washington, D.C. and NY. Closed pending release.","Sculptor with FAP. Permission of interviewer\n                  required for publication.","Administrative assistant to Ellen Woodward, WPA's\n                  head of Woman's and Professional Division,\n                  Washington, D.C. FTP. This is an untaped\n                  interview.","Actress with Roslyn, NY unit of FTP.","Actress, dancer, playwright, and marionette\n                  manipulator with SF FTP.","Actor and director with Radio Division, NYC\n                  FTP.","Worked with various productions of FTP in\n                  California. Permission of interviewer required for\n                  publication.","Actor with the Roslyn, NY FTP unit.","Writer with Radio Division, NYC FTP.","Finance administrator, WPA arts projects,\n                  Washington, D.C.","Actor with Popular Price Theatre, NYC FTP. Closed\n                  pending release.","Music director with the Negro unit, NYC FTP.","Dancer and choreographer with the dance unit, NYC\n                  FTP.","Dancer with the dance unit, NYC FTP.","Play adapter and choreographer with Classical\n                  unit, NYC FTP.","Assistant to Hallie Flanagan at Smith College;\n                  playwright.","Playwright with Chicago FTP. Permission to quote\n                  over 100 words required.","Assistant stage manager with Negro unit, NYC\n                  FTP.","Worked in Herbert Hoover's and Harry Hopkins's\n                  press offices.","Student of Hallie Flanagan; expert in children's\n                  theater.","Director of Vaudeville unit, Los Angeles, FTP.\n                  Closed pending release.","Set designer with the Roslyn, NY unit of the\n                  FTP.","Actress with the Children's Theatre, NYC FTP.","Set designer with the Los Angeles FTP.","Actress with the Los Angeles FTP.","Musical composer and director with various units,\n                  NYC FMP and FTP.","Musical composer and director with various units,\n                  NYC FMP and FTP.","Director of Negro unit and Children's unit,\n                  Chicago, FTP. Closed pending release.","Director of Southwest Experimental unit, Los\n                  Angeles FTP.","Administrative assistant to Hallie Flanagan,\n                  national office, FTP.","Director, Midwest FTP; administrator for Federal\n                  Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical\n                  units, NYC FTP. Closed pending release.","Brother of Hallie Flanagan. This is an untaped\n                  interview.","Administrator with the National Play Bureau;\n                  playwright, play reader, NYC FTP.","Director of Miami unit, FTP.","Actor with SF FTP","Actress with the Classical unit, NYC FTP","Actor with Children's Theatre, NYC FTP","Writer with Radio Division, Illinois Writers'\n                  Project","Producer and Theatrical Director, NYC FTP","Wife of Ralph Freud, theatrical director and actor\n                  with LA FTP","Wife of Ralph Freud, theatrical director and actor\n                  with LA FTP.","Theatrical director and actor with LA and SF\n                  FTP.","Playwright and technical assistant with the\n                  Detroit FTP.","Composer; accompanist with Dance Project, LA\n                  FTP.","Dancer and assistant to Doris Humphrey with the\n                  Dance Project, NYC FTP.","Actor, NYC FTP.","Writer and Publicist with FWP and the Negro unit,\n                  NYC FTP; play reader with FTP Play Bureau. Closed\n                  pending release.","Dancer with the Dance Project, NYC FTP","Actor and founder of Chicago Repertory Group,\n                  1933.","Administrator, Bureau of research and Publications\n                  of FTP.","Administrator, Bureau of Research and Publications\n                  of FTP.","Actor with the Chicago FTP.","Dancer with the Chicago FTP.","Actress and dancer with the Vaudeville unit, LA\n                  FTP","Actor with the LA FTP; director with the Seattle\n                  FTP.","State director of the Illinois FMP.","Publicist with NYC FTP; director, Department of\n                  Information, FTP.","Designer, theater historian; critic.","Theatrical director with the Atlanta, Tampa, and\n                  Chicago units of the FTP.","Theatrical director with the Atlanta, Tampa, and\n                  Chicago units of the FTP.","Playwright, some of whose works were produced by\n                  various FTP units.","Musical director with the LA and SF FTP.\n                  Permission to quote more than 100 words required.","Musical director with the LA and SF FTP.Closed\n                  until 1996; or permission of interviewee.","Art director with the Atlanta FTP.","Staff composer and arranger with FTP.","Stage manager and publicity director with the\n                  Living Newspaper unit, NYC FTP.","Writer and researcher with the Living Newspaper\n                  unit, NYC FTP.","Play reader and playwright with the NYC FTP.\n                  Permission required for commercial use.","Play reader and playwright with the NYC FTP. Closed\n                  pending release.","Muralist with the FAP and SECT in NY and Ohio.\n                  Permission of interviewer required for\n                  publication.","Writer, critic, producer, designer with the NY\n                  theaters i the 1930s.","Producer and administrator with the Negro and\n                  Classical units, NYC FTP.","Participated in the Resettlement\n                  Administration.","Son of Edith Isaacs, editor of Theatre Arts\n                  Magazine; friend of FTP. This is an untaped\n                  interview.","Lighting designer with the LA FTP. This is an\n                  untaped interview.","Theatrical director familiar with the LA and NYC\n                  FTP.","Publicist and promotion officer with the NYC\n                  FTP.","Director of information with the NYC FMP.","Actor with the SF FTP.","Songwriter and composer with the NYC FTP.","Choreographer and dancer with the Dance Project,\n                  LA FTP.","Actress with the San Bernardino/Riverside and LA\n                  FTP.","Stagehand with the NYC FTP.Closed pending\n                  release.","Playwright with the NYC FTP.","Administrative director, Chicago and NYC FTP.","Concertmaster of the Grand Rapids, MI FTP\n                  orchestra.","Stage manager, administrator, theatrical director\n                  with the FTP in NYC, Washington, D.C., and Seattle,\n                  WA.","Stage manager, administrator, theatrical director\n                  with the FTP in NYC, Washington, D.C., and Seattle,\n                  WA.","Playwright whose works were produced by the NYC\n                  FTP. Closed pending release.","Actress with the SF and Oakland FTP. This is an\n                  untaped interview.","Dancer with the Dance Project, NYC FTP.","Actress with the Classical unit, NYC FTP.","Administrator with the National Service Bureau of\n                  the FTP.","Director, National Service Bureau of the FTP.","Director of Bureau of Research and Publication,\n                  NYC FTP.Bound with the 1-4-76 transcript.","Director of Bureau of Research and Publication,\n                  NYC FTP.Bound with the 1-3-76 transcript.","Actress with the Negro unit, NYC FTP. Closed\n                  during interviewee's lifetime.","Puppeteer with the Marionette Project, NYC\n                  FTP.Closed during lifetime.","Publicist with NYC and Chicago FTP. Interview not\n                  to be used for gain or profit without the consent of\n                  the interviewee.","Actor with the several units of the NYC FTP.","Lyricist whose work was featured in the NYC FTP\n                  production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta\n                  FTP.Permission for use required during Mr. Lentz's\n                  lifetime.","Actor with NYC FTP.","Set designer with NYC FTP.","Playwright whose Model Tenements was produced by\n                  the Chicago FTP.","Dancer with the Dance Project, LA FTP.","Teacher and conductor with NYC FMP. Closed during\n                  interviewee's lifetime.","Interviewee's husband, Gerhardt Lindemulder, was a\n                  director with the FTP in Louisiana and Florida.","Vaudeville performer with the FTP.","Dancer with the Children's unit and Dance Project,\n                  NYC FTP.Tape restricted.","Puppet artist with the Marionette unit, NYC\n                  FTP.","Actor with the Living Newspaper unit, NYC FTP.","Costume designer with FTP units in Seattle and\n                  Tacoma, WA.Closed during Mr. Williams's lifetime.","Conductor with the Vermont FMP.","Father of Sidney Lumet, child actor with the\n                  Yiddish unit, NYC FTP.","Administrative director with the Florida FTP.","Actor with the Chicago FTP.Closed during\n                  interviewee's lifetime.","Actor with the Jacksonville and Miami FTP.Closed\n                  during interviewee's lifetime.","Marionette artist with the SF FTP.Quotations must\n                  be accurate.","Playwright whose work was produced by NYC FTP.","Actress with the Classical unit, NYC FTP.","Actor with the Chicago FTP.","Actor with the Atlanta FTP.","Playwright and researcher with the National Play\n                  Bureau of the FTP.Closed during interviewee's\n                  lifetime.","Publicist with the NYC FTP.","Actress and researcher with the LA FTP; researcher\n                  with the Seattle FTP.","Actress and researcher with the LA FTP; researcher\n                  with the Seattle FTP.","Costume designer with the NYC FTP.","Stage manager with the Tampa FTP.Closed during\n                  interviewee's lifetime.","Administrator with the Research Bureau, NYC\n                  FTP.This is an untaped interview.","Staff member with the Educational Division, NYC\n                  FTP.","Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP.","Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP.","Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP.","Member of the Seattle Negro Repertory Theatre in\n                  the 1930s.Closed to any government agency.","Set designer with the NYC FTP.","Worked with the NYC FTP. This is an untaped\n                  interview.","Director with the FTP in the South; later with the\n                  Detroit FTP.","Theatrical director with the Negro unit, NYC\n                  FTP.","Actor, director, writer with the Southwest\n                  Experimental unit of the LA FTP.","Director with the Negro unit, LA FTP.","Dancer with the NYC FTP.","Writer and playwright who submitted work to the\n                  Negro unit, NYC FTP.This is an untaped interview.","Director with the Indiana FTP.","Actor with the Seattle FTP.","Dancer and choreographer with the Chicago FTP.","Dancer with the NYC FTP.","Actor with the Chicago FTP.","Writer with the Southwest Experimental unit of the\n                  LA FTP.","Actress and student of Hallie Flanagan at Vassar\n                  College.This is an untaped interview.","Actor; director with Suitcase Theatre; assistant\n                  director with the Classical unit, NYC FTP.","Director of casting with the Talent Bureau, NYC\n                  FTP.Closed pending release.","Dancer with the NYC FTP.","Director of the Vaudeville productions, LA\n                  FTP.","Actor in Yiddish theater and New York University\n                  repertory groups during the FTP era.","Conductor with the Michigan WPA Symphony\n                  Orchestra.","Actor with the LA and Portland (OR) FTP units.This\n                  is an untaped interview.","With the WPA program in Connecticut; also with the\n                  CCC; founded the Plymouth Playhouse; worked briefly\n                  on the set of Faustus.","Actor with the Children's unit, NYC FTP.","Researcher of the Chinese theater, Research\n                  Department, SF FTP.","Choreographer with the Yiddish unit, NYC\n                  FTP.Closed during interviewee's lifetime.","Radio script writer, Radio Division, NYC FTP.This\n                  is an untaped interview.","Artist, muralist with the FAP in NY, NJ, and\n                  CA.Permission of interviewer required for\n                  publication.","Actress and director with the marionette unit of\n                  the Miami FTP.","Playwright in New York and San Francisco; write\n                  with the FWP.","Administrator and legal counsel for the National\n                  Service Bureau, FTP.","Administrator and legal counsel for the National\n                  Service Bureau, FTP.","Hallie Flanagan's assistant who collected\n                  Flanagan's papers which were donated to the Theatre\n                  Collection, New York Public Library.","Actor with the Cleveland (OH) FTP.","Composer for various productions, NYC FTP.","Writer and director with the Radio Division, NYC\n                  FTP.","Actress with the NYC FTP.","Lyricist who wrote the words for \"Papa's Got a\n                  Job\" for Sing For Your Supper under the pseudonym of\n                  Hector Troy.This is an untaped interview.","Playwright, play reader with the Playwriting\n                  Bureau, NYC FTP.Prior consent required for\n                  publication.","Muralist with the Massachusetts and New York\n                  FAP.Permission of interviewer required for\n                  publication.","Administrator, Playwriting Bureau, FTP.Permission\n                  of interviewee required; copyright conditions.","Playwright in NYC whose works were produced by\n                  FTP.This is an untaped interview.","Actor with the Negro unit, NYC FTP. This is an\n                  untaped interview.","Playwright and director with the Seattle\n                  FTP.Closed during Guy Williams's lifetime.","Director with the Experimental unit, NYC\n                  FTP.Closed pending release.","Administrative assistant with the Negro and\n                  Classical units, NYC FTP.","Actress with the Radio Division, NYC FTP.","Administrator, Delaware FTP; with FTP national\n                  office, Washington, DC; with the San Francisco\n                  World's Fair, 1939.","Administrator, Delaware FTP; with FTP national\n                  office, Washington, DC; with the San Francisco\n                  World's Fair, 1939.","Administrative assistant to Philip Barber, NYC\n                  FTP. Closed during interviewee's lifetime.","Assistant stage manager with the Living Newspaper\n                  unit, NYC FTP.","Administrative assistant to Jasper Deeter, first\n                  director of the Pennsylvania/New Jersey FTP.","Audience member, NYC FTP productions.","Composer, NYC FMP.","Director of the Anglo-Jewish unit, NYC FTP.","Worked with Children's and Vaudeville units, Miami\n                  and Tampa FTP. Closed during Fernando Mesa's\n                  lifetime.","Puppeteer with the Marionette unit, NYC FTP.","Actor with the Classical unit, NYC FTP.","Writer and playwright in NYC at the time of the\n                  FTP. This is an untaped interview.","Actress, NYC FTP.","Actress, NYC FTP.","Publicist, NYC FTP.","Actor with the Chicago, Peoria, and Miami FTP;\n                  worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, NYC\n                  FTP. Closed pending release.","Concertmaster with the FMP Illinois Symphony.","Composer with the NYC FTP; wrote the score for\n                  FTP's Created Equal.","Publicist with the Negro unit, NYC FTP.","Administrative director, NJ FTP; director of\n                  repertory unit, Roslyn, NY FTP. Written permission of\n                  interviewee required for publication.","Playwright in NYC whose work was produced by the\n                  FTP. Permission to quote required by interviewee.","Director, Denver FTP.","Worked with Composers's Forum and Copying Project\n                  of the FMP.","Choreographer, NYC FTP. This is an untaped\n                  interview.","Artist, NY FAP. Permission of interviewer required\n                  for publication.","Songwriter whose works were performed by NYC\n                  FTP.","Administrator with Iowa FTP; assistant to E.C.\n                  Mabie, regional director for the Midwest FTP.","Actor with the Seattle FTP.","Playwright whose work was produced by the FTP.","Composer and arranger with the Vaudeville unit, LA\n                  FTP.","Set designer, LA FTP.","Actor with the Anglo-Jewish unit, NYC FTP. Closed\n                  pending release.","Actor with the New Hampshire FTP. Closed pending\n                  release.","Puppeteer in NYC familiar with the Marionette and\n                  Children's units, NYC FTP.","Playwright in Chicago whose work was produced by\n                  the FTP.","Administrator, director, actor, and playwright\n                  involved with the Seattle and Tacoma FTP, and the Des\n                  Moines FTP.","Stage Manager with the Mercury Theatre, New\n                  York.","Theatrical director with the Classical unit, NYC\n                  FTP. Closed pending release.","Musical director with the Negro and Classical\n                  units, NYC FTP.","Musical director with the Negro and Classical\n                  units. NYC FTP.","Worked with the National Youth Administration and\n                  the WPA in Iowa. Closed pending release.","Administrator, National Play Bureau, NYC FTP.","Worked with the Resettlement Administration.","Actor with the Roslyn, NY FTP.","Dancer with Tamiris's group, Dance Project, NYC\n                  FTP.","Playwright based in Chicago whose works were\n                  produced by the FTP. Permission to quote over 100\n                  words required.","Playwright based in Chicago whose works were\n                  produced by the FTP.","Actress with the Vaudeville unit, LA FTP.","Stage manager, actor, and lighting technician with\n                  the LA FTP.","Stage manager, actor, and lighting technician, LA\n                  FTP.","Administrator, Atlanta FTP.","Lawyer who represented Orson Welles and John\n                  Houseman.","Director with the NYC FTP.","Muralist with the Illinois FAP. Permission needed\n                  to quote over 100 words.","Lighting director and technician with the Chicago\n                  FTP.","Administrator with the Marionette unit of the NYC\n                  FTP.","Puppeteer and lighting designer with the\n                  Marionette unit, NYC FTP.","Theatrical director with the Seattle FTP. Closed\n                  during Mr. Williams's lifetime.","Theatrical director with the Seattle FTP. Closed\n                  during Mr. Williams's lifetime.","Stage manager with the Children's theater, NYC\n                  FTP.","Artist with the Illinois and New York FAP.","Research with the San Francisco Theatre History\n                  project; actor in several SF FTP productions.","Worked with the GSA; recovered many FAP works and\n                  murals."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\n\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003e This compilation describes oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\n\u003c/abstract\u003e\n    "],"abstract_tesim":["This compilation describes oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project."],"corpname_ssim":["George Mason University. Special Collections and Archives.","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project.","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","United States. Works Progress Administration."],"names_ssim":["George Mason University. Special Collections and Archives.","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project.","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","United States. Works Progress Administration."],"language_ssim":["English"],"total_component_count_is":319,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:56:35.785Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_vifgm00021","ead_ssi":"vifgm_vifgm00021","_root_":"vifgm_vifgm00021","_nest_parent_":"vifgm_vifgm00021","ead_source_url_ssi":"data/gmu/vifgm00021.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["Works Progress Administration oral histories collection"],"title_tesim":["Works Progress Administration oral histories collection"],"unitdate_ssm":["1961-1984"],"unitdate_inclusive_ssm":["1961-1984"],"normalized_date_ssm":["1961/1984"],"normalized_title_ssm":["Works Progress Administration oral histories collection, 1961/1984"],"text":["Works Progress Administration oral histories collection, 1961/1984","C0153","Acting.","Dance--United States.","New Deal, 1933-1939.","Theater--United States.","Collection is open to research.","This collection is arranged alphabetically by last name of interviewee.","Artist, NY. Permission to quote over 100 words\n                  required.","The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture.","Processed by Special Collections and Archives staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009.","In 2009, staff discovered that a number of the interviews listed in the finding aid were not actually located in the boxes. Those interview names are still included in alphabetical order in the finding aid, but they are unnumbered signifying that no folder exists.","Special Collections and Archives also holds the .","This compilation describes oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.","The interviews (transcripts and tapes) are arranged in alphabetical order by the subject's last name. The date of the interview is included along with the type of work or position held by the interviewee during the 1930s, with the location when known. The name of the interviewer(s) follows. In some cases a notation is made indicating that an interview is untaped. If the interview was a joint one, this information is noted. The type of media available (abstract, letter, notes, tape, and/or transcript)is then listed along with the number of pages or minutes of each type. Restrictions that may apply to certain interviews is the last information in an entry.","List of Abbreviations:","CCC - Civilian Conservation Corps, FAP - Federal Art Project, FERA - Federal Emergency Relief Administration, FMP - Federal Music Project, FTP - Federal Theatre Project, FWP - Federal Writers Project, GSA - General Services Administration, NYA - National Youth Administration, SECT - Section of Painting and Sculpture, WPA - Works Projects Adminstration","Widow of playwright Hughes Allison, whose work was\n                  produced by FTP.","Stage manager and director with the Negro unit,\n                  NYC FTP.","Costume designer with SF FTP.","Actress who auditioned for Negro Unit, NYC\n                  FTP.","Composer and director, SF FMP.","Technician, marionette artist, and actor with the\n                  Classical unit, NYC FTP.","Conductor, FMP's Virginia Symphony Orchestra and\n                  North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with NYC\n                  Federal Dance Theatre.","Dancer with the Negro unit, NYC FTP. Closed\n                  pending release.","Administrative director of the NYC FTP.","Administrative director of the NYC FTP.","Dancer with Federal Dance Project, NYC.","Worked with the Radio Division of FTP. This is an\n                  untaped interview.","Stage manager with the Manhattan City Projects,\n                  NYC.","Dancer and actor with NYC FTP units.","Set designer for various NYC FTP productions.","Son-in-law of Hallie Flanagan; writer and critic\n                  of modern drama.","Step-daughter of Hallie Flanagan. Closed pending\n                  release.","Artist, muralist. Unidentified interviewer may\n                  have residual rights to interview.","Actor with Children's Theatre and Living Newspaper\n                  units of NYC FTP.","Writer who worked with the National Play Bureau,\n                  NYC FTP. Restricted during interviewee's\n                  lifetime.","Novelist, film writer, journalist, NYC, LA.\n                  Approval of Sylviane Bessie required.","Costume designer with SF FTP.","Administrator with NYC FTP Radio Division; also\n                  worked as publicist with NYC FTP. This is an untaped\n                  interview.","Composer, musician; wrote Swing It for NYC FTP.\n                  Closed pending release.","Playwright whose play, Battle Hymn, written with\n                  Michael Gold, was produced by various FTP units.","Artist, muralist with NYC FAP. Permission for\n                  publication required.","[see Bolton, Philip.]","Son of Harold (director and choreographer with NYC\n                  FTP) and Rhoda Rammelkamp Bolton (costume designer,\n                  NYC FTP). This is an untaped interview.","[see Bolton, Philip.]","Costume designer with NYC FTP.","Director of Play Bureau; in charge of exhibits;\n                  head of Play Reading Bureau within the National\n                  Office of FTP.","Actor with LA FTP. This is an untaped\n                  interview.","Director and actor with Chicago FTP.","Director and actress with Chicago FTP.","Actor with LA FTP.","Director of marionette unit of LA FTP.","Artist with FAP. Permission for publication\n                  required.","Playwright whose work was produced by Seattle FTP;\n                  also a writer with Boston FTP.","Actor with Children's unit of NYC FTP.","Sound technician with Living Newspaper unit of NYC\n                  FTP.","Publicist with NYC FTP.","Artist, muralist with FAP. Closed pending\n                  release.","Playwright whose work, Reward, was produced by the\n                  Tampa FTP. Closed during Fernando Mesa's\n                  lifetime.","Director of Lafayette Theatre's Negro unit of NYC\n                  FTP. This is an untaped interview.","Personnel administrator with NYC and Florida FTP\n                  units.","Artist, administrator with Ohio FAP. Permission\n                  with interviewer required for publication.","Actor, stage manager with Portland, OR FTP. Closed\n                  during interviewee's lifetime.","Playwright whose work was produced by Denver\n                  FTP.","Publicist with Federal Dance Theatre, NYC FTP.\n                  Closed pending release.","Writer and theater critic. Closed pending\n                  release.","Director of marionette units, SF and LA FTP;\n                  costume designer.","Director of marionette units, SF and LA FTP;\n                  costume designer.","Choreographer and dancer with Federal Dance\n                  Project, NYC FTP.","Artist with the Illinois and District of Columbia\n                  FAP. Permission of interviewer required for\n                  publication.","See Schnitzer, Marcella Cisney.","With Children's Theatre unit, NYC FTP.","Theatrical director with Experimental and\n                  Children's units, NYC FTP.","Assistant stage manager with Classical unit, NYC\n                  FTP.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, NYC FTP.","Director of Play Bureau, NYC FTP. Closed until\n                  completion of dissertation.","District supervisor with SF FTP.","Supervisor of Copyists unit of Philadelphia FMP;\n                  conductor of Philadelphia Orchestra.","Director of Negro unit, Boston FTP. Permission to\n                  quote required.","Director of Negro unit, Boston FTP.","Playwright whose works were produced by various\n                  FTP units.","Actor with NYC FTP.","Actor with Classical unit,NYC FTP.","Playwright whose work, Swamp Mud, was produced in\n                  Birmingham, AL.","WPA administrative assistant and secretary,\n                  Washington, D.C. and NY. Closed pending release.","Sculptor with FAP. Permission of interviewer\n                  required for publication.","Administrative assistant to Ellen Woodward, WPA's\n                  head of Woman's and Professional Division,\n                  Washington, D.C. FTP. This is an untaped\n                  interview.","Actress with Roslyn, NY unit of FTP.","Actress, dancer, playwright, and marionette\n                  manipulator with SF FTP.","Actor and director with Radio Division, NYC\n                  FTP.","Worked with various productions of FTP in\n                  California. Permission of interviewer required for\n                  publication.","Actor with the Roslyn, NY FTP unit.","Writer with Radio Division, NYC FTP.","Finance administrator, WPA arts projects,\n                  Washington, D.C.","Actor with Popular Price Theatre, NYC FTP. Closed\n                  pending release.","Music director with the Negro unit, NYC FTP.","Dancer and choreographer with the dance unit, NYC\n                  FTP.","Dancer with the dance unit, NYC FTP.","Play adapter and choreographer with Classical\n                  unit, NYC FTP.","Assistant to Hallie Flanagan at Smith College;\n                  playwright.","Playwright with Chicago FTP. Permission to quote\n                  over 100 words required.","Assistant stage manager with Negro unit, NYC\n                  FTP.","Worked in Herbert Hoover's and Harry Hopkins's\n                  press offices.","Student of Hallie Flanagan; expert in children's\n                  theater.","Director of Vaudeville unit, Los Angeles, FTP.\n                  Closed pending release.","Set designer with the Roslyn, NY unit of the\n                  FTP.","Actress with the Children's Theatre, NYC FTP.","Set designer with the Los Angeles FTP.","Actress with the Los Angeles FTP.","Musical composer and director with various units,\n                  NYC FMP and FTP.","Musical composer and director with various units,\n                  NYC FMP and FTP.","Director of Negro unit and Children's unit,\n                  Chicago, FTP. Closed pending release.","Director of Southwest Experimental unit, Los\n                  Angeles FTP.","Administrative assistant to Hallie Flanagan,\n                  national office, FTP.","Director, Midwest FTP; administrator for Federal\n                  Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical\n                  units, NYC FTP. Closed pending release.","Brother of Hallie Flanagan. This is an untaped\n                  interview.","Administrator with the National Play Bureau;\n                  playwright, play reader, NYC FTP.","Director of Miami unit, FTP.","Actor with SF FTP","Actress with the Classical unit, NYC FTP","Actor with Children's Theatre, NYC FTP","Writer with Radio Division, Illinois Writers'\n                  Project","Producer and Theatrical Director, NYC FTP","Wife of Ralph Freud, theatrical director and actor\n                  with LA FTP","Wife of Ralph Freud, theatrical director and actor\n                  with LA FTP.","Theatrical director and actor with LA and SF\n                  FTP.","Playwright and technical assistant with the\n                  Detroit FTP.","Composer; accompanist with Dance Project, LA\n                  FTP.","Dancer and assistant to Doris Humphrey with the\n                  Dance Project, NYC FTP.","Actor, NYC FTP.","Writer and Publicist with FWP and the Negro unit,\n                  NYC FTP; play reader with FTP Play Bureau. Closed\n                  pending release.","Dancer with the Dance Project, NYC FTP","Actor and founder of Chicago Repertory Group,\n                  1933.","Administrator, Bureau of research and Publications\n                  of FTP.","Administrator, Bureau of Research and Publications\n                  of FTP.","Actor with the Chicago FTP.","Dancer with the Chicago FTP.","Actress and dancer with the Vaudeville unit, LA\n                  FTP","Actor with the LA FTP; director with the Seattle\n                  FTP.","State director of the Illinois FMP.","Publicist with NYC FTP; director, Department of\n                  Information, FTP.","Designer, theater historian; critic.","Theatrical director with the Atlanta, Tampa, and\n                  Chicago units of the FTP.","Theatrical director with the Atlanta, Tampa, and\n                  Chicago units of the FTP.","Playwright, some of whose works were produced by\n                  various FTP units.","Musical director with the LA and SF FTP.\n                  Permission to quote more than 100 words required.","Musical director with the LA and SF FTP.Closed\n                  until 1996; or permission of interviewee.","Art director with the Atlanta FTP.","Staff composer and arranger with FTP.","Stage manager and publicity director with the\n                  Living Newspaper unit, NYC FTP.","Writer and researcher with the Living Newspaper\n                  unit, NYC FTP.","Play reader and playwright with the NYC FTP.\n                  Permission required for commercial use.","Play reader and playwright with the NYC FTP. Closed\n                  pending release.","Muralist with the FAP and SECT in NY and Ohio.\n                  Permission of interviewer required for\n                  publication.","Writer, critic, producer, designer with the NY\n                  theaters i the 1930s.","Producer and administrator with the Negro and\n                  Classical units, NYC FTP.","Participated in the Resettlement\n                  Administration.","Son of Edith Isaacs, editor of Theatre Arts\n                  Magazine; friend of FTP. This is an untaped\n                  interview.","Lighting designer with the LA FTP. This is an\n                  untaped interview.","Theatrical director familiar with the LA and NYC\n                  FTP.","Publicist and promotion officer with the NYC\n                  FTP.","Director of information with the NYC FMP.","Actor with the SF FTP.","Songwriter and composer with the NYC FTP.","Choreographer and dancer with the Dance Project,\n                  LA FTP.","Actress with the San Bernardino/Riverside and LA\n                  FTP.","Stagehand with the NYC FTP.Closed pending\n                  release.","Playwright with the NYC FTP.","Administrative director, Chicago and NYC FTP.","Concertmaster of the Grand Rapids, MI FTP\n                  orchestra.","Stage manager, administrator, theatrical director\n                  with the FTP in NYC, Washington, D.C., and Seattle,\n                  WA.","Stage manager, administrator, theatrical director\n                  with the FTP in NYC, Washington, D.C., and Seattle,\n                  WA.","Playwright whose works were produced by the NYC\n                  FTP. Closed pending release.","Actress with the SF and Oakland FTP. This is an\n                  untaped interview.","Dancer with the Dance Project, NYC FTP.","Actress with the Classical unit, NYC FTP.","Administrator with the National Service Bureau of\n                  the FTP.","Director, National Service Bureau of the FTP.","Director of Bureau of Research and Publication,\n                  NYC FTP.Bound with the 1-4-76 transcript.","Director of Bureau of Research and Publication,\n                  NYC FTP.Bound with the 1-3-76 transcript.","Actress with the Negro unit, NYC FTP. Closed\n                  during interviewee's lifetime.","Puppeteer with the Marionette Project, NYC\n                  FTP.Closed during lifetime.","Publicist with NYC and Chicago FTP. Interview not\n                  to be used for gain or profit without the consent of\n                  the interviewee.","Actor with the several units of the NYC FTP.","Lyricist whose work was featured in the NYC FTP\n                  production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta\n                  FTP.Permission for use required during Mr. Lentz's\n                  lifetime.","Actor with NYC FTP.","Set designer with NYC FTP.","Playwright whose Model Tenements was produced by\n                  the Chicago FTP.","Dancer with the Dance Project, LA FTP.","Teacher and conductor with NYC FMP. Closed during\n                  interviewee's lifetime.","Interviewee's husband, Gerhardt Lindemulder, was a\n                  director with the FTP in Louisiana and Florida.","Vaudeville performer with the FTP.","Dancer with the Children's unit and Dance Project,\n                  NYC FTP.Tape restricted.","Puppet artist with the Marionette unit, NYC\n                  FTP.","Actor with the Living Newspaper unit, NYC FTP.","Costume designer with FTP units in Seattle and\n                  Tacoma, WA.Closed during Mr. Williams's lifetime.","Conductor with the Vermont FMP.","Father of Sidney Lumet, child actor with the\n                  Yiddish unit, NYC FTP.","Administrative director with the Florida FTP.","Actor with the Chicago FTP.Closed during\n                  interviewee's lifetime.","Actor with the Jacksonville and Miami FTP.Closed\n                  during interviewee's lifetime.","Marionette artist with the SF FTP.Quotations must\n                  be accurate.","Playwright whose work was produced by NYC FTP.","Actress with the Classical unit, NYC FTP.","Actor with the Chicago FTP.","Actor with the Atlanta FTP.","Playwright and researcher with the National Play\n                  Bureau of the FTP.Closed during interviewee's\n                  lifetime.","Publicist with the NYC FTP.","Actress and researcher with the LA FTP; researcher\n                  with the Seattle FTP.","Actress and researcher with the LA FTP; researcher\n                  with the Seattle FTP.","Costume designer with the NYC FTP.","Stage manager with the Tampa FTP.Closed during\n                  interviewee's lifetime.","Administrator with the Research Bureau, NYC\n                  FTP.This is an untaped interview.","Staff member with the Educational Division, NYC\n                  FTP.","Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP.","Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP.","Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP.","Member of the Seattle Negro Repertory Theatre in\n                  the 1930s.Closed to any government agency.","Set designer with the NYC FTP.","Worked with the NYC FTP. This is an untaped\n                  interview.","Director with the FTP in the South; later with the\n                  Detroit FTP.","Theatrical director with the Negro unit, NYC\n                  FTP.","Actor, director, writer with the Southwest\n                  Experimental unit of the LA FTP.","Director with the Negro unit, LA FTP.","Dancer with the NYC FTP.","Writer and playwright who submitted work to the\n                  Negro unit, NYC FTP.This is an untaped interview.","Director with the Indiana FTP.","Actor with the Seattle FTP.","Dancer and choreographer with the Chicago FTP.","Dancer with the NYC FTP.","Actor with the Chicago FTP.","Writer with the Southwest Experimental unit of the\n                  LA FTP.","Actress and student of Hallie Flanagan at Vassar\n                  College.This is an untaped interview.","Actor; director with Suitcase Theatre; assistant\n                  director with the Classical unit, NYC FTP.","Director of casting with the Talent Bureau, NYC\n                  FTP.Closed pending release.","Dancer with the NYC FTP.","Director of the Vaudeville productions, LA\n                  FTP.","Actor in Yiddish theater and New York University\n                  repertory groups during the FTP era.","Conductor with the Michigan WPA Symphony\n                  Orchestra.","Actor with the LA and Portland (OR) FTP units.This\n                  is an untaped interview.","With the WPA program in Connecticut; also with the\n                  CCC; founded the Plymouth Playhouse; worked briefly\n                  on the set of Faustus.","Actor with the Children's unit, NYC FTP.","Researcher of the Chinese theater, Research\n                  Department, SF FTP.","Choreographer with the Yiddish unit, NYC\n                  FTP.Closed during interviewee's lifetime.","Radio script writer, Radio Division, NYC FTP.This\n                  is an untaped interview.","Artist, muralist with the FAP in NY, NJ, and\n                  CA.Permission of interviewer required for\n                  publication.","Actress and director with the marionette unit of\n                  the Miami FTP.","Playwright in New York and San Francisco; write\n                  with the FWP.","Administrator and legal counsel for the National\n                  Service Bureau, FTP.","Administrator and legal counsel for the National\n                  Service Bureau, FTP.","Hallie Flanagan's assistant who collected\n                  Flanagan's papers which were donated to the Theatre\n                  Collection, New York Public Library.","Actor with the Cleveland (OH) FTP.","Composer for various productions, NYC FTP.","Writer and director with the Radio Division, NYC\n                  FTP.","Actress with the NYC FTP.","Lyricist who wrote the words for \"Papa's Got a\n                  Job\" for Sing For Your Supper under the pseudonym of\n                  Hector Troy.This is an untaped interview.","Playwright, play reader with the Playwriting\n                  Bureau, NYC FTP.Prior consent required for\n                  publication.","Muralist with the Massachusetts and New York\n                  FAP.Permission of interviewer required for\n                  publication.","Administrator, Playwriting Bureau, FTP.Permission\n                  of interviewee required; copyright conditions.","Playwright in NYC whose works were produced by\n                  FTP.This is an untaped interview.","Actor with the Negro unit, NYC FTP. This is an\n                  untaped interview.","Playwright and director with the Seattle\n                  FTP.Closed during Guy Williams's lifetime.","Director with the Experimental unit, NYC\n                  FTP.Closed pending release.","Administrative assistant with the Negro and\n                  Classical units, NYC FTP.","Actress with the Radio Division, NYC FTP.","Administrator, Delaware FTP; with FTP national\n                  office, Washington, DC; with the San Francisco\n                  World's Fair, 1939.","Administrator, Delaware FTP; with FTP national\n                  office, Washington, DC; with the San Francisco\n                  World's Fair, 1939.","Administrative assistant to Philip Barber, NYC\n                  FTP. Closed during interviewee's lifetime.","Assistant stage manager with the Living Newspaper\n                  unit, NYC FTP.","Administrative assistant to Jasper Deeter, first\n                  director of the Pennsylvania/New Jersey FTP.","Audience member, NYC FTP productions.","Composer, NYC FMP.","Director of the Anglo-Jewish unit, NYC FTP.","Worked with Children's and Vaudeville units, Miami\n                  and Tampa FTP. Closed during Fernando Mesa's\n                  lifetime.","Puppeteer with the Marionette unit, NYC FTP.","Actor with the Classical unit, NYC FTP.","Writer and playwright in NYC at the time of the\n                  FTP. This is an untaped interview.","Actress, NYC FTP.","Actress, NYC FTP.","Publicist, NYC FTP.","Actor with the Chicago, Peoria, and Miami FTP;\n                  worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, NYC\n                  FTP. Closed pending release.","Concertmaster with the FMP Illinois Symphony.","Composer with the NYC FTP; wrote the score for\n                  FTP's Created Equal.","Publicist with the Negro unit, NYC FTP.","Administrative director, NJ FTP; director of\n                  repertory unit, Roslyn, NY FTP. Written permission of\n                  interviewee required for publication.","Playwright in NYC whose work was produced by the\n                  FTP. Permission to quote required by interviewee.","Director, Denver FTP.","Worked with Composers's Forum and Copying Project\n                  of the FMP.","Choreographer, NYC FTP. This is an untaped\n                  interview.","Artist, NY FAP. Permission of interviewer required\n                  for publication.","Songwriter whose works were performed by NYC\n                  FTP.","Administrator with Iowa FTP; assistant to E.C.\n                  Mabie, regional director for the Midwest FTP.","Actor with the Seattle FTP.","Playwright whose work was produced by the FTP.","Composer and arranger with the Vaudeville unit, LA\n                  FTP.","Set designer, LA FTP.","Actor with the Anglo-Jewish unit, NYC FTP. Closed\n                  pending release.","Actor with the New Hampshire FTP. Closed pending\n                  release.","Puppeteer in NYC familiar with the Marionette and\n                  Children's units, NYC FTP.","Playwright in Chicago whose work was produced by\n                  the FTP.","Administrator, director, actor, and playwright\n                  involved with the Seattle and Tacoma FTP, and the Des\n                  Moines FTP.","Stage Manager with the Mercury Theatre, New\n                  York.","Theatrical director with the Classical unit, NYC\n                  FTP. Closed pending release.","Musical director with the Negro and Classical\n                  units, NYC FTP.","Musical director with the Negro and Classical\n                  units. NYC FTP.","Worked with the National Youth Administration and\n                  the WPA in Iowa. Closed pending release.","Administrator, National Play Bureau, NYC FTP.","Worked with the Resettlement Administration.","Actor with the Roslyn, NY FTP.","Dancer with Tamiris's group, Dance Project, NYC\n                  FTP.","Playwright based in Chicago whose works were\n                  produced by the FTP. Permission to quote over 100\n                  words required.","Playwright based in Chicago whose works were\n                  produced by the FTP.","Actress with the Vaudeville unit, LA FTP.","Stage manager, actor, and lighting technician with\n                  the LA FTP.","Stage manager, actor, and lighting technician, LA\n                  FTP.","Administrator, Atlanta FTP.","Lawyer who represented Orson Welles and John\n                  Houseman.","Director with the NYC FTP.","Muralist with the Illinois FAP. Permission needed\n                  to quote over 100 words.","Lighting director and technician with the Chicago\n                  FTP.","Administrator with the Marionette unit of the NYC\n                  FTP.","Puppeteer and lighting designer with the\n                  Marionette unit, NYC FTP.","Theatrical director with the Seattle FTP. Closed\n                  during Mr. Williams's lifetime.","Theatrical director with the Seattle FTP. Closed\n                  during Mr. Williams's lifetime.","Stage manager with the Children's theater, NYC\n                  FTP.","Artist with the Illinois and New York FAP.","Research with the San Francisco Theatre History\n                  project; actor in several SF FTP productions.","Worked with the GSA; recovered many FAP works and\n                  murals.","There are no restrictions.","This compilation describes oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.","George Mason University. Special Collections and Archives.","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project.","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","United States. Works Progress Administration.","English"],"collection_title_tesim":["Works Progress Administration oral histories collection, 1961/1984"],"collection_ssim":["Works Progress Administration oral histories collection, 1961/1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0153"],"unitid_tesim":["C0153"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_corpname_ssim":["George Mason University. Special Collections and Archives.","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project.","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","United States. Works Progress Administration."],"creators_ssim":["George Mason University. Special Collections and Archives.","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project.","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","United States. Works Progress Administration."],"acqinfo_ssim":["Donated by the Institute on the Federal Theatre Project and New Deal Culture."],"access_subjects_ssim":["Acting.","Dance--United States.","New Deal, 1933-1939.","Theater--United States."],"access_subjects_ssm":["Acting.","Dance--United States.","New Deal, 1933-1939.","Theater--United States."],"has_online_content_ssim":["false"],"extent_ssm":["7 linear feet (11 boxes)"],"extent_tesim":["7 linear feet (11 boxes)"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\n\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by last name of interviewee.\n\u003c/p\u003e\n    ","\u003cp\u003e Artist, NY. Permission to quote over 100 words\n                  required.\u003c/p\u003e\n          "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by last name of interviewee.","Artist, NY. Permission to quote over 100 words\n                  required."],"bioghist_html_tesm":["\u003cp\u003eThe interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture.\n\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture."],"prefercite_html_tesm":["\u003cp\u003eWorks Progress Administration oral histories collection, Collection #C0153, Special Collections and Archives, George Mason University.\n\u003c/p\u003e\n      "],"prefercite_tesim":["Works Progress Administration oral histories collection, Collection #C0153, Special Collections and Archives, George Mason University."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections and Archives staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. \n\u003c/p\u003e\n        ","\u003cp\u003eIn 2009, staff discovered that a number of the interviews listed in the finding aid were not actually located in the boxes. Those interview names are still included in alphabetical order in the finding aid, but they are unnumbered signifying that no folder exists.\n\u003c/p\u003e\n      "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections and Archives staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009.","In 2009, staff discovered that a number of the interviews listed in the finding aid were not actually located in the boxes. Those interview names are still included in alphabetical order in the finding aid, but they are unnumbered signifying that no folder exists."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the \u003cextptr type=\"simple\" title=\"Federal Theatre Project collection\" show=\"new\" href=\"http://sca.gmu.edu/theater_collections.htm\"\u003e\u003c/extptr\u003e.\n\u003c/p\u003e\n      "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds the ."],"scopecontent_html_tesm":["\u003cp\u003eThis compilation describes oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\n\u003c/p\u003e\n      ","\u003cp\u003e\nThe interviews (transcripts and tapes) are arranged in alphabetical order by the subject's last name. The date of the interview is included along with the type of work or position held by the interviewee during the 1930s, with the location when known. The name of the interviewer(s) follows. In some cases a notation is made indicating that an interview is untaped. If the interview was a joint one, this information is noted. The type of media available (abstract, letter, notes, tape, and/or transcript)is then listed along with the number of pages or minutes of each type. Restrictions that may apply to certain interviews is the last information in an entry.\n\u003c/p\u003e\n      ","\u003cp\u003e\nList of Abbreviations:\n\u003c/p\u003e\n      ","\u003cp\u003e\nCCC - Civilian Conservation Corps, FAP - Federal Art Project, FERA - Federal Emergency Relief Administration, FMP - Federal Music Project, FTP - Federal Theatre Project, FWP - Federal Writers Project, GSA - General Services Administration, NYA - National Youth Administration, SECT - Section of Painting and Sculpture, WPA - Works Projects Adminstration\n\u003c/p\u003e\n    ","\u003cp\u003e Widow of playwright Hughes Allison, whose work was\n                  produced by FTP.\u003c/p\u003e\n          ","\u003cp\u003e Stage manager and director with the Negro unit,\n                  NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Costume designer with SF FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actress who auditioned for Negro Unit, NYC\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Composer and director, SF FMP.\u003c/p\u003e\n          ","\u003cp\u003e Technician, marionette artist, and actor with the\n                  Classical unit, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Conductor, FMP's Virginia Symphony Orchestra and\n                  North Carolina-Virginia Symphony.\u003c/p\u003e\n          ","\u003cp\u003e Dancer and assistant to Charles Weidman, with NYC\n                  Federal Dance Theatre.\u003c/p\u003e\n          ","\u003cp\u003e Dancer with the Negro unit, NYC FTP. Closed\n                  pending release.\u003c/p\u003e\n          ","\u003cp\u003e Administrative director of the NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Administrative director of the NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Dancer with Federal Dance Project, NYC.\u003c/p\u003e\n          ","\u003cp\u003e Worked with the Radio Division of FTP. This is an\n                  untaped interview.\u003c/p\u003e\n          ","\u003cp\u003e Stage manager with the Manhattan City Projects,\n                  NYC.\u003c/p\u003e\n          ","\u003cp\u003e Dancer and actor with NYC FTP units.\u003c/p\u003e\n          ","\u003cp\u003e Set designer for various NYC FTP productions.\u003c/p\u003e\n          ","\u003cp\u003e Son-in-law of Hallie Flanagan; writer and critic\n                  of modern drama.\u003c/p\u003e\n          ","\u003cp\u003e Step-daughter of Hallie Flanagan. Closed pending\n                  release.\u003c/p\u003e\n          ","\u003cp\u003e Artist, muralist. Unidentified interviewer may\n                  have residual rights to interview.\u003c/p\u003e\n          ","\u003cp\u003e Actor with Children's Theatre and Living Newspaper\n                  units of NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Writer who worked with the National Play Bureau,\n                  NYC FTP. Restricted during interviewee's\n                  lifetime.\u003c/p\u003e\n          ","\u003cp\u003e Novelist, film writer, journalist, NYC, LA.\n                  Approval of Sylviane Bessie required.\u003c/p\u003e\n          ","\u003cp\u003e Costume designer with SF FTP.\u003c/p\u003e\n          ","\u003cp\u003e Administrator with NYC FTP Radio Division; also\n                  worked as publicist with NYC FTP. This is an untaped\n                  interview.\u003c/p\u003e\n          ","\u003cp\u003e Composer, musician; wrote Swing It for NYC FTP.\n                  Closed pending release.\u003c/p\u003e\n          ","\u003cp\u003e Playwright whose play, Battle Hymn, written with\n                  Michael Gold, was produced by various FTP units.\u003c/p\u003e\n          ","\u003cp\u003e Artist, muralist with NYC FAP. Permission for\n                  publication required.\u003c/p\u003e\n          ","\u003cp\u003e [see Bolton, Philip.]\u003c/p\u003e\n          ","\u003cp\u003e Son of Harold (director and choreographer with NYC\n                  FTP) and Rhoda Rammelkamp Bolton (costume designer,\n                  NYC FTP). This is an untaped interview.\u003c/p\u003e\n          ","\u003cp\u003e [see Bolton, Philip.]\u003c/p\u003e\n          ","\u003cp\u003e Costume designer with NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Director of Play Bureau; in charge of exhibits;\n                  head of Play Reading Bureau within the National\n                  Office of FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actor with LA FTP. This is an untaped\n                  interview.\u003c/p\u003e\n          ","\u003cp\u003e Director and actor with Chicago FTP.\u003c/p\u003e\n          ","\u003cp\u003e Director and actress with Chicago FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actor with LA FTP.\u003c/p\u003e\n          ","\u003cp\u003e Director of marionette unit of LA FTP.\u003c/p\u003e\n          ","\u003cp\u003e Artist with FAP. Permission for publication\n                  required.\u003c/p\u003e\n          ","\u003cp\u003e Playwright whose work was produced by Seattle FTP;\n                  also a writer with Boston FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actor with Children's unit of NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Sound technician with Living Newspaper unit of NYC\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Publicist with NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Artist, muralist with FAP. Closed pending\n                  release.\u003c/p\u003e\n          ","\u003cp\u003e Playwright whose work, Reward, was produced by the\n                  Tampa FTP. Closed during Fernando Mesa's\n                  lifetime.\u003c/p\u003e\n          ","\u003cp\u003e Director of Lafayette Theatre's Negro unit of NYC\n                  FTP. This is an untaped interview.\u003c/p\u003e\n          ","\u003cp\u003e Personnel administrator with NYC and Florida FTP\n                  units.\u003c/p\u003e\n          ","\u003cp\u003e Artist, administrator with Ohio FAP. Permission\n                  with interviewer required for publication.\u003c/p\u003e\n          ","\u003cp\u003e Actor, stage manager with Portland, OR FTP. Closed\n                  during interviewee's lifetime.\u003c/p\u003e\n          ","\u003cp\u003e Playwright whose work was produced by Denver\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Publicist with Federal Dance Theatre, NYC FTP.\n                  Closed pending release.\u003c/p\u003e\n          ","\u003cp\u003e Writer and theater critic. Closed pending\n                  release.\u003c/p\u003e\n          ","\u003cp\u003e Director of marionette units, SF and LA FTP;\n                  costume designer.\u003c/p\u003e\n          ","\u003cp\u003e Director of marionette units, SF and LA FTP;\n                  costume designer.\u003c/p\u003e\n          ","\u003cp\u003e Choreographer and dancer with Federal Dance\n                  Project, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Artist with the Illinois and District of Columbia\n                  FAP. Permission of interviewer required for\n                  publication.\u003c/p\u003e\n          ","\u003cp\u003e See Schnitzer, Marcella Cisney.\u003c/p\u003e\n          ","\u003cp\u003e With Children's Theatre unit, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Theatrical director with Experimental and\n                  Children's units, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Assistant stage manager with Classical unit, NYC\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Concertmaster, Illinois Symphony Orchestra.\u003c/p\u003e\n          ","\u003cp\u003e Director of Play Bureau, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Director of Play Bureau, NYC FTP. Closed until\n                  completion of dissertation.\u003c/p\u003e\n          ","\u003cp\u003e District supervisor with SF FTP.\u003c/p\u003e\n          ","\u003cp\u003e Supervisor of Copyists unit of Philadelphia FMP;\n                  conductor of Philadelphia Orchestra.\u003c/p\u003e\n          ","\u003cp\u003e Director of Negro unit, Boston FTP. Permission to\n                  quote required.\u003c/p\u003e\n          ","\u003cp\u003e Director of Negro unit, Boston FTP.\u003c/p\u003e\n          ","\u003cp\u003e Playwright whose works were produced by various\n                  FTP units.\u003c/p\u003e\n          ","\u003cp\u003e Actor with NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actor with Classical unit,NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Playwright whose work, Swamp Mud, was produced in\n                  Birmingham, AL.\u003c/p\u003e\n          ","\u003cp\u003e WPA administrative assistant and secretary,\n                  Washington, D.C. and NY. Closed pending release.\u003c/p\u003e\n          ","\u003cp\u003e Sculptor with FAP. Permission of interviewer\n                  required for publication.\u003c/p\u003e\n          ","\u003cp\u003e Administrative assistant to Ellen Woodward, WPA's\n                  head of Woman's and Professional Division,\n                  Washington, D.C. FTP. This is an untaped\n                  interview.\u003c/p\u003e\n          ","\u003cp\u003e Actress with Roslyn, NY unit of FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actress, dancer, playwright, and marionette\n                  manipulator with SF FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actor and director with Radio Division, NYC\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Worked with various productions of FTP in\n                  California. Permission of interviewer required for\n                  publication.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the Roslyn, NY FTP unit.\u003c/p\u003e\n          ","\u003cp\u003e Writer with Radio Division, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Finance administrator, WPA arts projects,\n                  Washington, D.C.\u003c/p\u003e\n          ","\u003cp\u003e Actor with Popular Price Theatre, NYC FTP. Closed\n                  pending release.\u003c/p\u003e\n          ","\u003cp\u003e Music director with the Negro unit, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Dancer and choreographer with the dance unit, NYC\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Dancer with the dance unit, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Play adapter and choreographer with Classical\n                  unit, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Assistant to Hallie Flanagan at Smith College;\n                  playwright.\u003c/p\u003e\n          ","\u003cp\u003e Playwright with Chicago FTP. Permission to quote\n                  over 100 words required.\u003c/p\u003e\n          ","\u003cp\u003e Assistant stage manager with Negro unit, NYC\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Worked in Herbert Hoover's and Harry Hopkins's\n                  press offices.\u003c/p\u003e\n          ","\u003cp\u003e Student of Hallie Flanagan; expert in children's\n                  theater.\u003c/p\u003e\n          ","\u003cp\u003e Director of Vaudeville unit, Los Angeles, FTP.\n                  Closed pending release.\u003c/p\u003e\n          ","\u003cp\u003e Set designer with the Roslyn, NY unit of the\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actress with the Children's Theatre, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Set designer with the Los Angeles FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actress with the Los Angeles FTP.\u003c/p\u003e\n          ","\u003cp\u003e Musical composer and director with various units,\n                  NYC FMP and FTP.\u003c/p\u003e\n          ","\u003cp\u003e Musical composer and director with various units,\n                  NYC FMP and FTP.\u003c/p\u003e\n          ","\u003cp\u003e Director of Negro unit and Children's unit,\n                  Chicago, FTP. Closed pending release.\u003c/p\u003e\n          ","\u003cp\u003e Director of Southwest Experimental unit, Los\n                  Angeles FTP.\u003c/p\u003e\n          ","\u003cp\u003e Administrative assistant to Hallie Flanagan,\n                  national office, FTP.\u003c/p\u003e\n          ","\u003cp\u003e Director, Midwest FTP; administrator for Federal\n                  Arts Projects in Chicago and Washington, D.C.\u003c/p\u003e\n          ","\u003cp\u003e Lighting designer with the Negro and Classical\n                  units, NYC FTP. Closed pending release.\u003c/p\u003e\n          ","\u003cp\u003e Brother of Hallie Flanagan. This is an untaped\n                  interview.\u003c/p\u003e\n          ","\u003cp\u003e Administrator with the National Play Bureau;\n                  playwright, play reader, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Director of Miami unit, FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actor with SF FTP\u003c/p\u003e\n          ","\u003cp\u003e Actress with the Classical unit, NYC FTP\u003c/p\u003e\n          ","\u003cp\u003e Actor with Children's Theatre, NYC FTP\u003c/p\u003e\n          ","\u003cp\u003e Writer with Radio Division, Illinois Writers'\n                  Project\u003c/p\u003e\n          ","\u003cp\u003e Producer and Theatrical Director, NYC FTP\u003c/p\u003e\n          ","\u003cp\u003e Wife of Ralph Freud, theatrical director and actor\n                  with LA FTP\u003c/p\u003e\n          ","\u003cp\u003e Wife of Ralph Freud, theatrical director and actor\n                  with LA FTP.\u003c/p\u003e\n          ","\u003cp\u003e Theatrical director and actor with LA and SF\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Playwright and technical assistant with the\n                  Detroit FTP.\u003c/p\u003e\n          ","\u003cp\u003e Composer; accompanist with Dance Project, LA\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Dancer and assistant to Doris Humphrey with the\n                  Dance Project, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actor, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Writer and Publicist with FWP and the Negro unit,\n                  NYC FTP; play reader with FTP Play Bureau. Closed\n                  pending release.\u003c/p\u003e\n          ","\u003cp\u003e Dancer with the Dance Project, NYC FTP\u003c/p\u003e\n          ","\u003cp\u003e Actor and founder of Chicago Repertory Group,\n                  1933.\u003c/p\u003e\n          ","\u003cp\u003e Administrator, Bureau of research and Publications\n                  of FTP.\u003c/p\u003e\n          ","\u003cp\u003e Administrator, Bureau of Research and Publications\n                  of FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the Chicago FTP.\u003c/p\u003e\n          ","\u003cp\u003e Dancer with the Chicago FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actress and dancer with the Vaudeville unit, LA\n                  FTP\u003c/p\u003e\n          ","\u003cp\u003e Actor with the LA FTP; director with the Seattle\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e State director of the Illinois FMP.\u003c/p\u003e\n          ","\u003cp\u003e Publicist with NYC FTP; director, Department of\n                  Information, FTP.\u003c/p\u003e\n          ","\u003cp\u003e Designer, theater historian; critic.\u003c/p\u003e\n          ","\u003cp\u003e Theatrical director with the Atlanta, Tampa, and\n                  Chicago units of the FTP.\u003c/p\u003e\n          ","\u003cp\u003e Theatrical director with the Atlanta, Tampa, and\n                  Chicago units of the FTP.\u003c/p\u003e\n          ","\u003cp\u003e Playwright, some of whose works were produced by\n                  various FTP units.\u003c/p\u003e\n          ","\u003cp\u003e Musical director with the LA and SF FTP.\n                  Permission to quote more than 100 words required.\u003c/p\u003e\n          ","\u003cp\u003e Musical director with the LA and SF FTP.Closed\n                  until 1996; or permission of interviewee.\u003c/p\u003e\n          ","\u003cp\u003e Art director with the Atlanta FTP.\u003c/p\u003e\n          ","\u003cp\u003e Staff composer and arranger with FTP.\u003c/p\u003e\n          ","\u003cp\u003e Stage manager and publicity director with the\n                  Living Newspaper unit, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Writer and researcher with the Living Newspaper\n                  unit, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Play reader and playwright with the NYC FTP.\n                  Permission required for commercial use.\u003c/p\u003e\n          ","\u003cp\u003e Play reader and playwright with the NYC FTP. Closed\n                  pending release.\u003c/p\u003e\n          ","\u003cp\u003e Muralist with the FAP and SECT in NY and Ohio.\n                  Permission of interviewer required for\n                  publication.\u003c/p\u003e\n          ","\u003cp\u003e Writer, critic, producer, designer with the NY\n                  theaters i the 1930s.\u003c/p\u003e\n          ","\u003cp\u003e Producer and administrator with the Negro and\n                  Classical units, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Participated in the Resettlement\n                  Administration.\u003c/p\u003e\n          ","\u003cp\u003e Son of Edith Isaacs, editor of Theatre Arts\n                  Magazine; friend of FTP. This is an untaped\n                  interview.\u003c/p\u003e\n          ","\u003cp\u003e Lighting designer with the LA FTP. This is an\n                  untaped interview.\u003c/p\u003e\n          ","\u003cp\u003e Theatrical director familiar with the LA and NYC\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Publicist and promotion officer with the NYC\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Director of information with the NYC FMP.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the SF FTP.\u003c/p\u003e\n          ","\u003cp\u003e Songwriter and composer with the NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Choreographer and dancer with the Dance Project,\n                  LA FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actress with the San Bernardino/Riverside and LA\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Stagehand with the NYC FTP.Closed pending\n                  release.\u003c/p\u003e\n          ","\u003cp\u003e Playwright with the NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Administrative director, Chicago and NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Concertmaster of the Grand Rapids, MI FTP\n                  orchestra.\u003c/p\u003e\n          ","\u003cp\u003e Stage manager, administrator, theatrical director\n                  with the FTP in NYC, Washington, D.C., and Seattle,\n                  WA.\u003c/p\u003e\n          ","\u003cp\u003e Stage manager, administrator, theatrical director\n                  with the FTP in NYC, Washington, D.C., and Seattle,\n                  WA.\u003c/p\u003e\n          ","\u003cp\u003e Playwright whose works were produced by the NYC\n                  FTP. Closed pending release.\u003c/p\u003e\n          ","\u003cp\u003e Actress with the SF and Oakland FTP. This is an\n                  untaped interview.\u003c/p\u003e\n          ","\u003cp\u003e Dancer with the Dance Project, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actress with the Classical unit, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Administrator with the National Service Bureau of\n                  the FTP.\u003c/p\u003e\n          ","\u003cp\u003e Director, National Service Bureau of the FTP.\u003c/p\u003e\n          ","\u003cp\u003e Director of Bureau of Research and Publication,\n                  NYC FTP.Bound with the 1-4-76 transcript.\u003c/p\u003e\n          ","\u003cp\u003e Director of Bureau of Research and Publication,\n                  NYC FTP.Bound with the 1-3-76 transcript.\u003c/p\u003e\n          ","\u003cp\u003e Actress with the Negro unit, NYC FTP. Closed\n                  during interviewee's lifetime.\u003c/p\u003e\n          ","\u003cp\u003e Puppeteer with the Marionette Project, NYC\n                  FTP.Closed during lifetime.\u003c/p\u003e\n          ","\u003cp\u003e Publicist with NYC and Chicago FTP. Interview not\n                  to be used for gain or profit without the consent of\n                  the interviewee.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the several units of the NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Lyricist whose work was featured in the NYC FTP\n                  production of Sing For Your Supper.\u003c/p\u003e\n          ","\u003cp\u003e Administrator with the New Orleans and Atlanta\n                  FTP.Permission for use required during Mr. Lentz's\n                  lifetime.\u003c/p\u003e\n          ","\u003cp\u003e Actor with NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Set designer with NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Playwright whose Model Tenements was produced by\n                  the Chicago FTP.\u003c/p\u003e\n          ","\u003cp\u003e Dancer with the Dance Project, LA FTP.\u003c/p\u003e\n          ","\u003cp\u003e Teacher and conductor with NYC FMP. Closed during\n                  interviewee's lifetime.\u003c/p\u003e\n          ","\u003cp\u003e Interviewee's husband, Gerhardt Lindemulder, was a\n                  director with the FTP in Louisiana and Florida.\u003c/p\u003e\n          ","\u003cp\u003e Vaudeville performer with the FTP.\u003c/p\u003e\n          ","\u003cp\u003e Dancer with the Children's unit and Dance Project,\n                  NYC FTP.Tape restricted.\u003c/p\u003e\n          ","\u003cp\u003e Puppet artist with the Marionette unit, NYC\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the Living Newspaper unit, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Costume designer with FTP units in Seattle and\n                  Tacoma, WA.Closed during Mr. Williams's lifetime.\u003c/p\u003e\n          ","\u003cp\u003e Conductor with the Vermont FMP.\u003c/p\u003e\n          ","\u003cp\u003e Father of Sidney Lumet, child actor with the\n                  Yiddish unit, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Administrative director with the Florida FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the Chicago FTP.Closed during\n                  interviewee's lifetime.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the Jacksonville and Miami FTP.Closed\n                  during interviewee's lifetime.\u003c/p\u003e\n          ","\u003cp\u003e Marionette artist with the SF FTP.Quotations must\n                  be accurate.\u003c/p\u003e\n          ","\u003cp\u003e Playwright whose work was produced by NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actress with the Classical unit, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the Chicago FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the Atlanta FTP.\u003c/p\u003e\n          ","\u003cp\u003e Playwright and researcher with the National Play\n                  Bureau of the FTP.Closed during interviewee's\n                  lifetime.\u003c/p\u003e\n          ","\u003cp\u003e Publicist with the NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actress and researcher with the LA FTP; researcher\n                  with the Seattle FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actress and researcher with the LA FTP; researcher\n                  with the Seattle FTP.\u003c/p\u003e\n          ","\u003cp\u003e Costume designer with the NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Stage manager with the Tampa FTP.Closed during\n                  interviewee's lifetime.\u003c/p\u003e\n          ","\u003cp\u003e Administrator with the Research Bureau, NYC\n                  FTP.This is an untaped interview.\u003c/p\u003e\n          ","\u003cp\u003e Staff member with the Educational Division, NYC\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP.\u003c/p\u003e\n          ","\u003cp\u003e Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP.\u003c/p\u003e\n          ","\u003cp\u003e Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP.\u003c/p\u003e\n          ","\u003cp\u003e Member of the Seattle Negro Repertory Theatre in\n                  the 1930s.Closed to any government agency.\u003c/p\u003e\n          ","\u003cp\u003e Set designer with the NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Worked with the NYC FTP. This is an untaped\n                  interview.\u003c/p\u003e\n          ","\u003cp\u003e Director with the FTP in the South; later with the\n                  Detroit FTP.\u003c/p\u003e\n          ","\u003cp\u003e Theatrical director with the Negro unit, NYC\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actor, director, writer with the Southwest\n                  Experimental unit of the LA FTP.\u003c/p\u003e\n          ","\u003cp\u003e Director with the Negro unit, LA FTP.\u003c/p\u003e\n          ","\u003cp\u003e Dancer with the NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Writer and playwright who submitted work to the\n                  Negro unit, NYC FTP.This is an untaped interview.\u003c/p\u003e\n          ","\u003cp\u003e Director with the Indiana FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the Seattle FTP.\u003c/p\u003e\n          ","\u003cp\u003e Dancer and choreographer with the Chicago FTP.\u003c/p\u003e\n          ","\u003cp\u003e Dancer with the NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the Chicago FTP.\u003c/p\u003e\n          ","\u003cp\u003e Writer with the Southwest Experimental unit of the\n                  LA FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actress and student of Hallie Flanagan at Vassar\n                  College.This is an untaped interview.\u003c/p\u003e\n          ","\u003cp\u003e Actor; director with Suitcase Theatre; assistant\n                  director with the Classical unit, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Director of casting with the Talent Bureau, NYC\n                  FTP.Closed pending release.\u003c/p\u003e\n          ","\u003cp\u003e Dancer with the NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Director of the Vaudeville productions, LA\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actor in Yiddish theater and New York University\n                  repertory groups during the FTP era.\u003c/p\u003e\n          ","\u003cp\u003e Conductor with the Michigan WPA Symphony\n                  Orchestra.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the LA and Portland (OR) FTP units.This\n                  is an untaped interview.\u003c/p\u003e\n          ","\u003cp\u003e With the WPA program in Connecticut; also with the\n                  CCC; founded the Plymouth Playhouse; worked briefly\n                  on the set of Faustus.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the Children's unit, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Researcher of the Chinese theater, Research\n                  Department, SF FTP.\u003c/p\u003e\n          ","\u003cp\u003e Choreographer with the Yiddish unit, NYC\n                  FTP.Closed during interviewee's lifetime.\u003c/p\u003e\n          ","\u003cp\u003e Radio script writer, Radio Division, NYC FTP.This\n                  is an untaped interview.\u003c/p\u003e\n          ","\u003cp\u003e Artist, muralist with the FAP in NY, NJ, and\n                  CA.Permission of interviewer required for\n                  publication.\u003c/p\u003e\n          ","\u003cp\u003e Actress and director with the marionette unit of\n                  the Miami FTP.\u003c/p\u003e\n          ","\u003cp\u003e Playwright in New York and San Francisco; write\n                  with the FWP.\u003c/p\u003e\n          ","\u003cp\u003e Administrator and legal counsel for the National\n                  Service Bureau, FTP.\u003c/p\u003e\n          ","\u003cp\u003e Administrator and legal counsel for the National\n                  Service Bureau, FTP.\u003c/p\u003e\n          ","\u003cp\u003e Hallie Flanagan's assistant who collected\n                  Flanagan's papers which were donated to the Theatre\n                  Collection, New York Public Library.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the Cleveland (OH) FTP.\u003c/p\u003e\n          ","\u003cp\u003e Composer for various productions, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Writer and director with the Radio Division, NYC\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actress with the NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Lyricist who wrote the words for \"Papa's Got a\n                  Job\" for Sing For Your Supper under the pseudonym of\n                  Hector Troy.This is an untaped interview.\u003c/p\u003e\n          ","\u003cp\u003e Playwright, play reader with the Playwriting\n                  Bureau, NYC FTP.Prior consent required for\n                  publication.\u003c/p\u003e\n          ","\u003cp\u003e Muralist with the Massachusetts and New York\n                  FAP.Permission of interviewer required for\n                  publication.\u003c/p\u003e\n          ","\u003cp\u003e Administrator, Playwriting Bureau, FTP.Permission\n                  of interviewee required; copyright conditions.\u003c/p\u003e\n          ","\u003cp\u003e Playwright in NYC whose works were produced by\n                  FTP.This is an untaped interview.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the Negro unit, NYC FTP. This is an\n                  untaped interview.\u003c/p\u003e\n          ","\u003cp\u003e Playwright and director with the Seattle\n                  FTP.Closed during Guy Williams's lifetime.\u003c/p\u003e\n          ","\u003cp\u003e Director with the Experimental unit, NYC\n                  FTP.Closed pending release.\u003c/p\u003e\n          ","\u003cp\u003e Administrative assistant with the Negro and\n                  Classical units, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actress with the Radio Division, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Administrator, Delaware FTP; with FTP national\n                  office, Washington, DC; with the San Francisco\n                  World's Fair, 1939.\u003c/p\u003e\n          ","\u003cp\u003e Administrator, Delaware FTP; with FTP national\n                  office, Washington, DC; with the San Francisco\n                  World's Fair, 1939.\u003c/p\u003e\n          ","\u003cp\u003e Administrative assistant to Philip Barber, NYC\n                  FTP. Closed during interviewee's lifetime.\u003c/p\u003e\n          ","\u003cp\u003e Assistant stage manager with the Living Newspaper\n                  unit, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Administrative assistant to Jasper Deeter, first\n                  director of the Pennsylvania/New Jersey FTP.\u003c/p\u003e\n          ","\u003cp\u003e Audience member, NYC FTP productions.\u003c/p\u003e\n          ","\u003cp\u003e Composer, NYC FMP.\u003c/p\u003e\n          ","\u003cp\u003e Director of the Anglo-Jewish unit, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Worked with Children's and Vaudeville units, Miami\n                  and Tampa FTP. Closed during Fernando Mesa's\n                  lifetime.\u003c/p\u003e\n          ","\u003cp\u003e Puppeteer with the Marionette unit, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the Classical unit, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Writer and playwright in NYC at the time of the\n                  FTP. This is an untaped interview.\u003c/p\u003e\n          ","\u003cp\u003e Actress, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actress, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Publicist, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the Chicago, Peoria, and Miami FTP;\n                  worked with sets and costumes in Chicago.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the Children's and Negro units, NYC\n                  FTP. Closed pending release.\u003c/p\u003e\n          ","\u003cp\u003e Concertmaster with the FMP Illinois Symphony.\u003c/p\u003e\n          ","\u003cp\u003e Composer with the NYC FTP; wrote the score for\n                  FTP's Created Equal.\u003c/p\u003e\n          ","\u003cp\u003e Publicist with the Negro unit, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Administrative director, NJ FTP; director of\n                  repertory unit, Roslyn, NY FTP. Written permission of\n                  interviewee required for publication.\u003c/p\u003e\n          ","\u003cp\u003e Playwright in NYC whose work was produced by the\n                  FTP. Permission to quote required by interviewee.\u003c/p\u003e\n          ","\u003cp\u003e Director, Denver FTP.\u003c/p\u003e\n          ","\u003cp\u003e Worked with Composers's Forum and Copying Project\n                  of the FMP.\u003c/p\u003e\n          ","\u003cp\u003e Choreographer, NYC FTP. This is an untaped\n                  interview.\u003c/p\u003e\n          ","\u003cp\u003e Artist, NY FAP. Permission of interviewer required\n                  for publication.\u003c/p\u003e\n          ","\u003cp\u003e Songwriter whose works were performed by NYC\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Administrator with Iowa FTP; assistant to E.C.\n                  Mabie, regional director for the Midwest FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the Seattle FTP.\u003c/p\u003e\n          ","\u003cp\u003e Playwright whose work was produced by the FTP.\u003c/p\u003e\n          ","\u003cp\u003e Composer and arranger with the Vaudeville unit, LA\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Set designer, LA FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the Anglo-Jewish unit, NYC FTP. Closed\n                  pending release.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the New Hampshire FTP. Closed pending\n                  release.\u003c/p\u003e\n          ","\u003cp\u003e Puppeteer in NYC familiar with the Marionette and\n                  Children's units, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Playwright in Chicago whose work was produced by\n                  the FTP.\u003c/p\u003e\n          ","\u003cp\u003e Administrator, director, actor, and playwright\n                  involved with the Seattle and Tacoma FTP, and the Des\n                  Moines FTP.\u003c/p\u003e\n          ","\u003cp\u003e Stage Manager with the Mercury Theatre, New\n                  York.\u003c/p\u003e\n          ","\u003cp\u003e Theatrical director with the Classical unit, NYC\n                  FTP. Closed pending release.\u003c/p\u003e\n          ","\u003cp\u003e Musical director with the Negro and Classical\n                  units, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Musical director with the Negro and Classical\n                  units. NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Worked with the National Youth Administration and\n                  the WPA in Iowa. Closed pending release.\u003c/p\u003e\n          ","\u003cp\u003e Administrator, National Play Bureau, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Worked with the Resettlement Administration.\u003c/p\u003e\n          ","\u003cp\u003e Actor with the Roslyn, NY FTP.\u003c/p\u003e\n          ","\u003cp\u003e Dancer with Tamiris's group, Dance Project, NYC\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Playwright based in Chicago whose works were\n                  produced by the FTP. Permission to quote over 100\n                  words required.\u003c/p\u003e\n          ","\u003cp\u003e Playwright based in Chicago whose works were\n                  produced by the FTP.\u003c/p\u003e\n          ","\u003cp\u003e Actress with the Vaudeville unit, LA FTP.\u003c/p\u003e\n          ","\u003cp\u003e Stage manager, actor, and lighting technician with\n                  the LA FTP.\u003c/p\u003e\n          ","\u003cp\u003e Stage manager, actor, and lighting technician, LA\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Administrator, Atlanta FTP.\u003c/p\u003e\n          ","\u003cp\u003e Lawyer who represented Orson Welles and John\n                  Houseman.\u003c/p\u003e\n          ","\u003cp\u003e Director with the NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Muralist with the Illinois FAP. Permission needed\n                  to quote over 100 words.\u003c/p\u003e\n          ","\u003cp\u003e Lighting director and technician with the Chicago\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Administrator with the Marionette unit of the NYC\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Puppeteer and lighting designer with the\n                  Marionette unit, NYC FTP.\u003c/p\u003e\n          ","\u003cp\u003e Theatrical director with the Seattle FTP. Closed\n                  during Mr. Williams's lifetime.\u003c/p\u003e\n          ","\u003cp\u003e Theatrical director with the Seattle FTP. Closed\n                  during Mr. Williams's lifetime.\u003c/p\u003e\n          ","\u003cp\u003e Stage manager with the Children's theater, NYC\n                  FTP.\u003c/p\u003e\n          ","\u003cp\u003e Artist with the Illinois and New York FAP.\u003c/p\u003e\n          ","\u003cp\u003e Research with the San Francisco Theatre History\n                  project; actor in several SF FTP productions.\u003c/p\u003e\n          ","\u003cp\u003e Worked with the GSA; recovered many FAP works and\n                  murals.\u003c/p\u003e\n          "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This compilation describes oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.","The interviews (transcripts and tapes) are arranged in alphabetical order by the subject's last name. The date of the interview is included along with the type of work or position held by the interviewee during the 1930s, with the location when known. The name of the interviewer(s) follows. In some cases a notation is made indicating that an interview is untaped. If the interview was a joint one, this information is noted. The type of media available (abstract, letter, notes, tape, and/or transcript)is then listed along with the number of pages or minutes of each type. Restrictions that may apply to certain interviews is the last information in an entry.","List of Abbreviations:","CCC - Civilian Conservation Corps, FAP - Federal Art Project, FERA - Federal Emergency Relief Administration, FMP - Federal Music Project, FTP - Federal Theatre Project, FWP - Federal Writers Project, GSA - General Services Administration, NYA - National Youth Administration, SECT - Section of Painting and Sculpture, WPA - Works Projects Adminstration","Widow of playwright Hughes Allison, whose work was\n                  produced by FTP.","Stage manager and director with the Negro unit,\n                  NYC FTP.","Costume designer with SF FTP.","Actress who auditioned for Negro Unit, NYC\n                  FTP.","Composer and director, SF FMP.","Technician, marionette artist, and actor with the\n                  Classical unit, NYC FTP.","Conductor, FMP's Virginia Symphony Orchestra and\n                  North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with NYC\n                  Federal Dance Theatre.","Dancer with the Negro unit, NYC FTP. Closed\n                  pending release.","Administrative director of the NYC FTP.","Administrative director of the NYC FTP.","Dancer with Federal Dance Project, NYC.","Worked with the Radio Division of FTP. This is an\n                  untaped interview.","Stage manager with the Manhattan City Projects,\n                  NYC.","Dancer and actor with NYC FTP units.","Set designer for various NYC FTP productions.","Son-in-law of Hallie Flanagan; writer and critic\n                  of modern drama.","Step-daughter of Hallie Flanagan. Closed pending\n                  release.","Artist, muralist. Unidentified interviewer may\n                  have residual rights to interview.","Actor with Children's Theatre and Living Newspaper\n                  units of NYC FTP.","Writer who worked with the National Play Bureau,\n                  NYC FTP. Restricted during interviewee's\n                  lifetime.","Novelist, film writer, journalist, NYC, LA.\n                  Approval of Sylviane Bessie required.","Costume designer with SF FTP.","Administrator with NYC FTP Radio Division; also\n                  worked as publicist with NYC FTP. This is an untaped\n                  interview.","Composer, musician; wrote Swing It for NYC FTP.\n                  Closed pending release.","Playwright whose play, Battle Hymn, written with\n                  Michael Gold, was produced by various FTP units.","Artist, muralist with NYC FAP. Permission for\n                  publication required.","[see Bolton, Philip.]","Son of Harold (director and choreographer with NYC\n                  FTP) and Rhoda Rammelkamp Bolton (costume designer,\n                  NYC FTP). This is an untaped interview.","[see Bolton, Philip.]","Costume designer with NYC FTP.","Director of Play Bureau; in charge of exhibits;\n                  head of Play Reading Bureau within the National\n                  Office of FTP.","Actor with LA FTP. This is an untaped\n                  interview.","Director and actor with Chicago FTP.","Director and actress with Chicago FTP.","Actor with LA FTP.","Director of marionette unit of LA FTP.","Artist with FAP. Permission for publication\n                  required.","Playwright whose work was produced by Seattle FTP;\n                  also a writer with Boston FTP.","Actor with Children's unit of NYC FTP.","Sound technician with Living Newspaper unit of NYC\n                  FTP.","Publicist with NYC FTP.","Artist, muralist with FAP. Closed pending\n                  release.","Playwright whose work, Reward, was produced by the\n                  Tampa FTP. Closed during Fernando Mesa's\n                  lifetime.","Director of Lafayette Theatre's Negro unit of NYC\n                  FTP. This is an untaped interview.","Personnel administrator with NYC and Florida FTP\n                  units.","Artist, administrator with Ohio FAP. Permission\n                  with interviewer required for publication.","Actor, stage manager with Portland, OR FTP. Closed\n                  during interviewee's lifetime.","Playwright whose work was produced by Denver\n                  FTP.","Publicist with Federal Dance Theatre, NYC FTP.\n                  Closed pending release.","Writer and theater critic. Closed pending\n                  release.","Director of marionette units, SF and LA FTP;\n                  costume designer.","Director of marionette units, SF and LA FTP;\n                  costume designer.","Choreographer and dancer with Federal Dance\n                  Project, NYC FTP.","Artist with the Illinois and District of Columbia\n                  FAP. Permission of interviewer required for\n                  publication.","See Schnitzer, Marcella Cisney.","With Children's Theatre unit, NYC FTP.","Theatrical director with Experimental and\n                  Children's units, NYC FTP.","Assistant stage manager with Classical unit, NYC\n                  FTP.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, NYC FTP.","Director of Play Bureau, NYC FTP. Closed until\n                  completion of dissertation.","District supervisor with SF FTP.","Supervisor of Copyists unit of Philadelphia FMP;\n                  conductor of Philadelphia Orchestra.","Director of Negro unit, Boston FTP. Permission to\n                  quote required.","Director of Negro unit, Boston FTP.","Playwright whose works were produced by various\n                  FTP units.","Actor with NYC FTP.","Actor with Classical unit,NYC FTP.","Playwright whose work, Swamp Mud, was produced in\n                  Birmingham, AL.","WPA administrative assistant and secretary,\n                  Washington, D.C. and NY. Closed pending release.","Sculptor with FAP. Permission of interviewer\n                  required for publication.","Administrative assistant to Ellen Woodward, WPA's\n                  head of Woman's and Professional Division,\n                  Washington, D.C. FTP. This is an untaped\n                  interview.","Actress with Roslyn, NY unit of FTP.","Actress, dancer, playwright, and marionette\n                  manipulator with SF FTP.","Actor and director with Radio Division, NYC\n                  FTP.","Worked with various productions of FTP in\n                  California. Permission of interviewer required for\n                  publication.","Actor with the Roslyn, NY FTP unit.","Writer with Radio Division, NYC FTP.","Finance administrator, WPA arts projects,\n                  Washington, D.C.","Actor with Popular Price Theatre, NYC FTP. Closed\n                  pending release.","Music director with the Negro unit, NYC FTP.","Dancer and choreographer with the dance unit, NYC\n                  FTP.","Dancer with the dance unit, NYC FTP.","Play adapter and choreographer with Classical\n                  unit, NYC FTP.","Assistant to Hallie Flanagan at Smith College;\n                  playwright.","Playwright with Chicago FTP. Permission to quote\n                  over 100 words required.","Assistant stage manager with Negro unit, NYC\n                  FTP.","Worked in Herbert Hoover's and Harry Hopkins's\n                  press offices.","Student of Hallie Flanagan; expert in children's\n                  theater.","Director of Vaudeville unit, Los Angeles, FTP.\n                  Closed pending release.","Set designer with the Roslyn, NY unit of the\n                  FTP.","Actress with the Children's Theatre, NYC FTP.","Set designer with the Los Angeles FTP.","Actress with the Los Angeles FTP.","Musical composer and director with various units,\n                  NYC FMP and FTP.","Musical composer and director with various units,\n                  NYC FMP and FTP.","Director of Negro unit and Children's unit,\n                  Chicago, FTP. Closed pending release.","Director of Southwest Experimental unit, Los\n                  Angeles FTP.","Administrative assistant to Hallie Flanagan,\n                  national office, FTP.","Director, Midwest FTP; administrator for Federal\n                  Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical\n                  units, NYC FTP. Closed pending release.","Brother of Hallie Flanagan. This is an untaped\n                  interview.","Administrator with the National Play Bureau;\n                  playwright, play reader, NYC FTP.","Director of Miami unit, FTP.","Actor with SF FTP","Actress with the Classical unit, NYC FTP","Actor with Children's Theatre, NYC FTP","Writer with Radio Division, Illinois Writers'\n                  Project","Producer and Theatrical Director, NYC FTP","Wife of Ralph Freud, theatrical director and actor\n                  with LA FTP","Wife of Ralph Freud, theatrical director and actor\n                  with LA FTP.","Theatrical director and actor with LA and SF\n                  FTP.","Playwright and technical assistant with the\n                  Detroit FTP.","Composer; accompanist with Dance Project, LA\n                  FTP.","Dancer and assistant to Doris Humphrey with the\n                  Dance Project, NYC FTP.","Actor, NYC FTP.","Writer and Publicist with FWP and the Negro unit,\n                  NYC FTP; play reader with FTP Play Bureau. Closed\n                  pending release.","Dancer with the Dance Project, NYC FTP","Actor and founder of Chicago Repertory Group,\n                  1933.","Administrator, Bureau of research and Publications\n                  of FTP.","Administrator, Bureau of Research and Publications\n                  of FTP.","Actor with the Chicago FTP.","Dancer with the Chicago FTP.","Actress and dancer with the Vaudeville unit, LA\n                  FTP","Actor with the LA FTP; director with the Seattle\n                  FTP.","State director of the Illinois FMP.","Publicist with NYC FTP; director, Department of\n                  Information, FTP.","Designer, theater historian; critic.","Theatrical director with the Atlanta, Tampa, and\n                  Chicago units of the FTP.","Theatrical director with the Atlanta, Tampa, and\n                  Chicago units of the FTP.","Playwright, some of whose works were produced by\n                  various FTP units.","Musical director with the LA and SF FTP.\n                  Permission to quote more than 100 words required.","Musical director with the LA and SF FTP.Closed\n                  until 1996; or permission of interviewee.","Art director with the Atlanta FTP.","Staff composer and arranger with FTP.","Stage manager and publicity director with the\n                  Living Newspaper unit, NYC FTP.","Writer and researcher with the Living Newspaper\n                  unit, NYC FTP.","Play reader and playwright with the NYC FTP.\n                  Permission required for commercial use.","Play reader and playwright with the NYC FTP. Closed\n                  pending release.","Muralist with the FAP and SECT in NY and Ohio.\n                  Permission of interviewer required for\n                  publication.","Writer, critic, producer, designer with the NY\n                  theaters i the 1930s.","Producer and administrator with the Negro and\n                  Classical units, NYC FTP.","Participated in the Resettlement\n                  Administration.","Son of Edith Isaacs, editor of Theatre Arts\n                  Magazine; friend of FTP. This is an untaped\n                  interview.","Lighting designer with the LA FTP. This is an\n                  untaped interview.","Theatrical director familiar with the LA and NYC\n                  FTP.","Publicist and promotion officer with the NYC\n                  FTP.","Director of information with the NYC FMP.","Actor with the SF FTP.","Songwriter and composer with the NYC FTP.","Choreographer and dancer with the Dance Project,\n                  LA FTP.","Actress with the San Bernardino/Riverside and LA\n                  FTP.","Stagehand with the NYC FTP.Closed pending\n                  release.","Playwright with the NYC FTP.","Administrative director, Chicago and NYC FTP.","Concertmaster of the Grand Rapids, MI FTP\n                  orchestra.","Stage manager, administrator, theatrical director\n                  with the FTP in NYC, Washington, D.C., and Seattle,\n                  WA.","Stage manager, administrator, theatrical director\n                  with the FTP in NYC, Washington, D.C., and Seattle,\n                  WA.","Playwright whose works were produced by the NYC\n                  FTP. Closed pending release.","Actress with the SF and Oakland FTP. This is an\n                  untaped interview.","Dancer with the Dance Project, NYC FTP.","Actress with the Classical unit, NYC FTP.","Administrator with the National Service Bureau of\n                  the FTP.","Director, National Service Bureau of the FTP.","Director of Bureau of Research and Publication,\n                  NYC FTP.Bound with the 1-4-76 transcript.","Director of Bureau of Research and Publication,\n                  NYC FTP.Bound with the 1-3-76 transcript.","Actress with the Negro unit, NYC FTP. Closed\n                  during interviewee's lifetime.","Puppeteer with the Marionette Project, NYC\n                  FTP.Closed during lifetime.","Publicist with NYC and Chicago FTP. Interview not\n                  to be used for gain or profit without the consent of\n                  the interviewee.","Actor with the several units of the NYC FTP.","Lyricist whose work was featured in the NYC FTP\n                  production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta\n                  FTP.Permission for use required during Mr. Lentz's\n                  lifetime.","Actor with NYC FTP.","Set designer with NYC FTP.","Playwright whose Model Tenements was produced by\n                  the Chicago FTP.","Dancer with the Dance Project, LA FTP.","Teacher and conductor with NYC FMP. Closed during\n                  interviewee's lifetime.","Interviewee's husband, Gerhardt Lindemulder, was a\n                  director with the FTP in Louisiana and Florida.","Vaudeville performer with the FTP.","Dancer with the Children's unit and Dance Project,\n                  NYC FTP.Tape restricted.","Puppet artist with the Marionette unit, NYC\n                  FTP.","Actor with the Living Newspaper unit, NYC FTP.","Costume designer with FTP units in Seattle and\n                  Tacoma, WA.Closed during Mr. Williams's lifetime.","Conductor with the Vermont FMP.","Father of Sidney Lumet, child actor with the\n                  Yiddish unit, NYC FTP.","Administrative director with the Florida FTP.","Actor with the Chicago FTP.Closed during\n                  interviewee's lifetime.","Actor with the Jacksonville and Miami FTP.Closed\n                  during interviewee's lifetime.","Marionette artist with the SF FTP.Quotations must\n                  be accurate.","Playwright whose work was produced by NYC FTP.","Actress with the Classical unit, NYC FTP.","Actor with the Chicago FTP.","Actor with the Atlanta FTP.","Playwright and researcher with the National Play\n                  Bureau of the FTP.Closed during interviewee's\n                  lifetime.","Publicist with the NYC FTP.","Actress and researcher with the LA FTP; researcher\n                  with the Seattle FTP.","Actress and researcher with the LA FTP; researcher\n                  with the Seattle FTP.","Costume designer with the NYC FTP.","Stage manager with the Tampa FTP.Closed during\n                  interviewee's lifetime.","Administrator with the Research Bureau, NYC\n                  FTP.This is an untaped interview.","Staff member with the Educational Division, NYC\n                  FTP.","Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP.","Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP.","Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP.","Member of the Seattle Negro Repertory Theatre in\n                  the 1930s.Closed to any government agency.","Set designer with the NYC FTP.","Worked with the NYC FTP. This is an untaped\n                  interview.","Director with the FTP in the South; later with the\n                  Detroit FTP.","Theatrical director with the Negro unit, NYC\n                  FTP.","Actor, director, writer with the Southwest\n                  Experimental unit of the LA FTP.","Director with the Negro unit, LA FTP.","Dancer with the NYC FTP.","Writer and playwright who submitted work to the\n                  Negro unit, NYC FTP.This is an untaped interview.","Director with the Indiana FTP.","Actor with the Seattle FTP.","Dancer and choreographer with the Chicago FTP.","Dancer with the NYC FTP.","Actor with the Chicago FTP.","Writer with the Southwest Experimental unit of the\n                  LA FTP.","Actress and student of Hallie Flanagan at Vassar\n                  College.This is an untaped interview.","Actor; director with Suitcase Theatre; assistant\n                  director with the Classical unit, NYC FTP.","Director of casting with the Talent Bureau, NYC\n                  FTP.Closed pending release.","Dancer with the NYC FTP.","Director of the Vaudeville productions, LA\n                  FTP.","Actor in Yiddish theater and New York University\n                  repertory groups during the FTP era.","Conductor with the Michigan WPA Symphony\n                  Orchestra.","Actor with the LA and Portland (OR) FTP units.This\n                  is an untaped interview.","With the WPA program in Connecticut; also with the\n                  CCC; founded the Plymouth Playhouse; worked briefly\n                  on the set of Faustus.","Actor with the Children's unit, NYC FTP.","Researcher of the Chinese theater, Research\n                  Department, SF FTP.","Choreographer with the Yiddish unit, NYC\n                  FTP.Closed during interviewee's lifetime.","Radio script writer, Radio Division, NYC FTP.This\n                  is an untaped interview.","Artist, muralist with the FAP in NY, NJ, and\n                  CA.Permission of interviewer required for\n                  publication.","Actress and director with the marionette unit of\n                  the Miami FTP.","Playwright in New York and San Francisco; write\n                  with the FWP.","Administrator and legal counsel for the National\n                  Service Bureau, FTP.","Administrator and legal counsel for the National\n                  Service Bureau, FTP.","Hallie Flanagan's assistant who collected\n                  Flanagan's papers which were donated to the Theatre\n                  Collection, New York Public Library.","Actor with the Cleveland (OH) FTP.","Composer for various productions, NYC FTP.","Writer and director with the Radio Division, NYC\n                  FTP.","Actress with the NYC FTP.","Lyricist who wrote the words for \"Papa's Got a\n                  Job\" for Sing For Your Supper under the pseudonym of\n                  Hector Troy.This is an untaped interview.","Playwright, play reader with the Playwriting\n                  Bureau, NYC FTP.Prior consent required for\n                  publication.","Muralist with the Massachusetts and New York\n                  FAP.Permission of interviewer required for\n                  publication.","Administrator, Playwriting Bureau, FTP.Permission\n                  of interviewee required; copyright conditions.","Playwright in NYC whose works were produced by\n                  FTP.This is an untaped interview.","Actor with the Negro unit, NYC FTP. This is an\n                  untaped interview.","Playwright and director with the Seattle\n                  FTP.Closed during Guy Williams's lifetime.","Director with the Experimental unit, NYC\n                  FTP.Closed pending release.","Administrative assistant with the Negro and\n                  Classical units, NYC FTP.","Actress with the Radio Division, NYC FTP.","Administrator, Delaware FTP; with FTP national\n                  office, Washington, DC; with the San Francisco\n                  World's Fair, 1939.","Administrator, Delaware FTP; with FTP national\n                  office, Washington, DC; with the San Francisco\n                  World's Fair, 1939.","Administrative assistant to Philip Barber, NYC\n                  FTP. Closed during interviewee's lifetime.","Assistant stage manager with the Living Newspaper\n                  unit, NYC FTP.","Administrative assistant to Jasper Deeter, first\n                  director of the Pennsylvania/New Jersey FTP.","Audience member, NYC FTP productions.","Composer, NYC FMP.","Director of the Anglo-Jewish unit, NYC FTP.","Worked with Children's and Vaudeville units, Miami\n                  and Tampa FTP. Closed during Fernando Mesa's\n                  lifetime.","Puppeteer with the Marionette unit, NYC FTP.","Actor with the Classical unit, NYC FTP.","Writer and playwright in NYC at the time of the\n                  FTP. This is an untaped interview.","Actress, NYC FTP.","Actress, NYC FTP.","Publicist, NYC FTP.","Actor with the Chicago, Peoria, and Miami FTP;\n                  worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, NYC\n                  FTP. Closed pending release.","Concertmaster with the FMP Illinois Symphony.","Composer with the NYC FTP; wrote the score for\n                  FTP's Created Equal.","Publicist with the Negro unit, NYC FTP.","Administrative director, NJ FTP; director of\n                  repertory unit, Roslyn, NY FTP. Written permission of\n                  interviewee required for publication.","Playwright in NYC whose work was produced by the\n                  FTP. Permission to quote required by interviewee.","Director, Denver FTP.","Worked with Composers's Forum and Copying Project\n                  of the FMP.","Choreographer, NYC FTP. This is an untaped\n                  interview.","Artist, NY FAP. Permission of interviewer required\n                  for publication.","Songwriter whose works were performed by NYC\n                  FTP.","Administrator with Iowa FTP; assistant to E.C.\n                  Mabie, regional director for the Midwest FTP.","Actor with the Seattle FTP.","Playwright whose work was produced by the FTP.","Composer and arranger with the Vaudeville unit, LA\n                  FTP.","Set designer, LA FTP.","Actor with the Anglo-Jewish unit, NYC FTP. Closed\n                  pending release.","Actor with the New Hampshire FTP. Closed pending\n                  release.","Puppeteer in NYC familiar with the Marionette and\n                  Children's units, NYC FTP.","Playwright in Chicago whose work was produced by\n                  the FTP.","Administrator, director, actor, and playwright\n                  involved with the Seattle and Tacoma FTP, and the Des\n                  Moines FTP.","Stage Manager with the Mercury Theatre, New\n                  York.","Theatrical director with the Classical unit, NYC\n                  FTP. Closed pending release.","Musical director with the Negro and Classical\n                  units, NYC FTP.","Musical director with the Negro and Classical\n                  units. NYC FTP.","Worked with the National Youth Administration and\n                  the WPA in Iowa. Closed pending release.","Administrator, National Play Bureau, NYC FTP.","Worked with the Resettlement Administration.","Actor with the Roslyn, NY FTP.","Dancer with Tamiris's group, Dance Project, NYC\n                  FTP.","Playwright based in Chicago whose works were\n                  produced by the FTP. Permission to quote over 100\n                  words required.","Playwright based in Chicago whose works were\n                  produced by the FTP.","Actress with the Vaudeville unit, LA FTP.","Stage manager, actor, and lighting technician with\n                  the LA FTP.","Stage manager, actor, and lighting technician, LA\n                  FTP.","Administrator, Atlanta FTP.","Lawyer who represented Orson Welles and John\n                  Houseman.","Director with the NYC FTP.","Muralist with the Illinois FAP. Permission needed\n                  to quote over 100 words.","Lighting director and technician with the Chicago\n                  FTP.","Administrator with the Marionette unit of the NYC\n                  FTP.","Puppeteer and lighting designer with the\n                  Marionette unit, NYC FTP.","Theatrical director with the Seattle FTP. Closed\n                  during Mr. Williams's lifetime.","Theatrical director with the Seattle FTP. Closed\n                  during Mr. Williams's lifetime.","Stage manager with the Children's theater, NYC\n                  FTP.","Artist with the Illinois and New York FAP.","Research with the San Francisco Theatre History\n                  project; actor in several SF FTP productions.","Worked with the GSA; recovered many FAP works and\n                  murals."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\n\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003e This compilation describes oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\n\u003c/abstract\u003e\n    "],"abstract_tesim":["This compilation describes oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project."],"corpname_ssim":["George Mason University. Special Collections and Archives.","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project.","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","United States. Works Progress Administration."],"names_ssim":["George Mason University. Special Collections and Archives.","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project.","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","United States. 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